Podcasts about pawnee nation

On today's episode, Jessica chats with Martha Only a Chief [Pawnee (Chawi) and descendant of the Otoe-Missouria Tribe; NAGPRA Coordinator for the Pawnee Nation] about her experiences working on NAGPRA and for the Cultural Resources Division of the Pawnee Nation. She explained what the basic NAGPRA process is like, Pawnee's specific approach, and how it has changed since she started this work. We also talked about what approaches she appreciates from the institutions they work with, as well as coordinating with other Tribes on this work. Finally she shares some personal experiences doing this work and what this work means to the Pawnee.Linkshttps://pawneenation.org/cultural-resource-division/Heritage Voices on the APNContactJessicaJessica@livingheritageanthropology.org@livingheritageAArchPodNetAPN Website: https://www.archpodnet.comAPN on Facebook: https://www.facebook.com/archpodnetAPN on Twitter: https://www.twitter.com/archpodnetAPN on Instagram: https://www.instagram.com/archpodnetTee Public StoreAffiliatesMotion

On today's episode, Jessica chats with Martha Only a Chief [Pawnee (Chawi) and descendant of the Otoe-Missouria Tribe; NAGPRA Coordinator for the Pawnee Nation] about her experiences working on NAGPRA and for the Cultural Resources Division of the Pawnee Nation. She explained what the basic NAGPRA process is like, Pawnee's specific approach, and how it has changed since she started this work. We also talked about what approaches she appreciates from the institutions they work with, as well as coordinating with other Tribes on this work. Finally she shares some personal experiences doing this work and what this work means to the Pawnee.Linkshttps://pawneenation.org/cultural-resource-division/Heritage Voices on the APNContactJessicaJessica@livingheritageanthropology.org@livingheritageAArchPodNetAPN Website: https://www.archpodnet.comAPN on Facebook: https://www.facebook.com/archpodnetAPN on Twitter: https://www.twitter.com/archpodnetAPN on Instagram: https://www.instagram.com/archpodnetTee Public StoreAffiliatesMotion

Happy New Year! The Archaeology Podcast Network took a break for the Holiday. So for episode 11, we are releasing an Encore episode from the A Life in Ruins Podcast.In this episode, Carlton does another solo lecture-style episode. The subject of this lecture? An introduction to Great Plains archaeology with a focus on Pawnee archaeological ancestry. The episode starts off with very introductory history of the Pawnee in the 17th, 18th, and 19th century. Then Carlton dives into Great Plains geography and culture history. The episode ends with a focus on the ethnogenesis and the archaeological cultures that contributed to the development of Pawnee Nation.Links: The Archaeology of the North American Great Plains by Douglas B. Bamforth (2021) Archaeology on the Great Plains Edited by W. Raymond Wood (1998) Carlton's KU Anthropology Faculty BioTranscripts For rough transcripts of this episode, go to: https://www.archpodnet.com/great-plains-archaeology/11Contact: Instagram: @‌pawnee_archaeologist Email: greatplainsarchpodcast@gmail.comAffiliates Motion

Sean winds up with a fastball to tell the story of hard throwing pitcher Moses Yellowhorse. From the Pawnee Nation; Yellowhorse's arm caught the attention of baseball's elite and brought him to the big leagues at a young age. Despite a strong arm and cheers from the Pittsburgh faithful dedicated specifically to young Moses, his career would be very short but very eventful.

This week on Snap, a BigFoot story from Pawnee Nation and a tale from a traditional-Filipino-tattoo practitioner who rids people of ancestral spirits. Some spirits move on… others don't want to leave. Be afraid… this Halloween special features supernatural stories from our evil twin podcast, Spooked told by people who can barely believe it happened themselves. You can listen to Spooked for free on any podcast platform! STORIES Big Man When the Big Guy shows up, you keep your mouth shut. Be afraid… Thank you to our storyteller for sharing his experiences. Original score by Yari Bundy, produced by Anne Ford Tattoo Exorcism Traditional-Filipino-tattoo practitioner, Lane Wilcken, is never scared when ancestral spirits visit during tattoo sessions. He knows that those spirits, the ones that are just stopping by, aren't the ones you have to worry about. Thank you, Lane Wilcken, for sharing your story with us! Lane wrote the book on traditional Filipino tattooing — Filipino Tattoos: Ancient to Modern. Today, Lane is one of only twenty people in the world who practice Filipino tattooing in its traditional form. Original score by Lauryn Newson, produced by Zoë Ferrigno Artwork by Teo Ducot Season 14 - Episode 44

The murder rate for native women and girls living on reservations in the U.S. is ten times higher than the national average for women, according to the Urban Indian Health Institute. Meanwhile, the U.S. Department of Justice's federal missing person database only logs a fraction of those cases. Our guest this week, who has investigated cases for indigenous girls from nine months old to women in their eighties, points out that this is part of a broader trend of data erasure. Abigail Echo-Hawk is the director of the Urban Indian Health Institute, which focuses on research and decolonizing data for urban American Indian and Alaska Native communities. She also serves as executive vice president of the Seattle Indian Health Board and is an enrolled citizen of the Pawnee Nation of Oklahoma. She joins WITHpod to discuss recovering the true story of her people prior to and post the Columbus encounter, the importance of rethinking misconceptions, health disparities in indigenous and Alaska native communities,  and the work that lies ahead to break down feelings of “invisibility.”**WITHpod Live Tour Special Announcement**Join us on the road.  Buy your tickets now at msnbc.com/withpodtour.

