Podcasts about Auvers

Našimi očami a tým, čo sme prežili a precítili, meníme texty kníh, ktoré čítame, maľby, na ktoré sa dívame, a skladby, ktoré na koncertoch v kaplnkách a katedrálach počúvame. Nové, dosiaľ nepoznané miesta si osvojujeme vypitými limonádami a penivými muštami, zachytenými útržkami viet, stranami kníh, čo tam kdesi na lavičke pod platanom prečítame. Ako v roztopašnej hre sa naše kroky snažíme vložiť do odtlačkov stôp z minulosti. Na chodbách gymnázia v Charleville, kam chodil Arthur Rimbaud, v hostinci v Auvers-sur-Oise, kde možno sedával Vincent Van Gogh, na balkóne v Chatou, kde namaľoval Renoir Obed lodníkov. Na rozkývaných dlaždiciach v Château Thierry, kde si možno rozbil koleno chlapec Jean de La Fontaine, ktorý ešte nevie, že jeho bájky sa budú čítať na celom svete. Vydajme sa na cestu po Francúzsku, po krajine umelcov života. Číta: Dominika Žiaranová

This week we talk about fun workshops in Paris that we've done recently, specifically stone carving and hat making. The guest: Lina Nordin Gee.  The details: Stonemasonry classes are with last week's guest Grégory Philippe in his atelier in the Marais. If you want to find his studio and book one of his stone-carving sessions, you can find it online here (Address: 12 Rue du Prévôt, 75004). For the hatmaking, seek out MiniMe Land (Address: 25 R. de Turbigo, 75002 Paris) At the end of the episode, Marie Segura from My Private Paris is in the studio discussing how best to visit Giverny and Auvers-sur-Oise, once home to Monet and Van Gogh, respectively. In fact, this whole season of The Earful Tower is brought to you by My Private Paris, which is an award-winning travel company creating deluxe itineraries for Paris and beyond. See what they offer here and be sure to let them know that you came from The Earful Tower. Enjoying what we're doing here at The Earful Tower and keen to see more? Become a Patreon member here to support it and to discover our exciting extras.

Le 29 juillet 1890, le peintre néerlandais Vincent Van Gogh (1853-1890) meurt à Auvers-sur-Oise, deux jours après s'être tiré un coup de revolver dans la poitrine. Ce suicide, comme le train de vie du célèbre peintre, contribue à alimenter le mythe de l'artiste maudit qui, aujourd'hui encore, entoure sa figure. Pour déconstruire cette légende tenace, Virginie Girod reçoit Wouter van der Veen. Historien de l'art, grand spécialiste de la vie et de l'oeuvre de Vincent Van Gogh, il est secrétaire général et directeur scientifique de l'Institut Van-Gogh.

圣诞前夕，在咖啡馆，聊聊我们听什么播客，不听什么播客。 望听播客的你有更美好的2025！ ■ 主播 杨老师 实验性的人生 · ■ Cover art 中作品 Sheaves of Wheat, Vincent van Gogh, oil on canvas, Auvers-sur-Oise, July 1890, height: 50.5 cm, width: 100.9 cm · ■ Song List Laufey - Santa Baby · ■ 延伸内容 聽說張大春 https://thehearsayzhangdachun.firstory.io/ · ■ sns 感谢你的收听！关于节目和主播的动态，欢迎关注我们的社交号： 「一画一话」微博 「一画一话」豆瓣 杨老师微博 另一位主播微博 Instagram上也可以找到我们。 如果你喜欢我们的节目请在你常用的平台留下好评，将节目分享给你的朋友。 · ■ 进入听友群 添加小助手微信号：tvtproject · ■ 付费订阅 patreon 订阅 爱发电 订阅 · ■ say hi info（at）theviewtalk.com

Versione audio: Vincent van Gogh (1853-1890) fu un pittore olandese, tra i più importanti del XIX secolo e di tutti i tempi. In pochi anni di attività, dipinse quasi novecento quadri e realizzato più di mille disegni. Con la sua arte fortemente espressiva, influenzò profondamente l'arte del Novecento. Fu sempre un uomo difficile, angosciato e come […] L'articolo Da Van Gogh a Kierkegaard. La chiesa di Auvers proviene da Arte Svelata.

William Leymergie propose aux auditeurs une balade originale, hors des sentiers battus, à la découverte des différentes régions de France, de leurs sites les plus insolites, mais également de ceux possédant un savoir-faire unique, ajouté à cela des balades culturelles et culinaires inédites pour mettre à l'honneur la diversité du patrimoine français.

