Podcasts about art punk

Send us a textEP371: Meagan chats to Gabbi and Ethan from Art Punk trio - Cistamatic. We talk about shifting gears after ‘Soft Side', writing Punk with a Pop sensibility and sowing seeds in the scene. They take us through their magical beginnings, keeping the klap factor and spreading the sharing spirit. Gabbi and Ethan wax about getting present at the party, normalising deposits and collaboration in Cape Town. Take note; if it doesn't klap, it's not klapstamatic.Explore our exclusive merch store for unique and high-quality items inspired by our podcast! From stylish t-shirts to snug beanies, there's something for every listener. Show your support and grab your favourite merch today! Enjoyed today's episode? Don't forget to subscribe to our YouTube channel! We're aiming for 500 subscribers and with your support, we'll get there. Every subscription helps us bring you more great content and insightful interviews!Support the showHelp us continue making great content for listeners everywhere by subscribing to Sludge Underground Podcast +Websitehttps://www.sludgeunderground.comMerchhttps://sludgeunderground.store/Instagramhttps://www.instagram.com/sludgeundergroundTikTokhttps://www.tiktok.com/@sludgeundergroundYouTubehttps://www.youtube.com/channel/UCxyLW9b_W81ETvby7J4wmwATwitterhttps://twitter.com/Sludge031Facebookhttps://www.facebook.com/SludgeUnderground

Hey! For our first episode of Season 7, long time TRGMH guest Camila Risso brings us NYC Art Punk purveyors Les Savy Fav and their endearingly bombastic 2010 release 'Root For Ruin'. "We've no shame and we've no pride And we've got nothing left to hide Cause we've got nothing left inside They can try with all of their might We still got our appetite" Songs discussed in this episode: Who Rocks The Party (Live at the Bowery Ballroom, NY 1/1/2008), Legendary Tippers - Les Savy Fav; Luno - Bloc Party; Waiting Room - Fugazi; Appetites - Les Savy Fav; Mr. Pharmacist - The Fall; Dirty Knails, Sleepless In Silverlake, Let's Get Out Of Here - Les Savy Fav; Holiday In Cambodia - Dead Kennedys; Lips N' Stuff, Poltergeist - Les Savy Fav; Ghost Rider - Suicide; High And Unhinged, Excess Energies, Crutches - Les Savy Fav; Shamisen Solo 1 - Shinichi Kinoshita; Calm Down, Clear Spirits - Les Savy Fav; Not Me - This Mortal Coil; Let's Get Out Of Here (Alternate Version) - Les Savy Fav

Podcast Overview: Moby & Will discuss his 30 years in the industry, where young creatives go nowadays, not focussing on selling out DJ tours & his journey with his mental health. Who is Moby: Richard Melville Hall, 11 September 1965, New York, USA. A New York DJ, recording artist, Christian, vegan and Philosophy graduate. Moby is so nicknamed because of the fact that he can trace his ancestry to the author of the famous whaling tale. This is by no means the only interesting aspect of his idiosyncratic artistic life. He refuses to travel anywhere by car because of the environmental considerations, and generally displays little of the public anonymity that is the creed of the underground DJ. In 1991, he took the Twin Peaks theme, under the guise of "Go", into the UK Top 10. Although that appealed to the more perverse natures of both mainstream and club audiences, the release of "I Feel It"/"Thousand" in 1993 was yet more bizarre. The latter track was classified by The Guinness Book Of Records as the fastest single ever, climaxing at 1,015 bpm. It was typical of Moby's playful, irreverent attitude to his work. In his youth he was a member of hardcore punk outfit the Vatican Commandos, and even substituted as singer for Flipper while their vocalist was in prison.He has brought these rock 'n' roll inclinations to bear on the world of dance music: at the 1992 DMC/Mixmag Awards ceremony he trashed his keyboards at the end of his set. His introduction to dance music began in the mid-80s: "I was drawn to it, I started reading about it, started hanging out in clubs. For me house music was the synthesis of the punk era." He collected cheap, second hand recording equipment, basing himself in an old factory/converted prison in New York's Little Italy district. The albums issued by New York dance label Instinct collect the artist's early work. Ambient comprised unissued cuts from 1988-91, composed of barely audible atmospheric interludes. Moby signed to leading independent Mute Records in 1993, and the following year released "Hymn", a transcendental religious techno odyssey, distinguished by a 35-minute ambient mix and a Laurent Garner remix. The track was included on his eclectic major label debut, Everything Is Wrong. His own remix catalogue includes Brian Eno, LFO ("Tan Ta Ra"), Pet Shop Boys, Erasure ("Chorus"), Orbital ("Speed Freak"), Depeche Mode and even Michael Jackson. He moved away from his dance base in 1996 with the thrash rock of Animal Rights, and in turn sounded more like Johnny Rotten. His "James Bond Theme' debuted at UK number 8 in November 1997. The attendant I Like To Score was an uneasy experiment in soundtrack work. Another change of style was apparent on 1999"s Play, a superb album on which several tracks were based around sampled field recordings made by folklorist Alan Lomax in the earlier part of the century. Play became a remarkable sleeper hit, thanks in the main to the licensing of every track on the album for use in advertisements. Moby repeated the Play formula to lesser effect on 18. If you would like to join my community to carry on with all of these discussions please sign up to the link here: http://willclarke.club/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Other podcasts don't love you like we love you. In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by culture writer Sarah MacDonald (sarahsmacdonald.com) to discuss the Yeah Yeah Yeah's 2003 debut album Fever to Tell. Karen O features heavily in Lizzy Goodman's Meet Me In The Bathroom, an exploration of the early-2000s New York rock scene, and for good reason: not only is she unspeakably cool, she is, as Sarah once wrote, indie rock's beating heart. Find out more about the importance of Karen O as a female presence in the genre's renaissance, Maps' legacy as one of the best love songs of all-time, and why you can't trust someone with a fauxhawk on this week's podcast. Sick of hearing all the ads? Subscribe to Soda Premium on Apple Podcasts to get rid of them!Come join the Patreon family for bonus episodes, mailbags, show notes and even more goodness: https://www.patreon.com/columbiahousepartyFollow @ColumbiaHP on Twitter! While you're there say hello to @BlakeMurphyODC and @JGoldsbie. If merch is your thing, be sure to check out the store: http://bit.ly/chpmerch Or reach out to the show and say hey: podcast@columbiahouseparty.com If you enjoyed today's show, please rate Columbia House Party 5-Stars on Apple Podcasts.See you next week for an all new episode of CHP.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4114831/advertisement

