Podcasts about Menahem Pressler

Franz Schubert (1797 - 1828) - Quintetto per pianoforte in la maggiore "Forellen-quintett" (La trota), op. 114, D. 6671.       Allegro vivace2.       Andante [09:48]3.       Scherzo. Presto [17:51]4.       Andantino [22:31]5.       Finale. Allegro giusto [30:48] Menahem Pressler, pianoQuatuor Ebène:Benjamin Berlioz, double bassMathieu Herzog, violaGabriel Le Magadure, violinRaphaël Merlin, cello

durée : 00:25:06 - Daniel Hope, violoniste (4/5) - par : Judith Chaine - Musicien curieux, humaniste et engagé, le violoniste Daniel Hope est notre invité cette semaine. De sa relation privilégiée avec Yehudi Menuhin à ses années au Beaux-Arts Trio en passant par sa formaation auprès de Zarkhar Bron, il se livre sur sa vie musicale et sur sa vision de l'artiste. - réalisé par : Adrien Roch

AyseDeniz was considered a child prodigy in her native Türkiye and made her concerto debut when she was nine, with the Gordion Chamber Orchestra playing J.S. Bach's Keyboard Concerto No. 5. At thirteen, she had already performed as a soloist with various orchestras under conductors including Ibrahim Yazici, Fahrettin Kerimov, Antonio Pirolli, Cem Mansur, Engin Sakpinar, Ertug Korkmaz, Rengim Gokmen, Vladimir Sirenko, and Kirill Karabits.  ​ As a young pianist, AyseDeniz attended prestigious summer festivals including the Verbier Academy, Music Academy of the West, Aspen Music Festival and School, PianoTexas, Goslar Konzertarbeitswochen, Tel Hai, and Beijing International Music Festival, studying with renowned piano pedagogues such as Menahem Pressler, Jerome Lowenthal, Arie Vardi, Yoheved Kaplinsky, as well as Lang Lang. In middle school, AyseDeniz moved to Spain for half a year to study with the renowned Bach interpreter Rosalyn Tureck, becoming one of her last students. ​ In 2009, she completed her Bachelor's Degree at Eastman School of Music (Rochester NY) in the studio of Douglas Humpherys with all semesters on Dean's List, and received the Howard Hanson and Clements Scholarships as well as the John Celentano Excellence in Chamber Music Award. In 2011, She completed her Masters in Piano Performance at the Royal Academy of Music in London, under the tutelage of Christopher Elton, and received the Maud Hornsby Award, graduated with Merit, and also completed the Licentiate of the Royal Academy of Music Teaching Certificate. ​ Throughout her early career, AyseDeniz has given concerts around the world including Cathedral of Christ The Savior Moscow (Russia); L'Eglise Verbier (Switzerland); Duke's Hall, Steinway Hall, Kings Place London (UK); Bellapais Antique Monastery (Northern Cyprus); Kiev Central Park of Culture Open Air Hall, Lysenko Hall (Ukraine); PepsiCo Hall (TX), Kilbourn Hall (NY), Harris Hall (CO), Pacific Amphitheater (CA) in USA; Teatro Cine Chacabuco (Argentina); Teatro Cine Gouveia, Teatro das Figuras Faro, Centro Cultural de Ãlhavo, Centro Cultural da Gafanha da Nazare, Groove Cascais (Portugal); Galleria d'Arte Moderna, San Fedele Milan, Teatro Dario Fo Venice, and St. Giorgio Cathedral Palermo (Italy); Silent Green Kulturquartier Berlin and Konzertsaal Friedenskapelle Münster (Germany); Sofia Central Military Club (Bulgaria), Ambato City Hall (Ecuador); Afundación and Mar de Vigo (Spain) and in almost all of Türkiye's most important music halls including Süreyya Opera House, Albert Long Hall, CRR, CKM and Zorlu PSM (Istanbul), State Opera House (Eskisehir); City Hall (Adana); Atatürk Cultural Center & KSÜ Yunus Emre Cultural Center (Antalya); Opera Hall (Mersin); Hikmet Simsek Cultural Center, (Izmir); METU, CSO and MEB Sura (Ankara).  AyseDeniz Links   Mr. Bill's Links   Podcast Produced & Edited by: Robert Fumo