Paul Farber:You are listening to Monument Lab Future Memory where we discuss the future of monuments and the state of public memory in the US and across the globe. You can support the work of Monument Lab by visiting monumentlab.com, following us on social @Monument_Lab, or subscribing to this podcast anywhere you listen to podcasts. Li Sumpter:Our guest today on Future Memory is artist, scholar, and composer, Nathan Young. Young is a member of the Delaware Tribe of Indians and a direct descendant of the Pawnee Nation and Kiowa Tribe, currently living in Tahlequah, Oklahoma. His work incorporates sound, video, documentary, animation, installation, socially-engaged art, and experimental and improvised music. Young is also a founding member of the artist collective, Postcommodity. He holds an MFA in Music/Sound from Bard College's Milton Avery School of the Arts and is currently pursuing a PhD in the University of Oklahoma's innovative Native American art history doctoral program. His scholarship focuses on Indigenous Sonic Agency. Today we discuss his art and practice and a recently opened public art project at Historic site Pennsbury Manor entitled nkwiluntàmën, funded by the Pew Center for Arts & Heritage and curated by Ryan Strand Greenberg and Theo Loftis. Let's listen.Welcome to another episode of Future Memory. I'm your co-host, Li Sumpter. Today my guest is Nathan Young. Welcome, Nathan.Nathan Young:Hello. Thank you. It's nice to be here with you today. Li:Future Memory is the name of Monument Lab's podcast. In the context of your own work, when you hear the words "future memory," what does that mean to you? Do any images or sounds come to mind? Nathan:They really do. There's one. It was a website of a sound artist, a writer, an educator, Jace Clayton, DJ/Rupture, had a mixed CD called "Gold Teeth Thief". I remember it was kind of a game changer in the late '90s. I got that mixed CD from a website called History of the Future. Li:That's very close. It was very close.Nathan:It's always stuck with me. I'm fortunate enough to be able to grapple with a lot of these kind of ideas. I'm not really quite sure how I feel about some of the history of the future because in some ways I work within many different archives so I am dealing with people's future or thinking about or reimagining or just imagining their future.But future monuments are something that I grapple with and deeply consider in my artwork. I think it's one of the more challenging subjects today in art. I think we see that with the taking down of monuments that were so controversial or are so controversial. But I find it fascinating the idea of finding new forms to make monuments to remember and the idea of working with different communities of memory. It's key to my work. It's just a lot of listening and a lot of pondering. Actually, it's a very productive space for me because it's a place to think about form. Also, it opens doors for me just to think about the future. I will say this, that one problem that often arises as a Lenape Delaware Pawnee Kiowa person is we're often talking about the past, and I really like to talk about the future and to work with organizations that are thinking about the future. Li:I can relate to that. Nathan:I think it's a misunderstanding. We always really are talking about the future. I've had the great fortune to be around some people. Actually, I grew up in the capital of the Cherokee Nation, Oklahoma. A lot of people know that Oklahoma is the home to 39 federally recognized tribes. I was fortunate enough to grow up in Tahlequah, which is the capital of the Cherokee Nation, and was able to be around a well-known and respected medicine man named Crosslin Smith, also an author. I remember being a part of an interview with Crosslin. I grew up, he was a family friend.He said, "I'm often asked about the old or ancient ways and the new ways." What Crosland said was, and I'll try my best to articulate this idea, is that there is no difference between the ancient ways and today. These things still exist. It might be an illusion or we might not be able to comprehend or understand it, but there is no difference between the ancient, when we're thinking of things in the sense of the sublime, I think. There is no understanding the ancient and what is contemporary. That was really an important moment for me as an adult. To hear him articulate that was really important. So I think about that. I'm not really sure about a lot of things, but I really like to think about that when I'm working. Li:It kind of runs through your mind as you're working and creating. It's a deep thought, that's for sure, connecting those things. Even thinking back on your own personal history with sound, when did you first connect your relationship to place and homeland to sound and music? Nathan:Well, my earliest remembrances of music, honestly, are my dad driving me around in his truck, picking me up after school, and singing peyote songs, Native American Church songs, peyote songs. The members of the Native American Church call that medicine. My father was an active member of a chapter of the Native American Church at that time. I was fortunate enough to receive my Lenape Delaware name in a peyote meeting. But the first things I remember are the music he played in the car, but really the singing in the car, the singing in the truck that he would do of those peyote songs. Even after he quit going to meetings or he wasn't active in the Native American Church anymore, he still would sing these peyote songs, and I would ask him about the peyote songs, because they're different for every tribe. The forms, they still have their kind of conventions, but they're very tribally specific.Everything in what we call legally Indian Country here in the United States is super hyper local. So just down the road, that's really the beautiful thing about living in Oklahoma, is you have people whose ancestors are from northeast, southeast, southwest. There's only one tribe here from California. So it's a really rich place for sound and song. Both of my parents are Indigenous American Indian. My mother is Pawnee and Kiowa. My father is Lenape Delaware. I also grew up around the Big Drum, what we call the Big Drum at powwows. I never became a powwow singer or anything like that. Never learned anything around the Big Drum. But I did eventually learn Pawnee songs, Native American Church Pawnee songs.But really, I was just a kid in a small town in Oklahoma. When skateboarding hit and you become kind of an adolescent, you start to discover punk rock and things like that. Those to me were the way that the culture was imported to me. I didn't realize that I was already surrounded by all this beautiful culture, all of the tribes and my parents' tribes and my grandparents'. But then it was like a transmitter. Even these tapes were just transmitters to me. So those were really important also. I have a lot of thoughts about sound. Other thing I remember is my father often would get onto us or make fun of us for being so loud and saying we would be horrible scouts or hunters.Li:Making too much noise. Nathan:The Native Americans, yeah, yeah. We weren't stealth. You'd hear us coming a mile away. So he would always say, "You wouldn't be a very good one," just to try to get us quiet down.Li:No one wants to be a bad hunter, right? Can you break down the concept of Indigenous Sonic Agency? is this based on ancestral traditions, your artistic practice, academic scholarship, or a bit of all the above? Nathan:Well, Indigenous Sonic Agency is really one piece of a larger subject sonic agency, which I encountered in a book titled Sonic Agency by Brandon LaBelle. I was a former member of this collective, Postcommodity, and I'm reading this book. When we were first starting the collective, we had the opportunity to work with this Czech poet named Magor, Ivan Jirous Magor. It means blockhead, I believe. It's a nickname. He was kind of described as the Andy Warhol of the Plastic People of the Universe. He was an art historian. He spent most of his life in prison just for being an artist, an art historian. He was an actual musician. He didn't play with the Plastic People of the Universe, to my knowledge, but he did to write the lyrics, to my knowledge. We had the opportunity to record with Magor. So I'm reading this book about sonic agency, and here I find somebody that I'd actually had an experience with sonic agency with in my early days and as a young man and an artist.But ultimately Indigenous Sonic Agency is, in some sense, similar but different to tribal sovereignty. So when you think of agency or sovereignty, it's something that they sometimes get mixed up. I'm really trying to parse the differences between this, what we understand so well as political sovereignty as federally recognized tribes and what agency means, say, as an artist. But in my research, in the subject of sonic agency and Indigenous Sonic Agency, it encompasses pretty much everything. That's what I love about sound. Everything has a sound, whether we can hear it or not. Everything is in vibration. There are sounds that are inaudible to us, that are too high or too low. Then there's what we hear in the world and the importance of silence with John Cage. I think that they're just super productive.I was introduced really to sound studies through this book called Sonic Warfare by Steve Goodman. It was really about how the study of sound was, in a sense, still emerging because it had mostly been used for military purposes and for proprietary purposes such as commercials and things like that. As I stated earlier, I felt like music was my connection to a larger world that I couldn't access living in a small town. So even everything that came with it, the album covers, all that, they really made an impression on me as a young person, and it continues to this day, and I've been focusing deeply on it.My studies in sonic agency -- Indigenous Sonic Agency -- encompass everything from social song, sacred song, voice, just political speech and language, political language. There's so much work to be done in the emerging sound studies field. I felt that Indigenous Sonic Agency, there was a gap there in writing and knowledge on it. Now though, I acknowledge that there has been great study on the subject such as Dylan Robinson's book, Hungry Listening. I am fortunate enough to be around a lot of other Indigenous experimental artists who work in all the sonic fields. So it's an all-encompassing thing. I think about the sacred, I think about the political, I think about the nature of how we use it to organize things and how language works. Silence is a part of it. Also, listening is very important. It's something that I was taught at a very young age. You always have to continue to hone that practice to become a better and better listener. Li:That's the truth. Nathan:My grandmother was very quiet, but whenever she did talk, everybody loved it. Li:That's right. That's right. Let's talk about the Pennsbury Manor project. Can you share how you, Ryan Strand Greenberg, and Theo Loftis met and how nkwiluntàmën came to be? Nathan:Well, to my recollection, I try to keep busy around here, and oftentimes it means traveling to some of the other towns in the area such as Pawnee or Bartlesville or Dewey or Tahlequah. I wasn't able to do a studio visit with Ryan, but I wanted to see his artist talk that he was giving at the Tulsa Artist Fellowship, which I was a fellow at at that time. I remember seeing these large public art projects that were being imagined by Ryan. We had worked on some other projects that, for one reason or another, we weren't unable to get off the ground. Eventually, Pennsbury Manor was willing to be this space where we could all work together. I remember rushing back and being able to catch Ryan's artist talk. Then right before he left town, we had a studio visit and found out how much we had in common concerning the legacy of the Lenape in the Philadelphia area, what we used to call Lenapehoking. So it was a really a moment of good fortune, I believe. Li:Monument Lab defines monument as a statement of power and presence in public. The nkwiluntàmën project guide describes Pennsbury Manor as a space to attune public memory. It goes on to say that sites like these are not endpoints in history, but touchstones between generations. I really love that statement. Do you think Pennsbury Manor and the land it stands on, do you consider it a monument in your eyes? Why or, maybe even, why not? Nathan:Well, yeah, I would definitely consider Pennsbury Manor, in a sense, a monument. I think that we could make an argument for that. If we were talking about the nature of it being William Penn's home and it being reconstructed in the 20th century, you could make a very strong argument that it is a monument to William Penn and also as William Penn as this ideal friend to the Indian. Some people don't like that word. Here in Oklahoma, some of us use it. Technically, it was Indian Country legally. But I use all terms: Native American, Indigenous, Indian. But I'd mostly like to just be called a Lenape Delaware Pawnee Kiowa.I definitely would say that you could make an argument that is a monument to William Penn especially as part of that, as this ideal colonist who could be set as a standard as for how he worked with the Lenape and then other tribes in the area at the time. I think that's kind of the narrative that I run into mostly in my research, literally. However, I would not say that it was established or had been any type of monument to my Lenape legacy. I did not feel that... I mean, there was always mention of that. It was, like I said, as this ideal figure of how to cooperate with the tribes in the area. But I would definitely say it's not a monument to the Lenape or the Delaware or Munsee.Li:Can you share a bit more about the project itself in terms of nkwiluntàmën and what exactly you did there at Pennsbury Manor to shift and really inform that history from a different perspective? Nathan:Well, first of all, at Pennsbury Manor, I was given a lot of agency. I was given a lot of freedom to what I needed to as an artist. I was really fortunate to be able to work with Doug and Ryan and Theo in that manner where I could really think about these things and think deeply about them. I started to consider these living history sites. My understanding is that they're anachronisms. There's a lot of labor put into creating a kind of façade or an appearance of the past, and specifically this time, this four years that William Penn was on this continent. So this idea that nothing is here that is not supposed to be here became really important to me. What I mean by that is, say, if you threw in a television set, it kind of throws everything off. Everybody's walking around in clothing that reflects that era and that time. If you throw some strange electronics in the space, it kind of is disruptive. I didn't feel the need to do anything like that.I felt that one of the great things about working in sound and one of the most powerful things about sound is that sound can also be stealth. You can't see sound. We can sonify things or we can visualize it or quantify it in different ways. But to me, this challenge of letting the place be, but using sound as this kind of stealth element where I could express this very, very difficult subject and something that really nobody has any answers to or is sure about... I was trained as an art historian, and I know that we're only making guesses and approximations just like any doctors. We are just trying to do these things.But sound gave me the ability at Pennsbury Manor and nkwiluntàmën to work stealthy and quiet, to not disturb the space too much because there's important work that's done there, and I want to respect people's labor. As a member of the Delaware tribe of Indians of Lenape, I felt that it was a great opportunity to be the person who's able to talk about this very difficult subject, and that is not lost on me. That's a very, very heavy, very serious task. Li:Yeah, big responsibility. Nathan:Yes. It is not lost on me at all how serious it is, and I feel very fortunate. I think without such a great support system in place, it wouldn't have been possible. nkwiluntàmën means lonesome, such as the sound of a drum. We have a thing called the Lenape Talking Dictionary,  Li:I've seen it. I've seen it. Nathan:I'm often listening. I'm listening to Nora Dean Thompson who gave me my Delaware name, my Lenape name, Unami Lenape name in a peyote ceremony. So I often go there to access Delaware thought and ideas and to hear Delaware voices and Delaware language being spoken. I know that some people have different views on it, but let's say, I think artists and people have used the Unami Lenape before and art exhibitions as a lost or an endangered languages. I know that in the entire state that I live in, and in most of Indian country, there's a great language revitalization movement that I was fortunate to be a part of and contribute to.Really, that's where I discovered that that's really where through language, there's nothing more Lenape, there's nothing more Delaware, Unami Lenape than to be able to talk and express yourself in that manner or, say, as a Pawnee or a Kiowa to be able to talk and express. Embedded in those words are much more than just how we think of language. They're really the key to our worldviews. Our languages are the keys to our worldview and really our thought patterns and how we see the world and how we should treat each other or how we choose to live in the world or our ancestors did. So I'm fascinated by the language. I was fortunate enough to be around many, many different native languages growing up. But ours was one because of the nature of us being a northeastern tribe that was very much in danger of being lost. Some would say that at one point it was a very, very, very endangered language to the point to where nobody was being born in what we call a first language household, where everybody could speak conversationally in Unami Lenape.So these things, we all think about this, by the way, all of my community, the Delaware Tribe of Indians. I was fortunate enough to serve on the Tribal Council as an elected member for four years. We think about these things definitely all the time, and people do hard work to try to revitalize the language. I know at this time that the Delaware Tribe of Indians is actively working to revitalize our language. Li:That's a part of that preservation and remembrance because your work, really does explore this idea of ancestral remembrance and is rooted in that. Then again, you're also engaging with these historic sites, like Pennsbury Manor, that tap into public memory. So in your thoughts, how are ancestral remembrance and public memory connected? Are there any similar ways that they resonate? Nathan:Well, I think of different communities of remembrance. Within this idea of memory there are just different communities. I don't want to want to create a dichotomy, but it's easily understood by those who focus on the legacy of William Penn and those who focus on the legacy of the Lenape or the Pawnee. But ancestral memory is key to my culture, I believe, and I really don't know any way to express it other than explaining it in a contemporary sense. If you're deeply involved in your tribal nation, one of the one things that people will ask you is they'll say, "Who are your folks?" Literally, people will say, "Who are your folks?" Li:Who are your peoples? Nathan:"What family do you come from?" I didn't start to realize this until I was an adult, of course. It's not something you think you would ever think of as a child or anything. It started to become really apparent to me that we're families that make up communities that have stayed together in our case for hundreds of years across thousands of miles. It's a point to where we got down to very small numbers. We still stuck together. Then there was also a diaspora of Lenape that went to Canada, the Munsee and the Stockbridge. There was the Delaware Nation who has actually lived more near the Kiowa. My grandmother was Kiowa. But we still had the same family names. For instance, there are people and members of the Delaware Nation that are actually blood related to the Delaware Tribe. So that is really our connection to each other is our ancestors. That's purely what binds us to together is that our ancestors were together, and we just continue that bond. Li:Thank you. A part of Monument Lab's mission is to illuminate how symbols are connected to systems of power and public memory. What are the recurring or even the most vital symbols illuminated in your work? Nathan:Oh, that's a really tough question because my work is all over the place. I work across a lot of different mediums, although I've trained as an art historian, so I came into this as a visual artist. I just happened to be a musician and then discovered installation art and how sound works in art. But for me, the story I feel that I'm trying to tell cannot be held by any number of symbols or signs. I want to give myself the freedom and agency to use whatever is needed, actually, whatever is needed to get across the idea that is important to me. So going back to nkwiluntàmën, lonesome, such as the sounds, these colors, we use these white post-Colonial benches, and there's four large ones, placed across the grounds of Pennsbury Manor. You'll see that, if one were to visit, they would see a black bench, a yellow bench, a white bench, and a red bench. Nathan:If you're from my community, a Delaware Tribe of Indian member and you know that you're a Lenape, you understand that those colors have meaning to our tribe, and you'll know that those colors have sacred meaning. So in some sense, I will use whatever I think is the most appropriate way to use it also. I want to give myself the freedom to use any type of symbolism. I loved growing up with my mother and my grandmother being able to go to powwows. My mom would say, "Well, here comes the Shawnee women. Here comes the Delaware women. They dress like this. Here comes..." Li:You can recognize from their dress. Nathan:My mother and my grandmother taught me that iconography of our clothing, what we now call regalia. Li:I was curious if perhaps the drum or even the idea of homeland show up in your work? Nathan:Oh, they definitely show up in my work when appropriate. But rather than a drum, I would say sound or song or music. We do have these iconographies and symbols that are deeply meaningful to us, and I often use those in my artwork. But really the question for me is how to use them appropriately and, also at the same time, expand the use of these things appropriately. It's just being accountable to your legacy and your community in a sense and not crossing these boundaries, but still at the same time pushing form, pushing the edge.I'm a contemporary person. We're all contemporary people. We want to add something. We want to contribute. We want to be useful. So I'm searching for symbols and forms all the time, different ones. Whether it be a mound, whether it'd be a swimming pool inside an art gallery or a singing park bench or a post-Colonial bench in Pennsbury Manor, in some ways you could say I would be indigenizing and musicalizing those benches. But I consciously work to have a very broad palette. I want my work to be expansive and be able to encompass any subject or idea, because that's why I got into art is because you can talk about anything.Li:Yeah, it's boundless. It's boundless. Then also thinking about the connections and the symbols that you mentioned, the colors that you mentioned, the iconography, what systems of power might they be connected to? Nathan:Well, ultimately, I think that most of the power that is embedded in these symbols comes from the sublime, that come from the sacred. It's complicated. The sacred means to not be touched. That's my understanding, it's to not be touched. However, it's been the source of inspiration for artists of any continent of any time is, if you want to call it, a spiritual, sublime, religious connection, inspiration, whatever, but ultimately, that is my understanding. From my research, even as a young person studying Pawnee mythologies at the University of Oklahoma and special collection and learning stories, our origin stories and what color meant and how the world was seen by my ancestors from other tribes as well as Lenape stories, it's something that's hard to grasp and to hold onto, but that's how we've come to identify each other. It's as simple as we have car tags here that represent our tribes. We have a compact with the state. So everybody's looking around at all these different car tags.Li:Wow. Nathan:You see a regular Oklahoma one, and then you'll see... A very common one is a Cherokee because they're one of the biggest tribes. You'll see a blue one, it's Pawnee. Now you'll see a red one, and it's Delaware or Lenape. It says Unami Lenape on it, and it has our seal. So we play this kind of game all of us. I mean, it's not a game, but we're always looking at license plates to see... It might be your mom's car you're driving that has, say, a Kickapoo license plate or something, and it's a Cherokee driving it or a non-Indian or something, a relative, say. It's not for me to say where these came from. It's something that I actually just really explore and that fascinates me. It's very rich growing up and being a member of my tribal communities. I learn something new almost daily. Li:I can imagine like you said, the learning experience that you have as a child growing up in your community. You mentioned mythologies earlier. I study mythology. One of the purposes I've come to understand is education, educating through these stories. I recently interviewed Jesse Hagopian from the Zinn Education Project and the movement for anti-racist education. The struggles for education reform and reckoning with Eurocentric understandings of history seem to be deeply connected efforts. So on nkwiluntàmën, I understand an educational curriculum has been developed for younger audiences. What do you hope that people take away from this project that they might not find in a textbook or a classroom? Nathan:Well, I would hope that when people visit the large-scale sound installation and visual elements of it that they would understand... my greatest hope that people would learn what I learned while creating the work was that I really don't know what it felt like. I just came across, I was looking for the words in the Delaware Talking Dictionary for feelings, and I found a sentence or a way of saying feeling that said, "It did not penetrate me. I did not feel it." It made me realize that I don't know. I've never had this happen to me. The history of the Delaware Lenape is of constant removal, of constant pushing. Most people know the Cherokee Nation and the Trail of Tears. Actually, there were many movements of the Cherokee. It's very complex. All tribes are very complex. You always have to qualify. But the Trail of Tears is what most people know about. It was this very long, two-year complex journey. It was fraught. Li:That's one of the stories that we learned in school, if at all. Nathan:So our story is of nine of those and, to my understanding and research, was about once every 30 years. So it seemed to me that most Lenape, who came to be known as the Delaware Tribe, who I grew up with as, had ancestors that had experienced a removal. It's something that we still live and deal with today. We came to Oklahoma from what is now Lawrence, Kansas, when this was called Indian Territory. We had been living before that north of Kansas and had adapted our way of life as we changed across this territory and through time to survive.So as we moved into the Plains, we started to hunt buffalo, and then we get kind of crosswise with some other tribes. I think when the federal government was constituting Indian Country, they were concerned with the relationships between other tribes and how they felt. My understanding is we had upset some... By Buffalo hunting and adopting that way of survival and life, there was some trepidation about us. They wanted our reservation. The railroad wanted our reservation, and Lawrence, Kansas, to run directly through our reservation. They were forcing us to move off that reservation, and they couldn't find a place. That was kind of my understanding of the situation. So we ended up in the northernmost part of the Cherokee Nation. This made us a landless tribe for a very, very long time. Technically, we didn't have a reservation. We were living in the Cherokee's reservation because we had this very ancient but kind of tangential connection to the Cherokees. So that's a very long and complicated story as well. Li:That's actually a beautiful setup for one of my last questions actually. This idea of documentation and stewardship are key for Indigenous communities, as you just mentioned, that continue to contend with stolen land, forest displacements, cultural erasure, and lost languages. Monument Lab thinks a lot about the future archives that can hold the dynamic nature of public memory in all its forms. What would a future archive of ancestral memory look, feel, or even sound like for you? Nathan Young:I love that question because we do work with future archives of our ancestors, all of us do today. So I think it's really a question of form. I've encountered this in my studies of Sonic Agency and Indigenous Sonic Agency. The invention of the phonograph and the wax cylinder are very important. It didn't look like anything. It looked like sound or that archive. I think that unknowingly, we're all living in an archive. We're archiving moments now as things speed up constantly. Paul Virilio, the theorist, was very, very important to my thinking because he theorized about speed and the speed of, say, how a camera shutter and a gun are very similar in their repeatingness. I think about repetition a lot. But today, we live in this hyper surveillance society that any moment could be archived, any moment could be filmed, and also these things will be lost. So that is a fascinating thought to think about what may survive and become the archive and what may not, even with all of this effort to constantly surveil and document everything.But it's my hope that archives are important just because they give us a deeper understanding of a connection to something we will never be able to experience. So I think that a future archive is something that we cannot imagine. We don't know what it's going to look like, and it's up to us to find out and to explore form and explore possibilities so that we're not stuck in this mindset that has to be in steel and monumentalized as a figure or a person or something like that. So in my mind, it's just to be revealed to us. We'll know later, but I would hope that were to make...I know this is what people still do today that make monuments. They want to make something beautiful, but that means something different to Lenape or a Pawnee or Kiowa, so that seems very different to us. And so we do that. We do memorialize things in different ways. But I think that we think of them as more ethereal, whether we think of them as things that we know that aren't going to really last forever. I feel that way, at least. I don't speak for all of my culture. But I know that some of us are trying to find new forms to really memorialize our past and unite our community of memory and our tribes, our experiences.Li:Like you said, time, everything's moving so fast and everything's evolving. Everything's constantly changing. So who knows what the forms will take. This has been such a wonderful conversation. I really appreciate your time. I just wanted to see if you had any final words or even gems of ancestral wisdom you might want to leave with us before we finish. Nathan:No, I can't share any ancestral wisdom, not knowingly or very well. I just appreciate the opportunity to create the piece. I appreciate the opportunity to expand upon the piece by talking with you about this because I'm just trying to figure this out. I don't have all the answers. Li:Right, that is part of  being a life learner and walking this path. Everyone's on their journey. We are constantly learning at every turn. I'm with you, Nathan. I often admit that I do not have all the answers. That is for sure. I really enjoyed learning about your work and your practice. I definitely plan on getting down to Pennsbury Manor and look forward to the curriculum for the youth when it comes out. Nathan:Well, thank you. I hope you enjoy it. I hope that it's a meaningful experience for you. I'm a very fortunate person to be able to work on such a project and very grateful to the entire team and everybody that supported the process. Li:Thank you, and thank you again to Ryan Strand Greenberg, who is also the producer of this podcast and worked with you on the project for nkwiluntàmën. Thank you to Nathan Young, our guest today on Future Memory. This is another one for the Future Memory archives.Monument Lab Future Memory is produced by Monument Lab Studio, Paul Farber, Li Sumpter, Ryan Strand Greenberg, Aubree Penney, and Nico Rodriguez. Our producing partner for Future Memory is RADIOKISMET, with special thanks to Justin Berger and the Christopher Plant. This season was supported with generous funding by the Stuart Weitzman School of Design and the University of Pennsylvania.

