Podcasts about I Hope You Dance

Bienvenidos y bienvenidas a una nueva aventura. Con el comienzo con Katty Matea en enero, se cumplieron 40 años del lanzamiento de su segundo álbum, From My Heart. Después nos hemos trasladado al año 1987 con Emmylou,Dolly y Linda, el álbum Trio. Después hemos recordado una de esas buenas canciones que escribió Paul Anka y que llevó al éxito Buddy Holly y que Vince Gill incluyó en su álbum The Way Back Home. Hemos recordado otra canción,Lord ,Hope This Day Is Good, que la llevó al número uno Don Williams y que Lee Ann Womack la incluyó en su álbum I Hope You Dance. Melba Mongomery, protagonista también del programa, nos dejó el pasado 15 de enero y, cómo no, Filipo Marco, que nos acompaña con una de sus canciones favoritas, y terminaremos con el álbum que han lanzado Mary Chapin Carpenter,Julie Fowlis y Karine Polwart, For The Thread, el título del álbum, como siempre, con un poco de todo. Espero os guste.

Intro song: I Hope You Dance by Lee Ann WomackAlbum 12: Spirit by JewelSong 1: What's Simple is TrueSong 2: Fat BoySong 3: BarcelonaAlbum 11: Some Hearts by Carrie UnderwoodSong 1: Lessons LearnedSong 2: Starts with GoodbyeSong 3: I Just Can't Live a Lie

Dr. April Dominick // #ICEPelvic // www.ptonice.com  In today's episode of the PT on ICE Daily Show, #ICEPelvic faculty member April Dominick unpacks the one emotion you are underutilizing during client sessions: “Awe”. In this episode, she defines awe, discusses benefits of experiencing awe both as a provider and client and gives examples of how to spark awe during PT sessions. Take a listen to learn how to better serve this population of patients & athletes or check out the full show notes on our blog at www.ptonice.com/blog. If you're looking to learn more about our live pregnancy and postpartum physical therapy courses or our online physical therapy courses, check our entire list of continuing education courses for physical therapy including our physical therapy certifications by checking out our website. Don't forget about all of our FREE eBooks, prebuilt workshops, free CEUs, and other physical therapy continuing education on our Resources tab. Are you looking for more information on how to keep lifting weights while pregnant? Check out the ICE Pelvic bi-weekly newsletter! EPISODE TRANSCRIPTION INTRODUCTION Hey everyone, this is Alan. Chief Operating Officer here at ICE. Before we get started with today's episode, I want to talk to you about VersaLifts. Today's episode is brought to you by VersaLifts. Best known for their heel lift shoe inserts, VersaLifts has been a leading innovator in bringing simple but highly effective rehab tools to the market. If you have clients with stiff ankles, Achilles tendinopathy, or basic skeletal structure limitations keeping them from squatting with proper form and good depth, a little heel lift can make a huge difference. VersaLifts heel lifts are available in three different sizes and all of them add an additional half inch of drop to any training shoe, helping athletes squat deeper with better form. Visit www.vlifts.com/icephysio or click the link in today's show notes to get your VersaLifts today. APRIL DOMINICK What is up everyone? Happy holidays and welcome to the PT on an ice daily show. My name is Dr. April Dominic. I am with the pelvic faculty today. I'm hopping on to talk about the craft of sparking awe via PT. So what is awe? We'll talk about what it is. We'll talk about the benefits, and then I'll give you some examples of how to spark awe during your physical therapy sessions. DEFINING AWE First off, let's define it. Researchers define awe as the feeling that occurs when you encounter something unexpected, something vast, something extraordinary. And this emotion awe can come across the gamut of types of emotions. It can be positive in the sense of inducing pleasure. It can be neutral in the sense of inducing connection. and it can be negative in the sense of having some sort of uncertainty about it. With awe, what it tends to do is it diminishes the focus on the self and instead reflects it to the collective. So folks tend to be a little more concerned about others, about the grand scheme, about the collective versus themselves. And often people think of awe as if it's this vast, physical, massive thing that has to happen, like seeing the view of earth from space. It can actually be that, but also be something a little smaller or a little more emotionally dense. Some examples of awe, there are so many, we'll go through a few. Awe can be the emotion that's emitted when an orchestra finally reaches that crescendo during a long drawn-out musical phrase. It can also be something very impactful from a social perspective, such as, do y'all remember when we used to clap for the healthcare workers during quarantine around 8 p.m. That was something that was happening across the world that was just very unison in nature. And it can be the sting of a slam dunk of the opposing team with two seconds to go, resulting in a loss during a basketball game. I have a few instances of awe that I'm reflecting on from my personal life, Uh, and one is a couple of years ago, I had the opportunity to say goodbye to my friend from physical therapy school just three hours before she died. And that was a very powerful, impactful way of feeling off for myself in contrast with a very natural, big phenomenon that I got to experience this past year. I was in Iceland chasing the Northern lights. And I just wasn't successful with that. I finally came home and, uh, draw drew the curtains on my Airbnb just one more time at 2 a.m. And lo and behold, above me was this incredible, incredible feat of nature of dancing Northern lights, just neon greens and soft pinks. So vibrant right over my Airbnb. And it was, it was just so incredible. And then it can be something smaller. Like yesterday I was taking a walk in the Texas Hill Country neighborhood and I looked up and across from me just yards away were two brown and white stags just majestic and staring at one another. So those are some examples of awe. They can be big, they can be small. THE PURPOSE OF AWE And what is the purpose of awe? The purpose is to pause. It's to allows time to slow down and to allow us to reflect on understanding an event that just happened to us. So how do we express awe? I want you to know how we express awe so that you can identify it during your physical therapy sessions. We do so via language. Wow. Ooh. Or some might say, oh, that was awesome. or I'm awestruck. We do so with verbalization of wonder. We may, after witnessing an incredible event or listening to a heartwarming story of one of our clients saying, I was finally able to lift my grandkid after having shoulder surgery and I did it with no pain. We may express awe via emotions. It can be tons of tears or, um, laughter or goosebumps even. And we also do so via facial expressions. So it might be a jaw drop or eyes widening. Eyebrows lifting, these are all things you may encounter, see folks do in your physical therapy sessions. And that is something that you can do as well with your own expressions and reactions to them. According to the research team Cohen et al, awe is a universal expression that is distinct from 50 other emotions. And it is also present across 144 different cultures. They, in one study, they looked at 2 million videos of people watching fireworks and individuals seem to express awe in similar forms. THE BENEFITS OF AWE So why is awe beneficial? There are so many benefits to the emotion awe. Mentally, it induces a sense of calm. It reduces anxiety and depression. And per researcher, Dr. Keltner, he has suggested that awe also has a role in the grieving process. This can be grieving of a human, of a pet, or even of a body part, if someone's had an injury or a surgery, or maybe even time, thinking of the postpartum individual who may be grieving her pre-partum self. Physically, awe can show up and it's beneficial from a physical sense in terms of it dials down the fight or flight response. It can increase cardiovascular health and longevity. And then on a transcendental level, the emotion awe helps us feel part of something larger than ourselves. We think of this from our clients perspective in the sense of some of our clients come in and they let their diagnosis just identify them, right? They come in and they're like, well, my fibromyalgia, yada, yada, yada. Right. And they are just blaming everything and, and saying that their existence is due to fibromyalgia. and that is going to get them to perseverate on their injury or their condition. Awe or practicing awe would be an awesome thing for them to do just so that they can kind of step out, zoom out and look at the collective and take the instance of focusing on their own injury or condition away. We can also think about it from what we do on a day to day. We are sitting there listening and working with all different kinds of individuals right then and there. We as clinicians are practicing awe as well as we're focusing on others, not ourselves. And I think that this can maybe even help us with our burnout in our profession. Just remembering and reflecting on those instances of awe. HOW TO SPARK AWE So let's discuss how we can spark awe in our PT sessions through our environment and through our interactions. From the environment standpoint, awe can be induced by just even the music that you're playing. Music has an incredible power in the sense that sound waves activate the vagus nerve. It activates our dopamine a regulation or reward system. It lowers cortisol. So just by turning on music that brings you or inspires all in you or asking the client, Hey, what kind of tunes can I put on for you? And then decorating your clinic with maybe pictures or, um, pieces that represent bring us like, uh, photos of scenes from your travels or photos of your pets, your family, your dogs, all of that can induce awe and help in the client environment overall. And then finally, interactions that we have in our PT sessions via assessments and treatments. I've got a few here. So the first, we can inspire awe by our reactions during session, whether that's a concerned jaw drop or those widened eyes or even dropping a verbal phrase for the client. Since they've said, oh my gosh, I've just started exercising so much now, my frequency has increased. I went and bought that 50 pound kettlebell that you suggested and we can give them praise. and inspire awe in that way. Also, we can use our senses as a gateway to experiencing or expressing awe. With the exception of taste, we tend to utilize all of our senses in our PT sessions. Hearing, we actively are listening to our clients as they share their stories. sight, we're watching them and helping and suggesting different movement patterns for them. We are touching them via palpation, via assessment, via our manual therapy skills. And smell, that may be just for our wound care colleagues. And then in terms of treatments for patients, you can suggest all practices, We can play games during our sessions or encourage them to play games. This is going to ignite that childhood sense of wonder. Every time I think of sense of wonder, I'm thinking of Leanne Ryan's, I Hope You Dance or Leanne Womack. It might be Leanne Womack. She says at the very beginning of her song, I hope you never lose your sense of wonder. And then another lyric is, I hope you still feel small when you stand beside the ocean. All of that reminds me of awe and wonder. So we can tap into our childhood feelings of discovery with our clients and encourage them to do so as well. And then we can suggest all walks. This is something where, you know, maybe we're doing fitness outside of the clinic or we're asking them to do their rehab emoms outside because maybe they'll hear the birds chirping, cute birds chirping, or maybe they'll see a new bloom in their garden from a flower. just different ways to bring out awe. And then we can also use awe as a meditation or mindfulness supplement. In case you want any other resources or you want to dive deeper into the research on awe, check out Dr. Keltner's book on awe, the new science of everyday wonder and how it can transform your life. So to sum up today, we can't all fly to space and take a bird's eye view of earth to experience awe, but there is everyday awe around us, even in the clinic. Awe is an emotion that's extraordinary. It removes focus from the self. and transfers it towards the collective from an emotional bit standpoint, like supporting a client's aha moment when they're saying, Oh my gosh, I think my pelvic pain and my urinary urgency are related to that episode of abuse that I had. Or when a, when we as a PT break down a client's thought virus that they think lifting heavy will result in injury. And then in that very same session, both the client and ourselves experience awe when that client cranks out 12 deadlifts at 80% one rep max, feeling no pain. And they thought they'd never be able to do this because of their bum knee. Awe is perceptible in each of your PT sessions, whether it's with a new client or with someone you've seen for years. Remember, how do we increase awe? We can do so through increasing our own awareness of all happening throughout our sessions. We can do so through facial expressions, watching someone's body language, through the words we say. And remember to use your senses. And we also can encourage folks to utilize awe and seek and appreciate awe inside and outside the clinic. This is all going to help with increasing their mental and physical well-being. So I'm faculty with the Pelvic Division here at ICE, and we have so many offerings that we'd love to see you get some awestruck education with. We've got our weekend live courses starting January 13th and 14th in Raleigh, North Carolina, and January 27th and 28th in Hendersonville, Tennessee. We'd love to see you live or at any of our online offerings, head to beauty on ice.com to check those out. I hope y'all have a wonderful holiday and experience large doses of awe this week. And as you ring in the new year with those fireworks display, know that folks all over the world are expressing similar instances of awe, just like you take care y'all. OUTRO Hey, thanks for tuning in to the PT on Ice daily show. If you enjoyed this content, head on over to iTunes and leave us a review, and be sure to check us out on Facebook and Instagram at the Institute of Clinical Excellence. If you're interested in getting plugged into more ice content on a weekly basis while earning CEUs from home, check out our virtual ice online mentorship program at ptonice.com. While you're there, sign up for our Hump Day Hustling newsletter for a free email every Wednesday morning with our top five research articles and social media posts that we think are worth reading. Head over to ptonice.com and scroll to the bottom of the page to sign up.

