Podcast appearances and mentions of Carl Theodor Dreyer

Lee, Daniel, and the returning Lady Leah cover a classic of the silent era, once thought lost, Carl Theodor Dreyer's "The Passion of Joan of Arc" (1928), featuring one of, if not the greatest, performance ever captured on film, from Maria Falconetti, starring as the titular Joan of Arc. The history of the film and its various versions are briefly touched upon, and the hosts dig into the various lenses the film can be viewed through, as well as spending time talking about Dreyer's rule-breaking filming techniques he employed to make the film. Will Lee manage to struggle through reading all the French names in the cast? All this, and the cast also talks about what they've watched recently. We are putting you, the listener, on trial! Confess! You will listen to this episode! Repent! "The Passion of Joan of Arc" IMDB  From the Danish Film Institute: Hermann Warm and the models for Jeanne D' Arc.  Lee on Bluesky.  Daniel on Bluesky, his other Podcast, and his Patreon.    Featured music: Excerpt from "Joan of Arc" by Leonard Cohen; "Bigmouth Strikes Again" by The Smiths, and "Maid Of Orleans" by Orchestral Manoeuvres in the Dark.

Jonathan Rosenbaum is one of the foremost film critics and historians in the world, author of several essential books — including his most recent collection, “In Dreams Begin Responsibilities.” He's with us to discuss one of his favorite movies, Carl Theodor Dreyer's indelible “Ordet.”Support this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this episode of Queer Cinema Catchup, Allison and Joe are again joined by guest Andrew from the Queer Frame Archive to discuss Carl Theodor Dreyer's 1928 silent film masterpiece, 'The Passion of Joan of Arc.' The trio delves into the film's historical context, production details, and its interpretation through a queer lens. They explore Joan of Arc's life, her trial, the significance of the film's unique cinematography, and the controversies it faced upon release. Andrew also shares insights from his work documenting queer representations in early cinema. Available on Max and now in the public domain, this iconic film is dissected for its enduring impact and artistic achievements.00:07 Introducing Andrew and Queer Film Archive01:04 First Impressions of The Passion of Joan of Arc01:40 Synopsis and Cinematic Techniques03:09 Restoration and Comparison with Michael04:32 Carl Theodor Dreyer: The Visionary Director06:29 Andrew's Viewing Experience and Insights07:56 The Power of Editing 15:31 Historical Context of Joan's Trial33:47 Joan of Arc: A Queer Icon?38:00 Joan of Arc's Evolving Identity39:52 The Crucible and Self-Perception42:59 Joan's Clothing and Gender Identity46:14 Behind the Scenes 48:32 Production Controversies and Challenges51:15 Set Design and Filming Techniques53:55 Acting Challenges and Realism01:00:52 Streaming Experience and Final Thoughts Hosted on Acast. See acast.com/privacy for more information.

Paolo Bolpagni"Hammershøi e i pittori del silenzio tra il nord Europa e l'Italia"Palazzo Roverella, Rovigowww.palazzoroverella.comFino al 29 giugno 2025 a Rovigo a Palazzo Roverella si terrà, promossa dalla Fondazione Cassa di Risparmio di Padova e Rovigo, e curata da Paolo Bolpagni, la prima mostra italiana dedicata a Vilhelm Hammershøi (Copenaghen, 1864-1916), che fu il più grande pittore danese della propria epoca, uno dei geni dell'arte europea tra fine Ottocento e inizio Novecento.Da pochi anni è in atto la sua riscoperta, e da personaggio quasi dimenticato Hammershøi è diventato uno dei più richiesti al mondo: nel mercato le quotazioni hanno raggiunto livelli strabilianti, con aumenti esponenziali osservabili addirittura di mese in mese; e i musei di tutto il globo si stanno contendendo le sue opere per organizzare retrospettive. Nel 2025 quella di Palazzo Roverella sarà non soltanto la prima mostra italiana dedicata al pittore danese, ma l'unica a livello internazionale. Ciò rende davvero eccezionale l'impresa rodigina, che si pone anche l'obiettivo di porre a confronto i capolavori di Hammershøi con opere di importanti artisti a lui contemporanei, con un occhio di riguardo – in tali accostamenti – all'Italia, ai Paesi scandinavi, alla Francia e al Belgio. In effetti ci sono elementi che accomunano gli appartenenti a questa poetica del silenzio, della solitudine, delle vedute cittadine deserte, dei “paesaggi dell'anima”. Però i visitatori scopriranno che in Hammershøi c'è qualcosa di più, di sottilmente inquietante, di angoscioso e forse addirittura di torbido: le sue donne sono ritratte quasi sempre di spalle; gli ambienti domestici, in apparenza ordinati e tranquilli, lasciano in realtà presagire o sospettare drammi segreti, o l'attesa di tragedie incombenti, con un senso claustrofobico.La biografia stessa dell'artista, che viaggiò di frequente (in special modo in Italia, in Inghilterra e nei Paesi Bassi), ma in verità fu un uomo solitario, induce a riflettere su alcuni aspetti enigmatici: pur sposatosi, Hammershøi mantenne un rapporto strettissimo, quasi simbiotico, con la madre, tornando spesso a dormire da lei; la moglie e modella prediletta, Ida Ilsted, fu colpita da una grave malattia mentale; la sua pittura, che ispirerà il grande regista cinematografico Carl Theodor Dreyer, fu definita “nevrastenica”. Ce n'è abbastanza per attendere come un autentico e irripetibile evento la mostra di Palazzo Roverella."Hammershøi e i pittori del silenzio tra il nord Europa e l'Italia"Dario Cimorelli Editorewww.dariocimorellieditore.itIl volume accompagna la prima mostra italiana dedicata a Vilhelm Hammershøi (Copenaghen, 1864-1916), il più grande pittore danese della propria epoca. Protagonista dell'arte europea tra fine Ottocento e inizio Novecento, la sua opera viene messa a confronto con le creazioni degli artisti a lui contemporanei, tra il Nord Europa e l'Italia.Più di 100 opere presentano una pittura raramente indagata quanto misteriosa ed affascinante. Una pittura che racconta il silenzio e l'introspezione, dove gli ambienti domestici così come le vedute cittadine descrivono i paesaggi dell'anima.Ma in Hammershøi c'è qualcosa di più, le sue donne, ritratte quasi sempre di spalle, in ambienti ordinati e tranquilli, lasciano presagire tanto la serenità quanto drammi segreti o piuttosto l'attesa di nuovi accadimenti.Il catalogo è arricchito dai testi critici di Paolo Bolpagni, curatore del volume, Annette Rosenvold Hvidt, Claudia Cieri Via, Luca Esposito e Francesco Parisi.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Send us a textThis week, we chat about an ancient classic, Medea by the Athenian tragedian Euripides. We also discuss Lars Von Trier's 1988 TV movie adaptation of the play, written by Carl Theodor Dreyer.Sini also published a well-received essay on men reading books on podcasts at Unherd, which you can read here: https://unherd.com/2025/04/the-literary-man-isnt-dead/Support the show

