Podcasts about Lightpainting

In this episode of the podcast, I chat with Russell Klimas, a passionate light painter who sheds light on the importance of creativity and experimentation in photography. Russell emphasizes the thrill of capturing a perfect shot in-camera and discusses the joy of happy accidents. He shares valuable tips on using affordable gear, refining techniques through trial and error, and maintaining self-awareness during shoots. THE BIG IDEASEmbrace Experimentation: Dare to try new techniques and tools; it's through trial and error that creativity thrives.Value Shapes Over Colors: Focus on perfecting the shapes in your light painting to maintain clarity and simplicity.Enjoy the Process: The true joy of photography lies not just in the final image, but in the experience and learning along the journey.Learn From Mistakes: Treat every failure as a learning opportunity, allowing you to improve and refine your skills.PHOTOGRAPHY ACTION PLANBegin Light Painting: Start with inexpensive equipment like a $10 tripod and a Folomov 18650 flashlight. Practice in low-light conditions, focusing on creating clear shapes with consistent strokes.Experiment with Gear: Try shooting with different lenses like 24-70mm or 16-35mm to understand their impact on your compositions. Use your smartphone with long exposure apps to explore basic light painting techniques.Refine Your Techniques: Set aside time for regular photo sessions, aiming to perfect one good photo each time. Experiment with different light sources and ambient light considerations to see how they affect your images.Collaborate and Communicate: Work closely with your subjects, guiding them and using their bodies to shape the light painting. Ensure clear communication about the pose and expectations for the shoot to achieve cohesive results.Learn and Reflect: Review and analyze your shots after each session, noting what worked and what didn't. Keep a journal of your light painting experiments, including settings, techniques, and insights, to track your progress and inspire future shoots.RESOURCES:Visit Russell Klimas's Website - https://lightandlense.com/Follow Russell Klimas on Instagram - https://www.instagram.com/lightnlense/Learn What Camera Settings to Use in our free guide!https://perfectcamerasettings.com/ Start Building Your Dream Photography Business for FREE with CloudSpot Studio. And get my Wedding and Portrait Contract and Questionnaires, at no cost! Sign up now at http://deliverphotos.com/Connect with the Beginner Photography Podcast! Join the free Beginner Photography Podcast Community at https://beginnerphotopod.com/group Send in your Photo Questions to get answered on the show - https://beginnerphotopod.com/qa Grab your free camera setting cheatsheet - https://perfectcamerasettings.com/ Thanks for listening & keep shooting!

Alex Qian is undoubtedly one of the most skilled photographers of our time. He's dabbled in every medium of photography you can imagine; from humble roots in real estate gigs, to world-class nature photography, to large-scale collaborations with brand names like Xbox. Making it as a photographer professionally is never easy, but luckily Alex has plenty of tips and experiences to share, as well as many beautiful images to admire. Learn all about Alex's journey in this episode of the CinePacks Podcast.Follow Alex - https://www.instagram.com/_alexqian00:00 - One of My Biggest Breaks: Alex discusses his breakthrough with Xbox and the start of his creative career.00:21 - The Move to L.A.: Why Alex left his corporate job in Chicago for a new life in Los Angeles.00:55 - Building a Following: The early days of Alex's social media journey and how it led to brand opportunities.03:00 - Urban Exploration & Rooftopping: Alex's love for urban photography and the thrill of exploring new heights.09:08 - First Big Brand Deal: How Alex landed his first major campaign with Xbox and the lessons learned.12:45 - Navigating Brand Expectations: Alex talks about the importance of balancing creativity with client expectations.14:44 - Creative Campaigns with Xbox and Halo: Behind the scenes of Alex's innovative Halo shoot and the challenges of working with big brands.26:00 - Light Painting & Drone Photography: Alex explains his techniques and the art of creating stunning visual effects.32:00 - The Value of Authenticity: Why Alex believes in showing the creative process and being authentic in his work.41:19 - The Story Behind the Shot: Alex shares a wild story about nearly losing his camera after an epic shoot.52:00 - Future Projects & Advice: What's next for Alex and his advice for aspiring photographers and content creators.Support the Show.

An encore presentation of a discussion with Kim Henry and Eric Paré on light painting.

In this episode, Ross challenges listeners to combine light painting with close up photography and Gordon sees how simple and inexpensive it is.

Christian Lux ist Lightpainting Fotograf. Wie das Wort schon vermuten lässt „Lightpainting“ (Mit Licht malen), wird auf einem Bild mit Licht gemalt. Das heißt: Bei einer Langzeitbelichtung sind je nach eingesetzter Lichtquelle verschiedene Muster zu erkennen. Christian Lux hat mit im Laufe der Zeit mit verschiedenen LEDs experimentiert und so tolle kreative Gerätschaften zusammengebaut, mit denen er atemberaubende Bilder schafft. Christian ist geborener Kieler und hat 2015 mit dem Lightpainting begonnen. Seine Brötchen verdient er sich als ITler, das Lightpainting ist nur ein Hobby für ihn. Ein schöner und kreativer Ausgleich für ihn als ITler, wie er sagt. Hier findest du Arbeiten und Infos zu Christian Lux: https://ch9x.de/ https://www.instagram.com/lichtkunst_ch9x/ Wer bin ich? Mein Name ist André Leisner, gebürtiger Kieler und jetzt in Lübeck lebend. Mit meinem Podcast möchte ich Dir einen Einblick hinter die Kulissen eines Berufsfotografen geben und Dir nützliche Tipps zum Thema Fotografie an die Hand geben. Mehr über mich erfährst Du hier Webseite: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://photography-leisner.de⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Youtube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@photographyleisner/about⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@photographyleisner⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/photographyleisner⁠⁠

https://weekly52.de/weekly/349 . „Menschen in ihren Bewegungen und Dynamiken festzuhalten, darum geht es mir in meinen Fotografien. Meine Live-Lightpainting-Inszenierungen basieren auf der Faszination des Unklaren. Der Betrachter meiner Fotografien weiß nicht, wer die Menschen sind und was sie bewegt.“ Bert Silzner Wir reden über seine Lightpaintings als Aktionsperformance mit Licht, Dunkelheit und Bewegung. . (00:00) Eventmanager, Künstleragent und Fotograf (05:00) Lightpainting beim Olympus Playground (10:00) Langzeitbelichtungen: BULB, LIVE TIME und LIVE COMPOSITE (17:30) Experimente mit Langzeitbelichtungen (24:00) Behind the scenes in der Werbe-Fotografie (27:00) Von Olympus zu OM SYSTEM als Marke von OM Digital Solutions (29:00) Storytelling für KIA und Smart (34:30) Werbefotografie mit Photoshop und KI (37:30) Bei Fashion geht mein Herz auf (41:00) How to do Lightpainting seiner Lieblingsbilder (52:50) Rusty Heavy Metal Print (59:00) Grabbilder im Wandlungsprozess (1:03:30) Wie sähe meine Lieblingskamera aus? (1:06:00) Features für Smartphones (1:09:00) Outtakes: Erinnerungen und Wunderkerzen . . . . . . . . . . . 47126Ob4k3h3hyr5r5wxobfpw24wfLcg7s5np7f

Join Susan Magnano, a photographer specializing in light painting and night photography, as she shares her passion for capturing unique moments and teaching others the art of photography. From her beginnings in photojournalism to the challenges and rewards of being a photographer, Susan discusses her journey of exploring the night sky, living an RV lifestyle, and finding solace in photography during the pandemic. Discover how she uses her phone as a compositional tool and the transformative moment that led her to embrace her passion for teaching. Susan also recommends checking out the game-changing camera accessory called ATOL and emphasizes the importance of slowing down and experiencing the present moment in photography. Don't miss out on her workshops and unique photo experiences around the world, and follow her journey on Instagram @susan_magnano. Hosted by ⁠⁠Ariel Faith ⁠⁠ ⁠⁠Website⁠⁠: Sign up for a Free Light Painting Guide. ⁠⁠IG:⁠⁠ @susan_magnano ⁠⁠Workshops⁠⁠ -  Photour adventures  Key Lessons • Susan Magnano is a photographer who specializes in light painting, long exposures, and night photography. • Her passion for light painting allows her to create and direct scenes using light sources, making her feel like an artist. • She has found solace and new opportunities during the pandemic by exploring night photography and living an RV lifestyle in Utah. Timestamps 00:00:03 - The Artistry of Susan Magnano: Light Painting and Night Photography 00:02:41 - Mastering the Art of Light Painting in Night Photography 00:05:24 - The Power of Capturing Beauty in Every Moment 00:08:27 - The Challenges of a Photography Career: Finding Consistent Work 00:10:46 - Rediscovering Photography: Exploring Night Skies and Embracing Change 00:12:41 - Evolving Photography: From Light Painting to Compositional Mastery 00:15:51 - Exploring New Perspectives: Photography with a Phone 00:17:01 - From Fear to Confidence: My Journey as a Photographer 00:19:16 - Finding Motivation and Overcoming Challenges in Work 00:21:59 - Transformative Moments in Photography: Teaching and Sharing Techniques 00:24:29 - A Game Changer for Camera Lenses: Introducing Atol 00:27:59 - The Importance of Slowing Down in Photography Work 00:30:40 - Enjoying the Beauty of Hummingbirds: A Mindful Approach --- Send in a voice message: https://podcasters.spotify.com/pod/show/creative-warriors/message

Du 3 au 22 décembre, la Ville de Bischwiller offre à ses visiteurs un programme riche et varié, pour toute la famille ! Balade à poneys, maquillage pour enfants, atelier de Light Painting, manège, concerts, spectacles, crèche vivante et marché de Noël raviront petits et grands ! Le traditionnel défilé du Saint Nicolas marquera le début des festivités le 8 décembre. Le Père Noël prendra ses quartiers au village de Noël pour le plus grand plaisir des enfants. Jean-Pierre Datin, adjoint au maire en charge des festivités de Noël, nous en dit plus.  Le lien vers l'article complet : https://www.azur-fm.com/news/bischwiller-la-ville-fete-noel-des-ce-week-end-1838 

En esta ocasión ,y tras un año de espera, os traemos un episodio que teníamos muchas ganas de grabar, un episodio que trata la teoría del color y su aplicación en el Lightpainting. De la mano de Jesus M. García Flores nos contagiaremos de su entusiasmo por el color y sus diferentes formas de usarlo en nuestra obras. Toma asiento , ponte cómodo y disfruta del episodio. Instagram: @jesusgarciaflores.es Web: www.teoriadelcolor.es CONSIGUE UN DESCUENTO DEL 5% EN LA COMPRA DEL LIBRO CON EL CODIGO LIGHTCAST

“La creatividad es como un músculo”. Con esa frase tan buena te presento a la encargada de inaugurar este año iNight 2023 que tiene claro que cuanto más se trabaja, mejores fotos se hacen. Mabel formaba equipo con nuestra amiga Isa Herrera quien ya no está entre nosotros pero que mantendremos vivo su recuerdo este año en el congreso ya que será un homenaje hacia su persona. Por lo pronto, te dejo este podcast cargado de emotividad y buenas vibras sobre Light Painting. ¡Dentro podcast!

