Podcasts about Alfred Hitchcock

Let's talk about God! Our favorite subject… Or is it?? It would be—or could be—if we hadn't been lied to about God. Well, our job at FreedHearts is to make you feel better about God — or have no feelings about God, that's fine. But what we DON'T want is for you to have bad feelings about God because they're usually connected to bad feelings about yourself – and none of that is true! Today we tell you a story as a contrast to God—about Alfred Hitchcock. Hitchcock is known as the Master of Suspense. Just in time for Halloween!This is going to be fun!Send us a private message. *Note: INCLUDE YOUR EMAIL ADDRESS if you'd like us to answer. :-) Support the show

Happy Halloween! Chelsea and Wade discuss the 1938 Alfred Hitchcock film The Lady Vanishes.Don't forget to like, follow, or subscribe, and leave us a review! Let us know what you'd like us to cover next!  Follow us here!Instagram: https://www.instagram.com/poddemastered/Bluesky: https://bsky.app/profile/poddemastered.bsky.socialFacebook: https://www.facebook.com/PodDemasteredYouTube: https://www.youtube.com/@poddemasteredHave any topic requests, questions, or general comments? Send us an email at demasteredpodcast@gmail.com.Music: Dank Halloween by Shane Ivers - https://www.silvermansound.com

The Birds is a 1963 American natural horror-thriller film produced and directed by Alfred Hitchcock, released by Universal Pictures and starring Jessica Tandy, Rod Taylor, Suzanne Pleshette, and introducing Tippi Hedren in her film debut. Loosely based on the 1952 short story of the same name by Daphne du Maurier, it focuses on a series of sudden and unexplained violent bird attacks on the people of Bodega Bay, California, over the course of a few days. The screenplay is by Evan Hunter, who was told by Hitchcock to develop new characters and a more elaborate plot while keeping du Maurier's title and concept of unexplained bird attacks.   Watch The Birds: https://www.amcplus.com/movies/the-birds--1063949    Out this Month: Psycho The Birds Patreon: Hot Take: Shelby Oaks      Get in Touch:  Support us on Patreon: https://www.patreon.com/TheFilmFlamers  Visit our Store: https://the-film-flamers.printify.me/  Instagram: https://www.instagram.com/thefilmflamers  Facebook: https://www.facebook.com/TheFilmFlamers/ Letterboxd: https://letterboxd.com/thefilmflamers/  (NEW!) SCANS Movie Rating Calculator: https://scans.glide.page/  Our Website: https://www.filmflamers.com  Call our Hotline: 972-666-7733     Our Patrons:    Alex M Andrew Bower Anthony Criswell Ashlie Thornbury BattleBurrito Benjamin Gonzalez Bennett Hunter BreakfastChainsawMassacre Brittany Bellgardt Call me Lestat. Canadianmatt3 Christopher Nelson Dan Alvarez Dirty Birdy eliza mc Gia Gillian Murtagh GlazedDonut GWilliamNYC Irwan Iskak James Aumann Jessica E Joanne Ellison Joe Criswell Josh Young Karl Haikara Kimberly McGuirk Kitty Kelly Kyle Kavanagh Laura O'Malley Lisa Libby Lisa Söderberg Livi Loch Hightower M Hussman Matt Walsh Matthew McHenry Nicole McDaniel Nikki Niko Allred Nimble Wembley Pablo the Rhino Penelope Nelson random dude Richard Best Robert Eppers Rosieredleader Ryan King SHADOW OF THE DEAD SWANN Sharon Sinesthero William Skinner   Sweet dreams...      "Welcome to Horrorland" by Kevin MacLeod (incompetech.com). Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ Includes music by Karl Casey @ White Bat Audio

In this installment, directed by Alfred Hitchcock, Vincent Price plays Charles Courtney, a detective with a perfect record who is not about to let a mistake stain his reputation. Then Amy joins Al to discuss the passive nature of the episode, suggest a different ending and wonder if Hitchcock was lazy in his directing this time or if this was his regular working routine.

Happy Halloween!Ben and Hank chat about Alfred Hitchcock's The Birds.Email: SaltCirclePodcast@gmail.comTwitter: @SaltCirclePodBluesky: saltcirclepod.bsky.socialHank's Twitter: @ComicPanelsThe Burning Barrel Discord: discord.gg/jBDGW5jTheme Song: topianmusic.bandcamp.com/Youtube: youtube.com/@saltcircle

Who's really obsessed with Zack Snyder's Instagram account? How much did Alfred Hitchcock influence Hollywood? And why do all of the aliens in older Star Trek shows speak English? All of those questions and more, this week on FLITE CHAT. Contact Ray at: EMAIL: ray@theflitecast.com BLUESKY: @FliteCast THREADS: @TheFliteCast INSTAGRAM: theflitecast FACEBOOK: https://www.facebook.com/TheFliteCast/ Subscribe to The FliteCast: Apple Podcasts / YouTube / Spotify / Pandora / RSS Become a member of The FliteCast on Patreon: https://www.patreon.com/TheFliteCast

Hace 80 años se estrenaba “Recuerda”, la película de Alfred Hitchcock protagonizada por Ingrid Bergman y Gregory Peck y la primera de Hollywood en abordar el mundo del psicoanálisis. En este episodio os lo contamos todo sobre ella. No se llama Harry pero sí Potter y es esta semana el villano odioso de nuestra sección dedicada a ellos, un tipo capaz de amargarle la existencia a todo un buenazo como el James Stewart de ‘Qué bello es vivir'. Charlamos con el director Manuel Gómez Pereira que estrena película, ‘La cena', y nos vamos de aventura a la selva del Amazonas con Percy Fawcett, el personaje protagonista de “Z, la ciudad perdida”.

In this episode of Shelf Life, Kevin and Rachel go on the lam and stay in a seedy motel where nothing could possibly go wrong with Alfred Hitchcock's Psycho. Discussion topics include currency exchange for alimony payments, the intricacies of toilets flushing, sighting red flags, and lots of mother impressions. Listen and enjoy to find out if Psycho has shelf life.0:00:00 - Everyone must be seated for the entirety of the podcast0:10:12 - Pyscho backstory0:26:04 - Pyscho walkthrough1:05:00 - Marion leaves town1:32:32 - The Bates Motel1:50:00 - The parlor scene2:10:02 - Well I...I can't it's just too horrible2:34:00 - Sam & Lyla3:02:02 - Talk with the sheriff3:23:00: - Wouldn't hurt a fly3:34:55 - Shelf Life VerdictBe sure to subscribe to the show, check out the website, and spread the word of the podcast. And if this is your first episode, check out the rest of the catalog, there may be something in it you'll like. And follow us on our social media pages, we'll announce volume and episode drops and maybe other stuff: @shelflifepod.bsky.social — Bluesky Shelf Life (@shelf_life_pod) on ThreadsShelf Life (@shelf_life_pod) • Instagram photos and videoshttps://shelflifepodcast.wixsite.com/shelflifeYou can stream or purchase today's episode subject by looking here for availability: Psycho streaming: where to watch movie online?Have a story about the episodes or something to say, contact the podcast shelflifethepodcast@gmail.comThe opinion, beliefs, and viewpoints expressed by the characters portrayed by those on the podcast are tongue and cheek meant for entertainment purposes only and very sarcastic. The impressions done on the show are out of love and done poorly. Any clips or music used within the show is used for review effect and is property of the owners. The viewpoints do not represent those of the hosts, people, institutions, and organizations who the creators may or may not be associated with in professional or personal capacity.