In this episode we talk about a recent NYC visit and what we've been watching before diving into Vampyr from the great Carl Theodor Dreyer. Thanks for listening.Thanks for stopping by. Feel free to email at silverscreenvideopodcast@gmail.com with any comments or thoughts. Also be sure to follow us on Instagram @silverscreenvideopodcast, Twitter @SilverVideo, and TikTok silver.screen.vid.

A Vakfolt podcast legújabb adásában egy némafilm-különlegességet vettünk elő: Carl Theodor Dreyer 1928-as alkotását, a Jean d'Arc szenvedéseit (La passion de Jeanne d'Arc). A film Jean d'Arc perének történetét dolgozza fel, nem csupán történelmi eseményként, de egyben egy mártír drámájaként is bemutatva. A minimalista eszközökkel és a színészek arcára fókuszálva Dreyer egy rendkívül expresszív, érzelmekkel teli alkotást hozott létre, amely a mai napig képes hatni a nézőre. Miért ennyire különleges a Jean d'Arc szenvedései? Hogyan egyeztethető össze a filmben a realizmus és az expresszionizmus? Milyen módon használja a rendező a közeliket és a némafilm műfaji sajátosságait? Milyen szerepet játszik a film zenei aláfestése a befogadói élményben? Beszélgetésünk során nem csak a film technikai bravúrjait vizsgáljuk meg, hanem azt is, hogy miként képes egy 100 évvel ezelőtt készült alkotás ennyire erőteljes érzelmi hatást gyakorolni ránk. Ha tetszett az adásunk, támogass bennünket a Vakfolt Extrával! Csatlakozz a Facebook-csoportunkhoz is! Mostantól Vakfolt logós pólót és egyéb kellékeket is szerezhetsz magadnak a webshopunkból! További linkek A Vakfolt podcast Facebook oldala A Vakfolt podcast az Instagramon A Vakfolt podcast a Twitteren Vakfolt címke a Letterboxdon A Vakfolt podcast a YouTube-on A Vakfolt podcast a YouTube Music-on A Vakfolt podcast a Spotify-on A Vakfolt podcast a Google podcasts oldalán A Vakfolt az Apple podcasts oldalán A főcímzenéért köszönet az Artur zenekarnak Emailen is elértek bennünket: ezitt@vakfoltpodcast.hu  

In this episode of Queer Cinema Catch Up, hosts Joe and Allison are joined by Andrew Proctor (@andrwprctr) from The Queer Frame Archive to discuss the 1924 silent film 'Michael'. They delve into the movie's portrayal of queer relationships, its historical and cultural context, and the director Carl Theodor Dreyer's unique filmmaking style. Their conversation also touches on the availability and preservation of early queer cinema and draws parallels between 'Michael' and contemporary films. From initial perceptions to in-depth analysis of character dynamics and thematic elements, this episode provides a comprehensive examination of a landmark in queer film history.Edited by Abu Jafar00:07 Introducing Andrew Proctor and The Queer Frame Archive project00:27 'Michael' Intro 00:53 The Weimar Republic and Queer Representation02:38 First Impressions04:17 Silent Film Techniques and Carl Theodore Dreyer09:46 Plot Overview and Character Dynamics18:31 Analyzing the Countess and Michael's Relationship22:26 Interpreting the Film's Ending32:24 Michael's Debt and Claude's Generosity33:27 Religious Symbolism in Michael36:09 Queer Representation in Early Cinema39:22 Herman Bang and the Source Material46:34 Claude's Loneliness and Tragic End55:52 Comparing Michael to Modern Films01:00:11 The Importance of Film Preservation01:04:59 Conclusion and Final Thoughts Hosted on Acast. See acast.com/privacy for more information.

[9x7] An early "talkie" is up for discussion this week, in the form of Carl Theodor Dreyer's 1932 Gothic horror film Vampyr, where a student of the paranormal stays overnight in a village inn apparently stalked by a blood-sucking creature... And making her belated third trip in the podcasket is university lecturer and horror expert Professor Stacey Abbott... Hosts: Hugh McStay & Dan Owen Guest: Prof. Stacey Abbott Editor: Hugh McStay "Why does the doctor always come at night?" -- Léone Subscribe and leave a rating or review to support the show. You can also leave a donation at Ko-fi and follow us on social media platforms here. A proud part of the Film Stories podcast network. Theme music by Nela Ruiz • Episode art by Dan Owen. Podcast art by Keshav. Learn more about your ad choices. Visit megaphone.fm/adchoices