In this episode, Carlton does another solo lecture-style episode. The subject of this lecture? An introduction to Great Plains archaeology with a focus on Pawnee archaeological ancestry. The episode starts off with very introductory history of the Pawnee in the 17th, 18th, and 19th century. Then Carlton dives into Great Plains geography and culture history. The episode ends with a focus on the ethnogenesis and the archaeological cultures that contributed to the development of Pawnee Nation.If you have left a podcast review on iTunes or Spotify, please email us at alifeinruinspodcast@gmail.com so we can get shipping information to send you a sticker.If you are listening to this episode on the "Archaeology Podcast Network All Shows Feed," please consider subscribing to the "A Life in Ruins Podcast" channel to support our show. Listening to and downloading our episodes on the A Life in Ruins channel helps our podcast grow. So please, subscribe to the A Life in Ruins Podcast, hosted by the Archaeology Podcast Network, on whichever platform you use to listen to us on the "All Shows Feed." Please support our show by following our channel.TranscriptsFor rough transcripts of this episode go to https://www.archpodnet.com/ruins/150Literature Recommendations The Archaeology of the North American Great Plains by Douglas Bamforth (2021) Archaeology of the Great Plains by Raymond W. Wood (1998) Handbook of North American Indians Volume 13 Parts 1 & 2 (2001)Contact Email: alifeinruinspodcast@gmail.com Instagram: @alifeinruinspodcast Facebook: @alifeinruinspodcast Twitter: @alifeinruinspod Website: www.alifeinruins.com Ruins on APN: https://www.archaeologypodcastnetwork.com/ruins Store: https://www.redbubble.com/people/alifeinruins/shopArchPodNet APN Website: https://www.archpodnet.com APN on Facebook: https://www.facebook.com/archpodnet APN on Twitter: https://www.twitter.com/archpodnet APN on Instagram: https://www.instagram.com/archpodnet Tee Public StoreAffiliates Wildnote TeePublic Timeular Motion

In this episode, Carlton does another solo lecture-style episode. The subject of this lecture? An introduction to Great Plains archaeology with a focus on Pawnee archaeological ancestry. The episode starts off with very introductory history of the Pawnee in the 17th, 18th, and 19th century. Then Carlton dives into Great Plains geography and culture history. The episode ends with a focus on the ethnogenesis and the archaeological cultures that contributed to the development of Pawnee Nation.If you have left a podcast review on iTunes or Spotify, please email us at alifeinruinspodcast@gmail.com so we can get shipping information to send you a sticker.If you are listening to this episode on the "Archaeology Podcast Network All Shows Feed," please consider subscribing to the "A Life in Ruins Podcast" channel to support our show. Listening to and downloading our episodes on the A Life in Ruins channel helps our podcast grow. So please, subscribe to the A Life in Ruins Podcast, hosted by the Archaeology Podcast Network, on whichever platform you use to listen to us on the "All Shows Feed." Please support our show by following our channel.TranscriptsFor rough transcripts of this episode go to https://www.archpodnet.com/ruins/150Literature Recommendations The Archaeology of the North American Great Plains by Douglas Bamforth (2021) Archaeology of the Great Plains by Raymond W. Wood (1998) Handbook of North American Indians Volume 13 Parts 1 & 2 (2001)Contact Email: alifeinruinspodcast@gmail.com Instagram: @alifeinruinspodcast Facebook: @alifeinruinspodcast Twitter: @alifeinruinspod Website: www.alifeinruins.com Ruins on APN: https://www.archaeologypodcastnetwork.com/ruins Store: https://www.redbubble.com/people/alifeinruins/shopArchPodNet APN Website: https://www.archpodnet.com APN on Facebook: https://www.facebook.com/archpodnet APN on Twitter: https://www.twitter.com/archpodnet APN on Instagram: https://www.instagram.com/archpodnet Tee Public StoreAffiliates Wildnote TeePublic Timeular Motion

Native Americans are these land's first scientists and innovators. In fact, more than fifty present-day medications used across the globe have been developed using traditional Native medicines. And Indigenous teachings continue to fuel innovative solutions to modern-day issues. From designing and building renewable energy infrastructure, to developing hybrid electric commercial aircraft--Native Americans today have left lasting marks on science and technology for the benefit of all.rnrnJust last October, NASA Astronaut Nicole Mann became the first Native American woman to go into space. Her historic flight on NASA's SpaceX Crew-5 mission has also reignited a conversation about Native women's role in STEM. Many tribes still maintain a matrilineal structure, where women hold the power and decision-making authority among their people, and are often heads of houses. Investing in Native women in STEM has the power to improve families and communities, yet Native women still face barriers with access to STEM careers.rnrnFounded in 1977, the American Indian Science and Engineering Society (AISES) is a national nonprofit organization that aims to reverse this trend. Now in its 45th year, AISES supports 230 pre-college schools and 196 college and university chapters in the U.S. and Canada. To date, AISES has awarded nearly $12 million in academic scholarships, and counting.rnrnSarah EchoHawk, a citizen of the Pawnee Nation of Oklahoma, has led AISES as CEO since 2013. Prior to joining AISES, she served as the Executive Vice President of First Nations Development Institute, a national nonprofit organization with a focus on economic development for Indigenous people.

One way trauma grows in the Native American child is through schooling. Native American children attend either schools made up primarily of Native students, or they attend U.S. public schools with the potential for more of a mixed population. As we'll learn during the interview, Native American children who attend U.S. public schools are often criticized for their silence. But their silence doesn't reflect a lack of interest or knowledge, it's culturally driven behavior. Native American children are often silent for two reasons: one, because they're reflecting deeply on the topic under discussion, and two, they're demonstrating respect for the thoughts of others, especially the teachers. Instead of being critical of them, we should see them for what they are. Holly Echo-Hawk, a behavioral health expert for the Pawnee Nation provides the details.

Recent CDC data showed an increase in pregnancy-related deaths during the first year of the pandemic, but for some reason Indigenous women were not included in the research. This is despite the fact that previous studies have shown that Indigenous women are at least twice as likely to die from pregnancy-related causes as white women.  The Takeaway speaks with two experts to learn more about why Indigenous women are at higher risk for maternal deaths and what needs to be done to improve their health outcomes: Abigail Echo-Hawk, Executive Vice President at the Seattle Indian Health Board and the Director of the Urban Indian Health Institute and enrolled citizen of the Pawnee Nation of Oklahoma, and Caroline Davis, a research associate working with tribal nations and tribal organizations, and a member of the Navajo Nation.

Recent CDC data showed an increase in pregnancy-related deaths during the first year of the pandemic, but for some reason Indigenous women were not included in the research. This is despite the fact that previous studies have shown that Indigenous women are at least twice as likely to die from pregnancy-related causes as white women.  The Takeaway speaks with two experts to learn more about why Indigenous women are at higher risk for maternal deaths and what needs to be done to improve their health outcomes: Abigail Echo-Hawk, Executive Vice President at the Seattle Indian Health Board and the Director of the Urban Indian Health Institute and enrolled citizen of the Pawnee Nation of Oklahoma, and Caroline Davis, a research associate working with tribal nations and tribal organizations, and a member of the Navajo Nation.

