Podcast appearances and mentions of Carl Theodor Dreyer

Paolo Bolpagni"Hammershøi e i pittori del silenzio tra il nord Europa e l'Italia"Palazzo Roverella, Rovigowww.palazzoroverella.comFino al 29 giugno 2025 a Rovigo a Palazzo Roverella si terrà, promossa dalla Fondazione Cassa di Risparmio di Padova e Rovigo, e curata da Paolo Bolpagni, la prima mostra italiana dedicata a Vilhelm Hammershøi (Copenaghen, 1864-1916), che fu il più grande pittore danese della propria epoca, uno dei geni dell'arte europea tra fine Ottocento e inizio Novecento.Da pochi anni è in atto la sua riscoperta, e da personaggio quasi dimenticato Hammershøi è diventato uno dei più richiesti al mondo: nel mercato le quotazioni hanno raggiunto livelli strabilianti, con aumenti esponenziali osservabili addirittura di mese in mese; e i musei di tutto il globo si stanno contendendo le sue opere per organizzare retrospettive. Nel 2025 quella di Palazzo Roverella sarà non soltanto la prima mostra italiana dedicata al pittore danese, ma l'unica a livello internazionale. Ciò rende davvero eccezionale l'impresa rodigina, che si pone anche l'obiettivo di porre a confronto i capolavori di Hammershøi con opere di importanti artisti a lui contemporanei, con un occhio di riguardo – in tali accostamenti – all'Italia, ai Paesi scandinavi, alla Francia e al Belgio. In effetti ci sono elementi che accomunano gli appartenenti a questa poetica del silenzio, della solitudine, delle vedute cittadine deserte, dei “paesaggi dell'anima”. Però i visitatori scopriranno che in Hammershøi c'è qualcosa di più, di sottilmente inquietante, di angoscioso e forse addirittura di torbido: le sue donne sono ritratte quasi sempre di spalle; gli ambienti domestici, in apparenza ordinati e tranquilli, lasciano in realtà presagire o sospettare drammi segreti, o l'attesa di tragedie incombenti, con un senso claustrofobico.La biografia stessa dell'artista, che viaggiò di frequente (in special modo in Italia, in Inghilterra e nei Paesi Bassi), ma in verità fu un uomo solitario, induce a riflettere su alcuni aspetti enigmatici: pur sposatosi, Hammershøi mantenne un rapporto strettissimo, quasi simbiotico, con la madre, tornando spesso a dormire da lei; la moglie e modella prediletta, Ida Ilsted, fu colpita da una grave malattia mentale; la sua pittura, che ispirerà il grande regista cinematografico Carl Theodor Dreyer, fu definita “nevrastenica”. Ce n'è abbastanza per attendere come un autentico e irripetibile evento la mostra di Palazzo Roverella."Hammershøi e i pittori del silenzio tra il nord Europa e l'Italia"Dario Cimorelli Editorewww.dariocimorellieditore.itIl volume accompagna la prima mostra italiana dedicata a Vilhelm Hammershøi (Copenaghen, 1864-1916), il più grande pittore danese della propria epoca. Protagonista dell'arte europea tra fine Ottocento e inizio Novecento, la sua opera viene messa a confronto con le creazioni degli artisti a lui contemporanei, tra il Nord Europa e l'Italia.Più di 100 opere presentano una pittura raramente indagata quanto misteriosa ed affascinante. Una pittura che racconta il silenzio e l'introspezione, dove gli ambienti domestici così come le vedute cittadine descrivono i paesaggi dell'anima.Ma in Hammershøi c'è qualcosa di più, le sue donne, ritratte quasi sempre di spalle, in ambienti ordinati e tranquilli, lasciano presagire tanto la serenità quanto drammi segreti o piuttosto l'attesa di nuovi accadimenti.Il catalogo è arricchito dai testi critici di Paolo Bolpagni, curatore del volume, Annette Rosenvold Hvidt, Claudia Cieri Via, Luca Esposito e Francesco Parisi.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Send us a textThis week, we chat about an ancient classic, Medea by the Athenian tragedian Euripides. We also discuss Lars Von Trier's 1988 TV movie adaptation of the play, written by Carl Theodor Dreyer.Sini also published a well-received essay on men reading books on podcasts at Unherd, which you can read here: https://unherd.com/2025/04/the-literary-man-isnt-dead/Support the show

In this episode we talk about a recent NYC visit and what we've been watching before diving into Vampyr from the great Carl Theodor Dreyer. Thanks for listening.Thanks for stopping by. Feel free to email at silverscreenvideopodcast@gmail.com with any comments or thoughts. Also be sure to follow us on Instagram @silverscreenvideopodcast, Twitter @SilverVideo, and TikTok silver.screen.vid.

A Vakfolt podcast legújabb adásában egy némafilm-különlegességet vettünk elő: Carl Theodor Dreyer 1928-as alkotását, a Jean d'Arc szenvedéseit (La passion de Jeanne d'Arc). A film Jean d'Arc perének történetét dolgozza fel, nem csupán történelmi eseményként, de egyben egy mártír drámájaként is bemutatva. A minimalista eszközökkel és a színészek arcára fókuszálva Dreyer egy rendkívül expresszív, érzelmekkel teli alkotást hozott létre, amely a mai napig képes hatni a nézőre. Miért ennyire különleges a Jean d'Arc szenvedései? Hogyan egyeztethető össze a filmben a realizmus és az expresszionizmus? Milyen módon használja a rendező a közeliket és a némafilm műfaji sajátosságait? Milyen szerepet játszik a film zenei aláfestése a befogadói élményben? Beszélgetésünk során nem csak a film technikai bravúrjait vizsgáljuk meg, hanem azt is, hogy miként képes egy 100 évvel ezelőtt készült alkotás ennyire erőteljes érzelmi hatást gyakorolni ránk. Ha tetszett az adásunk, támogass bennünket a Vakfolt Extrával! Csatlakozz a Facebook-csoportunkhoz is! Mostantól Vakfolt logós pólót és egyéb kellékeket is szerezhetsz magadnak a webshopunkból! További linkek A Vakfolt podcast Facebook oldala A Vakfolt podcast az Instagramon A Vakfolt podcast a Twitteren Vakfolt címke a Letterboxdon A Vakfolt podcast a YouTube-on A Vakfolt podcast a YouTube Music-on A Vakfolt podcast a Spotify-on A Vakfolt podcast a Google podcasts oldalán A Vakfolt az Apple podcasts oldalán A főcímzenéért köszönet az Artur zenekarnak Emailen is elértek bennünket: ezitt@vakfoltpodcast.hu  

In this episode of Queer Cinema Catch Up, hosts Joe and Allison are joined by Andrew Proctor (@andrwprctr) from The Queer Frame Archive to discuss the 1924 silent film 'Michael'. They delve into the movie's portrayal of queer relationships, its historical and cultural context, and the director Carl Theodor Dreyer's unique filmmaking style. Their conversation also touches on the availability and preservation of early queer cinema and draws parallels between 'Michael' and contemporary films. From initial perceptions to in-depth analysis of character dynamics and thematic elements, this episode provides a comprehensive examination of a landmark in queer film history.Edited by Abu Jafar00:07 Introducing Andrew Proctor and The Queer Frame Archive project00:27 'Michael' Intro 00:53 The Weimar Republic and Queer Representation02:38 First Impressions04:17 Silent Film Techniques and Carl Theodore Dreyer09:46 Plot Overview and Character Dynamics18:31 Analyzing the Countess and Michael's Relationship22:26 Interpreting the Film's Ending32:24 Michael's Debt and Claude's Generosity33:27 Religious Symbolism in Michael36:09 Queer Representation in Early Cinema39:22 Herman Bang and the Source Material46:34 Claude's Loneliness and Tragic End55:52 Comparing Michael to Modern Films01:00:11 The Importance of Film Preservation01:04:59 Conclusion and Final Thoughts Hosted on Acast. See acast.com/privacy for more information.

[9x7] An early "talkie" is up for discussion this week, in the form of Carl Theodor Dreyer's 1932 Gothic horror film Vampyr, where a student of the paranormal stays overnight in a village inn apparently stalked by a blood-sucking creature... And making her belated third trip in the podcasket is university lecturer and horror expert Professor Stacey Abbott... Hosts: Hugh McStay & Dan Owen Guest: Prof. Stacey Abbott Editor: Hugh McStay "Why does the doctor always come at night?" -- Léone Subscribe and leave a rating or review to support the show. You can also leave a donation at Ko-fi and follow us on social media platforms here. A proud part of the Film Stories podcast network. Theme music by Nela Ruiz • Episode art by Dan Owen. Podcast art by Keshav. Learn more about your ad choices. Visit megaphone.fm/adchoices

Vampyr is a 1932 gothic horror film directed by Danish director Carl Theodor Dreyer. It was written by Dreyer and Christen Jul based on elements from Sheridan Le Fanu's 1872 collection of supernatural stories In a Glass Darkly - in particular, the short story titled Carmilla.  Vampyr represents significant milestones in film, horror, and vampire history, and some of what you learn in this episode may change the way you think about horror cinema... forever.  If you have anything to add to the discussion, please don't hesitate to do so by reaching out to us on social media @TheFilmFlamers, or call our hotline and leave us a message at 972-666-7733!            Watch Vampyr: https://amzn.to/3UfSH9o         Out this Month: Shooting the Flames Nosferatu Vampyr Dracula Patreon: Horror History Poll!     Coming in November 2024: The Fog The Mist      Get in Touch:  Support us on Patreon: https://www.patreon.com/TheFilmFlamers  Visit our Store: https://teespring.com/stores/thefilmflamers  Twitter: https://twitter.com/TheFilmFlamers  TikTok: https://www.tiktok.com/@thefilmflamers  Facebook: https://www.facebook.com/TheFilmFlamers/ Letterboxd: https://letterboxd.com/thefilmflamers/ Our Website: https://www.filmflamers.com  Call our Hotline: 972-666-7733     Our Patrons:    Alex M Andrew Bower Anthony Criswell Ashlie Thornbury BattleBurrito Benjamin Gonzalez Bennett Hunter BreakfastChainsawMassacre Call me Lestat. Canadianmatt3 CenobiteBetty Christopher Nelson Cj Mcginnis Dan Alvarez Dirty Birdy Gia Gillian Murtagh GlazedDonut GWilliamNYC Irwan Iskak James Aumann Jessica E Joanne Ellison Josh Young Julia 90 Alison Karl Haikara Kimberly McGuirk Kitty Kelly Kyle Kavanagh Laura O'Malley Lisa Libby Lisa Söderberg Livi Loch Hightower M Hussman Mac Daddy Marissa E Mary Matthew McHenry Merrill Roseberry Michelle Moore Nicole McDaniel Nikki (phillyenginerd) Niko Allred Orion Yannotti Penelope Nelson random dude Robert Eppers Rosieredleader Ryan King Sean Homrig Sinesthero The Dean Swann Tony Pellonari Walstrich William Skinner   Sweet dreams...      "Welcome to Horrorland" by Kevin MacLeod (incompetech.com). Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ Includes music by Karl Casey @ White Bat Audio

