Podcasts about barbieland

Over the years we have discussed the selective and predictive programming in music, movies, television, etc., in regard to everything from UFOs to human trafficking and child abuse. The movie Independence Day, released July 3, 1996, seemed to predict the appearance of a city-sized UFO, which manifested in Phoenix as the infamous ‘Phoenix Lights' on March 13, 1997. The movie Nope seemed to predict the shooting down of objects over Alaska, Canada, and Lake Huron, one of which had “strings hanging off” of it like in the movie UFO. Movies like Spotlight and the Sound of Freedom show us the underbelly of sexual abuse and trafficking. During the pandemic the top movies were Contagion, 28 Days Later, and 12 Monkeys. A 2022 Netflix film called White Noise, about a train carrying toxic chemicals derailing in a small Ohio town, was brought to life when on February 3, 2023, a train carrying toxic chemicals derailed in the same town, East Palestine, Ohio, which was used for filming the movie crash. M. Night Shyamalan's Knock at the Cabin did something similar with plane crashes and earthquakes. In fact, the movie was released on the day of the Ohio train wreck, February 3rd. The next day a FedEx cargo plane almost landed on a commercial Southwest flight. A week later an American Airlines flight ran into a bus on the taxiway. A few days later a report came out about a United Airlines flight that fell 1,400ft out of the sky after take off from Hawaii. Long after the movie was shot, but before release, two other planes almost collided at JFK and before that the NOTAM system went down grounding flights nationwide. In the middle of all this, three days after the movie release, a massive 7.8 earthquake rocked Turkey and opened up an enormous chasm in the earth. The movie ends with fire beginning to engulf the earth, a prelude to the upcoming movie Oppenheimer. These are themes also in the upcoming Dune 2 and Fallout tv adaption. The new Wes Anderson movie Asteroid City is now setting the stage, literally, for an excepted flop and expected hit, i.e. the Barbie movie and Oppenheimer, both set to be released on July 21, 2023. Asteroid City is really a movie about a play, wherein the actors and audience move in-between sets, between what is real and what is staged. In Asteroid City there are quarantines, aliens, doorways between worlds, and in the background atomic bombs, disassociate from reality. In the Barbie movie promos the character stands within a mirror. The backdrops and sets are also similar, even in the pastel-like colors, to the Barbie movie, which is obviously about Barbie Land and how dolls with no human essence journey into the world of humans. In one scene there are two X's stacked on top of each other, perhaps signifying the XX chromosomes of women, of which Barbie does not have. She is plastic, a doll, and not real. The point is that in a fake world the only thing that matters is the mask and outward appearance, and thus one can be a man or woman by choice. Also, in the Barbie movie there is supposedly a map showing China's claimed territory of Vietnam which prompted that country to ban the movie. How interesting is it then that Barbie is provoking fears of atomic war and its release date is on the same day as Oppenheimer, which is about the atomic bomb. A similar thing happened in Christopher Nolan's movie Dark Knight Rises, released July 20, 2012, when one of the strike zones in the city was listed on a map as Sandy Hook - like the shooting on December 14, 2012. Interestingly, July 20 was also the Aurora, Colorado, shooting which took place during a screening of Nolan's new Batman movie. The release of these two movies on the same day contrasts the fake world of PINK with the real world of BLACK, themes that can be found all throughout pop-culture, from the Powerpuff Girls in the 1990s, which features black goo and three homunculi, one of which is pink, to recent hit songs like Pink Venom, from the band BLACKPINK, which features black apples, black goo, broken mirrors signifying split personalities, along religious and mythic imagery. One line is “the fire that'll slowly put you to sleep.” A year prior to Pink Venom an article from Reuters out of Japan stated the following of Moderna shots: “Black substances were spotted in syringes and a vial, with pink substances found in another syringe, the health ministry said.”The innocence and purity of pink mixed with mysterious chemicals, massive explosions, etc., create mutations that turn us into something not human – something barbaric or mutated by radiation. That's what media and movies do, be it through coincidence, predictive programming, movie magic, or retro causality. The question is do you prefer the womblike matrix of Barbie or the real world of Oppenheimer that is about to be engulfed in flames? Will you take the high heel or Birkenstock, the blue pill or the red?  Will you be human or turn over the codes to Zion for a steak and glass of wine?*The is the FREE archive, which includes advertisements. If you want an ad-free experience, you can subscribe below underneath the show description.-FREE ARCHIVE (w. ads)SUBSCRIPTION ARCHIVEX / TWITTER FACEBOOKYOUTUBEMAIN WEBSITECashApp: $rdgable Paypal email rdgable1991@gmail.comEMAIL: rdgable@yahoo.com / TSTRadio@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-secret-teachings--5328407/support.

En este episodio retomamos las conversaciones después de un largo año. Discutimos sobre las COPS y el avance de la crisis climática y su principal responsable: el capitalismo. Discutimos sobre el genocidio en Gaza y las formas de operar del este sistema cada vez más violento. Pasamos desde la elección de Claudia Sheinbaum en México a BarbieLand y a los procesos de resistencia y nos preguntamos ¿desde dónde seguimos tejiendo la esperanza? (Yásnaya nos da algunas ideas cuando nos propone “caminar con el pasado por delante”). Hosted on Acast. See acast.com/privacy for more information.

What Barbie teaches us about digital paymentsThink about Barbie's journey in the film. She starts off in Barbie Land—a perfect, plastic world where everything seems just right. But then, things start glitching, and she's forced to step into the real world. It's uncomfortable. It's unfamiliar. But it's also necessary for her growth.Now, let's apply that to payments……….Sign up for the free Payments:Unpacked newsletter:With thousands of reads each week the Payments:Unpacked newsletter is the best (free) payments read out there – to subscribe head over to: ⁠⁠⁠⁠⁠www.northeypoint.substack.com⁠⁠⁠⁠⁠Check out our blog: You'll find the best payments stories in our blog – head over to: ⁠⁠⁠⁠⁠www.northeypoint.com⁠⁠⁠⁠⁠Follow on social:LinkedIn:  ⁠⁠⁠⁠⁠www.linkedin.com/_mike_chambers_⁠⁠⁠⁠⁠Twitter: ⁠⁠⁠⁠⁠www.twitter.com/_mike_chambers_⁠⁠⁠⁠⁠You Tube: ⁠⁠⁠⁠⁠www.youtube.com/_mike_chambers_⁠⁠⁠⁠⁠TikTok: @payments_unpackedEmail: ⁠⁠⁠⁠⁠payments_unpacked@northeypoint.co.uk⁠⁠

Dr. Nithila Peter returns to the Parity Podcast and joins Deborah to discuss the magic and mess of the Barbie movie. Drawing on her background in media studies, Nithila offers insight into the cinematic experience and the bookends of the movie, from the birth of Barbie to the gynecologist's office. Simulatenously inspired and horrified by the perfectly sculpted Barbie as a role model, Nithila and Deborah discuss the film's depiction of the hyper-femininine and hyper-masculine worlds, and what they reveal about parity. They discuss the complexity of the Barbie doll as a toy, along with the film's depiction of the gender divide. While Barbie inspires both women and men to create their authentic selves, one wonders whether that powerful pink message can inspire in the shadow of stereotypical Barbie beauty. 

