Podcasts about Native American Church

Hey Diva listeners—this episode marks our one-year anniversary! Thank you all so much for being part of that and for all your support and kind words! In Episode 19, I'm chatting with Kat Kurner, an end-of-life guide and somatic practitioner. At age seven, Kat's Cherokee grandfather told her she had healing hands and would work some day as a healer. While it took her some time to manifest that vision, it has definitely come true today. Kat describes her extensive experience with psychedelic medicines, starting with a vision quest with mushrooms when she was 13, her many peyote circle experiences with the Native American Church, and her shift to end-of-life care and spiritual healing with psylocibin. We also dive into the ethical responsibilities of psychedelic practitioners, emphasizing the need for both personal growth and professional training in this evolving field. In addition, we explore the Decrim Nature movement, the importance of community-based healing, the potential for integrating psychedelic practices into mainstream medicine, and the essential role of the divine feminine in guiding this transformative work. Thank you so much for being part of this collective journey—I so appreciate your support. Connect with Kat Website: http://healingwithkat.com/ Instagram: https://www.instagram.com/healingwithkk/ LinkedIn: https://www.linkedin.com/in/kat-kurner-27a44210/   Connect with Carla If you're inspired by this episode and want to stay connected, follow Carla and Psychedelic Divas on social media or visit the website to get your Psychedelic Safety Guide Including What to Do When Things Go Wrong: Website: https://psychedelicdivas.com/  Carla's Coaching: https://carladetchon.com/  Instagram: https://www.instagram.com/psychedelicdivas  Subscribe & Review: If you enjoyed this episode, please subscribe, rate, and review Psychedelic Divas. Your support helps amplify these important conversations and grow our community.

In part 6 of this series, you'll continue the Journey into the life, legend, and legacy of Quanah Parker — last chief of the Comanche, warrior, spiritual leader, and protector of Native tradition. You'll learn from his descendants about: - The powerful story of Quanah's fight to preserve the sacred use of peyote through the Native American Church, and his pivotal role in protecting Indigenous religious rights. Family stories and accounts from these elders that you won't find in the history books. Don Parker singing the “Quanah Parker Song”. - We uncover the man behind the myth — a misunderstood figure whose acts of generosity still echo today. - Learn the story of how a medicine man helped the Comanches escape U.S. forces, collaborated by the “other side” of the story within the history books. - The untold stories of Quanah's home, the “Star House”. Native ChocTalk Facebook page: https://www.facebook.com/nativechoctalkpodcast All Podcast Episodes: https://nativechoctalk.com/podcasts/

In the words of Terence McKenna, since the rise of western monotheism the human experience has been marginalized. We have been told that we were unimportant in the cosmic drama when one considers the power of creation of the one God. But we now know as the global temperatures rise and glaciers melt from the burning of fossil fuels and the feedback mechanisms associated with the greenhouse effect: the impact of human culture on the Earth is massive. So how do we reverse the course of destruction created out of the human imagination? Some have postulated plant medicines learned from Indigenous societies of the Americas have a way to reintegrate humans into the processes of the Earth to heal the sickness and warming all around. In this show from 2024, we explore human symbiotic relationships with plants and chemicals in the sacred peyote medicine used by the Native American Church in the US and in societies in the mountains of Mexico. We look at the work of several ethnobotanists who also studied the plants and the rites associated with ayahuasca or yage in South America. Richard Evans Schultes and Terence McKenna researched the ancient human relationship with chemicals that would open the doorway to the divine, and perhaps a solution for saving our troubled world. This show aims to explore the powerful potential to replace abuse of illegal drugs with a shamanic understanding, insistence on community, reverence for nature, and increased self-awareness that can re-orient people to heal the fractured relationships with our communities and ecosystems. Resources/Articles: Sacred Peyote Short documentary Creed Spencer Film with Bryce Jarrett Appearing: Lisa Aldred PhD Hartford Stops Crow Dennis Holds - Crow Alexandra Witkin-New Holy PhD Montana State Univ Link: https://youtu.be/9rYdgHx8yrw?si=HWYDh8USmEEezLvC ---------- Fred Wahpepah - About the Peyote Ceremony from 7 Circles Foundation https://youtu.be/7qa6N7anaV8?si=bNKuyXo_aTUT1IOp ---- Benedict Allen Peyote the last of the medicine men - Huichol People of Mexico https://www.benedictallen.com/ —-- Native Lens: Healing Through Peyote -- Rocky Mountain PBS Amber Lahabe Dine/Navajo Video: https://youtu.be/Q7gR5oXARII?si=XxHb1OrkdAS5vTOu Icaros: https://youtu.be/hS21jI7p3hQ?si=QzRvHyvk2jhDRJTi Father of Modern Ethnobotany, Richard Evans Schultes Interview from 1990 https://youtu.be/1lxtn7zbQfw?si=Z_5UXi0IOG-ml8Xg Terence McKenna Culture is Your Operating System https://youtu.be/9c8an2XZ3MU?si=kEfa47NLkh8-mZND Terence McKenna - Eros and the Eschaton https://wilderutopia.com/performance/literary/terence-mckenna-on-shamanic-schizophrenia-and-cultural-healing/ Jack Eidt is an urban planner, environmental journalist, and climate organizer, as well as award-winning fiction writer. He is Co-Founder of SoCal 350 Climate Action and Executive Producer of EcoJustice Radio. He is also Founder and Publisher of WilderUtopia [https://wilderutopia.com], a website dedicated to the question of Earth sustainability, finding society-level solutions to environmental, community, economic, transportation and energy needs. Podcast Website: http://ecojusticeradio.org/ Podcast Blog: https://www.wilderutopia.com/category/ecojustice-radio/ Support the Podcast: Patreon https://www.patreon.com/ecojusticeradio PayPal https://www.paypal.com/donate/?hosted_button_id=LBGXTRM292TFC&source=url Executive Producer and Host: Jack Eidt Engineer and Original Music: Blake Quake Beats Episode 225 Photo credit: Mikhail Nilov on Pexels

PSYCHEDELICS & RELIGION! From ancient shamanic rituals to the Native American Church, psychedelics have played a fascinating role in spiritual practices throughout history. In this episode of Religion Camp, we explore the profound connection between entheogens and religious experiences across cultures. We'll dive into the mysteries of sacred plants, from the Eleusinian Mysteries of ancient Greece to modern scientific research on mystical experiences. Ever wondered why so many religions share similar visionary experiences? Pack your bags—we're going on a mind-expanding journey! Welcome to CAMP!

George, Grey Eagle, Bertelstein was one of my most important teachers. He came into my life during a difficult time when I was healing from postpartum depression and the trauma of losing custody of my newborn. His wisdom and impeccable boundaries helped me reconnect with my power, teaching me to transform the energy in my body through healing practices in the Native American Church, where he stood with me as I broke through some of the generational trauma. Through George, I learned invaluable lessons that shaped my life, from praying for happiness to standing in my strength. He was more than a teacher. He was a father figure whose love and guidance I now pass on to others. I'm sharing 12 powerful things I have learned from George today. His legacy continues in the ceremonies I hold today. In this episode, you will be able to: Discover natural methods for reclaiming your well-being. Uncover the benefits of indigenous wisdom in the journey towards healing. Understand the power of plant medicine ceremonies in overcoming trauma and finding inner peace. Learn about the impactful role of spiritual mentors in guiding personal growth. If you LOVE this episode: ✨ Please rate and review! ✨ Subscribe so you never miss an episode. ✨ Follow my hilarious & informative stories on Instagram so you can stay in touch. Let's connect over on Instagram Instagram (@xochiquetzal.rivera.curanderx) ================================================== Grab A Clear and Simple Prayer the BOOK by George Bertelstein HERE https://aclearandsimpleprayer.com/team ================================================== Annual SOVEREIGN QUEENS SUMMIT... Theme this year: "Rising From The Ashes" JAN. 11-12 at Soft Medicine Sanctuary in Sebastopol, CA. https://www.robinriveracuranderx.com/sovereign-queens-summit ================================================== Grab a FREE trial of my favorite business tool, Kajabi, HERE https://app.kajabi.com/r/tzbc7eEM ================================================== Activate true EMBODIED HUMILITY at the ALTAR OF YOUR SOUL so you can walk in right relationship with your sacred work. Grab my Free Activation Here: SHAMANIC SOUL ALTAR ACTIVATION

With a master in depth psychology, Simon Yugler is an internationally experienced psychedelic therapist, educator, and the author of the book, Psychedelics & the Soul: A Mythic Guide to Psychedelic Healing, Depth Psychology, and Cultural Repair. He has taught for five psychedelic facilitator training programs including Naropa University and Inner Trek. Simon draws on his diverse experience learning from Indigenous cultures, including the Shipibo ayahuasca tradition and the Native American Church. For a year-and-a-half, he routinely served as a retreat leader with MycoMeditations, a leading psilocybin therapy retreat center in Jamaica. Prior to becoming a therapist, he served as an experiential educator and guide, leading immersive study-abroad journeys for young adults across 10 countries. Based on the land now called Portland, Oregon, Simon is passionate about helping his clients navigate the liminal wilds of the soul.Episode Highlights▶ The “psychedelic residency” Simon experienced in Jamaica and how he made psychedelics his career▶ What differentiates depth psychology from other fields of psychology and how it makes room for psychedelics ▶ Simon's book and how it can be used by people who are on a healing journey or looking to explore the human consciousness ▶ The concept of cultural repair and how psychedelics are uniquely poised to address these issues▶ The role of psychedelics in our society now and where they are headed in the future ▶ A dive into what is true and what isn't while experiencing plant medicine and how to truly understand what is unfolding▶ How Simon helps people learn from psychedelic medicine through retreats ▶ The deep work and experience it takes to become a psychedelic therapist or facilitator and the danger of people trying to do it too soon ▶ What to do if you want to get involved in the psychedelic industry but don't have a lot of experience with it▶ The archetype of the trickster and how psychedelics are most closely aligned with itSimon Yuglers Links & Resources▶ Website: https://simonyugler.com/▶ Instagram: https://www.instagram.com/depth_medicine/▶ Substack: https://simonyugler.substack.com/ Download Beth's free trainings here: Clarity to Clients: Start & Grow a Transformational Coaching, Healing, Spiritual, or Psychedelic Business: https://bethaweinstein.com/grow-your-spiritual-businessIntegrating Psychedelics & Sacred Medicines Into a Transformational Business: https://bethaweinstein.com/psychedelics-in-business▶ The True Path Entrepreneur Group Business Mastermind Program: https://bethaweinstein.com/mastermind▶ Beth's Other Programs & Courses: https://bethaweinstein.com/services▶ Beth Weinstein's Instagram: http://instagram.com/bethaweinstein▶ Beth on Facebook: https://www.facebook.com/bethw.nychttps://www.facebook.com/BethWeinsteinbiz▶ Join Beth's FREE Psychedelics & Purpose Community: https://www.facebook.com/groups/PsychedelicsandSacredMedicines

Check our upcoming events: https://bit.ly/3whDgVo Tweetable quote from Bei “These are medicines. These are sacraments. These are sacred. Normalise these conversations to eliminate the taboos holding so many people back from healing opportunities.” Summary In this episode, Dr Espen and his close friend and mentor, Bei Tretiakov, explore the transformative world of plant medicine, focusing on the sacred cactus San Pedro. Bei, a leader in the plant medicine community, shares his extensive experience with San Pedro, emphasizing its profound healing properties. The discussion highlights the importance of normalizing conversations around plant medicine, addressing safety concerns, and the potential for deep personal and communal healing.

