Podcasts about Auber

durée : 00:31:10 - Avec Cécile Reynaud et Jean-Claude Yon - par : Philippe Venturini - "Si je vous dis Auber, vous pensez à La Muette de Portici, à Fra Diavolo, au Domino noir, mais probablement pas au Concert à la cour ou la Débutante et pas plus à Actéon. Ces 2 opéras-comiques, conçus avec le célèbre librettiste Eugène Scribe, ont connu un succès en leur siècle…" Philippe Venturini - réalisé par : Doria Zénine

La chronique musique de Bruno Fraitag.

durée : 01:28:35 - Neeme Järvi, célèbre chef d'orchestre au répertoire immense - par : Aurélie Moreau - Pour Neeme Järvi, "Il faut savoir user de ses mains pour parler en musique, édifier une grande forme ; on peut suggérer un pizzicato de ses yeux". (Le Temps). Au programme aujourd'hui : Auber, Saint-Saëns, Glazounov, Beethoven, Rachmaninov et Grieg.

Send us a textTune in for the enchanting conversation with Daniele Auber, Emmy-winning artist. Daniele takes us on his incredible journey from Italy to Hollywood, sharing stories of his early days working at Sergio Stivaletti's legendary workshop, where he honed his craft alongside the established master.Daniele reveals the challenges and triumphs of working on iconic films like Harry Potter, and the surreal moment he received an email from the visionary director Terry Gilliam. From concept design to on-set magic, Daniele's experiences will transport you to a world of wonder and creativity.In this episode, we explore:·Daniele's early inspirations and breakout moments·Behind-the-scenes secrets from Harry Potter and other iconic films·The importance of mentorship and collaboration·Daniele's Emmy-winning work and what it means to himTune in for an inspiring and fascinating conversation with one of the industry's most talented and humble artists.Check out Daniele's WebsiteDaniele's IMDbObsession of the Week:Konstantin: Il Bisonte script binderDaniele: His cat MauroListen to the Rumikay Talks podcast on our website:https://rumikay.com/rumikay-talks/SUBSCRIBE to our YouTube Channel: https://rumikay.com/YouTubeDM us on Instagram: https://www.instagram.com/rumikaystudio/

durée : 01:28:55 - Relax ! du mardi 24 septembre 2024 - par : Lionel Esparza - Magnifique représentant de l'opéra comique, créateur du grand opéra à la française, Daniel-François-Esprit Auber est aujourd'hui un grand oublié de la musique. Relax lui consacre cette émission.

durée : 01:28:55 - Relax ! du mardi 24 septembre 2024 - par : Lionel Esparza - Magnifique représentant de l'opéra comique, créateur du grand opéra à la française, Daniel-François-Esprit Auber est aujourd'hui un grand oublié de la musique. Relax lui consacre cette émission.

Summer Festivals in Slovakia. Bubbles: An installation by Lousy Auber in Old Market Hall in Bratislava. Listeners Tribune.

Daniel Auber - The Bronze Horse: Overture Slovak Radio Symphony Orchestra Richard Hayman, conductorMore info about today's track: Naxos 8.550473Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

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Należał do paryskiej bohemy, przyjaźnił się z Verlainem. Był duszą towarzystwa, miłośnikiem malarstwa oraz wyznawcą Wagnera. Gdy w Monachium usłyszał po raz pierwszy „Tristana”, powiedział: „Na to A w wiolonczelach czekałem całe życie”. Kompozytorem na poważnie stał się dopiero po czterdziestce i na zrealizowanie marzeń miał tylko kilkanaście lat. Ale dobrze je wykorzystał: niepozorna operetka „Król mimo woli”, której bohaterem tytułowym jest niesławny Henryk Walezy, była dla Ravela muzycznym objawieniem – według niego wyznaczyła nowy kierunek harmonii muzyki francuskiej. Poulenc stwierdził, że „Idylle”, jedna z miniatur fortepianowych Chabriera, to „pierwszy miłosny pocałunek”, o którym jego muzyka nigdy nie zapomniała. Kim był Emmanuel Chabrier, kompozytor-samouk, którego twórczość bezpośrednio poprzedzała wielki przełom XX wieku? O tym opowiadam w najnowszym odcinku Szafy. Muzyka w odcinku: Chabrier, „Fête polonaise” z opery „Le roi malgré lui”, Detroit Symphony Orchestra, dyr. Paul Paray, Mercury 1959. Auber, Entr'acte do Aktu III opery „La bergère châtelaine”, Czeska Orkiestra Kameralna Filharmonii w Pardubicach, dyr. Dario Salvi, NAXOS 2019. Wagner, Uwertura do „Tannhäusera” [fragment], Orchester der Bayreuther Festspiele, dyr. Joseph Keilberth (live, 1954) Chabrier, „España” [fragment], aranż. C. Chevillard, wyk. A. Ciccolini Erato 1969. Chabrier, „Mauresque” i „Idylle” z „Dix Pièces pittoresques pour piano”, wyk. Marcelle Meyer, EMI 1955. Chabrier, „Gwendoline” [finał], wyk. Orchestre National de France Choers de Radio-France, Ana-Maria Miranda (Gwendoline), Claude Méloni (Harald), Peyo Garazzi (Armel), dyr. Henri Gallois, 1977. E. Chabrier, „Feuillet d'album” z „Cinq pièces posthumes”, wyk. Marcelle Meyer, EMI 1955. Zrealizowano w ramach stypendium Ministerstwa Kultury i Dziedzictwa Narodowego.