This week's episode is with the brilliant cello-piano ensemble, Cheng² Duo, with siblings Bryan and Silvie Cheng. They have performed to great acclaim worldwide and have released to date four fantastic albums, the most recent Portrait which was nominated for a JUNO award. Portrait features music by composers from diverse Asian heritages, and in this podcast, Bryan and Silvie reflect on some important personal experiences related to this. We are featuring some of the music from Portrait and some of their other projects in this episode, with their insights on championing living composers such as Paul Wiancko and  Dinuk Wijeratne and reaching new audiences. I asked them about their Carnegie Hall debut when Bryan had just started high school, and some of their individual experiences with concert preparation, touring, and finding a life-balance.  Some of what you'll hear about are Bryan's reflections on his  memorable childhood lessons with Yuli Turovsky, the incredible opportunity he's had to play the Bonjour Strad, and his experiences with international competitions.  Silvie shared her reflections on her mentors and her life as a performer and educator in New York. Bryan and Silvie grew up in Ottawa, Canada where I live and it's wonderful to see their careers expanding both individually and as a world-renowned chamber ensemble. Bryan spoke to us from his home in Berlin, and Silvie from her home in New York.  Can you buy this independent podcaster a coffee? https://ko-fi.com/leahroseman Thanks!  Like all my episodes, you can also watch this on my YouTube and it's linked with the transcript on my website: https://www.leahroseman.com/episodes/cheng2-duo https://www.cheng2duo.com/ Weekly newsletter sign-up: https://mailchi.mp/ebed4a237788/podcast-newsletter Catalog of Episodes: https://www.leahroseman.com/about photo: Andrej Grilc  Timestamps: (00:00) Intro (03:11) album Portrait, early pandemic in New York, Asian heritage, erhu (12:33) Hua Yanjun Moon's Reflection upon a Spring (20:26) anti-Asian harassment, making a difference in the world as musicians (24:46) Paul Wiancko (29:00) Paul Wiancko clip from Sonata 1, Part 1  (28:59) concert presentation, connecting with the audience (31:33) Carnegie Hall debut experience, importance of commissioning new music (35:51) Yuli Turovsky (40:48) Romance for Cello and Piano Scriabin from Russian Legends (42:56) could you buy this independent podcaster a coffee? (43:32) Brazilian composers,  Chiquinha Gonzaga, women composers, Silvie's duo with violist Georgina Rossi (45:24) Silvie's work as a teaching artist Orto centre and Living Arts Collaborative (50:36) family history, parents' support (54:08) Silvie's mentors Jeffrey Cohen, Menahem Pressler (57:21) learning music, comparing the analytical and intuitive (01:01:25) Bonjour Strad cello (01:03:07) Silvie coping with different pianos on tour, pianists' psychology (01:05:12) Bryan's reflections on competitions (01:08:46) pre-concert routines and mindset (01:11:20) tour to India, Dinuk Wijeratne “Portrait of an Imaginary Sibling' (01:14:27) excerpt from Dinuk Wijeratne “Portrait of an Imaginary Sibling' (01:17:05) tour to India --- Send in a voice message: https://podcasters.spotify.com/pod/show/leah-roseman/message

"Ich bin heilfroh, dass Menahem Pressler diese Zeit gerade nicht mehr mitbekommt." Das sagt Geiger Daniel Hope über seinen Freund und Mentor, mit dem er im legendären Beaux Arts Trio spielte. Am 16. Dezember wäre Menahem Pressler 100 Jahre alt geworden.

Chillout Classic w Radiu Spin #32 "Stephan" Gościem programu jest Stephan Berger, meloman, pianista amator, kucharz i właściciel Hotelu Romantic Hotel w Rothenburg ob Der Tauber w Niemczech. 1. J.S.Bach - Aria z Wariacji Golbergowskich, Rosalyn Tureck. 2. Franz Schubert - Impromptu op.142, D.935 As-dur, Krystian Zimmerman. 3. F. Schubert - Kwintet Pstrąg, cz.1, Allegro vivace, Boris Berezovsky, soliści Opery Królewskiej Covent Garden. 4. Robert Schumann - Piano Quintet Es-dur, cz.1, Allegro brillante, Menahem Pressler, Emerson String Quartet. 5. L. van Beethoven - VI Symfonia cz.5, Wienner Philharmoniker, Karl Böme. 6. L. van Beethoven - Trio B-dur, op. 11 "Gassenhauer" na klarnet, wiolonczelę i fortepian, Peter Shmidl, Antony Spiri, Koh Iwasaki. 7. Led Zeppelin - Whole Lotta Love, 29/6/69 Top Gear.

durée : 01:58:38 - Menahem Pressler (1923-2023) (2) - par : Philippe Cassard - A la découverte d'un répertoire de musiques américaines et de raretés romantiques. - réalisé par : Pierre Willer

durée : 01:58:46 - Menahem Pressler (1923-2023) (1) - par : Philippe Cassard - Le célèbre pianiste du Beaux-Arts Trio a débuté sa carrière comme soliste : un pianiste inspiré, vif-argent, à la sonorité magnifique. Rares archives. - réalisé par : Colin Gruel

SURPRISE, FRIENDS! It's my first-ever BONUS episode, focusing on my continued obsession with the legacies we learn from, and those we leave... Visit christinawhitlock.com/BONUS1 to see Menahem Pressler's musical genealogy, as well as registration info for the Studio Foundations Course. --- Send in a voice message: https://podcasters.spotify.com/pod/show/beyondmeasure/message