Hillel Echo-Hawk is a chef and educator, who is dedicated to creating more awareness about indigenous American food traditions, with a specific focus on those of the Pawnee Nation. She runs Birch Basket, a catering company based in Seattle, creating delicious food using healthy, sustainable, beautiful ingredients, indigenous to North America. Like so many of us, Hillel has had an interesting and challenging journey through cuisine and we get to hear all about it in today's episode. Hillel charts her work as a young missionary, and how she enrolled at culinary school after being forced to move back home. We also talk about food in her home growing up, and the early experiences with her mother that shaped her understanding of cooking before we discuss the important aspects of indigenous American cooking that interest Hillel the most. The conversation also covers some thoughts on culinary education, its gaps, and why it is important for people to speak up to shift the conversation away from outdated models. The last part of this illuminating episode is spent discussing life since the pandemic, adapting to uncertainty, and Hillel's challenges with epilepsy. Make sure to join us today, to hear it all! Key Takeaways From This Episode: An introduction to Hillel and her work as a chef and food educator. Hillel's transition from missionary work into the culinary world. The organic move that Hillel made into the education space around food. America's indigenous foods and their inextricable place in the history of the region and its people. Hillel's early experiences of cooking at home and the first things she learned to make. The mission to broaden knowledge that Hillel discovered in her years at culinary school. The important steps that Hillel took in linking with I-Collective and building Birch Basket. A massive disruption in the form of the pandemic and how Hillel has managed this. How epilepsy has affected Hillel's work and the hurdle of medical conditions for chefs. What Hillel's professional life looks like right now under these unusual circumstances. The projects and organizations that Hillel is working with and championing right now. --- Send in a voice message: https://anchor.fm/afrosandknivespod/message Support this podcast: https://anchor.fm/afrosandknivespod/support

In this special four-part episode we are joined by Zach Rice and Taylor to talk about how they are working on the reawakening of the Pawnee language. Both Zach and Taylor are citizens of the Pawnee Nation of Oklahoma and grew up in Pawnee, Oklahoma. We talk about growing up in Pawnee, where they went to school, what inspired them to pursue M.A.'s in Linguistic Anthropology at the University of Oklahoma. We dive into their M.A. Theses research, the relationships between Northern Caddoan Languages, working with the Pawnee Nation on the Pawnee Language Program, the challenges they face, and their goals for Pawnee language. Start your own podcast with 30% off Zencastr for the first 3 months with A Life in Ruins! Click anywhere on this paragraph. Links Pâripakûru' Facebook Page AISRI Online Pawnee Dictionary Pawnee Nation College Pawnee Nation Website Literature Recommendations "A Dictionary of Skiri Pawnee" by Douglas R. Parks & Lula Nora Pratt "We Still Live Here" a film by Anne Makepeace "Bringing Our Languages Home: Langauge Revitalization for Families" by Leanne Hinton "The languages of native North America" by Marianne Mithun Volume 13 of the Handbook of North American Indians: Plains by Smithsonian Press Volume 17 of the Handbook of North American Indians: Languages by Smithsonian Press "When Languages Die" by K. David Harrison "The Language Warrior's Manifesto: How to Keep Our Languages Alive No Matter the Odds" by Anton Treuer Guest Contact Paari Pakuuru' email address: 4.pawnee.language@gmail.com Contact Email: alifeinruinspodcast@gmail.com Instagram: @alifeinruinspodcast Facebook: @alifeinruinspodcast Twitter: @alifeinruinspod Website: www.alifeinruins.com Ruins on APN: https://www.archaeologypodcastnetwork.com/ruins Store: https://www.redbubble.com/people/alifeinruins/shop ArchPodNet APN Website: https://www.archpodnet.com APN on Facebook: https://www.facebook.com/archpodnet APN on Twitter: https://www.twitter.com/archpodnet APN on Instagram: https://www.instagram.com/archpodnet Tee Public Store Affiliates Wildnote TeePublic Timeular

In this special four-part episode we are joined by Zach Rice and Taylor to talk about how they are working on the reawakening of the Pawnee language. Both Zach and Taylor are citizens of the Pawnee Nation of Oklahoma and grew up in Pawnee, Oklahoma. We talk about growing up in Pawnee, where they went to school, what inspired them to pursue M.A.'s in Linguistic Anthropology at the University of Oklahoma. We dive into their M.A. Theses research, the relationships between Northern Caddoan Languages, working with the Pawnee Nation on the Pawnee Language Program, the challenges they face, and their goals for Pawnee language. Start your own podcast with 30% off Zencastr for the first 3 months with A Life in Ruins! Click anywhere on this paragraph. Links Pâripakûru' Facebook Page AISRI Online Pawnee Dictionary Pawnee Nation College Pawnee Nation Website Literature Recommendations "A Dictionary of Skiri Pawnee" by Douglas R. Parks & Lula Nora Pratt "We Still Live Here" a film by Anne Makepeace "Bringing Our Languages Home: Langauge Revitalization for Families" by Leanne Hinton "The languages of native North America" by Marianne Mithun Volume 13 of the Handbook of North American Indians: Plains by Smithsonian Press Volume 17 of the Handbook of North American Indians: Languages by Smithsonian Press "When Languages Die" by K. David Harrison "The Language Warrior's Manifesto: How to Keep Our Languages Alive No Matter the Odds" by Anton Treuer Guest Contact Paari Pakuuru' email address: 4.pawnee.language@gmail.com Contact Email: alifeinruinspodcast@gmail.com Instagram: @alifeinruinspodcast Facebook: @alifeinruinspodcast Twitter: @alifeinruinspod Website: www.alifeinruins.com Ruins on APN: https://www.archaeologypodcastnetwork.com/ruins Store: https://www.redbubble.com/people/alifeinruins/shop ArchPodNet APN Website: https://www.archpodnet.com APN on Facebook: https://www.facebook.com/archpodnet APN on Twitter: https://www.twitter.com/archpodnet APN on Instagram: https://www.instagram.com/archpodnet Tee Public Store Affiliates Wildnote TeePublic Timeular

On this episode of A Life in Ruins Podcast, we interview Matt Reed. Matt is the Tribal Historic Preservation Officer for the Pawnee Nation of Oklahoma, We talk about how his families military service factored into his fascination with history and ultimately pushing him to study history as an undergraduate. We then talk about his academic career and how he got started at the Oklahoma Historical Society and what the goal of the society is. We talk about his change of careers and what he does as the Tribal Historic Preservation Officer. Matt and Carlton then detail their experience at the 2021 Plains Conference in Boulder, Colorado. Links Pawnee Nation Historic Preservation Office Website Literature Recommendations The Lost Universe by Gene Weltfish Indian Sketches by John Treat Irving An Unspeakable Sadness-The Dispossession of the Nebraska Indians by David Wishart Some Things Are Not Forgotten by Martha Royce Blaine Pawnee Passage by Martha Royce Blaine 1491 by Charles C. Mann 1493 by Charles C. Mann Interpreting Our Heritage by Freeman Tilden Pox Americana by Elizabeth Fenn Encounters at the Heart of the World by Elizabeth Fenn Guest Contact Matt Reed's Twitter: @chauiboy Contact Email: alifeinruinspodcast@gmail.com Instagram: @alifeinruinspodcast Facebook: @alifeinruinspodcast Twitter: @alifeinruinspod Website: www.alifeinruins.com Ruins on APN: https://www.archaeologypodcastnetwork.com/ruins Store: https://www.redbubble.com/people/alifeinruins/shop ArchPodNet APN Website: https://www.archpodnet.com APN on Facebook: https://www.facebook.com/archpodnet APN on Twitter: https://www.twitter.com/archpodnet APN on Instagram: https://www.instagram.com/archpodnet Tee Public Store Affiliates Wildnote TeePublic Timeular

On this episode of A Life in Ruins Podcast, we interview Matt Reed. Matt is the Tribal Historic Preservation Officer for the Pawnee Nation of Oklahoma, We talk about how his families military service factored into his fascination with history and ultimately pushing him to study history as an undergraduate. We then talk about his academic career and how he got started at the Oklahoma Historical Society and what the goal of the society is. We talk about his change of careers and what he does as the Tribal Historic Preservation Officer. Matt and Carlton then detail their experience at the 2021 Plains Conference in Boulder, Colorado. Links Pawnee Nation Historic Preservation Office Website Literature Recommendations The Lost Universe by Gene Weltfish Indian Sketches by John Treat Irving An Unspeakable Sadness-The Dispossession of the Nebraska Indians by David Wishart Some Things Are Not Forgotten by Martha Royce Blaine Pawnee Passage by Martha Royce Blaine 1491 by Charles C. Mann 1493 by Charles C. Mann Interpreting Our Heritage by Freeman Tilden Pox Americana by Elizabeth Fenn Encounters at the Heart of the World by Elizabeth Fenn Guest Contact Matt Reed's Twitter: @chauiboy Contact Email: alifeinruinspodcast@gmail.com Instagram: @alifeinruinspodcast Facebook: @alifeinruinspodcast Twitter: @alifeinruinspod Website: www.alifeinruins.com Ruins on APN: https://www.archaeologypodcastnetwork.com/ruins Store: https://www.redbubble.com/people/alifeinruins/shop ArchPodNet APN Website: https://www.archpodnet.com APN on Facebook: https://www.facebook.com/archpodnet APN on Twitter: https://www.twitter.com/archpodnet APN on Instagram: https://www.instagram.com/archpodnet Tee Public Store Affiliates Wildnote TeePublic Timeular

This week on Audacy's weekly news podcast Connect the Dots--hosted by Lynda Lopez--attorney and enrolled member of the Pawnee Nation, Brett Chapman, explained how coverage of Native Americans in traditional media could have an impact on finding missing Indigenous people across the country. Nicole Wagon, Northern Arapaho Indigenous persons advocate in Riverton, Wyoming and the mother of two girls who were found murdered in Wyoming, also shared the work she's doing with her community to solve the problem, with her thoughts on what law enforcement should do to make the future safer for Indigenous people.

From racist mascots, to stereotypes in national creation myths like Thanksgiving, we have always faced misrepresentation and disrespect of our cultures and identities. Cultural appropriation and commodification of our cultures is commonplace, but Native activists, artists, youth, educators, legislators and our allies are changing that reality. We are winning battles to ban racist mascots and call out negative stereotypes in the media. This series premier episode features Crystal Echo Hawk, an enrolled member of the Pawnee Nation of Oklahoma and President and CEO of IllumiNative and of Echo Hawk Consulting. 

This week, Anna and Amber sit down with archaeologist, podcaster, and member of the Pawnee Nation of Oklahoma, Carlton Shield Chief Gover. We talk about his path to archaeology, an Indigenous perspective on archaeology as history and heritage, how to prank your site supervisor, and more! Contact Email the Dirt Podcast: thedirtpodcast@gmail.com ArchPodNet APN Website: https://www.archpodnet.com APN on Facebook: https://www.facebook.com/archpodnet APN on Twitter: https://www.twitter.com/archpodnet APN on Instagram: https://www.instagram.com/archpodnet Tee Public Store Affiliates Wildnote TeePublic Timeular

This week, Anna and Amber sit down with archaeologist, podcaster, and member of the Pawnee Nation of Oklahoma, Carlton Shield Chief Gover. We talk about his path to archaeology, an Indigenous perspective on archaeology as history and heritage, how to prank your site supervisor, and more! Contact Email the Dirt Podcast: thedirtpodcast@gmail.com ArchPodNet APN Website: https://www.archpodnet.com APN on Facebook: https://www.facebook.com/archpodnet APN on Twitter: https://www.twitter.com/archpodnet APN on Instagram: https://www.instagram.com/archpodnet Tee Public Store Affiliates Wildnote TeePublic Timeular

Over the past two decades, Colleen Echohawk has served the most marginalized people living in the Greater Seattle community. As the head of Chief Seattle Club, a non-profit dedicated to the rapid re-housing of urban Natives, Colleen led the effort to create nearly $100 million in new affordable housing in Seattle. Under Colleen's leadership, Chief Seattle Club has received recognition from the Puget Sound Sage Visionary for Justice Award (2018), the Neighborhood Builder Award (2017), and the Municipal League of King County's Organization of the Year (2016). Colleen is an enrolled member of the Kithehaki Band of the Pawnee Nation and a member of the Upper Athabascan people of Mentasta Lake. Colleen and her family have been proud to call Seattle home for over two decades. In her spare time, she loves to read, sing karaoke, take her dog Rizzo for a walk, listen to National Public Radio, and cook delicious food for her friends and family. She has been recognized by numerous organizations, including the 21 Leaders to watch in 2021 by Seattle Magazine, the King County Martin Luther King Jr. Medal of Distinguished Service (2020), Seattle's most influential people by Seattle Magazine (November 2019), and many more.  I got to hear Colleen speak a couple months ago and I immediately knew I wanted to ask her to be a guest on the show.  I was so delighted and honored when she said yes.  We could have spoken for hours.  She is a powerhouse of a woman and leader and her mayoral platform is extraordinary.  I know you will be so inspired by Colleen's stories and leadership. Listen in to hear Colleen share: The cost of leadership when you're a mom Her role as the first Indigenous women running for mayor in a major city The identities she carries as a mayoral candidate, Indigenous woman, eldest sister of 7 siblings, and Shameless Mom How she is using her mayoral platform to protect Seattle's most vulnerable citizens How being an Indigenous women informs her leadership and deep desire to be a public servant The evolution of Native identity in leadership The intersection of motherhood and leadership and how her kids help her keep boundaries Her background serving Native people experiencing homelessness and how it's the foundation for her mayoral campaign How she wants to see change and evolution in policing in Seattle Her focus on providing the city of Seattle an equitable recovery from COVID Her advice to other women who might be considering running for office Links mentioned: Join my free workshop, 5 Ways to Shine Like a Mother Echohawk For Seattle Colleen on Instagram Colleen on Facebook Colleen on Twitter