Vampyr is a 1932 gothic horror film directed by Danish director Carl Theodor Dreyer. It was written by Dreyer and Christen Jul based on elements from Sheridan Le Fanu's 1872 collection of supernatural stories In a Glass Darkly - in particular, the short story titled Carmilla.  Vampyr represents significant milestones in film, horror, and vampire history, and some of what you learn in this episode may change the way you think about horror cinema... forever.  If you have anything to add to the discussion, please don't hesitate to do so by reaching out to us on social media @TheFilmFlamers, or call our hotline and leave us a message at 972-666-7733!            Watch Vampyr: https://amzn.to/3UfSH9o         Out this Month: Shooting the Flames Nosferatu Vampyr Dracula Patreon: Horror History Poll!     Coming in November 2024: The Fog The Mist      Get in Touch:  Support us on Patreon: https://www.patreon.com/TheFilmFlamers  Visit our Store: https://teespring.com/stores/thefilmflamers  Twitter: https://twitter.com/TheFilmFlamers  TikTok: https://www.tiktok.com/@thefilmflamers  Facebook: https://www.facebook.com/TheFilmFlamers/ Letterboxd: https://letterboxd.com/thefilmflamers/ Our Website: https://www.filmflamers.com  Call our Hotline: 972-666-7733     Our Patrons:    Alex M Andrew Bower Anthony Criswell Ashlie Thornbury BattleBurrito Benjamin Gonzalez Bennett Hunter BreakfastChainsawMassacre Call me Lestat. Canadianmatt3 CenobiteBetty Christopher Nelson Cj Mcginnis Dan Alvarez Dirty Birdy Gia Gillian Murtagh GlazedDonut GWilliamNYC Irwan Iskak James Aumann Jessica E Joanne Ellison Josh Young Julia 90 Alison Karl Haikara Kimberly McGuirk Kitty Kelly Kyle Kavanagh Laura O'Malley Lisa Libby Lisa Söderberg Livi Loch Hightower M Hussman Mac Daddy Marissa E Mary Matthew McHenry Merrill Roseberry Michelle Moore Nicole McDaniel Nikki (phillyenginerd) Niko Allred Orion Yannotti Penelope Nelson random dude Robert Eppers Rosieredleader Ryan King Sean Homrig Sinesthero The Dean Swann Tony Pellonari Walstrich William Skinner   Sweet dreams...      "Welcome to Horrorland" by Kevin MacLeod (incompetech.com). Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ Includes music by Karl Casey @ White Bat Audio

Vampyr (1932) Screams After Midnight, a horror movie podcast. Vampyr is directed by Carl Theodor Dreyer and stars Julian West, Maurice Schutz, Rena Mandel patreon: https://www.patreon.com/mildfuzztv all links: https://linktr.ee/mildfuzz discord: https://discord.gg/8fbyCehMTy email: mftvquestions@gmail.com Audio version: https://screams-after-midnight.pinecast.co/

Predicando por las mañanas en el tope de una solitaria colina, Johannes no piensa en su papá ni en sus hermanos ni en los crecientes problemas de la granja familiar: el único hijo de los Borgen que fue a la universidad, el que parecía destinado a expandir el ministerio fundado por su padre, el severo Morten Borgen, hoy está convertido en un excéntrico y posiblemente un paciente psiquiátrico. Paradójicamente, es el único capaz de advertir a cabalidad la prueba que se viene para todos ellos; el único, también, en creer que ello puede ser superado con el poder de "la palabra" cuando todo parece perdido. Hay que devolverse a mediados de los 50 —cuando los horrores de la segunda guerra aún están frescos y la discusión existencialista echa una intensa sombra sobre la religión— para entender hasta qué punto lo que Carl Theodor Dreyer propone en la enigmática Ordet es una provocación. Y no sólo porque le pide a su audiencia atea que acepte el poder del cine para expresar lo imposible, lo inconcebible: el filme, además, confronta a su audiencia cristiana al narrar una historia esencialmente apocalíptica, situada en un mundo donde quienes "creen" —o dicen hacerlo— han renunciado, envueltos como están por el fin de los tiempos. De eso y de otras cosas se discute en este podcast.

In occasione dei 100 anni esatti dall'uscita di Mikaël di Dreyer nelle sale tedesche (26 settembre 1924) inauguriamo una nuova rubrica che si occupa di leggere e analizzare la critica e la saggistica di cinema del passato, riscoprendone caratteristiche e specificità rispetto ad oggi. Per l'occasione, torniamo al commento di Auro Bernardi sul film di Dreyer estratto dal suo libro "Carl Theodor Dreyer - Il Verbo, la legge, la libertà" del 2003 edito da Le Mani Il nostro canale Telegram per rimanere sempre aggiornati e comunicare direttamente con noi: https://t.me/SalottoMonogatari Anchor: https://anchor.fm/salotto-monogatari Spotify: https://open.spotify.com/show/2QtzE9ur6O1qE3XbuqOix0?si=mAN-0CahRl27M5QyxLg4cw Apple Podcasts: https://podcasts.apple.com/it/podcast/salotto-monogatari/id1503331981 Google Podcasts: https://www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy8xNmM1ZjZiNC9wb2RjYXN0L3Jzcw== Logo creato da: Massimo Valenti Sigla e post-produzione a cura di: Alessandro Valenti / Simone Malaspina Per il jingle della sigla si ringraziano: Alessandro Corti e Gianluca Nardo Per la gestione dei canali social si ringrazia: Selene Grifò

Un Cinema fatto di sofferenza, dolore, malvagità e dove gli esseri umani sono pedine di un cosmo cinico e incomprensibile. In poche parole, il controverso mondo del famigerato artista Lars Von Trier. Piccola escursione televisiva per quanto riguarda questa retrospettiva su Lars Von Trier e quindi ecco il suo film per il piccolo schermo, basato su un progetto mai completato da Carl Theodor Dreyer: un feroce e algido dramma ispirato alla tragedia di Euripide "Medea".