La chronique musique de Frédéric Hutman

Have you ever watched your favorite musician perform, and wondered what goes through their head on stage?Like, what are they thinking about? Do they ever worry? What do they worry about? Is playing as easy as it looks? Or do they have bad days too? Does it ever get easier? How do they deal with criticism or bad reviews or even the critic in their own head? How similar is their experience in performance to ours?As you may have heard, renowned pianist Menahem Pressler passed away last weekend at the age of 99. A founding member of the Beaux Arts Trio, his performing career spanned over seven decades, and he taught generations of pianists who have gone on to hold teaching positions around the world and win prizes in all of the major competitions.I got to know Mr. Pressler a tiny bit during my time at Indiana University, as he was my wife's teacher, and kindly included me in studio parties and events. He was also curious and encouraging of my interests in psychology at a time when I had no idea how things would pan out, which I always appreciated.So in the summer of 2012, I reached out to see if I might ask him some questions about practicing and performing. He was very open about his mental experience on stage, his own doubts and fears at various points in his life, and what success and failure meant to him, as well as the more practical aspects of how he prepares for performance.I hope you find it as insightful and inspiring a conversation as I did.Note: This episode was recorded over the telephone/Skype, and I've done my best to clean up the audio, but if you would like a transcript, you can download one at:https://bulletproofmusician.com/menahem-pressler-on-following-your-heart/====Why do things sound better at home than they do on stage? If you've been confused (and frustrated) by the inconsistency of your performances, I put together a FREE 4-minute quiz called the Mental Skills Audit, which will help you pinpoint your mental strengths and weaknesses, and figure out what exactly to adjust and tweak in your preparation for more consistently optimal performances. You can take the Mental Skills Audit online at bulletproofmusician.com/msa. It's 100% free, takes only 4 minutes, and you'll get a downloadable PDF with a personalized breakdown of where you stand in six key mental skill areas, plus curated articles that will help you adjust and tweak your preparation for more consistently optimal performances. Take the quiz here: bulletproofmusician.com/msa

durée : 01:58:23 - José Iturbi (1895-1980), un pianiste à Hollywood - par : Philippe Cassard - Précédé d'un hommage à Menahem Pressler, décédé le 6 mai dernier, ce Portrait de José Iturbi fait entendre la doublure "mains" à Hollywood dans le répertoire espagnol et romantique où il a excellé. - réalisé par : Lise Côme

Join us this Friday as we will talk with guests about the life and achievements of Menahem Pressler.

Er war der älteste konzertierende Pianist der Welt: Menahem Pressler. Über ein halbes Jahrhundert war er das Herz und die Seele des legendären Beaux Arts Trios. Nun ist er im Alter von 99 Jahren gestorben.

I'm so honoured that Madeline Bruser has agreed to be featured as a guest on this series. When I first read her book The Art of Practicing more than 20 years ago, it helped to transform my experience as a performer and teacher, and on many aspects of my life. Although Madeline's teaching is aimed primarily at classical pianists and other musicians, I find that much of what she talks about will resonate for everybody trying to get in touch with their emotions, their connection to beauty and meaning, and their experience of being in their bodies. If you happen to be listening to this when it first is released, you should check out Madeline's free interactive workshop on May 11 at 1pm Eastern. Her website is: https://artofpracticing.com/ Like all my episodes, this is also a video, and the transcript is also linked here: https://www.leahroseman.com/episodes/madeline-bruser Please help me keep this series and this channel going, with a tip or as a monthly supporter: https://ko-fi.com/leahroseman If the topics we address in this conversation are of interest to you, you'll be interested that many of these important issues have come up with past guests and upcoming guests. Timestamps: (00:00) Intro (02:00) why Madeline wrote the book “The Art of Practicing”, Menahem Pressler, meditation (09:58) Body and Sound Awareness Technique (13:14) change from performer to teacher, big realizations, founding The Art of Practicing (19:48) intro to Madeline's performance of Chopin Fantaisie Impromptu (20:33) Chopin Fantaise Impromptu (25:59) Rhythmic grouping, Stephen Burns, Kirk Ferguson (32:04) colour in harmony and tonal nuances (34:02) story of tape recorder, listening to ourselves and being vulnerable (39:14) parallels with actors and musicians, Performing Beyond Fear exercise (43:43) lineage (46:23) perfectionism (50:17) Madeline demonstrates common problems for pianists (58:04) dealing with injuries, mindfulness (01:01:25) dealing with stress, teaching online (01:06:56) journaling (01:08:58) student-centered teaching, “Freedom to Learn” Carl Rogers (01:12:51) stage fright and beta blockers (01:15:06) dealing with stressful or traumatic history (01:20:42) teaching constructively with kindness, and teacher training (01:24:00) dealing with feelings of overwhelm, orchestra playing (01:28:37) pianists and ensemble experience (01:31:51) upcoming workshops Mindfulness for Pianists, Freeing Your Energy for Performance --- Send in a voice message: https://podcasters.spotify.com/pod/show/leah-roseman/message

durée : 00:58:35 - Le Beaux Arts Trio - par : Aurélie Moreau - Le Beaux-Arts Trio a été fondé en 1954 aux USA. Au début, le pianiste Menahem Pressler eut l'idée de jouer un trio de Mozart. Il appela le violon solo du NBC Symphony de Toscanini, Daniel Guilet, qui connaissait le violoncelliste Bernard Greenhouse. - réalisé par : Adrien Roch

durée : 00:19:51 - Disques de légende du mercredi 07 décembre 2022 - Le Beaux Arts Trio, composé de Menahem Pressler, Daniel Guilet et Bernard Greenhouse, se forma presque par hasard sans se douter que de cette constellation pourrait naître un trio avec piano de réputation mondiale et, plus encore, un ensemble unique.

