Podcasts about My Old Man

Title: My Old Man Speaker: Sam Cassese Series: In Our Place Passage: Romans 6:1-11 I know it's a bit unorthodox, but this week I'm going to introduce Eastpoint Church to my old man! He's for sure an unusual guest, but he's really going to help us understand this weeks' passage in Romans 6. As a matter of fact, I would have a really hard time walking our church through this passage at all without telling you more about him and my somewhat complicated past with him. Learning about him is going to help you grasp this week's passage in a whole new way and hopefully lead you to experience the level of insight, freedom and victory God wants you to have in your life. In the mean time, please be praying for me and my relationship with My Old Man.

El especial de hoy, lunes 5 de agosto, bien se podría subtitular como "Macarrismo Ilustrado (Made in USA)". Aviso para navegantes: no apto para oídos sensibles"Right Side Of My Brain", "Gimme Sopor", "Inside My Brain", "Get Off The Air", "My Old Man´s A Fatso" y "Carson Girls", extraídas del primer álbum de los Angry Samoans, titulado "Inside My Brain" (Haizman Music, 1980)"Stupid Jerk", "Time To Fuck", "The Todd Killings" y "They Saved Hitler´s Cock", extraídas del E.P. "Queer Pills" (Homophobic 1981)"Born Toulouse-Lautrec", "We Give A Rat´s Ass", "Out Of My Mind", "Mr. Suit", "Let´s Dress Up The Naked Truth", "Runnin´ On Go" y "Lone Gone Sister", extraídas del primer álbum de los New Bomb Turks ("!!Destroy-Oh-Boy!!", Crypt Records 1992; reeditado por Crypt Records en el 2023)"Back Seat Of My Car", "Detention Girl", "Let´s Fuck", "Drug Store", "Gash Wagon", "Bitch", "Motherfucker", "Astroboy", "Fuck You Up and Get High", "Insect Whore", "Flesh Tantrum", "SFVD" y "What Hit You" son todas las canciones del primer álbum de los Dwarves para Sub Pop, con una duración total de unos 12 ó 13 minutos y titulado "Blood Guts & Pussy" (Sub Pop, 1990) Todas las músicas compuestas e interpretadas por Angry Samoans, New Bomb Turks Y Dwarves, respectivamenteEscuchar audio

More than 50 years ago, singer-songwriter Joni Mitchell released what became her signature album, Blue. The record is full of complex lyrics, gorgeous guitar and deeply personal themes. Hosts Jim DeRogatis and Greg Kot do a classic album dissection of Blue, sharing the context of the record, exploring its lasting impact and looking in depth at its impressive track list.Get Exclusive NordVPN deal here → https://nordvpn.com/soundops It's risk-free with Nord's 30-day money-back guarantee!--Become a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundopsJoin our Facebook Group: https://bit.ly/3sivr9T--Featured Songs:Joni Mitchell, "Carey," Blue, Reprise, 1971Joni Mitchell, "All I Want," Blue, Reprise, 1971Joni Mitchell, "Both Sides Now," Clouds, Reprise, 1969Joni Mitchell, "Big Yellow Taxi," Ladies of the Canyon, Reprise, 1970Joni Mitchell, "Cactus Tree," Song to a Seagull, Reprise, 1968Joni Mitchell, "Hejira," Hejira, Asylum, 1976Joni Mitchell, "Little Green," Blue, Reprise, 1971Joni Mitchell, "Nancy Whiskey," Joni Mitchell Archives – Vol.1: The Early Years, Rhino, 2020Joni Mitchell, "Day After Day (Demo)," Day After Day (Demo), unreleased, 1965Joni Mitchell, "Urge for Going," Urge for Going (Single), Asylum, 1972Joni Mitchell, "For Free," Ladies of the Canyon, Reprise, 1970Joni Mitchell, "A Case of You," Blue, Reprise, 1971Joni Mitchell, "Blue," Blue, Reprise, 1971Joni Mitchell, "This Flight Tonight," Blue, Reprise, 1971Joni Mitchell, "The Last Time I Saw Richard," Blue, Reprise, 1971Joni Mitchell, "California," Blue, Reprise, 1971Joni Mitchell, "My Old Man," Blue, Reprise, 1971Joni Mitchell, "River," Blue, Reprise, 1971Billie Eilish, "Lunch," Hit Me Hard And Soft, Darkroom, 2024See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Leif Whittaker, son of Jim Whittaker who was the first American to summit Mt. Everest, grew up on a sail boat with his family sailing the Pacific.  Initially not interested in climbing, that all changed at age 15 when he and his older brother hiked 20 miles into the wilderness without their parents and climbed Mt. Olympus. Since then, he has traveled across the globe and climbed some of the world's highest peaks, including Aconcagua, Mt. Vinson, Denali, and two ascents of Mt. Everest.Leif worked for more than a decade as a Climbing Ranger for the U. S. Forest Service on Mt. Baker protecting it's wilderness and engaging in emergency rescues. He is also a founding member and top coach for Evoke Endurance where he specializes in coaching mountaineers.   His book, My Old Man and the Mountain, was published by Mountaineers Books in 2016 and won several awards.Follow Leif at his website leifwhittaker.com/Hosted by Michael J. ReinhartMichaelJReinhart.comWhiskey and a Map.  Stories of Adventure and Exploration as told by those who lived them.  

WORKING FOR THE MONEY It's surprising how many different occupations have found their way into song. Lonnie Donegan's vaudevillian (some would say corny)  My Old Man's A Dustman was a huge international... LEARN MORE The post Working For The Money appeared first on Yesterday Once More.

“MY BIGGEST CRUSH”EPISODE #2 -: BLUE by Joni Mitchell (1971, Reprise)From the first ringing chords of the dulcimer, and that quavering, pain-wracked voice swooning, “I am on a lonely road, and I am traveling, traveling, traveling…” I was in love – madly, permanently enamored of Joni Mitchell. Everything about her – her unmatchable talent, her neurotic self-dramatizing, her doomed romanticism… turned me on. Not sexually. My love for Joni Mitchell was purely aesthetic, but it was undeniable and achingly real. And it set me on a self-destructive path, hooking up with a succession of difficult, complicated, brilliant women. Women I could never keep, women with whom I could never feel truly at home.I'm a sucker for talented women. Often though, such talent leaves very little oxygen to share in any room. Eventually I got wise, and after awhile my love life yielded a happier ending. But, oh, the ecstatic misery of doomed romance!Blue is counted as one of the greatest albums ever made. This is not an obscure choice, but my truth is my truth, and I must pay homage. Listening to songs like River (I wish I had a river I could skate away on…), A Case of You (I could drink a case of you…), California (Will you take me as I am, strung out on another man….?) conjure an emotional tidal surge with no boundaries, and I was pulled in by the heady undertow of yearning.Biographers will tell you that James Taylor, Graham Nash, and Cary Raditz (Carey, get out your cane…) are the inspirations for these songs, but 50 years on they hardly matter. What counts is that eternal voice, intimately confessing her regrets and desires to you, the listener. And then, it's just Joni and you, alone together, locked in an artistic embrace.“BLUE”- JONI MITCHELL – 1971 – Reprise Records 1) All I Want 2) My Old Man 3) Little Green 4) Carey 5) Blue 6) California 7) This Flight Tonight 8) River 9) A Case Of You 10) The Last Time I Saw Richard

Tonight we sit around the campfire with Retired LAPD Chief of Staff Robert "Bob" Green, I have always just called him "Dad". My Old Man is going to tell us about his 40 years of policing, and how the profession has changed over the years. Most importantly, he is going to tell us about law enforcement's relationship with the community and how it has both evolved and devolved. This will be a fun one, from fighting crime to murder, to community relations.

"For it's there that Iʼm happy, where I want to be. Sailing cross the ocean blue, my old man and me." ©2022 Damien Byrne / 5050songs Inc The post My Old Man and Me appeared first on 5050songs Music Publishing.

On this episode of Roger the Wild Child Show: Nashville, we are joined by musician, Wes Shipp and singer/songwriter, Noelle Tolland!WES SHIPPWes Shipp was born in Crystal River, Florida on August 3, 1992. Wes started his music career traveling the country and playing on various street corners.After struggling with drug addiction and being homeless for years, Wes decided that it was time to become serious about his music career.  Wes was able to get clean from drugs and push forward.In 2019, Wes was discovered outside of a Wal-Mart in Little Rock, Arkansas where he was recorded playing Riley Green's song, “I Wish Grandpas Never Died.” After the individual recorded the video, he proceeded to upload it to Facebook. Overnight the video went viral and received over 400K views. It was then that Wes was noticed by people within the music industry.Wes released his first song in May 2021 called “My Old Man.” Wes wrote this heartfelt song about his dad, who ironically had a heart attack 4 days after it was written, but is thankfully doing well today. The song quickly grabbed the attention of many of his fans and after realizing the impact the song had on people Wes said, “This is only the beginning.”NOELLE TOLANDNashville based singer-songwriter Noelle Toland wants to modernize and personalize old-school country music. While many assume the genre's audience is limited exclusively to the South, Toland, who hails from 2,000-person town North Plains, Oregon is proof that that simply isn't true. “We tailgated, horsed around on farms, and loved the heartbreak behind the stories we grew up listening to," reflects Toland, who identifies wholeheartedly with the genre. By returning to her roots and revisiting the music of her youth, Toland created the unique alchemy that is the 2021 EP “The Sun Will Rise.” The four-song EP, recorded at the famed RCA Studios in Nashville, Tennessee, and produced by the talented Chris Condon, is a blend of 90's country and seductive soul music. It captures the earthiness and electricity of classic country music with staple instruments like pedal steel and contributions from legends like guitarist Steve Cropper, founding member of the Stax Records house band and Booker T. and the M.G.'s. Toland is over the moon to have such inspirational collaborators, whom she grew up listening to, and is grateful for the opportunity to make this 90's country influenced record, which is a tribute to beloved artists like Trisha Yearwood and Faith Hill. “Hopefully this record, which I've long envisioned, inspires people to take chances, be bold, and place bets on themselves,” she explains, “because that is the only thing that has gotten me through the ups and downs.” At a time when the world is in a constant state of fear, Toland's ease when it comes to surfing the wave of life is exactly what others need to hear.*******Roger the Wild Child Show: Nashville is streamed live every Sunday night 8pm ET/ 5pm PT on Facebook, YouTube and Twitter. The show is rebroadcasted on 20+ different podcast platforms. Each week they talk with up-and-coming artists, legends of country music and other influencers to the Nashville scene. Roger is joined by co-hosts Elise Harper and Justin Love, who are both singer/songwriters. Wanna know what's the nitty gritty from music city? We got your Nashville Music News! Oh, and don't miss the craziness from Moonshine Shenanigans!Check out the video/audio podcasts and the rest of our linksLinkTree https://linktr.ee/wildchildradio

Des del "The Inner Light" dels Beatles, de la connexió directa entre George Harrison i el margalidà Joan Fornés, passant pel microcosmos hippie viscut a Formentera a finals dels seixanta, amb alguns dels seus baluards -Pink Floyd, King Crimson o Joni Mitchell- o pel "Bitches Brew" de Miles Davis, no menys revelador amb l'obra del psicodèlic deianenc Mati Klarwein, fins arribar als nostres dies, amb inspiracions illenques contemporànies com la de Cigarettes After Sex i l'eivissenc Can Mortera o el manacorí Toni Llull com a noms de cançó. Una petita col·lecció de títols internacionals d’inspiració illenca "The Inner Light", de The Beatles (1968) "Ibiza Bar", de Pink Floyd ("More", 1969) "Formentera Lady", de King Crimson ("Islands", 1971) "My Old Man", de Joni Mitchell ("Blue", 1971) "Bitches Brew", de Miles Davis ("Bitches Brew", 1970) "Cry", de Cigarettes After Sex ("Cry", 2019) "Can Mortera", de Pedro Vian ("Ibillorca, 2020) "Toni Llull", de Myoboku ("Vas Volant", 2021)

Zwei Regisseure befassen sich in ihren neuen Dokumentarfilmen mit einer der wichtigsten familiären Beziehung, die ein Mann haben kann: mit dem eigenen Vater. Beide Filme beleuchten aber weit mehr, unter anderem die familiären Beziehungen, die auf unterschiedliche Weise von den beiden Patriarchen geprägt wurden.

