Podcasts about Alfred Hitchcock

Alfred Hitchcock's Psycho forever changed movie history with one shocking scene, but novelist Leah Rowan asks a tantalizing question: what if Marion Crane had survived? In her debut thriller, 'Marion,' Rowan reimagines one of cinema's most famous victims as a woman who fights back, setting off a suspenseful story of survival, revenge, and reinvention.A modern, feminist twist on a classic, the novel blends psychological suspense with sharp social commentary as Marion flees the aftermath of a deadly encounter while trying to save her sister from an abusive marriage. It's a bold, unexpected retelling that turns a familiar story on its head.

Tyler Johns and Lance Taylor are back on The Next Reel for a movie-packed episode featuring weekend watch recaps, classic film talk and a confession-style main topic: famous movies they somehow still have not seen. Before revealing their biggest movie blind spots, Tyler and Lance break down what they watched recently, including Alfred Hitchcock's Strangers on a Train, the brand new Toy Story 5, the legacy of Toy Story, the 1984 adventure drama The Bounty, reviewing The Death of Robin Hood, the classic western High Noon, an Apple TV thriller and more. Then, the guys dive into a list of their most surprising movie blind spots — popular films, all-time classics, sports favorites, comedies, thrillers and pop-culture staples that everyone assumes they have seen, but somehow missed. Some picks are shocking because of how iconic they are. Others are embarrassing because they fit perfectly into each host's taste. And a few will make you ask: “How have you never seen THAT?” The guys also discuss how certain movies become part of pop culture even if people have never actually watched them, why some classics feel impossible to avoid, and whether knowing the quotes, scenes or reputation of a movie counts as truly knowing it. What famous movie have YOU somehow never seen? Drop your biggest movie blind spot in the comments.

For over a century, Alfred Hitchcock has remained one of cinema’s most influential directors. Known as the Master of Suspense, this visionary filmmaker directed more than fifty films over six decades. His thriller “The Lodger” (1927) marked the start of his signature style, which was later exemplified in classic films like “Vertigo” (1958), “North by Northwest” (1959), “Psycho” (1960), and “The Birds” (1963). Hitchcock’s work received tremendous success and critical acclaim. While he never won the competitive Academy Award for Best Director, he received five Oscar nominations, two Golden Globes, the Irving G. Thalberg Memorial Award, a BAFTA Fellowship, multiple lifetime achievement awards, and two stars on the Hollywood Walk of Fame. Nine of his films are preserved in the United States National Film Registry. His mastery of tension, innovative camera techniques, and psychological depth continue to inspire and influence modern filmmakers such as Christopher Nolan, Jordan Peele, and Bong Joon Ho. https://www.youtube.com/watch?v=0NUJN1fq0Sc Drawing on new archival research, previously unpublished interviews, and a rigorous examination of key biographies, “A Century of Hitchcock” challenges the long-standing narratives that have shaped Hitchcock’s legacy. Author Tony Lee Moral revisits controversial claims regarding Hitchcock’s alleged abuses, scrutinizing biographer Donald Spoto’s interpretations—particularly Spoto’s portrayal of the director’s relationship with actress Tippi Hedren. With his analysis of Spoto’s 1980 interview of Hedren, Moral reveals for the first time how one key document contradicts decades of exaggeration. In this comprehensive reappraisal of Hitchcock’s career, Moral encourages readers to explore the complexities of creative collaboration and the risks of relying on a single biographical narrative. Marking one hundred years since Hitchcock’s first film, “The Pleasure Garden”, and fifty years since his last film, “Family Plot”, Moral reexamines the director’s cinematic brilliance, storytelling mastery, creative partnerships, and controversies, offering a fresh perspective on Hitchcock’s legacy in the post-#MeToo era.

Maybe don't stay at any hotels this week because we are covering Alfred Hitchcock's PSYCHO with comedian Kayla Hardy!Katie Afraidy is a horror movie review podcast where host, horror fanatic, and comedian Katie Hettenbach talks with comedians, actors, and filmmakers about horror movies!Phoenix secretary Marion Crane (Janet Leigh), on the lam after stealing $40,000 from her employer in order to run away with her boyfriend, Sam Loomis (John Gavin), is overcome by exhaustion during a heavy rainstorm. Traveling on the back roads to avoid the police, she stops for the night at the ramshackle Bates Motel and meets the polite but highly strung proprietor Norman Bates (Anthony Perkins), a young man with an interest in taxidermy and a difficult relationship with his mother.WANT STICKERS? https://www.stickermule.com/katieafraidySubscirbe on Patreon for EXTENDED UNCUT Episodes, Stickers, and SO MUCH MORE! https://www.patreon.com/KatieAfraidyGet ready for more chaos coming every TUESDAY! Old episodes of Horror at The Store will be reposted to YouTube every THURSDAY! Use code KATIEAFRAIDY25 to get 25% off of your Fangoria subscription !Check out Filmcraft Studio Gear!https://www.instagram.com/filmcraftla/Please don't forget to subscribe, share, and give us a review! Love my little spooky community! Follow us on Socials!https://www.instagram.com/katie.afraidy/https://www.instagram.com/kthetty/https://www.tiktok.com/@katie.afraidyhttps://www.tiktok.com/@kthettyProduced by Keida Mascarohttps://www.instagram.com/keidamascaro/The Cave Podcast Studiohttps://www.instagram.com/thecavepodcaststudio/Voiceover by Devyn Perryhttps://www.instagram.com/devynbperry/?hl=enSubscribe wherever you get your podcasts!https://podcasts.apple.com/us/podcast/katie-afraidy/id1647102737https://open.spotify.com/show/33nXkTFCfsGqcWBckdm952

Well. We're here. At the end of our illustrious horror podcasting road and we've got a belter for you. Luke picked 1960s 'Psycho' to round us out here at Nothing to Fear for the time being. What can we say about a movie that has had multiple doctoral dissertations written about it, really? We're just three idiots trying to make one another laugh.As if that's ever stopped anyone with a podcast before.Please enjoy the episode, thank you for being a listener, and do check out the youtube link to watch Alfred Hitchcock touring the Psycho sets as part of the movies promotion. It's well worth your time. Til we find something else not to be afraid of, Bye everyone.