Junk Food Dinner returns with our Schlocktober Spectacular, filled with vampires, zombies and demons!Up first, Indonesian horror icon Suzanna stars in The Hungry Snake Woman from 1986 about a group of friends who must contend with a mystical snake lady.Then, when an infected baboon bites a college journalist, it starts a rage zombie outbreak on campus just in time for the big Halloween dance in Primal Rage from 1988.And finally, a British author revisits this 80's supernatural TV show in Garth Marenghi's Darkplace from 2004.All this plus Halloween snacks chat, what costumes are hot this year, James Whale and Alfred Hitchcock blu-rays and much more!LISTEN NOW:MP3 Direct DonloydAlso, if you like the show, please take a minute and subscribe and/or comment on us on iTunes, Stitcher, Blubrry or Podfeed.net. Check us out on Facebook and Twitter! We'd love to see some of your love on Patreon - it's super easy and fun to sign up for the extra bonus content. We'll keep this podcast going with your love and support.

As another Halloween approaches, Sophia and Nick are excited to celebrate Hitchcock-tober once again! This time, they marvel at the outstanding collaboration between the famed director and the costume designer with the most Oscar nominations and wins, Edith Head. Their eleven films together spanned three decades, multiple studios, and the transition from B/W to color. Listen to find out how Head uses different materials and colors to create looks that accentuate an actor's figure, develop a character's identity, and provide narrative function, all the while dazzling audience with unforgettable designs. Should she have been nominated for more than just To Catch a Thief? From Notorious (1946) to Topaz (1976), which is your favorite collaboration between them? *Note: If you've never seen Vertigo and do NOT want it spoiled, skip ahead from (36:46) to (38:55) for a more general appreciation of the film's costumes.Follow us on Twitter, Instagram, Bluesky, and TikTok @oscarwildpodFollow Sophia @sophia_cimFollow Nick @sauerkraut27Music: “The Greatest Adventure” by Jonathan AdamichMore content including updated predictions and merch @ oscarwild.squarespace.com

An American crime reporter (Joel McCrea) is reassigned to Europe shortly before WWII and discovers a spy ring.  Co-starring Laraine Day, Herbert Marshall, George Sanders and Robert Benchley.  Directed by Alfred Hitchcock.

Discussing the Ryan Murphy produced MONSTER: THE ED GEIN STORY (2025年) + Alfred Hitchcock's PSYCHO (1960年) + Polio Addison Rae + "gynephilism" + true crime + horror and phalluses. Join us on Patreon.com/imsopopular for the full episode and access to the book club, discord and more.

In 1960, Alfred Hitchcock released Psycho, a bold new sort of horror film that shocked audience's with it's sequences of murder and depravity, including a shower stabbing sequence that is firmly in the canon of iconic film moments. But where did this cinematic burst of bloodlust come from? In part 1 of our debut episode of Years of Fear, we explore the evolution of the first 60+ years of onscreen violence and death that lead up to Janet Leigh's iconic death sequence. We also explore the film's director, his early career, and the artistic dead end that made Psycho possible. Join us for the beginning of our journey of the first four years of 1960s Horror Cinema. 

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

On September 8, 1960, Psycho shocked cinema audiences with a level of psychological horror never seen before. But Psycho wasn’t pure fiction. It was inspired by the gruesome true story of Ed Gein, the real-life Butcher of Plainfield. When police raided Gein’s Wisconsin farmhouse in 1957, they uncovered a macabre scene: human remains crafted into lampshades, furniture, and clothing. These discoveries stunned the nation and sparked a media frenzy that would influence generations of horror storytelling. In this episode of True Crime Conversations, host Claire Murphy speaks with acclaimed true crime author Harold Schechter, whose book remains the definitive account of Ed Gein’s crimes. Following the Netflix release of Monsters: The Ed Gein Story from Ryan Murphy, Schechter reflects on how Gein’s legacy has been interpreted, and sometimes distorted, by Hollywood. You can find out more about Harold's book Deviant: The Shocking True Story of Ed Gein, The Original Psycho here. CREDITS Guest: Harold Schechter Host: Claire Murphy Senior Producer: Tahli Blackman Group Executive Producer: Ilaria Brophy Audio Engineer: Carl Step/Abe’s Audio GET IN TOUCH Follow us on Instagram and TikTok @truecrimeconversations Make sure to leave us a rating and review on Apple & Spotify to let us know how you're liking the episodes. Want us to cover a case on the podcast? Email us at truecrime@mamamia.com.au or send us a voice note. If any of the contents in this episode have caused distress, know that there is help available via Lifeline on 13 11 14 or Beyond Blue on 1300 22 4636. We acknowledge the Traditional Owners of the Land we have recorded this podcast on, the Gadigal people of the Eora Nation. We pay our respects to their Elders past and present and extend that respect to all Aboriginal and Torres Strait Islander cultures.Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Welcome to Episode 245! A highlight of this episode, if you want to call it that, is our discussion of Henry James's ghost story, “The Jolly Corner,” from THE PENGUIN BOOK OF GHOST STORIES. Chris also read his novella, “The Turn of the Screw,” so we actually talk about two Henry James stories. We're sorry. Haha. We jest, but in all honesty, we struggled with James's writing style, even if we thought the plots were engaging. If you're a Henry James fan, what are we missing? We'd love to hear from you! The image for this episode is a selfie we took in front of Henry James's portrait at the Isabella Stewart Gardner Museum in Boston earlier this year. It was painted in 1911 by his nephew, William “Billy” James. We had much more fun reading and discussing “The Birds” by Daphne Du Maurier. There's a new collection of Du Maurier's short stories out, AFTER MIDNIGHT: THIRTEEN TALES FOR THE DARK HOURS, which prompted our buddy read of this suspenseful tale of increasing dread. We plan on watching Alfred Hitchcock's adaptation of the same name before the next episode. In our “Just Read” segment, we also talk about: THE LAST RESORT by Erin Entrada Kelly THE DOGS OF VENICE by Steven Rowley AFTERTASTE by Daria LaVelle AGNES GREY by Anne Brontë In Biblio Adventures, we were thrilled to make it to the Yale Repertory Theatre in New Haven, CT, to see SPUNK. Zora Neale Hurston dreamed of seeing her short story, published in 1925, adapted for the stage. It took one hundred years to happen, but her wish has come true. As always, there's more “inside.” Happy Listening and Happy Reading! https://www.bookcougars.com/blog-1/2025/episode245