Vampyr (1932) Screams After Midnight, a horror movie podcast. Vampyr is directed by Carl Theodor Dreyer and stars Julian West, Maurice Schutz, Rena Mandel patreon: https://www.patreon.com/mildfuzztv all links: https://linktr.ee/mildfuzz discord: https://discord.gg/8fbyCehMTy email: mftvquestions@gmail.com Audio version: https://screams-after-midnight.pinecast.co/

Predicando por las mañanas en el tope de una solitaria colina, Johannes no piensa en su papá ni en sus hermanos ni en los crecientes problemas de la granja familiar: el único hijo de los Borgen que fue a la universidad, el que parecía destinado a expandir el ministerio fundado por su padre, el severo Morten Borgen, hoy está convertido en un excéntrico y posiblemente un paciente psiquiátrico. Paradójicamente, es el único capaz de advertir a cabalidad la prueba que se viene para todos ellos; el único, también, en creer que ello puede ser superado con el poder de "la palabra" cuando todo parece perdido. Hay que devolverse a mediados de los 50 —cuando los horrores de la segunda guerra aún están frescos y la discusión existencialista echa una intensa sombra sobre la religión— para entender hasta qué punto lo que Carl Theodor Dreyer propone en la enigmática Ordet es una provocación. Y no sólo porque le pide a su audiencia atea que acepte el poder del cine para expresar lo imposible, lo inconcebible: el filme, además, confronta a su audiencia cristiana al narrar una historia esencialmente apocalíptica, situada en un mundo donde quienes "creen" —o dicen hacerlo— han renunciado, envueltos como están por el fin de los tiempos. De eso y de otras cosas se discute en este podcast.

In occasione dei 100 anni esatti dall'uscita di Mikaël di Dreyer nelle sale tedesche (26 settembre 1924) inauguriamo una nuova rubrica che si occupa di leggere e analizzare la critica e la saggistica di cinema del passato, riscoprendone caratteristiche e specificità rispetto ad oggi. Per l'occasione, torniamo al commento di Auro Bernardi sul film di Dreyer estratto dal suo libro "Carl Theodor Dreyer - Il Verbo, la legge, la libertà" del 2003 edito da Le Mani Il nostro canale Telegram per rimanere sempre aggiornati e comunicare direttamente con noi: https://t.me/SalottoMonogatari Anchor: https://anchor.fm/salotto-monogatari Spotify: https://open.spotify.com/show/2QtzE9ur6O1qE3XbuqOix0?si=mAN-0CahRl27M5QyxLg4cw Apple Podcasts: https://podcasts.apple.com/it/podcast/salotto-monogatari/id1503331981 Google Podcasts: https://www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy8xNmM1ZjZiNC9wb2RjYXN0L3Jzcw== Logo creato da: Massimo Valenti Sigla e post-produzione a cura di: Alessandro Valenti / Simone Malaspina Per il jingle della sigla si ringraziano: Alessandro Corti e Gianluca Nardo Per la gestione dei canali social si ringrazia: Selene Grifò

Un Cinema fatto di sofferenza, dolore, malvagità e dove gli esseri umani sono pedine di un cosmo cinico e incomprensibile. In poche parole, il controverso mondo del famigerato artista Lars Von Trier. Piccola escursione televisiva per quanto riguarda questa retrospettiva su Lars Von Trier e quindi ecco il suo film per il piccolo schermo, basato su un progetto mai completato da Carl Theodor Dreyer: un feroce e algido dramma ispirato alla tragedia di Euripide "Medea".

Jackie and Greg stare off into the distance in turn-of-the-century Stockholm for Carl Theodor Dreyer's GERTRUD from 1964. Topics of discussion include its placement in Dreyer's filmography, how Nina Pens Rode's lead is one of the most pathetic characters in cinema, and why it's dull as dishwater. Is this their most hated film on the list so far?#43 on Sight & Sound's 2012 "The 100 Greatest Films of All Time" list.https://www.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time-2012#136 on Sight & Sound's 2022 "The Greatest Films of All Time" list.  https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out on Instagram: https://www.instagram.com/sceneandheardpodCheck us out at our official website: https://www.sceneandheardpod.comJoin our weekly film club: https://www.instagram.com/arroyofilmclubJP Instagram/Twitter: jacpostajGK Instagram: gkleinschmidtGraphic Design: Molly PintoMusic: Andrew CoxEditing: Greg KleinschmidtGet in touch at hello@sceneandheardpod.comSupport the Show.Support the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe

This week Josh and Dru discuss the Carl Theodor Dryer classic, Vampyr. From wiki: “Vampyr (German: Vampyr – Der Traum des Allan Gray, lit. 'Vampyr: The Dream of Allan Gray') is a 1932 gothic horror film directed by Danish director Carl Theodor Dreyer. The film was written by Dreyer and Christen Jul based on elements from J. Sheridan Le Fanu's 1872 collection of supernatural stories In a Glass Darkly. Vampyr was funded by Nicolas de Gunzburg who starred in the film under the name of Julian West among a mostly non-professional cast. Gunzburg plays the role of Allan Gray, a student of the occult who enters the village of Courtempierre, which is under the curse of a vampire. “But also: The Challenger Explosion, abandoned summer camps, Big Bird, Pee Wee's Christmas Special, Kinds of Kindness, The Devils, Paperbacks from Hell, Black Ambrosia by Elizabeth Engstrom, and more!NEXT WEEK: The Invasion of the Body Snatchers (1978) Follow them across the internet:Bloodhaus:https://www.bloodhauspod.com/https://twitter.com/BloodhausPodhttps://www.instagram.com/bloodhauspod/Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/Joshua Conkelhttps://www.joshuaconkel.com/https://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/ 

A discussion about and look into the stories, the history and personalities that came together to make "The Passion of Joan of Arc" in 1928. Directed by Carl Theodor Dreyer and starring Renee Falconetti. This is the final stop of three in France for our "World Tour '24" season! Twitter/X - @goldensilents1 Instagram - goldensilentscast Kathleen Rooney - kathleenrooney.com

Today we're going back to 1928 for what might be the most harrowing film of the silent era. Carl Theodor Dreyer's intense, claustrophobic THE PASSION OF JOAN OF ARC was like nothing at the time and arguably still isn't; we'll talk about the film's controversial history, what makes it so radical, and whether it might be too much for some viewers. Unwatchables is hosted by Marc Dottavio and Seth Troyer, produced by Tony Scarpitti, featuring artwork by Micah Kraus. You can support us on Patreon at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/unwatchables⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to get access to exclusive bonus content and weigh in on what we watch next. Find us online at www.unwatchablespod.com or shoot us an email at unwatchablespodcast@gmail.com. We're on Instagram and Twitter under @unwatchablespod. --- Send in a voice message: https://podcasters.spotify.com/pod/show/unwatchablespod/message

Directed by Carl Theodor Dreyer and released in 1928, The Passion of Joan of Arc follows Joan of Arc through the events of her trial and execution in 1431. Written based off of trial manuscripts the movie is not only historically accurate, but very affecting. Through artistic experimentation and excellent execution it is a true masterpiece of cinematic history that continues to awe and inspire people nearly one hundred years after its initial release.

On this episode of What a Picture, Bryan and Hannah resolve their petty differences to discuss Ordet, the 1955 movie directed by Carl Theodor Dreyer that ranks #48 on Sight and Sound's 2022 Greatest Films of All Time Critics' Poll. Email us at podcast@whatapicturepod.com What a Picture website: https://whatapicturepod.com The magical shot we reference in the episode can be found on this page: ⁠https://www.criterion.com/current/posts/1751-henning-bendtsen-1925-2011⁠ Bryan's Bluesky: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bsky.app/profile/bryanwhatapic.bsky.social⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Bryan's Letterboxd: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://letterboxd.com/bryan_whatapic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Bryan's Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/bryan_whatapic⁠⁠⁠⁠⁠⁠⁠⁠⁠ Music is "Phaser" by Static in Verona.

Returning co-host David Ullman joins Jim Towns for a foray into the esoteric world of Carl Theodor Dreyer's 1932 gothic masterpiece Vampyr!

durée : 01:04:59 - Les Nuits de France Culture - par : Philippe Garbit - Cinéaste danois né en 1889, passé en 14 longs métrages du cinéma muet au parlant, Carl Dreyer est avant tout un obsessionnel du 7e art, créateur d'une esthétique, lyrique, charnelle et fantastique pétrie de mystère et de sens du sacré. En 2011, le philosophe Fabrice Midal analyse trois de ses films. - invités : Charles Tesson Critique et historien du cinéma; Jean Douchet Cinéaste, historien et critique de cinéma (1929-2019); Jean-Marie Touratier

Le salon de Filmo se réunit autour du cas Carl Theodor Dreyer. Peu de films mais une grande exigence formelle et une observation de l'âme humaine qui a frappé les cinéphiles. Charles Nemes, Didier Philippe-Gerard et Denis Parent racontent.Et ils sont contents.Retrouvez la filmo de Carl Theodor Dreyer sur Filmo.00:05:30 Le Maître du logis00:15:03 Vampyr (ou l'étrange aventure de David Gray)00:26:32 Jour de colère00:38:20 Ordet00:52:21 Getrud Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

durée : 02:19:59 - Les Nuits de France Culture - par : Philippe Garbit - Par Jean-Louis Schefer et René Farabet - Avec Serge Daney, Maurice Drouzy et Philippe Grandrieux - Avec la voix de Carl Theodor Dreyer - Lectures René Farabet - Réalisation Marie-Ange Garandeau

Bedazzle the cobwebs and yassify the cemetery: it's that time again, the third annual Overlapping Dialogue Spooktober Spooktacular! We dive into the Halloween spirit in with two black and white chillers from the 30s and 40s with Vampyr and Isle of the Dead. In addition to tangling with the undead, we get fat and happy with a Blue Plate Special bag of goodies, ranging from thoughts on the new Wes Anderson shorts adapting Roald Dahl on Netflix, predictions on what effects Swifties will have on theaters with the release of Taylor Swift: The Eras Tour, and puzzle our way through Rolling Stones Magazine's ranking of the "50 Worst Decisions in Movie History." It's a *scary* good episode that may or may not conclude with us chowing down on some General Mills monster cereal. But which one? You'll have to listen to the very end to find out. As always, please like, subscribe, rate, and review us on all of our channels, which include Apple Podcasts, Spotify, and YouTube! Contact us at huffmanbrothersproductions@gmail.com with your questions, comments, and requests.

