Podcasts about street hassle

We're joined by Organized Meat to discuss Lou Reed's solo career. His electric shock therapy as a kid, The Velvet Underground, Andy Warhol, The Factory, and nearly every solo album Reed released in his career. Follow Organized Meat on X https://x.com/Bazillionplus Rare Candy Premium Episodes and Written Content https://rarecandy.substack.com/ All Rare Candy Links https://beacons.ai/rarecandy Time Stamps 00:00 Lou Reed Intro 15:30 Lou Reed's Childhood 21:08 Delmore Schwartz 26:40 The Velvet Underground/Andy Warhol 45:09 Transformer (1972) and David Bowie 50:42 Reed's sexuality 55:40 Berlin (1973) 01:04:38 Lou Reed Helps End Communism 01:10:35 Metal Machine Music (1975) 01:16:08 Relationship with Rachel Humphreys 01:18:23 Coney Island Baby (1976) 01:27:45 Street Hassle (1978) 01:37:40 The Blue Mask (1982) 01:45:20 New Sensations (1984) 01:52:53 Lou Reed and Jesse Jackson 01:55:07 Death of Andy Warhol 02:04:22 Lou Reed and Guns n' Roses 02:07:40 Ecstasy (2000) and more Lou Reed stories

We're going Madigan Mode today, gushing over Don Siegel's classic 1968 police procedural with Richard Windmark and Henry Fonda. We talked about the transitional feeling between New Hollywood and the classical, Siegel's action chops, and the colorful cast among other topics. Then, we place Madigan in the ranks of one of cinema's greatest years, as we count down our top 10 films of 1968. Sleeper hits, canon picks, and lots of redirects to previous episodes. Plus, Ben Stiller's Street Hassle moment. 00:00 - Madigan 44:57 - Top 10 of 1968 Write to us at extendedclippodcast@gmail.com and join us for an extra episode every week over at https://www.patreon.com/Extended_Clip

Si vous suivez Graine de Violence depuis le premier épisode, alors vous m'avez déjà entendu prononcer son nom une paire de fois. Lou Reed a toujours été là, tapis dans l'ombre, il attendait son heure pour débarquer dans ce podcast qui lui doit beaucoup. Aurais-je écrit ne serait-ce qu'un seul mot si mes oreilles n'avaient jamais croisé le Velvet Underground ? Pas sûr. Tout comme ses ex-comparses du Velvet qui ont déjà ey droit à leur Graine de Violence - comme par hasard - Lou Reed a largement contribué à alimenter, pour le meilleur et pour le pire, une mythologie discutable. Si le rock était une religion polythéiste, alors Lou Reed serait Hadès, le dieu des Enfers. Les grands amoureux de l'œuvre du rockeur qui se voyait écrivain vous diront qu'il était un personnage compliqué, tandis que les autres décrèteront, sans détour, que c'était une ordure. Dans ce double épisode exceptionnel, je tente d'expliquer - à vous et à moi-même - ce qui me touche tant dans la musique de ce grand méchant du rock. Merci à Michel Tuttle pour le montage voix, et à Pomme et Lily pour la relecture ! Jetez vous sur leurs podcasts respectifs : Mauvais Travail, Choixpitre et Doctor What. Merci à Lily Luca pour sa belle polyphonie en début d'épisode (allez écouter sa musique https://open.spotify.com/intl-fr/artist/3GnPjvHsWsTkiS6OJNdrHB) Quelques références… Des bouquins : Lou Reed, A Life – Anthony DeCurtisPerfect Day, An Intimate Portrait of Life With Lou Reed – BettyeKronstadTransformer – Ezra FurmanWhite Light White Heat – Richie UnterbergerThe Velvet Underground – Jim DeRogatisLou Reed, les Années Noires (chapitre du livre The Dark Stuff) – Nick KentPlease Kill Me – Legs McNeil & Gillian McCainLes articles de Lester Bangs :Sourd-muet dans une cabine téléphonique : une parfaite journéeavec Lou Reed (1973)Monolithe ou monotone ? Metal Machine Music de Lou Reed (1975)Comment je me suis castagné avec Lou sans m'endormir une seule fois(1975)Comment devenir tortionnaire sans effort (1976)Le plus grand album jamais enregistré (1976) Des disques : The Velvet Underground :The Velvet Underground & Nico (1967) White Light White Heat (1968) The Velvet Underground (1969) Loaded (1970)VU (1985)Les Lives :1969 : The Velvet Underground Live (1974) Live MCMXCIII (1993) * Lou Reed Solo :Lou Reed (1972) Transformer (1972)Berlin (1973) Sally Can't Dance (1974)Metal Machine Music (1975) ?????Coney Island Baby (1975) Rock'n'Roll Heart (1976)Street Hassle (1978) The Bells (1979)Growing Up In Public (1980)The Blue Mask (1982)Legendary Hearts (1983)New Sensations (1984)Mistrial (1986)New York (1989)Songs For Drella (1990)Magic & Loss (1992) Set The Twilight Reeling (1996)Ecstasy (2000)The Raven (2003)Hudson River Wind Meditations (2007)Lulu (avec Metallica) *-

Ceci est la dernière partie d'une quadrilogie d'épisodes consacrés à Lou Reed, il est donc fortement conseillé d'écouter les trois premières parties avant celle-ci ! Si vous suivez Graine de Violence depuis le premier épisode, alors vous m'avez déjà entendu prononcer son nom une paire de fois. Lou Reed a toujours été là, tapis dans l'ombre, il attendait son heure pour débarquer dans ce podcast qui lui doit beaucoup. Aurais-je écrit ne serait-ce qu'un seul mot si mes oreilles n'avaient jamais croisé le Velvet Underground ? Pas sûr. Tout comme ses ex-comparses du Velvet qui ont déjà ey droit à leur Graine de Violence - comme par hasard - Lou Reed a largement contribué à alimenter, pour le meilleur et pour le pire, une mythologie discutable. Si le rock était une religion polythéiste, alors Lou Reed serait Hadès, le dieu des Enfers. Les grands amoureux de l'œuvre du rockeur qui se voyait écrivain vous diront qu'il était un personnage compliqué, tandis que les autres décrèteront, sans détour, que c'était une ordure. Dans ce double épisode exceptionnel, je tente d'expliquer - à vous et à moi-même - ce qui me touche tant dans la musique de ce grand méchant du rock. Merci à Michel Tuttle pour le montage voix, et à Pomme et Lily pour la relecture ! Jetez vous sur leurs podcasts respectifs : Mauvais Travail, Choixpitre et Doctor What. Merci à Lily Luca pour sa belle polyphonie en début d'épisode (allez écouter sa musique https://open.spotify.com/intl-fr/artist/3GnPjvHsWsTkiS6OJNdrHB) Quelques références… Des bouquins : Lou Reed, A Life – Anthony DeCurtisPerfect Day, An Intimate Portrait of Life With Lou Reed – BettyeKronstadTransformer – Ezra FurmanWhite Light White Heat – Richie UnterbergerThe Velvet Underground – Jim DeRogatisLou Reed, les Années Noires (chapitre du livre The Dark Stuff) – Nick KentPlease Kill Me – Legs McNeil & Gillian McCainLes articles de Lester Bangs :Sourd-muet dans une cabine téléphonique : une parfaite journéeavec Lou Reed (1973)Monolithe ou monotone ? Metal Machine Music de Lou Reed (1975)Comment je me suis castagné avec Lou sans m'endormir une seule fois(1975)Comment devenir tortionnaire sans effort (1976)Le plus grand album jamais enregistré (1976) Des disques : The Velvet Underground :The Velvet Underground & Nico (1967) *White Light White Heat (1968) *The Velvet Underground (1969) *Loaded (1970) VU (1985) Les Lives :1969 : The Velvet Underground Live (1974) *Live MCMXCIII (1993) ** Lou Reed Solo :Lou Reed (1972) *Transformer (1972) Berlin (1973) *Sally Can't Dance (1974) Metal Machine Music (1975) ?????Coney Island Baby (1975) *Rock'n'Roll Heart (1976) Street Hassle (1978) *The Bells (1979) Growing Up In Public (1980) The Blue Mask (1982) Legendary Hearts (1983) New Sensations (1984) Mistrial (1986)New York (1989) Songs For Drella (1990) Magic & Loss (1992) *Set The Twilight Reeling (1996) Ecstasy (2000) The Raven (2003) Hudson River Wind Meditations (2007) Lulu (avec Metallica) *

