Podcast appearances and mentions of Peter Doig

Gabrielle de la Puente, half of the art critic duo The White Pube, talks about: A few things people outside of the UK need to know about Liverpool, where she's based; the origin story of the White Pube, when Gabrielle and Zarina were in art school together; the reputation of Central Saint Martins, the art school where they met, including where it was when they started school, which was already in a more gentrified, corporate atmosphere (they had to use key cards to get into the studios, for example); their working dynamic since their collaboration started, which involved more in-person activity early on when they were regularly in demand to talk about criticism at various art schools (because of how different they were from the clichés of an art critic), to now being more consistently using WhatsApp and ‘flying by the seat of our pants;' how key it is that they post about culture-at-large, not just art (their film  restaurant reviews have been their most read); her solo visit to a special preview of a Peter Doig show in Edinburgh that had a tragic quality to it, but also became a great symbol for the artist's struggle; their book, Poor Artists, including how they wrote it with both readers as well as subjects who they interviewed (and paid), including a moment in the book when the narrator talks about their experience of a performance in a gallery; and the case of the late artist, Nat Tate. This podcast relies on listener support; please consider becoming a Patreon supporter of the podcast, for as little as $1/month, here: https://www.patreon.com/theconversationpod The Conversation was recently included in Feedspot's list of top art podcasts. We're grateful to make the list again!

Painting... but knitted!? We chat all things painting with winner of the John Moores Painting Prize Lady Grantchester Award 2023, Emma Roche. We chatted about stereotypes, trying to fit into other people's expectations of your career path, alternative education, worklife balance, being an artist and a parent - this episode is absolutely stacked with goodness!! So, search BANG ON in your streaming app to listen, like, follow, and subscribe. Don't forget to leave us a review! It really helps the show (and gives us a fuzzy feeling, too) About the show: BANG ON is a knowledge sharing podcast, breaking down some of the steps we've picked up along the way as an organisation and as artists in building a successful arts career. It's for emerging artists, packaging tips and tricks on some of the topics we've often been asked about over the years. In Season 1 we took you through all the steps of putting an exhibition together. In Season 2, we take you through the broader arts cultural landscape, plotting the uncharted waters of opportunities, education, artist-led activity, identity, rejection, mental health and MORE! Yep, you might say this podcast is BANG ON - let's get stuck in!!! About the hosts: Short Supply is an artist-led organisation established in 2019 by Mollie Balshaw and Rebekah Beasley, with a goal to support emerging artists. Follow us on all social media ⁠⁠@shortsupplymcr⁠⁠ For all requests email shortsupplymcr@outlook.com Check our website at ⁠⁠www.shortsupply.org⁠⁠ About Emma Roche: https://www.rocheemma.ie/ About John Moores Painting Prize: The John Moores Painting Prize is a biennial award to the best contemporary painting, submission is open to the public. The prize is named for Sir John Moores, noted philanthropist, who established the award in 1957. It is the most prestigious painting prize in the UK, and one of the longest running calls for art in the world. Past prize winners include David Hockney (1967), Mary Martin (1969), Lisa Milroy (1989), Peter Doig (1993), Keith Coventry (2010), Rose Wylie (2014), Michael Simpson (2016), Jacqui Hallum (2018) and most recently Kathryn Maple (2020).

Eve Jackson takes a look at the week's culture news, from "Barbie" director Greta Gerwig being named head of the Cannes Film Festival jury to exhibitions from one of Europe's most expensive painters, Scottish artist Peter Doig, at Paris's Musée d'Orsay and the most famous contemporary African painter of his generation, Congolese artist Cheri Samba, at Paris's Musée Maillol. We also discover Japan's modern-day hermits, the hikikomori, thanks to French photographer Pierre-Elie de Pibrac.

We meet painter Andrew Cranston from his studio in Glasgow, Scotland to discuss his major new solo exhibition at Hepworth Wakefield.Andrew Cranston was born in Hawick in the Scottish Borders in 1969, and now lives and works in Glasgow, Scotland. Cranston studied at Gray's School of Art, Aberdeen and then completed his postgraduate study at the Royal College of Art, where he was taught by Peter Doig and Adrian Berg.Andrew Cranston: What made you stop here? features 38 new and recent paintings that range from large-scale canvases to intimate works painted on old linen-bound book covers, comprising subjects that include still life, landscape, seascape, portraits, and interior scenes. This is the first public gallery to present a solo exhibition of his works. Engaging with the layered emotional quality and pathos of everyday life, as well as a strong sense of place, be it real or imagined, Cranston's evocatively titled paintings contain compelling and intriguing narratives that have the collaged dream-like quality of recollection and what he calls ‘creative misremembering'.His formally inventive and highly intimate paintings find new ways to connect the personal and art historical past with the present through a gamut of visual and literary references and shared experiences. The paintings exploit what is perhaps only glanced existing in the periphery of vision and embody a sense of revelation, wonder and oddness in familiar situations. Connections and highly personal associations are deeply entwined in these works creating a rewarding and memorable experience.On display at The Hepworth Wakefield for the first time is one of Cranston's most recent paintings entitled, A snake came to my coffee table on a hot, hot day to drink there (2023), which has been generously acquired for Wakefield's art collection through the JW Anderson Collections Fund. It features what Cranston says is ‘an intrusion of something alien into the familiar, an unlikely presence and threat into the domestic'. A large number of other works in the exhibition, lent from private collections, have never been shown publicly before.Follow @Andrew.Cranston on Instagram and @HepworthWakefield.Andrew Cranston: What made you stop here? is now open and runs until 2nd June 2024Exhibition entry is £13 / £11 / FREE for Members, Wakefield District residents and under 18s.Visit: https://hepworthwakefield.org/whats-on/andrew-cranston/Visit Andrew's galleries: Ingleby @InglebyGallery Modern Art @stuartshavemodernart and Karma @KarmaKarma9. Hosted on Acast. See acast.com/privacy for more information.

