Podcasts about Northern Renaissance

Join us on a captivating journey through the life and work of Albrecht Dürer, a pivotal figure in the Northern Renaissance. Born in Nuremberg, Dürer made a name for himself across Europe with his exceptional woodcut prints by his twenties. His extensive portfolio includes engravings, altarpieces, and portraits, with renowned pieces such as the Apocalypse series and the Rhinoceros. Explore the rich tapestry of Dürer's influences, from his early training in his father's goldsmith workshop to his apprenticeship with the painter Michael Wolgemut. His work is a testament to his meticulous attention to detail and his commitment to accurately depicting the human and animal form. Dürer's art also reflects the broader religious and cultural shifts of his time, particularly the impact of the Reformation on artistic expression. Discover how Dürer stands among illustrious contemporaries like Leonardo da Vinci, Michelangelo, and Martin Luther, each shaping the era's cultural, religious, and political landscape. Dürer's theoretical writings on mathematics and proportions further cement his legacy as a key figure in art history, blending Northern European detail with Italian Renaissance ideals. Delve into the spiritual dimensions of Dürer's art, where his focus on religious themes resonates with the values of Reformed Christianity. His life's work offers a fascinating insight into the intersection of art, religion, and culture during the Renaissance. Thank you for joining us at The Wandering Pilgrims. If you enjoyed this episode and wish to support our mission to create more content, you can support us here: Buy Me a Coffee: buymeacoffee.com/wanderingpilgrims Patreon: patreon.com/TheWanderingPilgrims Shop: teespring.com/stores/the-wandering-pilgrims Our Website: www.thewanderingpilgrims.com Connect with us on social media for more content: Instagram: instagram.com/thewanderingpilgrims Facebook: facebook.com/The-Wandering-Pilgrims YouTube: youtube.com/channel/UCbvMuDo9dpaQ0Bu71lRRiQw Twitter: @WanderPilgrims Truth Social: @wanderingpilgrims

fWotD Episode 2676: Gothic boxwood miniature Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia’s finest articles.The featured article for Sunday, 1 September 2024 is Gothic boxwood miniature.Gothic boxwood miniatures are very small Christian-themed wood sculptures produced during the 15th and 16th centuries in the Low Countries, at the end of the Gothic period and during the emerging Northern Renaissance. They consist of highly intricate layers of reliefs, often rendered to nearly microscopic level, and are made from boxwood, which has a fine grain and high density suitable for detailed micro-carving. There are around 150 surviving examples; most are spherical rosary beads (known as prayer nuts), statuettes, skulls, or coffins; some 20 are in the form of polyptychs, including triptych and diptych altarpieces, tabernacles and monstrances. The polyptychs are typically 10–13 cm in height. Most of the beads are 10–15 cm in diameter and designed so they could be held in the palm of a hand, hung from necklaces or belts, or worn as fashionable accessories.Boxwood miniatures were highly prized in the early 16th century. Their iconography, form, and utility can be linked to medieval ivory carvings, as well as contemporary illuminated miniatures, altarpieces, panel paintings, sculpture, woodcuts, and engravings. They typically contain imagery from the life of Mary, the Crucifixion of Jesus, or vistas of Heaven and Hell. Each miniature's production required exceptional craftsmanship, and some may have taken decades of cumulative work to complete, suggesting that they were commissioned by high-ranking nobles.A number of the miniatures appear to have come from a workshop led by Adam Dircksz, who is thought to have produced dozens of such works. Almost nothing is known about him or the artisans who produced the miniatures. Some of the original owners can be identified from markings, usually initials or coats of arms, emplaced by the sculptors. Important collections of boxwood miniatures are in the Art Gallery of Ontario, in the British Museum as part of the Waddesdon Bequest, and at the Metropolitan Museum of Art, New York. Because of their rarity and the difficulty in discerning their intricacy from reproductions, boxwood miniatures have not been as widely studied as other forms of Netherlandish visual art.This recording reflects the Wikipedia text as of 00:30 UTC on Sunday, 1 September 2024.For the full current version of the article, see Gothic boxwood miniature on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Olivia.

Professor Joseph Koerner is the Victor S. Thomas Professor of History of Art and Architecture and Professor of Germanic Languages and Literature at Harvard University, where he is also a senior fellow at the prestigious Society of Fellows.Koerner is one of the most renowned art historians and critics working today, and the world's leading specialist on Northern Renaissance and 19th Century Art, in particular German and Netherlandish painting. He has written multiple books, amongst them volumes on Caspar David Friedrich, Albrecht Durer and recently Bosch and Brueghel. Koerner has also written and presented various documentaries including ‘Northern Renaissance' and ‘Vienna: City of Dreams', both produced by the BBC. In 2018 he released his most personal film yet: ‘The Burning Child', which traces his search for the fate of his grandparents and their Vienna home, known only through a 1944 painting by his exiled father.Bosch's Garden of Earthly Delights hi-res: https://commons.wikimedia.org/wiki/The_Garden_of_Earthly_DelightsJoseph Koerner's faculty page: https://scholar.harvard.edu/jkoerner/homeJoseph Koerner's Wikipedia page: https://en.wikipedia.org/wiki/Joseph_KoernerThe Vienna Project: https://viennaproject.fas.harvard.edu/Review of 'Bosch and Bruegel: From Enemy Painting to Everyday Life' in the Guardian https://www.theguardian.com/books/2017/feb/01/bosch-bruegel-joseph-leo-koernerNOTES:Bosch's Last Judgement https://en.wikipedia.org/wiki/The_Last_Judgment_(Bosch,_Vienna)Pieter Bruegel the Elder: https://en.wikipedia.org/wiki/Pieter_Bruegel_the_ElderThe strawberry/Madroño tree: https://en.wikipedia.org/wiki/Arbutus_unedoThe Cluster F Theory Podcast is edited by Julian Mayers at Yada Yada.Subscribe for free to The Cluster F Theory Podcast. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit theclusterftheory.substack.com