Historien om det tidligere 'The Velvet Underground'-medlem byder på stoffer, alkohol og enorm musikalsk produktivitet. Men ligesom op- og nedturene i hans privatliv, så svang hans album også ofte mellem toppen af hitlisterne og eksperimentelle nybrud, som ikke fik den store folkelige opmærksomhed. 1970'erne startede stærkt ud for Lou Reed med det legendariske 'Transformer'-album, der indeholder hits som 'Perfect Day' og 'Walk On the Wild Side', men senere bød årtiet også på forsøg med binaurale optagelser, guitarstøj og et mere mørkt tekstunivers.Værter: Henrik Queitsch og Klaus LynggaardKlip og produktion: Mikkel WeinellSpilleliste:1. “I Can't Stand It” (1972)2. “Going Down” (1972)3. “Andy's Chest” (1972)4. “Make Up” (1972)5.  “Men of Good Fortune” (1973)6. “Caroline Says II” (1973)7. “The Kids” (1973)8. “White Light/White Heat – Live” (1974)9. “Sally Can't Dance” (1974)10. “Kill Your Sons (1974)11. “Metal Machine Music – 1:32 edit” (1975)12. “Kicks” (1975)13. “Charley's Girl” (1975)14. “Coney Island Baby” (1975)15. “Rock and Roll Heart” (1976)16. “Street Hassle”: 1. “Waltzing Mathilda” 2. ”Street Hassle” 3. Slipaway” (1978)17. ”I Wanna Be Black – Live” (1978)18. “Disco Mystic” (1979)19. “City Lights” (1979)

Episode 448... More new bangers from the BGP you can't deny. One from our upcoming release in April and a new one from our collaboration with the El Matador (Chico punk legend)! Also new stuff sent in by Columbia's Deshumanizer and Brazil's two-piece D-Beat ripper band Odiär!! A bunch of other new ones and some we've been dying to get to for a while. As promised, here's the elastic and tupperware jam video (fountanemusic) we mention at the end of the show. Enjoy!Listen to Episode 448: (scroll for set list)On ARCHIVE.On Apple or Google Podcasts, hit "play."On blogspot, play it below:Listen to The Brothers Grim Punkcast:ARCHIVE.Org - hear/download past episodesPUNK ROCK DEMONSTRATION - Wednesdays 7 p.m. PSTRIPPER RADIO - Fridays & Saturdays 7 p.m. PSTApple PodcastsGoogle PodcastsYouTube PodcastsContact Brothers Grim Punk:brothersgrimpunk@gmail.com - In a punk band? Send us your music! Want us to make you a punk song? Email us some lyrics!@Punkbot138 on Instagram@BrosGrimPunk on XMore Punk Music:Bandcamp - Follow us and download our albums: Brothers Grim Punk, Fight Music, and more!YouTube - tons of punk playlists, from Anarchy to Zombies!DesPunkAnizar...Less Than 1%    1:22  Brothers Grim Punk Unreleased 2024 Single SF For the Better 0:54 VVM Demo 2023 Mind Games 1:04 common enemy As the World Burns Drinking with WWF Superstars 2:21 El Matador and The BGP  Unreleased 2024 Single Goodbye California (bkgrd) 2:24 The Queers Grow Up Punk Columbia  Enemigxs 2:36 Deshumanizar  2024 Demo Death Drug Psychosis 1:02 Green Beret "Hardcore 2014" - West Coast Tour Tape FIGHT BACK 0:53 BALLISTIC AX DMU-001: BALLISTIC AX - BALLISTIC ACTS OF TERROR Out On The Street 1:26 LAUGHING BOY - Demo 2016 Keep In Step 1:13 WATCHDOG - Demo Authority Abuse 1:06 POLICY OF TRUTH - Demo I'd Rather Die Than Be In Your Cover Band 1:40 Shut The Fuck Up Enter the Blue Room Love Me, I'm A Liberal (bkgrd) 4:02 Jello Biafra & Mojo Nixon Pairie Home Invasion Brazil a la mierda nazi_fuck nazi  1:05  Odiär- Mortos não acabarão  BREAK OR BE BROKE 1:42 DMU-014: STREET HASSLE - WINTER 2024 PROMO Philly HEX 1:00 SHARE GOD's FAVORITE ep Toronto Barbed Wire Disease 2:28 BRAIN ITCH The Future Burns Phoenix WARSYSTEM (Shitlickers) 0:40 D-ABSENT coupla covers WA BOOK OF THE MACHINES 1:06 SPIRAL DEMISE DEMO So Cal one 1:11 FAST 6 fast ones Unite And Fight (To Smash the Right) (bkgrd) 5:07 S.I.N. PUNX It's What Unites Us vol 6 Austin TX PRICE OF PROGRESS 1:07 Scorched Earth Demo 2022 Austin SPEEDFUCKINGNOISEATTACK 7:42 EMPART SPEEDFUCKINGNOISEATTACK Austin Hooked Jaw 1:11 Impalers LP Belgium GG Is A Bootleg 0:59 Freddie & The Vangrails album #2 teaser... Belgium HATE SONG 1:02 Shredder DEMO Die World Die 1:51 Ill Content Cheap Ass Music Vol.1 Guana Batz - (bkgrd) Piledriver Boogie Losing Battle 0:44 Corrective Measure S/T 7" Quarantine Me 1:00 BLOCKHEAD - Demo COME CORRECT 1:19 ULTRAS ULTRAS DENY - The Harder You Fall 1:42 Sound of chaos records NO CLASS FOR HELL CRUST SOUND vol 3. Dögölj Meg! (Die!) 1:50 Lecsa - Punk Legális Pusztítás (Legal Destruction) Mexican Slum Rats (bkgrd)Germany No Gods,No Masters, No Leaders 1:38 Kläpträp Dipsomania for Conquest

Ceci est la troisième partie d'une quadrilogie d'épisodes consacrés à Lou Reed, il est donc fortement conseillé d'écouter les deux premières parties avant celle-ci ! Si vous suivez Graine de Violence depuis le premier épisode, alors vous m'avez déjà entendu prononcer son nom une paire de fois. Lou Reed a toujours été là, tapis dans l'ombre, il attendait son heure pour débarquer dans ce podcast qui lui doit beaucoup. Aurais-je écrit ne serait-ce qu'un seul mot si mes oreilles n'avaient jamais croisé le Velvet Underground ? Pas sûr. Tout comme ses ex-comparses du Velvet qui ont déjà ey droit à leur Graine de Violence - comme par hasard - Lou Reed a largement contribué à alimenter, pour le meilleur et pour le pire, une mythologie discutable. Si le rock était une religion polythéiste, alors Lou Reed serait Hadès, le dieu des Enfers. Les grands amoureux de l'œuvre du rockeur qui se voyait écrivain vous diront qu'il était un personnage compliqué, tandis que les autres décrèteront, sans détour, que c'était une ordure. Dans ce double épisode exceptionnel, je tente d'expliquer - à vous et à moi-même - ce qui me touche tant dans la musique de ce grand méchant du rock. Merci à Michel Tuttle pour le montage voix, et à Pomme et Lily pour la relecture ! Jetez vous sur leurs podcasts respectifs : Mauvais Travail, Choixpitre et Doctor What. Merci à Lily Luca pour sa belle polyphonie en début d'épisode (allez écouter sa musique https://open.spotify.com/intl-fr/artist/3GnPjvHsWsTkiS6OJNdrHB) Quelques références… Des bouquins : Lou Reed, A Life – Anthony DeCurtisPerfect Day, An Intimate Portrait of Life With Lou Reed – BettyeKronstadTransformer – Ezra FurmanWhite Light White Heat – Richie UnterbergerThe Velvet Underground – Jim DeRogatisLou Reed, les Années Noires (chapitre du livre The Dark Stuff) – Nick KentPlease Kill Me – Legs McNeil & Gillian McCainLes articles de Lester Bangs :Sourd-muet dans une cabine téléphonique : une parfaite journéeavec Lou Reed (1973)Monolithe ou monotone ? Metal Machine Music de Lou Reed (1975)Comment je me suis castagné avec Lou sans m'endormir une seule fois(1975)Comment devenir tortionnaire sans effort (1976)Le plus grand album jamais enregistré (1976) Des disques : Berlin (1973) *Rock'n'Roll Animal (1974) Sally Can't Dance (1974) Lou Reed Live (1975) Metal Machine Music (1975) ?????Coney Island Baby (1975) *Rock'n'Roll Heart (1976) Street Hassle (1978) *The Bells (1979) Growing Up In Public (1980) The Blue Mask (1982) **Legendary Heart (1983) *New Sensations (1984) Mistrial (1986) *

We're having fun here. You having fun? We sure hope so. Intro Music: Anthrax- Caught In A Mosh Submit music to demolistenpodcast@gmail.com. Become a patron at https://www.patreon.com/demolistenpodcast. Leave us a message at (260)222-8341 Queue: Knowso, The Nancies, Window Phase, Observer, Street Hassle, Degraved, Hard Pass, Orang Planet, Slab, Narrow/Arrow https://sorrystaterecords.bandcamp.com/album/pulsating-gore?t=3 https://thenancies.bandcamp.com/album/the-nancies-live https://windowphase.bandcamp.com/album/moss-rock-living-land https://observerfw.bandcamp.com/album/apotheosis-of-the-void https://designatedmoshersunit.bandcamp.com/album/dmu-014-street-hassle-winter-2024-promo https://ironlungrecords.bandcamp.com/album/lightless-domain-lungs-267 https://hardpassmalmo.bandcamp.com/album/hardcore-2024  