In the words of Terence McKenna, since the rise of western monotheism the human experience has been marginalized. We have been told that we were unimportant in the cosmic drama when one considers the power of creation of the one God. But we now know as the global temperatures rise and glaciers melt from the burning of fossil fuels and the feedback mechanisms associated with the greenhouse effect: the impact of human culture on the Earth is massive. So how do we reverse the course of destruction created out of the human imagination? Some have postulated plant medicines learned from Indigenous societies of the Americas have a way to reintegrate humans into the processes of the Earth to heal the sickness and warming all around. In this show, we explore human symbiotic relationships with plants and chemicals in the sacred peyote medicine used by the Native American Church in the US and in societies in the mountains of Mexico. We look at the work of several ethnobotanists who also studied the plants and the rites associated with ayahuasca or yage in South America. Richard Evans Schultes and Terence McKenna researched the ancient human relationship with chemicals that would open the doorway to the divine, and perhaps a solution for saving our troubled world. This show aims to explore the powerful potential to replace abuse of illegal drugs with a shamanic understanding, insistence on community, reverence for nature, and increased self-awareness that can re-orient people to heal the fractured relationships with our communities and ecosystems. For an extended interview and other benefits, become an EcoJustice Radio patron at https://www.patreon.com/ecojusticeradio Resources/Articles: Sacred Peyote Short documentary Creed Spencer Film with Bryce Jarrett Appearing: Lisa Aldred PhD Hartford Stops Crow Dennis Holds - Crow Alexandra Witkin-New Holy PhD Montana State Univ Link: https://youtu.be/9rYdgHx8yrw?si=HWYDh8USmEEezLvC ---------- Fred Wahpepah - About the Peyote Ceremony from 7 Circles Foundation https://youtu.be/7qa6N7anaV8?si=bNKuyXo_aTUT1IOp ---- Benedict Allen Peyote the last of the medicine men - Huichol People of Mexico https://www.benedictallen.com/ —-- Native Lens: Healing Through Peyote -- Rocky Mountain PBS Amber Lahabe Dine/Navajo Video: https://youtu.be/Q7gR5oXARII?si=XxHb1OrkdAS5vTOu Icaros: https://youtu.be/hS21jI7p3hQ?si=QzRvHyvk2jhDRJTi Father of Modern Ethnobotany, Richard Evans Schultes Interview from 1990 https://youtu.be/1lxtn7zbQfw?si=Z_5UXi0IOG-ml8Xg Terence McKenna Culture is Your Operating System https://youtu.be/9c8an2XZ3MU?si=kEfa47NLkh8-mZND Terence McKenna - Eros and the Eschaton https://wilderutopia.com/performance/literary/terence-mckenna-on-shamanic-schizophrenia-and-cultural-healing/ Jack Eidt is an urban planner, environmental journalist, and climate organizer, as well as award-winning fiction writer. He is Co-Founder of SoCal 350 Climate Action and Executive Producer of EcoJustice Radio. He is also Founder and Publisher of WilderUtopia [https://wilderutopia.com], a website dedicated to the question of Earth sustainability, finding society-level solutions to environmental, community, economic, transportation and energy needs. Podcast Website: http://ecojusticeradio.org/ Podcast Blog: https://www.wilderutopia.com/category/ecojustice-radio/ Support the Podcast: Patreon https://www.patreon.com/ecojusticeradio PayPal https://www.paypal.com/donate/?hosted_button_id=LBGXTRM292TFC&source=url Executive Producer and Host: Jack Eidt Engineer and Original Music: Blake Quake Beats Episode 225 Photo credit: Mikhail Nilov on Pexels

Recorded and originally published in 2022   James Mooney shares his life story starting with being brutally assaulted at a young age for his native ethnicity, nearly dying, and being revived in the sweat lodge and then losing a connection with his roots, leading to a severe bi-polar diagnoses. His search for a cure for his ailment then brings him full-circle to the Native healing circles of the Peyote way.

Recorded and originally published in 2022 James continues sharing his life story about finding real healing to his bipolar diagnoses through traditional Peyote ceremonies and Native American culture, simultaneously connecting him back to his buried Seminole ethnicity

Recorded and originally published in 2022 James shares how he was passed the peyote and authorized to bring it to the white man's culture by Native elders, leading to a political struggle that takes him to the Utah Supreme Court

House Committee on Appropriations Subcommittee on Interior, Environment, and Related Agencies Public Witness Hearing - American Indian & Alaska Native: Day 2, Morning Session Date: Wed, 05/08/2024 - 9:00 AM Location: Capitol Complex, RHOB, Washington, DC, 20515 Witnesses Robert Miguel Chairman, Ak-Chin Indian Community Sherry J. Parker Chairwoman, Hualapai Tribe Stephen Roe Lewis Governor, Gila River Indian Community Ervin Chavez Executive Board President, Diné Bi Olta School Board Association (DBOSBA) Derrick Leslie Tribal Education Department Director, White Mountain Apache Tribe Buu Nygren President, Navajo Nation Tesia Zientek Board President, National Indian Education Association Anhiwake Rose Vice-President of Congressional and Federal Relations, American Indian Higher Education Consortium Shawna Allison Becenti Head of School, Navajo Preparatory School Gjermundson Jake Board President, Ramah Navajo School Board, Inc. (RNSB) Cecilia Fire Thunder President, Oglala Lakota Nation Education Coalition Troy Lunderman Human Resources Director, St. Francis Indian School Ryan Wilson President, Oglala Lakota/National Alliance to Save Native Languages Lloyd Miller Counsel Dr. Valerie J. Grussing, PHD Executive Director, National Association of Tribal Historic Preservation Officers (NATHPO) Nicholas Lovesee Director of Policy, Native American Finance Officers Association (NAFOA) Aurene Martin Treasurer, Board of Directors for the National Indian Child Welfare Association William F. Smith Chairman and Alaska Area Representative, National Indian Health Board Todd Wilson Executive Director, National Council of Urban Indian Health (NCUIH) Jon Brady President, Native American Church Of North America Verlon Jose Chairman, Tohono O'odham Nation Lawrence Mirabal Vice President of Operations, The Institute of American Indian Arts Lionel Haskie Director of Operations, Navajo Agricultural Products Industry Committee Notice: https://appropriations.house.gov/events/hearings/public-witness-hearing-american-indian-alaska-native-day-2-morning-session

“Myth as Medicine: Why Ancient Stories Matter in the Modern World.” Dive into a conversation with Simon Yugler, a masterful guide at the intersection of myth, psyche, and transformation, as we navigate the ancient pathways that myths layout in our modern era. In this episode, we explore the enduring power of mythology, its connection to the earth, and its relevance in contemporary healing practices, including the burgeoning field of psychedelic therapy.   In this episode, we delve into: The Relevance of Mythology: Unpacking the significance of ancient stories in our present-day reality. Why turn to myths in an age dominated by technology and empirical science? Mythology and Shamanism: Exploring the deep lessons mythology offers about shamanic practices and altered states of consciousness. How do these ancient narratives inform and embody shamanic journeys? Mythology in Modern Healing: The use of mythology to deepen the impact of psychedelic and shamanic healing practices. Discover the transformative power of myths in therapeutic contexts. Reconnecting with the Earth: How myths serve as a vital link to the land, fostering a sense of belonging and stewardship for our planet. Understanding Mythopoetics: An introduction to mythopoetics and its crucial role in enriching our lives and cultures. Why does crafting meaning out of story matter? Characters and Archetypes: Simon shares his affinity for certain mythological figures and archetypes, shedding light on their significance and what they reveal about human nature. The Stories We Need to Hear: Discussion on the essential myths and narratives that hold powerful lessons and insights for today's world.   About Simon Yugler: Simon brings a wealth of knowledge and experience as an internationally recognized psychedelic therapist, educator, and author. With a Masters in Depth Counseling Psychology from Pacifica Graduate Institute, his book, "Psychedelics & the Soul: A Mythic Guide to Psychedelic Healing, Depth Psychology, and Cultural Repair," has touched many. Simon's approach draws from his extensive travel and learning from Indigenous cultures, including his involvement with the Shipibo ayahuasca tradition and the Native American Church. His background as an experiential educator and retreat leader, alongside his deep understanding of the soul's terrain, positions Simon as a unique voice in the realms of mythology, therapy, and cultural healing. Based in Portland, Oregon, Simon is devoted to guiding individuals through the wilds of the soul with compassion, wisdom, and a deep respect for the ancient stories that connect us all. Join host Angel Deer and Simon Yugler for this transformative journey through myth, memory, and the meaningful connections that tie us to our world, both seen and unseen. Tune in to “Myth as Medicine: Why Ancient Stories Matter in the Modern World,” and rediscover the power of mythology to heal, inspire, and awaken.

Guest: Mike Marinacci, author of Psychedelic Cults and Outlaw Churches: LSD, Cannabis, and Spiritual Sacraments in Underground AmericaMike is an independent expert on psychedelic spiritual groups and nontraditional American religious sects. He is also the author of California Jesus and Mysterious California, and coauthor of the bestselling Weird California. And he lives in the San Francisco Bay Area in California, USA.In this very engaging conversation, Mike starts by talking about what inspired him to write this book, and then we jump into discussing several of the major psychedelic groups he discusses in his book. A few highlights of our interview: The Native American Church and their struggle to receive legal permission from the United States government to use peyote in their rituals; how non-indigenous people also tried to gain this legal permission for their own churches; the highly eventful life of Timothy Leary and his engagement with LSD, and his later League for Spiritual Discovery; the forerunner to satirical groups such as the Church of the Flying Spaghetti Monster, the Neo-American Church; the introduction of ‘crisis response' help with the use of LSD by the Church of Naturalism; the switch to the use of legal drugs by the Church of the Tree of Life; the success of the Ethiopian Zion Coptic Church with the Rastafarians, and the downfall of the Church after the group became too highly involved in drug trafficking; and the complicated efforts to profit commercially from the use of entheogens by the present-day Ayahuasca Healings group.PROGRAM NOTESWorks by/ co-authored by Mike Mariancci:Psychedelic Cults and Outlaw Churches: LSD, Cannabis, and Spiritual Sacraments in Underground America: Marinacci, Mike: 9781644117071: Amazon.com: BooksEerie California: Strange Places and Odd Phenomena in the Golden State: Marinacci, Mike: 9781579512514: Amazon.com: BooksCalifornia Jesus: A (Slightly) Irreverent Guide to the Golden State's Christian Sects, Evangelists and Latter-Day Prophets - Kindle edition by Marinacci, Mike. Religion & Spirituality Kindle eBooks @ Amazon.com.Weird California: You Travel Guide to California's Local Legends and Best Kept Secrets (Volume 7): Bishop, Greg, Oesterle, Joe, Marinacci, Mike, Moran, Mark, Sceurman, Mark, Sceurman, Mark: 9781402766831: Amazon.com: BooksEmail Mike Marinacci: psychedelic.cults@gmail.comInstagram: Mike Marinacci (@psychedeliccults) • Instagram-foto's en -video'sOTHER LINKSGod on High: Religion, Cannabis, and the Quest for Legitimacy: Cozad, Laurie: 9781498504041: Amazon.com: BooksPsychedelic Intersections: Cross-cultural Manifestations of the Sacred Conference 2024, February 17, 2024 | Center for the Study of World Religions (harvard.edu)YouTube Channel: (12) HDS Center for the Study of World Religions - YouTubeTheme Music: Daniel P. SheaOther Music: Stephanie Shea 