Best known for co-creating and starring in the HBO series Insecure, Issa has attracted a significant amount of Hollywood spotlight largely by showcasing her own personal experiences and emotions on screen for all to see. Literally starting from scratch in 2011 as the singular brainchild of a homegrown, Kickstarter-funded YouTube series called Awkward Black Girl, she's come quite a long way to become the sitting President of Barbie Land in the 2023 blockbuster Barbie. She's done amazing work in films like American Fiction, The Lovebirds and The Photograph, and lent her voice to the iconic Marvel character Spider-Woman in Sony's massively successful animated film Spider-Man: Across the Spider-Verse. She's even had the incredible opportunity to host Saturday Night Live. Issa has also notably put forth a lot of effort toward making more room for African American stories as the founder and CEO of her own film and TV production company, HOORAE. If a super successful career in entertainment wasn't enough, Issa has also found time to branch out into the retail space as co-founder and creative leader of the haircare brand Sienna Naturals—which we carry at Nordstrom—and more recently she's taken the role of chief storyteller for the jewelry brand Cast, which we also carry. We figured that all of the above was probably enough to earn her a spot on The Nordy Pod. Thanks for tuning in to episode 72. We hope you enjoy it! Did you know that YOU can be on The Nordy Pod? This show isn't just a one-way conversation. We want to hear about what Nordstrom looks like through your eyes. Share your Nordstrom experience, good or bad, by giving us a call and leaving a voicemail at: 206.594.0526, or send an email to nordypodcast@nordstrom.com to be a part of the conversation! And be sure to follow us on Instagram @thenordypod to stay up to date on new episodes, announcements and more.

A lecture given at L'Abri Fellowship in Southborough, Massachusetts. For more information, visit https://southboroughlabri.org/ by Mary Frances Giles The 2023 blockbuster film Barbie has been both praised and censured by critics and moviegoers alike. One reviewer referred to it as "joyous from minute to minute," while another claimed it is "very pretty but not very deep." Far from just being a story about a pink plastic doll, the film asks important questions about the nature of reality via themes of gendered power struggles and the imminence of death. Drawing from the Biblical narrative, this lecture will seek to look at those themes through the lens of our shared humanity and hope for our lives beyond "Barbieland." The Copyright for all material on the podcast is held by L'Abri Fellowship. We ask that you respect this by not publishing the material in full or in part in any format or post it on a website without seeking prior permission from L'Abri Fellowship. ©Southborough L'Abri 2024

Hola Gerardo aquí en otro episodio de Simplemente Yo; La selección de esta semana es Barbie, es una película de comedia fantástica del 2023 dirigida por Greta Gerwig a partir de un guión que escribió con Noah Baumbach. Basada en las muñecas de moda del mismo nombre de Mattel, es la primera película de Barbie en live action después de numerosas películas animadas. Plot: Barbie y Ken viven en su mundo perfecto de Barbie Land. Sin embargo, cuando tienen la oportunidad de ir al mundo real, pronto descubren las alegrías y los peligros de vivir entre humanos. Espero que lo disfruten ;) Información adicional del podcast: Enlace del website official de Filmic Notion Podcast: https://filmicnotionpod.com/ Enlace a nuestra página de Letterboxd: https://boxd.it/446nl

Have you felt that we live in a fake world? Have you been thinking what's real and what's fake….well I think I have the right solution for all of us! In this episode, Carrington goes over the movie Barbie and her take on the fake world of Barbieland versus the human world plot. Which then turns into the social media discussion: what's real vs. what's fake? FOLLOW ON SOCIAL MEDIA Email: common.senseacrat@gmail.com Facebook: www.facebook.com/common.senseacrat Instagram: @c_senseacrat --- Support this podcast: https://podcasters.spotify.com/pod/show/common-senseacrat/support

ICYMI: Hour Three of ‘Later, with Mo'Kelly' Presents – An in-depth conversation with celebrated, Tony Award-winning conductor Macy Schmidt who joins the program to preview ‘Barbie the Movie: In Concert - Featuring the Barbie Land™ Sinfonietta'…Produced and orchestrated by Schmidt, alongside an all-women and majority women-of-color ensemble; ‘Barbie the Movie: In Concert - Featuring the Barbie Land™ Sinfonietta' is a “groundbreaking, live-to-film concert experience that immerses fans in the soaring score and songs of last year's record-shattering film, coming to the world-famous Hollywood Bowl, for one night only, Saturday, July 27”…PLUS – A look at the new ‘Forever' stamp honoring Alex Trebek - on KFI AM 640…Live everywhere on the iHeartRadio app

ICYMI: ‘Later, with Mo'Kelly' Presents – An in-depth conversation with celebrated, Tony Award-winning conductor Macy Schmidt who joins the program to preview the ‘Barbie the Movie: In Concert - Featuring the Barbie Land™ Sinfonietta'…Produced and orchestrated by Schmidt, alongside an all-women and majority women-of-color ensemble; ‘Barbie the Movie: In Concert - Featuring the Barbie Land™ Sinfonietta' is a “groundbreaking, live-to-film concert experience that immerses fans in the soaring score and songs of last year's record-shattering film, coming to the world-famous Hollywood Bowl, for one night only, Saturday, July 27” - on KFI AM 640…Live everywhere on the iHeartRadio app

We fixed everything in the real world so all women are happy and powerful. Just kidding... but we ARE talking about The Barbie Movie! We're so excited to be joined by Arwen Myers, executive director of the podcast, musicals aficionado – and the person Barbie was made for – to talk about Greta Gerwig's blockbuster 2023 summer hit. Is it a musical? We think it is.   We talk about: "Pink" – An almost Broadway-level opening number that establishes the all-pink world of Barbieland before everything goes haywire. "Push" – A very specific in-joke for a very specific generation of kids, and a cathartic moment for anybody who's ever experienced mansplaining. "The Monologue" – America Ferrera's iconic speech about the impossible contradictions inherent in being a woman in the 21st century. It's the film's articulation of Gospel. How is this monologue good news? "I'm Just Ken" – The film's most obvious musical moment – and one of the greatest production numbers of the 21st century. How do we feel about the fact that Ryan Gosling steals every scene he's in? "What Was I Made For?" – Billie Eilish's Oscar-winning ballad, Barbie's eleven o'clock number, and perhaps the most pregnant question the film asks. Is Barbie a prophet? A savior? You'll hear Lizzo, Matchbox Twenty, America Ferrera, Ryan Gosling and Billy Eilish from the film's 2023 soundtrack. Continue the conversation with us on Instagram @gospelofmt!

Dive into the colorful world of "Barbie" (2023) with special guests Tatiana Ramos and Noel K. On this episode of "Hey, Did You See This One?", our guests share their first impressions, favorite moments, and unexpected surprises from this modern twist on a classic. Don't miss out on the fun, laughter, and in-depth discussion! Please remember to like, comment, subscribe and click that notification bell for all our updates! It really helps us out! Starring: Margot Robbie, Ryan Gosling, America Ferrera, Kate McKinnon, Issa Rae, Rhea Perlman & Will Ferrell Directed By: Greta Gerwig Synopsis: Barbie and Ken are having the time of their lives in the colorful and seemingly perfect world of Barbie Land. However, when they get a chance to go to the real world, they soon discover the joys and perils of living among humans. Watch LIVE at: https://www.twitch.tv/heydidyouseethisone every Thursday at 8 PM EST A PROUD MEMBER OF THE UNITED FEDERATION OF PODCASTS Check us out online at: https://www.ufpodcasts.com/ We use White Bat Audio – a user that creates DMCA free music for podcasters and YouTubers. Please follow at: https://www.youtube.com/@WhiteBatAudio Audio version of the show: Spotify - https://podcasters.spotify.com/pod/show/heydidyouseethisone Apple Podcasts - https://podcasts.apple.com/us/podcast/hey-did-you-see-this-one/id1712934175 YouTube Audio Podcast: https://youtube.com/playlist?list=PLD6BOSx2RcKuP4TogMPKXRMCxqfh5k9IU&si=umIaVrghJdJEu2AR #Barbie2023 #MovieReview #TatianaRamos #NoelK #heydidyouseethisone --- Send in a voice message: https://podcasters.spotify.com/pod/show/heydidyouseethisone/message

Hey Barbies, Kens and even Allans! It's finally time for season 5 of Two Girls, One Review! Join Nikki and Rachel as they travel to Barbieland to talk all things the Barbie movie.