Ein Porträt des Malers, der der Friedlichen Revolution von 1989 mehr als nur die Freiheit in der Kunst verdankt. / Dagmar Leupold über ein ukrainisch-deutsches Schriftstellertreffen in Uschhorod / Erste Ergebnisse der Bayerischen Landtagswahl 2023.

As broadcast Sept 7, 2023 with more hydraulic action and slow driving than mere mortals can handle.  Tonight we pay tribute to the entirety of our first hour to the Latin/low rider soul inspirations that have continually provided that extra ease and Spanish flare to our favorite genre over the years.  Nods to Sunny Ozuna, Fania Records, Sly Slick & Wicked, along with the new exponents in the movement such as Big Crown, Colemine, Bobby Oroza, Thee Sinseers, and many others on the playlist.  Dan Lloyd joins us for our AMPED rock-centric 2nd hour, and lots to discuss in a busy week, with a new album out from Royal Blood, a great new single from Irish band Sprints, and Italy's Maneskin hitting the road once again.#feelthegravityTracklist (st:rt)Part I (00:00)Sunny & The Sunliners – Give It AwayNew Holidays – Maybe So Maybe NoThee Sineers – What's His NameThee Sacred Souls – Will I See You Again?Los Yesterdays – Who Made You You?Sly Slick & Wicked – Sho' NuffThe Devonns – Long Goodbye Part II (33:53)Aaron Frazer – Bring You A RingDurand Jones & The Indications feat Y La Bamba – Cruisin' to the ParqueThee Lakesiders – ParachuteBobby Oroza – Maybe, Maybe, MaybeLizette y Quevin – Grow Forever125th Street Candy Store – Silent HeartFrancisco Aguabella – Fantasy Part III (64:03)Royal Blood – Shiner in the DarkGaslight Anthem – Little FiresManeskin – Honey (Are U Coming?)Sprints – Up and ComerAngel Du$t – RacecarSmash Mouth – Walking on the SunPart IV (94:16)Perennial – DissolverDoom Scroll – Anoxic'68 – Removed Their HooksGeese – JesseBad Rabbits – Garden of Eden ft Rou ReynoldsRid of Me – Gutted

Wu-Lu is Miles Romans-Hopcraft, a music producer from South London who defies genre categorization.A lot of newer listeners may be familiar with his punk infused 2nd album "LOGGERHEAD", his debut release on the legendary Warp Records. But Wu-Lu's history goes back further than that, incorporating numerous collaborations, singles and EP's, each one with a unique sound.Join us as we discuss the sounds and creative approaches of "Wu-Lu". "Roots to Grooves" is a production of SIGNL.https://www.signlradio.comhttps://www.instagram.com/signlradiohttps://www.twitter.com/signlradiohttps://www.facebook.com/signlradiohttps://www.mixcloud.com/signlhttps://open.spotify.com/user/96mhz6qfjoztxbl2dpm0uj903?si=aAZpsoEnRAKdx85kr1QWhg

