Podcasts about Gardiner Museum

Tony Marsh is an artist and educator who earned his BFA in Ceramic Art at California State University Long Beach in 1978. After graduating he spent three years in Mashiko, Japan at the workshop of Tatsuzo Shimaoka. Marsh completed his MFA at Alfred University in 1988. He teaches in the Ceramic Arts Program at California State University Long Beach where he was the Program Chair for over 20 years. He is currently the first Director of the Center for Contemporary Ceramics at CSULB. He was named a United States Artists Fellow in 2018, an honor awarded to outstanding contributors in American Arts and Letters. His work is the collections of museums across the globe including the Metropolitan Museum of Art, NY; Museum of Art and Design, NY; Los Angeles County Museum of Art; Oakland Museum of Art; Gardiner Museum of Art, Toronto; Museum of Fine Arts, Houston; San Jose Museum of Art; ASU Art Museum Tempe; the Foshan Museum of Contemporary Art, Foshan, China; and the Orange County Museum of Art.He and Zuckerman discuss being a teacher, making art, making a real impact, doing things with your whole heart, the influence of his mom, living and training in Japan, things that are encoded with success, how simple things are hard to make, marriage vessels, fertility vessels, and appropriate shapes, suspending time, magic, failure, craft, notions of taste, and taking no out of your vocabulary!

Join Tamara for an interview with Sharon Norwood, a conceptual artist whose work spans several media to include painting and ceramic. She was born in Jamaica, then raised in Canada, before moving to the US to earn BFA and MFA degrees in art & painting from schools in Florida. Sharon's work investigates the ways in which race, gender, and cultural identity shape our perceptions of ourselves and other people. In her work the curly line becomes a metaphor for the “black body." She is an active educator and lecturer, and her work is part of public collections at notable institutions such as the Gardiner Museum, Washington & Lee University Museums, The Telfair Museums, and The National Museum for Women in the Arts. Check out Sharon's work and follow her here: https://sharonnorwood.com/ https://www.instagram.com/sharonnorwoodartist/  Topics in their chat include: Sharon and other family members emigrated from Jamaica to Canada when she was about 9 years old, which plunged her into a period of muteness; getting her BFA and MFA degrees after an early career in graphic design; a "controversially famous" poet uncle; how her time at art school began with her trying to get better at painting realistic portraits, but because she was then the only student concerned with mixing colors for painting dark skin tones, her work immediately became tagged as "political" or "about race," when that wasn't even her intention; so her work then became an examination of *that* phenomenon; how many porcelain tea sets are luxury items; her group show in 2019 at Laney Contemporary; her great practice of traveling around the US and Canada for artist residencies; and a recent installation she did in the drawing room at the Owens-Thomas House, in which she also incorporated sound. Tune in and get all the details!

PLEASE CONSIDER SUPPORTING THE CREATIVE GENIUS PODCASTFOR AS LITTLE AS $5 A MONTH (THE EQUIVALENT OF BUYING ME A THANK-YOU-FOR-MAKING-ME-THIS-GREAT-PODCAST-COFFEE) YOU CAN HAVE A PROFOUND IMPACT ON MY ABILITY TO KEEP MAKING THIS SHOW FOR YOU.BECOME A PATRON!Show Notes  - The Importance of Radical Rest within the Creative Process with Pamela Bates (Subscribe & Listenhere) “If you don't believe in yourself, prove yourself wrong”  - Pamela BatesAfter 23 years of her creativity getting lost in client expectations working in PR and doing too much to take care of others and not enough to take care of herself in her personal life, Pamela found herself utterly burned out. That is when her sister took her on a restorative weekend trip to Boston where the two of them visited the Gardiner Museum. Pamela shares the story of how life dramatically grabbed her attention with an electrifying, life changing experience that she says was the beginning of her now flourishing career as a painter. Pamela shares the importance of tuning into and remaining open to the quiet voice deep inside as it has all the information we need to find our own callings. And how crucial rest and quiet are for supporting our ability to tune in. We are trained to be go go go. We need to retrain ourselves to be quiet. She shares her theories about Radical Rest. Humans hold themselves back on this quest for perfection, which is utterly pointless and unattainable. The magic resides in letting go. When we hold something too dear, it tends to get in the way. Listen to her terrifying advice on what we should practice in our art to help us really learn about the magic of letting go. Don't let anything be too precious or it will jam you up. Many artists are bent on “finding their voice” Pamela urges us to stop trying so hard to find it, and instead become curious about what is already there waiting for you to stop being in charge. What you'll find, she says, is that you already have the special magic thing you are looking for, it is you. The only way to access that deep well of creativity is to paint, paint, paint. A daily practice is more important than anything else you can do: the act of painting will connect you to the thing you are looking for. There is no other way to find that than to just do it. Trust yourself. Focus on the need to create. Stop looking outside for validation. The desire to create is itself, the map. You have to be working for the magic to happen, so get busy.The painting that jolted the painter in Pamela to wake up El Jaleo - by John Singer Sargent 1882 Kate Shepherd: website | instagram | facebookPamela Bates: website| instagram| facebook