Ceci est la deuxième partie d'une trilogie d'épisodes consacrés à Lou Reed, il est donc fortement conseillé d'écouter la première partie avant celle-ci ! Si vous suivez Graine de Violence depuis le premier épisode, alors vous m'avez déjà entendu prononcer son nom une paire de fois. Lou Reed a toujours été là, tapis dans l'ombre, il attendait son heure pour débarquer dans ce podcast qui lui doit beaucoup. Aurais-je écrit ne serait-ce qu'un seul mot si mes oreilles n'avaient jamais croisé le Velvet Underground ? Pas sûr. Tout comme ses ex-comparses du Velvet qui ont déjà ey droit à leur Graine de Violence - comme par hasard - Lou Reed a largement contribué à alimenter, pour le meilleur et pour le pire, une mythologie discutable. Si le rock était une religion polythéiste, alors Lou Reed serait Hadès, le dieu des Enfers. Les grands amoureux de l'œuvre du rockeur qui se voyait écrivain vous diront qu'il était un personnage compliqué, tandis que les autres décrèteront, sans détour, que c'était une ordure. Dans ce double épisode exceptionnel, je tente d'expliquer - à vous et à moi-même - ce qui me touche tant dans la musique de ce grand méchant du rock. Merci à Michel Tuttle pour son studio et son excellente interprétation du journaliste malmené (allez écouter son podcast https://podcastaddict.com/podcast/mauvais-travail/3097211 ) Merci à Lily Luca pour sa belle polyphonie en début d'épisode (allez écouter sa musique https://open.spotify.com/intl-fr/artist/3GnPjvHsWsTkiS6OJNdrHB) Quelques références… Des bouquins : Lou Reed, A Life – Anthony DeCurtis Perfect Day, An Intimate Portrait of Life With Lou Reed – Bettye Kronstad Transformer – Ezra Furman White Light White Heat – Richie Unterberger The Velvet Underground – Jim DeRogatis Lou Reed, les Années Noires (chapitre du livre The Dark Stuff) – Nick Kent Please Kill Me – Legs McNeil & Gillian McCain Les articles de Lester Bangs : Sourd-muet dans une cabine téléphonique : une parfaite journée avec Lou Reed (1973) Monolithe ou monotone ? Metal Machine Music de Lou Reed (1975) Comment je me suis castagné avec Lou sans m'endormir une seule fois (1975) Comment devenir tortionnaire sans effort (1976) Le plus grand album jamais enregistré (1976) Des disques : Berlin (1973) ***** Rock'n'Roll Animal (1974) *** Sally Can't Dance (1974) *** Lou Reed Live (1975) *** Metal Machine Music (1975) ????? Coney Island Baby (1975) **** Rock'n'Roll Heart (1976) ** Street Hassle (1978) *****

Spéciale Lou Reed, prince des angoisses et de la nuit (Andy Warhol) à l'occasion des 10 ans de sa disparition et Clara Ysé dans la #SessionLive pour la sortie du 1er album Oceano Nox. Sophian Fanen évoque la carrière de Lou Reed, né le 2 mars 1942, à Brooklyn (New York) et mort le 27 octobre 2013 à East Hampton (Long Island, New York). L'auteur-compositeur-interprète américain  a commencé sa carrière avec le groupe The Velvet Underground, groupe résident de la Factory, un atelier d'artistes créé par Andy Warhol en 1964.Bio officielle UniversalInventeur du rock adulte des années 1970 avec The Velvet Underground, Lou Reed reste l'auteur d'une carrière en solo unique. Sorti de l'ombre avec l'album Transformer et le hit « Walk on the Wild Side » en 1972, le rocker new-yorkais s'attache au fil des albums à dessiner les contours d'un rock urbain. Après le majeur et déprimant Berlin (1973), le porte-parole des marginaux poursuit une carrière cahotique, alternant le meilleur (Rock'N'Roll Animal) et l'expérimental (Metal Machine Music). En 1989, sort l'ode définitive à sa ville (New York) et l'année suivante avec son ex-partenaire John Cale, l'ultime hommage à son mentor Andy Warhol (Songs for Drella). Par la suite, le mari de Laurie Anderson flirte avec les expérimentations au hasard de The Raven ou du projet Lulu, avec le groupe Metallica (2011). Sa disparition, quelques mois après une greffe du foie, le 27 octobre 2013, cause un grand émoi et laisse un vide immense.Titres Lou Reed- The Velvet Underground, Pale Blue Eyes, tiré de l'album The Velvet Underground (MGM Records, 1969) audio - Satellite of Love, tiré de l'album Transformer (RCA Victor, 1972) vidéo - Sad Song, tiré de l'album Berlin (RCA Victor, 1973) vidéo - Charley's Girl, tiré de l'album Coney Island Baby (RCA Victor, 1976)- Street Hassle, tiré de l'album Street Hassle (Arista, 1978) vidéo. Puis la #SessionLive reçoit Clara Ysé pour la sortie de son 1er album Oceano NoxClara Ysé. C'est, d'emblée, une voix. Une voix qui soulève le sable, traverse le feu, transperce la nuit, franchit en souveraine des continents de sentiments et transporte avec elle la douleur autant que ses remèdes. Elle est ce « joyau intact sous le désastre » de Mallarmé, pierre brute inamovible malgré le chaos, miraculeux talisman resplendissant sur des musiques elles aussi serties de beauté et de bravoure. Après un discret tour de piste en 2018 – six titres en français et en espagnol, dont le magnétique Le Monde s'est dédoublé – Clara Ysé s'avance enfin en pleine lumière, à pleine puissance, avec Oceano Nox, premier album à la grande audace, écrit et composé par elle, co-réalisé avec Ambroise Willaume (Sage), mixé par Renaud Letang et porté en battante avec des musiciens et un chœur au diapason.Depuis l'enfance, elle joue et chante, un violon entre les mains alors qu'elle savait à peine marcher, puis éduquée au chant à huit ans, avant de grandir en soprano et de tracer une route parallèle vers la chanson à ses études au Conservatoire et à son master de Philosophie. Parvenue à l'entrée de la trentaine, Clara Ysé possède ainsi derrière elle une longue traîne d'expériences et de sensations mêlées, de plaisirs sédentaires à mettre des poèmes en musique, mais aussi de voyages et de mariages artistiques qui imprègnent désormais son art incandescent et troublant. Frappée par un drame, il y a quelques années, c'est en Amazone qu'elle réapparait, au galop contre l'emprise du deuil, qu'elle sait chanter sans démonstration (Lettre à M) et dont elle s'effeuille du poids avec la légèreté d'une luciole (La maison). À ceux qui seraient frappés par sa douceur, elle répond, dans la chanson qui porte ce nom « Si tu savais la haine qui coule dans mes veines, tu aurais peur, si tu savais la chienne que je cache à l'intérieur… ».Passionnelle comme les aïeuls espagnols qui la précèdent, littéraire par atavisme (elle doit l'Ysé de son double prénom au Partage de Midi de Claudel), elle a publié un premier roman ardent, Mise à feu (Grasset, 2021), avant le grand embrasement de cet album qui démarre lui aussi tout feu tout flamme (Pyromanes). Longtemps, Clara Ysé a laissé la musique en liberté, sans la capturer dans un studio, chantant partout où elle le pouvait et organisant des fêtes qui terminaient invariablement en impros musicales, à l'aube. Les chœurs de Pyromanes ou de Souveraines viennent de là, voix de femmes et d'hommes qui l'accompagnent depuis toujours, et certains des musiciens – joueur de duduk, cuivres ivres ou violoncelle tisseur de songes - ont également vécu ces partages de minuit. Observer un père peintre, suivre la métamorphose de ses toiles qui partaient toujours du point le plus sombre pour mieux laisser jaillir la clarté, l'a inspirée une fois qu'elle s'est mise à composer ses chansons, cherchant à déployer musicalement cette même ascension chromatique. Elle a aussi beaucoup voyagé, emprunté au réalisme magique de la littérature mexicaine ou colombienne ses ensorcellements (Magicienne, Le désert) et ses envolées oniriques, qu'elle a su parfaitement retranscrire en musique (Cœur indompté). Ce premier album est d'abord celui d'une désirante, d'une « obsessionnelle de la réparation », dit-elle, qui a choisi comme plongée heureuse la lumière féroce des profondeurs, la vitalité des grandes traversées de nuit, l'étourdissement des émotions intenses, la vie aux lisières de la transe.Elle aime les novateurs, de Rosalia à Björk en passant par Kendrick Lamar, les chanteuses qui allient fragilité et force comme Lole Montoya, Janis Joplin, Mercedes Sosa, Nina Hagen, autant que la musique baroque et la liturgie extatique des chants grégoriens. Elle confronte sa voix à une modernité novatrice, guidée par son obsession de la recherche et son goût de la transgression, jouant autant avec ses producteurs à introduire des synthés aux textures irisantes, des rythmiques électroniques empruntant au reggaeton, qu'à s'approprier certains codes du Rébétiko grec qu'elle aime tant. Avec le feu, l'eau est son autre élément, celui de la tourmente comme de l'apaisement, et en empruntant à L'Enéide de Virgile, le titre de son album (« et ruit Oceano Nox », « et la nuit s'élance de l'océan »), déjà repris par Victor Hugo dans un poème dédié aux marins disparus, elle sait qu'hisser les voiles, comme elle chante dans l'accrocheur L'étoile, est aussi un geste d'amour fou, à en perdre l'équilibre et la raison. Vulnérable mais puissante, solide comme le granit et pourtant insaisissable, elle pénètre dans la chanson française avec l'éclat et la classe des grandes conquérantes. La suivre sera incontournable.Titres interprétés au grand studio- Douce Live RFI vidéos - Pyromanes, extrait de l'album Oceano Nox vidéo - Magicienne Live RFI vidéos.Line Up : Clara Ysé, guitare, voix, Ingrid Samitier, guitare.Son : Mathias Taylor, Benoît Letirant.► Album Oceano Nox (Tôt ou Tard 2023).

