Podcast appearances and mentions of Charles Hazlewood

Het Paraorchestra van Charles Hazlewood is een bijzonder orkest, dat samengesteld is uit professionele musici, van wie een deel leeft met een fysieke functiebeperking. Op 13 juni bezoekt het orkest het Holland Festival in het Concertgebouw met het concert The Aanatomy of the Orchestra | Drone Refractions. Bijzonder is dat het publiek voor deze gelegenheid ook tussen de orkestleden kan rondbewegen, met of zonder rolstoel of andere hulpmiddelen. Hazlewood, die zijn loopbaan als veelgevraagd dirigent van toporkesten inruilde voor het exclusief werken met zijn Paraorkest, heeft hiervoor heel persoonlijke redenen. In deze podcast vertelt hij daar uitgebreid over. Het interview is in het Engels. Een paar van de belangrijkste citaten vatten we hier samen in het Nederlands. Wat is de beste manier om van muziek te genieten? Is dat thuis met een koptelefoon, met een geluidssysteem van een miljoen pond in een concerthal, op straat of in het midden van het orkest?"Als ik zou moeten kiezen, zou ik altijd zeggen dat de beste manier om muziek te ervaren is wanneer je er middenin zit. Het Anatomy of the Orchestra-project ontstond uit een ervaring die ik had toen ik zes jaar oud was. Ik was met mijn moeder naar een orkestrepetitie gekomen, en zat helemaal alleen in een enorm leeg auditorium naar een gigantisch symfonisch orkest te kijken dat aan het repeteren was. De dirigent zei op een gegeven moment: 'Je ziet er behoorlijk eenzaam uit daar beneden. Waarom kom je niet tussen ons zitten terwijl wij repeteren?' Ik ging bij de altvioolsectie in het midden van het orkest zitten. Niets had me kunnen voorbereiden op die waterval van prachtig geluid die op me neerdaalde. Mijn leven veranderde op dat moment. Sindsdien wil ik dat soort ervaring aan het publiek cadeau geven."Hoe combineer je de individuele vrijheid van muzikanten met de discipline van een orkest?"Mijn taak als dirigent is om een overkoepelende architectuur te creëren, een soort zeer veilige en toch vruchtbare en vrije plek, een structuur waarbinnen er dan bijna oneindige vrijheid is voor elke muzikant om het unieke van zichzelf in te brengen. Dus ja, er is discipline. Natuurlijk is er discipline zoals bij een legerpeloton, maar tegelijk ook zoveel meer vrijheid dan je ooit zou vinden in een legerpeloton."Dirigenten staan soms bekend als despoten. Hoe zorg je ervoor dat de noodzakelijke discipline binnen een orkest niet leidt tot excessen in leiderschap? "Voor mij gaat leiderschap absoluut niet over dwang. Dat is een soort oud, patriarchaal model van leiderschap, waarvan ik hoop dat het allang dood en begraven is. De grootste leider is naar mijn mening de grootste luisteraar. Leiderschap gaat over luisteren. Het gaat over het creëren van een platform voor andere mensen om te schitteren, omdat we meer zijn dan de som van onze delen."Hoe ontstond het idee voor Paraorchestra?"Ik heb vier kinderen en mijn jongste, prachtige kind werd geboren met hersenverlamming. In haar korte leven zette dat me aan het denken over die hele gemeenschap van mensen waar ik nooit eerder aan had gedacht. Ik begon me af te vragen: waarom heb ik in meer dan drie decennia dat ik orkesten over de hele wereld heb geleid, nooit een gehandicapte muzikant in een orkest gezien? In het VK identificeert 20% van de bevolking zich als gehandicapt. Dat is een enorme minderheid om over het hoofd te zien."Hoe verhouden aangepaste instrumenten zich tot de symfonische traditie?"Ik praat over het orkest als een voortdurende, moderne en toekomstgerichte traditie. We komen vast te zitten wanneer we orkesten alleen als bewakers van een traditie zien. Het orkest biedt het mooiste, en breedste spectrum in muziek. Er is geen reden waarom zoiets niet kan blijven ontwikkelen. Orkesten zijn bewakers van traditie, maar ze zijn ook het meest betrokken team dat mensen kunnen bedenken. Het is zo modern als de mensheid permanent modern blijft."Worden er nog steeds nieuwe instrumenten ontwikkeld voor mensen met beperkingen?"Er worden voortdurend nieuwe ondersteunende technologie-instrumenten uitgevonden, aangepast aan de specifieke behoeften, de sterke punten en de zwakke punten van een bepaalde musicus. Ik ben musicus, dus ik ben niet echt geïnteresseerd in hoe een stuk technologie in elkaar steekt. Ik wil alleen weten wat het kan doen."Hoe moeten muziekscholen en conservatoria omgaan met deze ontwikkelingen?"Ze moeten hun denken aanpassen en beginnen met het inhuren van onderwijzend personeel dat de verfijning en de kennis en de ervaring heeft van ondersteunende technologie. Het gaat er niet om of je wel of geen handen hebt. Het gaat erom of je geweldige muziek kunt spelen met welke middelen ook nodig zijn. Een van onze eerste klarinettisten is volledig doof, maar hij voelt de intonatie door de trillingen in zijn vingertoppen en speelt zuiverder dan welke klarinettist ook die ik ben tegengekomen."Waarom kies je voor drone-muziek in je Amsterdam-concert?"Drones waren voor mij een absoluut noodzakelijke bescherming toen ik klein was. Ik had een heel traumatische jeugd en drone-muziek was zo belangrijk voor me, omdat je een vast punt hebt, een vaste toon die niet zal opgeven, wat er ook gebeurt. De drone is de ultieme veiligheid. Het is het fundament dat ik miste. Ik denk dat dronemuziek altijd een speciale resonantie voor me heeft gehad. Dit concert staat in het teken van de eenvoudige en levensreddende kracht van de drone."Is Paraorchestra nu je enige werk?"Tijdens de lockdown leefde ik in mijn studio en was ervoer een enorme ik vrede en stilte. Ik bedacht dat ik niet meer op tournee wilde met al die andere orkesten omdat ik nu dit orkest heb, dat zoveel meer hongerig is naar verandering. Paraorchestra bezit moed en nieuwsgierigheid. Dit is een groep musici die wijd open staan voor elke nieuwe ervaring. Ze zitten niet vast aan een oud model, en ik ben er gelukkiger mee dan ik ooit in mijn leven ben geweest."Probeer je andere orkesten te bewegen om inclusiever te worden?"We hadden altijd een duidelijke keuze: we konden veel van onze energie besteden aan schreeuwen naar de industrie dat zij moest veranderen, of we konden de verandering zijn die we willen zien. Ik denk dat dat een veel betere manier is om je tijd te besteden. Het tempo van verandering is glaciaal: tergend langzaam. Dus ik ben liever de verandering die ik wil zien. Dat is wat we doen bij Paraorchestra."Dit is een gratis extra editie van de Cultuurpers Nieuwsbrief in het kader van het Holland Festival. Dat vindt dit jaar plaats van 11 t/m 29 juni 2025. Het Concert ‘Anatomy of an Orchestra | Drone Refractions door Charles Hazlewoods Paraorchestra is op 13 juni. Kaarten en inlichtingen. Wil je op de hoogte blijven van het Hollend Festival, en andere festivals? Neem dan een abonnement! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit nieuwsbrief.cultuurpers.nl/subscribe

