Podcasts about marking time

Tommye McClure Scanlin had a choice. To make the images she wanted to create with weaving, she could either pursue complex forms of weaving that rely on dobby, jacquard, and draw-loom technology—or she could go the other way and place every color and pick by hand using tapestry techniques and a very simple loom. Preferring a drawing pencil to a calculator, she made the choice that now seems inevitable and dove headlong into tapestry. She speaks of herself modestly as a “picture-maker,” but Tommye's imagery reveals the richness of her surroundings. She has lived most of her life in the Southern Appalachian region of North Georgia, and her artwork delves deeply into the natural world that surrounds her. Her woven work comprises many leaves and plants as well as feathers, seeds, and stones. The restrained subject matter is all the better to play with a variety of styles and perspectives. In addition to her main artistic works, Tommye explores creativity through formal restrictions: using the roll of a die to direct her next color, or challenging herself to add an installment each day in a woven diary. The woven diary project has developed into not only a series of beautiful records spanning more than a decade but also her latest book. Marking Time with Fabric and Thread : Calendars, Diaries, and Journals within Your Fiber Craft describes the daily textile practice of not only weavers but also quilters, embroiderers, and other fiber artists. Tommye's first steps in fiber art came as an art teacher, and she went on to establish the fiber arts program at the University of North Georgia. Now retired from her academic career, she has taught at programs such as the John C. Campbell Folk School, Arrowmont, and Penland. Besides teaching in person, she writes articles and books on tapestry techniques and design principles. Links Tommye McClure Scanlin's website (https://www.scanlintapestry.com/) Gallery of Tommye's daily tapestry diaries (https://www.scanlintapestry.com/tapestrydiary) The Nature of Things: Essays of a Tapestry Weaver (https://www.scanlintapestry.com/new-page) Tapestry Design Basics and Beyond (https://www.scanlintapestry.com/new-page-3) Tommye's latest book is Marking Time with Fabric and Thread : Calendars, Diaries, and Journals within Your Fiber Craft (https://schifferbooks.com/products/marking-time-with-fabric-and-thread?_pos=2&_sid=ce1eb2a0e&_ss=r), available October 2024 Read Tommye's articles for Little Looms (https://littlelooms.com/author/tommye-mcclure-scanlin) and Handwoven (https://handwovenmagazine.com/author/tommye-mcclure-scanlin) This episode is brought to you by: Treenway Silks is where weavers, spinners, knitters and stitchers find the silk they love. Select from the largest variety of silk spinning fibers, silk yarn, and silk threads & ribbons at TreenwaySilks.com (https://www.treenwaysilks.com/). You'll discover a rainbow of colors, thoughtfully hand-dyed in Colorado. Love natural? Treenway's array of wild silks provide choices beyond white. If you love silk, you'll love Treenway Silks, where superior quality and customer service are guaranteed. You're ready to start a new project but don't have the right yarn. Or you have the yarn but not the right tool. Yarn Barn of Kansas can help! They stock a wide range of materials and equipment for knitting, weaving, spinning, and crochet. They ship all over the country, usually within a day or two of receiving the order. Plan your project this week, start working on it next week! See yarnbarn-ks.com (https://www.yarnbarn-ks.com/) to get started. Sustainability and regenerative ranching have been a way of life for the ranches of Shaniko Wool Company for decades. They are the first “farm group” in the U.S. to achieve certification to the rigorous international Responsible Wool Standard and NATIVA Regenerative. Shaniko ranches raise Merino/Rambouillet sheep in the Western United States, delivering a fully traceable wool supply that gives back to the Earth and its ecosystems. To learn more, and discover Shaniko's yarn partners, visit ShanikoWoolCompany.com. (https://www.shanikowoolcompany.com/)

It's Episode 12 of Season 21. Ride the Sleepless Express into tales about creepy collectibles. "Marking Time" written by Shannon Taft (Story starts around 00:03:00) Produced by: Phil Michalski Cast: Herman Zeiten - Mike DelGaudio, Jeffrey Pascale - Jeff Clement, Woodrow Jackson - Jesse Cornett, Ed Akimo - Dan Zappulla, Carl Runcie - Matthew Bradford, Pamela Fisher - Nikolle Doolin, Flower Brooks-North - Erin Lillis, Narrator - David Cummings "People Have to Know" written by Dannye Chase (Story starts around 00:27:30) TRIGGER WARNING! Produced by: Phil Michalski Cast: Kathryn - Sarah Thomas, Ed - Atticus Jackson, June - Kristen DiMercurio, Narrator - David Cummings "The Tragedy of the Laughing Clown" written by Zak Cowell (Story starts around 00:52:00) Produced by: Jeff Clement Cast: Narrator - Dan Zappulla, Seller - Erin Lillis, The Clown - Jesse Cornett "Box-o-Screams" written by Lisel Jones (Story starts around 01:12:45) Produced by: Jesse Cornett Cast: Ray - David Ault, Kim - Ash Millman, Mac - James Cleveland, Nadya - Penny Scott-Andrews "The One with the Haunted Friends Episodes" written by Chris Evangelista (Story starts around 01:52:25) TRIGGER WARNING! Produced by: Phil Michalski Cast: Dr. Edgar Burmingham - Graham Rowat Click here to learn more about The NoSleep Podcast team Click here to learn more about Dannye Chase Click here to learn more about Lisel Jones Executive Producer & Host: David Cummings Musical score composed by: Brandon Boone "The Tragedy of the Laughing Clown" illustration courtesy of Jorn Audio program ©2024 - Creative Reason Media Inc. - All Rights Reserved - No reproduction or use of this content is permitted without the express written consent of Creative Reason Media Inc. The copyrights for each story are held by the respective authors.

Buffy reflects on four years of Things That Will Help and names the power of standing still, looking back, and marking moments in time as a way to measure our transformation. She shares stories of witnessing and being witnessed as ways to invite in wonder, peace, and trust.  Marking time, and naming it, is an incredible way to feel the impact of this moment in your life and how you got here, before you move on to what's next.