La rétrospective du Musée d'Orsay revient sur les ouvres réalisées par Vincent Van Gogh, les derniers mois de sa vie, à Auvers-sur-Oise. Elle sera interrompue par son suicide en 1890. Vous pourrez découvrir une quarantaine de tableaux et une vingtaine de dessins. Van Gogh se montre très inspiré et produit même quelques chefs-d'œuvre. Il peut compter sur l'aide du Dr Gachet, un médecin spécialisé dans le traitement de la mélancolie. Des sujets très variés sont abordés. Je me suis reconnu dans les tourments de l'artiste. « Van Gogh à Auvers-sur-Oise, les derniers mois », une exposition à voir jusqu'au 4 février au Musée d'Orsay dans le 7ème.

Melvyn Bragg and guests discuss the Dutch artist famous for starry nights and sunflowers, self portraits and simple chairs. These are images known the world over, and Vincent van Gogh (1853-1890) painted them and around 900 others in the last decade of his short, brilliant life and, famously, in that lifetime he made only one recorded sale. Yet within a few decades after his death these extraordinary works, with all their colour and life, became the most desirable of all modern art, propelled in part by the story of Vincent van Gogh's struggle with mental health.With Christopher Riopelle The Neil Westreich Curator of Post 1800 Paintings at the National GalleryMartin Bailey A leading Van Gogh specialist and correspondent for The Art NewspaperAnd Frances Fowle Professor of Nineteenth Century Art at the University of Edinburgh and Senior Curator at National Galleries ScotlandProducer: Simon TillotsonReading list: Martin Bailey, Living with Vincent Van Gogh: The Homes and Landscapes that shared the Artist (White Lion Publishing, 2019)Martin Bailey, Studio of the South: Van Gogh in Provence (Frances Lincoln, 2021)Martin Bailey, Van Gogh's Finale: Auvers and the Artist's Rise to Fame (Frances Lincoln, 2021)Nienke Bakker and Ella Hendriks, Van Gogh and the Sunflowers: A Masterpiece Examined (Van Gogh Museum, 2019)Nienke Bakker, Emmanuel Coquery, Teio Meedendorp and Louis van Tilborgh (eds), Van Gogh in Auvers-sur-Oise: His Final Months (Thames & Hudson, 2023)Frances Fowle, Van Gogh's Twin: The Scottish Art Dealer Alexander Reid, 1854-1928 (National Galleries of Scotland, 2010) Bregje Gerritse, The Potato Eaters: Van Gogh's First Masterpiece (Van Gogh Museum, 2021)Steven Naifeh and Gregory White Smith, Van Gogh: The Life (Random House, 2012)Leo Jansen, Hans Luijten and Nienke Bakker (eds), Vincent van Gogh: The Letters: The Complete Illustrated and Annotated Edition (Thames and Hudson Ltd, 2009)Leo Jansen, Hans Luijten and Nienke Bakker (eds), Vincent van Gogh, A Life in Letters (Thames and Hudson Ltd, 2020)Hans Luitjen, Jo van Gogh Bonger: The Woman who Made Vincent Famous Bloomsbury, 2022Louis van Tilborgh, Martin Bailey, Karen Serres (ed.), Van Gogh Self-Portraits (Courtauld Institute, 2022)Ingo F. Walther and Rainer Metzger, Van Gogh. The Complete Paintings (Taschen, 2022)

Melvyn Bragg and guests discuss the Dutch artist famous for starry nights and sunflowers, self portraits and simple chairs. These are images known the world over, and Vincent van Gogh (1853-1890) painted them and around 900 others in the last decade of his short, brilliant life and, famously, in that lifetime he made only one recorded sale. Yet within a few decades after his death these extraordinary works, with all their colour and life, became the most desirable of all modern art, propelled in part by the story of Vincent van Gogh's struggle with mental health.With Christopher Riopelle The Neil Westreich Curator of Post 1800 Paintings at the National GalleryMartin Bailey A leading Van Gogh specialist and correspondent for The Art NewspaperAnd Frances Fowle Professor of Nineteenth Century Art at the University of Edinburgh and Senior Curator at National Galleries ScotlandProducer: Simon TillotsonReading list: Martin Bailey, Living with Vincent Van Gogh: The Homes and Landscapes that shared the Artist (White Lion Publishing, 2019)Martin Bailey, Studio of the South: Van Gogh in Provence (Frances Lincoln, 2021)Martin Bailey, Van Gogh's Finale: Auvers and the Artist's Rise to Fame (Frances Lincoln, 2021)Nienke Bakker and Ella Hendriks, Van Gogh and the Sunflowers: A Masterpiece Examined (Van Gogh Museum, 2019)Nienke Bakker, Emmanuel Coquery, Teio Meedendorp and Louis van Tilborgh (eds), Van Gogh in Auvers-sur-Oise: His Final Months (Thames & Hudson, 2023)Frances Fowle, Van Gogh's Twin: The Scottish Art Dealer Alexander Reid, 1854-1928 (National Galleries of Scotland, 2010) Bregje Gerritse, The Potato Eaters: Van Gogh's First Masterpiece (Van Gogh Museum, 2021)Steven Naifeh and Gregory White Smith, Van Gogh: The Life (Random House, 2012)Leo Jansen, Hans Luijten and Nienke Bakker (eds), Vincent van Gogh: The Letters: The Complete Illustrated and Annotated Edition (Thames and Hudson Ltd, 2009)Leo Jansen, Hans Luijten and Nienke Bakker (eds), Vincent van Gogh, A Life in Letters (Thames and Hudson Ltd, 2020)Hans Luitjen, Jo van Gogh Bonger: The Woman who Made Vincent Famous Bloomsbury, 2022Louis van Tilborgh, Martin Bailey, Karen Serres (ed.), Van Gogh Self-Portraits (Courtauld Institute, 2022)Ingo F. Walther and Rainer Metzger, Van Gogh. The Complete Paintings (Taschen, 2022)