Jackie and Greg stare off into the distance in turn-of-the-century Stockholm for Carl Theodor Dreyer's GERTRUD from 1964. Topics of discussion include its placement in Dreyer's filmography, how Nina Pens Rode's lead is one of the most pathetic characters in cinema, and why it's dull as dishwater. Is this their most hated film on the list so far?#43 on Sight & Sound's 2012 "The 100 Greatest Films of All Time" list.https://www.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time-2012#136 on Sight & Sound's 2022 "The Greatest Films of All Time" list.  https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out on Instagram: https://www.instagram.com/sceneandheardpodCheck us out at our official website: https://www.sceneandheardpod.comJoin our weekly film club: https://www.instagram.com/arroyofilmclubJP Instagram/Twitter: jacpostajGK Instagram: gkleinschmidtGraphic Design: Molly PintoMusic: Andrew CoxEditing: Greg KleinschmidtGet in touch at hello@sceneandheardpod.comSupport the Show.Support the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe

This week Josh and Dru discuss the Carl Theodor Dryer classic, Vampyr. From wiki: “Vampyr (German: Vampyr – Der Traum des Allan Gray, lit. 'Vampyr: The Dream of Allan Gray') is a 1932 gothic horror film directed by Danish director Carl Theodor Dreyer. The film was written by Dreyer and Christen Jul based on elements from J. Sheridan Le Fanu's 1872 collection of supernatural stories In a Glass Darkly. Vampyr was funded by Nicolas de Gunzburg who starred in the film under the name of Julian West among a mostly non-professional cast. Gunzburg plays the role of Allan Gray, a student of the occult who enters the village of Courtempierre, which is under the curse of a vampire. “But also: The Challenger Explosion, abandoned summer camps, Big Bird, Pee Wee's Christmas Special, Kinds of Kindness, The Devils, Paperbacks from Hell, Black Ambrosia by Elizabeth Engstrom, and more!NEXT WEEK: The Invasion of the Body Snatchers (1978) Follow them across the internet:Bloodhaus:https://www.bloodhauspod.com/https://twitter.com/BloodhausPodhttps://www.instagram.com/bloodhauspod/Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/Joshua Conkelhttps://www.joshuaconkel.com/https://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/ 

A discussion about and look into the stories, the history and personalities that came together to make "The Passion of Joan of Arc" in 1928. Directed by Carl Theodor Dreyer and starring Renee Falconetti. This is the final stop of three in France for our "World Tour '24" season! Twitter/X - @goldensilents1 Instagram - goldensilentscast Kathleen Rooney - kathleenrooney.com

Today we're going back to 1928 for what might be the most harrowing film of the silent era. Carl Theodor Dreyer's intense, claustrophobic THE PASSION OF JOAN OF ARC was like nothing at the time and arguably still isn't; we'll talk about the film's controversial history, what makes it so radical, and whether it might be too much for some viewers. Unwatchables is hosted by Marc Dottavio and Seth Troyer, produced by Tony Scarpitti, featuring artwork by Micah Kraus. You can support us on Patreon at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/unwatchables⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to get access to exclusive bonus content and weigh in on what we watch next. Find us online at www.unwatchablespod.com or shoot us an email at unwatchablespodcast@gmail.com. We're on Instagram and Twitter under @unwatchablespod. --- Send in a voice message: https://podcasters.spotify.com/pod/show/unwatchablespod/message

Directed by Carl Theodor Dreyer and released in 1928, The Passion of Joan of Arc follows Joan of Arc through the events of her trial and execution in 1431. Written based off of trial manuscripts the movie is not only historically accurate, but very affecting. Through artistic experimentation and excellent execution it is a true masterpiece of cinematic history that continues to awe and inspire people nearly one hundred years after its initial release.

On this episode of What a Picture, Bryan and Hannah resolve their petty differences to discuss Ordet, the 1955 movie directed by Carl Theodor Dreyer that ranks #48 on Sight and Sound's 2022 Greatest Films of All Time Critics' Poll. Email us at podcast@whatapicturepod.com What a Picture website: https://whatapicturepod.com The magical shot we reference in the episode can be found on this page: ⁠https://www.criterion.com/current/posts/1751-henning-bendtsen-1925-2011⁠ Bryan's Bluesky: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bsky.app/profile/bryanwhatapic.bsky.social⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Bryan's Letterboxd: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://letterboxd.com/bryan_whatapic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Bryan's Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/bryan_whatapic⁠⁠⁠⁠⁠⁠⁠⁠⁠ Music is "Phaser" by Static in Verona.

Returning co-host David Ullman joins Jim Towns for a foray into the esoteric world of Carl Theodor Dreyer's 1932 gothic masterpiece Vampyr!

durée : 01:04:59 - Les Nuits de France Culture - par : Philippe Garbit - Cinéaste danois né en 1889, passé en 14 longs métrages du cinéma muet au parlant, Carl Dreyer est avant tout un obsessionnel du 7e art, créateur d'une esthétique, lyrique, charnelle et fantastique pétrie de mystère et de sens du sacré. En 2011, le philosophe Fabrice Midal analyse trois de ses films. - invités : Charles Tesson Critique et historien du cinéma; Jean Douchet Cinéaste, historien et critique de cinéma (1929-2019); Jean-Marie Touratier

Le salon de Filmo se réunit autour du cas Carl Theodor Dreyer. Peu de films mais une grande exigence formelle et une observation de l'âme humaine qui a frappé les cinéphiles. Charles Nemes, Didier Philippe-Gerard et Denis Parent racontent.Et ils sont contents.Retrouvez la filmo de Carl Theodor Dreyer sur Filmo.00:05:30 Le Maître du logis00:15:03 Vampyr (ou l'étrange aventure de David Gray)00:26:32 Jour de colère00:38:20 Ordet00:52:21 Getrud Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

durée : 02:19:59 - Les Nuits de France Culture - par : Philippe Garbit - Par Jean-Louis Schefer et René Farabet - Avec Serge Daney, Maurice Drouzy et Philippe Grandrieux - Avec la voix de Carl Theodor Dreyer - Lectures René Farabet - Réalisation Marie-Ange Garandeau