durée : 02:00:33 - Les Matins du samedi - par : Quentin Lafay - Réparer les objets Guerre Israël-Hamas : ce que la guerre fait à l'information Culture - Le peintre Peter Doig est l'invité des Matins du samedi - invités : Samuel Forey Journaliste; Omar Ouahmane Grand reporter à la Rédaction internationale de Radio France, envoyé spécial permanent à Dakar; Peter Doig peintre écossais

durée : 00:22:59 - France Culture va plus loin le samedi - par : Quentin Lafay - Le peintre écossais est invité à présenter son travail au musée d'Orsay… et à sélectionner des œuvres du fonds. - invités : Peter Doig peintre écossais

durée : 02:00:33 - Les Matins du samedi - par : Quentin Lafay - Réparer les objets Guerre Israël-Hamas : ce que la guerre fait à l'information Culture - Le peintre Peter Doig est l'invité des Matins du samedi - invités : Samuel Forey Journaliste; Omar Ouahmane Grand reporter à la Rédaction internationale de Radio France, envoyé spécial permanent à Dakar; Peter Doig peintre écossais

Peter Doig is one of Britain's most successful living artists. His paintings have been exhibited at major galleries around the world, winning wide critical acclaim and selling for tens of millions of pounds at auction, setting sales records. Peter was born in Edinburgh in 1959, but grew up in Trinidad and Canada, where his father had chosen to work. Peter was partly educated at a Scottish boarding school, but didn't enjoy the experience. He returned to Canada, dropped out of education, and at the age of 17 found work on a gas rig in the rural west. He decided to move to London, largely attracted by the post-punk music scene, and from 1979 until the late 1980s, he trained as a painter at art schools in the capital, as well as spending time back in Canada. While his contemporaries among young British artists in the 1990s often created large-scale installations, sculptures or videos, Peter dedicated himself to painting, often working with very large canvases, creating atmospheric, mysterious landscapes acclaimed for their use of colour. In 2002, echoing his own childhood, he and his family moved to Trinidad, where he set up his studio. The island became his main home for almost two decades, before he moved to London in 2021. Presenter Lauren Laverne Producer Sarah Taylor

Heidi Zuckerman is CEO and Director of the Orange County Museum of Art (OCMA) and a globally recognized leader in contemporary art. She is host of the podcast About Art and author of the Conversation with Artists book series.Appointed in January 2021, Zuckerman led the museum in opening its new home in October 2022 designed by Morphosis Architects under the direction of Pritzker Prize winner Thom Mayne. The state-of-the-art 53,000 square foot building is double the size of the museum's former location in Newport Beach. In a salute to OCMA's thirteen female founders, the opening collection exhibition will be 13 Women, organized by Zuckerman. This is the second building project she has completed. Zuckerman is the former 14-year CEO and Director of the Aspen Art Museum.After reimagining the museum as a world-class institution, she founded its annual ArtCrush gala, raised more than $130 million and built a new, highly acclaimed museum with Shigeru Ban, the 2014 Pritzker Prize winner for architecture. At the Aspen Art Museum, Heidi Zuckerman curated the exhibitions Wade Guyton Peter Fischli David Weiss (2017), Yves Klein David Hammons/David Hammons Yves Klein (2014), Lorna Simpson: Works on Paper (2013), Mark Grotjahn (2012) and Fred Tomaselli (2009).From 1999 to 2005 she was the Phyllis Wattis MATRIX Curator at the University of California, Berkeley Art Museum and Pacific Film Archive, where she curated more than forty solo exhibitions of international contemporary artists such as Peter Doig, Shirin Neshat, Teresita Fernández, Julie Mehretu, Doug Aitken, Cai Guo-Qiang, Tacita Dean, Wolfgang Laib, Ernesto Neto, Simryn Gill, Sanford Biggers, Ricky Swallow and Tobias Rehberger.Formerly she was the Assistant Curator of 20th-century Art at The Jewish Museum, New York, appointed in 1993, and curated Light x Eight: The Hanukkah Project, Contemporary Artist Project: Kristin Oppenheim and Louis I. Kahn Drawings: Synagogue Projects which traveled to The Israel Museum, Jerusalem.She has curated more than 200 museum exhibitions during her career and is the author of numerous books including a widely loved children's book The Rainbow Hour with artist Amy Adler.She was recently appointed to be an Arts Commissioner for the City of Costa Mesa.Zuckerman earned a BA in European History from the University of Pennsylvania, an MA in Art History from Hunter College at CUNY and holds a Harvard Business School Executive Education certification.

W dwunastym, drugim odcinku specjalnym, rozmawiamy o naszych doświadczeniach z pobytu na Trynidadzie, w końcu kwietnia i na początku maja 2023 roku. Nasze rozmowy przeplatamy wyborem muzyki z wyspy. Odcinkowi towarzyszy playlista z karnawałowymi, imprezowymi utworami we wschodniokaraibskim stylu soca: https://open.spotify.com/playlist/45fzfHlo3d9iuluOxCMGNX?si=a0cc3a8603064458 Usłyszycie: • Co to jest "tabanca" i czy ją odczuwamy po powrocie z wysp? • Jak wygląda scena poezji slamowej na wyspie? • Dlaczego Bartek o północy skakał przez płot w stolicy Trynidadu i Tobago? • Które z nominowanych książek uhonorowano nagrodą literacką na Festiwalu Bocas? • Kogo odwiedziliśmy w Belmont? • Jaki asortyment oferuje księgarnia Paper Based w Port of Spain? • Czym są doubles? • Kim jest Gary Hector i czy Bob Dylan pomieszkuje na Trynidadzie? • Co się stało podczas kontroli przed wylotem z wyspy? • O jakiej trynidadzkiej powieści będziemy rozmawiać podczas spotkania Zamorskiego Klubu Czytelniczego 3 lipca? Utwory muzyczne: Anthony Joseph - Sans Souci - David Walters Remix (2020) Gary Hector - National Trash (2021) Będziemy wdzięczni, jeśli zasubskrybujecie i pozytywnie ocenicie Zamorski! Wspomniane w podkaście: Kwame McPherson i Nagroda Wspólnoty Narodów: https://jamaica-gleaner.com/article/lead-stories/20230517/jamaicas-mcpherson-caribbeans-2023-commonwealth-short-story-prize Marcus Millette, "Tabanca Real, But Depression Not?": ⁠https://www.youtube.com/watch?v=7_YugJI0x24⁠ Program festiwalu Bocas 2023: https://www.bocaslitfest.com/festival/programme/ Kanał YouTube festiwalu Bocas (relacje znajdziecie w zakładce "Na żywo"): https://www.youtube.com/@bocaslitfest O finale OCM Bocas Prize 2023: https://www.bocaslitfest.com/2023/04/29/tts-ayanna-lloyd-banwo-wins-ocm-bocas-prize/ Rozmowa pisarki Monique Roffey z Irą Mathur, autorką nagrodzonej książki wspomnieniowej "Love the Dark Days" (Peepal Tree Press 2022): ⁠https://granta.com/in-conversation-ira-mathur-monique-roffey/ Występ Davida Ruddera, współczesnego klasyka muzyki soca (2021): ⁠https://www.youtube.com/watch?v=AwgYR1b61SE⁠ Artysta wizualny Bruce Cayonne: https://www.instagram.com/iamthesignman/?hl=en National Poetry Slam: https://www.bocaslitfest.com/poetry-slam/ Peter Doig, "Lapeyrouse Wall" (2004): https://www.moma.org/collection/works/91765 Gary Hector, muzyk trynidadzki i jego płyta w stylu Americana / country (2021) https://garyhector.bandcamp.com/album/national-trash "The Challengers" (2022), film o wenezuelsko-trynidadzkiej współpracy sportowej i realiach życia imigranckiego: ⁠https://www.youtube.com/watch?v=ip0h0yvM4V4⁠ ---  Rozmawiają Olga Godlewska i Bartosz Wójcik.  Podkast powstał przy Zamorskim Klubie Czytelniczym: https://zamorskie.pl/zamorski-klub-czytelniczy/ Zapraszamy do naszej grupy dyskusyjnej na FB: ⁠⁠https://www.facebook.com/groups/zamorskiklubczytelniczy Znajdziesz nas na Instagramie: ⁠⁠⁠ ⁠https://www.instagram.com/olga_godlewska/⁠⁠ ⁠⁠⁠ ⁠https://www.instagram.com/bartosz__wojcik/