Ian Morris, best-selling author, British historian, archaeologist, and Willard Professor of Classics at Stanford University, discusses the big trends shaping human history and what they can tell us about humankind's present and future. This is a Hub exclusive in the form of an interactive Q&A moderated by The Hub's publisher, Rudyard Griffiths. It was delivered mid-May at the Gardiner Museum in Toronto, Canada.The Hub Dialogues features The Hub's editor-at-large, Sean Speer, in conversation with leading entrepreneurs, policymakers, scholars, and thinkers on the issues and challenges that will shape Canada's future at home and abroad.If you like what you are hearing on Hub Dialogues consider subscribing to The Hub's free weekly email newsletter featuring our insights and analysis on key public policy issues. Sign up here: https://thehub.ca/free-member-sign-up/. Hosted on Acast. See acast.com/privacy for more information.

The award-winning Canadian writer and professor Ian Williams has been named this year's Massey lecturer. Since 1961, the Massey Lectures have invited distinguished writers, thinkers and scholars to present their ideas in a five-part lecture series across Canada. Ian sits down with Tom to tell us why he's chosen the topic of conversations for his cross-country lecture series, how listening can be a courageous act, and why he believes it's important to have difficult conversations, even at the risk of offending people.Plus, the Kenyan British artist Magdalene Odundo is one of the world's greatest living ceramicists. She joins Tom to talk about her life in clay, her new exhibit at the Gardiner Museum, and why the inside of her pieces are perhaps even more important than the outside.

This the forty-fourth episode of the bi-weekly series with leading author, journalist, and thinker David Frum. This episode features a conversation with Rudyard Griffiths, executive director of The Hub, that took place in Toronto on November 21, 2023, at the Gardiner Museum in front of a live audience. The two discuss what they've learned about Canada after Hamas's attacks against Israel on October 7th and how its identity has been shaken by the Israel-Hamas conflict. They also discuss the upcoming U.S. presidential election a year from now, including Donald Trump's candidacy and President Biden's re-election prospects.The Hub Dialogues feature The Hub's editor-at-large, Sean Speer, in conversation with leading entrepreneurs, policymakers, scholars, and thinkers on the issues and challenges that will shape Canada's future at home and abroad. The episodes are generously supported by The Ira Gluskin And Maxine Granovsky Gluskin Charitable Foundation.If you like what you are hearing on Hub Dialogues consider subscribing to The Hub's free weekly email newsletter featuring our insights and analysis on public policy issues. Sign up here: https://thehub.ca/free-member-sign-up/. Hosted on Acast. See acast.com/privacy for more information.