In this episode of What a Picture, Bryan and Hannah open their eyes real wide for The Passion of Joan of Arc, the 1928 movie directed by Carl Theodor Dreyer that ranks #21 on Sight and Sound's 2022 Greatest Films of All Time Critics' Poll. Music is "Phaser" by Static in Verona.

Marco Vanelli"Gesù. Il film di una vita"Carl Theodor DreyerIperboreahttps://iperborea.comTraduzione di Marco VanelliPostfazione di Goffredo FofiDreyer cominciò a vagheggiare un film sulla vita di Gesù sin dagli anni '30, ma fu soprattutto dopo l'occupazione nazista che il progetto si delineò: i romani erano come i tedeschi e il popolo ebraico, un tempo come allora, era vittima di persecuzioni. «Quanti idealisti politici e religiosi, prima e dopo Gesù, sono stati uccisi per necessità politiche o religiose, e sempre in nome del popolo?» Quando la Danimarca viene invasa dai nazisti durante la Seconda guerra mondiale, per il regista Carl Theodor Dreyer l'idea di un film su Gesù, già vagheggiato da quasi dieci anni, diventa finalmente un progetto. I coloni romani come gli invasori tedeschi, il governo ebraico come i collaborazionisti, gli idealisti come la resistenza. E Gesù è qui, nella resistenza, tra i «non accettanti», secondo la definizione di Goffredo Fofi nella postfazione a questo libro, che si oppongono a un sistema oppressore con la semplicità di un'idea rivoluzionaria. Il Gesù di Dreyer scardina l'ordine delle cose con l'empatia, la compassione, l'attenzione agli ultimi, e in cambio richiede una fede profonda che, per l'autore non praticante, è un nodo di riflessione e una conquista in tarda età. Ma l'umanissimo figlio di Dio che il regista danese descrive, a volte arrogante e a volte rabbioso, nasce da una lettura personale del testo biblico, rimuginata nel corso di trent'anni e lungo più stesure della sceneggiatura, che razionalizza i miracoli e perdona i carnefici, convinti ingenuamente di essere parte del disegno divino: mai tradotta in immagini per la morte dell'autore, è rimasta solo nel testo definitivo, scritto per la Rai nel 1967 e oggi pubblicato per la prima volta nella sua versione più completa, che integra gli appunti dell'autore e gli episodi espunti. Così dalle pagine di Gesù, un testamento spirituale, emerge l'occhio di un regista visionario, austero, essenziale, che guarda alla storia fondativa della cultura occidentale e ne trae il racconto di un'umanità in rivolta silenziosa, che la violenza spegne ma la Storia è costretta ad accettare, anche se solo con il senno di poi.Carl Theodor Dreyer (1889-1968) è uno tra i più grandi registi della storia del cinema, benché abbia girato solo ventuno film. Sembra quasi che l'industria cinematografica lo abbia sempre considerato una specie di corpo estraneo, diffidando del suo rigore e dei suoi temi considerati poco spettacolari. Le sue opere maggiori sono: La passione di Giovanna d'Arco, Vampyr e Ordet, con cui ottiene il Leone d'oro alla Mostra del Cinema di Venezia.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.itQuesto show fa parte del network Spreaker Prime. Se sei interessato a fare pubblicità in questo podcast, contattaci su https://www.spreaker.com/show/1487855/advertisement

Earlier on this podcast was discussed Carl Theodor Dreyer's silent masterpiece, The Passion of Joan of Arc. Another of Dreyer's films was also included on the Vatican film list, this one from the sound era: Ordet (The Word), based on a play by the Lutheran priest Kaj Munk, who was later martyred by the Gestapo. The film centers on the Borgen family, land-owning farmers in a small village in Denmark. The patriarch, Morton Borgen, is a religious man, but his oldest son Mikkel has lost his faith, while his second son Johannes, while studying theology, has gone mad and believes he is Jesus Christ Himself. Ordet can be viewed as a provocative critique of a modern Christianity that no longer believes in miracles. Its astonishing conclusion throws down the gauntlet, forcing us to consider what it really means to have faith. This podcast is a production of CatholicCulture.org. If you like the show, please consider supporting us! http://catholicculture.org/donate/audio Go to Catholic Culture's website for tons of written content, including news, articles, liturgical year info, and a vast library of documents: https://www.catholicculture.org Music is The Duskwhales, “Take It Back”, used with permission. https://theduskwhales.bandcamp.com

Buy "Where Lies the Strangling Fruit" on Kindle:Theme music by Prod. Riddiman:Films mentioned in this week's podcast:American Gigolo (1980, dir. Paul Schrader)Blue Collar (1978, dir. Paul Schrader)Bringing Out the Dead (1999, dir. Martin Scorsese)Cat People (1982, dir. Paul Schrader)Dead Poets Society (1987, dir. Peter Weir)Diary of a Country Priest (1951, dir. Robert Bresson)Dominion (2005, dir. Paul Schrader)The Exorcist (1973, dir. William Friedkin)Exorcist: The Beginning (2004, dir. Renny Harlin)Hardcore (1979, dir. Paul Schrader)Ida (2013, dir. Paweł Powilkowski)The Last Temptation of Christ (1988, dir. Martin Scorsese)Ordet (1955, dir. Carl Theodor Dreyer)Raging Bull (1980, dir. Martin Scorsese)Stalker (1979, dir. Andrei Tarkovsky)Taxi Driver (1976, dir. Martin Scorsese)Yakuza (1974, dir. Sydney Pollack) Become a member to receive more weekly content at https://plus.acast.com/s/the-blue-rose-film-podcast. Hosted on Acast. See acast.com/privacy for more information.

Jackie and Greg return to the great Carl Theodor Dreyer for one of his signature films, the late-career masterpiece ORDET from 1955. Topics of discussion include its origins as a stage play, the long takes, the constantly howling wind, what Dreyer's saying about organized religion, and the powerful spirituality of the film. #24 on Sight & Sound's 2012 "The 100 Greatest Films of All Time" list.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time-2012#48 on Sight & Sound's 2022 "The 100 Greatest Films of All Time" list.  bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out on Instagram: instagram.com/sceneandheardpodCheck us out at our official website: sceneandheardpod.comJoin our weekly film club: instagram.com/arroyofilmclubJP Instagram/Twitter: jacpostajGK Instagram: gkleinschmidtPhotography: Matt AraquistainMusic: Andrew CoxGet in touch at hello@sceneandheardpod.comArts & Faith Top 100 ListSupport the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe

durée : 01:04:59 - Les Nuits de France Culture - par : Albane Penaranda - Une vie une oeuvre - Carl Theodor Dreyer (1889-1968) : De Vampyr à la résurrection, la passion du cinéma (1ère diffusion : 30/01/2011)

Hola Gerardo aquí en otro episodio de Simplemente Yo; La selección de esta semana es The Passion of Joan of Arc, es una película histórica silente francesa de 1928 basada en el registro real del juicio de Juana de Arco. La película fue dirigida por Carl Theodor Dreyer y protagonizada por Renée Jeanne Falconetti como Joan. Plot: La película resume el tiempo en que Juana de Arco estuvo cautiva de Inglaterra, representando su juicio y ejecución. Espero que lo disfruten ;) Información adicional del podcast: Enlace del website official de Filmic Notion Podcast: https://filmicnotionpod.com/ Enlace a nuestra página de Facebook: https://www.facebook.com/fnpod

Presenter Flick Ford speaks to musician Chiara Kickdrum about her immersive original score for Carl Theodor Dreyer's 1931 horror classic VAMPYR. Flick is then joined by guest critic Vyshnavee Wijekumar to review BONES AND ALL, before interviewing Chiara Pallini and Susan Bui about the 26th Japanese Film Festival, taking place in cinemas across Australia now until Dec 14.Facebook: https://www.facebook.com/primalscreenshow/Instagram: https://www.instagram.com/primal_screen_show/Twitter: https://twitter.com/primal_screen

On Saturday, November 5, The Hudson Valley Philharmonic, with guest Conductor Christine Howlett, will perform Richard Einhorn's “VOICES OF LIGHT” at The Bardavon in Poughkeepsie, New York. Einhorn's 1994 composition accompanies a screening of Carl Theodor Dreyer's 1928 silent film classic “The Passion of Joan of Arc.”

It's our Halloween episode AND our season one finale which begins with a visit to the Old Witch's lair where every bong rip could be your last. Big thanks to Tigger Franklin for her witchy cackle. It's a family affair here on OMFYS--a Franklin family affair. Our two films come from the 1930s, possibly the greatest decade for horror, but is it? We get into that before we get into our movies and weed recs. Cory comes out strong for the 1980s while Bob champions the classic monsters of the 30s, Greg makes the case for the sci fi 50s, and Philena urges us not to overlook Blumhouse and other 21st Century pleasures. Our first film is the quintessential classic BRIDE OF FRANKENSTEIN (1935), from the classic monster movie studio Universal and director James Whale. You've got Boris Karloff coming back as the monster and Elsa Lanchester as the iconic Bride that's inspired so many tattoos. We talk about the movie for over 45 minutes so I'll just let you listen. We go a little long here but it's our last episode of the season, and Cory tells Bob that people are way into long-assed podcasts now! To show the depth of horror in the 1930s, we contrast Bride's high camp and top production values with Danish director Carl Theodor Dreyer's more run-and-gun VAMPYR (1932), a haunting piece of low budget film making that often feels like somebody jammed a camera into your brain and filmed your worst nightmare. We wrap up with some reflection on our first season, and hope we can get our shit together for a Holiday Special. Please email us at old moviesforyoungstoners AT gmail dot com and remind us to stop gorging on Thanksgiving turkey and record a damned holiday ep. It'll help. And a note of apology here. We meant to have this ep online over a week ago but Bob had to take a trip to the hospital while he was half way through editing it. He's fine now, which is evident from this episode being here, and remember he got all the good drugs while he was away. HAPPY HALLOWEEN and see you in 2023. Hosts: Cory Sklar, Bob Calhoun, Philena Franklin, Greg Franklin Old Witch: Tigger Franklin Old Movies for Young Stoners theme and Funky Frankenstein by Chaki the Funk Wizard. Bride of Frankenstein is streaming on Criterion Channel, Peacock and tubi, and TCM will be showing it on Halloween itself. Vampyr is streaming on Criterion and HBOMax. Weed is at your local dispensary.