Episode one hundred and forty-two of A History of Rock Music in Five Hundred Songs looks at “God Only Knows" by the Beach Boys, and the creation of the Pet Sounds album. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on "Sunny" by Bobby Hebb. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Resources There is no Mixcloud this week, because there were too many Beach Boys songs in the episode. I used many resources for this episode, most of which will be used in future Beach Boys episodes too. It's difficult to enumerate everything here, because I have been an active member of the Beach Boys fan community for twenty-four years, and have at times just used my accumulated knowledge for this. But the resources I list here are ones I've checked for specific things. Stephen McParland has published many, many books on the California surf and hot-rod music scenes, including several on both the Beach Boys and Gary Usher.  His books can be found at https://payhip.com/CMusicBooks Andrew Doe's Bellagio 10452 site is an invaluable resource. Jon Stebbins' The Beach Boys FAQ is a good balance between accuracy and readability. And Philip Lambert's Inside the Music of Brian Wilson is an excellent, though sadly out of print, musicological analysis of Wilson's music from 1962 through 67. I have also referred to Brian Wilson's autobiography, I Am Brian Wilson, and to Mike Love's, Good Vibrations: My Life as a Beach Boy. For material specific to Pet Sounds I have used Kingsley Abbot's The Beach Boys' Pet Sounds: The Greatest Album of the Twentieth Century and Charles L Granata's I Just Wasn't Made For These Times: Brian Wilson and the Making of Pet Sounds.  I also used the 126-page book The Making of Pet Sounds by David Leaf, which came as part of the The Pet Sounds Sessions box set, which also included the many alternate versions of songs from the album used here. Sadly both that box set and the 2016 updated reissue of it appear currently to be out of print, but either is well worth obtaining for anyone who is interested in how great records are made. Of the versions of Pet Sounds that are still in print, this double-CD version is the one I'd recommend. It has the original mono mix of the album, the more recent stereo remix, the instrumental backing tracks, and live versions of several songs. As a good starting point for the Beach Boys' music in general, I would recommend this budget-priced three-CD set, which has a surprisingly good selection of their material on it. The YouTube drum tutorial I excerpted a few seconds of to show a shuffle beat is here. Transcript We're still in the run of episodes that deal with the LA pop music scene -- though next week we're going to move away from LA, while still dealing with a lot of the people who would play a part in that scene. But today we're hitting something that requires a bit of explanation. Most artists covered in this podcast get one or at the most two episodes. Some get slightly more -- the major artists who are present for many revolutions in music, or who have particularly important careers, like Fats Domino or the Supremes. And then there are a few very major artists who get a lot more. The Beatles, for example, are going to get eight in total, plus there will be episodes on some of their solo careers. Elvis has had six, and will get one more wrap-up episode. This is the third Beach Boys episode, and there are going to be three more after this, because the Beach Boys were one of the most important acts of the decade. But normally, I limit major acts to one episode per calendar year of their career. This means that they will average at most one episode every ten episodes, so while for example the episodes on "Mystery Train" and "Heartbreak Hotel" came close together, there was then a reasonable gap before another Elvis episode. This is not possible for the Beach Boys, because this episode and the next two Beach Boys ones all take place over an incredibly compressed timeline. In May 1966, they released an album that has consistently been voted the best album ever in polls of critics, and which is certainly one of the most influential even if one does not believe there is such a thing as a "best album ever". In October 1966 they released one of the most important singles ever -- a record that is again often considered the single best pop single of all time, and which again was massively influential. And then in July 1967 they released the single that was intended to be the lead-off single from their album Smile, an album that didn't get released until decades later, and which became a legend of rock music that was arguably more influential by *not* being released than most records that are released manage to be. And these are all very different stories, stories that need to be told separately. This means that episode one hundred and forty-two, episode one hundred and forty-six, and episode one hundred and fifty-three are all going to be about the Beach Boys. There will be one final later episode about them, too, but the next few months are going to be very dominated by them, so I apologise in advance for that if that's not something you're interested in. Though it also means that with luck some of these episodes will be closer to the shorter length of podcast I prefer rather than the ninety-minute mammoths we've had recently. Though I'm afraid this is another long one. When we left the Beach Boys, we'd just heard that Glen Campbell had temporarily replaced Brian Wilson on the road, after Wilson's mental health had finally been unable to take the strain of touring while also being the group's record producer, principal songwriter, and leader. To thank Campbell, who at this point was not at all well known in his own right, though he was a respected session guitarist and had released a few singles, Brian had co-written and produced "Guess I'm Dumb" for him, a track which prefigured the musical style that Wilson was going to use for the next year or so: [Excerpt: Glen Campbell, "Guess I'm Dumb"] It's worth looking at "Guess I'm Dumb" in a little detail, as it points the way forward to a lot of Wilson's songwriting over the next year. Firstly, of course, there are the lyrical themes of insecurity and of what might even be descriptions of mental illness in the first verse -- "the way I act don't seem like me, I'm not on top like I used to be". The lyrics are by Russ Titelman, but it's reasonable to assume that as with many of his collaborations, Brian brought in the initial idea. There's also a noticeable change in the melodic style compared to Wilson's earlier melodies. Up to this point, Wilson has mostly been writing what get called "horizontal" melody lines -- ones with very little movement, and small movements, often centred on a single note or two. There are exceptions of course, and plenty of them, but a typical Brian Wilson melody up to this point is the kind of thing where even I can hit the notes more or less OK -- [sings] "Well, she got her daddy's car and she cruised through the hamburger stand now". It's not quite a monotone, but it's within a tight range, and you don't have to move far from one note to another. But "Guess I'm Dumb" is incorporating the influence of Roy Orbison, and more obviously of Burt Bacharach, and it's *ludicrously* vertical, with gigantic leaps all over the place, in places that are not obvious. It requires the kind of precision that only a singer like Campbell can attain, to make it sound at all natural: [Excerpt: Glen Campbell, "Guess I'm Dumb"] Bacharach's influence is also noticeable in the way that the chord changes are very different from those that Wilson was using before. Up to this point, when Wilson wrote unusual chord changes, it was mostly patterns like "The Warmth of the Sun", which is wildly inventive, but mostly uses very simple triads and sevenths. Now he was starting to do things like the line "I guess I'm dumb but I don't care", which is sort of a tumbling set of inversions of the same chord that goes from a triad with the fifth in the bass, to a major sixth, to a minor eleventh, to a minor seventh. Part of the reason that Brian could start using these more complex voicings was that he was also moving away from using just the standard guitar/bass/drums lineup, sometimes with keyboards and saxophone, which had been used on almost every Beach Boys track to this point. Instead, as well as the influence of Bacharach, Wilson was also being influenced by Jack Nitzsche's arrangements for Phil Spector's records, and in particular by the way Nitzsche would double instruments, and have, say, a harpsichord and a piano play the same line, to create a timbre that was different from either individual instrument. But where Nitzsche and Spector used the technique along with a lot of reverb and overdubbing to create a wall of sound which was oppressive and overwhelming, and which obliterated the sounds of the individual instruments, Wilson used the same instrumentalists, the Wrecking Crew, to create something far more delicate: [Excerpt: Glen Campbell, "Guess I'm Dumb (instrumental and backing vocals)"] Campbell does such a good job on "Guess I'm Dumb" that one has to wonder what would  have happened if he'd remained with the Beach Boys. But Campbell had of course not been able to join the group permanently -- he had his own career to attend to, and that would soon take off in a big way, though he would keep playing on the Beach Boys' records for a while yet as a member of the Wrecking Crew. But Brian Wilson was still not well enough to tour. In fact, as he explained to the rest of the group, he never intended to tour again -- and he wouldn't be a regular live performer for another twelve years. At first the group were terrified -- they thought he was talking about quitting the group, or the group splitting up altogether. But Brian had a different plan. From that point on, there were two subtly different lineups of the group. In the studio, Brian would sing his parts as always, but the group would get a permanent replacement for him on tour -- someone who could replace him on stage. While the group was on tour, Brian would use the time to write songs and to record backing tracks. He'd already started using the Wrecking Crew to add a bit of additional musical colour to some of the group's records, but from this point on, he'd use them to record the whole track, maybe getting Carl to add a bit of guitar as well if he happened to be around, but otherwise just using the group to provide vocals. It's important to note that this *was* a big change. A lot of general music history sources will say things like "the Beach Boys never played on their own records", and this is taken as fact by people who haven't investigated further. In fact, the basic tracks for all their early hits were performed by the group themselves -- "Surfin'", "Surfin' Safari", "409", "Surfer Girl", "Little Deuce Coupe", "Don't Worry Baby" and many more were entirely performed by the Beach Boys, while others like "I Get Around" featured the group with a couple of additional musicians augmenting them. The idea that the group never played on their records comes entirely from their recordings from 1965 and 66, and even there often Carl would overdub a guitar part. And at this point, the Beach Boys were still playing on the majority of their recordings, even on sophisticated-sounding records like "She Knows Me Too Well", which is entirely a group performance other than Brian's friend, Russ Titelman, the co-writer of "Guess I'm Dumb", adding some percussion by hitting a microphone stand with a screwdriver: [Excerpt: The Beach Boys, "She Knows Me Too Well"] So the plan to replace the group's instrumental performances in the studio was actually a bigger change than it might seem. But an even bigger change was the live performances, which of course required the group bringing in a permanent live replacement for Brian. They'd already tried this once before, when he'd quit the road for a while and they'd brought Al Jardine back in, but David Marks quitting had forced him back on stage. Now they needed someone to take his place for good. They phoned up their friend Bruce Johnston to see if he knew anyone, and after suggesting a couple of names that didn't work out, he volunteered his own services, and as of this recording he's spent more than fifty years in the band (he quit for a few years in the mid-seventies, but came back). We've seen Johnston turn up several times already, most notably in the episode on "LSD-25", where he was one of the musicians on the track we looked at, but for those of you who don't remember those episodes, he was pretty much *everywhere* in California music in the late fifties and early sixties. He had been in a band at school with Phil Spector and Sandy Nelson, and another band with Jan and Dean, and he'd played on Nelson's "Teen Beat", produced by Art Laboe: [Excerpt: Sandy Nelson, "Teen Beat"] He'd been in the house band at those shows Laboe put on at El Monte stadium we talked about a couple of episodes back, he'd been a witness to John Dolphin's murder, he'd been a record producer for Bob Keane, where he'd written and produced songs for Ron Holden, the man who had introduced "Louie Louie" to Seattle: [Excerpt: Ron Holden, "Gee But I'm Lonesome"] He'd written "The Tender Touch" for Richard Berry's backing group The Pharaos, with Berry singing backing vocals on this one: [Excerpt: The Pharaos, "The Tender Touch"] He'd helped Bob Keane compile Ritchie Valens' first posthumous album, he'd played on "LSD-25" and "Moon Dawg" by the Gamblers: [Excerpt: The Gamblers, "Moon Dawg"] He'd arranged and produced the top ten hit “Those Oldies but Goodies (Remind Me of You)” for Little Caesar and the Romans: [Excerpt Little Caesar and the Romans, "Those Oldies but Goodies (Remind Me of You)"] Basically, wherever you looked in the LA music scene in the early sixties, there was Bruce Johnston somewhere in the background. But in particular, he was suitable for the Beach Boys because he had a lot of experience in making music that sounded more than a little like theirs. He'd made cheap surf records as the Bruce Johnston Surfing Band: [Excerpt: Bruce Johnston, "The Hamptons"] And with his long-time friend and creative partner Terry Melcher he had, as well as working on several Paul Revere and the Raiders records, also recorded hit Beach Boys soundalikes both as their own duo, Bruce and Terry: [Excerpt: Bruce and Terry, "Summer Means Fun"] and under the name of a real group that Melcher had signed, but who don't seem to have sung much on their own big hit, the Rip Chords: [Excerpt: The Rip Chords, "Hey Little Cobra"] Johnston fit in well with the band, though he wasn't a bass player before joining, and had to be taught the parts by Carl and Al. But he's probably the technically strongest musician in the band, and while he would later switch to playing keyboards on stage, he was quickly able to get up to speed on the bass well enough to play the parts that were needed. He also wasn't quite as strong a falsetto singer as Brian Wilson, as can be heard by listening to this live recording of the group singing "I Get Around" in 1966: [Excerpt: The Beach Boys, "I Get Around (live 1966)"] Johnston is actually an excellent singer -- and can still hit the high notes today. He sings the extremely high falsetto part on "Fun Fun Fun" at the end of every Beach Boys show. But his falsetto was thinner than Wilson's, and he also has a distinctive voice which can be picked out from the blend in a way that none of the other Beach Boys' voices could -- the Wilson brothers and Mike Love all have a strong family resemblance, and Al Jardine always sounded spookily close to them. This meant that increasingly, the band would rearrange the vocal parts on stage, with Carl or Al taking the part that Brian had taken in the studio. Which meant that if, say, Al sang Brian's high part, Carl would have to move up to sing the part that Al had been singing, and then Bruce would slot in singing the part Carl had sung in the studio. This is a bigger difference than it sounds, and it meant that there was now a need for someone to work out live arrangements that were different from the arrangements on the records -- someone had to reassign the vocal parts, and also work out how to play songs that had been performed by maybe eighteen session musicians playing French horns and accordions and vibraphones with a standard rock-band lineup without it sounding too different from the record. Carl Wilson, still only eighteen when Brian retired from the road, stepped into that role, and would become the de facto musical director of the Beach Boys on stage for most of the next thirty years, to the point that many of the group's contracts for live performances at this point specified that the promoter was getting "Carl Wilson and four other musicians". This was a major change to the group's dynamics. Up to this point, they had been a group with a leader -- Brian -- and a frontman -- Mike, and three other members. Now they were a more democratic group on stage, and more of a dictatorship in the studio. This was, as you can imagine, not a stable situation, and was one that would not last long. But at first, this plan seemed to go very, very well. The first album to come out of this new hybrid way of working, The Beach Boys Today!, was started before Brian retired from touring, and some of the songs on it were still mostly or solely performed by the group, but as we heard with "She Knows Me Too Well" earlier, the music was still more sophisticated than on previous records, and this can be heard on songs like "When I Grow Up to Be a Man", where the only session musician is the harmonica player, with everything else played by the group: [Excerpt: The Beach Boys, "When I Grow Up to Be a Man"] But the newer sophistication really shows up on songs like "Kiss Me Baby", where most of the instrumentation is provided by the Wrecking Crew -- though Carl and Brian both play on the track -- and so there are saxophones, vibraphones, French horn, cor anglais, and multiple layers of twelve-string guitar: [Excerpt: The Beach Boys, "Kiss Me Baby"] Today had several hit singles on it -- "Dance, Dance, Dance", "When I Grow Up to be a Man", and their cover version of Bobby Freeman's "Do You Wanna Dance?" all charted -- but the big hit song on the album actually didn't become a hit in that version. "Help Me Ronda" was a piece of album filler with a harmonica part played by Billy Lee Riley, and was one of Al Jardine's first lead vocals on a Beach Boys record -- he'd only previously sung lead on the song "Christmas Day" on their Christmas album: [Excerpt: The Beach Boys, "Help Me Ronda"] While the song was only intended as album filler, other people saw the commercial potential in the song. Bruce Johnston was at this time still signed to Columbia records as an artist, and wasn't yet singing on Beach Boys records, and he recorded a version of the song with Terry Melcher as a potential single: [Excerpt: Bruce and Terry, "Help Me Rhonda"] But on seeing the reaction to the song, Brian decided to rerecord it as a single. Unfortunately, Murry Wilson turned up to the session. Murry had been fired as the group's manager by his sons the previous year, though he still owned the publishing company that published their songs. In the meantime, he'd decided to show his family who the real talent behind the group was by taking on another group of teenagers and managing and producing them. The Sunrays had a couple of minor hits, like "I Live for the Sun": [Excerpt: The Sunrays, "I Live for the Sun"] But nothing made the US top forty, and by this point it was clear, though not in the way that Murry hoped, who the real talent behind the group *actually* was. But he turned up to the recording session, with his wife in tow, and started trying to produce it: [Excerpt: Beach Boys and Murry Wilson "Help Me Rhonda" sessions] It ended up with Brian physically trying to move his drunk father away from the control panel in the studio, and having a heartbreaking conversation with him, where the twenty-two-year-old who is recovering from a nervous breakdown only a few months earlier sounds calmer, healthier, and more mature than his forty-seven-year-old father: [Excerpt: Beach Boys and Murry Wilson, "Help Me Rhonda" sessions] Knowing that this was the family dynamic helps make the comedy filler track on the next album, "I'm Bugged at My Old Man", seem rather less of a joke than it otherwise would: [Excerpt: The Beach Boys, "I'm Bugged at My Old Man"] But with Murry out of the way, the group did eventually complete recording "Help Me Rhonda" (and for those of you reading this as a blog post rather than listening to the podcast, yes they did spell it two different ways for the two different versions), and it became the group's second number one hit: [Excerpt: The Beach Boys, "Help Me, Rhonda"] As well as Murry Wilson, though, another figure was in the control room then -- Loren Daro (who at the time went by his birth surname, but I'm going to refer to him throughout by the name he chose).  You can hear, on the recording, Brian Wilson asking Daro if he could "turn him on" -- slang that was at that point not widespread enough for Wilson's parents to understand the meaning. Daro was an agent working for the William Morris Agency, and he was part of a circle of young, hip, people who were taking drugs, investigating mysticism, and exploring new spiritual ideas. His circle included the Byrds -- Daro, like Roger McGuinn, later became a follower of Subud and changed his name as a result -- as well as people like the songwriter and keyboard player Van Dyke Parks, who will become a big part of this story in subsequent episodes, and Stephen Stills, who will also be turning up again. Daro had introduced Brian to cannabis, in 1964, and in early 1965 he gave Brian acid for the first time -- one hundred and twenty-five micrograms of pure Owsley LSD-25. Now, we're going to be looking at acid culture quite a lot in the next few months, as we get through 1966 and 1967, and I'll have a lot more to say about it, but what I will say is that even the biggest proponents of psychedelic drug use tend not to suggest that it is a good idea to give large doses of LSD in an uncontrolled setting to young men recovering from a nervous breakdown. Daro later described Wilson's experience as "ego death" -- a topic we will come to in a future episode, and not considered entirely negative -- and "a beautiful thing". But he has also talked about how Wilson was so terrified by his hallucinations that he ran into the bedroom, locked the door, and hid his head under a pillow for two hours, which doesn't sound so beautiful to me. Apparently after those two hours, he came out of the bedroom, said "Well, that's enough of that", and was back to normal. After that first trip, Wilson wrote a piece of music inspired by his psychedelic experience. A piece which starts like this, with an orchestral introduction very different from anything else the group had released as a single: [Excerpt: The Beach Boys, "California Girls"] Of course, when Mike Love added the lyrics to the song, it became about far more earthly and sensual concerns: [Excerpt: The Beach Boys, "California Girls"] But leaving the lyrics aside for a second, it's interesting to look at "California Girls" musically to see what Wilson's idea of psychedelic music -- by which I mean specifically music inspired by the use of psychedelic drugs, since at this point there was no codified genre known as psychedelic music or psychedelia -- actually was. So, first, Wilson has said repeatedly that the song was specifically inspired by "Jesu, Joy of Man's Desiring" by Bach: [Excerpt: Bach, "Jesu, Joy of Man's Desiring"] And it's odd, because I see no real structural or musical resemblance between the two pieces that I can put my finger on, but at the same time I can totally see what he means. Normally at this point I'd say "this change here in this song relates to this change there in that song", but there's not much of that kind of thing here -- but I still. as soon as I read Wilson saying that for the first time, more than twenty years ago, thought "OK, that makes sense". There are a few similarities, though. Bach's piece is based around triplets, and they made Wilson think of a shuffle beat. If you remember *way* back in the second episode of the podcast, I talked about how one of the standard shuffle beats is to play triplets in four-four time. I'm going to excerpt a bit of recording from a YouTube drum tutorial (which I'll link in the liner notes) showing that kind of shuffle: [Excerpt: "3 Sweet Triplet Fills For Halftime Shuffles & Swung Grooves- Drum Lesson" , from https://www.youtube.com/watch?v=2CwlSaQZLkY ] Now, while Bach's piece is in waltz time, I hope you can hear how the DA-da-da DA-da-da in Bach's piece may have made Wilson think of that kind of shuffle rhythm. Bach's piece also has a lot of emphasis of the first, fifth, and sixth notes of the scale -- which is fairly common, and not something particularly distinctive about the piece -- and those are the notes that make up the bass riff that Wilson introduces early in the song: [Excerpt: The Beach Boys, "California Girls (track)"] That bass riff, of course, is a famous one. Those of you who were listening to the very earliest episodes of the podcast might remember it from the intros to many, many, Ink Spots records: [Excerpt: The Ink Spots, "We Three (My Echo, My Shadow, and Me)"] But the association of that bassline to most people's ears would be Western music, particularly the kind of music that was in Western films in the thirties and forties. You hear something similar in "The Trail of the Lonesome Pine", as performed by Laurel and Hardy in their 1937 film Way Out West: [Excerpt: Laurel and Hardy, "The Trail of the Lonesome Pine"] But it's most associated with the song "Tumbling Tumbleweeds", first recorded in 1934 by the Western group Sons of the Pioneers, but more famous in their 1946 rerecording, made after the Ink Spots' success, where the part becomes more prominent: [Excerpt: The Sons of the Pioneers, "Tumbling Tumbleweeds"] That song was a standard of the Western genre, and by 1965 had been covered by everyone from Gene Autry to the Supremes, Bob Wills to Johnnie Ray, and it would also end up covered by several musicians in the LA pop music scene over the next few years, including Michael Nesmith and Curt Boettcher, both people part of the same general scene as the Beach Boys. The other notable thing about "California Girls" is that it's one of the first times that Wilson was able to use multi-tracking to its full effect. The vocal parts were recorded on an eight-track machine, meaning that Wilson could triple-track both Mike Love's lead vocal and the group's backing vocals. With Johnston now in the group -- "California Girls" was his first recording session with them -- that meant that on the record there were eighteen voices singing, leading to some truly staggering harmonies: [Excerpt: The Beach Boys, "California Girls (Stack-O-Vocals)"] So, that's what the psychedelic experience meant to Brian Wilson, at least -- Bach, orchestral influences, using the recording studio to create thicker vocal harmony parts, and the old West. Keep that in the back of your mind for the present, but it'll be something to remember in eleven episodes' time. "California Girls" was, of course, another massive hit, reaching number three on the charts. And while some Beach Boys fans see the album it was included on, Summer Days... And Summer Nights!, as something of a step backward from the sophistication of Today!, this is a relative thing. It's very much of a part with the music on the earlier album, and has many wonderful moments, with songs like "Let Him Run Wild" among the group's very best. But it was their next studio album that would cement the group's artistic reputation, and which would regularly be acclaimed by polls of critics as the greatest album of all time -- a somewhat meaningless claim; even more than there is no "first" anything in music, there's no "best" anything. The impulse to make what became Pet Sounds came, as Wilson has always told the story, from hearing the Beatles album Rubber Soul. Now, we've not yet covered Rubber