Psycho is a 1960 American horror film produced and directed by Alfred Hitchcock. The screenplay, written by Joseph Stefano, was based on the 1959 novel by Robert Bloch, which was based on the life and crimes of Ed Gein. The film stars Anthony Perkins, Janet Leigh, Vera Miles, John Gavin and Martin Balsam. The plot centers on an encounter between on-the-run embezzler Marion Crane, shy motel proprietor Norman Bates and his disturbed mother. A private investigator, Marion's lover Sam Loomis and her sister Lila investigate her disappearance. The film's iconic and recognizable score was composed by Bernard Herrman.   Watch Psycho: https://amzn.to/4989Aeo    Out this Month: Psycho The Birds Patreon: Hitchcocktober Poll!?      Get in Touch:  Support us on Patreon: https://www.patreon.com/TheFilmFlamers  Visit our Store: https://the-film-flamers.printify.me/  Instagram: https://www.instagram.com/thefilmflamers  Facebook: https://www.facebook.com/TheFilmFlamers/ Letterboxd: https://letterboxd.com/thefilmflamers/  (NEW!) SCANS Movie Rating Calculator: https://scans.glide.page/  Our Website: https://www.filmflamers.com  Call our Hotline: 972-666-7733     Our Patrons:    Alex M Andrew Bower Anthony Criswell Ashlie Thornbury BattleBurrito Benjamin Gonzalez Bennett Hunter BreakfastChainsawMassacre Brittany Bellgardt Call me Lestat. Canadianmatt3 Christopher Nelson Dan Alvarez Dirty Birdy eliza mc Gia Gillian Murtagh GlazedDonut GWilliamNYC Irwan Iskak James Aumann Jessica E Joanne Ellison Joe Criswell Josh Young Karl Haikara Kimberly McGuirk Kitty Kelly Kyle Kavanagh Laura O'Malley Lisa Libby Lisa Söderberg Livi Loch Hightower M Hussman Matt Walsh Matthew McHenry Nicole McDaniel Nikki Niko Allred Nimble Wembley Pablo the Rhino Penelope Nelson random dude Richard Best Robert Eppers Rosieredleader Ryan King SHADOW OF THE DEAD SWANN Sharon Sinesthero William Skinner   Sweet dreams...      "Welcome to Horrorland" by Kevin MacLeod (incompetech.com). Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ Includes music by Karl Casey @ White Bat Audio

In which Devin Diazoni and Ewa Mykytyn discuss the final third of The Bewitching by Sylvia Moreno-Garcia.Please support the podcast on Patreon!Follow Film Literate on Instagram!Find your hosts on social media:Devin Diazoni (Letterboxd|StoryGraph)Ewa Mykytyn (Goodreads|Armchair Chat on IG)

It's that time of year again on The Film ‘89 Podcast as we bring you our 2025 Halloween Horror Special. Joining Skye are two returning co-hosts, Stephen Simpson and John Arminio, and the horror film they've picked as the focus of this episode is Tom Holland's 1985 cult classic, Fright Night, starring Chris Sarandon, William Ragsdale, Amanda Bearse and Roddy McDowell. Based on an original script by Holland, Fright Night blends elements of Alfred Hitchcock's Rear Window with Hammer horror and vampire lore as it tells the tale of teenager, Charley Brewster, who suspects that his new next door neighbour, Jerry Dandridge, may be a vampire. With outstanding practical makeup effects and assured direction from first time director Holland, Fright Night would go on to become a beloved cult classic and one of the very best horror films of the 1980s. 

Psycho changed everything in 1960. Alfred Hitchcock's horror masterpiece reinvented fear cinema. Our Patreon supporters at When It Was Cool have had access to this show for a long time but with the recent plot of Monster: The Ed Gein Story heavily featuring Psycho (based on Ed Gein) this is a great time to remember the horror movie classic.

Front Row Classics welcomes author Laurence Mason to celebrate the art of both Alfred Hitchcock and a great drink. Maslon recently wrote "Hitchcocktails: Lethal Libations inspired by the Master of Suspense". The books pairs Hitchcock's legendary films with a cocktail appropriate for the occasion. Larry mixes both film history and mixology in an attractive package for both films fans and drink enthusiasts alike. "Hitchcocktails: Lethal Libations inspired by the Master of Suspense" is available now from Weldon Owen wherever books are sold. Laurence Maslon is an arts professor at New York University's Tisch School of the Arts, as well as associate chair of the Graduate Acting Program. His most recent book is an updated companion volume to the PBS series Broadway: The American Musical. He is also the host and producer of the weekly radio series, Broadway to Main Street (winner of the 2019 ASCAP Foundation/Deems Taylor Award for Radio Broadcast) on the NPR station WLIW-FM. He edited the two-volume set American Musicals (1927-1969) for Library of America, as well as their Kaufman & Co., Broadway comedies by George S. Kaufman. Other books include the companion book to Come From Away, Broadway to Main Street: How Show Music Enchanted America (Oxford), The Sound of Music Companion, and the South Pacific Companion. He is the writer and coproducer of the PBS American Masters documentary, Sammy Davis, Jr.: I've Gotta Be Me, and wrote American Masters documentary Richard Rodgers: The Sweetest Sounds. He served on the nominating committee for the Tony Awards from 2007 to 2010. He has written for the New York Times, the Washington Post, the New Yorker, Opera News, Stagebill, and American Theatre. Mr. Maslon, otherwise a nice guy, mixes a mean drink.  

Hitchcocktails Front Row Classics welcomes author Laurence Maslon to celebrate the art of both Alfred Hitchcock and a great drink. Maslon recently wrote “Hitchcocktails: Lethal Libations inspired by the Master of Suspense”. The books pairs Hitchcock’s legendary films with a cocktail appropriate for the occasion. Larry mixes both film history and mixology in an attractive … Continue reading Ep. 366- Hitchcocktails-Interview with Laurence Maslon →