Gearhead Consultants and Garage Hour hosts Justin Case and Marking Time met up high above the city to watch it all burn during our recent eclipsalypse.  Rounds were chambered, pizza from Sprouts was et, and beers from Red Leg, Pike's Peak, Outer Range and Dry Dock were sipped, but unfortunately, no pepperoni armed pajama perp apocalypse was thwarted, not even in the driveway.  Fortunately, Justin and Justmark didn't mind missing “shoot, shovel and shut up” because doin's were to be discussed: a positive word or three about hybrid automotive technology, the growing dumbness of nanny tech in cars, Eneos sneg for fun and kitchen, Van Café and LaRue for edible freebies, and Dude Food ala dove and grilled sirloin from Omaha Steaks. Don't forget the sauce: Led Zeppelin, free televisions, Gold Camp Road, apocalypse booze and getaway vehicles, some guns, historical eclipses, more electric car fails, and Chuck Norris.

Gearhead Consultants and Garage Hour hosts Justin Case and Marking Time met up high above the city to watch it all burn during our recent eclipsalypse.  Rounds were chambered, pizza from Sprouts was et, and beers from Red Leg, Pike's Peak, Outer Range and Dry Dock were sipped, but unfortunately, no pepperoni armed pajama perp apocalypse was thwarted, not even in the driveway.  Fortunately, Justin and Justmark didn't mind missing “shoot, shovel and shut up” because doin's were to be discussed: a positive word or three about hybrid automotive technology, the growing dumbness of nanny tech in cars, Eneos sneg for fun and kitchen, Van Café and LaRue for edible freebies, and Dude Food ala dove and grilled sirloin from Omaha Steaks. Don't forget the sauce: Led Zeppelin, free televisions, Gold Camp Road, apocalypse booze and getaway vehicles, some guns, historical eclipses, more electric car fails, and Chuck Norris.

Valentine's feels pretty imperfect on the best of days.. especially as a parent.And, anytime you're on your own, or the only adult.. it can be a little tough..So, I Love the production surprise of sweetness (

You may have heard the advice to not allow your gas tank to get too low before refueling. Is that really necessary? What's the harm if you let it go to E? And can't you just go by the thing on your dashboard that tells you how many miles until empty? This episode begins with an important explanation. https://www.bostonherald.com/2021/07/27/2386931/ Do you have things in your home you never use? Who doesn't? Clothes, appliances, books you will never read, and the list goes on. You probably even have boxes of things and you don't even remember what's inside those boxes. Getting rid of old stuff is hard for many of us – even if we never plan to use it. It turns out though, that if you could just get started you will likely find the experience rather satisfying according to Matt Paxton. Matt has spent over 20 years helping people confront their stuff. He was a featured cleaner on the TV show Hoarders and hosts the PBS series “Legacy List with Matt Paxton”. Matt is also author of the book Keep the Memories Lose the Stuff (https://amzn.to/3tWDiyj). Listen as he joins me to offer some great advice. We all experience the passage of time. Yet how we measure time has changed a lot. For most of human history, knowing the precise time wasn't all that that important. Today however, we use amazingly sophisticated instruments to keep very precise time all around the world. It is an absolute necessity. Joining me to explain why and discuss the fascinating story of how we keep time is Chad Orzel. He is an associate professor in the Department of Physics and Astronomy at Union College in Schenectady, NY and author of the book A Brief History of Timekeeping: The Science of Marking Time, from Stonehenge to Atomic Clocks (https://amzn.to/3H9lVOI) Sometimes when you look at the front of a car, it seems to resemble a human face which sort of gives it a sense of personality. Some cars look happy while other cars have a more serious - almost intimidating or aggressive “faces.” You may have wondered if that was intentional or just a coincidence? Listen as I give you the explanation. http://www.fsu.edu/news/2008/11/26/car.personality/ PLEASE SUPPORT OUR SPONSORS! NerdWallet lets you compare top travel credit cards side-by-side to maximize your spending! Compare and find smarter credit cards, savings accounts, and more today at https://NerdWallet.com Indeed is offering SYSK listeners a $75 Sponsored Job Credit to get your jobs more visibility at https://Indeed.com/SOMETHING Learn more about your ad choices. Visit podcastchoices.com/adchoices

Is every day like the other, just one amorphous routine, a treadmill we jump onto, and then crawl off and into bed? When we look back on the last year or month, can we remember moments that we enjoyed, that made us feel alive?Music: https://www.purple-planet.com

On this episode of Showcase, watch: Contemporary Istanbul 00:02 Rio Biennial 04:22 Marking Time Exhibit 06:52 Frans Hals in London 09:52 Frieze Sculpture 13:25 Between Two Cultures 15:52 Loot – 10 Stories 18:16 Tokyo Story 21:10

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Episode 12 with Brooklyn Artist, Audrey Stone. Audrey is a painter that works with line, color and subtle color gradients. She observes the shifting color and light innate and describes it as an ecstatic experience. Audrey received her MFA from Hunter College and her BFA from Pratt Institute focusing on painting. She has exhibited widely across the United States as well as in Austria, Bulgaria, the Czech Republic, England, France and  Japan. Audrey has shown with Morgan Lehman Gallery, McKenzie Fine Art,  the Andy Warhol Museum, the Arkansas Art Center, the Columbus Museum, Geoffrey Young Gallery, Kentler International Drawing Space, Kenise Barnes Fine Art, ODETTA Gallery,  and Yerba Buena Center for the Arts. Her work is in many public collections including the Cleveland clinic, Credit Suisse, Fidelity Investments, New York Presbyterian Hospital and many more.  In this conversation we talk about line, about moving through various stages of work , about the constants of a place and the markers of what is left in a place. It's about imperfect perfection, soft edge painting, moments o excitement and calm. We talked about creating paintings about unimaginable places as a way to understand the unknowable and the stories that are lost. We talk about color, showing the work and so much more!Please Subscribe to the show, leave a review and share this episode on social media or with friends! Check out our website for more information and follow us on @artist_and_place Steam Clock. Theme music by @GraceImago Podcast graphic design by @RobKimmel

. Try researching on your own. Use some of the following resources to learn more.Making Sense of the Cross (2011) by David LoseWalk in Love: Episcopal Beliefs and Practices (2018) by Scott Gunn and Melody Wilson Shobe (especially chapters 11, 12, and 22).The Scriptures, the Cross, and the Power of God (2006) by Tom WrightSeven Last Words: An Invitation to a Deeper Friendship with Jesus (2016) by Jame MartinCross-Shattered Christ: Meditations on the Seven Last Words (2011) by Stanley Hauerwas You might be interested in other ChurchNext classes on the cross and the resurrection.Consider the following courses:Making Sense of the Cross, Part 1 with David Lose.Making Sense of the Cross, Part 2 with David Lose.Making Sense of the Cross, Part 3 with David Lose.Finding the Resurrected Jesus with Susan Goff.Walk in Love, Part 2: Marking Time with Scott Gunn and Melody Wilson Shobe.Walk in Love, Part 5: The Trinitarian Life with Scott Gunn And Melody Wilson Shobe.