Betty explains how to prove a painting was created by Rubens (and how to prove a painting was _not_ created by Peter Doig).

Betty explains how to prove a painting was created by Rubens (and how to prove a painting was _not_ created by Peter Doig).

In this episode Gary Mansfield speaks to Billy Childish (@billychildish_for_it_is_he)Billy Childish is an English painter, author, poet, photographer, film maker, singer and guitarist. Since the late 1970s, Childish has been prolific in creating music, writing and visual art. He has led and played in bands including the Pop Rivets, Thee Milkshakes, Thee Headcoats, and the Musicians of the British Empire, primarily working in the genres of garage rock, punk and surf and releasing more than 100 albums.He is a consistent advocate for amateurism and free emotional expression. Childish co-founded the Stuckism art movement with Charles Thomson in 1999, which he left in 2001. Since then a new evaluation of Childish's standing in the art world has been under way, culminating with the publication of a critical study of Childish's working practice by the artist and writer Neal Brown, with an introduction by Peter Doig, which describes Childish as "one of the most outstanding, and often misunderstood, figures on the British art scene". He is a visiting lecturer at Rochester Independent College. In July 2014 Childish was awarded an honorary Doctor of Arts Degree from the University of Kent. He is known for his explicit and prolific work - he has detailed his love life and childhood sexual abuse, notably in his early poetry and the novels My Fault (1996), Notebooks of a Naked Youth (1997), Sex Crimes of the Futcher (2004) - The Idiocy of Idears (2007), and in several of his songs, notably in the instrumental "Paedophile" (1992) (featuring a photograph of the man who sexually abused him on the front cover) and "Every Bit of Me" (1993). From 1981 until 1985 Childish had a relationship with artist Tracey EminFor more information on the work of Billy Childish go tohttps://l-13.org/product-category/by-artist/billy-childish/To Support this podcast from as little as £3 per month: www.patreon/ministryofartsFor full line up of confirmed artists go to https://www.ministryofarts.orgEmail: ministryofartsorg@gmail.comSocial Media: @ministryofartsorg Hosted on Acast. See acast.com/privacy for more information.

Curator Barnaby Wright transports us from the Courtauld Gallery in London, to the Caribbean island of Trinidad, as seen - and heard - by Peter Doig, one of Europe's most highly valued contemporary painters. Peter Doig's vast figurative paintings pay homage to the many places where he has lived and practiced - though never really called home. Born in Edinburgh in 1959, his career has been characterised by constant travel and movement, and his status as Europe's most expensive living artist. But his landscapes are layered in with multiple, and more popular, inspirations - like found photographs, films, and above all, music - settings which move between figuration and abstraction, actuality and the imagination. Trinidad is perhaps the unlikely focus of the Courtauld Gallery's new exhibition, which shows works painted since Doig's recent return to London from the Caribbean, where he has lived since 2002. Mainstream art markets often prize Doig's isolated Canadian mountain scenes, influenced by the likes of Edvard Munch, but here we see the artist as an active participant in Port of Spain's local community, practicing with the BBC's Boscoe Holder, poet Derek Walcott, and prisoners on the island of Carrera. Curator Dr. Barnaby Wright delves into Doig's loving depictions of the Mighty Shadow, a titan of Trinidadian calypso and soca, why Carnival keeps him working all night, and how the self-portrayed ‘outsider' both draws from - and challenges - exotifying gazes on non-European subjects from post-Impressionists like Paul Gauguin. Peter Doig runs at the Courtauld Gallery in London until 29 May 2023. WITH: Dr. Barnaby Wright, curator of Peter Doig. He is the Deputy Head of the Courtauld Gallery and Daniel Katz Curator of 20th Century Art. ART: ‘Painting on an Island (Carrera), Peter Doig (2019)'. PRODUCER: Jelena Sofronijevic. Follow EMPIRE LINES at: twitter.com/jelsofron/status/1306563558063271936 Support EMPIRE LINES on Patreon: patreon.com/empirelines

Ein tropisches Sumpfgebiet in den beiden unteren Bilddritteln, ein verlassenes weißes Kanu, im oberen Bildbereich ein nordisch-kühles Nadelwald-Biotop, durchsetzt mit abgestorbenen Bäumen. Bei diesem 1990 von Peter Doig gemalten Bild gibt es mal wieder nichts zu verstehen, sondern es ist eine Einladung, näher hinzuschauen. Es gibt ganz Vieles zu entdecken: die faszinierenden Strukturen und Farben, die mystische, rätselhafte Stimmung - nicht nur bei diesem einen Werk („Swamped“) von Peter Doig. Das Bild kannst Du zum Beispiel hier finden: https://www.christies.com/lot/lot-peter-doig-swamped-5895959/? Das im Podcast erwähnte Video gibt es hier: https://www.youtube.com/watch?v=CiB6yCX9TLA&t=4s Wenn dieser Podcast Dein Leben bereichert und Du meine Arbeit unterstützen möchtest, kannst Du das hier tun: https://www.paypal.me/astridblohme. Ich freue mich über Deinen Beitrag! Musik: 4 am von noxz Peach fizz von noxz Mystic Forests von AK