Originally from Wikwemikong First Nation, Daphne Odjig came to Winnipeg in 1970 and opened Canada's first-ever indigenous-owned gallery. In this episode we discuss Daphne's art, the path that brought her to Winnipeg, and the impact of her life. Thank you to Franchesca Hebert-Spence for her input on this episode! Currently residing in Inuvik, the Inuvialuit Settlement Region, Franchesca is Anishinaabe (member of Sagkeeng First Nation) from Winnipeg, Manitoba, her grandmother Marion Ida Spence was from Sagkeeng First Nation, on Lake Winnipeg, Manitoba. Hebert-Spence has worked as a cultural producer with a background in making, curating, research, and administration. She has described her curatorial practice as “snacks and chats,” the foundation of which stems from Ishkabatens Waasa Gaa Inaabateg, Brandon University Visual and Aboriginal Arts program. She is the Curator of Indigenous Ceramics at the Gardiner Museum in Toronto, and previously the Curatorial Assistant within the Indigenous Art Department at the National Gallery of Canada. She is a PhD candidate in Cultural Mediations (Visual Culture) at Carleton University, examining the presence of guest/host protocols within Indigenous methodological practices with a focus on visual art in Canada.

On this episode Brendan sits down with Heidi McKenzie, a Toronto-based mixed media artist. In their conversation they talk about Mckenzie's ceramic practice, the inclusion of photography, augmented reality, and Modernism. They also talked about Mckenzie's scholarly and EDI work in the ceramic community. McKenzie has an active exhibition schedule, including RECLAIMED: Indo-Caribbean HerStories now on display until August 27th, 2023 at the Gardiner Museum. Before this chat the group sits down and talks about how their own practices might have been influenced by school… for better or for worse…   Today's Kaolin Crushes are: Shary Boyle, Marie Serreau, and Jeannie Mah.   Today's episode is brought to you by:   For the past 100 years, AMACO Brent has been creating ceramic supplies for our community ranging from underglazes to Electric kilns, ...and they have no plans of slowing down. www.amaco.com   The Bray is actively committed to promoting, celebrating, and sustaining the ceramic arts through its residency program, education center, and gallery. www.archiebray.org

The following is a Hub exclusive in the form of a private lecture given by Professor Stephen Kotkin, one of the world's leading scholars of Russian history and international relations. It was delivered in mid-April at the Gardiner Museum in Toronto, Canada and co-hosted by The Hub's executive Director, Rudyard Griffiths. The talk provides a master class in contemporary geopolitics linking the War in Ukraine with the rise of China and the critical issue of how the War in Ukraine will likely to be brought to an end.The Hub Dialogues (which is one of The Hub's regular podcasts) feature The Hub's editor-at-large, Sean Speer, in conversation with leading entrepreneurs, policymakers, scholars, and thinkers on the issues and challenges that will shape Canada's future at home and abroad. The episodes are generously supported by The Ira Gluskin And Maxine Granovsky Gluskin Charitable Foundation and the Linda Frum and Howard Sokolowski Charitable Foundation.If you like what you are hearing on Hub Dialogues consider subscribing to The Hub's free weekly email newsletter featuring our insights and analysis on key public policy issues. Sign up here: https://thehub.ca/free-member-sign-up/. Hosted on Acast. See acast.com/privacy for more information.

How does historical research help us understand ceramics? Sequoia Miller uses his knowledge of ceramic history to inform his present scholarship, and shape his role as Deputy Director/Chief Curator of the Gardiner Museum in Toronto, Canada.   Today's episode is brought to you by AMACO Brent. For the past 100 years, AMACO Brent has been creating ceramic supplies for our community ranging from underglazes to Electric kilns, ...and they have no plans of slowing down. www.amaco.com  

Marie Levine started creating fused glass menorahs in Ottawa after discovering her synagogue's gift shop stocked only the traditional pressed-metal designs that were made in China, or Pakistan and had been on the shelves for thirty years. Now her menorah designs, with bright colours and shapes, are on display at museums and gift shops around North America – including the Gardiner Museum in Toronto, and the Canadian Museum for Human Rights in Winnipeg. Levine is inspired by storied artists including Kadinsky and Monet, and even by Bible stories such as Joseph's coat of many colours. She's featured in The CJN's magazine this winter, and sits down with The CJN Daily to explain why people should show off their Hanukkah menorahs not just during the festival of lights. What we talked about: Marie Levine's studio and website See The CJN Magazine feature about Marie Levine Follow the Edmonton scavenger hunt for Hanukkah Credits The CJN Daily is written and hosted by Ellin Bessner (@ebessner on Twitter). Zachary Kauffman is the producer. Michael Fraiman is the executive producer. Our theme music is by Dov Beck-Levine. Our title sponsor is Metropia. We're a member of The CJN Podcast Network. To learn how to support the show by subscribing to this podcast, please watch this video.