Today I talked with historian Erika Dyck about Aldous Huxley, Humphry Osmond and their correspondence over a ten year period. Psychedelic Prophets: The Letters of Aldous Huxley and Humphry Osmond (McGill-Queen's University Press, 2018) is a collection of letters which were carefully curated by Erika and Cynthia Carson Bisbee, Paul Bisbee, and Patrick Farrell. During our discussion, Erika recounts the special relationship between two intellectual juggernauts, Huxley and Osmond, and their discussions about drugs, addiction, and death and dying. This important set of letters raises fascinating questions about medicines, the "psychedelic renaissance," the nature of the mind, and perceptions of reality. Dyck is the author of Psychedelic Psychiatry: LSD From Clinic to Campus (Johns Hopkins UP, 2010) as well as Culture's Catalyst: Historical Encounters with Peyote and the Native American Church in Canada (Manitoba, 2017). Lucas Richert is an associate professor in the School of Pharmacy at the University of Wisconsin, Madison. He studies intoxicating substances and the pharmaceutical industry. He also examines the history of mental health. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today I talked with historian Erika Dyck about Aldous Huxley, Humphry Osmond and their correspondence over a ten year period. Psychedelic Prophets: The Letters of Aldous Huxley and Humphry Osmond (McGill-Queen's University Press, 2018) is a collection of letters which were carefully curated by Erika and Cynthia Carson Bisbee, Paul Bisbee, and Patrick Farrell. During our discussion, Erika recounts the special relationship between two intellectual juggernauts, Huxley and Osmond, and their discussions about drugs, addiction, and death and dying. This important set of letters raises fascinating questions about medicines, the "psychedelic renaissance," the nature of the mind, and perceptions of reality. Dyck is the author of Psychedelic Psychiatry: LSD From Clinic to Campus (Johns Hopkins UP, 2010) as well as Culture's Catalyst: Historical Encounters with Peyote and the Native American Church in Canada (Manitoba, 2017). Lucas Richert is an associate professor in the School of Pharmacy at the University of Wisconsin, Madison. He studies intoxicating substances and the pharmaceutical industry. He also examines the history of mental health. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Today I talked with historian Erika Dyck about Aldous Huxley, Humphry Osmond and their correspondence over a ten year period. Psychedelic Prophets: The Letters of Aldous Huxley and Humphry Osmond (McGill-Queen's University Press, 2018) is a collection of letters which were carefully curated by Erika and Cynthia Carson Bisbee, Paul Bisbee, and Patrick Farrell. During our discussion, Erika recounts the special relationship between two intellectual juggernauts, Huxley and Osmond, and their discussions about drugs, addiction, and death and dying. This important set of letters raises fascinating questions about medicines, the "psychedelic renaissance," the nature of the mind, and perceptions of reality. Dyck is the author of Psychedelic Psychiatry: LSD From Clinic to Campus (Johns Hopkins UP, 2010) as well as Culture's Catalyst: Historical Encounters with Peyote and the Native American Church in Canada (Manitoba, 2017). Lucas Richert is an associate professor in the School of Pharmacy at the University of Wisconsin, Madison. He studies intoxicating substances and the pharmaceutical industry. He also examines the history of mental health. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine

Today I talked with historian Erika Dyck about Aldous Huxley, Humphry Osmond and their correspondence over a ten year period. Psychedelic Prophets: The Letters of Aldous Huxley and Humphry Osmond (McGill-Queen's University Press, 2018) is a collection of letters which were carefully curated by Erika and Cynthia Carson Bisbee, Paul Bisbee, and Patrick Farrell. During our discussion, Erika recounts the special relationship between two intellectual juggernauts, Huxley and Osmond, and their discussions about drugs, addiction, and death and dying. This important set of letters raises fascinating questions about medicines, the "psychedelic renaissance," the nature of the mind, and perceptions of reality. Dyck is the author of Psychedelic Psychiatry: LSD From Clinic to Campus (Johns Hopkins UP, 2010) as well as Culture's Catalyst: Historical Encounters with Peyote and the Native American Church in Canada (Manitoba, 2017). Lucas Richert is an associate professor in the School of Pharmacy at the University of Wisconsin, Madison. He studies intoxicating substances and the pharmaceutical industry. He also examines the history of mental health. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Today I talked with historian Erika Dyck about Aldous Huxley, Humphry Osmond and their correspondence over a ten year period. Psychedelic Prophets: The Letters of Aldous Huxley and Humphry Osmond (McGill-Queen's University Press, 2018) is a collection of letters which were carefully curated by Erika and Cynthia Carson Bisbee, Paul Bisbee, and Patrick Farrell. During our discussion, Erika recounts the special relationship between two intellectual juggernauts, Huxley and Osmond, and their discussions about drugs, addiction, and death and dying. This important set of letters raises fascinating questions about medicines, the "psychedelic renaissance," the nature of the mind, and perceptions of reality. Dyck is the author of Psychedelic Psychiatry: LSD From Clinic to Campus (Johns Hopkins UP, 2010) as well as Culture's Catalyst: Historical Encounters with Peyote and the Native American Church in Canada (Manitoba, 2017). Lucas Richert is an associate professor in the School of Pharmacy at the University of Wisconsin, Madison. He studies intoxicating substances and the pharmaceutical industry. He also examines the history of mental health. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Today I talked with historian Erika Dyck about Aldous Huxley, Humphry Osmond and their correspondence over a ten year period. Psychedelic Prophets: The Letters of Aldous Huxley and Humphry Osmond (McGill-Queen's University Press, 2018) is a collection of letters which were carefully curated by Erika and Cynthia Carson Bisbee, Paul Bisbee, and Patrick Farrell. During our discussion, Erika recounts the special relationship between two intellectual juggernauts, Huxley and Osmond, and their discussions about drugs, addiction, and death and dying. This important set of letters raises fascinating questions about medicines, the "psychedelic renaissance," the nature of the mind, and perceptions of reality. Dyck is the author of Psychedelic Psychiatry: LSD From Clinic to Campus (Johns Hopkins UP, 2010) as well as Culture's Catalyst: Historical Encounters with Peyote and the Native American Church in Canada (Manitoba, 2017). Lucas Richert is an associate professor in the School of Pharmacy at the University of Wisconsin, Madison. He studies intoxicating substances and the pharmaceutical industry. He also examines the history of mental health. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychology

Today I talked with historian Erika Dyck about Aldous Huxley, Humphry Osmond and their correspondence over a ten year period. Psychedelic Prophets: The Letters of Aldous Huxley and Humphry Osmond (McGill-Queen's University Press, 2018) is a collection of letters which were carefully curated by Erika and Cynthia Carson Bisbee, Paul Bisbee, and Patrick Farrell. During our discussion, Erika recounts the special relationship between two intellectual juggernauts, Huxley and Osmond, and their discussions about drugs, addiction, and death and dying. This important set of letters raises fascinating questions about medicines, the "psychedelic renaissance," the nature of the mind, and perceptions of reality. Dyck is the author of Psychedelic Psychiatry: LSD From Clinic to Campus (Johns Hopkins UP, 2010) as well as Culture's Catalyst: Historical Encounters with Peyote and the Native American Church in Canada (Manitoba, 2017). Lucas Richert is an associate professor in the School of Pharmacy at the University of Wisconsin, Madison. He studies intoxicating substances and the pharmaceutical industry. He also examines the history of mental health. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today I talked with historian Erika Dyck about Aldous Huxley, Humphry Osmond and their correspondence over a ten year period. Psychedelic Prophets: The Letters of Aldous Huxley and Humphry Osmond (McGill-Queen's University Press, 2018) is a collection of letters which were carefully curated by Erika and Cynthia Carson Bisbee, Paul Bisbee, and Patrick Farrell. During our discussion, Erika recounts the special relationship between two intellectual juggernauts, Huxley and Osmond, and their discussions about drugs, addiction, and death and dying. This important set of letters raises fascinating questions about medicines, the "psychedelic renaissance," the nature of the mind, and perceptions of reality. Dyck is the author of Psychedelic Psychiatry: LSD From Clinic to Campus (Johns Hopkins UP, 2010) as well as Culture's Catalyst: Historical Encounters with Peyote and the Native American Church in Canada (Manitoba, 2017). Lucas Richert is an associate professor in the School of Pharmacy at the University of Wisconsin, Madison. He studies intoxicating substances and the pharmaceutical industry. He also examines the history of mental health. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Today I talked with historian Erika Dyck about Aldous Huxley, Humphry Osmond and their correspondence over a ten year period. Psychedelic Prophets: The Letters of Aldous Huxley and Humphry Osmond (McGill-Queen's University Press, 2018) is a collection of letters which were carefully curated by Erika and Cynthia Carson Bisbee, Paul Bisbee, and Patrick Farrell. During our discussion, Erika recounts the special relationship between two intellectual juggernauts, Huxley and Osmond, and their discussions about drugs, addiction, and death and dying. This important set of letters raises fascinating questions about medicines, the "psychedelic renaissance," the nature of the mind, and perceptions of reality. Dyck is the author of Psychedelic Psychiatry: LSD From Clinic to Campus (Johns Hopkins UP, 2010) as well as Culture's Catalyst: Historical Encounters with Peyote and the Native American Church in Canada (Manitoba, 2017). Lucas Richert is an associate professor in the School of Pharmacy at the University of Wisconsin, Madison. He studies intoxicating substances and the pharmaceutical industry. He also examines the history of mental health. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Content Warning: The sensitive topic of abortion is discussed in this episode.We invite you to join Maestras Debra Camarillo, Susanna Armijo, and Reyna Toledo, as they discuss the power of curiosity and compassion, transformation by honoring the sacredness of life and death, and the wonder of the womb.Beginning song is a Native American Church melody.For more, please visit: A-Ama Website, National Comadres NetworkInstagram: https://www.instagram.com/healgenpodcast/Twitter: https://twitter.com/HealGenPodcastFacebook: https://www.facebook.com/Healing.Generations.PodcastEmail: HGP@compadresnetwork.org

My guest this week is author, Mike Marinacci, discussing his just-released book, Psychedelic Cults and Outlaw Churches: LSD, Cannabis, and Spiritual Sacraments in Underground America. It's a fascinating historical read and brings to light both well known and obscure religious movements in the US where psychedelics have been used as part of religious practice, covering from the formation of the Native American Church all the way up to internet religions in 2021. 