Thank you for the love and support you've shown us in light of Alain's passing. If you want to make a donation in Alain's memory, his family suggested they be made to the following organizations: Family Defense Practicum at Main Street Legal Services (write "Family Defense Practicum" in the Additional Comments section) Anseye Pou Haiti Haitian Education Leadership Program Typically, we close the year with our Wild Prognostications year in review, instead, we just wanted to leave you with a light-hearted episode to counter the heaviness with a bit of whimsy. When did we stop inventing sports? This episode, Aaron, Joey, and Jess talk about Cher, sports, spectators, Esports, cyberwarfare, and The Ocho. They don't talk about the Techno Parrot. references I Hope You Dance with the Scatman Echolalia Channeling Emerson Future Tense Fiction: Stories of Tomorrow Battlestar Galactica's Pyramid Pickleball Quidditch (real-life sport) Mayan Ball Game Calvinball Jai alai Armada by Ernest Cline Ender's Game by Orson Scott Card ESPN8 The Ocho блядь North Figueroa Bookshop This Is Why They Hate Us by Aaron H. Aceves The Player of Games by Iain M. Banks Thank U 

Instrumental " I Hope You Dance "Written By : Mark D. Sanders & Tia Sillers. First released 2000Producer Renee plays her rendition on Piano + GuitarSing Along !Here are the lyrics: I hope you never lose your sense of wonderYou get your fill to eat but always keep that hungerMay you never take one single breath for grantedGod forbid love ever leave you empty handedI hope you still feel small when you stand beside the oceanWhenever one door closes I hope one more opensPromise me that you'll give faith a fighting chanceAnd when you get the choice to sit it out or dance .......I hope you danceI hope you dance I hope you never fear those mountains in the distanceNever settle for the path of least resistanceLivin' might mean takin chances, but they're worth takin"Lovin" might be a mistake, but it's worth makingDon't let some hellbent heart leave you bitterWhen you come close to selling' out reconsiderGive the heavens above more that just a passing glanceAnd when you get the choice to sit it out or danceDanceI hope you dance DanceVoiceRenee@charter.net

WTOP Entertainment Reporter Jason Fraley interviews Lee Ann Womack as today marks the 25th anniversary of her album “Some Things I Know" (1998), which delivered county hits like “A Little Past Little Rock” and “I'll Think of a Reason Later," teeing up the success of her next album “I Hope You Dance.” They spoke in 2015 to preview that night's CMA Awards, as well as her performance at The Birchmere in Alexandria, Virginia. (Theme Music: Scott Buckley's "Clarion") Learn more about your ad choices. Visit podcastchoices.com/adchoices

WTOP Entertainment Reporter Jason Fraley interviews Lee Ann Womack as today marks the 25th anniversary of her album “Some Things I Know" (1998), which delivered county hits like “A Little Past Little Rock” and “I'll Think of a Reason Later," teeing up the success of her next album “I Hope You Dance.” They spoke in 2015 to preview that night's CMA Awards, as well as her performance at The Birchmere in Alexandria, Virginia. (Theme Music: Scott Buckley's "Clarion") Learn more about your ad choices. Visit megaphone.fm/adchoices

Mourning to Dancing The post I Hope You Dance appeared first on Andre Mitchell Ministries.

Mourning to Dancing The post I Hope You Dance appeared first on DELIVERANCE TEMPLE.

Is love blind? In this episode, we do a deep dive review of Netflix's Love Is Blind Season 4. We investigate who the real villain of the season was, debate depictions of Black love on reality television, discuss the many rumors swirling about the cast (Kwame's fake sisters?!), and underscore the cultural significance of Lee Ann Womack's "I Hope You Dance." To stay up to date on all things SWW: Follow @SistersWhoWatch on all social media channels (⁠⁠Instagram⁠⁠, ⁠⁠TikTok⁠⁠, ⁠⁠Twitter⁠⁠, ⁠⁠LinkedIn⁠⁠) Subscribe to our ⁠⁠YouTube⁠⁠ channel Check out our ⁠⁠website⁠⁠ and fill out the contact information form What should we watch next? Email us at ⁠⁠sisterswhowatch@gmail.com⁠⁠ or DM us on ⁠⁠Instagram⁠⁠ with your suggestions. Thank you for listening and we appreciate your support! Please rate, subscribe, download, share, and leave us a review :)

Strap in folks. It's time for another COVER WARS!!

Subscribe now (00:12) What you need to know (00:58) “Rust” will start up production again today (01:41) Annoying things people base their whole personality around (07:53) This is MORBID – find out when/how you're gonna die! (11:52) You can tell someone is good in bed by looking at THIS (15:22) Useless Question – 30% of people choose to sleep in THIS when they can't sleep in their bed (20:21) Therapy Thursday (27:22) What you need to know (28:06) A DJ ruined a proposal at a wedding + he's being called a hero (28:43) Thousand Dollar Minute (33:02) Therapy Thursday continues (38:21) Lee Ann Womack's song, “I Hope You Dance” is trending because of “Love Is Blind” (40:05) How much are we getting done while working from home? (41:57) What we learned today

My mom's message to me "I Hope You Dance". Mom. I have not only danced. I have flown.