Jenny talks about the surreal classic directed by Carl Theodor Dreyer and based on the works of Sheridan le Fanu. Audio version: Video version: Please support us on Patreon! Don't forget to subscribe to our YouTube channel, like us on Facebook, and follow us on Twitter and Instagram. And check out our cool merch at our Zazzle store, and some board and … Continue reading Movie Retrospective: Vampyr (1932)

Conrado and Rachel are joined by Dylan Cuellar, co-host of the Great Movies podcast, to talk about GERTRUD, the final film by legendary Danish filmmaker Carl Theodor Dreyer. We talk about impenetrable performances, impeccable camera movements, transcendental ways of looking at love, and great last films. The Jonathan Rosenbaum essay mentioned in this episode: https://jonathanrosenbaum.net/2021/06/gertrud-as-nonnarrative-the-desire-for-the-image/ Follow Dylan on Twitter: https://twitter.com/DylanCuellar7 Listen to Dylan on The Great Movies Pod: https://podcasts.apple.com/us/podcast/the-great-movies-pod-a-retrospective-film-review-show/id1507636360 Follow us on itunes and leave you ratings and reviews: https://podcasts.apple.com/us/podcast/the-criterion-project/id1479953904 Follow us on anchor https://anchor.fm/criterionproject Follow our twitter at https://twitter.com/criterionpod Check out Conrado's webseries WORMHOLES on youtube https://www.youtube.com/channel/UC51Tg9gR5mXxEeaansRUYRw Follow Conrado's blog cocohitsny.wordpress.com/ Follow Conrado on Letterboxd https://letterboxd.com/cofalco21/ Listen to Conrado's other podcasts like Foreign Invader and Movie Marriage: https://podcasts.apple.com/us/podcast/foreign-invader/id1552560225 Rachel's Patreon: https://www.patreon.com/hallmarkies Follow Rachel's blog at rachelsreviews.net Follow Rachel on twitter twitter.com/rachel_reviews Listen to Rachel's Reviews on Itunes: https://itunes.apple.com/us/podcast/rachels-reviews/id1278536301?mt=2 Listen to Hallmarkies Podcast at https://podcasts.apple.com/us/podcast/hallmarkies-podcast/id129672828 Our intro is written by Michael Lloret: https://www.michael-lloret.com/ --- Support this podcast: https://podcasters.spotify.com/pod/show/criterionproject/support

oh boy, we go in on the buzzworthy indie filmmaker/auteur A24, via an article on Collider. You may be surprised to learn how connected Danish bad boy Carl Theodor Dreyer is to the modern behemoth behind such notable films as Antebellum, Lamb, mid90s, and Woodshock

In the thirteenth episode of Season 7 (Fantastical Realities) Kyle is joined by fellow podcaster Ben Thelen and cinematographer Ryan Alva to discuss the quotidian rhythms and slice of life tragedies within a farming family going through a crisis of faith in Carl Theodor Dreyer's late career masterpiece Ordet (1955).

Today's special episode of Doable Discipleship Jason interviews Dr. Richard Vance Goodwin about his book, Seeing Is Believing. In this Study in Theology and the Arts (STA) volume, theologian Richard Goodwin considers how the images that constitute film might be a conduit of God's revelation. By considering works by Carl Theodor Dreyer, Stanley Kubrick, Paul Thomas Anderson, Robert Bresson, Martin Scorsese, Terrence Malick, and more, Goodwin argues that by inviting emotional responses, film images can be a medium of divine revelation. For complete show notes, click HERE

durée : 00:32:00 - Les Nuits de France Culture - En 1985, dans sa série "Le Roman du cinéma" consacré à l'année 1928, Claude-Jean Philippe s'intéresse à "La Passion de Jeanne d'Arc" du cinéaste Carl Theodor Dreyer qu'il compare au "Roi des rois" de Cecil B. DeMille et au "Napoléon" d'Abel Gance. Le Roman du cinéma, épisode 4/15.

This Week's Special Subject is a look at the early silent cinema of Danish master Carl Theodor Dreyer, during the years preceding The Passion of Joan of Arc. We discuss Michael (1924), about the relationship between a famous painter and his male model, and Master of the House (1925), a comedy about the taming of a tyrannical patriarch. Subjects include Dreyer's unique take on the visionary possibilities of love, which can allow you to transcend ordinary human experience in one way or another; and the interrelationship of patriarchy, matriarchy, and the use of violence and fear in maintaining domestic discipline. And in our Fear and Moviegoing in Toronto segment, we briefly discuss Carné's romantic epic Children of Paradise (1945), generally considered one of the great masterpieces of French cinema, and another Kinuyo Tanaka film, Girls of the Night (1961), about the consequences for sex workers when prostitution was proscribed by law in mid-1950s Japan.    Time Codes: 0h 01m 00s:     Brief Intro. Carl Theodor Dreyer 0h 10m 29s:     MICHAEL (1924) [Dir. Carl Th. Dreyer] 0h 31m 35s:      MASTER OF THE HOUSE (1925) [Dir. Carl Th. Dreyer] 0h 49m 19s:      Fear and Moviegoing in Toronto – Carné's ENFANTS DU PARADIS & Tanaka's GIRLS OF THE NIGHT   +++ * Listen to our guest episode on The Criterion Project (coming next week!) – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

This week Mike is joined by James Swanton to discuss two early vampire movies, celebrating their 100th and 90th birthdays: FW Murnau's Nosferatu (1922) and Carl Theodor Dreyer's Vampyr (1932)! This episode is sponsored by friend of the pod Rebecca McCallum! Order yourself a copy of Rebecca's pocketbook, Mums + Sons, An Examination of the Child/Parent Relationship now!   We're hosting a LIVE PODCAST event! Grab yourself a ticket for our live show with special guests at Sundance London!  CLICK HERE FOR TICKETS Win yourself free tickets to see VAMPYR on the big screen for it's 90th anniversary at the Genesis Cinema in London on 6th June! Click here to enter on Twitter Music by Jack Whitney.  Visit our website www.evolutionofhorror.com  Buy tickets for our next upcoming EVOLUTION OF HORROR PRESENTS screening at the Genesis Cinema! www.evolutionofhorror.com/genesis You can now buy Evolution of Horror merch on our TeePublic store! www.evolutionofhorror.com/merchandise Subscribe and donate on PATREON for bonus monthly content and extra treats... www.patreon.com/evolutionofhorror  Email us!  Follow us on TWITTER Follow us on INSTAGRAM Like us on FACEBOOK Join the DISCUSSION GROUP Join our DISCORD Follow us on LETTERBOXD Mike Muncer is a producer, podcaster and film journalist and can be found on TWITTER  

The latest episode is another first for the podcast as this episode marks the first time we have gone back to talk about a filmmaker we've already dedicated an episode to. The reason for this landmark is Hannah Strong's new book on Sofia Coppola for Abrams Books, Sofia Coppola: Forever Young. The book is the first in the Abrams series to see a female filmmaker given such lavish treatment. Neil talks to Hannah about her approach to writing the book, Hannah's personal and cinephilic connection to Coppola's work and the trajectory her career has taken, and how she's wrestled with and managed emerging from such an auspicious family shadow to her position as one America's leading filmmakers in her own right. Elsewhere, Neil and Dario talk about Carl Theodor Dreyer's Vampyr, recently released on Blu-ray in a beautiful edition by Eureka Video/Masters of Cinema, and Sofia Coppola's position in American film culture and the demands and expectations this position comes with. ——— You can listen to The Cinematologists for free, wherever you listen to podcasts: click here to follow. We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only £2. We really appreciate any reviews you might write (please send us what you have written and we'll mention it) and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show. _____ Music Credits: ‘Theme from The Cinematologists' Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing

Jackie and Greg wrap up their string of silent films with perhaps the greatest of them all: Carl Theodor Dreyer's earth-shattering masterpiece from 1928. Topics of discussion include the constant use of close-ups, the various scores for the film over the years, comparisons to Robert Bresson's THE TRIAL OF JOAN OF ARC (and his distaste of Dreyer's film), and how Renée Falconetti's iconic performance is perhaps the greatest to ever grace the silver screen.#9 on Sight & Sound's "The 100 Greatest Films of All Time" list.https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out at our official website: https://www.sceneandheardpod.comJoin our weekly film club: https://www.instagram.com/arroyofilmclubJP Instagram/Twitter: jacpostajGK Instagram: gkleinschmidtPhotography: Matt AraquistainMusic: Andrew Cox

WoHos! This week we have a "mega-mini" to discuss Carl Theodor Dreyer's classic experimental/avant-garde Vampire film, VAMPYR.We hope you will listen and enjoy!Devin's Twitch show "Cronenberg or Cats" is at 8pm EST Saturdays on twitch.tv/ohheyitsdevin

I recap and review The Passion of Joan of Arc (1928) directed by Carl Theodor Dreyer and starring Renée Jeanne Falconetti. You can find the full list of the BFI's Greatest Films here. Music: Dark Flashes by Shane Ivers - https://www.silvermansound.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Simonetta Salvestroni"Cristo nei romandi di Dostoevskij"Edizioni QiqajonComunità di Bosehttps://www.monasterodibose.it/edizioni-qiqajon"Ciò che mi preoccupa continuamente è la questione di … chi sia Cristo … Cristo non è più oggettodella religione, ma qualcosa di totalmente diverso, veramente il Signore del mondo. Ma che significa questo?"Dietrich Bonhoeffer“I romanzi di Dostoevskij continuano a riproporre la domanda di cosa sarebbe possibile se noi vedessimo il mondo in un'altra luce, la luce offertaci dalla fede” (Rowan Williams). Tale domanda emerge con forza dal vissuto dei personaggi delle opere del grande autore russo. Il percorso delineato in questo libro ci conduce nel loro mondo interiore e nelle sofferenze che li travagliano, aiutandoci a scorgere la potenza che le parole e le azioni di Cristo esercitano su di essi. Da ciò possiamo anche noi essere provocati a riconoscere Cristo nelle nostre esperienze esistenziali, soprattutto nei momenti più oscuri e nelle situazioni che paiono senza via di uscita.Simonetta Salvestroni ha insegnato lingua e letteratura russa e critica del cinema presso l'Università di Cagliari. È autrice di saggi su Fedor Dostoevskij e sulla poesia russa del Novecento, e in ambito cinematografico di vari articoli e libri su Werner Herzog e Carl Theodor Dreyer. Presso le nostre edizioni ha pubblicato Dostoevskij e la Bibbia (2000) e Il cinema di Tarkovskij e la tradizione russa (2006).IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

durée : 00:29:59 - Les Nuits de France Culture - par : Philippe Garbit - Après "La Passion de Jeanne d'Arc" et "Vampyr", le cinéaste Carl Theodor Dreyer réalisa en 1943 "Jour de colère", un drame autour de femmes accusées d'être des sorcières dans le Danemark du XVIIème siècle. "L'Écran sans image" adaptait ce film pour la Chaîne Parisienne en janvier 1947. "L'Ecran sans image" proposait en 1947 une adaptation de Jour de colère, drame du cinéaste danois Carl Theodor Dreyer réalisé en 1943. Le thème du film, la sorcellerie, est difficile à porter à l'écran mais Dreyer, cinéaste accompli, réussit à éviter les effets faciles et grandiloquents. Il porte une intense attention aux visages et témoigne d'une grande sobriété dans la construction de son film.  * Jour de colère (le film est également connu sous le titre Dies Iræ) est une adaptation de la pièce Ann Pedersdotter de Hans Wiers-Jennsen. Nous sommes au Danemark au début du XVIIème siècle, Marte Herlofs, une femme âgée, est accusée d'être une sorcière. Que fera le pasteur de la ville et sa jeune femme Anne, dont la propre mère avait été accusée de sorcellerie ? Les voix se substituent ici aux images, l'histoire est interprétée par des comédiens tandis qu'une voix off décrit les décors et les actions. Production : Ned Rival - Présentation : Juliette Jérôme Réalisation : Jadi Petit L'écran sans image - Jour de colère, de Carl Dreyer (1ère diffusion : 01/01/1947 Chaîne Parisienne) Indexation web : Sandrine England, documentation sonore de Radio France Archive Ina-Radio France

Nella puntata di oggi analizziamo La Passione di Giovanna d'Arco, capolavoro di Carl Theodor Dreyer del 1928. Alla fine, Mattia confronta la pellicola del regista danese con Il Processo a Giovanna d'Arco di Robert Bresson (1962).