This episode focuses on the characteristics of the Northern Renaissance and how it is different from the Italian Renaissance. It features Christian Humanism, the Northern Renaissance Christian writers such as Erasmus and Thomas More, and mentions a few of the Northern Renaissance Artists. Overview Christian Humanism - 1:49 Erasmus - 5:47 Northern Renaissance Artists - 13:25 Now YOU Know - 19:11

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In 1520 the artist Albrecht Dürer was on the run from the Plague and on the look-out for distraction when he heard that a huge whale had been beached on the coast of Zeeland. So he set off to see the astonishing creature for himself. In this beautifully-evoked episode the award-winning writing Philip Hoare takes us back to those consequential days in 1520. We catch sight of Dürer, the great master of the Northern Renaissance, as he searches for the whale. This, he realises, is his chance to make his greatest ever print. Philip Hoare is the author of nine works of non-fiction, including biographies of Stephen Tennant and Noël Coward, and the studies, Wilde's Last Stand and England's Lost Eden.  Spike Island was chosen by W.G. Sebald as his book of the year for 2001.  In 2009, Leviathan or, The Whale won the 2009 BBC Samuel Johnson Prize for non-fiction. It was followed in 2013 by The Sea Inside, and in 2017 by RISINGTIDEFALLINGSTAR.  His new book, Albert & the Whale led the New York Times to call the author a 'forceful weather system' of his own. He is Professor of Creative Writing at the University of Southampton, and co-curator, with Angela Cockayne, of the digital projects http://www.mobydickbigread.com/ and https://www.ancientmarinerbigread.com/ As ever, much, much more about this episode is to be found at our website tttpodcast.com. Show notes Scene One: Nuremberg, home of Albrecht Dürer, at the height of its power as an imperial city, of art and technology. Scene Two: The Low Countries. Driven out of Nuremberg by the plague and a city in lockdown, Dürer escapes to the seaside. Scene Three: Halfway through his year away, Dürer hears a whale has been stranded in Zeeland.  This is his chance to make his greatest print, a follow up to his hit woodcut of a rhinoceros.  What follows next is near disaster, a mortal act.  It changes his life. Memento: Memento: A lock of Dürer's hair (which Hoare would use to regenerate him and then get him to paint his portrait) People/Social Presenter: Violet Moller Guest: Philip Hoare Production: Maria Nolan Podcast partner: Colorgraph Follow us on Twitter: @tttpodcast_ Or on Facebook See where 1520 fits on our Timeline 

Movies at Home (In Bruges) and Away (You Hurt My Feelings).  Don't forget the Northern Renaissance! Are you being served?  Not really.  The Upside of Prenatal Stress. Credits: Talent:  Tamsen Granger and Dan Abuhoff Engineer:  Ellie Suttmeier Art:  Zeke Abuhoff

The Ghent Altarpiece is an extensive and highly detailed polyptych or multi-paneled altarpiece, that was created by the Flemish artist Jan van Eyck and his brother Hubert van Eyck in the early 15th century. The altarpiece is considered to be one of the most important works of art from the Northern Renaissance. In the late nineteenth century, the Berlin Museum, which then owned part of the paintings belonging to the Ghent Altarpiece, separated the painted fronts of these panels from their backs, which were also painted, by sawing them apart. This harsh measure was intended to facilitate the exhibition of the panels and their inspection by an art-loving public. But it also served to obscure the fact that the panels were created as ecclesiastical objects for display in a church, and to stress their character simply as art.

This week: the extraordinary story behind what Canadian police have called “the biggest art fraud in history”. More than 1,000 fake works purporting to be by the First Nations artist Norval Morrisseau are seized and eight people have been charged. The Art Newspaper's Editor, Americas, Ben Sutton, tells the extraordinary story, involving a rock star, a television documentary and alleged forgery rings, and what it tells us about the market for First Nations art in Canada. A report into artists' pay in the UK has exposed the inordinately low sums paid to artists for their labour by arts organisations. We talk to the art collective Industria, who wrote the report, and Julie Lomax, the CEO of a-n, The Artists' Information Company, which has published the study. And this episode's Work of the Week is An Old Woman (around 1513) by the Northern Renaissance artist Quinten Massys, a painting better known as The Ugly Duchess. A new exhibition at the National Gallery focuses on this work in its collection, exploring its origins in a drawing by Leonardo da Vinci, and the combination of satire, folklore, humanism and misogyny from which it emerged. Emma Capron, the curator of the show, tells us more.A PDF of Industria's Structurally F–cked report can be found at a-n.co.uk. Industria's website is we-industria.org.The Ugly Duchess: Beauty and Satire in the Renaissance, National Gallery, London, until 11 June. Hosted on Acast. See acast.com/privacy for more information.