A survivor of a bombing that killed four children at the 16th Street Baptist church in Birmingham, Ala., nearly 60 years ago spoke at Poplar Hill Missionary Baptist Church in Buford this weekend. Sarah J. Collins-Rudolph was a young girl who was at 16th Street Baptist with her sister, Addie Mae Collins, on September15, 1963 when a bomb placed at the African-American church by the Ku Klux Klan exploded. Collins-Rudolph shared her story on Sunday as part of Black History Month observations at the church. The 16th Street Baptist Church bombing is one of the most notorious incidents in the Civil Rights movement of the 1960's. Collins-Rudolph survived the blast although she lost her right eye as a result of her injuries. Her sister, however, was one of four girls who were killed by the explosion. The FBI considered the bombing to be “a most heinous offense” and gathered evidence with as many as 36 agents working on the case at one point. The first 100 customers at Japanese cream puff restaurant chain Beard Papa's newest location in Duluth will receive a free gift when the pastry shop opens later this week. Beard Papa's is set to open its new location at 3350 Steve Reynolds Blvd, Suite 103 in unincorporated Duluth at 10 a.m. on February 25 It will be the pastry chain's third location in Georgia, and its second in Gwinnett County. Its first location in the state opened in Peachtree Corners' Town Center district a few years ago. There is an additional location in Sandy Springs. The first 100 people who show up at Beards Papa's Duluth on the 25th will receive a special gift. Popular local foodie influencers and neighboring business owners are scheduled to make appearances on the opening day. There will also be grand opening day offers. Beard Papa's lets customers choose from one of eight different types of puff shells, and then chose a cream filling that is inserted in the shell in front of them. The chain also has cheesecake, chocolate fondant, other types of pastries, and exclusive blended drinks on its menu. This year's Georgia baseball team has a chance to be special, and you can sense that from each player who speaks confidently about the upcoming 2023 season.  North Gwinnett grad Corey Collins, a 6-foot-3, 220-pound junior catcher for the Bulldogs this season, knows it too.  In his first two seasons, Collins has blasted a combined 19 home runs with 20 doubles and 74 RBIs in 110 games. In 2022, he posted a .994 fielding percentage with 160 putouts and 17 assists in 57 games. A criminal justice major, Collins has made the SEC Academic Honor Roll, too. Now as an upperclassman, he's ready to take the field in a new role. Along with seeing time at catcher and designated hitter, Collins will play in the outfield this season for the first time in his Bulldog career. Collins is one of two Bulldogs on this year's team to be named among Baseball America's top 200 Major League Baseball Draft prospects in the country.  Stricklin, who had eight players sign professional contracts last year, is excited to see Collins and others possibly get that chance as well. Collins said he already gets the opportunity to live out a dream playing for the Bulldogs, who he grew up watching and loving. The life-affirming song “I Hope You Dance” accompanied the traditional academic procession and recession of the Class of 2024 during their White Coat Ceremony, dubbed “the most unique White Coat Ceremony in the history of PCOM” by class chair Andrew Wilson. Having started pharmacy school at the beginning of the pandemic when most of the world was shutting down, the 79 class members decided to delay a virtual ceremony in 2020 to an in-person ceremony two and a half years later on Feb. 10. This decision mirrors the decisions class members will make as pharmacists. Shawn Spencer, PhD, RPh, dean and chief academic officer of the PCOM School of Pharmacy, extolled the students. He said, “You are not only becoming a pharmacist, but also a leader, mentor and a role model.” He added, “As healthcare professionals, you will be called upon to make difficult and complex decisions, and you will be relied upon to act with compassion, integrity and dedication to your patients who need you.” He called the ceremony “a rite of passage that symbolizes our commitment to the advancement of human health and the betterment of our most vulnerable communities.” The students were called to the stage where they were coated by faculty members five at a time. Wearing their white coats and a new PCOM School of Pharmacy pin, the Class of 2024 recited their class  mission statement led by Dr. Spencer. The class concluded the ceremony, attended by a multitude of family and friends, by reciting a Pledge of Professionalism led by John Tovar, PharmD, associate professor and chair of the Department of Pharmacy Practice.  Georgia disability advocates are calling for the creation of a special commission devoted to the problems Georgians with intellectual and developmental disabilities face. State Senator Sally Harrell, a Democrat from Atlanta, introduced legislation this week that would create an “Intellectual and Developmental Disabilities Innovation Commission” akin to the highly successful behavioral health commission formed in 2019. Harrell's proposal has drawn bipartisan support, including from Republican Senate co-sponsors John Albers of Roswell, Mike Dugan of Carrollton, Chuck Hufstetler of Rome, and Ben Watson of Savannah. The 22-member commission would include members appointed by the governor, the lieutenant governor, and the speaker of the House of Representatives. Appointees would include, among others, people with intellectual or developmental disabilities and their family members and caregivers. The commission would be required to focus on proposed changes to state laws and regulations around providing services to people with disabilities. The Senate Health and Human Services Committee will need to approve Harrell's bill before it can move to the Senate floor for a vote. Providence Christian's boys were represented well on the All-Region 8-AA Basketball Team, including Region Player of the Year honors to Samuel Thacker. Thacker and the Storm won the Region 8-AA Tournament over the weekend, earning a Number 1 seed for the state playoffs. Providence head coach Joey Thacker was the 8-AA Coach of the Year, while the all-region team featured four other Storm players — Thomas Malcolm, Devin Long, Kamron Carryl, Chandler Dunn. Providence will start off the playoffs tonight hosting Rockmart High School at the Storm Center. For more information be sure to visit www.bgpodcastnetwork.com   https://www.lawrencevillega.org/  https://www.foxtheatre.org/  https://guideinc.org/  https://www.psponline.com/  https://www.kiamallofga.com/  https://www.milb.com/gwinnett  https://www.fernbankmuseum.org/  www.atlantagladiators.com            See omnystudio.com/listener for privacy information.

Matt and Drew discuss "I Hope You Dance" by Lee Ann Womack. To listen to the full show, visit ForgottenCountryRadioShow.com.

Matt talks about his favorite songs to play for a combined father-daughter and mother-son dance for your wedding reception playlist.  Hear some song lyrics that go with the picks too! Important Links View the complete list of combined parent dance songs. See all Wedding Songs Podcast episodes Podcast Transcript Welcome to the Wedding Songs Podcast featuring newly released songs you need to know and the tried and true classics. Get song ideas from the time guests arrive until the last dance of the reception. And now your host, Matt Campbell founder of MyWeddingSongs.com. Welcome to episode number 81 of the Wedding Songs Podcast. I am Matt Campbell and today I am going to be talking about songs you can play for a combined parent-child dance. Now, this could be the father-daughter / mother-son dance combined into one song. You may not want to have a lovey-dovey song that is particular to a father-daughter or for a mother-son. This is more generic and could be played for either dance. If you prefer to read the list, or listen to the list you can do so on our website MyWeddingSongs.com. Just search for combined dances. We will also have a link in our show notes as well. While you are on the website, make sure you sign up for our monthly newsletter, The Music Letter. We send it out on the last day of the month and it features all of the wedding songs of the prior month, also some hidden gems, and some songs you can play on date night as well. Make sure you check that out. I am not going to go thru every song on the list but I am going to go thru these in chronological order starting with the newest song first. Let's go ahead and get started with the first song titled “On Me” by Thomas Rhett, Kane Brown, and Ava Max. This was featured in the Scooby Doo soundtrack of 2020. It is really a great song that describes a relationship where you can rely on another person, particularly a parent. If you have never heard this song, the lyrics include…And if you want to, tell me what you gon' do, You could put it all, put it all on me, You can count on me, one, two, three. One of the most popular parent-child dance songs at weddings is “Forever Young”. A lot of artists have covered this and if you are a Folk fan, in 2019 Andrea von Kampen released this song. It is a great Folk song with the lyrics…Forever young, I want to be forever young. Next up, in 2018, Luke Bryan released “Most People Are Good” with the lyrics…I believe this world ain't half as bad as it looks, I believe most people are good. Another more generic song is “Humble And Kind” by Tim McGraw in 2016, with the lyrics…When the work you put in is realized, Let yourself feel the pride but, Always stay humble and kind. In 2007 the lead singer of Matchbox 20, Rob Thomas, released “Little Wonders” for the Meet the Robinson's soundtrack. Lyrics include…Our lives are made, In these small hours, These little wonders. Also released in 2007 is a collaboration with Jim Brickman featuring Lady A on the song “Never Alone”. Lyrics include…So when hard times have found you and your fears surround you, Wrap my love around you, you're never alone. Another very popular parent-child dance song at weddings is “My Wish” by Rascal Flatts with the lyrics…My wish, for you, is that this life becomes all that you want it to, Your dreams stay big, your worries stay small. If you are looking for a Christian song then in 2005 Mark Harris released “Find Your Wings” with the lyrics…I pray that God would fill your heart with dreams, And that faith gives you the courage, To dare to do great things. In 2003 Josh Groban released “You Raise Me Up” as a popular selection. In 2000 Lee Ann Womack released “I Hope You Dance” with the lyrics…Promise me that you'll give faith a fighting chance, And when you get the choice to sit it out or dance, I hope you dance. Of course “Sweet Child O'Mine” by Guns & Roses is a popular father-daughter dance song,