avec … Jean Louis d'or…Auber…

Born in Sydney, Richard Bonynge studied at the NSW Conservatory of Music and the Royal College of Music. He served as Music Director of the Sutherland-Williamson Grand Opera Company in 1965 (Melbourne, Adelaide, Sydney, Brisbane), as Artistic Director of the Vancouver Opera from 1974-77 and Music Director of The Australian Opera from 1976-86. Maestro Bonynge's accomplishments as conductor and musical scholar were recognized when Queen Elizabeth II, during her Silver Jubilee Celebration in 1977, made him a Commander of the British Empire. In the summer of 1989, the French government honored him with the rank of “Commandeur de l'Ordre National des Arts et des Lettres”.Throughout his illustrious career, Richard Bonynge has conducted in the world's leading opera houses in Europe, North and South America, Australia and New Zealand and Asia. He has received world-wide acclaim as a scholar of bel canto opera and is celebrated for leading the renaissance of eighteenth and early-nineteenth century musical theater, such as Les Huguenots(Meyerbeer), Semiramide, Sigismondo (Rossini), La Fille du Régiment, Maria Stuarda, Anna Bolena, Lucrezia Borgia(Donizetti), Esclarmonde, Le Roi de Lahore, Thérèse (Massenet), Medea (Pacini), Orfeo (Haydn), I Masnadieri (Verdi).In recent seasons he led performances of La Traviata in Athens, I Capuleti ed I Montecchi in London, Norma, Lucia di Lammermoor, La Scala di Seta, Signor Bruschino, Roméo & Juliette in Sydney, Lucia, Norma and Faust in the United States, La Favorite in Barcelona, I Lombardi in Buenos Aires and Semiramide (Meyerbeer) at the Wildbad Festival, Germany.Mr. Bonynge's extensive career includes innumerable performances with his wife, Dame Joan Sutherland, culminating in her farewell engagements in opera and recital throughout the world. The two artists also toured the United States with the Sydney Symphony in celebration of Australia's Bicentennial, with concerts at the Kennedy Center, Carnegie Hall and the United Nations.His discography reflects the eclecticism of his music interests. He has recorded over 50 complete operas as well as the three Tchaikovsky ballets, three Delibes ballets and numerous lesser known ballets by Adam, Minkus, Burgmuller, Auber, Drigo, Offenbach. He recorded several recital discs with Sumi Jo, Jerry Hadley, Deborah Riedel, Rosamund Illing, Cheryl Barker and Elizabeth Whitehouse. His recent recordings are Le Domino Noir (Auber), Le Toréador (Adam), Der Czarevich, Das Land des Lächelns (Paganini), Giuditta (Lehar), Cendrillon (Nicolo), Orfeo (Haydn), Die Herzogin von Chicago and Die Czardasfürstin (Kálmán), British Opera Arias (Balfe, Wallace, Sullivan), Sacred and Profane Arias (Massenet), Puccini Arias (Puccini), La Somnambula (Hérold), Verismo Arias and Tchaikovsky & Grieg piano concertos with Simon Tedeschi and the Queensland Orchestra. Video recordings include Les Huguenots, La Fille du Régiment, Adriana Lecouvreur, Die Lustige Witwe, Les Dialogues des Carmélites, Norma, Die Fledermaus, Lucrezia Borgia, Lucia di Lammermoor, Lakmé, Il Trovatore, Die Zauberflöte and Die Czardasfürstin.The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Rob Auber joined Brendan Delaney

Eine wunderbare Veröffentlichung: Die Interpreten bringen die französische Eleganz von Aubers Musik, ihren charmanten Witz, ihre überdrehten Militärparodien, ihre raffinierte Instrumentation und ihr ziemlich Rossini'sches Brio hervorragend zur Geltung.

Donizettis "Elisir d'amore" ist vielen ein Begriff, Aubers "Le Philtre" hingegen eher weniger - ähnliche Handlung und doch eine so unterschiedliche Rezeption. Erst im Sommer 2021 wurde in Bad Wildbad wiederentdeckt. Der Mitschnitt ist Anfang des Jahres als CD erschienen und Alexandra Maria Dielitz hat sie sich angehört.