Yuan-Qing Yu is assistant concertmaster of the Chicago Symphony Orchestra. An international award-winning violinist, she leads an active life as a soloist, chamber musician, teacher and advocate for the orchestra.A native of Shanghai, China, Yuan-Qing Yu won the Chinese Nationwide Violin Competition at the age of 17. The following year, she captured second prize in the Menuhin International Violin Competition. She was awarded the grand prize in the Holland Music Sessions World Concert Tour Competition two years later. She also took third grand prize in the Jacques Thibaud International Competition in Paris.Yuan-Qing Yu has given numerous critically acclaimed performances as featured soloist with the CSO, the Monte Carlo and Radio France philharmonics and the London City Orchestra. She has performed concertos under Christoph von Dohnányi, Sir Yehudi Menuhin and James DePreist, among others. She also has appeared in recital throughout the U.S. and Europe. An active chamber musician, Yuan-Qing Yu has collaborated with Daniel Barenboim, Pinchas Zukerman, Menahem Pressler, Lang Lang and Yo-Yo Ma. Locally, she can be seen and heard regularly throughout the city in various venues. Yuan-Qing Yu and her CSO colleagues founded Civitas Ensemble.If you want to hear more from Yuan-Qing, and all of our wonderful guests, head over  to our Patreon page to become a supporter where you will have access to all of our amazingly insightful unedited episodes!Support the show

On today's episode on Piano Explored, I have a conversation with Dr. Daniel Paul Horn who is professor and Chair of Keyboard Studies at the Wheaton College Conservatory of Music. I have been a long-time admirer of Daniel's career and teaching. We speak of our connection through Dr. Samuel Hsu, my undergraduate teacher, who Daniel met in 1980.  The conversation opens with our shared joy in learning the piano music of Richard Danielpour. I hope you enjoy this conversation as much as I did. Don't forget to follow us on Instagram and Facebook. An active and versatile pianist, Daniel Paul Horn is Professor of Piano and Chair of Keyboard Studies at the Wheaton College Conservatory of Music, where he was honored with a 2009 Senior Academic Achievement Award for sustained excellence in scholarship. As solo recitalist, he has appeared at colleges and universities throughout North America, at the American Liszt Society Festival, and in live broadcasts over WFMT-FM, on its Pianoforte Foundation Fazioli Salon Series and its 2010 Beethoven Piano Sonata series. As concerto soloist, he has performed with various Midwestern orchestras, including the Detroit Symphony Orchestra; in 2015, he made his European orchestral debut with the Sarajevo Philharmonic, performing Lumen by Wheaton alumnus Jacob Bancks. An avid chamber musician, he regularly collaborates with members of the Chicago Symphony Orchestra. With the MasterWorks Ensemble, he has played in Bermuda and at the 2010 Beijing Modern Music Festival; in addition, he has performed with the Ying String Quartet, the Rembrandt Chamber Players, cellists Leonardo Altino and Stephen Balderston;  pianists Alexander Djordjevic and Caroline Hong; and Guarneri Quartet violinist John Dalley. He also works with noted singers. Working with contemporary composers, he has premiered music by George Arasimowicz, Jacob Bancks, Delvyn Case, David M. Gordon, Neal Harnly, Patrick Kavanaugh, Daniel Kellogg, and Max Raimi. During the 2020-2021 season, he will give the world premiere of Seven Mysteries for solo piano, composed for him by Richard Danielpour through a commission made possible by a generous gift to Wheaton College. As an early keyboardist, he was harpsichordist in performances of Handel's Messiah under the baton of John Nelson, and has twice performed on the Historical Piano Concert series at the Frederick Collection in Ashburnham, Massachusetts. In 1997, he recorded the critically praised disc “Wanderings” for Titanic Records on an 1829 Graf fortepiano, and in 2010 released Sehnsucht: Music of Robert Schumann; he also recorded for the Centaur label with CSO cellist Donald Moline, for the Canadian Music Centre with soprano Carolyn Hart, and for the Innova label with flutist Jennie Oh Brown. A Detroit native, Horn studied at Peabody with Walter Hautzig, and at Juilliard, where he studied with Martin Canin and Felix Galimir, and earned his doctorate. He has also coached with Jerome Lowenthal, Ann Schein, Joseph Bloch, Roy Howat, and Menahem Pressler, for whom he twice served as guest assistant at Indiana University. In addition to his duties at Wheaton, he has been a faculty artist at the Sewanee, Adamant, Blue Mountain, and MasterWorks summer festivals, and has served on the jury of the Chicago International Music Competition.

Synopsis Two famous pieces of chamber music had their premieres on today's date, both at private readings prior to their first public performances. On today's date in 1842, the German Romantic composer Robert Schumann arranged for a trial reading of his new Piano Quintet in E-flat at the Leipzig home of some of his friends. Schumann's wife, Clara, was supposed to be the pianist on that occasion, but she took ill, and Schumann's friend and fellow-composer Felix Mendelssohn stepped in at the last moment for the informal performance, reading the work at sight. After this preliminary reading, Mendelssohn praised the work, but offered some friendly suggestions concerning part of the trio section in the new work's Scherzo movement, which prompted Schumann to write a livelier replacement movement for the work's first public performance. About 100 years later, on today's date in 1949, a cello sonata by the Soviet composer Sergei Prokofiev received a similar private performance in Moscow, for an invited audience at the House of the Union of Composers. Two of the leading Soviet performers of the day, cellist Mstislav Rostropovich and pianist Sviatoslav Richter, gave the work its first performance. The following spring, it was again Rostropovich and Richter who gave the Sonata its public debut at the Moscow Conservatory. Music Played in Today's Program Robert Schumann (1810–1856) — Piano Quintet in Eb, Op. 44 (Menahem Pressler, piano; Emerson String Quartet) DG 445 848 Sergei Prokofiev (1891–1953) — Cello Sonata, Op. 119 (David Finckel, cello; Wu Han, piano) Artist Led 19901

