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46 episodes with film restoration
3 episodes with film restoration
2 episodes with film restoration
2 episodes with film restoration
2 episodes with film restoration
Send us a textWarner Brothers restoration experts Miles Del Hoyo and George Feltenstein take us behind the scenes of the stunning 4K restoration of John Ford's classic western The Searchers, revealing the technical wizardry that brought new life to this cinematic masterpiece.• Technical breakdown of the scanning process for VistaVision film at extraordinary 10K resolution• Challenges of restoring proper colors from a faded negative, especially fixing the sky from yellow to proper blue• How the team stitched together split 8-perf frames to create seamless images• Frame-by-frame corrections of technical errors present in the original negative• Audio restoration process maintaining the original mono sound while enhancing clarity• Quality assurance process involving multiple stages of review and Film Foundation approval• Preview that more 4K releases from Warner Archive will be announced in the coming monthIf you haven't yet purchased your copy of The Searchers on 4K or Blu-ray, I highly encourage you to do so. The 4K combo pack includes the remastered Blu-ray with all extras. Please vote for The Searchers in the MediaPlay Home Entertainment Awards before March 31st for Best Restoration and Best Audio and Visual Quality categories.Link to VOTE in the MediaPlay Home Ent Awards Be sure to vote by March 31st.Purchase links:The Searchers 4K + Blu-rayThe Searchers Remastered Blu-rayThe Extras Facebook pageThe Extras Twitter Warner Archive & Warner Bros Catalog Group As an Amazon Affiliate, The Extras may receive a commission for purchases through our purchase links. There is no additional cost to you, and every little bit helps us in the production of the podcast. Thanks in advance. Otaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers. Contact us today to see how we can work together to achieve your goals. tim@theextras.tv
Tonight on GhostBox Radio with Greg Bakun, Greg talks with Adam and Charlotte from the podcast Perf Damage comes on to discuss the restoration of film. Charlotte has been involved with a lot of film restoration and it will be a fantastic conversation. Join our mailing list: http://eepurl.com/iEhEl2 Please consider subscribing to me on Patreon for…
Going To A Show, Meeting Robert Harris, Film Restoration, The Brittle Nature of Film, Film Is Dead All Hail Film, Meeting Mister Harris, Inspirations and Permissions, The Prickliness, Living Your Version of the Dream. I was lucky enough to meet Robert A. Harris, who is a film restorer par excellence and who I'd looked up to for decades. What a gift!
In this episode of Perf Damage, Adam and Charlotte take a deep dive into the 2024 Film Restoration of Alfred Hitchcock's To Catch a Thief, overseen by Charlotte herself! They discuss the painstaking process of sourcing materials for the restoration, the unique challenges presented by the VistaVision format, and how modern technology was used to address issues with the original film elements. Along the way, they share some fascinating lesser-known trivia about the production and discuss why VistaVision played a crucial role in capturing the film's stunning visuals. If you're a classic cinema and film restoration fan, this episode is not to be missed!Contact Us At:www.perfdamage.comEmail : perfdamagepodcast@gmail.comTwitter (X) : @perfdamageInstagram : @perf_damageLetterboxd : Perf DamageCheck Out our Youtube Channel:https://www.youtube.com/@PerfDamagePodcast
In this exclusive interview, Charlotte talks to Heath Holland from Cereal at Midnight, about her job as the Director of Film Preservation and Restoration at Paramount Pictures. She takes us behind the scenes of the fascinating world of film restoration. Check out this sneak peek and head over to @CerealAtMidnight to see the full interview!www.CerealAtMidnight.comContact Us At:www.perfdamage.comEmail : perfdamagepodcast@gmail.comTwitter (X) : @perfdamageInstagram : @perf_damageLetterboxd : Perf DamageCheck Out our Youtube Channel:https://www.youtube.com/@PerfDamagePodcast
We have a great technical episode for fans of film, cult cinema, and physical media. Brad is w huge proponent of horror, indy film, the classics, and hidden video store gems. Not only an expert on these subjects he painstakingly cleans up scans of the original film prints expertly. Spending weeks upon weeks on a single film restoration. With a huge catalogue of films released on blu ray and 4k that he solely cleaned up he has a wide range of knowledge and experience. If you miss the video store, enjoy the record store boom, harbor ill will toward Best buy and love media, horror, action, and soundtracks. this episode is for you.
Steve found "Dune Part II" underwhelming due to its slow pacing and lack speaking logic. Similarly, he criticized "The Acolyte" for its terrible story, terrible production, and terrible rewriting of the Jedi.