Synopsis Late in 2013, the musical world was gearing up to celebrate the 70th birthday of British composer John Tavener, but sadly he died, so his 70th birthday, which fell on today's date in 2014, became a memorial tribute instead. Tavener had suffered from ill health throughout his life: a stroke in his thirties, heart surgery and the removal of a tumor in his forties, and two subsequent heart attacks. In his early twenties, Tavener became famous in 1968 with his avant-garde cantata entitled The Whale, based loosely on the Old Testament story of Jonah. That work caught the attention of one of The Beatles, and a recording of it was released on The Beatles' own Apple label. Tavener converted to the Russian Orthodox Church in 1977, and his music became increasingly spiritual. Millions who watched TV coverage of the funeral of Diana, Princess of Wales, in 1997, were deeply moved by his “Song for Athene,” which was performed to telling effect as Diana's casket left Westminster Abbey. Taverner was knighted in 2000, becoming Sir John Tavener In 2003, Tavener's Ikon of Eros, commissioned for the Centennial of the Minnesota Orchestra, and premiered at St. Paul's Cathedral—the one in St. Paul, Minnesota, that is, not the one in London—and Tavener came to Minnesota for the event. Music Played in Today's Program Sir John Tavener (1944-2013) Ikon of Eros Jorja Fleezanis, vn; Minnesota Chorale; Minnesota Orchestra; Paul Goodwin, conductor. Reference Recording 102 On This Day Births 1791 - French opera composer Louis Joseph F. Herold, in Paris; 1898 - Italian-American composer Vittorio Rieti, in Alexandria, Egypt; 1944 - British composer Sir John Tavener, in London; Deaths 1935 - Russian composer Mikhail Ippolitov-Ivanov, age 75, in Moscow; 1947 - Venezuelan-born French composer Reynaldo Hahn, age 72, in Paris; Premieres 1725 - Bach: Sacred Cantata No. 92 ("Ich hab in Gottes Herz und Sinn") performed on Septuagesimae Sunday after Epiphany as part of Bach's second annual Sacred Cantata cycle in Leipzig (1724/25); 1828 - Schubert: Piano Trio in Bb, Op. 99 (D. 898), at a private performance by Ignaz Schuppanzigh (violin), Josef Linke (cello), and Carl Maria von Bocklet (piano); 1830 - Auber: opera "Fra Diavolo" in Paris at the Opéra-Comique; 1876 - Tchaikovsky: "Serenade mélancolique" for violin and orchestra, in Moscow (Julian date: Jan. 18); 1897 - Glazunov: Symphony No. 5, in London; 1915 - Ravel: Piano Trio in a, in Paris, by Gabriel Wilaume (violin), Louis Feuillard (cello), and Alfredo Casella (piano); 1916 - Granados: opera "Goyescas," at the Metropolitan Opera in New York; 1927 - Copland: Piano Concerto, by the Boston Symphony conducted by Serge Koussevitzky, with the composer as soloist; 1941 - Copland: "Quiet City," at Town Hall in New York City by the Little Symphony conducted by Daniel Saidenberg; This music is based on incidental music Copland wrote for Irwin Shaw's play of the same name produced by the Group Theater in New York in 1939; 1944 - Bernstein: Symphony No. 1 ("Jeremiah"), at the Syria Mosque in Pittsburgh by the Pittsburgh Symphony conducted by the composer, with mezzo-soprano Jennie Tourel as vocal soloist; 1972 - Scott Joplin: opera "Treemonisha" (orchestrated by T.J. Anderson), in Atlanta; 1990 - Joan Tower: Flute Concerto, at Carnegie Hall in New York, with soloist Carol Wincenc and the American Composers Orchestra, Hugh Wolff, conducting; 1995 - Elinor Armer: “Island Earth” (to a text by Sci-Fi writer Usula K. Le Guin), at the University of California, Berkeley, by the various San Francisco choirs and the Women's Philharmonic, conducted by JoAnn Falletta; On the same program were the premiere performance's of Chen Yi's “Antiphony” for orchestra and Augusta Read Thomas's “Fantasy” for piano and orchestra (with piano soloist Sara Wolfensohn); 1997 - Morten Lauridsen: “Mid-Winter Songs” (final version) for chorus and orchestra, by the Los Angeles Master Chorale, John Currie conducting; Earlier versions of this work with piano and chamber orchestra accompaniment had premiered in 1981, 1983, and 1985 at various Californian venues; 2000 - André Previn: "Diversions," in Salzburg, Austria, by the Vienna Philharmonic, the composer conducting; Others 1742 - Jonathan Swift, Dean of St. Patrick's Cathedral in Dublin (and the author of "Gulliver's Travels"), objects to the cathedral singers taking part in performances of Handel's works while the composer is in that city (Gregorian date: Feb. 8); Rehearsals for the premiere performance of Handel's "Messiah" would begin in April of that year, involving the choirs of both Christ Church and St. Patrick's Cathedrals in Dublin; 1971 - William Bolcom completes his "Poltergeist" Rag (dedicated to Teresa Sterne, a one-time concert pianist who was then a producer for Nonesuch Records); According to the composer's notes, the "Poltergeist" Rag was written "in a converted garage next to a graveyard in Newburgh, N.Y." Links and Resources On Tavener

Rob Auber joins Brendan Delaney to recap Night 1 of the Summer Of Glory Carnival with the Group 1 Ballarat Pacing Cup the highlight before previewing today Geelong meeting

Rob Auber joined the program to talk all things Harness Racing, including a preview of today's meeting out at Hamilton.