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This podcast is a commentary and does not contain any copyrighted material of the reference source. We strongly recommend accessing/buying the reference source at the same time. ■Reference Source https://www.ted.com/talks/charles_hazlewood_british_paraorchestra_the_debut_of_the_british_paraorchestra ■Post on this topic (You can get FREE learning materials!) https://englist.me/63-academic-words-reference-from-charles-hazlewood-british-paraorchestra-the-debut-of-the-british-paraorchestra-ted-talk/ ■Youtube Video https://youtu.be/lHcAjY0Vg2Y (All Words) https://youtu.be/VMIzoRAOgH8 (Advanced Words) https://youtu.be/9dWx2RWvZZE (Quick Look) ■Top Page for Further Materials https://englist.me/ ■SNS (Please follow!)

Synopsis It was on today's date in 2003 that a new violin concerto by composer Shulamit Ran premiered at Carnegie Hall – but it would be just as appropriate for us to run this episode of Composer's Datebook on Mother's Day – as Ran herself explains:“Thoughts of my mother, Berta Ran, whose strength of spirit has been a profoundly significant guiding light throughout my life, have embedded themselves in various parts of this work. At the closing of the concerto, echoes of a familiar melody, one my mother sang to me in childhood with words of her own creation, appear, gently fading away.”Shulamit Ran born in Tel Aviv in 1949 and moved to New York City at age 14 on a scholarship to Mannes College of Music. From 1973 to 2015, she taught at the University of Chicago, and served as composer-in-residence with the Chicago Symphony. In 1991 she won the Pulitzer Prize for Music. Commenting on winning the prestigious award, Ran admitted to being a little surprised:  “I feel I've always been out of step,” she said. “At times … I was not considered avant-garde enough. Now, considering the current trend of accessibility, some think I'm too forbidding.” Music Played in Today's Program Shulamit Ran (b. 1949) Violin Concerto Ittai Shapira, vln; BBC Concert Orchestra; Charles Hazlewood, conductor. Albany TROY-970

Today's guest deejay is Michael Jakucs, AKA Sunwarper. After hearing Michael's music in both Brian Sangmeister and Forest Robots's mixes for Soundwave, I invited Michael to share a mix. Based on Michael's music, I knew we were in good hands. But I did not anticipate the surprising directions he took his mix and yet felt utterly familiar. Let me explain. The focus of Soundwave is ambient, classical, experimental, and instrumental music, with an emphasis on the ambient. And that's fine. I'm all about that ambient life. But for me, it's always a delight when a guest shares a mix that leans into the show's classical, experimental, and instrumental aspects. Christian Sager's doom metal/math rock/hip hop mix comes to mind. As does Charles Hazlewood's mimimalist/modern classical/free jazz mix. What makes today's show special, for me, is that it's very much steeped in shoegaze and dream pop. So while I only know several of the artists in Michael's mix, I already feel well acquainted with the music I'm unfamiliar with. It's very déjà vu. I keep asking myself, “Isn't this a 4AD release?” Michael just released a track composed for the season finale of the webcomic The Eagle and the Snake called "Forever Becoming.” He also has a full-length album, Radiant Visage, that will be released on October 14 and available for pre-order on September 9. Join us next week when our guest deejay will be n5MD founder Mike Cadoo. See you then. Kh3rtis & Willebrant “Calm Complete” Frequency Control Centre “Ventral Tegmental” Sunwarper “Farther” jesu “We All Faulter” Maureen's Friend “R.P.O.W.” Cloudkicker “We Were All Scared” Cities of Earth “Sundog” christ. “Pylonesque” Eonlake “Retcon” Boards of Canada “Constants Are Changing” --- Send in a voice message: https://anchor.fm/soundwavemix/message

The Unfolding is an extraordinary eight-part collaboration between Mercury and Emmy-nominated Northern Irish composer Hannah Peel, Paraorchestra, and Charles Hazlewood, recorded in precious morsels of time around the global pandemic. There are pieces of music that seek to tell us deeper stories. Others harness the talents of the players at their disposal in adventurous ways.Purchase the music (without talk) at:The Unfolding (classicalsavings.com)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

Photo credit: Tom Zimberoff Ahead of this weekend's Tectonic's festival in Glasgow, Kate Molleson meets the pioneering electronic music composer at the centre of this year's programme, Janet Beat, and learns how the studios she inaugurated at universities in Birmingham and Glasgow – from the late 1950s – blazed trails for future generations. Following a performance of Matthias Pintscher's La Linea Evocativa at Wigmore Hall earlier this week, presenter Tom Service speaks to the American-Canadian violinist Leila Josefowicz about her life making music on the concert stage, her role championing contemporary repertoire for the instrument, and the inspiration she finds in Bach's mighty Chaconne. The composer Hannah Peel and conductor Charles Hazlewood join Tom to discuss their new album, The Unfolding. Written during lockdown especially for the Paraorchestra, the album has shot to number one in the classical music charts, and we hear from the musicians in the ensemble, Hattie McCall-Davies and Lloyd Coleman, as they tour with live performances of the project this spring. And, the composer Michael Zev Gordon tells Tom about his new chamber opera, Raising Icarus, which explores the harm parental expectations and aspirations can have on their children. It's staged by the Birmingham Contemporary Music Group this week.