On today's podcast we have Carlton Shield Chief Gover back on the show. In addition to being a host of the A Life in Ruins and Sites Bites podcasts on the Archaeology Podcast Network, Carlton is also a PhD student at the University of Colorado, Boulder and a member of the Pawnee Nation of Oklahoma. We talk about the three podcasts he hosts and an upcoming volume on Indigenous Archaeology methods he is co-authoring with some of your favorite past Heritage Voices guests. He also talks about his efforts in work showing that Indigenous people in the US had horses before the historical records acknowledge and his recent work conducting interviews with elders on the Pawnee Nation of Oklahoma. Finally we talk about museum accessibility and collaborations. Links Heritage Voices on the APN Lehi Horse Links: https://www.colorado.edu/today/2021/02/04/horse-remains-reveal-new-insights-how-native-peoples-raised-horses https://www.colorado.edu/anthropology/2021/02/05/will-taylor-and-carlton-govers-research-featured-cu-boulder-today 3D Scanning Tech at CU Museum Article My Recent Feature in the Coloradoan about my research and Indigeneity Carlton Gover's Previous Heritage Voices Episode Pawnee Nation Historic Preservation Office Website CU Boulder Anth/Arch website CU Boulder Page for Carlton Gover Association of tribal libraries, archives, and museums Horses in the North American West exhibit CCPA Native American Scholarship Carlton Email: Carlton.Gover@colorado.edu Instagram: @pawnee_archaeologist Twitter: @PaniArchaeology A Life in Ruins: Instagram: @alifeinruinspodcast Twitter: @alifeinruinspod Podcast: https://www.archpodnet.com/ruins Contact Jessica Jessica@livingheritageanthropology.org @livingheritageA @LivingHeritageResearchCouncil ArchPodNet APN Website: https://www.archpodnet.com APN on Facebook: https://www.facebook.com/archpodnet APN on Twitter: https://www.twitter.com/archpodnet APN on Instagram: https://www.instagram.com/archpodnet Tee Public Store Affiliates Wildnote TeePublic Timeular

On today's podcast we have Carlton Shield Chief Gover back on the show. In addition to being a host of the A Life in Ruins and Sites Bites podcasts on the Archaeology Podcast Network, Carlton is also a PhD student at the University of Colorado, Boulder and a member of the Pawnee Nation of Oklahoma. We talk about the three podcasts he hosts and an upcoming volume on Indigenous Archaeology methods he is co-authoring with some of your favorite past Heritage Voices guests. He also talks about his efforts in work showing that Indigenous people in the US had horses before the historical records acknowledge and his recent work conducting interviews with elders on the Pawnee Nation of Oklahoma. Finally we talk about museum accessibility and collaborations. Links Heritage Voices on the APN Lehi Horse Links: https://www.colorado.edu/today/2021/02/04/horse-remains-reveal-new-insights-how-native-peoples-raised-horses https://www.colorado.edu/anthropology/2021/02/05/will-taylor-and-carlton-govers-research-featured-cu-boulder-today 3D Scanning Tech at CU Museum Article My Recent Feature in the Coloradoan about my research and Indigeneity Carlton Gover's Previous Heritage Voices Episode Pawnee Nation Historic Preservation Office Website CU Boulder Anth/Arch website CU Boulder Page for Carlton Gover Association of tribal libraries, archives, and museums Horses in the North American West exhibit CCPA Native American Scholarship Carlton Email: Carlton.Gover@colorado.edu Instagram: @pawnee_archaeologist Twitter: @PaniArchaeology A Life in Ruins: Instagram: @alifeinruinspodcast Twitter: @alifeinruinspod Podcast: https://www.archpodnet.com/ruins Contact Jessica Jessica@livingheritageanthropology.org @livingheritageA @LivingHeritageResearchCouncil ArchPodNet APN Website: https://www.archpodnet.com APN on Facebook: https://www.facebook.com/archpodnet APN on Twitter: https://www.twitter.com/archpodnet APN on Instagram: https://www.instagram.com/archpodnet Tee Public Store Affiliates Wildnote TeePublic Timeular

Elena is in conversation with Crystal Echo Hawk. Crystal is an enrolled member of Pawnee Nation in Oklahoma and the founder of IllumiNative, a nonprofit working to increase the visibility of—and "challenge the negative narrative about"—Native Nations. Listen in to learn more about what Crystal believes to be the greatest threat to Native peoples, hear a specific call-in to educators, learn about a tv show you might be missing out on that you don’t want to miss, and much more. Full show notes, including everything mentioned on this episode can be found here. Mentioned in This Episode:Rutherford FallsAbout IllumiNative and the many projects/issues they are taking on Follow IllumiNative on Instagram Article in Elle Magazine on Crystal’s response to Deb Haaland’s appointment as Secretary of the Interior People Magazine article on Crystal and the work of IllumiNatives taking on racist mascots 

NOTE: Abigail Echo Hawk will be keynoting at the American Association of Suicidology's Annual Conference on Friday, April 23rd at 9:00AM ET. You can listen to her and the many other diverse speakers virtually or in person at the conference in Orlando.Her keynote is entitled: Decolonizing Data: Restoring Culture and Building BeautyREGISTER HERE: https://www.aasconference.org/registrationOverviewHistorical trauma is often understood to be multigenerational wounding caused by the cumulative impact of major events inflicted upon a specific cultural, racial or ethnic group. When it comes to research about health and well-being, Western modalities of understanding human experience are limited and biased, further driving disparities and truncated views that can cause even more harm. By contrast, a strength-based, Indigenous framework of understanding resists the narrow view and on-going trauma of colonialism and focuses on restoration and healing. In this interview I speak with a “Storyteller of Health” and epidemiologist Abigail Echo Hawk about her vision of an anti-racist approach to data collection and recovery among tribal communities.About Abigail Echo Hawk, MAAbigail Echo-Hawk, M.A., an enrolled member of the Pawnee Nation of Oklahoma, is the Chief Research Officer for the Seattle Indian Health Board, a Federally Qualified Health Center serving American Indians and Alaska Natives in King County, Washington. She also serves as the Director of the Urban Indian Health Institute (UIHI), a Tribal Epidemiology Center whose mission is to support the health and well-being of urban Indian communities through information, scientific inquiry, and technology. UIHI assists a national network of Urban Indian Health Programs, which are private nonprofit corporations that provide native people in select cities a range of health and social services, from outreach and referral to full ambulatory care. Ms. Echo-Hawk directs a staff of public health professionals who work on multiple ongoing research, evaluation, and disease surveillance projects to benefit American Indian/Alaska Natives in urban and rural settings. She received the University of Washington Bothell's Distinguished Alumni Award in 2013 for her dedication to eliminating health disparities and was also recognized in the 2015 class of the National Center for American Indian Enterprise Development's (NCAIED) Native American 40 Under 40.As a dedicated community volunteer, Ms. Echo-Hawk has concentrated on policy and institutional change to eliminate disparities for women of color locally and nationally. She focuses on policy advocacy in areas such as maternal and child health, domestic violence, sexual assault, and health disparities. Volunteer memberships include the Native American Women's Dialogue on Infant Mortality, Hope Heart Institute, the Center for Indigenous Law and Justice, the Children and Youth Advisory Board of King County, and the Coalition to End Gender-Based Violence.Ms. Echo-Hawk's greatest joy is her place within her extended family. She is a wife, mother, auntie, daughter, granddaughter, friend, and community member. She strives to serve her family, friends, and community with love and to be a small part of ensuring a great future for the next generation. For more information on this episode go to https://www.sallyspencerthomas.com/hope-illuminated-podcast/87

In this episode, Greg and Leon discuss the following comics: THE SILVER COIN #1 (https://imagecomics.com/comics/releases/the-silver-coin-1) review begins at 40m20s TWO MOONS #1-2 (https://imagecomics.com/comics/series/two-moons) review begins at 1h00m8s There's also some light discussion at the beginning of the episode concerning: -TRUTH: RED, WHITE AND BLACK (https://www.marvel.com/comics/series/2577/truth_red_white_and_black_2003) and it's connection to THE FALCON AND THE WINTER SOLDIER (https://disneyplusoriginals.disney.com/show/the-falcon-and-the-winter-soldier) with spoilers for Episode 2 - THE RECENT RELEASES FROM TKO COMICS (https://tkopresents.com/collections/titles) including news concerning the return of SCALES & SCOUNDRELS (https://twitter.com/TKOpresents/status/1381299674896736257)! Send any questions or feedback to (mailto:acecomicals@gmail.com) acecomicals@gmail.com. And also please subscribe (http://www.acecomicals.com/subscribe) and leave us a review! If you like what we do please consider donating to us (https://ko-fi.com/acecomicals) at https://ko-fi.com/acecomicals. All contributions will be used to defray the cost of hosting the website. Ace Comicals, over and out!#

Hillel Echo-Hawk is a chef and educator, who is dedicated to creating more awareness about indigenous American food traditions, with a specific focus on those of the Pawnee Nation. She runs Birch Basket, a catering company based in Seattle, creating delicious food using healthy, sustainable, beautiful ingredients, indigenous to North America. Like so many of us, Hillel has had an interesting and challenging journey through cuisine and we get to hear all about it in today's episode. Hillel charts her work as a young missionary, and how she enrolled at culinary school after being forced to move back home. We talk about food in her home growing up, and the early experiences with her mother that shaped her understanding of cooking before we discuss the important aspects of indigenous American cooking that interest Hillel the most. --- Send in a voice message: https://anchor.fm/afrosknives/message Support this podcast: https://anchor.fm/afrosknives/support

In Episode 5 of the Hupitit Pâri Podcast the host Marlin and Terance discuss food sovereignty with fellow Tribal member Mee-Kai. Mee-kai is the current Pawnee Nation Nation diabetes program coordinator and is a Pawnee Nation seed preservation/food sovereignty advocate.

In episode IV of the Hupitit Pâri Podcast Marlin asks Terance about his exciting news of running for the Pawnee Business Council. Terance discusses his concerns, and views for the future of the Pawnee Nation if elected to the Business Council.

Boo fossil fuels! We talk about some joys heading into Inauguration Day and how we plan to demand climate action from the new administration. Elise tackles Joe Biden's wavering approach to a fracking ban and tells the story of Pawnee Nation in Oklahoma. Olivia recounts the best (worst) moments of the Union of Concerned Scientists' Climate Deception Dossiers, which expose decades of misinformation campaigns, lobbying, and fraud from major fossil fuel players. Subscribe/follow/press the button to keep up with new episodes every Wednesday! You can also follow us @worldisburnin on Instagram and Twitter, and check out our website worldisburning.com for extended show notes including sources and photos. Cover art by Sonja Katanic. Music by Kaycie Satterfield. Thanks for listening! --- Send in a voice message: https://anchor.fm/worldisburning/message

For this episode, we have the utmost pleasure in interviewing Kevin Gover. Kevin is currently the director of the Smithsonian's National Museum of the American Indian, a position he has held since 2007. He is also the Acting Under Secretary for Museums and Culture. Mr. Gover is a Tribal Citizen of the Pawnee Nation of Oklahoma and Descendant of the Comanche Nation. If you are guessing that Kevin and Carlton are related due to the similarity in our last names, you are correct! Mr. Kevin Gover is Carlton's elder first cousin. Guest Smithsonian Website with information about Mr. Gover National Museum of the American Indian Website Contact Email: alifeinruinspodcast@gmail.com Instagram: @alifeinruinspodcast Facebook: @alifeinruinspodcast Twitter: @alifeinruinspod Website: www.alifeinruins.com Affiliates Wildnote TeePublic Timeular

For this episode, we have the utmost pleasure in interviewing Kevin Gover. Kevin is currently the director of the Smithsonian's National Museum of the American Indian, a position he has held since 2007. He is also the Acting Under Secretary for Museums and Culture. Mr. Gover is a Tribal Citizen of the Pawnee Nation of Oklahoma and Descendant of the Comanche Nation. If you are guessing that Kevin and Carlton are related due to the similarity in our last names, you are correct! Mr. Kevin Gover is Carlton's elder first cousin. Guest Smithsonian Website with information about Mr. Gover National Museum of the American Indian Website Contact Email: alifeinruinspodcast@gmail.com Instagram: @alifeinruinspodcast Facebook: @alifeinruinspodcast Twitter: @alifeinruinspod Website: www.alifeinruins.com Affiliates Wildnote TeePublic Timeular