In questo episodio speciale Leo & Sacco vi parleranno di alcuni film che hanno visto al festival Il Cinema Ritrovato, la cui 35esima edizione si è appena conclusa a Bologna. I film della puntata: - I Wake Up Screaming di H. Bruce Humberstone (1941) - La Piscine di Jacques Deray (1969) - La Cosa di Nanni Moretti (1990) - De Man Die Zijn Haar Kort Liet Knippen (The Man Who Had His Hair Cut Short) di André Delvaux (1966) - Vampyr di Carl Theodor Dreyer (1932) - Nightmare Alley di Eduard Goulding (1947)

Le Septième Sceau est un film d'Ingmar Bergman (1957) dont le titre fait explicitement référence au livre de l'Apocalypse. Un chevalier revenant des croisades, dans son pays ravagé par la peste, joue sa vie lors d'une partie d'échec avec la mort. Thomas nous fait découvrir la richesse et la profondeur de ce film. REFERENCES•«Au Large Biblique » est un podcast conçu et animé par François Bessonnet, enseignant bibliste et prêtre en Vendée. https://www.aularge.eu/blog/le-podcast/ •Générique : Erwan Marchand (D.R.)•Épisode enregistré en avril 2021.•Sous Licence Creative Commons (cc BY-NC-ND 4.0 FR)SOURCES ET RESSOURCES•Le livre de l'Apocalypse de Jean https://www.aelf.org/bible/Ap/1 •Les autres épisodes : https://www.aularge.eu/blog/lapocalypse-dhier-a-demain/ •Œuvres : https://youtube.com/playlist?list=PL3wD3DhatHmcpFaHrkBaUDvoGkEnH8ehY •Musique : https://open.spotify.com/playlist/5PHF921roiOKhPvYAuMk5R?si=1adea6bc79d845b9 RETROUVEZ THOMAS SUR :•Twitter : @ThomasBondon : https://twitter.com/ThomasBondon •LinkedIn : https://www.linkedin.com/in/thomasbondon/ •Podcut fictions : https://podcast.ausha.co/podcut-fictions •CLAAC, Certains l'aiment à chaud : https://podcast.ausha.co/certains-l-aiment-a-chaud •Podcastéo : http://podcasteo.fr/ BERGMAN ET LE SEPTIEME SCEAU•Le septième sceau (Det Sjunde inseglet), film d'Igmar Berman (1957)•En DVD : edition collector, StudioCanal•Sur Netflix : https://www.netflix.com/title/70127971?s=a&trkid=13747225&t=cp •Sur la Cinétek : https://www.lacinetek.com/fr/film/le-septieme-sceau •Voir aussi : La quatrième alliance de Dame Marguerite, de Carl Theodor Dreyer (1920) : https://www.netflix.com/fr/title/81382124 et son analyse sur CLAAC https://podcast.ausha.co/certains-l-aiment-a-chaud/un-prince-a-new-york-2-la-quatrieme-alliance-de-dame-marguerite-the-invention-of-love •Scott Welker « The seventh seal » SUIVRE AU LARGE BIBLIQUE •Instagram : @aularge.eu https://www.instagram.com/aularge.eu/ •Twitter : @AuLargeBiblique https://twitter.com/AuLargeBiblique •Facebook : @aularge85 https://www.facebook.com/aularge85/ •LinkedIn : https://www.linkedin.com/in/fbessonnet/ •Youtube : https://www.youtube.com/user/aulargefbessonnet •Mail : podcast@aularge.eu •Newsletter : https://www.aularge.eu/blog/abonnement/ •RSS : https://www.spreaker.com/show/3266391/episodes/feed •VOS QUESTIONS sur https://www.aularge.eu/blog/votre-voix-minteresse/ Soutenir le podcast avec Tipeee : https://fr.tipeee.com/au-large-biblique 

Directed by Carl Theodor Dreyer and released in 1932, Vampyr has quite the story to tell both on and off the screen. A once neglected film, now appreciated for its techniques and creative story telling.

Details, credits, errata: This week we have the delightful Rob Weinert-Kendt, editor of American Theatre magazine and contributor to America, The New York Times, and many other discerning publications, and absolutely one of our favorite people. His terrific pitch was to watch Carl Theodor Dreyer’s 1928 silent drama The Passion of Joan of Arc, one of many movies made from the story of Joan’s trial, largely because, as Rob observes, there’s lots of documentary material about the trial, notably the transcript, available in English here.There are lots of Joans of Arc; Sam did indeed go to see the Manhattan Theatre Club’s terrible production of the George Bernard Shaw play with Rob, though he got the lead, Condola Rashad, mixed up with the lead from another bad Shaw production on Broadway, Sally Hawkins in Mrs. Warren’s Profession at the Roundabout. Poor Shaw. He’s a good playwright. Other notable Joans include The Messenger, starring Milla Jovovich and John Malkovich and directed by Luc Besson, his and Jovovich’s follow-up collaboration to their sci-fi flick The Fifth Element (The Messenger is not a success in any sense, but The Fifth Element slaps). Joan has been used by other playwrights, notably Bertolt Brecht, in Saint Joan of the Stockyards, which resets the story among unionizing Chicago meatpackers, and novelists including Terry Pratchett, whom you may remember from a few episodes ago, in his lovely Discworld novel Monstrous Regiment. Other filmed versions include George Méliès’ Jeanne D’Arc, which I’ll include below this paragraph on our website, and Das Mädschen Johanna, a Nazi version of the story. You can read Graham Greene’s review of it in The Spectator here.Our theme song is Louis Armstrong and His Hot 5’s Muskrat Ramble, made freely available by the Boston Public Library and audio engineering shop George Blood, LP through the Internet Archive. The Passion of Joan of Arc is in the public domain, and the image at the head of the page is from the film. All other material is copyright 2021 Sam Thielman and Alissa Wilkinson. This is a public episode. Get access to private episodes at yammpod.substack.com/subscribe

1968: Muore il regista danese Carl Theodor Dreyer - 1915: Nasce il celebre pianista Sviatoslav Richter

SNOBBIES! You are in for a TREAT! We have something in Film Snob lore called, "The Lost Episodes." In a hard drive mishap, we have unfortunately lost the first three episodes of The Film Snobs Podcast. We are proud to be releasing one of those lost episodes today, fully recovered. Next week we will be continuing on our topic of "Going on a Journey." With Ethan's surprise pick. But for now, Enjoy. In this episode, we discuss the works of Carl Theodor Dreyer. He made 5 movies in 5 decades and we are paying homage to those films. This was an epic to have completed. All excellent films. Films Discussed: The Passion of Joan of Arc (1928), Vampyr (1932), Day of Wrath (1943), Ordet (1955), and Gertrud (1964) Letterboxd: Eric Peterson: letterboxd.com/EricLPeterson/ Jared Klopfenstein: letterboxd.com/kidchimp/ Ethan Jasso:letterboxd.com/e_unit7/ Caleb Zehr: letterboxd.com/cjzehr/ Ricky Wickham: letterboxd.com/octopuswizard/ Leave us a 5 star review on Apple podcasts and we'll read it out loud on the pod.

Special guest Ella Smith joins the show to discuss Carl Theodor Dreyer’s The Passion of Joan of Arc (1928).

Mariages Funestes : Un Prince À New York 2 - La Quatrième Alliance De Dame Marguerite - The Invention Of Love Cette semaine, on part dans un délire nostalgique complet ! « Le Prince De New York » est de retour, et avec lui tout le cocktail de la grosse comédie des années 80 ! Le duo Eddie Murphy/Arsenio Hall rempile évidemment, et avec eux nombre de sketches qui s’enchaînent à vitesse folle. Pour quelque chose de réellement original ? L’équipe en discute. Pour contrebalancer la proposition d’un gros film, on est parti fouiner, trouver des petites pépites cachées. Direction Netflix ! Netflix, vous dites ? Dans les parties enfouies du catalogue, celles qui ne sont pas mises en avant par la plateforme, on peut dégoter de véritables trésors. On vous ressort du placard un film de 1920 de l’immense Carl Theodor Dreyen, « La Quatrième Alliance De Dame Marguerite » ! Muet, noir et blanc sont de rigueur pour notre plus grand plaisir. On termine sur Outbuster, la plateforme qui propose toujours des métrages improbables, pour nous diriger vers un film allemand, « The Invention Of Love ». Dans ce qui aurait dû être un drame sur un triangle amoureux, Lola Randl a dû trouver une solution pour pallier un problème unique : le décès de son actrice principale en plein milieu du tournage ! Trois horizons diverses, pour changer, bonne écoute ! Temporalité de l’épisode : 00:05:43 UN PRINCE À NEW YORK 2 (Coming 2 America) de Craig Brewer, avec Eddie Murphy, Arsenio Hall, Wesley Snipes… 00:32:51 LA QUATRIEME ALLIANCE DE DAME MARGUERITE (Prästänkan, 1920) de Carl Theodor Dreyer, avec Hildur Carlberg, Einar Rod, Greta Almroth…  00:53:54 THE INVENTION OF LOVE (Die Erfindung Der Liebe, 2014) de Lola Randl, avec Maria Kwiatkowsky, Bastian Trost… 01:15:37 Les Recos: La Fabrique De L’Ignorance, documentaire de Franck Cuvellier et Pascal Vasselin Meeting The man : James Baldwin In Paris (1970) de Terence Dixon Behind The Mask : The Rise Of Leslie Vernon (2006) de Scott Glosserman Flora Et Ulysse de Lena Khan 01:37:35 Bonus Episodes cités : L’épisode précédent : CLAAC I Care A Lot CLAAC Timmy Failure: AU CHAUD 5 Disney+ Thierry qui parle d’Outbuster : AU CHAUD 10 Outbuster Crédits :  Émission animée par Thomas Bondon, Thiery de Pinsun, Yassa Harbane, et Marwan Foudil Montage : Thomas Bondon  Générique original : Kostia R. Yordanoff (tous droits réservés) . Illustration : Eléonore Tain Logo dessiné par Jade Latour  Retrouvez aussi Certains l’aiment à chaud sur : Facebook : @claacpodcast Instagram : @claacpodcast Twitter: @CLAACpodcast Ausha Itunes / Apple Podcast Podcast addict  Spotify Deezer lepodcast.fr Google Podcast Podcloud Youtube Tumult