In a recent podcast interview titled "On A Mission: Mike Dennis and the Fight for Black Film Restoration and Empowerment," Michael J. Dennis, also known as Mike D or Mike Dee of Reelblack, shared insights into his journey as a filmmaker, educator, and curator in Philadelphia. With a deep passion for black film and empowering the black community, Dennis has dedicated his career to educating, entertaining, enlightening, and empowering through film. Dennis, the founder of Reelblack Inc., has been actively involved in the film industry for over two decades. His work includes hosting monthly film screenings of black films, contributing to the launch of Ava Duvernay's ARRAY, and curating a diverse range of content on his YouTube channel. Over the years, Dennis has interviewed various independent and Hollywood personalities, most notably the late Dick Gregory. He has also worked with industry giants such as Bill Cosby, Oprah Winfrey, and Spike Lee. One of Dennis' notable achievements includes serving as the executive producer on the restoration of Sam Firstenberg's 1989 action film, "Riverbend," which starred Steve James and Margaret Avery. The film had its world premiere at the Denton Black Film Festival, showcasing Dennis' commitment to preserving black cinema and telling authentic stories. During the podcast interview with host Floyd Marshall, Dennis shared his early beginnings in the film industry, highlighting his education at New York University and the American Film Institute. His journey led him to work on projects like "Beloved" and collaborate with renowned filmmakers like M. Night Shyamalan. Inspired by the potential of Philadelphia's burgeoning film scene, Dennis believed in the city's ability to carve out its unique identity in the industry. Driven by a desire to showcase independent black cinema, Dennis started a monthly screening series in Philadelphia, introducing audiences to the works of emerging black filmmakers. Through Reelblack, he aimed to create a platform for underrepresented voices and provide opportunities for filmmakers of color to share their stories. Throughout the conversation, Dennis emphasized the importance of representation and empowerment in film. He highlighted the need for diverse voices in storytelling and the impact of digital technology in democratizing the filmmaking process. By championing black film restoration and empowerment, Dennis continues to be a leading figure in the industry, inspiring others to pursue their creative endeavors. As a filmmaker, educator, and curator, Michael J. Dennis has made significant contributions to the world of black cinema. His dedication to preserving black stories and empowering filmmakers of color serves as a beacon of hope for the future of the industry. Through Reelblack, Dennis remains committed to educating, entertaining, and empowering audiences, one film at a time. ======== Submit Your Film to Our Film Collective: ifapfilmcollective.com Connect With Floyd Marshall Jr: instagram.com/floydmarshalljr tiktok.com/@floydmarshalljr0 --- Send in a voice message: https://podcasters.spotify.com/pod/show/aconversationwithfm/message Support this podcast: https://podcasters.spotify.com/pod/show/aconversationwithfm/support
Peter Richards restored Crocodile Dundee and other classics
Get ready for an entertaining discussion as we embark on a roller coaster ride through the cinematic universe with Cinematographer Brandon Cox. Listen in as we kick off our chat with our personal experiences of recent movie viewings including Indiana Jones, John Wick 4, and Asteroid City, discussing how we should take film critics with a pinch of salt and enjoy movies for what they are. We also dissect the different rating systems of Rotten Tomatoes, IMDB, and Letterboxd, and their influence on viewer perception. We then transition into a debate on the shift from film to digital production and its implications on the visual aesthetics of cinema. Discover our thoughts on working with low-budget video equipment, the unique characteristics of Canon 5D versus reversal film, and the influence of CGI on the modern look of films. We also discuss our experiences with different cameras and software, citing examples from movies like Chris Nolan's Batman and Gareth Edwards' latest project. In the latter part of our discussion, we shed light on the importance of understanding and mastering lighting techniques in filmmaking. Hear about Brandon's journey from shooting music videos to high-budget films, his experiences on set with stars like Robert De Niro and Dave Bautista, and his love for action movies. We also touch upon the evolution of lighting technology, the benefits of modern LED panels, and how the use of different tools and techniques have transformed over the years. Don't miss out on our take on film restoration and preservation, the importance of archiving movies, and how streaming services have altered the movie release landscape. So, sit back, relax, and join us on this cinematic journey. (0:00:15) - Film Reviews and Recent Viewings (0:07:01) - Film vs Digital (0:15:32) - Discussion on Film Look and Cameras (0:25:12) - Success in Film School and Cinematography (0:31:41) - Lighting Techniques in Action Filmmaking (0:38:06) - Techniques for Fast and Efficient Lighting (0:44:59) - Evolution of Lighting Technology (0:55:50) - Kino Flo and Astera Tubes (1:07:46) - Experimentation and Learning in Filmmaking (1:15:19) - Discussion on Film Restoration and Technology (1:23:44) - Discussion on Preserving and Restoring Films Follow F&R on all your favorite social platforms! You can directly support Frame & Reference by Buying Me a Coffee Frame & Reference is supported by Filmtools and ProVideo Coalition. Filmtools is the West Coast's leading supplier of film equipment. From cameras and lights to grip and expendables, Filmtools has you covered for all your film gear needs. Check out Filmtools.com for more. ProVideo Coalition is a top news and reviews site focusing on all things production and post. Check out ProVideoCoalition.com for the latest news coming out of the industry.
This episode is the ULTIMATE Theta States experience!Theta States is a 2017 psychological horror film that until now has been mostly lost. On this episode we have the writer and director with us, who guides us not only through the terror that is THETA STATES but the production, cast and dives deep into the inner meaning and history of the film! This episode is the ultimate indie movie exploration. Uncensored, we have the director of this movie expressing the entire creative process and their statements on the art created! This is a fascinating episode we are proud to present, an intense and detailed look into the independent horror film that is Theta States, written and directed by Manny Serrano, available June 27th on home video via VIPCOWanna learn more about Manny? Tap here Pre-order a copy of Theta States now from Deep Discount : https://www.deepdiscount.com/theta-states/012233539042**more links to be added**Would you like to WATCH this episode? That's right, you can now WATCH Death by DVD, as well as get early access to episodes, behind the scenes content + more! Become a Patron NOW to the official patreon of DEATH BY DVD to watch this entire episode https://www.patreon.com/deathbydvdsubscribe today for updates on new episodes, merch discounts and more at www.deathbydvd.comHEY, while you're still here.. have you heard...DEATH BY DVD PRESENTS : WHO SHOT HANK? The first of its kind (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER! A Death By DVD New Year Mystery WHO SHOT HANK : PART ONE WHO SHOT HANK : PART TWO WHO SHOT HANK : PART THREE WHO SHOT HANK : PART FOUR WHO SHOT HANK PART 5 : THE BEGINNING OF THE END WHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES
On this fresh from the grave episode of Death By DVD we are joined by a very special guest. Manny Serrano joins us for an amazing episode about his work. Manny is a independent film director with a career spanning nearly two decades, with three feature length horror films to his name, both written and directed! On this episode we discuss the road to the 2017 film THETA STATES by Manny Serrano, a movie one could call lost. Hardly seen, Theta States has FINALLY been slated for a proper release from famed 'Video Nasty' label VIPCO! Strap in and get ready for an episode JAM PACKED with Indie film knowledge, and unlock the story as to WHY Theta States was never seen...UNTIL NOW!This exciting new episode is the first part into the FULL Theta States experience. You'll learn the rugged journey this film has gone on and on part two we dive DEEP into the film, and let me tell you, it's the Mariana Trench! REAL DEEP! THIS EPISODE IS SPOILER FREE! PART TWO NEXT WEEK! Pre-order a copy of Theta States now from Deep Discount : https://www.deepdiscount.com/theta-states/012233539042**more links to be added**Would you like to WATCH this episode? That's right, you can now WATCH Death by DVD, as well as get early access to episodes, behind the scenes content + more! Become a Patron NOW to the official patreon of DEATH BY DVD to watch this entire episode https://www.patreon.com/deathbydvdsubscribe today for updates on new episodes, merch discounts and more at www.deathbydvd.comHEY, while you're still here.. have you heard...DEATH BY DVD PRESENTS : WHO SHOT HANK? The first of its kind (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER! A Death By DVD New Year Mystery WHO SHOT HANK : PART ONE WHO SHOT HANK : PART TWO WHO SHOT HANK : PART THREE WHO SHOT HANK : PART FOUR WHO SHOT HANK PART 5 : THE BEGINNING OF THE END WHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES
Celluloid film isn't immune to weather or other harsh conditions. That's why it could be in danger of disappearing forever. But as our producer Alican Pamir reports, one company in Türkiye is protecting that celluloid heritage. And it has recently saved two of Peter Sellers' lost films.