MDF.047: SA Load Shedding, Art, Punk, Acid, Sobriety, Berlin, Private Studio, Queer, Handpush Tattoo Joy Markus (they/them) - Berlin - 2022 @thisisjoyjessica I first met Joy when living so very far apart and both tattooing (they reached out to me about a guest spot and we had a phone call and a tea). The world shut down soon after and our connection turned into a long distance mentorship dynamic (as they have been mentoring others and holding space in Johannesburg for BIPOC fems and queers @ustheythemstudio). Somehow I missed that we both were raised very rural and were influenced by punk, skateboarding, and hard drugs. (Big city kids in the making for sure). Joy's patterns resonated with me right away (they also choose to work by hand with the body and are very much trauma informed). I sincerely appreciate dear friends making time to engage in this project together (somehow this container deepens my sense of our connections). Thank you!

Randy Randall is the guitarist, co-producer and founding member of No Age. Their 3rd record on Drag City,  People Helping People,  will be released September 16th  with a full North American tour to follow.   In this episode, Randy shares the head space he and Dean were in at the beginning of the recording and why they were itching to get weird. We hear why they feel they are in a perfect position to do whatever they want and how operating  on the notion that "everything is valid" contributed to the sonic architecture of the record.  Randy also tells us why he felt like Scotty Pippen playing with Bob Mould and he hips us to meaning behind Snares Like A Haircut , We hear a couple tunes and Randy offers up the stems from People Helping People.https://www.dragcity.com/products/people-helping-peoplehttps://noage.bandcamp.com/Tour Stories is sponsored by Izotope. Tour Story listeners get one month free of Music Production Suite Pro or 10% of all software by using code FRET10 at https://www.izotope.com/Tour Stories is sponsored by Self Care Non-Alcoholic Beer by Three Magnets. Go to https://drinkselfcare.com/ to get 15% off your first order using code TOURSTORIES

Speak to anyone from the 1980s punk scene in Los Angeles and they'll tell you: Johanna Went is an underground legend. While the bands like Black Flag, Fear and X were thrashing out their three chords and the truth, Went would take to the stage at clubs like The Masque, Club Lingerie and Hong Kong Cafe and perform between the live shows. The crowd hadn't seen anything like it before. She wasn't a punk musician per se but the “hyena of performance art”, whose transgressive spectacles of New Wave theatre, experimental noise, elaborate and crude costumes, chaotic rituals, and gory props like pig heads and fake blood – lots of blood – built a cult following and predated Lady Gaga's meat dress and Peaches' raucous stage antics and costumes by decades. Johanna's shows were wild, depraved and often grotesque, boldly taking on themes like female pleasure and menstruation. Take her 1988 performance Passion Container, in which she pulled giant bloodied tampons out of a silk vagina and chucked them into the crowd – this was pre-riot grrrl and before L7's legendary tampon-flinging performance at Reading Festival in 1992.  Many aren't sure where Johanna Went went but The Last Bohemians: LA, supported by Audio-Technica, found her living a quieter life, in the beach town of Ventura, California. Across her garden table, she looks back at her transgressive work and talks about the magic of the 1980s punk scene, growing up an outsider, the beauty of performance art and why embracing ageing is the punkest move of all. CREDITS Presenter and Exec-Producer: Kate Hutchinson Editor: Georgie Rogers Additional production: Holly Fisher Mixing and mastering: Mariana Sousa Aguiar Photography: Kate Hutchinson With thanks to Sarah Cooper at the Getty, Alice Bag, Mara Carlyle and all at Erased Tapes. MUSIC Theme music: Pete Cunningham, Ned Pegler and Caradog Jones Piano Scapes 3  Written and performed by Qasim Naqvi Courtesy of Erased Tapes Angelus Novus Written by Saki Sugimoto Performed by Hatis Noit Courtesy of Erased Tapes Away With These Self-Loving Lads (Instrumental) - Mara Carlyle Pearl (Instrumental) - Mara Carlyle  Bowlface en Provence (Instrumental) - Mara Carlyle Bonding (Instrumental) - Mara Carlyle Nerveskade - Sickhead Apache Tomcat - Alright Rock N Roll FURTHER READING/LISTENING X-Trax Hyperallergic ArtForum Bandcamp ABOUT AUDIO-TECHNICA In 1962, with a vision of producing high-quality audio for everyone, Audio-Technica's founder Hideo Matsushita created the first truly affordable phono cartridge, the AT-1 in Shinjuku, Japan. Since then, Audio-Technica has grown into a world-renowned company devoted to Audio Excellence at every level, expanding the product range to include headphones, microphones and turntables. Audio-Technica's commitment to the user experience and their devotion to high quality design, manufacturing, marketing, and distribution has placed them at the forefront of the industry for the last 60 years. ABOUT THE LAST BOHEMIANS Journalist and broadcaster Kate Hutchinson launched The Last Bohemians in 2019, pairing the audio with stunning portraits by photographer Laura Kelly. It featured 86-year-old Molly Parkin's stories of self-pleasuring, LSD countess Amanda Feilding's trepanning tales and Pamela Des Barres' reflections on supergroupiedom. The series won silver for Best New Podcast at the 2020 British Podcast Awards and was a finalist at the 2021 Audio Production Awards. Season two featured folk legend Judy Collins; British fashion icon Zandra Rhodes, dealing with the aftermath of losing her lover while celebrating 50 years in fashion; anarcho-punk innovator and illustrator Gee Vaucher; and the controversial witch at the heart of the 1970s occult boom, Maxine Sanders. In 2021, The Last Bohemians launched a lockdown special with performance artist Marina Abramović; it returned in 2022 with the UK's greatest living painter, Maggi Hambling, as well as Bowie's former best friend Dana Gillespie and theatre actor Cleo Sylvestre, and launched an LA series, supported by Audio-Tecnica, in summer. thelastbohemians.co.uk patreon.com/thelastbohemians instagram.com/thelastbohemianspod twitter.com/thelastbohospod 