On this episode Greg and Josh are joined by Lukas Reed. Lukas has been playing in bands and booking shows in Syracuse for a number of years now. Some of the bands Lukas has been include The Thrill, All 4 All, and Street Hassle. Lukas talks about how he got into hardcore and punk partially through The Simpsons and skateboarding. We also discussed what a great idea it would be to get some hardcore bands to play Bills Mafia tailgating sessions. Finally, the main reason why we had Lukas on now was to talk about the killer show he has coming to Syracuse on New Year's Day. Continuing a rich tradition of NYD shows in Syracuse, Lukas has Another Victim, Death Threat, The Promise, Restraining Order, and several other bands tapped for this bill. You don't want to miss this one. --- Support this podcast: https://anchor.fm/enterprise-hardcore-podcast/support

The Jokermen are joined by the great Tom Scharpling to talk one of Lou's greatest records. Sha la la la, man. LISTEN TO THE BEST SHOW AND FOLLOW TOM ON TWITTER  NEW MERCH NOW AVAILABLE ON JOKERMEN.NET JOKERMEN x MOUNTAIN BREWS // LIVE @ GOLD-DIGGERS // 11/18 LISTEN TO JOKERMEN THEME-TYPE RADIO: I LOVE ROCK SONGS ON SPOTIFY AND APPLE MUSIC FOLLOW JOKERMEN ON TWITTER, INSTAGRAM, TIKTOK, AND YOUTUBE

In the month of December 1987 many games were released for the Commodore 64. In episode sixty-nine of Zapped to the Past, we look at some of those games, including the bouncy Buggy Boy, the slappy Street Hassle and the shonky Super Sprint and wonder just what made Lion-O's hair turn grey… Games covered in this episode: Buggy Boy Captain America Thundercats Indiana Jones and the Temple of Doom Yogi Bear Action Force Street Hassle Computer Scrabble Deluxe How to be a Complete Bastard Super Sprint Microball Shoot-em-up Construction Kit Find us here: https://zappedtothepast.com/ Please visit the website of David Hearne Writer - our amazing show sponsor: https://www.davidhearnewriter.com/ If you would like to help us out and join our Patreon, find it here: https://www.patreon.com/zappedtothepast Additional links mentioned in the Podcast: https://www.gamesthatwerent.com/gtw64/wolf/ http://www.gamebase64.com/game.php?id=7916&d=18&h=0 https://thundercats.fandom.com/wiki/ThunderCats_Wiki https://youtu.be/JAI30MC36hk?t=224 https://www.youtube.com/watch?v=dUn6uEKdfT4 https://www.youtube.com/watch?v=nA5y6iHb-Qg https://www.youtube.com/watch?v=5iXvTzEsoiI https://www.youtube.com/watch?v=hygqfTXwM0k https://www.youtube.com/watch?v=T9M_bqIB6EU https://www.youtube.com/watch?v=CiQx7XlsFLA https://www.youtube.com/watch?v=wgwWPGWCFoo https://www.youtube.com/watch?v=VtK2AlUQ0Jc http://www.seuck.retrogaming64.com/index.html http://www.seuck.retrogaming64.com/tips.html

This week the guys spend a good amount of time catching up. The signs this week include deep fakes, fake outrage, overreactions and yadda yadda hippo yawns. The international favorite “Dear Father Charles” finds the bottom of the barrel. Andrew “Dice” Cuomo calls into the show and attempts to defend himself from being revelated. Doug puts the state of California on notice for not avenging Lady Gaga's dogwalker. The boys then announce the name of their fake band as well as a release date for their first single.   Clarification: At one point in the show Doug describes the skylight in his bathroom before inviting a hypothetical guest to “...put em on the glass for God.” The skylight in question is on the second floor of the house and is in no way meant to be a lascivious remark. The skylight is nice. It lets in a lot of pretty light but we still find it a little absurd.     Email the show: DougandRobSUCKS@gmail.com   Music Credits:   “The End Is Nigh Show Theme” by Douglas AsSeenOnTv “Dear Father Charles” by Douglas AsSeenOnTv   “Celebration of Revelations” intro features part of “Street Hassle” by Lou Reed   “Ever Since The World Ended” by Mose Allison Managed by Maire's Dead Grandmother   Produced by D. Wortel for spillwaysound@gmail.com  

与HamonicDyne（和声力）主理人老郭的跨洋连线聊天。一个刚刚出现不久的品牌，两侧自带无限分型「曼荼罗」纹饰的头戴式大耳机。不管你喜不喜欢，它的产品从外观到定位，都有点和这个时期的业界格格不入。采访一个不会吹牛和画饼的厂商是个挺辛苦的差事，我得努力从老郭口中，把和声力和Zeus 的理念一点点拼合起来。在德国学习古典吉他，业余生活里听古典音乐，又玩碾核乐队的人，他如何勾勒自己心目中完美的产品，并把它在现实中一步步实现？好在，接近两个小时的聊天之后，我把格格不入的原因找到了。如果你喜欢我们的节目，欢迎留言、转发与分享它。另外可以在「爱发电」搜索「声波飞行员」，为我们打赏，增加它继续飞行下去的动力，谢谢。 [00:00:03] BGM#1. Spacemen 3 - Ode to Street Hassle[00:02:32] 节目开始，老郭与HamonicDyne（和声力）的自我介绍；缺席的嘉宾流氓才子；[00:04:20] 在芜湖与HamonicDyne Zeus 的初遇；Helios 和Zeus；从「老郭」到和声力，摆脱DIY 的过程；[00:07:04] 从发烧友到品牌设计师的过程；神秘的东莞黄哥；回溯「像自费出书一样」做耳机；[00:13:49] 聊聊Zeus 从声音到设计；大厂大厂；对Zeus 的自我评价；[00:18:48] 争议巨大的「曼荼罗」外观；为什么设计成这样；Renaissance 耳机；视觉是新品牌被人记住最直接的层面；企业规模与代工；[00:23:13] 为什么做「头戴式全尺寸耳机」；iBasso SR1/SR2 与Sivga「凰」；「一切的前提是喜欢」；[00:25:26] 个人发烧历程，11年的热爱与第一个DT860；一个关于「墙外香」的疑惑；「声音与外观没有太大关联」；Zeus 的「敏感」特质；[00:34:42] 平板耳机更适合中小规模厂商吗；为什么去做动圈单元；乌克兰（此处说错成俄罗斯了，乌克兰人民抱歉）的Verum 1 与芝加哥的ZMF；低端产品的声音跃进；成型喇叭与DIY 圈子的逻辑；做产品的门槛高吗；材料工艺的「坑」；方案整合商与现代制造业的分工逻辑；[00:42:38] Zeus 现在的销售状况；Verum 1 其实卖的很好；中外品牌的老话题；国内的销售与宣传；[00:47:05] BGM#2. Nick Drake - Harvest Breed[00:48:36] 对老郭最重要的一个耳机Beyer T1 一代；共享一下对T1 3rd 的失望；塑料亲肤层的自然老化；[00:55:10] 让Zeus 对标T1；玩摇滚的古典爱好者；古典吉他和《爱的罗曼史》前16小节；会一直生产下去的Zeus；近两年动圈耳机的技术进步；[01:01:33] 对70mm 系新品的画饼；希腊神话的命名思路；对标产品；动圈耳机会复兴吗；自信爆棚 vs 过于谦卑；作为副业的耳机设计；大厂的「底蕴」与中国制造的骄傲；[01:12:21] 响度战争时代器材是否要做「迎合型优化」；「回放好古典，其他一定都不会太差」；除了T1 的第二顺序所爱；[01:14:27] 能用现在的技术实现「古早味」的声音吗；「老爷车」会不会有市场；「做大蛋糕」与「Hi-Fi 平民化」；[01:18:52] 「平民化」「性价比」与消费主义的根本对立；跳水王Philips Fidelio 与他们的新品X3；还是会想起HiFiMan；[01:24:04] 在德国的近况；两地研发的不便；又说回too Renaissance 的外观；上海家具与地漏；[01:28:22] 结束语：HamonicDyne 意外的品牌定位；对抗反智主义的方式就是继续做事；[01:29:56] BGM#3. Kurt Rosenwinkel - East Coast Love Affair#飞行员：孟获#嘉宾：郭同学 @ HamonicDyne