Pedro Javier "El niño de las luces" ha recopilado toda su experiencia, y todo el fruto del trabajo de muchos años en un libro. Ahora llega el momento que sin salir de casa te unas a esa experiencia y a sus escapadas nocturnas. Técnica, consejos, y muchas horas detrás de este libro que no te va a defraudar. En este episodio nos lo cuenta con detalle. Podéis adquirir el libro en el siguiente enlace: https://www.verkami.com/projects/35094-libro-guia-de-fotografia-nocturna-y-light-painting https://elniñodelasluces.es

Bienvenidos a un nuevo episodio de Aportando luz, el podcast en el que hablamos de fotografía nocturna, su técnica, consejos y equipo. En este episodio hablaremos de lightpainting. Puedes ver las notas del programa en https://www.javierrosano.com/podcast/76.

Jesús nos presenta a un fotógrafo especializado en Lightpainting que es capaz de realizar sus tomas con un móvil, Xiaomi para ser más exactos.   Este es un formato exclusivamente en audio y podrás encontrarlo en todas las plataformas de podcasting habituales y en nuestro blog, te lo dejo a continuación. Cada Viernes noche tendrás un nuevo capítulo en abierto y cada 15 días contenido premium para nuestros suscriptores. Te ofrecemos la forma de apoyar esta nueva iniciativa, Suscribiéndote al plan "Carrete Podcast", donde podrás acceder a la entrevista completa que Jesús te ofrece cada 15 días,  "Conociendo a...", una entrevista a fondo y muy personal en la que fotógrafos de todas las especialidades pasan por el micro de Jesús para dar a conocer a la persona que hay detrás del fotógrafo de una manera más íntima y personal   SUSCRÍBETE

Out of The Fotobug vault!  Back in 2017, Jim conducted a lightpainting workshop at the Black Hills Photo Shootout at the Western Heritage Center in Spearfish, South Dakota.  This is an important technique for capturing parts of large objects, such as the one room schoolhouse, and then assembling the layers in Photoshop. Be sure to subscribe to The Fotobug YouTube channel - www.youtube.com/thefotobug 

Kim Henry and Eric Paré are a dynamic duo who use light-painting to bring a burst of color and creativity to the night. With just a tube, a feather, and a flashlight, they transform landscapes into mesmerizing works of art. As dancers and photographers, they have honed their skills in movement and composition to create stunning images that captivate and inspire. Their light-painting is more than just a technique - it's a way of life, and they strive to share this passion with their audience through their work. Over the years, their talent and unique approach to photography has gained recognition on a global scale. They have been featured on prominent media outlets such as the BBC, CNN, MTV, and TEDx, and their work continues to inspire and delight viewers around the world. The purpose of their project is to bring joy and excitement to anyone who crosses their path, and to brighten the world with their vibrant and expressive art. Kim Henry and Eric Paré limited edition and 1/1's are available on Sloika for collecting. Our new show, 1/1: Conversations with Artists, highlights great artists venturing into the web3 space. Sloika is a curated photography NFT marketplace, focusing on the community, code and design. Our mission is to empower creators to build meaningful connections with fans. With Sloika, you can collect and own genuine photo art from limited series by amazing photographers around the world. ------------------------------------------ Website: https://sloika.xyz Twitter: https://twitter.com/sloikaxyz Telegram: https://t.me/sloikaxyz Discord: https://discord.gg/FJpYyVPBY2 Instagram: https://instagram.com/sloika.xyz Newsletter: https://sloika.xyz/subscribe

Photographer Eric Paré and contemporary dancer Kim Henry have built a lifestyle combining passions for performing art, photography, travel, and light painting.

Photographer Eric Paré and contemporary dancer Kim Henry have built a lifestyle combining passions for performing art, photography, travel, and light painting.