This is Episode 12, where electricity is our STCKY means of death. This is The Current Situation by Kathleen Marple KalbFacebook: https://www.facebook.com/KathleenMarpleKalbInstagram: https://www.instagram.com/kathleenmarplekalb/Website: https://kathleenmarplekalb.com/ABOUT Kathleen Marple KalbKathleen Marple Kalb describes herself as an Author/Anchor/Mom…not in that order. A Regional Edward R. Murrow Award-winning weekend anchor at New York's 1010 WINS Radio, she writes mysteries, long and short. Her eleven published novels include the Old Stuff and Ella Shane series at Level Best Books, including the upcoming A Fatal Flourish, featuring Flora and Frankie's parents. As Nikki Knight, she writes the Vermont Radio and Grace the Hit Mom series. Her stories, under both pen names, have appeared in Alfred Hitchcock's Mystery Magazine, Black Cat Weekly, and many anthologies, including two Derringer Award finalists. She's also been a finalist for Agatha, Derringer, National Excellence in Storytelling, and Black Orchid Novella Awards. She serves on the national board of Sisters in Crime. She, her husband, and son live in a Connecticut house owned by their cat.DeliberationUp and coming attorney Flora St. Aubryn has career case on her desk. She is sure the case against Beatric Armitage is circumstantial, but it would put her over the top if she could point the finger at the person responsible for Mr. Armitage's death. People in the house that evening were:Mr. Archibald Armitage, food magnateMrs. Beatrice Armitage, social elitistMr. Chesney, the butler, haughty like his employersThe Upstairs Maid, nice as far as we knowNeill Clarendon, Mrs. Armitage's secretary, politeWRAP UPThat wraps this episode of Mysteries to Die For. Support our show by subscribing, telling a mystery lover about us, and giving us a five-star review. Check out our website m2d4podcast.com for links to this season's authors.Mysteries to Die For is hosted by TG Wolff and Jack Wolff. The Current Situation was written by Kathleen Marple Kalb. Music and production are by Jack Wolff. Episode art is by TG Wolff. Join us next week for a Toe Tag, which is the first chapter from a fresh release in the mystery, crime, or thriller genre. Normally we would be back in two weeks, but we are going to take a week off for the July Fourth holiday. Our next original story will drop on July 20th where heat, pressure, and chemical is our STCKY means of murder. It's Rendering the Truth by Chuck Brownman

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

Jaume Segalés y su equipo analizan los temas de actualidad y comentan la agenda cultural.Premios Escala de Interiorismo Los edificios que habitamos no sólo han de ser bonitos por fuera, sino que también han de ser funcionales y agradables por dentro. De esto último se ocupa el interiorismo. Un ámbito que acaba de celebrar un evento importante. La 4ª edición de los Premios Escala de Interiorismo tuvo lugar ayer en la Real Fábrica de Tapices de Madrid con Susanna Griso y Nena Daconte dirigiendo y amenizando la gala. Unos galardones que organiza y entrega la escuela de diseño de interiores IDEQUO, anteriormente conocida como Escuela Madrileña de Decoración (ESMADECO). Suponen un gran escaparate para la industria del interiorismo, el diseño y la decoración en el que se valoran la calidad de los proyectos, el criterio de los diseños y el impacto real en las personas que habitan los espacios creados. Todo ello reconociendo el talento consolidado y también el de los nuevos profesionales que definirán el futuro de esta disciplina práctica y artística. Esta gran gala rinde homenaje al talento real y a los profesionales que transforman espacios en el sector del diseño en España. El jurado ha destacado a figuras de renombre como, entre otros, Jaime Hayon, Patricia Bustos y Nacho Duato.Sección de cine clásico Es sesión continua Antolín de la Torre hoy nos habla sobre Enviado especial (Foreign Correspondent). Thriller de espionaje estadounidense de 1940 dirigido por Alfred Hitchcock y protagonizado por Joel McCrea, Laraine Day, Herbert Marshall, George Sanders, Albert Bassermann y Robert Benchley. La trama la protagoniza un reportero de acción de un periódico neoyorquino. El editor lo nombra corresponsal europeo porque está harto de los informes insustanciales que recibe. Su primera tarea consiste en obtener información privilegiada sobre un tratado secreto firmado entre dos países europeos. Sin embargo, las cosas no salen según lo planeado y solicita la ayuda de una joven para localizar a un grupo de espías.

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

In Episode 14 of Out To Get You, we are joined by writer and host of Best Issue Ever, Sara Century (When I Walk Into The Darkness, The Forgotten Five, et al.,) to gaze into the maw of mankind's avian anxieties, and all things left unsaid, in Alfred Hitchcock's 1963 monster mood piece, The Birds.Content Warning:This episode contains discussion of sexual assault, workplace abuse, grooming, compulsory heterosexuality, animal abuse, the decline and fall of matte paintings, and other topics that may be sensitive for listeners.In this episode, we discuss the power of anxiety, through the lens of ecological disaster, shattered families, and closeted societies, in this underrated-but-infamous thriller starring Tippi Hedrin, Rod Taylor, Jessica Tandy, Suzanne Pleshette, and Veronica Cartwright.Follow Sara's work, stay updated on The Forgotten Five, and get your copy of When I Walk Into The Darkness: Writings On The Films of Alfred Hitchcock now.Follow Out To Get You on BlueSky and Patreon for new episodes, bonus content, and more, and get your own Valentine M. Smith-designed merch at TeePublic.Send your questions and comments to OutToGetYouPodcast@gmail.com.

S7, EP 208Special Guest: Mike PecciJoin us tonight at the Chaos Table and listen in on our conversation with award winning Director, filmmaker, writer and visual storyteller Mike Pecci.Mike is known for blending horror, science fiction, and emotionally grounded genre filmmaking with striking cinematic imagery. Classically trained in silent film directing and cinematography in New York, Pecci built his career directing commercials, music videos, and branded content before emerging as one of the most distinctive voices in independent horror cinema. His work combines old school visual storytelling with modern cinematic intensity, drawing inspiration from filmmakers like John Carpenter, Steven Spielberg, Alfred Hitchcock, and Andrei Tarkovsky.Pecci first gained major attention with his viral science fiction horror short film 12 Kilometers, a Lovecraftian nightmare inspired by the real life Kola Superdeep Borehole. The film became a cult phenomenon online, praised for its atmosphere, practical effects, sound design, and cinematic ambition. The film generated a massive grassroots following through an unconventional “you need the director's permission to watch it” release campaign, helping it spread virally throughout the horror community. Critics described the film as “what if David Lynch directed The Thing,” while audiences praised its haunting tone and immersive visual style. Since the release of 12 Kilometers, Pecci's films have screened at major genre and independent film festivals around the world, including the FilmQuest, where his short film Come Home earned him the award for Best Director. His experimental horror fashion film Metanoia, starring David Dastmalchian, received multiple festival nominations including Best Cinematography and Best Macro Short at FilmQuest, as well as nominations at the London Fashion Film Festival. Outside of narrative filmmaking, Pecci has directed over 30 music videos and commercial campaigns for artists and brands including Killswitch Engage, Meshuggah, Czarface, Bose, Fujifilm, Leica, and Samuel Adams. Pecci is also the creator and host of the long running filmmaking podcast In Love with the Process, where he interviews some of the industry's top cinematographers, directors, editors, and artists about the realities of the creative process. The show has become a respected platform within the filmmaking community for its honest conversations about art, struggle, obsession, and storytelling.Known for his visceral visual language, love of practical filmmaking, and emotionally driven horror, Mike Pecci continues to push genre storytelling into bold and unexpected territory. His work has earned a passionate cult following among filmmakers and horror fans alike, establishing him as one of the most exciting emerging voices in modern genre cinema.Mike's Links -Website - http://mikepecci.com/Podcast - http://inlovewiththeprocess.com/IG- https://www.instagram.com/mikepecci/This is a shareable podcast where a group of creatives join together to  document their creative voiceover & on-camera journeys in real time. We hope this podcast creates inspiration, stirs up a few ah-ha moments or maybe brings to the surface a feeling of "you're not alone" while navigating the creative process. Either way, we are glad you are here.  Oh, and we also pull into our conversations at the chaos table industry professionals along with other fellow actors, to share their stories, experiences and knowledge - so we can all connect, share, learn, grow and expand together.  This podcast is for entertainment and not educational purposes!  Enjoy and thank you for listening to our Creative Chaos! *Have a creative story or journey to share, we'd love to hear it - email us at chaoskeepers411@gmail.com or jozlynrocki@gmail.com Follow all the Chaos - YT - https://www.youtube.com/channel/UChG0fKKBt2QNplJowSaKU6wFB - https://www.facebook.com/keepingupwithchaospodcastIG - https://www.instagram.com/keeping_up_with_chaos/

