Podcasts about dune part ii

SEASON 2 - EPISODE 141 - DP & VFX Relationship - with Greig Fraser & Paul Lambert In this episode of the Team Deakins Podcast, cinematographer Greig Fraser (Season 1, Episodes 29, 57, 63, 69 & Season 2, Episodes 50, 51, 100) and VFX supervisor Paul Lambert (Season 1, Episode 107) return to talk about the modern relationship between the cinematography and visual effects departments. Throughout the episode, we frequently refer to Paul's and Greig's collaboration on both DUNE films, and they reveal how they realized several scenes and overcame the endless challenges of shooting the film with the support of one another. They share why they utilized painted backings to assist in set extension over blue screens or LED walls, and we later swap strategies for figuring out how to maintain the illusion of a flying helicopter. Greig also reveals what makes him proud about a particular all-CG shot in DUNE: PART II, and Paul breaks down what an audience really means when they see “bad CGI” in a film. Towards the end, we discuss the merging of animation and live-action filmmaking, and we look ahead to what the future may bring. - Recommended Viewing: DUNE (2021), DUNE: PART II (2024) - This episode is sponsored by Aputure & Profoto

On this episode of Cinema Dual, Jon and Chris watch a couple of movies recently nominated for Best Picture. Movies Discussed: Nickel Boys, Anora Recommendations : Ghostlight, Sing Sing (Chris), Dune Part II, Wicked, Conclave (Jon)  For more of our movie thoughts, including our series on the films of Akira Kurosawa, you can check them out at www.cinemadual.com.  Cinema Duals' Mountain of Gloriousness The Films of Cinema Dual Follow us on Blue Sky: @joncinemadual @belownirvana Follow us on Spotify: Cinema Dual

In this episode of Flyover Film Country, the hosts discuss the 97th Academy Awards, sharing their viewing experiences, predictions, and thoughts on the event's highlights and lowlights. They delve into the performance of the host, Conan O'Brien, the viewership trends, and the notable absences of major Hollywood stars. The conversation also touches on the lack of trailers during the ceremony and the musical performances that took place, including a tribute to James Bond. In this engaging conversation, the hosts delve into the recent Oscars, discussing the implications of various performances, the significance of Dune Part II, and the controversies surrounding Adrian Brody's acceptance speech. They explore the dynamics of Hollywood's award system, particularly the perceived age bias in nominations and wins, and debate the merits of Timothée Chalamet's and Adrian Brody's performances. The discussion is lively, filled with humor and insightful commentary on the state of the film industry. In this episode, the hosts discuss the recent Oscars, focusing on performances, predictions, and their own alternative awards, the Waltzies. They debate the merits of various films and performances, including 'The Brutalist' and 'A Real Pain', and share their hot takes on nominations and winners. The conversation also touches on the importance of indie films and the future of cinema, concluding with reflections on the Oscars and what lies ahead for the film industry.

What do The Brutalist, Emilia Pérez, Dune Part II, and A Complete Unknown have in common? Yes, they’re all films nominated for Oscars at this Sunday’s ceremony. But they share something else – all of these films used Artificial Intelligence tools in some form during production. For the Brutalist and Emilia Pérez, AI was employed to alter actor’s voices while singing, or speaking Hungarian. For Dune and A Complete Unknown, AI tools changed actor or stunt double’s appearances. AI usage in film has been controversial for years. In 2023, both the Writers Guild of America and SAG-AFTRA, the screen actors guild, went on strike – picketing in part over concerns regarding AI. But now, the red carpet will be full of directors and producers who relied on AI in small ways in their journey to the Oscars. So what does this say about the state of the film industry? Will this lead, as some have warned before, to the death of the movies? Guest: Brett Halperin is a University of Washington doctoral student in human centered design and engineering, and cinema and media studies. Related Links: ‘AI is Soulless’: Hollywood Film Workers Strike and Emerging Perceptions of Generative Cinema - ACM Digital Library Q&A: How AI is changing the film industry - UW News Oscars Consider Requiring Films to Disclose AI Use After ‘The Brutalist’ and ‘Emilia Pérez’ Controversies - Variety Thank you to the supporters of KUOW. You help make this show possible! If you want to help out, go to kuow.org/donate/soundsidenotes. Soundside is a production of KUOW in Seattle, a proud member of the NPR Network.See omnystudio.com/listener for privacy information.

On this bumper special Academy Awards themed episode, The Love of Cinema's Sam Clements is joined by colleagues from across the Picturehouse office -Chris Harris, Issy MacLeod, Lara Peters, Hope Hopkinson, Freyja Pakarinen, Lucy Fenwick Elliott and Felicity Beckett - to discuss this year's batch of Best Picture nominees at the Academy Awards: Anora, The Brutalist, Conclave, A Complete Unknown, Dune Part II, Emilia Perez, The Substance, Nickel Boys, I'm Still Here and Wicked. Stay tuned to the end for the team's own Best Picture winner too! If you'd like to send us a voice memo for use in a future episode, please email podcast@picturehouses.co.uk. Subscribe on Apple Podcasts. Follow us on Spotify. Find us on Twitter, Facebook and Instagram with @picturehouses. Find our latest cinema listings at picturehouses.com.  Produced by Stripped Media. Proudly supported by Kia. Thank you for listening. If you enjoy the show, please subscribe, rate, review and share with your friends. Vive le Cinema.

It's Popzara's Movie Time! Podcast…for the year of 2024! And what a year, especially when it comes to the movies we loved, liked, and loathed. Regular hosts Ethan Brehm and Nate Evans are joined by editors Susana Bojorquez and (making his podcast debut) Brian Kwayi in a spectacular, extra-long episode overstuffed and ready to explode with everything that made this year in cinema what it was. Did your best/worst make the list? Ours included The Wild Robot, Joker: Folie à Deux, A Different Man, Dune: Part II, The Substance, Furiosa: A Mad Max Saga, The Fall Guy, Anora, A Real Pain, Nosferatu, Deadpool & Wolverine, Thelma, Civil War, Blink Twice, Godzilla x Kong The New Empire, Ricky Stanicky, Saturday Night, Gladiator II, The Bikeriders, Sing Sing, Juror #2, Alien: Romulus, The Beekeeper, Beetlejuice Beetlejuice, Red One, Challengers, Sasquatch Sunset, Rebel Ridge, Transformers One, and many, many others. Listen now!

We reviewed so many films in 2024. Here's part II of our collection of our reviews all in one place in ready to binge here on YouTube including: Dune Part II starring Timothee Chalamet and Zendaya, Out of My Mind, A Real Pain, written and directed by Jesse Eisenberg, Rent Free from this year's Tribeca Festival, Saturday Night directed by Jason Reitman, Seeds from this year's Woodstock Film Festival, Thelma from this year's Sundance Film Festival, The Friend starring Naomi Watts and Bill Murray, and Things Will Be Different from this year's Overlook Film Festival.

In episode 485, the "survival experts," are counting down the best films from 2024. E-mail your survival suggestions to us at wecouldsurvivethat@gmail.com or Twitter @WeCouldSurvive or find older episode on Youtube at: https://www.youtube.com/channel/UCXAa8-wNqv1G14ts_DHenkg/feed

Season's greetings, Script Apart listeners. As you may have noticed, it's the last week before Christmas – the year's coming to an end, and so, we figured, let's end 2024 strong. So all this week, on this podcast about the first draft secrets of great movies and TV shows – interviews with the writers behind some of the best movies of the last twelve months that we didn't manage to cover upon release. And holy prince of House Atreides, what a way to begin today. Our guest today made one of the most pulse-racing crime thrillers of the century so far, in the form of 2015's Sicario. He's made one of the greatest movies about the power of language of all-time, in 2016's Arrival. And in 2017 and 2021, he took on the impossible twice – crafting first a sequel to one of the greatest blockbusters ever, in the shape of Blade Runner 2049, and then a movie adaptation of a novel previously thought unfilmable: Frank Herbert's Dune. Yes, the great Denis Villneueve is with us today, stopping by for a chat about how his gargantuan Dune: Part Two – starring Timothee Chalamet and Zendeya – helped define 2024. Not just in the way it dominated the box office, earning almost three quarters of a billion dollars (which by the way, is not bad for a hallucinatory epic full of spice-induced visual experimentation). No, it's reflective of the year just passed because notions of fascism, faith, false messiahs… these have all been uncomfortable parts of the backdrop of 2024.In the conversation you're about to hear, Al had thirty minutes to ask Denis his most probing questions about the script. Questions like: was there ever a moment in the making of Dune: Part Two when he contemplated keeping Feyd-Rautha Harkonnen – played by Austin Butler – alive to explore in further films? What does the ending of the film, which veers away from Frank Herbert's source material, mean for the future of the franchise? And if Dune: Part Two is a film that warns about colonialism and facism, does he believe that cinema has the power to actually dismantle those structures, or is just about expressing a kinda howl of resistance?Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Instagram, or email us on thescriptapartpodcast@gmail.com.Support for this episode comes from ScreenCraft, Final Draft, FILMD and WeScreenplay.To get ad-free episodes and exclusive content, join us on Patreon.Support the show

Julia & Miranda list off 2024 popular culture moments for which they feel grateful... and although the end of this year is a current prolonged purgatory you know can only lead to the eventual damnation of hell... the girls remind you of all the fun we've had along the way. Ep. Recorded on Nov. 17, 2024. Follow us on instagram! @the.p.in.rasp@juliapeterkins @miranda.macgillivraySend us a textSupport the show