This week Ryan and Jordan discuss one of the more storied careers in country music. LeeAnn Womack touched, dare we say, every ear in the developed world with “I Hope You Dance.” However, she is far more than that classic tune. She continues, to this day, releasing hit songs. She keeps on proving that she deserves in the conversation for the best female country artist in history! What is your favorite LeeAnn song? Let us know on our Facebook page. Please remember to like, share, follow, rate, and review. We appreciate each and every one of you! From the bottom of our heart, THANK YOU! Hasta Mañana --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/countrymusiccritic/support

Tia Sillers has a contagious enthusiasm for life and self-evaluation.  Her pensive, thoughtful approach to songwriting led to “I Hope You Dance” by Lee Ann Womack and the Kenny Wayne Shepherd single “Blue on Black.”  Sillers has written more than 40 singles in multiple formats including numerous films, television shows and commercials.  She has incredible perspective on this chapter in her life, losing her husband, Mark Shelby - an incredibly talent guitarist and songwriter - to cancer.  Once you listen to just a few minutes of Tia on this podcast, you'll be sucked into the conversation and crave to know her better.   AMONG THE TOPICS:  BYCYCLING TO THE BLUEBIRD, WHY SHE HAS NO PET PEEVES, THE BACK STORY ON “BLUE ON BLACK” LYRICS, AND LOOKING FOR ANOTHER LOVE.

Tia Sillers has a contagious enthusiasm for life and self-evaluation.  Her pensive, thoughtful approach to songwriting led to “I Hope You Dance” by Lee Ann Womack and the Kenny Wayne Shepherd single “Blue on Black.”  Sillers has written more than 40 singles in multiple formats including numerous films, television shows and commercials.  She has incredible perspective on this chapter in her life, losing her husband, Mark Shelby - an incredibly talent guitarist and songwriter - to cancer.  Once you listen to just a few minutes of Tia on this podcast, you'll be sucked into the conversation and crave to know her better.   AMONG THE TOPICS:  BYCYCLING TO THE BLUEBIRD, WHY SHE HAS NO PET PEEVES, THE BACK STORY ON “BLUE ON BLACK” LYRICS, AND LOOKING FOR ANOTHER LOVE.

Tia Sillers has a contagious enthusiasm for life and self-evaluation.  Her pensive, thoughtful approach to songwriting led to “I Hope You Dance” by Lee Ann Womack and the Kenny Wayne Shepherd single “Blue on Black.”  Sillers has written more than 40 singles in multiple formats including numerous films, television shows and commercials.  She has incredible perspective on this chapter in her life, losing her husband, Mark Shelby - an incredibly talent guitarist and songwriter - to cancer.  Once you listen to just a few minutes of Tia on this podcast, you'll be sucked into the conversation and crave to know her better.   AMONG THE TOPICS:  BYCYCLING TO THE BLUEBIRD, WHY SHE HAS NO PET PEEVES, THE BACK STORY ON “BLUE ON BLACK” LYRICS, AND LOOKING FOR ANOTHER LOVE.

Tia Sillers has a contagious enthusiasm for life and self-evaluation.  Her pensive, thoughtful approach to songwriting led to “I Hope You Dance” by Lee Ann Womack and the Kenny Wayne Shepherd single “Blue on Black.”  Sillers has written more than 40 singles in multiple formats including numerous films, television shows and commercials.  She has incredible perspective on this chapter in her life, losing her husband, Mark Shelby - an incredibly talent guitarist and songwriter - to cancer.  Once you listen to just a few minutes of Tia on this podcast, you'll be sucked into the conversation and crave to know her better.   AMONG THE TOPICS:  BYCYCLING TO THE BLUEBIRD, WHY SHE HAS NO PET PEEVES, THE BACK STORY ON “BLUE ON BLACK” LYRICS, AND LOOKING FOR ANOTHER LOVE.

Billy Blanks Jr. BIO: Self-taught and working professionally from his youth, Billy Blanks Jr. has gained much exposure and experience in the world of dance and entertainment. As a young teen he choreographed school musical productions and created after school dance groups. As Billy's notoriety grew, he earned roles as a dancer in music videos with Paula Abdul, Madonna, Celine Dion, Crystal Method (directed by Gore Verbinski), Quincy Jones, and Babyface. His credits include TV appearances on Dr. Oz, Meredith Vieria, The Ellen Show, Home & Family, American Dreams with Alicia Keys, The Practice, Sister Sister, Kids Incorporated, Homeboys From Outer Space, My Cousin Skeeter, and The Tonight Show. Billy starred as Tyrone Jackson in the US and European touring companies of the Broadway musical Fame. He went on to direct and choreograph the WeSparkle Take II Celebrity Concert with Tom Hanks, Jason Alexander, Brian Cranston, Joey Lawrence, Britney Spears, Michael Chiklis, Hal Sparks, the cast of Will & Grace, and more. He also choreographed the end sequence for the movie I Hope You Dance. Billy made his directorial debut in NYC at Madison Square Garden directing One Night With The Stars starring Broadway Legends Betty Buckley, Lainie Kazan, Telly Leung, Mandy Gonzalez, Constantine, Tom Bergeron, Jordin Sparks, Noah Galvin, Fran Drescher, and many more. Billy was the Artistic Director of the newly renovated historical Wall Street Theater in Norwalk Connecticut. Over time, Billy has become the face for the new generation of fitness with his revolutionary dance program, Dance It Out! He made history on the hit TV show Shark Tank after turning down a deal proposed by Mark Cuban and Daymond John when the latter shark left the tank and talked Billy into taking the deal. The result was his business Dance It Out® (DIO®) becoming the fastest growing fitness based dance program in America! Dance It Out is also now a new Hit Lifestyle Talk show on The Lifetime Network. Billy is the son of Tae Bo® creator Billy Blanks. In October 2015, Billy Blanks Jr. launched the MoveTube Network where he produces and directs feel good workouts, motivational content, and other inspirational videos featuring today's hottest dancers and celebrities. Billy is the host/creator of televisions first Moving Talks Show that premiered on the LIFETIME Network