FLOWERS OF ROMANCE Teil 1 Archivierte Sendung, ausgestrahlt am 24.05.2021 bei ALEX Berlin auf 91.0 MHz UKW. Post-Punk, Art Punk, Gothic Rock und Cold Wave. Musikalische Perlen aus dem Kulturarchiv Europa, moderiert von Joanna A. Stotko. PLAYLIST: 1. THE CURE – A Forest (GB) 2. AND ALSO THE TREES – The Fruit Room (GB) 3. HEROIN AND YOUR VEINS – The Lady (FI) 4. AND ALSO THE TREES – Missing (GB) 5. COLIN NEWMAN – Alone (GB) 6. WINTER SEVERITY INDEX – Purple Lips (IT) 7. AND ALSO THE TREES – The Soul Driver (GB) 8. CURSE OF THE VAMPIRE – Nightmare (FR) 9. BAUHAUS – Hollow Hills (GB) 10. DOG FACED HERMANS – Keep Your Laws Off My Body (GB) 11. Утро – И Всюду Запах Затухших Свечей (RU) 12. JOY DIVISION – New Dawn Fades (GB) KULTURARCHIV EUROPA Querbeet durch die europäische Musikgeschichte Von historisch über zeitgenössisch bis hin zu brandaktuell. Musikalische Perlen europäischer Herkunft im Wandel der Zeit - einheitlich gegliedert und präsentiert nach Genre, Land und/oder Zeit. Archiv, Playlisten und weitere Infos auf: www.kulturarchiveuropa.de Kulturarchiv Europa auf SoundCloud: @kulturarchiveuropa

FLOWERS OF ROMANCE Teil 2 Archivierte Sendung, ausgestrahlt am 21.06.2021 bei ALEX Berlin auf 91.0 MHz UKW. Post-Punk, Art Punk, Experimental und Gothic Rock. Musikalische Perlen aus dem Kulturarchiv Europa, moderiert von Joanna A. Stotko. PLAYLIST: 1. DOG FACED HERMANS – Love Is The Heart Of Everything 2. PUBLIC IMAGE LTD. – Religion '87 3. 23 SKIDOO – The Gospel Comes To New Guinea 4. DOG FACED HERMANS – White Indians 5. BAUHAUS – The Man With the X-Ray Eyes 6. COCTEAU TWINS – Persephone 7. THE FALL – Big New Prinz 8. CHRISMA – Black Silk Stocking 9. SIOUXSIE AND THE BANSHEES – Happy House 10. THE POP GROUP – Mad Truth 11. BAUHAUS – Kick In The Eye 12. THE CHAMELEONS – Second Skin KULTURARCHIV EUROPA Querbeet durch die europäische Musikgeschichte Von historisch über zeitgenössisch bis hin zu brandaktuell. Musikalische Perlen europäischer Herkunft im Wandel der Zeit - einheitlich gegliedert und präsentiert nach Genre, Land und/oder Zeit. Archiv, Playlisten und weitere Infos auf: www.kulturarchiveuropa.de Kulturarchiv Europa auf SoundCloud: @kulturarchiveuropa

This week we are joined by the band pulses. to discuss the year 2000. The album they chose is Q and No U's No Kill No Beep Beep. https://pulses.bandcamp.com/musichttps://twitter.com/pulsesVAhttps://www.instagram.com/pulsesvapatreon.com/punklottopodCall our voicemail line: 202-688-PUNKLeave us a review and rating.https://linktr.ee/punklottopodSongs featured on this episode:Jawbox - Jackpot Pluspulses. - Bold New TasteAt the Drive-In - One Armed ScissorFaraquet - Cut Self NotOrchid - I Am NietzcheThrice - Identity CrisisBluetip - PolymerQ and Not U - The Washington Monument (Blinks) GoodnightQ and Not U - Line in the SandQ and Not U - Nine Things Everyone KnowsQ and Not U - Hooray for Humans