Andy Whitaker Smith will be preaching from John 16:29-33 to continue the series 'Barbie.'

The Barbie Movie Follows stereotypical Barbie, who lives a seemingly perfect life alongside other Barbies and Kens in Barbie Land. In this world the Barbies have to prestigious careers, like doctors, lawyers, professors, teachers, and politicians… and the Kens they… Read More The Barbie Movie // Deconstruction Barbie The post The Barbie Movie // Deconstruction Barbie appeared first on Refuge.Church.

If you thought we were going to let it slide that Depression Barbie's comfort show is the 1995 BBC Pride and Prejudice, you thought wrong. We're digging in to some possible literary inspirations and parallels for the Barbie movie, looking specifically at Christian/Catholic creation theology and how much Greta Gerwig may have been influenced by the work of Jane Austen. We also talk about who we would choose if we could recast Ken, and follow up with a coda to our discussion of gender dynamics in Barbie Land from last week. Further Reading: Barbie Land as Garden of Eden Rolling Stone Greta Gerwig Interview For updates on Rhonda's book, follow here Pop DNA is taking a brief break, and we will be back in early May with a Bonus Episode! Stay tuned! --- Send in a voice message: https://podcasters.spotify.com/pod/show/pop-dna-podcast/message

The art of Drag, a decade long passion and the evolution of a grand Barbie collection are front and center in this episode featuring the glamorous and ghoulish, Scarlett Crypt. What started as a fascination with a Virginia Tech Barbie in her childhood, eventually grew into a mini Barbie Land with over 600 dolls and Barbie-related merchandise that has ultimately served as a source of tremendous healing, inspiration and support in her adulthood. Join the conversation as we discuss the influences of Barbie, the strengths and limits of her collection, the joys of skeletons and rhinestones and much more!Follow Scarlett on TikTok and InstagramSend us a Text Message.Follow Buychiatry on Patreon, Youtube, Instagram & TikTok Click Here to see a list of Buychiatry prescribed medication!

We are back from a long, semi-unplanned hiatus, but don't worry, there's still plenty more Barbie to talk about! This week we look at how both Barbie Land and Stereotypical Barbie's perspective in the film explore gender and femininity. How does Barbie Land fit into the context of women-dominated societies in other fictional works? How does Barbie as a film both defy and uphold patriarchal beauty standards? And how does Barbie as a character help us as women and feminine people explore how we can define femininity and identity for ourselves? Further Reading: Herland by Charlotte Perkins Gilman The Power by Naomi Alderman Ritual of Proof by Dara Joy Sci-Fi Movies About All-Female Planets Have a Hidden Agenda -- video essay from Slate Barbietopia and Feminist Futures: Next Steps on the Heroine's Journey -- essay by Ivana Milojević What ‘Barbie' teaches us about the beauty of growing old -- article by Steve Lopez Justice for Weird Barbie -- article by Natalie Michie Books to Read After Watching Barbie -- post by Rhonda Does anyone want to run our Instagram account? lmk --- Send in a voice message: https://podcasters.spotify.com/pod/show/pop-dna-podcast/message

Hop in the Chevy with Barbie and Ken as we take a journey to Barbieland in this latest Sacred Cinema episode! Erin and Jamie are dissecting the 2023 cinematic spectacular Barbie for secular and spiritual themes while also answering listener questions about things like predestination and deconstruction. Is this movie secretly a guide for men about the patriarchy, and are there moments in this movie that you should unpack with a religious trauma therapist? You'll have to listen to find out!  MENTIONS Barbie: Watch Here | IMDb | Rotten Tomatoes  Party like Barbie and Ken at The Popcast Live! Get tickets for Chicago and Dallas here.  Greta Gerwig Deep-Dive: IMDb | Lady Bird | Little Women | Francis Ha Margot Robbie: IMDb | I, Tonya  Ryan Gosling: IMDb | Oscars Performance  What Was I Made For: Spotify | Apple Music | Oscars Acceptance Speech    In Conclusion, No One Knows: Listen to SWDGISS: Heaven  Can you tell me more about predestination? Please Advise: What's Up with Calvinism? | BSQTNA #21: Calvinism vs. Arminianism  Life-Ruining Season: Listen to our Esther Season  BONUS CONTENT We have tons of additional content, including monthly Fellowship Hall gatherings, Office Hours episodes, and so much more! You can access them now with a 7-day free trial. You'll be able to listen to over 250 more episodes! Tuition is just $5 a month after the trial period. Become a Seminarian here! THE POPCAST Check out our other podcast, The Popcast with Knox and Jamie. It's a weekly show about pop culture where we educate on the things that entertain but don't matter. Here is our suggested Popcast starter playlist. Subscribe to our Newsletter: The Dish from Faith Adjacent Shop our Amazon Link: amazon.com/shop/faithadjacent Follow Faith Adjacent on Socials: Instagram | Twitter | Facebook Learn more about your ad choices. Visit megaphone.fm/adchoices

Happy Ken Day! ... But where were the gays in Barbieland?  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Lots happening this week in WRTW Land (which is about 25.6km away from Barbie Land). March is Women's History Month. March 8th is International Women's Day. Marilyn and Rhea both finally watched Barbie (yes, THAT Barbie, which is up for some Oscars later this week). They also just finished watching season 2 of the hit Netflix show AlRawabi School for Girls. They have so many thoughts on all of the above (especially Rhea)...but can they share them all in one episode? Well folks, they do it, because they are what? Women. International women. In this episode of Who Run the Time, Marilyn and Rhea put on their “scathing critic” hats and break down the nonsense, western origins of International Women's Day. They then look at how Barbie and AlRawabi fit this year's IWD theme, “Inspire Inclusion,” and share examples of comedians, journalists, and authors who they feel do a good job of telling authentic stories representing women today. Live from Casa Home de Ken (sic), it's WRTW's International Women's Day episode!Marilyn's recommendations:“An Unlasting Home” by Mai Al-Nakib.“Celestial Bodies” by Jokha Alharthi.“Against a Loveless World” by Susan Abulhawa.“The Day Nina Simone Stopped Singing” by Darina Al Joundi.Rhea's recommendations:Lebanese comedian Shaden.Jordanian journalist Sara Obeidat. Check out our episode with Sara about how the media covers Palestine.Lebanese journalist Lina Mounzer.Lebanese journalist Dalal Mawad. Check out Dalal's book, “All She Lost: The Explosion in Lebanon, the Collapse of a Nation and the Women who Survive.”Check out Spotify's AlRawabi School for Girls Official Playlist!Read more about this year's International Women's Day theme “Inspire Inclusion” here.Who Run the Time is a spinoff of Who Run the World, a production of Reyzin Media. Hosted by Rhea Chedid and Marilyn Zakhour. Produced by Ahmed Ashour. Follow Who Run the World on Instagram and Tik Tok at @whoruntheworldpod.