Director and screenwriter Georgia Oakley talks about her BAFTA nominated debut feature film Blue Jean, which tells the story of a female closeted PE teacher in Newcastle in 1988 when Section 28 came into effect. The death of Burt Bacharach has been announced. The acclaimed lyricist Don Black pays tribute to the extraordinary composer and we hear archive of him talking on Front Row. Salman Rushdie was violently attacked last summer but before that had completed the novel Victory City, about a fantastical empire brought into existence by a woman, Pampa Kampana, who is given powers by the goddess Parvati. Bidisha Mamata and Ingrid Persaud review the novel and also visit the Peter Doig exhibition at the Courtauld Gallery in London highlighting recent work from the highly acclaimed artist who has returned from Trinidad to live in London. Presenter: Tom Sutcliffe Producer: Sarah Johnson Photo from Blue Jean credit Altitude Film Distribution

Flora Macdonald by Flora Fraser. Peter Doig (didn't do it!)  More AI from Dan.  Ban the Lawyers!  Hot stove with the Mets.  Parthenon Secret Talks.  ACL miracle repairs.  (Missed my chance).  Frank Thomas (an original Met).   Credits: Talent:  Tamsen Granger and Dan Abuhoff Engineer:  Ellie Suttmeier Art:  Zeke Abuhoff 

Nova Scotia ER doctors, Indigenous hockey cards, Peter Doig painting, Alabama landfill fire, Montreal road construction, Yoguana and more

Figurative painter Peter Doig — one of the world's top-selling living artists — talks about his work, his upbringing in Canada and the dark underbelly of the art market. Superstar Canadian conductor Yannick Nézet-Séguin reflects on his phenomenal rise to the peak of his profession. Author Mark Sakamoto and playwright Hiro Kanagawa talk about adapting Mark's memoir Forgiveness, about his grandparents' experiences of the Second World War, for the stage.

Figurative painter Peter Doig — one of the world's top-selling living artists — talks about his work, his upbringing in Canada and the dark underbelly of the art market. Superstar Canadian conductor Yannick Nézet-Séguin reflects on his phenomenal rise to the peak of his profession. Author Mark Sakamoto and playwright Hiro Kanagawa talk about adapting Mark's memoir Forgiveness, about his grandparents' experiences of the Second World War, for the stage.

Erik Olson has lived a nomadic life, having been raised in Calgary, Boston, and Nairobi as a child. He graduated from Emily Carr University of Art + Design in Vancouver in 2007. From 2014 to 2016, he attended the acclaimed Kunstakademie Düsseldorf as a guest student of Peter Doig.

Kyle Thurman (b. 1986, West Chester, PA) lives and works in Brooklyn, New York. In 2016 he received an MFA in painting from the Milton Avery Graduate School of the Arts at Bard College. From 2011 to 2012, Thurman studied with Christopher Williams and Peter Doig as a guest student at the Kunstakademie Dusseldorf. In 2009 he received his BA in Film Studies and Visual Arts from Columbia University. Most recently, Thurman was included in the 2019 Whitney Biennial curated by Rujeko Hockley and Jane Panetta; his work is now included in the permanent collection of the Whitney Museum of American Art. Other recent solo and group exhibitions include Central Fine, Miami Beach, FL; The Meeting, New York, NY; Sophie Tappeiner, Vienna, Austria; 1301PE, Los Angeles, CA; Off Vendome, New York, NY; The Cleveland Triennial, Cleveland, OH; Parapet Real Humans, St. Louis, MO; Hannah Hoffman Gallery, Los Angeles, CA; Cookie Butcher, Antwerp, Belgium; Office Baroque, Brussels, Belgium; Kostyal, London, England; Benevento, New York, NY; OFFSITE, New York, NY; Bodega, New York, NY; MOCA Tucson, Tucson, AZ; Fluxia Gallery, Milan, Italy; Laurel Gitlen, New York, NY; Dickinson Gallery, New York, NY; Galeria Marta Cervera, Madrid, Spain; Lisa Cooley and Laurel Gitlen, New York, NY; Room East, New York, NY; Middlemarch, Brussels, Belgium; Nudashank, Baltimore, MA; Shoot the Lobster, Miami, FL; Maison Particuliere, Brussels, Belgium; West Street Gallery, New York NY; Eleven Rivington, New York, NY; Clearing, Brussels, Belgium; M and B Art, Los Angeles, CA; Martos Gallery, New York, NY; Printed Matter, New York, NY; and The Mercantile Fiction Library, New York, NY among others. The artist's upcoming exhibitions include Central Fine, Miami Beach, FL and Sophie Tappeiner, Vienna, Austria. Kyle Thurman Dream Police (My neck) 2022 Acrylic dispersion, gouache, oil, and watercolor on PVA primed paper and Dibond panel in artist's frame 49 7/8 x 73 7/8 x 2 7/8 in 126.7 x 187.6 x 7.3 cm Image courtesy the artist and David Lewis. Kyle Thurman Forest (our shadow) 2022 Gouache, graphite, oil, and watercolor on PVA primed paper and Dibond panel in artist's frame 49 7/8 x 73 7/8 x 2 7/8 in 126.7 x 187.6 x 7.3 cm. Image courtesy the artist and David Lewis. Kyle Thurman Crown (model monument, emotion) 2022 with altar by Lesser Miracle Patinated bronze and wood Sculpture Dimensions: 21 1/10 x 21 1/10 x 21 1/10 in 53.6 x 53.6 x 53.6 cm Altar Dimensions: 30 x 70 x 33 in 76.2 x 177.8 x 83.82 cm. Image courtesy the artist and David Lewis.