On this episode of Showcase, watch: Summer Exhibition 00:02 Film Restoration in Türkiye 02:49 Naples in Paris 08:18 Across the Spider-Verse 13:21 ‘Past Lives' 16:22 Europe's Diverse Orchestra 19:39 Cold War Museum 22:29
Hosted by Jane Pauley. In our cover story, Ben Tracy talks with filmmaker Martin Scorsese about the importance of film restoration and preservation. Plus: Ben Mankiewicz talks with Al Pacino and Ellen Burstyn about the History and legacy of the Actors Studio. Rita Waters visits John Waters, whose art collection is on display in Baltimore; Tracy Smith looks back on the classic comedy “Some Like It Hot,” and meets the cast of the Broadway musical it has inspired; and Lee Cowan profiles actress and director Eva Longoria.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
We sit down to talk about the state of cinema and filmmaking with Jeff McCarty. He has been a passionate disciple of cinema since the age of four and personally supervised the restoration of many classic films, including Rosemary's Baby, Chinatown, The Big Parade, and Mr. Hulot's Holiday. Music written and performed by Burk SaulsSubscribe to our YouTube Channel!https://www.youtube.com/c/CinemondoPodcastBecome a Patron on PatreonJoin Cinemondo and over a hundred thousand podcasters already using Buzzsprout to get their message out to the world. Sign up here to get your podcast started!Cinemondo Podcast is a weekly show that's released every Monday. If you'd like to support our show, please subscribe to our podcast free in iTunes, and leave us a review!We want to hear from you so write in with more recommendations and comments. Email us: CinemondoPodcast@gmail.comConnect with us: CinemondoPodcast.com twitter.com/CinemondoPod facebook.com/CinemondoPodcastSupport the show (https://www.patreon.com/CinemondoPodcast)
Our discussion of the 2021 Gawad Urian Nominees continues! This time, we talk about special awards given by the Urian for special films and performers over the past decade. Notes: This is the second and final part of a two part episode.
It's less than a week before the awarding ceremony of this year's Gawad Urian. Join John, Jim, Manuel Pangaruy and Nicol Latayan as they discuss the nominees for select categories for this year's edition. Notes: This is part 1 of a 2 part episode.
For once, we're complete! All the members of Third World Cinema Club unite to talk about the series and movies they have watched recently. Perfect for background listening! Films and Shows Discussed: Midnight Mass (Netflix) Succession (HBO) Moneyboys (2021 film) Late Spring (1949) Code Geass: Lelouch of the Rebellion (Netflix) Squid Game (Netflix) Notes: Spoilers may be present in the films and shows discussed. We're trying to experiment with some things so that we can give you episodes on a regular basis. Stay tuned!
Dennis Bartok and Craig Rogers from Deaf Crocodile join us for an insightful discussion about film restoration. Dennis also shares some interesting stories from living in Hollywood ranging from Tony Curtis, James Wong Howe, and the Manson family. They talk about their work on Assault on Precinct 13 and Chameleon street. They even reveal a secret about something they are working on. Finally, they chime in on modern color grading and conclude that, yes, Teal Ray is a thing. Episode Links Classic Film Collective Deaf Crocodile website Deaf Crocodile Facebook Deaf Crocodile Twitter Deaf Crocodile Instagram
Dennis Bartok and Craig Rogers from Deaf Crocodile join us for an insightful discussion about film restoration.
Dennis Bartok and Craig Rogers from Deaf Crocodile join us for an insightful discussion about film restoration.
Vivamax's new offering is a romantic film starring Kim Molina and Jerald Napoles. It's by far the most unique and best thing they've done together. In this episode of Third World Cinema Club, the director and cast join us to talk about the film, the production and more. Guests: Irene Villamor (Director) Jerald Napoles (Martin) Kim Molina (Mylene) Notes: This episode contains some spoilers. This episode also contains descriptions of sexual situations. Listener discretion is advised. To see the video version of this live episode, go to the Third World Cinema Club Facebook page. Ikaw at Ako at ang Ending is available on Vivamax, KTX and IWantTFC.
Mr. RAH is on to discuss his work restoring and preserving historic and important films, how he got started, how he sees the health of restoration efforts, and his side gig of giving “A Few Words About” recent releases: How he got started doing film restoration. How is restoration different than preservation? Thoughts on the colorization of B&W movies Color correction Restoration of 3D or High Frame Rate films? How badly did the pandemic affect studios efforts to restore films? Is the “industry” of restoration in bad shape? Are the studios losing their appetite for big restorations? Has studio consolidation or move to streaming affected the calculus? Has he embraced streaming? What films that haven't made their way to disk does he most want to see? What does he wish our readers understood better about restoration efforts? “A Few Words About” Plus a hilarious Good Bad and Ugly
We're back! Did you miss us? Over the next few days we'll be releasing a ton of episodes that we've been recording in cooperation with the Cutprint Podcast Network. Enjoy! It's been months since one of the biggest media conglomerates in the country was inexplicably shutdown by the government. In this episode, the gang reminisce memorable films and moments brought by one of the collateral damages of the shutdown - - - the ABS-CBN Film Restoration Project, as it bid goodbye after 9 years of film archiving and restoring the classics. Notable segments in this episode: the gang ranks their favorite restored films, and exclusive tidbits during screenings.