Paul Farber:You are listening to Monument Lab Future Memory where we discuss the future of monuments and the state of public memory in the US and across the globe. You can support the work of Monument Lab by visiting monumentlab.com, following us on social @Monument_Lab, or subscribing to this podcast anywhere you listen to podcasts. Li Sumpter:Our guest today on Future Memory is artist, scholar, and composer, Nathan Young. Young is a member of the Delaware Tribe of Indians and a direct descendant of the Pawnee Nation and Kiowa Tribe, currently living in Tahlequah, Oklahoma. His work incorporates sound, video, documentary, animation, installation, socially-engaged art, and experimental and improvised music. Young is also a founding member of the artist collective, Postcommodity. He holds an MFA in Music/Sound from Bard College's Milton Avery School of the Arts and is currently pursuing a PhD in the University of Oklahoma's innovative Native American art history doctoral program. His scholarship focuses on Indigenous Sonic Agency. Today we discuss his art and practice and a recently opened public art project at Historic site Pennsbury Manor entitled nkwiluntàmën, funded by the Pew Center for Arts & Heritage and curated by Ryan Strand Greenberg and Theo Loftis. Let's listen.Welcome to another episode of Future Memory. I'm your co-host, Li Sumpter. Today my guest is Nathan Young. Welcome, Nathan.Nathan Young:Hello. Thank you. It's nice to be here with you today. Li:Future Memory is the name of Monument Lab's podcast. In the context of your own work, when you hear the words "future memory," what does that mean to you? Do any images or sounds come to mind? Nathan:They really do. There's one. It was a website of a sound artist, a writer, an educator, Jace Clayton, DJ/Rupture, had a mixed CD called "Gold Teeth Thief". I remember it was kind of a game changer in the late '90s. I got that mixed CD from a website called History of the Future. Li:That's very close. It was very close.Nathan:It's always stuck with me. I'm fortunate enough to be able to grapple with a lot of these kind of ideas. I'm not really quite sure how I feel about some of the history of the future because in some ways I work within many different archives so I am dealing with people's future or thinking about or reimagining or just imagining their future.But future monuments are something that I grapple with and deeply consider in my artwork. I think it's one of the more challenging subjects today in art. I think we see that with the taking down of monuments that were so controversial or are so controversial. But I find it fascinating the idea of finding new forms to make monuments to remember and the idea of working with different communities of memory. It's key to my work. It's just a lot of listening and a lot of pondering. Actually, it's a very productive space for me because it's a place to think about form. Also, it opens doors for me just to think about the future. I will say this, that one problem that often arises as a Lenape Delaware Pawnee Kiowa person is we're often talking about the past, and I really like to talk about the future and to work with organizations that are thinking about the future. Li:I can relate to that. Nathan:I think it's a misunderstanding. We always really are talking about the future. I've had the great fortune to be around some people. Actually, I grew up in the capital of the Cherokee Nation, Oklahoma. A lot of people know that Oklahoma is the home to 39 federally recognized tribes. I was fortunate enough to grow up in Tahlequah, which is the capital of the Cherokee Nation, and was able to be around a well-known and respected medicine man named Crosslin Smith, also an author. I remember being a part of an interview with Crosslin. I grew up, he was a family friend.He said, "I'm often asked about the old or ancient ways and the new ways." What Crosland said was, and I'll try my best to articulate this idea, is that there is no difference between the ancient ways and today. These things still exist. It might be an illusion or we might not be able to comprehend or understand it, but there is no difference between the ancient, when we're thinking of things in the sense of the sublime, I think. There is no understanding the ancient and what is contemporary. That was really an important moment for me as an adult. To hear him articulate that was really important. So I think about that. I'm not really sure about a lot of things, but I really like to think about that when I'm working. Li:It kind of runs through your mind as you're working and creating. It's a deep thought, that's for sure, connecting those things. Even thinking back on your own personal history with sound, when did you first connect your relationship to place and homeland to sound and music? Nathan:Well, my earliest remembrances of music, honestly, are my dad driving me around in his truck, picking me up after school, and singing peyote songs, Native American Church songs, peyote songs. The members of the Native American Church call that medicine. My father was an active member of a chapter of the Native American Church at that time. I was fortunate enough to receive my Lenape Delaware name in a peyote meeting. But the first things I remember are the music he played in the car, but really the singing in the car, the singing in the truck that he would do of those peyote songs. Even after he quit going to meetings or he wasn't active in the Native American Church anymore, he still would sing these peyote songs, and I would ask him about the peyote songs, because they're different for every tribe. The forms, they still have their kind of conventions, but they're very tribally specific.Everything in what we call legally Indian Country here in the United States is super hyper local. So just down the road, that's really the beautiful thing about living in Oklahoma, is you have people whose ancestors are from northeast, southeast, southwest. There's only one tribe here from California. So it's a really rich place for sound and song. Both of my parents are Indigenous American Indian. My mother is Pawnee and Kiowa. My father is Lenape Delaware. I also grew up around the Big Drum, what we call the Big Drum at powwows. I never became a powwow singer or anything like that. Never learned anything around the Big Drum. But I did eventually learn Pawnee songs, Native American Church Pawnee songs.But really, I was just a kid in a small town in Oklahoma. When skateboarding hit and you become kind of an adolescent, you start to discover punk rock and things like that. Those to me were the way that the culture was imported to me. I didn't realize that I was already surrounded by all this beautiful culture, all of the tribes and my parents' tribes and my grandparents'. But then it was like a transmitter. Even these tapes were just transmitters to me. So those were really important also. I have a lot of thoughts about sound. Other thing I remember is my father often would get onto us or make fun of us for being so loud and saying we would be horrible scouts or hunters.Li:Making too much noise. Nathan:The Native Americans, yeah, yeah. We weren't stealth. You'd hear us coming a mile away. So he would always say, "You wouldn't be a very good one," just to try to get us quiet down.Li:No one wants to be a bad hunter, right? Can you break down the concept of Indigenous Sonic Agency? is this based on ancestral traditions, your artistic practice, academic scholarship, or a bit of all the above? Nathan:Well, Indigenous Sonic Agency is really one piece of a larger subject sonic agency, which I encountered in a book titled Sonic Agency by Brandon LaBelle. I was a former member of this collective, Postcommodity, and I'm reading this book. When we were first starting the collective, we had the opportunity to work with this Czech poet named Magor, Ivan Jirous Magor. It means blockhead, I believe. It's a nickname. He was kind of described as the Andy Warhol of the Plastic People of the Universe. He was an art historian. He spent most of his life in prison just for being an artist, an art historian. He was an actual musician. He didn't play with the Plastic People of the Universe, to my knowledge, but he did to write the lyrics, to my knowledge. We had the opportunity to record with Magor. So I'm reading this book about sonic agency, and here I find somebody that I'd actually had an experience with sonic agency with in my early days and as a young man and an artist.But ultimately Indigenous Sonic Agency is, in some sense, similar but different to tribal sovereignty. So when you think of agency or sovereignty, it's something that they sometimes get mixed up. I'm really trying to parse the differences between this, what we understand so well as political sovereignty as federally recognized tribes and what agency means, say, as an artist. But in my research, in the subject of sonic agency and Indigenous Sonic Agency, it encompasses pretty much everything. That's what I love about sound. Everything has a sound, whether we can hear it or not. Everything is in vibration. There are sounds that are inaudible to us, that are too high or too low. Then there's what we hear in the world and the importance of silence with John Cage. I think that they're just super productive.I was introduced really to sound studies through this book called Sonic Warfare by Steve Goodman. It was really about how the study of sound was, in a sense, still emerging because it had mostly been used for military purposes and for proprietary purposes such as commercials and things like that. As I stated earlier, I felt like music was my connection to a larger world that I couldn't access living in a small town. So even everything that came with it, the album covers, all that, they really made an impression on me as a young person, and it continues to this day, and I've been focusing deeply on it.My studies in sonic agency -- Indigenous Sonic Agency -- encompass everything from social song, sacred song, voice, just political speech and language, political language. There's so much work to be done in the emerging sound studies field. I felt that Indigenous Sonic Agency, there was a gap there in writing and knowledge on it. Now though, I acknowledge that there has been great study on the subject such as Dylan Robinson's book, Hungry Listening. I am fortunate enough to be around a lot of other Indigenous experimental artists who work in all the sonic fields. So it's an all-encompassing thing. I think about the sacred, I think about the political, I think about the nature of how we use it to organize things and how language works. Silence is a part of it. Also, listening is very important. It's something that I was taught at a very young age. You always have to continue to hone that practice to become a better and better listener. Li:That's the truth. Nathan:My grandmother was very quiet, but whenever she did talk, everybody loved it. Li:That's right. That's right. Let's talk about the Pennsbury Manor project. Can you share how you, Ryan Strand Greenberg, and Theo Loftis met and how nkwiluntàmën came to be? Nathan:Well, to my recollection, I try to keep busy around here, and oftentimes it means traveling to some of the other towns in the area such as Pawnee or Bartlesville or Dewey or Tahlequah. I wasn't able to do a studio visit with Ryan, but I wanted to see his artist talk that he was giving at the Tulsa Artist Fellowship, which I was a fellow at at that time. I remember seeing these large public art projects that were being imagined by Ryan. We had worked on some other projects that, for one reason or another, we weren't unable to get off the ground. Eventually, Pennsbury Manor was willing to be this space where we could all work together. I remember rushing back and being able to catch Ryan's artist talk. Then right before he left town, we had a studio visit and found out how much we had in common concerning the legacy of the Lenape in the Philadelphia area, what we used to call Lenapehoking. So it was a really a moment of good fortune, I believe. Li:Monument Lab defines monument as a statement of power and presence in public. The nkwiluntàmën project guide describes Pennsbury Manor as a space to attune public memory. It goes on to say that sites like these are not endpoints in history, but touchstones between generations. I really love that statement. Do you think Pennsbury Manor and the land it stands on, do you consider it a monument in your eyes? Why or, maybe even, why not? Nathan:Well, yeah, I would definitely consider Pennsbury Manor, in a sense, a monument. I think that we could make an argument for that. If we were talking about the nature of it being William Penn's home and it being reconstructed in the 20th century, you could make a very strong argument that it is a monument to William Penn and also as William Penn as this ideal friend to the Indian. Some people don't like that word. Here in Oklahoma, some of us use it. Technically, it was Indian Country legally. But I use all terms: Native American, Indigenous, Indian. But I'd mostly like to just be called a Lenape Delaware Pawnee Kiowa.I definitely would say that you could make an argument that is a monument to William Penn especially as part of that, as this ideal colonist who could be set as a standard as for how he worked with the Lenape and then other tribes in the area at the time. I think that's kind of the narrative that I run into mostly in my research, literally. However, I would not say that it was established or had been any type of monument to my Lenape legacy. I did not feel that... I mean, there was always mention of that. It was, like I said, as this ideal figure of how to cooperate with the tribes in the area. But I would definitely say it's not a monument to the Lenape or the Delaware or Munsee.Li:Can you share a bit more about the project itself in terms of nkwiluntàmën and what exactly you did there at Pennsbury Manor to shift and really inform that history from a different perspective? Nathan:Well, first of all, at Pennsbury Manor, I was given a lot of agency. I was given a lot of freedom to what I needed to as an artist. I was really fortunate to be able to work with Doug and Ryan and Theo in that manner where I could really think about these things and think deeply about them. I started to consider these living history sites. My understanding is that they're anachronisms. There's a lot of labor put into creating a kind of façade or an appearance of the past, and specifically this time, this four years that William Penn was on this continent. So this idea that nothing is here that is not supposed to be here became really important to me. What I mean by that is, say, if you threw in a television set, it kind of throws everything off. Everybody's walking around in clothing that reflects that era and that time. If you throw some strange electronics in the space, it kind of is disruptive. I didn't feel the need to do anything like that.I felt that one of the great things about working in sound and one of the most powerful things about sound is that sound can also be stealth. You can't see sound. We can sonify things or we can visualize it or quantify it in different ways. But to me, this challenge of letting the place be, but using sound as this kind of stealth element where I could express this very, very difficult subject and something that really nobody has any answers to or is sure about... I was trained as an art historian, and I know that we're only making guesses and approximations just like any doctors. We are just trying to do these things.But sound gave me the ability at Pennsbury Manor and nkwiluntàmën to work stealthy and quiet, to not disturb the space too much because there's important work that's done there, and I want to respect people's labor. As a member of the Delaware tribe of Indians of Lenape, I felt that it was a great opportunity to be the person who's able to talk about this very difficult subject, and that is not lost on me. That's a very, very heavy, very serious task. Li:Yeah, big responsibility. Nathan:Yes. It is not lost on me at all how serious it is, and I feel very fortunate. I think without such a great support system in place, it wouldn't have been possible. nkwiluntàmën means lonesome, such as the sound of a drum. We have a thing called the Lenape Talking Dictionary,  Li:I've seen it. I've seen it. Nathan:I'm often listening. I'm listening to Nora Dean Thompson who gave me my Delaware name, my Lenape name, Unami Lenape name in a peyote ceremony. So I often go there to access Delaware thought and ideas and to hear Delaware voices and Delaware language being spoken. I know that some people have different views on it, but let's say, I think artists and people have used the Unami Lenape before and art exhibitions as a lost or an endangered languages. I know that in the entire state that I live in, and in most of Indian country, there's a great language revitalization movement that I was fortunate to be a part of and contribute to.Really, that's where I discovered that that's really where through language, there's nothing more Lenape, there's nothing more Delaware, Unami Lenape than to be able to talk and express yourself in that manner or, say, as a Pawnee or a Kiowa to be able to talk and express. Embedded in those words are much more than just how we think of language. They're really the key to our worldviews. Our languages are the keys to our worldview and really our thought patterns and how we see the world and how we should treat each other or how we choose to live in the world or our ancestors did. So I'm fascinated by the language. I was fortunate enough to be around many, many different native languages growing up. But ours was one because of the nature of us being a northeastern tribe that was very much in danger of being lost. Some would say that at one point it was a very, very, very endangered language to the point to where nobody was being born in what we call a first language household, where everybody could speak conversationally in Unami Lenape.So these things, we all think about this, by the way, all of my community, the Delaware Tribe of Indians. I was fortunate enough to serve on the Tribal Council as an elected member for four years. We think about these things definitely all the time, and people do hard work to try to revitalize the language. I know at this time that the Delaware Tribe of Indians is actively working to revitalize our language. Li:That's a part of that preservation and remembrance because your work, really does explore this idea of ancestral remembrance and is rooted in that. Then again, you're also engaging with these historic sites, like Pennsbury Manor, that tap into public memory. So in your thoughts, how are ancestral remembrance and public memory connected? Are there any similar ways that they resonate? Nathan:Well, I think of different communities of remembrance. Within this idea of memory there are just different communities. I don't want to want to create a dichotomy, but it's easily understood by those who focus on the legacy of William Penn and those who focus on the legacy of the Lenape or the Pawnee. But ancestral memory is key to my culture, I believe, and I really don't know any way to express it other than explaining it in a contemporary sense. If you're deeply involved in your tribal nation, one of the one things that people will ask you is they'll say, "Who are your folks?" Literally, people will say, "Who are your folks?" Li:Who are your peoples? Nathan:"What family do you come from?" I didn't start to realize this until I was an adult, of course. It's not something you think you would ever think of as a child or anything. It started to become really apparent to me that we're families that make up communities that have stayed together in our case for hundreds of years across thousands of miles. It's a point to where we got down to very small numbers. We still stuck together. Then there was also a diaspora of Lenape that went to Canada, the Munsee and the Stockbridge. There was the Delaware Nation who has actually lived more near the Kiowa. My grandmother was Kiowa. But we still had the same family names. For instance, there are people and members of the Delaware Nation that are actually blood related to the Delaware Tribe. So that is really our connection to each other is our ancestors. That's purely what binds us to together is that our ancestors were together, and we just continue that bond. Li:Thank you. A part of Monument Lab's mission is to illuminate how symbols are connected to systems of power and public memory. What are the recurring or even the most vital symbols illuminated in your work? Nathan:Oh, that's a really tough question because my work is all over the place. I work across a lot of different mediums, although I've trained as an art historian, so I came into this as a visual artist. I just happened to be a musician and then discovered installation art and how sound works in art. But for me, the story I feel that I'm trying to tell cannot be held by any number of symbols or signs. I want to give myself the freedom and agency to use whatever is needed, actually, whatever is needed to get across the idea that is important to me. So going back to nkwiluntàmën, lonesome, such as the sounds, these colors, we use these white post-Colonial benches, and there's four large ones, placed across the grounds of Pennsbury Manor. You'll see that, if one were to visit, they would see a black bench, a yellow bench, a white bench, and a red bench. Nathan:If you're from my community, a Delaware Tribe of Indian member and you know that you're a Lenape, you understand that those colors have meaning to our tribe, and you'll know that those colors have sacred meaning. So in some sense, I will use whatever I think is the most appropriate way to use it also. I want to give myself the freedom to use any type of symbolism. I loved growing up with my mother and my grandmother being able to go to powwows. My mom would say, "Well, here comes the Shawnee women. Here comes the Delaware women. They dress like this. Here comes..." Li:You can recognize from their dress. Nathan:My mother and my grandmother taught me that iconography of our clothing, what we now call regalia. Li:I was curious if perhaps the drum or even the idea of homeland show up in your work? Nathan:Oh, they definitely show up in my work when appropriate. But rather than a drum, I would say sound or song or music. We do have these iconographies and symbols that are deeply meaningful to us, and I often use those in my artwork. But really the question for me is how to use them appropriately and, also at the same time, expand the use of these things appropriately. It's just being accountable to your legacy and your community in a sense and not crossing these boundaries, but still at the same time pushing form, pushing the edge.I'm a contemporary person. We're all contemporary people. We want to add something. We want to contribute. We want to be useful. So I'm searching for symbols and forms all the time, different ones. Whether it be a mound, whether it'd be a swimming pool inside an art gallery or a singing park bench or a post-Colonial bench in Pennsbury Manor, in some ways you could say I would be indigenizing and musicalizing those benches. But I consciously work to have a very broad palette. I want my work to be expansive and be able to encompass any subject or idea, because that's why I got into art is because you can talk about anything.Li:Yeah, it's boundless. It's boundless. Then also thinking about the connections and the symbols that you mentioned, the colors that you mentioned, the iconography, what systems of power might they be connected to? Nathan:Well, ultimately, I think that most of the power that is embedded in these symbols comes from the sublime, that come from the sacred. It's complicated. The sacred means to not be touched. That's my understanding, it's to not be touched. However, it's been the source of inspiration for artists of any continent of any time is, if you want to call it, a spiritual, sublime, religious connection, inspiration, whatever, but ultimately, that is my understanding. From my research, even as a young person studying Pawnee mythologies at the University of Oklahoma and special collection and learning stories, our origin stories and what color meant and how the world was seen by my ancestors from other tribes as well as Lenape stories, it's something that's hard to grasp and to hold onto, but that's how we've come to identify each other. It's as simple as we have car tags here that represent our tribes. We have a compact with the state. So everybody's looking around at all these different car tags.Li:Wow. Nathan:You see a regular Oklahoma one, and then you'll see... A very common one is a Cherokee because they're one of the biggest tribes. You'll see a blue one, it's Pawnee. Now you'll see a red one, and it's Delaware or Lenape. It says Unami Lenape on it, and it has our seal. So we play this kind of game all of us. I mean, it's not a game, but we're always looking at license plates to see... It might be your mom's car you're driving that has, say, a Kickapoo license plate or something, and it's a Cherokee driving it or a non-Indian or something, a relative, say. It's not for me to say where these came from. It's something that I actually just really explore and that fascinates me. It's very rich growing up and being a member of my tribal communities. I learn something new almost daily. Li:I can imagine like you said, the learning experience that you have as a child growing up in your community. You mentioned mythologies earlier. I study mythology. One of the purposes I've come to understand is education, educating through these stories. I recently interviewed Jesse Hagopian from the Zinn Education Project and the movement for anti-racist education. The struggles for education reform and reckoning with Eurocentric understandings of history seem to be deeply connected efforts. So on nkwiluntàmën, I understand an educational curriculum has been developed for younger audiences. What do you hope that people take away from this project that they might not find in a textbook or a classroom? Nathan:Well, I would hope that when people visit the large-scale sound installation and visual elements of it that they would understand... my greatest hope that people would learn what I learned while creating the work was that I really don't know what it felt like. I just came across, I was looking for the words in the Delaware Talking Dictionary for feelings, and I found a sentence or a way of saying feeling that said, "It did not penetrate me. I did not feel it." It made me realize that I don't know. I've never had this happen to me. The history of the Delaware Lenape is of constant removal, of constant pushing. Most people know the Cherokee Nation and the Trail of Tears. Actually, there were many movements of the Cherokee. It's very complex. All tribes are very complex. You always have to qualify. But the Trail of Tears is what most people know about. It was this very long, two-year complex journey. It was fraught. Li:That's one of the stories that we learned in school, if at all. Nathan:So our story is of nine of those and, to my understanding and research, was about once every 30 years. So it seemed to me that most Lenape, who came to be known as the Delaware Tribe, who I grew up with as, had ancestors that had experienced a removal. It's something that we still live and deal with today. We came to Oklahoma from what is now Lawrence, Kansas, when this was called Indian Territory. We had been living before that north of Kansas and had adapted our way of life as we changed across this territory and through time to survive.So as we moved into the Plains, we started to hunt buffalo, and then we get kind of crosswise with some other tribes. I think when the federal government was constituting Indian Country, they were concerned with the relationships between other tribes and how they felt. My understanding is we had upset some... By Buffalo hunting and adopting that way of survival and life, there was some trepidation about us. They wanted our reservation. The railroad wanted our reservation, and Lawrence, Kansas, to run directly through our reservation. They were forcing us to move off that reservation, and they couldn't find a place. That was kind of my understanding of the situation. So we ended up in the northernmost part of the Cherokee Nation. This made us a landless tribe for a very, very long time. Technically, we didn't have a reservation. We were living in the Cherokee's reservation because we had this very ancient but kind of tangential connection to the Cherokees. So that's a very long and complicated story as well. Li:That's actually a beautiful setup for one of my last questions actually. This idea of documentation and stewardship are key for Indigenous communities, as you just mentioned, that continue to contend with stolen land, forest displacements, cultural erasure, and lost languages. Monument Lab thinks a lot about the future archives that can hold the dynamic nature of public memory in all its forms. What would a future archive of ancestral memory look, feel, or even sound like for you? Nathan Young:I love that question because we do work with future archives of our ancestors, all of us do today. So I think it's really a question of form. I've encountered this in my studies of Sonic Agency and Indigenous Sonic Agency. The invention of the phonograph and the wax cylinder are very important. It didn't look like anything. It looked like sound or that archive. I think that unknowingly, we're all living in an archive. We're archiving moments now as things speed up constantly. Paul Virilio, the theorist, was very, very important to my thinking because he theorized about speed and the speed of, say, how a camera shutter and a gun are very similar in their repeatingness. I think about repetition a lot. But today, we live in this hyper surveillance society that any moment could be archived, any moment could be filmed, and also these things will be lost. So that is a fascinating thought to think about what may survive and become the archive and what may not, even with all of this effort to constantly surveil and document everything.But it's my hope that archives are important just because they give us a deeper understanding of a connection to something we will never be able to experience. So I think that a future archive is something that we cannot imagine. We don't know what it's going to look like, and it's up to us to find out and to explore form and explore possibilities so that we're not stuck in this mindset that has to be in steel and monumentalized as a figure or a person or something like that. So in my mind, it's just to be revealed to us. We'll know later, but I would hope that were to make...I know this is what people still do today that make monuments. They want to make something beautiful, but that means something different to Lenape or a Pawnee or Kiowa, so that seems very different to us. And so we do that. We do memorialize things in different ways. But I think that we think of them as more ethereal, whether we think of them as things that we know that aren't going to really last forever. I feel that way, at least. I don't speak for all of my culture. But I know that some of us are trying to find new forms to really memorialize our past and unite our community of memory and our tribes, our experiences.Li:Like you said, time, everything's moving so fast and everything's evolving. Everything's constantly changing. So who knows what the forms will take. This has been such a wonderful conversation. I really appreciate your time. I just wanted to see if you had any final words or even gems of ancestral wisdom you might want to leave with us before we finish. Nathan:No, I can't share any ancestral wisdom, not knowingly or very well. I just appreciate the opportunity to create the piece. I appreciate the opportunity to expand upon the piece by talking with you about this because I'm just trying to figure this out. I don't have all the answers. Li:Right, that is part of  being a life learner and walking this path. Everyone's on their journey. We are constantly learning at every turn. I'm with you, Nathan. I often admit that I do not have all the answers. That is for sure. I really enjoyed learning about your work and your practice. I definitely plan on getting down to Pennsbury Manor and look forward to the curriculum for the youth when it comes out. Nathan:Well, thank you. I hope you enjoy it. I hope that it's a meaningful experience for you. I'm a very fortunate person to be able to work on such a project and very grateful to the entire team and everybody that supported the process. Li:Thank you, and thank you again to Ryan Strand Greenberg, who is also the producer of this podcast and worked with you on the project for nkwiluntàmën. Thank you to Nathan Young, our guest today on Future Memory. This is another one for the Future Memory archives.Monument Lab Future Memory is produced by Monument Lab Studio, Paul Farber, Li Sumpter, Ryan Strand Greenberg, Aubree Penney, and Nico Rodriguez. Our producing partner for Future Memory is RADIOKISMET, with special thanks to Justin Berger and the Christopher Plant. This season was supported with generous funding by the Stuart Weitzman School of Design and the University of Pennsylvania.