Bedazzle the cobwebs and yassify the cemetery: it's that time again, the third annual Overlapping Dialogue Spooktober Spooktacular! We dive into the Halloween spirit in with two black and white chillers from the 30s and 40s with Vampyr and Isle of the Dead. In addition to tangling with the undead, we get fat and happy with a Blue Plate Special bag of goodies, ranging from thoughts on the new Wes Anderson shorts adapting Roald Dahl on Netflix, predictions on what effects Swifties will have on theaters with the release of Taylor Swift: The Eras Tour, and puzzle our way through Rolling Stones Magazine's ranking of the "50 Worst Decisions in Movie History." It's a *scary* good episode that may or may not conclude with us chowing down on some General Mills monster cereal. But which one? You'll have to listen to the very end to find out. As always, please like, subscribe, rate, and review us on all of our channels, which include Apple Podcasts, Spotify, and YouTube! Contact us at huffmanbrothersproductions@gmail.com with your questions, comments, and requests.

In this episode of What a Picture, Bryan and Hannah open their eyes real wide for The Passion of Joan of Arc, the 1928 movie directed by Carl Theodor Dreyer that ranks #21 on Sight and Sound's 2022 Greatest Films of All Time Critics' Poll. Music is "Phaser" by Static in Verona.

Marco Vanelli"Gesù. Il film di una vita"Carl Theodor DreyerIperboreahttps://iperborea.comTraduzione di Marco VanelliPostfazione di Goffredo FofiDreyer cominciò a vagheggiare un film sulla vita di Gesù sin dagli anni '30, ma fu soprattutto dopo l'occupazione nazista che il progetto si delineò: i romani erano come i tedeschi e il popolo ebraico, un tempo come allora, era vittima di persecuzioni. «Quanti idealisti politici e religiosi, prima e dopo Gesù, sono stati uccisi per necessità politiche o religiose, e sempre in nome del popolo?» Quando la Danimarca viene invasa dai nazisti durante la Seconda guerra mondiale, per il regista Carl Theodor Dreyer l'idea di un film su Gesù, già vagheggiato da quasi dieci anni, diventa finalmente un progetto. I coloni romani come gli invasori tedeschi, il governo ebraico come i collaborazionisti, gli idealisti come la resistenza. E Gesù è qui, nella resistenza, tra i «non accettanti», secondo la definizione di Goffredo Fofi nella postfazione a questo libro, che si oppongono a un sistema oppressore con la semplicità di un'idea rivoluzionaria. Il Gesù di Dreyer scardina l'ordine delle cose con l'empatia, la compassione, l'attenzione agli ultimi, e in cambio richiede una fede profonda che, per l'autore non praticante, è un nodo di riflessione e una conquista in tarda età. Ma l'umanissimo figlio di Dio che il regista danese descrive, a volte arrogante e a volte rabbioso, nasce da una lettura personale del testo biblico, rimuginata nel corso di trent'anni e lungo più stesure della sceneggiatura, che razionalizza i miracoli e perdona i carnefici, convinti ingenuamente di essere parte del disegno divino: mai tradotta in immagini per la morte dell'autore, è rimasta solo nel testo definitivo, scritto per la Rai nel 1967 e oggi pubblicato per la prima volta nella sua versione più completa, che integra gli appunti dell'autore e gli episodi espunti. Così dalle pagine di Gesù, un testamento spirituale, emerge l'occhio di un regista visionario, austero, essenziale, che guarda alla storia fondativa della cultura occidentale e ne trae il racconto di un'umanità in rivolta silenziosa, che la violenza spegne ma la Storia è costretta ad accettare, anche se solo con il senno di poi.Carl Theodor Dreyer (1889-1968) è uno tra i più grandi registi della storia del cinema, benché abbia girato solo ventuno film. Sembra quasi che l'industria cinematografica lo abbia sempre considerato una specie di corpo estraneo, diffidando del suo rigore e dei suoi temi considerati poco spettacolari. Le sue opere maggiori sono: La passione di Giovanna d'Arco, Vampyr e Ordet, con cui ottiene il Leone d'oro alla Mostra del Cinema di Venezia.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.itQuesto show fa parte del network Spreaker Prime. Se sei interessato a fare pubblicità in questo podcast, contattaci su https://www.spreaker.com/show/1487855/advertisement

Earlier on this podcast was discussed Carl Theodor Dreyer's silent masterpiece, The Passion of Joan of Arc. Another of Dreyer's films was also included on the Vatican film list, this one from the sound era: Ordet (The Word), based on a play by the Lutheran priest Kaj Munk, who was later martyred by the Gestapo. The film centers on the Borgen family, land-owning farmers in a small village in Denmark. The patriarch, Morton Borgen, is a religious man, but his oldest son Mikkel has lost his faith, while his second son Johannes, while studying theology, has gone mad and believes he is Jesus Christ Himself. Ordet can be viewed as a provocative critique of a modern Christianity that no longer believes in miracles. Its astonishing conclusion throws down the gauntlet, forcing us to consider what it really means to have faith. This podcast is a production of CatholicCulture.org. If you like the show, please consider supporting us! http://catholicculture.org/donate/audio Go to Catholic Culture's website for tons of written content, including news, articles, liturgical year info, and a vast library of documents: https://www.catholicculture.org Music is The Duskwhales, “Take It Back”, used with permission. https://theduskwhales.bandcamp.com