You thought we forgot didn't you? Well Dave Eves is back in action for our Part II on the legendary director Carl Theodor Dreyer. Dreyer Part 1: https://wrongreel.com/podcast/wr451-talking-carl-theodor-dreyer-with-dave-eves/ Follow Dave Eves on Twitter: https://twitter.com/CinemaVsDave Follow James Hancock on Twitter: https://twitter.com/WrongReel Wrong Reel Merchandise: https://teespring.com/stores/wrong-reel

ORDET von Carl Theodor Dreyer ist ein Film, der seine Mittel sparsam einsetzt, um eine Geschichte zu erzählen vom richtigen und falschen Glauben, von der Güte des Herzens und der Macht des Glaubens. Die Familie Borgen hat einen großen Hof auf Jütland. Der älteste Sohn Johannes hat soviel Kierkegaard gelesen, bis er den Verstand verloren hat und sich jetzt für Jesus hält. Der mittlere Sohn Mikkel ist zu glücklich verheiratet um an Gott zu glauben und der jüngste Sohn Anders ist zu verliebt, um an Gott zu denken. Aber der Vater der Braut stammt aus einer anderen evangelischen Tradition als die Familie Borgen und ist gegen die Verbindung. Mikkels Frau Inger (großartig: Birgitte Federspiel) ist hochschwanger – lebensgefährliche Komplikationen drohen bei der Geburt des Kindes. Kommt es jetzt auf die Fähigkeiten des Arztes an oder doch auf Gottes Willen? Als der nach außen schlicht und nüchtern wirkende Film einen großen religiösen Twist präsentiert, fliegt Thomas der Film um die Ohren. Lucas bleibt gefasst und weiß mit Marx, Heidegger und Adorno einen Weg heraus aus der cineastisch-religiösen Irritation. Es dauert etwas, bis sich die meisterhafte Kraft des Filmes entfaltet (Das Einwickeln mit Garn!) im letzten Drittel schließlich geht der Film dahin, wo noch nie ein Agnostiker zuvor gegangen ist und verursacht eine leidenschaftlich geführte Diskussion um die Macht des Kinos und des Glaubens. Extrem sehenswerter Film und – zumindest für geduldige Hörer und weihwasserfeste Fans – eine spannende Episode.

Join this group of geographically-challenged friends who explore movies through trivia as an excuse to keep their friendships alive. In this episode, they'll be discussing Passion of the Joan of Arc (1927), directed by Carl Theodor Dreyer.

Our season break hiatus came a little early and has lasted quite a while. But Luke returns with friend and guest Harry in Dionne’s stead, for an anniversary celebration of Mark Cousins’ documentary series on cinema history; The Story of Film. Harry is relatively new to considering the wide world of cinema as art and upon recommendation has been watching Cousins’ documentary series as a “way in” to understanding the history of cinema and important milestones and key figures. Enthusiasm proved infectious and Luke decided to rewatch alongside Harry to discuss viewing choices and insights from the series. Join us for a spirited talk about film through fresh eyes, in a wide-ranging discussion featuring an eclectic assortment of titles. We discuss an Iranian documentary short about a village where those suffering leprosy live, in Forough Farrohkhzad's The House is Black (Khaneh siah ast). The intense emotion laid bare in close-up in Carl Theodor Dreyer's The Passion of Joan of Arc. Harry espouses a newfound love for Agnès Varda's work with the discovery of her intimate portrait of Rue Daguerre shop owners in Daguerréotypes. Luke closes out the episode with a couple of recommendations. The rhythms of life, as seen on screen in a 24-hour period assembled from cinema, in Christian Marclay's video art installation piece The Clock. Finally, delving into the nature of self identity in Derek DelGaudio's filmed hybrid magic act meets performance and spoken word stage show; In & Of Itself. Titles this episode: The House is Black (1963) (14:30) [ DVD ] The Passion of Joan of Arc (1928) (34:25) [ Amazon Digital | HBO Max | Criterion Collection Disc | Criterion Channel | Kanopy ] Daguerréotypes (1976) (1:01:15) [ Criterion Collection Disc | Amazon Digital | Criterion Channel | Mubi | Fandor ] The Clock (2010) (1:18:45) [ Not currently in exhibition ] In & Of Itself (2020) (1:27:40) [ Hulu ] Other Links & Mentions: Harry mentioned this one when we discussed the Criterion Collection. Please do check out his reviews! DaisukeBeppu's Youtube Channel Follow Us: You can find us online via DIY Film School: Facebook Instagram Twitter Our Website (under construction) Subscribe on Apple Podcasts Harry will return for another chat or two further along his journey. Though we just might have another unconventional episode in store for you next week…

A return to the Dutch filmmaker, Carl Theodor Dreyer, and his 1955 film on three brothers, crazed prophets, and the possibility of miracles. Intro music: "Magne Pater" by Dominican Schola Cantorum. Outro music: "The Word" by The Beatles.

We sojourn way back to 1932 for this week’s film, but don’t be fooled: this incredible vampire tale feels eerily real and strangely modern. Perhaps ahead of its time with incredible, sweeping camera work, indelible art direction, and an experimental, dream-like spirit, Tim and Ryan absolutely loved Vampyr. Sinking their teeth deep into the neck of this timeless classic, they couldn’t help but conjure a double “buy it!” Where we watched: The Criterion Channel Vampyr (1932) Directed by Carl Theodor Dreyer Written by Carl Theodor Dreyer and Christen Jul RecommenDEADtions: Happiest Season / The Santa Clause and The Santa Clause 2 Next week’s film: New Year's Evil (1980)

We welcome our guest Brian Higgins, the Executive Creative Director of Mental Healthy FIT and fan of Vampyr, to talk all about Carl Theodor Dreyer's horror masterpiece. We delve into what makes this film feel like a nightmare, how it compares to other vampire films from the time like Nosferatu and Dracula, as well as the short story it's based on.Where to watch Vampyr (1932)Where to watch Baby Face (1933)

A discussion of Carl Theodor Dreyer's 1928 film on the final days of medieval Europe's best-documented female saint. Involves: wide eyes, wicked theologians, and slowly panning cameras. Intro music: "Magne Pater" by Dominican Schola Cantorum. Outro music: "Poets and Mirros" by Hope & Justin.

Support the show! Today we examine an early talkie, a film which, despite the presence of audio dialogue and sound effects, still feels very much like a silent picture. Even so, there’s something about Carl Theodor Dreyer’s Vampyr that is incredibly contemporary. Join us as we discuss the second film in our month of Halloween horror. Sources Bordwell, David: “Carl Theodore Dryer’s Most Unusual Experiment” video essay on Criterion https://www.criterion.com/current/posts/6771-carl-theodor-dreyer-s-most-unusual-experiment Carl Th. Dreyer website: https://www.carlthdreyer.dk/en Craig Holte, James: “Not All Fangs Are Phallic, Female Film Vampires” in Journal of the Fantastic in the Arts Wikipedia

durée : 00:29:59 - Les Nuits de France Culture - par : Philippe Garbit, Albane Penaranda, Mathilde Wagman - Après "La Passion de Jeanne d'Arc" et "Vampyr", le cinéaste Carl Theodor Dreyer réalisa en 1943 "Jour de colère", un drame autour de femmes accusées d'être des sorcières dans le Danemark du XVIIème siècle. "L’Écran sans image" adaptait ce film pour la Chaîne Parisienne en janvier 1947. - réalisation : Virginie Mourthé

durée : 01:04:59 - Les Nuits de France Culture - par : Philippe Garbit, Albane Penaranda, Mathilde Wagman - Par Fabrice Midal - Avec Charles Tesson, Jean Douchet, Jean-Marie Touratier, Pascale Raynaud, Carl Theodor Dreyer (réalisateur) et Hélène Falconetti - Réalisation Céline Ters - réalisation : Virginie Mourthé

Less to choose from this year as World War II ravages the globe, but 1943 did bring us another Hitchcock classic, the birth of Italian neo-realism, a new masterpiece from Carl Theodor Dreyer, a highly influential silent short from Maya Deren, and (some say) the most quintessentially British film ever made. But which one film has best stood the test of time? Join Rachel Schaevitz and Aaron Keck as they discuss the year in cinema, the merits of noir, the appeal of Joseph Cotten, gritty realism, witch hunts, bread knives, and why Winston Churchill banned the Archers - and then we'll look at the numbers (including the results of our expert panel vote) and crown the best picture of 1943. The nominees are Day of Wrath, The Life & Death of Col. Blimp, Meshes of the Afternoon, Ossessione, and Shadow of a Doubt. Who wins the Moonlight? 

Les visages de l’histoire du cinéma composent une mosaïque de souvenirs extrêmement importante pour chacun d’entre nous. On n’oublie jamais les visages des films d’Eisenstein ou de ceux de Charlie Chaplin. Parmi les cinéastes du XXe siècle, Ingmar Bergman est sans doute un cas exceptionnel de ce point de vue. Chez lui, le visage (féminin, surtout) est un support de narration et d’expression psychologique privilégié, en particulier dans quelques films comme Le Silence (1963), Persona (1966) et Cris et Chuchotements (1972), sans oublier Le Visage (1958). Avec des plans très serrés, jusque-là assez rares au cinéma, Bergman, fortement inspiré par Carl Theodor Dreyer (1889-1968) fait apparaître une palette d’émotions et de sensations très fortes. Chez Bergman, comme chez Picasso (Jeune Fille au Miroir, 1932) ou chez David Lynch (Mulholland Drive, 2001), le visage est lié à la notion du « double » : deux visages de femmes s’opposent, magnétiques, séducteurs, énigmatiques comme des masques. Souvent, deux visages semblent souhaiter n’en former qu’un. Car le visage est au cœur de la relation avec l’autre, même si cette relation se caractérise, comme dans les films de Bergman, par une incommunicabilité fondamentale. Le visage apparaît ici comme le centre des expressions renvoyant au rapport de force entre les personnes. Une tension que Bergman, génie du voyeurisme et de la cruauté, a su comme nul autre illustrer dans ses films. Consulter les images de la présentation en ligne : https://download.ifmparis.fr/document/LeonardoMarcos.pdf Une conférence de Leonardo Marcos, artiste : fr.wikipedia.org/wiki/Leonardo_Marcos Festival IFM 2020 (thème : le visage). 27 juin 2020

HBO MAX Talk PS we love it (5:00) #ReleasingTheSnyderCut (8:00) Tenet X Fortnite: The collab no one wanted (14:15) How badly we want to go back to the theater (17:15) 215 Logan by James Mangold (18:30) 214 The Passion of Joan of Arc by Carl Theodor Dreyer (26:30) 213 Rush by Ron Howard (31:40) 212 Ben Hur by William Wyler (38:15) 211 Platoon (43:20) Next Take we will be unveiling our new merchandise

Repaso a la actualidad del mundo del cine: Estrenos del 6 de marzo, el clasicazo de Carl Theodor Dreyer 'Gertrud' y la sección VoD con 'Su último deseo'. 0' - Presentación. 1' - Taquilla. 4' - El cinéfilo viajero (Blogos de Oro y Premios Unión Actores/actrices) 8' - La morgue - Especial Max Von Sydow. 13' - Onward. 26' - Harriet. 32' - Lo mejor está por llegar. 36' - Invisibles. 47' - EL CLÁSICO: GERTRUD de Carl Theodor Dreyer (1964). 61' - Bloodshot. 65' - El viaje de Javier Heraud. 69' - Skin. 77' - La camarista. 80' - ESTRENO VOD: Su último deseo (Netflix). 84' - Salvar o morir. 88' - La ola verde. 90' - Resto estrenos y despedida con Michael Oldfield en 'El exorcista'.