Today, we will discuss the Ghent Altarpiece, which Jan Van Eyck and Hubert Van Eyck painted. They made this painting during the Northern Renaissance period, and the theme is based on Christianity. Ghent Altarpiece's meaning is the Biblical story of Jesus Christ and his sacrifice. You can see the significance of Christ's sacrifice when they show it with a lamb pouring blood into a chalice. This lamb is a depiction of Christ's sacrifice. In this painting, you can see how the lamb is an essential reference to Christ because next to the altar are angels holding a cross. The angels and cross depict his crucifixion, implying that the lamb in the image is about to get crucified. The Van Eyck brothers used oil paint for the Ghent Altarpiece to try and make the finest of details on this piece of work. For those who don't know what an altarpiece is, it is a work of art that decorated the space above and behind the altar in a Christian church. That is why the Ghent Altarpiece is in St. John the Baptist, now the Cathedral of St. Bavo.

Join us for an artistic discussion of a masterpiece of Northern Renaissance art; the Ghent Altarpiece created by Jan Van Eyck. We discuss history, meaning, and, most notably, religious symbolism. What happens when a beautiful piece of artwork is coveted? Tune in to find out. Music: We used Imovie music. Ave. Collins (Long)

A few episodes ago, we talked about the Renaissance, and we were focused on what happened in Italy, where the Renaissance started. The Renaissance spread out of Italy into the rest of Europe, but as it spread into new places, other things besides amazing art began to be added to the rebirth. Specifically, as the Renaissance spread north, in addition to new art, there were a lot of advances in science, theology, politics, and philosophy. While the southern renaissance was mainly an artistic rebirth, the Northern Renaissance was mainly an academic rebirth

Fans of medieval manuscripts, murder mysteries and marginalia, rejoice! Pentiment is here to fill your Northern Renaissance needs. Raygan and Laura discuss this rich tale of abbeys, intrigue, and 16th century life in the Bavarian...

Who is the greatest artist of all time? Join Tom and Dominic as Belgian historian Bart van Loo puts forward the case for the hyper-realistic and highly influential art of early Northern Renaissance painter Jan van Eyck.Join The Rest Is History Club (www.restishistorypod.com) for ad-free listening to the full archive, weekly bonus episodes, live streamed shows and access to an exclusive chatroom community.Twitter: @TheRestHistory @holland_tom @dcsandbrook Email: restishistorypod@gmail.com Hosted on Acast. See acast.com/privacy for more information.

A tour of the visual arts in Northern Europe in the fifteenth and sixteenth centuries.  The images to go with this episode are on the website www.tudoriferous.wordpress.com 

To keep you going with N&S during a quick break from our normal episodes, we are releasing for the first time a Patreon exclusive episode to our standard listeners! Hope you enjoy this treat during our hiatus. The Northern Renaissance features an artist very near and dear to both of us - Hieronymus Bosch. This man created some of the most fantastical and downright disturbing images of art history, and his remarkably intricate scenes still garners fascination to this very day. You won't want to miss this week's N&S+ episode. Hieronymus Bosch (1450-1516): The Garden of Earthly Delights Triptych (1490-1500)

MJ's guest is artist, an art historian, a wine collector, a salesman, an importer, and the founder of Vom Boden, Stephen Bitterolf. Stephen came to NYC in the early 00s to get his PhD in Northern Renaissance painting - during which time his fascination was born. In 2005, he landed a job as a salesperson at the newly opened Crush Wine & Spirits, one of New York City's sleekest wine stores at the time.In 2012, he became an importer of German wines which led to his founding of Vom Boden. Vom Boden is a small company, focusing on small growers. He later founded Rieslingfeier, an annual event that seeks to celebrate German Rieslings, to provide a greater context for this incredible history of winemaking – to re-emphasize the historical importance of terroir. Stephan, self proclaimed German wine “dork” take listeners (and MJ!) on a deep dive into the wines he's so passionate about. From the Kabinett to the Spätlese to the Auslese. Stephen's personal journey from art history to German wine importer is as fascinating as the wines he loves. A huge thank you to Stephen Bitteolf! Follow Vom Boden @vomboden Follow Rieslingfeier on IG at @rieslingfeierCheck out Vom Boden's website: https://www.vomboden.com/Get more information about Rieslingfeier at their website: ​​https://rieslingfeier.com/This episode's in studio wine:Schloss Reinhartshausen1969 Erbacher BrühlRiesling Kabinett____________________________________________________________Until next time, cheers to the mavericks, philosophers, deep thinkers, and wine drinkers! Don't forget to subscribe and be sure to give The Black Wine Guy Experience a five-star review on whichever platform you listen to.For insider info from MJ and exclusive content from the show sign up at Blackwineguy.comFollow MJ @blackwineguy Thank you to our sponsor: Taub Family Selections. Taub Family Selections is a dynamic fourth generation, family-owned wine import company with a truly enviable portfolio of fine wines from 11 countries. They are proud to represent an exceptional portfolio of high quality, terroir centric and historic producers from around the world. Learn more at www.taubfamilyselections.comThank you to our sponsor: Independence Wine and Spirits - or IWS. IWS is owned by the Taub family, who have re-entered the NY wholesale market, bringing the family back to its roots in distribution where they held court from 1951 – 2004. To learn more about IWS go to: https://independencewine.comThank you to our sponsor: Grapes The Wine Company. Looking to special order that bottle you had on vacation? Need to find a bourbon your boss has never tried? How about wrapped bottle gifts for teachers, coaches or your salesforce? Grapes The Wine Company can provide all this and more! Zoom tastings, winemaker dinners, wine driven charity events, cellar consultations, stellar suggestions… they do it all. To learn more about GTWC go to: https://www.grapesthewineco.com/ See acast.com/privacy for privacy and opt-out information.