Across her 40-year-long career, the photographer Tina Barney has become internationally renowned for capturing her particular milieus—family, friends, and neighbors in Watch Hill, Rhode Island, most notably, but also in New York and Sun Valley, Idaho. On this week's episode of Time Sensitive, she talks about her new book, The Beginning (Radius Books), and corresponding Kasmin gallery show (on view through April 22), which bring together some of her earliest images, taken between 1976 and 1980; what she views as the underlying sources of nostalgia; the fascinating natures of ritual and tradition; and the small miracles that can exist within a single photograph.Special thanks to our Season 7 sponsor, L'ÉCOLE, School of Jewelry Arts.[11:20] “China Visit” (2006)[16:28] “Marina's Room” (1987)[18:40] Watch Hill, Rhode Island[19:16] “The Europeans” (1996–2004)[32:01] “Big Pictures by Contemporary Photographers” at MoMA (1983)[32:07] “Sunday New York Times” (1982)[32:50] “Tina Barney” at MoMA (1990)[33:31] John Szarkowski[38:43] Sun Valley Center for the Arts[47:07] Theater of Manners (1997)[47:10] Players (2011)[47:12] Tina Barney Rizzoli monograph (2017)[47:16] Tina Barney: The Beginning (2023)[47:17] Radius Books[48:55] Kasmin Gallery[51:26] “Waterslide in Fog” (1979)[54:39] “The Suits” (1977)[54:40] “The Twins” (1977)[57:53] ““Amy, Phil, and Brian” (1980)[01:00:04] Robert Liebrich

------------------Support the channel------------ Patreon: https://www.patreon.com/thedissenter PayPal: paypal.me/thedissenter PayPal Subscription 1 Dollar: https://tinyurl.com/yb3acuuy PayPal Subscription 3 Dollars: https://tinyurl.com/ybn6bg9l PayPal Subscription 5 Dollars: https://tinyurl.com/ycmr9gpz PayPal Subscription 10 Dollars: https://tinyurl.com/y9r3fc9m PayPal Subscription 20 Dollars: https://tinyurl.com/y95uvkao This show is sponsored by Enlites, Learning & Development done differently. Check the website here: http://enlites.com/ Dr. Chad Orzel is an Associate Professor in the Department of Physics and Astronomy at Union College in Schenectady, NY, where he teaches a wide range of classes, and does research on atomic, molecular, and optical physics. His latest book is A Brief History of Timekeeping: The Science of Marking Time, from Stonehenge to Atomic Clocks. In this episode, we focus on A Brief History of Timekeeping. Topics include: timekeeping as a human universal; what a clock is; using the “movements” of the Sun; using other stars and the moon; how the cycle of the zodiac got invented; how different calendars got created; the influence of politics and religion on timekeeping; the first clocks; how mechanical clocks work; how global empires and astronomy influenced the evolution of clocks; the development of standardized time zones; the ways by which the physical nature of time differ from the human understanding of it; quantum clocks and their applications; and potential new clocks in the future. -- A HUGE THANK YOU TO MY PATRONS/SUPPORTERS: PER HELGE LARSEN, JERRY MULLER, HANS FREDRIK SUNDE, BERNARDO SEIXAS, OLAF ALEX, JONATHAN VISSER, ADAM KESSEL, MATTHEW WHITINGBIRD, ARNAUD WOLFF, TIM HOLLOSY, HENRIK AHLENIUS, JOHN CONNORS, FILIP FORS CONNOLLY, DAN DEMETRIOU, ROBERT WINDHAGER, RUI INACIO, ZOOP, MARCO NEVES, COLIN HOLBROOK, SIMON COLUMBUS, PHIL KAVANAGH, MIKKEL STORMYR, SAMUEL ANDREEFF, FRANCIS FORDE, TIAGO NUNES, ALEXANDER DANNBAUER, FERGAL CUSSEN, HAL HERZOG, NUNO MACHADO, JONATHAN LEIBRANT, JOÃO LINHARES, STANTON T, SAMUEL CORREA, ERIK HAINES, MARK SMITH, JOÃO EIRA, TOM HUMMEL, SARDUS FRANCE, DAVID SLOAN WILSON, YACILA DEZA-ARAUJO, ROMAIN ROCH, DIEGO LONDOÑO CORREA, YANICK PUNTER, ADANER USMANI, CHARLOTTE BLEASE, NICOLE BARBARO, ADAM HUNT, PAWEL OSTASZEWSKI, NELLEKE BAK, GUY MADISON, GARY G HELLMANN, SAIMA AFZAL, ADRIAN JAEGGI, NICK GOLDEN, PAULO TOLENTINO, JOÃO BARBOSA, JULIAN PRICE, EDWARD HALL, HEDIN BRØNNER, DOUGLAS FRY, FRANCA BORTOLOTTI, GABRIEL PONS CORTÈS, URSULA LITZCKE, SCOTT, ZACHARY FISH, TIM DUFFY, SUNNY SMITH, JON WISMAN, MORTEN EIKELAND, DR BYRD, DANIEL FRIEDMAN, WILLIAM BUCKNER, MAU MARIA, PAUL-GEORGE ARNAUD, LUKE GLOWACKI, GEORGIOS THEOPHANOUS, CHRIS WILLIAMSON, PETER WOLOSZYN, DAVID WILLIAMS, ROOFTOWEL, DIOGO COSTA, ANTON ERIKSSON, CHARLES MOREY, ALEX CHAU, AMAURI MARTÍNEZ, CORALIE CHEVALLIER, PEDRO BONILLA, BANGALORE ATHEISTS, LARRY D. LEE JR., OLD HERRINGBONE, STARRY, MICHAEL BAILEY, DAN SPERBER, ROBERT GRESSIS, TOM ROTH, THERPMD, IGOR N, JEFF MCMAHAN, JAKE ZUEHL, BARNABAS RADICS, MARK CAMPBELL, RICHARD BOWEN, TOMAS DAUBNER, LUKE NISSEN, CHRIS STORY, AND MANUEL OLIVEIRA! A SPECIAL THANKS TO MY PRODUCERS, YZAR WEHBE, JIM FRANK, ŁUKASZ STAFINIAK, TOM VANEGDOM, BERNARD HUGUENEY, CURTIS DIXON, BENEDIKT MUELLER, VEGA GIDEY, THOMAS TRUMBLE, KATHRINE AND PATRICK TOBIN, JONCARLO MONTENEGRO, ROBERT LEWIS, AND AL NICK ORTIZ! AND TO MY EXECUTIVE PRODUCERS, MATTHEW LAVENDER, SERGIU CODREANU, AND BOGDAN KANIVETS!