Barbieland is like the dungeon where women are in charge. Explore the life of a pro domme with Mistress Hera as she discusses the importance of consent, vetting clients and her own unique experiences.Mistress Hera (she/her) is a 28 year old Professional Dominatrix born and raised in Ft. Lauderdale, FL that has been practicing sex work for 10 years and opened her independent dungeon in Pittsburgh, PA in 2015. With a background in Anthropolgy and Global Gender studies at university, Mistress Hera is able to guide you to understand and accept a greater sense of your proclivities and self. A sensual and sadistic combination of fetish facilitator, shame liberator, and queer exhibitionist she's prepared to bring the south Florida heat.Instagram: https://www.instagram.com/fetish_faerie/Twitter: https://twitter.com/pghdominatrix/Explore 800+ high-quality rope bondage tutorials taught by world-class instructors: https://shibaristudy.comInstagram: https://www.instagram.com/shibari.study/Twitter: https://twitter.com/shibari_studyYouTube: https://www.youtube.com/@ShibariStudyFetlife: https://fetlife.com/users/856858

C'mon Barbie, let's go party! That's right, this week Dan and Anna travel to Barbieland with Margot Robbie, Ryan Gosling, Greta Gerwig, and the rest of the gang to watch Barbie! Do they come away with an entirely changed perception of society? Tune in to find out! If you would like to support In Conclusion, you can do so at patreon.com/InConclusion

2023's Barbie Barbie and Ken are having the time of their lives in the colorful and seemingly perfect world of Barbie Land. However, when they get a chance to go to the real world, they soon discover the joys and perils of living among humans. We were all surprised by how much we loved this movie.  Go watch it! Cheapseat Reviews the podcast that explores the Hollywood film industry for the greater good. 

This week, we are headed to Barbie Land!!! Join us as we recap the 2023 hit summer blockbuster and cultural phenomenon "Barbie" currently available to stream on Max! (2:10) Hidden Gems (44:04): Here's the Thing podcast (Katt Williams vs. Everybody) MJWI (album by Michael J. Woodard) "Blue Eye Samurai" (S1) (Netflix) Native Land podcast "Role Play" (Amazon Prime) "School Spirits" (Netflix) We are available on all podcasting platforms but please follow, rate, and review us on Apple Podcasts and Spotify apps. We greatly appreciate the support! Follow us on social media: IG: @recappinpodcast Twitter: @recappinpodcast FB: ReCappin' with Delora and Ashley Contact us: Email: recappinpodcast@gmail.com

Our top ten of 2023 series concludes with Griffith Johnson of Fox Lake as we rank our top ten movies of last year! From the trinity test to Barbie Land to Godzilla to a talking raccoon to the origin of Air Jordan's to pro wrestling & so much more!EARGASM Use the code METALCORENERDS to save 10% off your order. Protect your hearing while still enjoying the music you love.Support Fox Lake!Spotify | Instagram | Twitter | Merch Buy Metalcore Nerds MerchSong of the Week: A Scent Like Wolves "Interstellar"Check out the Metalcore Nerds Pull List Spotify PlaylistJoin the Metalcore Nerds Community:Discord | FB GroupFollow Metalcore Nerds on Social Media:Facebook | Instagram | Twitter | YouTube | TikTok

Hi #Barbie! Welcome back to Lez Hang Out, the podcast that's full of L- Leigh! E- Ellie! Z- Zeal! This week, Leigh (@lshfoster) and Ellie (@elliebrigida) finally get a chance to dish about the 4000 reasons why Greta Gerwig's hit 2023 film Barbie Should've Been Gay.  From the second she steps onto the screen in all of her pink glory, Margot Robbie's Barbie is giving gay. There were so many choices made for this film and every single one of them screams homosexual. The biggest choice being her glaringly obvious disinterest in any Ken ever. Not only does she not like-like any of the Kens, she doesn't even seem to register that they are interested in her! Barbie is so taken aback by Ken's desire to spend the night at her Dream House because they are “boyfriend/girlfriend” that she immediately spirals into an existential crisis that creates a rift in the fabric of the universe.  Everything from this moment on is Barbie's coming out journey as she awakens from the fog of heteronormativity. She is given a choice, to stay in the closet or to take the Birkenstock and have her eyes opened to the Real World. If you have a heterosexual explanation for this choice, we would honestly love to hear it. We follow Barbie's journey into the Real World where she encounters more disappointing men and narrowly escapes being put back into the closet (the Barbie Box) by Mattel with the help of Gloria. As soon as these two are onscreen together, it becomes impossible not to ship them. Let #Glorbie kiss, you cowards!  While Glorbie are off shining, Ken is making it literally the entire world's problem that the girl he likes doesn't like him back. This is somehow enough justification for him and the other Kens to brainwash all of the Barbies in Barbie Land, overthrow the all-women government, and steal every Dream House. It is a bit outrageous how much screen time Ken and other male characters are given in a movie called Barbie. Even at the end when the Barbies take Barbie Land back from the grips of the patriarchy, Ken still doesn't quite get it through his head that Barbie and him are not going to be a couple. Barbie on the other hand has never felt more clearly about who she is and who she no longer can pretend to be. She is simply too gay to go back to her old heteronormative life in Barbie Land; and she has to leave that world behind to embrace her new life with Gloria and their daughter.  We know one thing for sure, Barbie Should've Been Gay.  Follow us on the platform formerly known as Twitter: (@lezhangoutpod) and answer our Q & Gay questions at the end of every episode. You can also join us on Facebook.com/lezhangoutpod and Instagram (@lezhangoutpod). Find us individually on Instagram, Twitter, and TikTok at Leigh (@lshfoster) and Ellie (@elliebrigida).  Time is running out to join Ellie and Leigh in Costa Rica this May for a queer wellness retreat. Don't let future-you suffer from fomo. Book a spot today at bit.ly/lezdocostarica and treat yourself to a once in a lifetime experience, new friendships, and some much deserved relaxation in a beautiful National Park.  You can support Lez Hang Out while unlocking a bunch of perks like access to our exclusive Discord community, monthly full length bonus episodes, weekly ad-free episodes, and more by joining us on Patreon at bit.ly/lezpatreon. You can also support the podcast by checking out our original merch at bit.ly/lezshop and purchasing our original Lez-ssentials songs for as little as $1 each on Bandcamp! Learn more about your ad choices. Visit megaphone.fm/adchoices

After an absolutely amazing week and race experience in Kona, we are so excited to share about it with all of our listeners!! In this episode we dive in to all things Ironman Women's World champs alongside Jess Cullen of Endurance Icons, who raced Kona for the very first time this year in the 30-34 age group. We discuss what the atmosphere was like for at the all women's event, and also get to hear about the various stages of Haley's race!Jess's Instagram: @itsjessicacullen@enduranceiconsFollow us on Instagram:@feistytriathlon Feisty Media Website:https://livefeisty.com/ Support Our Partners:Get 10%+ off an ouraring at ouraring.com/feisty This podcast uses the following third-party services for analysis: Podsights - https://podsights.com/privacyChartable - https://chartable.com/privacy