In this episode Caro Fowler (Starr Director of the Research and Academic Program at the Clark Art Institute) speaks with Joseph Leo Koerner, professor of art history at Harvard University, who teaches and writes about the history of art from the late Middle Ages to the present day, with an emphasis on Northern Renaissance art. Joseph discusses his early focus on literary studies, psychoanalysis, and romanticism, and how his curiosity about the traumatic core of history has informed his work. More specifically, he describes how themes of fragility and besieging shaped his childhood by way of the physical presence of his father's paintings in their family home, as well as the role played by visiting Vienna and the Kunsthistoriches Museum there. Finally, he delves into his 2019 documentary The Burning Child, and describes his current book project that explores concepts of siege. What does art do in a state of siege, he asks; how does it flare up?  

Episode 263: Joshua Jay Johnson joins the podcast to discuss his print and drawing based works that take anywhere from 3 to 9 months work to complete.  In the interview we talk about his  dystopian landscapes with a wide array of influences from contemporary culture, Northern Renaissance printmaking, and 80’s pop culture. Joshua Jay Johnson The post Joshua Jay Johnson appeared first on Studio Break.

In 1520 the artist Albrecht Dürer was on the run from the Plague and on the look-out for distraction when he heard that a huge whale had been beached on the coast of Zeeland. So he set off to see the astonishing creature for himself. In this beautifully-evoked episode the award-winning writing Philip Hoare takes us back to those consequential days in 1520. We catch sight of Dürer, the great master of the Northern Renaissance, as he searches for the whale. This, he realises, is his chance to make his greatest ever print. Philip Hoare is the author of nine works of non-fiction, including biographies of Stephen Tennant and Noël Coward, and the studies, Wilde's Last Stand and England's Lost Eden.  Spike Island was chosen by W.G. Sebald as his book of the year for 2001.  In 2009, Leviathan or, The Whale won the 2009 BBC Samuel Johnson Prize for non-fiction. It was followed in 2013 by The Sea Inside, and in 2017 by RISINGTIDEFALLINGSTAR.  His new book, Albert & the Whale led the New York Times to call the author a 'forceful weather system' of his own. He is Professor of Creative Writing at the University of Southampton, and co-curator, with Angela Cockayne, of the digital projects http://www.mobydickbigread.com/ and https://www.ancientmarinerbigread.com/ As ever, much, much more about this episode is to be found at our website tttpodcast.com. Show notes Scene One: Nuremberg, home of Albrecht Dürer, at the height of its power as an imperial city, of art and technology. Scene Two: The Low Countries. Driven out of Nuremberg by the plague and a city in lockdown, Dürer escapes to the seaside. Scene Three: Halfway through his year away, Dürer hears a whale has been stranded in Zeeland.  This is his chance to make his greatest print, a follow up to his hit woodcut of a rhinoceros.  What follows next is near disaster, a mortal act.  It changes his life. Memento: Memento: A lock of Dürer's hair (which Hoare would use to regenerate him and then get him to paint his portrait) People/Social Presenter: Violet Moller Guest: Philip Hoare Production: Maria Nolan Podcast partner: Colorgraph Follow us on Twitter: @tttpodcast_ Or on Facebook See where 1520 fits on our Timeline 

Its been described as the most stolen piece of art, the first great oil painting of the Northern Renaissance. A complex multi-panelled painting laced with Catholic Theology. Recovered by the famous monuments men in the second world war after Hitler had hid it in a salt mine. 

"Et tu, Northern Renaissance?" "I mean, you all came up with the designation. Not me..." Sorry, Shakespeare, but you have so many good lines!   After last week’s Appalachian interlude, we are rebirthing our Renaissance saga with a look at some Renaissance composers from across Europe and a dive into the Northern Renaissance of art! The Northern Renaissance stands as its own monolith of an artistic movement distinct from the Italian Renaissance; but how does it do so, and who were some important artists? KC's got you covered! Amidst her discussion, Izaac will interject a few works by notable Renaissance composers who contributed to the changing musical landscape in unique ways.   Art: Robert Campin (active 1406-1444): Annunciation Triptych or Merode Altarpiece ()  Albrecht Dürer (1471-1528): The Four Horsemen from the Apocalypse  (1497-1498)  Unknown: Unicorn is Found at the Fountain  (1495-1505)    Music:  Johannes Ockeghem (c.1420-1497): Missa Prolationum (late 15th centry)  Thomas Tallis (c.1505-85): Verily, Verily I Say unto You  Maddalena Casulana (c.1545-c.1590): "Morir non può il mio cuore" from Madrigals, Book 2 (1568)    Listen on this week's Spotify playlist to the music discussed in the episode!   Follow us on Instagram and Facebook to stay up-to-date with everything we're doing!  Visit our Patreon page to see how you can support us!  Email us any time! notesandstrokespodcast@gmail.com 