This episode contains: All three of our intrepid hosts are back for this all new episode! Ben is drinking decaf tea while the rest of drink coffee (“It's tea time!”). Devon was out of town during Hurricane Beryl. Devon tells us about his family trip to California Adventure. His youngest did not like the Cars ride. Both of his kids really liked Sorin'. Steven and Ben played Arcs, a game about interstellar civilizations. It was a bit of a hard sell but Ben finally came around and enjoyed it. Pre-order here:  https://ledergames.com/products/arcs Ben has finished Prodigy Season 2. It's the Star Trek Legacy show we may never get. Everyone needs to watch the entire season to ensure Netflix makes another season. Prodigy does for Star Trek what The Clone Wars did for Star Wars. We have some spoilers for Season 2 of Star Trek: Prodigy. Trailer Overload: Steven made us watch a lot of trailers for new TV shows and movies. We're surprised they're still making Futurama. The actors are sounding a bit old. The Dune show looks cool. Ben has finally seen Dune Part II but Steven has not (and he's still on the show for some reason). Will a new Time Bandits capture the charm of the original? We're looking forward to more Severance. Captain America: Brave New World is also a movie that is coming out. Apparently it will tie together some loose threads in the MCU. Harris Ford as Red Hulk? Okay. More MCU: Agatha All Along. Steven and Ben are going to give it a shot. Futurama Season 12: https://youtu.be/PBXlbrZj1sY?si=u1Vv9nJ9L_qfHzvA DUNE: Prophecy https://youtu.be/EEoQAoEGLhw?si=695gZywFdpDfeMpf Time Bandits: https://www.youtube.com/watch?v=BCA9jpc4R74 Severance Season 2 https://youtu.be/ULC9M8CCn28?si=-S6I1XaRPShKXczR Captain America: Brave New World https://youtu.be/O_A8HdCDaWM?si=ONX8KdL7lqPfggak Agatha All Along: https://youtu.be/ARulRbzM7Jw?si=oqgOqTDfLobzd4WS   Book Club: For this week's book club we read All Systems Red: The Murderbot Diaries (The Murderbot Diaries, 1)  https://www.amazon.com/All-Systems-Red-Murderbot-Diaries/dp/0765397536 We enjoyed it and want to read more about Murderbot (this is one of seven). The human characters were a little hard to remember and the action was confusing. But that might just be a Steven problem.  https://www.goodreads.com/book/show/32758901-all-systems-red?from_search=true&from_srp=true&qid=RRNB79pgDU&rank=1 Next week we are reading: 2021 Nebula Award winner, Best Short Story in 2021: “Where Oaken Hearts Do Gather” https://www.uncannymagazine.com/article/where-oaken-hearts-do-gather/

Steve found "Dune Part II" underwhelming due to its slow pacing and lack speaking logic. Similarly, he criticized "The Acolyte" for its terrible story, terrible production, and terrible rewriting of the Jedi.

Description Returning guest Virginia McAlister joins Joe to discuss Paul Atreides from the films Dune and Dune Part II. We talk about the Dune franchise, this film adaptation, and some of discomfort felt in Paul’s ascension. We also acknowledge what … Continue reading →

The guys are here with an episode primarily focused around Dune Part II. SPOILER ALERT!!!! But they talk about Dune and Dune Part II as they are must see movies!!

Jason Ross is out today... Dave breaks down the TWolves vs Mavs Game 5 tonight and Jauan Jennings new contract extension with the 49ers Brad Delp's incredible vocal range Dune Part II Safe or Out on New York Mets, 1/3 Year Checkup + Baseball Movies

 Gabe and Matt review Dune Part II, discovering a difficult relationship with crowd-pleasing sensibilities at the expense of the integrity and faithfulness to the source material. Discussions ensue. -  -  -  -  - Listen to us on Apple Podcast, Stitcher, or Spotify!Send us a message!Music by Mike. Check out his Soundcloud.Like our content? Visit our website! 

This week, we talk about Dune Part II! A sprawling, beautiful film about how great messiahs are and how much better they make everything and how religious leaders never ever use fundamentalism for personal gain! A perfect topic for an atheist podcast. We do spoil it so if you don’t know the story, maybe go […]