Loving Presence A sermon preached by Rev. Ginger E. Gaines-Cirelli at Foundry UMC January 30, 2022, the fourth Sunday after the Epiphany. “Shine On!” series. Texts: 1 Corinthians 13:1-13, Luke 4:21-30 Do you have to “go to church” to be a Christian? Evidently there was quite the robust conversation on this topic amongst our last confirmation class. There are at least a couple of solid responses. First, I would pose a follow up question, does showing up for worship and other church activities on a regular basis make you a Christian? If, by Christian, we mean (as we say in our Baptismal liturgy) “a true disciple who walks in the way that leads to life” then the answer is a resounding, “no.” Going to a church makes you a Christian as much as going to a garage makes you a car. It is quite possible to be a card-carrying Christian whose life has little resemblance to Jesus—and perhaps even does damage to Jesus' good name. The story of what happens when Jesus goes back to his “home church” in Nazareth is a good example. Jesus reminded them that God's prophetic work focused on those considered “outsiders” or “other,” implying this would be the case for Jesus' ministry as well. The hometown crowd couldn't stand the thought that he wouldn't just share his gifts with them, they were enraged at Jesus' implication that the miracle of his love would be offered to people whom they deemed enemies, to people they despised. When Jesus went to his home church to visit the adults with whom he had grown up, perhaps folks who had taught him the Torah, and played with him as a child, perhaps adults whom he had admired…what happened?  They didn't just damage his name, they tried to kill him. They had somehow missed the part in scripture about caring for the stranger and sojourner, doing justice, and walking humbly with God. They wanted what they wanted for themselves, were looking out for themselves. But, as Jesus points out and models, the Judeo-Christian story provides a stark contrast to this human tendency. The story we tell is not just about us as individuals, not just about “me.” It's about “WE.” Our faith is all about relationships, it involves caring about more than just my own needs or desires, it involves being part of a community, it involves attending to the needs of the most vulnerable ones in God's creation. These relational, communal, other-focused aspects of the faith are not peripheral to our practice of Christian faith. They are at the very core. And here is where we get to another response to the confirmands' conversation. In short, “there is no such thing as solitary Christianity. Being a follower of Jesus means being in community with other followers of Jesus. We can be…spiritual without the presence of other people in our lives, but we cannot be growing disciples of Jesus Christ without the encouragement, guidance, wisdom, and accountability of other disciples.” I often talk about the community of the church as the “lab” or training ground for the rest of our lives. It is in our faith community that we get to practice mercy, compassion, leadership, courage, speaking up, holding our tongues, sharing our gifts, honoring others' gifts, and all the rest. The 1st letter to the Corinthians was focused on helping that congregation get clear about where they needed to do better in their practice. As Pastor Ben pointed out last week, Paul is speaking to the ways that some gifts were being valued more than others, some people being valued more than others. Paul encouraged them to practice a more excellent way of living in relationship and community, the way of love. We practice when we are present with one another. Weekly gatherings for worship are our most regular, broadly shared communal experience of relating to God and to one another. For those who are new among us on any given Sunday, what they see, hear, and do as part of our worship tells them a lot about who we are and what we're about. For those of us who worship as Foundry regularly, everything we do in worship is an occasion for rehearsing our faith. One writer says that “the repeated patterns and practices of Christian worship over time shape us in ways of being with God and one another. In the repeated patterns and practices of Christian worship, we are formed and fashioned into the values and vision of the gospel.”  “Repeated patterns and practices,” it is suggested, are necessary in order to be formed into the shape that more closely resembles the Kin-dom of heaven.   Think of a body-builder: if he wants to change the shape of his body to emphasize certain aspects of his physique, then regular, repeated patterns and practices are required. The same movement, over and over, builds strength and definition. If we want our lives to look a certain way, to have particular characteristics and reflect particular values, then repeated patterns and practices—disciplined habits—are required to help our lives take that shape. We might also think about a sports team. Individuals can practice the fundamentals on their own, but the team won't play well together or accomplish its goal unless each person is consistent in team practice and utilizes each team member's different strengths. The repeated patterns and practices of Christian worship, meant to be lively and life-giving can certainly become formulaic, boring, and, well…deadly. The founder of the Methodist movement, John Wesley, was deeply concerned that the Anglican Church of which he was a part had devolved into empty ritualism, seemingly cut off from the life-transforming power of the Holy Spirit. His response was to organize small groups to study the Bible, pray, support one another in the faith, hold each other accountable, and serve the poor. These small groups provided a context within which folks were reminded of what they were doing, nurtured a faith that was really connected to their everyday life, and deepened their relationship with the God they worshiped when they showed up on Sunday morning. Wesley remained an Anglican priest his whole life and always expected members of the small groups within the Methodist societies to worship at their parish church, bringing their spiritual awakening with them into the pews to enliven the ritual with a vital and living faith in a living God!   Our spiritual heritage as United Methodists, therefore, is rich with a model for small group community, with worship patterns and practices of the Anglican Church out of which we grew, and an intentional focus on the movement of the Holy Spirit who is always at work in our daily lives and in our worship to challenge, transform, inspire, and make us new.  There is a basic pattern and movement of our worship—gathering in prayer and praise, being encountered by the Word of God, responding to the Word in acts of faith, generosity, sacrament, and commitment, and being commissioned and sent forth. Within the basic pattern, those of us who plan worship may add something creative or different at the prompting of Spirit. And in any given week, something may happen “on the spot”—something unplanned or uncontrolled. The regular pattern and practice of communal worship creates the trusted “container” in which Spirit can move in surprising ways. I will never forget the Ascension Sunday when, after preaching a sermon inspired by an image of Christ dancing into heaven, I planned to have my friend sing the song “I Hope You Dance.” I knew I would invite the congregation to respond during the song, but wasn't sure what form that response would take—whether it would be an invitation to pray at the altar or in the pews, or—well, I just didn't know ahead of time. When the time came, I simply invited folks to respond however they wanted to…they could pray, they could just ponder, they could dance, whatever. And, lo and behold, people got up and started dancing together, right there in church!  Communal ritual—whether in worship or participation in a small group—helps create trust that allows taking risks like that. It's also important because of its consistency. It helps us remain in relationship to God and to one another through the varying conditions of our lives and the inconsistencies of our feelings and moods; this is why I encourage those who are grieving—or those struggling in their faith—to get back into regular worship or connection with their small group as soon as possible; the ritual helps provide something constant, a place to be held. It has also been said that ritual practice is necessary for us because of our persistent amnesia—our forgetting who we are, whom we live for, and why. And so we gather in small groups to share what's real in our lives and to receive encouragement, support, and prayer for the journey. We are present with one another in worship to pray, listen, and ponder, to sing our praises to God, to speak words full of poetry and mystery that call us to remember the story, to remember who we are and who God is and why we are here anyway—that it's not all about me or just looking out for Number One, that there is something larger of which we are a part and that there is hope for our lives no matter what the circumstances. Perhaps the most poignant example for me of the power of communal ritual to form and shape us and to become so much a part of us that it lives in our bones is the experience of praying and singing with folks who suffer from Alzheimers Disease or dementia. Somehow the Lord's Prayer, the favorite Christmas carol—whatever was repeated and enlivened through the rituals of the Church for that person—those things remain when so much else is lost. The disease can't touch that part of them; they can still recite those prayers… Those rituals live in very deep places in us. They form us; and they remind us who we are even when so much else of our lives is forgotten. And, of course, the thing that matters most of all in life is the love we give and receive. Cultivating relationships, caring for one another, sharing life in all its complications, and highs, and lows, working shoulder to shoulder for things that matter, laughing, crying, and persevering together—this is the heart of it all. Our worship and our intentional connections in relationship with one another in small groups, classes, ministry teams and committees provide the place for us to practice living faith, hope, and love. Only when we've been at it awhile, will we be able to create enough trust to do the really difficult things and work together in ways that truly honor every gift and member. It is in these contexts we are formed and grow in the love and compassion that reflects the life of God revealed in Jesus. Do you have to “go to church” to call yourself a Christian? No. Do you need to be part of intentional covenant community—even with all its challenges, needs, disappointments, and foibles—to be fully shaped and formed over the course of your life in the perfect love of God in the image of Jesus? Well… yes. The good news is that God's faith in us, hope for us, and love for us abide. And that loving presence will guide your steps…and always on a path that leads to life. https://foundryumc.org/archive

Acts 3:1-10 The post Rev Dr David G Watermulder: “I Hope You Dance” (08/29/2021) appeared first on Presbyterian Church of Los Gatos.

#360-356Intro/Outro: I Want a New Drug by Huey Lewis & the News360. Rehab by Amy Winehouse359. Faithfully by Journey358. Turn the Page by Bob Seger & the Silver Bullet Band357. I Hope You Dance by Lee Ann Womack356. I Will Possess Your Heart by Death Cab For Cutie

This week I answer questions fans sent through Instagram. Big thank you to everyone who sent questions in I really appreciate it. I also went over some of my favorite lyrics from Strange Clouds by B.o.B and I Hope You Dance by Lee Ann Womack and Sons of the Desert. If you haven't yet go check out the last episode featuring Imagine Dragons. Finally, there are podcast questions. Feel free to reach out to me on Instagram @jd4unc to answer those. Thanks for listening, leave a like, a review, and share with a friend. Music Credits For This Episode: Intro The Alan Parsons Project Sirius, Strange Clouds by B.o.B, I Hope You Dance by Lee Ann Womack and Sons of the Desert, and the outro Midsummer Madness Instrumental Prko. Sources: Musixmatch.com, Lyricfind.com, YouTube, and Instagram.