We’re back! Did you miss us? Over the next few days we’ll be releasing a ton of episodes that we’ve been recording in cooperation with the Cutprint Podcast Network. Enjoy! It’s been months since one of the biggest media conglomerates in the country was inexplicably shutdown by the government. In this episode, the gang reminisce memorable films and moments brought by one of the collateral damages of the shutdown – – – the ABS-CBN Film Restoration Project, as it bid goodbye after 9 years of film archiving and restoring the classics. Notable segments in this episode: the gang ranks their favorite restored films, and exclusive tidbits during screenings.
In this episode of Third World Cinema Club, we talk about the 2019 documentary, Aswang. guests: JT Trinidad (Sine Liwanag) notes: The sound quality for this episode is unfortunately not the best. We’ve done our best to try to clean it up.
Respeto (2017) The Cinemalaya 2017 film Respeto was one of the most highly regarded films of that year. In light of recent events, the club talks with the director of the film to see how it shapes up in the present day. In this episode, we take a deep dive into the production, history and lessons of Respeto. guests: Treb Monteras II (director) notes: This podcast episode contains major spoilers for Respeto.
We Are One Festival Logo May 29, 2020 marked the beginning of a historic film festival experience: the We Are One Global Film Festival. For the next 10 days, selected films from some of the world’s top film festivals can be viewed on Youtube for free. In this episode of Third World Cinema Club, we talk about six films that we watched during the festival’s run. films discussed: Ice Cream and The Sound of Raindrops (2017) Eeb Allay Ooo (2019) Nasir (2019) The Distance Between the Sky and Us (2019) Crazy World (2014/2019) Shiraz (1928) notes: spoilers are present for all the films discussed.
Ramona Diaz’s Sundance documentary, A Thousand Cuts, documents the struggles of Rappler and its CEO, Maria Ressa in the context of the 2019 midterm elections. Streamed for free to Filipinos in the wake of Independence Day, the film’s meaning has now changed in the light of Ressa’s guilty verdict. In this episode of Third World Cinema Club (recorded before the verdict was passed,) we take a critical look at the documentary and share insights about the film. notes: This is the 75th episode of Third World Cinema Club.
In our latest episode of Third World Cinema Club, we talk about the ongoing Pinoy BL series from The IdeaFirst Company, GAMEBOYS. We discuss the lockdown-limited filmmaking process of Gameboys, how the crew overcame production setbacks despite the lockdown, and the BL (Boys’ Love) genre, particularly its history and its relation to the said series. Guests: Kayo Jolongbayan of Film Police Reviews Ivan Andrew Payawal (Director, Gameboys) Elijah Canlas (Cairo) Kokoy de Santos (Gavreel) Notes: No major spoilers are present in this episode. Gameboys is available to stream at the Ideafirst Youtube Channel.
With editing credits that include ML, Pisay, and Tulad ng Dati, Mikael Pestano’s work speaks for itself. In this episode of Third World Cinema Club, we ask him about the nature of editing and its role in the filmmaking process. note: This episode does not contain any major spoilers.
They (affectionately!?) call themselves The Worst, but they’re actually some of the best and brightest young directors we have. In this snapshot of life during quarantine, we talk about nothing and everything. Guests: Joel Ferrer (Elise, Baka Siguro Yata) Miko Livelo (‘Tol, Unli Life) Victor Villanueva (Patay na si Hesus) Mihk Vergara (Patintero: ang Alamat ni Meng Patalo) Notes: This episode was recorded during the middle of the ECQ, but was pushed back for various reasons. We recorded this episode as an addendum for another very special 3WCC episode, coming soon.
It’s time to talk animation! Join the gang as they discuss animated films from around the world that they’ve recently seen. You might find a great recommendation or two! Guests: Carl Joseph Papa (Director: Paglisan, Manang Biring) Pat Apura (Studio Nonego, Jet and the Pet Rangers) Films Discussed: Belladonna of Sadness (1973) Flavors of Youth (2018) Patlabor the Movie 2 (1993) Angel’s Egg (1985) Pokemon Mewtwo Strikes Back: Evolution (2019) The Wolf House (2018) The Tragedy of Man (2011) I Lost my Body (2019) Paglisan (2018) Notes: We tried to avoid them as much as we can, but spoilers are present for all the films discussed in this episode.
Sunday Beauty Queen, MMFF 2016’s best picture, was the first documentary to win the award – and deservedly so. In this episode of Third World Cinema Club, we take a look at pivotal scenes and find out where the Queens are now. Guests: Babyruth Villarama (Director) Chuck Gutierrez (Editor/Producer) Dexter Dela Peña (cinematographer) Notes: This episode contains spoilers. Sunday Beauty Queen is available for free on TBA studio’s official YouTube page.
courtesy of Louie Baharom, Cinephilia.ph In this special 2 part episode of Third World Cinema Club, we talk about one of the most important films of 2019. John Denver Trending won best film at Cinemalaya 2019, and with its debut on streaming services, it has gained an all new audience. We take a deep dive into the film, talking with the director and lead actors about making the film, and more. Guests: Arden Rod Condez (Director), Jansen Magpusao (John Denver), Meryll Soriano (Maritess). notes: This episode contains major spoilers. This is part one of a two part episode, the second part can be found here. This episode is dedicated to former Film Police staffer Kenneth Borlan, who sadly passed away early this year.