Soul -- we're going to look at that, and at the album that came after it, in three episodes' time -- but it is often regarded as a major artistic leap forward for the Beatles. The record Wilson heard, though, wasn't the same record that most people nowadays think of when they think of Rubber Soul. Since the mid-eighties, the CD versions of the Beatles albums have (with one exception, Magical Mystery Tour) followed the tracklistings of the original British albums, as the Beatles and George Martin intended. But in the sixties, Capitol Records were eager to make as much money out of the Beatles as they could. The Beatles' albums generally had fourteen songs on, and often didn't include their singles. Capitol thought that ten or twelve songs per album was plenty, and didn't have any aversion to putting singles on albums. They took the three British albums Help!, Rubber Soul, and Revolver, plus the non-album "Day Tripper"/"We Can Work It Out" single and Ken Thorne's orchestral score for the Help! film, and turned that into four American albums -- Help!, Rubber Soul, Yesterday and Today, and Revolver. In the case of Rubber Soul, that meant that they removed four tracks from the British album -- "Drive My Car", "Nowhere Man", "What Goes On" and "If I Needed Someone" -- and added two songs from the British version of Help!, "I've Just Seen a Face" and "It's Only Love". Now, I've seen some people claim that this made the American Rubber Soul more of a folk-rock album -- I may even have said that myself in the past -- but that's not really true. Indeed, "Nowhere Man" and "If I Needed Someone" are two of the Beatles' most overtly folk-rock tracks, and both clearly show the influence of the Byrds. But what it did do was remove several of the more electric songs from the album, and replace them with acoustic ones: [Excerpt: The Beatles, "I've Just Seen a Face"] This, completely inadvertently, gave the American Rubber Soul lineup a greater sense of cohesion than the British one. Wilson later said "I listened to Rubber Soul, and I said, 'How could they possibly make an album where the songs all sound like they come from the same place?'" At other times he's described his shock at hearing "a whole album of only good songs" and similar phrases. Because up to this point, Wilson had always included filler tracks on albums, as pretty much everyone did in the early sixties. In the American pop music market, up to the mid sixties, albums were compilations of singles plus whatever random tracks happened to be lying around. And so for example in late 1963 the Beach Boys had released two albums less than a month apart -- Surfer Girl and Little Deuce Coupe. Given that Brian Wilson wrote or co-wrote all the group's original material, it wasn't all that surprising that Little Deuce Coupe had to include four songs that had been released on previous albums, including two that were on Surfer Girl from the previous month. It was the only way the group could keep up with the demand for new product from a company that had no concept of popular music as art. Other Beach Boys albums had included padding such as generic surf instrumentals, comedy sketches like "Cassius" Love vs. "Sonny" Wilson, and in the case of The Beach Boys Today!, a track titled "Bull Session With the Big Daddy", consisting of two minutes of random chatter with the photographer Earl Leaf while they all ate burgers: [Excerpt: The Beach Boys and Earl Leaf, "Bull Session With the Big Daddy"] This is not to attack the Beach Boys. This was a simple response to the commercial pressures of the marketplace. Between October 1962 and November 1965, they released eleven albums. That's about an album every three months, as well as a few non-album singles. And on top of that Brian had also been writing songs during that time for Jan & Dean, the Honeys, the Survivors and others, and had collaborated with Gary Usher and Roger Christian on songs for Muscle Beach Party, one of American International Pictures' series of Beach Party films. It's unsurprising that not everything produced on this industrial scale was a masterpiece. Indeed, the album the Beach Boys released directly before Pet Sounds could be argued to be an entire filler album. Many biographies say that Beach Boys Party! was recorded to buy Brian time to make Pet Sounds, but the timelines don't really match up on closer investigation. Beach Boys Party! was released in November 1965, before Brian ever heard Rubber Soul, which came out later, and before he started writing the material that became Pet Sounds. Beach Boys Party! was a solution to a simple problem -- the group were meant to deliver three albums that year, and they didn't have three albums worth of material. Some shows had been recorded for a possible live album, but they'd released a live album in 1964 and hadn't really changed their setlist very much in the interim. So instead, they made a live-in-the-studio album, with the conceit that it was recorded at a party the group were holding. Rather than the lush Wrecking Crew instrumentation they'd been using in recent months, everything was played on acoustic guitars, plus some bongos provided by Wrecking Crew drummer Hal Blaine and some harmonica from Billy Hinsche of the boy band Dino, Desi, and Billy, whose sister Carl Wilson was shortly to marry. The album included jokes and false starts, and was overlaid with crowd noise, to give the impression that you were listening to an actual party where a few people were sitting round with guitars and having fun. The album consisted of songs that the group liked and could play without rehearsal -- novelty hits from a few years earlier like "Alley Oop" and "Hully Gully", a few Beatles songs, and old favourites like the Everly Brothers hit "Devoted to You" -- in a rather lovely version with two-part harmony by Mike and Brian, which sounds much better in a remixed version released later without the party-noise overdubs: [Excerpt: The Beach Boys, "Devoted to You (remix)"] But the song that defined the album, which became a massive hit, and which became an albatross around the band's neck about which some of them would complain for a long time to come, didn't even have one of the Beach Boys singing lead. As we discussed back in the episode on "Surf City", by this point Jan and Dean were recording their album "Folk 'n' Roll", their attempt at jumping on the folk-rock bandwagon, which included the truly awful "The Universal Coward", a right-wing answer song  to "The Universal Soldier" released as a Jan Berry solo single: [Excerpt: Jan Berry, "The Universal Coward"] Dean Torrence was by this point getting sick of working with Berry, and was also deeply unimpressed with the album they were making, so he popped out of the studio for a while to go and visit his friends in the Beach Boys, who were recording nearby. He came in during the Party sessions, and everyone was suggesting songs to perform, and asked Dean to suggest something. He remembered an old doo-wop song that Jan and Dean had recorded a cover version of, and suggested that. The group had Dean sing lead, and ran through a sloppy version of it, where none of them could remember the words properly: [Excerpt: The Beach Boys, "Barbara Ann"] And rather incredibly, that became one of the biggest hits the group ever had, making number two on the Billboard chart (and number one on other industry charts like Cashbox), number three in the UK, and becoming a song that the group had to perform at almost every live show they ever did, together or separately, for at least the next fifty-seven years. But meanwhile, Brian had been working on other material. He had not yet had his idea for an album made up entirely of good songs, but he had been experimenting in the studio. He'd worked on a handful of tracks which had pointed in new directions. One was a single, "The Little Girl I Once Knew": [Excerpt: The Beach Boys, "The Little Girl I Once Knew"] John Lennon gave that record a very favourable review, saying "This is the greatest! Turn it up, turn it right up. It's GOT to be a hit. It's the greatest record I've heard for weeks. It's fantastic." But the record only made number twenty -- a perfectly respectable chart placing, but nowhere near as good as the group's recent run of hits -- in part because its stop-start nature meant that the record had "dead air" -- moments of silence -- which made DJs avoid playing it, because they believed that dead air, even only a second of it here and there, would make people tune to another station. Another track that Brian had been working on was an old folk song suggested by Alan Jardine. Jardine had always been something of a folkie, of the Kingston Trio variety, and he had suggested that the group might record the old song "The Wreck of the John B", which the Kingston Trio had recorded. The Trio's version in turn had been inspired by the Weavers' version of the song from 1950: [Excerpt: The Weavers, "The Wreck of the John B"] Brian had at first not been impressed, but Jardine had fiddled with the chord sequence slightly, adding in a minor chord to make the song slightly more interesting, and Brian had agreed to record the track, though he left the instrumental without vocals for several months: [Excerpt: The Beach Boys, "Sloop John B (instrumental)"] The track was eventually finished and released as a single, and unlike "The Little Girl I Once Knew" it was a big enough hit that it was included on the next album, though several people have said it doesn't fit. Lyrically, it definitely doesn't, but musically, it's very much of a piece with the other songs on what became Pet Sounds: [Excerpt: The Beach Boys, "Sloop John B"] But while Wilson was able to create music by himself, he wasn't confident about his ability as a lyricist. Now, he's not a bad lyricist by any means -- he's written several extremely good lyrics by himself -- but Brian Wilson is not a particularly articulate or verbal person, and he wanted someone who could write lyrics as crafted as his music, but which would express the ideas he was trying to convey. He didn't think he could do it himself, and for whatever reason he didn't want to work with Mike Love, who had co-written the majority of his recent songs, or with any of his other collaborators. He did write one song with Terry Sachen, the Beach Boys' road manager at the time, which dealt obliquely with those acid-induced concepts of "ego death": [Excerpt: The Beach Boys, "Hang on to Your Ego"] But while the group recorded that song, Mike Love objected vociferously to the lyrics. While Love did try cannabis a few times in the late sixties and early seventies, he's always been generally opposed to the use of illegal drugs, and certainly didn't want the group to be making records that promoted their use -- though I would personally argue that "Hang on to Your Ego" is at best deeply ambiguous about the prospect of ego death.  Love rewrote some of the lyrics, changing the title to "I Know There's an Answer", though as with all such bowdlerisation efforts he inadvertently left in some of the drug references: [Excerpt: The Beach Boys, "I Know There's an Answer"] But Wilson wasn't going to rely on Sachen for all the lyrics. Instead he turned to Tony Asher. Asher was an advertising executive, who Wilson probably met through Loren Daro -- there is some confusion over the timeline of their meeting, with some sources saying they'd first met in 1963 and that Asher had introduced Wilson to Daro, but others saying that the introductions went the other way, and that Daro introduced Asher to Wilson in 1965. But Asher and Daro had been friends for a long time, and so Wilson and Asher were definitely orbiting in the same circles. The most common version of the story seems to be that Asher was working in Western Studios, where he was recording a jingle - the advertising agency had him writing jingles because he was an amateur songwriter, and as he later put it nobody else at the agency knew the difference between E flat and A flat. Wilson was also working in the studio complex, and Wilson dragged Asher in to listen to some of the demos he was recording -- at that time Wilson was in the habit of inviting anyone who was around to listen to his works in progress. Asher chatted with him for a while, and thought nothing of it, until he got a phone call at work a few weeks later from Brian Wilson, suggesting the two write together. Wilson was impressed with Asher, who he thought of as very verbal and very intelligent, but Asher was less impressed with Wilson. He has softened his statements in recent decades, but in the early seventies he would describe Wilson as "a genius musician but an amateur human being", and sharply criticise his taste in films and literature, and his relationship with his wife. This attitude seems at least in part to have been shared by a lot of the people that Wilson was meeting and becoming influenced by. One of the things that is very noticeable about Wilson is that he has no filters at all, and that makes his music some of the most honest music ever recorded. But that same honesty also meant that he could never be cool or hip. He was -- and remains -- enthusiastic about the things he likes, and he likes things that speak to the person he is, not things that fit some idea of what the in crowd like. And the person Brian Wilson is is a man born in 1942, brought up in a middle-class suburban white family in California, and his tastes are the tastes one would expect from that background. And those tastes were not the tastes of the hipsters and scenesters who were starting to become part of his circle at the time. And so there's a thinly-veiled contempt in the way a lot of those people talked about Wilson, particularly in the late sixties and early seventies. Wilson, meanwhile, was desperate for their approval, and trying hard to fit in, but not quite managing it. Again, Asher has softened his statements more recently, and I don't want to sound too harsh about Asher -- both men were in their twenties, and still  trying to find their place in the world, and I wouldn't want to hold anyone's opinions from their twenties against them decades later. But that was the dynamic that existed between them. Asher saw himself as something of a sophisticate, and Wilson as something of a hick in contrast, but a hick who unlike him had created a string of massive hit records. And Asher did, always, respect Wilson's musical abilities. And Wilson in turn looked up to Asher, even while remaining the dominant partner, because he respected Asher's verbal facility. Asher took a two-week sabbatical from his job at the advertising agency, and during those two weeks, he and Wilson collaborated on eight songs that would make up the backbone of the album that would become Pet Sounds. The first song the two worked on was a track that had originally been titled "In My Childhood". Wilson had already recorded the backing track for this, including the sounds of bicycle horns and bells to evoke the feel of being a child: [Excerpt: The Beach Boys, "You Still Believe in Me (instrumental track)"] The two men wrote a new lyric for the song, based around a theme that appears in many of Wilson's songs -- the inadequate man who is loved by a woman who is infinitely superior to him, who doesn't understand why he's loved, but is astonished by it. The song became "You Still Believe in Me": [Excerpt: The Beach Boys, "You Still Believe in Me"] That song also featured an instrumental contribution of sorts by Asher. Even though the main backing track had been recorded before the two started working together, Wilson came up with an idea for an intro for the song, which would require a particular piano sound. To get that sound, Wilson held down the keys on a piano, while Asher leaned into the piano and plucked the strings manually. The result, with Wilson singing over the top, sounds utterly lovely: [Excerpt: The Beach Boys, "You Still Believe in Me"] Note that I said that Wilson and Asher came up with new lyrics together. There has been some slight dispute about the way songwriting credits were apportioned to the songs. Generally the credits said that Wilson wrote all the music, while Asher and Wilson wrote the lyrics together, so Asher got twenty-five percent of the songwriting royalties and Wilson seventy-five percent. Asher, though, has said that there are some songs for which he wrote the whole lyric by himself, and that he also made some contributions to the music on some songs -- though he has always said that the majority of the musical contribution was Wilson's, and that most of the time the general theme of the lyric, at least, was suggested by Wilson. For the most part, Asher hasn't had a problem with that credit split, but he has often seemed aggrieved -- and to my mind justifiably -- about the song "Wouldn't it Be Nice". Asher wrote the whole lyric for the song, though inspired by conversations with Wilson, but accepted his customary fifty percent of the lyrical credit. The result became one of the big hits from the album: [Excerpt: The Beach Boys, "Wouldn't It Be Nice?"] But -- at least according to Mike Love, in the studio he added a single line to the song: [Excerpt: The Beach Boys, "Wouldn't it Be Nice?"] When Love sued Brian Wilson in 1994, over the credits to thirty-five songs, he included "Wouldn't it Be Nice" in the list because of that contribution. Love now gets a third of the songwriting royalties, taken proportionally from the other two writers. Which means that he gets a third of Wilson's share and a third of Asher's share. So Brian Wilson gets half the money, for writing all the music, Mike Love gets a third of the money, for writing "Good night baby, sleep tight baby", and Tony Asher gets a sixth of the money -- half as much as Love -- for writing all the rest of the lyric. Again, this is not any one individual doing anything wrong – most of the songs in the lawsuit were ones where Love wrote the entire lyric, or a substantial chunk of it, and because the lawsuit covered a lot of songs the same formula was applied to borderline cases like “Wouldn't it Be Nice” as it was to clearcut ones like “California Girls”, where nobody disputes Love's authorship of the whole lyric. It's just the result of a series of reasonable decisions, each one of which makes sense in isolation, but which has left Asher earning significantly less from one of the most successful songs he ever wrote in his career than he should have earned. The songs that Asher co-wrote with Wilson were all very much of a piece, both musically and lyrically. Pet Sounds really works as a whole album better than it does individual tracks, and while some of the claims made about it -- that it's a concept album, for example -- are clearly false, it does have a unity to it, with ideas coming back in different forms. For example, musically, almost every new song on the album contains a key change down a minor third at some point -- not the kind of thing where the listener consciously notices that an idea has been repeated, but definitely the kind of thing that makes a whole album hold together. It also differs from earlier Beach Boys albums in that the majority of the lead vocals are by Brian Wilson. Previously, Mike Love had been the dominant voice on Beach Boys records, with Brian as second lead and the other members taking few or none. Now Love only took two main lead vocals, and was the secondary lead on three more. Brian, on the other hand, took six primary lead vocals and two partial leads. The later claims by some people that this was a Brian Wilson solo album in all but name are exaggerations -- the group members did perform on almost all of the tracks -- but it is definitely much more of a personal, individual statement than the earlier albums had been. The epitome of this was "I Just Wasn't Made For These Times", which Asher wrote the lyrics for but which was definitely Brian's idea, rather than Asher's. [Excerpt: The Beach Boys, "I Just Wasn't Made For These Times"] That track also featured the first use on a Beach Boys record of the electro-theremin, an electronic instrument invented by session musician Paul Tanner, a former trombone player with the Glenn Miller band, who had created it to approximate the sound of a Theremin while being easier to play: [Excerpt: The Beach Boys, "I Just Wasn't Made For These Times"] That sound would turn up on future Beach Boys records... But the song that became the most lasting result of the Wilson/Asher collaboration was actually one that is nowhere near as personal as many of the other songs on the record, that didn't contain a lot of the musical hallmarks that unify the album, and that didn't have Brian Wilson singing lead. Of all the songs on the album, "God Only Knows" is the one that has the most of Tony Asher's fingerprints on it. Asher has spoken in the past about how when he and Wilson were writing, Asher's touchstones were old standards like "Stella By Starlight" and "How Deep is the Ocean?", and "God Only Knows" easily fits into that category. It's a crafted song rather than a deep personal expression, but the kind of craft that one would find in writers like the Gershwins, every note and syllable perfectly chosen: [Excerpt: The Beach Boys, "God Only Knows"] One of the things that is often wrongly said about the song is that it's the first pop song to have the word "God" in the title. It isn't, and indeed it isn't even the first pop song to be called "God Only Knows", as there was a song of that name recorded by the doo-wop group the Capris in 1954: [Excerpt: The Capris, "God Only Knows"] But what's definitely true is that Wilson, even though he was interested in creating spiritual music, and was holding prayer sessions with his brother Carl before vocal takes, was reluctant to include the word in the song at first, fearing it would harm radio play. He was probably justified in his fears -- a couple of years earlier he'd produced a record called "Pray for Surf" by the Honeys, a girl-group featuring his wife: [Excerpt: The Honeys, "Pray For Surf"] That record hadn't been played on the radio, in part because it was considered to be trivialising religion. But Asher eventually persuaded Wilson that it would be OK, saying "What do you think we should do instead? Say 'heck only knows'?" Asher's lyric was far more ambiguous than it may seem -- while it's on one level a straightforward love song, Asher has always pointed out that the protagonist never says that he loves the object of the song, just that he'll make her *believe* that he loves her. Coupled with the second verse, which could easily be read as a threat of suicide if the object leaves the singer, it would be very, very, easy to make the song into something that sounds like it was from the point of view of a narcissistic, manipulative, abuser. That ambiguity is also there in the music, which never settles in a strong sense of key. The song starts out with an A chord, which you'd expect to lead to the song being in A, but when the horn comes in, you get a D# note, which isn't in that key, and then when the verse starts, it starts on an inversion of a D chord, before giving you enough clues that by the end of the verse you're fairly sure you're in the key of E, but it never really confirms that: [Excerpt: The Beach Boys, "God Only Knows (instrumental)"] So this is an unsettling, ambiguous, song in many ways. But that's not how it sounds, nor how Brian at least intended it to sound. So why doesn't it sound that way? In large part it's down to the choice of lead vocalist. If Mike Love had sung this song, it might have sounded almost aggressive. Brian *did* sing it in early attempts at the track, and he doesn't sound quite right either -- his vocal attitude is just... not right: [Excerpt: The Beach Boys, "God Only Knows (Brian Wilson vocal)"] But eventually Brian hit on getting his younger brother Carl to sing lead. At this point Carl had sung very few leads on record -- there has been some dispute about who sang what, exactly,  because of the family resemblance which meant all the core band members could sound a little like each other, but it's generally considered that he had sung full leads on two album tracks -- "Pom Pom Play Girl" and "Girl Don't Tell Me" -- and partial leads on two other tracks, covers of "Louie Louie" and "Summertime Blues". At this point he wasn't really thought of as anything other than a backing vocalist, but his soft, gentle, performance on "God Only Knows" is one of the great performances: [Excerpt: The Beach Boys, "God Only Knows (vocals)"] The track was actually one of those that required a great deal of work in the studio to create the form which now seems inevitable. Early attempts at the recording included a quite awful saxophone solo: [Excerpt: The Beach Boys "God Only Knows (early version)"] And there were a lot of problems with the middle until session keyboard player Don Randi suggested the staccato break that would eventually be used: [Excerpt: The Beach Boys, "God Only Knows"] And similarly, the tag of the record was originally intended as a mass of harmony including all the Beach Boys, the Honeys, and Terry Melcher: [Excerpt: The Beach Boys, "God Only Knows (alternate version with a capella tag)"] Before Brian decided to strip it right back, and to have only three voices on the tag -- himself on the top and the bottom, and Bruce Johnston singing in the middle: [Excerpt: The Beach Boys, "God Only Knows"] When Pet Sounds came out, it was less successful in the US than hoped -- it became the first of the group's albums not to go gold on its release, and it only made number ten on the album charts. By any objective standards, this is still a success, but it was less successful than the record label had hoped, and was taken as a worrying sign. In the UK, though, it was a different matter. Up to this point, the Beach Boys had not had much commercial success in the UK, but recently Andrew Loog Oldham had become a fan, and had become the UK publisher of their original songs, and was interested in giving them the same kind of promotion that he'd given Phil Spector's records. Keith Moon of the Who was also a massive fan, and the Beach Boys had recently taken on Derek Taylor, with his strong British connections, as their publicist. Not only that, but Bruce Johnston's old friend Kim Fowley was now based in London and making waves there. So in May, in advance of a planned UK tour set for November that year, Bruce Johnston and Derek Taylor flew over to the UK to press the flesh and schmooze. Of all the group members, Johnston was the perfect choice to do this -- he's by far the most polished of them in terms of social interaction, and he was also the one who, other than Brian, had the least ambiguous feelings about the group's new direction, being wholeheartedly in favour of it. Johnston and Taylor met up with Keith Moon, Lennon and McCartney, and other pop luminaries, and played them the record. McCartney in particular was so impressed by Pet Sounds and especially "God Only Knows", that he wrote this, inspired by the song, and recorded it even before Pet Sounds' UK release at the end of June: [Excerpt: The Beatles, "Here, There, and Everywhere"] As a result of Johnston and Taylor's efforts, and the promotional work by Oldham and others, Pet Sounds reached number two on the UK album charts, and "God Only Knows" made number two on the singles charts. (In the US, it was the B-side to "Wouldn't it Be Nice", although it made the top forty on its own merits too). The Beach Boys displaced the Beatles in the readers' choice polls for best band in the NME in 1966, largely as a result of the album, and Melody Maker voted it joint best album of the year along with the Beatles' Revolver. The Beach Boys' commercial fortunes were slightly on the wane in the US, but they were becoming bigger than ever in the UK. But a big part of this was creating expectations around Brian Wilson in particular. Derek Taylor had picked up on a phrase that had been bandied around -- enough that Murry Wilson had used it to mock Brian in the awful "Help Me, Rhonda" sessions -- and was promoting it widely as a truism. Everyone was now agreed that Brian Wilson was a genius. And we'll see how that expectation plays out over the next few weeks.. [Excerpt: The Beach Boys, "Caroline, No"]