So what does it take to be successful (at least as a portrait photographer?) In this episode I muse on the key building blocks that every successful photographer I've encountered seems to exhibit, at least to varying degrees! This episode also features a quick catchup with Andy Blake from Kaleidoscope Framing (https://www.kaleidoscope-framing.co.uk/) who have been our supplier for nearly twenty years.  Why?  Because their products and their customer service are second to none! The PMI Smoke Ninja Photographic Competition is now in full swing - deadline is 5th May so what's stopping you?  Head over to  https://pmigear.com/pages/smokeninja-portrait-contest to read all about it.  The Smoke Ninja is genius! Actually, it should be called the Smoke Genius... I also mention Datacolor's excellent products in the podcast, in particular the Spyder Cube, the Spyder Checkr Photo and the Spyder Checkr Video - they can be found at  https://www.datacolor.com/spyder/products/ We have used these products for years and years and I would never go on location without them!   If you're interested in any of our workshops or masterclasses, you can find them at https://www.paulwilkinsonphotography.co.uk/photography-workshops-and-training/    Enjoy!   Cheers P. If you enjoy this podcast, please head over to Mastering Portrait Photography, for more articles and videos about this beautiful industry. You can also read a full transcript of this episode. PLEASE also subscribe and leave us a review - we'd love to hear what you think! If there are any topics, you would like to hear, have questions we could answer or would like to come and be interviewed on the podcast, please contact me at paul@paulwilkinsonphotography.co.uk.    Transcript EP151 What does it take? [00:00:00] Meet Andy: The Heart of Kaleidoscope Framing [00:00:00] Hi, I'm Andy I'm the general manager at Kaleidoscope. [00:00:02] Tell me a little bit about Kaleidoscope. Kaleidoscope. Okay, so we're coming up to our 26th year in business. We are a bespoke picture framer, mainly for the photographic industry, so we basically can make anything you want. So, as long as we can actually build it, we'll do it, it's as simple as that. [00:00:18] Why Kaleidoscope Attends the Photography Show [00:00:18] Tell me why you come to the photography show. So we come to Photography Show, uh, mainly to obviously try and drum up more business, new customers, but also see our existing customers and show off our products, ideas, what we can achieve, what we can do, and try and inspire photographers into what they can tell and display their work like. [00:00:36] Andy's Passion for Photography and Its Impact [00:00:36] Why do you love the photography industry so much? I've always had a passion for photography. I know we've spoke before on your podcast, uh, from a young, young age. Um, don't do as much of it myself anymore. Uh, unfortunately, uh, more involved in this side. But I love photography in terms of what that moment can capture. [00:00:54] What you can hold that freeze frame, that image for time. Um, and look back at it. And just, you know, it's memories, isn't it? You're capturing memories, you're capturing happy moments, sad moments, uh, important moments, lots of different memories from people's lives at different times, so. [00:01:09] Uh, if you could change one small thing, or one big thing for that matter about this glorious industry, what would it be? [00:01:17] That's a tough one. I don't know. I don't know what I'd change. Um, obviously for us, for us as a company, I'd change in terms of trying to encourage people to sell more products. That was what, that's what we would change, uh, in terms of helping us as a business. [00:01:31] But it's, in terms of the industry? Sorry, on that note, I'll stop you and we'll just drill into that a little bit. [00:01:38] The Value of Physical Art in a Digital Age [00:01:38] Do you think that photographers understand the importance and the role that finished artworks, whether it's in albums, which you don't do, or whether it's in a frame, as opposed to the fleeting pixel base like phones, iPads, TV screens, do you think they understand the difference and the importance of it? [00:01:57] Not everyone, no. I think there's an element where in a day Very digital driven world. Social media and images being on screens, and I think a lot of people don't realize how different an image can look when you put it up on the wall, when you print it big, when you put a mount around it, put a frame around it, put it onto a canvas, laminate it. [00:02:15] There's so many different options or ways to display that image. I think when you see an image framed up, we. Customers where we print their images and display them here, uh, as you've seen yours, and I'm amazed actually how often people, the first thing they say is, I didn't think it would look that good. [00:02:30] I never thought it could look that good. And, and it goes to show that actually displaying it large, printing it and putting it onto some paper can make such a difference to seeing it on screen, seeing it on the back of the camera, whatever it may be. So, and by extension, I've got a few clients that say they put their, these frames like in a. [00:02:44] Position of prominence, not necessarily visibility, but somewhere they'll see it every day, like the top of the stairs, or somewhere they, you know, walk through a hallway or something, and they enjoy that moment, they relive those memories every single time they look at a frame, and that's something I think digital products don't do, they're much more fleeting. [00:03:02] No, I'd completely agree with that. We moved into our new house in December, and I'm still trying to get frames on the wall, and it's the one thing I'm missing. In our old house, we had lots of frames. Of lots of small frames with lots of captured memories and, and I used to love it walking past the stairs and you'd see 25 frames on the wall, lots of different things. [00:03:17] And now it, we don't at the moment. So that's, I'm driving for that because it does, it, it, it brings back that, that memory, that spark, that emotion from that moment. [00:03:25] Thank you very much, Andy. I'll talk to you soon. Thank you. [00:03:28] Honestly, it's one of the greatest things about being a part of this industry is the people I've met along the way. And Andy. He's definitely one of them. [00:03:35] The Busy Life of a Portrait Photographer [00:03:35] I'm Paul, and this is the mastering portrait photography podcast. [00:03:40] So I've been in London this afternoon, we've had such a chaotic few weeks. It's nine o'clock at night. Actually it's half past nine at night. And I'm sitting on my own in the studio with just the whirring of the heating. And a couple of disc drives, chattering weight in the background. And if I'm honest, I've just found myself asleep at my desk because finally I've managed to get myself back into the habit of doing some exercise. [00:04:19] And so when we got back from London tonight, I hopped onto the Peleton and did an hour, but all it's actually happened is I'm just exhausted because it really has been a few weeks and it must have been because I haven't recorded any podcasts and that's in spite of me, not just promising. I suppose all of my listeners, but promising myself. I would do more and I do them shorter, but actually the reality is finding the space, not just the time I suppose, but the headspace to sit and do a podcast. Well, it's just alluded me a little bit. [00:04:55] So it's me. I'm on my own. A little bit of peace and quiet and I think at the moment, Things are a little bit like playing Mario carts. I love Mario karts. Cause once you get to know the course, you get to know where you're headed, what's coming up, what you've got to do. But in spite of that, well, usually my family, uh, throwing stuff at me, banana skins Inc. [00:05:18] Shrink me. You name it? [00:05:20] The Art and Business of Photography: A Personal Journey [00:05:20] Um, but then there's also those boosts where you get that little bit of extra energy and off you go, and I think running a photography studio. Is a little bit light that. It's kind of crazy. It's full on. You're running at a hundred miles an hour. Things are thrown at you that in spite of the fact you think, you know where you're going and what's coming up next. Well, life doesn't work that way. [00:05:41] So what's happened over the past. What's it been? Three and a half weeks, I think since I released a podcast. Uh, in that time we've done nine client reveals, which has been a really nice, hugely successful, which is lovely. Uh, we've done 15 portrait sessions, which means there's a whole load of reveals coming up. Um, we've judged the monthly for the BIPP, which is something I absolutely adore doing. Um, I'm chair of the judges. Uh, chair of awards and qualifications for the BIPP. [00:06:10] So I'm not strictly speaking. Judging. So I get to be a part of the process and I really enjoy that. Uh, cause it takes a little bit the pressure off Sarah and I coordinate it. And bring it all together and make sure everything's running smoothly and keep an eye on the scores. But in the end, the pressure's not on me to analyze all of these images. [00:06:28] Having said that though. Uh, over the past couple of days, I've been judging for the Photographic Society of America. Uh, which is a blast as he seeing some work from around the world. Uh, the BIPP though it is an international organization is predominantly a UK photographers, but the photographic society of America is exactly the opposite of that. [00:06:47] In fact, I'm not sure how many UK guys. are in it. And so to see work from all over the world. And he's just a real pleasure. Um, Don two shoots for the Hearing Dogs, including photographing, uh, Chris Packham. TV presenter and natural history sort of buff. I suppose it was a wonderful thing, actually. [00:07:09] I didn't know quite how I'd find him, cause it's never, you're never certain when you meet people, who've been on TV. Uh, quite what they're going to be like. And he's quite outspoken about various things, but he could not have been a nicer guy. And at the end of all of the shooting, we sat in a park and had a quick, it was a Coke. I say it was, it was a pub, but we had a diet Coke at a hot chocolate. [00:07:31] And do you know what. There was a window. There was a window in exactly the way I describe how to set up light in the studio is it was, it could not have been more like a one meter square softbox and so I persuaded him to sit and we had a chat about photography and production and all sorts of things. Uh, and I took a couple of portraits of him using window light in a pub. [00:07:55] Exactly as I describe how I learned today. So that was lovely. [00:07:59] Uh, we've done five wedding pitches so far I've lost one, but one, all of the others, which I think is pretty good going. What's that 80% I'll live with 80%. The one that I lost was one that. You know, when you get a pitch. And your instinct is always to want to win. [00:08:16] That's just inbuilt. But it was a job I couldn't figure out. Whether it was going to be tricky. And I'm not going to say more about it than that because I don't, I, you know, I don't want those prospective clients, if they happen to listen, to the podcast. You know, obviously they've decided to use somebody else or to go somewhere cheaper. [00:08:36] Actually, I was too expensive. The price we put in was too much. Um, and they were lovely people. Absolutely brilliant. And I would have loved working with them. But the job was such that it would have meant cancelling, some other bits to do it. A couple of, um, Extended stays and a few of the bits and pieces. [00:08:53] And I think in the end, I though I lost it. And of course you never, ever, ever. I want to lose work, my suspicion is the time that it would have taken. We'll drop a couple of portraits shoots in there. We'll stand, you know, we'll, we'll learn about the same kind of revenue for probably a lot less work in the end. [00:09:11] So hello, 80%. So I've lost one, one for. Uh, I'm going to live with that. That's pretty good. [00:09:17] Embracing Change and Challenges in Photography [00:09:17] Ah, I've almost, almost completely finished, ripping out. I say a ripping out. It makes it sound like a gutted, the place. Uh, reorganizing the studio. Uh, for the Elinchrom kit that we now have, because of course, I've got to take out all of the existing adapters. Change out all of the, um, any of the sort of third party kits. [00:09:38] So we've sold all of the Profoto equipment back to, uh, the Pro Center in London. Got a good price rate. So that's makes me very happy. Sarah drove that into London and deliver that safely to those guys. So thank you to them. Ashley for having a brilliant service. They took it in on a Friday morning, checked it all over. Uh, and paid us on Friday afternoon. Um, which was really useful. [00:09:57] I sold it as a job lot in the end. Because it was easier rather than trying to split it up. A few people had shown interest in bits and pieces. But, you know, it's just, sometimes it's just easy. I took a slightly lower price. And offset that against the fact it was an awful lot less. Uh, an awful lot less worry and effort on our part. [00:10:18] So Sarah drove that in, but of course I've got a ton of adapters. Softboxes kit that is sort of, I dunno, got ox or aperture, different manufacturers that were all based around Profoto in of course now I've got to change all of that over, put new adapters on. So that, um, I can use the as the light source. [00:10:38] And on top of that, all of the charges are very different. All USB C, and they're great. I wasn't certain how I was going to react to having. USB C charges everywhere. Uh, but I bought a couple of very long cables. for them and, they're 60watt. I mean, they're pretty meaty these things. I'm going to have to remember not to leave them plugged in. [00:10:56] Cause I don't know quite, I got to get a measurement on them because I don't know if they're left, plugged in whether they're still generating or absorbing that kind of power because they're digital transformers. So they must be absorbing some power. But they're great. And you can run the lights off them continuously, or you can unplug them. [00:11:13] And of course their batteries. Uh, but more on the, on the telecom side in a bit. Uh, another thing that happened is that a friend of ours, who's a wine collector. Everyone should have a wine collector as a friend. I delivered on, uh, where was it? Beginning of the week. Must have been Saturday. He delivered six more. Of the wine crates, the wooden wine boxes that he gets his really valuable, very beautiful wine delivered in, and they are amazing for storage, but also great as props. So, um, that was really, really nice. To see him and also to get these crates. [00:11:47] So it's helped me organize. Uh, stuff in the studio. Uh, also, I, I saw some video there's some behind the scenes footage of one of our workshops. And there's a pan around and it's brilliant. It's vibrant and it's fun. But I looked at just the ount of stuff we've got in the studio. And made the decision there and then that we needed to get some of it out of there. [00:12:08] So I've been redistributing things that don't get used quite so often as other things that then are scattered around the studio, probably never to be found again, I'll be scratching my head one day thinking now where's that particular softbox well, that particular modifier where's the beauty dish con the things that I don't use very much. Where are they? Uh, and I've got to go on a hunt in the attic. Uh, to find them. Uh, what else? [00:12:31] We've written three or I've written three magazine articles, one for NPhoto magazine. One for Digital Photographer, magazine, Digital Photography. Uh, magazine and one for Professional Photo magazine says three in one week. I had to turn. That was quite lively. A lot of writing, a lot of scratching my head about the different things. Eh, love writing. [00:12:52] I'm loving, writing more and more and more. I've surprised myself. I think I've certainly, I would surprise, surprise my English teacher. If only he knew the effect that ultimately many, many years. Uh, down the line, he had had a lot of fun that, so please do look those guys up that's NPhoto, which is the unofficial Nick on magazine. Uh, that's also assay, technically I've written four. I'm just thinking I've also written a piece on print and its place in this ever. Digital and file based industry and why actually a lot of us still use it. Uh, that article. Is part of a whole debate in the BIPP magazine, in The Photographer. Uh, magazine, but look up Professional Photo it's online look, up NPHoto, and also an article isn't out yet, which is about the bit I've looked after is about switching digital backgrounds. Uh, in Digital Photography magazine. [00:13:46] We've had two one-on-one coaching sessions or master classes, which is always a blast because you get to spend the entire day just figuring out stuff with one person, a couple of models on each different things, whether it's off-camera flash or whether it's dedicated to daylight or both. [00:14:03] Of course, when it's only one person. You can do whatever you want. [00:14:06] Uh, we ran one of our workshops in Oxford, which is the, uh, walking around the streets, looking for interesting places to photograph workshop. I said a name for it. Uh, streets. It's not really, I don't like calling it street photography because street photography is a thing. [00:14:21] And it's not that it's finding places, finding light, figuring out how to create imagery and how to invent shots when all you've got is the space you're in the face in front of you and the camera in your hands. And I love working like that. In fact, today I sit to sound away in, so on the way in for the shoot I'm doing that, I was doing some headshots for a Harley Street, um, clinician. [00:14:43] She's a psychologist in London. And I was doing some headshots in Harley street. And so Sarah and I packed up. Uh, the two, two of the Elinchrom lights into the rucksacks, couple of, uh, small, soft boxes. Camera gear. A couple of stands in case he wanted a white background and plowed our way into London. [00:15:02] And I was laughing with Sarah as we hold this stuff. Through the station and into a cab. Is I lay you a bet. We don't use any of it. I'm just going to use one camera and a big grin. And that is it. And sure enough that's exactly what happened. So in spite of me taking all of this kit in all we did was just have an absolute blast with one person laughing our way through it. Taking pictures I'm using daylight is in the light for the windows in her Harley street, uh, consulting room. Out in the street itself. Uh, on the steps and things like that. [00:15:36] And it was just brilliant. And that's exactly what the, the workshop in Oxford was about. It's about where, when you find yourself and who you find yourself there with, what do you do? [00:15:45] The Importance of Storytelling and Community in Photography [00:15:45] Uh, another thing I've done this past couple of weeks is had a presentation to the Village. Uh, Society. [00:15:51] Yes, Hunnam has a Village Society. You couldn't make this stuff up. It's like Midsummer murders is brilliant. A room full of, uh, retirees, mostly one or two of my clients as well. That's quite a few of my clients were in there. Uh, all sorts of people came. A busy room in our local library. And on top of that, my mum came now, my mum is a legend. Uh, she's an absolute power of nature is my mother. Uh, but it's the first time I've done one of these presentations or with my mum in the room. [00:16:21] I'm not going to tell you the whole story, but there is one bit of it where I show a photograph of my mom and dad actually. And it's a photograph that Dorling Kindersley wanted to use and they wanted to use it on a book called Sex And The Older Couple. Uh, of course I never, ever, ever. Let them. That, that image was never going anywhere near, uh, the cover of a book. [00:16:43] Uh, but it's the first time I think my mum has ever seen me do that routine. And it's, it's really, uh, it's just me laughing about photography and imagery in telling stories. And it's just one of those stories. And of course, it's my mum and dad who I think the world of, and they're the people that gave me. Well, they gave me everything. And so much of the confidence, I guess. And the drive to do something. Whatever it is in life to do it and do it well. Comes to my mum and dad's having a moment. [00:17:09] The audience was a real privilege. Uh, because she now lives here in the village with us, but it is a little bit weird. I'm doing a presentation that I've done over and over and over it though, at least that particular story over and over and over. Uh, my mom's in the audience. She didn't look too surprised. Uh, I don't know. [00:17:26] I don't know how she felt about that. Particularly. It's a shot of course of my dad who died 10 years ago. Um, this year. Uh, we've also, uh, we're working with a couple of people. We filmed a new video. [00:17:37] So we're working hard on creating new content for mastering portrait photography, not just the podcast. But the training materials and the videos. And so we've spiked that we've gotten, we're getting some more people involved. We filmed one new video. We had to took two filming days to do it. Absolutely exhausted. I was so tired at the end of it. [00:17:57] Maybe that's why I've just found myself asleep at the desk. Um, and we started to work on our social media and all sorts of other bits and pieces. Just trying to get on to get things out there. Uh, it's hard when your primary objective, you know, if you've ever seen Little Shop Of Horrors and there's the, there's the, what's the, I dunno what it's called, but it's the, it's the monster plant. And he says, feed me, Seymour, feed me now. And they were running a photography business is exactly like that. [00:18:29] We have one client. And that's the bank account because you have to keep running. It doesn't matter how many other things you have in the pipeline. Or things you want to do or ideas you'd like to explore or portfolio images you'd like to retouch in the end is a huge, great plant. Just going feed me Seymour, feed me now. I was laughing with Sarah today. Everything we do in, you know, all we have to have is one phone call that says, can I get five days of paid work from you? [00:18:56] And you drop everything and go do it because you have to. And that's the reality of this kind of business. You don't turn down work or at least, I mean, maybe that maybe some of you who are listening are in a privileged position. Where you can and you do. I'm not in that position. When work comes in, we take it. [00:19:13] We do a good job of it. And we get it back out to the client and then we sit and go, right? Where was I? Here I am recording that podcast. Uh, what's the Dune Part II actually with our daughter. I don't know if anyone's seen it is brilliant. I've no idea what was going on. It was excellent. He was. An absolute mystery to me. [00:19:33] Um, over the past week, couple of weeks I'd spent watching. Uh, Dune part one. Uh, trying to understand, because of course I never watch a film properly. I sit with a film on my second or third monitor on my iPad while I'm retouching or writing for a magazine or something. It's in the background. It burbles in a background. [00:19:52] So usually I can't watch anything with too much of a plot. Uh, but Dune part one, well, I kind of passed by, it was really pretty. I think I understood some of it. There appear to be some telekinesis kind of stuff and some mind reading, he kind of stuff. Lots of sand. Uh, and then I went to the cinema to watch Dune part two. [00:20:12] Now, what I will say is it's worth the watch. Brilliant. Big screen. Theater 7.1, Lucas, whatever THX, whatever it is, sound. Huge bucket of popcorn. A large thing of diet Pepsi and on top of everything else. Uh, class a beer. And then I realize after about two hours, That I've got another three quarters of an hour to go because it's a long film and I've got the bladder. Of a 55 year old bloke because that's how old I am. This, all of this came to a bit of a head. Now I stayed put in my seat, but honestly, by the time we got to the end of the movie, I was sweating. I was sweating beyond sweating as the first pixel of the first credit. Appeared at the bottom of the screen. I made a run for it. [00:20:59] Well, I'll tell you what I was still peeing. When pretty much the cinema was closing. People came and went. I think people got married, had children celebrated anniversaries in the time. I was like that scene. I've Austin Powers. I've never been so pleased to get inside the gents. So I'm sorry if that's a bit lewd, but you know what I mean? Uh, when you're in that sort of, oh my God, I've got to go now. Uh, but it was brilliant. The film, at least the first three quarters of it. I paid a lot of attention to, I think I was getting a little bit distracted by the end. There's a lesson, a beautiful people. If, if you're going to watch a really long film, Don't drink too much. Anyway, it was great. Uh, now what I need to do is watch Dune part one again. In the context of having seen what happens now, I'm that guy anyway, a very often, if a film is or a series or. Uh, you know, a box set or