courtesy of Louie Baharom, Cinephilia.ph Our special 2 part deep dive into the 2019 film John Denver Trending continues. In this part, we talk about some of the film’s most important scenes and moments. Guests: Arden Rod Condez (Director), Jansen Magpusao (John Denver), Meryll Soriano (Maritess). notes: This episode contains major spoilers. This is part two of a two part episode, the first part can be found here. This episode is dedicated to former Film Police staffer Kenneth Borlan, who sadly passed away early this year.
courtesy of Louie Baharom, Cinephilia.ph In the middle of a rather gloomy chat about John Denver Trending, we decided to loosen up a bit and have fun. This is a behind the scenes look into the making of John Denver Trending’s alternate (!?) ending. (Basically 8 minutes of us fooling around, but we had fun) This is an outtake from a 2 part episode discussing John Denver Trending. Listen to it by clicking the links below: part 1 part 2 Guests: Arden Rod Condez (Director), Jansen Magpusao (John Denver), Meryll Soriano (Maritess). the finished version:
Keith Deligero With an impressive filmography that pushes the boundaries of genre, Keith Deligero has made waves in the independent movie scene. In this episode of Third World Cinema Club, we talk to him in depth about his life, career, and inspirations. notes: This is the audio version of a video collaboration with Archipelago; the video version is here. Spoilers are present for all of Keith’s films. If you know what movie we’re talking about in the end credits, tweet at us over at @ThirdWCC.
courtesy of Louie Baharom of Cinephilia.ph Our three part special episode remembering the life and works of the late Peque Gallaga comes to an emotional conclusion. In this part, we discuss: the Negros Filmmaking Workshop, Direk Peque’s masterwork Oro Plata Mata, and one final tribute. Our guests: Direk Peque’s creative partners and fellow collaborators Lore Reyes and Jo Macasa, and film archivists/cultural workers Ronald Rios and Teddy Co. notes: As said above, this is the edited and cleaned version of our live broadcast last May 16. The original broadcast is available on the Third World Cinema Club Facebook Page. This is the final part of a three part series (collectively known as Episode 67.) This podcast episode contains spoilers. There is a silent part near the beginning of the episode. If you watched the stream, you’ll know where this part is. We have decided not to edit out this part for obvious reasons.
courtesy of Louie Baharom, Cinephilia.ph Our three part special remembering the life and works of the late Peque Gallaga continues. In this part, we discuss: Puso ng Pasko, Magic Temple, Gangland, and Direk Peque’s final film project, Magikland. Our guests: Direk Peque’s creative partners and fellow collaborators Lore Reyes and Jo Macasa, and film archivists/cultural workers Ronald Rios and Teddy Co. notes: As said above, this is the edited and cleaned version of our live broadcast last May 16. The original broadcast is available on the Third World Cinema Club Facebook Page. This is the second of a three part series (collectively known as Episode 67.) This podcast episode contains spoilers and mild swearing.
courtesy of Louie Baharom, Cinephilia.ph With Peque Gallaga’s recent passing, Philippine Cinema has lost a legend. In this three part special feature, we talk about the ma, his life, and his works. Our guests: Direk Peque’s creative partners and fellow collaborators Lore Reyes and Jo Macasa, and film archivists/cultural workers Ronald Rios and Teddy Co. In the first part of Remembering Peque Gallaga, we talk about Scorpio Nights and Direk Peque’s multiple entries in the Shake Rattle and Roll Franchise. notes: As said above, this is the edited and cleaned version of our live broadcast last May 16. The original broadcast is available on the Third World Cinema Club Facebook Page. This is the first of a three part series (collectively known as Episode 67.) This podcast episode contains spoilers and mild swearing.
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We put together this episode for you in the light of recent events. Direk Jay Altarejos joins the club to talk about his initiative, 2076Kolektib, and the shutdown of media company ABS-CBN. notes: Engelbert Rafferty of FPR and Louie Baharom of Cinephilia.ph officially join the Club for this episode. We’ve tried to clean up the audio for this episode, but we apologize in advance for any unintended dip in quality. Learn more about Direk Jay’s initiative here: 2076 Kolektib
ABS-CBN’s Gabi ng Himala With cinemas gone for the foreseeable future, filmmakers and creatives have turned to other means to make movies. In this episode of Third World Cinema Club, the gang talks about the recent Gabi ng Himala, a tribute and reinterpretation of the Bernal classic, and Unconfined Cinema’s Love Team. John Lloyd Cruz and Bea Alonzo in Love Team notes: Spoilers are present for both Gabi ng Himala and Love Team.
For this episode of Third World Cinema Club, veteran film critic Noel Vera joins us to talk film. Get ready for conversations on classic Filipino Cinema, film criticism in general and a slew of film recommendations! notes: Minor spoilers for the discussed films are present.
It’s time to look outside the box, and by the box I mean the confines of Metro Manila. In this special collaboration with Arkipelago, Princess and John talk to three filmmakers from the regions who have contributed their films to the Binisaya Film Festival! They’ve set up a page where you can donate, and in exchange, watch the films from their growing catalog. Trailer: notes: This is the audio version of a video (which will be available soon; pending an update) We’ve tried to clean up the audio as much as we can, please bear with us for any technical difficulties. For more info, and to help contribute or donate to Binisaya’s The Distance Between Us initiative, click here for more information. Spoilers are present for all the films seen.
By TVUP – SINEPINOY | JERROLD TAROG (cropped from 15:10), CC BY 3.0, https://commons.wikimedia.org/w/index.php?curid=86770357 Third World Cinema Club talks to Jerrold Tarog, director of some of the most memorable films of the 2010s. He talks about his creative process, his upcoming works and more. notes: This episode does not contain any major spoilers. View John’s video essay on Goyo here: click
It’s time for one of those comic-book style crossovers! The fine folks over at Globe Studios’ Endslate have teamed up with us to record a fun episode about… anything under the sun! notes: You can listen to whatever version of the episode you want (they’re pretty similar), the Endslate version is available here. Thanks to the hosts of Endslate for having us on their show!