Noah found some audio again. This time it's painter Peter Doig doing an artist talk at a museum in Europe… --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/noah-becker4/support

Heidi Zuckerman is CEO and Director of the Orange County Museum of Art (OCMA) and a globally recognized leader in contemporary art. She is host of the podcast Conversations About Art and author of the Conversation with Artists book series.Appointed in January 2021, Zuckerman is leading OCMA as the institution prepares to open a new home in October 2022 designed by Morphosis Architects under the direction of Pritzker Prize winner Thom Mayne. The state-of-the-art 53,000 square foot building is double the size of the museum's former location in Newport Beach. In a salute to OCMA's 13 female founders, the opening collection exhibition will be Thirteen Women, organized by Zuckerman.Zuckerman is the former 14-year CEO and Director of the Aspen Art Museum. After re-imagining the museum as a world-class institution, she founded its annual ArtCrush gala, raised more than $130 million, and built a new, highly acclaimed museum with Shigeru Ban, the 2014 Pritzker Prize winner for architecture. At the Aspen Art Museum, Heidi Zuckerman curated the exhibitions Wade Guyton Peter Fischli David Weiss (2017), Yves Klein David Hammons/David Hammons Yves Klein (2014), Lorna Simpson: Works on Paper (2013), Mark Grotjahn (2012), and Fred Tomaselli (2009).From 1999 to 2005 she was the Phyllis Wattis MATRIX Curator at the University of California, Berkeley Art Museum and Pacific Film Archive, where she curated more than forty solo exhibitions of international contemporary artists such as Peter Doig, Shirin Neshat, Teresita Fernández, Julie Mehretu, Doug Aitken, Cai Guo-Qiang, Tacita Dean, Wolfgang Laib, Ernesto Neto, Simryn Gill, Sanford Biggers, Ricky Swallow, and Tobias Rehberger. Formerly she was the Assistant Curator of 20th-century Art at The Jewish Museum, New York, appointed in 1993, and curated Light x Eight: The Hanukkah Project, Contemporary Artist Project: Kristin Oppenheim, and Louis I. Kahn Drawings: Synagogue Projects which traveled to The Israel Museum, Jerusalem.She has curated more than 200 exhibitions during her career and is the author of numerous books including a widely loved children's book The Rainbow Hour with artist Amy Adler.Zuckerman earned a BA in European History from the University of Pennsylvania, an MA in Art History from Hunter College at CUNY and holds a Harvard Business School Executive Education certification.

The Dior Common Thread podcast series represents a fascinating new avenue for exploring the collaborations initiated by Kim Jones since his arrival at Dior. Each episode will present a compelling encounter with one of the inspiring figures who have participated in his endlessly original reinventions. In conversation with Ed Tang, each recounts their unique experience and shares their singular vision, providing an immersive new window into the world of Dior Men. Creative daring drives the House's momentum today more than ever, and the Dior Common Thread podcast series delves into the collaborations instituted by Kim Jones. For Autumn-Winter 2021-2022, the Artistic Director invited the acclaimed painter Peter Doig to collaborate with him on both the scenography for the runway show and the collection itself, along with a corresponding ski capsule. They worked together closely; the artist's participation being at the very heart of the design team's creative processes. The result was one of the most visually enriching partnerships between a designer and a contemporary artist. Peter Doig was born in Edinburgh, Scotland in 1959. He moved with his family to Trinidad in 1962 and then Canada in 1966. In 1979 he moved to London to study at Wimbledon School of Art, followed by Saint Martin's School of Art from 1980-83, which he describes as an extraordinary, formative period in his life. He did his MA at Chelsea School of Art from 1989-90. Since 2002, he has been living in Trinidad, where he paints and has raised his three children. He is also a professor at the Kunstakademie Düsseldorf in Germany. Doig's work is figurative, taking from childhood memories, photographs, postcards and movie scenes, but his technique and layering of colors and forms is conceptual and defies categorization. American critic Calvin Tomkins described Doig as “a virtuoso of the unpredictable” and his cryptic, dreamlike tableaux, along with his wide-ranging interests and involvement with music, cinema and sport, make him hard to pin down. He has exhibited in the world's most important museums and his paintings feature in many major public collections. Here, Ed Tang and Peter Doig talk about the intricate, intimate process that resulted from Kim Jones's invitation. The two established an instinctive creative bond, with the artist being invited to take part in design meetings, share ideas, and witness the many processes which go into building a collection. The forms of a pair of 1950s cinema speakers belonging to him would be integrated into the runway scenography. Additionally, he was inspired by a 1948 photograph of Monsieur Dior himself in a lion costume and decided to base the show invitation on it, as well as incorporating the feline motif in several designs. He discusses the passion he has for skiing, the recent exhibition he had of new works in Zermatt, and the conceptual journey he has had expressing his love for the sport in artistic terms. The artist describes himself as someone without one homeland, having lived in so many places, and he discusses his complex relationships with the places in which he grew up and has called home. He also reminisces about his time as a student in 1980s London and the lifelong friendships he formed with figures in fashion, art and music.

Figurative painter Peter Doig — one of the world's top-selling living artists — discusses his work, his upbringing in Canada and the underbelly of the art market. Yellowjackets star Sophie Nélisse talks about honing her survival skills and why she thinks the show is resonating right now.

Peter Doig is one of the most respected figurative painters of our time — and it's his depictions of Canada that have become the most famous and financially successful. Just last November, Doig sold one of his pieces, titled Swamped, for $39 million US, which placed him among the world's top-selling living artists. He spoke with Tom Power about how growing up in Canada influences his work. Plus, how he was wrongly accused of painting a piece of art that made international headlines.

Isaac Julien talks to Ben Luke about his influences, from art to literature, music and film, and the cultural experiences that have shaped his life and work.Julien's films and video installations are often swooningly beautiful, and always deeply engaged in diverse cultural histories, reflecting on, among other things, diaspora and Blackness, queer identity and the movement of people. His work actively involves other art forms, and is often produced from collaborations with choreographers and actors. He responds repeatedly to the art, literature and cinema of the past, but is also pushing video installation into new territory, using multiple screens—sometimes as many as ten—to create fractured narratives which envelop the viewer, encouraging distinctive readings of the complex stories he tells, and constantly expanding the frames through which we see his subject matter.He discusses the epiphany of seeing Max Beckmann at the Whitechapel Gallery, his admiration for Peter Doig, Stan Douglas and Glenn Ligon, the influence of poets including Aimé Césaire and Derek Walcott, the architect Lina Bo Bardi, the cultural scene in London when he began his film-making journey in the 1980s, and discovering, in his archive, his student photographs of early 1980s protests against police brutality—images that he had forgotten he had even taken. Plus, he answers our familiar questions, including the ultimate one: what is art for? This episode is sponsored by Bloomberg Connects. See acast.com/privacy for privacy and opt-out information.