(Lander, WY) – Mental Health Monday, the weekly segment on KOVE 1330 AM / 107.7 FM's Coffee Time hosted by Vince Tropea, continued today with guest Levon Jaure. Jaure is a member of the Native American Church of the Ghost Dancers, who he has begun working with to clean up different areas of Fremont County as a part of the Church's "Clean Lands, Clean Bodies" effort to maintain a connection with/stewardship of the land we call home. (Click here to learn more about the Church.) In addition to discussing how having an active role in the upkeep of one's environment can have an immense impact on mental health, Jaure shared his own life story and spiritual journey, ranging from addiction, recovery and eventual partnership with the Ghost Dancer Church. Check out the full Mental Health Monday interview with Jaure below to hear his story, and how you can get involved with future Clean Lands, Clean Bodies efforts. The main goal of Mental Health Monday is to start an open dialogue about a number of mental health topics, and how folks are being affected on local, state and national levels. Guests range from psychiatrists, psychologists, school/drug/grief counselors, and any other professionals in the field, as well as testimonials from those affected by mental health issues, such as students, veterans, first responders, and many more. Be sure to check out Mental Health Monday on Coffee Time every Monday, and tune in to Coffee Time every morning at 7:00 AM on KOVE 1330 AM / 107.7 FM, or stream it live right here. If you would like to be a guest on Mental Health Monday, please reach out to vince@county10.com.