Mark Wright has to his credit tens of millions of units in sales, if not more, and a huge number of number one singles that he wrote, published, or produced as well as several major awards. He grew up loving the business of music. Mark's father was a music director for schools in his local area and he was a member of the All State Choir. He chose to continue studying music when he went to college and then went right into the industry immediately after graduation.   He knew that his life was going to be dedicated to music. Mark started his career as a songwriter and later realized that his favorite part of the process was the production. He spent the next several decades helping artists realize their vision of having hit records including Reba McEntire, Clint Black, Amy Grant, Kenny Rogers, George Strait, Mark Chesnutt, Lee Ann Womack, and Rhett Akins.   Show Highlights:   [00:10] Learn about Mark Wright's industry credits and accolades.  [02:39] Mark shares the highlights of his early days learning music.  [04:12] Who did he listen to growing up?  [05:00] Did he know what he wanted to do when he went to Belmont College?  [07:27] How did he start out in the industry?  [09:59] Mark chats about his first publishing experience. [10:53] What happened between his songwriting stint and his transition to production? [12:20] Did he have a signature in his production process?  [14:58] As a producer how involved did he get in the song arrangement?  [16:40] What is his process for working with artists and cutting records with them?  [20:42] Was he surprised when “I Hope You Dance” crossed over to the pop charts?  [21:48] Did he have to deal with a bunch of challenges with artists?  [22:48] How does he handle differences of opinion with the artists?  [24:32] Is it different working with singers versus instrumentalists?  [26:42] Are we missing things by not being able to record in the same room at the same time?  [28:23] Learn how various people are approaching this new realm of recording. [29:59] Hear a good story about working with Brooks & Dunn. [32:55] What was it like working with Clint Black?  [35:16] Did he have a good experience working with Trisha Yearwood?  [36:43] Hear more about working with Rhett Akins. [39:03] How does he feel about his time working with various record labels on the corporate side?  [42:29] What's he looking forward to in his life and career?    LINKS & RESOURCES   Mark Wright: Mark Wright (record procucer)    Mark Wright Biography by AllMusic    Songs Discussed During The Interview:Lee Ann Womack - I Hope You Dance https://www.youtube.com/watch?v=RV-Z1YwaOiw  Today My World Slipped Away - George Strait https://www.youtube.com/watch?v=4uc4orZ444s  Mark Chesnutt - Too Cold At Home  https://www.youtube.com/watch?v=J3800PSW4vQ  Mark Chesnutt - Bubba Shot The Jukebox https://www.youtube.com/watch?v=439jqiY0Eto  Mark Chesnutt - Gonna Get A Life  https://www.youtube.com/watch?v=8yH7DC8kjU0  Gretchen Wilson - Redneck Woman https://www.youtube.com/watch?v=82dDnv9zeLs  Bruno Mars - Uptown Funk  https://www.youtube.com/watch?v=OPf0YbXqDm0   Episodes Mentioned:  Episode 36 Rhett Akins: Hit Songwriter & Recording Artist     Follow The Music Makers:  The Music Makers on Instagram   The Music Makers podcast theme song was written and produced by Andy Kushner with help from the rhythm section and horn players of the band, SoundConnection.   Sponsor: Kushner Entertainment    Check out Andy's Other Podcast: The Wedding Biz

I Hope You Dance by Pastor Sharon Kelly Matthew 11:28-30 (MSG) “Are you tired? Worn out? Burned out on religion? Come to me. Get away with me and you’ll recover […] The post I Hope You Dance appeared first on Wave Church.

Little different episode this month. For the first time, there are two guests. One is a recently-nominated Nashville Songwriting Hall of Fame candidate who wrote one of the most inspiring songs ever recorded, Tia Sillers. And the last 15 minutes or so, we welcome a young singer-songwriter named Shannon LaBrie, with whom Tia collaborated on a new album called "Building", which is out now. The songs Shannon and tia wrote are bold and creative, and you'll love Shannon's voice.  See omnystudio.com/listener for privacy information.

Die Mainzer Band HANNE KAH hat schon Gastspiele bei The Hooters, Roger Hodgeson, Axel Prahl & James Newton Howard gehabt. Beheimatet sind Hanne, Patrick, Malte und Niklas am Rhein, doch sie touren am liebsten durch die ganze Welt mit ihren Songs und bringen Menschen zusammen. Im Gespräch mit Julia und Nadine erzählen Hanne und Patrick u.a. von Erlebnissen aus Kanada und Australien, wie sie dazu kamen das Kulturportal "Culture-Y" zu gründen und schenken uns am Ende sogar eine spontane Unplugged Version von "I Hope You Dance" - wobei bei Julia alle Dämme brechen! zum Kulturportal "Culture-Y": https://www.culture-y.com mehr zu Hanne Kah: https://www.hannekah.com +++++++++ Dir gefällt, was du hörst? Unterstütze den Podcast und gib uns einen aus, über: https://www.paypal.me/gehoert ...damit wir noch besseren kostenfreien Content für-über-in Mainz liefern können. +++++++++ Mainz Gehört ist auch auf: Facebook I Instagram I Twitter I YouTube

In this episode we talk about the goal of finding BALANCE. We talk about what it means, why it’s hard and how we can have more of it. Then our host, Kelly, gives you FIVE realistic tips on how to increase your feelings of balance while existing in this modern world! This is a great topic for this busy time of year when we all feel stretched thin. Balance may be a charged term but it’s still a noble and helpful goal to happiness and a sustainable life! Special Podcast listener coupon code: PodcastLove Use your code here (3 for 2): https://strongwomenco.com/goddess-bracelets/ For daily inspiration and motivation follow Strong Women Co on facebook and Instagram: www.facebook.com/StrongWomenCo www.instagram.com/strongwomenco To join our FREE online Tribe: www.facebook.com/groups/SWCTribe Featured song: “I Hope You Dance” by Lee Ann Wormack

September 22, 2019 • 10 am • "I Hope You Dance" • Rev. Dr. Kenneth Samuel • First Church Berkeley UCC

"Laugh at my trauma, please." Comedian Erin Terry joins us this week! Erin is the brains and beauty behind Eyes Up Here, a stand-up comedy cartel featuring NC-based Lady Comics. She sips on margaritas (hear the ice clink in the glass around 11:02) and reminiscences about painful teen years. Spencer overshares regarding body hair and Rachel forces everyone to listen to Alvin and the Chipmunks' rendition of 90s country hits. Erin's pick: I Hope You Dance by Lee Ann Womack, 1999/2000 Rachel's pick: Down at the Twist and Shout by Mary Chapin Carpenter, 1990 Spencer's pick: Did I Shave My Legs for This by Deana Carter, 1996 Follow Eyes Up here and find out when/where you can laugh with some funny ladies: https://www.facebook.com/eyesupherecom/

The Grammy-winning songwriter behind “There’s Your Trouble” (Dixie Chicks),  “I Hope You Dance” (Lee Ann Womack), and “That’d Be Alright” (Alan Jackson) talks about her heartbreaking personal losses, her professional triumphs, and how they’ve all worked together to make her the person and songwriter she is today.   EPISODE DETAILS: PART ONE Scott and Paul chat about great songs they never want to hear again. PART TWO - 12:21 mark Find out how you can enter to win a free CD! PART THREE - 14:27 mark Tia drops in at Songcraft World Headquarters to discuss how wandering into the kitchen of the Bluebird Cafe at age 15 changed her life; why she knew she wanted to sit in a circle with songwriters swapping jokes and telling stories before she knew she wanted to write actual songs; how a desperate classmate's plea for her notes led to her first hit single; the two things that must come together for a writer to be truly successful; what "cruel" thing Mark D. Sanders said to her that turned out to be right; why her biggest hit is also a big weight on her shoulders; what tricks she uses to stay engaged in the songwriting process; why she wishes she was a man; and how her husband's untimely death has shaped her as a person and a songwriter. Though best known as the co-writer of Lee Ann Womack’s classic “I Hope You Dance,” Tia Sillers has written successful singles in various genres, establishing herself as one of Nashville’s great songwriters. After scoring with Top 10 singles by George Ducas and Pam Tillis, she hit the top of the country charts with the Dixie Chicks’ recording of “There’s Your Trouble.” Additional charting country singles followed by artists such as Suzy Bogguss, Pinmonkey, Tammy Cochran, Trisha Yearwood, and Alan Jackson, who scored a huge hit with “That’d Be Alright.” In addition to her country success, Tia has landed several songs on Billboard’s Hot Mainstream Rock chart, including Kenny Wayne Shepherd’s “Blue on Black” which spent a total of six weeks in the number one slot. She also found success in Christian music when she and Hall of Fame songwriter Bill Anderson won the Dove award for Country Song of the Year after the Oak Ridge Boys recorded their song “Jonah, Job, and Moses.” Other artists who’ve covered Tia’s songs include Martina McBride, Randy Travis, Trace Adkins, Diamond Rio, John Waite, Vince Gill, Wynonna, Patti Page, Jennifer Lopez, and Gladys Knight. She has won Song of the Year honors from the Grammys, the CMA, the ACM, NSAI, and BMI. Tia has additionally taken home awards from the Canadian Country Music Association and the Billboard Music Awards.  