In this conversation on race I’m joined by Diversity pioneers and original thought leaders Lee Mun Wah and Howard Ross to talk about the current state of diversity, racism and white supremacy in the US today   Howard is known for his cutting edge work on implicit bias and Mun Wah made the ground breaking film on race, Color of Fear.   Key Topics: Origins and current state of the Trump executive order banning diversity and inclusion training in the government and companies that do business with the government. Threats against Howard Ross and his family for his work in diversity, equity and inclusion. The content of the letter suspending Mun Wah’s training with the government calling diversity and inclusion unpatriotic, propaganda and unamerican. Why diversity, equity, inclusion and conversations on race are more important now than ever in the current culture of the US and across the globe. How Black people and others protesting in the name of social justice are being shot, threatened and attacked. Overcoming resistance and fear of diversity, conversations on race and social justice. Whose lives matter? Do white lives matter more than Black lives? Do heterosexual lives matter more than LGBTQ lives The fact that the media doesn’t mention the large numbers of Native American women who have disappeared, the lack of funds to help Native American communities and the high Covid death rate in that community. How issues of racism against LatinX, Asian and other people of color are often neglected, trivialized and ignored. Intercultural Health care disparities that result in higher death rates for Black women during childbirth than white women. Howard and Mun Wah share experiences engaging in dialogues with white supremacists.   Guests Bio: Lee Mun Wah, M.A. Special Education, M.S. CounselingExecutive Director of StirFry Seminars & Consulting   Lee Mun Wah is an internationally renowned Chinese American documentary filmmaker, author, poet, Asian folk teller, educator, community therapist, and master diversity trainer. He is the Executive Director of StirFry Seminars & Consulting, a diversity training company that provides educational tools and workshops on cross-cultural communication and awareness, mindful facilitation, and conflict mediation techniques. His first documentary film, Stolen Ground, about the experience of Asian Americans, won honorable mention at the San Francisco International Film Festival. His most famous film about racism, The Color of Fear, won the Gold Medal for Best Social Studies Documentary and in 1995, Oprah Winfrey did a one-hour special on Lee Mun Wah’s life and work that was seen by many.  His latest film, If These Halls Could Talk, was just released.  The film’s focus is on college students and their experience with racism and other diversity issues in higher education.  Thousands of people from government and social service agencies, corporations and educational institutions have taken Lee Mun Wah’s workshops and partnered with Stirfry Seminars & Consulting on their diversity initiatives.   Howard Ross is a lifelong social justice advocate and is considered one of the world’s seminal thought leaders on identifying and addressing unconscious bias.  He is the author of ReInventing Diversity: Transforming Organizational Community to Strengthen People, Purpose and Performance, (published by Rowman and Littlefield in conjunction with SHRM in 2011), and the Washington Post best seller, Everyday Bias:  Identifying and Navigating Unconscious Judgments in Our Daily Lives, (published by Rowman and Littlefield in 2014, Second Edition released in 2020).  His latest book, Our Search for Belonging:  How Our Need to Connect is Tearing Us Apart, released by Berrett-Koehler in May of 2018, won the 2019 Nautilus Book Award Gold Medal for Social Change and Social Justice.   Howard has specialized in the synthesis of neuro-cognitive and social science research and direct application re: Diversity, Inclusion, Equity and Accessibility work.  His client work has focused on the areas of corporate culture change, leadership development, and managing diversity, inclusion and belonging.  Ross has successfully implemented large-scale organizational culture change efforts in the area of managing diversity and cultural integration in academic institutions, professional services corporations, Fortune 500 companies, and retail, health care, media, and governmental institutions in 47 of the United States and over 40 countries worldwide.  In addition, Howard has delivered programs at Harvard University Medical School, Stanford University Medical School, Johns Hopkins University, the Wharton School of Business, Duke University and Washington University Medical School and over 20 other colleges and Universities, as well as for the Association of American Medical Colleges (AAMC).  Howard served as the 2007-2008 Johnnetta B. Cole Professor of Diversity Professor of Diversity at Bennett College for Women, the first time a white man had ever served in such a position at an HBCU.     Howard’s writings have been published by the Harvard Business Review, the Washington Post, the New York Times, Fast Company Magazine, Diversity Women Magazine, Forbes Magazine, Fortune Magazine and dozens of other publications.  He appears regularly on National Public Radio. Howard has served on numerous not-for-profits boards, including the Diversity Advisory Board of the Human Rights Campaign, the board of directors of the Dignity and Respect Campaign, the board of the directors for the National Women’s Mentoring Network, and the Board of Directors of the National Center on Race Amity.  Howard has been the recipient of many awards, including the 2009 Operation Understanding Award for Community Service; the 2012 Winds of Change Award from the Forum on Workplace Diversity and Inclusion; the 2013 Diversity Peer Award from Diversity Women Magazine; the 2014 Catalyst Award from Uptown Professional Magazine; the 2014 Catalyst for Change Award from Wake Forest University; the 2015 Medal of Honor by the National Center for Race Amity; the 2015 Trendsetter in HR by SHRM Magazine; and the 2016 Leadership in Diversity Award by the World Human Resources Development Conference in Mumbai, India.  He was also named an Honorary Medicine Man by the Eastern Cherokee Reservation in N.C. and given Medicine Holder designation by the Pawnee Nation.  Howard has also been honored to serve as a “Contributing Expert” in both 2015 and 2020 to the Global Diversity and Inclusion Benchmarks by the Centre for Global Inclusion.   Howard is also a former Rock ‘n Roll Musician and has taught meditation and mindfulness for more than 20 years, including his role as co-founder and Lead Facilitator for the Inner Journey Seminars.   In 1989, Howard founded Cook Ross Inc., one of the nation’s leading Diversity and Inclusion consultancies.  He sold the company in July 2018 and founded Udarta Consulting, LLC.   Howard keynotes and speaks regularly at Conferences for SHRM, SHRM Diversity, the Forum for Workplace Inclusion, National Association of Corporate Directors , ATD, the World Diversity Forum, and dozens of others.     He can be reached at howard@udarta.com.

Segregation in America—the incessant kind that continues to dog our major cities and has contributed to so much recent social strife—is the byproduct of explicit government policies at the local, state, and federal levels, researcher Richard Rothstein argues. He believes this is especially true for the racial segregation in our neighborhoods. In this presentation with the Housing Development Consortium of Seattle-King County, Rothstein joined us to share findings from his book The Color of Law: A Forgotten History of How Our Government Segregated America. With an eye to how the structural conditions established by 20th century federal policy endure to this day, Rothstein explored the legacy of discriminatory practices. Following his talk, Rothstein joined a panel of local experts to discuss how both the history of colonization and the history of redlining manifest in Seattle’s housing crisis, as well as considering both current and proposed housing policies. Moderated by Seattle Foundation’s Michael Brown, the panel features Colleen Echohawk of Chief Seattle Club, Councilmember Teresa Mosqueda, and Councilmember Claudia Balducci. Don’t miss this essential and timely conversation about how the history of neighborhood segregation impacts Seattle today. Richard Rothstein is a research associate of the Economic Policy Institute and a Fellow at the Thurgood Marshall Institute of the NAACP Legal Defense Fund. He lives in California, where he is a Fellow of the Haas Institute at the University of California-Berkeley. Colleen Echohawk is the Executive Director of the Chief Seattle Club, a nonprofit dedicated to the needs of Native American and Alaska Native people who are experiencing homelessness in Seattle. She is an enrolled member of the Kithehaki Band of the Pawnee Nation and a member of the Upper Athabascan people of Mentasta Lake. She also founded the Coalition to End Urban Native Homelessness. Teresa Mosqueda is Budget Chair of the Seattle city council, elected in 2017. Her top priority on City Council is promoting healthy communities, lifting up working families, and creating more affordable housing for all residents through the city. She chairs the Housing & Finance Committee, and is a member of the National League of Cities. Claudia Balducci is Chair of the King County Council. She is a leader in transportation and affordable housing, and a strong advocate for education and the arts. She serves as chair of the Sound Transit Board’s System Expansion Committee, vice president of the Puget Sound Regional Council, and chair of the County’s Affordable Housing Committee. Michael Brown is the Chief Architect of Civic Commons at the Seattle Foundation, a regional civic infrastructure aimed at uniting more community voices in decision-making to advance racial and economic equity. He has led efforts to tackle complex challenges in the areas of affordable housing, economic and racial equity, policy, and advocacy. This event is part of Affordable Housing Week, and is supported by West Coast Poverty Center, Seattle for Everyone, Pacifica Law Group, and Whatcom Housing Alliance. Buy the Book: https://www.elliottbaybook.com/book/9781631494536   Presented by Town Hall Seattle and Housing Development Consortium of Seattle-King County.

In this episode of Reconciliation Rising, we conclude our interview with Deb Echo-Hawk, Keeper of the Seeds for the Pawnee Nation of Oklahoma, and Ronnie O'Brien, the former manager of the Great Platte River Road Archway Monument. Together, these two women founded the Pawnee Seed Preservation Project, a series of corn gardens across Nebraska that are revitalizing the Pawnee Nation's ancestral corn.

Colleen Echohawk is the Executive Director of the Chief Seattle Club. She is an enrolled member of the Kithehaki Band of the Pawnee Nation and a member of the Upper Athabascan people of Mentasta Lake.As the founder of the Coalition to End Urban Indigenous Homelessness, Echohawk is committed to homeless advocacy and changing the trajectory of Native American and Alaska Native people living away from reservations in urban places and experiencing homelessness. Recognizing a lack of equity in housing design and development, and the profound impact that this can have on the well-being of people of color, Echohawk has turned her focus to equitable low-income housing development and indigenous-led design. Under Echohawk’s leadership, Chief Seattle Club received the Puget Sound Sage Visionary for Justice Award (2019), Seattle Community Law Center’s Equity Award (2018), the Neighborhood Builder Award (2017), and Municipal League of King County’s Organization of the Year (2016).Echohawk’s education has been focused on organizational development and leadership; helping brilliant people do better work for the greater good. She is the co-founder and principal at Headwater People Consulting Group. Some of her recent recognitions include: recipient of King County’s Martin Luther King Jr. Medal of Distinguished Service (2020), one of Seattle’s most influential people by Seattle Magazine (November 2019) and one of Seattle Met Magazine’s 50 most influential women (2018). Colleen Echohawk serves on many local boards, including a Mayoral appointment to the Community Police Commission. Other board affiliations include Seattle Foundation, KUOW (National Public Radio member station,) Downtown Seattle Association, and All-Home Coordinating Board. In this episode Colleen shares what led her to answer the call to lead the Chief Seattle Club and her love for the people she serves. Reflecting on her studies in public health, Colleen speaks about the trauma the pandemic has unearthed and exacerbated for the Native community. She calls out the impact of white supremacy and systemic racism continues to have on housing, economic development and beyond. Alongside leaders in the greater Seattle area, Colleen continues to ensure that Native people have a place to connect with their respective tribal community. We also learn about the work that she is currently engaged in with the Equitable Recovery & Reconciliation Alliance. Colleen also shares her thoughts on what an emerging Native leader should consider in their professional journey.We are humbled in our leadership and name the truth of our experiences as we share Forward 4O’s platform with this phenomenal WOC in the nonprofit and social enterprise sector.Stay connected to Colleen on LinkedIn, Twitter and Instagram. Follow the work of the Chief Seattle Club on Twitter and Instagram. Follow Forward 40(4tea) on IG and Twitter @forward4tea. Continue to support and nominate a guest to be on the show. You can also learn more about the host Coach Faith here.

In this episode of Reconciliation Rising, we interview Deb Echo-Hawk, Keeper of the Seeds for the Pawnee Nation of Oklahoma, and Ronnie O'Brien, the former manager of the Great Platte River Road Archway Monument. Together, these two women founded the Pawnee Seed Preservation Project, a series of corn gardens across Nebraska that are revitalizing the Pawnee Nation's ancestral corn.