与HamonicDyne（和声力）主理人老郭的跨洋连线聊天。一个刚刚出现不久的品牌，两侧自带无限分型「曼荼罗」纹饰的头戴式大耳机。不管你喜不喜欢，它的产品从外观到定位，都有点和这个时期的业界格格不入。采访一个不会吹牛和画饼的厂商是个挺辛苦的差事，我得努力从老郭口中，把和声力和Zeus 的理念一点点拼合起来。在德国学习古典吉他，业余生活里听古典音乐，又玩碾核乐队的人，他如何勾勒自己心目中完美的产品，并把它在现实中一步步实现？好在，接近两个小时的聊天之后，我把格格不入的原因找到了。HamonicDyne Zeus，点这里可以看看它到底长什么样：https://www.linsoul.com/products/harmonicdyne-zeus [00:00:03] BGM#1. Spacemen 3 - Ode to Street Hassle[00:02:32] 节目开始，老郭与HamonicDyne（和声力）的自我介绍；缺席的嘉宾流氓才子；[00:04:20] 在芜湖与HamonicDyne Zeus 的初遇；Helios 和Zeus；从「老郭」到和声力，摆脱DIY 的过程；[00:07:04] 从发烧友到品牌设计师的过程；神秘的东莞黄哥；回溯「像自费出书一样」做耳机；[00:13:49] 聊聊Zeus 从声音到设计；大厂大厂；对Zeus 的自我评价；[00:18:48] 争议巨大的「曼荼罗」外观；为什么设计成这样；Renaissance 耳机；视觉是新品牌被人记住最直接的层面；企业规模与代工；[00:23:13] 为什么做「头戴式全尺寸耳机」；iBasso SR1/SR2 与Sivga「凰」；「一切的前提是喜欢」；[00:25:26] 个人发烧历程，11年的热爱与第一个DT860；一个关于「墙外香」的疑惑；「声音与外观没有太大关联」；Zeus 的「敏感」特质；[00:34:42] 平板耳机更适合中小规模厂商吗；为什么去做动圈单元；乌克兰（此处说错成俄罗斯了，乌克兰人民抱歉）的Verum 1 与芝加哥的ZMF；低端产品的声音跃进；成型喇叭与DIY 圈子的逻辑；做产品的门槛高吗；材料工艺的「坑」；方案整合商与现代制造业的分工逻辑；[00:42:38] Zeus 现在的销售状况；Verum 1 其实卖的很好；中外品牌的老话题；国内的销售与宣传；[00:47:05] BGM#2. Nick Drake - Harvest Breed[00:48:36] 对老郭最重要的一个耳机Beyer T1 一代；共享一下对T1 3rd 的失望；塑料亲肤层的自然老化；[00:55:10] 让Zeus 对标T1；玩摇滚的古典爱好者；古典吉他和《爱的罗曼史》前16小节；会一直生产下去的Zeus；近两年动圈耳机的技术进步；[01:01:33] 对70mm 系新品的画饼；希腊神话的命名思路；对标产品；动圈耳机会复兴吗；自信爆棚 vs 过于谦卑；作为副业的耳机设计；大厂的「底蕴」与中国制造的骄傲；[01:12:21] 响度战争时代器材是否要做「迎合型优化」；「回放好古典，其他一定都不会太差」；除了T1 的第二顺序所爱；[01:14:27] 能用现在的技术实现「古早味」的声音吗；「老爷车」会不会有市场；「做大蛋糕」与「Hi-Fi 平民化」；[01:18:52] 「平民化」「性价比」与消费主义的根本对立；跳水王Philips Fidelio 与他们的新品X3；还是会想起HiFiMan；[01:24:04] 在德国的近况；两地研发的不便；又说回too Renaissance 的外观；上海家具与地漏；[01:28:22] 结束语：HamonicDyne 意外的品牌定位；对抗反智主义的方式就是继续做事；[01:29:56] BGM#3. Kurt Rosenwinkel - East Coast Love Affair#飞行员：孟获#嘉宾：郭同学 @ HamonicDyne

It's Tuesday So It Must Be The End Of The World!   The Effects Of Sunlight On Emotional Vampires:   This week we are joined by Marianne The Overseer who joins us for our Father Charles segment before talking to us about dating during Covid. We address the Gina Carano thing. Doug corrects mistakes from passed episodes and invents a repellent for emotional vampires. Rob calls Doug out for not participating in the agreed A Block segment. Also.....Rob revelates the U.S Roman Catholic Church. That totally happens.   Email the show: DougandRobSUCKS@gmail.com   Music Credits:   “The End Is Nigh Show Theme” by Douglas AsSeenOnTv “Dear Father Charles” by Douglas AsSeenOnTv “Celebration of Revelations” intro features part of “Street Hassle” by Lou Reed “Damn These Vampires” by Mountain Goats Managed by Maire's Dead Grandmother Produced by D. Wortel for spillwaysound@gmail.com

It's Tuesday So It Must Be The End Of The World!   THE NEW TESTAMENT BEGINS!   In this episode, the boys talk about Doug missing last week's show and subsequently their “25th Anniversary.” Doug fixes this by breaking the chronology of the show forever.   Things that come up: Some stellar “Father Charles” letters Anti Vax Protests Gina Corano Jewish Space Lazers and more!   Email the show: DougandRobSUCKS@gmail.com   Music Credits:   “The End Is Nigh Show Theme” by Douglas AsSeenOnTv “Dear Father Charles” by Douglas AsSeenOnTv “Celebration of Revelations” intro features part of “Street Hassle” by Lou Reed   “The Dawning Of A New Era” by The Specials   Managed by Maire's Dead Grandmother   Produced by D. Wortel for spillwaysound@gmail.com  

It's Tuesday So It Must Be The End Of The World! WE'RE BACK!   We talk about David Bowie a whole lot. I mean, he's mentioned enough to remark on it in the notes. We talk about the break. Bad Christmas gifts. Answer that do gooder's mail. We revelate the living shit out of some folks. Rob drops a surprise cooking segment. Doug was surprised. Hallpass from suffering was a goddamned no brainer. The important thing is, WE'RE BACK!   Email the show: DougandRobSUCKS@gmail.com   Music Credits:   “The End Is Nigh Show Theme” by Douglas AsSeenOnTv “Dear Father Charles” by Douglas AsSeenOnTv   The Hallpass From Suffering Intro features “As The World Falls Down” written by David Bowie performed on the harp by Adam B. Harris   “Celebration of Revelations” intro features part of “Street Hassle” by Lou Reed “Time” by David Bowie. Celestial Guardian Of The Universe   Managed by Maire's Dead Grandmother   Produced by D. Wortel for spillwaysound@gmail.com  

It's Tuesday So It Must Be The End Of The World!   In a break from format the boys end the year before the big holiday break without ending the world this week.   This Episode's Setlist   Rob is very high Disney Investor Day The Election that wouldn't die Flag people Bill Barr's pocket pussy Father Charles Letters The Streamys A Nihilist Survival Guide The Boys   Music Credits:   “The End Is Nigh Show Theme” by Douglas AsSeenOnTv “Dear Father Charles” by Douglas AsSeenOnTv The Hallpass From Suffering Intro features “As The World Falls Down” written by David Bowie performed on the harp by Adam B. Harris   “Celebration of Revelations” intro features part of “Street Hassle” by Lou Reed   “Father Christmas” by The Kinks “How Do I Live” by LeAnn Rimes Managed by Maire's Dead Grandmother   Produced by D. Wortel for spillwaysound@gmail.com

It's Tuesday So It Must Be The End Of The World!   “Just the hits tonight, kids!” in what will long be regarded as “the cursed episode” Doug and Rob talk about Doug's dog once again running away. Rob talks about his latest Reddit adventure – The Father Charles letters are frickin' bananas this week. Also, we “revelate” a whole lot of folks. I mean, a lot.   Check out Rebekeh Jones Go Fund Me page. Do it now!   Does anyone read the notes?   Why are you reading this?   Seriously, just listen to the episode. Trying to present a preconceived notion of what it is we do in a manner that comes off interesting at this hour is a big ask.   You're still reading?   Either hit play or water my ficus.     Music Credits:   “The End Is Nigh Show Theme” by Douglas AsSeenOnTv “Dear Father Charles” by Douglas AsSeenOnTv   The Hallpass From Suffering Intro features “As The World Falls Down” written by David Bowie performed on the harp by Adam B. Harris   “Celebration of Revelations” intro features part of “Street Hassle” by Lou Reed   “Thieves In The Temple” by Prince   Managed by Maire's Dead Grandmother   Produced by D. Wortel for spillwaysound@gmail.com  