This bonus episode comes from The New Yorker's Critics at Large podcast.In the highest-grossing movie of 2023, Barbie, a literal doll, leaves the comforts of Barbieland and ventures into real-world Los Angeles, where she discovers the myriad difficulties of modern womanhood. This arc from cosseted naïveté to feminist awakening is a narrative through line that connects some of the biggest cultural products of the year. In this episode, the staff writers Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss how 2023 became “the year of the doll,” tracing the trope from “Barbie” to Yorgos Lanthimos's film “Poor Things,” whose protagonist finds self-determination through sexual agency, and beyond. In Sofia Coppola's “Priscilla,” a teen-age Priscilla Beaulieu lives under the thumb of Elvis at Graceland before finally breaking free, while in Emma Cline's novel “The Guest,” the doll figure must fend for herself after the trappings of luxury fall away, revealing the precarity of her circumstances. The hosts explore how ideas about whiteness, beauty, and women's bodily autonomy inform these works, and how the shock of political backsliding might explain why these stories struck a chord with audiences. “Most of us believed that the work of Roe v. Wade was done,” Cunningham says. “If that is a message that we could all grasp—that a step forward is not a permanent thing—I think that would be a positive thing.”

In the highest-grossing movie of 2023, Barbie, a literal doll, leaves the comforts of Barbieland and ventures into real-world Los Angeles, where she discovers the myriad difficulties of modern womanhood. This arc from cosseted naïveté to feminist awakening is a narrative throughline that connects some of the biggest cultural products of the year. In this episode of Critics at Large, the staff writers Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss how 2023 became “the year of the doll,” tracing the trope from “Barbie” to Yorgos Lanthimos's film “Poor Things,” whose protagonist finds self-determination through sexual agency, and beyond. In Sofia Coppola's “Priscilla,” a teen-age Priscilla Beaulieu lives under the thumb of Elvis at Graceland before finally breaking free, while in Emma Cline's novel “The Guest,” the doll figure must fend for herself after the trappings of luxury fall away, revealing the precarity of her circumstances. The hosts explore how ideas about whiteness, beauty, and women's bodily autonomy inform these works, and how the shock of political backsliding might explain why these stories struck a chord with audiences. “Most of us believed that the work of Roe v. Wade was done,” Cunningham says. “If that is a message that we could all grasp—that a step forward is not a permanent thing—I think that would be a positive thing.”Read, watch, and listen with the critics:“Barbie” (2023) “M3GAN” (2023) “Poor Things” (2023) “Priscilla” (2023) “The Guest,” by Emma Cline “The House of Mirth,” by Edith WhartonNew episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts. 

In the highest-grossing movie of 2023, Barbie, a literal doll, leaves the comforts of Barbieland and ventures into real-world Los Angeles, where she discovers the myriad difficulties of modern womanhood. This arc from cosseted naïveté to feminist awakening is a narrative throughline that connects some of the biggest cultural products of the year. In this episode of Critics at Large, the staff writers Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss how 2023 became “the year of the doll,” tracing the trope from “Barbie” to Yorgos Lanthimos's film “Poor Things,” whose protagonist finds self-determination through sexual agency, and beyond. In Sofia Coppola's “Priscilla,” a teen-age Priscilla Beaulieu lives under the thumb of Elvis at Graceland before finally breaking free, while in Emma Cline's novel “The Guest,” the doll figure must fend for herself after the trappings of luxury fall away, revealing the precarity of her circumstances. The hosts explore how ideas about whiteness, beauty, and women's bodily autonomy inform these works, and how the shock of political backsliding might explain why these stories struck a chord with audiences. “Most of us believed that the work of Roe v. Wade was done,” Cunningham says. “If that is a message that we could all grasp—that a step forward is not a permanent thing—I think that would be a positive thing.”Read, watch, and listen with the critics:“Barbie” (2023) “M3GAN” (2023) “Poor Things” (2023) “Priscilla” (2023) “The Guest,” by Emma Cline “The House of Mirth,” by Edith WhartonNew episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts.

Join Film Theory Host MatPat as he reveals the TRUE location of Barbie Land! Learn more about your ad choices. Visit megaphone.fm/adchoices

If you don't want to just create content, but you want to create iconic content, this episode is for you.  Though your brand might not be identifiable by the color pink, swirling font and long blond hair, there's so much we can take away from Barbie, the movie. Because Mattel created branded content that has lasted for over six decades - and the new movie with Margot Robbie has rejuvenated the brand appeal. Barbie, the movie, was part of a power play that would transform Mattel from a toy company into an IP company that manages franchises. With that in mind, we're taking a look at the movie that sparked so much anticipation around the world and brought in over $1.4 billion dollars globally.We're talking about B2B marketing lessons from Barbie with the help of the Director of Content Marketing at Mach49, Angelica Valentine. Together, we're discussing why you should market your brand literally everywhere, how to deliver your content the “right” way, and utilizing and leveraging product placement. So put on something pink for this episode of Remarkable.About our guest, Angelica ValentineAngelica Valentine brings a decade of marketing experience to her role as Mach49's Director of Content Marketing. She focuses on telling impact stories about the client outcomes and builds thought leadership programs to champion Mach49's expert perspectives. From international event management to customer stories to social media campaigns, Angelica leverages traditional and experimental channels to help the world's best firms accelerate growth that matters.Prior to Mach49, Angelica worked on the editorial team at fintech unicorn, Carta. She has also held marketing roles at several other B2B and B2C SaaS startups. In those positions, she focused on exponentially growing qualified leads by managing organic content marketing programs, securing media placements on sites like TechCrunch, and developing partnerships. Over the course of her career Angelica's work has appeared on Forbes, VentureBeat, SAP, Hacker Noon, and more.Angelica is an Oakland, California native and holds a BA in sociology and race and ethnic studies from Columbia University in New York City.About Mach49Mach49 is a growth incubator for global businesses. They partner with global businesses to build their growth engines through venture building, venture investing, strategic partnering, and targeted M&A. About Barbie, the MovieBarbie is about the classic toy having a wonderful time in her perfect world, Barbie Land, until she has an existential crisis. So she goes on a journey to experience the real world, and discovers the complexities of what it means to be truly human. The movie came out in 2023. It was directed by Greta Gerwig from a screenplay by herself and her partner, Noah Baumbach. It was produced by Margot Robbie's production company, LuckyChap, for Warner Brothers in association with Mattel. It stars Margot Robbie as Barbie and Ryan Gosling as Ken, as well as Kate McKinnon, America Ferrera, Michael Cera, Issa Rae, Will Ferrell, and more. The movie has broken many records, being 2023's biggest opening weekend; the largest opening for a female director ever; Warner Bros.' highest grossing domestic release in history. Barbie has also become the highest-growing movie of this year - 2023 - having brought in $575.4 million in the U.S. as of this week, according to Variety. It has already grossed $1.3 billion globally. It was expected to make $55 million its opening week, but it made $162 million. Mattel has recently launched Malibu Barbie cafés and announced partnerships with Bloomingdale's, Crocs, and Hot Topic.What B2B Companies Can Learn From Barbie: Market your brand everywhere. Barbie was marketed so pervasively before its release in theaters that it was hard to simply exist without seeing a Barbie ad, toy, billboard, meme, you name it. Ian says, “It was brilliant marketing, but it also enhanced the actual day of activity because you had so much emotion and excitement for the thing. And I think that's a lot harder to do in B2B. But if it is something really exciting and you are generating a lot of anticipation, then that's worth it.” Especially for a re-brand or a product launch, put your ads across channels and even in unexpected places, so your audience just stumbles across them.Deliver your content the right way. Marketers are usually under pressure to get content out quickly. But instead of rushing it out and saying “good enough”, make sure that it's done right. The right images, the right words, the right video clip, the right edits. Barbie wouldn't be Barbie if it had been directed by someone other than Greta Gerwig, or played by anyone other than Margot Robbie. Ian says, “The fact that they did wait, and they did it the right way, and they brought in the right writer and creator, they brought in the right lead, and the right cast, and doing it the right way, rather than trying to rush it out is a lesson too. it worked in their favor. That it was a standalone, massive, huge launch that is befitting of Barbie's legacy in America and the world.”Utilize and leverage product placement. Birkenstocks were featured in Barbie, which Angelica says was 1) very relatable, since she's a Birkenstock wearer. And 2), she says, “There's all the news about Birkenstock having an IPO. These product placements really work. I don't know the cause and effect relationship between the IPO and the movie, but clearly something had been in the works for a long time, and it definitely helped.” And Ian added that “women's Birkenstock sandals reportedly saw a 346 percent surge in sales after the movie.” So work with partners to have your products featured where they will gain a larger audience to improve brand awareness and increase sales.Quotes*”Barbie was a movie that had something for everyone. Children could go, my fiance's nieces went, and they're five and eight and had a great time. Their mom went and cried, probably at the same point that I did. So I mean, there really was just something for everyone.” - Angelica Valentine*”The holistic aspect of the marketing for this film definitely stood out to me. It seemed like there was no stone unturned. Like, if you like Birkenstocks or if you go to Burger King, there is something for you in this marketing campaign. I really feel like they thought of everyone.” - Angelica ValentineTime Stamps[1:14] Meet Angelica Valentine, Director of Content Marketing at Mach49[2:55] What does Angelica do at Mach49?[5:46] What's the Barbie movie about?[8:51] Behind the scenes: The making of Barbie[12:32] How is Barbie, the movie remarkable?[14:31] Discussion on Barbie's cultural impact[19:52] What marketing lessons can we take from Barbie, the movie?[26:46] How do you build anticipation in marketing?[28:12] The power of experiential marketing: The Barbie movie experience[29:47] The impact of brand collaborations in marketing[31:15] The power of product placement in marketing[35:20] The role of nostalgia in marketing[46:35] How does Angelica approach the challenge of measuring ROI in content marketing?LinksWatch BarbieConnect with Angelica on LinkedinLearn more about Mach49About Remarkable!Remarkable! is created by the team at Caspian Studios, the premier B2B Podcast-as-a-Service company. Caspian creates both non-fiction and fiction series for B2B companies. If you want a fiction series check out our new offering - The Business Thriller - Hollywood style storytelling for B2B. Learn more at CaspianStudios.com. In today's episode, you heard from Ian Faison (CEO of Caspian Studios) and Meredith Gooderham (Senior Producer). Remarkable was produced this week by Jess Avellino, mixed by Scott Goodrich, and our theme song is “Solomon” by FALAK. Create something remarkable. Rise above the noise.