The People's Orchestra open their doors to anyone in the West Midlands who wants play in their orchestras or sing in their show choirs. Being inclusive is part of their DNA.  There are around 11 million people with a disability in the UK - that's over a fifth of the population - but they are hugely under-represented in the music industry and in music education. So, are we ignoring many talented musicians who don't fit the standard mould? Disabled musicians face challenges like finding and buying the right instrument, accessing lessons and finding opportunities to perform. There are still concert halls in the UK where a musician in a wheelchair can't access the stage. Strictly Come Dancing's first deaf contestant, actor Rose Ayling-Ellis is changing perceptions around deaf performers and British Sign Language.  How can we make the music industry a more level playing field for disabled musicians?  Katie finds out when she chats to Klara Filip from The People's Orchestra; Andy Sandham founder member of The People's Orchestra and music teacher in Birmingham; and acclaimed musician and conductor, Charles Hazlewood, founder of Paraorchestra, the world's first fully integrated orchestra of professional disabled and non-disabled musicians. https://thepeoplesorchestra.com/ https://paraorchestra.com/ Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

My special guest this week is Hannah Peel - composer, artist, musician, arranger, producer, late night broadcaster and synth-pop pioneer! Not only is her own work an inspiring and ambitious blend of projects that will blow your musical mind but she also added her orchestration skills to Paul Weller's incredible recent albums True Meanings, On Sunset and Fat Pop. PLUS who can forget those incredible two gigs at Royal Festival Hall in 2018 that turned into the magnificent Other Aspects Live album? WOW! Find Hannah Peel's website at hannahpeel.com and her back catalogue to buy here  The Unfolding - Hannah Peel and Paraorchestra with Charles Hazlewood in Bristol on 1st October - tickets available - limited availability - here You can also listen on Spotify 2011: The Broken Wave 2016: Awake but Always Dreaming 2017: Mary Casio: Journey to Cassiopeia 2018: Particles in Space 2019: Chalk Hill Blue 2019: Game Of Thrones: The Last Watch 2020: The Deceived 2021: Fir Wave Thanks for listening - make sure that you subscribe / follow and leave a review - and if you want to support the podcast financially, you can buy me a virtual coffee via the link below (£3) Buy me a coffee on ko-fi

The murder of Stephen Lawrence in 1993 and the subsequent police investigations threw up a lot of questions about institutional racism and corruption within the force. Another enquiry which began in 2006 was led by DCI Clive Driscoll, who decided to go right back to basics and investigate the crime anew. In a new three-part drama on ITV, Steve Coogan plays Driscoll and Hugh Quarshie plays Stephen's father, Neville. We speak with them both about the murder, the trial, the enquiry and what a drama like this can add to our understanding of a tragedy. Conductor Charles Hazlewood created the Paraorchestra 10 years ago, and in their first year of public performances they already ticked off playing at the 2012 Paralympics closing ceremony. It's the world's only large-scale ensemble of professional disabled and non-disabled musicians, which tackles the traditional and not-so-traditional. Charles Hazlewood and musician Tilly Chester explain the orchestra's past and future, and why Paraorchestra is such an important ensemble in today's musical world. The first series of dramedy Back To Life aired a couple of years ago, to wide spread acclaim. A new series has just begun on BBC3. Conceived, written by, and starring Daisy Haggard it tells of a woman who has just come out of jail after serving an 18 year sentence for murder. She returns to live in the town where the murder happened, trying to get on with her life: reestablishing relationships, suffering the derision of neighbours and avoiding confrontation. The new series launched last night and Daisy joins us to discuss writing a very dark comedy. Presenter: John Wilson Producer: Simon Richardson