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La biographie de Paloma Kouider Révélation classique de l'Adami et lauréate de la Fondation Groupe Banque Populaire, Paloma Kouider s'est formée auprès de Sergueï Markarov à l'Ecole Normale de Musique de Paris et d'Elisso Virssaladze à Florence, avant d'intégrer la classe d'Avedis Kouyoumdjian à l'Universität für Musik und Darstellende Kunst à Vienne. Invitée très jeune à se produire au sein de programmations prestigieuses tant en soliste, en musique de chambre qu'avec orchestre, Paloma n'en oublie pas pour autant une autre passion, la littérature, qu'elle cultive en intégrant une classe préparatoire littéraire au Lycée Louis-le-Grand - encouragée par un Premier Prix au Concours Général des Lycées. Une passion qu'elle partage avec ses collègues du Trio Karénine qui remportent, entre autres récompenses, le prestigieux concours de l'ARD de Munich en 2013, le Prix Pro Musicis international en 2011 ainsi que le Nordmetall Ensemble - Preis des Mecklenburg-Vorpommern Festspiele en 2015 avec la contrebassiste Laurène Durantel et l'altiste Krzysztof Chorzelski pour leur interprétation de la Truite de Schubert. Parallèlement à son activité au sein du Trio Karénine, Paloma collabore régulièrement avec les violoncellistes Aurélien Pascal et Anastasia Kobekina - avec laquelle elle a reçu le Prix André Hoffmann des Sommets Musicaux de Gstaad - ainsi qu'avec la violoniste Alexandra Soumm. Certaines rencontres musicales vont particulièrement marquer et orienter son cheminement artistique, notamment au sein des Académies de Villecroze ou de Musique à Flaine : le Quatuor Ysaÿe, Hatto Beyerle, Menahem Pressler, Ferenc Rados, Jean-Claude Pennetier, Paul Badura-Skoda mais aussi Claude Helffer pour la musique contemporaine et Stéphane Béchy pour l'interprétation de la musique ancienne sur instruments d'époque. On compte parmi ses engagements passés et à venir les Festivals d'Aix-en-Provence, Radio France et Montpellier, Pablo Casals, Menton, Roque d'Anthéron, Auvers-sur-Oise, Piano folies du Touquet, les Folles Journées de Tokyo, les Moments musicaux de Gstaad, les salles Gaveau, Pleyel et la grande salle de l'Unesco à Paris, la série « Stars von Morgen » à Berlin, le Wigmore Hall, la Herkulessaal et le Pinzregentheater de Munich, la Laeizsalle de Hambourg... Régulièrement invitée sur les plateaux radiophoniques, son premier enregistrement discographique, consacré à Beethoven et Liszt, paru en septembre 2010 pour le label Lyrinx, a été salué par la presse musicale française, ainsi que celui du Trio Karénine, consacré au trios de Robert Schumann, paru sous le label Mirare et celui enregistré avec la violoniste Fanny Robilliard pour le label Evidence Classics. Très engagée auprès des plus démunis, Paloma a créé, aux côtés d'Alexandra Soumm et Maria Mosconi, l'association « Esperanz'Arts » qui organise des manifestations artistiques pour tous.

durée : 01:58:39 - Relax ! du jeudi 13 mai 2021 - par : Lionel Esparza - Fondé en 1955 à New York par le pianiste Menahem Pressler, le Beaux Arts Trio a été, jusqu'à sa dissolution en 2008, l'un des ensembles de chambre les plus réputés au monde ! On écoute quelques uns de leurs grands enregistrements, de Haydn à Ravel en passant par Brahms, Schumann et Dvorak. - réalisé par : Antoine Courtin

durée : 00:58:34 - Les Beethoven du Trio van Baerle - par : Aurélie Moreau - Le Trio van Baerle a été fondé en 2004 par le pianiste Hannes Minnaar, la violoniste Maria Milstein et le violoncelliste Gideon den Herder. En 2008 il rencontrent le pianiste Menahem Pressler, une grande source d'inspiration pour eux Ils ont gravé une intégrale des Trios de Beethoven. - réalisé par : Louise Loubrieu