Rabbi Elliot Dorf's Sukkot Sermon at Temple Beth Am, Los Angeles, October 10, 2022. (Youtube) Special Guest: Rabbi Elliot Dorff.

Please visit the following links to learn more:Shahn's sketches for Rikers Island;Correctional History discussion of Shahn; Lucienne Bloch, Cycle of a Woman's Life: Childhood: Shahn's photo of an incarcerated painter at Blackwell's Island; Larry Cook, The Visiting Room and Urban Landscapes;Groundswell murals at Rikers; Handwritten survey responses in the Shahn Papers at the Archives of American Art.SHOW NOTES:2:00 Ben Shahn's and Lou Block's proposed Rikers Island Penitentiary murals for the New Deal 4:45 West wall's mural representing prison reform6:05 East wall's mural of prisons in need of reform8:20 New York's Municipal Art Commission rejects murals as psychologically unfit for prisoners and as anti-social propaganda 9:00 1935 survey of Blackwell Island prisoners about murals11:35 one incarcerated man likened Shahn's murals to Diego Rivera's Rockefeller Center mural12:40 concerns about making incarcerated life a spectacle14:10 responses by Ben Shahn and Lou Block to survey17:20 utility of survey for art historians19:10 survey archive21:30 Ben Shahn's New Deal Murals: Jewish Identity in the American Scene by Diana Linden22:10 Ben Shahn's New York by Harvard Art Musuems22:50 Art for the Millions: Essays from the 1930s by artists and administrators of the WPA Project by Francis O'Connor includes material from Lucienne Bloch23:10 Bloch's “Cycle of a Woman's Life” accepted for WPA Project in 193523:50 Bloch's primary sources quote from letters by incarcerated females 29:30 Harold Lehman's Man's Daily Bread erected at Rikers and later removed35:20 Faith Ringgold's 1971 For the Women's House37:00 Reception to Ringgold's For the Women's House by male incarcerated population 38:45 2012 Prison Landscapes by Alyse Emdur42:10 Antoine Ealy's opinion of prison landscapes43:20 utility of murals in correctional institutions44:15 Nicole Fleetwood's book and exhibition Marking Time: Art in the Age of Mass Incarceration45:00 Shahn's photograph of incarcerated man painting portrait at Blackwell's Island 47:30 Utility of art as a direct and didactic tool 51:00 how a focus on art in correction facilities aids in facilitating justice 56:00 Marking Time includes incarcerated and non-incarcerated artists56:20 Artist Larry Cook 57:30 Groundswell NYC58:20 How Nowocki defines justice 59:20 Mariame Kaba's view of justice in terms of accountability as compared with punishmentTo view rewards for supporting the podcast, please visit Warfare's Patreon page.To leave questions or comments about this or other episodes of the podcast, please call 1.929.260.4942 or email Stephanie@warfareofartandlaw.com. © Stephanie Drawdy [2022]

Friday, September 9th at 3pm ARTS – Live & Local! Carol Newman with: Artist Iris Sullivan Daire curating & coordinating ‘Indigo Matrix' an exhibit with twenty artists at Astoria Visual Arts. Elise Wagner in her first solo show at Imogen Gallery in Astoria; with ‘Marking Time' of encaustic collagraph printmaking. Director Ryan Hull with ‘D...

How does God mark time? Mosaic Lead Pastor Erwin McManus reveals that although humans mark time through seasons, years, or the clocks on our phones, God marks time through people. Through the story of Joseph in the book of Genesis, Pastor Erwin shows how God shaped Joseph's life through the people he met. The trajectory of Joseph's life was marked by how he hurt or helped those around him. As evident in the story of Joseph, who went from being a slave to becoming a powerful ruler, God can use anyone to leave a lasting mark on history. Pastor Erwin challenges you to be someone God can trust, so He can mark history through you wherever you go. Are you ready to leave your mark on history? It begins with God putting His mark on you.

Cedar Rapids has a rich history in Drum Corps. The Emerald Knights competed and performed for decades, and Slayton Thompson's Grant Wood Drum & Bugle Corps marched in two presidential Inauguration parades. The tradition continues today with the Tournament of Drums festival, Aug. 5 at Kingston Stadium, when drum corps from around the country and … Continue reading The post Culture Crawl 744 “Marking Time” appeared first on Jazz 88.3 KCCK.