Hey Wicked Hunters,  Welcome back to The Art of Photography Podcast. This week we have Eric Pare and Kim Henry, who revolutionise light painting and portrait photography.    Photographer Eric Paré and contemporary dancer Kim Henry have built a lifestyle combining passions for performing art, photography, travel and light painting.   Exploring the world with their light-painting tubes, they create unique imagery mixing light-painting and landscape photography in magnificent locations, sharing every single tip about their techniques along the way. When they are not on the road, you can find them performing studio photography in Montreal where they capture dance using 176 cameras on a full 360° system.   Mixing studio and outdoor photography allow them to continue pushing their limits while keeping the balance between those two complementary aspects of their art. Their work has been featured on CNN, MTV, BBC and TEDx, and they have worked on large-scale campaigns with Audi, Apple, Adobe, HP, ESPN, Intel, Canon and Microsoft. Some recent projects brought them and their team to Coachella, Panorama, CES, SXSW, Xposure and the Olympic Games.   You can learn more about both Eric Pare and Kim Henry on:   links https://ericpare.com/links https://kimhenry.dance/links   Other ways to listen and subscribe to the podcast: • Spotify - http://bit.ly/twhspotify   • Apple Podcast - https://bit.ly/Theartofphotography   • Google Podcast: https://bit.ly/TheArtOfPhotographyWithStanleyAr   • Website: https://podcast.thewickedhunt.com      • Tune In (Alexa) - https://bit.ly/TuneInTheArtOfPhotographyPodcastWithStanleyAr     For those of you who want to learn more about The Wicked Hunt Photography by Stanley Aryanto: • Instagram: https://www.instagram.com/thewickedhunt/    • Facebook: https://www.facebook.com/thewickedhunt/  • Twitter: https://www.twitter.com/thewickedhunt/  • Photo prints: https://www.TheWickedHunt.com/ Don't forget to leave a review on the podcast if you enjoy this conversation. It would help us to get found and help to inspire other photographers. ----------------- Transcription: Kim Henry  0:00   And it was it was not a big success. But when we saw those big tools, those big plastic tubes are like, Oh, I think there's something there. Eric Pare  0:08   So on that night, where we were like, oh, there's something so cool to play with. We're like, what do we do with this? Are we going to keep it as a secret, or we're going to reveal it. And now 10s of 1000s of people are doing this.  Stanley Aryanto - The Wicked Hunt  0:24   Hey Wicked Hunters. Welcome back to The Art of Photography podcast, where we share artists journey and share how photography given us hope, purpose and happiness. And today, we have someone who is an innovator in the photography industry, someone who actually I followed a long, long time ago. It's such a privilege to have them here today, and being able to hear the story behind not only their photography, but also the innovation behind it, because trust me, it will blow your way. Blow your mind away. So today we have Eric and Kim. How are you guys doing? Eric Pare  1:06   Hi. So good to be with you today. Tonight for us in mourning for you. We'll start right away. I had a question for you. Okay. Stanley Aryanto - The Wicked Hunt  1:17   Oh, right away. I love this. This is great. I thought I was supposed to be the one asking question. Eric Pare  1:23   Do you speak? You speak Indonesian, right? Yeah, I do. I know one word. Okay. And I have no idea how to pronounce it. But I want to tell that word to Kim. Because this is one comment that always come from Indonesian fans. The right to Kim. So if you saw that, Karen Stanley Aryanto - The Wicked Hunt  1:44   Kerim gramme, what does that mean? Yeah, it's actually mean awesome. Oh. Yeah. It's like, oh, grand is like, oh, it's like, awesome. Yeah. Yeah, that's, I mean, you guys are doing really awesome stuff. 100%. You know, when I first come across your work, one of the thing that really intrigued me is just the way you do slide and how you like painted right behind the portrait behind your subject. And I thought it was something that I had never seen before. So when I first saw that right away, I was like, wow, like, that's incredible. And I have I have made a few attempts to buy the tube and everything but I've never followed through with with it. So you know, now that I've gone on a podcast with you, maybe that's my incentive to actually make that happen. But, look, it's so incredible to see how both of you work together, you know, as a as a photographer, and dance and before we can move forward with, you know, all the different question. Tell us a little bit about how did it all get started? You know, how did it all get started for you, Eric as photographer and how it kind of transpires with Kim and you know, half of two different work of art meet together. Eric Pare  3:14   Okay, so I think you already know that's the reference so many photographers, I was travelling with a point and shoot camera. You heard you heard that before? Right? Stanley Aryanto - The Wicked Hunt  3:25   Yeah, Eric Pare  3:28   I got super lucky because as I was very interested into photography, I wanted to become professional. But where do you start? Like if you have no one? Like no, none of your friends? And that it doing this as a profession as a business? Or how do you start and I was super interested about photography, and I had a point and shoot camera, and I was travelling, and I was taking pictures of plants, birds and stuff. And just been lucky. I had a friend and agency and he called me one day. So how can you do that? That gig with us taking pictures of product? And was like, Oh yeah, I bought my first DSLR like the cheapest one I could find just because that that's what I was thinking was a good way to get started. And I killed them. Like my first gig was so great, because it was something that was kind of easy for me with the small experience I had. I think I've been lucky and I did a great job with it. So then I got another one one and then I've been able to buy my first full frame which was a five D one back there. So it's a long time ago. And and then yeah, I've continued to do progressively for a year or two. But it's the passion started to fade out because we're just taking photos of products. I was doing personal projects where I felt Like it was not bringing anything new, so kind of faded out. My, my professional is programmer. And that Job was giving more liberty, I was able to travel and do programming, but photography, not that much because I had to go to places early in the morning. And I was like, oh, not too sure if it's for me. So I got quit for a few years, until I got contacted to do a project in 360, with cameras and programming. So I had to cold the whole system to connect all of the cameras together. And that changed my life. Because this is so cool. And the first project I did introduced, you were just live events actually, in people's jumping, not the most creative things, but I felt like there was something to dig into with this technology. So after one year of going on tour with the that system was only 20 Something cameras back then was like Okay, let's try to see what we can do as an art firm with this. So I set up just a small system with 24 cameras in the studio. And this is where I met the year old kid Henry. Stanley Aryanto - The Wicked Hunt  6:29   That's a good segue. You are a dancer how Okay, okay, thank you. Yes, I can't, I can see how you guys work really well as a team. Eric Pare  6:50   I felt like I spoke too much. So I wanted to give you the ball. Kim Henry  6:57   So if I can, like, fill the gap from before we started working together and what brought me to that place, let's say. So I was a gymnast for many years, like I did competition. And then I decided to study dance. And I was doing mostly like, very high athletic, acrobatic stuff. I was fascinated by details, but also like, Yeah, high intensity movement and stuff like that. And at some point, I got injured, and I got like a surgery. And I was, at that point, I was actually wondering like I was reconsidering my career as a whole. And interestingly enough, like that, let's say that constraint became like, actually a new opportunity to, like, see a new perspective, a new way to, to see the movement and to see dance and to approach dance differently. So I became fascinated with more minimalistic dance during the time that I could not actually move. And during that process of, yeah, getting interested in like state of presence and minimalism, and what was actually like, how could i Master my body in those very subtle ways. This is where we met. He was doing light painting with dancers in 360. And like, painting is like long exposure time. So the person has to stay still and not move for very, like, a few seconds. And that was exactly where I was at. At that point, I was looking for a way to. So it became like, kind of a dance of stillness. So how to fulfil the body, in stillness. So Eric Pare  9:08   what she's not saying is that she changed the project because she was so precise. Sure, so perfect with this stillness, something I've never seen before. It wasn't my beginning. It was just a few months old with this technique. And I've never seen something like that before. She she was so good with this. And she became the face of that project that we did in early 2013, nearly 10 years ago, actually. And so that project took life. It's brought a lot of new opportunities for me, but I didn't know her. She was part of the project, but I worked with her for one hour and that was it. So after one year of surfing on that project, I decided to contact her back to see what what's next. Where do we go from here and, and then we started really to work together. So long, much longer story. But we started to travel together and to create more. So I'm not taking pictures of Kim we are dual, we work together. She's a big part of the creative process. So many of the ideas you see in our images come from her. And yeah, it's been a while now. Kim Henry  10:30   Yeah, yeah. So it's super interesting how, as you said, like, are two very different paths and expertise actually meet in that art expression that we made like ours? Stanley Aryanto - The Wicked Hunt  10:44   That's incredible. I it just got me excited to have both of you here. And I was so happy when Eric, you know, say that, you know, you're gonna rock him in there. Because it's like to have my passion, you know, that I have in life kind of collide together, you know, dance and photography, that is just incredible. And I love hearing that story. Right? It's, I mean, when it comes to photography, we see it over and over again, that we love it from the, for the creative part of it, but many of us cannot lose that. lose, lose sight of that, throughout the journey, because you know, whether we're looking for that followers, the numbers or you know, try to make money off of it, and that kind of fade away. So I think it's really important to understand to remember why you can get into it, and what's the biggest purpose? So that's incredible. So I could say that is so talk to me a little bit about the 360 project, like what is that project? How did it come? Why? Why did the project what what was the project there? What was the main purpose of that project? Eric Pare  11:59   So the first project was for Chevrolet cars, and it was during a tailgate for a football game in Quebec City. And I was hired to programme the system to connect all the cameras together, and, and show and push the final video on social media. Because back then we were pushing your videos directly to Facebook. So the folks were coming in the centre of our structure, they were jumping, we're triggering the cameras, and then they were able to share the image. So it was x experience experience or experiment. Expert No, not experiment, but if it experience for the users with a brand, okay, yeah, Kim Henry  12:50   so at that point, it was really, it was not artistic. It was like a brand paying for a really nice, cool experience for the attendees. Eric Pare  12:58   Yeah. But there was so much to do with that kind of system. And just this is what I've been pushing for for the past 10 years is to see what we can do with this. And that's how I grew up because back then was was 20 something cameras, and now I'm had 176 in one structure, but I have 400 cameras to haul and the reason why I have that many cameras is because we've been doing so many projects, and sometimes we have to ship cameras to different country to make projects. So in the end, like I'm here with tonnes of cameras, and tonnes of creative projects, mostly interest Exede, which also 3d scanning with a different kind of installation. But my playground is really the 260 it's it's an all theatre that we turn into, just create a playground, with no windows just pitch black. And we have the subject in the centre of the rig. And then I do either like painting or we do dance movements, we experiment. And we try to improve the technology because we also teach how to make that kind of system, how to use multiple cameras together because the software we did back in the days, it's still maintained, it's still developed today. And we power up tonnes of agencies and companies studios working with that kind of technology. Kim Henry  14:29   And in our case, like what is interesting is that it's a very like complex setup. It's a lot of technology and there's a lot of work behind it obviously like for the software and everything but it's it's really how to put all that technology like how to use it for the art how to apply it for the vision like the visual, the artistic vision. Eric Pare  14:55   So, if you remember in 2013 When we were We're working together after a sequence we were going outside of the rig. And we're looking at the playback on the one camera. So we couldn't see the 360. Right away, we had just guess what it would look like. And we were editing from one camera just to see if the light was good. So we're scrolling on the one of the 24 cameras just to see if it was okay or not. And then it would take hours to download all of the files, and maybe some were good, maybe not. And now we push the button and have full result is really within a few seconds, fully calibrated and, and ready to do view. So yeah, we, we worked a lot on that we have a team here working on the software on the hardware, so we have technicians and and now when we go in the studio, we can play without thinking too much about the technology is it going to work or not, it is working, because this is what the team is, is there for. Stanley Aryanto - The Wicked Hunt  15:56   That's, that's incredible. And so you guys are literally the grandfather of 360 cameras, then Eric Pare  16:04   I don't want to say that, I don't feel comfortable with that. Because other companies were there before me, there are a few other ones. But the way I use it is the way I want to live my life. And I'm lucky to have access to this. And I work for this of course, but like I made the choice to have that, that permanence to do and we're not many and currently to that kind of thing. And but I want to keep doing this because I feel like we're into something quite unique, super interesting. And every time we go there, we know that there's something else to to experiment with something else to discover. Yeah, that's cool. Same with with photography with one camera, but when you have unrealistic 66 that you can start to think about other ways you can trigger the camera to make different kinds of sequences and, and play with the with the time and space in 3d. So it's endless. It's mind blowing, it's Stanley Aryanto - The Wicked Hunt  17:09   like when you get a camera, like you have one perspective and you get to you know, like, if you have a 360 camera, then you have so many different perspectives that you can play around with. Eric Pare  17:20   Yeah, but that's a good point. And that's how I learned like painting you truly, because back in the days, there were not there were no tutorials and like waiting for me was just like writing your name with a flashlight. It was not interested in that. But the technique I crafted was to do everything in one second because I wanted to have a very sharp subject. And as I was building this, I was doing trial and errors, but I had access to 24 angles. So I learned faster because of that. So when you have one camera, you see the result, but the result of just four with five degrees difference is totally different. And having access to all of those files made me learn so much quicker than that is glad for that. But it's very helpful for me. Stanley Aryanto - The Wicked Hunt  18:06   Wow, that's actually so cool. So I have a few questions for QA as well. But before we get to that, I'm interested on how you tell me that you know, the first thing was the point on shoot, and then you get into the 360 project. Now, where does the light painting came in? Like, at what time you go like, you know what, I'm gonna start doing this really cool stuff with the light painting and create, you know, circles and you know, sparks and pattern and all these incredible stuff that I have never seen before. Eric Pare  18:40   Yeah, and it makes sense. Once I explained the reason why because I had no interest with like painting, as most people refer back then because I didn't know any like printers doing professional work. I found a few while researching for that. But prior to that, like like I think we're just making like growing hard to notice at all. However, as I was saying, I was in a very small studio with 24 cameras. It was so small and I had experienced with strobes likes to do lightweight softbox these big things, but I couldn't use that because it was too big. And I was lighting up the whole rig with my with my lights. So I had to find a way to use very concentrated light around my subject. So I took a flashlight and I started to draw around around my subject and it worked. And then I started to get more interested and I found really good light painters like there was already something back then. So some very inspiring artists and I worked with with one of them and he's actually in Montreal, Patrick fashion which is one of the best painters in the world. We don't hear much about him now because he's not very active on social media, but Is is so good with this. And I saw him working. And he was doing like a one minute exporter and crazy light. And it was like, Oh, that can be something like there's something there crafting the light by hand. It's so different this is this is so different. So from that point, I was not behind the camera, it was with the subject in front of the camera. And I wasn't interested to do super long exposure, because I wanted to have a very sharp subject. So this is how I came up with that once again, exposure technique. But then how did we bring that outdoors that happened with him a few years after a boss, I'm passing the ball. Yeah. Do we go there? Stanley Aryanto - The Wicked Hunt  20:41   Yeah, let's go. Kim Henry  20:42   Yeah, so we were back. In 2015, we were teaching light painting in studio. We've been teaching since the beginning, basically, but and every time like we were, every time we would do a workshop would ask for people to like, would try to get some new tools and different stuff the day of so we could actually show people that we can do like painting with basically anything. So flip flops, Apple and things like that. And a friend of us, we were in in San Francisco, and a friend of us actually recommended us to go to a place called Tap plastic, because we could find some plastic stuff and acrylic. And we got there. And then we're like, was it for four feet, four feet long plastic to make for like, fluorescent to cover fluorescent lights. And we're like, oh, that could be a really nice tool. It's a very big tool, because we've been trying maybe a few months earlier to bring like painting outdoors. And it was it was not a big success. Like, we were not satisfied. Everything was very visible. And we didn't have like high quality. So we just leave it at that for that moment. But when we saw those big tools, those big plastic tubes are like, Oh, I think there's something there. So we took one thing, yeah, just one, we only bought one we bought like other stuff for the workshop. And we did that. And it was it was super fun. But that night, we went out on the beach with that same friend. And we just started with the same flashlight that we had the same. And it was actually good. Yeah, it Eric Pare  22:33   was exactly the style, you know, of us working outdoors at the blue hour with one circle. This is exactly what we created that night on the first night trying something with that long do we define that style that is much more popular than anything else we've been doing in 360? Because this is accessible. This is how we created a community. It's by teachings on that night, where we were like, oh, it's something so cool to play with. We're like, what do we do with this? Are we going to keep it as a secret? Or are we going to reveal it? And we decided to just share everything. And that was a good decision. Because it's it's got to be easy. It's accessible. It's not expensive. And now 10s of 1000s of people are doing this. It's so cool. Stanley Aryanto - The Wicked Hunt  23:23   Yes, that is the right word. It's so cool. Because like, I'm getting goosebumps right now just like hearing you get like you're you guys explaining this, but like, like, I looked at it and what's really cool about it is you know, with with with light, as you can experience, you can create a smooth or like a sharp thing, especially at night with photography. And you create that and you create the dynamic you you can use an even like you create, like with the tape to create a different pattern and then you have sparkles on the you know, the outside. It's just so cool. Like, you know, like, we always think How did you come up with that and it's so cool to hear the story behind it. So, so then now I can call you guys the grandfather of the tube light painting then is that right? Eric Pare  24:25   I will never claim that I invented that. Okay, some people do but like PT has been there forever. And some people we found after afterward that some people were especially German people were using similar tools but did nothing the same way. But we found one picture that is very aligned with what we do and in dates from way before we were there probably in the 90s Okay, and I have to find that photographer. It's a it's a music album and the cover is with the tube picture and I don't want to reveal that show now. But we'll come back when they would with the answer. But yeah, so I never claimed that I invented that. But clearly, we made it popular. And that's super satisfying. Can we read something we just received? We just receive a message? I think it fits well with the topic. Stanley Aryanto - The Wicked Hunt  25:19   100% Jump in. Eric Pare  25:23   So yeah, I was thinking, Stanley Aryanto - The Wicked Hunt  25:25   is this the Indonesian? Is it Indonesians as well. Eric Pare  25:29   So so someone on Instagram shared our work, and I just replied, thanks for sharing. And she she replied with this. Okay. Kim Henry  25:39   My pleasure. I love you guys work and have learned a lot from you. You inspired me to light pain to do light painting to begin with. And I followed your journey for many years now. I am always impressed with each new creation, you and Kim come up with. Fun fact, I met my partner while I was like painting on the beach because he was doing the same thing. And we bonded over both having followed you and learned from you. I can't emphasise enough how cool I think what you do Eric Pare  26:09   is it's so much more than the it's making people connect and become life partners. Stanley Aryanto - The Wicked Hunt  26:18   What do you want more than this? Wow, Eric Pare  26:21   she made my day for sure. Stanley Aryanto - The Wicked Hunt  26:24   That's incredible. And this is why I love having people on the podcast this because this kind of stuff you wouldn't hear otherwise. Right? And it That is incredible. You know? That is? That is so cool. So like, you know, I got a funny question for you. And you know, Erica, earlier in, in when we first can chat here in the podcast, you can assess like, Well, I'm very technical. And then Kim is the creative one. So I'm just wondering, how much of that, you know, from the photography? How much how does the creativity work between the two of you? How do you come up with the concept and you know, the pose and the lighting and the landscape? Because you do think about that, you know, when I see your photograph, you think about where you put it, you know, where, whether it's at nighttime with the stars, or remember, you're posting something with the tail of the Milky Way, and you're like, I don't know where the