“If you don't believe in yourself, prove yourself wrong”  - Pamela BatesAfter 23 years of her creativity getting lost in client expectations working in PR and doing too much to take care of others and not enough to take care of herself in her personal life, Pamela found herself utterly burned out. That is when her sister took her on a restorative weekend trip to Boston where the two of them visited the Gardiner Museum. Pamela shares the story of how life dramatically grabbed her attention with an electrifying, life-changing experience that she says was the beginning of her now flourishing career as a painter. Pamela shares the importance of tuning into and remaining open to the quiet voice deep inside as it has all the information we need to find our own callings. And how crucial rest and quiet are for supporting our ability to tune in. We are trained to go go go. We need to retrain ourselves to be quiet. She shares her theories about Radical Rest. Humans hold themselves back on this quest for perfection, which is utterly pointless and unattainable. The magic resides in letting go. When we hold something too dear, it tends to get in the way. Listen to her terrifying advice on what we should practice in our art to help us really learn about the magic of letting go. Don't let anything be too precious or it will jam you up. Many artists are bent on “finding their voice” Pamela urges us to stop trying so hard to find it, and instead become curious about what is already there waiting for you to stop being in charge. What you'll find, she says, is that you already have the special magic thing you are looking for, it is you. The only way to access that deep well of creativity is to paint, paint, paint. Daily practice is more important than anything else you can do: the act of painting will connect you to the thing you are looking for. There is no other way to find that than to just do it. Trust yourself. Focus on the need to create. Stop looking outside for validation. The desire to create is itself, the map. You have to be working for the magic to happen, so get busy. The painting that jolted the painter in Pamela to wake up El Jaleo - by John Singer Sargent 1882Kate Shepherd: website | instagram | facebookPamela Bates: website| instagram| facebook

KATHRYN MACNAUGHTON (b. 1985, Toronto, Canada) lives and works in Lisbon, Portugal. She graduated from Ontario College of Art and Design in 2007. Solo exhibitions include: ‘Heatwave', BEERS London (2020); ‘Intervals', BEERS London (2018); ‘Fixed State', Bau Xi Gallery, Toronto (2018); ‘Sprang', Bau Xi Gallery, Toronto (2016); and ‘Blue Note', Huntclub Gallery, Toronto (2015). Group exhibitions include: ‘Organized Chaos', Magma Gallery, Bologna, Italy (2019); ‘Pour', Joshua Liner Gallery, New York (2019); ‘Your Favourite Artist's Favourite Artist II', Joshua Liner Gallery, New York (2019); ‘Dualities: A Bridge Between Two Worlds', Bau Xi Gallery, Toronto (2017); ‘SMASH', Gardiner Museum, Toronto (2016); and ‘The One That Got Away', Artscape Youngplace, Toronto (2015). Residencies include: Pada Studios, Lisbon (2019). Katheryn's work has been featured in publications such as Elle Magazine, District-W Magazine, and The Coveteur.