Advocacy takes on different roles in order to empower the voice and impact the lives of people. In today's episode, I had the opportunity to speak with Howard Ross about the past, present, and future of advocacy. Education will always be what inspires change and action will be the driving force. We see it throughout history. "My whole life I've come to realize that if you're going to spend your life shaking the trees, occasionally a coconut is going to hit you on the head."Fighting for the rights of others means fighting for a better society. Howard went to his first Civil Rights at the age of 15 and with over 55 years of advocating for others, you can see that it made a huge impact in his life. He shared with us significant impacts that his family has made when it came to advocacy. Being Jewish during the Holocaust, 43 members of Howard's family were murdered. His own grandfather was living in a village where 100 Jews were killed by Nazis. The emotional impact of what we see, hear, and live through can be the spark to initiate change. It can become a heavy shadow on the families, communities, and generations that are connected to it in some way. We see a huge shift as younger generations are taking the reigns and demanding results in a similar way that we saw Baby Boomers do when they were younger. On one hand, it can make you proud that they have the motivation to do so but on the other, it can be saddening that we are still fighting the same fight.Howard dropped nuggets about we can do better when it comes to understanding and or being part of the current wave of advocates. I stumbled into advocacy because of my personal experiences with homelessness, abuse, molestation, and divorce. Prejudice against a certain group of people usually comes from a disconnect between their story and your own. Howard's nuggets: ~ Remember those that came before you and the life the lived ~ Use the emotional impact as fuel but be strategic ~ Understand that change does not always happen immediately~ Do the research on what you hear~ Protests matter and have their place in initiating change ~ Anger and rage are valid emotions when you feel unheard or mistreated~ NEVER label the majority by the actions of the few This episode will be my most memorable because the current climate of the world is a tough one to navigate. I appreciate the advocates that stand up in the face of fear, miseducation, prejudice, and miscommunication to fight for something bigger than them. I think back to when I first watched movies like Freedom Writers and Lean on Me. It was significant for me because it was a seed of understanding that we each can do something that matters. We each have the power to make an impact. To the advocates who consistently fight for change...we see you! Thank you! Meet Howard Ross:Howard Ross is a lifelong social justice advocate and is considered one of the world's seminal thought leaders on identifying and addressing unconscious bias. He is the author of ReInventing Diversity: Transforming Organizational Community to Strengthen People, Purpose and Performance, (published by Rowman and Littlefield in conjunction with SHRM in 2011), and the Washington Post bestseller, Everyday Bias: Identifying and Navigating Unconscious Judgments in Our Daily Lives, (published by Rowman and Littlefield in 2014). His latest book, Our Search for Belonging: How Our Need to Connect is Tearing Us Apart, released by Berrett-Koehler in May of 2018, won the 2019 Nautilus Book Award Gold Medal for Social Change and Social Justice.Howard has specialized in the synthesis of neuro-cognitive and social science research and direct application re Diversity, Inclusion, Equity, and Accessibility work. His client work has focused on the areas of corporate culture change, leadership development, and managing diversity. Ross has successfully implemented large-scale organizational culture change efforts in the area of managing diversity and cultural integration in academic institutions, professional services corporations, Fortune 500 companies, and retail, health care, media, and governmental institutions in 47 of the United States and over 40 countries worldwide. In addition, Howard has delivered programs at Harvard University Medical School, Stanford University Medical School, Johns Hopkins University, the Wharton School of Business, Duke University and Washington University Medical School, and over 20 other colleges and Universities. Howard served as the 2007-2008 Johnnetta B. Cole Professor of Diversity at Bennett College for Women, the first time a white man had ever served in such a position at an HBCU.Howard's writings have been published by the Harvard Business Review, the Washington Post, the New York Times, Fast Company Magazine, Diversity Women Magazine, Forbes Magazine, Fortune Magazine, and dozens of other publications. He appears monthly on National Public Radio. Howard has served on numerous not-for-profits boards, including the Diversity Advisory Board of the Human Rights Campaign, the board of directors of the Dignity and Respect Campaign, and the board of the directors for the National Women's Mentoring Network. Howard has been the recipient of many awards, including the 2009 Operation Understanding Award for Community Service; the 2012 Winds of Change Award from the Forum on Workplace Diversity and Inclusion; the 2013 Diversity Peer Award from Diversity Women Magazine; the 2014 Catalyst Award from Uptown Professional Magazine; the 2014 Catalyst for Change Award from Wake Forest University; the 2015 Trendsetter in HR by SHRM Magazine; and the 2016 Leadership in Diversity Award by the World Human Resources Development Conference in Mumbai, India. He was also named an Honorary Medicine Man by the Eastern Cherokee Reservation in N.C., and given Medicine Holder designation by the Pawnee Nation.Howard is also a former Rock ‘n Roll Musician and has taught meditation and mindfulness for more than 20 years, including his role as co-founder and Lead Facilitator for the Inner Journey Seminars.Howard founded Cook Ross Inc., one of the nation's leading Diversity and Inclusion consultancies. He sold the company in July 2018 and founded Udarta Consulting, LLC.Howard keynotes and speaks regularly at Conferences for SHRM, SHRM Diversity, the Forum for Workplace Inclusion, National Association of Corporate Directors, ATD, the World Diversity Forum, and dozens of others.He can be reached at howard@udarta.com.Social Media Handles (LinkedIn, Facebook, etc.)Facebook.com/howardjross linkedin.com/howardjrosss

SPECIAL EPISODE! In 1996 a skull and skeleton were stumbled upon near the banks of the Columbia River in Washington State. What followed were years of speculation, assumptions, legal battles and contention. The remains of the 9000-year-old Paleoamerican dubbed 'Kennewick Man' consumed the world of archaeology and Native American repatriation rights for years as both parties claimed the remains.So who was the Kennewick Man really? Was 'the ancient one' the ancestor the Native Americans claimed that he could only be? Or was he a stranger from a far off land, upsetting centuries of oral tradition?Archaeologist Carlton Gover has Native American heritage and is also a scientist - and looks at this fascinating case from both sides, revealing some surprising facts in a fully-illustrated interview.#kennewickman #nativeamerican #archaeologyCARLTON GOVER is a Doctorate Student & Archaeologist at University of Colorado Boulder and studies at University of Colorado, Boulder. He is Pawnee on his father's side and a member of the Pawnee Nation of Oklahoma. He is one of the hosts of the popular A Life In Ruins archaeology podcast.LINK TO ORIGINAL VIDEO INTERVIEW: https://youtu.be/4EMWXA05wwcLINKS FOR CARLTON GOVER:Twitter: @PawneeSavageInstagram: @pawnee_archaeologistPODCAST:A Life In Ruins - http://bit.ly/2GDZUuH@alifeinruinspodcasthttps://podcasts.apple.com/us/podcast/a-life-in-ruins/id1460532947Ghost Dancers & Star People - the Beliefs and Rituals of the Pawnee (Talk Beliefs interview with Carlton gover): https://youtu.be/RtdBJg9T49oInterviews powered by https://streamyard.com/#evolutionsoup #evolution #paleo #paleontology #paleoartist #Homosapiens #hominid #artwork #Darwin #cave #bone #fossils #Neanderthal #australopithecus #hominin #extinct #animals #science #anthropology #paleoanthropology #genus #species #africa #skull #skulls #naturalselection #lucy #paleontology #kennewickman #umatilla #nagpra #ALifeInRuinsPodcast #indigenousarchaeologist #pawneenation #cubouldergradschool #plainsarchaeology #anthropologyEVOLUTION SOUPYouTube: http://www.youtube.com/c/evolutionsoupFacebook: https://www.facebook.com/evolutionsoup/Pinterest: https://www.pinterest.co.uk/evolutionsoup/Instagram: @evolution_soupRSS feed: https://feeds.buzzsprout.com/354743.rssSupport the show (https://www.patreon.com/user?u=2279893&ty=h&u=2279893)

As leaders, we have an audience whether it’s through social media, an email list, a congregation, or even our own family. Howard Ross encourages us to re-establish integrity so that we can lead people well and speak up about important issues in a healthy and effective way.   Connect with Howard Ross: https://howardjross.com/ QUESTIONS ASKED: How is our need to belong tearing us apart? What’s our personal responsibility in navigating change? How can we restore hope for this generation?   FROM TODAY’s EPISODE: Being part of something bigger than yourself Changes in agreeing and disagreeing with others Connecting and supporting each other and recognizing unconscious bias RESOURCES: Text us! +1 (501) 214-4307 Join our Private Facebook Group: https://bit.ly/2lPut5A Youtube Channel: https://www.youtube.com/heatherparady   BIO: Howard Ross is a lifelong social justice advocate and is considered one of the world’s seminal thought leaders on identifying and addressing unconscious bias.  He is the author of ReInventing Diversity: Transforming Organizational Community to Strengthen People, Purpose and Performance, (published by Rowman and Littlefield in conjunction with SHRM in 2011), and the Washington Post best seller, Everyday Bias:  Identifying and Navigating Unconscious Judgments in Our Daily Lives, (published by Rowman and Littlefield in 2014).  His latest book, Our Search for Belonging:  How Our Need to Connect is Tearing Us Apart, released by Berrett-Koehler in May of 2018, won the 2019 Nautilus Book Award Gold Medal for Social Change and Social Justice. Howard has specialized in the synthesis of neuro-cognitive and social science research and direct application re: Diversity, Inclusion, Equity and Accessibility work.  His client work has focused on the areas of corporate culture change, leadership development, and managing diversity.  Ross has successfully implemented large-scale organizational culture change efforts in the area of managing diversity and cultural integration in academic institutions, professional services corporations, Fortune 500 companies, and retail, health care, media, and governmental institutions in 47 of the United States and over 40 countries worldwide.  In addition, Howard has delivered programs at Harvard University Medical School, Stanford University Medical School, Johns Hopkins University, the Wharton School of Business, Duke University and Washington University Medical School and over 20 other colleges and Universities.  Howard served as the 2007-2008 Johnnetta B. Cole Professor of Diversity Professor of Diversity at Bennett College for Women, the first time a white man had ever served in such a position at an HBCU.   Howard’s writings have been published by the Harvard Business Review, the Washington Post, the New York Times, Fast Company Magazine, Diversity Women Magazine, Forbes Magazine, Fortune Magazine and dozens of other publications.  He appears monthly on National Public Radio. Howard has served on numerous not-for-profits boards, including the Diversity Advisory Board of the Human Rights Campaign, the board of directors of the Dignity and Respect Campaign, and the board of the directors for the National Women’s Mentoring Network.  Howard has been the recipient of many awards, including the 2009 Operation Understanding Award for Community Service; the 2012 Winds of Change Award from the Forum on Workplace Diversity and Inclusion; the 2013 Diversity Peer Award from Diversity Women Magazine; the 2014 Catalyst Award from Uptown Professional Magazine; the 2014 Catalyst for Change Award from Wake Forest University; the 2015 Trendsetter in HR by SHRM Magazine; and the 2016 Leadership in Diversity Award by the World Human Resources Development Conference in Mumbai, India.  He was also named an Honorary Medicine Man by the Eastern Cherokee Reservation in N.C., and given Medicine Holder designation by the Pawnee Nation. Howard is also a former Rock ‘n Roll Musician and has taught meditation and mindfulness for more than 20 years, including his role as co-founder and Lead Facilitator for the Inner Journey Seminars. Howard founded Cook Ross Inc., one of the nation’s leading Diversity and Inclusion consultancies.  He sold the company in July 2018 and founded Udarta Consulting, LLC. Howard keynotes and speaks regularly at Conferences for SHRM, SHRM Diversity, the Forum for Workplace Inclusion, National Association of Corporate Directors , ATD, the World Diversity Forum, and dozens of others. 