A pedido de nuestros espectadores hicimos una lista comentada de más de sesenta grandes películas de horror de 1920 a 2019. En este programa comentamos la primera mitad de la lista: 1. El gabinete del doctor Caligari (1920) de Robert Wiene 2. La carreta fantasma (1921) de Victor Sjöström 3. Häxan: la brujería a través de los tiempos (1922) de Benjamin Christensen 4. Nosferatu (1922) de Wilhelm Murnau 5. Drácula (1931) y Fenómenos (1932) de Tod Browning 6. Vampyr (1932) de Carl Theodor Dreyer 7. La mujer pantera (1942) de Jacques Tourneur 8. Los ojos sin rostro (1960) de Georges Franju 9. El fotógrafo del pánico (1960) de Michael Powell 10. Los inocentes (1961) de Jack Clayton 11. Psicosis (1960) y Los pájaros (1963) de Alfred Hitchcock 12. Carnaval de las almas (1962) de Herk Harvey 13. A medianoche me llevaré tu alma (1964) y el resto de las películas de Zé do Caixão de José Mojica Marins 14. Kwaidan (1964) de Masaki Kobayashi 15. Repulsión (1965) y El bebé de Rosemary (1968) de Roman Polanski 16. Drácula, príncipe de las tinieblas (1966) y The Devil Rides Out (1968) de Terence Fisher 17. Hasta el viento tiene miedo (1968), El libro de piedra (1969) y Más negro que la noche (1975) de Carlos Enrique Taboada 18. La noche de los muertos vivientes (1968) de George A. Romero 19. Amores de vampiros (1970) de Roy Ward Baker 20. Santo contra las momias de Guanajuato (1970) de Federico Curiel 21. Duelo (1971) y Tiburón (1975) de Steven Spielberg 22. El hombre de mimbre (1973) de Robin Hardy 23. El exorcista (1973) de William Friedkin 24. No mires ahora (Amenaza en la sombra, 1973) de Nicolas Roeg 25. La masacre de Texas (1974) y Poltergeist (1982) de Tobe Hooper 26. Carrie (1976) de Brian de Palma 27. La profecía (1976) de Richard Donner 28. Suspiria (1977) de Dario Argento 29. Eraserhead (1977) y Twin Peaks: Fuego camina conmigo (1992) de David Lynch 30. Nosferatu (1979) de Werner Herzog Transmitido como video el 28 de enero de 2020

Collin and Chris discuss a few of their favorite Halloween and Horror films before diving in to 1986's The Fly and 2013's Under the Skin. Join us as we discuss two very different examples of the Horror Genre.Favorite Halloween and Horror Films:Der Golem, Paul Wegener (1920)Haxan, Benjamin Christensen (1922)Vampyr, Carl Theodor Dreyer (1932)Night of the Living Dead, George A. Romero (1968)The Exorcist, William Friedkin (1973)Alien, Ridley Scott (1979)The Thing, John Carpenter (1982)Beetlejuice, Tim Burton (1988)Bug, William Friedkin (2006)Funny Games, Michael Haneke (2007)Antichrist, Lars Von Trier (2009)Take Shelter, Jeff Nichols (2011)Under the Skin, Jonathan Glazer (2013)Enemy, Denis Villeneuve (2013)Only Lovers Left Alive, Jim Jarmusch (2013)The Witch, Robert Eggers (2015)Mandy, Panos Cosmatos (2018)Rocky Horror Picture Show, Jim Sharman (1975)Shaun of the Dead, Edgar Wright (2004)Misery, Rob Reiner (1990)

Bill Gaines changed the comic industry in multiple ways, in multiple eras, it just so happens that our favorite involved schlocky gore and stolen stories. The "source material" included works from Ralph Murphy, Robert Florey, F. Marion Crawford, Arthur Machens, W.F. Harvey, H. P. Lovecraft, Edgar Allan Poe, Ray Bradburry, David H. Keller, and Carl Theodor Dreyer.  In the episode, we try to herald the artists of the comic, including Wally Wood, Johnny Craig, Graham Ingels, George Evans, Jack Kamen, and Joe Orlando. Truly, the art is what distinguished this series more than anything else.  We also touch on the cartoon series, Tales from the Cryptkeeper, the feature films (Tales from the Crypt and The Vault of Fear), and the bizarre game show, Secrets of the Cryptkeeper's Haunted House.  This week's "Hidden Track" is Makes My Blood Dance with their song Sick as Our Secrets. www.makesmyblooddance.com If you ever have feedback or recommendations on future episodes, please let us know at slasherspod@gmail.com. You can always find us on our social media: Instagram, Twitter, Slasher App: @slasherspod Facebook: /slasherspod Reddit: u/slasherspod https://www.youtube.com/c/slasherspodcast comics, comic books, art, horror, movie reviews, interview, behind the scenes, documentary --- Support this podcast: https://anchor.fm/slasherspod/support

“Why does the doctor always come at night?” It's just a guess, but maybe he's one of the children of the night? Join this episode's Grue Crew – Whitney Collazo, Joseph Perry, Chad Hunt, and Jeff Mohr – as they visit the somnambulistic world of Carl Theodor Dreyer in his underrated classic, Vampyr (1932). Decades […]

“Why does the doctor always come at night?” It’s just a guess, but maybe he’s one of the children of the night? Join this episode’s Grue Crew – Whitney Collazo, Joseph Perry, Chad Hunt, and Jeff Mohr – as they visit the somnambulistic world of Carl Theodor Dreyer in his underrated classic, Vampyr (1932). Decades […]

Dave Eves returns to the show to shine a light on some of the best early films by the great Carl Theodor Dreyer. Follow Dave Eves on Twitter: https://twitter.com/CinemaVsDave Follow James Hancock on Twitter: https://twitter.com/colebrax

di Carl Theodor Dreyer, 1964. In conduzione Roberto Silvestri

di Carl Theodor Dreyer, 1964. In conduzione Roberto Silvestri

Wanting what you can't have.

Viatgem a Prat de Comte, el poble on fuig la protagonista d'"El risc m

Viatgem a Prat de Comte, el poble on fuig la protagonista d'"El risc m

Frisking Bogie's Butt Graham and Aidan welcome a new reviewer to the show this week as Sarah comes on board to help us with our hella-tight analysis of Greta Gerwig's "Lady Bird". It's an Oscar front-runner despite featuring no references to the Dunkirk evacuation whatsoever - but what did we think of it? Off the Shelf sees Aidan taking a close-up look at Carl Theodor Dreyer's "Michael", which has now been reissued on Blu-Ray by Masters of Cinema. Meanwhile, Sarah gives a suspiciously intimate pat-down to Warner Archives's new release of the John Huston's classic "The Maltese Falcon". Enjoy it while it lasts because there are terrible things coming next week - and we're not talking about Monster Family. If you enjoyed the show, then head over to https://www.patreon.com/thegeekshow and give what you can, however much that might be. Your support will enable us to continue waxing nonsensically about the magic of movies. #Podcast #TheGeekShow #CinemaEcelctica #Eclectica #Movies #Reviews #Films #News #Oscars #Oscars2018 #LadyBird #GretaGerwig #Indie #WarnerBros #HMV #TheMalteseFalcon #JohnHuston #FilmNoir #Dunkirk #Michael #MastersOfCinema #Eureka #CarlTheodorDreyer #Germany #SilentFilm #Silent #LGBT

I would not be a cinephile without Carl Theodor Dreyer's "The Passion of Joan of Arc." This silent film from 1928 awakened me to the power of cinema and changed my life forever. On this episode, I discuss the life and times of Joan of Arc, provide behind-the-scenes information about how the film was made, and offer my own analysis of the film itself and why it made such a monumental impact on me. Consider making this podcast sustainable by supporting it on Patreon. Subscribe to the Her Head in Films Newsletter. Follow me on Facebook, Twitter, Instagram, and Tumblr. Original artwork by Dhiyanah Hassan

We've got a bit of a looser episode of Monster Kid Radio this week. Bride of Frankenstein (dir. James Whale) played at the Kiggins Theatre (Vancouver, WA) earlier this month, and Chris McMillan from The Shadow Over Portland ( joined Derek for the film. Last weekend, Portland's NW Film Center showed the original King Kong (dir. Merian C. Cooper, Ernest B. Schoedsack) and Vampyr (dir. Carl Theodor Dreyer), and Chris was along for the ride again. And as an added bonus, Dominique Lamssies helped guide Derek through his first-time viewing of the 1932 vampire film. Dominique also provides a reading of her short story "Bad Ritual." All this, plus FEEDBACK. Voicemail: 503-479-5MKR (503-479-5657) Email: (.mp3s of every episode of Monster Kid Radio are available for download at our barebones behind-the-scenes website at ) The Forgotten Horrors Podcast - Sideshow Cinema - House of Silent Graves - Monster Kid Radio on TeePublic -    > "Ossuary 1 - A Beginning" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License All original content of Monster Kid Radio by is licensed under a .

On this week's episode of Another Look, we begin our series on faith based movies.  First, we discuss a movie none of us knew a lot about, Carl Theodor Dreyer's ORDET! Then we dive into Martin Scorsese's ambitious Jesus Christ tale THE LAST TEMPTATION OF CHRIST. Will one of our co-hosts take the record for least words spoken during a review? Tune in to find out.  Please send any and all feedback to anotherlookpod@gmail.com. 