In this episode of the Dieku Podcast, we were joined by M.A. Guax, a Brazilian TTRPG designer who has been developing some very interesting minimalist games since coming onto the scene. This last March, Guax hosted the first ever #LatAmJam on Itch with some of his fellow Latinx designers. Warch to learn more about how Guax entered the TTRPG industry and his philosophy on game design and influences from the #osr and #artpunk style. https://twitter.com/maguaxRPG https://maguax.itch.io/ https://itch.io/jam/rpg-latam-jam Learn more about Dieku Games at: https://diekugames.com https://diekugames.itch.io https://www.instagram.com/diekugames https://www.twitter.com/diekugames --- Send in a voice message: https://podcasters.spotify.com/pod/show/diekugames/message

Jazz Studenten, die eine Punk Band gründen? Hat funktioniert! Das norwegische Quartett Pom Poko (japanisch lautmalerisch für «sich auf den Bierbauch klopfen») hat uns schon vor zwei Jahren mit seinem chaotischen Sound auf dem Debut «Birthday» überzeugt. Und wunderbar surrealistischen Art Punk gibt es auch auf dem zweiten Album «Cheater». Zum Glück sind die vier Skandinavier unberechenbar geblieben. Ihre Psych Party Songs überraschen mit ungeschliffener Laut-Leise-Dynamik, und sind vollgepackt mit verrückten Sound Ideen. Genau die richtige Platte gegen die Lockdown Monotonie.

Jazz Studenten, die eine Punk Band gründen? Hat funktioniert! Das norwegische Quartett Pom Poko (japanisch lautmalerisch für «sich auf den Bierbauch klopfen») hat uns schon vor zwei Jahren mit seinem chaotischen Sound auf dem Debut «Birthday» überzeugt. Und wunderbar surrealistischen Art Punk gibt es auch auf dem zweiten Album «Cheater». Zum Glück sind die vier Skandinavier unberechenbar geblieben. Ihre Psych Party Songs überraschen mit ungeschliffener Laut-Leise-Dynamik, und sind vollgepackt mit verrückten Sound Ideen. Genau die richtige Platte gegen die Lockdown Monotonie.

Katie McD and Rena Hagins of post punk band Bacchae, joins us to discuss the 2003 self titled by Black Eyes. Bacchae's new album, Pleasure Vision is available now from Get Better Records.https://bacchae.bandcamp.com/https://www.instagram.com/bacchaeband/?hl=enhttps://twitter.com/bacchaeband?lang=enhttps://getbetterrecords.bandcamp.com/Call our voicemail line: 202-688-PUNKLeave us a review and rating.All episodes available on iTunes, Spotify, and Stitcherhttps://www.instagram.com/punklottopodhttps://punklottopod.simplecast.com/https://twitter.com/punklottopodhttps://www.facebook.com/punklottopodSongs featured on this episode:Jawbox - Jackpot PlusBacchae - Stop LookingBlink 182 - I Miss YouBear vs. Shark - Ma JolieRise Against - Like the AngelPaint it Black - Atticus FinchAgainst Me! - Sink, Florida, SinkBlack Eyes - DeformativeBlack Eyes - A Pack of WolvesBlack Eyes - On the Sacred SideBlack Eyes - Letter to Raoul Peck

The punk band, "The Homeless Gospel Choir" from the not so good suburbs of Pittsburgh are back with a new record, "This Land is your Landfill". The Homeless Gospel Choir is the brain-child of Derek Zanetti who is a protest singer, author and artist. Like all the previous records, this band is "NOT NORMAL YET". The band still singing about religion, mental health, and the pros and cons of recycling these topics and more are discussed on "This Land is your Landfill". "Art Punk" is the first lead off single predicts the Covig-19 Shut-in, "If I wasn't so sure the world was ending/I'd live a whole lot more" I have bassist and co-writer, Matt Miller on the phone to chat about the album. This is a great band and a great album. It is Fun to be a Punk! --- Send in a voice message: https://anchor.fm/somethingcame-from-baltimore/message

Brian spins the critically-acclaimed debut album from NYC art-punk legends Television. Moon-mails: volcanovinyl@gmail.com Marquee Tweets: twitter.com/volcanovinyl Telegram: instagram.com/volcanovinyl