Aubrey Williams, Horace Ové, Sonia Boyce, Lubaima Himid, Peter Doig, Chris Ofili, Hurvin Anderson, Grace Wales Bonner and Alberta Whittle have works on show at Tate Britain as part of an exploration of artists from the Caribbean who made their home in Britain, and British artists who have looked at Caribbean themes and heritage in their work. Shahidha Bari's guests include the curator David A Bailey, New Generation Thinker Sophie Oliver and academic Asha Rogers. David A Bailey is co-curator of Life Between Islands, Caribbean British Art from 1950 at Tate Britain which runs until 3 April 2022 Lubaima Himid's exhibition runs at Tate Modern until 3 July 2022. You can find a discussion about the Black British Art movement in this playlist exploring Black History on the Free Thinking website - it also includes conversations about the writing of Maryse Condé, Aimé Césaire, with Kei Miller and Colin Grant, and a discussion of sugar https://www.bbc.co.uk/programmes/p08t2qbp Sophie Oliver is a BBC AHRC New Generation Thinker and Lecturer in Modernism at the University of Liverpool. You can hear her Essay on Jean Rhys's dress here: https://www.bbc.co.uk/programmes/m000v870 Asha Rogers is Associate Professor in Contemporary Postcolonial Literature at the University of Birmingham. She is the author of State Sponsored Literature: Britain and Cultural Diversity after 1945. Producer: Ruth Watts

Sheena Wagstaff leads the Met's commitment to modern and contemporary art, including the design of the international exhibition program at The Met Breuer (2016-20), artist commissions, and collection displays. She has also curated numerous shows at the Met, amongst which are Gerhard Richter: Painting After All (2020); Like Life: Sculpture, Color, and The Body (1300-Now) (2018); and Nasreen Mohamedi (2016), and oversaw the David Hockney exhibition (2017). Significant acquisitions have been brought into the collection under her leadership, including works by Pablo Bronstein, Cecily Brown, Phil Collins, Tacita Dean, Peter Doig, Nick Goss, Chantal Joffe, Hew Locke, Sarah Lucas, Adam McEwen, Steve McQueen, Lucy McKenzie, Cornelia Parker (who was also featured as The Met's 2016 Roof Garden Commission artist), Bridget Riley, Rachel Whiteread, as well as Vanessa Bell, Lucian Freud, Roger Fry, and Barbara Hepworth. A new Met Façade commission, and an exhibition, each by British artists, are planned in the coming years. With a curatorial team representing expertise from across the globe, she is building a distinctive collection for the Met, both culturally and geographically, to reflect the historic depth of its global collections. Before joining the Met, Wagstaff was Chief Curator of Tate Modern, London, where, for 11 years, she was responsible for initiating the exhibition program, the Turbine Hall artist commissions, and contributing to the conceptual framework of collection displays. With the Tate Director, she worked with architects Herzog & de Meuron on the design for the Tate Modern Switch House building. She curated noteworthy exhibitions such as Roy Lichtenstein; John Burke + Simon Norfolk: Photographs from the War in Afghanistan; Jeff Wall Photographs 1978-2004; Darren Almond: Night as Day; and Mona Hatoum: The Entire World as a Foreign Land. Over the course of her career, Wagstaff has worked for the Museum of Modern Art, Oxford; the Whitechapel Art Gallery, London; The Frick Art Museum, Pittsburgh; and Tate Britain, London, where she played a seminal role in its transformation from the former Tate Gallery. She is a member of the Foundation for the Preservation of Art in Embassies (FAPE), and from 2013-2019, she was a United States Nominating Committee Member for Praemium Imperiale. She has written and edited many publications, and lectured widely. Brought to you by the British Consulate General, New York. Follow us on Twitter and Instagram.

Deze week spreekt Robert van Altena met kunstenaar Jan Robert Leegte n.a.v. zijn tentoonstelling ‘Compressed Landscapes‘ in het Van Gogh Museum. De computer en het internet zijn tegelijkertijd onderwerp en instrument voor Jan Robert Leegte en net als met de kwast en een doek is daar een hele wereld mee verbonden. Deze vergelijking legt ook meteen een groot verschil bloot; Computer en internet zijn een digitale extensie van het gewone leven geworden maar de meeste mensen maken er, zoals de schrijver van dit bericht, gebruik van zonder de meest rudimentaire kennis over hoe het functioneert. Leegte interesseert zich in zijn werk zowel voor de fundamentele zijde van de digitale wereld als ook voor de digitale maatschappij met zijn sociale revoluties en convoluties waarin de alledaagse gebruiker enigszins ronddobbert als Jacques Tati's Mr. Hulot in het moderne stedelijke landschap. Jan Robert Leegte brengt beide posities samen in een beeld, een website of een installatie, waarbij hij die voor het grote publiek onzichtbare fundamentale zijde aan de oppervlakte brengt en laat spreken. . . . ‘Compressed Landscapes' is de laatste presentatie in de reeks ‘Van Gogh Inspireert' waarin het museum werk toont van moderne kunstenaars als de schilder Francis Bacon en de beeldhouwer John Chamberlain en hedendaagse kunstenaars Jean-Luc Mylayne, multimedia kunstenaar Matthew Day Jackson en schilders Steven Aalders*, Peter Doig en Zeng Fanzhi allen kunstenaars van zeer uiteenlopende signatuur. *Aflevering Springvossen 373: Een gesprek met Steven Aalders over zijn schilderkunstige installatie ‘Vergezicht' in het Van Gogh Museum. SPRINGVOSSEN redactie + presentatie: Robert van Altena contact: springvossen@gmail.com INSTAGRAM www.instagram.com/springvossen FACEBOOK www.facebook.com/springvossen HOMEPAGE www.amsterdamfm.nl/springvossen Afbeelding: Jan Robert Leegte, Compressed Forests (2016) (screen shot d.d. 12 mei 2021).