When a retired magician and an arrogant estate owner clash over property changes, their feud escalates to a deadly wager—one that traps a man in an ancient torture device with only an hour to escape, while his fate hangs on whether his rival will open the door in time.Support our Halloween “Overcoming the Darkness” campaign to help people with depression: https://weirddarkness.com/HOPEIN THIS EPISODE: In this tale fro Stanley Ellin – a tale deemed too disturbing for Alfred Hitchcock's TV show - two men of very different character, different ways of viewing the world, challenge one another over the future of a house each values in his own way. A bet is made, the stakes are unexpectedly raised, and in the end… well, suffice it to say that the story lingers long past the closing line.SOURCE:“The Moment of Decision” by Stanley Ellin, from the book, “Alfred Hitchcock: 13 More Stories They Wouldn't Let Me Do on TV”: https://amzn.to/3ta2oJX=====(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.=====Originally aired: September, 2020EPISODE PAGE (includes sources): https://weirddarkness.com/MomentOfDecisionABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.DISCLAIMER: Ads heard during the podcast that are not in my voice are placed by third party agencies outside of my control and should not imply an endorsement by Weird Darkness or myself. *** Stories and content in Weird Darkness can be disturbing for some listeners and intended for mature audiences only. Parental discretion is strongly advised.#WeirdDarkness #ThrillerStory #AlfredHitchcock #ClassicHorror #PsychologicalThriller #DarkFiction #TrueCrimeAndMystery #CreepyStories #SuspenseStory #HorrorNarration

Rope is an interesting movie in Alfred Hitchcock’s œuvre. It’s his first color picture. It’s one of 13 movies he made based on plays, and it’s one of four movies he made that are set basically entirely in single locations (along with Lifeboat, Dial M for Murder, and Rear Window). But of the four single-location pictures, Rope is the only one that Hitchcock made to really seem like a filmed play. It unfolds in real-time, in one room, in long, continuous shots that are edited together in ways that are meant to hide most of the cuts. As Hartford Stage’s new adaptation of the play Rope is based on opens, we present a conversation taped on their stage, in front of an audience, about Alfred Hitchcock, his movies in general, and Rope, the movie and the play, in particular. Note: This podcast version of the show is more than eight minutes longer than the episode as it’s airing on the radio. GUESTS: Illeana Douglas: The Official Movie Star of The Colin McEnroe Show and the author of Connecticut in the Movies: From Dream Houses to Dark Suburbia Sidney Gottlieb: Professor of communication and media studies at Sacred Heart University and the editor of The Hitchcock Annual Jeffrey Hatcher: A playwright and screenwriter; he wrote the adaptation of Patrick Hamilton’s Rope that’s currently in production at Hartford Stage The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode! Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Join the conversation on Facebook and Twitter. Thanks to Lucas Clopton and Jennifer Levine at Hartford Stage. Colin McEnroe, Robyn Doyon-Aitken, Dylan Reyes, and Lily Tyson contributed to this show.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

The Birds is on trial this week. A pheasant surprise or does it make us raven mad? Alex says this horror classic showcases a director at the height of his talent, blending different genres together to make something truly unique. Dave and Mike point out the dated effects, a nonsensical plot and deeply concerning behaviour from Alfred Hitchcock towards his star Tippi Hedren. Mike also reads the synopsis of the film in the style of a crow and there's quiz based on cinematic birds. www.filmsontrial.co.uk/276 Special Guest: Mike.

Rear Window Ethics Front Row Classics welcomes author and journalist, Jennifer O’Callaghan to discuss one of Alfred Hitchcock’s seminal masterpieces. Jennifer recently penned a book called “Rear Window: The Making of a Hitchcock Masterpiece in the Hollywood Golden Age”. The book chronicles the origins, production and legacy of a film that remains one of the … Continue reading Ep. 364- Rear Window-Interview with Jennifer O’Callaghan →

From the creator of Toxic Schlock comes "Years of Fear: A History of Horror", a horror history podcast that explores the movies that shaped horror, the people that made them, and the culture that made them possible. Every episode explores the most important horror film of the year, beginning in 1960 with Alfred Hitchcock's Psycho. This preview clip of the show's debut episode, which premieres on 10/23/2025, sets the table for the beginning of the world's entry into a new world of fear.    Follow us on Instagram

David Sterritt is a film critic, author, teacher and scholar. He is most notable for his work on Alfred Hitchcock and Jean-Luc Godard, and his many years as the Film Critic for The Christian Science Monitor, where, from 1968 until... Read More ›