In this episode, I discuss with solo violinist Arnaud Sussmann.  He elaborates on the mindsets and strategies to adopt when working on sound quality, the importance of having a strong concept of phrasing and of bow distribution in musicality, the importance of creating fluency in his playing and how he achieves it, the importance of purpose in our practice, warming up during busy periods, the value of recording ourselves when we practice, and why he believes it's important to work hard. Nous avons aussi une discussion en francais!  Nous vous offrons un retour sur certains point abordés en anglais en ce qui a trait à la production du son et du phrasé, et une conversation sur l'importance de la curiosité dans la pratique et sur comment il aborde une œuvre nouvelle.   MORE ABOUT ARNAUD SUSSMAN: Website: http://arnaudsussmann.com/ YouTube channel: https://www.youtube.com/user/violinice Facebook: https://www.facebook.com/arnaudsussmannviolin/ Instagram: https://www.instagram.com/arnaudsussmann/ Boris Garlitsky: http://www.talentmusicmasters.it/boris-garlitsky   Winner of a 2009 Avery Fisher Career Grant, Arnaud Sussmann has distinguished himself with his unique sound, bravura and profound musicianship. Minnesota's Pioneer Press writes, “Sussmann has an old-school sound reminiscent of what you'll hear on vintage recordings by Jascha Heifetz or Fritz Kreisler, a rare combination of sweet and smooth that can hypnotize a listener. His clear tone [is] a thing of awe-inspiring beauty, his phrasing spellbinding.” A thrilling young musician capturing the attention of classical critics and audiences around the world, Arnaud Sussmann has appeared with the American Symphony Orchestra, Buffalo Philharmonic, New World Symphony, Pacific Symphony, Paris Chamber Orchestra, Jerusalem Symphony and the Vancouver Symphony Orchestra. Further solo appearances have included a tour of Israel and concerts at Lincoln Center's Alice Tully Hall, Dresden Music Festival in Germany and at the Phillips Collection in Washington, D.C. Mr. Sussmann has been presented in recital in Omaha on the Tuesday Musical Club series, New Orleans by the Friends of Music, Tel Aviv at the Museum of Art and at the Louvre Museum in Paris. He has also given concerts at the OK Mozart, Chamber Music Northwest and Moritzburg festivals and appears regularly at the Caramoor, Music@Menlo, La Jolla SummerFest, Seattle Chamber Music, Moab Music and Saratoga Springs Chamber Music festivals. Recent concerto appearances include performances with Maestro Valery Gergiev and the Mariinsky Orchestra at the White Nights Festival in St Petersburg, the Santa Rosa Symphony, the Albany Symphony, the Jacksonville Symphony and the Grand Rapids Symphony. This past season, chamber music performances included tours with the Chamber Music Society of Lincoln Center to Korea's LG Arts Center, Shanghai's Oriental Center and Hong Kong's Music Academy. Arnaud Sussmann has performed with many of today's leading artists including Itzhak Perlman, Menahem Pressler, Gary Hoffman, Shmuel Ashkenazi, Wu Han, David Finckel, Jan Vogler and members of the Emerson String Quartet. He has worked with conductors such as Cristian Macelaru, Marcelo Lehninger, Rune Bergmann and Leon Botstein. A dedicated chamber musician, he has been a member of the Chamber Music Society of Lincoln Center since 2006 and has regularly appeared with them in New York and on tour, including a recent concert at London's Wigmore Hall. A frequent recording artist, Arnaud Sussmann has released albums on Deutsche Grammophon's DG Concert Series, Naxos, Albany Records and CMS Studio Recordings labels. His solo debut disc, featuring three Brahms Violin Sonatas with pianist Orion Weiss, was released in December 2014 on the Telos Music Label. He has been featured on multiple PBS' Live from Lincoln Center broadcasts alongside Itzhak Perlman and the Perlman Music Program and with musicians of the Chamber Music Society of Lincoln Center. Born in Strasbourg, France and based now in New York City, Arnaud Sussmann trained at the Conservatoire de Paris and the Juilliard School with Boris Garlitsky and Itzhak Perlman. Winner of several international competitions, including the Andrea Postacchini of Italy and Vatelot/Rampal of France, he was named a Starling Fellow in 2006, an honor which allowed him to be Mr. Perlman's teaching assistant for two years. Mr. Sussmann now teaches at Stony Brook University on Long Island and was recently named Co-Artistic Director of Music@Menlo's International Music Program.   If you enjoyed the show, please leave a review on iTunes!  I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. Join the Mind Over Finger Tribe here!  https://www.facebook.com/groups/mindoverfingertribe/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a HUGE thank you to my fantastic producer, Bella Kelly!   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/    

Teddy Abrams is a widely acclaimed conductor, as well as an established pianist, clarinetist, & composer.  As Music Director of the Louisville Orchestra & Music Director & Conductor of the Britt Classical Festival, Teddy also served as Resident Conductor of the MAV Symphony Orchestra in Budapest, which he first conducted in 2011. A tireless advocate for the power of music, he continues to foster interdisciplinary collaboration with organizations including the Louisville Ballet, the Center for Interfaith Relations, Oregon Shakespeare Festival, the Speed Art Museum, & the Folger Shakespeare Library. His extensive community outreach continues to reach new audiences & bring classical music into increasingly diverse communities. Teddy’s previous seasons have included debuts at the Kennedy Center & with Colorado, North Carolina, & New Jersey Symphonies, as well as a return to the New World Symphony. Recent guest conducting highlights include engagements with the San Francisco, Houston, Vancouver, Phoenix, & Jacksonville Symphonies; Florida Orchestra; & Louisiana and New Mexico Philharmonics. He has enjoyed a longstanding relationship with the Indianapolis Symphony, & recently conducted them with Time for 3 for a special recording for PBS. Prior to these stints, he served as Assistant Conductor of the Detroit Symphony from 2012-2014. From 2008 to 2011 Teddy was the Conducting Fellow & Assistant Conductor of the New World Symphony (NWS) & conducted many performances, including subscription concerts & numerous other full & chamber orchestra events. He has conducted the NWS in Miami Beach, Washington, D.C. & at Carnegie Hall, with a recent return to conduct the NWS on subscription with Joshua Bell as soloist. An accomplished pianist & clarinetist, Teddy has appeared as a soloist with a # of orchestras—including play-conducting the Ravel Piano Concerto with the Jacksonville Symphony in Fall 2013—& has performed chamber music with the St. Petersburg String Quartet, Menahem Pressler, Gilbert Kalish, Time for Three, & John Adams, in addition to annual appearances at the Olympic Music Festival. Dedicated to exploring new & engaging ways to communicate with a diverse range of audiences, Teddy co-founded the 6h Floor Trio in 2008. Together, they founded & direct GardenMusic, the music festival of the world-renowned Fairchild Tropical Garden in Miami; they continue to tour regularly throughout the U.S. Teddy studied conducting with Michael Tilson Thomas, Otto-Werner Mueller and Ford Lallerstedt at the Curtis Inst. of Music, & with David Zinman at the Aspen Music Festival; he was the youngest conducting student ever accepted at BOTH institutions! He is also an award-winning composer & a passionate educator – he has taught at numerous schools throughout the USA. His 2009 Education Concerts with the New World Symphony (featuring the world premiere of one of Teddy’s own orchestral works) were webcast to 100’s of schools throughout South Florida. Teddy performed as a keyboardist with the Philadelphia Orchestra, won the 2007 Aspen Composition Contest, and was the Assistant Conductor of the YouTube Symphony at Carnegie Hall in 2009.  He has held residencies at the La Mortella music festival in Ischia, Italy & at the American Academy in Berlin.  He was a proud member of the San Francisco Symphony Youth Orchestra for 7 seasons, & graduated from the San Francisco Conservatory of Music with a Bachelor of Music, having studied piano with Paul Hersh.