something is stressful. Drama. You know, tension, those kinds of things. I will hop onto, uh, something like, uh, I MDB or Wiki and do a plot spoiler because I don't need to stress. [00:22:01] I do the same with books. If I'm watching, if I'm reading a book that I think is a bit stressy. Then I'll go to the back couple of pages and read them, just went out what happens and then I can enjoy the plot knowing what's coming. Don't ask. I just don't like the stress. I don't need it in my life. [00:22:14] I have enough stress in my life. I'm a photographer. Life is stressful enough. Without me adding extra stress by watching something that, uh, I don't know what the ending is going to be. [00:22:26] All right. [00:22:26] Exploring New Horizons: Reviews and Competitions [00:22:26] Uh, in the middle of all of this, this is a message from our sponsors. Well, not really sponsors. I'm not paid, by anybody, but I have had a few things sent my way to review and have some fun with, uh, and the first of those is the Smoke Ninja. [00:22:41] So this has come from PMI company called PMI. I will put the links to all of this in the show notes, but PMI very kindly sent me a piece of kit I'd already bought from them on the CA. On the Kickstarter. Campaign it's the Smoke Ninja, which is a tiny EDBD. You can't believe how much stuff comes out of it. Fogger. [00:23:00] It's absolutely incredible. So this thing we've had this for a while, talked about it before, but I've, uh, I now have two of them. Excellent. Great fun. But it's all to do with a competition they're running and I'll give you the URL now. So it's, if you go to PMI smokeninja dash portrait dash contest. [00:23:22] So. HTTPS colon slash slash usual stuff. P M I gear all one word.com/pages/smoke. Ninja will one word. Hyphen portrait hyphen contest. Now they have a contest and I'm just bringing it up now on my screens. And there's $10,000. They say total prize pool. There's a prize for the best solar portrait. There's a prize for the best wedding portrait. [00:23:47] There's a prize for the best family portrait. There's a most creative award and there's the most viral award. Everything has to be done. Uh, or rather everything, everything you do for the competition has to use either the Smoke Ninja or its bigger brother. The Smoke Genie. Uh, you have to do some behind the scenes footage of it. [00:24:06] Send up your final picture and the behind the scenes footage to prove you were actually using their equipment to do it. I think as well as it giving some social media content, you have to put, you have to upload it to there. Their portal, as well as putting it on your own social media feeds. So it's a great competition and the prize is absolutely stunning. [00:24:26] Unveiling the Prize: The Smoke Ninja and More [00:24:26] Uh, each prize has $500, $500 us dollars. Um, The cash, uh, but also has, uh, some stuff from, I don't know how to pronounce this is Yoon. Um, some stuff from Small rig and you also get the smoke genie pro kit. If you're a prize winner. [00:24:45] Exploring the Wonders of Smoke Ninja [00:24:45] And the smoke genie. Uh, is like, oh, I miss the Smoke Ninja, but on steroids. Now we've been having a blast with the Smoke Ninja recently. [00:24:54] It's a really good bit of kit. The only thing we've had to learn how to do here is to disable all of the smoke sensors. So that's actually been a little bit of a head scratch. Is figuring out how to turn off the smoke detectors in the studio before we use it. Because the last thing I need is the fire brigade turning up to find me sort of with a family or a teenager, flinging smoke around and laughing my head off. [00:25:15] Uh, I'm not sure that we'll go down that well. Uh, but that's the, the competition and I in return for them sending me, uh, the Smoke Ninja. I've also got to enter the competition as well, but if you fancy it, so it's PMI gear.com/pages/smoke, ninja portrait contest. And I'll put that. Uh, in the show notes that, so it's worth a worth a look. [00:25:37] And I can honestly hand on heart say that the PMI. Uh, Smoke Ninja is well, it's just, I would call it the smoke Genius, not the smoke Genie or the Smoke Ninja [00:25:47] . I think the thing is absolutely fab. And even the other day, when we were filming the video we've created is actually I ran the fogger as a hazer. [00:25:56] So just so I had a little bit of haze in the air so that when we put the lighting across the studio for all of the pieces to camera, it just adds atmosphere. Uh, it picks out little bits of light and it just softens those backgrounds. It's. It's it's only when you start watching how a film. Directors and directors of photography and lighting engineers use this stuff. [00:26:16] You kind of think, oh, okay. That's something that's entirely applicable. In our world to photographic stills, photographic world too. So. Head over to them. Have a look at that competition. If you're interested. Uh, you might just, you might just find some inspiration for some angles on photography. Maybe you haven't thought about. [00:26:32] Diving Into the World of Color Calibration with Datacolor [00:26:32] Uh, the next one is Datacolor also is it's been a couple of weeks of stuff arriving. [00:26:38] I think I mentioned this in the previous podcast, but Datacolor sent us the Spyder Checkr, the spider, sorry, the Spyder Checkr Photo, the Spyder Checkr Video and also. Uh, thing of genius, the Spyder Cube. Now this is one of those gadgets. So. The color check is I've used a Datacolor. Spyder Checkr Photo or the older version of that. For probably, I don't know, six years, seven years, maybe even longer at the beginning of every one of the shoots off site, because obviously once you've set it up for your studio, I don't need to recalibrate this. [00:27:10] I've changed the lens or a camera on my lighting, which of course I'm doing right now. I don't need to recalibrate, but every time I go out into location, We take a safe shot with the Spyder Checkr Photo as it is now called. And I'd be doing that for a very long time, so that I've always got a reference point for my white balance and for my color. So the color spectrum under the lighting that we're using. well the Spyder cube is sort of the next level genius. [00:27:36] It gives you not just your white point and black point. There's a hole in it. What. Uh, brilliant idea. There's a hole in it with no lights you get. So that should be exactly the same darkness is the nostrils. It's just dark. Uh, but it's also got white and gray and a mirroball on the top or a little Chrome. Uh, marble, it looks like a little Chrome sphere. And that, of course, if you were lighting, it gives you your white point because it shows you your specular highlight. [00:28:00] The thing is great. It's absolutely brilliant. And of course, as we've just done right now, we are, re-engineering all of our lighting. So I now have from Elinchrom, four Fives and two Threes, and I am loving it, but not just because the light that these, these bad boys are giving is stunning. But on top of that, we've used the Datacolor Spyder Checkr Photo to calibrate all of the new gear in our studio. [00:28:27] So have profiles in Light Room for the new Allyn crumbs. And although it gives you a very flat finish, which is not my look. It gives you a very, very accurate starting point. So I just thought I'd put that in there. So thanks to Datacolor for sending me that kit. Um, if you have the opportunity head over to that Datacolor with no 'u', by the way, it's a American English, or I suppose these days international English. Uh, as opposed to the British or English, English, C O L O U R. [00:28:54] It's not that it's da as you, but I'm sure you know, it C O L O R a Datacolor. It's worth going to have a look. The thing's not that expensive. It's less than a hundred pounds. It's only about 40 quid for the spider cube. Uh, and then the spider checker photo inspire the checker video. We're all in that sort of 90 quit. Mark, I think anyway, it's very kind to them to send it over and, uh, I will put out some, uh, befores and afters on some of our feeds as to just how good it is. [00:29:20] And of course, having had. All of the new Elinchrom lighting and the Elinchrom theme is going to run for weeks. So we'll leave that. I won't talk any more about that on this particular episode, but rest assured the four Fives and two Threes. I am having a blast. It's so nice. To have stunning light back in the studio. [00:29:40] Absolutely loving it [00:29:42] [00:29:42] The Building Blocks of a Successful Photography Business [00:29:42] anyway, onto today's little, sort of the actual bit, the rest of it. I'll tell you what the diary of a working pro is getting bigger. Uh, um, I need to fix that. I need to do something about that, but at the moment, it's just because the episodes are so far apart, a lot has happened since the last one. So this, the theme of this particular episode, and I was puzzling over this. Uh, or rather what triggered it was a series of conversations and the reviews from our Oxford. Workshop and I kinda been chewing on what is it that makes a successful. Photography business. [00:30:23] What is it? What really is it I'm still working on? I don't have an answer. I doubt there is an answer. But what I have observed is there are building blocks. You need. And sort of you stack them up. I think. And on the top of it is you as a S as a successful photographer or a successful. Photography business, but you build it on certain pillars. And the four I've kind of identified, and this is based on S on feedback and it's based on observations. That I've made as well. You need, I think the following four things. At the very least you need the following four things. [00:31:04] The Essential Attitudes for Success [00:31:04] Anyway, you need energy. Optimism enthusiasm. And confidence. Now you'll notice in there. I haven't said camera craft or. And I for an image or I dunno, technical knowledge, or I, I've not said any of those things, you do need those things. By the way, it's not that you don't. But underneath that. To learn to be able to absorb ideas, to be able to push through. The fear and doubt that is inevitably part of this world. [00:31:35] You need energy, optimism, enthusiasm, and confidence. And these are things. That I'm very blessed. To have I'm lucky in that my parents gave me those things and on the whole I've normally got, I'm going to say I've normally got three of the four. It's any one moment. There are days when I have no energy, but I'll be optimistic that I'm going to get it, get it there the other day. [00:31:56] There'll be other days whenever turn of energy, but it's being in channeled entirely in pessimism. Um, there are days when I'm not enthusiastic, but it doesn't stop me thinking tomorrow will be better. And there are days when I'm, I have no confidence at all. But I'm still energetic and optimistic and enthusiastic about I, what about what I do now? [00:32:16] I could probably do a podcast on each of those things. And maybe in the future, I will maybe I'll interview. Some photographers and talk about these various aspects, but why, why have I brought those out when I could have said. You need to understand cropping. You need to understand your color wheel. [00:32:34] You need to understand how to process digital images. You need to understand how to use your camera when all of these things are undoubtedly. True. But if you don't have the energy and if you don't have the opt or more importantly than enthusiasm, I think you'll never get around to learning those skills. [00:32:52] They just will never arrive. [00:32:54] Before you even start. You have to have energy, optimism, enthusiasm, and confidence. They are the building blocks. They're the attitudes. Maybe that's what I should have called to maybe attitudes there, what you need. I think. And I've never met. Uh, top flight photographer, successful photographer. Now by top flight, I don't necessarily mean award-winning images. [00:33:16] I mean, people who've been successful in the industry. Some photographers are successful because their business just. Fly. Some people are successful because they are amazing on stage. Some people are successful because they images. Or well, simply glorious. There are lots of reasons why a photographer may or may not. Be successful. [00:33:37] So when I say a top flight photographer, I mean, someone who's known for some aspects, some skill, some quality. In industry and every single one of them that I've ever met. Shows energy, optimism, enthusiasm, and confidence. [00:33:53] So let's have a think about what each of these. Uh, attitudes sort of are. So energy and having energy doesn't mean you're bolshy or pushy, or like a bull in a China shop. It doesn't mean that it just means. That, when it comes down to it, when you pick up the camera, there's something about what you're doing. That drives you, that keeps you going because there are going to be days when you really aren't feeling it. And it's your energy. That you need to draw on. [00:34:22] Now for me, I'm kind of lucky. In the, when the client walks into the room, they give me the energy that I need. Somehow, no matter how flat I am, how tired I am, how fed up. I am sometimes. When the client appears, they give me energy. That energy drives everything. Sometimes I'll be honest. [00:34:43] My own insecurity gives me. Energy when I'm having one of those days and I'm not feeling it. I don't often get to the point where I'm like, you know what, I'm done it, it does happen. People have to talk me out of it. [00:34:56] But sometimes my own insecurity is all of the energy I need. But always when a client walks in, that triggers something in me and off I go. [00:35:06] Optimism. Optimism is I suppose an odd one. I'm not sure I've ever seen anyone else write down optimism. Um, certainly in the reviews, no one's ever said optimism is not a word. [00:35:16] I think the associate. With any of these conversations normally, but here's why. Here's why I use the word and I don't mean in optimism. I don't mean unrealistic. So I don't mean that you late. I don't know. You think you're going to always make a silk purse out of a sow's ear? To use the expression. I just mean. It's that thing of, well, let's give it a go. [00:35:42] What's the worst that can happen. You know, I'm a photographer, not a brain surgeon. So the worst damage I can do is to take a crappy picture. That's essentially it. Now, if you're doing a wedding, okay. That's a little bit more pressure, but if I go, if I get it wrong, I'm going to make someone look fatter or older. Or thinner or. I don't know, less attractive than they think they should be. Those basically are the limits of the damage I can do with a camera. [00:36:10] Let's say drop it on someone. I suppose I could drop the camera from a great height and it would cause damage. Um, so having optimism is almost baked in why wouldn't I have optimism? Let's take a picture and see what it looks like. But I have met a lot of photographers who don't exhibit that they're nervous of trying things that. They think might fail and I think it will make. They think it will diminish. They're standing in front of their client, whereas I'm, I think the other way round. Is that I think the client loves it when we try things. [00:36:42] And I'm very open about stuff I will say to the client, look, I don't know if this is going to work, but you know, let's give it a go. And if it does work, I'm going to show you, I'm going to. Claim credit for it, and I'm going to enter it into awards. If it doesn't work, you're never ever going to see the image. [00:36:58] And that's basically it. Um, optimism is about the idea that you can. And that today, what do you know what I will. Uh, enthusiasm, enthusiasm runs through me most of the time. And it's a, it's a derivative of energy. Rarely, I suppose I could have fused. Those two words, but I think you can be enthusiastic without being energetic and vice versa. He can be energetic in your pessimism if you want to be. [00:37:24] So enthusiasm has a real place for me and enthusiasm. I found when I'm in, in the company of a photographer who is enthusiastic about what they do, who is full of positivity about what they do. It's it's captivating and you kind of get drawn along on that ride. Now I don't mean naivety. I don't mean. That. You're enthusiastic to the degree that we can know what could happen. [00:37:51] I'm not saying that. Similarly with optimism, you know? I'm just saying that if you're enthusiastic about what you're, what you do it carries now, does that mean all of your pictures have to be happy, bubbly pictures, new, not at all. But it's much easier to take enigmatic, gentle, moody pictures. When you're being enthusiastic about it than when you're not trust me on that. Uh, so enthusiasm is what it is. [00:38:16] And I think I've every successful photographer I've ever met is enthusiastic about what they do now. Occasionally you time it and you talk to them and they're like, they're not being very enthusiastic or optimistic for that matter. But on the whole, you feel that they would be the rest of the time. [00:38:32] Confidence, Feedback, and the Art of Adaptation [00:38:32] And then there's confidence. And now confidence does not mean. Arrogance. [00:38:37] And it certainly doesn't mean. That I don't have, or the photographers I've met don't have insecurities or imposter syndrome or all of those words they do. They really do. But something in them. Says that it's going to be all right again. Allied to optimism, having the confidence to say, I know what I'm doing. To ground yourself with the camera in front of your client and say, it's fine. [00:39:04] I know what I'm doing. And I know I can do this. Or having the confidence to take. Feedback critical or otherwise to take. feedback from your peer group or from your client. It takes confidence and it takes. To an extent, a thick skin. I think I might've missed an attribute. I think sensitivity might be an attribute that I should add to this. [00:39:26] Let me think about that. I'll come back to you on that. one, but having the confidence. To say, yeah, I can learn that. Or having the confidence to take. Feedback in a way. That you turn it into a forward facing energy. Oh on the Peleton tonight. Honestly, I have done an hours exercise. That's like nearly a thousand calories burned, which is why. He likes snoring. [00:39:48] I've lit. Honestly, I'm not kidding. I woke up at my desk. Uh, with the microphone over my head. Uh, waiting to record. Um, and that's because I've done an hour and it's been a long week. I submitted an article last night, or this morning at three o'clock in the morning. I submitted one of the articles much as I love writing. [00:40:04] Uh, sometimes the inspiration doesn't come until the wee small hours. As my Scott's friends. Uh, I would say, um, anyway, during the exercise class. That was on tonight. [00:40:16] One of the instructors said, there's this thing called? Yes. And now I've never heard of this as a thing before. Yes. And not. Yes, but, or no, but, or no. Yes. And. And that's having a confidence to take feedback in a positive way and move forwards with it. There's a scale in and of itself giving everyone knows that giving feedback in a positive way. Is a skill, but I don't know how many people think that. Taking feedback is a skill. [00:40:49] It's a practiced. Skill to know how to take feedback and. Extract or distill what's useful. Actually is a lot of confidence. And I come back to the same thing. Don't get me wrong. Of course there are days when I'm absolutely terrified. There are days. When I can't feel it, there are days when my confidence is not for whatever reason, you know, it, I'm not at all saying you disassociate. From your normal character. [00:41:20] And my normal character is I'm very, very confident in what I do. And I'm confident in my ability to learn stuff. I'm a quick learn. I can certainly do that. And I'm very good at the yes. And. But it doesn't change the insecurity. When you show an image and somebody doesn't like it, there's still that burning sensation. That you get when somebody points out something [00:41:44] , if you go to any art gallery, any and have a look at people, enjoying the pictures. Isn't it curious how some people will head towards one artist and others will head towards another artist. But they don't always like the same artists. And that's similar to photographers and feedback. So having the confidence to give feedback and take feedback is a thing. [00:42:06] Having the confidence to stand in front of a client and say, Genoa, I can take this picture. Don't worry. You're fine. Giving confidence to your client through those actions. Well, that's the thing I think. So these are your building blocks. [00:42:20] You've got energy. Optimism, enthusiasm and confidence. And I also think. You have sensitivity in there. You're going to have to leave that one with me. I thought of that while I was talking. Why does that happen? Why is it just as I think I've got my podcast nailed. I've got my things I want to talk about. During the actual recording. [00:42:38] I think of one item thought about. I think sensitivity might well be in there. If it is, I'll bring that up in another. Another podcast because having empathy and sympathy, when you're a portrait photographer, I don't know if that matters when you're out there doing landscaping, but this is the mastering portrait photography podcast. [00:42:56] And so I guess that's, pertinent. [00:43:00] So you need those things [00:43:02] . Of course, you also need practice. You need perseverance and hard work. You need creativity and your craft. They don't go away. But in my experience, Those things are built. . On your energy, your optimism, your enthusiasm, and your confidence without those. You'll do no work. You won't have what it takes to pick up your camera and develop and push forwards and change and evolve. And that's another thing, , having those four things. [00:43:31] I'm going to go back to the four. I think. Having those four things gives you what you need to be adaptable and pliable. It gives you what you need to develop and change. And trust me in this world. Particularly now AI has arrived on the scene. You're going to have to adapt and evolve to be competitive in this market. [00:43:51] Not just as a business. But visually too, because what's out there in terms of the visual arts is changing at a pace. We have never experienced. It's changing at a pace. When I did my PhD in AI 25 years ago, nearly 30 years ago. That could not have envisaged where we were going to end up. We talked about this stuff back then as a fantasy and here it is. You know, type a few key words into half a dozen of the different image generators. And just see what comes back, [00:44:22] Wrapping Up: A Look Ahead and Gratitude [00:44:22] but on that happy note, On that happiness. [00:44:24] I hope that's. I. I'm quite curious about this episode. I hope that's useful. I might write this one up as a, an actual article kind of thing. Uh, thank you for listening. To the end. Um, please do go across to PMI Gear. To Datacolor and to Elinchrom, all excellence suppliers of the stuff we use here at our studio. Uh, we stuff I use with enthusiasm, energy, optimism, and confidence. Now, it just sounds really corny. [00:44:50] I'm so sorry. Uh, but please do go ahead and look up the competition. Uh, it's a really cool one. I will be entering mostly because it gives me a chance. We've got someone coming in on Sunday. Uh, to, uh, create some, uh, very fogged work. Can't wait for that, but thank you for listening to the end of this podcast. [00:45:09] If you've enjoyed it, please do subscribe wherever it is. That, uh, you consume your podcasts. Thank you to the people that left us reviews last week. That's been quite a few. It's been really rather lovely. Um, if you do feel like leaving us a review, please, do we read them all wherever we can find them? [00:45:24] The most obvious place of course is iTunes. I represents about 60% of the world listening to podcasts at the moment. I believe anyway. Uh, so please leave us a review and a rating up there. If it's a review where you think I should change things, uh, then please do email me. Don't write that in a review. [00:45:42] Nobody wants to read that. No matter how confident I am, it stops me being optimistic. Uh, so please do email me. It's Paul at paulwilkinsonphotography.co.uk dot co.uk. That's Paul. Uh, Paul Wilkinson photography.co.uk. Uh, also head across to the spiritual home of this podcast and mastering portrait photography podcast. [00:46:02] And of course that home is mastering portrait photography.com, where there's a whole heap of articles and ideas, all dedicated to the business, the craft, the art, the creativity, and well. Frankly, the enjoyment of portrait photography. We're about to hit that with some reorg. I talk about that in the coming weeks. [00:46:22] Um, and some new content, uh, we changed in the way that's all working while I'm in the process of putting together thoughts on how we're going to change that. Uh, hence the fact we're now filming videos, uh, on a more regular basis. It's all quite exciting. There's a ton of stuff going on. Hopefully I won't be asleep at my desk with too much of it because frankly that's a big waste of time. But until next time stay awake and whatever else. Be kind to yourself. [00:46:48] Take care.