Welcome back to another episode of the Talking Classical Podcast. This week is Anti-Bullying Week. It’s a week organised by the Anti-Bullying Alliance every year since 2004 that aims to raise awareness of bullying among children and young people and to emphasise ways we can tackle it and respond to it positively. Over the last few years on Talking Classical, we’ve explored a range of issues that are affected by bullying such as mental health and racism. I felt that it was important to address these issues with regards to the classical music industry and the solutions artists, practitioners and senior staff have implemented. Last month, I spoke to distinguished British conductor, broadcaster and TV presenter Charles Hazlewood. In May 2020, Charles appeared as a castaway on the iconic Radio 4 programme Desert Island Discs, where he took the opportunity to talk openly about his childhood experiences. Following an unprecedented response after this appearance, he'll be hosting a special commission entitled Beethoven and Me, which will be shown on Sky Arts in December. This programme not only celebrates the 250th anniversary of the birth of Beethoven but is a deeply personal look at the life of this composer through the lens of one of his signature works, the 5th symphony, exploring how this famous work reveals Beethoven’s experiences such as child abuse, deafness and potential autism. In this podcast, Charles will be talking to us about this documentary, his appearance on Desert Island Discs and his own experiences of recovering from childhood trauma. He talks about his experiences of the lockdown period and recent governmental debates and perceptions surrounding the creative industries and the viability of freelance musicians' work. He also discusses the act of being vulnerable and open, and shares some encouraging and motivating advice for anyone who’s been through similar experiences. This podcast discusses themes that may be of a sensitive nature so if you are affected by any of the issues, please seek help or talk to someone - there are some links below for hotlines and organisations you can access for advice and support. Thanks so much to Charles for taking the time to talk to me amidst his busy schedule. For more information about Anti-Bullying Week and how you can get involved, please go to https://www.anti-bullyingalliance.org.uk. Charles' bio: https://www.charleshazlewood.com/about Podcast recorded 22 October 2020; released 18 November 2020. Resources: Anti-Bullying Alliance https://www.anti-bullyingalliance.org.uk/tools-information/if-youre-being-bullied/find-help-and-support National Bullying Helpline https://www.nationalbullyinghelpline.co.uk 0300 323 0169 (children's helpline) or 0845 22 55 787 Open 9am to 5pm, Monday to Friday YoungMinds https://youngminds.org.uk/find-help/feelings-and-symptoms/bullying YoungMinds Crisis Messenger 24/7 text support; free from EE, O2, Vodafone, 3, Virgin Mobile, BT Mobile, GiffGaff, Tesco Mobile and Telecom Plus. Text: YM to 85258 Bullying UK (Family Lives) askus@familylives.org.uk Online chat open 1:30pm to 5:30pm https://public.mc.hostedcc.com/familylives/forms/Chat/Family%20Lives%20Chat 0808 800 2222 NAPAC napac.org.uk 0808 801 0331 10am until 9pm Mondays to Thursdays, 10am until 6pm on Fridays support@napac.org.uk Article mentioned in the podcast: Classical Music Has a ‘God Status’ Problem by Ashley Fetters, J. Clara Chan, and Nicholas Wu. https://www.theatlantic.com/education/archive/2020/01/conservatories-sexual-harassment-abuse/604351 Music used in this podcast: Ludwig van Beethoven, 1st movement "Allegro con brio" from Symphony no. 5 in C minor, op. 67. Wolfgang Amadeus Mozart, "Ach, ich fuhls" from The Magic Flute, K. 620, Act 2. Both extracts sourced from the European Archive via Musopen (tracks licensed under the Creative Common License Public Domain Mark 1.0).

Today's guest deejay is Jonathan Ammons, a journalist, radio producer, and musician living in Asheville, North Carolina. You can find his music on Bandcamp and listen to his radio show from WPVM and Pacifica Radio Network at the Dirty Spoon. Jonathan is yet another amazing person I was introduced to through my old friend, Steve Howard (listen to Steven's SOUNDWAVE mix here). Meeting Jonathan is one of the unexpected pleasures in the evolution of SOUNDWAVE. I launched SOUNDWAVE to help cope with the stress of the pandemic. In the first few months of COVID-19 it seemed that stepping outside your house might kill you. If that wasn't terrifying enough, my family was scattered about the country so for a long time it was just me and my dog. That took a toll on me and my usual distractions, music, reading and television, could not hold my interest at all. In fact, they annoyed me or angered me. The only thing that provided any comfort was ambient, classical, experimental and instrumental music. I reasoned that if that music was giving me solace it might help others as well so I launched SOUNDWAVE. Very soon afterwards I decided to invite the talented people I know who might enjoy or, more importantly, need to share a mix of their own. And that very quickly led to asking my friends who they knew personally who might want to participate in the show. That decision introduced me to such wonderful people as Adrian Utley, Hannah Peel, Charles Hazlewood and Jonathan. I don't really know Jonathan, though. We've just had a few email exchanges arranging today's show but through his mix I feel I know him more intimately than I might know him through a dozen conversations. That's all projection, of course, but that is the power of music. It bypasses the rational and hits on emotional truths, which is why I launched SOUNDWAVE in the first place. Jonathan Ammons “Wishful Thinking” Tim Hecker “Chimeras” Wojciech Golczewski “Abner's Wake” Jonathan Ammons “Open Eyes” Ben Goldberg “Demonic Possession is 9/10ths the Law” Oliver Patrice Weder “Sol's Lullaby” Ian William Craig “Mountains Astray” Goldmund “The Flag of Columbia Shall Float O'er Us Still” Villages “Life Expectancy” Jonathan Ammons “Dead Leaves” --- Send in a voice message: https://anchor.fm/soundwavemix/message

Our guest deejay is Hannah Peel. Until a few weeks ago I wasn't familiar with Hannah and had only become acquainted with her when I asked SOUNDWAVE guest deejay, Charles Hazlewood, who he knew personally that might be interested in sharing a mix on the show. Charles put me in contact with Portishead's Adrian Utley and Hannah Peel. Adrian's mix was lovely and Hannah's mix is no less so. On today's show Hannah will take you to some very surprising places and she begins her mix with a track from Joni Mitchel. So unexpected! You're in her capable hands so enjoy the journey. I know you're going to love today's show. As I said, I was unfamiliar with Hannah but I've been getting up to speed. And you should, too, because Hannah's music is also unexpected. Her songs can be delicate and achingly familiar. She''ll paint impressionistic music with swathes of sound but will also delight you with covers of pop songs from the ‘80s performed on music boxes. I catch myself singing Soft Cell's “Tainted Love” constantly thanks to Hannah. Join us again next week when our guest deejay will be Jonathan Ammons. Joni Mitchel “A Case of You” Darkstar “Blurred” Mort Garson “Music to Soothe the Savage Snakeplant” Nick Drake “River Man” Bobby Krlic “The House that Härga Built” Caroline Shaw “Plan & Elevation: IV. The Orangery” The Hermes Experiment “Uh Huh, Yeah” Julianna Barwick “Labyrinthine” --- Send in a voice message: https://anchor.fm/soundwavemix/message

Charles Hazlewood is a musician, composer and orchestra conductor and I came across him during the first month of the lockdown while catching up on some documentaries I've been eating in to watch. One of the documentaries was Tones, Drones and Arpeggios: The Magic of Minimalism where Charles goes in search of minimalism by exploring the work of four great American composers who rebooted classical music in the 20th century. Join us again next week when our guest deejay will be Sean Hocking, founder of Metal Postcard Records (check out my interview with Sean here). See you then! Ellen Allien “Empathy” Terry Riley “Anthem of the Trinity” Tony Conrad with Faust “The Side of the Machine” Kali Malone “Arched in Hysteria” Kieran Hebden “Lyman Place” --- Send in a voice message: https://anchor.fm/soundwavemix/message