Buy "Where Lies the Strangling Fruit" on Kindle:Theme music by Prod. Riddiman:Films mentioned in this week's podcast:American Gigolo (1980, dir. Paul Schrader)Blue Collar (1978, dir. Paul Schrader)Bringing Out the Dead (1999, dir. Martin Scorsese)Cat People (1982, dir. Paul Schrader)Dead Poets Society (1987, dir. Peter Weir)Diary of a Country Priest (1951, dir. Robert Bresson)Dominion (2005, dir. Paul Schrader)The Exorcist (1973, dir. William Friedkin)Exorcist: The Beginning (2004, dir. Renny Harlin)Hardcore (1979, dir. Paul Schrader)Ida (2013, dir. Paweł Powilkowski)The Last Temptation of Christ (1988, dir. Martin Scorsese)Ordet (1955, dir. Carl Theodor Dreyer)Raging Bull (1980, dir. Martin Scorsese)Stalker (1979, dir. Andrei Tarkovsky)Taxi Driver (1976, dir. Martin Scorsese)Yakuza (1974, dir. Sydney Pollack) Become a member to receive more weekly content at https://plus.acast.com/s/the-blue-rose-film-podcast. Hosted on Acast. See acast.com/privacy for more information.

Jackie and Greg return to the great Carl Theodor Dreyer for one of his signature films, the late-career masterpiece ORDET from 1955. Topics of discussion include its origins as a stage play, the long takes, the constantly howling wind, what Dreyer's saying about organized religion, and the powerful spirituality of the film. #24 on Sight & Sound's 2012 "The 100 Greatest Films of All Time" list.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time-2012#48 on Sight & Sound's 2022 "The 100 Greatest Films of All Time" list.  bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out on Instagram: instagram.com/sceneandheardpodCheck us out at our official website: sceneandheardpod.comJoin our weekly film club: instagram.com/arroyofilmclubJP Instagram/Twitter: jacpostajGK Instagram: gkleinschmidtPhotography: Matt AraquistainMusic: Andrew CoxGet in touch at hello@sceneandheardpod.comArts & Faith Top 100 ListSupport the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe

durée : 01:04:59 - Les Nuits de France Culture - par : Albane Penaranda - Une vie une oeuvre - Carl Theodor Dreyer (1889-1968) : De Vampyr à la résurrection, la passion du cinéma (1ère diffusion : 30/01/2011)

Hola Gerardo aquí en otro episodio de Simplemente Yo; La selección de esta semana es The Passion of Joan of Arc, es una película histórica silente francesa de 1928 basada en el registro real del juicio de Juana de Arco. La película fue dirigida por Carl Theodor Dreyer y protagonizada por Renée Jeanne Falconetti como Joan. Plot: La película resume el tiempo en que Juana de Arco estuvo cautiva de Inglaterra, representando su juicio y ejecución. Espero que lo disfruten ;) Información adicional del podcast: Enlace del website official de Filmic Notion Podcast: https://filmicnotionpod.com/ Enlace a nuestra página de Facebook: https://www.facebook.com/fnpod

Presenter Flick Ford speaks to musician Chiara Kickdrum about her immersive original score for Carl Theodor Dreyer's 1931 horror classic VAMPYR. Flick is then joined by guest critic Vyshnavee Wijekumar to review BONES AND ALL, before interviewing Chiara Pallini and Susan Bui about the 26th Japanese Film Festival, taking place in cinemas across Australia now until Dec 14.Facebook: https://www.facebook.com/primalscreenshow/Instagram: https://www.instagram.com/primal_screen_show/Twitter: https://twitter.com/primal_screen

On Saturday, November 5, The Hudson Valley Philharmonic, with guest Conductor Christine Howlett, will perform Richard Einhorn's “VOICES OF LIGHT” at The Bardavon in Poughkeepsie, New York. Einhorn's 1994 composition accompanies a screening of Carl Theodor Dreyer's 1928 silent film classic “The Passion of Joan of Arc.”

It's our Halloween episode AND our season one finale which begins with a visit to the Old Witch's lair where every bong rip could be your last. Big thanks to Tigger Franklin for her witchy cackle. It's a family affair here on OMFYS--a Franklin family affair. Our two films come from the 1930s, possibly the greatest decade for horror, but is it? We get into that before we get into our movies and weed recs. Cory comes out strong for the 1980s while Bob champions the classic monsters of the 30s, Greg makes the case for the sci fi 50s, and Philena urges us not to overlook Blumhouse and other 21st Century pleasures. Our first film is the quintessential classic BRIDE OF FRANKENSTEIN (1935), from the classic monster movie studio Universal and director James Whale. You've got Boris Karloff coming back as the monster and Elsa Lanchester as the iconic Bride that's inspired so many tattoos. We talk about the movie for over 45 minutes so I'll just let you listen. We go a little long here but it's our last episode of the season, and Cory tells Bob that people are way into long-assed podcasts now! To show the depth of horror in the 1930s, we contrast Bride's high camp and top production values with Danish director Carl Theodor Dreyer's more run-and-gun VAMPYR (1932), a haunting piece of low budget film making that often feels like somebody jammed a camera into your brain and filmed your worst nightmare. We wrap up with some reflection on our first season, and hope we can get our shit together for a Holiday Special. Please email us at old moviesforyoungstoners AT gmail dot com and remind us to stop gorging on Thanksgiving turkey and record a damned holiday ep. It'll help. And a note of apology here. We meant to have this ep online over a week ago but Bob had to take a trip to the hospital while he was half way through editing it. He's fine now, which is evident from this episode being here, and remember he got all the good drugs while he was away. HAPPY HALLOWEEN and see you in 2023. Hosts: Cory Sklar, Bob Calhoun, Philena Franklin, Greg Franklin Old Witch: Tigger Franklin Old Movies for Young Stoners theme and Funky Frankenstein by Chaki the Funk Wizard. Bride of Frankenstein is streaming on Criterion Channel, Peacock and tubi, and TCM will be showing it on Halloween itself. Vampyr is streaming on Criterion and HBOMax. Weed is at your local dispensary.