Special Host: Courtney SansoneThis week we finally wrap up season 2 of Frasier (2023)! Let's get into the bests and worsts and the history of stupid comments we've made. (00:00) Welcome!(07:29) Biggest Laugh(12:19) Most Punchable Moment(17:14) Standout Episode(26:30) Character MVP(35:58) Hot Takes(41:16) RPP Was That Me(61:30) Previous Preview(62:04) AnnouncementCheck out the Tremendous Kendous Twitch channel for his series: The Monthly Movie Mayhem. The next live stream is Friday, June 26 at 8:30pm EST with a double feature of Alfred Hitchcock's Blackmail (1929) and Murder (1930).Find us on Bluesky, Facebook, Instagram, TikTok, and Youtube or email us at ReversePsychPod@gmail.com. Hosted on Acast. See acast.com/privacy for more information.

Beyond 'beans, bullets, and bandaids' is preparing to handle the people you could be cooped up with during a crisis event. Well-vetted survival groups are rare. Families or neighbors are far more common and will be a mixed-bag of stable individuals and those with potentially problematic personalities. Recognizing the issues early and dealing with them can prevent internal conflict from complicating your survival plan. Mic, Brian, and Jeff all watched the movie Lifeboat as a conversation starter about a mixed-bag of survivors. The IMDB listing for Alfred Hitchcock's Lifeboat, 1944. Streamable via Amazon Prime. Keep the DoomCasts Coming! Consider showing your appreciation for these topical episodes by buying Mic a cup of virtual coffee at  Buy Me A Coffee or by becoming a Patron on Patreon, or a monthly member at Buy Me A Coffee, to keep the Doom light shining.

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

“The same creative and political forces that gave rise to [San Francisco's] boom nearly engineered its collapse.” — Jonathan Weber In Hitchcock's Vertigo, the quintessential San Francisco movie, the villain points to an old painting of the city and tells Jimmy Stewart that San Francisco has changed. The real city has been lost, he says. Somebody has stolen San Francisco's soul. The veteran tech journalist Jonathan Weber is the latest writer to search for that soul. In City on the Edge: Technology, Politics, and the Fight for the Soul of San Francisco, Weber bemoans the disappearance of the real San Francisco — the city not just of the Beats and the Counterculture but also of ordinary teachers and policemen. We've had thirty years of boom, bust, and Big Tech. The ordinary folks of San Francisco have been replaced by a new class of tech bros. In 1992, just 2% of San Franciscans worked in tech. By 2019 it was 35%. As a longtime San Franciscan, Weber had a front-row seat on the dot-com mania, the rise of social media, Uber and Airbnb, the pandemic's great emptying of downtown, and now the AI boom driven by the San Francisco-based Anthropic and OpenAI. In City on the Edge, Weber argues that the same creative and political forces that gave rise to the boom — the counterculture's anarchic spirit, the city's love affair with eccentricity, the tech industry's utopian self-belief — also engineered its near-collapse. Digital vertigo, so to speak. Once again somebody has stolen San Francisco's soul. Five Takeaways •       From 2% to 35%: The Numbers Behind the Transformation: In 1992, just 2% of San Francisco workers were in tech. By 2019 it was 35%. The book traces how this happened: a city economically troubled in the early 1990s, still reeling from AIDS and the 1989 Loma Prieta earthquake, with its manufacturing base gone and its corporate headquarters thinning out. Into this vacuum came a group of free-thinking technologists immersed in the city's creative counterculture. They invented the contemporary internet. What followed was one of the most rapid urban transformations in American history. •       The Cacophony Society and the Founding of Burning Man: Before the tech boom, San Francisco in the early 1990s had a remarkable underground culture. Weber writes about the Cacophony Society — the group of anarchic free spirits who effectively founded the Burning Man festival. The Cacophony Society emerged from the counterculture of the 1960s through various evolutions — Situationist pranks, urban exploration, radical creativity. Burning Man began as their annual trip to the Black Rock Desert. The spirit of that founding: go somewhere, build something, be someone different, leave no trace. That spirit was the soul of the city too. •       The City of Nostalgia: Always Believing Yesterday Was Better: Weber takes his Vertigo reference seriously. San Francisco is structurally a city of nostalgia — people arrive with a fixed idea of what the city is, and it inevitably becomes something different. The gap between the idea and the reality generates permanent mourning. This is not unique to San Francisco — Trump has built a presidency on the idea that things were better in the 1950s — but it is intensified here by the height of the hopes people bring. The city means something bigger than itself. That is both its greatest asset and its permanent wound. •       The AI Boom and the Coming IPO Earthquake: The current AI boom is, in Weber's reading, likely to be the largest yet. OpenAI and Anthropic are both based in the city. When those IPOs happen, San Francisco real estate — already rising 25–50% in some neighbourhoods, Andrew notes — will go, in Weber's words, “really, really crazy again.” Hundreds of thousands of millionaires will be created overnight. The city is gradually becoming uniformly wealthy. Some of the old tensions may be less intense for that reason. But Weber does not think the cycles are over. The current boom will bust, as all booms do. What comes next is the question. •       Burning Man, the Internet, and the Future of Cities: Weber ends the book at Burning Man. His closing observation: when the internet arrived on the playa, Burning Man lost the sense that it was a separate world — a place where you could be a different person, because nothing from your regular life could reach you. Now everyone has a phone. The privacy is gone. The sense of separation is gone. For cities: part of the power of cities is that they bring people together, and good things arise from that friction. But if technology no longer requires you to be in the same place, cities become less essential. What is the future of the city in the age of technology? Weber doesn't have a tidy answer. Neither does anyone else. About the Guest Jonathan Weber is a veteran technology journalist and the author of City on the Edge: Technology, Politics, and the Fight for the Soul of San Francisco (Atria Books, June 9, 2026). He was the founding editor-in-chief of The Industry Standard, former editor-in-chief of the San Francisco Standard, and covered the technology industry for the Los Angeles Times. He lives in San Francisco. References: •       City on the Edge: Technology, Politics, and the Fight for the Soul of San Francisco by Jonathan Weber (Atria Books, June 9, 2026). •       David Talbot, Season of the Witch: Enchantment, Terror, and Deliverance in the City of Love — referenced in the conversation; Weber's recommended companion read on 1970s San Francisco. •       Ezra Klein and Derek Thompson, Abundance — referenced in the closing exchange. •       Joan Didion, Slouching Towards Bethlehem — the opening epigraph to Weber's book, referenced in the conversation. •       Alfred Hitchcock, Vertigo (1958) — Andrew's reference; the film's own meditation on San Francisco as a city of nostalgia. About Keen On America Nobody asks more awkward questions than the Anglo-American writer and filmmaker Andrew Keen. In Keen On America, Andrew brings his pointed Transatlantic wit to making sense of the United States — hosting daily interviews about the history and future of this now venerable Republic. With nearly 2,900 episodes since the show launched on TechCrunch in 2010, Keen On America is the most prolific intellectual interview show in the history of podcasting. WebsiteSubstack