Welcome to the podcast for alpaca people! In this episode, I am thinking about the march of time and how it is marked by seasons and regular activities. I also share how I am particularly grateful for the benefits of alpaca pace to my life. What about you? Thanks for listening and I hope you enjoyed it. If you would like to be in touch, please contact me by email - steve@alpacatribe.com - or leave me a https://www.speakpipe.com/AlpacaTribe (voicemail) from your browser. Alpaca Tribe is hosted and produced by Steve Heatherington of https://goodpodcasting.works (Good Podcasting Works), which is part of https://thewaterside.co.uk (The Waterside (Swansea) Ltd)

A rare earths development is marking time owing to a prospecting right appeal to explore where a mining right has already been granted, Steenkampskraal chairperson Trevor Blench disclosed at last week's Junior Indaba. The Steenkampskraal mine contains all 15 rare earths, including those that are used to make electric vehicles and wind turbines. As reported by Mining Weekly last month, Steenkampskraal Holdings (SHL), which owns the rare earths project, in the Western Cape, has decided to raise equity funding through a pre-initial public offering and public offering on the Aim market of the London Stock Exchange and a secondary listing on the Johannesburg Stock Exchange. A subsidiary of SHL, Steenkampskraal Monazite Mine, has all the regulatory approvals in place to start mining and producing monazite concentrate. SHL is in discussions with potential offtake partners. Steenkampskraal has a mineral resource estimate of 605 000 t of ore, grading 14.4% total rare earth oxides (TREO), containing about 86 900 t of TREO, including 15 630 t of neodymium, 4 459 t of praseodymium, 867 t of dysprosium and 182 t of terbium. The mine was previously operated by diversified mining major Anglo American from 1952 to 1963, during which time it produced 26 969 t of TREO. SHL envisages a production rate of 2 700 t/y of TREO over a life of more than 20 years, involving first producing and selling monazite concentrate, then progressing to producing and selling mixed rare earth concentrates, and thereafter producing and selling separated rare earth oxides. The project is also said to have brownfield exploration potential. SHL recently appointed Graham Soden as a director and the mine manager of Steenkampskraal, while Timothy Crombie has been appointed as a director and project manager. In a presentation to last week's Junior Indaba covered by Mining Weekly, Blench disclosed that although the mining right to mine for rare earths and other minerals on portion 1 of the farm Steenkampskraal was secured from the Department of Mineral Resources and Energy (DMRE) in 2010, a few months ago another company applied for a prospecting right for rare earths on the same portion of Steenkampskraal. “The DMRE correctly refused to approve that permit for a prospecting right over the same land where we hold the mining right. However, the company that applied for that prospecting right appealed to the DMRE against their decision to refuse that prospecting application. “We've now been waiting for 60 days, which is the statutory period that the DMRE has to review these appeals, and we still do not have the reply from the DMRE. “We want to raise money for our project. There's an application of a prospecting right on land where we have a mining right, which contests the legitimacy of our mining right. “If there is an opportunity for claim jumpers to come in and apply for prospecting rights where you have already issued a mining right, then it questions the validity of the mining right,” said Blench, who implored the government to make it clear that the mining right is secure so that investment can proceed. During question time, Junior Indaba chairperson and mining stalwart Bernard Swanepoel spoke of Minerals Council South Africa having resolved administrative problems of a similar kind in the past. “My advice from past experience is that the channel between Minerals Council South Africa and the DMRE functions reasonably well, so if there is a clear case of the DMRE having 60 days and not coming back, it may be worth contacting the Minerals Council, and I could even assist you. We have resolved a few such administrative problems in the past. If it's just inefficiency, then this channel may assist,” said Swanepoel. MINE PROGRESS According to its website, Steenkampskraal has a: compliant technical report with both mineral resource and reserve estimates; renewable new order mining right valid until 2030; National Nuclear Regulator certificate of registration that allows it ...

Halim A. Flowers is inspiring a love revolution. He's a prolific artist, activist, and entrepreneur who's on another level. And for 22 years and 2 months, Halim spent his life in prison, labeled by society as an unredeemable “Superpredator”. It was during this time that Halim went from reading everything he could get his hands on, to publishing 11 books of prose and poetry from behind bars. But what no one could predict was how Halim's words would manifest into a life of freedom, faith, and internationally acclaimed creativity today. Although we had planned to talk about Halim's favorite book - Marking Time by Nicole Fleetwood - we hit it off so quickly that we ended up just having an incredible conversation about everything that's on Halim's mind these days. In this episode, Halim raps with us about the importance of reading right now, the keys to creating wealth, how he bridges old and new culture through art, and how he thinks about time. Halim dropped so many gems in this interview, we know you'll love it. Halim A. Flower's Instagram Real Ballers Read Website Real Ballers Read Instagram --- Support this podcast: https://podcasters.spotify.com/pod/show/realballersread/support

Today's lecture features Supervisor of Historical Services and Curator Kathleen Powell with a discussion of 'Marking Time' an exhibit that was on display here at the Museum, which featured textiles and fashion from the Museum's collection which help to mark life's significant milestones. It's a bit more visual than our some of the other lectures, so visit our YouTube Play list to watch the lecture in-full.