Milky Way is, but the tail is still pretty beautiful or something like that. So how does that creativity work between the two of you to create this masterpieces? Eric Pare  27:44   For me, it's trial and error. I know you try a lot of things. And so sometimes you see all of this is working. So then you jam on that and then gets you other ideas. A lot of my work is based on constraints. Okay, so as I was saying, on 360, if I use like painting was because of the constraints, and I impose myself a lot of constraints, like I'm never using a flash outdoors, even though I know would be easier to freeze my subject, I don't want to go there. Because I feel like there's so much more about using a single source of light that you use to light up your subject have the trace of light, it feels like everything blends well together. So I I keep my thoughts on that. So there is that constraint that is helping the the creative decisions, the the overall identity that we crafted over over the years. But then can keep keeps challenging me about things that I'm like, It's not possible. Don't even think about that. Kim Henry  28:47   And I try it anyway. Eric Pare  28:52   And the best example is one day, she was like, Oh, I can I could like take sand in my hands. And then you do the circle. I was like, No, it's a long exposures not going to work. And of course, that's super pretty because she she's good with that kind of thing. She's super precise, to start to release the sand one hand after the other while I was doing the circle, like perfect timing, and she got it the first night. We try that. Kim Henry  29:21   If I can add to that, I think we're both very curious people. And we both really like challenges. So we'd like to push or the limits of what we think is possible. And yeah, we always use constraints. So let's say I usually say as a joke, like, I like plans, sometimes we plan thing, but what I like even more is to change plans. You know, like when the plan doesn't work, or doesn't seem to work then how do we adapt, adjust and come up with something and play with what is here in front of us. So I think it's a I don't know if it's a philosophy, but it's a way to approach our creative life. And life in general, I'd say Stanley Aryanto - The Wicked Hunt  30:08   100% 100% I think that is a lot of how, you know, like, I, when I hear Eric is like, very logical, it's like, well, we try this, it works. And then we kind of just, you know, change it up. And then it's just like, Yeah, you know, let's just try something crazy. Yeah, I can see how you know that dynamic really works. Kim Henry  30:28   But I'm also very analytic, like a, like, joke, as I'm very like, up in the air. And, you know, but I'm very analytic. And I like to, and I'm usually the one who, when we do something, let's say almost by luck, and we're not sure how it happens, then I'm the one who tries to dig and understand and like, figure out what what we did. So we can actually do it again. Maybe you're just so I'm pretty nerdy as well. Eric Pare  30:56   Yeah. And that's very helpful for me, because there are so many details that I don't see. And she's, she knows, like a lot of things that it's just too much for me. And that's, that's also why she's helping a lot in when we have, like corporate games here this to do, like we get hired by brands to do stuff in 360 and work with dancer sometimes. And she always like, finds the little things that we can improve. And like she does creative direction here, things that I'm so clueless about. So, super lucky that she she sparked up this whole story. Kim Henry  31:35   Yeah, so I guess once again, it's like, complementary strengths that we put underneath. Stanley Aryanto - The Wicked Hunt  31:41   Yeah. Wow, that is really cool. So now I kind of want to ask a few questions for Kim. And, you know, you mentioned how you were a dancer and you got injured and and then you, you have to explore a different a different technique or different way to express yourself to dancing. Now, when I see this with photography, like, like what Eric mentioned earlier, they're just incredible. Because, you know, it's so sharp or for that long exposure, you can see a very good details on yourself. What are some of the techniques that, you know, that that you can share? So the, you know, the audience who are, you know, attempting to, to do what you guys are doing can get the same result? How can you stand still, for that long, you know, such a long time. With such, I could say, quite complicated poses as well, like, you know, it's not just like standing up, right, you have like your hands here. Really, really elegant. poses? Kim Henry  32:55   Um, good question. Well, I guess the first thing is communication, I, Eric needs to let me know, like, we have a way to communicate that, in order for me to know when he's about to trigger, and when the exposure ends. So that's one thing. We, when we teach, we always say people, we always tell people to hold their breath, because that's a very technical aspect, but it helps because even like the movement of the lungs, like, when you inhale, I'd say it's going to create movement in the body, which is enough to make the person's blurred. But more on the like, what practices I think are helping me to achieve this. When it comes to, like, it requires a lot of focus, like to be able to sustain focus and concentration for a long period of time. So any meditative practice helps in that regard. Also, like while we shoot I do body scan to make sure that my my limbs are like, at the same place not only at the same place but also that my body is still vibrant and alive and full of energy if that makes sense. Because otherwise like when you stay still for a long period of time, like the body tends to like get stiff a bit so yeah, and I train so like so my body and muscles are able to maintain like a position for for a bit because we don't think about it but let's say even just lifting the chin for a minute you can already feel like the weight of the you know the head that is heavy. So, so yeah, I don't know. It's a it's practice. And between, I'll say, like, whenever I can also, I will move between poses between like, Eric Pare  35:11   I thought you were chasing mosquitoes Kim Henry  35:14   that also different circumstances. So yeah, I just do like a reset of my bodies in my state of mind whenever I can. So I'll like move it and like shake it off to make sure that I stay like, present. Stanley Aryanto - The Wicked Hunt  35:34   Nice. Yeah. Yeah. So like, you know, you train your muscle and you know, so that you can have the strength basically, to keep it still. And then you also relax and come back to it to kind of reset. So yeah, that 100% That, that that's really cool. Kim Henry  35:49   I'll add to that I train my mind as well, because we shoot in like harsh conditions, sometimes, like cold, high wind mosquitoes. So I yeah, I think I think it requires, or at least I developed an endurance. Like, in that regard, as well. Stanley Aryanto - The Wicked Hunt  36:14   Cool. Yeah, no, that's awesome. Let's get to learn. And I'm sure the listeners can can learn a lot from that. Now, one thing that I'm interested in is to hear you know, it's been a long journey for you guys. You've been doing this for a long, long time. Was there? What was the hardest time that you have to come across? Was there any time where you maybe you almost quit? Maybe you you start? You know, not enjoying what you do? Or whatever it may be? Do you have any some sort of struggles that almost, you know, a struggle that that probably the biggest struggle that you've ever come across during your journey? Eric Pare  36:59   Can I take you Yeah, no, never. I've never had that. No, never thought about quitting never had any big struggle with having fun. And you can see, like, based on the result, it's a game we're playing in. It's just too much fun. So I definitely think I'll grab that Kim Henry  37:19   one. Well, I think the fact that we have many pillars in our creative journey, like we have 360, we have the outdoor light painting, and we also have like the dense performative, outdoor art, I feel like it's a matter for us. Of which one do we put more energy and efforts in, because we don't do we don't do one thing for a whole year, like we go from one to the other, it's like a, we're juggling with those different techniques, I think, and I feel like they all feed each other, meaning that when we work hard on a project, let's say 360, then we'll discover something and we learned from it that we can apply to outdoor light painting. So it's, it's kind of I feel like it prevents us from getting Eric Pare  38:26   from getting bored, though. So it's a very complete technique because it like we have to keep in shape. And you all know that if you train every day, you're going to be happier because it changes you your brain Okay? And just doing this, this kind of work is training Okay, when we walk for an hour and sand dunes with a heavy bag, just to reach the final point like looking for that perfect Dune is quite challenging. And this is what I really like about this I actually prefer being being like on a trip because I feel like I'm more active now we're in the studio for two two months and I'm not as active right by we have to post process the images that's that's cool. And it's kind of a it's kind of a vacation because we can slow down the pace here the studio, but then we're going to go back in vacation into in two weeks on the road because this also feels like vacation. So when a vacation is the vacation from the other vacation. You don't get bored. Stanley Aryanto - The Wicked Hunt  39:37   Oh yeah, that's awesome. It sounds like a dream life. Kim Henry  39:42   Well, I feel like well, two things I was thinking about. The first one is the fact that yeah, like we say that like painting is a lifestyle and I think that's a bit but Eric just explained like we we know that in order to achieve what we want to achieve We need to be disciplined and take care of our bodies of our mind. So have a balanced life, which means that we don't work all day like we work really hard. But we also like, kind of impose time to like, Take breaks and like do other stuff. And also, what was the other one? Oh, yeah, he always he always says that. We're still at the beginning of something. And I think that that kind of links to what do they call it? Like, the beginner's mind, something like that, you know, like that approach of curiosity and of feeling that we're not at the end of the journey. So we're focusing on the journey itself, which makes it like kind of, yeah, helpful. Stanley Aryanto - The Wicked Hunt  40:50   Exciting. Yeah, it's always exciting. Eric Pare  40:54   I have to just make some precision here, just to clarify, because, like, we're talking with all those, like, beautiful journeys we have, and everything looks perfect. And it kind of is, and but it's might seem to be impossible to reach some time. Because, and because we're also paid to do this. It's crazy. Like we were paid to, to have this vacation and vacation vacation. But it didn't arrive. We can one day, and this is by doing that kind of work for years. And so there was for me, too, is 10 years of trials and error before getting the first bucks from from a creative work. So you have to be dedicated. Of course, it's taking a long time, but it's really worth it. Kim Henry  41:50   Yeah, yeah, I think exactly. It's not like, it's not easy. It's not like your success story. It's it's like, it's also, there's, as you said, like a lot of work on like both of art, like different paths and common one. But I really feel like the way we individually approach our work and our art, artwork is similar in our dedication, and in our way to focus on what we want to focus on, which is the positive, the excitement, the like, the possibilities. But we do have setbacks, and we do have like, it's yeah, it's not always easy. I'll say that. But I feel like it's a conscious decision to like, does that make sense? Stanley Aryanto - The Wicked Hunt  42:50   That is incredible. No, I love that. I love that so much. Because, you know, like, one quote that really stuck with me this year was whatever you focus on become your reality. And I know like going through, you know, all of this journey, I'm sure there must be a lot of struggle that you guys go through, but it seems like you don't focus on that, like, given se, you just focus on the beginner's mind, you know, it's like, oh, well, you know, it's, we're, you know, it's like seeing it's like going to the beach for the first time you're excited. And you know, you always just focus on that next new exciting things like what you can came up with, what sort of innovation you can do with your art and so forth. So I think that's a lot to, to, to learn from, to be able to always enjoy the journey through our you know, even the hardest time and to a point where you guys don't even feel it. I think that's really cool. Eric Pare  43:51   I forget about the negatives. Just like my guts to go against running away. Stanley Aryanto - The Wicked Hunt  43:59   That is awesome. That is so cool. Yeah. So I have a just an interesting question here. You know, Eric, you're very technical. You love photography. And Kim, you're very creative. You like dance. Now? How much? How good are you on doing each other's shows? If we were just for fun thank you know, sup your role and have Eric do the posting and the dancing and the photography? Eric Pare  44:35   I have one most I have only one post. But yeah, we have a few pictures where we switch roles. Just because why not? So it's good for us to play both roles. We learn more by doing this. And that's something we we always mentioned in our workshops is to try to do both roles, because once you understand the challenge of the subject of the model and see due for you to just to get better at directing? Kim Henry  45:04   Oh, yeah. But yeah, I enjoy doing the light painting, I think I could probably get away with the framing habits have something that makes sense. But to change the settings during the blue hour at the speed that he does, that would take me a while, that's for sure. He runs like back and forth every few minutes to change the settings. And Eric Pare  45:26   yes, and I handle three cameras on the field, okay, because I always pin what I do. I'm by myself, yeah, handling three cameras, two different focal length one film me, and I run the largest settings. But I'm used to that because of the multi camera systems. So I'm just used to to handle love technology and things like that. It's part of the fun. But yeah, but I'm sure you'd be good with with one camera, if you can focus on this one and just like, set the right composition and setting, you know. Stanley Aryanto - The Wicked Hunt  46:02   Wow, that's cool. So now I want to talk about you know, your Kim, your latest project. And I've been seeing this in Twitter, I think I saw it for the first time. I think about a few weeks ago, a couple a week ago or something like that, right? And actually, I'm not, I'm not gonna say too much about it, because it's gonna give it away, I'll let you ship it first, and then I'll say something about it. Kim Henry  46:29   So my latest project is called timeless. It's kind of the continually of what we've been doing, or what we've been doing for years, let's say, because when we were travelling, we would arrive on location very, like, early, like, late afternoon. And then we would shoot dance photography. So sunset, dance and stuff like that. So we can we could actually connect to each other. And I could connect with the environment, which for me is very important my process. So So time is is is my baby. It's basically like, What can I say? Can I see what I'm saying everything. Eric Pare  47:21   But it's all about the textures. The first idea you had was to, to use mud cracks, because we've been working on cracks and some desserts. And you were very interested in that texture. And you wanted to experiment with having that on your skin and combine both. But that didn't work. We we played with this in studio for a few weeks. And then we went to replicate that in the field with the real mud cracks, but we couldn't find any. So then the product evolved into other things. And we started to experiment with different textures like salt. Kim Henry  47:55   So different matter, different, different way to immerse myself in the environment and connect with the environment. Be it sand dust, but it's all started with clay. And I think it's whole in line with my fascination for, like presence and like state of attention and intention of the body in connection with nature. So that's, that's how it started. Stanley Aryanto - The Wicked Hunt  48:29   Wow. Yeah, that's cool. Like, I really can feel that, like, you know, the emotion. And you know, when I first saw, I think Eric was sharing one of the photo from that, and then I just can feel that emotion and you know, with how you use the sand and use that dynamic with with your movement, because there was a lot of movement in that in that in that photo. Ironically, but not gonna steal oil. There's a lot of movement. So yeah, that's, that's really cool. Thanks a lot for sharing that. Sorry. Yeah, Kim Henry  49:01   thank you for asking, Well, what I'm trying to what we're trying to do with that is to kind of encapsulate really, like, short moment of ephemeral performances, because that's what we do when we're outside. Like, I'm not posing per se, I'm really performing dancing, and we don't actually talk Eric is there you take pictures, videos, but it's really like it's a short moment of performance that we're trying to capture basically. Eric Pare  49:36   Yeah, I don't direct her because I have no idea how to do that. So I'm going to give her some indications like can you turn 90 degree because the sun it's better on that direction but that's that's about it and the rest is all her ideas and her way of moving song. I'm just here behind the camera, taking pictures, but that's mostly her her thing Kim Henry  49:59   like Once again, that could exist if it were not from that collaborative process because it's a very personal project. And I wouldn't do it with some somebody else and Eric because I trust him. I know his vision I, I trust his artistic input. So, so yeah, I feel like it's my performance. I kind of it's a very vulnerable state when I perform. But obviously could not exist if he was not on board with me. Stanley Aryanto - The Wicked Hunt  50:38   Oh, yeah, that's, that's really cool. So just to kind of understand a little bit about the process. So you know, you kind of get into find your location. And basically, it came you do your dances and your movement? Is that right? And then Eric was just there to observe and then take photo whenever you feel it feels like it's a good frame. Eric Pare  51:01   Burst Mode, I just continues to burst mode. I have no idea what I'm doing. Love that. Stanley Aryanto - The Wicked Hunt  51:20   So, Erica, I was still wondering when you take photo of that, do you? Like do you know what Kim was? Yeah. Do you know what Kim was about to do? Like, or have you ever seen the movement? Or is it like, absolutely new, just go like, whoa, okay, that was cool kind of thing. Or it's like, okay, you know, this is where she can usually take his and so forth. Eric Pare  51:45   Alright, so I never watched movies, okay. But I used to back in the days and sometimes I would ask my friend, if you can we go to watch a movie and I don't want to know what that would be a lot of surprise. Okay. And sometimes I feel like it's like this with Kim. Okay, so I'm behind the camera. I have no idea what's going on. I know it's going to be a show. Okay. And I'm the lucky one, assisting this wonderful dance show. And I get to click the button. And that's about it. But yeah, it's always fun to the witness. I feel very lucky to be part of this. Stanley Aryanto - The Wicked Hunt  52:23   Wow. Yeah. No, that's cool. I I'm much the same. Actually. When I steal movie, I hate watching trailers. I just go like, that looks interesting. And you know, I want to watch it. So yeah, that's, that's really cool to hear. Well, guys, we're kind of hitting the one hour mark. And you know, it's been so much fun. It's so much pleasure to hear to have you here and to hear your story. Now, before you go. One last question that I always ask my guests. And both of you can give me one each right. I saw Eric's getting tense. Eric Pare  52:56   What's that question? I know. I'm not Stanley Aryanto - The Wicked Hunt  53:03   awesome. Well, you know, just you just say this earlier. You just say that you like surprise. So here's the surprise. If there was one advice that you know, you could give to an audience or to your younger self, or you know, to anyone in this world, whether it be photography live or whatever it may be, what would that advice be? Eric Pare  53:30   Yeah, so I'm going to be okay, I guess I'm saying that to myself, just because I doubt that, but everything's gonna be okay. Just keep doing what you do. Should I give? Kim Henry  53:45   To my younger self? That's a good one. Let me think, I guess, I guess I would say to not take things too seriously. To connect to the playfulness, and to the curiosity, and yeah, probably like to trust your intuition. Stanley Aryanto - The Wicked Hunt  54:18   Yeah. Wow. That's really great advice. So have fun, and it's all gonna be okay. That's perfect. It's so simple, but it makes sense. Like, where are we complicated ly so Kim Henry  54:30   yeah, but not not in the sense that not in I don't mean this in a like denial way. Like it's going to be okay. You're not going to face anything, but just to trust that you actually have the tool to face whatever you're gonna have on the path, you know? Stanley Aryanto - The Wicked Hunt  54:48   Yeah. Wow. Now that's that is a great advice. All right. You guys really appreciate your time here. I really enjoy having you here. So much fun talking to you. You guys are just You know, such a great human being, hopefully I get to connect and actually meet you guys in person one day. But for the audience who want to get in touch with you who want to learn more about what you do, because I know you guys are teaching and sharing so much knowledge on, you know, to paintings and all this stuff. And perhaps for those of them who want to sign up to your workshop, what is the best way to connect with you and to find you. Eric Pare  55:26   So we rarely do workshops, while we did a lot in the days, but I think we do two per year. And it's always organised with bigger organisation. So we don't do any by ourselves for the moment. But we teach everything online on YouTube for free, never charge anything for, for tutorials, all of the knowledge is there. And you can find all of the links from tube stories that TV Stanley Aryanto - The Wicked Hunt  55:54   by and fantastic and I'll be sure to put that you know, that link on the description as well as both of your social media so that you know people can connect, connect with your work more and see more of your work. And if this is the first time of you. For listeners, if this is the first time that you heard, Eric and Kim, man, you're in for a treat, just just go into social media trust me, you know, I'll buy you ice cream if you don't Yeah, no, no, but if you if you guys get intrigued with the with the with, you know, with their work, it's the other way around. You guys buy me ice cream, so I'm ready to eat a lot of ice cream. But um, yeah. Thanks a lot, guys for being here. I love talking to you guys. There's just so much fun. Perhaps one day, we'll have you back. And we'll have we'll cover a different topic. But it's been such a pleasure. You know, I follow your work for a while. And I've seen what you did with photography with lights and innovation that you put in the space and how you share a lot of this with the people. And it's it's just been an honour to be able to actually talk to you guys, and have you guys in my podcast sharing these inspiring stories. So thanks a lot for being here, guys. Eric Pare  57:22   Thank you, Stanley. We're super happy to be part of your wonderful podcast. Yeah, it Kim Henry  57:26   was a pleasure. Thank you so much. Stanley Aryanto - The Wicked Hunt  57:29   Fantastic. Well, weekenders thank you for very much for tuning in. Hopefully you get a lot of gems from that. And if you haven't already done so make sure you check out both Kim and Eric as well as their work. Dances and Kim's latest project is something that are quite enjoyed. Actually, there's so many emotions in just a stillness. So make sure you check it out. But with that being said, if you enjoyed this conversation, make sure you leave a review on on the podcast on the platform so that more more people can listen in and heard about them. But with that being say, keep creating, keep shooting and I'll see you guys next week.  