Author of A Century of Hitchcock: The Man, the Myths, the Legacy, Tony Lee, joins Bob Sirott to talk about what the media has gotten wrong over the years about Alfred Hitchcock and the different people that he interviewed for the book to get a more accurate representation. He also shares details about two of […]

With all the discussion about film and whether the "color" of the actors matters, we started thinking about whether color is a factor when it comes to watching TV and film. Charlie Chaplin, Alfred Hitchcock, The Twilight Zone, Abbott and Costello, Shadow and Fog, The Bride of Frankenstein, the Original King Kong, the list goes on. All these films and shows were produced in black and white. Jordan Peele released a version of his Twilight Zone series in black and white. And Takashi Yamazaki director of the award winning Godzilla Minus One was also recently released a version in black and white. Is there a timeless allure to black and white film or is it just for critics and film students? Join the Blerdsassins Next Door at 1:30p EST/12:30p CST/ 10:30a PST to discuss black and white film techniques and whether they still have a place in modern media production.

durée : 00:48:15 - Affaires sensibles - par : Fabrice Drouelle - Aujourd'hui dans Affaires Sensibles, Tippi Hedren dans "Les Oiseaux", la proie Alfred Hitchcock. - réalisation : Stéphane Cosme, Hélène Bizieau, Frédéric Milano, François Audoin, Valentine Chédebois, Franck Cognard, Rebecca Denantes, Claire Teisseire Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

EPISODE #482-- We slam headfirst into the car crash of a genre-bender, GOD TOLD ME TO (1976), which tries to combine a police procedural, UFOs, horror, and, I don't know what else, into a real must-see mess of a movie. Seriously. It's almsot good at every single turn. It begs to be watched. We also chat about George Clozeau's LE CORBEAU (1943), Tim Burton's BEETLEJUICE BEETLEJUICE (2025), Carol Reed's NIGHT TRAIN TO MUNICH (1940), and Alfred Hitchcock's THE LADY VANISHES (1938). Do we talk about other movies? Yes. Many. If you want to a list of them, check out our Patreon! LINKS-- Join the cause at Patreon.com/Quality. Follow the us on on Bluesky at kislingconnection and cruzflores, on Instagram @kislingwhatsit, and on Tiktok @kislingkino. You can watch Cruz and show favorite Alexis Simpson on You Tube in THEY LIVE TOGETHER. Thanks to our artists Julius Tanag  and Sef Joosten. The theme music is "Eine Kleine Sheissemusik" by Drew Alexander. Also, I've got a newsletter on Substack, so maybe go check that one out, too. Listen to DRACULA: A RADIO PLAY on Apple Podcasts, at dracularadio.podbean.com, and at the Long Beach Playhouse at https://lbplayhouse.org/show/dracula And, as always, Support your local unions! UAW, SAG-AFTRA, and WGA strong and please leave us a review on iTunes or whatever podcatcher you listened to us on!

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

This week, we're stepping into the stylish, seductive, and deeply divisive world of Dressed to Kill. Released at the height of Brian De Palma's fascination with voyeurism, identity, and cinematic sleight of hand, the film is both a love letter to classic thrillers and a provocation in its own right. Drawing heavily from the work of Alfred Hitchcock (that's putting it mildly) while pushing further into sex, violence, and dreamlike excess, Dressed to Kill quickly became one of the most controversial films of its era. We discuss how De Palma's visual style helps put a new spin on familiar material, dig into the film's elaborate set pieces, and of course, attempt to unpack its depiction of gender and identity. Apple Podcasts | Spotify | Facebook | Instagram Chris's Instagram | Kristen's Instagram Chris & Kristen's Web Series: The Strange Case of Lucy Chandler Chris's new EP on Spotify and Bandcamp

In Cineversary podcast episode #95, host ⁠Erik J. Martin⁠ commemorates the 75th birthday of Strangers on a Train, directed by Alfred Hitchcock. Seated adjacent on this train ride is Stephen Rebello, contributing screenwriter on the 2012 film Hitchcock, and author of Criss-Cross: The Making of Hitchcock's Dazzling, Subversive Masterpiece Strangers on a Train. Erik and Stephen swap insights and opinions on why this film is essential viewing, its subversive sexual dynamics, salient themes, and much more. Learn more about the Cineversary podcast at www.cineversary.com and email show comments or suggestions to cineversarypodcast@gmail.com.

All throughout June, Milwaukee Film is serving up three separate helpings of hand-picked movies for the organization's Pride Month program. There's the “Queerious” mini-series devoted to queer-coded selections, the “Summer Camp 2” mini-series featuring queer classics that lean into the outrageous, and a trio of bonus picks to round out the month.To help us navigate the four weekends of movies, we brought back the perfect guest: Milwaukee Film GenreQueer and Shorts programmer Jack Feria!Jack is a Cinebuds frequent flyer, having stepped into the studio with us several times to share all the cool stuff he does with Milwaukee Film. For this particular episode, he joins Dori and Kpolly to chat about the incredible range of LGBTQ+ fare coming to the Oriental and Downer Theatres — from Alfred Hitchcock's subtext-laden Rope to gender-bending musical masterpiece Victor/Victoria.#####Cinebuds is sponsored by Joe Wilde Garage Doors.

Grant joins us for one out of Retro episodes, where we discuss an old(er) film. This time it's Alfred Hitchcock's Rope (1948).

The Invisible Scene is the quiet moment most viewers watch and don't notice. And it changes everything. It is not the car chase, the villain reveal, or the final showdown. It is a throwaway line, a loaded pause, a scene hiding in plain sight. Miss it, and you miss the movie. Hosts Dan and Tom of Cracking the Code of Spy Movies break down exactly what makes the invisible scene so easy to overlook — and yet, so essential, especially to spy movies. They walk through landmark spy movies in close detail. For instance, in CASINO ROYALE, a train conversation between James Bond and Vesper Lynd sets up the movie's entire emotional arc in just a few minutes. Similarly, in Alfred Hitchcock's NORTH BY NORTHWEST, a dinner on a train between Roger Thornhill and Eve Kendall quietly reveals who is actually in control. Then, in SKYFALL, a cluster of evaluation scenes tells you James Bond is broken long before the plot confirms it. Each example shows how great spy movies hide their true meaning in plain dialogue, subtle behavior, and understated moments — and how to spot them yourself. Once you start seeing these scenes, you can't unsee them. Every rewatch becomes a fresh discovery. We cover more spy movies than these three in this episode. Listen to find out what those movies are. The mission of this episode is to: Define "invisible scenes" — undramatic moments that secretly carry the movie's entire meaning Dive deeply into the invisible scenes in CASINO ROYALE, NORTH BY NORTHWEST, and SKYFALL with specific scene breakdowns. Explain why spy movies deliberately bury their biggest clues in quiet dialogue Teach a practical method for spotting invisible scenes on your next rewatch Explore how both Hitchcock and modern Bond films use the same invisible-scene technique Let you in on a post-filming edit that Hitchcock had to make in NORTH BY NORTHWEST Tell us what you think of our decoding of the invisible scene Is this something you've noticed before?  Can you find the hidden scene in your favorite spy movie? Let us know your thoughts, ideas for future episodes, and what you think of this episode. Just drop us a note at info@spymovienavigator.com.  The more we hear from you, the better the show will surely be!  We'll give you a shout-out in a future episode!   You can check out all our CRACKING THE CODE OF SPY MOVIES podcast episodes on your favorite podcast app or our website. In addition, you can check out our YouTube channel as well.   Episode Webpage:  https://spymovienavigator.com/episode/the-invisible-scene-that-explains-the-whole-spy-movie