Production Sound Mixer Nina Rice and Supervising Sound Editors Ai-Ling Lee & Dan Kenyon tell us about the rules of what sounds can exist in Barbie Land, how that contrasts with the Real World and lots more. Show Notes: https://tonebenderspodcast.com/236---barbie/ Podcast Homepage: https://tonebenderspodcast.com Tonebenders Host This Episode: Timothy Muirhead

In this episode, Fr. John and Dcn. Jacob discuss the latest box office hit "Barbie" and the themes and lessons found in the movie.

In this episode the Kens bust out of Barbieland and takeover the couch!  Learn more about your ad choices. Visit megaphone.fm/adchoices

After an absolutely amazing week and race experience in Kona, we are so excited to share about it with all of our listeners!! In this episode we dive in to all things Ironman Women's World champs alongside Jess Cullen of Endurance Icons, who raced Kona for the very first time this year in the 30-34 age group. We discuss what the atmosphere was like for at the all women's event, and also get to hear about the various stages of Haley's race!Jess's Instagram: @itsjessicacullen@enduranceiconsFollow our "Watch the Women" Campaign:https://www.feistytriathlon.com/watch-the-women Follow us on Instagram:@feistytriathlon Feisty Media Website:https://livefeisty.com/ Support Our Partners:Orca: Use code IRONWOMEN15 for 15% off at www.orca.com/ The Amino Co: Shop Feisty's Favorite 100% Science-Backed Amino Acid Supplements. Enter code IRONWOMEN at Aminoco.com/IRONWOMEN to Save 30% + receive a FREE gift for new purchasers! SaltStick: Use code FEISTY for 20% off one time purchases and subscriptions at saltstick.com Bonk Breaker: Go to https://aletenutrition.com/products/alete-feisty-fueled-box to order the limited edition Feisty Fueled Box containing a variety pack of our favorite products from Bonk Breaker and SaltStick! Pulp Culture: Use code FEISTY25 for 25% off at https://pulpculture.la/ Pillar Performance: Go to TheFeed.com/pillar and use code FEISTY for 15% off your order. If you are outside the US, head to pillarperformance.shop and use the same code FEISTY. This podcast uses the following third-party services for analysis: Podsights - https://podsights.com/privacyChartable - https://chartable.com/privacy

Want to bring Bridget to your school, job, or event? Email us! Hello@Tangoti.com Bridget on Anita B's podcast Be The Change: https://anitab.org/b-the-way-forward/ Men Overran a Job Fair for Women in Tech: https://www.wired.com/story/grace-hopper-celebration-career-fair-men/ Instagram isn't causing overcrowding in parks as much as assumed, OSU study suggests: https://www.opb.org/article/2023/10/01/oregon-state-university-study-overcrowding-state-parks-not-all-instagram-fault/ Mobile apps fueling AI-generated nudes of young girls: Spanish police: https://abcnews.go.com/US/mobile-apps-fueling-ai-generated-nudes-young-girls/story?id=103563734 Extortion blackmail scams on the rise among your people, especially teen boys: https://www.washingtonpost.com/parenting/2023/10/02/teen-boys-sextortion/  Elon Musk Hit With Lawsuit For Falsely Accusing Man Of Being Part Of Neo-Nazi Brawl: https://www.huffpost.com/entry/elon-musk-defamation-lawsuit-neo-nazi_n_65146bace4b05bd1c4d60d14 NYC Becomes First U.S. City to Offer Abortion Pills Via Telehealth: https://jezebel.com/nyc-becomes-first-u-s-city-to-offer-abortion-pills-via-1850896523See omnystudio.com/listener for privacy information.