Jenny talks about the surreal classic directed by Carl Theodor Dreyer and based on the works of Sheridan le Fanu. Audio version: Video version: Please support us on Patreon! Don't forget to subscribe to our YouTube channel, like us on Facebook, and follow us on Twitter and Instagram. And check out our cool merch at our Zazzle store, and some board and … Continue reading Movie Retrospective: Vampyr (1932)

Conrado and Rachel are joined by Dylan Cuellar, co-host of the Great Movies podcast, to talk about GERTRUD, the final film by legendary Danish filmmaker Carl Theodor Dreyer. We talk about impenetrable performances, impeccable camera movements, transcendental ways of looking at love, and great last films. The Jonathan Rosenbaum essay mentioned in this episode: https://jonathanrosenbaum.net/2021/06/gertrud-as-nonnarrative-the-desire-for-the-image/ Follow Dylan on Twitter: https://twitter.com/DylanCuellar7 Listen to Dylan on The Great Movies Pod: https://podcasts.apple.com/us/podcast/the-great-movies-pod-a-retrospective-film-review-show/id1507636360 Follow us on itunes and leave you ratings and reviews: https://podcasts.apple.com/us/podcast/the-criterion-project/id1479953904 Follow us on anchor https://anchor.fm/criterionproject Follow our twitter at https://twitter.com/criterionpod Check out Conrado's webseries WORMHOLES on youtube https://www.youtube.com/channel/UC51Tg9gR5mXxEeaansRUYRw Follow Conrado's blog cocohitsny.wordpress.com/ Follow Conrado on Letterboxd https://letterboxd.com/cofalco21/ Listen to Conrado's other podcasts like Foreign Invader and Movie Marriage: https://podcasts.apple.com/us/podcast/foreign-invader/id1552560225 Rachel's Patreon: https://www.patreon.com/hallmarkies Follow Rachel's blog at rachelsreviews.net Follow Rachel on twitter twitter.com/rachel_reviews Listen to Rachel's Reviews on Itunes: https://itunes.apple.com/us/podcast/rachels-reviews/id1278536301?mt=2 Listen to Hallmarkies Podcast at https://podcasts.apple.com/us/podcast/hallmarkies-podcast/id129672828 Our intro is written by Michael Lloret: https://www.michael-lloret.com/ --- Support this podcast: https://podcasters.spotify.com/pod/show/criterionproject/support

oh boy, we go in on the buzzworthy indie filmmaker/auteur A24, via an article on Collider. You may be surprised to learn how connected Danish bad boy Carl Theodor Dreyer is to the modern behemoth behind such notable films as Antebellum, Lamb, mid90s, and Woodshock

In the thirteenth episode of Season 7 (Fantastical Realities) Kyle is joined by fellow podcaster Ben Thelen and cinematographer Ryan Alva to discuss the quotidian rhythms and slice of life tragedies within a farming family going through a crisis of faith in Carl Theodor Dreyer's late career masterpiece Ordet (1955).

Today's special episode of Doable Discipleship Jason interviews Dr. Richard Vance Goodwin about his book, Seeing Is Believing. In this Study in Theology and the Arts (STA) volume, theologian Richard Goodwin considers how the images that constitute film might be a conduit of God's revelation. By considering works by Carl Theodor Dreyer, Stanley Kubrick, Paul Thomas Anderson, Robert Bresson, Martin Scorsese, Terrence Malick, and more, Goodwin argues that by inviting emotional responses, film images can be a medium of divine revelation. For complete show notes, click HERE

durée : 00:32:00 - Les Nuits de France Culture - En 1985, dans sa série "Le Roman du cinéma" consacré à l'année 1928, Claude-Jean Philippe s'intéresse à "La Passion de Jeanne d'Arc" du cinéaste Carl Theodor Dreyer qu'il compare au "Roi des rois" de Cecil B. DeMille et au "Napoléon" d'Abel Gance. Le Roman du cinéma, épisode 4/15.

This Week's Special Subject is a look at the early silent cinema of Danish master Carl Theodor Dreyer, during the years preceding The Passion of Joan of Arc. We discuss Michael (1924), about the relationship between a famous painter and his male model, and Master of the House (1925), a comedy about the taming of a tyrannical patriarch. Subjects include Dreyer's unique take on the visionary possibilities of love, which can allow you to transcend ordinary human experience in one way or another; and the interrelationship of patriarchy, matriarchy, and the use of violence and fear in maintaining domestic discipline. And in our Fear and Moviegoing in Toronto segment, we briefly discuss Carné's romantic epic Children of Paradise (1945), generally considered one of the great masterpieces of French cinema, and another Kinuyo Tanaka film, Girls of the Night (1961), about the consequences for sex workers when prostitution was proscribed by law in mid-1950s Japan.    Time Codes: 0h 01m 00s:     Brief Intro. Carl Theodor Dreyer 0h 10m 29s:     MICHAEL (1924) [Dir. Carl Th. Dreyer] 0h 31m 35s:      MASTER OF THE HOUSE (1925) [Dir. Carl Th. Dreyer] 0h 49m 19s:      Fear and Moviegoing in Toronto – Carné's ENFANTS DU PARADIS & Tanaka's GIRLS OF THE NIGHT   +++ * Listen to our guest episode on The Criterion Project (coming next week!) – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