Dedicated to Archibald Smith. My Old Man. May he rest in peace, he would have been 102 today. Thanks for everything.

It will certainly be a Good Time for us, and for Niko Moon when he plays his first headlining gig in Boston!  Carolyn Kruse chatted today with the singer/songwriter from Georgia, who took his first release to #1 earlier this year with "Good Time." Niko established himself as a hit songwriter in Nashville before striking out on his own. He co-wrote 7 hit songs with Zac Brown Band,  “Loving You Easy,” “Homegrown,” “Beautiful Drug,” “Keep Me In Mind,” “Castaway, "Someone I Used To Know," and " My Old Man," Plus Moon penned Dierks Bentley's "Gone," and Rascal Flatts' "Back to Life."  He just released a vibey new single, "Paradise to Me," and will bring it and all his other hits to the Paradise Rock Club December 18. It's an all ages show and you can find tickets HERE. 

While dissecting  Joni Mitchell's “My Old Man,” LA's Bedouine realized how well the lyricist/songwriter is able to convey a mood. That inspiration was the fodder that lead to Bedouine's song “The Solitude.” 

The Sue Morgan Podcast Episode 38 - My Old Man's A Dustman 190621 by Random audio from UK broadcaster Ian Watko Watkins

Alison Young is the Secretary of the British Music Hall Society.  She ran away from the law to research and write about her family connections with the Music Hall and has uncovered many little gems that she shares with us today."Dainty Daisy Dormer" was a Music Hall star.  She was also Alison's great great aunt.  She and her sisters toured around the UK  - and much further afield entertaining audiences in the thousands of music hall theatres that existed in the late 19th/early 20th centuries.As well as Daisy and Co., Alison talks about the art of Sickert, Degas, Lautrec and others who painted backstage scenes in theatres and music halls  and gives an insight into the non-glamorous world of 19th/20th Century showbusiness.Guest's fantasy dinner party guests:Morten HarketQueen VictoriaLaura KnightWalter SickertMax WallFor further info:Alison's Blog:  Music Hall Alice:https://musichallalice.wordpress.com/The British Music Hall Societyhttp://britishmusichallsociety.com/The British Newspaper Archive:https://www.britishnewspaperarchive.co.uk/My Old Man, A  Personal History of Music HallBy:  John MajorPublished by Harper CollinsBritish Music Hall: an Illustrated HistoryBy:  Richard Anthony BakerPublished by:  Pen & Sword BooksMusic:  "Champagne Charlie"  by Alfred Lee & George LeybournePlayed by:  James Hallhttps://www.jamesahall.co.uk/"I Wouldn't Leave My Little Hut For You" by Charles Collins & Tom MellorPlayed by :  Guy DeardonISRC number. GB3GU1200723Copyright owner Guy Deardenhttps://www.theatremusicshop.com/index.htmlEpisode edited and produced by: Jacob TaylorIf you'd like to help us in our work in keeping the podcast going do please consider becoming a patron.  It's really easy to do, just go to either:https://www.patreon.com/bluefiretheatreorhttps://ko-fi.com/bluefiretheatrewhere you can donate.   Even the smallest donation helps us get our shows on the road and keep the lights on in the studio and we are so grateful to you for all your support.And don't forget to follow us on social media.  We'd love to hear from you!  Find us at:https://twitter.com/famous_heardhttps://www.instagram.com/bluefire_tchttps://www.facebook.com/bluefiretheatrehttps://www.bluefiretheatre.co.uk/

"MY BIGGEST CRUSH" EPISODE #2: "BLUE" by Joni Mitchell (1971, Reprise) 1) All I Want 2) My Old Man 3) Little Green 4) Carey 5) Blue 6) California 7) This Flight Tonight 8) River 9) A Case Of You 10) The Last Time I Saw Richard

Three Stories and Ten Poems - Ernest Hemingway - Book 2 Title: Three Stories and Ten Poems Overview: Three Stories and Ten Poems is a collection of short stories and poems by Ernest Hemingway. It was privately published in 1923 in a run of 300 copies by Robert McAlmon's "Contact Publishing" in Paris. The three stories are: "Up in Michigan", "Out of Season, and "My Old Man". The ten poems are: "Mitraigliatrice", "Oklahoma", "Oily Weather", "Roosevelt", "Captives", "Champs d'Honneur", "Riparto d'Assalto", "Montparnasse", "Along With Youth", and "Chapter Heading". Published: 1923 Author: Ernest Hemingway Genre: Short Stories, Classic Literature & Fiction, American Literature, Published 1900 Onward Episode: Three Stories and Ten Poems - Ernest Hemingway - Book 2 Part: 1 of 1 Length Part: 1:09:16 Book: 2 Length Book: 1:09:16 Episodes: 1 - 13 of 13 Narrator: KevinS Language: English Rated: Guidance Suggested Edition: Unabridged Audiobook Keywords: stories, poems, poetry, ernest hemingway Hashtags: #freeaudiobooks #audiobook #mustread #readingbooks #audiblebooks #favoritebooks #free #booklist #audible #freeaudiobook #stories #poems #poetry #ErnestHemingway Credits: All LibriVox Recordings are in the Public Domain. Wikipedia (c) Attribution-ShareAlike 3.0 Unported License. WOMBO Dream. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/free-audiobooks/message Support this podcast: https://anchor.fm/free-audiobooks/support

RHOZ Podcast - 4-1-2021 [00:00:00] 6:00 am - RHOZ [00:02:51] Alan Jackson - Margaritaville [00:07:04] Dj Fritz all greatest hits.m4a [00:07:10] 358 - 358 - Procol Harum - Conquistador [00:11:19] Naughty By Nature - O.P.P. [00:15:47] Johhny Cash - I Walk the Line [00:16:10] Dj Fritz enjoy weekend.m4a [00:16:16] 438 - 438 - The Beatles - Please Please Me [00:18:12] The Police - Every Breath You Take [00:22:09] Kenny Chesney - Don't Blink [00:26:19] Dj Fritz Live.m4a [00:26:22] 468 - 468 - Jethro Tull - Bungle In The Jungle [00:29:47] The Commodores - Brick House [00:33:14] 16 My Old Man.mp3 [00:37:09] Dj Fritz Live2.m4a [00:37:13] 054 - 054 - The Rolling Stones - Sympathy For the Devil [00:43:27] Spirit of the West - The Old Sod [00:46:46] Garth Brooks - Callin' Baton Rouge [00:49:20] Dj Fritz Live2.m4a [00:49:24] 372 - 372 - Alice Cooper - School's Out [00:52:50] Billy Idol - White Wedding [00:56:53] Little Big Town - Fine Line [01:00:50] All hits weekend Dj Fritz [01:00:53] 227 - 227 - Fleetwood Mac - The Chain [01:05:09] Duran Duran - Is There Something I Should Know [01:09:10] Rhett Akins - That Ain't My Truck [01:13:06] Dj Fritz Live.m4a [01:13:09] 239 - 239 - David Bowie - Space Oddity [01:18:06] AC/DC - Highway To Hell [01:21:33] Jerry Reed - Trucker Song [01:25:23] All hits weekend Dj Fritz [01:25:27] 069 - 069 - Rod Stewart - Maggie May [01:31:04] The Contours - Do You Love Me [01:33:52] Miley Cyrus & Billy Ray Cyrus - Get Ready, Get Set, Don't Go [01:37:36] Dj Fritz Live.m4a [01:37:39] 493 - 493 - Bob Seger - Old Time Rock & Roll [01:40:47] Baltimora - Tarzan Boy [01:44:22] Taylor Swift - I'd Lie [01:47:59] All hits weekend Dj Fritz [01:48:02] 254 - 254 - Mountain - Mississippi Queen [01:50:30] Fine Young Cannibals - She Drives Me Crazy [01:53:58] Joe Nichols - Unsinkable Ships (The Impossible) [01:57:49] Dj Fritz enjoy weekend.m4a [01:57:55] 070 - 070 - The Doors - Break On Through [02:00:18] Moxy Früvous - King Of Spain [02:03:10] 11 Rough & Ready 1.mp3 [02:06:13] All hits weekend [02:06:18] 329 - 329 - John Fogerty - Centerfield [02:10:05] Chaka Demus & Pliers - Tease Me [02:13:59] Shania twain - Man I Feel Like A Woman [02:17:52] All hits weekend Dj Fritz [02:17:55] 207 - 207 - Tom Petty & the Heartbreakers - Breakdown [02:20:29] Depeche Mode - Strangelove [02:26:48] Little Big Town - Bones [02:30:31] Dj Fritz all greatest hits.m4a [02:30:37] 229 - 229 - Creedence Clearwater Revival - Bad Moon Rising [02:32:51] Manfred Man - Blinded By The Light [02:36:32] Jason Aldean - Laugh Until We Cried [02:39:49] All hits weekend [02:39:54] 077 - 077 - Tom Petty & the Heartbreakers - Runnin' Down a Dream [02:44:10] Hootie & The Blowfish - Only Wanna Be With You [02:47:51] Rascall Flatts - Life Is A Highway [02:52:11] Dj Fritz all greatest hits.m4a [02:52:17] 030 - 030 - The Rolling Stones - Jumping Jack Flash [02:55:48] The Clash - Should I stay or should I go ? [02:58:54] Zac Brown Band - Free See omnystudio.com/listener for privacy information.

RHOZ Podcast - 9-12-2020 [00:00:00] 6:00 am - RHOZ [00:00:21] Dj Fritz Live.m4a [00:00:24] 231 - 231 - The Who - 5 15 [00:05:20] Kenny Rogers & Dolly Parton - Islands In The Stream [00:09:22] John Michael Montgomery - Sold [00:11:49] Dj Fritz all greatest hits.m4a [00:11:55] 463 - 463 - Supertramp - Goodbye Stranger [00:17:33] Jimmy Buffett - Margaritaville [00:21:38] Little Big Town - Fine Line [00:25:35] All hits weekend Dj Fritz [00:25:38] 298 - 298 - The Who - The Kids Are Alright [00:28:17] The Turtles - Happy Together [00:31:07] Kenny Chesney - I Go Back [00:35:00] Dj Fritz Live2.m4a [00:35:04] 119 - 119 - Aerosmith - Sweet Emotion [00:39:59] Queen - Under Pressure [00:43:50] Joe Nichols - Tequilla Makes Her Clothes Fall Off [00:46:57] All hits weekend Dj Fritz [00:47:00] 410 - 410 - The Cars - My Best Friend's Girl [00:50:33] Chaka Demus & Pliers - Twist And Shout [00:54:23] 16 My Old Man.mp3 [00:58:18] Dj Fritz stay safe.m4a [00:58:24] 099 - 099 - The Beatles - The Long And Winding Road [01:01:51] Styx - Mr. Roboto [01:06:31] Rascal Flatts - Me And My Gang [01:10:05] All hits weekend [01:10:11] 317 - 317 - Steely Dan - FM [01:14:49] Musical Youth - 5A - Pass The Dutchie [01:18:05] Billy Ray Cyrus - Achy Breaky Heart [01:21:27] Dj Fritz stay safe.m4a [01:21:33] 370 - 370 - The Rolling Stones - Start Me Up [01:24:59] Chubby Checker - Limbo Rock [01:27:23] Alan Jackson - Sissy's Song [01:30:21] Dj Fritz all greatest hits.m4a [01:30:27] 483 - 483 - Eric Clapton - Forever Man [01:33:32] Simple Minds - Don't You (Forget About Me) [01:37:46] Alan Jackson - Drive (For Daddy Gene) [01:41:46] Dj Fritz Live2.m4a [01:41:50] 301 - 301 - Creedence Clearwater Revival - Green River [01:44:15] Violent Femmes - Blister In The Sun [01:46:37] Craig Morgan - Bonfire [01:49:35] Dj Fritz Live2.m4a [01:49:39] 468 - 468 - Jethro Tull - Bungle In The Jungle [01:53:04] The Coasters - Charlie Brown [01:55:20] Chris Stapleton - Tennessee Whiskey [02:00:06] Dj Fritz enjoy weekend.m4a [02:00:11] 406 - 406 - Deep Purple - Highway Star [02:06:11] Montell Jordan - This Is How We Do It [02:09:55] Garth Brooks - Friends In Low Places [02:14:09] Dj Fritz stay safe.m4a [02:14:15] 381 - 381 - Steely Dan - Dirty Work [02:17:13] Boyz II Men - On Bended Knee [02:22:38] Eric Church - Smoke A Little Smoke [02:25:46] Dj Fritz all greatest hits.m4a [02:25:52] 279 - 279 - Young Rascals - Good Lovin [02:28:18] Haircut 100 - Love Plus One [02:31:41] Brad Paisley - Im Gonna Miss Her [02:34:53] Dj Fritz Live.m4a [02:34:56] 357 - 357 - U2 - New Year's Day [02:39:05] Eric Clapton - Layla (Unplugged) [02:43:34] John Anderson - Straight Tequila Night [02:46:22] Dj Fritz all greatest hits.m4a [02:46:28] 417 - 417 - Traffic - John Barleycorn Must Die [02:52:44] Milli Vanilli - Girl You Know It's True [02:56:38] Corb Lund - Five Dollar Bill [02:59:09] Dj Fritz all greatest hits.m4a [02:59:15] 278 - 278 - Badfinger - Come And Get It See omnystudio.com/listener for privacy information.

Alison Young is the Secretary of the British Music Hall Society. She ran away from the law to research and write about her family connections with the Music Hall and has uncovered many little gems that she shares with us today."Dainty Daisy Dormer" was a Music Hall star. She was also Alison's great great aunt. She and her sisters toured around the UK - and much further afield entertaining audiences in the thousands of music hall theatres that existed in the late 19th/early 20th centuries.As well as Daisy and Co., Alison talks about the art of Sickert, Degas, Lautrec and others who painted backstage scenes in theatres and music halls and gives an insight into the non-glamorous world of 19th/20th Century showbusiness.For further info:Alison's Blog: Music Hall Alice:https://musichallalice.wordpress.com/The British Music Hall Societyhttp://britishmusichallsociety.com/The British Newspaper Archive:https://www.britishnewspaperarchive.co.uk/My Old Man, A Personal History of Music HallBy: John MajorPublished by Harper CollinsBritish Music Hall: an Illustrated HistoryBy: Richard Anthony BakerPublished by: Pen & Sword BooksMusic: "Champagne Charlie" by Alfred Lee & George LeybournePlayed by: James Hallhttps://www.jamesahall.co.uk/"I Wouldn't Leave My Little Hut For You" by Charles Collins & Tom MellorPlayed by : Guy DeardonISRC number. GB3GU1200723Copyright owner Guy Deardenhttps://www.theatremusicshop.com/index.htmlEpisode edited and produced by: Jacob TaylorWe'd love you to keep in touch with us. You can find us at:https://www.instagram.com/bluefire_tc/https://twitter.com/bluefire_tchttps://www.facebook.com/bluefiretheatrehttps://www.bluefiretheatre.co.uk/And if you'd like to find out a little more about us and support us in our work, please click here:https://www.patreon.com/bluefiretheatreWe'll be forever grateful.

RHOZ Podcast - 26-11-2020 [00:00:00] 6:00 am - RHOZ [00:05:56] MC Hammer - U Can't Touch This [00:10:06] Kellie Pickler - Red High Heels [00:13:46] Dj Fritz all greatest hits.m4a [00:13:52] 435 - 435 - Queen - Tie Your Mother Down [00:18:35] Bobby McFerrin - Don't Worry, Be Happy [00:23:16] Kenny Chesney - Don't Blink [00:27:25] Dj Fritz Live2.m4a [00:27:29] 235 - 235 - Blind Faith - Can't Find My Way Home [00:30:40] Creedence Clearwater Revival - Bad Moon Rising [00:32:53] Rascal Flatts - Fast Cars And Freedom [00:37:08] All hits weekend Dj Fritz [00:37:12] 229 - 229 - Creedence Clearwater Revival - Bad Moon Rising [00:39:25] Madonna - Crazy For You [00:43:00] 06 A Little More You.mp3 [00:47:22] All hits weekend Dj Fritz [00:47:26] 317 - 317 - Steely Dan - FM [00:52:03] Billy Idol - Dancing With Myself [00:55:18] Billy Ray Cyrus - Achy Breaky Heart [00:58:39] Dj Fritz all greatest hits.m4a [00:58:45] 143 - 143 - Black Sabbath - Paranoid [01:01:30] Men At Work - Who Can It Be Now? [01:04:47] Alan Jackson - Where I Come From [01:08:42] Dj Fritz Live2.m4a [01:08:46] 045 - 045 - Cream - Sunshine Of Your Love [01:12:51] Tony Orlando & Dawn - Knock Three Times [01:15:41] 16 My Old Man.mp3 [01:19:36] Dj Fritz all greatest hits.m4a [01:19:42] 489 - 489 - David Bowie - Rebel Rebel [01:24:05] Led Zeppelin - Stairway To Heaven [01:31:56] Brad Paisley - She Said Yes [01:35:16] All hits weekend [01:35:21] 433 - 433 - The Rolling Stones - Beast Of Burden [01:39:37] T.Rex - Bang A Gong (Get It On) [01:43:57] Jerry Reed - East Bound and Down [01:46:41] Dj Fritz stay safe.m4a [01:46:47] 087 - 087 - Eric Clapton - Wonderful Tonight [01:50:20] The Bucketheads - The Bomb [01:53:42] Trace Adkins - I Like My Women A Little trashy [01:56:55] All hits weekend Dj Fritz [01:56:58] 397 - 397 - Chicago - Make Me Smile [02:01:20] Tracy Byrd - Watermelon Crawl [02:04:19] Shania Twain - Any Man Of Mine [02:08:26] Dj Fritz stay safe.m4a [02:08:32] 479 - 479 - The Rolling Stones - Let It Bleed [02:13:51] Rick Astley - Together Forever [02:17:08] Diamond Rio - Kissable, Huggable, Loveable, Unbelievable [02:19:28] Dj Fritz enjoy weekend.m4a [02:19:34] 453 - 453 - The Beatles - Ballad Of John And Yoko [02:22:28] Bananarama - Venus [02:25:58] Little Big Town - Bones [02:29:41] All hits weekend Dj Fritz [02:29:44] 094 - 094 - Pink Floyd - Brain Damage & Eclipse [02:35:30] Culture Club - Do You Really Want To Hurt Me [02:39:46] Toby Keith - I Love This Bar [02:43:44] All hits weekend Dj Fritz [02:43:47] 195 - 195 - Bob Dylan - Tangled Up In Blue [02:49:26] K.C. & The Sunshine Band - Get Down Tonight [02:52:32] Big & Rich - Coming To Your City [02:55:59] Dj Fritz all greatest hits.m4a [02:56:05] 210 - 210 - George Harrison - Got My Mind Set On You [02:59:52] Promo Only Canada - Tympany Roll (Drum roll) See omnystudio.com/listener for privacy information.

RHOZ Podcast - 15-11-2020 [00:00:00] 6:00 am - RHOZ [00:00:22] Dj Fritz all greatest hits.m4a [00:00:28] 375 - 375 - Nazareth - Hair Of The Dog [00:04:29] Chris De Burgh - The Lady In Red [00:08:35] George Strait - Troubadour [00:11:25] Dj Fritz Live2.m4a [00:11:29] 127 - 127 - Electric Light Orchestra - Telephone Line [00:15:39] Enigma - Sadeness Part 1 [00:19:43] John Denver - Take Me Home Country Roads [00:22:50] Dj Fritz all greatest hits.m4a [00:22:56] 413 - 413 - Jethro Tull - Cross-Eyed Mary [00:27:00] The Temptations - Ain't Too Proud To Beg [00:29:27] Trace Adkins - Ladies Love Country Boys [00:33:04] Dj Fritz all greatest hits.m4a [00:33:10] 368 - 368 - Moody Blues - The Story In Your Eyes [00:36:05] Prodigy - Firestarter [00:39:49] Bon Jovi - Who says you can't go home [00:43:36] Dj Fritz Live2.m4a [00:43:39] 210 - 210 - George Harrison - Got My Mind Set On You [00:47:23] Love & Rockets - So Alive [00:51:26] Toby Keith - She's A Hottie [00:54:31] Dj Fritz Live2.m4a [00:54:34] 207 - 207 - Tom Petty & the Heartbreakers - Breakdown [00:57:13] Gloria Gaynor - I Will Survive [01:00:23] Billy Ray Cirus - Could Have Been Me [01:04:06] Dj Fritz all greatest hits.m4a [01:04:11] 290 - 290 - The Beatles - I Want To Hold Your Hand [01:06:33] Jive Bunny & The Mastermixers - Swing The Mood [01:12:38] Easton Corbin - A Little More Country Then that [01:15:26] Dj Fritz Live2.m4a [01:15:30] 203 - 203 - Doobie Brothers - Long Train Running [01:18:54] Bananarama - Venus [01:22:24] Trisha Yearwood - That's What I Like About You [01:24:59] Dj Fritz all greatest hits.m4a [01:25:05] 480 - 480 - Peter Gabriel - Sledgehammer [01:29:45] Gary Glitter - Rock And Roll Part 2 [01:32:37] AARON LEWIS - Country Boy [01:37:18] Dj Fritz Live2.m4a [01:37:22] 081 - 081 - The Kinks - Lola [01:41:15] Gary Numan - Cars [01:44:51] Brooks & Dunn - Play something country [01:48:03] Dj Fritz stay safe.m4a [01:48:09] 034 - 034 - The Kinks - You Really Got Me [01:50:19] Otis Day & The Knights - Shout [01:54:26] Zac Brown Band - Toes [01:58:40] Dj Fritz Live2.m4a [01:58:43] 351 - 351 - Electric Light Orchestra - Livin' Thing [02:02:06] Frank Sinatra - New York New York [02:05:28] Diamond Rio - That's How Your Love........ [02:09:28] Dj Fritz Live2.m4a [02:09:31] 309 - 309 - Elton John - Levon [02:14:43] Eddie Rabbitt - I Love A Rainy Night [02:17:45] 16 My Old Man.mp3 [02:21:40] Dj Fritz stay safe.m4a [02:21:46] 139 - 139 - Foreigner - Feels Like The First Time [02:25:28] Mariah Carey - Fantasy [02:30:07] SHANIA TWAIN - DON'T BE STUPID (YOU KNOW I LOVE YOU) [02:33:40] Dj Fritz Live.m4a [02:33:44] 161 - 161 - The Beatles - In My Life [02:36:07] Split Enz - I Got You [02:39:30] Kenny Chesney - Summertime [02:42:49] Dj Fritz all greatest hits.m4a [02:42:55] 266 - 266 - The Beatles - Stawberry Fields Forever [02:46:55] All-4-One - I Swear [02:51:09] Little Big Town - Good As Gone [02:55:17] All hits weekend [02:55:22] 318 - 318 - Bruce Springsteen - Brilliant Disguise [02:59:25] Elton John - Your Song See omnystudio.com/listener for privacy information.