On the latest edition of the Women’s Hoops And Talks (WHAT) podcast, Tara and guest hosts Alex Haigh (@owlhix) and Cassidy Gemmet go team-by-team through the Western Conference. Who were the major additions, who moved on, which young teams have a bright outlook and which old stars will drag their teams through the season? We also chose walk-up songs for each team, you can find all of them on our WHAT Western Conference YouTube Playlist. Timestamps 3:00 Remembering  Portland Trail Blazer's owner Paul Allen 7:20 Los Angeles Lakers, I Need a Hero, Bonnie Tyler10:30 How bad would it be if they didn't make the playoffs13:00 San Antonio Spurs, Montage Song from Team America17:30 Houston Rockets, So Close By Hall and Oats22:30 New Orleans Pelicans Dancin’ On My Own, Robyn28:30 Minnesota Timberwolves Love the One You're With, Stephen Stills 34:40 Los Angeles Clippers,  I Hope You Dance, Leanne Womak 40:05 Golden State Warriors, Theme to Dynasty AND  Hit ‘em High Monstars Theme song 43:00 Denver Nuggets, The Climb, Miley Cyrus47:15 Dallas, Dallas Theme Song51:15 Phoenix Suns, Nothin' to Lose by Kylie Minogue53:15 Memphis Grizzlies, Take Back the Night by Justin Timberlake56:30 Utah Jazz , Stuck in the Middle with You, Stealer’s Wheel, 58:45 Sacramento Kings, Joan Baez There But for Fortune Go You or I63:30 Oklahoma City Thunder, Stand By Your Man, Tammy Wynette Get Social Follow Blazer’s Edge on Twitter @blazersedge, WHAT Pod @HoopsAndTalks, Tara @tcbbiggs, and Kendyl @kendylbennett16. This week’s guests: Alex Haigh (@owlhix) and Cassidy Gemmett (not on Twitter, yet!) Women’s Hops And Talks (W.H.A.T.) Join the Women’s Hoops And Talks Facebook group to talk about Trail Blazers with others who identify as women who love basketball. Music used in the episode: "Happy Alley" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License Learn more about your ad choices. Visit megaphone.fm/adchoices

Dancer, choreographer, and owner of 4th Avenue Arts--Huntington's premier performance space--Jessica Lynn Fox and I talk creativity, soul movement, and making a mess. I reveal to the world what my mom thinks of my ballet capabilities. Opening jingle by Sarah J. Storer; graphic design by Kristin J. Steele; production and technical assistance by Kelley Altizer. "I Hope You Dance" by Lee Ann Womack (fair use) closes out the show. Check it all out here: https://www.4thavenuearts.org/  

Mark D. Sanders is a songwriter with more than 200 songs cut by recordings artists, 50 have been singles and 14 number one songs. Some of his songs are instantly recognizable. His most famous song "I Hope You Dance" was recorded by Lee Ann Womack and other noteworthy songs "Victim of the Game" by Garth Brooks, "Money in the Bank"by John Anderson and "Blue Clear Sky" by George Strait and many others. In 2009, Mark D. Sanders was inducted into the Nashville Songwriters Hall of Fame. Don't touch that dial, Mark D. Sanders is next...only on The Paul Leslie Hour. Support The Paul Leslie Hour by donating to their Tip Jar: https://tips.pinecast.com/jar/the-paul-leslie-hour

  On this podcast Bonnie and Kevin are again joined by showrunner Emily Andras for an Earp celebration as we reminisce about the past two plus years since the show premiered. Safe to listen to after you have seen season 2 episode 12 “I Hope You Dance”.   Links mentioned in this episode… Our Friday night [...]

IN THIS EPISODE: PART ONE Scott and Paul catch up on the latest Songcraft news and chat about some of their favorite songs about Nashville. PART TWO - 16:06 mark  Wanna learn how to be like Mark D. Sanders? You can start with Patreon. The guys tell you where to check it out. PART THREE - 18:13 mark Scott heads over to Mark's house in Nashville to get the inside scoop on how music helped him survive a troubled home life growing up; why he had trouble co-writing with people who had more success than he had; the co-writer who taught him he could have fun and write a song at the same time; his battles with severe depression; the demo singer he credits with boosting his career; the famous song that inspired the chord progression of "I Hope You Dance;" and the ethical reason he decided to walk away from commercial country music culture after decades of success. ABOUT MARK D. SANDERS Southern California native Mark D. Sanders moved to Nashville just before turning 30 and began building a career as a professional songwriter that eventually spawned 25 Top 10 hits, including more than a dozen #1 singles. His list of chart-topping hits includes “Mirror Mirror” by Diamond Rio, “Money in the Bank” by John Anderson, “Daddy’s Money” by Ricochet, “It Matters to Me” by Faith Hill, “No News” by Lonestar, “Heads Carolina, Tails California” by Jo Dee Messina, “Blue Clear Sky” by George Strait, “(This Ain’t) No Thinkin’ Thing” by Trace Adkins, and “That’d Be Alright” by Alan Jackson. Other artists who’ve recorded Mark’s songs include Garth Brooks, Reba McEntire, Vince Gill, Martina McBride, Tracey Lawrence, Trisha Yearwood, and Guy Clark.   Sanders was named Songwriter of the Year by the Nashville Songwriters Association in 1995 and 1996, and ASCAP Country Songwriter of the Year in 1997. Lee Ann Womack’s recording of “I Hope You Dance” earned him Song of the Year honors from NSAI, ASCAP, the ACM and the CMA, as well as a Grammy for Best Country Song and a Grammy nomination for Song of the Year across all categories. He was inducted into the Nashville Songwriters Hall of Fame in 2009.

  On this podcast Bonnie and Kevin are joined by showrunner Emily Andras to preview the upcoming season of Wynonna Earp which premieres on July 20th. Safe to listen to after you have seen season 2 episode 12 “I Hope You Dance”.   Bonnie and Kevin now have a Patreon page so you can help them [...]

    On this podcast Kevin and Bonnie are joined by Andrea Higgins who is the music supervisor for Wynonna Earp. We discuss how she finds music for the show, how she got into the business and much more. Safe to listen to after you have seen season 2 episode 12 “I Hope You Dance”. [...]

  On today’s podcast Kevin and Bonnie are joined by Melanie Scrofano who plays Wynonna Earp on the show. We discuss her and Wynonna’s pregnancy, several other season 2 topics and we look ahead to season 3! Safe to listen to after you have seen season 2 episode 12 “I Hope You Dance”.   Links [...]

  On this podcast Kevin and Bonnie are joined by Meghan Heffern who plays Widow Beth on the show. We chat about working on the Wynonna Earp set, her biggest fear and much more! Safe to listen to after you have seen season 2 episode 12 “I Hope You Dance”.   Links mentioned in this [...]

The country star explains how finding her authentic voice took her from "I Hope You Dance" stardom to her soul-satisfying new album The Lonely, The Lonesome & The Gone. See acast.com/privacy for privacy and opt-out information.

On today’s podcast Kevin and Bonnie are joined by both Dominique Provost-Chalkley and Katherine Barrell. We talk about some of the season 2 developments for their characters, their character’s relationship and the show in general! Safe to listen to after you have seen season 2 episode 12 “I Hope You Dance”. Bonnie and Kevin now [...]

On this podcast Kevin and Bonnie discuss the twelfth episode of season 2 of Wynonna Earp titled I Hope You Dance (2×12). Wynonna must deal with two evil witches, a […]

On this podcast Kevin and Bonnie discuss the twelfth episode of season 2 of Wynonna Earp titled I Hope You Dance (2×12). Wynonna must deal with two evil witches, a demon that wants her baby and…she’s in labor. No problem. Links mentioned in this episode… Schedule For Wynonna Events At Dragon Con 2017 6 Ways [...]

A great session from Grand Boulevard during the 30A Songwriter Festival with local girl Kelsey Waters. Raised on 30A, Kelsey grew up in the music saturated orbit of a mother who loved to sing and a father who loved to listen. Kelsey moved to Nashville at twenty and quickly began making inroads on Music Row. She signed a publishing deal with Little Extra Music and now works with some of her songwriting idols, including Lori McKenna ("Girl Crush", "Humble & kind") & Tia Sillers ("I Hope You Dance", "There's Your Trouble", "Blue On Black”), building a growing catalog of songs that are both universal and reflective of her unique slant on life. Working on a new album, she debuted one of her songs entitled "Cool Cars" for us live in the 30A Radio airstream studios. Enjoy today's release of our latest SWF session with Kelsey Waters! Thanks to www.30acottages.com for your support of The 30A Show.