Dr. Owen Strachan and Joel Berry of the Babylon Bee come back together for another edition of the "Grace and Truth Movie Club!" They discuss various movies and their impact on Christians. They start by appreciating the storytelling and visuals of Dune Part II. Both Owen and Joel highlight the themes of leadership, courage, and the value of human life portrayed in these films. The conversation emphasizes the need for clear, decisive, and courageous men in today's society. Brought to you by Wealth Protection Research, which has created a “2024 Election Wealth Protection Report”. This free report highlights the three best ideas for protecting and growing your money heading into the 2024 election. Text IDEAS to 76626 to claim your free copySee omnystudio.com/listener for privacy information.

Welcome to the place where we get to let our geek flags fly and talk about all things geek. Basically a fuzzy guide to life, the universe, and everything but mostly geek stuff. This level of the podcast is a fun SPOILER conversation between Jack Tok and me all about Dune Part II. Ostensibly, we discussed the movie, mindkillers, sand, worms, and much more. Join us as we let the spice flow and enjoy a geeky conversation between buddies. Congrats on completing Level 392 of the podcast! Think positive, test negative, stay safe, wash your hands, wear a mask, and good luck out there. Feel free to contact me on Twitter and/or Instagram (@wookieeriot). You can also reach the show by e-mail, laughitupfuzzballpodcast@gmail.com., or by joining the Facebook group (https://www.facebook.com/groups/1879505335626093). I'd love to hear from you. Merch is available at teepublic.com/user/laugh-it-up-fuzzball. Also subscribe to the feed on Apple podcasts, Google podcasts, Stitcher, Breaker, IHeartRadio, RadioPublic, Spotify, or any of the apps which pull from those sources. Go do your thing so I can keep doing mine. If you feel so inclined, drop a positive rating or comment on those apps. Ratings help others find the madness. Tell your friends, geekery is always better with peers. Thank YOU for being a part of this hilarity! There's a plethora of ways to comment about the show and I look forward to seeing your thoughts, comments, and ideas. May the force be with us all, thanks for stopping by, you stay classy, be excellent to each other and party on dudes! TTFN… Wookiee out! --- Send in a voice message: https://podcasters.spotify.com/pod/show/laugh-it-up-fuzzball/message Support this podcast: https://podcasters.spotify.com/pod/show/laugh-it-up-fuzzball/support