Intro ends at 15:03In this episode we interview Benny Villareal about his work with Peyote Conservation in South Texas and his history with the Native American Church, touching on the topics of Peyoteros, Land Clearance, Habitat Destruction as a result of sprawl, and obstacles conserving what is becoming a rapidly diminishing cactus species in the only place in the United States where it grows - the state of Texas.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5634537/advertisement

Metsa Nihue is an internationally known healer who specializes in indigenous wisdom and lineages. He lived and trained in the Peruvian Amazon for fifteen years under the guidance of the Quechua-Lamistas (keh-choo-uh luh-mees-tuhs), Aguarunas, and the Shipibo (she-pee-boh) indigenous peoples. He has since been in practice leading ayahuasca retreats and plant medicine rituals in South America and building awareness in communities from the US, Europe, and Canada for more than twenty years.   He comes as the most highly recommended practitioner by many accredited scholars and leaders in the field of psychedelic study. Metsa is a Reiki master healer, a Sun Dancer with the Lakota Nation, he is initiated in the Bwiti tradition and ceremonies of Iboga in Gabon, and is part of the Native American Church of the Denee Nation. He is also connected to the psilocybin traditions of the Mazatec people of Mexico. He brings these lineages and practices together as a way to understand the power of healing transmission, helping to awaken our western culture to a collective consciousness resonance.   Get access to Metsa Nihue's free mini-course “We Are All Related” here:  https://metsa-nihue.mykajabi.com/we-are-all-related   Support indigenous cultures to keep their medicine way traditions alive:  https://www.sacredwaysfoundation.org/

Do non-indigenous people have a right to perform or practice indigenous rituals? There's no single answer, as Native Americans are not a monolithic group with a single opinion on the matter. Sierra Crane Murdoch reports on a group of religious organizations that purportedly offer “authentic” ceremonies—run by people with dubious claims to indigenous heritage—and give their participants peyote, a medicinal plant considered a sacrament by many Native Americans. Read Murdoch's story: https://harpers.org/archive/2023/06/a-native-american-church-without-native-americans-take-the-medicine-to-the-white-man/ Take our podcast survey: harpers.org/survey Subscribe to the magazine for only $16.97: harpers.org/save

Margaret Behan is an Arapahoe/Cheyenne member of the Native American Church, as well as one of the "13 Indigenous Grandmothers". In this episode we talk about Peyote Religion, people wanting a connection to plants and to the land they live on, hope for the young generations & the future of Lophophora williamsii and its connection to the Native people of North America.

Stephen Gray joins Sandie to discuss how indigenous thinking, plant intelligence, psychedelics, and sacramental medicines help save the world and the 10 best spiritual books that influenced him the most on his life journey. Stephen Gray is a teacher and writer on spiritual subjects and sacramental medicines. He has worked extensively with Tibetan Buddhism, the Native American Church, and with entheogenic medicines. The author of Returning to Sacred World: A Spiritual Toolkit for the Emerging Reality and editor of the recently released How Psychedelics Can Help Save the World, Stephen Gray is also a conference and workshop organizer, leader, and speaker as well as a part-time photographer and music composer under the artist name Keary. --- Support this podcast: https://anchor.fm/sandie-sedgbeer/support

This week's show is with Anthar Kharana Navarro, native from Ocaña in the north of Colombia, he is a music composer, sound healer and ceremonial leader of the Eagle and Condor Nations. Anthar is also a Sundancer and a member of the Native American Church. He started at an early age, guided by wise elders from his land and during the last 20 years of travel, Anthar have visited 16 countries, particularly active in the UK, leading retreats, workshops, conferences, ceremonies and concerts. Anthar is the director and founder of the Ancestral School in Colombia (Escuela Ancestral Colombia) and both Tribal Sound Healing and the Tambora Foundation in the UK and Colombia. He is also co-director of the first school of sound healing in Scotland ANSU School of Sound and the Ancestral Pathways School in England. In the last 19 years of traveling the world, Anthar has shared the wisdom and the connection between the Sacred Fire and the Ancestral Sound with the animal, mineral and plant kingdom. He leads traditional ceremonies, workshops, sacred music concerts, private healing sessions, conferences and retreats in various countries including Colombia, Chile, England, Scotland, Wales, Ibiza, USA, Poland, France, Portugal, Switzerland, Korea, Bali - Indonesia, Romania and Italy. In this show, Anthar and Lian explored how outside change begins with what's inside. We explored practices and ways of being that connect us with the old ways, how some people are here to be the bridges to the new, and the importance of connecting with our land and ancestors. I'd love to know what YOU think about this week's show. Let's carry on the conversation… please leave a comment below. What you'll learn from this episode: When we want to change the world, we can begin with ourselves… clean our own blood and we clean the river. What kind of seed are you? One that is here to spread prolifically now or one that's here to grow slowly, with the results of what you plant being something that your ancestors many generations from now will benefit from? I love how Anther spoke about the importance of connecting to our land and our ancestors - that we care about our relations and they care about us Resources and stuff that we spoke about: Anthar's Website: antharkharana.com Tribal Sound Healing   Thank you for listening! There's fresh episode each week, if you subscribe then you'll get each new episode delivered to your phone every Tuesday (that way you'll never miss an episode): Subscribe on Apple Subscribe on Android Thank you! Lian & Jonathan

Audio of the 1990 opinion of the Court in Employment Division, Department of Human Resources of Oregon v. Smith. Two Oregon men were fired from their jobs at the same organization when their employer learned that they had ingested peyote for religious purposes. When the two men later applied for unemployment benefits, they were denied because they had been fired over their criminal conduct. In this case, the Court was asked whether a state can deny unemployment benefits to a worker fired for using illegal drugs for religious purposes.   Access this SCOTUS opinion and other essential case information on Oyez. Music by Epidemic Sound.

Inspiring teachings centered on navigating our world's collective challenges with indigenous wisdom and the power of psychedelics• With contributions from Christopher Bache, Zoe Helene, Dennis McKenna, Martina Hoffmann, The Dank Duchess, Jamie Wheal, Grandmother Maria Alice, and others• Explores the immense healing intelligence of nature, the wisdom of ancient Indigenous prophecies and shamanic practices, the importance of the Divine Feminine for environmental regeneration, and the crucial role of psychedelic and entheogenic plants in initiating transformations of consciousnessExploring the way forward for humanity in the face of unprecedented crisis, more than 25 contributors show how the wisdom of Indigenous peoples and the power of psychedelics can help us enact the radical shift in consciousness necessary to navigate the collapse of the old world order and the birth of a new consciousness.We hear from psychedelic visionaries Christopher Bache, Zoe Helene, Wade Davis, Chris Kilham, Laurel Sugden, and others on the promise of psychedelic medicines for spiritual and healing work. We learn about Indigenous stories to support our transformation from Native American leader Solana Booth, ancestral memory from Grandmother Maria Alice Campos Freire, cannabis's role in world building from Minelli Eustàcio-Costa, the ritual roots of talking plants from Michael Stuart Ani, and alchemy across the arc of time from shaman Ya'Acov Darling Khan. We also hear from cannabis grower The Dank Duchess; Tyson Yunkaporta, Australian Aboriginal artist and scholar; visionary artist Martina Hoffmann; activist Duane Elgin; Kohenet Rachel Kann, ordained Jewish priestess and ceremonialist; and several other wise leaders for our time.Throughout these profound essays we are reminded of the immense healing intelligence of our plant allies, of the wisdom of shamanic practices, of the importance of the Divine Feminine for environmental regeneration, and of the crucial role of entheogenic plants in initiating transformations of consciousness and healing our world's collective disconnection from Spirit.Stephen Gray is a teacher and writer on spiritual subjects and sacramental medicines. He has worked extensively with Tibetan Buddhism, the Native American Church, and with entheogenic medicines. He is also a conference and workshop organizer, leader, and speaker. The editor of Cannabis and Spirituality, he lives in Vancouver.