A three-hour retrospective co-hosted by Brian Carpenter and Alessandro De Rosa on the work of iconic composer Ennio Morricone, the Italian composer best known for his work on over 400 film scores, as well as over 100 classical works. His scores are considered some of the most influential and timeless in the history of film. In 2007 he received the Honorary Academy Award and was nominated for a further six Oscars before winning in 2016 for The Hateful Eight. Alessandro De Rosa is a composer and co-author of the book "Ennio Morricone: In His Own Words" with Ennio, an in-depth conversation recently translated into English and published in 2019. De Rosa is a composer who undertook composition following Morricone's advice. He studied with Boris Porena in Rome and then graduated from the Royal Conservatoire in The Hague, Netherlands. He currently works as a freelance musician and collaborates with the RAI and the RSI. Commentary by author Sir Christopher Frayling, writer/director Quentin Tarantino, and British conductor Charles Hazlewood with audio selections used by permission from the BBC2. Ennio Morricone & Joan Baez, "Here's to You", Sacco e Vanzetti (1971) Ennio Morricone, "Cinema Paradiso", Cinema Paradiso (1989) "Falls", The Mission (1986) "Gabriel's Oboe", The Mission (1986) "River", The Mission (1986) "On Earth As It Is In Heaven", The Mission (1986) "The Golden Door", Secret of the Sahara (1987) "The Mountain", Secret of the Sahara (1987) "Suono Per Dino", Chamber Music (1988) Gruppo D'Improvisazione Nuova Consonanza, "The Feed-Back", The Feed-Back (1970) Ennio Morricone, "Ninna Nanna per Adulteri", Cuore di mamma (1969) "Magic and Ecstasy", Exorcist II: The Heretic "Rapimento in Campo Aperto", La Maglie Piu Bella (1970)    

A three-hour retrospective co-hosted by Brian Carpenter and Alessandro De Rosa on the work of iconic composer Ennio Morricone, the Italian composer best known for his work on over 400 film scores, as well as over 100 classical works. His scores are considered some of the most influential and timeless in the history of film. In 2007 he received the Honorary Academy Award and was nominated for a further six Oscars before winning in 2016 for The Hateful Eight.   Alessandro De Rosa is a composer and co-author of the book "Ennio Morricone: In His Own Words" with Ennio, an in-depth conversation recently translated into English and published in 2019. De Rosa is a composer who undertook composition following Morricone's advice. He studied with Boris Porena in Rome and then graduated from the Royal Conservatoire in The Hague, Netherlands. He currently works as a freelance musician and collaborates with the RAI and the RSI.   Commentary by author Sir Christopher Frayling, writer/director Quentin Tarantino, and British conductor Charles Hazlewood with audio selections used by permission from the BBC2.   "Citta Violenta", Citta Violenta (1970)   "Duck, You Sucker", Duck, You Sucker (1972)   "Tramonto", L'Assoluto Naturale (1972)   "Il buono, il brutto, il cattivo", The Good, The Bad, and the Ugly (1966)   "The Ecstasy of Gold", The Good, The Bad, and the Ugly (1966)   Dmitri Tiomkin, "Deguello", Rio Bravo (1959)   Ennio Morricone, "Fistful of Dollars Theme". Fistful of Dollars (1964)   Peter Tevis, "Pastures of Plenty" (1963)   Ennio Morricone, "Per un pugno di dollari (Titoli)", Fistful of Dollars (1964)   "Investigation of a Citizen Above Suspicion", Investigation of a Citizen Above Suspicion (1970)   "L'Ultima Diligenza di Red Rock", The Hateful Eight (2015)   "Studio Di Colore", Crime and Dissonance (2005)  

Charles Hazlewood is a conductor and the founder of Paraorchestra, the world's first professional ensemble of disabled musicians. Once described as the Heston Blumenthal of orchestral music, Charles has spent his career challenging Britain’s musical palate, exploding boundaries and expanding our ideas about what an orchestra can be - and do. His repertoire encompasses Beethoven, Bruckner and Barry White, and his critically-acclaimed projects include more than 100 world premieres and the first orchestral headline performance at Glastonbury. Paraorchestra, the ensemble he established in 2011, reached a global audience at the closing ceremony of the 2012 London Paralympics. He also co-founded an opera company in South Africa, and its production of Carmen, with a mainly black cast, won international acclaim. He studied music at Keble College, Oxford and was the Organ Scholar there. He won the EBU conductor's competition in 1995 and has had an international career as a conductor. Presenter: Lauren Laverne Producer: Sarah Taylor

Episode 4 features Seb and Verity’s first entirely remote chat with international conductor and musical revolutionary, Charles Hazlewood. They discuss everything from the position of orchestras in the 21st century, snogging and dying at Glastonbury, and elks mating in Canada.Seb and Verity reconvene at the end to compare notes on their own personal highs and lows in the 500th week of lockdown.LINKSCharles Hazlewood Websitehttps://www.charleshazlewood.com/Charles' Ted Talkshttps://www.ted.com/speakers/charles_hazlewoodParaorchestrahttp://paraorchestra.comCharlotte Hardinghttps://www.nonclassical.co.uk/charlotte-hardingHannah Peel - Tainted Lovehttps://www.youtube.com/watch?v=G-6oybwzBOYLloyd Colemanhttp://lloydcoleman.netGareth Churchillhttps://www.garethchurchill.co.ukHannah Kendallhttps://hannahkendall.co.ukBANFFhttps://www.banffcentre.caCaroline Bowditchwww.carolinebowditch.com Click here to join the Members' Club on Patreon! See acast.com/privacy for privacy and opt-out information.