We're still working on getting a regular schedule going, and even though this was meant to be a shorter episode specifically for the Dune II synopsis, we end up chatting about Denis Villeneuve's next entry in the apparently ongoing saga of Timothee Chalamet's conquest of the universe and our hearts. The post Qt3 Movie Podcast: Dune: Part II appeared first on Quarter to Three.

On this episode Maribeth Thueson, William J. Hammon, and Jason Godbey bring you an in-depth review of Dune Part II directed by Denis Villeneuve and starring Timothée Chalamet, Zendaya, Rebecca Ferguson, Javier Bardem, Josh Brolin, and Austin Butler. Show theme by Christopher Gillard Created and Hosted by Jason Godbey Sponsored by JMR Rentals This is a movie review containing copyrighted material under the fair use doctrine. --- Support this podcast: https://podcasters.spotify.com/pod/show/no-rest-for-the-weekend/support

We start our Adepticon 2024 experience with a movie night to see Dune Part II!  Then it's off to the races for the guys...give a listen and see what stuffs we tried out over our four days in Schaumburg.  Also, a request for some tech assistance from Dan... Thanks as always for joining us.  Your support is truly appreciated. 2:39              Whispers From The Warp 14:10             The Emperor Lies 14:10                Adepticon 2024 Part I 38:32               Adepticon 2024 Part II 1:15:06         Scriptorium 1:22:24         This or That 1:32:16          Show Close

As few mortals can consume media at Tod's pace this week the Regular Joes take a SPOILER FREE pass at two recent film that two of the three have seen. First is Ghostbusters: Frozen Empire the newest entry in the recently resuscitated 1980's franchise. Next is Dune Part II, the somewhat more honestly titled, follow up to Dune (2021). But first, they address the alien in the room. Three Body Problem, the novel by Chinese author, Liu Cixin, was considered by many to be unadaptable for film or TV. Despite this, there are actually two adaptations, a Chinese made version, Three Body (2023), spanning 30 episodes that you can stream on Peacock, and the far more approachable 8 episode version that is at the top of the Netflix charts this week. Created in part by David Benioff and D. B. Weiss, the duo behind Game of Thrones (for better or worse) this epic story may prove every bit as challenging to scale down to the small screen … but, three episodes in, it's pretty good. There's also the usual Random Topics and yet another round of What's in the Box. Thanks for listening!