Cannupa Hanska Luger is a New Mexico based multidisciplinary artist who uses social collaboration in response to timely and site-specific issues. Raised on the Standing Rock Reservation in North Dakota, he is of Mandan, Hidatsa, Arikara, Lakota and European descent. Luger produces multi-pronged projects that take many forms—through monumental installations that incorporate ceramics, video, sound, fiber, steel, new media, technology and repurposed materials, Luger interweaves performance and political action to communicate stories about 21st Century Indigeneity. This work provokes diverse audiences to engage with Indigenous peoples and values apart from the lens of colonial social structuring, and often presents a call to action to protect land from capitalist exploits. He combines critical cultural analysis with dedication and respect for the diverse materials, environments, and communities he engages. Luger is a recipient of a 2021 United States Artists award, 2020 Creative Capital Fellow, a 2020 Smithsonian Artist Research Fellow, the recipient the 2020 A Blade Of Grass Artist Fellowship for Socially Engaged Art and the recipient of the Center For Crafts inaugural Craft Research Fund Artist Fellowship for 2020. He is the recipient of a 2019 Joan Mitchell Foundation Painters & Sculptors Grants, a 2019 Yerba Buena Center for the Arts Honoree and the recipient of the Museum of Arts and Design’s 2018 inaugural Burke Prize. Luger has exhibited internationally including venues such as the Gardiner Museum, Washington Project for the Arts, Art Mûr, Crystal Bridges Museum of American Art and the National Center for Civil and Human Rights, among others. He lectures, participates in residencies and large scale projects around the globe and his work is in many public collections. Luger holds a BFA in studio arts from the Institute of American Indian Arts. www.cannupahanska.com @cannupahanska #cannupahanskaluger Website: www.cannupahanska.com Gallery: https://www.garthgreenan.com Social media: IG @cannupahanska #cannupahanskaluger Upcoming exhibitions: https://www.denverartmuseum.org/en/exhibitions/each-other https://mesaartscenter.com/index.php/museum/art/exhibits/cannupa Current projects you must check out: STTLMNT: https://www.sttlmnt.org Future Ancestral Technologies: http://www.cannupahanska.com/fat Do It: Home: https://curatorsintl.org/special-projects/do-it

Start of interview. [1:40]Linda's "origin story" from Beresford, New Brunswick, Canada. [2:15]The record of five Maxwell sisters at Harvard. [3:56]Her start as a head and neck surgeon. [6:28]Why an MBA at Oxford? [07:20]Her work on life sciences tech transfer at Oxford University Innovation and NHS. [08:25]Her time with the London (UK) Harvard Business School Angels. [11:24]Working with Medtronic in Sao Paulo, Brazil. [12:07]Her work founding the Biomedical Zone in 2015 (Ryerson University & St. Michael's Hospital) [14:30]Her take and experience with non-profit boards (Medic Alert Canada, CEE Centre for Young Black Professionals, Gardiner Museum): "one of my important philosophies to be on a board is that I want to be able to contribute, but I also want to learn." "Non-profit board service is very diverse, it is driven by passion and it requires a lot of work, if you do it right." [22:21]Her take on startup boards. [27:05]Her take on med tech / biotech public company boards. [28:21]Her take on the Canadian  ICD.D certification  "it was transformational." [29:45]Her experience getting into her first public board: Profound Medical (TSX: PRN) [33:01]The cross-listing process (TSX-NASDAQ) [35:46]Her take on social unrest and lack of diversity in boards (her experience in healthcare) [38:39]"When I'm involved in a board recruiting process, I always ask why do you want me in this Board" [42:13]The lack of inclusion for the Black community in tech (opportunity in biotech) [45:08]"The role of the board is critical to support underrepresented minority CEOs" [46:13]Her take on mentors: "I am not a huge believer or fan of  mentorship, I am a fan of mentorship plus sponsorship, ie. champions that open doors." "It's the saying of your name, when you are not in the room, to people who matter and that make the decisions."  [48:13]Her favorite quotes: "You will face many defeats in life, but never let yourself be defeated" by Maya Angelou [53:24]Her unusual habit: "I eat the same thing for breakfast everyday, the same thing for lunch everyday, and the same thing for dinner everyday." [55:33]The living person she most admires: Barack Obama. [01:00:00]___Music/Soundtrack (found via Free Music Archive): Seeing The Future by Dexter Britain is licensed under a Attribution-Noncommercial-Share Alike 3.0 United States License