RHOZ Podcast - 28-10-2020 [00:00:00] 6:00 am - RHOZ [00:02:58] Dj Fritz Live.m4a [00:03:02] 222 - 222 - Byrds - Mr. Tambourine Man [00:05:28] Lionel Richie - All Night Long [00:09:35] Toby Keith - Cryin' For Me (Wayman's Song) [00:14:15] Dj Fritz all greatest hits.m4a [00:14:21] 183 - 183 - Janis Joplin - Piece Of My Heart [00:18:32] Jan Hammer - Miami Vice Theme [00:19:30] AARON LEWIS - Country Boy [00:24:12] All hits weekend Dj Fritz [00:24:16] 359 - 359 - Elton John - Funeral For A Friend-Love Lies Bleeding [00:35:06] Maxi Priest - Wild World [00:38:29] Sugarland - All I Want To Do [00:42:00] All hits weekend Dj Fritz [00:42:04] 385 - 385 - Kinks - Celluloid Heroes [00:48:22] James Brown - Papa's Got A Brand New Bag [00:50:17] Sugarland - Settlin' [00:53:38] Dj Fritz Live.m4a [00:53:42] 364 - 364 - The Who - Going Mobile [00:57:21] R.E.M. - Losing My Religion [01:01:42] 16 My Old Man.mp3 [01:05:37] Dj Fritz Live2.m4a [01:05:40] 199 - 199 - Boston - Rock & Roll Band [01:08:38] Shaggy - Oh Carolina [01:11:46] Montgomery Gentry - Roll With Me [01:15:34] Dj Fritz all greatest hits.m4a [01:15:40] 301 - 301 - Creedence Clearwater Revival - Green River [01:18:05] Yaz - Situation [01:23:46] Jake Owen - 8 Second Ride (real) [01:26:48] Dj Fritz Live.m4a [01:26:52] 320 - 320 - Derek and the Dominos - 10 - Bell Bottom Blues [01:31:52] Journey - Faithfully [01:36:12] Lost In This Moment - Big & Rich [01:39:40] Dj Fritz Live2.m4a [01:39:44] 288 - 288 - The Rolling Stones - Paint It Black [01:43:25] Edwyn Collins - A Girl Like You [01:47:12] Taylor Swift - A Place in This World [01:50:29] Dj Fritz all greatest hits.m4a [01:50:35] 348 - 348 - The Beatles - A Hard Day's Night [01:52:58] The Rembrandts - I'll Be There For You [01:55:55] Nelly (Ft. Tim McGraw) - Over And Over Again [02:00:08] Dj Fritz Live.m4a [02:00:11] 463 - 463 - Supertramp - Goodbye Stranger [02:05:53] Don Henley - All She Wants To Do Is Dance [02:10:13] Sugarland - All I Want To Do [02:13:45] Dj Fritz Live.m4a [02:13:48] 153 - 153 - Emerson, Lake and Palmer - From The Beginning [02:17:57] Great Big Sea - 11B - Run Runaway [02:20:35] Brad Paisley - She Said Yes [02:23:55] Dj Fritz all greatest hits.m4a [02:24:01] 310 - 310 - Led Zeppelin - Misty Mountain Hop [02:28:34] Sam Cooke - You Send Me [02:31:14] Shania Twain - Any Man Of Mine [02:35:21] Dj Fritz Live.m4a [02:35:24] 205 - 205 - The Beach Boys - Good Vibrations [02:38:56] The Platters - Only You [02:41:30] Diamond Rio - Norma Jean Riley [02:44:30] Dj Fritz stay safe.m4a [02:44:36] 141 - 141 - Genesis - Home By The Sea [02:49:27] Love & Rockets - Ball Of Confusion [02:53:33] Alan Jackson - Where I Come From [02:57:27] All hits weekend Dj Fritz [02:57:31] 068 - 068 - Jimi Hendrix - Fire [03:00:03] Jesus Jones - Right Here, Right Now See omnystudio.com/listener for privacy information.

Sintonía: "Feet On The Ground" - Angry Samoans Millón de gracias para Enano Ramone y Klaus Faber, por su imprescindible apoyo logístico para la realización (producción) de este monográfico Todas las canciones fueron extraídas de "Angry Samoans: The Unboxed Set" (Triple X Records, 1995; reeditado en el 2009) "Right Side Of My Mind" - "Gimme Sopor" - "Hot Cars" - "Inside My Brain" - "You Stupid Asshole" y "Get Off The Air", extraídas del primer EP, titulado "Inside My Brain" (1980) "Gas Chamber" - "The Todd Killings" - "Lights Out" - "My Old Man´s Fatso" y "Time Has Come Today" (Chambers Brothers), extraídas del LP "Back From Samoa" (1982) "Haizman´s Brain Is Calling" - "Tuna Taco" - "Coffin Case" - "You Stupid Jerk" - "Ballad of Jerry Curlan" y "Not Of This Earth", extraídas del EP (de doce pulgadas) "Yesterday Started Tomorrow" (1986) "I Lost (My Mind)" - "Wild Hog Rhyde" - "Laughing At Me" - "STP Not LSD" - "Staring at the Sun" - "Death of Beewak" - "Egyptomania" y "Attack of the Mushroom People", extraídas del álbum "STP Not LSD" (1988) Escuchar audio

RHOZ Podcast - 6-10-2020 [00:00:00] 6:00 am - RHOZ [00:02:27] Boyz II Men - It's So Hard To Say Goodbye To Yesterday [00:05:12] The Cadillac Three - Party Like You [00:08:17] Dj Fritz stay safe.m4a [00:08:22] 485 - 485 - Creedence Clearwater Revival - Susie Q [00:12:46] Twisted Sister - We're Not Gonna Take It [00:16:15] John Denver - Take Me Home Country Roads [00:19:21] All hits weekend [00:19:27] 005 - 005 - The Who - Won't Get Fooled Again [00:27:56] Stevie Wonder - Superstition [00:32:21] Alan Jackson - Sissy's Song [00:35:20] Dj Fritz stay safe.m4a [00:35:26] 453 - 453 - The Beatles - Ballad Of John And Yoko [00:38:16] Def Leppard - Pour Some Sugar On Me [00:42:38] corb lund band - roughest neck around [00:45:44] Dj Fritz enjoy weekend.m4a [00:45:50] 491 - 491 - Robert Palmer - Addicted To Love [00:49:44] Abba - Does Your Mother Know [00:52:50] Zac Brown Band - Hwy 20 Ride [00:56:38] Dj Fritz Live2.m4a [00:56:41] 277 - 277 - Todd Rundgren - I Saw The Light [00:59:36] Sweeney Todd - Roxy Roller [01:02:18] GARTH BROOKS - Two Pina Coladas [01:05:48] All hits weekend [01:05:53] 278 - 278 - Badfinger - Come And Get It [01:08:09] Chic - Le Freak [01:11:44] Zac Brown Band - Got Whatever It Is [01:14:51] Dj Fritz Live2.m4a [01:14:55] 312 - 312 - Paul Simon - Kodachrome [01:18:16] C+C Music Factory - Gonna Make You Sweat [01:22:17] Darius Rucker - Wagon Wheel [01:27:07] All hits weekend [01:27:12] 009 - 009 - Bruce Springsteen - Born To Run [01:31:36] Irene Cara - Flashdance... What A Feeling [01:35:20] 16 My Old Man.mp3 [01:39:15] All hits weekend Dj Fritz [01:39:19] 223 - 223 - Bruce Springsteen - Tunnel Of Love [01:44:22] Blind Melon - No Rain [01:47:52] Alan Jackson - Little Bitty [01:50:25] Dj Fritz stay safe.m4a [01:50:32] 234 - 234 - Moody Blues - Question [01:56:11] Split Enz - I Got You [01:59:37] Nelly (Ft. Tim McGraw) - Over And Over Again [02:03:49] All hits weekend Dj Fritz [02:03:52] 457 - 457 - Pink Floyd - Speak to Me-Breathe in the Air [02:07:41] Simon & Garfunkel - Cecilia [02:10:26] Alan Jackson - Who's Cheatin' Who [02:14:23] Dj Fritz Live2.m4a [02:14:27] 061 - 061 - The Police - Every Breath You Take [02:18:29] Chubby Checker - Let's Twist Again [02:20:49] Brad Paisley - Start A Band (Featuri.wav [02:24:45] Dj Fritz Live2.m4a [02:24:48] 077 - 077 - Tom Petty & the Heartbreakers - Runnin' Down a Dream [02:29:06] Boney M. - Rasputin [02:33:29] Alan Jackson - Sissy's Song [02:36:28] Dj Fritz enjoy weekend.m4a [02:36:34] 496 - 496 - Kingsmen - Louie Louie [02:39:15] Alabama - Mountain Music [02:43:24] Zac Brown Band - Toes [02:47:38] Dj Fritz Live2.m4a [02:47:41] 414 - 414 - Animals - It's My Life [02:50:48] Don McLean - American Pie [02:59:16] Sugarland - Everyday America See omnystudio.com/listener for privacy information.

RHOZ Podcast - 14-9-2020 [00:00:00] 6:00 am - RHOZ [00:02:08] Sugarland - Stay [00:06:46] Dj Fritz Live.m4a [00:06:48] 046 - 046 - Deep Purple - Smoke On The Water [00:12:20] The Flying Lizards - Money (That's What I Want) [00:14:46] Jerry Reed - East Bound and Down [00:17:29] Dj Fritz Live.m4a [00:17:34] 173 - 173 - Kansas - Dust in the Wind [00:20:54] Blessid Union Of Souls - I Believe [00:24:36] Diamond Rio - Meet In The Middle [00:27:48] Dj Fritz enjoy weekend.m4a [00:27:54] 188 - 188 - Jackson Browne - Running On Empty [00:32:42] Boyz II Men - Motownphilly [00:36:36] Justin Moore - Small Town USA [00:40:12] Dj Fritz enjoy weekend.m4a [00:40:18] 137 - 137 - George Harrison - What Is Life [00:44:26] Sir Mix-A-Lot - Baby Got Back [00:48:46] Garth Brooks - Ain't Going Down Till the Sun [00:53:15] Dj Fritz Live.m4a [00:53:18] 467 - 467 - The Beatles - Glass Onion [00:55:33] Amii Stewart - Knock On Wood [00:59:14] Zac Brown Band - Chicken Fried [01:03:08] Dj Fritz Live.m4a [01:03:12] 200 - 200 - Led Zeppelin - Ramble On [01:07:27] John Waite - Missing You [01:11:23] Trace Adkins - Marry For Money [01:14:24] Dj Fritz all greatest hits.m4a [01:14:30] 306 - 306 - James Gang - Walk Away [01:17:56] Bob Seger & The Silver Bullet Band - 2B - Old Time Rock And Roll [01:21:04] Taylor Swift - I'm Only Me When I'm With You [01:24:34] Dj Fritz Live.m4a [01:24:37] 408 - 408 - Tom Petty & the Heartbreakers - Refugee [01:27:51] Rednex - Cotton Eyed Joe [01:32:48] Johnny Cash - Ring of Fire [01:35:21] Dj Fritz enjoy weekend.m4a [01:35:27] 185 - 185 - The Who - Bargain [01:40:55] Survivor - Eye Of The Tiger [01:44:36] Trisha Yearwood - That's What I Like About You [01:47:11] All hits weekend [01:47:16] 445 - 445 - Led Zeppelin - All My Love [01:52:52] John Cougar Mellencamp - Jack And Diane [01:57:03] Alan Jackson - Boot Scootin Boogy [02:00:18] Dj Fritz Live2.m4a [02:00:22] 204 - 204 - The Beatles - Ticket To Ride [02:03:22] James Taylor - How Sweet It Is (To Be Loved By You) [02:06:47] Toby Keith - She's A Hottie [02:09:51] Dj Fritz Live2.m4a [02:09:55] 395 - 395 - Eric Clapton - I Shot the Sheriff [02:14:12] The Contours - Do You Love Me [02:17:00] Alan Jackson - Sissy's Song [02:19:59] All hits weekend Dj Fritz [02:20:02] 096 - 096 - Creedence Clearwater Revival - Fortunate Son [02:22:12] Pickett, Bobby 'Boris', And The Crypt-Kickers - Monster Mash [02:25:16] 16 My Old Man.mp3 [02:29:11] All hits weekend [02:29:16] 097 - 097- The Who - Who Are You [02:35:27] Gary Numan - Cars [02:39:02] Toby Keith - Get Drunk and Be Somebody [02:42:00] Dj Fritz stay safe.m4a [02:42:06] 131 - 131 - Bad Company - Rock 'n' Roll Fantasy [02:45:18] Dusty Springfield - Son Of A Preacher Man [02:47:40] John Michael Montgomery - Sold [02:50:06] Dj Fritz stay safe.m4a [02:50:12] 074 - 074 - Jefferson Airplane - Somebody To Love [02:53:05] George Strait - All My Ex's Live In Texas [02:56:19] Alan Jackson - Little Bitty [02:58:53] Dj Fritz enjoy weekend.m4a [02:58:59] 151 - 151 - Crosby, Stills & Nash - Suite Judy Blue Eyes See omnystudio.com/policies/listener for privacy information.

RHOZ Podcast - 9-9-2020 [00:00:00] 6:00 am - RHOZ [00:05:17] INXS - New Sensation [00:08:55] Alan Jackson - Drive (For Daddy Gene) [00:12:55] All hits weekend Dj Fritz [00:12:58] 341 - 341 - Chicago - Beginnings [00:19:21] Blind Melon - No Rain [00:22:49] Billy Ray Cyrus - Wanna Be Your Joe [00:26:02] All hits weekend [00:26:07] 247 - 247 - Steely Dan - Reeling In The Years [00:30:28] Jim Croce - Bad, Bad Leroy Brown [00:33:24] Lost In This Moment - Big & Rich [00:36:53] Dj Fritz stay safe.m4a [00:36:58] 440 - 440 - Bruce Springsteen - Spirit in the night [00:41:50] Marky Mark & The Funky Bunch - Good Vibrations [00:46:17] AARON LEWIS - Country Boy [00:50:58] All hits weekend [00:51:03] 466 - 466 - John Fogerty - The Old Man Down The Road [00:54:24] Rod Stewart - This Old Heart Of Mine [00:58:26] Alan Jackson - She's Got Her Daddy's Money [01:01:24] All hits weekend [01:01:29] 297 - 297 - Rush - New World Man [01:05:02] Prince - 1999 [01:09:40] Alan Jackson & Jimmy Buffett - It's Five O'Clock Somewhere [01:13:27] All hits weekend [01:13:32] 377 - 377 - Santana - Oye Como Va [01:17:45] Dan Seals - Bop [01:21:15] Jake Owen - 8 Second Ride (real) [01:22:55] 257 - 257 - Bad Company - Feel Like Making Love [01:27:17] Alan Jackson - Little Bitty [01:29:52] 16 My Old Man.mp3 [01:33:47] All hits weekend Dj Fritz [01:33:49] 043 - 043 - The Who - My Generation [01:37:07] Club Nouveau - Lean On Me [01:42:50] Toby Keith - Beer For My Horses [01:46:10] Dj Fritz stay safe.m4a [01:46:16] 317 - 317 - Steely Dan - FM [01:50:55] Faith Hill - 1B - Wild One [01:53:33] Taylor Swift - You Belong to Me [01:57:20] Dj Fritz Live.m4a [01:57:23] 181 - 181 - Van Halen - Jump [02:01:13] Tom Cochrane - Life Is A Highway [02:05:29] Dwight Yoakam - Little Sister [02:08:29] Dj Fritz Live.m4a [02:08:32] 388 - 388 - Bob Dylan - Positively 4th Street [02:12:20] Laid Back - White Horse [02:16:08] Easton Corbin - A Little More Country Then that [02:18:56] Dj Fritz enjoy weekend.m4a [02:19:02] 046 - 046 - Deep Purple - Smoke On The Water [02:24:33] Elvis Presley - All Shook Up [02:26:28] Rodney Atkins - 15 Minutes [02:29:05] Dj Fritz stay safe.m4a [02:29:11] 035 - 035 - Kansas - Carry On My Wayward Son [02:34:26] Irene Cara - Fame [02:39:32] Diamond Rio - Meet In The Middle [02:42:44] Dj Fritz all greatest hits.m4a [02:42:51] 148 - 148 - George Harrison - When We Was Fab [02:46:36] The Monkees - Daydream Believer [02:49:22] Jason Aldean - My Kinda Party [02:54:02] Dj Fritz Live2.m4a [02:54:06] 014 - 014 - Cream - White Room See omnystudio.com/policies/listener for privacy information.

RHOZ Podcast - 8-9-2020 [00:00:00] 6:00 am - RHOZ [00:01:23] All hits weekend [00:01:28] 045 - 045 - Cream - Sunshine Of Your Love [00:05:34] Neil Sedaka - Breaking Up Is Hard To Do [00:07:45] GARTH BROOKS - Two Pina Coladas [00:11:14] Dj Fritz Live.m4a [00:11:17] 491 - 491 - Robert Palmer - Addicted To Love [00:15:10] Newcleus - 11B - Jam On It [00:21:27] Tim McGraw - My Little Girl (FATHER-DAUGHTER DANCE) [00:25:02] Dj Fritz stay safe.m4a [00:25:08] 041 - 041 - Led Zeppelin - Black Dog [00:29:54] Newcleus - 11B - Jam On It [00:36:10] Diamond Rio - Norma Jean Riley [00:39:11] Dj Fritz all greatest hits.m4a [00:39:17] 450 - 450 - Foreigner - Cold As Ice [00:42:24] Heaven 17 - Let Me Go [00:46:36] Eric Church - Smoke A Little Smoke [00:49:43] Dj Fritz stay safe.m4a [00:49:49] 056 - 056 - Led Zeppelin - Communication Breakdown [00:52:10] The Moody Blues - Nights In White Satin [00:56:33] Billy Ray Cyrus - Busy Man [00:59:49] All hits weekend [00:59:53] 459 - 459 - Eric Clapton - Layla (Unplugged) [01:04:35] Wham! - Careless Whisper [01:10:51] Corb Lund - Always Keep An Edge On Your Kn [01:14:03] Dj Fritz Live2.m4a [01:14:07] 292 - 292 - Byrds - So You Want To Be A Rock 'n' Roll Star [01:16:07] Jim Croce - Bad, Bad Leroy Brown [01:19:02] Jon Pardi - Head Over Boots [01:22:21] All hits weekend Dj Fritz [01:22:25] 227 - 227 - Fleetwood Mac - The Chain [01:26:45] The Rascals - Groovin' [01:29:10] 16 My Old Man.mp3 [01:33:05] All hits weekend [01:33:10] 371 - 371 - James Gang - Funk #49 [01:36:54] Exposé - Expose' - Point Of No Return [01:40:21] Hot Apple Pie - Hillbillies (loke it in the hay) [01:43:39] Dj Fritz stay safe.m4a [01:43:44] 455 - 455 - Foghat - Slow Ride [01:47:33] Whitney Houston - One Moment In Time [01:52:13] 02 Whiskey Girl.mp3 [01:56:07] Dj Fritz Live2.m4a [01:56:11] 252 - 252 - Troggs - Wild Thing [01:58:40] Shannon - Let The Music Play [02:03:07] Chris Young - Beer Or Gasoline [02:06:32] All hits weekend Dj Fritz [02:06:35] 311 - 311 - Crosby, Stills, Nash - Long Time Gone [02:10:47] Kool & The Gang - Fresh [02:14:45] Sugarland - Everyday America [02:18:32] All hits weekend [02:18:37] 358 - 358 - Procol Harum - Conquistador [02:22:46] Paul Anka - Put Your Head On My Shoulder [02:25:17] Brad Paisley - Alcohol [02:30:06] All hits weekend [02:30:10] 189 - 189 - Neil Young - Cinnamon Girl [02:33:03] Michael Jackson - Thriller [02:38:59] Bon Jovi - Who says you can't go home [02:42:45] All hits weekend [02:42:50] 467 - 467 - The Beatles - Glass Onion [02:45:00] Chuck Berry - Johnny B. Goode [02:47:34] Jason Aldean - Amarillo Sky [02:50:52] Dj Fritz stay safe.m4a [02:50:58] 459 - 459 - Eric Clapton - Layla (Unplugged) [02:55:43] Billy Ray Cyrus - Achy Breaky Heart [02:59:02] Luke Bryan - Rain Is a Good Thing See omnystudio.com/policies/listener for privacy information.