Bienvenidos a este nuevo episodio que hoy dedicaremos de modo particular a Pedro Bustamante y al mundo de la conspiración en general. La verdad es que me quede con las ganas de haber participado en el estupendo programa de Guillermo Mas Arellano, ya saben, el canal Pura Virtud donde invito a un joven erudito llamado Pablo Rábano. Los dos son magníficos intelectuales y yo desde luego no puedo compararme con ninguno de ellos, pero creo que hubiera podido aportar algunas cosas interesantes al programa. Le envié dos semanas antes, el 23 de septiembre, a Guillermo una parte del capitulo que el me inspiró a escribir: “Dos desapariciones en el umbral del exceso”. La verdad es que su trabajo intelectual es digno de mérito y con la juventud que disfruta nos dará muchas tardes de gloria y esperemos que corte muchas orejas y muchos rabos andróginos como el del canal El Rincón del Disidente. Dicho esto voy a empezar con el magnifico texto que nos trajo Pablo Rábano, aunque no recuerdo si nombró que la columna de Francisco Umbral a la que se refería se llamaba "El Halcón Maltés”. Dicho artículo vio la luz el 25 de mayo de 1997 en el suplemento La Revista de El Mundo, justo cuando arrancaba el juicio contra Miguel Ricart, el único condenado por el brutal triple asesinato de las niñas de Alcàsser —Miriam, Toñi y Desirée— en 1992. Umbral, con su pluma afilada y su ironía mordaz, no escribe un reportaje seco, sino una reflexión literaria inspirada en la novela negra de Dashiell Hammett. Usa el "halcón maltés" —ese ídolo falso de plomo recubierto de oro que todos persiguen en la historia— como metáfora para cuestionar si Ricart era realmente el lobo solitario o solo un señuelo para una culpa mayor. Lo que empezó como una pieza de opinión ha mutado con los años en combustible para teorías conspirativas que hablan de redes ocultas, élites intocables y encubrimientos de altos vuelos. A continuación, os presento ambas caras de la moneda en un solo relato: primero, la versión original de Umbral, leída tal cual, y luego, tejida en ella, la interpretación conspirativa. Imaginen la voz grave de Umbral narrando, y después, el eco siniestro de las sombras..."Como en las novelas de Dashiell Hammett, la justicia necesita un culpable. A la justicia la crea el culpable y al culpable lo crea la sociedad. Miguel Ricart no sabemos si es uno de los asesinos de las tres gracias con minifalda. Lo que sabemos es que Ricart está ahí, disponible, penetrable, preso, y que otros han huido y huyeron bien, demasiado bien. Alguien le puso alas a su huida. Ricart, peor que culpable, es la metáfora de la culpa. ¿Es culpable de sangre? Es sobre todo culpable de estar ahí, encarnando la culpa, haciéndola vivible y visible. La ley siempre necesita un culpable porque la ley es una abstracción mientras no tiene un reo. Al lobo lo crea el bosque. El lobo puede ser una manada. Caperucita se siente atraída por el bosque como el día por la noche. El lobo sólo está en el imaginario de Caperucita (tres caperucitas) como el culpable sólo está en el imaginario del juez. El juez sólo llega a serlo cuando Miguel Ricart se sienta delante de él, en una silla de oficina, con la cara en figura de enigma y los ojos inyectados en crimen. La justicia alienta ante su presa. Caperucita alienta ante su verdugo, que cuando la mata la hace mujer. La verdad está ausente y vuela muy alto. 'Nadie toque las moquetas'. Miguel Ricart no es más que un fetiche falso, un halcón de plomo y purpurina. Ricart, la prueba definitiva, sólo es un burdo engaño, una mentira. Se sabe falso y llora.” Ahí lo tienen, el texto puro de Umbral: una elegía cínica a la justicia ciega, donde Ricart no es el monstruo, sino el chivo expiatorio que permite al sistema seguir girando. Pero deténganse un momento... ¿y si esas alas en la huida de los verdaderos culpables no eran solo una metáfora? En el submundo de las teorías conspirativas —ese laberinto de blogs, foros y documentales supuestamente independientes que han revivido el caso Alcàsser como un zombie cultural—, el halcón de Umbral se transforma en un código para algo mucho más oscuro. Imaginen: el "lobo" no es un asesino solitario, sino una "manada" de élites valencianas y españolas —nobles, empresarios, políticos, clérigos, representantes de la justicia y masones con "inquietudes ocultistas", como apunta la duquesa de Medina Sidonia en su controvertida La ilustre degeneración de 1998—. Según esta lectura velada, Umbral no critica solo al juez, sino que lanza una pulla sutil a un encubrimiento de Estado: Ricart, el "fetiche falso de plomo y purpurina", es el señuelo que distrae de rituales de sangre, videos de torturas grabados para "hermanamientos" en sótanos de poder, y fugitivos protegidos por inteligencia extranjera o pactos inconfesables. La verdad, dice el texto, "vuela muy alto" —quizá en jets privados hacia paraísos fiscales, o en archivos clasificados que "nadie toque las moquetas", esa frase umbraliana que evoca alfombras bajo las que se barren los secretos de la alta sociedad. Ya saben, esa alfombra azul, azul, según el primer testigo ocular, el colmenero, que derivó en moqueta marrón y que se terminó perdiendo tal y como reconoce el mismo sumario. ¿Coincidencia? Para nosotros, no: Umbral, con su ojo de halcón para la podredumbre social, habría dejado esta pista como un guiño a los despiertos, uniendo el crimen de las tres "caperucitas" a una red pedófila sadista que huele a escándalos como los Galindos o el caso Dutroux y algún otro caso maldito. El halcón maltés ya no es solo literatura; es la clave de un rompecabezas donde la justicia no busca culpables, sino que los fabrica para proteger a los intocables. Por supuesto al mas puro estilo umbraliano hoy yo también les hablaré de mi próximo libro, pero antes voy a terminar con dos cosas, la autobiografía de Pedro y un detalle de un video que se publicó una vez el había desaparecido. Esto dijo el de sí mismo en su propio blog dentro del que fue su primer articulo allá por el 24 de octubre de 2012. “Soy arquitecto de formación pero autodidacta todoterreno por vocación. Lector empedernido, investigador obsesivo, ensayista apasionado, artista delirante, viajero sabático, políglota simultáneo, especialista en el todo, homme à tout faire. Conservador radical, anticapitalista y anticomunista, creyente herético, indeciso convencido, incorrectamente político. Todo ello en régimen de rigurosa independencia. Porque en estos tiempos en que el sistema está podrido hasta los tuétanos, es prácticamente imposible hacer algo de interés desde los marcos institucionales y corporativos. Conocí la academia por dentro y comprendí que es un aparato de poder más, solo que más sutil, porque se ejerce a través de la perversión del saber y que los académicos son otra de las castas sacerdotales hollycapitalistas. He hecho muchas cosas diferentes en mi vida y en algunas he tenido eso que el sistema llama "éxito". En efecto, conocí la realidad del mito del "éxito" en mi profesión como arquitecto. Demasiado éxito y demasiado pronto. Entonces comprendí que el poder lleva implícita la corrupción, que cuanto más se asciende en la escala de poder más complicidad hay que tener con la criminalidad y la impunidad inherentes al poder, con su perversión y su sadismo. Esta oportunidad que me regaló la vida me sirvió para saber que no pertenecía a ese mundo, que todo lo que está atravesado por el éxito y el dinero está podrido. Desde entonces me dedico a tratar de comprender cómo funciona este mundo delirante y transmitirlo en la medida de mis posibilidades. Pensando sobre todo en llegar a los pueblos y a las comunidades. Invirtiendo en lo posible la transferencia permanente de energía, riqueza, recursos, dedicación, esfuerzo, amor, moralidad, naturalidad, espontaneidad, buena voluntad, etc., que se produce de abajo a arriba en el sistema de dominación. Mediante el pensamiento y la creación, la investigación teórica y la práctica, la escritura y el arte, la conspiración y el rigor.” Y ahora el video. Se trata de una especie de homenaje a Pedro con el esclarecedor titulo de “Pedro Bustamante. El hombre que sabia demasiado” en un claro guiño a la película de Alfred Hitchcock de1934 con titulo homónimo. Allí eligen un temazo del desconocido grupo Capucha Sartén donde se dice textualmente: “Se está rompiendo el hechizo, está fallando la magia del reino de las tinieblas. No pueden decir más veces: ¡morirás si hablas!” Y ya, después ya aparece Pedro en sus fragmentos de videos y se hace una interesante selección de ideas. Antes nos han mostrado un cartel donde se lee: Pedro Bustamante, el hombre que sabia demasiado…del Androginarcado Caído”. Gracias por haberme permitido esta introducción tan delirante en homenaje a nuestro querido maestro Pedro Bustamante y ahora si vamos a presentar a nuestro invitado. ………………………………………………………………………………………. En mi primer libro, El imperio de la ficción: Capitalismo y sacrificios hollywoodenses (2015), he tratado de mostrar cómo funciona el mundo en términos generales, pero también, profundos. Para ello, vengo desarrollando una investigación que pretende explicar cómo operan las sociedades humanas, desde un punto de vista integral, tanto en lo político como en lo económico, lo social como lo moral. Y por supuesto, lo religioso. La idea es mostrar que lo religioso está en la base de todos los fenómenos políticos, económicos y sociales. También en el capitalismo, especialmente en el tardío, que yo denomino hollycapitalismo. Porque el sistema no se puede comprender hoy al margen de su dimensión religiosa y hollywoodense. Porque esta dimensión es, en última instancia, holy, sagrada. En mi segundo libro, Sacrificios y hierogamias: La violencia y el goce en el escenario del poder (1 y 2) (2016) he formulado con más detalle lo que denomino la mecánica hierogámico-sacrificial. Lo que esta obra trata de mostrar es que toda la realidad social remite a esta mecánica, en cuyo centro está el ritual de sexo y de sangre. El primer tomo se ocupa de lo que nos parece que son los fundamentos de lo social: la relación entre naturaleza y cultura, la distinción entre prohibición y transgresión, la institución de convenciones morales, todo ello en el marco de la mecánica citada, en la que hierogamias y sacrificios son protagonistas. El segundo tomo se dedica a mostrar que todas las instituciones sociales --la ley, la monarquía, el Estado, el lenguaje-- remiten a esta mecánica hierogámico-sacrificial, sin la que no se pueden comprender en toda su profundidad y ambivalencia. Mi tercer libro, En el nombre del Falo y del Ano y de la Matriz transhumana: El sacrificio de la maternidad y el nacimiento del infrahumano (2017), trata de mostrar el trasfondo del proceso de transhumanización que hoy padecemos. Nos parece que la clave para comprender esta tremenda transformación del humano está en que va a suponer la extinción de la maternidad natural y su sustitución por una maternidad artificial. Toda la locura del género que hoy invade todo el ámbito público hay que entenderla en este sentido. Pero todo ello, además, remite a las prácticas retorcidas de las sociedades secretas duras, que en definitiva se pueden resumir en tres nociones: falocracia, psicopatocracia y ocultocracia. Mi cuarto libro, Androginización vs. Heteroarcado: Ocultismo y programación mental mediante trauma en la agenda de género-transhumanista (2018), desarrolla algunos de los temas tratados en el libro anterior. Es un acercamiento al tema de las teorías de género desde una perspectiva muy diferente a la dominante, pero también a la de los ámbitos alternativos que se oponen a la ideología de género. Lo que tratamos de hacer es mostrar el papel central que juega en toda esta ingeniería social la androginización, como un fenómeno muy cercano al de la programación mental mediante trauma. Lo que a su vez supone comprender el papel central que desempeña el ocultismo, o para ser más concretos, el satanismo-luciferismo, que son dos caras de la misma moneda, en cuyo corazón está la androginización. Mi quinto libro, las 13 herejías del greco y el falo perdido en toledo (2019), es una obra muy dura solo recomendable para un grupo muy reducido de lectores. ………………………………………………………………………………………. Conductor del programa UTP Ramón Valero @tecn_preocupado Canal en Telegram @UnTecnicoPreocupado Un técnico Preocupado un FP2 IVOOX UTP http://cutt.ly/dzhhGrf BLOG http://cutt.ly/dzhh2LX Ayúdame desde mi Crowfunding aquí https://cutt.ly/W0DsPVq … Participantes ToniM @ToniMbuscadores …. Vacflip @vacflip La pastilla roja. ANCAP 100% …. Iberianbaneado @Iberianbomber HERMENEUTA. ………………………………………………………………………………………. Enlaces citados en el podcast: AYUDA A TRAVÉS DE LA COMPRA DE MIS LIBROS https://tecnicopreocupado.com/2024/11/16/ayuda-a-traves-de-la-compra-de-mis-libros/ Homenaje a Pedro Bustamante: vida, obra y "delirios" de un autor desaparecido | Pura Virtud https://www.youtube.com/watch?v=Vc2zP2XfNvE canal de Telegram “Videos de Pedro Bustamante” https://t.me/videospedrobustamante ………………………………………………………………………………………. Música utilizada en este podcast: Tema inicial Heros Audio de Victor, webmaster del canal de Telegram “Videos de Pedro Bustamante”. Epílogo Capucha Sartén - Outer barrier (432hz) https://youtu.be/O3gZVrXbt18?si=TgaxqW-PSkP4u6zd