It's Tuesday So It Must Be The End Of The World!   In this straight up banger of an episode – we address comments about The Mandolorian – Doug tells us what he thought of The Queen's Gambit – We find out how Hallmark Movies are made – Emily Murphy comes up – A country song happens – The boys revelate both Ricky Schroder and Madonna – and as always, Hallpasses From Suffering are issued to deserving souls   Music Credits:   “The End Is Nigh Show Theme” by Douglas AsSeenOnTv “Dear Father Charles” by Douglas AsSeenOnTv   The Hallpass From Suffering Intro features “As The World Falls Down” written by David Bowie performed on the harp by Adam B. Harris   “Celebration of Revelations” intro features part of “Street Hassle” by Lou Reed   “Gratitude” by Beastie Boys   Managed by Maire's Dead Grandmother   Produced by D. Wortel for spillwaysound@gmail.com  

It's Tuesday So It Must Be The End Of The World!   In this episode, the boys chat free style for a while before they remember they're doing a podcast – due to Douglas being quarantined from his family because of his recent bout with the flu. Here. I'll list things that get talked about before the show even starts:   TikTok influencers The Mandolorian Election Madness   Somewhere in the middle we talk about Michael Caine. I don't remember why.   Oh, yeah. Now I remember. Doug joins Black Sabbath. It's a whole thing.   There are some pretty golden Father Charles Letters. Young Rob rules.   We revelate the most evil man who walks the earth. That's not even a joke. Oh, and then we launch clowns out of a canon.   Some pretty great Hallpass From Suffering candidates get talked about as well. That part is sweet. Also, Britney Ballots forever! Then it's Rob's turn in the Coffee Cup Confessional.   Also, plans are made to release It's A Dildo Bandito Christmas!   Music Credits:   “The End Is Nigh Show Theme” by Douglas AsSeenOnTv “Dear Father Charles” by Douglas AsSeenOnTv   The Hallpass From Suffering Intro features “As The World Falls Down” written by David Bowie performed on the harp by Adam B. Harris   “Celebration of Revelations” intro features part of “Street Hassle” by Lou Reed   “National Acrobat” by Black Sabbath   Managed by Maire's Dead Grandmother Produced by D. Wortel for spillwaysound@gmail.com  

It's Tuesday So It Must Be The End Of The World!   In this episode, Doug calls the Trump War Room Voter Fraud Hotline – The boys also reflect on the moment the election was called – and begrudgingly acknowledge the ongoing culture war. We wish our flight captain of the nihilists, JAMES a happy birthday with a dumb reggae song – A Father Charles letter inspires another song that will make Fox News Deli a lot more fun to walk into – And the both Rob and Doug, in a vulgar display of power rapture this week's deserving.   Music Credits:   “The End Is Nigh Show Theme” by Douglas AsSeenOnTv “Dear Father Charles” by Douglas AsSeenOnTv   The Hallpass From Suffering Intro features “As The World Falls Down” written by David Bowie performed on the harp by Adam B. Harris   “Celebration of Revelations” intro features part of “Street Hassle” by Lou Reed   “In The City” by Joe Walsh   Managed by Maire's Dead Grandmother   Produced by D. Wortel for spillwaysound@gmail.com  

It's Tuesday So It Must Be The End Of The World!   The finale of our stupid Chaos Dimension Trilogy is here! Featuring Douglas' confession booth, a grand Father Charles Segment that includes some fun talk about the pope! Then Doug and Rob track down their doppelgangers who are doing a ham radio cast in 1980 and well....   Music Credits:   “The End Is Nigh Show Theme” by Douglas AsSeenOnTv “Dear Father Charles” by Douglas AsSeenOnTv   The Hallpass From Suffering Intro features “As The World Falls Down” written by David Bowie performed on the harp by Adam B. Harris   “Celebration of Revelations” intro features part of “Street Hassle” by Lou Reed   “This Year” by The Mountain Goats   Managed by Maire's Dead Grandmother   Produced by D. Wortel for spillwaysound@gmail.com  

It's Tuesday So It Must Be The End Of The World! James, this is Part Two of what will be remembered by all the James' as The Chaos Dimension Trilogy. Topics discussed are David Byrne, Rob's Super Spreader event, we give relationship advice, Doug talks about his encounter with Vanilla Isis, We revelate the shit out of some well deserving bastards and finally a plan is formed. Next week, the boys decide they must relocate their bizarro doppelgangers in order to save the universe – so it can be destroyed properly.   Music Credits:   “The End Is Nigh Show Theme” by Douglas AsSeenOnTv “Dear Father Charles” by Douglas AsSeenOnTv The Hallpass From Suffering Intro features “As The World Falls Down” written by David Bowie performed on the harp by Adam B. Harris “Celebration of Revelations” intro features part of “Street Hassle” by Lou Reed “I Am A Scientist” by Guided By Voices Managed by Maire's Dead Grandmother Produced by D. Wortel for spillwaysound@gmail.com  

It's Tuesday So It Must Be The End Of The World!   Part One of what will be remembered as The Chaos Dimension Trilogy includes a great Dennis Hopper story - Rob talks about his super spreader Covid gathering – Doug reveals how best to deal with family who are members of the Qanon cult – Rudy Giuliani gets revelated – The boys briefly talk about the single they will be putting out under the name Deficit Of Sound but never come back to the actual details because they're idiots – There is a special Happy Birthday song for their social media queen – We then discover that the CERN Center in Switzerland opened an alternate universe and now the boys have to figure out how to well, SAVE THE UNIVERSE.   Other stuff happens but it's late.   Music Credits:   “The End Is Nigh Show Theme” by Douglas AsSeenOnTv & The Mushroom Cloud Tabernacle Choir   “Dear Father Charles” by Douglas AsSeenOnTv   The Hallpass From Suffering Intro features “As The World Falls Down” written by David Bowie performed on the harp by Adam B. Harris   “Celebration of Revelations” intro features part of “Street Hassle” by Lou Reed   “Almost Had To Start A Fight” by Parquet Courts   Managed by Maire's Dead Grandmother   Produced by D. Wortel spillwaysound@gmail.com

It's Tuesday. So it must be the end of the world....   This week's episode is straight up bananas. All of your favorite segments are there but this masterpiece of podcasting stupidity also includes conversations about old hippies, preppers and their rocket stoves, ear hair, Christians who don't understand climate change, the meaning of love in relation to life's imperative, shape shifter erotica, an improvised song called “(I'm Going To Run Over Your Feet With) The Lawnmower Of Life, and much much more.   Check out Doug's appearance on Cinematic Adventures here:   https://www.podbean.com/ew/pb-kvwdg-edf99d   Music Credits:   “The End Is Nigh Show Theme” by Douglas AsSeenOnTv   “Dear Father Charles” by Douglas AsSeenOnTv   The Hallpass From Suffering Intro features “As The World Falls Down” written by David Bowie performed on the harp by Adam B. Harris   “Celebration of Revelations” intro features part of “Street Hassle” by Lou Reed   “Somebody Touched Me” by Tammy Faye  

“It's Tuesday, so it must be the end of the world.”   Before the episode gets underway, the boys take a few minutes to shake off the events of the past few days. Then the dogooder's mail gets raided after Rob talks about the terrible reality show he's watching. Oh, and Doug bores us with tell of his Criterion Channel subscription.   Someone asks Father Charles why Disney won't make a movie about Christ's return. Someone else asks father Charles what to do with a vanilla husband. Robbie Danger then revelates Gene Simmons from Kiss, which makes Doug so giddy that he drops his turn altogether. The potential of online doxxing parties is also discussed. I'm sure more things happen too but no one reads the show notes - so why write them?    Follow Nandini Jammi on Twitter:   https://twitter.com/nandoodles     Music Credits:     “The End Is Nigh Show Theme” by Douglas AsSeenOnTv    “Dear Father Charles” by Douglas AsSeenOnTv   The Hallpass From Suffering Intro features “As The World Falls Down” written by David Bowie performed on the harp by Adam B. Harris   “Celebration of Revelations” intro features part of “Street Hassle” by Lou Reed   “God Of Thunder” by Reggae Kiss   https://www.facebook.com/reggaekiss/

Dear James, WE ARE BACK! In this, our most blatantly blasphemous episode, Robbie Danger and Douglas AsSeenOnTv explore the world of slash fan fiction. How did we get on the subject? Well....you see....Father Charles got this letter and it um, well, you'll see. Doug takes a hard look at the file of a prominent Qanon agrit, while Robbie revelates the man who led the world to believe recycling is real. Other stuff happens too. But again, I'm too tired to type it out and no one reads the notes anyway.   Music Credits: “The End Is Nigh Show Theme” by Douglas AsSeenOnTv “Dear Father Charles” by Douglas AsSeenOnTv The Hallpass From Suffering Intro features “As The World Falls Down” written by David Bowie performed on the harp by Adam B. Harris “Celebration of Revelations” intro features part of “Street Hassle” by Lou Reed “Drop It Low (For Jesus)” by RWKSY/Sherman's Showcase The End Is Nigh Show is produced by D. Wortel – spillwaysound@gmail.com Managed by Maire's Dead Grandma Productions   More stuff   insta:   @theendisnighshow @spillwaysound      