The gang talks about a film that became available recently on KBO – Mikhail Red’s Block Z. How does it shape up to the rest of the Zombie canon? That, and what we have watched recently, on this episode of Third World Cinema Club. notes: There are spoilers for Block Z in this episode.
The Tapes (iWant, 2020) The Tapes is iWant’s new series, and it’s quite a show! Series director Bradley Liew and writer Dodo Dayao join us to talk about the show and life during quarantine. Afterwards, the gang meet to review the series as a whole. notes: we try to avoid spoilers in this episode, but just to be safe, it’s best to watch the series first before diving into listening to this episode. The tapes is available streaming for free over at iWant.
Jet and the Pet Rangers There’s a new show on Iwant, and it’s the streaming service’s first original children’s animated show! Director Patrick Apura, creative consultant Dwein Baltazar, and writer Mark Raywin Tome join us to talk about the show! We also talk about our favorite episodes, including the opinion of Princess’ 5 year old nephew. notes: The audio quality for this episode is admittedly not the best, as we had connection problems all throughout the call. We’ve tried to clean it as best we can, but we do apologize for any technical difficulties. Jet and the Pet Rangers is available for FREE at iwant.ph.
Erik Matti (credit: Wikipedia) In this episode of Third World Cinema Club, we talk with director Erik Matti about his films, his experiences co-running Reality Entertainment, and other things. Get ready for one of our longest episodes yet! notes: This is the second episode of our work from home series.
Enjoy this stock photo of work from home Third World Cinema Club had a slew of projects on the pipeline… then the Fire Nation Coronavirus attacked. Needless to say it made the whole process of meeting in random coffee shops pretty much impossible. But fear not, the magic of the internet has brought us together. In this special internet episode of Third World Cinema Club, we talk about the world under quarantine, what that has done to watching movies, festivals and movie releases, and we also discuss films about disease outbreaks. We also talk about the films we have watched recently! notes: This episode contains spoilers for Contagion (2011) and Outbreak (1995). Apologies for the sound quality, we’re working on making it better for the episodes to come! We plan on making more episodes during the quarantine period, and if feasible, set up conversations and interviews like before, so stay tuned. FPR’s Guide to movies you can watch during the quarantine: Click Here Lockdown Cinema Club Volume 2, a collection of movies for streaming as well as donation links to help the local indie film community: Click Here
The gang talks about 7 of the 9 best picture nominees in the latest Academy Awards. Which films stood out among the rest? Which ones deserved more awards? Find out in this episode! notes: We discuss the remaining two best picture nominees, Marriage Story and The Irishman, in a separate episode: click here This episode contains spoilers for all the films discussed.
Irene Villamor’s latest film, On Vodka, Beers and Regrets, defies simple categorization. In the latest episode of Third World Cinema Club, the gang talks to Irene Villamor and leading lady Bela Padilla about the making of the film and their collaborative process. notes: This particular episode is spoiler free, but we feel it’s better if you have watched the film beforehand before listening, just to be sure. The first part of the episode is a brief interview with Bela. The audio is admittedly not the best quality, but we’ve tried to make it as clear as possible. We’re in the process of making a transcript so people can understand what’s going on. We recorded this podcast episode over at Hatch Hub, Maginhawa St. links: Jim’s review of On Vodka, Beers and Regrets John’s review of On Vodka, Beers and Regrets FPR’s review of On Vodka, Beers and Regrets
2020 na, anuna!? Third World Cinema Club looks back at the year that was. Join John, Princess, Jim and DJ (with Tristan in spirit) as they list down their favorite films of the year. It’s a list that’s full of surprises and shocking results! notes: We recorded this at a special location. Virtual cookies to the people who can guess who our secret guest is! Mild to moderate spoilers are present for the films mentioned in this episode. We’re currently having difficulties with episode 51 (the MMFF episode) but it’ll hopefully be up soon!
Merry Christmas! In celebration of Cinema One Originals’ 15th anniversary, C1 alumni Joel Ferrer (Baka, Siguro, Yata, Elise) and Victor Villanueva (Lucid, Patay na si Hesus) sit down and talk about their filmmaking experiences and the festival’s best hits while John and Princess sit back and do laughtrack stuff. It’s unedited, uncensored, and uncut! Prepare for almost 2 hours of history, insights and crazy ideas. notes: We recorded this episode at Hatch Hub along Maginhawa St. Spoilers are present for Lucid. The opinions and views expressed in this podcast do not reflect… charot. Thanks to Vic and Joel for stopping by!
After lots of tinkering, we release a lost episode from last year! Louie Baharom of Cinephilia.ph joins us as we share our thoughts on MMFF 2019. Which films stood out, if any? Which ones were absolute stinkers? Let’s find out! notes: If you notice the episode number, this episode was supposed to be released a while ago. However, the audio quality was not up to snuff. We’ve tried to clean up the audio as much as possible, but it’s not perfect. We apologize for the drop in quality and the release delay. This podcast contains spoilers for the films discussed. We recorded this episode over at Coffee Bean and Tea Leaf.
The Irishman and Marriage Story It’s Netflix and Chill time here at Third World Cinema Club! Join the gang as they talk about two of the biggest Netflix releases of 2019, Marriage Story and The Irishman. Notes: This episode contains spoilers for both films. We recorded this episode over at Edsa Shangri-la Mall.