Antony Gormley talks to Tom Sutcliffe about his forthcoming major show at the Royal Academy. The sculptor returns to his enduring interest in the inner dark space of the body and the body’s relation to its surroundings. As well as the famous casts of this own figure, seawater and clay fill one gallery, evoking the depths from which life emerged. The award-winning playwright Laura Wade discusses her revolutionary adaptation of Jane Austen. Her new play, The Watsons, is based on Austen’s unfinished novel, and shows what happens when characters threaten to break free from the original work and take control of the drama. The conductor Charles Hazlewood celebrates the rebellious side of classical music – minimalism. Minimalists in the 20th century, like Steve Reich and Terry Riley, flouted conventions and sought to redraw musical boundaries. But the music was also a direct response to the political and social fervour of the 1960s and 70s. One of the most creative and hedonistic periods of British culture was the nineties: the era of Cool Britannia, born in Thatcher’s Britain and flaunted by Tony Blair. The writer Daniel Rachel looks back at how art, comedy, fashion, film, football and music came together in a flowering of national self-confidence, and what broke it apart. Producers: Katy Hickman and Hannah Sander

Chris Gunness speaks to Charles Hazlewood, conductor and co-founder of the British Paraorchestra. Its mission is to perform music that captivates any audience, proving beyond doubt that disability is no barrier to talent.

Our lives are fueled by trust: in our loved ones, our colleagues, our leaders. But how do we cultivate it, and restore if it's lost? In this episode, TED speakers explore our relationship with trust. Guests include conductor Charles Hazlewood, management theorist Simon Sinek, former Greek Prime Minister George Papandreou, author Rachel Botsman, and psychotherapist Esther Perel. (Original broadcast date: May 15, 2015)

Picks from across the week on In Tune, including Sir Willard White and Charles Hazlewood.

The conductor, Charles Hazlewood, believes in making music inclusive, from projects fusing five Grime MC's with the BBC Concert Orchestra to founding the world's first paraorchestra, inspired by his daughter Eliza. He presents a two-part series on BBC Four - Tones, Drones and Arpeggios: The Magic of Minimalism. Lulah Ellender has written Elisabeth's Lists. Part memoir, part family history, part exploration of a life through lists, inspired by Elisabeth, the grandmother she never knew. Cassidy Little is a former ballet dancer and Royal Marine Commando, who lost his lower right leg in an explosion in Afghanistan in 2011. He has since won 'The People's Strictly' in 2015; and is about to star in the play Soldier On which opens at the Playground Theatre in London on 13 March. Today is the seventh annual World Pasty Championships. Vanessa Farr from Bristol, won the Cornish Pasty Amateur section last year. She explains what makes a winning pasty. The novelist and broadcaster Fern Britton talks about her recent health scare, her latest novel Coming Home and forthcoming acting role in Calendar Girls the Musical. And classical crossover artist, Russell Watson, shares his Inheritance Tracks: Cavalleria Rusticana: Intermezzo and You are So Beautiful, sung by Joe Cocker. Tones, Drones and Arpeggios: The Magic of Minimalism is on BBC Four on Friday 9 March at 9pm. Russell Watson and his Orchestra are currently on tour around the country with the show Canzoni d'Amore.

Fanny and Alexander opens at London's Old Vic Theatre. Adapted from Ingmar Bergman's award-winning 1982 film, how well does such a sumptuous film transfer to the stage? Also coming from Sweden is our film this week (well, to be more accurate, it's a Swedish/German/Egyptian co-production). The Nile Hilton Incident tells the true story of an Egyptian policeman investigating the death of a nightclub singer in Cairo, as The Arab Spring is beginning. But the justice system seems intent on stymieing his work. Toby Litt's latest novel is Notes For a Young Gentleman. It's told in the form of advice left behind by a WW2 soldier after a mission that went wrong. In Tones Drones and Arpeggios; The Magic of Minimalism on BBC4, Charles Hazlewood interviews La Monte Young and Terry Riley about the movement which stripped music back to its sonic essentials and power The latest exhibition at London's Photgraphers' Gallery is 'Under Cover, a Secret History of Cross Dressers' Made up of a collection of amateur 'found photographs' from Europe and the US dating from 1880 onwards, it explores the many manifestations of gender non-conformity and cross-dressing. Tom Sutcliffe's guests are Rosie Boycott, Linda Grant and Robert Hanks. The producer is Oliver Jones.

During our 2017 servant leadership conference "The Music of Servant Leadership," we had the pleasure of sitting down for a conversation with each of our speakers. Our First conversation was with Charles Hazlewood, Internationally renowned conductor. Listen as we talk about leading with trust, self love, and the importance of improvisation within organizations.

Picks from the week with Sean Rafferty and Suzy Klein, including highlights from our trip to Cornwall. Featuring Will Gregory, Ian Jones, The Changing Room, Sally Beamish, George Fenton, Charles Hazlewood and Christian Zacharias.

In partnership with The Octagon Theatre in Yeovil and inspired by the work of Roald Dahl, Strike a Chord! explores creative music making in the classroom, as well as offering hundreds of school children from across Yeovil the opportunity to hear quality live music in a fun and interactive way. Follow the journey of Yeovil’s school children as they create, compose and perform their own music, before attending a very special concert by the Philharmonia Orchestra conducted by Charles Hazlewood to hear Paul Patterson’s Little Red Riding Hood live at The Octagon.

The massively successful Kordbot Kickstarter campaign is our first topic, then the extremely weird robotic drummer arm from Georgia Tech, the work of Barry Gray and our recent interview with Charles Hazlewood and Adrian Utley that Gaz shot which leads to some interesting stories from Mark and Dave, our Sonicstate Live @Bristol gig on the 26th March, and finally Rich Hilton joins us from Maui, where he was playing with Chic.