Das Trio Wanderer ist eine französische Institution; es exisitiert seit über 30 Jahren. Studiert haben die Musiker einst bei Menahem Pressler und von diesem legendären Pianisten auch gelernt, wie man sich zu dritt über Jahrzehnte künstlerisch frisch hält und eine harmonische Arbeitsbeziehung pflegt. Keine Wechsel, keine Streits, stattdessen eine fantastische Aufnahme nach der anderen. Gefehlt hat bislang der Osten Europas, aber auch das können die drei Franzosen perfekt, wie diese bei harmonia mundi erschienene CD mit Rachmaninows Klaviertrios beweist.

Renowned pianist Menahem Pressler speaks about the importance of finding your own voice, and shares many profound insights about the pursuit of a career in music, and what he has found most rewarding about his own journey. Menahem Pressler: On Following Your Heart

a cura di Barbieri-Longo-Achilli. Musiche di Tõnu Kõrvits, Aquaserge, Skydive Trio, Bill Frisell, Louis Moholo, Mandol'In Progress, Debussy, Menahem Pressler, Homunculus Res, Turner & Iverson, Maryam Saleh & Tamer Abu Ghazaleh & Maurice Louca

a cura di Barbieri-Longo-Achilli. Musiche di Tõnu Kõrvits, Aquaserge, Skydive Trio, Bill Frisell, Louis Moholo, Mandol’In Progress, Debussy, Menahem Pressler, Homunculus Res, Turner & Iverson, Maryam Saleh & Tamer Abu Ghazaleh & Maurice Louca (seconda parte)

a cura di Barbieri-Longo-Achilli. Musiche di Tõnu Kõrvits, Aquaserge, Skydive Trio, Bill Frisell, Louis Moholo, Mandol’In Progress, Debussy, Menahem Pressler, Homunculus Res, Turner & Iverson, Maryam Saleh & Tamer Abu Ghazaleh & Maurice Louca (seconda parte)

Menahem Pressler is now 94 years of age and continues to lead an extraordinarily busy life, travelling around the world and dividing his time between practicing many hours a day, giving concerts and his other great love: teaching! In late spring of this year, Menahem Pressler was in Madrid for a week in which he gave two concerts at the Auditorio Nacional, one for solo piano, and the other with a young string quartet, as well as giving a series of Master Classes at the Reina Sofía school of music to up-and-coming musicians...

Picks from across the week on In Tune, featuring Danielle de Niese, Sir James Galway, Menahem Pressler, Nevarro Quartet, Scarlett Thomas and Madrigal - Marin Constantin.