Good evening. Welcome to Dial P for Podcast, Patrick Ripoll's year-long chronological voyage through the films of Alfred Hitchcock. Every month Patrick will be watching four Hitchcock features and talking about them here, from The Pleasure Garden to Family Plot, all across the year of 2026, examining the life and work of England's most famous cinema pervert.In this episode Alfred Hitchcock finally escapes the confines of the British film industry, only to once again find himself a small fish in a large pond. With The Lady Vanishes (1938) he takes the 39 Steps formula into dizzying new heights of paranoia and sophistication, in Jamaica Inn (1939) he clashes with the ego of producer/star Charles Laughton, in Rebecca (1940) he breaks ground in Hollywood with a career high gothic romance classic and Foreign Correspondent (1940) finds him back to the thriller, but with greater production values and a more urgent plea for intervention than ever.One of the most important stretches of Alfred Hitchcock's career, producing some of the greatest works in his filmography! Check it out!0:00 - 0:33 - Intro0:34 - 46:00 - The Lady Vanishes (1938)46:01 - 1:18:20 - Jamaica Inn (1939)1:18:21 - 2:34:24 - Rebecca (1940)2:34:25 - 3:43:14 - Foreign Correspondent (1940)3:43:15 - 3:44:04 - Outro

Still to this day, this psychological condition is most often referred to by its previous name: multiple personality disorder. That's in particular down to exaggerated representations in popular culture like books, TV or cinema. Some prominent examples are the story of Dr Jekyll and Mr Hyde, Alfred Hitchcock's Psycho or, more recently, Split. Experts have criticised the use of DID as a plot device in such representations, saying they often confuse it with other disorders like psychosis or schizophrenia. They also perpetuate certain myths about people with mental illnesses. These include the idea that they are usually dangerous or have flamboyant personalities.  So what is DID really like then? Doesn't that happen to everyone? Where does it come from? In under 3 minutes, we answer your questions! To listen to the last episodes, you can click here: ⁠⁠⁠Do superfoods actually work?⁠⁠⁠ ⁠⁠⁠Will Charles Bronson finally be freed?⁠⁠⁠ ⁠⁠⁠What is Bregret?⁠⁠⁠ A Bababam Originals podcast, written and produced by Joseph Chance. First Broadcast: 19/3/2023 Learn more about your ad choices. Visit megaphone.fm/adchoices

In 2018, researchers at MIT unveiled an artificial intelligence so disturbing it earned a name straight out of a psychological thriller: Norman (as in Bates). Unlike typical AIs, Norman was exposed to some of the darkest corners of the internet, causing it to see horror in the mundane. Though designed as an experiment, Norman became a cautionary tale about how artificial minds can mirror humanity's most disturbing tendencies. For a full list of sources, please visit: sosupernaturalpodcast.com/dark-web-norman-the-psychopathic-ai   Did you know you can listen to So Supernatural ad-free? Join the Crime Junkie Fan Club! Visit https://crimejunkiepodcast.com/fanclub/ to view the current membership options and policies. So Supernatural is an Audiochuck and Crime House production. Find us on social! Instagram: @sosupernaturalpod Twitter: @_sosupernatural Facebook: /sosupernaturalpod Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

A professor created an advanced robot named Junior, but it was stolen by a crook during the early stages of its intellectual and emotional development.To download, right-click here and then click SaveJoin the Journey Into Patreon to get extra episodes and personal addresses, plus other extras and rewards.Robert Bloch was an American fiction writer, primarily of crime, psychological horror and fantasy, much of which has been dramatized for radio, cinema and television. He also wrote a relatively small amount of science fiction. Best known as the writer of Psycho (1959), the basis for the film of the same name by Alfred Hitchcock, Bloch wrote hundreds of short stories and over 30 novels. He was a protégé of H. P. Lovecraft, who was the first to seriously encourage his talentX Minus One was a half-hour science fiction radio drama series broadcast from April 24, 1955 to January 9, 1958 in various timeslots on NBC. Initially a revival of NBC's Dimension X (1950–51), the first 15 episodes of X Minus One were new versions of Dimension X episodes, but the remainder were adaptations by NBC staff writers, including Ernest Kinoy and George Lefferts, of newly published science fiction stories by leading writers in the field, including Isaac Asimov, Ray Bradbury, Philip K. Dick, Robert A. Heinlein, Frederik Pohl and Theodore Sturgeon, along with some original scripts by Kinoy and Lefferts.Theme music: Liberator by Man In SpaceTo comment on this or any episode:Send comments and/or recordings to journeyintopodcat@gmail.comPost a comment on Facebook here, or on X here

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

We all go a little mad sometimes! This week Jack and Corey are joined by the hilarious Ryan Stanger (Actionboyz Podcast) to talk Gus Van Sant's controversial (nearly) shot-for-shot remake of Alfred Hitchcock's PSYCHO (1998)! The three talk Van Sant vs Van Damme, charcuterie boards, Vince Vaughn's dramatic roles, Shower Scenes, Anne Heche's rear end, Van Sant's un-Hitchcockian style, hated movies, hot tempers, added shots, pantsing people, experimental cinema, Christopher Lloyd, Psycho 2, J-Blow, 90s acting trends, infuriating jerk off scenes, secret St. Patrick's Day movies, Nepo Daddies, Rob Zombie, the Psycho house, the Universal Studio Tour, Jim Carrey, Hokas, Anthony Perkins, differences from the book, XXX Psycho parody, Dunkaroos, Lena The Plug, mooning people, Auditioning for Gus Van Sant, digital cows and Bad Mothers.Support the pod by joining our Patreon at patreon.com/cinemapossessedpod and unlock the Cinema Possessed Bonus Materials, our bi-monthly bonus episodes where we talk about more than just what's in our collection.Instagram: instagram.com/cinemapossessedpodTikTok: https://www.tiktok.com/@cinemapossessedpodEmail: cinemapossessedpod@gmail.com Hosted on Acast. See acast.com/privacy for more information.