"Renaissance, Renaissance, wherefore art thou Renaissance?" "Because some people a couple centuries down the road decided to name me thus. Got a problem?" Shakespeare appropriation aside, welcome to this week's episode all about a game-changing era - the Renaissance! What happened during this era? Oh dear. Where do we begin? Joan of Arc, William Shakespeare, Printing Press, Constantinople - need we say more? Well, we're going to since those don't even touch our topics - art and music!  In this episode, KC will discuss the Italian Renaissance, and Izaac will discuss some musical genres and new compositional ideas. To round out the topic of the Renaissance, we will have another episode in a couple of weeks where KC will focus on the Northern Renaissance (a distinction made only in the art world), and Izaac will feature important composers of the era. So grab your lutes, and get ready for a whirlwind through the era of rebirth - the Renaissance!   Art: Fra Angelico (1395-1455): The Annunciation (1445)  Michelangelo (1475-1564): Doni Tondo (1506-1508)  Raphael (1483-1520): The Sistine Madonna (1512-1513)    Music: Philippe de Vitry (1291-1361): Firmissime fidem teneamus John Dunstable (c.1390-1453): Credo Carlo Gesualdo (1566-1613): Madonna, io ben vorrei Guillame du Fay (c.1395-1474): Missa "Se la face ay pale" (c.1450)  Palestrina (c.1525-1594): "Questo saranno" from Madrigals, Book I  Carlo Gesualdo: "Se la mia" from Madrigals, Book VI   Listen to the music in this week's Spotify playlist!   Follow us on Instagram and Facebook to stay up-to-date with everything we're doing!  Visit our Patreon page to see how you can support us!  Email us any time! notesandstrokespodcast@gmail.com 

This portrait by Rogier van der Weyden is of an unknown lady who is representing the styles of the Northern Renaissance. Listen in to this podcast to dissect the structural composition of this specific portrait and why it is an important contribution to the art of the Northern Renaissance. --- Support this podcast: https://anchor.fm/before-you-go/support

Dave and Jeff serve up some Northern Renaissance art with a close look at Flemish painter Pieter Brueghel the Elder’s mysterious and haunting take on the Daedalus and Icarus myth. Is it a response to Ovid’s version of the tale or something else altogether? Jean Claude VanDamme stops by with a waffle sampler, and don’t miss: fat man on the menu. We also get at the lingering question, “Will Dave ever reveal his high school nickname?” Tune in and make sure to click on “Show Notes” for useful visuals.

The Merode Altarpiece is a devotional triptych from 15th century Burgundy. Come explore this amazing work from the Northern Renaissance with Accessible Art History: The Podcast. For images and sources: https://www.accessiblearthistory.com/post/podcast-episode-16-the-merode-altarpiece --- Support this podcast: https://anchor.fm/accessiblearthistory/support

Fall semester 2020 brings season 3 of the Creativity Conversations podcast.This podcast episode features excerpts the Feb. 2019 conversation between woodcut artist Tom Hück and Michael C. Carlos Museum Curator of Works on Paper Andi McKenzie. Watch the video of the original conversation.Best known for his large-scale woodcuts, Hück's brash sociopolitical commentary draws from great satirists like Hogarth, Daumier, and R. Crumb. His technique, however, is inspired by the famed German woodcut artists of the Northern Renaissance, Albrecht Dürer and Martin Schongauer, among others. Hück and McKenzie discuss these influences and Huck's creative enterprise, Evil Prints, where he creates his own work and trains the next generation of remarkable printmakers.This conversation is introduced by host/Arts at Emory employee Maggie Beker and Emory College student Joel Hines. Beker and Hines introduce the podcast, discuss Hines' own creative works, and enjoy exploring a medium foreign to them both - woodcutting.This program is part of the Rosemary M. Magee Creativity Conversation endowed series.

Oh my...this one...this one really hurt.   Episode 12 of season one is called Dead Issue and deals with issues of abuse and rape.   What is the existential lived condition of internalized oppression?  Can Nick figure out a mystery involving the the wife of an Inspector without destroying his and Schanke's careers?  Why isn't there more Natalie in the episode? And what do the writers have against famed Northern Renaissance painter Hieronymus Bosch?!? Sources: Simone de Beauvoir, The Second Sex, 1949 --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/erin-schwartz/message Support this podcast: https://anchor.fm/erin-schwartz/support

Albrecht Dürer is the first artist to mass produce his own work and known as the Father of the Northern Renaissance.  Join us in learning more about his sensual and skillful art. Resources: BBC Northern Renaissance 02 The Birth of the Artist – Documentary Series, 2015 “Sex in the Nuremberg Bathhouse” by Dr. Elizabeth A. Garner, 2012 “Depictions of STDs in Art History”; from www.howtotalkaboutarthistory.com , June 2016 “7 Images of Durer’s Animals That Are Better Than A Trip To The Zoo” by Zuzanna Stanska, posted in www.dailyartmagazine.com; July 2016

A quick overview of how the Northern Renaissance was different and unique from its Italian counterpart. * Sorry, my voice is scratchy... allergies, not Corona.