On the first floor of the Gardiner Museum, in the Art of the Americas gallery, there is a large Maya plate dating to the 6th to 7th centuries CE. It features a large deity in the center of the orange and black earthenware object with a band of glyphs around the edge of the dish. This object is well-known to Maya specialists, not only for the mastery of the design, but because of the inscription that not only mentions the name and location of the donor but also explains that it was a plate used to serve white venison tamales. In this episode, we talk to four experts in the field, Gardiner Museum educator and curator Siobhan Boyd, Metropolitan Museum curator James Doyle, cultural historian Margaret Visser, and Popti storyteller Maria Monteja to peel back the layers of history in this wondrous artifact from ancient times to learn about Maya traditions and culture through the lens of today. A special thanks to SunSon for providing the music to this special series, which is produced by Hyperallergic in conjunction with the Gardiner Museum.

There's a curious collection of 18th-century porcelain figurines displayed on the second floor of the Gardiner Museum. Set amidst an impressive display of European ceramic table wear and figurines, this small assortment of Harlequin sculptures don dark masks that stand out for contemporary audiences. One of the colorful sculptures is by Wenzel Neu and hails from the Kloster-Veilsdorf Porcelain Factory in Germany, c. 1764–65, and beside it is a sign that asks, "Is Harlequin in blackface?" In this episode, we talk to Professor Cheryl Thompson, anti-racist educator Rania El Mugammar, and the Gardiner's Chief Curator Sequoia Miller about this figurine that portrays a character from the Commedia dell'Arte that was a precursor to the more violently racialized images of blackface in 19th and 20th-century minstrel shows. We explore the long history of blackface in Canada, and how one museum is adapting to tell the stories that its collection provokes with contemporary audiences. A special thanks to musician SunSon for providing the music to this special series, which is produced by Hyperallergic in conjunction with the Gardiner Museum. Check out their website sunson.band for more information. This and more in the current episode of Hyperallergic's Art Movements podcast. Subscribe to Art Movements on iTunes, or anywhere else you listen to podcasts. hyperallergic.com

The way people entertain at home has completely shifted. As consumers look for opportunities to design their ideal morning coffee ritual or movie night in, they’re investing in more items that make a personal connection more attainable. Founder, Kathyrn Duryea is betting on it. She started tableware company, Year & Day, after 10 years working in ecommerce and brand marketing. Year & Day offers complete table sets of ceramic plates, bowls, and flatware. By focusing on functionality and a direct-to-consumer model, the startup encourages customers to focus on what and who is around the table. On this episode, Kathryn and Stephan chop it up over family heirlooms and a love of entertaining at home. They dive into the “playground of industrial design” — spoons, knives, and forks (3:16), the technical nuances of glazes (8:08), and the Gardiner Museum (9:29). Kathyrn designed all Year & Day plates, flatware, and glazes herself, and partnered with artisans in Portugal. She reveals the rich history of ceramics in that region (21:00). Kathyrn talks about defining their aesthetic to resonate with modern customers (38:02) and encouraging all types of home gatherings (47:18). Link and images from this post can be found on the Lumi blog.

Most of our earliest experiences of art are forged at museums. In this episode artist Kent Monkman recounts his own youth visiting institutions that didn’t reflect the lived reality around him and his Cree community in Winnipeg.  Since those formative years, Monkman has become an important voice in contemporary art who challenges the histories told inside the hallowed halls of museums, pushing them to reflect the complexity of the world around them. He is an artist who teaches us to imagine the world we want to see, one that refuses to erase the stories of pain, but instead uses them to portray the power of resilience and future possibilities. This is the first in a four-part series by Hyperallergic in conjunction with the Gardiner Museum and its Community Art Space, a platform for experimentation and socially-engaged art. The series explores the role of museums, ceramics, and the stories they tell. A special thanks to Brooklyn-based musician SunSon for providing the music to this episode, and you can check out his website sunson.band. You can also follow him on Facebook or Instagram.