Conversation starts @ 4:36 In this episode I meet with Dr. Stephen Gray to discuss his latest book, How Psychedelics Can Help Save The World: Visionary and Indigenous Voices Speak Out. We begin by noting the cultural and individual issues that that psychedelic medicine is positioned to treat, we continue with the ways that we have lost our mythic and symbolic root and religious systems, overpopulation, planetary sickness, the universality of change and transformation, the Dunbar number and social systems, the nature of these reality revealing medicines, explore indigenous traditions as revelatory to the hegemony, healing cultural wounds, cultural dynamics exposed by psychedelic practice, psychedelic capitalism, medical and pharma intervention with psychedelics, the lost Mystery Schools, trusting what is, surrender as an attitude nourished by working with entheogens, and more. Bio: Stephen has been involved in spiritual work and psychedelics for 50 years. This includes more than 20 years as a student and occasional teacher of Tibetan Buddhism; a dozen years actively involved with Native American Church peyote prayer ceremonies; “guest” membership in the ayahuasca-using Santo Daime Church, and experience with a number of other entheogens. He is also the author of Returning to Sacred World: A Spiritual Toolkit for the Emerging Reality, and editor as well as one of 18 contributors to the popular Cannabis and Spirituality: An Explorer's Guide to an Ancient Plant Spirit Ally. Stephen teaches people about the spiritual benefits of intentional cannabis use and conduct cannabis meditation and sound-journeying ceremonies. Perhaps most relevant to the mission of StephenGray Vision, for the past 10 years, he's co-organized the influential Spirit Plant Medicine Conference in Vancouver, British Columbia, Canada. That work has connected him to dozens of remarkable spokespeople on behalf of the skillful understanding and use of psychedelic/entheogenic sacramental medicines. About the book: Exploring the way forward for humanity in the face of unprecedented crisis, more than 25 contributors show how the wisdom of Indigenous peoples and the power of psychedelics can help us enact the radical shift in consciousness necessary to navigate the collapse of the old world order and the birth of a new consciousness centered on awakened-heart interconnectedness. We hear from psychedelic visionaries Christopher Bache, Zoe Helene, Wade Davis, Chris Kilham, Laurel Sugden, and others on the promise of psychedelic medicines for spiritual and healing work. We learn about Indigenous stories to support our transformation from Native American leader Solana Booth, ancestral memory from Grandmother Maria Alice Campos Freire, cannabis's role in world building from Minelli Eustàcio-Costa, the ritual roots of talking plants from Michael Stuart Ani, and alchemy across the arc of time from shaman Ya'Acov Darling Khan. We also hear from cannabis grower The Dank Duchess; Bruce Damer, a “mystic scientist” working on the question of life's origins and its future in space; Tyson Yunkaporta, Australian Aboriginal artist and scholar; visionary artist Martina Hoffmann; professor of religious studies G. William Barnard; activist Duane Elgin; Kohenet Rachel Kann, ordained Jewish priestess and ceremonialist; and several other wise leaders for our time. https://www.stephengrayvision.com John's Esalen Workshop: https://www.esalen.org/workshops/portals-and-pathways-ecstatic-experience-music-and-the-red-book-022723 Website for The Sacred Speaks: http://www.thesacredspeaks.com WATCH: YouTube for The Sacred Speaks https://www.youtube.com/channel/UCOAuksnpfht1udHWUVEO7Rg Instagram: https://www.instagram.com/thesacredspeaks/ @thesacredspeaks Twitter: https://twitter.com/thesacredspeaks Facebook: https://www.facebook.com/thesacredspeaks/ Brought to you by: https://www.thecenterforhas.com Theme music provided by: http://www.modernnationsmusic.com

Metsa Nihue is an internationally renowned Onaya (medicine man) and healer who specializes in traditional Amazonian lineages and plant medicines. He lived and trained in the Peruvian Amazon for 15 years under the guidance of the Quechua-Lamistas, Aguarunas and Shipibo indigenous peoples, and has been leading ayahuasca retreats and plant medicine rituals around the world for the past decade. He is a Reiki master healer and a Sun Dancer with the Dakota Tipi Nation, and a part of the Native American Church of the Denee Nation. He is a leader in the field of psychedelic studies and the preservation of indigenous communities and traditions of South America. It was 7 years ago that Jaymee sat in two ayahuasca ceremonies facilitated by Metsa, one of which birthed Jaymee receiving the message "Love Is The Author": a philosophy Jaymee has lived by ever since. This is Metsa's and Jaymee's first conversation ever; the two men did not speak in the shared space 7 years ago, and had not seen each other since. Metsa has lived a life of privacy until now, so it is an incredible honor to present you his first podcast. METSA SERIES: www.metsaseries.com METSA MUSIC: www.metsamusic.com SACRED WAY FOUNDATION: www.sacredwaysfoundation.org FOLLOW METSA ON IG: @metsaseries LOVE IS THE AUTHOR: produced, edited, and hosted by Jaymee Carpenter. Instagram: @loveistheauthor MGMT/INFO: lacee@loveistheauthor.com

In this episode we talk with a gentleman who cultivates Peyote for the Native American Church. We discuss his efforts to protect wild populations of the plant by teaching NAC members to grow the plant from seed as a form of ex-situ conservation and to ensure that the species will be available for indigenous use despite declining populations in habitat and declining harvests among the Peyoteros. Ex-situ cultivation of Lophophora williamsii - Peyote - is a means of preserving it for use by the Native American Church. As many botanists in the US and Mexico who study Chihuahua Desert ecology already know - populations of the plant in habitat are declining due to poaching - and to a greater extent - land clearance. Leonardo aka "The Peyote Lorax" informs us of his cultivation methods, his history with the plant, and the ceremonial use of the plant by indigenous peoples of North America for the past 6,000 years. We talk about his work with the Morningstar Conservancy, his efforts to teach his fellow indigenous users of Peyote how to establish and grow Peyote in states like Arizona and New Mexico where the plant is not native but where it can be grown in the ground with winter protection, etc.This was a great conversation and I'm thankful to Leo for making it happen.Your continuing support helps enable this podcast.

EPISODE #813 HOW PSYCHEDELICS CAN HELP SAVE THE WORLD Richard welcomes a who explores the immense healing intelligence of nature, the wisdom of ancient Indigenous prophecies and shamanic practices, and the crucial role of psychedelic and entheogenic plants in initiating transformations of consciousness. Guest: Stephen Gray has been a lifelong student, teacher and researcher of spiritual paths, in particular Tibetan Buddhism and the peyote ceremonies of the Native American Church. He has studied and practiced several other modalities in the healing and awakening fields and also devoted much time and love to music as a teacher, singer/songwriter, and composer of music for healing and spiritual work under the artist name Keary. “Returning to Sacred World” is his first book and Stephen has also written several feature articles for leading magazines in the field. Website(s): https://www.stephengrayvision.com https://spiritplantmedicine.com/ Book(s): How Psychedelics Can Help Save the World: Visionary and Indigenous Voices Speak Out SUPPORT OUR SPONSORS!!! AG1 From Athletic Greens Visit athleticgreens.com/strangeplanet It's time to reclaim your health and arm your immune system with convenient, daily nutrition! It's just one scoop in a cup of water every day. That's it! No need for a million different pills and supplements to look out for your health. MRBALLEN PODCAST Hey Prime Members, listen to the Amazon Music exclusive podcast, MRBALLEN PODCAST: STRANGE, DARK & MYSTERIOUS STORIES in the Amazon Music App. Download the app today. COPY MY CRYPTO - Discover how over 1,300 people - many of who know nothing about crypto or how to invest - are building rapid wealth the cabal can never steal - "You don't need to know a thing about cryptocurrency if you copy someone who does" CopyMyCrypto.com/Dollar SUBSCRIBE TO STRANGE PLANET PREMIUM HERE: https://strangeplanet.supportingcast.fm Use the discount code "Planet" to receive one month off the first subscription. We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes. By using our website and services, you agree to our use of cookies as described in our Cookie Policy. Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://strangeplanet.supportingcast.fm/

Stephen Gray is an author, editor, event organizer and speaker, and ceremony leader. He has been deeply involved with spiritual practices and sacramental (psychedelic) medicine work for over 40 years, including Tibetan Buddhism, the Native American Church (peyote prayer ceremonies), and ayahuasca. We hear from psychedelic visionaries Christopher Bache, Zoe Helene, Wade Davis, Chris Kilham, Laurel Sugden, and others on the promise of psychedelic medicines for spiritual and healing work. We learn about indigenous stories to support our transformation from Native American leader Solana Booth, ancestral memory from Grandmother Maria Alice Campos Freire, cannabis's role in world building from Minelli Eustàcio-Costa, the ritual roots of talking plants from Michael Stuart Ani, and alchemy across the arc of time from shaman Ya'Acov Darling Khan. We also hear from cannabis grower The Dank Duchess; Bruce Damer, a “mystic scientist” working on the question of life's origins and its future in space; Tyson Yunkaporta, Australian Aboriginal artist and scholar; visionary artist Martina Hoffmann; professor of religious studies G. William Barnard; activist Duane Elgin; Kohenet Rachel Kann, ordained Jewish priestess, and ceremonialist; and several other wise leaders for our time.More Psychedelic Radio at Cannabisradio.com

Dr. Erica Elliott joins us on the show to discuss her fascinating journey becoming apart of a rural Navajo Community and ultimately transforming into a powerful healer ready to take on the task that was always her highest calling to help and heal her fellow human. Dr. Elliott took us from her beginning ups and downs learning to communicate with her class of Navajo Children, meeting her Spirit Guide in a frightening face to face encounter, witnessing a Skin-walker, sitting with The Medicine (Peyote) and learning the true power of Love. Dr. Erica is tremendously insightful and shared so much in this truly one of a kind episode, we learned about the Native American Church, The Role of The Roadman, and What Erica thinks we as human beings need more than ever. Buy Erica's book here: https://www.amazon.com/Medicine-Miracles-High-Desert-Navajo/dp/159143419X  and visit her blog https://www.musingsmemoirandmedicine.com/Share this episode: https://share.transistor.fm/s/6da05258New Booklet by Mystic MarkBiblio-Man-See Buy Nowhttps://ko-fi.com/s/eefb2be3b9Get the SEEEN Travel Guide!https://ko-fi.com/s/6f1e1173a0Synchro-Wisdom Dialogue: https://linktr.ee/mysticmarkpodcastMFTIC Merchhttps://mftic-podcast.creator-spring.comJoin us on TelegramLeave me a message On Telegram!For Exclusive My Family Thinks I'm Crazy Content: Only 3$ get 50+ Bonus Episodes, Sign up on our Patreon For Exclusive Episodes. Check out the S.E.E.E.N.or on Rokfin@MFTICPodcast on Twitter@myfamilythinksimcrazy on Instagram, Follow, Subscribe, Rate, and Review we appreciate you!https://www.myfamilythinksimcrazy.comhttps://altmediaunited.com/my-family-thinks-im-crazy/Listen to Every AMU Podcast with this link. https://lnns.co/pI5xHeyFdfgGET A NEW PODCASTING APP! https://podcastindex.org/appsHelp fund the show, I cannot do this without your support.CashApp: $MarkSteevesJrVenmo: @MysticMarkPaypal: @mysticmarkPatreon: https://www.patreon.com/MFTIC?fan_landing=trueRokfin: https://www.rokfin.com/myfamilythinksimcrazyKo-fi: https://ko-fi.com/myfamilythinksimcrazyBuy Me A Coffee: https://www.buymeacoffee.com/MFTICWithout you this Podcast would not exist, may good karma bless all who support.MUSICAL CREDITSIntro Song by Destiny LabMusic: Divine FleshBy PocahauntedOutroMusic: It Takes A VillageBy HoliznaRapsReleased under a Creative Commons Attribution International 4.0 License Thanks To Soundstripe and FMA ★ Support this podcast on Patreon ★

Practitioners in the Native American Church (or as we like to call it, the other NAC) officially won the right to use peyote as a religious right in 1994. Now they are working to secure environmental protections for the plant that is losing habitat to development, land use policies, and climate change. Among other things, NAC representatives call for setting aside land where peyote grows. Today on Native America Calling, Shawn Spruce looks at the practice and the politics of peyote with Jon Brady (Mandan, Hidatsa, and Arikara), president of the Native American Church of North America; Dr. Martin Terry, board member for the Cactus Conservation Institute and professor emeritus of Sul Ross University; elder Steven Benally (Diné), founding member of the Indigenous Peyote Conservation Initiative (IPCI) and co-organizer of the Annual Spiritual Pilgrimage; and Sandor Iron Rope (Oglala Lakota Oyate from the Pine Ridge agency), founding IPCI board member.