Daniel Auber: Acteon: Overture Moravian Philharmonic Orchestra Dario Salvi, conductor More info about today's track: Naxos 8.574143 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

Rob Auber joins Racing Pulse to discuss the upcoming Country Cup circuit in the world of harness starting this weekend with a number of special guests Learn more about your ad choices. Visit megaphone.fm/adchoices

Rob Auber joins Dan Mielicki for Talking Trots with a look at Cranbourne last night and a preview of Hamilton today Learn more about your ad choices. Visit megaphone.fm/adchoices

Rob Auber joined Dan Mielicki to talk all things Harness racing, and in particular, a review of last night's Interdominion grand final's. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rob Auber joined Brendan Delaney to review night 3 of the Interdominion series, and also to preview the day of racing out at Echuca. Learn more about your ad choices. Visit megaphone.fm/adchoices

Programa dedicado a presentar obras del repertorio de música clásica creadas para el ballet.  Selección realzada por Carolina Valdés. Martes a las 12:00 hrs. en 95.1 FM y www.radioudec.cl

Rob Auber joined Brendan Delaney to talk all things harness racing, and preview the card out at Cranbourne. Learn more about your ad choices. Visit megaphone.fm/adchoices

They're here… again: Die „Sommerpause” ist rum, BLACK ADAM schon da und RHEINGOLD ein würdiger Kontrahent im Kampf um die „Powerglatzen-Krone”. Daneben haben Andi, Andre und Schröck Auber noch jede Menge weitere heiße Eisen im Feuer. Zum Beispiel BODIES, BODIES, BODIES oder PIGGY, die beide irgendwo (Teenie-)Horror sind, aber irgendwie auch nicht. Oder BROS und SEE HOW THEY RUN, die es mehr auf die Zwerchfelle ihrer Zuschauer abgesehen haben. Außerdem gibt es mit THE SOCIAL EXPERIMENT deutsche Genrekost und RADICAL DREAMER eine Doku über den deutschen Hollywood-Liebling Werner Herzog. Und für alle Freunde der Wiederaufführungen haben wir mit DIE NACHT DER LEBENDEN TOTEN und DIE KLAPPERSCHLANGE zwei schöne Klassiker für Halloween im Programm. Dazu kommen wie immer ein paar Mediatheken- und Streaming-Tipps, mit denen man sich zuhause ein paar schöne Stunden leisten kann. Dazu zählen unter anderem die fesselnd-bedrückende Geschichtsstunde ARGENTINA, 1985 oder der glorreiche BEYOND THE INFINITE TWO MINUTES, die beide bei Amazon Prime erhältlich sind. Netflix versucht derweil mit THE GOOD NURSE, WENDELL & WILD und gerade mit dem diesjährigen, deutschen Oscar-Beitrag IM WESTEN NICHTS NEUES zu punkten, während es RAYMOND & RAY ganz entspannt auf AppleTV+ angehen lassen. Noch hochwertiger, schräger oder stylischer ist allerdings das Online-Angebot der linearen Sender: so bietet die ARD zum Beispiel MELANCHOLIA an, während 3SAT zur Reise in DAS FINSTERE TAL einlädt. Und als wäre das nicht schon schön genug, haut ARTE wieder mal richtig raus, mit unter anderem BACURAU, MONSIEUR KILLERSTYLE und DER SEE DER WILDEN GÄNSE. And last but not least quatschen wir natürlich auch über alles mögliche rundherum. Also über das, was wir zuletzt gesehen haben, wie zB DRACULA UNTOLD, ANGST oder PUNISHER: WAR ZONE oder - wo sonst, wenn nicht hier - über ein paar Radiosender, die wir uns momentan gerne geben. In diesem Sinne: viel Spaß mit RADIO+. Und natürlich auch mit KINO+. Mögen Eure Watchlisten anständig gefüllt werden. Oder diese zwei Stunden hier wie im Flug vergehen. Mit Gruß und Kuss, KINOPLUS. Rocket Beans wird unterstützt von Chocomel.