Robert & Russell meet legendary British artist Denzil Forrester. We discuss 40 years of painting, his childhood in Grenada, the impact of moving to London in 1967 aged 11, his memories of making drawings in London's dub & reggae nightclubs of the late 1970s-80s, his admiration for Jah Shaka's sound system and the drive to create paintings that documented the club scene he cherished. We learn about racially-motivated arrests of the time including Forrester's own unjust arrest as a student followed by the death of Winston Rose a few years later, a friend of Forrester’s who died while under police restraint. Forrester went on to pay tribute to Rose in a number of iconic paintings including 'Three Wicked Men' (1981), now part of Tate museum's collection, and in a recent large-scale public mural for Art on the Underground titled 'Brixton Blue' (2019). Reflective of the contemporary black experience and the racial tensions of the 1980s, the mural straddles Brixton station's entrance and depicts a Brixton street scene with the figures of a truncheon-wielding policeman, a Rastafarian ‘businessman’ holding a portable sound system and a besuited politician. We also hear how curator Matthew Higgs of White Columns, New York and fellow painter Peter Doig & TRAMPS gallery helped shine a spotlight on Forrester's paintings for a new generation.Denzil Forrester's major solo exhibition 'Itchin & Scratchin' runs at Nottingham Contemporary until 3rd May 2020. This remarkable exhibition's wide ranging artworks roam from London to Rome and New York, from Jamaica to Cornwall. Pulsing with music and movement, these nocturnal scenes are by turns intimate and ecstatic, singular records of the Afro-Caribbean experience in Britain. Presented in partnership with Spike Island, Bristol, where it will travel to from 4 July to 6 September 2020. Follow @Nottm_Contemp and @SpikeIsland. Special thanks to @StephenFriedmanGallery's Karon Hepburn, Jonathan Horrocks and Tamsin Huxford. If you've enjoyed this episode, be sure to leave us a review on Apple Podcasts or email talkartpodcast@gmail.com as we love hearing your feedback! @talkart See acast.com/privacy for privacy and opt-out information.

WARNING: this episode of Talk Art contains strong language! Russell & Robert meet legendary English artist Caroline Coon. We discuss 50 years of painting in Ladbroke Grove, feminism, her longterm political activism, the importance of being socially conscious, decriminalising sex work, growing up in Kent, punk rock, managing The Clash & writing for Melody Maker in the 1970s. We explore the influence of artist Pauline Boty who helped found British Pop art, and was the only female painter in the movement, inheriting Boty's paints after her early death at the age of 28, and we consider the lasting power of painting but also ceramics and artworks made by hand. Her first solo exhibition ‘Caroline Coon: The Great Offender' was held in 2018 at The Gallery Liverpool, followed by her current first solo London exhibition at TRAMPS (running until 22nd December 2019) curated by artist Peter Doig & curator Parinaz Magadassi. The works span the 1980’s to 2019, demonstrating how Coon, in her explicit social and political commentary, has made art that rebels against binary conceptions of gender and challenges orthodoxy in ways that are particularly relevant today. The exhibition travels to TRAMPS New York, in Spring 2020. Art historian Maria Elena Buszek, in her catalogue essay for the exhibition, writes: “Artist, writer and activist Caroline Coon is one of the towering ‘disappeared’ women of her generation; she was a catalyst and witness to some of the most critical moments of art, music, and politics, only to see her participation muted and marginalised, and her male contemporaries canonised.” Learn more at www.TrampsLtd.com and www.CarolineCoon.com Special thanks to Martin Green. See acast.com/privacy for privacy and opt-out information.

Today's special guest believes creatives best get clear "with our mouths open" . Talking, and more importantly, listening is key to her role as a coach. Judith Morgan has been coaching for 15 years and Alice's coach - rather on a whim - for the past 5 years and today we are talking about what exactly coaching involves, sharing some of the practices which have helped many different creative entrepreneurs and discussing impatience, creating a sanctuary, the impact of emotions, leaving an imprint and the risks of helping others at your own expense. If you've ever wondered about how coaching could help you, we hope this might clarify your ideas about what to look for to choose the right way for you. After all, that's what we both strongly believe is the only way. Do you agree? Mentioned: Find Judith's book "Your Biz Your Way" HERE If you'd like to get in touch with Judith, the best way is to message through her Facebook page Find Own It the podcast HERE Read some of the stories behind the Peter Doig exhibition at Michael Werner gallery HERE Submit a question at bit.ly/artjuicepodcast Follow us on Instagram: @alicesheridanstudio @louisefletcher_art See fuller show notes on our websites: www.alicesheridan.com www.louisefletcherart.com Credits "Monkeys Spinning Monkeys" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License

In this bumper edition of the podcast we interview three of the world's leading artists, all of whom have shows timed to coincide with the Frieze art fairs: Ai Weiwei at Lisson Gallery, Mark Bradford at Hauser & Wirth and Peter Doig at Michael Werner Gallery. We also get all the latest news of sales and trends at the Frieze fairs from Melanie Gerlis, as another Brexit deadline approaches. And Hettie Judah tells us about her new book, Art London, billed as "a guide to places, artists and events" across the city. See acast.com/privacy for privacy and opt-out information.

Robert & Russell meet legendary painter, musician and poet Billy Childish. We discuss white suits, Dada, a Kurt Schwitters-inspired tattoo, punk rock, Van Gogh and why he got expelled from studying at Saint Martins in 1980. We find out about his friendship with Peter Doig, relationship with Tracey Emin, his breakthrough exhibitions with curator Matthew Higgs at not-for-profit art space White Columns (New York) & the ICA (London) and how he started to work with leading Berlin gallery Neugerriemschneider. Billy’s solo exhibition of new paintings at Carl Freedman Gallery, Margate runs until 25th August 2019, free entry. For images of Billy's paintings, please visit Instagram: @carlfreedmangallery and @talkart See acast.com/privacy for privacy and opt-out information.

In this week's episode of the ArtTactic Podcast, we speak with Robert Diament, director of Counter Editions, who produces prints and multiples by leading contemporary artists, including John Baldessari, Katherine Bernhardt, Cecily Brown, Peter Doig, Tracey Emin, Laura Owens, Christopher Wool, Jonas Wood and many others. First, Robert reveals that most artists create prints in order to make their art accessible to their admirers at an affordable price point. Given the increased demand for prints, Robert tells us if it has become more competitive for printmakers to persuade artists to make prints with them. Also, he touches on the emergence of flippers in the prints market and how Counter Editions tries to sell artworks to genuine collectors. Further, Robert takes us behind the curtain and explains how they collaborate with artists on deciding every aspect of a print, such as the subject matter, medium, size and edition size. Lastly, Robert shares why he thinks prints are a great way for new collectors to start building their collections.