I'm stoked to bring back Derek Zanetti of the Homeless Gospel Choir for our SECOND conversation of this podcast - nearly 2.5 years since our first chat. If you’d like to like to listen to our first conversation from Dec of 2017, click here!Zanetti writes protest songs that are meant to make people think and find some form of comfort during these troublesome times. The Pittsburgh, PA-based musician has been creating tunes and touring the world for over a decade and his new album is his first since creating a full-band for touring. “This Land is Your Landfill” further exemplifies Zanetti’s witty yet unabashedly earnest songwriting, which is a constant source of community building within his circles. This conversation focuses a lot on the album, as well as meanders into very political spaces, which makes sense given the moment we’re currently living in. Hope you dig it! I had fun and I think you will too.MUSIC NOTE:- This week you got to hear tunes from the new Homeless Gospel Choir album, “This Land is Your Landfill,” which comes out next Friday, April 24 through A-F Records.- On this episode, you got to hear the tracks, “Don’t Compare,” “Art Punk,” “Punk as Fuck.” You can check out the entire “This Land is Your Landfill” album through all of the streaming platforms NEXT WEEK! You can even download the album on bandcamp!- Also, if you’re into physical music, make sure you snag a vinyl copy of the album as well!

Steve Doesnt from The Doesn't Suck joins us to talk about the year 1994. Up first is NYHC legends Madball, and their album Set it Off. Then we talk about Japanese art-punk weirdos Melt-Banana and their first Hedgehog. https://thedoesntsuck.com/https://twitter.com/SteveDoesntCall our voicemail line: 202-688-PUNKLeave us a review and rating.All episodes available on iTunes, Spotify, and Stitcherhttps://punklottopod.simplecast.com/https://www.instagram.com/punklottopod/https://twitter.com/punklottopodhttps://www.facebook.com/punklottopodSongs featured on this episode:Jawbox - Jackpot PlusGreen Day - Welcome to ParadiseJawbreaker - BoxcarBad Religion - 21st Century (Digital Boy)Samiam - CapsizedThe Offspring - Come Out and PlayMadball - Down by LawMadball - Never Had ItMadball - New York CityMadball - C.T.Y.C. (R.I.P.)Melt-Banana - Mind ThiefMelt-Banana - Stick Out 

This week we're joined again by Cory to discuss the year 1989. Our album this week Curses, Spells, Voodoo, Mooses which is the first full length from Washington DC art punks, Shudder to Think. We also discuss the debut EP from the Lunachicks, Sugar Luv. Songs featured on this episode: Jawbox - Jackpot Plus Shudder to Think - Abysmal Yellow Popcorn Wall Shudder to Think - Imagine Shudder to Think - A Vampires Proposal Lunachicks - Jan Brady Lunachicks - Get Off the Road Please rate, review, and subscribe. https://punklottopod.simplecast.com/ https://www.instagram.com/punklottopod/ https://twitter.com/punklottopod https://www.facebook.com/punklottopod

This week we're joined by our friend Cory from the Fest Lotto Pod episode as we return to the year 1978. Our albums this week are X-Ray Spex - Germfree Adolescents, and The Deadbeats - Kill the Hippies. The pictures we reference on this episode: https://images.app.goo.gl/Y3Po3TmtpPpum7S88 https://www.pictame.com/media/2045841062648103009_9094994 https://images.app.goo.gl/Hdxnc1z8RtBp9M8x5 All episodes are available on iTunes, Spotify, Stitcher and Google Play. Songs featured on this episode: Jawbox - Jackpot Plus X-Ray Spex - Art-I-Ficial X-Ray Spex - Warrior in Woolworths X-Ray Spex - Genetic Engineering The Deadbeats - Kill the Hippies The Deadbeats - Brainless Et At It - Schwett https://punklottopod.simplecast.com/ https://www.instagram.com/punklottopod/ https://twitter.com/punklottopod https://www.facebook.com/punklottopod

We return to the year 1976 to discuss the godmother of punk, Patti Smith and her second album, Radio Ethiopia. We also talk about art punk band MX-80 Sound and their debut EP, Big Hits (Hard Pop from the Hoosiers). Will we like this one or will it be Flipper all over again? Please rate, review, and subscribe. All episodes are available on iTunes, Spotify, Stitcher, and Google Play. Songs featured in this episode: Patti Smith Group - Ask the Angels Patti Smith Group - Poppies Patti Smith Group - Radio Ethiopia MX-80 Sound - Train to Loveland MX-80 Sound - Myonga Von Bontee https://www.instagram.com/punklottopod/ https://twitter.com/punklottopod https://www.facebook.com/punklottopod punklottopod@gmail.com

This week we are in rare form while we talk about the year punk blew up, 1977. We also discuss the second album from The Jam, This is the Modern World, as well as a little known gem from The Carpettes, Radio Wunderbar. If you would like a free pin, email us at punklotopod@gmail.com Please continue to rate and review us on iTunes. All episodes are available on iTunes, Stitcher, Spotify, and Google Play. Songs featured on this episode: Jawbox - Jackpot Plus The Jam - The Modern World The Jam - I Need You (For Someone) The Jam - Standards The Carpettes - Radio Wunderbar The Carpettes - How About Me and You https://www.instagram.com/punklottopod/ https://twitter.com/punklottopod https://www.facebook.com/punklottopod https://punklottopod.simplecast.fm/ email: punklottopod@gmail.com