In this latest episode of The Wrap Beers, the beers are starting off their day recording this show with a nice brew of coffee. Dylan then relives the story of winning his first-ever acting award, which he won this past weekend at a disco-themed Murder Mystery party (3:38). The beers give their review of 'Dune: Part II' (8:12). Rog gives the public viewing audience rules of the movie theater that we could all adopt, for the sake of everyone who still goes to the theater (16:30). Next, the beers review the Max docuseries 'Quiet on Set: The Dark Side of Kids TV' and share their perspective on the revelations of the series (21:42). To end things, the beers wrap up the show with another round of takes on 'Dune: Part II', Timothee Chalamet, and other big names featured in the latest film (32:22). So sip back and enjoy the show!Created by upStreamhttps://www.upstreampix.com/the-wrap-beers-podcastFollow The Wrap Beers Podcast!https://www.instagram.com/thewrapbeers/https://twitter.com/TheWrapBeersDylan - https://www.instagram.com/dylan_john_murphy/Roger - https://www.instagram.com/rogerzworld/Music by: Matt Kuartzhttps://www.instagram.com/mattkuartz?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw%3D%3D

Along with the announcement of a Spider-Man 4, Julia & Miranda discuss and react to recent news that the filming of 'Euphoria' season 3 has been pushed back indefinitely due to unfinished scripts, and the cast is free to pursue other projects in the meantime. Is the end of our beloved Rue?Ep. Recorded on Mar. 26, 2024.Follow us on Instagram! @the.p.in.rasp@juliapeterkins @miranda.macgillivraySupport the show

Welcome back to class – our sophomore week of “BETA THETA DIE - COLLEGE HORROR” is now in session! Austin has selected this week's curriculum which brings us into the 21st century with a duo of slasher sci-fi flicks, HAPPY DEATH DAY and HAPPY DEATH DAY 2 U. Along the route to that final exam we discuss other lessons varying from which sense we'd lose if were forced to choose, our horror households, Cody's trip to Singapore, and so, so much Dune.   00:00 - 31:00ish Intros and Friendship! Austin's maybe going blind (he's not) so he asks for sight recommendations, and we talk culture as Cody just came back from Singapore!   31:00ish - 1:23:00ish - The other stuff we watched this time!   Lucas: Lisa Frankenstein, Drive Away Dolls, Spaceman, Dune: Part II, and Shogun.   Austin: No Time to Die, House of the Devil, The Crow, American Fiction, and Battle Royale.   Cody: Dune: Part II, Tenet, Minority Report, I Saw the Devil, Coherence, Invasion of the Body Snatchers (1956), Priscilla, 13 Assassins, and Past Lives   Curtis: Dune: Part II, 13 Assassins, The Strangers: Prey at Night, Conan the Barbarian, Tenet, Moulin Rouge!, Australia, Blade of the Immortal, Meg 2: The Trench, Love Lies Bleeding, and Showgirls.   1:23:00ish - 2:04:00ish - HAPPY DEATH DAY & HAPPY DEATH DAY 2 U - SHUDdown and discussion!   2:04:00ish - End - Our next movie!

Dr. Owen Strachan and Joel Berry of The Babylon Bee, discuss the movie Dune Part II and the broader topic of movies and storytelling. They explore the power of movies to communicate truth and provide glimpses of the transcendent. Joel shares his approach of watching movies before reading the books they are based on. See omnystudio.com/listener for privacy information.

It's been a couple of weeks since the release of Dune Part II and we are certain our lives will never be the same... LISAN AL GAIB!  We've let some time pass since we have both seen the film, to gather our many thoughts and process the magic that we experienced on screen. If you've seen Dune, you know exactly what we're talking about. We discuss our favorite scenes, character changes and what we thought of Denis' take on one of our favorite universes.  Nerd News this week is a lot of banter, discussing St. Patrick's Day in Chicago and how to survive if you're in the service industry. We're still just a shell of the person we once were before that shift. Some exciting Star Wars news as well, as we are on the brink of The Acolyte series, which will take place 100 years before The Phantom Menace! Fun times to be a nerd!

Dune Part II is a masterpiece! Join Chris and Gabe as they discuss Denis Villeneuve's Sci Fi Epic. Topics include Chalamet surpassing all expectations, the film's place in the Sci Fi canon, and if the 2025 Oscars race is already over. Can't recommend this film highly enough! --- Send in a voice message: https://podcasters.spotify.com/pod/show/backporchmovies/message

John Wayne and Stew return after a hiatus to say farewell to Petey and dive into DUNE PART II. Plus, Oscars reactions, an Office Grunts reunion in North Carolina, and John Wayne is loose at Universal Studios theme park.

In this Episode: Our Heroes discuss the new Denis Villeneuve film Dune Part Two. This one is a damn solid piece of Scifi. Tune in for a deep dive on the adaptation. Follow Us: Our Website Twitter Instagram Facebook Items discussed (links to more info): Note - if the below links don't work in your podcast player please visit the show page at: https://ebd.fm/episodes/246 Sardukar memes Prequels Lynch Dune Blade Runner 2049 Empire LOTR Ladyhawke Enemy Mine MCU Harry Potter Peter Jackson Coyote Roadrunner Tim Blake Nelson Tresspass Gimli Garfield Abu Dhabi Pratt Bale Batman Uncle Fester Wes Borland Cenobite Tuvan throat singing Floyd Flash Gordon Abby Cornish Sucker Punch Drive Oppenheimer Midsommar Inglorious Basterds

Lara and Carey break down the latest (and shuncking) developments in the Kate Middleton Gone Rogue saga, including a badly photoshopped proof of life picture and the second sighting of the Princess's body double. They also share even MORE airline horror-blunders: a United flight's wheel falls off during takeoff and a Boeing plane takes a sudden plunge. Then, a case for why Dune: Part II is the best movie of all time and Carey's plan to secure a spot in the Bene Gesserit order. Plus, a recap of the first humanoid robot MeToo incident.GET TICKETS NOW FOR SUP LIVE IN BERKELEY, CA!Listen to the full episode AND get access to over 250 bonus episodes + video episodes when you join the SUP PATREON.Be cheap as hell and get full-length videos of the pod for free by subscribing to the SUP YOUTUBE.Relive the best moments of this iconic podcast by following the SUP TIKOK. Hosted on Acast. See acast.com/privacy for more information.

This week Trent and Chris break down a 2024 best picture contender Dune 2, make comparisons to Star Wars, talk about the Dune Popcorn bucketussy, and get real nerdy about the lore of the Denisverse. We are the voices of the mountainnerds and galatic jihad is coming. (Also Chris might've gotten crazy with the Gom Jabbar song sound clip in this episode, sorry in advance!)https://linktr.ee/GeekPeakyoutube.com/geekpeakpodPatreon.com/geekpeakpod https://geekpeakpod.threadless.com/ Rate and review on apple pods or spotify! Drinks: Intracoastal South Style Amber LagerHigh West Whiskey x The Prisoner Collab

Could A Planet Like Arrakis From ‘Dune' Exist?“Dune: Part II” is one of the year's most highly anticipated films, and it picks up where the first film left off: with Paul Atreides escaping into the desert on the planet Arrakis. It's a scorching-hot world that's covered in dunes, and home to giant, deadly sandworms.Obviously “Dune” and its setting are fictional, but could there be a real planet that resembles Arrakis? And if so, could it sustain life?Ira talks with Dr. Mike Wong, astrobiologist and planetary scientist at the Carnegie Institution for Science, about what Arrakis' atmosphere is like, the search for life in the universe, and what sci-fi films get wrong—and right—about alien planets.Preparing Astronauts For The Loneliness Of A Mars MissionNASA is preparing to send humans to Mars. Although the launch date has been pushed back over the years, the agency says it wants to get there in the 2030s. And it has a lot on its to-do list. NASA needs to build new rockets, new habitable living spaces, new spacesuits, and new radiation shielding, just to name a few items.But what if the one of the biggest challenges of these missions is not the engineering, but the mental health of the astronauts? Can all of the crew members get along with each other and stay alive over the course of three years in tight quarters and unforgiving environments? How will they cope with being separated from their families and friends for so long? And what lessons can they learn from astronauts who've lived on the International Space Station—and from our collective experience of isolation during the pandemic?A new documentary, out March 8, explores all these questions and more. It's called "The Longest Goodbye," and it dives into NASA's Human Factors program, which includes a group of psychologists who are trying to figure out the best way to preserve astronauts' mental health on a long and demanding mission.SciFri producer and host of Universe Of Art, D. Peterschmidt, spoke to the film's director, Ido Mizrahy, and one of its featured astronauts, Dr. Cady Coleman, about how NASA is thinking about tackling loneliness in space and what we can learn from astronauts who've already lived on the space station.Should The Aliens In “65” Have Known About Earth's Dinos?Some science fiction movies, like “Alien,” are instant classics. A good sci-fi movie weaves together themes of science and technology with a gripping narrative structure to create a memorable story that leaves the viewer with something to think about. But some (many) sci-fi movies leave the viewer with one thought: “Huh?”The 2023 movie “65” is in some ways a reversal of “Alien.” Instead of humans coming to an alien world and getting attacked by aliens, in “65,” an alien that existed 65 million years ago crash lands on Earth and gets attacked by dinosaurs. Oh, and the alien is Adam Driver. What's not to get?Sometimes, calling in a real-life scientist is the best way to wrap your head around science fiction. Dr. Lisa Kaltenegger, an astrobiologist at Cornell University, says that if there were advanced extraterrestrials near Earth during the age of the dinosaurs, our planet's life should have been no mystery to them. That's because around 300 million years ago, Earth's atmosphere had abundant oxygen and methane, two of the building blocks of life. Kaltenegger's own research has shown how Earth's atmosphere during that period would have been visible through a telescope—and indicated an even stronger potential for life than Earth's atmosphere today. She also saw “65” on a plane.Based on Kaltenegger's research, should Adam Driver have seen those dinosaurs coming? In an interview with Digital Producer Emma Gometz, she shares how telescopes can spot exoplanet atmospheres, why Jurassic Earth's atmosphere was special, and a few of her thoughts on “65.”Transcripts for each segment will be available after the show airs on sciencefriday.com. Subscribe to this podcast. Plus, to stay updated on all things science, sign up for Science Friday's newsletters.

This week, Heather Steele is joined by Nana Achempong, Lu Hough & Harriet Russell. The group discuss the TV shows & films they've been loving, Chloe's epic Paris Fashion Week catwalk & the legacy of Iris Apfel. Plus, they dissect Nana's big night out at the BRIT Awards, before answering reader & SL Community questions.Sign Up to The FREE SheerLuxe Daily Email: https://sheerluxe.com/signupFollow Us On Instagram: https://www.instagram.com/sheerluxe/?hl=en Hosted on Acast. See acast.com/privacy for more information.