Sara and Misasha are so excited to bring you a conversation with Crystal Echohawk on today’s podcast. Crystal is an advocate for Native American culture and respect and has a passion for building understanding and getting to know others. This episode is a perfect companion piece to Episode 29, Halloween and Cultural Appropriation, so if you missed that, please go check out the link provided. Crystal is a member of the Kitkehahki Band of the Pawnee Nation of Oklahoma, a mom, and Executive Director of IllumiNative, a national, native-led, non-profit organization born out of the “Reclaiming Native Truth Project“, a research project from 2016-2018, and was the largest public opinion research project ever conducted about native people. The focus on this project was based on the desire to educate Americans and transform relationships so that Native Americans are respected, included, and seen as a vital fabric of this country. Show Highlights: The public opinion research project, “Reclaiming Native Truth Project” focused on the following questions: 1) What do Americans really think about Native Peoples, and why is that? 2) How does that manifest itself in terms of the ways that we are treated and the way institutions treat us? and 3) How can we map this information, understand it, and change the narrative? The heart-wrenching results of the project were the perception that Native Americans did not exist; they were an invisible people.  78% of Americans know little to nothing about Native Peoples.  72% of Americans rarely or never encounter information about Native People in this society where we’re constantly inundated with information. 87% of schools in the United States don’t teach about Native Peoples beyond 1900. When asked an insensitive question such as, “Do you still live in teepees?”, Crystal has begun to understand that the person asking the question is not necessarily trying to be hurtful or racist, as the last data point most people have for Native Americans is from learning in elementary school about the 1890s Wounded Knee. 27 states do not even mention Native Americans in their curriculum. Representation in TV and film is between 0 - .04% of all representation. Within that sliver, the Native American is often shown in a stereotypical fashion. i.e. magical, mystical Indian, drunks, or savages. One study found that when you type the words “Native American” in a search engine, 95% of those images that come up are pre-1900, and are almost always men. This invisibility and erasure of the Native American culture creates bias and fuels racism.  There are 573 independent, sovereign nations within this country. Schools fail to teach this. Each nation has its own language, its own customs and cultures, and systems of government and elected officials. Crystal shares with us some of her favorite traditions of the Pawnee Nation. “Native American”, “American Indian”, and “Native Peoples” are all terms that are preferred over the word “Indian”. Sara and Crystal discuss Christopher Columbus, Thanksgiving, etc. from the Native American perspective. Native Peoples have made incredible contributions in this country going all the way back to the Constitution, to introducing the incredible foods that make up the American diet, to doctors, scientists, professional athletes and others who are out there doing incredible things. Misasha and Crystal review the issue of sports, redface and the “tomahawk chop”. Some people think that this may be a way of honoring Native Americans, but to the majority of Native Americans, it is offensive. “Indian” Halloween costumes are hurtful and tend to be an over-sexualization of Native women, who face the highest rates of sexual assault, rape, and murder. There are over 5,700 missing and murdered Indigenous women in this country.  In a recent survey, more than 90% of the women said that they had been sexually assaulted. Two-thirds of the perpetrators are non-Native people. Traditional Native American dress is modest, but the Halloween industry pushes the myth of Native American women as being scantily-clad. If you would like to truly honor Native Americans, Crystal suggests doing something around Joy Harjo, the first Native American poet laureate for the United States, or Wes Studi, a Cherokee actor and the first Native American in history to receive an Oscar on October 27th. Ryan Helsley is a young Cardinals pitcher and an amazing athlete who played the Braves a few weeks ago. Right before the game, he told the media that the tomahawk chop was deeply insulting, for which he received a lot of criticism. He put his career on the line by standing up for what was right. The Atlanta Braves did take him seriously and they didn’t do the tomahawk chop the next time he was on the mound.  Vote with your dollars: supporting Native American owned businesses. Crystal brings us up to date on some significant current events. The power of social media has been a game-changer in the industries of fashion, media, and entertainment, in that it allows us to organize within minutes and protest against important issues. There are more than 5 million Native Americans in the US. Take a moment to google and learn about who the traditional Native Peoples in your area were.  Resources / Links: Website: https://www.dearwhitewomen.com Email: hello@dearwhitewomen.com Like us on Facebook! Instagram Follow Us! Twitter Follow Us! Recommended Companion Podcast Halloween and Cultural Appropriation - Episode 29 Connect with Crystal! https://illuminatives.org IllumiNative on Facebook Follow us on Twitter: @_IllumiNatives Follow us on Instagram: _illuminatives Suggested News Site: Indian Country Today - A news organization covering American Indians and Alaska Natives Suggested Podcasts: All My Relations with Adrienne Keene and Matika Wilbur While Indigenous with Sarah Sunshine Manning Suggested Links: IllumiNative Launches Native Now Youth Campaign Dior Perfume Ad Featuring Johnny Depp Criticized Over Native American Tropes Join the Campaign!! Be IllumiNative! Join the Movement! Meet the Youth of Native Now! MUST SEE Video: IllumiNative’s Collaboration Video with Native Hip Hop Artists Mag 7 and Taboo from the Black Eyed Peas

Invisibility and harmful stereotypes are two of the biggest challenges facing Indigenous people today. According to research conducted by The Reclaiming Native Truth Project, nearly 80% of Americans know little to nothing about contemporary Native peoples, which leads to systemic bias, racism, and neglect of Indigenous communities. In this episode, Lindsay Smalling talks with Crystal Echo Hawk and Nick Tilsen, two Indigenous leaders who head organizations working to change the narrative and the status quo in order to help Indigenous communities thrive. They discuss their efforts to bring about widespread narrative change, concrete examples of why it is such an exciting time to make big investments and big impact in Indian Country, and where their movements are headed in the future.  Echo Hawk, a member of the Pawnee Nation, is Founder and CEO of IllumiNative. Tilsen, a member of the Oglala Lakota Nation, is Founder, President, and CEO of NDN Collective.

Howie Echo-Hawk is from rural Alaska, a citizen of the Pawnee Nation, growing up in Alaska with the Athabascan People. Indigenous, Non-binary, and good looking, they found a wonderfully open life after leaving YWAM (Youth with a Mission) and Christianity. Howie is back. This time we’ve been hitting the “water” hard. They share their coming out story as well as their personal growth towards non-binary life. We also dive into some deep talks as the “water” gets stronger. MENTIONED IN THIS EPISODE: Pagan Christianity? Exploring the Roots of Our Church Practices Richard Rohr - Franciscan Monk on a Universal Christ with Pete Holmes FULL SHOW NOTES: EPISODE 190: Cisgendered Heterosexuality Lies to the East: Or Does it?: Howie Echo-Hawk DO YOU LOVE THE PODCAST? JOIN US WITH SUPPORT. Support the podcast by leaving us a Rating & Review on iTunes or your podcast app. Do your Amazon shopping through our links. Donate to the Podcast. Join the CounterCulture Society and become a Producer through our Patreon. FOLLOW US: Facebook, Twitter, Instagram, and LosingOurReligionPodcast.com. RECEIVE WEEKLY EMAIL CONTENT: Join our email list. Music Featured in this Episode: LOR Theme Song by Rat Queen and Manager by Digi G'Alessio. This podcast is made possible by the producers of the CounterCulture Society and created and hosted by @ZacGandara.

Howie Echo-Hawk is from rural Alaska, a citizen of the Pawnee Nation, growing up in Alaska with the Athabascan People. Indigenous, Non-binary, and good looking, they found a wonderfully open life after leaving YWAM (Youth with a Mission) and Christianity. Howie works at Planned Parenthood and performs comedy, music, and produces all Indigenous shows with Indigenize Productions, drawing from their life and the things they know. MENTIONED IN THIS EPISODE: Pagan Christianity? Exploring the Roots of Our Church Practices Richard Rohr - Franciscan Monk on a Universal Christ with Pete Holmes DO YOU LOVE THE PODCAST? JOIN US WITH SUPPORT. Support the podcast by leaving us a Rating & Review on iTunes or your podcast app. Do your Amazon shopping through our links. Donate to the Podcast. Join the CounterCulture Society and become a Producer through our Patreon. FOLLOW US: Facebook, Twitter, Instagram, and LosingOurReligionPodcast.com. RECEIVE WEEKLY EMAIL CONTENT: Join our email list. Music Featured in this Episode: LOR Theme Song by Rat Queen and Manager by Digi G'Alessio. This podcast is made possible by the producers of the CounterCulture Society and created and hosted by @ZacGandara.  

On today's podcast Jessica hosts Roger Echo-Hawk, a writer / artist, and a citizen of the Pawnee Nation of Oklahoma.  We discussed his role in the origin story of what became Indigenous archaeology – the study of oral tradition; the unfolding racial Indian repatriation movement; the interfacing of archaeology and Indian Country; and the history of race and the rethinking of racial identity systems. Links Roger Echo-Hawk on ancient Pawnee history: The Enchanted Mirror: Ancient Pawneeland (2018) Roger Echo-Hawk on Pawnee history: The Enchanted Mirror: Community and Confederacy in Pawneeland (2018) The Enchanted Mirror: The Seven Brothers (2018) Roger Echo-Hawk on Indigenous archaeology: Special issue, SAA Archaeological Record (2010), Working Together on Race and Racialism The Magic Children: Racial Identity at the End of the Age of Race (2010)Contact Jessica Jessica@livingheritageanthropology.org @livingheritageA @LivingHeritageResearchCouncil Lyle Lyle.Balenquah@gmail.com

On today’s podcast Jessica hosts Roger Echo-Hawk, a writer / artist, and a citizen of the Pawnee Nation of Oklahoma.  We discussed his role in the origin story of what became Indigenous archaeology – the study of oral tradition; the unfolding racial Indian repatriation movement; the interfacing of archaeology and Indian Country; and the history of race and the rethinking of racial identity systems. LinksRoger Echo-Hawk on ancient Pawnee history: The Enchanted Mirror: Ancient Pawneeland (2018) Roger Echo-Hawk on Pawnee history: The Enchanted Mirror: Community and Confederacy in Pawneeland (2018) The Enchanted Mirror: The Seven Brothers (2018) Roger Echo-Hawk on Indigenous archaeology: Special issue, SAA Archaeological Record (2010), Working Together on Race and Racialism The Magic Children: Racial Identity at the End of the Age of Race (2010)Contact Jessica Jessica@livingheritageanthropology.org @livingheritageA @LivingHeritageResearchCouncil Lyle Lyle.Balenquah@gmail.com

On today’s podcast Jessica hosts Carlton Shield Chief Gover, a PhD student at the University of Colorado, Boulder and a member of the Pawnee Nation of Oklahoma. We talked about the unique history of Oklahoma and particularly the Pawnee and Arikara Nations. We talk about the challenges of when oral history and archaeology don’t agree and what it’s like to work in academia, CRM, and in tribal settings. Finally we talk about where he would love to see the Pawnee Nation of Oklahoma’s THPO and Museum go in the future, as well as where he would like the field of anthropology to go.

On today's podcast Jessica hosts Carlton Shield Chief Gover, a PhD student at the University of Colorado, Boulder and a member of the Pawnee Nation of Oklahoma. We talked about the unique history of Oklahoma and particularly the Pawnee and Arikara Nations. We talk about the challenges of when oral history and archaeology don't agree and what it's like to work in academia, CRM, and in tribal settings. Finally we talk about where he would love to see the Pawnee Nation of Oklahoma's THPO and Museum go in the future, as well as where he would like the field of anthropology to go.

In 2015, the Pawnee Nation approved a moratorium on fracking. The region was shaken by a 5.8 magnitude earthquake on September 3, 2016. In March 2017, the Pawnee Nation filed a claim in tribal court, seeking damages from several oil companies, alleging hydraulic fracturing (specifically, wastewater injected into disposal wells) caused an increase in earthquakes, damaging tribal buildings and land. This case could be consequential, in that it was brought in tribal court. It brings to the forefront discussion over tribal sovereignty, and tension between tribes’ concerns about harms to the environment and royalties generated by energy and mineral resources, which many tribes rely on. Host Cynthia Harris of the Section's Committee on Native American Resources interviews Professor Taiawagi Helton of the University of Oklahoma College of Law.  Please rate and review us on iTunes, and share our podcast widely. To learn more about our Section and to join us, visit www.americanbar.org/environ. 

Colleen Echohawk is the Executive Director of the Chief Seattle Club in Seattle’s historic Pioneer Square neighborhood, a non-profit dedicated to meeting the needs of homeless and low-income urban Native people in Seattle. The Chief Seattle Club provides a sacred space to nurture, affirm and renew the spirit of urban Native people. Colleen Echohawk is an enrolled member of the Kithehaki Band of the Pawnee Nation and a member of the Upper Ahtna Athabascan people of Mentasta Lake. She serves on multiple boards, including KUOW (National Public Radio member station), All Home Coordinating Board, Metropolitan Improvement District, Pioneer Square Preservation Board and is the board chair at Red Eagle Soaring Native Youth Theatre. As co-founder and principal at Headwater People Consulting Group, she is interested in working with community to create systems and structures that help facilitate wellness and encourages kindness and courage. In this episode of RePlacing Church, she joins me to discuss: How the Chief Seattle Club provides a sacred space to nurture, affirm and renew the spirit of urban Native people. How a native song transformed a dirty downtown alley into a place of remembrance and empowerment What the Urban Relocation Act of 1956 was and its impact on Native communities 3 ways non-Native people can honor the Native communities that originally inhabited the particular places where they now live How to create a culture of wellness in a workplace that engages significant trauma What organizations can do to invite different cultural perspectives Why our world needs to hear the Native voice right now *Get your free RePlacing Church Resource List, a guide to being and becoming the church in the neighborhood. SUBSCRIBE, RATE, and REVIEW the RePlacing Church Podcast on iTunes, or listen on Stitcher, Google Play, or Podbean. Sign up for RePlacing Church updates at www.replacingchurch.org. Like on Facebook, Follow on Instagram. Episode Song Credits: "Another Wrong to Right" and "You Won't Walk Alone" by Mercir. "Closed" by Zadok Wartes. Used with Permission. Production Assistance by Nate Tubbs.

We are pleased to announce Walter Echo-Hawk, a lawyer, tribal judge, scholar, and activist, as the eighth guest in our Modern Indian Identity Series. With legal experience including cases involving Native American religious freedom, prisoner rights, water rights, treaty rights, and reburial/repatriation rights, Mr. Echo-Hawk worked as a lawyer for the Native American Rights Fund for more than 35 years. He is a member of the Pawnee Nation, belonging to the Kitkahaki Band, born on the Pawnee reservation in Oklahoma. He received a political science degree from Oklahoma State University (1970) and his law degree from the University of New Mexico (1973). The Center of the American West's Modern Indian Identity series features contemporary Indian speakers telling their stories in ways that confirm the compatibility of tradition with innovation. The speakers have profound ties to their peoples' pasts, and they have also adapted with agility and enterprise to the conditions of our times.