Today on BLASST we sit down to talk with Samantha Wendel, guitarist in Austin, TX punk group Crooked Bangs, and graphic designer extraordinaire! I've known Samantha for a few years now and have closely followed her work—you might even say I'm a fan! So needless to say, we talk all about her journey into the worlds of design and music from a small town in Indiana and play some sick music throughout! If you haven't yet, subscribe to us wherever you listen to podcasts, rate & review us and all that good stuff. Visit the BLASST Blog (linked below) for more info and this episode's tracklist!BLOG: http://blsst.blogspot.comINSTA: @u_punkTWITTER: @universal_punkE-MAIL: uupunk@gmail.com

We discuss the year 1984 and the albums Flipper - Gone Fishin' & Subhumans - Rats, recent record shopping, our continued dislike of art punk, and Dylan's "cool shirt" mistake. Flipper - Gone Fishin' https://open.spotify.com/album/5Xk7Hm7qp3lRpxoyPspFGJ Subhumans - Rats https://open.spotify.com/album/5Ul1njIsXbeCYhwXC0Nlfv Every episode is available on iTunes, Spotify, Stitcher, and Google Play. Please rate, review and subscribe. Songs featured on this episode: Starflyer 59 - The Holiday Song Flipper - Talk's Cheap Flipper - First the Heart Flipper In Life My Friends Subhumans - Rats Subhumans - When the Bomb Drops https://punklottopod.simplecast.fm/ https://www.instagram.com/punklottopod/ https://twitter.com/punklottopod https://www.facebook.com/punklottopod punklottopod@gmail.com

Back to format and out of practice! We discuss Punishment of Luxury - Laughing Academy and The Adicts - Lunch With the Adicts. We reveal our poor geography knowledge, how Justin doesn't like art punk, and our takes on clowns and A Clockwork Orange. Please rate, review, and subscribe. Every episode is available on iTunes, Spotify, Stitcher & Google Play Punishment of Luxury - Laughing Academy https://open.spotify.com/album/13005xaYKjLFBOAhRTJ9Xq The Adicts - Lunch With the Adicts https://www.youtube.com/watch?v=bQGk7nyC3qI Songs featured in this episode: Jawbox - Jackpot Plus Punishment of Luxury - The Message Punishment of Luxury - Obsession Punishment of Luxury - Funk Me Punishment of Luxury - Jellyfish The Adicts - Easy Way Out https://punklottopod.simplecast.fm/ Instagram: https://www.instagram.com/punklottopod/ Twitter: https://twitter.com/punklottopod Email: punklottopod@gmail.com

In short, today's episode has me a bit frustrated. I kept getting stuck reading headlines about the military's operations on the border aka my BACKYARD. It's surreal to say the least, and hard to think of as real, despite there being evidence to the fact. I featured excerpts from two different news stations on the show, one from a national outlet, Democracy now, and one from a local outlet, KRGV Channel 5, which I've been watching since I was a kid. The perspectives are very different. Where Democracy Now is a left-leaning operation, they also make sure to feature some of the more damning and volatile part of the news cycle, while our local station (one of 3) gathers a variety of opinions (from people who actually cross the border regularly, aka older latines who have a very complicated perspective on life in the rio grande valley. Nothing has ever been simple here since it was overtaken by white entrepreneurs in the 10s and 20s looking to establish a new tourist attraction on the border. Our culture is mixed, our experiences of prejudice are varied, with even poorer, less affluent whites experiencing prejudice and a seeming lack of privilege within the confines of mostly latine social circles. It's honestly not something I can break down into a blog post, it's so complicated...and infuriating. Growing up here, you don't think about how the Rio Grande Valley fits into the world picture. You don't realize how living on the border of a violently imperialist country means you never truly have control of your surroundings. The military can barge in on the whim of a raving racist rapist who--while your country may not have elected him president--is still able to rally massive support from his followers by simply echoing their violent rhetoric with his own little shit stain of flair. Case in point: there are currently 200 militia members mobilized and ready to invade the border with their guns, hunting gear, bait & tackle, whatever, all because of Donald Trump's fearmongering about the border. These assholes have the resources to gather weaponry and organize themselves in such a way that they can act as armed vigilantes to further whatever warped understanding of the world they have. That's terrifying. I understand the historical value of militias but in those days the militias were not aligned with the goverment, they were created to defend the people's (white ones mostly) right to autonomy should the government try and take that away. These days militias have been reduced to the playthings of entitled white men with money who fear people of color, believe women are beneath them, and think the president is their best fucking friend. Great. I'm rambling a bit now. More news about the patreon and upcoming music market as it arrives. Thanks for listening this week and every week. Review us on Apple Podcasts, rate us, etc. THE BORDER SHOULD NOT BE MILITARIZED!!!!!Send us an e-mail at uupunk@gmail.com.Blog: http://blsst.blogspot.comInsta: @u_punkTwitter: @universal_punk