A traveler obsessed with the supernatural visits an old inn and finds evidence of vampires.Director: Carl Theodor Dreyer (as Carl Th. Dreyer)Writers: Sheridan Le Fanu (based on a book by), Christen Jul (screenplay), 1 more credit »Stars: Julian West, Maurice Schutz, Rena Mandel - via IMDB https://archive.org/details/Vampyr1932

In our third episode we're tackling 1932's most provocative horror film. We start with our old pal Tod Browning and his cult classic Freaks and then move onto European art house classic Vampyr (dir. Carl Theodor Dreyer). Both films are as subversive today as they were when they came out. Also: switchblades, the Ramones, and vampire face. Next week we stay in 1932 with The Mummy and White Zombie.

Fred e Alexandre voltam com Fernando Brito, curador da Versátil (uma das melhores distribuidoras de home video do Brasil e que lançou recentemente o box “A Arte de Carl Th. Dreyer”) para discutir a seleta filmografia do diretor dinamarquês Carl Th. Dreyer, agora completando a obra deste grande cineasta em nossa galeria. Neste segundo e último episódio desta série, o Podcast Filmes Clássicos passa brevemente por seus curtas e analisa os filmes “Dias de Ira” (Vredens Dag, 1943), “A Palavra” (Ordet, 1955) e seu último trabalho, “Gertrud” (Gertrud, 1964). Carl Theodor Dreyer foi influência para diversos cineastas de seu tempo, como Jean Luc Goddard, Eric Rohmer, Andrei Tarkovski entre tantos outros.

"Accounts from many ages and lands tell of terrible demons called vampires.  Under the bright light of the full moon, they rise from their graves to suck the blood of children and young adults and thus prolong their shadowy existence." Just after Dracula (1931) haunted American theaters, a Danish filmmaker named Carl Theodor Dreyer was testing the waters of European horror with Vampyr (1932), a simple tale with a paradoxical hallucinogenic plot that some argue topped Dreyer's previous masterpiece, The Passion of Joan of Arc (1928). Vampyr is the story of a girl who is bitten by the titular monster and her family's efforts to cure her of the resulting disease, but it is told in such a way that viewers are challenged to figure out if what they are seeing is actually part of the plot, or a fever dream on the part of the protagonist.  Watching it is an experience not to be forgotten, and second viewings can be even better; even if one were to criticize its simplistic story, it still stands alone 84 years later as a bizarre work of art and an outstanding early contribution to the horror genre. Have a comment or a question for the host?  Email Sean at 1001moviespodcast@gmail.com, follow him on Twitter @1001MoviesPC, and look for the podcast's Facebook page.

In the premiere episode of The Criterion Chat, Nate and Matt examine Carl Theodor Dreyer's landmark 1928 silent film "The Passion of Joan of Arc" and its place in the Criterion Collection.

On today's show, Flixwise co-producer Martin Kessler and frequent guest Anne Marie Kelly, join Lady P for a surprisingly light-hearted discussion of the 43rd Sight and Sound entry: Carl Theodor Dreyer's 1964 swan song, GERTRUD. GERTRUD, a film about the ecstasy and heartbreak that comes with devoting one's life to a single all-encompassing ideal, isn't exactly great material for a giggle-fest. Never-the-less, our panel manages to have itself a good time discussing whether or not Dreyer's film is worthy of its ranking in the hallowed List. Next, Anne Marie offers listeners a primer on this year's TCM Film Fest - an annual event where movie fans gather in Los Angeles, CA. to watch classic films in historic Hollywood movie palaces. This year's festival theme is 'Moving Pictures'. To celebrate, the panelists list off the titles they're most looking forward to in the fest, plus they talk about the 'moving pictures' that they would show were they in charge. Longtime listeners may notice that this topic bears a vague similarity to some discussions that Flixwise has covered in the past, but rest assured, this discussion is completely unlike anything we've ever talked about before, ever... except maybe this and kinda this.

In the inaugural episode of Daughters of Darkness, Kat and Samm explore the history of lesbian vampire films. This first episode of three begins by examining the lesbian vampire from her origins in eighteenth century Gothic literature, particularly Samuel Taylor Coleridge’s unfinished poem “Christabel” (1797) and Irish writer Sheridan Le Fanu’s story “Carmilla” (1871), both of which explore themes of monstrosity, repressed sexuality, and female identity. “Carmilla” — the source material for the majority of lesbian vampire films — follows a lonely young woman named Laura, who makes a strange, seductive new friend, Carmilla, whose designs on Laura are decidedly sanguinary. Carl Theodor Dreyer’s surreal horror film Vampyr (1932) was the first to adapt “Carmilla,” however loosely, but was followed soon after by the more straightforward Universal horror film, Dracula’s Daughter (1936). The latter — with its depiction of an elegant, sympathetic female vampire reluctantly driven to act out her bloodlust out on female as well as male victims — was among the first to portray vampirism as a blend of madness, female hysteria, sexual dysfunction, and addiction. Dracula’s Daughter would influence subsequent adaptations of “Carmilla,” like Roger Vadim’s lush arthouse effort Blood and Roses (1960) and obscure Italian Gothic horror film Crypt of the Vampire (1964). The film co-starred Hammer star Christopher Lee, who spends much of the running time in an outrageous smoking jacket. Speaking of Hammer studios, the episode wraps up with a discussion of their Karnstein trilogy, a watershed moment for lesbian vampire cinema. Films like The Vampire Lovers (1970), Lust for a Vampire (1971), and Twins of Evil (1971) — as well as some of the studio’s outlier efforts like The Brides of Dracula (1960) or Countess Dracula (1971) — left a bloody mark on vampire films. With minimal violence and plenty of nudity from buxom starlets like Ingrid Pitt, these films generally depict aristocratic vampires preying on innocent young ladies in pastoral settings. A film like The Vampire Lovers was famous for its use of lesbianism and casual nudity, but is quite restrained compared to the films discussed in episode two by European directors like Jess Franco and Jean Rollin.

Welcome back to another episode of Chronicle Podcast (An Almanac of Old World Horrors), this is season 1 episode 2. This is a podcast dedicated to discussing European Horror Cinema only and is the brainchild of podcaster Duncan McLeish (The Podcast Under the Stairs). Each season will run for 6 episodes and drop every two weeks with season 1 looking exclusively at European Horror Cinema through its Vampires. With an emphasis on giving you an insight into some of the weird and wonderful stories behind the movies, we continues our journey with Vampyr (1932). This movie is now lauded over but at the time of release caused mass walkouts and riots. The stress and pressure of its critical bashing would ultimately see it’s director suffer a nervous breakdown? Chronicle Podcast was researched, written, recorded and produced by me for you!! Join me next time to look at Black Sunday (1960). Thanks to Von Hertzog for the Chronicle Podcast theme song and check out his work at https://vonhertzog.bandcamp.com Thanks to D3tail for allowing me to use ‘Mobile’ & ‘Ask for More’ on this episode. Check out his work at https://soundcloud.com/d3tails Sources used on this episode: https://en.wikipedia.org/wiki/Vampyr https://en.wikipedia.org/wiki/Carl_Theodor_Dreyer http://www.filmsufi.com/2009/10/vampyr-carl-dreyer-1932.html http://escholarship.org/uc/item/97m380jb#page-1 http://www.theguardian.com/film/2010/oct/22/vampyr-dreyer-horror http://www.tasteofcinema.com/2015/filmmaker-retrospective-the-spiritual-cinema-of-carl-theodor-dreyer/2/ [...] The post Chronicle – Episode 2: Vampyr (1932) appeared first on Legion.

La última película de este maestro danés del cine mundial tiene el aspecto exterior de un drama declamatorio, un poco como las películas de los Straub, y una trama de telenovela con personajes rimbombantes. Gertrud es una musa cuyo único contenido es el deseo de amor absoluto, que le sirve para inspirar a poetas, políticos y músicos, pero que recibe a cambio de una insatisfacción radical cuyo despliegue se mueve en el mundo de las palabras... pero es mostrado con recursos fílmicos. Depurados, discretos, perfectos. Sin embargo su deliberado aspecto anticuado se come en parte a esta película, un gran cierre que no opaca a la verdadera obra maestra de Dreyer: La pasión de Juana de Arco (1928). De esto y más hablamos en el podcast.

Movie Meltdown - Episode 290 This episode we're coming to you "live" from the second annual "Meltdown Macabre", our own horror and Halloween celebration. We kick things off with some creepy cartoons and then we head into our Project: Poe feature - the 1928, French, silent version of "The Fall of the House of Usher". Then we sit down for our usual movie discussion, only this time we are joined by Bermudan, the band who provided us with a live performance of an original score to accompany the film. Plus we round out this year's Halloween episodes as we talk about some of our favorite movies to watch this time of year. And while we go over the shuffling around of some of our favorite silent films, we also mention… Max Fleischer, studio tampering, senses are very overwhelming, Persona, really desolate face, burning alive, discerning the strobe effect, Ed Wood, all of our music is weirdo stuff, extreme areas of the screen, Salvador Dalí, Birth of a Nation, F.W. Murnau, I’m watching a horror story in my childhood, The Adventures of Mark Twain in Hell, I’m not scared ever… but I just feel unsettled for the next six days, Grady from Sanford and Son, is it a mental illness or is it paranormal, this wall of sound, cinematography derived from photography style, Tod Browning, progressive European style, Hour of the Wolf, the fairies are coming to get you, At the Mountains of Madness, Carl Theodor Dreyer, body horror, John Carpenter’s Halloween, homo floresiensis, Usher and Honey Nut Cheerios bee, sister vs. wife, catatonic glances, sounds have certain colors, Ian MacKaye, The Keep, shooting unconventionally, surrealism, the Universal monsters, Don’t be Afraid of the Dark, Prometheus, The Unholy Three, that’s just France, hazy guitar effects, reappears all ghostly, it’s like you hear something in another room, witchcraft and demons ensue, having a large tool set, the enormous train, D.W. Griffith, From Beyond, Guillermo del Toro, The Exorcist, Blood on Satan’s Claw, it’s the nondescript Edgar Allen Poe, in times past, when people had names like Roderick and lived in castles, vintage clothing, Robert Fripp, Ingmar Bergman, skinny pipe jeans, Jean Epstein and fuzzy eyeballs. “It’s an experience. I’m going to suspend you upside down in this really unusual world for a while, until you sort of lose your sense of perspective and that gradually makes you a little crazy as you’re watching the movie.” For more on Bermudan, go to: http://bermudan.bandcamp.com/

Film lecturer Andy Willis reviews Ordet, a wise exploration of pride, prejudice and pretensions to devout faith from director Carl Theodor Dreyer. Ordet screens at Cornerhouse on Sun 13 and Wed 16 May as part of Matinee Classics.