The Therapy for Black Girls Podcast is a weekly conversation with Dr. Joy Harden Bradford, a licensed Psychologist in Atlanta, Georgia, about all things mental health, personal development, and all the small decisions we can make to become the best possible versions of ourselves. When it comes to music, Summer 2023 has given us everything and more. From Janelle Monae ushering us into The Age Of Pleasure to Beyonce giving us life with her Renaissance tour, not to forget Ice Spice taking us to Barbieland, the question of song of the summer has never been more complicated. Joining me this week to chat all about summer's major music moments is returning guest Danyel Smith. Danyel is the author of the acclaimed Shine Bright: A Very Personal History of Black Women In Pop and creator & host of the Spotify Original podcast Black Girl Songbook. Today, Danyel shares what makes a good summer song, the healing power of summer music, and her favorite summer releases of the past & present. Resources & Announcements Visit our Amazon Store for all the books mentioned on the podcast. Grab your copy of Sisterhood Heals.   Where to Find Danyel Twitter Facebook Instagram Spoutable Buy ‘Shine Bright' Listen to ‘Black Girl Songbook' on Spotify   Stay Connected Is there a topic you'd like covered on the podcast? Submit it at therapyforblackgirls.com/mailbox. If you're looking for a therapist in your area, check out the directory at https://www.therapyforblackgirls.com/directory. Take the info from the podcast to the next level by joining us in the Therapy for Black Girls Sister Circle community.therapyforblackgirls.com Grab your copy of our guided affirmation and other TBG Merch at therapyforblackgirls.com/shop. The hashtag for the podcast is #TBGinSession.   Make sure to follow us on social media: Twitter: @therapy4bgirls Instagram: @therapyforblackgirls Facebook: @therapyforblackgirls   Our Production Team Executive Producers: Dennison Bradford & Maya Cole Howard Producers: Fredia Lucas, Ellice Ellis & Cindy Okereke Production Intern: Zariah Taylor  See omnystudio.com/listener for privacy information.

For all the jobs Barbie's had over the years, her most lucrative gig yet is now movie star, as the Barbie movie has just surpassed the billion dollar mark in worldwide box office sales. It is now Warner Brothers studio biggest money making film release in history. This widely popular feminist film, directed and co-written by filmmaker Greta Gerwig, is set to not just to shape the future of films, but how we talk about gender and sexual equality. Today, Weird Barbie in real life, performance artist Holly Hughes joins us to take a look at the Barbie movie phenomenon and why young girls love horses so much. In the early 90s, Holly Hughes became widely known as part of the NEA Four, when her solo theatrical work became a political target for conservatives and her funding was revoked by the federal government.CHECK OUT HOLLY HUGHES:★ facebook.com/holly.hughes.7771★ stamps.umich.edu/people/holly-hughesPlus-- • Mattel releases its first product tie-in from the movie, the Weird Barbie Doll. • Why America Ferrrera's monologue from the film resonates so deeply. Warning! We have a few spoilers in this podcast, so please listen with caution.

Ivy and Levi discover a magical pink wishing stone that turns them into Barbie dolls in Barbie Land. They meet the real Barbie and Ken and have an amazing party, but realize they miss their family and want to go home. Barbie gives them another wishing stone to return to their normal size, and they happily continue playing with their friend Allie. ⁠⁠⁠⁠⁠LIVELY LEWIS MERCH⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠LIVELY LEWIS SHOW⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠LIVELY LEWIS FAMILY VLOG⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠LinkTree⁠⁠⁠⁠⁠⁠⁠ Welcome to Lively Lewis Stories!! You may know us from The Lively Lewis Show!! This is our podcast where siblings Levi and Ivy go on incredible adventures, where they learn and model positive life lessons. These imaginative stories of Levi's energetic personality and Ivy's spunky silliness will keep you engaged, laughing and learning episode after episode! Our goal is to create a safe environment for kids to listen and learn about strong values, big imaginations, humorous pretend play, and healthy family dynamics. Our stories are great for bedtime stories, car rides, or just for fun! Thanks for listening!!

*WARNING: This episode contains spoilers.* Dive into the vibrant world of Barbie Land with hosts Liz and Jamey as they discuss the movie's most divisive points. Unpacking its impact on patriarchy, feminism, and modern masculinity, they explore Barbie's evolution from sexist symbol to feminist hero. Later on Liz and Jamey share their thoughts on the role of men in the film and Liz breaks down what it truly means to be ‘Kenough.' From the need for more diverse representation to Barbie's successes and failures in redefining masculinity, join the discussion as they unravel the film's layers and celebrate its feminist narrative.  Watch this episode on YOUTUBE: https://www.youtube.com/wearemanenough Sign up for the Man Enough newsletter to get full video episodes and positive masculinity news every Monday: http://manenough.com/newsletter The Man Enough Podcast is produced by Wayfarer Studios and presented by Procter and Gamble, in partnership with Cadence13, an Audacy company. Timecodes:  00:02 - Allen is who men could be without patriarchy  02:50 - Can we really call women ‘Barbie?' 06:11 - The Barbie movie wasn't that diverse  10:06 - A Barbie Movie recap (SPOILER ALERT) 11:32 - What it means to be ‘Kenough' 12:26 - How this movie exposed patriarchal biases  14:48 - How are men and patriarchy represented in this film? 25:46 -  Barbie Land is not a feminist utopia  27:04 - Barbie's rise from sexist symbol to feminist hero 35:02 - Our society is dismissive of overtly feminine appearances  39:20 - Positive outcomes and discussion from the Barbie movie  42:18 -  The Barbie movie satisfies our urge for feminist narratives Support Man Enough Man Enough Newsletter: https://manenough.com/newsletter Man Enough book: https://manenough.com/books Boys Will Be Human book: https://boyswillbehuman.com  Follow The Hosts Justin Baldoni https://instagram.com/justinbaldoni https://www.tiktok.com/@justinbaldoni https://facebook.com/justinbaldoni https://twitter.com/justinbaldoni Text Justin: +1 (310) 845-6909 Liz Plank https://instagram.com/feministabulous https://tiktok.com/@lizplank https://facebook.com/feministabulous https://twitter.com/feministabulous http://www.elizabethplank.com/ Jamey Heath  https://instagram.com/jamey_heath_ https://tiktok.com/@jameyheath https://twitter.com/jamey_heath_ https://facebook.com/jameyjaz http://www.jameyheath.com/ #boys #men #masculinity #barbie #ken #kenough #barbiemovie #margotrobbie #ryangossling #adamcera #allen #feminism #patriarchy #barbieland #men #women #sexism #movie #masculinity #relationships  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Julio and guest co-host Fernanda Santos discuss the reelection of Tennessee state Reps. Justin Pearson and Justin Jones and the move by New York City Mayor Eric Adams to relocate migrants seeking shelter. In our roundtable, Dr. Aria S. Halliday, associate professor in the Department of Gender and Women's Studies at the University of Kentucky, joins them in Barbieland to break down the legacy of Black Barbie. ITT Staff Picks: Michelle Boorstein discusses the changing role of the Black church in liberation politics through the new sensation known as ‘The Justins,' in this article for The Washington Post. Daniel Parra exposes the labor scam practiced by many New York City employment agencies, which often illegally charge immigrants upfront fees for their services, in this article for City Limits. “Whether you're skipping Barbie in protest of its mega-corporation backer or standing in line for the film as we speak, it's worth remembering the ways in which the 64-year-old doll has cemented unattainable societal expectations into our general consciousness, and how artists have used Barbie to dismantle the very ideas she represents,” writes Elaine Velie, in this article for Hyperallergic. Photo credit: Diane Bondareff/AP Images for Mattel