El Congreso de fotografía de larga exposición de Ares (LEA V) que ha venido organizando la Asociación Fotografía Ferrolterra se celebra este fin de semana entre Muras y Ares. En la quinta edicion de este evento participan desde el jueves expertos en fotografía diurna de larga exposición como Luis Cagiao, o en paisaje nocturno y estrellas como Julio Castro. El congreso, que se desarrolla en el Monasterio de Santa Catalina en Ares, celebró una primera jornada en Muras (Lugo), una de las zonas starlight en la que la asociación desarrolla muchas de las actividades de astrofotografía. Julio Castro y Rafa Ruiz protagonizaron allí una Master Class de Fotografía. este viernes y sábado es el monasterio aresano ubicado en Montefaro el lugar en el que también participan ponentes de la talla de Antonio M. Tomás, Paulino Gasalla, Frodo Álvarez o Felicita Russo que acercarán a los asistentes a las técnicas de astrofotografía, Lightpainting y Darklight.

Carles Domenech estuvo en iNight este año con un stand lleno de herramientas. Siempre ha estado comprometido con la Academia de Fotógrafos y a mí me encanta ayudar a alguien emprendedor y generoso como él. En este programa nos cuenta qué tendrá en su stand de Alcañiz, las sorpresas que hará sobre el escenario para enseñar a todo el mundo su arte y, por último, cómo será su taller el sábado por la noche. Te recuerdo, el 1 de octubre tienes una cita conmigo y con todos estos artistas: https://fotoalcaniz.com/ ¡Dentro podcast!