Programa dedicado a presentar obras del repertorio de música clásica creadas para el ballet.  Selección realzada por Carolina Valdés. Martes a las 12:00 hrs. en 95.1 FM y www.radioudec.cl

V duhovnika je Franca Prelca leta 1962 posvetil škof Anton Vovk, to je bila tudi zadnja generacija, ki jo je posvetil. G. Franc je letos obhajal šestdeset let svoje duhovniške in pastoralne službe. Njegovi sadovi so izjemni, v rosnih letih se je posvečal pobožnosti v čast Mariji, je del gibanja Fokolarov, član Marijinega dela, pobudnik številnih projektov pri Karitas, deloval je v župnijah Tomaj, Auber, Rodik, Klanec, Draga, Podgorje, Škofije in Piran ter bil skoraj štirideset let župnik v Portorožu, kjer je v takrat zelo nenaklonjenih časih gradil cerkev, župnijski dom in začel z duhovnim turizmom. Zadnjih šestnajst let pa deluje v župniji Bertoki, pri sv. Antonu, kjer so prav tako vidni številni njegovi sadovi. Človek, ki je imel vedno odprta vrata svojega domovanja in predvsem srce za soljudi, za trpeče na obrobju in za pogreznjene v pekel zasvojenosti, saj je ob vzoru italijanskega duhovnika Don Pierina ustanovil Skupnost Srečanje in več komun v pomoč dekletom in fantom iz primeža drog, tudi alkohola, po Sloveniji.

Certaines photos marquent les esprits. Au point de devenir des clichés culte. C'est le cas de la célèbre photo montrant Jacques Chirac enjambant un tourniquet d'une station du métro parisien. Mais quelle est l'origine de ce cliché ?Un homme politique qui saute les barrièresNous sommes le 5 décembre 1980. Un homme en costume se présente devant l'un des tourniquets de la station de métro Auber, à Paris. Il hésite un instant, puis décide de passer par dessus en l'enjambant.Cet homme, c'est Jacques Chirac. Il est maire de Paris depuis plus de trois ans. Il est venu dans le métro pour inaugurer une exposition de photos. Et c'est un photographe de l'Agence France-Presse qui immortalise la scène.Dès la publication de la photo, les commentaires fusent. Personne ne pense sérieusement que l'ex Premier ministre a voulu resquiller. Mais certains voient dans ce geste un symbole : celui d'un homme audacieux, décidé à tout pour atteindre ses objectifs politiques.Pour eux, la photo montre aussi un homme dénué de préjugés, et toujours prêt à se "débrouiller" avec les moyens du bord. D'autres saluent la prouesse physique chez un homme qui, deux ans auparavant, avait été victime, dans ses terres de Corrèze, d'un grave accident de voiture.Le maire de Paris ne prenait jamais le métroMais que se cache-t-il vraiment derrière ce célèbre cliché ? Comme l'indique le photographe qui l'a pris, la vérité est toute simple.D'après lui, Jacques Chirac, comme de nombreux hommes politiques, n'empruntait pas les transports en commun. De ce fait, il ne connaissait pas le fonctionnement du métro. Il ne savait donc que faire de son ticket.Le directeur de la RATP, qui accompagnait le maire dans sa visite, l'a donc glissé pour lui dans le portique. Seulement Jacques Chirac ignorait qu'il fallait le reprendre pour que le portillon s'ouvre.Comme il ne l'a pas fait, le tourniquet ne s'est pas abaissé. Pensant peut-être que le portillon était en panne, Jacques Chirac a donc trouvé plus expédient de l'enjamber. Ce qui était d'ailleurs bien dans sa nature d'homme dynamique et un peu pressé. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Certaines photos marquent les esprits. Au point de devenir des clichés culte. C'est le cas de la célèbre photo montrant Jacques Chirac enjambant un tourniquet d'une station du métro parisien. Mais quelle est l'origine de ce cliché ? Un homme politique qui saute les barrières Nous sommes le 5 décembre 1980. Un homme en costume se présente devant l'un des tourniquets de la station de métro Auber, à Paris. Il hésite un instant, puis décide de passer par dessus en l'enjambant. Cet homme, c'est Jacques Chirac. Il est maire de Paris depuis plus de trois ans. Il est venu dans le métro pour inaugurer une exposition de photos. Et c'est un photographe de l'Agence France-Presse qui immortalise la scène. Dès la publication de la photo, les commentaires fusent. Personne ne pense sérieusement que l'ex Premier ministre a voulu resquiller. Mais certains voient dans ce geste un symbole : celui d'un homme audacieux, décidé à tout pour atteindre ses objectifs politiques. Pour eux, la photo montre aussi un homme dénué de préjugés, et toujours prêt à se "débrouiller" avec les moyens du bord. D'autres saluent la prouesse physique chez un homme qui, deux ans auparavant, avait été victime, dans ses terres de Corrèze, d'un grave accident de voiture. Le maire de Paris ne prenait jamais le métro Mais que se cache-t-il vraiment derrière ce célèbre cliché ? Comme l'indique le photographe qui l'a pris, la vérité est toute simple. D'après lui, Jacques Chirac, comme de nombreux hommes politiques, n'empruntait pas les transports en commun. De ce fait, il ne connaissait pas le fonctionnement du métro. Il ne savait donc que faire de son ticket. Le directeur de la RATP, qui accompagnait le maire dans sa visite, l'a donc glissé pour lui dans le portique. Seulement Jacques Chirac ignorait qu'il fallait le reprendre pour que le portillon s'ouvre. Comme il ne l'a pas fait, le tourniquet ne s'est pas abaissé. Pensant peut-être que le portillon était en panne, Jacques Chirac a donc trouvé plus expédient de l'enjamber. Ce qui était d'ailleurs bien dans sa nature d'homme dynamique et un peu pressé. Learn more about your ad choices. Visit megaphone.fm/adchoices