Ep.98 features Dr. Nicole Fleetwood. She is an art historian and curator exploring how the art of incarcerated people is essential to our understandings of contemporary art, the carceral state, and the humanity it contains. Fleetwood's earlier work focused on representations of Blackness in art, performance, and popular culture, particularly how assumptions within American culture about Blackness are disrupted or reinforced by Black artists and public figures. In part motivated by her experiences visiting imprisoned family members, Fleetwood turned her keen curatorial vision to artistic production in and around the United States prison system. In the book Marking Time: Art in the Age of Mass Incarceration (2020), and an accompanying museum exhibition of the same name, Fleetwood investigates the cultural, personal, and aesthetic significance of incarcerated people's art. The book is the most extensive work to apply the interpretive methods of art history to study the art people make within prison. Drawing on interviews with over seventy currently and formerly incarcerated artists and hundreds of paintings, photos, collages, and other forms of art, Fleetwood develops a concept of “carceral aesthetics” to understand both the works of art produced by incarcerated individuals and the constrained conditions under which they were created. She pays particular attention to the ways people build a sense of themselves and community through creative connection despite the circumstances of imprisonment. For example, the artists Gilberto Rivera, Jesse Krimes, and Jared Owens established a conceptual art workshop focused on multiracial collaboration while serving time at the Fairton Federal Correctional Institution in New Jersey. Another artist, Tyra Patterson, created multimedia portraits inspired by other incarcerated women. Fleetwood's emphasis on both the artworks' aesthetic value and the artists' ingenuity in finding ways to convey their creative vision is a powerful testament to the humanity of all those impacted by the criminal justice system. In both the book and exhibition, she takes a deeply collaborative approach and centers the lived experiences of the artists themselves, many of whom participated in conferences, panel discussions, and other opportunities for public engagement that informed and emerged from the years of work that went into Marking Time. Fleetwood is demonstrating that art and imagery produced and used by incarcerated individuals is a critically important form of human expression, and her work sheds new light on the toll the criminal justice system in the United States takes on human lives. Photo credit: Sara Bennett | John D. and Catherine T. MacArthur Foundation MacArthur Foundation https://www.macfound.org/fellows/class-of-2021/nicole-fleetwood NYU https://steinhardt.nyu.edu/people/nicole-r-fleetwood National Endowment for the Arts https://www.arts.gov/stories/podcast/dr-nicole-fleetwood NY Times https://www.nytimes.com/2021/12/13/books/review/the-fortune-men-nadifa-mohamed.html Rikers Rikers Murals: What Will Happen to Artwork at the Jail? (curbed.com) Harvard University Press https://harvardpress.typepad.com/hup_publicity/2021/10/nicole-fleetwood-and-monica-mu%C3%B1oz-martinez-awarded-macarthur-fellowships.html MoMA Magazine https://www.moma.org/magazine/articles/454 Marking Time https://markingtimeart.com/ Troubling Vision https://press.uchicago.edu/ucp/books/book/chicago/T/bo10184159.html On Racial Icons https://www.rutgersuniversitypress.org/on-racial-icons/9780813565156 Arts Journal https://www.artsjournal.com/measure/2022/01/27/art-historian-and-2021-macarthur-fellow-dr-nicole-fleetwood-discusses-the-profound-significance-of-the-art-created-by-incarcerated-people/ ACLS https://www.acls.org/news/nicole-fleetwood-f16-named-a-2021-macarthur-fellow/ Youtube https://www.youtube.com/watch?v=76Z_hu9wymI

This is Episode 7 of The Everlasting Education Podcast, a Kepler Education Production. In this episode, Scott Postma and Joffre Swait set aside Norms and Nobility to talk calendars and liturgy. As most are aware, a calendar is a way of marking time by reference to important events in our lives. What many may not immediately recognize, however, is the way in which a calendar is liturgical. Calendars shape our common thinking about the way we should live and learn and worship together by marking time according to those most important events, particularly surrounding the life of Christ. Learn more about Kepler's approach to marking time as a Classical Christian Education platform serving homeschool families at Kepler Education.

Now, while we may not be aware of it, each and every one of us is a slave to an unseen and unknowable master. It rules the sun and the earth, roving the cosmos with indifference - presiding over the birth and death of stars and galaxies and every living thing.It is Time. And, consequently, we have a long-standing obsession with measuring it. But just how far back does that obsession go? Chad Orzel, Associate Professor in the Department of Physics and Astronomy at Union College in Schenectady, NY, and author of ‘A Brief History of Timekeeping – The Science of Marking Time, from Stonehenge to Atomic Clocks' joined Fran this morning.

Now, while we may not be aware of it, each and every one of us is a slave to an unseen and unknowable master. It rules the sun and the earth, roving the cosmos with indifference - presiding over the birth and death of stars and galaxies and every living thing.It is Time. And, consequently, we have a long-standing obsession with measuring it. But just how far back does that obsession go? Chad Orzel, Associate Professor in the Department of Physics and Astronomy at Union College in Schenectady, NY, and author of ‘A Brief History of Timekeeping – The Science of Marking Time, from Stonehenge to Atomic Clocks' joined Jonathan to discuss. Listen and subscribe to Futureproof with Jonathan McCrea on Apple Podcasts and Spotify.    Download, listen and subscribe on the Newstalk App.     You can also listen to Newstalk live on newstalk.com or on Alexa, by adding the Newstalk skill and asking: 'Alexa, play Newstalk'.

Now, while we may not be aware of it, each and every one of us is a slave to an unseen and unknowable master. It rules the sun and the earth, roving the cosmos with indifference - presiding over the birth and death of stars and galaxies and every living thing.It is Time. And, consequently, we have a long-standing obsession with measuring it. But just how far back does that obsession go? Chad Orzel, Associate Professor in the Department of Physics and Astronomy at Union College in Schenectady, NY, and author of ‘A Brief History of Timekeeping – The Science of Marking Time, from Stonehenge to Atomic Clocks' joined Jonathan to discuss. Listen and subscribe to Futureproof with Jonathan McCrea on Apple Podcasts and Spotify.    Download, listen and subscribe on the Newstalk App.     You can also listen to Newstalk live on newstalk.com or on Alexa, by adding the Newstalk skill and asking: 'Alexa, play Newstalk'.

How do you decide when the gas tank in your car is low enough that you need to stop and get gas? This episode begins by explaining why many of us wait too long and when the best time is to refuel. https://www.bostonherald.com/2021/07/27/2386931/ You probably have a lot of things in your home that you never use. You probably have a lot of things that you don't even remember you have sitting in boxes. For many of us, getting rid of our possessions is hard - even things we have no use for. Yet, clearing out clutter can be a very freeing and satisfying experience. Here with some interesting insight and practical advice is Matt Paxton. Matt has spent 20 years helping people deal with their stuff. He was a featured cleaner on the TV show Hoarders and now hosts of the Emmy-nominated show Legacy List with Matt Paxton on PBS. Matt is also author of the book Keep the Memories Lose the Stuff (https://amzn.to/3tWDiyj). We all experience time passing. Yet how we keep track of time has changed. For most of human history, knowing exactly what time it is wasn't that important. Yet, today we can keep very precise time and all of us agreeing what time it is, is necessary for the world to function. Joining me to talk about time and the fascinating story of how we keep track of it is Chad Orzel Associate Professor in the Department of Physics and Astronomy at Union College in Schenectady, NY and author of the book A Brief History of Timekeeping: The Science of Marking Time, from Stonehenge to Atomic Clocks (https://amzn.to/3H9lVOI) When you look at a car head-on, you have no doubt noticed that often times the front of the car resembles a human face and seems to give the car a personality. Sometimes it looks like a happy face, other cars have an aggressive face. Is that intentional or just a coincidence? Listen as I explain. http://www.fsu.edu/news/2008/11/26/car.personality/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's guests include: (01:14) Dr. Carl Erik Fisher author of The Urge: Our History of Addiction and (27:13) Chad Orzel, author of A Brief History of Timekeeping: The Science of Marking Time, from Stonehenge to Atomic Clocks