The massively successful Kordbot Kickstarter campaign is our first topic, then the extremely weird robotic drummer arm from Georgia Tech, the work of Barry Gray and our recent interview with Charles Hazlewood and Adrian Utley that Gaz shot which leads to some interesting stories from Mark and Dave, our Sonicstate Live @Bristol gig on the 26th March, and finally Rich Hilton joins us from Maui, where he was playing with Chic.

Charles Hazlewood is a world famous conductor. Following his studies at Christ’s Hospital and Oxford University, he won first prize at the European Broadcasting Union Conducting Competition in Lisbon in 1995. June 2003 saw his Carnegie Hall debut conducting the Orchestra of St. Luke’s. He made his BBC Proms conducting debut in August 2006, with the BBC Concert Orchestra; simultaneously presenting the concert live from the stage for TV. He now guest-conducts many of the world's leading orchestras. For several years he also hosted Radio 2's The Charles Hazlewood Show, exploring his vast and catholic music tastes, in sessions recorded on his farm in Somerset. He played the first ever symphony concert on the famous Pyramid Stage at Glastonbury. In August 2009, Charles unveiled his latest venture, a new breed of orchestral festival on his farm in Somerset called Orchestra in a Field (orchestrainafield.com). He also founded the first British Paraorchestra for disabled musicians. 5x15 brings together five outstanding individuals to tell of their lives, passions and inspirations. There are only two rules - no scripts and only 15 minutes each. Learn more about 5x15 events: 5x15stories.com Twitter: www.twitter.com/5x15stories Facebook: www.facebook.com/5x15stories Instagram: www.instagram.com/5x15stories

Kneehigh Theatre Company from Cornwall is currently working on a brand new adaptation of John Gay’s The Beggar’s Opera titled Dead Dog in a Suitcase, with a script by regular Kneehigh writer Carl Grose and music by Charles Hazlewood, directed by Kneehigh founder Mike Shepherd. Charles Hazlewood spoke to us from Sweden where he was conducting a concert of music from video games with the Malmö SymfoniOrkester. He talks about his involvement in the project from taking it to Mike Shepherd as an idea around three years ago through his process of creating the score in rehearsals with the performers and scriptwriter-lyricist Carl Grose. Mike Shepherd, speaking to us at the end of the first week of rehearsals at the Everyman Theatre in Liverpool, where the show opens in June, speaks about the evolving story and politics of the show and the influences of modern events and modern popular culture, as well as the process of bringing it to the stage. Mike also explains how Kneehigh has developed and constantly changed direction since he founded it in 1980, and talks about some current Kneehigh projects including Kneehigh Rambles and the company's mobile theatre space the Asylum. Dead Dog in a Suitcase runs at the Everyman Theatre in Liverpool from 21 June to 12 July 2014, and then will be performed in Kneehigh’s mobile theatre, the Asylum, at The Lost Gardens of Heligan in Cornwall from 30 August to 28 September. Charles Hazlewood’s Orchestival summer festival, with which Kneehigh is also involved, is on 19 and 20 July in Somerset. (Rehearsal images of Mike Shepherd and Charles Hazlewood by Steve Tanner.)

Hear the British Paraorchestra perform their inaugural single, ‘True Colors’ with singer Annie Cowan. Introduced by Charles Hazlewood, Conductor and Founder of The British Paraorchestra.  Recorded live at the closing session of Editorial Intelligence’s annual ideas festival Names Not Numbers.  

Libby Purves is joined by Clarence Adoo, a member of the British Paraorchestra, Simon Gough, to talk about his relationship with his great uncle, the poet Robert Graves, sports writer Duncan Hamilton and poet/rapper Kate Tempest. Musician Clarence Adoo is a founding member of the British Paraorchestra. Set up by the conductor Charles Hazlewood, the orchestra is made up of disabled musicians playing a range of instruments from the harp to the sitar. Clarence was a top trumpeter with the Northern Sinfonia when he was paralysed from the neck down in a car accident in 1995. He now makes music on a computer called 'Headspace'. The orchestra features in a Channel Four documentary Paraorchestra and they will be performing at the Southbank in London as part of the Unlimited festival. Simon Gough is the son of actor Michael Gough and actress-cum-journalist Diana Graves. In his book, The White Goddess - An Encounter, Simon recalls the complicated relationship with his great-uncle, the poet Robert Graves. The book describes Simon's time with Graves in Deya, Majorca, and his uncle's beautiful muse Margot who they were both in love with. The White Goddess - An Encounter is published by Galley Beggar Press. Duncan Hamilton is a sports writer and two-time winner of the William Hill Sports Book of the Year. His book, 'The Footballer Who Could Fly' was inspired by his father's devotion to Newcastle United. But it is also an exploration of the bond between father and son through 'the beautiful game' and how football became their only connection. 'The Footballer Who Could Fly' is published by Century. Kate Tempest is a poet, rapper, playwright and writer. Her new show 'Brand New Ancients' is an hour long spoken story that she tells over a live orchestral score. The story follows two families as they intertwine and collide. 'Brand New Ancients' runs at the Battersea Arts Centre in London from September 4th, as part of the theatre's Cook Up season. Producer: Paula McGinley.

A mum of two children with learning disabilities and a travel mad powerchair user tell us their holiday complexities. Plus, Clarence Adoo and Charles Hazlewood from the Paraorchestra, and the ex-military Paralympians who use sport for their rehab. With Liz Carr and Rob Crossan.

With Kirsty Lang, A major Yoko Ono exhibition called To The Light opens this week with art installations, films with soundtracks by John Lennon, a maze and a room in which you're invited to record your smile. Writer Iain Sinclair gives his verdict. Rebecca Hall, Bruce Willis and Catherine Zeta Jones star in Stephen Frears' new film comedy, Lay the Favourite, set in the world of Las Vegas sports gambling. Larushka Ivan-Zadeh reviews. The British Paraorchestra has been founded by conductor Charles Hazlewood to showcase disabled musicians, aiming to end the limitations placed on them, not by their physical ability but by lack of opportunity. Kirsty attended a rehearsal, to meet members of the orchestra. Pia Juul is a leading Danish literary author whose new book The Murder of Halland opens with a woman answering the door to be greeted with the words 'I am arresting you for the murder of your husband...'. Pia Juul discusses her crime-novel-with-a-difference, and her portrayal of one woman's grief as she comes to terms with her partner's death. Producer Claire Bartleet.