From the shoemakers of the Black forest to J.P. Morgan’s mansion, today William “Bill” Voelkle reflects on his fifty-year career at the Morgan Library and Museum with host Sandra Hindman. They discuss his early interest in science and mathematics as well as the Northern Renaissance course that changed his life. Voelkle’s early work at Columbia University with Meyer Schapiro and Julius Held, and later his acquisition of an unexpected but cherished position at the Morgan Library and Museum are just the beginning of the conversation, which covers everything from Bill’s favorite exhibition, to the most unusual and stunning manuscripts, to the origins of CORSAIR, the Morgan’s Online Collection Catalog. How the Morgan Library changed over Bill’s long and prestigious career, including the institution’s buying and collecting practices, is a major focus of their conversation. This conversation was recorded in New York on January 28, 2020.

Referred to as the "German Leonardo," Albrecht Dürer is the most famous of the Northern Renaissance artists. He became internationally known through his incredible printmaking techniques. ​In this episode, we'll talk about why I call him the Renaissance Rockstar (if hair bands existed in the 16th century, he'd be in one), as well as his famous work, The Young Hare.

Pour yourself some nog, get snugged in a warm blanket, & join the Babes for a festive discussion of some of our favorite wintry paintings--Northern Renaissance, Rococo, Romanticism, Impressionism all wrapped up in a cozy holiday package. Check out our Patreon for bonus episodes: www.patreon.com/arthistorybabes Website: www.arthistorybabes.com Insta: @arthistorybabespodcast Twitter: @arthistorybabes Email: arthistorybabes@gmail.com  Originally Released December 22, Learn more about your ad choices. Visit podcastchoices.com/adchoices

Whoever said the devil was in the details clearly had a thing for Northern Renaissance portraiture. See the images: http://www.thelonelypalette.com/episodes/2019/11/17/episode-41-jan-van-eycks-arnolfini-double-portrait-1434 Music used: Django Reinhardt, “Django's Tiger” The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, “Our Son the Potter,” “Bundt,” “Pacing,” “Secret Pocketbook,” “Oriel,” “Floretin Interlude” Poddington Bear, “Clay” Joe Dassin, “Les Champs-Elysees" Support the show: patreon.com/lonelypalette

The Northern Renaissance lecture includes artists: Van Eyck, Bosch, Bruegel, etc.

What does it mean to be human? Is the world a mirror or a window? Should our experience of reality be mediated, and if so, who should be the mediators? We ask these questions earnestly today, but they were tackled in revolutionary ways during the European Renaissance, an extraordinary period of progress and creativity. Ben's has a powerful and spirited conversation with a world-renowned historian of culture and the Renaissance, Professor Kenneth Bartlett of the University of Toronto. About the Guest Kenneth Bartlett is a Professor of History and of Renaissance Studies, a program he helped establish in 1979, at Victoria College in the University of Toronto. He teaches courses ranging from first year to graduate levels, with his research interests in the fields of Anglo-Italian relations in the sixteenth century and Italian humanism. Professor Bartlett was also the founding director of the Office of Teaching Advancement (now CTSI), and founder and director of the Faculty of Arts and Science's undergraduate experience programs, which include the First-Year Seminars, the Research Opportunities Program and the Independent Experiential Study Program, which won the Northrop Frye Award for excellence and innovation in linking teacher and research. Professor Bartlett was also the founding director of U of T's Art Centre, and currently serves as a trustee for the Gardiner Museum of Ceramic Art. During his career at the university, which spans over 30 years, he has been the recipient of the Victoria University Excellence in Teaching Award, the Students Administrative Council and Association of Part-Time Students Undergraduate Teaching Award (on two occasions), and the Faculty of Arts and Science Outstanding Teaching Award. In 2005, Professor Bartlett was awarded both the prestigious 3M National Teaching Fellowship and a University of TorontoArbor Award. In 2007 he was awarded an inaugural LIFT Award by the Province of Ontario and was a finalist in the TVO Best Lecturer Competition. In addition to teaching, he has published over 35 scholarly articles and contributions to books, and several editions and translations of Renaissance texts. He has served as the editor of Renaissance and Reformation/Renaissance et Réforme, and President of the Canadian Society for Renaissance Studies. He has produced four video series on various aspects of Italian Renaissance culture and European civilization, and has also appeared in televisions series such as Museum Secrets. Some of his publications include The Experience of History, A Short History of the Italian Renaissance, The English in Italy 1525-1558: A Study in Culture and Politics, The Civilization of the Italian Renaissance and The Northern Renaissance and the Reformation. Learn more about Ken. The Quote of the Week "Learning never exhausts the mind." - Leonardo da Vinci

Ron Salvatore joins Skye and Steve to discuss a beautiful and gigantic piece of unused ROTJ Kenner art. What was this Endor scene intended for? Was it for a never released display? What does it have to do with the Northern Renaissance? Is it, in fact, the greatest piece of Kenner art ever? Then, we go over ALL the details for tickets and premiums for the upcoming Archive Party IV at Celebration Chicago. Sculptures! Cereal! Prices! Pizza! It is all on this double blog-log-pod. TABLE OF CONTENTS: 2:38:00 – Ron Joins The Show 5:04 – Potential Unused ROTJ Kenner Display Art Described 7:40 – Ron Explains how the piece came into his collection 12:10 – The Specialness of the Art 13:13 – What was this Art For 15:00 – Connection to ROTJ Space Display 24:09 – The Northern Renaissance Connection 27:02 – The Archive Party Discussion Begins 32:01 – Food at the Party 37:43 – The BIG contest 38:45 – Bill Cable's Key Art 41:34 – Cardback and Coin Art 45:03 – The Coin 46:03 – The Sculpture 50:13 – Pricing tickets

What made the Northern Renaissance different? What was the printing revolution?