On this week's episode of the B&H Photography Podcast, we continue our coverage of the 2022 OPTIC Conference with two highly invigorating segments about exploring the world after dark. Our first guest is Susan Magnano, who specializes in luminescent night painted portraits. Our chat is revealing on many levels, from the balance of careful orchestration and randomness inherent in her portraits to a mention of the OM Systems OM1 as Magnano's newest secret weapon. After delving into her playful yet powerful arsenal of lighting tools, we gain insight into her multifaceted career—from beginning at a local newspaper to her currently thriving wedding photography business, and her upcoming schedule of intensive photo workshops. After a break, we welcome Sigma Ambassador Jack Fusco to discuss his unique blend of astrophotography with idyllic nocturnal landscapes. During our conversation, Fusco distinguishes astro work from deep sky photography, weighs the differences between DSLRs, the latest in mirrorless cameras, and even mobile phones such as Google's Pixel 6 Pro. In addition to elaborating on his favorite Sigma lenses for nocturnal imaging, Fusco provides insights about advanced accessories such as star trackers, all the while offering encouragement to anyone seeking to embark on a new adventure chasing the stars. Please join us for these otherworldly conversations about photography at night.  Guests: Susan Magnano and Jack Fusco Photograph © Susan Magnano For more information on our guests and the gear they use, see: www.bhphotovideo.com/explora/podcasts

En éste superprograma de Lightcast, nos desplazamos a Toledo para disfrutar de un fin de semana en compañia de grandes compañeros y amigos lightpainters con un denominador común, todos fuimos en su dia alumnos de Riders of light. Un fin de semana festivo en el que nos pusimos al dia y hablamos de como hemos evolucionado y hasta donde hemos llegado.Una edición Fresh de Lightcast en la que Loren y Javi por primera vez retransmiten desde un mismo sitio fisicamente. Sentaos a verlo u/o oirlo cómodamente y disfrutad de la comunidad lightpainter (no todo son fotos). Un saludo a todos y bienvenidos al verano.

Pappadopolis Returns! Over 2 years since his first appearance, he returns as we catch up on what's been going on and new things he's discovered. We of course talk Twitch streaming and video games, picking up from his first episode. We talk about his growth on the platform, the variety of games he streams now, and new opportunities, including light painting. Pappadopolis also continues our conversation about Men's Fashion. I ask how his fashion may have changed during the pandemic, and the timelessness of certain pieces. You can find Pappadopolis at: https://www.twitch.tv/pappadopolis84 https://twitter.com/ItsPappadopolis https://www.instagram.com/itspappadopolis/ Listen to Pappadopolis' original episode at: https://talesfromthefandom.libsyn.com/episode-162-pappadopolis Get 10% of your order of Woodmarks, Tolkien style maps, and more from In The Reads by using code TALES10 at checkout. Visit them at: https://inthereads.com/

We've bought an NFT that's in the mint phase every day for the last 6 months on our path to 365 days ending on 11.11.22. We minted on 15 blockchains with a wide variety of projects from pfp, music NFTS, fashion, gaming, P2E and of course one of one art. Yesterday's purchase for #Mint365 was this amazing light-painting by the powerful duo @ericparephoto & @kimhenry.dance This art is simply stunning but their story and experience as creators in Web 2.0 and now Web 3.0 is equally amazing. And you're in luck as today's #NFT364 episode 188 is an interview @isocialfanz did with the two of them and it's 55 minutes or amazing insights that will inspire you no matter what type of creator or artist you are.. Some highlights from the interview:  Started in the 360 studio, started playing with strobe lights, which moved to flash light, then eric went to make the first video with the tubes and it went viral. Next, they moved outdoors and that's when the pictures really started to take off. You have to be super quick to change the settings cameras and make sure your foot prints are not noticed in the shot. They went from a small tiny studio to traveling the world taking pictures. One day they came up with the idea to use a tube that lights up, and if used the right way would leave an incredible light trace. They have 8 people on the team doing camera work, making these tubes and creating the production. Minted 9 images sold out within a week for their first launch, they have dropped 12 collections so far. Some with great success and others a slower burn. They've had a great time work with the Sloica platform with no issues. Collaboration sounds exciting but it not as easy. But in the long run looking forward to it Give our amazing guests a follow:  Long-exposure 1/1 photography: https://nightreflection.com Kim Henry: https://kimhenry.dance Eric Paré: https://ericpare.com Instagram: @kimhenry.dance @ericparephoto Twitter: @kimhenrydance @ericpare Ps. First the 6 months we only included 7 one of one artist and are committed to doing better with that over the next 6 months so if you have a someone of one artist please tag them on Twitter with #NFT365 As always: DO YOU OWN DAMN RESEARCH and we hope you enjoy coming on this Mint 365 journey as we buy an NFT every day for 365 days: https://www.nft365podcast.com/mint365 The 1st DAILY Podcast buying an NFT mint every day for a year! SuperPOWERED $ADHD Creator Coins on Rally.IO  The NFT365 Podcast is Hosted by digital futurist Brian Fanzo.  ------- Learn more about the NFT365 Podcast

Fotograaf en podcaster Rudolf van der Ven is onze gast deze week. Hoe je van je hobby je beroep maakt, pizza's eet van de achtervleugel van een Lamborghini, bijna een bezemsteel op een Bugatti laat vallen én je eigen koffie op de markt brengt: ontdek het allemaal in deze aflevering van RoadTrip!

Bienvenidos a un nuevo episodio de Aportando luz, el podcast en el que hablamos de fotografía nocturna, su técnica, consejos y equipo. En este episodio hablaremos de retrato lightpainting. Puedes ver las notas del programa aquí.

Como auténticos grafiteros, o cómo unos buenos artistas del pincel, aprenderemos a hacer caligrafía lightpaintig de la mano del artista Tom hill. Tom es un artista británico dedicado al lightpainitg que durante estos últimos años se ha dedicado de lleno a practicar y realizar grandes creaciones gracias a la caligrafía y a su arte por hacer formas complejas en el aire con pintura de luz. Sus simetrías, sus efectos novedosos, su minimalismo en el lightpainting le han llevado a ser uno de los referentes del lightpainting a nivel mundial. https://www.instagram.com/insta.tom.hill/ https://m.facebook.com/tom.hill.lightpainting https://lightpaintingparadise.com/tom-hill/

Damas y caballeros, seguimos creciendo y nuestra red de podcasts suma un nuevo programa. Se trata de Lightcast, el podcast de los chicos de Light Hunters nicho específico sobre Lightpainting al que podéis suscribiros en: https://www.podcasts.academiadefotografos.com/lightcast/Es un programa liderado por nuestro profe de la Academia y amigo Loren Rovira así como por su compañero Javi García en el que nos hablan de todos los intríngulis de la técnica Light Painting mediante entrevistas, reviews de material, noticias de actualidad… Vamos, que si te gusta esta disciplina, vas a tener que añadir este podcast a tu podcatcher. ¡Dentro podcast!

Thanks for listening. - Website - https://travisvarga.com/ - Instagram - https://www.instagram.com/travisvarga_/ - Facebook - https://www.facebook.com/travvarga - Twitter - https://twitter.com/travis_varga - TikTok - https://www.tiktok.com/@travis_varga?lang=en - Spotify - https://open.spotify.com/show/1ISYLspHPEm6PIp18nYHNi?si=Js_rP-F3SwqCdTA4Jj_h6g - Apple Music - https://itunes.apple.com/us/artist/travis-varga/id1103914896 - Amazon Music - https://www.amazon.com/s?k=Travis+Varga&i=digital-music&search-type=ss&ref=ntt_srch_drd_B01EE432D4 - Google Podcasts - https://podcasts.google.com/feed/aHR0cHM6Ly9hbmNob3IuZm0vcy80YzhmOGU1NC9wb2RjYXN0L3Jzcw== - Spotify Podcasts - https://open.spotify.com/show/1ISYLspHPEm6PIp18nYHNi?si=at4v0bWTRCudPV7Mtfs8Tg - Apple Podcasts - https://podcasts.apple.com/us/podcast/heros-journey-podcast-with-travis-varga/id1553711549 - Anchor Podcasts - https://anchor.fm/travis-varga --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/travis-varga/support

En este nuevo episodio de Lightcast os vamos a dar una muy buena noticia que nos hace mucha ilusión contaros. Ademas os vamos a explicar cómo generar ingresos para que vosotros o vuestro grupo pueda sobrevivir mejor y tener un mayor progreso y visibilidad en ésta temática que tanto nos apasiona.

En este programa de Lightcast os traemos a un invitado de lujo.Ivan Lucío fotógrafo de getafe y el 50% de Riders of Light que junto a Javier Gimenez se dedican a dar formación y soluciones empresariales mediante la técnica fotográfica de Lightpainting por toda españa.En esta ocasión Ivan nos habla de su aventura en solitario como lightpainter y nos enseña úna técnica que muchos quieren hacer y pocos se atreven porque les parece muy dificil,porque no tienen espacio o incluso porque piensan que no tienen el material fotográfico necesario... nada más lejos de la realidad. Iván nos explica y nos muestra todo lo que necesitamos saber para hacer este tipo de fotografías. Esperamos que lo disfrutéis y nos deis vuestras valoraciones y likes en youtube y en vuestras plataformas de podcast favoritas. Artículo Miniaturas: https://ivanlucio.es/blog/?p=5 Contacto: https://ivanlucio.es/ https://ridersoflight.com/ @ivan_lucio_light_painting @riders_of_light Inspiracion: @hernandez_dreamphography @tanaka_tatsuya Materiales: Personajes - https://a.aliexpress.com/_vPC1gu Arbolitos - https://a.aliexpress.com/_vNFYzO Dioramas Acuario - https://a.aliexpress.com/_u7vAMG Puente con detalles - https://a.aliexpress.com/_vBLCfi Jardín Hadas - https://a.aliexpress.com/_uXJnfW Animales de bosque - https://a.aliexpress.com/_v3b1Fq