Find Joy During The Pandemic by Auber by 826 Valencia's Message in a Bottle

En 1731, Antoine Françoise Prévost, conocido como el Abate Prévost, escribió una novela que presentaría a uno de los personajes clave de la cultura occidental: la irresistible pero peligrosa Manon Lescaut se convertiría en el deseo más profundo y simultáneamente en la condena del joven caballero Des Grieux. De esta manera, una de las "femme fatale" más importantes de la literatura comenzaba su andanza, que continuará en el mundo de la ópera durante el siglo XIX. En la sección de hoy, analizamos tres óperas sobre esta historia: el primer intento de Daniel-François Auber, la obra maestra de Jules Massenet, y la ópera que confirmaría a Giacomo Puccini como el gran heredero de la ópera italiana. Todo con una dosis de humor, que siempre hace falta.

Chaque jeudi soir à partir de 18h sur BFM PARIS, une femme ou un homme politique d'Ile-de-France est l'invité spécial de BFM PARIS pour répondre aux questions de Marguerite Dumont.

Catch up on the Tuesday Tutorial with Jason Bonnington catching up with Rob Auber to discuss his career in racing!

Catch up on Rob Auber's chat with Toby McKinnon on Wednesday Trackside

Synopsis Many good things come in threes – at least William Bolcom seems to think so. On today's date in 1971, in a converted garage next to a graveyard in Newburgh, New York, American composer and pianist William Bolcom put the finishes touches to the second of three piano pieces he collectively titled “Ghost Rags.” “Ghost Rag” No. 2 was titled “Poltergeist” and dedicated to Tracey Sterne, who at that time was a dynamic record producer at Nonesuch Records.  In her youth Sterne pursued a career as a concert pianist, but in the 1960s and 70s was responsible for assembling the Nonesuch label's astonishingly diverse catalog of old, new and world music.   “Ghost Rag” No. 3, titled “Dream Shadows,” was described by Bolcom as a “white rag” which evoked “the era of white telephones and white pianos” and “was in the white key of C Major.” Bolcom dedicated this rag to his fellow composer, William Albright. And Bolcom's ‘Ghost Rag” No. 1, which has proved to be the most popular of the three, was titled “Graceful Ghost.”  Bolcom dedicated this music to the memory of his father, whose benign spirit Bolcom said he often felt hovering around his piano while he played at night. Music Played in Today's Program William Bolcom (b. 1938) — Graceful Ghost Rags (Paul Jacobs, piano) Nonesuch 79006 On This Day Births 1791 - French opera composer Louis Joseph F. Herold, in Paris; 1898 - Italian-American composer Vittorio Rieti, in Alexandria, Egypt; 1944 - British composer Sir John Tavener, in London; Deaths 1935 - Russian composer Mikhail Ippolitov-Ivanov, age 75, in Moscow; 1947 - Venezuelan-born French composer Reynaldo Hahn, age 72, in Paris; Premieres 1725 - Bach: Sacred Cantata No. 92 ("Ich hab in Gottes Herz und Sinn") performed on Septuagesimae Sunday after Epiphany as part of Bach's second annual Sacred Cantata cycle in Leipzig (1724/25); 1828 - Schubert: Piano Trio in Bb, Op. 99 (D. 898), at a private performance by Ignaz Schuppanzigh (violin), Josef Linke (cello), and Carl Maria von Bocklet (piano); 1830 - Auber: opera "Fra Diavolo" in Paris at the Opéra-Comique; 1876 - Tchaikovsky: "Serenade mélancolique" for violin and orchestra, in Moscow (Julian date: Jan. 18); 1897 - Glazunov: Symphony No. 5, in London; 1915 - Ravel: Piano Trio in a, in Paris, by Gabriel Wilaume (violin), Louis Feuillard (cello), and Alfredo Casella (piano); 1916 - Granados: opera "Goyescas," at the Metropolitan Opera in New York; 1927 - Copland: Piano Concerto, by the Boston Symphony conducted by Serge Koussevitzky, with the composer as soloist; 1941 - Copland: "Quiet City," at Town Hall in New York City by the Little Symphony conducted by Daniel Saidenberg; This music is based on incidental music Copland wrote for Irwin Shaw's play of the same name produced by the Group Theater in New York in 1939; 1944 - Bernstein: Symphony No. 1 ("Jeremiah"), at the Syria Mosque in Pittsburgh by the Pittsburgh Symphony conducted by the composer, with mezzo-soprano Jennie Tourel as vocal soloist; 1972 - Scott Joplin: opera "Treemonisha" (orchestrated by T.J. Anderson), in Atlanta; 1990 - Joan Tower: Flute Concerto, at Carnegie Hall in New York, with soloist Carol Wincenc and the American Composers Orchestra, Hugh Wolff, conducting; 1995 - Elinor Armer: “Island Earth” (to a text by Sci-Fi writer Usula K. Le Guin), at the University of California, Berkeley, by the various San Francisco choirs and the Women's Philharmonic, conducted by JoAnn Falletta; On the same program were the premiere performance's of Chen Yi's “Antiphony” for orchestra and Augusta Read Thomas's “Fantasy” for piano and orchestra (with piano soloist Sara Wolfensohn); 1997 - Morten Lauridsen: “Mid-Winter Songs” (final version) for chorus and orchestra, by the Los Angeles Master Chorale, John Currie conducting; Earlier versions of this work with piano and chamber orchestra accompaniment had premiered in 1981, 1983, and 1985 at various Californian venues; 2000 - André Previn: "Diversions," in Salzburg, Austria, by the Vienna Philharmonic, the composer conducting; Others 1742 - Jonathan Swift, Dean of St. Patrick's Cathedral in Dublin (and the author of "Gulliver's Travels"), objects to the cathedral singers taking part in performances of Handel's works while the composer is in that city (Gregorian date: Feb. 8); Rehearsals for the premiere performance of Handel's "Messiah" would begin in April of that year, involving the choirs of both Christ Church and St. Patrick's Cathedrals in Dublin; 1971 - William Bolcom completes his "Poltergeist" Rag (dedicated to Teresa Sterne, a one-time concert pianist who was then a producer for Nonesuch Records); According to the composer's notes, the "Poltergeist" Rag was written "in a converted garage next to a graveyard in Newburgh, N.Y." Links and Resources On William Bolcom