What does it mean to be human? Is the world a mirror or a window? Should our experience of reality be mediated, and if so, who should be the mediators? We ask these questions earnestly today, but they were tackled in revolutionary ways during the European Renaissance, an extraordinary period of progress and creativity. Ben's has a powerful and spirited conversation with a world-renowned historian of culture and the Renaissance, Professor Kenneth Bartlett of the University of Toronto. About the Guest Kenneth Bartlett is a Professor of History and of Renaissance Studies, a program he helped establish in 1979, at Victoria College in the University of Toronto. He teaches courses ranging from first year to graduate levels, with his research interests in the fields of Anglo-Italian relations in the sixteenth century and Italian humanism. Professor Bartlett was also the founding director of the Office of Teaching Advancement (now CTSI), and founder and director of the Faculty of Arts and Science's undergraduate experience programs, which include the First-Year Seminars, the Research Opportunities Program and the Independent Experiential Study Program, which won the Northrop Frye Award for excellence and innovation in linking teacher and research. Professor Bartlett was also the founding director of U of T's Art Centre, and currently serves as a trustee for the Gardiner Museum of Ceramic Art. During his career at the university, which spans over 30 years, he has been the recipient of the Victoria University Excellence in Teaching Award, the Students Administrative Council and Association of Part-Time Students Undergraduate Teaching Award (on two occasions), and the Faculty of Arts and Science Outstanding Teaching Award. In 2005, Professor Bartlett was awarded both the prestigious 3M National Teaching Fellowship and a University of TorontoArbor Award. In 2007 he was awarded an inaugural LIFT Award by the Province of Ontario and was a finalist in the TVO Best Lecturer Competition. In addition to teaching, he has published over 35 scholarly articles and contributions to books, and several editions and translations of Renaissance texts. He has served as the editor of Renaissance and Reformation/Renaissance et Réforme, and President of the Canadian Society for Renaissance Studies. He has produced four video series on various aspects of Italian Renaissance culture and European civilization, and has also appeared in televisions series such as Museum Secrets. Some of his publications include The Experience of History, A Short History of the Italian Renaissance, The English in Italy 1525-1558: A Study in Culture and Politics, The Civilization of the Italian Renaissance and The Northern Renaissance and the Reformation. Learn more about Ken. The Quote of the Week "Learning never exhausts the mind." - Leonardo da Vinci

Another polished episode... INTRO: (00:00) Hi everyone! We are calling this episode Drunk on Gregg's Couch. It's pretty clear why. You can also go watch this episode's Youtube Companion video. It is fan-freakin'-tastic.OBSESSIONS: (02:29) Alison is exited about her obsession - oat milk. It is so much better in your coffee than almond milk. Lulu is obsessed with the Roosevelt Island tram.WISHLIST: (06:32) After discovering oat milk, Alison is wishing for a frother to make her at-home coffee taste next-level. "Frother, I don't even like her!" is just one of three witty quips Lulu has on the tip-of her tongue. Lulu is wishing for recreations of her favorite clothes. This wish will be coming true thanks to our producer! LULU’S 10K DAY - TORONTO, CANADA: (14:16) Lulu stays in the executive suite at The Hazelton Hotel. Food and drink are the themes of this day with stops at Eggspectation, Holy Chuck Burger, and Harry-Potter themed bar The Lockhart. Someone was hungry while doing their research. Lulu does the CN Tower Edgewalk then squeezes in a little shopping for artisanal soaps at The Good Bar. A tour of Ontario Spring Water Sake Company is followed by a trip to the Gardiner Museum to buy a sake serve set . Lulu pops in to Cineforum, an illegal movie house run out of someone's house. She's still hungry so on to Lake Inez, and then to Bar Chef. She heads back to the hotel to enjoy her new soaps in the soaking tub, while she drinks a bottle of Laphroaig QA Cask scotch.ALISON’S 10K DAY - COPENHAGEN, DENMARK: (38:59) Alison is staying at the Nimb Hotel. She starts her day with a cruise that comes with breakfast and mimosas and includes a stop to see The Little Mermaid Statue. Then she takes a private Hamlet Castle tour. Lunch at Royal Smushi Cafe, then a visit to the Throne of Denmark at Rosenberg Castle which turns into a photoshoot thanks to photographer Nataly Dauer and a custom-made viking dress. The tasting menu at Geranium comes with a wine pairing much to Alison's excitement. A final stop at Balthazar, Denmark's first champagne bar.CHARITIES: (50:11)Feat For ChildrenBorneo Orangutan Survival FoundationFOLLOW US: FacebookInstagramYoutubeTwitterWebsiteApple PodcastsGoogle PodcastsSpotifSupport the show (https://www.patreon.com/10KDollarDay/)