Advances in film restoration technology, the challenges of matching black and white footage with shades of military khaki, and the depth of Peter Jackson’s passion for all things World War I arise in this conversation about They Shall Not Grow Old (2018) between assistant editor Elliot Travers and Ross Melnick (Film and Media Studies, UCSB). Travers describes the convoluted path the film took from its initial conception as a 30-minute museum commission for England’s Imperial War Museum to an internationally-distributed feature-length film. Series: "Carsey-Wolf Center" [Show ID: 35411]
Advances in film restoration technology, the challenges of matching black and white footage with shades of military khaki, and the depth of Peter Jackson’s passion for all things World War I arise in this conversation about They Shall Not Grow Old (2018) between assistant editor Elliot Travers and Ross Melnick (Film and Media Studies, UCSB). Travers describes the convoluted path the film took from its initial conception as a 30-minute museum commission for England’s Imperial War Museum to an internationally-distributed feature-length film. Series: "Carsey-Wolf Center" [Show ID: 35411]
Advances in film restoration technology, the challenges of matching black and white footage with shades of military khaki, and the depth of Peter Jackson’s passion for all things World War I arise in this conversation about They Shall Not Grow Old (2018) between assistant editor Elliot Travers and Ross Melnick (Film and Media Studies, UCSB). Travers describes the convoluted path the film took from its initial conception as a 30-minute museum commission for England’s Imperial War Museum to an internationally-distributed feature-length film. Series: "Carsey-Wolf Center" [Show ID: 35411]
Advances in film restoration technology, the challenges of matching black and white footage with shades of military khaki, and the depth of Peter Jackson’s passion for all things World War I arise in this conversation about They Shall Not Grow Old (2018) between assistant editor Elliot Travers and Ross Melnick (Film and Media Studies, UCSB). Travers describes the convoluted path the film took from its initial conception as a 30-minute museum commission for England’s Imperial War Museum to an internationally-distributed feature-length film. Series: "Carsey-Wolf Center" [Show ID: 35411]
Advances in film restoration technology, the challenges of matching black and white footage with shades of military khaki, and the depth of Peter Jackson’s passion for all things World War I arise in this conversation about They Shall Not Grow Old (2018) between assistant editor Elliot Travers and Ross Melnick (Film and Media Studies, UCSB). Travers describes the convoluted path the film took from its initial conception as a 30-minute museum commission for England’s Imperial War Museum to an internationally-distributed feature-length film. Series: "Carsey-Wolf Center" [Show ID: 35411]
Advances in film restoration technology, the challenges of matching black and white footage with shades of military khaki, and the depth of Peter Jackson’s passion for all things World War I arise in this conversation about They Shall Not Grow Old (2018) between assistant editor Elliot Travers and Ross Melnick (Film and Media Studies, UCSB). Travers describes the convoluted path the film took from its initial conception as a 30-minute museum commission for England’s Imperial War Museum to an internationally-distributed feature-length film. Series: "Carsey-Wolf Center" [Show ID: 35411]
Our coverage of Cinema One Originals 2019 continues! Join us as we talk about the rest of the competition entries and our favorites from the festival! Part 2 of a 2 part series. notes: Spoilers are present for all the films discussed. This episode includes discussions of: Utopia, Tia Madre, Sila-Sila, Portrait of a Lady on Fire, Barbara Reimagined, The Truth, The Annulment, Art of Ligaw and The Lighthouse. We recorded this episode over at Malongo Cafe along Bonifacio High Street.
It’s time for the gang to discuss the films of Cinema One Originals 2019! Rappler resident film critic Oggs Cruz and cinephile Engelbert Rafferty join us as we discuss the eight competition entries of this year’s festival, and more! Part one of a two part series. notes: Spoilers are present in this episode. We recorded this episode over at Malongo cafe along Bonifacio High Street. Films discussed in this episode: Yours Truly Shirley, Metamorphosis, O, Lucid, Tayo Muna Habang Hindi Pa Tayo
The gang talks about the recently concluded QCinema International Film Festival! Which films did they like? Which films didn’t quite make the cut? Critic Richard Bolisay and cinephile Engelbert Rafferty join us for this episode. Part 1 of a 2 part series. notes: Spoilers are present in this episode for all films! This episode covers: Kaaway sa Sulod, Nakorn-sawan, Babae at Baril, Ave Maryam, Fly By Night, and The Long Walk.
Our coverage of QCinema 2019 continues! Join us, critic Richard Bolisay and cinephile Engelbert Rafferty as we talk about the rest of the Asian Next Wave section and more! Part 2 of a 2 part series. Enjoy! Notes: Spoilers are present for all films discussed! This episode covers the following: Suburban Birds, Cleaners, QC Shorts, and our favorite non-competition films. We recorded this episode in Moonleaf Maginhawa, QC.
The Cinema For All Podcast is a celebration of going to the cinema. In this episode, Jaq, Abi and Producer Jay head to Leeds to talk to the team at ITV Content Delivery, home of the ITV National Archive. We find out about what’s involved in storing this huge amount of archival film and television content, as well as the process of restoring it for 21st Century viewers. Jaq and Abi also catch up about what they’ve been over the past few weeks (Official Secrets, To Kill A Mockingbird, Bombshell: The Hedy Lamarr Story, The Little Mermaid, The Farewell, Eyes Without A Face, Les Diaboliques). The Cinema For All podcast is proud to be supported by the BFI, awarding funds from the National Lottery HOSTS: Jaq Chell and Abi Standish GUESTS: James, Scott, Josh and Andy at ITV Content Delivery PRODUCER: Jay Platt Thanks for listening! Please subscribe and rate and review our podcast – it really helps other listeners find us! For more on Cinema For All head to www.cinemaforall.org.uk or follow us on Twitter/ Instagram on @cinemaforallpod
Maine Mendoza and Carlo Aquino in Isa Pa, With Feelings (2019.) Movie still. The latest film from directing-screenwriting duo Prime Cruz and Jen Chuaunsu is a gem about loneliness and finding someone. For this episode of Third World Cinema Club, we invite Prime and Jen to talk about Isa Pa, With Feelings. What happened to Mara and Gali after the film’s conclusion? How did they shoot some of the film’s iconic scenes? And what was it like working with Maine Mendoza and Carlo Aquino? That, and more in this episode. Notes: This episode was recorded in Starbucks Scout Albano, where we recorded our first episode! Apologies for the background noise. SPOILERS for Isa Pa, With Feelings are present in this episode.