The Earth It Moves Too Slow aka The Episode Before Vacation.     Right out of the gate, yes. We talk about Rittenhouse for a bit. But more importantly, we discuss the dangers of beaming the gospel into space. Robbie Danger thinks he has found the event horizon of our current time line. Douglas AsSeenOnTv brings up the Batboy, Dead Cher, Sasquatch and AntiFa connections. We talk about other stuff too. I can't be expected to remember everything.   This episode is dedicated to Mark Mothersbaugh.   Music Credits   “The End Is Nigh Show Theme” by Douglas AsSeenOnTv & The Mushroom Cloud Tabernacle Choir   “Dear Father Charles” by Douglas AsSeenOnTv   The Hallpass From Suffering Intro features “As The World Falls Down” written by David Bowie performed on the harp by Adam B. Harris   “Celebration of Revelations” intro features part of “Street Hassle” by Lou Reed   “Gates Of Steel” by Devo  

****NOTICE***** If you tried to download this episode earlier and there were blank spots, the audio has been repaired (we hope) This episode was recorded under duress. Douglas AsSeenOnTv had just recovered his dog (Louie AsSeenOnTv) who was missing for 24 hours, and Robbie Danger had just driven 3 hours back to Atlanta from Alabama. Still, as wonky as it is, the episode is still a banger.   This episode features Percival The Armpit Parasite, Qanon Jane, Mcprayer, and a secret flashback surprise at the end. I'm going to stop typing now, as this episode is already cursed and I would like to go to bed now.   Peace Be With Your Face!   Music Credits   “The End Is Nigh Show Theme” by Douglas AsSeenOnTv & The Mushroom Cloud Tabernacle Choir   “Dear Father Charles” by Douglas AsSeenOnTv   The Hallpass From Suffering Intro features “As The World Falls Down” written by David Bowie performed on the harp by Adam B. Harris   “Celebration of Revelations” intro features part of “Street Hassle” by Lou Reed  

In this navel gazing episode, Douglas AsSeenOnTv and Robbie Danger are joined and later REVELATED by their “producer” Marianne. There is a lot of talking about ghosts in this episode. Also, there is a lot of ball busting and self reflection. Hopefully, the boys will stop making these mistakes so episodes like this won't be necessary in the first place.   Answers to other faqs we didn't get to:   Yes. Father Charles is real. Doug blames quarantine for his awkward social skills and speech patterns. No. Robbie will not give out his online D&D info. References:   For more information on Rebekah Jones, follow her on Twitter, check out her Wiki page and if you are a Florida resident, visit http:///www.floridacovidaction.com   Music Credits:   “Tear Stained Letter” By Johnny Cash “Complaints” by Sparks   “The End Is Nigh Show Theme” by Douglas AsSeenOnTv & The Mushroom Cloud Tabernacle Choir   The Hallpass From Suffering Intro features “As The World Falls Down” written by David Bowie performed on the harp by Adam B. Harris   “Celebration of Revelations” intro features part of “Street Hassle” by Lou Reed

In this obnoxious episode, Robbie Danger comes in super stressed out. Douglas AsSeenOnTv shares his obsession with a Greek Mythology podcast called, “Let's Talk About Myth, Baby!” During our Raid The DoGooder's Mail segment, Cody from Akron Ohio asks why an agency hasn't already formed with the specific mission to find and kill “the son of the beast.” The boys then talk about the government's response to the global pandemic. Rebekah Jones gets a hero's shout out for being the first health official to refuse to soften the covid numbers in Florida. And the boys give their weekly Hallpass From Suffering to Russian Troll Hunter Lyudmila Savchuk. Other silly shit happens too.   Correction: When describing Florida's attempt to skew their covid data, Doug used the phrase "padded their numbers" He did not mean "padded" as in to inflate the numbers, but rather, to make Florida's confirmed positives and death rate seem lower than they really are.    Citations and Junk :   “Let's Talk About Myth, Baby!” podcast   https://www.mythsbaby.com/   You can read more about Lyudmila Savchuk   https://www.pri.org/stories/2019-03-13/trolls-are-winning-says-russian-troll-hunter   Learn about Rebekah Jones   https://en.wikipedia.org/wiki/Rebekah_Jones   Music Credits:   “The Letter” by PJ Harvey “Kinder Murder” by Elvis Costello and The Attractions   “The End Is Nigh Show Theme” by Douglas AsSeenOnTv & The Mushroom Cloud Tabernacle Choir   The Hallpass From Suffering Intro features “As The World Falls Down” written by David Bowie performed on the harp by Adam B. Harris   “Celebration of Revelations” intro features part of “Street Hassle” by Lou Reed

In this episode I talk about how inspirational music has been for me!

On this week’s repressed and secretive episode of Fanboys, the boys force some teenagers to pilot giant ukulele-playing mechs, rescue an emo girl from despair, and verbally abuse some closeted ska kids. If you want to hear them preach the good word of Springsteen and get sad with some post-apocalyptic post-punk, grab the full episode on The Hard Times’ Patreon! (https://patreon.com/thehardtimes) ALSO: are you in a shitty band? Want to hear the Fanboys try to say something nice about it? Submit your music to Edgar’s Twitter (https://twitter.com/EdgarTowner)! Be sure to check out this week’s featured artists: Katie Broken Down (https://soundcloud.com/katie-broken-down/girl-i-am-a-gundam-pilot-and), Bandasaurus (https://downinthewell.bandcamp.com/releases), Life in Discord (https://www.youtube.com/watch?v=SkY37YUKoN8&feature=youtu.be), Cliffdiver (https://open.spotify.com/album/1ihwvKEtMblAJLu3AFgZjW?highlight=spotify:track:5CMdTbdlCcwcXfkZZfI6hp), Street Hassle (https://streethasslepdx.bandcamp.com/releases), and Harness Flux (https://open.spotify.com/album/7nd5CB2kfDmWbntrUHlzbR?si=FPgVtWUlTWmkUoXdz9IU-w).

This is the last show of the year!!!! RockerMike and Rob year end review!!! Lou Reed street hassle!!!!! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Werewolves of London by Warren Zevon on Excitable Boy (Rhino/Elektra) 3′41″ Afe ato yen bio by De Frank Professionals on Afro beat airways (Analog africa) 8′08″ Sina Raha by Hafusa Abasi & Slim Ali with The Yahoos Band on Kenya Special (Soundway Records) 12′56″ Bar Konou Mousso by Amadaou Balake on Bambara mystic soul (Analog africa) 18′53″ Baltimore by Nina Simone on Baltimore (Sony Music Entertainment Inc.) 23′23″ Love Don't Live Here Anymore by Rose Royce on Rose Royce III: Strikes Again! (Warner Bros. ) 28′25″ Let's Straighten It Out by O.V. Wright on The Bottom Line (Hi Records) 31′53″ Miss you by The Rolling Stones on Some girls (Promotone) 36′34″ Take me to the river by Talking heads on More songs about buildings and food (Sire Records) 42′26″ Heartbeat by Wire on Chairs missing (State 51) 45′35″ Because the night by Patti Smith on Easter (Arista) 48′45″ Street Hassle by Lou Reed on Street Hassle (Arista Records) Check out the full archives on the website.

Frankie goes wild and goes deep into Lou Reed's initial solo career, celebrating and sharing his favorite tracks about one of his favorite artists- the rock n' roll animal himself, a man of controversy and creation, loved and hated. Ladies & Gentlemen- Mr. Lou Reed!!! 1.) I Can't Stand It (1972) 2.) Hanging 'Round (1972) 3.) Nowhere At All (1976) 4.) NY Stars (1974) 5.) Banging On MY Drum (1976) 6.) Looking For Love (1979) 7.) Ecstasy (2000) 8.) There Is No Time (1989) 9.) Kill Your Sons (1974) 10.) Leave Me Alone (1978) 11.) My Old Man (1980) 12.)(The) Heroine (1982) 13.) Street Hassle (1978) 14.) Turn To Me (1984) 15.) Rooftop Garden (1983) 16.) Standing On Ceremony (1980) 17.) Gimmie Some Good Times (1978) 18.) Last Great American Whale (1989) 19.) The Day John Kennedy Died (1982) 20.) New Sensations (1984)