Renowned ceramic artist, Betty Woodman speaks about her life and art on the eve of the opening of an exhibition of her work at the Gardiner Museum.

Renowned ceramic artist, Betty Woodman speaks about her life and art on the eve of the opening of an exhibition of her work at the Gardiner Museum.

National Post columnist, Andrew Coyne, presents a lecture entitled Post-Economic Politics in Canada. In Coyne's opinion, the state of the economy, contrary to popular belief, will not be the defining issue in our public policy debates. His lecture was produced in collaboration with the Literary Review of Canada and was delivered at the Gardiner Museum in Toronto on May 14th, 2012.

National Post columnist, Andrew Coyne, presents a lecture entitled Post-Economic Politics in Canada. In Coyne's opinion, the state of the economy, contrary to popular belief, will not be the defining issue in our public policy debates. His lecture was produced in collaboration with the Literary Review of Canada and was delivered at the Gardiner Museum in Toronto on May 14th, 2012.

Following his lecture at the Gardiner Museum, Robert J. Sawyer responded to questions from the audience. This is an excerpt from the Q & A. Sawyer's full lecture, entitled Humanity 2.0, will be broadcast on Big Ideas on February 4, 2012 at 5pm as well as podcast on tvo.org, iTunes and You Tube.

Following his lecture at the Gardiner Museum, Robert J. Sawyer responded to questions from the audience. This is an excerpt from the Q & A. Sawyer's full lecture, entitled Humanity 2.0, will be broadcast on Big Ideas on February 4, 2012 at 5pm as well as podcast on tvo.org, iTunes and You Tube.

Following his lecture at the Gardiner Museum, sci-fi writer Robert J. Sawyer responded to questions from the audience. This is an excerpt from the Q & A. Sawyer's full lecture, entitled Humanity 2.0, will be broadcast on Big Ideas on February 4, 2012 at 5pm as well as podcast on tvo.org, iTunes and You Tube.

Following his lecture at the Gardiner Museum, sci-fi writer Robert J. Sawyer responded to questions from the audience. This is an excerpt from the Q & A. Sawyer's full lecture, entitled Humanity 2.0, will be broadcast on Big Ideas on February 4, 2012 at 5pm as well as podcast on tvo.org, iTunes and You Tube.

Following his lecture at the Gardiner Museum, science fiction writer Robert J. Sawyer responded to questions from the audience. This is an excerpt from the Q & A. Sawyer's full lecture, entitled Humanity 2.0, will be broadcast on Big Ideas on February 4, 2012 at 5pm as well as podcast on tvo.org, iTunes and You Tube.

Following his lecture at the Gardiner Museum, science fiction writer Robert J. Sawyer responded to questions from the audience. This is an excerpt from the Q & A. Sawyer's full lecture, entitled Humanity 2.0, will be broadcast on Big Ideas on February 4, 2012 at 5pm as well as podcast on tvo.org, iTunes and You Tube.

Jeff Melanson on The Evolving Role of the Arts in Canada. This lecture was produced in collaboration with the Literary Review of Canada and was recorded at the Gardiner Museum in Toronto on May 24, 2011.

What makes our cultural institutions thrive, what new challenges do they face, and how can we best support them? Arts administrator, Jeff Melanson, explores The Evolving Role of the Arts in Canada. His lecture was produced in collaboration with the Literary Review of Canada and was recorded at the Gardiner Museum in Toronto on May 24, 2011