Crispin’s “Why They Suck” essay series ... Why in particular does Michelangelo suck? ... The contrasts in humanism represented in Italian and Northern Renaissance art ... The “ennobling quality” of human emotion in early Renaissance art ... Why Dan is a humanist and Crispin is not ... Identifying the internal incoherence of Michelangelo’s work ... Dan: Judaism’s approach to moral agency begins in the Garden of Eden ... Crispin questions emphasizing human endeavors over all others ...

Crispin’s “Why They Suck” essay series ... Why in particular does Michelangelo suck? ... The contrasts in humanism represented in Italian and Northern Renaissance art ... The “ennobling quality” of human emotion in early Renaissance art ... Why Dan is a humanist and Crispin is not ... Identifying the internal incoherence of Michelangelo’s work ... Dan: Judaism’s approach to moral agency begins in the Garden of Eden ... Crispin questions emphasizing human endeavors over all others ...

Crispin's “Why They Suck” essay series ... Why in particular does Michelangelo suck? ... The contrasts in humanism represented in Italian and Northern Renaissance art ... The “ennobling quality” of human emotion in early Renaissance art ... Why Dan is a humanist and Crispin is not ... Identifying the internal incoherence of Michelangelo's work ... Dan: Judaism's approach to moral agency begins in the Garden of Eden ... Crispin questions emphasizing human endeavors over all others ...

In this Art History Babe Brief, the Babes discuss the work of one of the most notable portraitists of the Northern Renaissance and the court painter to King Henry VIII, Hans Holbein....the younger one. Magic color changing Art History Babes prints by featured artist, Faith Sponsler available at www.arthistorybabes.com/featured-artist/ Start investing with Acorns. Get $5 when you use our link : www.acorns.com/invite/?code=F7FU9C Check out our Patreon for exclusive bonus episodes! www.patreon.com/arthistorybabes We got a blog! We got merch! We got newsletters! www.arthistorybabes.com Insta: @arthistorybabespodcast Twitter: @arthistorybabes Email: arthistorybabes@gmail.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

He was one of the most notable names in the Northern Renaissance, he was responsible for bringing the image of Jesus to the common people, and he had indoor plumbing! Join the Babes as they get sauced with special guest, Zach Clark and talk all things Albrecht Durer. Zach's bizz zach@zachclarkis.com http://www.zachclarkis.com/ Trying to be more financially responsible in 2018? Try Acorns! Use our link at get $5 https://www.acorns.com/invite/?code=F7FU9C Magic color changing Art History Babes prints by featured artist, Faith Sponsler available at www.arthistorybabes.com/featured-artist/ Check out our Patreon for exclusive bonus episodes! www.patreon.com/arthistorybabes We got a blog! We got merch! We got newsletters! www.arthistorybabes.com Insta: @arthistorybabespodcast Twitter: @arthistorybabes Email: arthistorybabes@gmail.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode we will explore the work of two early Northern Renaissance masters, Robert Campin and Rogier van der Weyden. Follow me on Facebook: https://www.facebook.com/therenaissancepocast/ Instagram: @therenaissancepodcast Instagram: @denisbyrdart

Hans Holbein the Younger (c. 1497) – between 7 October and 29 November 1543) was a German and Swiss artist and printmaker who worked in a Northern Renaissance style. He is best known as one of the greatest portraitists of the 16th century. He also produced religious art, satire and Reformation propaganda, and made a significant contribution to the history of book design. He is called "the Younger" to distinguish him from his father, Hans Holbein the Elder, an accomplished painter of the Late Gothic school. Dr Jeanne Nuechterlein has taught at York since October 2000. Her work centres on northern European art, primarily Germany and the Low Countries in the 15th and 16th centuries and its receptions in the 19th and 20th centuries, with further interests extending out to related geographical areas and periods. Her teaching and research investigates religious and secular imagery in the late medieval and early modern periods, particularly the cultural role of art for its makers, patrons and viewers. She is... See acast.com/privacy for privacy and opt-out information.

Examples of disease as shown in artworks will be examined, from the medical and surgical point of view as well as the historical and artistic ones, particularly visual loss as portrayed by artists from pre-historic times. The special mystery in the story contained within Van Eyck's The Virgin with The Canon (1436) will then be discussed, providing a fascinating religious, legal, medical and sociological explanation for the Canon's blindness and contemporary attitudes towards it.The transcript and downloadable versions of the lecture are available from the Gresham College website: http://www.gresham.ac.uk/lectures-and-events/van-eycks-the-virgin-with-the-canon-visual-disability-and-societal-attitudes-as-depicted-in-the-northern-renaissanceGresham College has been giving free public lectures since 1597. This tradition continues today with all of our five or so public lectures a week being made available for free download from our website. There are currently over 1,900 lectures free to access or download from the website.Website: http://www.gresham.ac.uk Twitter: http://twitter.com/GreshamCollege Facebook: https://www.facebook.com/greshamcollege Instagram: http://www.instagram.com/greshamcollege