Ken's Last Ever Radio Extravaganza - "Co-existentialism (holding your breadth)" [Old playlist: https://lastever.org/show/131106] Tim Roth, Eric Stoltz, Phoebe Cates - "People don't know what they want" - Bodies, Rest and Motion Amanda Nazario - "Please stay tuned now, I know you will love it" - Nazario Scenario on WFMU's GTDRadio 7/17/13 Amanda Nazario - "More on phone" - Nazario Scenario on WFMU's GTDRadio 11/6/13 W.G. Snuffy Walden - "My So-Called Life Theme" - My So-Called Life s.t. Amanda Nazario - "Buying a phone because of commercial" - Nazario Scenario on WFMU's GTDRadio 11/6/13 James Ford - "Not a lot of stations in the world (James Ford outro)" - WTJU Ken - "Here it comes" W.G. Snuffy Walden - "My So-Called Life Theme" - My So-Called Life s.t. [Loops] Ken's Last Ever Radio Extravaganza - "Give the Drummer Radio live stream" Russell Brand - "Newsnight" - Russell Brand on BBC Newsnight with Jeremy Paxman [Calling for revolution. Don't bother voting] Adrien Brody - "How are you to imagine anything if the images are always provided for you?" - Detachment Adrien Brody - "Fight against assimilating dullness in our thought processes" - Detachment Adrien Brody - "To deliberately believe in lies while knowing they're false" - Detachment Bright Eyes - "An Attempt to Tip the Scales (reversed)" - Fevers And Mirrors Bright Eyes - "An Attempt to Tip the Scales" - Fevers And Mirrors Bee Gees - "More Than a Woman" [Layers] Jim O'Rourke - "Women Of the World" Ken - "Backwards introductions. If you forgot your own number, would anyone remind you?" Ken's Last Ever Radio Extravaganza - "Beginnings come out of nowhere (Trust)" - Beginnings come out of nowhere: 8/21/13, show #468 [Samples & audio: https://lastever.org/show/130821] Phone call - "I'm on the road, I love this show, I love what you're doing. You're going in a good direction" W.G. Snuffy Walden - "My So-Called Life Theme" - My So-Called Life s.t. [Loops] Tim Roth - "What I want isn't out there, isn't in here" - Bodies, Rest and Motion Gary Jules - "Mad World" Mountain Goats - "New Monster Avenue" - Get Lonely Hal Hartley, Martin Donovan, Adrienne Shelly - "TV Deadens the Inner Core of my Being (excerpt)" - Trust Ken - "There are a lot of people I haven't remembered to call back" George Lucas - "Themes I've been fascinated with, a time in life when you have to leave, make transitional change, brave enough to go one step beyond, into something you're not experienced with" - American Graffiti documentary Charlie Kaufman - "Lecture" - Screenwriters Lecture Highlights Jeff Daniels, Molly Price - "There used to be more time, before I had to work" - Chasing Sleep [There's not enough time in the day (not as much as there used to be). Poetry just doesn't pay] Albert Brooks - "Television is everything to 10-year old, it's like heroin, I never wanted to watch, my parents made me, and Ii got hooked" - Defending Your Life Ken's Last Ever Radio Extravaganza - "Sense of Ongoing Everness" - Sense of Ongoing Everness: 10/30/13, show #481 [(when it gets dark we'll go home) With Lou Reed's Street Hassle. Samples & audio: https://lastever.org/show/131030] Lou Reed - "Perfect Day" - Transformer Ken - "Disharmonious. Think of things today that you want to say tomorrow" Alessio Rastani - "Trader on market crashing, dreams of another recession" - BBC, Dec. 2012 Al Lewis & phone caller - "At least the Mafia had class" - Grandpa vs. Monroe on WBAI [Thanks to Rico for tape] Ken's Last Ever Radio Extravaganza - "I Believe (our favorite children)" - I Believe (our favorite children): 9/18/13, show #473 [With True Romance. Samples & audio: https://lastever.org/show/130918] R.E.M. - "I Believe" - Lifes Rich Pageant Al Lewis - "Wake up, America" - Grandpa vs. Monroe on WBAI [Thanks to Rico for tape] Trevor Timm, Parker Higgins - "Pwn the Drones: A Survey of UAV Hacks and Exploits" - HOPE Number Nine, July 13-15, 2012 President George W. Bush - "President's Address to the Nation - September 13, 2007" Interview - "Bar bans Google glass video recording" Steve Bierfeldt - "TSA Interrogation" - Passenger detained by TSA for carrying cash Carter Thornton - "Raid on chicken farmer-Maricopa County, AZ notice reading" - Live from Castello Plan 6/25/12 [From Airborne Event w/Dan Bodah 6/25/12 WFMU] Russell Brand - "Profit is a filthy word" - Russell Brand on BBC Newsnight with Jeremy Paxman Phone call - "It's hard not to be an existentialist" Alan Watts - "Wisdom of the Mountains!" Ken - "What if that was the point" W.G. Snuffy Walden - "My So-Called Life Theme" - My So-Called Life s.t. [Loops] Adrien Brody - "How are you to imagine anything if the images are always provided for you?" - Detachment https://www.wfmu.org/playlists/shows/77185

In our second mini episode, we explore the titular track from Lou Reed’s 1978 “comeback” album. This is a song rich in narrative and evocative imagery, running over 11 minutes long and effectively capturing a moment in time in New York City from Reed’s unique perspective. It’s a ghost of a song, the effects of which can still be felt in the city of its setting, even though its events can no longer be experienced.  Here, we parse through the three parts of this song, discuss its historical context, make connections and comparisons to another ’70s New York rock odyssey, consider the impact of Lou Reed’s songwriting on future generations of musicians, and get a little sentimental about the New York of yore, even though we totally weren’t there.

p-, and np-, funk. Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Journey In Satchidananda by Alice Coltrane ft. Pharoah Sanders (-) 4′45″ Suite Equestria by Moondog on Elpmas (-) 14′26″ Moondog Monologue by Moondog (-) 24′00″ Street Hassle by Lou Reed on Street Hassle (-) 35′05″ New York is Killing Me by Gil Scott-Heron on I'm New Here (-) 42′27″ Space Song by Gil Scott-Heron on Live at The Town and Country Club, 1988 (-) 50′12″ Plastic Pattern People by Gil Scott-Heron on Small Talk at 125th and Lenox (-) 52′12″ Revolution Revised by Genaside II on Return of the Redline Evangelist (-) 56′00″ You Make Your Own Heaven and Hell by The Undisputed Truth (-) 58′39″ The Ghetto by Donny Hathaway (-) 66′00″ Whole Lotta Love by Ike and Tina Turner (-) 72′00″ Who Says a Funk Band Can't Play Rock by Funkadelic on One Nation Under a Groove (-) 79′15″ You and Your Folks, Me and My Folks by Funkadelic on Maggot Brain (Westbound) 83′11″ P-funk (Wants To Get Funked Up) by Parliament on Parliament (-) 91′19″ Supernatural Thing (pts 1 & 2) by Ben E King (-) 97′03″ Pony by Annette Peacock on I'm the One (-) 103′34″ Que Sera, Sera (Whatever Will Be, Will Be) by Sly and the Family Stone on The Best Of (-) 110′00″ La Vie En Rose by Grace Jones (-) 116′00″ Jazz (We got) by A Tribe Called Quest on The Low End Theory (-) Check out the full archives on the website.

p-, and np-, funk. Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Journey In Satchidananda by Alice Coltrane ft. Pharoah Sanders 4′45″ Suite Equestria by Moondog on Elpmas 14′26″ Moondog Monologue by Moondog 24′00″ Street Hassle by Lou Reed on Street Hassle 35′05″ New York is Killing Me by Gil Scott-Heron on I'm New Here 42′27″ Space Song by Gil Scott-Heron on Live at The Town and Country Club, 1988 50′12″ Plastic Pattern People by Gil Scott-Heron on Small Talk at 125th and Lenox 52′12″ Revolution Revised by Genaside II on Return of the Redline Evangelist 56′00″ You Make Your Own Heaven and Hell by The Undisputed Truth 58′39″ The Ghetto by Donny Hathaway 66′00″ Whole Lotta Love by Ike and Tina Turner 72′00″ Who Says a Funk Band Can't Play Rock by Funkadelic on One Nation Under a Groove 79′15″ You and Your Folks, Me and My Folks by Funkadelic on Maggot Brain (Westbound) 83′11″ P-funk (Wants To Get Funked Up) by Parliament on Parliament 91′19″ Supernatural Thing (pts 1 & 2) by Ben E King 97′03″ Pony by Annette Peacock on I'm the One 103′34″ Que Sera, Sera (Whatever Will Be, Will Be) by Sly and the Family Stone on The Best Of 110′00″ La Vie En Rose by Grace Jones 116′00″ Jazz (We got) by A Tribe Called Quest on The Low End Theory

In Episode 27: Street Hassle, the boys are joined by special guest Brian Schomburg of Fantasy Flight Games for part one of a two-part look at the Eighth Doctor, including (but not limited to) another surprise attack from the mind probe, a jovial discussion of the 1996 TV movie The Enemy Within, a plethora of suggestions for […]

In Episode 27: Street Hassle, the boys are joined by special guest Brian Schomburg of Fantasy Flight Games for part one of a two-part look at the Eighth Doctor, including (but not limited to) another surprise attack from the mind probe, a jovial discussion of the 1996 TV movie The Enemy Within, a plethora of suggestions for […]