North Carolina Singer/Songwriter Yolanda Rabun announces the global release of her highly anticipated third studio album, YOLANDA, for Tuesday, March 8, 2016. The Yodyful Music release is available now for pre-order on the iTunes Store (https://itunes.apple.com/us/album/yolanda/id1079151749) and Yolanda’s exclusive online store via Square (http://mkt.com/yodyful-music-llc/yolanda) A number of fans, most of whom were Kickstarter backers that helped Rabun net over $21,000 to create the soul-infused jazz project, already have access to the new music. A few other lucky fans have snagged a copy of YOLANDA by attending a live performance of Rabun in February. The YOLANDA album, recorded in Raleigh, NC, at Haggard Recording Studios was engineered by Thurman Woods of Garner, NC who together with Yolanda paid particular attention to each track to ensure this fan-funded project had the unified sound people get from start to finish at Yolanda’s live shows. Yolanda notes, “The whole process of recording the music live for YOLANDA was really fun, organic and spontaneous, and what ended up coming through were songs that are powerful and dramatic, and musically cohesive.” Yolanda feels she has made an album that’s bursting with energy, soul and big life-affirming moments such as the deliciously ebullient latin jazz tune, Take the Day Off, the uplifting emotional power ballad, I Hope You Dance, and the folk/funk-powered Nina Simone anthem, Be My Husband. Yolanda gives her own smooth but straight-forward twist on two rhythm and blues staples: Rocket Love and Feel Like Making Love. The huge-hearted Hold on to Your Dreams, first featured as a single in 2013, finds a home on this album and continues to be Yolanda’s mantra to never give up on your gifts or your dreams. Rabun also co-wrote the wedding anthem, Yes, as a personal testament to love, marriage and God. Yolanda Rabun says she has never enjoyed making a jazz recording, undeniably fused with soul

The Claim2Fame Podcast is a resource for artists Every episode features successful artists and industry experts sharing compelling stories and valuable knowledge about the music industry hosted by CMA, ACM and CCMA Award Winning Broadcaster Cliff Dumas. Cliff talks with Iconic Media Producer Spencer Proffer about working with Stevie Wonder, Tina Turner and projects that have earned, Grammy, Academy and Clive Davis. SPENCER PROFFER Spencer Proffer is considered a leader in entertainment, pioneering media integrations before it was fashionable. For example, he produced the Tina Turner Acid Queen album in conjunction with The Who’s movie Tommy, this allowed Tina to become one of the first successful R&B artists to jump genres with a rock album. Long before music and visual marriages became as prevalent as they are today (not counting, of course, music videos, Broadway, etc.), he developed an early computer-animated laser show that played countrywide in planetariums that was centered around “Children Of The Sun,” a song he co-wrote and produced with pop-rocker Billy Thorpe. Proffer continued amassing an impressive list of musical credits all while still in his 20s. He went on to serve as a producer or executive or co-executive producer on many films and TV movies such as Gods And Monsters, Shake Rattle & Roll, Robbie Robertson: Going Home and a dozen other titles. He introduced the world to Quiet Riot, and supervised and produced music for over 100 productions, many of which earned Oscar, Emmy, and Golden Globe Awards. We are proud to have Spencer on our Advisory Board. Discussed on this episode Tina Turner Quiet Riot Stevie Wonder John Coltrane Documentary The "I Hope You Dance" project and documentary I Hope You Dance, The Power Of Song [iframe id="https://www.youtube.com/embed/xEzvuLm_aP0"]

LEE ANN WOMACK is the Grammy-winning vocalist whose 'Call Me Crazy, I Hope You Dance' and the 2005 Country Music Association Album of the Year 'There�s More Where That Came From' are among modern country�s most acclaimed albums. It's been almost seven years since this Jacksonville, Texas native has released new music. Her eagerly anticipated Sugar Hill Records debut, 'The Way I�m Livin', is an unvarnished collection of songs by some of America�s most progressive songwriter/artists. Recorded almost completely live, the album is made purely for the sake of the songs and the spark of the musical performances.

I hope you take the emotional risks and dance this beautiful dance of life! We all get hurt, some more so than others, by others in life. Don't let that stop you. Get up, brush yourself off, love and value yourself enough to get back in the dance. You only hurt yourself and miss many beautiful opportunities in life when you decide to sit down and stay down instead of engaging and adding your contribution to life. Go into all situations so wholeheartedly that you will feel devastated if it doesn't work out. If it doesn't, take some time to catch your breath, then get up and go into the next situation with the same goal! Listen to/download this episode here: Show outline: The subject was emotional walls and not being willing to try again because of past painful experiences has come up several times in my conversations recently. In February 2014, I wrote an article for a friend who declared herself "done with men!" LifeThought: Go in with the goal of being devastated if it doesn't work out. Go all in! Give 100% of yourself to everyone and everything you do. How high are the walls you've built around your heart? We build walls as a defense mechanism to prevent getting hurt We build them intentionally and quickly in response to pain We build them unintentionally, so slowly that we don't recognize them We start new relationships with enthusiasm and excitement and vulnerability When things don't go well, we feel pain, and we don't want to experience it again Walls are emotional barriers we put up to keep people from hurting us again When we get hurt, we sometimes declare ourselves "done" and we never attempt that thing again. Sometimes, we try again, but with the poison of the previous relationship still inside us We are suspicious and on the alert for any behavior that resembles the previous relationship We push people away the minute we become uncomfortable We move from love/vulnerability to bitterness, anger, resentment, cynicism, or skepticism. This sets the other person up to fall into one of your emotional traps, which isn't fair to that person Boundaries are healthy, but walls keep everyone out and keep you in prison. It will be hard for someone to fall in love with you if there are walls, snares, meant to keep them out. It is unfair to the other person if you are hiding part of who you are behind a wall. Love yourself so deeply and so unconditionally that you have a very high self-worth Having a high self-worth gives you the ability to engage in life and take chances A high emotional bank-account allows you to have disappointments that don't destroy you. If you've been hurt, take the time to heal, but resolve to get back in the dance as soon as possible Go in again with complete transparency. Give 100% to the effort. Go in with the goal of being devastated if it doesn't work out. If it doesn't, be devastated, but, as soon as you can, go back in with the very same goal. Never settle for less because you are afraid of being hurt! If you get the choice to sit it out or dance, I HOPE YOU DANCE! Mentioned in this show: Bruce Van Horn - LifeThought: Go in with the goal of being devastated if it doesn't work out. Boundaries - Dr. Henry Cloud The Forsyth Institute #Miles4Smiles Boston Marathon 2015 Team EPISODE SPONSOR: Udemy.com - Start learning today! Subscription/Social Links: Subscribe on iTunes! Subscribe on Stitcher Radio! LIAM on Twitter: @LifeIs262 LIAM on Facebook / LifeIsAMarathon Subscribe to the LIAM Mailing List www.BruceVanHorn.com Bruce Van Horn on Twitter Bruce Van Horn on Facebook    

I hope you take the emotional risks and dance this beautiful dance of life! We all get hurt, some more so than others, by others in life. Don't let that stop you. Get up, brush yourself off, love and value yourself enough to get back in the dance. You only hurt yourself and miss many beautiful opportunities in life when you decide to sit down and stay down instead of engaging and adding your contribution to life. Go into all situations so wholeheartedly that you will feel devastated if it doesn't work out. If it doesn't, take some time to catch your breath, then get up and go into the next situation with the same goal! Listen to/download this episode here: Show outline: The subject was emotional walls and not being willing to try again because of past painful experiences has come up several times in my conversations recently. In February 2014, I wrote an article for a friend who declared herself "done with men!" LifeThought: Go in with the goal of being devastated if it doesn’t work out. Go all in! Give 100% of yourself to everyone and everything you do. How high are the walls you've built around your heart? We build walls as a defense mechanism to prevent getting hurt We build them intentionally and quickly in response to pain We build them unintentionally, so slowly that we don't recognize them We start new relationships with enthusiasm and excitement and vulnerability When things don't go well, we feel pain, and we don't want to experience it again Walls are emotional barriers we put up to keep people from hurting us again When we get hurt, we sometimes declare ourselves "done" and we never attempt that thing again. Sometimes, we try again, but with the poison of the previous relationship still inside us We are suspicious and on the alert for any behavior that resembles the previous relationship We push people away the minute we become uncomfortable We move from love/vulnerability to bitterness, anger, resentment, cynicism, or skepticism. This sets the other person up to fall into one of your emotional traps, which isn't fair to that person Boundaries are healthy, but walls keep everyone out and keep you in prison. It will be hard for someone to fall in love with you if there are walls, snares, meant to keep them out. It is unfair to the other person if you are hiding part of who you are behind a wall. Love yourself so deeply and so unconditionally that you have a very high self-worth Having a high self-worth gives you the ability to engage in life and take chances A high emotional bank-account allows you to have disappointments that don't destroy you. If you've been hurt, take the time to heal, but resolve to get back in the dance as soon as possible Go in again with complete transparency. Give 100% to the effort. Go in with the goal of being devastated if it doesn't work out. If it doesn't, be devastated, but, as soon as you can, go back in with the very same goal. Never settle for less because you are afraid of being hurt! If you get the choice to sit it out or dance, I HOPE YOU DANCE! Mentioned in this show: Bruce Van Horn - LifeThought: Go in with the goal of being devastated if it doesn’t work out. Boundaries - Dr. Henry Cloud The Forsyth Institute #Miles4Smiles Boston Marathon 2015 Team EPISODE SPONSOR: Udemy.com - Start learning today! Subscription/Social Links: Subscribe on iTunes! Subscribe on Stitcher Radio! LIAM on Twitter: @LifeIs262 LIAM on Facebook / LifeIsAMarathon Subscribe to the LIAM Mailing List www.BruceVanHorn.com Bruce Van Horn on Twitter Bruce Van Horn on Facebook    

*** I Hope You Dance ***