Dana and Tom discuss three very different films that are currently tied on the greater GMOAT full list: The Bridge on the River Kwai (1957), Vertigo (1958), and The Hangover (2009).Chapters:00:00 Introduction to the TieBreaker05:32 Cast and Background for The Bridge on the River Kwai07:43 Plot Summary for The Bridge on the River Kwai09:06 New Thoughts on The Bridge on the River Kwai?17:16 Cast and Background for Vertigo21:35 Plot Summary for Vertigo22:59 New Thoughts on Vertigo?32:38 Cast and Background for The Hangover35:35 Plot Summary for The Hangover36:34 New Thoughts on The Hangover?41:07 First Break41:58 Let the Tiebreaker Begin44:47 The Stanley Rubric - Impact/Signficance48:21 The Stanley Rubric - Novelty53:41 Second Break54:20 In Memoriam55:46 The Stanley Rubric - Classicness01:01:13 The Stanley Rubric - Rewatchability01:03:22 The Stanley Rubric - Audience Score01:04:31 Final Math01:07:20 Remaining Thoughts for the WeekYou can also find this episode in full video on YouTube.You can now follow us on Instagram, Twitter, Bluesky, Threads, YouTube, or TikTok (@gmoatpodcast).For more on the previous episode of The Bridge on the River Kwai (1957), go to: https://www.ronnyduncanstudios.com/post/37-the-bridge-on-the-river-kwai-1957For more on the previous episode of Vertigo (1958), go to: https://www.ronnyduncanstudios.com/post/vertigo-1958For more on the previous episode of The Hangover (2009), go to: https://www.ronnyduncanstudios.com/post/the-hangover-2009For more on the episode, go to: https://www.ronnyduncanstudios.com/post/the-bridge-on-the-river-kwai-1957-v-vertigo-1958-v-the-hangover-2009-tiebreakerFor the entire rankings list so far, go to: https://www.ronnyduncanstudios.com/post/greatest-movie-of-all-time-listKeywords:film analysis, movie rankings, The Bridge on the River Kwai, Vertigo, The Hangover, cinematic impact, film history, movie review, Todd Phillips, David Lean, Alfred Hitchcock, Bradley Cooper, James Stewart, William Holden, Alec Guinness, Kim Novak, Ed Helms, Zach GalifianakisRonny Duncan Studios

To mark 2015's 50th anniversary of the classic adventure series “Lost in Space,” Gilbert and Frank dial up Will Robinson himself, actor, musician and voice artist Bill Mumy, who shares childhood memories of working with icons Irwin Allen, Brigitte Bardot and Walt Disney and explains why he turned down the role of Eddie on "The Munsters." Also, Bill runs afoul of Alfred Hitchcock, stars in three unforgettable “Twilight Zone” episodes and records the novelty song “Fish Heads.” PLUS: “The Great Vegetable Rebellion”! Billy meets Keith Richards! Zorro meets Eva Peron! And Gilbert tangles with the Man of Steel! Learn more about your ad choices. Visit megaphone.fm/adchoices

The guys wrap up their Golden Oldies theme with a divisive debate over Alfred Hitchcock's voyeuristic classic, Rear Window.-Listen to more episodes: somanysequels.com-Follow on Instagram: @somanysequelspodSo Many Sequels is a movie podcast where Josh Gammon, Garrett Powders, and David Prock talk about new releases, old favorites, and everything in between like a book club for movies.

For over a century, Alfred Hitchcock has remained one of cinema's most influential directors. Known as the Master of Suspense, this visionary filmmaker directed more than fifty films over six decades. His thriller The Lodger (1927) marked the start of his signature style, which was later exemplified in classic films like Vertigo (1958), North by Northwest (1959), Psycho (1960), and The Birds (1963). Hitchcock's work received tremendous success and critical acclaim. While he never won the competitive Academy Award for Best Director, he received five Oscar nominations, two Golden Globes, the Irving G. Thalberg Memorial Award, a BAFTA Fellowship, multiple lifetime achievement awards, and two stars on the Hollywood Walk of Fame. Nine of his films are preserved in the United States National Film Registry. His mastery of tension, innovative camera techniques, and psychological depth continue to inspire and influence modern filmmakers such as Christopher Nolan, Jordan Peele, and Bong Joon Ho. Drawing on new archival research, previously unpublished interviews, and a rigorous examination of key biographies, A Century of Hitchcock: The Man, the Myths, the Legacy (University Press of Kentucky, 2026) challenges the long-standing narratives that have shaped Hitchcock's legacy. Author Tony Lee Moral revisits controversial claims regarding Hitchcock's alleged abuses, scrutinizing biographer Donald Spoto's interpretations—particularly Spoto's portrayal of the director's relationship with actress Tippi Hedren. With his analysis of Spoto's 1980 interview of Hedren, Moral reveals for the first time how one key document contradicts decades of exaggeration. In this comprehensive reappraisal of Hitchcock's career, Moral encourages readers to explore the complexities of creative collaboration and the risks of relying on a single biographical narrative. Marking one hundred years since Hitchcock's first film, The Pleasure Garden, and fifty years since his last film, Family Plot, Moral reexamines the director's cinematic brilliance, storytelling mastery, creative partnerships, and controversies, offering a fresh perspective on Hitchcock's legacy in the post-#MeToo era. Tony Lee Moral is a British filmmaker and author who specializes in film history, especially the work of Alfred Hitchcock. He is the author of Hitchcock and the Making of Marnie, The Making of Hitchcock's The Birds, The Young Alfred Hitchcock's Moviemaking Master Class, and Alfred Hitchcock Storyboards. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th- and 19th-century British Literature.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

For over a century, Alfred Hitchcock has remained one of cinema's most influential directors. Known as the Master of Suspense, this visionary filmmaker directed more than fifty films over six decades. His thriller The Lodger (1927) marked the start of his signature style, which was later exemplified in classic films like Vertigo (1958), North by Northwest (1959), Psycho (1960), and The Birds (1963). Hitchcock's work received tremendous success and critical acclaim. While he never won the competitive Academy Award for Best Director, he received five Oscar nominations, two Golden Globes, the Irving G. Thalberg Memorial Award, a BAFTA Fellowship, multiple lifetime achievement awards, and two stars on the Hollywood Walk of Fame. Nine of his films are preserved in the United States National Film Registry. His mastery of tension, innovative camera techniques, and psychological depth continue to inspire and influence modern filmmakers such as Christopher Nolan, Jordan Peele, and Bong Joon Ho. Drawing on new archival research, previously unpublished interviews, and a rigorous examination of key biographies, A Century of Hitchcock: The Man, the Myths, the Legacy (University Press of Kentucky, 2026) challenges the long-standing narratives that have shaped Hitchcock's legacy. Author Tony Lee Moral revisits controversial claims regarding Hitchcock's alleged abuses, scrutinizing biographer Donald Spoto's interpretations—particularly Spoto's portrayal of the director's relationship with actress Tippi Hedren. With his analysis of Spoto's 1980 interview of Hedren, Moral reveals for the first time how one key document contradicts decades of exaggeration. In this comprehensive reappraisal of Hitchcock's career, Moral encourages readers to explore the complexities of creative collaboration and the risks of relying on a single biographical narrative. Marking one hundred years since Hitchcock's first film, The Pleasure Garden, and fifty years since his last film, Family Plot, Moral reexamines the director's cinematic brilliance, storytelling mastery, creative partnerships, and controversies, offering a fresh perspective on Hitchcock's legacy in the post-#MeToo era. Tony Lee Moral is a British filmmaker and author who specializes in film history, especially the work of Alfred Hitchcock. He is the author of Hitchcock and the Making of Marnie, The Making of Hitchcock's The Birds, The Young Alfred Hitchcock's Moviemaking Master Class, and Alfred Hitchcock Storyboards. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th- and 19th-century British Literature.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