Here we have the first official Blistering Listens & Strange Sounds Thank You episode dedicated and painstakingly curated for a Halloween audience, since Halloween lands on this coming Wednesday. Technically if you're reading this, that's tomorrow, so let that be noted. I'm really not looking forward to having my neighborhood filled with cars--making it impossible for me to park and get into my apartment, but you know what's worse than that? The US' delivery of military forces to the border, further militarizing an already militarized zone, in response to the incoming wave of Central-American refugees seeking shelter in the United States from the dangers of their homelands (which were orchestrated in large part by the United States). I honestly don't know what to say to a situation like this. The RGV will become a very tense place once again, no doubt we will also be filled to the brim with journalists from every publication imaginable spinning this story for their respective outlets' audiences. I don't know what will happen to the shelters who have been tending to incoming immigrants since 2014 when this new wave arrives. They'll need all of the volunteers they can get, and all of the supplies they can get. I'll be looking into ways to make myself useful in this time. I encourage you, reader/listener, to do the same. More info on the BLASST BLOG: http://blsst.blogspot.comTwitter: @universal_punkInstagram: @u_punkE-Mail: uupunk@gmail.com

We've got an eclectic one for y'all this week. A brief warning: we do discuss the Kavanaugh thing for a hot minute, but in better news: I also reveal the name I have decided to give my new cat.......Dindi! She's named after my favorite Antonio Carlos Jobim song, specifically the version sung by Frank Sinatra.

On today's show, I replicate Alvin Lucier's "I Am Sitting In A Room" piece with a little BLASST flavor added into it. Tracks by the Fearless Flyers, Ava Luna, Devon Welsh, and more abide within. Reach out if you would like to be a part of our new interview series about downloading music, called P2P. Hit my line about it if you're about it! Rate and review us goddamnit~ BLASST BLOG: http://blsst.blogspot.com E-Mail: uupunk@gmail.com Instagram: @u_punk Twitter: @universal_punk That's it I think!

! ! ! ! ! ! LET ME MAKE YOU BUTTONS SO I CAN AFFORD A NEW CAT ! ! ! ! ! ! GREAT SHOW TODAY ! Drop us an e-mail at uupunk@gmail.com We're on twitter: @upunk_ Instagram: @u_punk Find us wherever you listen to podcasts to take this show on the go! Thanks for listening!

In an attempt to cleanse the palette after Rod Stewart, Brian spins Goo for the first proper Sonic Youth episode of the show. Goo-mails: volcanovinyl@gmail.com Sonic Tweets: @volcanovinyl #vv191

The buzz for New York art-punk band Bodega began brewing months before their debut album was even announced.   Signed to acclaimed independent punk label What's Yr Rupture?, much of the hype surrounding the band can be attributed to their phenomenal live show.   We sat down with Benji Hozie and Nikki Belfiglio of Bodega to discuss how the debut album explores their love/hate relationship with technology, the hypocrisy of cinephilia, and how Nikki's public masturbation as a child inspired the song "Gyrate". 

Our third live broadcast and 48th episode! Tracklist, links to donate to RAICES and the Texas Civil Rights Project and more on our blog: blsst.blogspot.com

LA-based, classically trained punk artist and multi-instrumentalist La Louma has a queer DIY mission, which she spearheads through her new label and collective Bitchwave and an artfully orchestrated debut album "Let The World Be Flooded Out." She spoke with Jesse Menendez about her approach to storytelling through music and instrumentation, a need for safe, inclusive spaces to foster art, and the significance of water in her music. For more info about LaLouma and her music, visit: https://www.lalouma.com

Blank Dogs, Yeti #6, Spinning Blank Dogs, , Blue Lights Steve Lalonde, Cache 2008, Quand la nuit se Referme, valerie delaney, cache 2007, different shades of blue Excepter, Presidence, Leng Skabs, Aged to Perfection, Ladies and Gentlemen PIL, Second Edition, Careering Society Dog, , How Could I Feel It Fang , , Fun with Acid Savage Republic, , Viva le Rock n Roll Voice Farm , , SleepPhantogram, Running from the Cops, Running from the CopsPink Industry, New Beginnings, The CorpseStar Pimp , Seraphim280Z, Greatest Hits of LoveJanek Schaefer, ubu.com, Minneapolis 'Office Max' Messages [2003] Furious Pig, ubu.com, Jonnys So Long Kusikia, s/t, Warm Summer Night