As written, the boys have returned to Arrakis to discuss the movie event of the year thus far: "Dune: Part II". Jackson, Carter, and Jeff discuss where they stand with "Dune" upon rewatch, what they thought of the sequel, and discuss the lofty public claims of it being one of the best movies ever made. Finally, Carter puts Jackson and Jeff to the test on the other acting credits of this ensemble cast --- Support this podcast: https://podcasters.spotify.com/pod/show/jackson-mahuron/support

Holly shares a list of history's weirdest and creepiest dolls, BOOB TUBE BONANZA: Garcelle is not here for Dorit's robbery explanations on "RHOBH," we play a round of Who Wants to be a Fake Millionaire, and those AMC "Dune" popcorn buckets are selling for how much on eBay?! Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Holly shares a list of history's weirdest and creepiest dolls, BOOB TUBE BONANZA: Garcelle is not here for Dorit's robbery explanations on "RHOBH," we play a round of Who Wants to be a Fake Millionaire, and those AMC "Dune" popcorn buckets are selling for how much on eBay?! Learn more about your ad choices. Visit megaphone.fm/adchoices

Is this movie series the Lisan al-Gaib of cinema? (ft. Shawn's pal Jacob Barker)

Julia & Miranda review what will, very seriously,  go down in history as the greatest sci-fi epic of all time, Dune Part II!!!! Part Two? Doesn't matter we're completely obsessed. For the first time ever, Julia and Miranda's rating out of 30 is ... unique. Enjoy and if you haven't already, go see it in IMAX! Ep. Recorded on Mar. 5 2024Follow us on Instagram! @the.p.in.rasp@juliapeterkins @miranda.macgillivraySupport the show

Wow. Movies are good again with the release of Dune: Part II. But before we get to the release of that we talk the news of the week including an official title change and reveal for Superman Legacy, a first look at both The Crow and Tron: Ares, Neuromancer comes to Apple+, The Willy Wonka Experience, plus trailers for The Watchers and Horizon Saga: An American Kevin Costner Cowboy story. Thanks for listeningVisit bigsandwich.co for a bonus weekly show including video game let's plays, exclusive movie commentaries, early stuff and ad-free podcast feeds for $9 per month.Please be aware timecodes may shift due to inserted ads.00:00 The Start02:06 New Superman Movie Changes12:11 The Crow Reboot First Look17:22 Tron: Ares First Look21:04 Neuromancer Apple+ Series23:55 The Willy Wonka Experience28:06 The Watchers Trailer30:08 Horizon Saga Trailer35:09 Dune: Part Two Review (spoilers 54:40 to 01:04:40)01:04:40 What We Reading, What We Gonna Read01:16:48 Letters, It's Time For LettersJames' Twitter ► http://twitter.com/mrsundaymoviesMaso's Twitter ► http://twitter.com/wikipediabrownMaso's Instagram ► https://www.instagram.com/nickmaseauThe Weekly Planet Twitter ► https://twitter.com/theweeklyplanetPatreon ► https://patreon.com/mrsundaymoviesTWP iTunes ► https://itunes.apple.com/us/podcast/the-weekly-planet/id718158767TWP Direct Download ► https://play.acast.com/s/theweeklyplanetTWP YouTube Channel ► https://goo.gl/1ZQFGHAmazon Affiliate Link ► https://amzn.to/2QbmwGjT-Shirts/Merch ► https://www.teepublic.com/stores/mr-sunday-movies Hosted on Acast. See acast.com/privacy for more information.

Check out our reviews of Denis Villeneuve's “Dune: Part II” and the Best Picture nominee “American Fiction.” We'll start off spoiler free, and we'll warn you before we dive into spoilers. Beforehand, we'll rate the news from this week in the world of entertainment during our favorite recurring segment ‘The Toms.' We'll share our reactions to new trailers for Kevin Costner's “Horizon: An American Saga” and A24's “I Saw the TV Glow;” “Beef” is getting a second season and becoming an anthology; Liam Neeson is going to star in a “The Naked Gun” reboot; Respawn's Mandalorian game has already been canceled; and more! Enjoy! TIMECODES… Intro (0:00) The Toms: Entertainment News (1:43) “Horizon: An American Saga” Trailer Reaction (2:24) “I Saw the TV Glow” Trailer Reaction (5:48) “Beef” Season 2 is in the works (7:35) Liam Neeson to star in the “Naked Gun” reboot (10:14) “Superman: Legacy” is now just titled “Superman” (12:32) “TMNT: Mutant Mayhem” is getting a sequel (15:20) Respawn's Mandalorian game has already been canceled (16:21) TOMPeyes: Weekly Popeyes Chicken Review (21:45) “Dune: Part II” Movie Review (24:08) *SPOILERS* for “Dune: Part II” (50:46) “American Fiction” Movie Review (1:34:35)  *SPOILERS* for “American Fiction” (1:44:36) What Are Ya Doin'? (1:59:58) SOCIAL MEDIA LINKS... Email: tomppodcast@gmail.com YouTube: https://www.youtube.com/channel/UCU2jjOm3gwTu2TVDzH_CJlw Facebook: https://www.facebook.com/That-One-Movie-Podcast-535231563653560/ Twitter: https://twitter.com/TOMPPodcast Patreon: https://www.patreon.com/tomppodcast INTRO MUSIC... "Constellation" by Brian Hanegan

Dune: Part Two has dropped in theaters Let's talk all the spoilers! SPONSOR Go to https://factormeals.com/seanchandler50 and use code seanchandler50 to get 50% off your delicious meals delivered right to your front door! AFFLIATE Get a FREE audiobook and a 30 day trial of Audible at http://www.audibletrial.com/seanchandler SKIP AHEAD 00:00 Intro 01:47 2nd Viewing Opinions 07:12 Paul Atreides: Hero, Anti-Hero or Villain? 13:41 Bene Gesserit 18:52 Stilgar: The Believers 22:56 Feyd-Rautha Harkonnen 28:18 Emperor and His Daughter 31:57 World Building 38:342 Giedi Prime | Harkonnen Planet Black and White 42:15 Flawless Production 49:33 Final Battle: Epic...But Quick 57:38 Gurney's Revenge...Quick 01:02:45 Knife Fight for the Ages 01:09:06 The Epilogue SYNOPSIS Paul Atreides unites with Chani and the Fremen while seeking revenge against the conspirators who destroyed his family. Facing a choice between the love of his life and the fate of the universe, he must prevent a terrible future only he can foresee. CAST AND CREW Directed by Denis Villeneuve Screenplay by  Denis Villeneuve Jon Spaihts Based on Dune  by Frank Herbert Produced by  Mary Parent Cale Boyter Denis Villeneuve Tanya Lapointe Patrick McCormick Starring  Timothée Chalamet Zendaya Rebecca Ferguson Josh Brolin Austin Butler Florence Pugh Dave Bautista Christopher Walken Léa Seydoux Stellan Skarsgård Charlotte Rampling Javier Bardem Cinematography Greig Fraser Edited by Joe Walker Music by Hans Zimmer Production companies  Legendary Pictures Villeneuve Films Distributed by Warner Bros. Pictures ChatGPT Title: "Dune Part II: Exploring the Epic Sequel with Sean Chandler Talks About" Description:

Since we are apparently still several years away from the next Star Wars or Star Trek movie on the big screen, director Denis Villeneuve has given us the next best thing....or maybe something even better? :) This long-awaited sequel to the Oscar nominated sci-fi blockbuster Part 1 picks up EXACTLY where the previous film left off.....Paul (Timothee Chalomet) and Jessica (Rebecca Ferguson) now venturing on the desert planet of Arrakis (otherwise known as Dune) with the Fremen tribe lead by Javier Bardem's Stilgar while also becoming getting more acquainted with Chani played by Zendaya.  And of course a burgeoning war begins to escalate with the Harkonnens who have violently taken over the desert planet lead by the Baron played by Stellan Skarsgard.  Also including in this stacked cast are Florence Pugh, Josh Brolin, Christopher Walken, Dave Baustista, and Austin Butler.  LONG LIVE THE FIGHTERS!Host & Editor: Geoff GershonProducer: Marlene Gershon https://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

Julia & Miranda discuss both the Dune Part Two Press Tour AND Zendaya's best looks throughout! Buckle up and try not to burst, this is a high energy one! No seriously they're freaking out.(BTW, since when do movies not take 9 months to film?)Ep. Recorded on Feb. 29, 2024.Follow us on Instagram! @the.p.in.rasp@juliapeterkins @miranda.macgillivraySupport the show

Dune: Part Two has been one of my most anticipated films for over a year now.  ....and I've finally seen it! Let's talk about it! SPONSOR Go to https://factormeals.com/seanchandler50 and use code seanchandler50 to get 50% off your delicious meals delivered right to your front door! AFFLIATE Get a FREE audiobook and a 30 day trial of Audible at http://www.audibletrial.com/seanchandler SYNOPSIS Paul Atreides unites with Chani and the Fremen while seeking revenge against the conspirators who destroyed his family. Facing a choice between the love of his life and the fate of the universe, he must prevent a terrible future only he can foresee. CAST AND CREW Directed by Denis Villeneuve Screenplay by  Denis Villeneuve Jon Spaihts Based on Dune  by Frank Herbert Produced by  Mary Parent Cale Boyter Denis Villeneuve Tanya Lapointe Patrick McCormick Starring  Timothée Chalamet Zendaya Rebecca Ferguson Josh Brolin Austin Butler Florence Pugh Dave Bautista Christopher Walken Léa Seydoux Stellan Skarsgård Charlotte Rampling Javier Bardem Cinematography Greig Fraser Edited by Joe Walker Music by Hans Zimmer Production companies  Legendary Pictures Villeneuve Films Distributed by Warner Bros. Pictures ChatGPT Title: "Dune Part II: Exploring the Epic Sequel with Sean Chandler Talks About" Description:

Hi Barbies! It's finally time for Julia and Miranda to review one of 2023's most talked about films--and there sure is SO MUCH to cover!! Put on your pink, pour yourself a mocktail, and ENJOY!Ep. Recorded Feb. 11 2024.Follow us on Instagram! @the.p.in.rasp@juliapeterkins @miranda.macgillivraySupport the show

Julia and Miranda share their reactions to Zendaya wearing the archival 1995 Mugler "Machinenmensch" suit at the Dune Part Two London premiere. The pair also discusses the relevance behind this suit and why Zendaya and her stylist, Law Roach, will forever be cemented in fashion history (which we predicted years ago). Enjoy!Ep. Recorded on Feb. 18, 2024. Follow us on Instagram! @the.p.in.rasp@juliapeterkins @miranda.macgillivraySupport the show

Julia & Miranda dissect the ways in which the universe's favorite couple, Tomdaya (Tom Holland and Zendaya, for those of you unfamiliar with the vernacular...), are perceived by the public -- including but not limited to friends, fans, haters, and more! ENJOY! (And Happy Valentines Day