Hay millones de músicos con alguna de discapacidad en todo el mundo que están prodigiosamente dotados y Charles Hazlewood está decidido a darles una plataforma. Vean el debut de la Paraorquesta Británica.

전 세계에는 뛰어난 음악적 재능을 소유한 수많은 장애인들이 있고 찰스 헤이즐우드는 이들에게 재능을 펼칠 수 있는 강단을 마련해주기로 결심한다. 이곳에서 펼쳐지는 영국 파라오케스트라의 데뷔 공연을 놓치지 마시기 바랍니다.

Existem milhões de músicos deficientes prodigiosamente talentosos em todo o mundo, e Charles Hazlewood está determinado a dar-lhes um palco. Assista à performance de estreia da British Paraorchestra.

There are millions of prodigiously gifted musicians of disability around the world, and Charles Hazlewood is determined to give them a platform. Watch the debut performance of the British Paraorchestra.

Il y a des millions de musiciens prodigieusement talentueux atteints de handicap de par le monde, et Charles Hazlewood est déterminé à leur offrir une tribune. Regardez la première représentation du Paraorchestre Britannique.

This week Libby Purves is joined by Runa Khan Marre, Charles Hazlewood, Matthew Bourne and Gebisa Ejeta. Runa Khan Marre is preserving the unique cultural heritage of Bangladeshi boat-building through her living museum on the riverbank near Dhaka. She is one of six global innovators who is in London to receive a Rolex Award for Enterprise. The Rolex Awards for Enterprise will take place at the Royal Geographical Society. Charles Hazlewood is an award-winning conductor who works regularly with great orchestras around the globe including the BBC Concert Orchestra. In a documentary for BBC Four, 'Scrapheap Orchestra', he sets about trying to create an entire orchestra of 44 instruments made entirely from scrap, culminating in performances at the 2011 BBC Proms. 'Scrapheap Orchestra' is on BBC Four. Matthew Bourne is the renowned choreographer. He and his ballet company New Adventures' returns to Sadler's Wells this Christmas with their much loved production of Tchaikovsky's Nutcracker! Originally created in 1992 for the ballet's centenary, this year it celebrates its own 20th birthday. Gebisa Ejeta is one of the world's leading, and award-winning plant scientists who has been developing drought-resistant crops for Africa. He is now an adviser to President Barack Obama as well as being a World Food Prize Laureate and Distinguished Professor at Purdue University, USA. He will be taking part in a BBC World Service event, 'Exchanges at the Frontier, at the Wellcome Collection. Producer: Lucinda Montefiore.

El director de orquesta Charles Hazlewood habla del papel de la confianza en el liderazgo musical; luego muestra cómo funciona mientras dirige al conjunto musical escocés en el escenario. También comparte clips de dos proyectos musicales: la ópera "U-Carmen eKhayelitsha" y la Paraorquesta.

指揮者チャールズ・ヘイゼルウッドが演奏のリーダーシップにおける信頼の役割について話します。それがどう機能するものなのかステージでスコットランド・アンサンブルを指揮しながら示します。またオペラ「ウ・カルメン・イ・カエリチャ」と「パラオーケストラ」の2つの音楽プロジェクトをビデオで紹介します。

지휘자인 찰스 헤이즐우드는 음악적인 리더십에 있어서 믿음의 역할에 대해 이야기 합니다. 그리고 나서 스코틀랜드 앙상블을 무대에서 지휘하면서 어떻게 그 믿음이 작용을 하는지 보여줍니다. 그는 또한 오페라 "U-Carmen eKhayelitsha"와 "ParaOrchestra", 두 음악 프로젝트의 짧은 비디오도 보여줍니다.

Дирижер Чарльз Хэзлвуд говорит о роли доверия в музицировании, а затем демонстрирует, как это работает, управляя на сцене Шотландским Ансамблем. Он также делится клипами с двух музыкальных проектов: опера «U-Carmen eKhayelitsha» и ParaOrchestra.

O maestro Charles Hazlewood fala sobre o papel da confiança na liderança musical -- a seguir demonstra como funciona quando conduz o Scottish Ensemble no palco. Ele também apresenta clips de dois projetos musicais: a ópera "U-Carmen eKhaelitsha" e a ParaOrchestra.

Conductor Charles Hazlewood talks about the role of trust in musical leadership -- then shows how it works, as he conducts the Scottish Ensemble onstage. He also shares clips from two musical projects: the opera "U-Carmen eKhayelitsha" and the ParaOrchestra.

Le chef d'orchestre Charles Hazlewood parle du rôle de la confiance dans la direction musicale, puis montre comment ça marche, en dirigeant L'Ensemble Ecossais sur scène. Il nous présente aussi des vidéos de deux projets musicaux : l'opéra "U-Carmen eKhayelisha" et le ParaOrchestra.

Dirigent Charles Hazlewood spricht über die Rolle des Vertrauens in der musikalischen Führung – und zeigt dann, wie es funktioniert, indem er das Scottish Ensemble auf der Bühne dirigiert. Er zeigt auch Videos von zwei musikalischen Projekten, der Oper "U-Carmen eKhayelitsha" und dem ParaOrchester.

The conductor Charles Hazlewood chooses the great American composer Leonard Bernstein, music director of the New York Philharmonic and creator of West Side Story, Wonderful Town, and Candide. The charismatic Bernstein clearly influenced Charles Hazlewood's own choice of career - he's an award winning conductor, made his debut at Carnegie Hall in 2003 and recently presented The Birth of British Music on BBC tv. Joining him in the studio is Humphrey Burton, friend and professional colleague of Leonard Bernstein and whose documentaries include The Making of West Side Story. Matthew Parris presents. The producer is Miles Warde.