We hear about a play that puts Whatsapp at its core, visit Peter Doig’s exhibition in London, hear from Daniel Hume on the art of fire-making – and go for “drunch”. Plus: Marie Billon with the weekend papers.

In this week's special end of the year episode of the ArtTactic Podcast, Judd Tully, veteran art market reporter, joins us to reflect on some of the major events in the art market over the past year. First, Judd identifies some of the top moments from 2017, including the $450 million da Vinci sale at Christie's, the increasing role of guarantees at auctions and the rise of Phillips auction house. Then, he declares some of the artists who were the biggest winners in 2017, such as Wolfgang Tillmans, Peter Doig, Mark Grotjahn and Sigmar Polke. Also, Judd tells us what aspects of the art market he will be following closely next year as well as sharing his bold prediction for the art market in 2018.

In this week's edition of the ArtTactic Podcast, dealer and author Kenny Schachter, speaks with us about the upcoming May major post-war and contemporary auctions. First, Kenny reflects on the zombie formalist movement and shares with us what trends people in the market are speaking about most frequently at the moment. Then, he describes current market conditions and where he foresees the marketing heading in the near-term. After, Kenny shares insights and predicts prices for artworks he's closely following that are upcoming at auction which are also featured in ArtTactic's ArtForecaster May competition. These includes artworks by: Andy Warhol, Jean-Michel Basquiat, Bruce Nauman, Rudolf Stingel, Christopher Wool, Marcel Duchamp, Mark Grotjahn, Jonas Wood, Richard Prince and Peter Doig.

Pour la dernière émission avec des images de la saison, je reçois Sébastien Alouf AKA Sebal, réalisateur, photographe, sculpteur, peintre, bref, tout. Pour la première fois par contre, un seul invité. Discussion en solo à propos de son univers plastique et comment la musique imprègne la matière.Il est venu avec deux images et elles sont ici, il suffit de cliquer pour les voir:Image 1 | Image 2 La playlist avec tous les morceaux diffusés durant cette première saison se trouve ici, soit sur Spotify, soit sur Deezer, soit sur YouTube. Voilà les liens des trucs dont on a parlé pendant l'émission:Studio Film Club de Peter Doig (sur Youtube)Stephen Smith / Neasden Control CentreSaul Leiter, photographe (Wikipedia)Rien, le dernier livre de José ParrondoLes liens pour retrouver Sébastien:Sébastien AloufSebalSon Vimeo Abonne-toi au podcast via Apple Podcast, mets-y 5 étoiles et suis-moi sur Twitter ou Instagram ça sera trop fou. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

In this week's episode of the ArtTactic Podcast, Anders Petterson, founder and managing director of ArtTactic, joins us to share some of the forecasts from ArtForecaster, ArtTactic's forecasting game in which competitors predict what prices artworks will sell for at auction. First, Anders shares a brief overview of ArtForecaster and what motivates individuals to continue to participate in these art auction forecasting competitions. Then, Anders discusses four important artworks for sale in the May post-war and contemporary sales by Damien Hirst, Rudolf Stingel, Peter Doig and Mark Grotjahn as well as what forecasters believe they will sell for ahead of the auctions. Lastly, Anders provides us with some perspective on this auction season by comparing it to previous seasons.

As the Liverpool Biennial prepares to open, Samira Ahmed talks to Sally Tallant, director of the biennial and the woman charged with turning the Merseyside city into an international contemporary art gallery. She meets three of the artists who have responded to the themes of this year's biennial: Turner Prize winner Mark Leckey meditates on memory in his film Dream English Kid, 1964 - 1999 AD; 78 of Liverpool's youngsters help performance artist Marvin Gaye Chetwynd create a film installation - Dogsy Ma Bone - that fuses Bertolt Brecht and Betty Boop; and the American ceramic artist Betty Woodman draws inspiration from Liverpool's architecture for her fountain commission. And the first broadcast interview with the winner of the John Moores Painting Prize, the UK's longest-established painting prize with former winners including David Hockney and Peter Doig.Presenter - Samira Ahmed Producer - Ekene Akalawu.

Crime writer Ruth Rendell talks to Mark Lawson about her distinguished career; from the Edinburgh Festival comedian Reginald D Hunter explains how to upset the English and writer-performer Sarah Louise Young performs the story of Dame Julie Andrews; poet John Agard discusses the importance of learning verse by heart with Mark; and John Wilson meets The Clash and actor-rapper Riz Ahmed and examines the work of Edinburgh born artist Peter Doig.

With John Wilson. Edinburgh born artist Peter Doig moved in Trinidad in 2002, and his new exhibition No Foreign Lands concentrates on the work he has painted since he has lived there. Showing at Scottish National Gallery in Edinburgh it is the first major exhibition of his work to be shown in the country of his birth. Art critic Moira Jeffrey reviews. Crime-writer Chris Brookmyre's new novel Flesh Wounds is the third in a series to follow private investigator Jasmine Sharp and Detective Superintendent Catherine McLeod amongst the Glasgow criminal underworld. Brookmyre talks to John about writing from female perspective, how Glasgow has changed and why his name and titles are getting shorter. Based on a Stephen King novel and produced by Steven Spielberg, Under The Dome is a hit American TV series about a small town which suddenly finds itself cut off from the rest of the world by a mysterious force field. Critic and writer Andrew Collins delivers his verdict. In for the Cultural Exchange is actor and musician Riz Ahmed, best known for his starring roles in The Reluctant Fundamentalist and Four Lions. His choice is the first video game to be picked for the Cultural Exchange, Street Fighter II, which was released in arcades in 1991. Producer Kate Bullivant.

Mar 17, 2011 The paintings of the Scottish-born, Trinidad-based artist Peter Doig give off a modest, quiet nostalgia. Referencing both art history and popular culture, his imagery asserts the primacy of the painting process and turns the real and familiar into uncanny presences. Recorded March 17, 2011 in The Phillips Collection Auditorium.

Adrian Searle begins a new weekly audio series in which he comes face to face with major artworks. This week: Peter Doig's Man Dressed As Bat (2007)

To coincide with Tate’s major Peter Doig retrospective exhibition, the artist is in conversation with Adrian Searle talking about his substantial body of work including paintings made in the last five years since his move to Trinidad in 2002.

Peter Doig talks about his work with the AGO's Director of Exhibitions, Bruce Ferguson.

Peter Doig talks about his work with the AGO’s Director of Exhibitions, Bruce Ferguson.