I programmet diskuteras Pianokvartetter av Dvorák, körmusik med Erik Westbergs vokalensemble, Erik Chisholms violinkonsert samt La Fonte Musica med musik från Ars Nova. Sofia möter Håkan Hardenberger. I panelen Anna Nyhlin, Johanna Paulsson och Måns Tengnér som tillsammans med programledaren Magnus Lindman betygsätter följande skivor: ANTONÍN DVORÁK Pianokvartetter nr 1 och 2 Busch-trion, Miguel da Silva, viola Alpha Classics ALPHA 288 CHORUS GLORIOSUS Körmusik av bl.a. Sven-David Sandström och Sofia Gubajdulina Erik Westbergs vokalensemble, Helena Holmlund, orgel Erik Westberg, dirigent Studio Acusticum SA 15 METAMORFOSI TRECENTO Musik från Ars Nova, bl.a. Francesco Landini och Guillaume de Machaut La Fonte Musica Michele Pasotti, luta och ledare Alpha Classics ALPHA 286 ERIK CHISHOLM Violinkonsert m.m. BBC:s skotska symfoniorkester Martyn Brabbins, dirigent Hyperion CDA 68208 Referensen - Dvorák: Magnus refererar till och jämför med en inspelning av Dvoráks Pianokvartett op 87 med Josef Suk-pianokvartett. Utgiven 2017 på Supraphon.  Sofia möter Håkan Hardenberger Sofia Nyblom träffade den svenske trumpetaren då han den 14 december 2017 gästade Berwaldhallen i Stockholm för att framträda som solist i Mark-Anthony Turnages andra trumpetkonsert, komponerad till och för Hardenberger. Detta tillsammans med Sveriges Radios Symfoniorkester under ledning av Daniel Harding. Samtalet kretsade bl.a. runt arbetet med instudering av nya verk samt relationen till sina kompositörer.  Andra i programmet nämnda eller rekommenderade inspelningar: Dvoráks Pianokvartett op 87 med Josef Suk-pianokvartett på Supraphon (Referensen); Emerson-kvartetten och Menahem Pressler på skivmärke DGG; pianisten Emanuel Ax tillsammans med Isaac Stern, violin, Jaime Laredo, viola samt Yo-Yo Ma, cello på Sony samt med pianisten Arthur Rubinstein som spelar tillsammans med medlemmar ur Guarneri-kvartetten på RCA. Ensemblen Mala Punica som framför musik från Ars Nova på märkena Harmonia Mundi, Arcana och Erato. Erik Chisholms pianokonserter med Danny Driver som solist tillsammans med BBC:s skotska symfoniorkester ledda av Rory MacDonald på skivmärke Hyperion. Geirr Tveitts 100 folketonar frao Hardanger.   Inget Svep denna vecka

Über ein halbes Jahrhundert war er das Herz und die Seele des legendären Beaux Arts Trios. Mit ihm setzte er musikalische Maßstäbe, gilt selbst als Pianistenlegende und startete im hohen Alter noch eine erfolgreiche Solokarriere. Menahem Pressler ist rastlos, liebt die Musik, die Konzertbühne und ist heute, mit seinen 92 Jahren, der älteste noch konzertierende Pianist der Welt.

Sean is joined by pianists Menahem Pressler and Fanny Waterman, cellist Alban Gerhardt, mezzo Kathryn Rudge and Brazil folk music duo Choro Matiz

Mit über 90 Jahren gehört Menahem Pressler zu den ältesten Konzertpianisten der Welt. Mehr als fünfzig Jahre war er Mitglied des weltberühmten Beaux Arts Trios. Erstmals ist nun ein Buch über und mit Menahem Pressler in deutscher Sprache erschienen. Ein Buchtipp von Robert Jungwirth.

Sonate A-Dur, KV 331 "Alla Turca" | Sonate B-Dur, KV 570 | Sonate D-Dur, KV 576 | Menahem Pressler (Klavier)

Norman Lebrecht meets pianist Menahem Pressler, founder of one of the most prolific and influential piano trios of all time: The Beaux Arts. Pressler looks back on a career which began in Nazi Germany, before he emigrated to Israel in 1939 and went on to win The Debussy Piano Competition in 1946. He recalls the teachers who helped him as a young pianist, including a German who defied the Nazi regime in continuing to teach him after it became illegal to do so, and his lessons with celebrated pianists Egon Petri and Leo Kestenberg. Pressler remembers how he formed The Beaux Arts Trio with violinist Daniel Guilet and cellist Bernard Greenhouse almost by accident while living in New York, before making their debut at Boston's Tanglewood concert hall in 1955. He reflects on the trio's changing personnel, which has seen Pressler as the one constant member while five violinists and two cellists have come and gone. Still performing now at the age of eighty eight and a renowned teacher and mentor to top chamber musicians like the Emerson and Ebène String Quartets - Menhem Pressler reflects on what makes a great chamber group and how music has sustained him throughout a long and distinguished career.

Episode 64: Gorgeous Melodies in a Strange Structure – The Glazunov Violin Concerto Upcoming Events: July 12 – with the New York Chamber Soloists in Stowe, VT (Bach, Paganini, Mozart, Albeniz, Piazzola), July 15 – “Classical Heavy Metal” late night chamber music in Ottawa, Ontario, July 16 – recital with Menahem Pressler in Ottawa, Ontario (Mozart, Schubert, Franck), July 17 – Brahms Piano Quintet with Menahem Pressler in Ottawa, Ontario, July 18-23 – teaching at the Mark Wood Rock Orchestra Camp including a July 20 performance, July 24 – master class for the Sphinx Performance Academy in Chicago, IL, July 25 – 17th Century English music with Trio Settecento for the Viola da Gamba Society of America Conclave Inquiries from my Inbox: Jaden asks, “Can you make a video of you playing the Czardas and Massenet? Can you wear your golden watch on the right hand side?” Random Musical Thought: As classical music has changed and evolved over the centuries, should we consider this to be “progress?” A conversation with Maestro José Serebrier about the new Warner Classics album, Glazunov Complete Concertos, featuring soloists including Rachel Barton Pine. Includes sound clips from the CD. Total playing time: 00:37:56 SUBSCRIBE TO THIS PODCAST ON I-TUNES! Would you like to be featured on Violin Adventures? Just send your question via text or as an MP3 attachment to rachelbartonpine@aol.com and listen for your answer on Inquiries From My Inbox! Thanks for listening! www.rachelbartonpine.com www.facebook.com/rachelbartonpineviolinist www.youtube.com/RachelBartonPine Violin Adventures with Rachel Barton Pine is produced by Windy Apple Studios www.windyapple.com