⁠LISTEN AD-FREE AND WATCH THE VIDEO EPISODE BY SUPPORTING THE SHOW ON PATREON⁠ Communicating with the other side (for better or worse or not at all), Alfred Hitchcock's take on a Roald Dahl short story. Find Molly McAleer online Check out Rob Schulte's website LINKS Sylvia Browne lies to a 9/11 widow on Montel Lori Cowen's experience reading Dolly the Evil Cat Learn more about your ad choices. Visit megaphone.fm/adchoices

Oh, Norman… you've gone and done it again, haven't you? You've brought them here… Those nosy boys from 3 Guys and a Flick. They just had to come poking around our little motel, whispering about Alfred Hitchcock's Psycho. They'll gossip about Bernard Herrmann's screeching violins, that ghastly shower scene, and my poor boy Norman — such a sweet, misunderstood child. They'll tattle about spoilers, casting, cinematography, and all that slasher nonsense, as if they know what really happened in that house on the hill… But listen closely, dears… if you dare. This Halloween kickoff episode will make you question what's real, what's madness, and who's really sitting behind that curtain. Join Don, Ken, and guest Gerard — before Mother finds out you've been listening.

Front Row Classics welcomes author and journalist, Jennifer O'Callaghan to discuss one of Alfred Hitchcock's seminal masterpieces. Jennifer recently penned a book called "Rear Window: The Making of a Hitchcock Masterpiece in the Hollywood Golden Age". The book chronicles the origins, production and legacy of a film that remains one of the most beloved in the Hitchcock canon.  "Rear Window: The Making of a Hitchcock Masterpiece in the Hollywood Golden Age" is available from Citadel wherever books are sold.  Jennifer O'Callaghan is a freelance writer and journalist. She has worked as a reporter for Metro News, The Sundance Channel, Shaw TV, and CKUA radio in news, entertainment, and lifestyle beats. She has also appeared as a red-carpet reporter for the web entertainment site MyBroadway.com, and as host on Paradetown USA on NYC-TV. She has interviewed celebrities including Will Ferrell, Meryl Streep, and Cameron Diaz, and appeared as a featured model on The Today Show and The View. She currently lives in Toronto and can be found online at JenniferOCallaghan.com.

Jackie and Greg drive up to the seaside town of Bodega Bay for Alfred Hitchcock's THE BIRDS from 1963. Topics of discussion include Jackie's ornithophobia, Hitchcock's mastery of the medium, how it's influenced countless horror films over the years (including the zombie genre), and the abuse Tippi Hedren suffered at the hands of Hitchcock.#185 on Sight & Sound's 2022 "The Greatest Films of All Time" list.  https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out on Instagram: instagram.com/sceneandheardpodCheck us out at our official website: sceneandheardpod.comGraphic Design: Molly PintoMusic: Andrew CoxEditing: Greg KleinschmidtScream and Cry - Horror Movie Review on Magnolia Selects and Monsters and NightmaresGet in touch at hello@sceneandheardpod.comSupport the showSupport the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe

The spooky season treats keep coming on this edition of Octoberpod AM classic horror podcast with a special Halloween presentation of Madison on the Air! Your horror host Edward October has a treat sack filled with fowl play & Hitchcock-ery to keep you in the Halloween spirit all season long.   First up: Edward October narrates Madison on the Air's comedic parody of The Birds. Then, we'll dive into the bird symbolism in Alfred Hitchcock's films The Birds and Psycho. Plus: An all-new, all-original narration of The Raven by Edgar Allan Poe & a Hitchcock Horror Classic reimagined as bedtime story. Featuring special guests Chrisi Talyn Sage & the uber-talented cast of Madison on the Air!       Better Dial R for Raven, because we're serving up bird attacks; a make-up influencer trapped in an old time radio show; fowl play; and a heapin' helpin' of horrifically haunting Halloween Hitchcock-ery. When will the spooky season treats end? Nervermore! Listen to all of this and more on this edition of Octoberpod AM: the retro horror podcast for bold individualists.    // PROMOS        Octoberpod Halloween 2025: The Brides of Sleepy Hollow        MAKE IT THROUGH THE NIGHT by Amy KotoGhost Bites (presented by Brew Crime)Beyond 6 Seconds                // FOLLOW        Find more true, true-ish & classic horror / paranormal content by following us on social media!        Bluesky:  @octoberpod.bsky.social // Twitter: @OctoberpodVHS // YouTube: Octoberpod Home Video // Instagram: @OctoberpodVHS // TikTok:  @octoberpod // Or follow us on the worldwide web at OctoberpodVHS.com                // LINKS & REFERENCES        Listen to more Madison on the Air!  https://www.madisonontheair.com/        Become a supporter of this podcast: https://www.spreaker.com/podcast/octoberpod-am--5482497/support.

Spooky Season Sequels Month continues with a sequel 22 years after the original. But how on Earth could an Australian Exploitation Director hang with Alfred Hitchcock's PSYCHO? Executive Producers:  Tim (Applescruff), Derrick Copling (Sir Slick Derrick The Knight Bard), Matthew Schnapp, Noah Overton (Noah of The Dark Woods), Peter "Not SoBad Lookin'" Pernice Listen to the HMP Live Stream, Sunday Nights and Live Streams with Adam throughout the week.  YouTube https://www.youtube.com/@HMPOD Twitch https://www.twitch.tv/halfassmoviepod Kick https://kick.com/halfassmoviepod HMP Instagram- https://www.instagram.com/halfassmoviepodcast Adam- Letterbox- https://boxd.it/3aAF TikTok- https://www.tiktok.com/@adam.portraist=ZT-8xcqAzUtusx&r=1 Sean Scoots! https://www.youtube.com/@setdecsean Bruce YouTube- https://www.youtube.com/@Animedad Email- HalfAssMoviePod@gmail.com

In this episode, I discuss with author Stephen Rebello his book "Criss-Cross: The Making of Hitchcock's Dazzling, Subversive Masterpiece Strangers on a Train". Take a deep dive into the shadows and light of one of the most subversive, corrosively funny, and beloved suspense thriller masterworks as author Stephen Rebello unravels for the very first time the tense and drama-filled story of the making Alfred Hitchcock's Strangers on a Train.

The Brothers review Alfred Hitchcock's psychological masterpiece.The contributions of this movie to the horror genre and cinema in general are unmatched. Enjoy!Two ordinary brothers discussing extraordinary ideas... and some random shit.Email- thebrothersrandomv@gmail.com Check us out on YouTube- https://www.youtube.com/@thebrothersrandom 

Many filmmakers are known for small signatures that they always put inside their films. Alfred Hitchcock always used himself in a cameo. George Lucas always found a way to integrate the number 1138. Quentin Tarrentio almost always mentions the fictional "Big Kahuna Burger." And Stan Lee, of course, has found his way into every Marvel Movie. However, there is one film signature that is shared by a wide range of movie makers and has appeared in hundreds of films. You've probably come across it even if you didn't realize it. Learn more about the Wilhelm Scream, where it came from, and how it spread on this episode of Everything Everywhere Daily. Sponsors Quince Go to quince.com/daily for 365-day returns, plus free shipping on your order! Mint Mobile Get your 3-month Unlimited wireless plan for just 15 bucks a month at mintmobile.com/eed Stash Go to get.stash.com/EVERYTHING to see how you can receive $25 towards your first stock purchase. Newspaper.com Go to Newspapers.com to get a gift subscription for the family historian in your life! Subscribe to the podcast!  https://everything-everywhere.com/everything-everywhere-daily-podcast/ -------------------------------- Executive Producer: Charles Daniel Associate Producers: Austin Oetken & Cameron Kieffer   Become a supporter on Patreon: https://www.patreon.com/everythingeverywhere Discord Server: https://discord.gg/UkRUJFh Instagram: https://www.instagram.com/everythingeverywhere/ Facebook Group: https://www.facebook.com/groups/everythingeverywheredaily Twitter: https://twitter.com/everywheretrip Website: https://everything-everywhere.com/  Disce aliquid novi cotidie Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, we talk about the bizarre, the unusual and unsettling, the creepy and uncharacteristic… And what really makes it terrifying and disturbing is that these are true stories… Be prepared to be shocked! These are Rocktastrophes: true tragedies that occurred in the real world of rock n' punk n' metal.What is it we do here at InObscuria? Every show, Kevin opens the crypt to exhume and dissect from his personal collection, an artist, album, or collection of tunes from the broad spectrum of rock, punk, and metal. Robert is forced to test his endurance and provide feedback, as he has no idea what he will be subjected to every week. Our hope is that we turn you on to something that was lost on your ears, or something you've simply forgotten about, or that (in our opinion) should have been the next big shocking thing.Songs this week include:For Squirrels – “Superstar” from Example (1995)The Gits – “It All Dies Away” from Frenching The Bully (1992)Death Angel – “Stagnant” from Act III (1990)Reagan Youth – “Heavy Metal Shuffle” from A Collection Of Pop Classics (1994)The Exploding Hearts – “Still Crazy” from Guitar Romantic (2021)The Yellow Dogs – “Until The Night Was Done” from Upper Class Complexity (2012) Armegeddon – “Brother Ego” from Armegeddon (1975)Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://www.instagram.com/inobscuria/https://x.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it: InObscuria StoreIf you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/

In this episode of the Fan2Fan Podcast, Bernie and Pete check into Bates Motel and the classic Psycho. Alfred Hitchcock's 1960 masterpiece redefined horror and suspense with its shocking twists, unforgettable performances, and groundbreaking direction. We briefly discuss why Psycho still casts a long shadow.  For more info about the Fan2Fan Podcast, visit https://fan2fan.libsyn.com