For over a century, Alfred Hitchcock has remained one of cinema's most influential directors. Known as the Master of Suspense, this visionary filmmaker directed more than fifty films over six decades. His thriller The Lodger (1927) marked the start of his signature style, which was later exemplified in classic films like Vertigo (1958), North by Northwest (1959), Psycho (1960), and The Birds (1963). Hitchcock's work received tremendous success and critical acclaim. While he never won the competitive Academy Award for Best Director, he received five Oscar nominations, two Golden Globes, the Irving G. Thalberg Memorial Award, a BAFTA Fellowship, multiple lifetime achievement awards, and two stars on the Hollywood Walk of Fame. Nine of his films are preserved in the United States National Film Registry. His mastery of tension, innovative camera techniques, and psychological depth continue to inspire and influence modern filmmakers such as Christopher Nolan, Jordan Peele, and Bong Joon Ho. Drawing on new archival research, previously unpublished interviews, and a rigorous examination of key biographies, A Century of Hitchcock: The Man, the Myths, the Legacy (University Press of Kentucky, 2026) challenges the long-standing narratives that have shaped Hitchcock's legacy. Author Tony Lee Moral revisits controversial claims regarding Hitchcock's alleged abuses, scrutinizing biographer Donald Spoto's interpretations—particularly Spoto's portrayal of the director's relationship with actress Tippi Hedren. With his analysis of Spoto's 1980 interview of Hedren, Moral reveals for the first time how one key document contradicts decades of exaggeration. In this comprehensive reappraisal of Hitchcock's career, Moral encourages readers to explore the complexities of creative collaboration and the risks of relying on a single biographical narrative. Marking one hundred years since Hitchcock's first film, The Pleasure Garden, and fifty years since his last film, Family Plot, Moral reexamines the director's cinematic brilliance, storytelling mastery, creative partnerships, and controversies, offering a fresh perspective on Hitchcock's legacy in the post-#MeToo era. Tony Lee Moral is a British filmmaker and author who specializes in film history, especially the work of Alfred Hitchcock. He is the author of Hitchcock and the Making of Marnie, The Making of Hitchcock's The Birds, The Young Alfred Hitchcock's Moviemaking Master Class, and Alfred Hitchcock Storyboards. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th- and 19th-century British Literature.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

For over a century, Alfred Hitchcock has remained one of cinema's most influential directors. Known as the Master of Suspense, this visionary filmmaker directed more than fifty films over six decades. His thriller The Lodger (1927) marked the start of his signature style, which was later exemplified in classic films like Vertigo (1958), North by Northwest (1959), Psycho (1960), and The Birds (1963). Hitchcock's work received tremendous success and critical acclaim. While he never won the competitive Academy Award for Best Director, he received five Oscar nominations, two Golden Globes, the Irving G. Thalberg Memorial Award, a BAFTA Fellowship, multiple lifetime achievement awards, and two stars on the Hollywood Walk of Fame. Nine of his films are preserved in the United States National Film Registry. His mastery of tension, innovative camera techniques, and psychological depth continue to inspire and influence modern filmmakers such as Christopher Nolan, Jordan Peele, and Bong Joon Ho. Drawing on new archival research, previously unpublished interviews, and a rigorous examination of key biographies, A Century of Hitchcock: The Man, the Myths, the Legacy (University Press of Kentucky, 2026) challenges the long-standing narratives that have shaped Hitchcock's legacy. Author Tony Lee Moral revisits controversial claims regarding Hitchcock's alleged abuses, scrutinizing biographer Donald Spoto's interpretations—particularly Spoto's portrayal of the director's relationship with actress Tippi Hedren. With his analysis of Spoto's 1980 interview of Hedren, Moral reveals for the first time how one key document contradicts decades of exaggeration. In this comprehensive reappraisal of Hitchcock's career, Moral encourages readers to explore the complexities of creative collaboration and the risks of relying on a single biographical narrative. Marking one hundred years since Hitchcock's first film, The Pleasure Garden, and fifty years since his last film, Family Plot, Moral reexamines the director's cinematic brilliance, storytelling mastery, creative partnerships, and controversies, offering a fresh perspective on Hitchcock's legacy in the post-#MeToo era. Tony Lee Moral is a British filmmaker and author who specializes in film history, especially the work of Alfred Hitchcock. He is the author of Hitchcock and the Making of Marnie, The Making of Hitchcock's The Birds, The Young Alfred Hitchcock's Moviemaking Master Class, and Alfred Hitchcock Storyboards. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th- and 19th-century British Literature.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Sergio Pérez habla de The Mandalorian and Grogu, Asesinato en la tercera planta, Las catadoras de Hitler, El pasajero nocturno, Love me tender...

The First Part in our Dear, We Must Depart Trilogy For our big episode 250 we pick on Grace Kelly's dumb face... okay, that sounds mean but she is mostly confused through the proceeding of Alfred Hitchcock's DIAL M FOR MURDER while we remain riveted as the characters go over and over and OVER the perfect murder. That is if there can be such a thing as a perfect murder when Princess Grace is the intended victim. But that's why it's the movies and this is not CinemaSins, it's TiT! Patreon supporters get access to monthly bonus episodes including previous years of Movie Book Club! Bluesky/Instagram/Threads: @trilogyintheory Letterboxd: @projectingfilm & @webistrying Artwork by: @nasketchs Find out more at https://trilogyintheory.pinecast.co This podcast is powered by Pinecast.

Das Hörspiel zum Erfolgsroman von Daphne Du Maurier, der auch von Alfred Hitchcock verfilmt wurde! Maxim de Winter hat früh geheiratet. Als neue Herrin von Manderley erfährt sie von der verstorbenen ersten Frau ihres Gatten. Vor einem Jahr kam diese Rebecca ums Leben, doch ihr Geist ist noch sehr präsent in Manderley. Die Tote entwickelte eine frostige Macht über ihre Nachfolgerin. Bastian Pastewka präsentiert diesen berühmten Stoff zum 30.Todestag von Peter Pasetti am 23.05.1996. Bastian Pastewka präsentiert: Rebecca Von Daphne Du Maurier Mit Peter Pasetti, Eva Vaitl, Cordula Trantow u.a. Regie: Heinz-Günter Stamm BR 1973 Podcast-Tipp: Sherlock Holmes – Krimi-Hörspielklassiker nach Sir Arthur Conan Doyle https://1.ard.de/sherlockwatson