Les comparto en este capítulo mis pequeñas experiencias en light painting con el hágalo usted mismo de fabricación económica de una espada de luz y de algunas ideas y formas de trabajo en este tipo de técnicas.DIY – Hágalo usted mismo de espada de luzhttps://retratosnocturnos.com.ar/#!/--diy/?ancla=14El Blog de retratosnocturno.com.arhttps://retratosnocturnos.com.ar/#!/blog/Artículos y tutoriales de retratosnocturnos.com.arhttps://retratosnocturnos.com.ar/#!/-articulos-tutoriales/Los hágalo usted mismo de retratosnocturnos.com.arhttps://retratosnocturnos.com.ar/#!/--diy/Mis redeshttps://retratosnocturnos.com.ar/#!/contacto/Recursos fotográficoshttps://www.retratosnocturnos.com.arEn mi web los suscriptores siempre tendrán un pdf, video o documento ampliando y graficando el capítulo del podcast. ¡Te espero! ¿Te espero?+++Quieres estar en contacto, acá toda mi información: https://retratosnocturnos.com.ar/#!/contacto/¡Tus comentarios siempre serán bienvenidos!Canal de youtube “retratosnocturnos.com.ar” https://www.youtube.com/channel/UCMvkEI-DN6x6cWeGuvjsxYw/videos?view_as=subscriber (Videos del DIY, hágalo usted mismo)

John Hartman is bringing us back to the basics and I'm here for it. He believes in the value of relationships. He knows trust is the foundation for those relationships. So go ahead and get in front of your target audience and then build that trust!John Hartman has owned and operated his studio in Stevens Point, WI since 1974. His work has won the highest awards at the state and national levels, including a Grand Imaging Award finalist. He has presented at hundreds of state, regional and national photography conferences. His John Hartman Las Vegas Marketing Boot Camps have helped thousands of photographers grow their business and improve their photography. Since 2014 John has developed a unique version of light painting, which has created an entirely new and profitable product line for his studio.His long and prosperous career suggest that we should all trust his advice!You won't want to miss... -Why an easy high school elective change the course of his life forever. -The reason head shots can be so profitable. -What light painting is and how John incorporates it into his portfolio. -How he manages to have so much fun.Connect with John to receive $100s off his course by mentioning The Profitable Photographer PodcastWebsite jhartmanphoto.com, johnhartmanseniors.com, jhartman.comFacebook johnrichardhartmanInstagram johnhartman11LinkedIn John-richard-hartmanEmail jrhartman@me.com

En este nuevo episodio de Lightcast os hablamos de la experiencia de Loren como jurado en el II concurso de fotografía Nocturna y Lightpainting organizado por Fotografo Nocturno de Mario Rubio. Javier Rosano, Marc Marco y Loren fueron los encargados de hacer el fallo de este prestigioso concurso en el que se presentaron más de 100 fotografías y dónde se podían obtener varios premios. El total de la suma de los premios ascendía a más de 3000€. El concurso albergaba 4 categorías, fotografia nocturna, vehículos, vía láctea y lightpainting. El hecho de poder participar por un precio de 15€ y pudiendo aportar 3 fotografías, ya fueran en una misma categoría o repartidas en diferentes. Pagando otros 15€ obtendríamos más posibilidades de presentar fotos. Al jurado les costó dos duras semanas la elección de las fotografías. Lo que parecía en un principio ser bastante fácil, resulto ser todo bastante más laborioso, Correos, intercambios de Raw, opiniones, el jurado unió fuerzas para investigar todas las fotos como si de el juego de ¿Quién es quién? Se tratara.Tuvieron que ir modificando el podio hasta encontrar las candidatas correctas. Clonados, firmas en las fotos, eliminación de objetos y varias infracciones no permitidas en el concurso que hicieron de este concurso algo surrealista. Desde lightcast nos preguntamos.. ¿Se debe ganar un concurso a cualquier precio? Escucha el programa y danos tu opinión. Web del concurso - https://www.fotografonocturno.com/concurso/ Puedes ver las fotografias finalistas aquí - https://www.fotografonocturno.com/ganadores-concurso-2021 Síguenos en www.lighthunters.es Instagram :https://www.instagram.com/LightHunters.es/ Facebook: https://www.facebook.com/LightHuntersbcn

En este programa de Lightcast hablamos de Olympus o de lo que es lo mismo OM-System, el actual nombre de la división fotográfica de Olympus que ha sido adquirida por Japan industrial Partners. Frodo nos hablá de su reciente exposición Camino de luz , en la que muestra el proceso creativo de algunas de sus fotografías Lightpainting. Info: https://www.facebook.com/photo.php?fbid=10209093898140904&set=a.1676510248915&type=3 También hablamos de halloween el mejor dia para los fotógrafos Lightpainters. Disfraces: www.dondisfraz.com

En este episodio repasamos las novedades de cursos, congresos y actividades Lightpainting. También os explicamos como montar un pequeño estudio semiprofesional para hacer Lightpainting en casa a un precio bastante reducido. CURSOS Viaje fotográfico Cabo Norte con Carles Calero https://carlescalero.com/viaje-fotografico-cabo-norte/ Próximos cursos “El Niño de las luces” https://elniñodelasluces.es/tienda/ Congreso de fotografía FOTO ALCAÑIZ https://fotoalcaniz.com CONCURSOS II Concurso Internacional de fotografía nocturna y Lightpainting - https://www.fotografonocturno.com/concurso/ Concurso Dark Read Team https://www.darkredteam.es/noticias MATERIAL Fondo de estudio - https://amzn.to/2YUOEpk Maniquí - https://amzn.to/3jaYnz0 Flash Yongnuo YN-560 III – https://amzn.to/3BPtvuZ Disparador remoto Yongnuo - https://amzn.to/3lOJnIU Pinturas corporal UV - https://amzn.to/3APasQm Focos para luz continua – https://amzn.to/3DN9WEd Bombillas UV 40W- https://amzn.to/2XnTUkQ Escáner Luz UV - https://amzn.to/3vhZZfb Barras Led UV 6V - https://amzn.to/3FUqUTb

Have you ever thought about getting into light painting? Tried it and wanted to do a better job? In this episode of thepodcast, I talk to prolific light painter, Russell Klimas, about light painting essentials: the equipment and the mindset to succeed when getting into light painting. You can create amazing images even with limited equipment, but you need to have the essentials! EPISODE PROMOS GoodPods Siteground Website Hosting Flothemes WordPress Templates for Photographers and Creatives Wedding Photo Hangover Podcast Unposed Photography Prompts Ocho Duro Parlay Hour Podcast About My Guest Russell Klimas is a hobbyist photographer who is absolutely obsessed with creating shots in camera that most people would consider impossible through long exposure. It's one of his goals in his photography to not only continue to push himself but also share his knowledge and grow the light painting community around him to greater heights.  You can find Russell on his website or Instagram. Support The Nerdy Photographer Want to help The Nerdy Photographer Podcast? Here are a few simple (and mostly free) ways you can do that: Tell other people about the podcast – friends, enemies, strangers…it doesn't matter. Leave a review. Here are three great places to do that: Apple Podcasts, Podchaser, and GoodPods Follow on Instagram, Twitter, or TikTok Join our Facebook Group Join the Subreddit Spend money you were going to anyway and give us a percentage, or just send us money. Either way you can find out how on our support page.

In der - nach viel zu langer Pause - 20ten Episode plaudern wir uns querbeet durch die Themen unseres Sommers. Themen wie die Photo&Adventure Messe, Olafs Lightpainting Festival, Workshops, Online-Vorträge, das Schreiben von Artikeln und Fachbüchern, das Sammeln von Kartoffelkäfern, einen dematerialisierten Bart Simpson, den (nicht) Unterschied zwischen Fahrrad fahren, Klavier spielen und der Fotografie, über Blümchen und Bienchen (o.k., Wespen) bis hin zu Taschenlampen Yoga. Wir versprechen wenig Inhalt, dafür umso mehr Unterhaltung :-) Wie in der Episode erwähnt, werden wir demnächst neue Bücher veröffentlichen. Das "Einstieg ins Lightpainting 2te Auflage" wird im dpunkt Verlag erscheinen, die erste Auflage findet Ihr hier: Einstieg ins Lightpainting 1te Auflage Der Crashkurs zu dem FotoMagico Diashow Programm wird im fotoforum Verlag erscheinen. Adrians ersten Bildband mit dem teNeues Verlag könnt Ihr gerne hier kaufen: Volcanic 7 Summits

Se acabó lo bueno, las vacaciones de verano llegan a su fin y esto nos lleva de regreso a la realidad, la vuelta al trabajo, retomar las rutinas y dejar atrás los días de paseos por la montaña, las siestas en la tumbona de la piscina y un largo etc... actividades que hemos disfrutado en las vacaciones y que ahora debemos de dejar atrás para continuar con las tareas cotidianas. Para animaros un poco la vuelta y hacerla más enriquecedora os hablamos del mega concurso que Mario Rubio y fotógrafo nocturno han creado ,4 categorías, 3000 euros repartidos en 12 premios. No os perdáis la info que vamos a daros sobre éste concurso y animaros a participar. www.fotografonocturno.com/concurso/

Chris Marquardt talks with Leo Laporte about shooting with volumetric light on The Tech Guy. Check out some examples of volumetric light: http://tfttf.com/volumetriclight For more, check out The Tech Guy: https://twit.tv/ttg/1824 Host: Leo Laporte Guest: Chris Marquardt You can find more about TWiT and subscribe to our podcasts at https://podcasts.twit.tv/

Chris Marquardt talks with Leo Laporte about shooting with volumetric light on The Tech Guy. Check out some examples of volumetric light: http://tfttf.com/volumetriclight For more, check out The Tech Guy: https://twit.tv/ttg/1824 Host: Leo Laporte Guest: Chris Marquardt You can find more about TWiT and subscribe to our podcasts at https://podcasts.twit.tv/

Let's start here... Cliff Mautner's career in photography spans 38 years. Think about that for a minute... 38 years ago Nikon released the world's first SLR with Matrix Metering, the Nikon FA, and the world's first camera with a 1/250 sec. flash sync speed, the FE2. Man, we've come a long way, and Cliff has been there for all of it. Cliff's career has included multiple genres. After 15 years and 6000 assignments as a photojournalist with the Philadelphia Inquirer, as well as shooting for an eclectic array of commercial clients ranging from Comcast to Subaru, Cliff launched his wedding photography career. After about 1100 weddings or so, he still brings the same passion and intensity with him to each event with an emphasis on creating authentic moments in some of the most difficult light imaginable. His ability to blend his lifetime of experience in photojournalism and commercial photography with his wedding photography is amazing. Browsing through his portfolio quickly reveals a journalistic approach to capturing his client's most important day. Experience like Cliff's, and more importantly talent like Cliff's, comes with recognition. Cliff is a very proud Nikon Ambassador to the United States, and an Ambassador for Light & Motion. He was named one of the top ten wedding photographers in the world by American PHOTO magazine, and has received the Nikon WPPI Photographer of the Year award. He has also has been honored with the International Photographic Council Leadership medal at the United Nations, presented with the WPPI Lifetime Achievement Award, and is a two time WPPI Grand Award winner for photojournalism. Like I said.... talent like this gets recognized. Join Nikon Ambassador, and Light & Motion Ambassador, Cliff Mautner and me as we explore the challenging world of wedding photography, and the art of light painting, on this Behind the Shot. Connect with Cliff Website: cmphotography.com Instagram: @cliffmautner Facebook: @CliffMautnerPhotography Facebook Group: Cliff Mautner Education Twitter: @cliffmautner The Lighting and Skillset Bootcamp Website: cmbootcamp.com Nikon Ambassadors: nikonusa.com Light & Motion Collections: lightandmotion.com/collections/camera Ambassadors: lightandmotion.com/blogs/ambassadors Cliff's KelbyOne Classes Website: kelbyone.com Cliff's Photographer Picks Dave Black: daveblackphotography.com Mark Edward Harris: markedwardharris.com Larry Price: larrycprice.com Elliott Erwitt: elliotterwitt.com Diane Arbus: fraenkelgallery.com Sebastião Salgado: icp.org Sebastião Salgado Documentary: The Salt of the Earth