This week Mike is joined by James Swanton to discuss two early vampire movies, celebrating their 100th and 90th birthdays: FW Murnau's Nosferatu (1922) and Carl Theodor Dreyer's Vampyr (1932)! This episode is sponsored by friend of the pod Rebecca McCallum! Order yourself a copy of Rebecca's pocketbook, Mums + Sons, An Examination of the Child/Parent Relationship now!   We're hosting a LIVE PODCAST event! Grab yourself a ticket for our live show with special guests at Sundance London!  CLICK HERE FOR TICKETS Win yourself free tickets to see VAMPYR on the big screen for it's 90th anniversary at the Genesis Cinema in London on 6th June! Click here to enter on Twitter Music by Jack Whitney.  Visit our website www.evolutionofhorror.com  Buy tickets for our next upcoming EVOLUTION OF HORROR PRESENTS screening at the Genesis Cinema! www.evolutionofhorror.com/genesis You can now buy Evolution of Horror merch on our TeePublic store! www.evolutionofhorror.com/merchandise Subscribe and donate on PATREON for bonus monthly content and extra treats... www.patreon.com/evolutionofhorror  Email us!  Follow us on TWITTER Follow us on INSTAGRAM Like us on FACEBOOK Join the DISCUSSION GROUP Join our DISCORD Follow us on LETTERBOXD Mike Muncer is a producer, podcaster and film journalist and can be found on TWITTER  

The latest episode is another first for the podcast as this episode marks the first time we have gone back to talk about a filmmaker we've already dedicated an episode to. The reason for this landmark is Hannah Strong's new book on Sofia Coppola for Abrams Books, Sofia Coppola: Forever Young. The book is the first in the Abrams series to see a female filmmaker given such lavish treatment. Neil talks to Hannah about her approach to writing the book, Hannah's personal and cinephilic connection to Coppola's work and the trajectory her career has taken, and how she's wrestled with and managed emerging from such an auspicious family shadow to her position as one America's leading filmmakers in her own right. Elsewhere, Neil and Dario talk about Carl Theodor Dreyer's Vampyr, recently released on Blu-ray in a beautiful edition by Eureka Video/Masters of Cinema, and Sofia Coppola's position in American film culture and the demands and expectations this position comes with. ——— You can listen to The Cinematologists for free, wherever you listen to podcasts: click here to follow. We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only £2. We really appreciate any reviews you might write (please send us what you have written and we'll mention it) and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show. _____ Music Credits: ‘Theme from The Cinematologists' Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing

Jackie and Greg wrap up their string of silent films with perhaps the greatest of them all: Carl Theodor Dreyer's earth-shattering masterpiece from 1928. Topics of discussion include the constant use of close-ups, the various scores for the film over the years, comparisons to Robert Bresson's THE TRIAL OF JOAN OF ARC (and his distaste of Dreyer's film), and how Renée Falconetti's iconic performance is perhaps the greatest to ever grace the silver screen.#9 on Sight & Sound's "The 100 Greatest Films of All Time" list.https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out at our official website: https://www.sceneandheardpod.comJoin our weekly film club: https://www.instagram.com/arroyofilmclubJP Instagram/Twitter: jacpostajGK Instagram: gkleinschmidtPhotography: Matt AraquistainMusic: Andrew Cox

WoHos! This week we have a "mega-mini" to discuss Carl Theodor Dreyer's classic experimental/avant-garde Vampire film, VAMPYR.We hope you will listen and enjoy!Devin's Twitch show "Cronenberg or Cats" is at 8pm EST Saturdays on twitch.tv/ohheyitsdevin

I recap and review The Passion of Joan of Arc (1928) directed by Carl Theodor Dreyer and starring Renée Jeanne Falconetti. You can find the full list of the BFI's Greatest Films here. Music: Dark Flashes by Shane Ivers - https://www.silvermansound.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Directed by Carl Theodor Dreyer and released in 1932, Vampyr has quite the story to tell both on and off the screen. A once neglected film, now appreciated for its techniques and creative story telling.

SNOBBIES! You are in for a TREAT! We have something in Film Snob lore called, "The Lost Episodes." In a hard drive mishap, we have unfortunately lost the first three episodes of The Film Snobs Podcast. We are proud to be releasing one of those lost episodes today, fully recovered. Next week we will be continuing on our topic of "Going on a Journey." With Ethan's surprise pick. But for now, Enjoy. In this episode, we discuss the works of Carl Theodor Dreyer. He made 5 movies in 5 decades and we are paying homage to those films. This was an epic to have completed. All excellent films. Films Discussed: The Passion of Joan of Arc (1928), Vampyr (1932), Day of Wrath (1943), Ordet (1955), and Gertrud (1964) Letterboxd: Eric Peterson: letterboxd.com/EricLPeterson/ Jared Klopfenstein: letterboxd.com/kidchimp/ Ethan Jasso:letterboxd.com/e_unit7/ Caleb Zehr: letterboxd.com/cjzehr/ Ricky Wickham: letterboxd.com/octopuswizard/ Leave us a 5 star review on Apple podcasts and we'll read it out loud on the pod.

"Accounts from many ages and lands tell of terrible demons called vampires.  Under the bright light of the full moon, they rise from their graves to suck the blood of children and young adults and thus prolong their shadowy existence." Just after Dracula (1931) haunted American theaters, a Danish filmmaker named Carl Theodor Dreyer was testing the waters of European horror with Vampyr (1932), a simple tale with a paradoxical hallucinogenic plot that some argue topped Dreyer's previous masterpiece, The Passion of Joan of Arc (1928). Vampyr is the story of a girl who is bitten by the titular monster and her family's efforts to cure her of the resulting disease, but it is told in such a way that viewers are challenged to figure out if what they are seeing is actually part of the plot, or a fever dream on the part of the protagonist.  Watching it is an experience not to be forgotten, and second viewings can be even better; even if one were to criticize its simplistic story, it still stands alone 84 years later as a bizarre work of art and an outstanding early contribution to the horror genre. Have a comment or a question for the host?  Email Sean at 1001moviespodcast@gmail.com, follow him on Twitter @1001MoviesPC, and look for the podcast's Facebook page.