Welcome to another episode of Pods Like Us! Host Marv sits down with Cam from the Jacked Up Review Show for a lively, insightful conversation about podcasting, pop culture, and the power of positive discussion. Timestamps & Topics: ● 00:00 – Introduction ○ Marv introduces Cam from the Jacked Up Review Show and sets the stage for the conversation. ● 01:07 – What is the Jacked Up Review Show? ○ Cam explains the origins and mission of his podcast, focusing on pop culture, movies, and community. ● 02:15 – The Power of Validation & Community ○ Discussion about validating different perspectives and the importance of positive podcasting. ● 03:25 – Reminiscing: James Cameron Films ○ Marv and Cam recall their previous chat about James Cameron movies and share laughs about favorite moments. ● 05:00 – Creative Process & Show Format ○ Cam talks about the show's creative approach, including roasts, deep dives, and the unpredictability of what resonates with listeners. ● 06:40 – Highlight: Best of the Rest Podcast ○ Cam introduces “Best of the Rest,” a show that only says good things about infamous movies and focuses on self-improvement. ● 08:00 – Seeing Films & Music in a New Light ○ The hosts discuss how podcasts can help listeners appreciate lesser-known works by directors like Alfred Hitchcock and Steven Spielberg, and bands like Rage Against the Machine. ● 10:00 – Audience Engagement & Community ○ Marv and Cam encourage listeners to suggest topics and join the conversation. ● 11:30 – Where to Find the Shows ○ Cam shares how to connect with the Jacked Up Review Show on social media, and Marv shares where to find Pods Like Us. Best of the Rest Key Topics: ● Positive podcasting and community building ● James Cameron film discussions ● The value of looking for the good in movies, music, and pop culture ● Celebrating lesser-known works by famous directors and musicians Connect with the Hosts: ● Find Cam and the Jacked Up Review Show on Instagram, Twitter, and Blue Sky. ● Discover more episodes of Pods Like Us on all major streaming platforms and at marvzone.org. SEO Keywords: podcast interview, Jacked Up Review Show, Pods Like Us, Best of the Rest podcast, James Cameron films, Alfred Hitchcock, Steven Spielberg, Rage Against the Machine, positive podcasting, movie discussion, pop culture podcast, podcast community, film podcast, music podcast

Our Spooky Szn continues its deep dive into the classics with one of the most celebrated, analyzed, and ultimately unsettling films ever made: Alfred Hitchcock's "Vertigo (1958)." While today it's hailed as a cinematic masterpiece, this film was a notoriously slow burn for original audiences, and Mackenzie and Lemar are ready to dig into exactly why it took so long for the world to catch up to Hitchcock's genius.This week, we're dissecting the very personal psychological thriller that shifts from a detective mystery into an agonizing study of obsession, control, and erotic fixation. We'll be discussing the brilliant technical innovations - like the famous "Vertigo Effect" - and how James Stewart's dark turn as Scottie, coupled with Kim Novak's haunting performance, creates a vortex of guilt and desire. We explore the symbolism of color, the genius of Bernard Herrmann's score, and why the plot reveal two-thirds of the way through is less a twist and more a doorway into true psychological horror.If you love a film that demands repeat viewings, are fascinated by cinema history, or just want to hear a deep discussion on the dark heart of obsession, this episode is a can't-miss part of your Spooky Szn watch list. Don't worry, we'll try not to leave you dangling from a rooftop.This episode VIDEO is live on YouTube AND Spotify!Follow us on Instagram and TikTok to get ep sneak peaks and find out what's coming next. DM us what you want to hear about next or email us at wedrinkandwewatchthingspod@gmail.com.

This October, Brandon and Lorin explore the spooky mind of Alfred Hitchcock through some of his most well-known works. This week, we review "North by Northwest," starring Cary Grant as a man embroiled in a felonious conspiracy of mistaken identity.

Psycho: Episode 365 - The spooky season is upon us which can only mean one thing - your hosts get to pick horror movies and record their favorite episodes!!! We're kicking off the 2025 Spooktober season with the MOTHER of all horror films - Psycho. The 1960 classic finally made the world take the genre seriously, but does it still hold up or should it be sent to the showers? Tune in to find out! Mother, what have you done!? Podcasts. Podcasts everywhere!. Insta: @NormiesLikeUs https://www.instagram.com/normieslikeus/ @jacob https://www.instagram.com/jacob/ @MikeHasInsta https://www.instagram.com/mikehasinsta/ https://letterboxd.com/BabblingBrooksy/ https://letterboxd.com/hobbes72/ https://letterboxd.com/mikejromans/

In which Devin Diazoni and Ewa Mykytyn discuss the first third of The Bewitching by Silvia Moreno-Garcia.Please support the podcast on Patreon!Follow Film Literate on Instagram!Find your hosts on social media:Devin Diazoni (Letterboxd|StoryGraph)Ewa Mykytyn (Goodreads|Armchair Chat on IG)

Rewind Episode: Join Sandy and Terry for a fun chat about how a short story from a dime store magazine turned into one of Hollywood's most talked-about films and the fifth-highest-grossing movie of 1954. The film REAR WINDOW, featuring stars like Jimmy Stewart, Grace Kelly, Raymond Burr, and Thelma Ritter, was written by John Michael Hayes and directed by Alfred Hitchcock.   The PAGE International Screenwriting Awards sponsors the WRITERS HANGOUT.Executive Producer Kristin OvernCreator/Executive Producer Sandy AdomaitisProducer Terry SampsonMusic by Ethan Stoller

Front Row Classics is celebrating one of Alfred Hitchcock's most underrated masterpieces. Brandon welcomes author Stephen Rebello to discuss his new book, "Criss-Cross: The Making of Hitchcock's Dazzling Subversive Masterpiece, Strangers on a Train". The book is a witty and insightful look at a film filled with quirky and eccentric performances. Brandon and Stephen also discuss the political climate surrounding the film's production in the early 1950s. "Criss-Cross: The Making of Hitchcock's Dazzling Subversive Masterpiece, Strangers on a Train" is available from Running Press wherever books are sold. Stephen Rebello is a screenwriter and bestselling author of Alfred Hitchcock and the Making of Psycho and Dolls! Dolls! Dolls!: Deep Inside Valley of the Dolls, the Most Beloved Bad Book and Movie of All Time. He has written screenplays for Disney, Paramount, Focus Features, and others. He has written for GQ, Playboy, Movieline, Hollywood Life, Statement, More, and Cosmopolitan. Born in southern New England, he is a longtime resident of southern California.

Losers Jenn Adams, Rachel Reeves, and Ana Marie Cox check into Bates Motel on a rainy night to discuss Robert Bloch's Psycho, the 1959 best-selling novel that Alfred Hitchcock turned iconic the following year for Universal Pictures. Danse Macabre is a recurring feature of The Losers' Club that journeys through all the books that influenced Stephen King. (You know, as he listed in 1981's Danse Macabre. Ahem, hence the name of this series.) In the past, we've catalogued Shirley Jackson's The Haunting of Hill House, William Golding's Lord of the Flies, Ray Bradbury's Something Wicked This Way Comes, Peter Straub's Ghost Story, and Jay Anson's The Amityville Horror. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.