RHOZ Podcast - 6-9-2020 [00:00:00] 6:00 am - RHOZ [00:03:23] 16 My Old Man.mp3 [00:07:18] All hits weekend [00:07:24] 347 - 347 - David Bowie - Fame [00:11:26] Nick Gilder - Hot Child In The City [00:14:31] Brad Paisley - She Said Yes [00:17:52] Dj Fritz all greatest hits.m4a [00:17:58] 436 - 436 - Dire Straits - So Far Away [00:21:49] Men without Hats - Safety Dance [00:26:19] Darius Rucker - Wagon Wheel [00:31:09] Dj Fritz enjoy weekend.m4a [00:31:15] 428 - 428 - Bob Dylan - Just Like A Woman [00:36:01] Salt-N-Pepa - Let's Talk About Sex [00:39:28] George straight - Don't Take Her She [00:42:50] All hits weekend [00:42:56] 174 - 174 - Elton John - Rocket Man [00:47:27] J. Geils Band - Land Of A Thousand Dances [00:50:48] 04 Bring It On Home.mp3 [00:55:05] Dj Fritz stay safe.m4a [00:55:12] 329 - 329 - John Fogerty - Centerfield [00:58:59] Phil Collins - One More Night [01:03:36] Corb Lund Band - Big Butch Bass Bull Fiddle [01:05:47] Dj Fritz all greatest hits.m4a [01:05:53] 147 - 147 - Edgar Winter Group - Free Ride [01:08:53] Gary Glitter - Rock And Roll Part 2 [01:11:45] Alan Jackson - Sissy's Song [01:14:44] All hits weekend Dj Fritz [01:14:47] 149 - 149 - Head East - Never Been Any Reason [01:19:51] Marvin Hamlisch - The Entertainer [01:22:45] Nelly (Ft. Tim McGraw) - Over And Over Again [01:26:56] Dj Fritz stay safe.m4a [01:27:02] 263 - 263 - The Doors - People Are Strange [01:29:08] Maxi Priest - Wild World [01:32:31] Little Big Town - A thousand years [01:36:19] Dj Fritz stay safe.m4a [01:36:25] 327 - 327 - The Beatles - We Can Work It Out [01:38:35] M - Pop Muzik [01:41:48] Alan Jackson - Livin' On Love [01:45:34] Dj Fritz Live.m4a [01:45:37] 132 - 132 - The Rolling Stones - Honky Tonk Woman [01:48:36] Haddaway - What Is Love [01:52:30] The Git Up.mp3 [01:55:47] Dj Fritz stay safe.m4a [01:55:53] 199 - 199 - Boston - Rock & Roll Band [01:58:47] Whitney Houston - One Moment In Time [02:03:28] Hot Apple Pie - Hillbillies (loke it in the hay) [02:06:46] Dj Fritz enjoy weekend.m4a [02:06:51] 431 - 431 - Tom Petty & the Heartbreakers - I Won't Back Down [02:09:44] Ace Of Base - The Sign [02:12:49] Shania twain - Man I Feel Like A Woman [02:16:41] Dj Fritz stay safe.m4a [02:16:48] 074 - 074 - Jefferson Airplane - Somebody To Love [02:19:41] Beastie Boys - Girls [02:21:54] Jason Aldean - The Truth [02:25:49] All hits weekend Dj Fritz [02:25:52] 006 - 006 - The Doors - Light My Fire [02:32:54] Marcia Griffiths - Electric Boogie [02:36:48] Rodney Atkins - These Are My People [02:40:13] Dj Fritz stay safe.m4a [02:40:19] 264 - 264 - Dire Straits - Sultans Of Swing [02:46:00] The Proclaimers - I'm On My Way [02:49:31] Alan Jackson - Margaritaville [02:53:44] Dj Fritz all greatest hits.m4a [02:53:50] 148 - 148 - George Harrison - When We Was Fab [02:57:35] Steve Miller Band - The Joker See omnystudio.com/policies/listener for privacy information.

RHOZ Podcast - 20-8-2020 [00:00:00] 6:00 am - RHOZ [00:02:40] Blondie - Rapture [00:08:12] Alan Jackson - She's Gone Country [00:12:26] Dj Fritz Live.m4a [00:12:29] 049 - 049 - Animals - House of the Rising Sun [00:16:55] U2 - With Or Without You [00:21:40] Diamond Rio - That's How Your Love........ [00:25:39] Dj Fritz stay safe.m4a [00:25:45] 361 - 361 - Steely Dan - Josie [00:30:07] Tony Orlando & Dawn - Tie A Yellow Ribbon [00:33:21] 16 My Old Man.mp3 [00:37:16] All hits weekend Dj Fritz [00:37:20] 346 - 346 - Neil Young - Heart of Gold [00:40:24] Rupert Holmes - 8B - Escape [00:44:27] Luke Bryan - Rain Is a Good Thing [00:47:19] Dj Fritz Live.m4a [00:47:22] 424 - 424 - Peter Gabriel - In Your Eyes [00:52:34] Brooks & Dunn - Neon Moon [00:56:47] Brad Paisley - Alcohol [01:01:36] All hits weekend Dj Fritz [01:01:39] 360 - 360 - Todd Rundgren - Hello It's Me [01:05:19] Whitney Houston - I Will Always Love You [01:09:45] Brad Paisley - Im Gonna Miss Her [01:12:56] All hits weekend Dj Fritz [01:12:59] 120 - 120 - Crosby, Stills, Nash & Young - Ohio [01:15:49] Kim Wilde - Kids In America [01:19:09] Billy Currington - That's How Country Boys Roll [01:22:51] Dj Fritz all greatest hits.m4a [01:22:56] 294 - 294 - Foghat - Fool for the City [01:27:23] The Corrs - So Young [01:31:28] Montgomery Gentry - Back When I Knew It All [01:35:24] Dj Fritz enjoy weekend.m4a [01:35:30] 029 - 029 - Aerosmith - Dream On [01:39:48] The Alan Parsons Project - Sirius [01:41:35] Brad Paisley - Online [01:46:24] Dj Fritz enjoy weekend.m4a [01:46:29] 270 - 270 - The Who - Eminence Front [01:51:55] The Everly Brothers - Wake Up Little Susie [01:53:50] Luke Combs - When It Rains It Pours [01:57:47] Dj Fritz enjoy weekend.m4a [01:57:53] 227 - 227 - Fleetwood Mac - The Chain [02:02:08] The Buggles - Video Killed The Radio Star [02:05:25] Nelly (Ft. Tim McGraw) - Over And Over Again [02:09:37] Dj Fritz all greatest hits.m4a [02:09:43] 087 - 087 - Eric Clapton - Wonderful Tonight [02:13:16] The Beach Boys - California Girls [02:15:44] Johnny Cash - Ring of Fire [02:18:17] Dj Fritz Live2.m4a [02:18:20] 110 - 110 - Emerson, Lake and Palmer - Karn Evil 9 [02:23:00] Chaka Demus & Pliers - Tease Me [02:26:54] Trailer Choir - Rockin' the Beer Gut [02:30:05] All hits weekend Dj Fritz [02:30:08] 490 - 490 - Lovin' Spoonful - Summer In The City [02:32:43] Whitney Houston - I Will Always Love You [02:37:10] 11 She's My Kind of Rain.mp3 [02:41:15] Dj Fritz stay safe.m4a [02:41:21] 392 - 392 - The Who - You Better You Bet [02:46:51] SWV - Right Here (Human Nature Mix) [02:50:28] Rodney Atkins - 15 Minutes [02:53:05] Dj Fritz Live.m4a [02:53:08] 264 - 264 - Dire Straits - Sultans Of Swing [02:58:48] Big Mountain - Baby, I Love Your Way See omnystudio.com/policies/listener for privacy information.

Sometime last year, Eric Hutchinson came to a strange realization: he kept daydreaming about high-school. It had been over twenty years since the singer-songwriter had graduated from Montgomery Blair High School, yet his adolescent dreams, hopes, fears, anxieties and emotions the singer faced as a kid began flooding back; suddenly, the singer felt transported back into his teenage self. Growing up in suburban Maryland, Hutchinson’s teenage years were filled with the type of alienation and private angst recognizable to most anyone who’s ever been 16. Twenty-plus years later, the singer was finally ready to write about it. The result: Class of 98, a 90’s alt-rock-inspired autobiographical record that chronicles the singer-songwriter’s adolescence.“It took me a long time to understand myself,” Hutchinson says. “Writing this record allowed me to get into the time machine and go back and look around my old life and report from my current point of view. That was fun. The problems were waiting for me: Who likes me? Why doesn’t this person want to be around me? Why don’t I understand myself?”After experimenting with a series of genres like Americana/soul and jazz on his last few albums ModernHappiness and Before and After Life, the singer-songwriter turned to the pop-punk alt-rock of his youth for the riff-heavy Class of 98, taking inspiration from bands like Green Day, Oasis, and Weezer. “That music is in my guitar DNA,” says the singer. “I love 90’s music, and this type of sound was so formative for me.” To help round out his sound, Hutchinson recruited Justin Sharbono (formerly of Soul Asylum) to offer his distinctive (and period appropriate) guitar playing on the album. Hutchinson also enlisted the sonic guidance and mixing talents of Paul Kolderie, who’d made great 90’s records with bands like Radiohead, Hole, The Lemonheads, Buffalo Tom and The Pixies. For Hutchinson, taking such an imaginative leap with a concept as specifically personal of Class of 98was an artistic risk he knew he needed to take. “I don’t think people want me to keep making the same record, as much as anyone might think they do,” he says. The opening track “Rock Out Tonight” sets the scene with a narrative that evokes the high-drama restlessness of a group of teenagers aimlessly driving around the suburbs in a Ford Taurus. The song, says the singer, is about “wanting to be rebellious, but having no idea how to do so.”Meanwhile, cinematic songs like “Drunk at Lunch” and “Cooler Than You” show a darker underbelly of Hutchinson’s high-school introversion, echoing a theme that the singer-songwriter has been tackling in his work ever since releasing his chart-topping debut LP Sounds Like This, in 2007. “I’m always interested in asking questions in my songs: who’s cool, who gets to decide, and where do I fit into all of that?” he says. But the emotional centerpiece of Hutchinson’s latest, and the song that was the most difficult to write, is “My Old Man,” written in the wake of his father’s passing, after years of living with Myotonic dystrophy. More than anything else on the album, the deeply personal song gets at the album’s central tension of writing from the teenage perspective while simultaneously embodying the adult point of view. “I didn’t necessarily get along with my dad in high school,” says the singer. “We were in different places in our lives and he had different things to worry about. I tried to sing this song from my perspective back then as well as my perspective now, where I’ve made peace with him.”Taken as a whole, Class of 98arrives as Hutchinson’s most playful yet distinctive work, one that will surely resonate with longtime fans of the singer’s pop-rock hits like “Rock & Roll,” “Tell the World,” and “Watching You Watch Him.”For Hutchinson, the experience of delving back into his high-school youth helped him learn a lot: about his upbringing, about parenthood, and about himself. “I like the 90’s way better,” he says, “when I’m not living in them.”

RHOZ Podcast - 9-8-2020 [00:00:00] 6:00 am - RHOZ [00:01:29] Green Day - When I Come Around [00:04:22] BROOKS & DUNN - Neon Moon [00:08:36] Dj Fritz stay safe.m4a [00:08:42] 488 - 488 - Amboy Dukes - Journey To The Center Of The Mind [00:12:13] Re-Flex - The Politics Of Dancing [00:16:00] Justin Moore - Backwoods [00:18:34] Dj Fritz all greatest hits.m4a [00:18:40] 350 - 350 - Heart - Barracuda [00:23:00] The Power Station - Some Like It Hot [00:27:59] Montgomery Gentry - Lucky Man [00:31:12] All hits weekend Dj Fritz [00:31:15] 183 - 183 - Janis Joplin - Piece Of My Heart [00:35:21] Robert Palmer - Simply Irresistable [00:39:30] Justin Moore - Backwoods [00:42:04] All hits weekend Dj Fritz [00:42:08] 142 - 142 - The Eagles - Life In The Fast Lane [00:46:47] The Bangles - Walk Like An Egyptian [00:50:01] John Denver - Thank God I'm A Country Boy [00:53:19] All hits weekend [00:53:24] 130 - 130 - ZZ Top - Legs [00:57:47] Joshua Kadison - Beautiful In My Eyes [01:01:47] Craig Morgan - Bonfire [01:04:46] Dj Fritz Live2.m4a [01:04:49] 033 - 033 - Pink Floyd - Wish You Were Here [01:10:22] Sam Cooke - Twistin' The Night Away [01:12:56] Sugarland - Settlin' [01:16:16] All hits weekend [01:16:22] 461 - 461 - Bob Seger - Turn The Page [01:21:20] Rose Royce - Car Wash [01:24:43] Taylor Swift - You Belong to Me [01:28:30] Dj Fritz enjoy weekend.m4a [01:28:35] 022 - 022 - Led Zeppelin - Kashmir [01:36:53] Blur - Girls & Boys [01:40:50] Jason Aldean - The Truth [01:44:44] Dj Fritz Live2.m4a [01:44:48] 144 - 144 - Styx - Come Sail Away [01:50:38] R.E.M. - Stand [01:53:46] 04 Bring It On Home.mp3 [01:58:03] All hits weekend [01:58:09] 199 - 199 - Boston - Rock & Roll Band [02:01:07] Promo Only Canada - Tympany Roll (Drum roll) [02:01:21] Trailer Choir - Rockin' the Beer Gut [02:04:32] All hits weekend [02:04:38] 017 - 017 - Queen - Bohemian Rhapsody [02:10:22] Elvis Presley - Jailhouse Rock [02:12:41] Trailer Choir - Rockin' the Beer Gut [02:15:52] All hits weekend [02:15:57] 122 - 122 - The Beatles - Eleanor Rigby [02:17:58] All-4-One - I Can Love You Like That [02:22:05] 16 My Old Man.mp3 [02:25:59] Dj Fritz stay safe.m4a [02:26:05] 164 - 164 - Crosby, Stills & Nash - Teach Your Children [02:28:53] Del Amitri - Roll To Me [02:31:00] Zac Brown Band - Hwy 20 Ride [02:34:49] Dj Fritz all greatest hits.m4a [02:34:55] 404 - 404 - Elton John - Madman Across The Water [02:40:41] Soft Cell - Tainted Love [02:43:14] Trace Adkins - Marry For Money [02:46:15] Dj Fritz Live.m4a [02:46:19] 031 - 031 - Led Zeppelin - Whole Lotta Love [02:51:47] Pet Shop Boys - Go West [02:56:38] Rhett Akins - That Ain't My Truck See omnystudio.com/policies/listener for privacy information.

RHOZ Podcast - 8-7-2020 [00:00:00] 6:00 am - RHOZ [00:01:21] Corb Lund - Hair In My Eyes Like a Highland Steer [00:04:13] All hits weekend [00:04:19] 032 - 032 - Lynyrd Skynyrd - Freebird [00:13:18] Captain & Tennille - Love Will Keep Us Together [00:16:33] Garth Brooks - Friends In Low Places [00:20:48] Dj Fritz Live.m4a [00:20:51] 479 - 479 - The Rolling Stones - Let It Bleed [00:26:14] The Ventures - 8A - Hawaii 5-0 [00:27:16] Codie Prevost - Not Just The Beer Talkin' [00:30:30] Dj Fritz enjoy weekend.m4a [00:30:36] 025 - 025 - The Doors - Roadhouse Blues [00:34:34] Prince - 2A - Erotic City [00:38:23] Kenny Chesney - I Go Back [00:42:17] Dj Fritz Live2.m4a [00:42:20] 318 - 318 - Bruce Springsteen - Brilliant Disguise [00:46:28] Rick James - Super Freak [00:49:45] Codie Prevost - Not Just The Beer Talkin' [00:53:00] Dj Fritz enjoy weekend.m4a [00:53:05] 024 - 024 - Yes - Roundabout [01:01:28] Dire Straits - Money For Nothing [01:05:26] Toby Keith - Cryin' For Me (Wayman's Song) [01:10:07] Dj Fritz stay safe.m4a [01:10:13] 091 - 091 - The Beatles - All You Need Is Love [01:13:47] TLC - What About Your Friends [01:18:29] Big n Rich - Save a Horse, Ride a Cowboy [01:21:48] Dj Fritz Live.m4a [01:21:52] 205 - 205 - The Beach Boys - Good Vibrations [01:25:26] Simple Minds - Don't You (Forget About Me) [01:29:40] Brad Paisley - Alcohol [01:34:29] All hits weekend [01:34:34] 421 - 421 - Thin Lizzy - The Boys Are Back In Town [01:38:55] New Order - True Faith [01:44:35] Lost In This Moment - Big & Rich [01:48:04] Dj Fritz all greatest hits.m4a [01:48:10] 112 - 112 - The Allman Brothers Band - The Allman Brothers - Jessica [01:55:33] All-4-One - I Can Love You Like That [01:59:39] 16 My Old Man.mp3 [02:03:34] Dj Fritz enjoy weekend.m4a [02:03:39] 025 - 025 - The Doors - Roadhouse Blues [02:07:36] Kenny Rogers - Lady [02:11:20] Sam Hunt - House Party [02:14:27] Dj Fritz enjoy weekend.m4a [02:14:33] 174 - 174 - Elton John - Rocket Man [02:19:04] Billy Ocean - Suddenly [02:22:49] Brad Paisley - Waitin On A Woman [02:27:16] All hits weekend [02:27:21] 079 - 079 - Crosby, Stills, Nash - Woodstock [02:31:07] Pearl Jam - Leatherman (bonus track) [02:33:31] GARTH BROOKS - Two Pina Coladas [02:37:00] Dj Fritz enjoy weekend.m4a [02:37:06] 458 - 458 - Cheap Trick - Dream Police [02:40:52] Gary Numan - Cars [02:44:28] Chris Young - Beer Or Gasoline [02:47:52] Dj Fritz enjoy weekend.m4a [02:47:58] 124 - 124 - Supertramp - The Logical Song [02:51:56] Robert Palmer - Simply Irresistable [02:56:05] Emerson Drive - A Good Man [02:58:59] Dj Fritz stay safe.m4a [02:59:05] 303 - 303 - Electric Light Orchestra - Fire On High

The skiffle song: "My Old Man's a Dustman", as performed by Donegan. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/tadpole-slamp/support