Despite having three daughters, I can't say I ever expected to discuss the theological implications of a movie based on Barbie dolls. And yet, Barbie is dominating headlines, not only for bringing in a whopping 155 million dollars on its opening weekend, but also for garnering thought-pieces on the deeper meaning of its plot and for its cultural implications about the identity and value of women. A Vox article, for example, compared its plot to the biblical account of the Garden of Eden, with a primal couple living in a paradise before newly discovered knowledge about good and evil taints the world with corruption.   Whether or not director Greta Gerwig intended that particular angle, her “Barbie” not only engages with contemporary discussions about feminism but also the biggest of worldview questions, such as “What's the meaning of life?” “What has gone wrong with the world?” and, “What will fix the world?” In the process, Barbie tells a story of the world that, beneath its shiny colors and self-aware snark, more closely reflects the tenets of postmodernism than the truths of Scripture.    In Barbieland, the meaning and purpose of life is to be happy, and happiness means a woman-run society of libertine freedom and unhindered expression. Lines repeated throughout the film include “Barbie is every woman, and every woman is Barbie,” and “Barbies can be anything, so women can be anything.” In this view, to be empowered is to be free of restraint and responsibility. Something that is also communicated in its view of motherhood.   Both Christian reflection and common sense betray what's wrong with this subjective view of happiness. If happiness is what life is all about, and our experiences of happiness swing on such an extreme pendulum of circumstance, freedom, and expression, how can anyone be happy for long? True happiness, as C.S. Lewis taught, is a byproduct of a life well lived, rather than the goal. Happiness requires that we are connected to something larger than ourselves, ultimately God. We belong to the One who made us for Himself, and, in Him, we find true joy.   Barbie's answer to the question, “What's wrong with the world?”  is, well, men. When she is cast into the “real world,” she discovers that its brokenness is due to the actions and attitudes of men, primarily against women. As one character proclaims, “We can only agree on one thing. We all hate women. Men hate women, and women hate women.”   This is both an astute observation and an odd complaint in a society unable or, more accurately, unwilling, to say what a woman is (other than as a “non-man”). In the world of this movie, every man is both oppressive and oblivious. Barbie can outsmart them all while Ken only “slows her down” and “gets into trouble.” Rather than accept the female-ruling class of Barbieland, Ken longs to emulate the powers of middle-aged white men in the “real world.” So, he introduces his own brave new world, “Kendom.”   But in the world of Kendom, the ultimate obstacle to happiness and freedom is men. They are not good. Women are. This is, of course, the same framing of reality that shaped second- and third- wave feminism.  In the biblical account, sin is disobedience and the longing for autonomy. What's wrong with the world is the conflict, pain, and death that resulted. Sin has infected the world ever since and has turned the sexes against one another. Men have screwed up the world. So have women. Both were created good by God. Both are not good because of sin.   In the film, Barbieland is fixed by expelling the patriarchy. Barbie calls on one of the “real” women from the “real” world to preach the gospel of oppression to brainwashed Barbies. The unthinking Kens turn against themselves. The Barbies are given a Barbie-fied version of Betty Freidan's Feminine Mystique: Women are victims of oppression and can never win. They are even victims of their own bodies, shaped as they are by the design of motherhood. On this point, the movie is not subtle. In a scene from the film's first two minutes, young girls, bored with their baby dolls, smash them on the ground until their heads explode. A pregnant Barbie is also hinted at as being “creepy” and is discontinued.    In the end, Barbieland is made new, restored to the paradisical, women-run society it once was. The Kens “find themselves” too, but apart from Barbie. In other words, men and women were not made for each other.     Or were they? Much of the film's discussion has to do with the final scene, in which Barbie chooses to not live in the restored Barbieland utopia, but in the real world of humanity instead. As such, there's a not-so-subtle acknowledgement of the reality of human bodies, especially the female body. It's not clear if Gerwig intended this final scene as a sort of undermining of the subjective portrayal of Barbieland. What is clear, whether she intended it or not, is that this is a world of objective realities, and the answers to life's biggest questions can only be found by first acknowledging that.  This Breakpoint was co-authored by Michaela Estruth. If you're a fan of Breakpoint, leave a review on your favorite podcast app. For more resources to live like a Christian in this cultural moment, go to breakpoint.org. 

Hear ye, hear ye! Summer is full steam ahead, and so are we. This week on the pod: Those Harry & Meghan divorce rumors, the Dan Wootton investigation, an upcoming royal travel blitz, and the commissioning of a national monument to honor Queen Elizabeth II. Plus, a look back at one of the most famous weddings in history, James Middleton on his sister's “quirks,” a royal trip to NYC and so much more! Grab a “Barbie Land” (recipe in the ep) and tune in!--Presented by PureWow and Gallery Media Group. Follow all the royal news at purewow.com/royals. Shop Royally Obsessed sweatshirts and totes at shop.royallyobsessed.com. Follow us on Instagram at @RoyallyObsessedPodcastSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week, Kate reviews the Barbie movie and all the whimsy, fun, and complex nostalgia of this pop cultural fixture that has historically represented both opportunities and impossible standards for women. Warning, lots of spoilers - she reviews the plot high-level, talks about her favorite parts, Greta Gerwig's religious parallels, the recognizable throwback clothes/vehicles/characters, and then discusses her interpretation of the deeper meaning of Barbieland versus the real world, and the relatable journey from confident to self-conscious many young women endure following the age they stop playing with Barbies. Enjoy!Pre order my book, One in a Millennial here!Express yourself wherever summer takes you with Pair Eyewear. Go to paireyewear.com/BETHEREINFIVE for 15% off your first pair.Right now, Ibotta is offering our listeners $5 just for trying Ibotta by using the code bethereinfive when you register. Just go to the App Store or Google Play store and download the FREE Ibotta app and use code bethereinfive.Real People. Real Flavor. Real Hydrating. Now Sugar-Free. Grab your Liquid I.V. Hydration Multiplier Sugar-Free in bulk nationwide at Costco or get 20% off when you go to LIQUID-IV.COM and use code BETHEREINFIVE at checkout.Don't miss this rare opportunity to try OSEA's Bestsellers Body Care Set for 33% off and 10% off your first order sitewide with code BETHEREINFIVE at OSEAMalibu.com. You'll get free samples with every order, and free shipping on orders over $60.

After many months of buildup and memes, the Barbie movie is finally here. Margot Robbie plays the stereotypically blonde-and-perky Barbie, who finds herself facing an existential crisis. Joined by Ken, played by Ryan Gosling, she heads off on a journey from Barbie Land to Los Angeles. The movie is directed by Greta Gerwig.

This week, Joe and Serena are joined by the man who wants to protect Charity's heart, Aaron B. In a candid conversation, Aaron B. opens up about his confusion over not getting the First Impression Rose, the undeniable chemistry he felt with Charity on their one-on-one, and why he felt it was so important to let Charity know that Brayden might not be telling her the complete truth about his long-term intentions with her.  Then Aaron B. shares some behind-the-scenes tea about his day in Barbie Land and teases lots more drama with Brayden to come. Be sure to subscribe so you never miss an episode.See omnystudio.com/listener for privacy information.

It was another dramatic week on “The Bachelorette,” and needless to say, there is a lot to discuss! Joe and Serena dive into their surprise at Brayden getting a one-on-one, the importance of power moves when it comes to getting Charity's attention, and why it's no one's fault but your own if you don't get alone time with the Bachelorette at this point.  Plus, was Aaron B. wrong to talk to Charity about Brayden? And was Warwick's one-on-one the most awkward date in “Bachelorette” history? Listen now to hear all their thoughts!   Be sure to subscribe so you never miss an episode.See omnystudio.com/listener for privacy information.