Artist Andrea Kowch has been described as “a powerful voice emerging, demonstrating a highly sensitive consciousness that informs a culturally-laced symbolism.” Her paintings are rich in mood, allegory, and precision of medium, reflecting a wealth of influences from Northern Renaissance and American art to the rural landscapes and vernacular architecture of her native Michigan. Andrea has receive numerous Best of Show awards in various juried exhibitions, and her work has been showcased at the Muskegon Museum of Art, the Museum of Contemporary Art (MOCA) Jacksonville, the Grand Rapids Art Museum, ArtPrize, Art Basel Miami, the Los Angeles Art Show, ArtHamptons, SCOPE NYC, and Sag Harbor’s RJD Gallery.  Kowch resides and works in Michigan where she paints full-time, and serves as an adjunct professor at the College for Creative Studies. She is represented exclusively by RJD Gallery in Sag Harbor, New York.

This months 'Chive Cast starts with an earth shattering announcement. Then, we invite our guest editors, the Archivist Tommy Garey and the Holy Ghost Ron Salvatore, to sit at the Space Chess Roundtable. They help us discuss the so-called “ most useless figure ever” Asian Security Guard.“ We also somehow wind up talking about Northern Renaissance wood carving; Sienese art; Tommy gives a vocab lesson on RASSCV, Ron tells us of a tale of a trip to a Kenner sculptor's place; unloved signs of unknown origin; the hidden labor relations on Cloud city; a totally known production nugget. We also feature the return of Kenner Commercial theater. and have several Skye-Kus and Jenk-us. Finally, Mike Ritter talks about the Rancho Obi-Wan visit. There is somehow even more on this months mega Vintage Pod.

What do all of those animals in Christian art represent?Listen NowHere is one version of Leonardo's Madonna with a CatHere is a second one.Here is Federico Barocci's Madonna of the Cat. Note that John the Baptist holds a goldfinch. The goldfinch eats thorns and represents the passion, and its association with the crown of thorns.In Rembrandt's print Madonna and Child with Cat notice that Mary is trampling a serpent beneath he feet. Mary represents the new Eve as Jesus represents the new Adam.My new favorite Albrecht Dürer print is The Monstrous Pig of Landser. Monstrous indeed. Dürer also made a print called Prodigal Son Among the Pigs. The pig is often associated with the parable. Dürer has his main figure in a similar pose in his Saint Eustache.  Saint Eustache is the patron saint of hunters and is often represented praying to a deer. The deer usually has a crucifix between its antlers, as it does here. In this print the foreshortening a bit awkward. At first glance it looks like Eustanche is praying to his horse.  Saint Anthony vanquished the Pig Demon of Sensuality. The pig is often associated with Saint Anthony.Dail painted his famous Temptation of Saint Anthony without including a pig.Matthias Grünewald's Temptation of St. Anthony is awesome, though pigless. Pieter Huys's Temptation of Saint Anthony has a lot going on but there is no pig to be found.Joos van Craesbeck's Saint Anthony has a pig, and an odd one at that. This theme really allowed these painters, particularly those of the Northern Renaissance, to go to town with the most crazy imagery their ample imaginations could come up with. The basilisk is half chicken and half serpent. According to legend it could kill you just by looking at you and is associated with the Devil or the Antichrist. Psalm 91:13 reads, "Thou shalt walk upon the asp and the basilisk: and thou shalt trample under foot the lion and the dragon."Most English and Protestant translations of the verse substitute basilisk for adder of cobra. Here is a Dürer print of a basilisk. Gentile da Fabriano's Adoration of the Magi has both a leopard and an ape. Both of these animals represent evil, sin, and the need for Christ. Flies and other ominous symbols are often featured in Adoration scenes.The scallop shell represents pilgrimage and is particularly associated Santiago de Compostela in Spain. In this photo the Pope wears his pilgrim's cloak adorned with the scallop shell.Symbolism in Christian art is an enormous subject. In this podcast I only dealt with animals. Much of my information came from George Ferguson's marvelous book Sign and Symbols in Christian Art. Sections are available online at google books. It is also available at Amazon.Corrections: I misspoke and said Saint Veronica has eyeballs on a dish. That is Saint Lucy. I also said that there was a basilisk in the King James Bible in Psalm 91:13. King James reads adder. The Douay-Rheims Bible has the basilisk. The Douay-Rheims is the English translation of the Latin Vulgate.

Northern Renaissance and New Monarchs

Molly Faries, Indiana University, reviews recent studies on old master paintings made possible by new infrared reflectograms and other technologies. This podcast is brought to you by the Ancient Art Podcast. Explore more at ancientartpodcast.org.

Pia Francesca Cuneo is Associate Professor of Art History and teaches Italian and Northern Renaissance. Her lecture covered the Dürer's family background, his early artistic training and the social fabric of life in his native Germany at the time. She chronicled Dürer’s travels to Italy, where hisartistic pursuit of beauty and harmony through the study of nature and perspective mirrored theItalian Renaissance artists of the time, such as Leonardo da VInci, Michelangelo and the Venetian master, Titian. Wednesday, October 3, 2007