Professor, art historian, and curator Dr. Nicole Fleetwood has spent years exploring the art of incarcerated people and how it is essential to our understanding of mass incarceration and the people it affects. A 2021 MacArthur Fellow, Fleetwood began this work as she reflected on her family's and community's history of imprisonment. The project grew into an award-winning book Marking Time: Art in the Age of Mass Incarceration  and a traveling museum exhibition also titled “Marking Time.” Both the book and the exhibit look at the work of some 35 artists who are currently incarcerated, formerly incarcerated, or who've been affected by the prison system.  In this podcast, Fleetwood discusses the ingenuity involved in creating art within the constraints of the prison system, the bonds that can be forged among prisoners who are artists, the sheer talent and dedication these artists bring to their work, and the insights about imprisonment that the artwork frequently displays. Dr. Fleetwood is passionate, knowledgeable, and deeply appreciative of the spark of creativity that won't be extinguished even under soul-crushing circumstances. Follow us on:  Apple Podcasts   Google Podcasts

Professor, art historian, and curator Dr. Nicole Fleetwood has spent years exploring the art of incarcerated people and how it is essential to our understanding of mass incarceration and the people it affects. A 2021 MacArthur Fellow, Fleetwood began this work as she reflected on her family's and community's history of imprisonment. The project grew into an award-winning book Marking Time: Art in the Age of Mass Incarceration  and a traveling museum exhibition also titled “Marking Time.” Both the book and the exhibit look at the work of some 35 artists who are currently incarcerated, formerly incarcerated, or who've been affected by the prison system.  In this podcast, Fleetwood discusses the ingenuity involved in creating art within the constraints of the prison system, the bonds that can be forged among prisoners who are artists, the sheer talent and dedication these artists bring to their work, and the insights about imprisonment that the artwork frequently displays. Dr. Fleetwood is passionate, knowledgeable, and deeply appreciative of the spark of creativity that won't be extinguished even under soul-crushing circumstances. Follow us on:  Apple Podcasts   Google Podcasts

Sermons from Grace Fellowship PCA, Clanton, AL

Sermons from Grace Fellowship PCA, Clanton, AL

The post “It’s Marking Time”, Pastor Mike Brownie, Sunday January 9 2022 appeared first on Rehoboth New Life Center.

DTR Modern GalleriesHalim FlowersAutodidact, Halim A. Flowers (b. 1980, Washington, DC) visual artist, spoken word performer, businessman, and author of eleven published non-fiction works, is married to L. Patrice McKinney, raising a family in Washington, DC. A Member of the Board of Directors of The Frederick Douglass Project for Justice and Cultural DC, he is an ardent advocate for human rights and is best known for his quote, “Love is the Antibody”. In the short time since the Incarceration Reduction Amendment Act of 2016 effectuated his 2019 release from prison, he has created a stunning spectrum of paintings and spoken word comprised of a benevolent mission forged and galvanized over decades in a pressure cooker.In 1997, as a minor, Halim A. Flowers was arrested and wrongfully sentenced to two life sentences in Washington, DC. His experiences aired on HBO in the Emmy award-winning documentary “Thug Life in DC”. Released under a new juvenile lifer resentencing law, Flowers' 2019 freedom was documented by Kim Kardashian-West's “The Justice Project” film. Upon release, he was awarded the Halcyon Arts Lab and Echoing Green fellowship awards. In 2020, Flowers' TEDx Talk, “Criminal Justice Reform”, and his prolific production and exhibition of his visual art, e.g., The Museum of Modern Art's “Marking Time: Art in the Age of Mass Incarceration” exhibit, continue to advance his mission to promote love among all humans. A beneficiary of Georgetown University's Prison and Justice Initiative, Flowers studied Government, Philosophy, Reparations: African-American Literature, and English 101 in a mentorship with academic advisor, Professor Marc Morjé Howard (2018-2019). More recently, as a grant recipient from the Art for Justice Fund, Flowers was featured as a “Justice Ambassador” in the film “Halim's Hope” (2020).Elizabeth Howard is the host and producer of the Short Fuse Podcast.  Elizabeth has never had barriers between her life, work, art and writing. Experience, sense of place and exploration define the choices she makes, seeking collaboration, flexibility, spontaneity and responsiveness in the projects she designs and engages with.   As the host and producer of the Short Fuse Podcast, she engages individuals in lively and provocative conversations around how the arts can affect social change.Music for the Short Fuse PodcastJeannine Otis recorded the music for this episode of the Short Fuse Podcast. Music has always been a part of Jeannine's life.  Her mother was a musical director and her family  includes the Jones Brothers, Hank, Thad, and Elvin who formed the basis of exposure to music that began a career that started with Jeannine's debut as a vocalist with the Detroit Symphony with American Youth Performs at age 12.She has shared the stage with great musicians of every genre (especially jazz) who have served as mentors including Grover Washington Jr., Arthur Prysock, Kool and the Gang, Joe Chambers and Donald Byrd, Rudy Mwangozi, Saul Ruin, Stanley Banks bassist, Finnish Jazz composer Heikki Sarmanto and Vishnu Wood, bassist, and his band Safari East.She has been a featured vocalist at many jazz festivals including the Pori Jazz Festival in Finland, JazzMobile with Safari East, and the Universal Temple of the Arts yearly jazz festival and trombonist Art Baron and Friends. Jeannine has also appeared on Broadway in THIS JOINT IS JUMPIN' at the Supper Club in the Edison Hotel with Larry Marshall and the Michael E Smith Big Band and the New York Big Band at Tavern on the Green.She has toured extensively worldwide as a featured vocalist, in theater, and with her own ensemble. Anthony Tomassini of the New York Times labeled Jeannine a “show-stopper” in a review of a Downtown Music Production's version of THE CRADLE WILL ROCK. As the STRAWBERRY WOMAN in Porgy and Bess, Jeannine toured extensively in Europe singing in many of the great opera houses in Europe including those in Rome, Cologne, Venice, and Modena—home of Luciano Pavorotti.Her “little” book THE GATHERING was made into a Musical Theater piece entitled WHO AM I, and debuted at The La MaMa Theater in 2014. She is an honors graduate of Wellesley College (BA) and of Emerson College (MA) and the Director of Music at Saint Marks Church, known for its progressive outreach programming through the arts. Alex Waters is a technical producer  for the Short Fuse Podcast. He is a music producer and a student at the  Berklee College of Music. He has written and produced music and edited for podcasts such as The Faith and Chai Podcast and Con Confianza. He writes, produces and records music for independent artists, including The Living. Alex lives in Brooklyn.  You can reach him with inquiries by emailing alexwatersmusic12@gmail.com.