Let's start here... Cliff Mautner's career in photography spans 38 years. Think about that for a minute... 38 years ago Nikon released the world's first SLR with Matrix Metering, the Nikon FA, and the world's first camera with a 1/250 sec. flash sync speed, the FE2. Man, we've come a long way, and Cliff has been there for all of it. Cliff's career has included multiple genres. After 15 years and 6000 assignments as a photojournalist with the Philadelphia Inquirer, as well as shooting for an eclectic array of commercial clients ranging from Comcast to Subaru, Cliff launched his wedding photography career. After about 1100 weddings or so, he still brings the same passion and intensity with him to each event with an emphasis on creating authentic moments in some of the most difficult light imaginable. His ability to blend his lifetime of experience in photojournalism and commercial photography with his wedding photography is amazing. Browsing through his portfolio quickly reveals a journalistic approach to capturing his client's most important day. Experience like Cliff's, and more importantly talent like Cliff's, comes with recognition. Cliff is a very proud Nikon Ambassador to the United States, and an Ambassador for Light & Motion. He was named one of the top ten wedding photographers in the world by American PHOTO magazine, and has received the Nikon WPPI Photographer of the Year award. He has also has been honored with the International Photographic Council Leadership medal at the United Nations, presented with the WPPI Lifetime Achievement Award, and is a two time WPPI Grand Award winner for photojournalism. Like I said.... talent like this gets recognized. Join Nikon Ambassador, and Light & Motion Ambassador, Cliff Mautner and me as we explore the challenging world of wedding photography, and the art of light painting, on this Behind the Shot. Connect with Cliff Website: cmphotography.com Instagram: @cliffmautner Facebook: @CliffMautnerPhotography Facebook Group: Cliff Mautner Education Twitter: @cliffmautner The Lighting and Skillset Bootcamp Website: cmbootcamp.com Nikon Ambassadors: nikonusa.com Light & Motion Collections: lightandmotion.com/collections/camera Ambassadors: lightandmotion.com/blogs/ambassadors Cliff's KelbyOne Classes Website: kelbyone.com Cliff's Photographer Picks Dave Black: daveblackphotography.com Mark Edward Harris: markedwardharris.com Larry Price: larrycprice.com Elliott Erwitt: elliotterwitt.com Diane Arbus: fraenkelgallery.com Sebastião Salgado: icp.org Sebastião Salgado Documentary: The Salt of the Earth

Fotografía de paisaje, light painting, vehículos y vía láctea… ¿Qué te parecen las cuatro categorías? Bien, ¿verdad? Pues ahora deja que te diga algo. Más de 3.000€ en premios… ¿Mejor aún, cierto? Y tienes dos meses para subir tus fotos, para ver las que están presentando el resto de fotógrafos pero lo más importante, dos meses por delante para sacar lo mejor de ti y conseguir subir tus mejores fotografías a https://www.fotografonocturno.com/concurso/ El concurso comulga con unas bases puristas y respeta todos los derechos de los fotógrafos sobre la autoridad y propiedad de las fotografías. Además cuenta con patrocinadores de primer orden en el mundo de la fotografía, porque, como verás, nos gusta hacer las cosas bien y con los mejores. ¡Dentro podcast!

Looking to create better long exposure photos? Whether you're shooting landscapes, doing light painting, or creating digital art, the three tips in this micro episode will help you create better images. And it takes no time at all, just under five minutes! What are you waiting for? Tripod Recommendations: Good tripod/monopod combo from Neewer for around $70 or you can go with a more heavy duty model from Manfrotto for $300. Remote Triggers: I use CamRanger as my remote camera trigger, but you can get similar triggers from Case Air, Pluto, and Arsenal. Neutral Density Filter I would recommend starting with a variable ND filter. The one in this link ranges from 1 to 22 stops of darkness. Podcast Promo: Talkin Shiz Support the Nerdy Photographer Podcast If you would like to support the Nerdy Photographer Podcast, that's great. You can find multiple ways to help on our support page, or go visit our merchandise page! Get More Nerdy Photographer Action! Get social on Instagram, Facebook, Twitter, TikTok or YouTube! Join the Nerdy Photographer Reddit Group Join the Nerdy Photographer Facebook Group The Nerdy Photographer podcast is a photography podcast discussing life, business, and pop culture with a little bit of useless information in each episode. This podcast is edited and produced by Casey Fatchett.

This week, I had an awesome opportunity to chat with a man who is a self-described light painter. Jason Page resides in Southern Florida, and he not only practices this incredible art form, but he has invented a series of tools called light painting brushes, that along with the help of some simple flashlights, allow a light painter to paint in similar ways to an artist with a brush and a canvas. Jason is widely recognized as a leader in the current light painting movement. Jason has pioneered numerous light painting techniques and with his innovation he's created groundbreaking images.Jason's light painting work has been published internationally in print, as well as online he's exhibited his work in numerous shows and galleries, including locations like Palm Beach, Miami Amsterdam, and Moscow. To quote Jason; "Light painting is its own art form. Just as drawing is an art form or painting is an art form, calling light painting a photographic technique would be the same thing as calling, painting a canvas technique." - - - - - - - - - - - - - - - - - - - - -LinksJason Page Website:  https://www.jasondpage.com/Light Painting Photography Blog:  https://www.lightpaintingphotography.com/Light Painting Brushes:  https://www.lightpaintingbrushes.com/Jason on Instagram:  https://www.instagram.com/lightpaintingbrushes/Jason's YouTube Channel:   https://www.youtube.com/user/lightpaintingphoto- - - - - - - - - - - - - - - - - - - - -TOGCHAT ResourcesShow Website: https://togchat.comEpisode Web Page:  https://www.joeedelman.com/personal-branding/My Website & Portfolio:  https://www.JoeEdelman.comDon't forget to check out THE LAST FRAME LIVEWednesday evenings at 6:00PM ET US on YouTube!Each week, the Last Frame focuses on a different topic with no scripts, no razzle dazzle, no canned presentations. I do my best to give you a lesson or demo or series of tips based strictly on my experience — in other words — how I do it.  No rules.  No bullet points, No top 5 ways,  I share my ways of doing it so that you can get an inside understanding of how another photographer works.  Visit:  http://lastframe.live for past episodes.Calendar of upcoming Live-Online Presentations & Speaking Events:https://www.joeedelman.com/edu/I would love to be your PHOTOGRAPHY MENTOR! https://www.joeedelman.com/mentoring-for-photographers/- - - - - - - - - - - - - - - - - - - - -FTC Disclosure: No sponsors have paid for inclusion in this video.  I am an Olympus Visionary photographer, a Delkin Image Maker, a TetherTools Pro and a StellaPro Champion of Light.  These companies do provide me with various pieces of gear that I frequently discuss or mention, however all words and opinions are my own, and I was not asked to produce this podcast.Support the show (https://paypal.me/joeedelman)

En este episodio de nuevo en el Podcast con el estupendo fotógrafo especializado en fotografía nocturna y Lightpainting Gabriel González, además de un amigo. Gabriel ya estuvo por aquí en el episodio 3 del Podcast y tenía ganas de que volviese a hablarnos de esta técnica o disciplina tan atractiva visualmente como es el light Painting, […] La entrada 118. Adentraté en el Light Painting con Gabriel González (Noctografía) se publicó primero en the imagen.

Almost 2 years ago, I interviewed Photographer John Hartman about his newfound love of light painting. [Find that conversation HERE.] One year later, I checked in to see how his passion had progressed. Turns out, his passion has grown . . . and become financially lucrative. He's in year 43 of professional photography, and he now says, "I'm having more fun making photographs than I've ever had in my life." Why? He gladly explains on this episode of The PhotoTellers. He also discusses: How he gets inspiration from amateurs. Why are they often better than working pros to show off creativity? How he's developed a niche for light painting people's "toys" Why is Light Painting so challenging? Why does he love it? What is the "psychological advantage" to this kind of work? The greatest answer to "What project do you REALLY want to do?" Intrigued to see more? See more of his before and after work HERE. If you'd like to connect with John, and see some of what he's offering to Photographers, find that HERE. Finally: John specifically mentions three resources he loves. Here they are: 500px.com Marco Grobe Joey Lawrence Special thanks again to this episode's sponsor. Click the logo to see what you're missing.

En este episodio nos volvemos a acercar a la fotografía nocturna y el light painting y charlamos un rato con el conocido fotógrafo Mario Rubio (www.fotografonocturno.com). Mario es todo un referente de la fotografía nocturna en España. Además de fotógrafo, es un gran formador y es el organizador de iNight el Congreso Nacional de fotografía […] La entrada 25. Fotografía nocturna y light painting con Mario Rubio se publicó primero en the imagen.

If you're a student of Photography history, or a child of the "film days," you're already arguing with the title of this post. I can hear you now:  "Light Painting is HARDLY new, nor INNOVATIVE!" True. But let me ask you: Do YOU know anyone who is creating work by light painting? I do--his name is John Hartman, and he's today's guest on The PhotoTellers. By most Photographers, John is known as one of the marketing gurus. Ironic, then, that his conversation delved into the work he's doing as a light painter--work that has required minimal marketing for him to secure several lucrative jobs. John is 42 years into his Photography career. Tune in to learn why he says: "I've never IN MY LIFE had more fun taking pictures than I am right now!" "Thank goodness it's Monday!" "You stay alive through innovation." "There's really NO COMPARISON." [between the finished product of a light painted image and traditional capture.] You'll also learn how light painting is so different than 30 years ago, and the big advantage of growing up a film Photographer. He also shares his advice for getting into light painting, then ends with a brilliant piece of advice from his grandmother. AND BE CERTAIN to look through John's gallery at the bottom of this post! You'll see some dramatic examples of before and after images! Find John's work as a Senior Portrait Photographer HERE, and find the work he does to serve other Photographers HERE. John mentions the influence of HAROLD ROSS. You can find Harold's blog, including free tutorials, by clicking HERE. Look for The PhotoTellers conversation with Harold in the next several weeks. Last but not least, ERIC CURRY. This is the author that John mentions. If you'd like to explore light painting, find Eric's book on Amazon. WARNING: If you want to buy a physical copy . . . bring your big credit card. If you want the Kindle version, though, it's 1/10th the price. Don't have a Kindle? Me neither. But I DO have the free Kindle App that allows me to read Kindle works on my other devices. Amazon gladly walks you through the steps of downloading the App.