RHOZ Podcast - 25-6-2020 [00:00:00] 6:00 am - RHOZ [00:02:12] Dj Fritz stay safe.m4a [00:02:18] 101 - 101 - Elton John - Daniel [00:06:03] Queen - Under Pressure [00:09:54] 16 My Old Man.mp3 [00:13:49] All hits weekend Dj Fritz [00:13:52] 439 - 439 - Peter Frampton - Baby, I Love Your Way [00:18:33] Quiet Riot - Cum On Feel The Noize [00:23:12] Emerson Drive - Moments [00:28:04] Dj Fritz Live.m4a [00:28:07] 012 - 012 - The Who - Baba O'Riley [00:33:05] Whitney Houston - Greatest Love Of All [00:37:54] Sugarland - Everyday America [00:41:41] Dj Fritz Live.m4a [00:41:45] 423 - 423 - Van Halen - Dance The Night Away [00:44:43] Dion - Runaround Sue [00:47:16] Taylor Swift - A Place in This World [00:50:33] Dj Fritz Live.m4a [00:50:37] 487 - 487 - Ozzy Osbourne - Crazy Train [00:55:22] Roy Orbison - Oh, Pretty Woman [00:58:15] Big & Rich - Coming To Your City [01:01:41] Dj Fritz stay safe.m4a [01:01:47] 147 - 147 - Edgar Winter Group - Free Ride [01:04:47] Tracy Chapman - Fast Car [01:09:38] Craig Morgan - Redneck Yacht Club [01:13:17] Dj Fritz stay safe.m4a [01:13:23] 266 - 266 - The Beatles - Stawberry Fields Forever [01:17:23] Supertramp - 05 - Breakfast In America [01:20:15] Dwight Yoakam - Crazy Little Thing Called Love [01:22:32] Dj Fritz stay safe.m4a [01:22:38] 264 - 264 - Dire Straits - Sultans Of Swing [01:28:19] Depeche Mode - Enjoy The Silence [01:32:27] Sugarland - Settlin' [01:35:48] Dj Fritz all greatest hits.m4a [01:35:54] 056 - 056 - Led Zeppelin - Communication Breakdown [01:38:17] Olivia Newton-John - Physical [01:41:53] The Git Up.mp3 [01:45:09] All hits weekend [01:45:14] 218 - 218 - Kinks - Well Respected Man [01:47:51] Eric Clapton - Lay Down Sally [01:51:33] Justin Timberlake ft. Chris Stapleton - Say Something [01:56:09] Dj Fritz Live.m4a [01:56:12] 432 - 432 - Van Morrison - Wild Night [01:59:41] The Doobie Brothers - China Grove [02:02:54] Florida Georgia Line - Round Here [02:06:26] Dj Fritz enjoy weekend.m4a [02:06:32] 257 - 257 - Bad Company - Feel Like Making Love [02:11:34] Los Lobos - La Bamba [02:14:18] Diamond Rio - Norma Jean Riley [02:17:18] Dj Fritz enjoy weekend.m4a [02:17:24] 290 - 290 - The Beatles - I Want To Hold Your Hand [02:19:45] Rick Astley - Never Gonna Give You Up [02:23:11] Brooks & Dunn - Play something country [02:26:23] Dj Fritz Live2.m4a [02:26:27] 211 - 211 - The Rolling Stones - Angie [02:30:56] Talking Heads - Burning Down The House [02:34:46] Darius Rucker - History In The Making [02:38:12] Dj Fritz Live2.m4a [02:38:15] 263 - 263 - The Doors - People Are Strange [02:40:23] Billy Joel - It's Still Rock And Roll To Me [02:43:10] Garth Brooks - The Dance [02:46:50] All hits weekend [02:46:56] 123 - 123 - Neil Young - Old Man [02:50:13] Blondie - The Tide Is High [02:54:45] Darius Rucker - Wagon Wheel [02:59:35] Dj Fritz all greatest hits.m4a [02:59:41] 258 - 258 - Heart - Magic Man

RHOZ Podcast - 4-6-2020 [00:00:00] 6:00 am - RHOZ [00:04:37] David Lindley - Mercury Blues [00:08:07] Diamond Rio - What Might Have Been [00:12:01] Dj Fritz stay safe.m4a [00:12:07] 397 - 397 - Chicago - Make Me Smile [00:16:30] The Champs - Tequila [00:18:37] Rodney Adkins - My Little Buckaroo [00:22:28] Dj Fritz Live2.m4a [00:22:32] 467 - 467 - The Beatles - Glass Onion [00:24:41] Foundations - Build Me Up Buttercup - With S/Fx "Something About Mary" [00:27:30] Joe Nichols - Unsinkable Ships (The Impossible) [00:31:21] Dj Fritz stay safe.m4a [00:31:27] 232 - 232 - The Beatles - Sun King Melody [00:38:06] Fine Young Cannibals - Johnny Come Home [00:41:32] Montgomery Gentry - Back When I Knew It All [00:45:28] All hits weekend Dj Fritz [00:45:31] 307 - 307 - Argent - Hold Your Head Up [00:51:39] Hall & Oates - Maneater [00:56:00] Jason Aldean - Amarillo Sky [00:59:18] All hits weekend [00:59:24] 379 - 379 - Van Halen - Running With The Devil [01:02:49] The Gap Band - Party Train [01:08:27] Billy Ray Cyrus - Achy Breaky Heart [01:11:48] All hits weekend [01:11:54] 137 - 137 - George Harrison - What Is Life [01:16:02] Quarterflesh - Harden My Heart [01:19:30] Lucinda Williams - Can't Let Go [01:22:55] All hits weekend Dj Fritz [01:22:59] 004 - 004 - The Beatles - A Day In The Life [01:28:30] Mary Wells - My Guy [01:31:16] Garth Brooks - The Dance [01:34:56] All hits weekend Dj Fritz [01:35:01] 026 - 026 - Jefferson Airplane - White Rabbit [01:37:32] Harold Faltermeyer - Axel F [01:40:29] Trisha Yearwood - That's What I Like About You [01:43:05] Dj Fritz all greatest hits.m4a [01:43:11] 002 - 002 - The Rolling Stones - Satisfaction [01:46:51] Milli Vanilli - Girl You Know It's True [01:50:46] 16 My Old Man.mp3 [01:54:41] Dj Fritz Live2.m4a [01:54:45] 385 - 385 - Kinks - Celluloid Heroes [02:00:57] Smashing Pumpkins - Today [02:04:16] Justin Moore - How I Got To Be This Way [02:07:10] All hits weekend [02:07:16] 381 - 381 - Steely Dan - Dirty Work [02:10:14] Meat Loaf - Paradise By The Dashboard Light [02:18:33] Lost In This Moment - Big & Rich [02:22:02] Dj Fritz all greatest hits.m4a [02:22:08] 139 - 139 - Foreigner - Feels Like The First Time [02:25:50] Harold Faltermeyer - Axel F [02:28:47] Billy Ray Cyrus - Wanna Be Your Joe [02:32:00] All hits weekend [02:32:05] 284 - 284 - Lynyrd Skynyrd - Sweet Home Alabama [02:36:41] Ray Anthony - Hokey Pokey [02:39:52] The Cadillac Three - Party Like You [02:42:56] Dj Fritz stay safe.m4a [02:43:02] 210 - 210 - George Harrison - Got My Mind Set On You [02:46:45] K.W.S. - Please Don't Go [02:50:53] Zac Brown Band - Toes [02:55:07] Dj Fritz stay safe.m4a [02:55:12] 328 - 328 - Elton John - Tiny Dancer

This episode we discuss the use of Surrender by Cheap trick in the "My Old Man" from Scrubs. I discuss the complexities of parent-child relationships and my own connection to the song.

RHOZ Podcast - 14-4-2020 [00:00:00] 6:00 am - RHOZ [00:08:34] Twisted Sister - We're Not Gonna Take It [00:12:08] Diamond Rio - Meet In The Middle [00:15:20] All hits Easter Weekend [00:15:26] 156 - 156 - The Rolling Stones - Under My Thumb [00:18:58] Rose Royce - Car Wash [00:22:20] Rodney Atkins - Cleaning This Gun [00:26:03] Dj Fritz 4 day Easter weekend [00:26:08] 362 - 362 - Cat Stevens - Wild World [00:29:21] Phil Collins - You Can't Hurry Love [00:32:06] Confederate Railroad - Queen of Memphis [00:35:24] All hits Easter Weekend [00:35:29] 084 - 084 - Fleetwood Mac - Go Your Own Way [00:39:02] The Jeff Healey Band - Angel Eyes [00:43:15] Alan Jackson - Country Boy [00:47:17] All hits Easter Weekend [00:47:23] 343 - 343 - The Who - Magic Bus [00:50:34] Captain Hollywood Project - More And More [00:54:22] Craig Morgan - That's What I Love About Sunday [00:57:35] All hits Easter Weekend [00:57:41] 205 - 205 - The Beach Boys - Good Vibrations [01:01:12] The Jackson 5 - I Want You Back [01:03:59] Dwight Yoakam - Crazy Little Thing Called Love [01:06:16] All hits weekend Dj Fritz [01:06:19] 156 - 156 - The Rolling Stones - Under My Thumb [01:09:52] Dire Straits - Money For Nothing [01:13:51] Justin Timberlake ft. Chris Stapleton - Say Something [01:18:27] Dj Fritz 4 day Easter weekend [01:18:31] 152 - 152 - Queen - Crazy Little Thing Called Love [01:21:05] Beenie Man - Who Am I [01:24:19] Miley Cyrus & Billy Ray Cyrus - Get Ready, Get Set, Don't Go [01:28:03] All hits Easter Weekend [01:28:09] 090 - 090 - Grateful Dead - Touch of Grey [01:33:47] The Doors - Break On Through [01:36:10] Joe Nichols - It Ain't No Crime [01:39:44] Dj Fritz Live2.m4a [01:39:48] 067 - 067 - Van Morrison - Brown Eyed Girl [01:42:46] Technotronic - Move This [01:48:49] Billy Ray Cyrus - Busy Man [01:52:04] Dj Fritz Live2.m4a [01:52:08] 091 - 091 - The Beatles - All You Need Is Love [01:55:42] Annie Lennox - Walking On Broken Glass [01:59:42] Alan Jackson - Livin' On Love [02:03:28] All hits Easter Weekend [02:03:34] 439 - 439 - Peter Frampton - Baby, I Love Your Way [02:08:14] Hall & Oates - Private Eyes [02:11:31] Brad Paisley - Ticks [02:15:27] Dj Fritz Live.m4a [02:15:30] 388 - 388 - Bob Dylan - Positively 4th Street [02:19:17] Herbie - Right Type Of Mood [02:22:23] Emerson Drive - Moments [02:27:15] All hits weekend Dj Fritz [02:27:18] 390 - 390 - Grand Funk Railroad - Bad Time [02:30:10] Ce Ce Peniston - 10A - Finally [02:34:04] Luke Bryan - Rain Is a Good Thing [02:36:57] All hits weekend Dj Fritz [02:37:00] 385 - 385 - Kinks - Celluloid Heroes [02:43:18] Tom Jones - It's Not Unusual [02:45:14] SHANIA TWAIN - DON'T BE STUPID (YOU KNOW I LOVE YOU) [02:48:47] Dj Fritz Live.m4a [02:48:51] 192 - 192 - ACDC - T.N.T. [02:52:22] John Cougar Mellencamp - Cherry Bomb [02:57:03] 16 My Old Man.mp3

"The Purge" episode.  Join us tonight from studio 1A as we attempt to record episode 2 of our newly formatted show amid a steady flow of sirens and emergency vehicles.  Tonight's topics will include: Rob's review of the new Joker movie, Chris almost getting beat up by Nate Diaz (sort of but/not really),  a multitude of "dumb criminal" stories, Nursing home cocaine parties, The Righteous Gemstones, sparkly pooh, more Antonio Brown drama, Chris, Rob, and Mike's football picks for the upcoming week, and Rob's monumental trip to "Grill 'em All", which inspired an idea of a food truck of his own. Tonight's music lineup includes: Our intro song "Nervous Podcast" by A4E Presents,  "Open Wide" by the Meat Puppets, "My Old Man's a Fatso" and "Posh Boy's Cock" by Angry Samoans, "Hammerless Nail" by New Bomb Turks, and "Schoolyard Tragedy" by Fluorescent Orange America.   Cheers and Enjoy  

My Old Man’s a Dustman, Lonnie Donegan and Comme D’habitude, Claude Francois.

Frankie goes wild and goes deep into Lou Reed's initial solo career, celebrating and sharing his favorite tracks about one of his favorite artists- the rock n' roll animal himself, a man of controversy and creation, loved and hated. Ladies & Gentlemen- Mr. Lou Reed!!! 1.) I Can't Stand It (1972) 2.) Hanging 'Round (1972) 3.) Nowhere At All (1976) 4.) NY Stars (1974) 5.) Banging On MY Drum (1976) 6.) Looking For Love (1979) 7.) Ecstasy (2000) 8.) There Is No Time (1989) 9.) Kill Your Sons (1974) 10.) Leave Me Alone (1978) 11.) My Old Man (1980) 12.)(The) Heroine (1982) 13.) Street Hassle (1978) 14.) Turn To Me (1984) 15.) Rooftop Garden (1983) 16.) Standing On Ceremony (1980) 17.) Gimmie Some Good Times (1978) 18.) Last Great American Whale (1989) 19.) The Day John Kennedy Died (1982) 20.) New Sensations (1984)

Episode 51 of Look At My Record! features an in-depth conversation with the wonderful Emma Decorsey of I Am The Polish Army! In late 2017, I Am The Polish Army released their excellent debut album, “My Old Man,” which was named one of Rolling Stone’s “15 Great Albums You Probably Didn’t Hear in 2017.” Listen in to hear all about the origins of the project over a decade ago, the process behind recording “My Old Man,” the inspiration for several songs, including the beautiful “David Bowie,” and of course, Emma’s great picks! Did you know Emma also fronts a Siouxsie and the Banshees cover band? Hear all about it in Episode 51! Thank you for stopping by, Emma!

In this very special episode I have back the Great Steve Simeone and and filling in as my guest Co-Host is My Old Man; Charles Zoida We discuss being motivated to keep your goals and how writing a list of your goals is easier to achieve them. We also discuss bad service and lack of hard work today compared to a better time and my Dad shares some of his experiences growing on on the streets of Brooklyn New York, all while my Dad and Steve kick back in the Garage/Studio and have a cigar. I hope you all kick back and enjoy this episode. Don't forget to Subscribe and enjoy. Thank you all for listening and give Home Schooled Podcast a try @agostinozoida @stevesimeone

Leikin eru lög með Buffalo Springfield, Crosby, Stills Nash og Young og Joni Mitchell og samskipti þessa fólks á sjöunda og áratugnum rakin í stuttu máli. Lögin sem hljóma í þættinum eru For What It's Worth og Mr. Soul með Buffalo Springfield, The Loner og Buffalo Springfield með Neil Young, Almost Cut My Hair með C.S.N. & Y., Just A Song Before I Go og Guinevere með C.S. & N., I Used To Be A King með Neil Young, My Old Man, You Turn Me On I'm A Radio og Free Man In Paris með Joni Mitchell.

Leikin eru lög með Buffalo Springfield, Crosby, Stills Nash og Young og Joni Mitchell og samskipti þessa fólks á sjöunda og áratugnum rakin í stuttu máli. Lögin sem hljóma í þættinum eru For What It's Worth og Mr. Soul með Buffalo Springfield, The Loner og Buffalo Springfield með Neil Young, Almost Cut My Hair með C.S.N. & Y., Just A Song Before I Go og Guinevere með C.S. & N., I Used To Be A King með Neil Young, My Old Man, You Turn Me On I'm A Radio og Free Man In Paris með Joni Mitchell.

Leikin eru lög með Buffalo Springfield, Crosby, Stills Nash og Young og Joni Mitchell og samskipti þessa fólks á sjöunda og áratugnum rakin í stuttu máli. Lögin sem hljóma í þættinum eru For What It's Worth og Mr. Soul með Buffalo Springfield, The Loner og Buffalo Springfield með Neil Young, Almost Cut My Hair með C.S.N. & Y., Just A Song Before I Go og Guinevere með C.S. & N., I Used To Be A King með Neil Young, My Old Man, You Turn Me On I'm A Radio og Free Man In Paris með Joni Mitchell.

  Aujourd'hui à l'émission, on reçoit Nicolas du Nouveau Rappeur en entrevue pour nous parler de leur show de samedi prochain (le 25 novembre), Maude revient sur le passage de Geoffroy, Aliocha et Men I Trust à la Sala Rossa durant M pour Montréal et Mathieu débute sa rétrospective musicale de fin d'année avec les positions 25 à 21 de son top 25 de 2017!   En musique : Pcm4st3rr4c3 / Jay Scott Je suis le génie / Le Nouveau Rappeur I Am a Puddle / Wiklow   Lauren / Men I Trust Coastline / Geoffroy   Pompéi / Mélanie Venditti My Old Man / Mac DeMarco   Star Roving / Slowdive  

It’s always a pleasure to welcome a directorial debutant to Soundtracking – what with their entirely fresh take on the art of source music and score. Not that Andy Serkis is a novice when it comes to cinema. As an actor, he played Gollum in Lord Of The Rings and Caesar in the Planet Of The Apes franchise, with roles in the new Star Wars and Black Panther to come soon. He also brilliantly captured the essence of troubled troubadour Ian Dury in Sex & Drugs & Rock N Roll, which was directed by our good friend Mat Whitecross. Indeed it’s thanks to Mat you’ll get to hear Andy’s version of My Old Man from the film – after his editor Marc dug out a copy for us. Andy’s first major foray behind the camera is Breathe. Starring Andrew Garfield and Claire Foy, Breathe tells the story of Robin Cavendish, who was given three months to live after being paralysed from the neck down by polio at the age of 28. He became a pioneering advocate for the disabled and travelled the world with his wife, Diana Blacker, in the hope of transforming the lives of others like him. Since Robin's son Jonathan is Andy's partner at their production and motion capture company, Imaginarium, he had a deeply personal connection to the narrative. This extended to the music, which was composed by his friend, Nitin Sawhney. Now while this is Andy's first job in charge of an actual feature film, he previously directed the cutaway scenes for video game, Heavenly Sword. And who did he get to score that? None other than Nitin, of course ...

 This week Aaron Haag and John Brian discuss authenticity, credibility and an uncomfortable amount of talk about Benji Madden's haircuts. We also cover Aaron's reason for disliking Star Wars and John's love of simplicity in music. MUSIC CREDITS:  Songs by Good Charlotte  The Festival Song, Motivation Proclamation, and Little Things off of Good Charlotte (2000) Riot Girl, Story of My Old Man, The Anthem, Lifestyle of The Rich and Famous and Girls & Boys off of The Young and The Hopeless (2002)     Additional Songs Come on Eileen by Save Ferris off of It Means Everything (1997) Lust for Life by Iggy Pop off of Lust For Life (1977)    Our Recommendations: Aaron's Rec of the Week: Courage My Love's first Album "For Now"   John's Rec of the Week: Oasis's MTV Unplugged episode     Follow the show! Twitter – Facebook – Instagram – Our Site Aaron on Twitter - John on Twitter Email: PodPunkShow@Gmail.com  

Is Muhammad Ali the grandfather of hip hop? How did we get from winsome C86 indie to today’s lairy guitar pop? And are our dads reponsible for our musical taste? Special guests Laura Snapes and Ted Kessler – author of new book ‘My Old Man’ – join Andrew and Matt to talk over these matters and more… See acast.com/privacy for privacy and opt-out information.

This week Justin and Karissa break down the Scrubs season 1 episodes 19-20 "My Old Man" and "My Way or The Highway." They also celebrate hitting double digits and how they now view their parents after watching Scrubs. Thanks again for listening everyone! You've been great! Email Justin and Karissa: MyScrubsPodcast@gmail.com Follow Justin on Twitter @justinbuchanan and Instagram @justinjbuchanan

Korn, Queen, Everclear, Green Day, Pearl Jam, Eric Clapton, Alice In Chains, The Queers, Jane’s Addiction e muitas outras coisas na Mixtape 25, faça o download agora. (clique com o botão direito e selecione salvar). Para ouvir outras músicas do artista clique nos links. 01 – Alive – Pearl Jam 02 – Had A Dad – Jane’s Addiction 03 – My Old Man’s a Fatso (Angry Samoans Cover) – The Queers  04 – Life Of A Salesman – Yellowcard 05 – Hey Daddy – Korn 06 – Rooster – Alice In Chains 07 – Things My Father Said – Black Stone Cherry 08 – Don’t Cru Daddy – Elvis Presley 09 – A Boy Named Sue – Johnny Cash 10 – My Father’s Eyes – Eric Clapton 11 – Father To Son – Queen 12 – Wake Me Up When September Ends – Green Day 13 – Father Of Mine – Everclear 14 – Take A Picture – Filter 15 – Dear Father – Sum 41 A próxima mixtape vai pro ar no dia 10/08/2015.