Marco Catenacci, Francesco Ruzzier e Alan Viezzoli presentano ABCinema con Blow Out.Nel 2001, l'Odissea non è nello spazio, ma nelle sale cinematografiche di tutta Italia: dopo aver fatto appassionare migliaia di giovani lettori, il 6 dicembre usciva infatti Harry Potter e la Pietra filosofale, l'adattamento del primo romanzo di J.K Rowling dedicato a quello che in brevissimo tempo diventerà il mago più famoso del mondo. Senza troppi giri di parole, il film di Chris Columbus è il punto di svolta di un'intera generazione, la quale, grazie all'universo di Harry Potter modificherà profondamente costumi e consumi, ma anche il senso stesso di appartenenza al fandom. È l'inizio della Potter Mania, un terremoto culturale che, quasi in contemporanea con la trilogia dell'anello di Peter Jackson, rappresenta la prima grande saga-evento del nuovo millennio, l'iniziazione fantastica ad un mondo di cui oggi, a distanza di 20 anni, ancora celebriamo i personaggi e la mitologia. In quel film però, i maghi non erano soltanto quelli che comparivano sullo schermo, ma anche tutto il team degli effetti speciali, chiamato a dare una forma e un'immagine alle mirabolanti pagine del romanzo. Tra questi c'era anche Daniele Auber, triestino emigrato a Londra alla corte del Jim Henson Creature Shop, che si è ritrovato a mettere le mani sulle creature incantate dell'universo inventato da JK Rowling. In questa magica puntata di ABCinema con Blow Out, avremo l'onore e il piacere di parlare proprio con Daniele Auber, e cercheremo di scoprire quali sono i momenti più importanti della sua formazione e della sua carriera, come è riuscito a trovare le chiavi per entrare nel mondo di Harry Potter e cosa ricorda, oggi, di quell'esperienza, ma discuteremo anche di effetti speciali digitali e della creazione della meraviglia nel cinema. Per noi Babbani di tutto il mondo, è arrivato il momento di credere nuovamente nella magia: iniziamo.