Behind the Screen Series: the Curator QCinema is around the corner, and for this episode we talk to QCinema Festival Director Ed Lejano about the current state of Philippine Cinema, film distribution, his experiences as festival director and as a filmmaker, things to come for the latest edition of QCinema, and other things. ABOUT BEHIND THE SCREEN: This is part of a multi-part series about people involved in film production. Subsequent episodes aim to include cinematographers, colorists, production designers, composers, etc into the ever-widening discourse on film. Notes: We recorded this episode at the UP Film Institute! This recording was done back in June (hence the reference to Parasite).
My chat with Shivendra Singh Dungarpur about film preservation and film restoration.We chatted about preservation and how restoration also entails keeping the filmmaker’s original intent intact. We also spoke about Muzaffar Ali’s Zoonie; the recent restoration of Kubrick’s masterpiece, 2001: A space Odyssey; the first Bengali silent film, Bilwamangal; and Peter Jackson’s They Shall Not Grow Old. Dungarpur also touched on his unfinished film, Ittefaq. For which he had assembled an enviable crew, comprising Rahman, Gulzar, Sriram Raghavan, Karan Bali and Sharmishta Roy. And.. of course, I asked him about the wonderful documentary, Celluloid Man.Please do consider making a donation to the Film Heritage Foundation at: https://filmheritagefoundation.co.in/donate/Credits:Concept, script: Himanshu (@loveofcinemasf8)Host: Himanshu Editor: Devika JoglekarMusic: Nakul AbhyankarCopyrights © Love of Cinema 2019
The lives of alienated and secretive individuals converge in a strip club in writer-director Atom Egoyan’s 1994 drama EXOTICA starring Bruce Greenwood, Mia Kirshner, Elias Koteas, and Don McKellar. In recommendations, Mark Pfeiffer covers the Wexner Center for the Arts’ Cinema Revival: A Festival of Film Restoration and spotlights Alfred Santell’s melodrama THAT BRENNAN GIRL and John Berry’s CLAUDINE with Diahann Carroll and James Earl Jones. Paul Markoff picks Nicolas Winding Refn’s DRIVE with Ryan Gosling as a stuntman by day and getaway driver by night. Send your comments, questions, and feedback to filmboundpod@gmail.com. Twitter: @filmbound Facebook: https://www.facebook.com/filmboundpod/ EXOTICA clip courtesy Miramax THAT BRENNAN GIRL clip courtesy Paramount Pictures CLAUDINE clip courtesy Twentieth Century Fox DRIVE clip courtesy Sony Pictures Home Entertainment Music: "Parasail" by Silent Partner Recorded March 9, 2019.
Part 2 of our wide-ranging chat with Atul Sabharwal, writer and director of the landmark Indian television show, Powder. Himanshu spoke with Sabharwal, at length, about Powder, the under-seen action drama AURANGZEB, his fondness for Raj Khosla’s Kuchhe Dhaage, film appreciation in the wake of the #MeToo movement, restoration of Hindi films, and much more. Credits:Concept, script: Himanshu (@loveofcinemasf8)Host: Himanshu Editor: Devika Music: Nakul Copyrights © Love of Cinema 2019
A wide-ranging chat with Atul Sabharwal, writer and director of the landmark Indian television show, Powder. Himanshu spoke with Sabharwal, at length, about Powder, the under-seen action drama AURANGZEB, his fondness for Raj Khosla’s Kuchhe Dhaage, film appreciation in the wake of the #MeToo movement, restoration of Hindi films, and much more. Credits:Concept, script: Himanshu (@loveofcinemasf8)Host: Himanshu Editor: Devika Music: Nakul Copyrights © Love of Cinema 2019
Review Well, we don’t normally do this sorta thing, but oh man this was so good! What the film is about, how it is about, and why it was so special. Appreciating those who do the best work of making history relatable (cough Dan Carlin cough). Restoration Film degradation. Scratching, exposure, shrinkage, physical tearing. The crapshoot that is video frame rates in early 20th century film footage. Crank cameras and gearing and compressed-air constant-framerate cameras. Correcting for all of this and the challenge of bringing it all up to a standard 24 fps. Film is an illusion The optical illusion that we perceive as movement on a screen. Persistence of vision. Video framerates and the “refresh rate” of the human eye. Motion interpolation as an offense against art and all things good. Tom Cruise fighting the good fight. Motion interpolation as a really neato technology which is actually really cool when not on by default on new televisions. Motion interpolation in VR or video games. Academic controversy Historian types and objections to the “enhancements” introduced by the filmmakers. Art vs education and the importance of relatability. Modernizing history. Colorization. 3d-ification. Finding it hard to complain about digital enhancement and remastering which leaves the original materials untouched. "YOU WONT BELIEVE YOUR EYES!" by Smarter Every Day: YouTube Support the show!
Sitting down with writer, director, producer and film aficionado Christian Morán is a masterclass on the process of a director, the hidden meaning in Kubrick films, and you REALLY don't want to miss the part where he talks about restoring Voltron for 5 years of his life.
Geoffrey Gardner, former director of the Melbourne Film Festival and Clyde Jeavons, ex curator at the British Film Institutes National Film Archive, discuss the history of film restoration.
Show #129 | Guests: Rob Byrne focuses on film restoration and silent film era research. He’s currently President of the San Francisco Silent Film Festival Board. Anita Mong is the Festival’s Artistic Director and a veteran film booker. | Show Summary: Anita Monga and Rob Byrne from the San Francisco Silent Film Festival discuss the power and impact of this bygone film era and why the medium is relevant for today’s audiences.
Indianapolis man inhabits a role unique to this area: film collector, preservationist, historian.
Martin Koerber is the director of Film collections at the Deutsche Kinemathek (Berlin). He recently was involved in the restoration of Metropolis (Fritz Lang) with Friedrich-Wilhelm-Murnau-Stiftung and also Die Büchse der Pandora (G.W. Pabst) with Big Sound and Haghefilm.
Martin Koerber is the director of Film collections at the Deutsche Kinemathek (Berlin). He recently was involved in the restoration of Metropolis (Fritz Lang) with Friedrich-Wilhelm-Murnau-Stiftung and also Die Büchse der Pandora (G.W. Pabst) with Big Sound and Haghefilm.
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