The song I’ve sent you this week is called “When You’re The Other Woman”” which was written for and is performed by Pauline Daniels….I This was on the B side of the first record I made when I formed my company (you have already played the A side “You’re No Good To Me If You Can’t Boogie”)…whereas the A side was aimed at radio play this one was specifically for her act.She started out as a singer and sang stuff like “Send In The Clowns”…and “Pearl’s a Singer”…so this one fitted into her act…it is what it is like to actually BE the other woman…the one who gets the blame…..I had to craft it to her voice so she could get the big note at the end….I achieved this by having a key change in the middle which went DOWN a tone…the only one to do it I think….then there’s another key change which actually brings it back to the original key…clever eh? My publisher in the seventies was called Mingard Music and it is where I befriended Angie McCartney (Paul’s stepmum) and her daughter Ruth…when they went to the States they suggested I go it alone which I did…I built an 8 track studio in my attic and paid for it by doing demos for people…I advertised in a national mag and ended up doing 200 demos….some of them were horrendous with customers simply singing the song in the bath etc..and I had to put it into shape….I was always helpful…one guy sent me a song to do called “My Old Man’s A Policeman” to the tune of My Old Man’s A Dustman….I told him I would alter a few chord progressions so he didn’t get sues and suggested he call it “Top Of The Cops”…which he did…it was still horrendous. Sue Young uses to do the female vocals…great days. The news here is a constant barrage of election rubbish…which just results in me being more confused than I was beforehand…..and when you switch channels all you get is every illness being discussed in length…that’s all we get all the time. If I could I would like to suggest a channel with things of interest on it….good well written dramas….good documentaries…and FUNNY comedy….then Ant and Dec,Sarah Millican,John Bishop,Ross Poldark,and all the cooking programmes and all the cures for obesity can be avoided…..with 15 minutes of news. .....having said this I have been watching “Hi-De-Hi” which is on every day at tea time….I never used to be fussy…but it is so funny and so well written….it is a continuous story which is great fun to keep up with…it is written by the guys who wrote Dad’s Army…it really is brilliant…and what a breath of fresh air. ...The blokes who were allegedly plane spotting at some foreign airport are STILL in jail and their case come up next Monday….I bet they are panicking now…also we had the robbery of a big jewellery store…and they reckon the thieves got away with 200 million pounds worth of stuff…and no-one knew they were there for days….I think a few heads will roll on this one….also the French air traffic control strikes are causing havoc to our holiday makers…this sort of thing should be outlawed…it’s disgraceful. ...finally we are experiencing air pollution from France and The Sahara….don’t the know we are British….KEEP YOUR NASTY AIR WE DON@T WANT IT !!!!!

The song I’ve sent you this week is called “When You’re The Other Woman”” which was written for and is performed by Pauline Daniels….I This was on the B side of the first record I made when I formed my company (you have already played the A side “You’re No Good To Me If You Can’t Boogie”)…whereas the A side was aimed at radio play this one was specifically for her act.She started out as a singer and sang stuff like “Send In The Clowns”…and “Pearl’s a Singer”…so this one fitted into her act…it is what it is like to actually BE the other woman…the one who gets the blame…..I had to craft it to her voice so she could get the big note at the end….I achieved this by having a key change in the middle which went DOWN a tone…the only one to do it I think….then there’s another key change which actually brings it back to the original key…clever eh? My publisher in the seventies was called Mingard Music and it is where I befriended Angie McCartney (Paul’s stepmum) and her daughter Ruth…when they went to the States they suggested I go it alone which I did…I built an 8 track studio in my attic and paid for it by doing demos for people…I advertised in a national mag and ended up doing 200 demos….some of them were horrendous with customers simply singing the song in the bath etc..and I had to put it into shape….I was always helpful…one guy sent me a song to do called “My Old Man’s A Policeman” to the tune of My Old Man’s A Dustman….I told him I would alter a few chord progressions so he didn’t get sues and suggested he call it “Top Of The Cops”…which he did…it was still horrendous. Sue Young uses to do the female vocals…great days. The news here is a constant barrage of election rubbish…which just results in me being more confused than I was beforehand…..and when you switch channels all you get is every illness being discussed in length…that’s all we get all the time. If I could I would like to suggest a channel with things of interest on it….good well written dramas….good documentaries…and FUNNY comedy….then Ant and Dec,Sarah Millican,John Bishop,Ross Poldark,and all the cooking programmes and all the cures for obesity can be avoided…..with 15 minutes of news. .....having said this I have been watching “Hi-De-Hi” which is on every day at tea time….I never used to be fussy…but it is so funny and so well written….it is a continuous story which is great fun to keep up with…it is written by the guys who wrote Dad’s Army…it really is brilliant…and what a breath of fresh air. ...The blokes who were allegedly plane spotting at some foreign airport are STILL in jail and their case come up next Monday….I bet they are panicking now…also we had the robbery of a big jewellery store…and they reckon the thieves got away with 200 million pounds worth of stuff…and no-one knew they were there for days….I think a few heads will roll on this one….also the French air traffic control strikes are causing havoc to our holiday makers…this sort of thing should be outlawed…it’s disgraceful. ...finally we are experiencing air pollution from France and The Sahara….don’t the know we are British….KEEP YOUR NASTY AIR WE DON@T WANT IT !!!!!

PODCAST: 21 Dec 2014   01 - The 12 Folk Days Of Christmas - The McCalmans - Scots Abroad 02 - Don’t Leave Your Records In The Sun - John Hartford - Mark Twang 03 - The Brigadier - Jake Thackray - Jake In A Box 04 - The Bricks - Noel Murphy - The Quality Of Murphy 05 - Some Bugger From Yorkshire - Bernard Wrigley - Every Song Tells A Story 06 - Suddenly It’s Folk Song - Peter Sellers - The Peter Sellers Collection 07 - The Folker - Fred Wedlock - The Folker  08 - The Ballad Of Lidl N’ Aldi  - Seamus Moore - Single 09 - Whiskey And Women - Hamish Imlach - Cod Liver Oil And The Orange Juice  10 - Have You Got Any News Of The Iceberg? - Terry Wogan - Guide Cats For The Blind 11 - Kippers For Tea - Les Barker - Mrs Ackroyd Superstar 12 - Valerie Wilkins - Roaring Jelly - Nowt So Funny As Folk 13 - Sam The Skull - Gaberlunzie - The Travelling Man 14 - The St. Stephens Day Murders - Chieftains with Elvis Costello - The Bells Of Dublin 15 - My Grandfather’s Clock - Peg Leg Ferret - Not Fooling Anyone 16 - My Old Man’s A Dustman - Lonnie Donegan - The Best Of 17 - Capstick Comes Home - Tony Capstick - Nowt So Funny As Folk

Amy Sohn's new novel The Actress, published by Simon & Schuster, is being touted as the beach-read of the summer, and "an addictive saga of love, lust, fame, and friendship..." (Elisa Albert). It follows ambitious, young actress Maddy Freed as she gets her big break in the movie business, falls in love with Hollywood's most eligible bachelor and learns the hard truth about fame, ambition, self-worth, and the fairy-tale illusions of a celebrity marriage. Amy Sohn is also the author of Prospect Park West, Motherland, Run Catch Kiss, My Old Man and has written for the New York Times, New York Magazine, the New York Post, Slate, Details, Harper’s Bazaar, Elle, Men’s Journal and Playboy. Tune in to hear why Amy feels like an outsider, what happened when she took on the "mom establishment" and how talent can be the biggest aphrodisiac.

We hit a dozen episodes with our second two-parter, as Aussie music legend Mark Holden steps into the podbooth to join host Jeremy Dylan for an expansive lovefest on Joni Mitchell's heartbreakingly beautiful 1971 masterpiece Blue. Along the way, they talk about Joni's instrumental prowess, writing in open tunings, BB King's stamina, the way Blue has influenced succeeding generations of musicians and bumping into Joni at a Hall and Oates gig. Come back next week to hear part 2 as Mark and Jeremy break down classic songs River, My Old Man, California, Little Green and A Case of You. My Favorite Album is a podcast unpacking the great works of pop music. Each episode features a different songwriter or musician discussing their favorite album of all time - their history with it, the making of the album, individual songs and the album's influence on their own music.Jeremy Dylan is a filmmaker from Sydney, Australia who has worked in the music industry since 2007. He has directed the feature film Benjamin Sniddlegrass and the Cauldron of Penguins and the feature music documentary Jim Lauderdale: The King of Broken Hearts, in addition to many commercials and music videos.

PODCAST: 26 Jan 2014   01 - A Miner’s Life - Solas - The Hour Before Dawn 02 - Soldier Soldier / The Flowers Of Edinburgh - Brass Monkey -  Sound And Rumour 03 - Ordinary Man - Christy Moore - Ordinary Man 04 - Taxi Horn Rag - Simon Mayor - The Art Of The Mandolin 05 - Diamond Ring - Sonny Terry and Brownie McGhee - Chicken Hop 06 - Hughie Graeme - June Tabor - An Echo Of Hooves 07 - Gentle Annie - Martyn Wyndham Read - Emu Plains 08 - The Auld Beggerman - Maggie and Sarah Chambers* - Unreleased 09 - Jolly Beggar - Jack the Lad - The Old Straight Track 10 - The Star Of Belle Isle - Archie Fisher - Windward Away 11 - My Old Man - Ange Hardy - Barefoot Folk 12 - Punch And Judy Man - Tony Capstick - Punch And Judy Man 13 - Jock Hawk’s Adventures In Glasgow - Fiona Hunter - Fiona Hunter 14 - The Seeds Of Love - Robin and Barry Dransfield - Popular To Contrary Belief 15 - Thaxted Square / John Hunters - Simon Ritchie - Melodion Mania 16 - The Flower Of Northumberland - Nancy Curtin* - Nancy Curtin 17 - The Dimming Of The Day - Richard Thompson and Mary Black - Bringing It All Back Home 18 - Pendle Hill - Merry Hell - Blink… And You’ll Miss It

Downton Abbey actor Jim Carter tells Matthew Parris why skiffle king Lonnie Donegan is his hero. Lonnie Donegan is probably best remembered for the novelty hits "My Old Man's a Dustman" and "Does Your Chewing Gum Lose its Flavour? " However, early hits like "Rock Island Line" were instrumental in inspiring the likes of John Lennon, Brian May and Roger Daltrey to perform. Donegan played a decisive role in the development of British popular music. His revitalisation of skiffle provided the inspiration for the whole British beat movement that was to come. Ironically, although Donevan was the catalyst, he was soon eclipsed by the young electric guitar heroes of the mid-sixties, and he was left with the comedy and cabaret circuits.

Songs about dear old dad. Songs include: That Silver-haired Daddy of Mine, My Old Man, Daddy and Home and When Daddy Sings the Little Ones to Sleep.  Performers include: Al Jolson, Helen Kane, the Edison Male Quartet, Gene Autry and Frank Miller.

Nearly 3 hours of the ***** rated songs in my library which are less than 3 minutes long. They are in the same random order they played while I was skating. I had a really fun session Sunday 7/29/2007 at CSP. http://milesgehm.podomatic.com/ http://myspace.com/milesgehm song; artist; albumn; min:sec Bored Teenagers; The Adverts; Anthology; 1:53 Paranoid; The Dickies; Locked 'N' Loaded; 1:58 I wish you were a beer; I don't know; Radio K rude 2003-04-19; 1:19 Jamaica Ska; Byron Lee & The Dragonairs; Ska Down Jamaica - The Best of Ska; 1:58 Time Bomb; Rancid; Rancid: And Out Come The Wolves; 2:24 Contraband; Mad Caddies; Just One More; 1:19 Splash Down; The Crystalites; Dawning Of A New Era (The Roots Of Reggae) (Disc 2); 2:50 You Can Get It If You Really Want; Desmond Dekker; Rockin' Steady The Best Of Desmond Dekker; 2:30 Punk Rock Girls; The Queers; Don't Back Down; 2:42 Spring Ahead; The Parka Kings; 23 Skidoo; 2:49 The Avengers; Tommy McCook; Dawning Of A New Era (The Roots Of Reggae) (Disc 2); 2:44 007 (Shanty Town); Desmond Dekker; Rockin' Steady The Best of Desmond Dekker; 2:48 Finishing Last part 2; The Parka Kings; 23 Skidoo; 2:54 Landlocked; Man Or Astro-man?; Destroy All Astro-Men; 1:42 Punk Rock Girls; The Queers; Summer Hits No. 1; 2:37 Charlie Don't Surf; Pollo Del Mar; The Golden State; 2:5 Tommy's Dream; Tommy McCook; Dawning Of A New Era (The Roots Of Reggae); 2:31 Generator; Knock Out; Let Go; 2:48 Silver Bullet; The Briefs; Singles Only; 1:7 Time Bomb; 2 cents; Victims of Pop Culture; 2:9 She's Automatic; Rancid; Rancid: And Out Come The Wolves; 1:35 We're The Meatmen & You Suck!; The Meatmen; Evil In A League With Satan; 1:19 embarrassment; Madness; Complete Madness; 2:58 Don't Call Me White; NOFX; The Greatest Songs Ever Written (By Us); 2:33 Blue Siege Suit - Gangster Fun; Various Artists - Bib Records; Mashin' Up the Nation: Volumes 3 & 4- Ten Years After; 2:14 Ursula Finally Has Tits; The Queers; Love Songs For The Retarded; 2:32 Blenderhead; Bad Religion; Against The Grain; 1:11 This Life Make Me Wonder; Steady Ups; Soul Of The City; 2:17 Wipeout; The Queers; 'Acidbeaters' (Love and Let Die); 2:40 Amphetamine Blue; The Vibrators; Best Of The Vibrators; 2:30 Mattersville; NOFX; War on Errorism; 2:28 Down the Drain; Fabulous Disaster; Pretty Killers; 2:5 Track 16; Dead Boys/Vandals/Dead Kennedys; Dead Boys/Vandals/Dead Kennedys; 2:29 California Sun; Marky Ramone & The Speedkings; Alive; 1:24 Unity; Desmond Dekker; Rockin' Steady The Best Of Desmond Dekker; 2:15 Shutupandskank; Tin Circus; Picture This; 2:26 No More Presidents; The Briefs; Sex Objects; 1:47 Madness; Madness; Complete Madness; 2:34 Modern Man; Bad Religion; Against The Grain; 1:56 Right Wing Pigeons; The Dead Milkmen; Big Lizard In My Backyard; 2:21 Mission: Impossible; Television's Greatest Hits; Television's Greatest Hits; 0:57 You Might Be...; The Planet Smashers; Life of the Party; 2:18 Hopeless Romantic; The Bouncing Souls; Hopeless Romantic; 2:12 Caught With The Meat In You Mouth; Dead Boys; Younger, Louder & Snottier; 2:3 Woman; Wolfmother; Wolfmother; 2:56 Rock The Kids; The Vibrators; Energize; 2:51 Ursula Finally Has T**s; The Queers; Summer Hits No. 1; 2:16 This Ain't Hawaii; Screeching Weasel; Boogadaboogadaboogada!; 1:52 Do You Love Me; Johnny Thunders & The Heartbreakers; L.A.M.F. - the lost '77 tapes; 2:17 Charlie Don't Surf; Pollo Del Mar; Charlie Does Surf; 2:3 Missionary's Downfall; The Planet Smashers; Mighty; 2:28 Boner; Secretions; Secretions - 'Til Death; 2:45 Hawaii 5-0; Slacktone; Rough Surf, Rough Mix, Live In Berlin; 1:46 Black Derby Jacket; Rancid; Rancid [2000]; 2:35 Dingbat; Screeching Weasel; Boogadaboogadaboogada!; 1:58 Nightsticks; Pollo Del Mar; Year Of The Rooster; 1:58 Ruby Soho; Rancid; Rancid: And Out Come The Wolves; 2:37 Dance Wid' Me, Baby; Laurel Aitken With Court Jester's Crew; Jamboree; 2:56 Johnny O'Reilly; Bim Skala Bim; Universal; 2:11 Blejski Vneè'k; Bitch Boys; In Heat; 2:26 Lip Up Fatty; Bad Manners; Dance Craze - The Best Of British Ska ... Live!; 2:55 Kicked Out of the Webelos; The Queers; Summer Hits No. 1; 1:13 Bad Moon Rising; Creedence Clearwater Revival; Chronicles: New Best of Creedence Clearwater Revival; 2:21 Poor And Weird; The Briefs; Singles Only; 2:16 Fire; The Jimi Hendrix Experience; Experience Hendrix - The Best of Jimi Hendrix; 2:43 Tell the Capitalists to Fuck Off; Chick Maggot; http://music.download.com; 1:24 Elizabethan Reggae (Original Version); Bad Manners; Rare & Fatty; 2:6 Gimme Back; Derrick Morgan; Dawning Of A New Era (The Roots Of Reggae); 2:21 500 Channels; Choking Victim; No Gods -- No Managers; 2:40 Monster Zero; The Queers; Love Songs For The Retarded; 2:17 Stalkin' Mermaid; Bitch Boys; In Heat; 1:52 Cindy's On Methadone; Screeching Weasel; My Brain Hurts; 1:27 Rebound; Teenage Bottle Rocket; Total; 2:18 Taller Than You Are; Lord Tanamo; Gaz Mayall - Top Ska Tunes; 2:23 All This And More; Dead Boys; Younger, Louder & Snottier; 2:43 My Old Man's a Fatso; The Queers; Summer Hits No. 1; 1:26 Road Racer; Bitch Boys; In Heat; 2:28 I'm OK, You're Fucked; The Queers; Don't Back Down; 1:0 Canary in a Coalmine; The Police; Zenyatta Mondatta (Remastered); 2:26 Do the Dog (Live Version); The Specials; Trojan Ska Revival (Limited Edition); 2:13 Bored Teenagers,The Adverts,Paranoid,The Dickies,I wish you were a beer,I don't know,Jamaica Ska,Byron Lee & The Dragonairs,Time Bomb,Rancid,Contraband,Mad Caddies,Splash Down,The Crystalites,You Can Get It If You Really Want,Desmond Dekker,Punk Rock Girls,The Queers,Spring Ahead,The Parka Kings,The Avengers,Tommy McCook,007 (Shanty Town),Desmond Dekker,Finishing Last part 2,The Parka Kings,Landlocked,Man Or Astro-man?,Punk Rock Girls,The Queers,Charlie Don't Surf,Pollo Del Mar,Tommy's Dream,Tommy McCook,Generator,Knock Out,Silver Bullet,The Briefs,Time Bomb,2 cents,She's Automatic,Rancid,We're The Meatmen & You Suck!,The Meatmen,embarrassment,Madness,Don't Call Me White,NOFX,Blue Siege Suit - Gangster Fun,Various Artists - Bib Records,Ursula Finally Has Tits,The Queers,Blenderhead,Bad Religion,This Life Make Me Wonder,Steady Ups,Wipeout,The Queers,Amphetamine Blue,The Vibrators,Mattersville,NOFX,Down the Drain,Fabulous Disaster,Track 16,Dead Boys/Vandals/Dead Kennedys,California Sun,Marky Ramone & The Speedkings,Unity,Desmond Dekker,Shutupandskank,Tin Circus,No More Presidents,The Briefs,Madness,Madness,Modern Man,Bad Religion,Right Wing Pigeons,The Dead Milkmen,Mission: Impossible,Television's Greatest Hits,You Might Be...,The Planet Smashers,Hopeless Romantic,The Bouncing Souls,Caught With The Meat In You Mouth,Dead Boys,Woman,Wolfmother,Rock The Kids,The Vibrators,Ursula Finally Has T**s,The Queers,This Ain't Hawaii,Screeching Weasel,Do You Love Me,Johnny Thunders & The Heartbreakers,Charlie Don't Surf,Pollo Del Mar,Missionary's Downfall,The Planet Smashers,Boner,Secretions,Hawaii 5-0,Slacktone,Black Derby Jacket,Rancid,Dingbat,Screeching Weasel,Nightsticks,Pollo Del Mar,Ruby Soho,Rancid,Dance Wid' Me, Baby,Laurel Aitken With Court Jester's Crew,Johnny O'Reilly,Bim Skala Bim,Blejski Vneè'k,Bitch Boys,Lip Up Fatty,Bad Manners,Kicked Out of the Webelos,The Queers,Bad Moon Rising,Creedence Clearwater Revival,Poor And Weird,The Briefs,Fire,The Jimi Hendrix Experience,Tell the Capitalists to Fuck Off,Chick Maggot,Elizabethan Reggae (Original Version),Bad Manners,Gimme Back,Derrick Morgan,500 Channels,Choking Victim,Monster Zero,The Queers,Stalkin' Mermaid,Bitch Boys,Cindy's On Methadone,Screeching Weasel,Rebound,Teenage Bottle Rocket,Taller Than You Are,Lord Tanamo,All This And More,Dead Boys,My Old Man's a Fatso,The Queers,Road Racer,Bitch Boys,I'm OK, You're Fucked,The Queers,Canary in a Coalmine,The Police,Do the Dog (Live Version),The Specials