Stephen Gray is a podcast host, teacher, writer on spiritual subjects and sacramental medicines. He has worked extensively with Tibetan Buddhism, the Native American Church, and with entheogenic medicines.Stephen's links:https://www.cannabisandspirituality.com/about/https://www.innertraditions.com/author/stephen-gray

In this week's episode, we bring you a thought-provoking discussion on the Psychedelic Renaissance. Our guest, historian and professor Erika Dyck, offers her perspective on where psychiatry and medical research intersect with psychedelic research. She also speaks about society's moral panic; what it means and what we should be doing about it. Erika is a Professor and a Canada Research Chair in the History of Health & Social Justice at the University of Saskatchewan. She was introduced to us by a previous guest, Paul Gootenberg, and we are so glad he made the introduction. With over 20 years of research under her belt, Erika is not only an expert on the history of psychedelic research but is also plugged into its future. She is the author or co-author of several books, including Psychedelic Psychiatry (2008); A Culture’s Catalyst: Historical Encounters with Peyote and the Native American Church in Canada (2016); Psychedelic Prophets: The Letters of Aldous Huxley and Humphry Osmond (2018); and co-author of The Acid Room: the Psychedelic Trials and Tribulations of Hollywood Hospital (2022). She is also the guest editor of the Chacruna Series on women in the history of psychedelic plant medicines. At the University of Saskatchewan, Erika teaches courses in the history of medicine and madness. She is particularly interested in making history inclusive and learning about people who have been written about but rarely listened to. Some of the community-engaged collaborations have created space for these discussions, see: https://madnesscanada.com/ and www.eugenicsarchive.ca.This has extended to work focused on the COVID-19 pandemic with the COVID-19 Community Archive.Erika works to think about things in a global and interconnected way, bringing strong research and authentic passion to the topics she speaks on. Are you ready to think about the world in a different way? Join the discussion with Erika and me in this week's new episode. Get full access to Mind Body Health & Politics at www.mindbodyhealthpolitics.org/subscribe

https://www.erowid.org/chemicals/mescaline/mescaline_timeline.php https://en.wikipedia.org/wiki/Echinopsis_pachanoi https://en.wikipedia.org/wiki/Mescaline https://en.wikipedia.org/wiki/Peyote https://en.wikipedia.org/wiki/Native_American_Church https://psychonautwiki.org/wiki/Mescaline https://www.learnreligions.com/peyote-and-the-native-american-church-95705 https://en.wikipedia.org/wiki/Alfred_Leo_Smith https://en.wikipedia.org/wiki/American_Indian_Religious_Freedom_Act https://leginfo.legislature.ca.gov/faces/billNavClient.xhtml?bill_id=202120220SB519 https://aspenbrain.institute/blog-posts/inside-the-movement-to-decolonize-psychedelic-pharma https://www.decriminalizenature.org/education/blog/244-ipci-decriminalize-nature-and-peyote-dialogues https://www.benzinga.com/government/21/10/23230647/santa-cruz-overturns-decriminalization-of-peyote-and-similar-plants-to-protect-them-per-indigenous-g https://www.ipci.life/miriam-volat https://www.forbes.com/sites/louismetzgeriv/2022/04/26/mental-health-startup-journey-colab-aims-to-develop-mescaline-as-an-fda-approved-treatment-for-alcohol-use-disorder/?sh=448100343f3a https://www.encyclopedia.com/history/united-states-and-canada/north-american-indigenous-peoples/native-american-church ttps://leginfo.legislature.ca.gov/faces/billNavClient.xhtml?bill_id=202120220SB519 https://www.grid.news/story/science/2022/07/19/the-dark-side-of-decriminalizing-peyote-the-tiny-cactus-at-the-center-of-a-fight-between-some-native-americans-and-psychedelic-drug-advocates/ https://cactusconservation.org/wp-content/uploads/2022/06/Ermakova_2022_Cultivation-as-a-conservation-tool-for-cacti.pdf https://chacruna.net/decriminalize-nature-claims-involving-cci-disclaimer/ https://www.lucid.news/will-psychedelic-companies-embrace-indigenous-reciprocity/ https://www.marijuanamoment.net/santa-cruz-removes-peyote-and-other-mescaline-containing-cacti-from-psychedelics-decriminalization-law/#:~:text=Nearly%20two%20years%20after%20Santa,peyote%2C%20effectively%20recriminalizing%20the%20cactus. https://www.learnreligions.com/peyote-and-the-native-american-church-95705

Dr. Jon and Brian take a break from kratom to look at the recently released Netflix documentary series hosted by Michael Pollan, How to Change Your Mind. In related good news: the DEA backed off its decision to schedule five psychedelics. Hamilton Morris tweets. “Today the DEA withdrew their plan to prohibit DiPT, 4-HO-DiPT, 5-MeO-MiPT, … Journal Club #34: How to Change Your Mind Documentary Read More » The post Journal Club #34: How to Change Your Mind Documentary first appeared on Kratom Science.

In this week's episode, we bring you a thought-provoking discussion on the Psychedelic Renaissance. Our guest, historian and professor Erika Dyck, offers her perspective on where psychiatry and medical research intersect with psychedelic research. She also speaks about society's moral panic; what it means and what we should be doing about it. Erika is a Professor and a Canada Research Chair in the History of Health & Social Justice at the University of Saskatchewan. She was introduced to us by a previous guest, Paul Gootenberg, and we are so glad he made the introduction. With over 20 years of research under her belt, Erika is not only an expert on the history of psychedelic research but is also plugged into its future. She is the author or co-author of several books, including Psychedelic Psychiatry (2008); A Culture's Catalyst: Historical Encounters with Peyote and the Native American Church in Canada (2016); Psychedelic Prophets: The Letters of Aldous Huxley and Humphry Osmond (2018); and co-author of The Acid Room: the Psychedelic Trials and Tribulations of Hollywood Hospital (2022). She is also the guest editor of the Chacruna Series on women in the history of psychedelic plant medicines. At the University of Saskatchewan, Erika teaches courses in the history of medicine and madness. She is particularly interested in making history inclusive and learning about people who have been written about but rarely listened to. Some of the community-engaged collaborations have created space for these discussions, see: https://madnesscanada.com/ and www.eugenicsarchive.ca.This has extended to work focused on the COVID-19 pandemic with the COVID-19 Community Archive.Erika works to think about things in a global and interconnected way, bringing strong research and authentic passion to the topics she speaks on. Are you ready to think about the world in a different way? Join the discussion with Erika and me in this week's new episode.

In this episode, we meet East-West Psychology adjunct faculty member, Chief Philip Scott, who recounts his journey from learning ballet in his youth to becoming a professional ballet dancer and, through apprenticeship with Traditional Medicine people from various Indigenous Nations, finds his way to the Lakota Sundance. Phillip has been Sundancing in the Lakota Tradition for the past 31 consecutive years, and he speaks of the cross-cultural nuances of how he was welcomed and accepted into this Indigenous tradition. The discussion turns to Truth and Reconciliation Day, which happened just before this recording, so we discuss modern issues of appropriation and commodification, the necessity of respect in relation to Indigenous peoples and cultures and the cultivation of patience and humility in the pursuit of embodied transformation on the Medicine Path. Phillip offers counsel on ways to approach Indigenous wisdom traditions with reverence as well as the means to decolonize contemporary shamanism. The conversation ends with the Chief speaking about Dance as a collective Prayer with our Ancestors, the Earth, and the Great Mystery. Of mixed Ancestry and thrice struck by Lightning, Phillip Scott has faithfully walked the Native Path for forty years, learning from and sanctioned by traditional Medicine/Holy people, tribal Spiritual leaders, Wisdomkeepers and Elders from several Indigenous cultures. Annually Sundancing in the Lakota tradition for over three decades and a member of the Native American Church, he is a Ceremonial leader and Traditional healer, entrusted to share Indigenous wisdom and Medicine practices with the contemporary world. An advisor and presenter on various Sacred matters, he is a consultant for educational, spiritual/religious, medical and environmental institutions as well as for corporations. Interviewed both nationally and internationally, his life, experience and writings have been featured in journals and books. In addition to directing and teaching the programs at Ancestral Voice - Institute for Indigenous Lifeways in Northern California, which he founded in 1994, he maintains a private healing practice, performs Ceremonies. conducts intensives, gives lectures and leads pilgrimages worldwide. He is skilled in survival and primitive technologies, has received a Masters degree from Naropa University and is also a licensed EMT. Connect with EWP: Website • Youtube • Facebook • Podcast Website Music at the end of the episode titled Lonely River, by Jonathan Kay and Andrew Kay, from Temple Meditations released on Monsoon-Music Record Label Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode, we meet East-West Psychology adjunct faculty member, Chief Philip Scott, who recounts his journey from learning ballet in his youth to becoming a professional ballet dancer and, through apprenticeship with Traditional Medicine people from various Indigenous Nations, finds his way to the Lakota Sundance. Phillip has been Sundancing in the Lakota Tradition for the past 31 consecutive years, and he speaks of the cross-cultural nuances of how he was welcomed and accepted into this Indigenous tradition. The discussion turns to Truth and Reconciliation Day, which happened just before this recording, so we discuss modern issues of appropriation and commodification, the necessity of respect in relation to Indigenous peoples and cultures and the cultivation of patience and humility in the pursuit of embodied transformation on the Medicine Path. Phillip offers counsel on ways to approach Indigenous wisdom traditions with reverence as well as the means to decolonize contemporary shamanism. The conversation ends with the Chief speaking about Dance as a collective Prayer with our Ancestors, the Earth, and the Great Mystery. Of mixed Ancestry and thrice struck by Lightning, Phillip Scott has faithfully walked the Native Path for forty years, learning from and sanctioned by traditional Medicine/Holy people, tribal Spiritual leaders, Wisdomkeepers and Elders from several Indigenous cultures. Annually Sundancing in the Lakota tradition for over three decades and a member of the Native American Church, he is a Ceremonial leader and Traditional healer, entrusted to share Indigenous wisdom and Medicine practices with the contemporary world. An advisor and presenter on various Sacred matters, he is a consultant for educational, spiritual/religious, medical and environmental institutions as well as for corporations. Interviewed both nationally and internationally, his life, experience and writings have been featured in journals and books. In addition to directing and teaching the programs at Ancestral Voice - Institute for Indigenous Lifeways in Northern California, which he founded in 1994, he maintains a private healing practice, performs Ceremonies. conducts intensives, gives lectures and leads pilgrimages worldwide. He is skilled in survival and primitive technologies, has received a Masters degree from Naropa University and is also a licensed EMT. Connect with EWP: Website • Youtube • Facebook • Podcast Website Music at the end of the episode titled Lonely River, by Jonathan Kay and Andrew Kay, from Temple Meditations released on Monsoon-Music Record Label Learn more about your ad choices. Visit megaphone.fm/adchoices

James shares how he was passed the peyote and authorized to bring it to the white man's culture by Native elders, leading to a political struggle that takes him to the Utah Supreme Court