Os Caminhos de Santiago são os percursos dos peregrinos que vão em direção a Santiago da Compostela, embora grande parte das pessoas que fazem o Caminho como peregrinação, atualmente O Caminho tornou-se também um itinerário espiritual e cultural, que é percorrido por dezenas ou centenas de milhares de pessoas todos os anos. Conversamos com a Silvana e o Auber, um casal de brasileiros que fizeram esse trajeto e dividiu conosco suas experiências e claro deram algumas dicas para quem pretende um dia percorrê-lo. #### LINKS RELACIONADOS - [Página Histórias da Viagem](https://facebook.com/historiasdaviagem) - [Instagram Histórias da Viagem](https://instagram.com/historiasdaviagem) ## COMO VOCÊ PODE NOS AJUDAR - Compartilhando o nosso conteúdo. - Apoiando o nosso projeto: https://viaja.link/apoie - Ou, mandando um Pix para pix@viajacast.com.br ## ONDE VOCÊ PODE NOS ENCONTRAR - Grupo do Telegram: https://viaja.link/grupo - YouTube: https://viaja.link/youtube - Instagram Mak & Manu: https://viaja.link/mak_e_manu - Instagram do ViajaCast: https://viaja.link/instagram - Portal do ViajaCast: https://viaja.link/site ## ESTAMOS EM TODAS AS PLATAFORMAS - Amazon Music: https://viaja.link/plataformas/amazon-music - Apple Podcasts: https://viaja.link/plataformas/apple-podcasts - Blubrry: https://viaja.link/plataformas/blubrry - Breaker: https://viaja.link/plataformas/breaker - Bullhorn: https://viaja.link/plataformas/bullhorn - Castbox: https://viaja.link/plataformas/castbox - Deezer: https://viaja.link/plataformas/deezer - Google Podcasts: https://viaja.link/plataformas/google-podcasts - Overcast: https://viaja.link/plataformas/overcast - Player FM: https://viaja.link/plataformas/playerfm - Pocket Casts: https://viaja.link/plataformas/pocket-casts - Podcast Addict: https://viaja.link/plataformas/podcast-addict - Podchaser: https://viaja.link/plataformas/podchaser - RadioPublic: https://viaja.link/plataformas/radiopublic - SoundCloud: https://viaja.link/plataformas/soundcloud - Spotify: https://viaja.link/plataformas/spotify - Stitcher: https://viaja.link/plataformas/stitcher - TuneIn: https://viaja.link/plataformas/tunein - Vurbl: https://viaja.link/plataformas/vurbl - RSS Feed: https://feed.viaja.link ##### APOIADORES DESSE EPISÓDIO

Pittsburgh Ballet Theater presents their season premiere at the Benedum Center October 22-24 with the PBT Orchestra conducted by Charles Barker. Artistic Director Susan Jaffe, in her first in theater extravaganza, joins company star Diana Yohe who is alone onstage when the curtain goes up. The dancers will present new and old with Jennifer Archibald and Helen Pickett, "Diamonds" from George Balanchine, hip hop, a Grand pas clasique set to music by Auber, there's Philip Glass to dance to, tutus and modernist moves all in an evening. Diana and Susan give the strongest possible case for why you should be in the theater but there is an online option for ticket holders who can't appear in person. They also reflect on Mick Jagger's moves in his recent visit to Pittsburgh and his American Ballet Theater muse Melanie Hamrick in this conversation recorded October 18th by Zoom from the Ballet headquarters in the Strip District.

Rosman Middle School Music teacher Hazel Ketchum reads chapter 2 of Nubby's Story.

Masaniello, o La muda de Portici (título original en francés, Masaniello, ou La Muette de Portici) es una ópera en cinco actos del compositor francés Daniel-François Auber, a partir de un libreto de Germain Delavigne, revisado por Eugène Scribe, que se convertiría en el colaborador habitual de Auber. La obra tiene un importante lugar en la historia de la música, ya que generalmente se considera que es la primera grand opéra francesa.

Synopsis Many operatic works have been described as “revolutionary,” but on today's date in 1830, a performance of an opera helped to spark a real, take-to-the-streets kind of revolution. The opera in question was by the French composer Daniel Auber, and entitled La Muette di Portici, or “The Mute Girl of Portici.” The opera's story concerns a 17th century uprising by some patriots in Naples against their Spanish rulers ends with an erupting Italian volcano. On today's date in 1830 it was being staged at the Theatre La Monnaie in Brussels, a country then under the control of the Dutch. The opera's story of evil occupiers and patriotic rebels must have touched a raw nerve in many in the Belgian audience. Upon hearing the line in the opera: "a slave knows no danger, as death is better than living in chains," some in the audience began a demonstration against the hated Dutch authorities. The demonstration grew more and more heated, and then, just like the volcano in Auber's opera, erupted out of the theater and into the streets. Symbols of Dutch authority were attacked, a new provisional government was formed, and by November that same year Belgium had declared its independence. Music Played in Today's Program Daniel Auber (1782-1871) — La Muette de Portici (soloists; Monte Carlo Philharmonic; Thomas Fulton, cond.) EMI 49248

Rob Auber and Adam Hamilton discuss the biggest talking points in Harness Racing and also the best performances of the weekend.

Gareth Hall and Rob Auber discuss the biggest talking points in Harness Racing and also the best performances of the weekend.

Adam Hamilton and Rob Auber joined RSN Central to talk birthdays, Bendigo highlights and the Rising Sun - what a race!

Adam Hamilton, Rob Auber & Gareth Hall talk about the Queensland Carnival, Shockwave aiming at the Victoria Cup & review Melton also joined by Veteran harness hoop Brian Gath after riding a winner at the ripe age of 76 on Saturday night

Adam Hamilton and Rob Auber joined RSN Central to talk McCarthy's Queensland raid, Shockwave, Alford's emotional win with Sleepee and more, on Gait Speed.

Adam Hamilton and Rob Auber join Gareth Hall to talk Chris Alford's driving masterclass, King Of Swing's return, the WA raiders planning a Victoria Cup assault and more, on Gait Speed.

Starring Mariella Devia.