Nato a Londra nel 1899, Alfred Hitchcock è considerato uno dei registi più influenti della storia del cinema. Cresciuto in un ambiente segnato da rigore e disciplina, sviluppa fin da giovane una sensibilità particolare per il senso di colpa, la paura e il controllo, elementi che diventeranno centrali nella sua filmografia. Dopo i primi anni nel cinema britannico, il suo trasferimento a Hollywood segnerà l'inizio di una carriera straordinaria, fatta di successi e di uno stile inconfondibile, capace di trasformare lo spettatore in parte attiva del racconto. Il suo cinema, apparentemente semplice, nasconde una struttura complessa e profondamente moderna, capace di influenzare intere generazioni di registi. Ma qual era il segreto di Alfred Hitchcock? E perché, a distanza di decenni, i suoi film continuano a farci paura? Ne parliamo insieme a Laura Scaramozzino: editor, coach letteraria, nonché autrice premiata di novelle e romanzi noir. Iscriviti al gruppo Telegram per interagire con noi e per non perderti nessuna delle novità in anteprima e degli approfondimenti sulle puntate: https://t.me/LucePodcast Se vuoi ascoltarci senza filtri e sostenere il nostro lavoro, da oggi è possibile abbonarsi al nostro canale Patreon e accedere a contenuti bonus esclusivi tramite questo link: patreon.com/LucePodcast

“This movie has seen Scream… and Scream 2” - AndrewOn this week's episode, we're chatting about the fun-enough satirical slasher sequel, Urban Legends: Final Cut! Why didn't they think to have any classroom scenes in this film school-set movie? How hilarious is the kidney-bathtub sequence that's completely on an island from the rest of the film? What kind of funding does this film school have, what with all these soundstages? Why exactly does Hart Bochner's character think this scheme will lead to his Hollywood breakthrough? And what would an Urban Legend sequel look like if Alfred Hitchcock was directing? PLUS: An out-of-touch studio executive hammers John Ottman with unhelpful notes!Urban Legends: Final Cut stars Jennifer Morrison, Matthew Davis, Hart Bochner, Joey Lawrence, Anson Mount, Eva Mendes, Jessica Cauffiel, Anthony Anderson, Michael Bacall, Marco Hotschneider, Derek Aslant, Jacinda Barrett, and Loretta Devine as Officer Reese; directed by John Ottman.This episode is sponsored by Rocket Money! Let Rocket Money help you reach your financial goals faster. Join at RocketMoney dot com slash WHM! That's RocketMoney dot com slash WHM. Come hang out in Vegas with us this summer as we do a three-night stand at ST:LV to celebrate 60 years of Star Trek and 10 years of The Nexus! We'll be at the convention Thursday, Friday and Saturday night doing three Nexus shows on Wrath of Kahn, Generations, and First Contact! Best part is, you don't need to have a convention pass to attend, each show is ticketed separately. Click through to snag your tix now!Be sure to visit the WHM Merch shop over on Dashery and check out all the latest show-related designs you can slap on t-shirts, hats, coffee mugs, stickers, whatever! Make your friends jealous by flaunting some WHM merch today! Original cover art by Felipe Sobreiro.

From ravens and vultures to killer flocks and supernatural omens, birds have played a major role in horror for decades. In this episode of Lunatics Radio Hour, Abby sits down with Kate Rotunda to explore the history of birds in horror and why these animals continue to symbolize death, fear, and chaos across film and folklore. Get Lunatics Merch here. Join the discussion on Discord. Check out Abby's book Horror Stories. Available in eBook and paperback. Music by Michaela Papa, Alan Kudan & Jordan Moser. Poster Art by Pilar Keprta @pilar.kep.Support the show

Find out how Alfred Hitchcock and David Lynch used thier clout to change the theatrical movie-going and home video DVD experiences in this almost spoiler-free daily-does of whatever. Thanks for listening.  @orwhatevermovies 818-835-0473 orwhatevermovies@gmail.com www.orwhatevermovies.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us Fan MailIn this episode, we talk with filmmaker Glenn Andreiev about the 1976 Alfred Hitchcock film Family Plot. We break down the final film of Hitchcock's by talking about the cast and story. We also talk a great deal about the last decade of Hitchcock's legendary career. Glenn has been a great guest on the show. Be sure and check out his IMBD. https://www.imdb.com/name/nm0028333/Thanks for listening! 

In this episode, I spoke with author Tony Lee Moral about his book "A Century of Hitchcock: The Man, the Myths, the Legacy". For over a century, Alfred Hitchcock has remained one of the cinema's most influential directors. Known as the Master of Suspense, this visionary filmmaker directed more than fifty films over six decades. His thriller The Lodger (1927) marked the start of his signature style, which was later exemplified in classic films like Vertigo (1958), North by Northwest (1959), Psycho (1960), and The Birds (1963).The book will be out on June 9, 2026.

Send us Fan MailThe Trial Lawyers College -- which your host Jonathan Katz attended in 1995, followed to this day during the year with periodic trial preparation gatherings of TLC alums and others (shout out to our repeat co-host, criminal defense lawyer supreme, and my decades-long friend Christopher Flohr for hosting such monthly gatherings for years at his Maryland law office) -- makes clear that the TLC does not "offer training for those lawyers who represent government, corporations or large business interests." A sizeable chunk of Trial Lawyers College attendees are criminal defense and plaintiffs personal injury attorneys. When Jon learned that National College of DUI Defense leader Andrew Mishlove embraces Trial Lawyers College approaches, Jon Katz invited him to speak on this Beat the Prosecution podcast, to include addressing integrating TLC approaches with winning DUI defense. Andrew exemplifies the truism that there are always more essential lessons to learn. When he was already in his fifties and very accomplished as a DUI defense lawyer, Andrew learned about the Trial Lawyers College and immediately embraced its approach of persuading through storytelling and applying psychodram and scene setting approaches. Andrew is right on point in talking about the story catalyst that Alfred Hitchcock named the MacGuffin, and the hero's journey of the story. He wonderfully weaves My Cousin Vinny and Star Wars in articulating that approach. Andrew also discusses using the Moth storytelling approach (see his article on the Moth here) -- which is covered at the TLC's Graduate II program -- giving credit to Nebraska lawyer Maren Chaloupka, who addresses storytelling as involving the story worth telling, running from extraordinary to every day events that can be transformative. Andrew also here discusses his week-long annual program with the NCDD entitled Serious Science: Advanced Course in Blood Drug Analysis & Trial Advocacy, where in addition to focusing on persuading for justice for the defense in court, the participants have an opportunity to experience blood analysis from the viewpoint and approach of blood examining and analyzing scientists, whether their testimony is for the defense or prosecution. This episode is also available on YouTube and Apple Podcasts. This podcast with Fairfax, Virginia criminal / DUI lawyer Jon Katz is playable on all devices at podcast.BeatTheProsecution.com. For more information, visit https://KatzJustice.com or contact us at info@KatzJustice.com, 703-383-1100 (calling), or 571-406-7268 (text).  If you like what you hear on our Beat the Prosecution podcast, please take a moment to post a review at our Apple podcasts page (with stars only, or else also with a comment) at https://podcasts.apple.com/us/podcast/beat-the-prosecution/id1721413675

Jeremy Zakis describes a sinister "battalion" of over one hundred cockatoos that have occupied the pine trees around his home in a formation reminiscent of Alfred Hitchcock's The Birds. These large, white-crested birds are portrayed as destructive villains that show dominance by stripping tree branches and staring down residents. Jeremy recounts how they used their powerful beaks to snap brass cables on his bird feeder and expresses concern they may begin pulling nails out of his roof. Unlike other birds, these cockatoos appear to be calling for reinforcements to conduct a "full frontal assault" on the yard. (4/4)