Is celebrating our sobriety anniversaries a good practice? Or should we stick to the One Day At A Time formula? Robert shares some personal news and talks about the dog days of a sober summer.

In this episode, we talk with Sarah B. Lynch about her recent article in History of Education Quarterly. Free read-only link to the article: https://www.cambridge.org/core/journals/history-of-education-quarterly/article/marking-time-making-community-in-medieval-schools/2232C1A9675A07C5E7E37E7A5CD16F15/share/37f169983f3454923a3892ac33bb5393c957c64b Transcript: https://www.cambridge.org/core/services/aop-file-manager/file/609944c94bade62e966d276e/HEQA.Transcript.2021-05-04.pdf

  1. Seenaa Jimjimo is an Oromo-American born in and raised in Ethiopia. She works as Environmental Health Specialist II and is the co-founder and Executive Director of Oromo Legacy Leadership, and Advocacy Association (OLLAA) formerly known as Coalition of Oromo Advocates for Human Rights and Democracy. Website: https://ollaa.org/ 2. Art Hazelwood on Ronnie Goodman at PS1 NY MOMA tonight, 6:30-8 PM ET (3:30 PM PT) Register https://www.moma.org/calendar/events/6998 A panel and short film screening Honoring Ronnie Goodman will be held at MoMA PS1 in an online presentation as part of the exhibition "Marking Time." Nicole Goodman, Ronnie’s daughter, will be there, Nicole Fleetwood, curator of the exhibition will be speaking, Gary Harrell, recently “graduated" from the Prison Arts Project at San Quentin, Katya McCulloch, a teacher at San Quentin, Frank Ruona, running coach at San Quentin, Laurie Brooks, William James Association, and myself, as well as other speakers. 3. Jayson Johnson, director, co-writer; Sara Anders, co-writer, producer re: T.H.O.T.? a new film to look for in the theatres soon.

1. Seenaa Jimjimo is an Oromo-American born in and raised in Ethiopia. She works as Environmental Health Specialist II and is the co-founder and Executive Director of Oromo Legacy Leadership, and Advocacy Association (OLLAA) formerly known as Coalition of Oromo Advocates for Human Rights and Democracy. Website: https://ollaa.org/ 2. Art Hazelwood on Ronnie Goodman at PS1 NY MOMA tonight, 6:30-8 PM ET (3:30 PM PT)  Register https://www.moma.org/calendar/events/6998  A panel and short film screening Honoring Ronnie Goodman will be held at MoMA PS1 in an online presentation as part of the exhibition "Marking Time."  Nicole Goodman, Ronnie’s daughter, will be there, Nicole Fleetwood, curator of the exhibition will be speaking, Gary Harrell, recently “graduated" from the Prison Arts Project at San Quentin, Katya McCulloch, teacher at San Quentin, Frank Ruona, running coach at San Quentin, Laurie Brooks, William James Association, and myself, as well as other speakers. 3. Jayson Johnson, director, co-writer; Sara Anders, co-writer, producer re: T.H.O.T.? a new film to look for in the theatres soon.    

You can find the show notes Here: https://mycreativecorner3.com/2021/02/16/marking-time-podcast/

Jesus calls his disciples to make a difference in other's lives with His love. How do you do that? Are there some simple things we can do to live in God's grace in impactful ways? Robin shares on that topic today and gives some practical encouragement on how to live for Jesus.

Speaker: Rev. Kelli Clement The post Stillness and Movement: On Not Marking Time appeared first on First Unitarian Society of Minneapolis.

MoMA PS1's new exhibition Marking Time: Art in the Age of Mass Incarceration features artists who were incarcerated or impacted by the US prison system, and who address these issues in their work. In this episode, Dr. Nicole Fleetwood speaks with artists James Hough, Rowan Renee, Mary Enoch Elizabeth Baxter aka Isis tha Saviour, and Halim Flowers about the relationship between art and freedom, the failures of the American justice system, and their visions for a future without prisons.

Raleigh Court Presbyterian Church

Raleigh Court Presbyterian Church

Here's a concise, accessible explanation of Episcopal faith and beliefs. The Revs. Scott Gunn and Melody Shobe have given us an incredible resource. In this podcast these veteran Episcopal clerics unpack the basic beliefs and practices of their tradition. This is the second of five episodes and explains how Episcopalians mark time. Here are the titles of their four audio presentations: 1) The Daily Office, 2) The Liturgical Year, 3) Holy Week and Easter , 4) The Burial Office

A ‘Band Aid' relationship is neither good nor bad. It's a get-by type of romantic construct that demands little of its participants. One or both partners are marking time and treading water. The point is to identify if you're in a ‘Band Aid' relationship, just in case you're the partner who wants forward movement. For more information please visit my website at http://www.susanwinter.net/

My friend Kerry was born in a conservative Mennonite community in rural Manitoba. As she grew up, that community gradually assimilated into the wider culture. But looking back, she says that the temporal rhythms and cycles she still held to during her youth provided a "secure sense of reality." In this episode of Time Eternal, we talk about her experience growing up Mennonite, her life today living in the largest city in Canada, and what she misses about the sense of time she experienced as a child. Make sure to check out the shownotes for quotes, links, and information about this episode, not to mention a photo of me and Kerry the night we recorded this episode!