O ano de 2023 foi de muita cultura na programação da RFI Brasil. Nossa equipe vistou as principais exposições de arte não só da França, mas pelo continente europeu. Acompanhamos juntos o lançamento de obras de escritores brasileiros na Europa, comemoramos o reconhecimento de diretores nacionais nos principais festivais de cinema do mundo e nos encantamos com as histórias contadas por meio de fotografias, quadrinhos e encenações teatrais. Porém, foi também um ano em que guerras e conflitos tomaram conta do noticiário, e a cultura, como não podia deixar de ser, respondeu como forma de protesto contra esses movimentos ou para mostrar que a arte e o belo ainda prosperam, mesmo em tempos difíceis.Pinturas, esculturas e artes plásticasNo campo das artes é possível destacar homenagens a grandes nomes da pintura e da escultura, como a mostra que comemorou os 50 anos da morte de Pablo Picasso e a exposição que reúne, no Museu d'Orsay, as obras de Vincent Van Gogh no período passado no pequeno vilarejo de Auvers-sur-Oise, a cerca de 30 km de Paris, onde o artista viveu, morreu e está enterrado.Ainda no d'Orsay, uma outra exposição traçou um paralelo entre as obras de Edouard Manet e Edgard Degas, dois pintores que foram contemporâneos, frequentaram os mesmos círculos artísticos, mas seguiram caminhos diferentes, sempre mantendo uma certa rivalidade artística.Voltando um pouco mais no tempo, até o século 17, fomos até Amsterdam e Delft, na Holanda, para acompanhar duas exposições em homenagem ao mestre holandês Johannes Vermeer, nascido em 1632. Hester Schölvinck, chefe de coleção e apresentação do museu Prinsenhof, falou sobre a exposição “Delft de Vermeer”.“O objetivo da exposição é mostrar a Delft do século 17, período em que Vermeer viveu na cidade. Partimos do começo, com o que conhecemos e tentamos ir além,” contou. Artistas estrangeiros também foram destaque neste último ano aqui em Paris. A Fundação Louis Vuitton apresentou uma retrospectiva do artista americano Mark Rothko, um dos nomes mais importantes da pintura do século 20, ligado ao expressionismo abstrato.Já a exposição Paris et Nulle Part Ailleurs (Paris e nenhum outro lugar), reproduz a efervescência da capital francesa nos anos 1950 e 1960. Destacando os artistas estrangeiros que influenciaram a cidade-luz no pós-guerra, a mostra reuniu obras que narram o exílio, voluntário ou não, e a relação estabelecida com a França, como explica o curador, Jean-Paul Ameline:“Havia cerca de 7 mil a 8 mil artistas estrangeiros presentes em Paris nesses anos do pós-guerra, o que é evidentemente enorme. Nós escolhemos 24 que são característicos de diferentes tipos de expressão neste momento. Não mostramos apenas pinturas e esculturas, mas também colagem de objetos, que são importantes, e instalações, porque Paris era também um lugar onde outros movimentos se desenvolviam”.Meio ambiente como expressão culturalO meio ambiente e a cultura brasileira também foram temas de exposições artísticas. A mostra “Antes da tempestade”, apresentada pela coleção Pinault, no prédio histórico da Bolsa de Comércio de Paris, convidou a uma reflexão sobre as mudanças climáticas. E em Lodève, no sul da França, um misterioso mecenas francês apresentou a Ivonne Papin-Drastik, diretora do museu local, a sua curiosa e vasta coleção de pinturas brasileiras datadas do século 20. As obras foram catalogadas, organizadas e apresentadas na mostra "Brasil, Identidades", como ela mesma conta.“Para dizer a verdade, foi ele quem entrou em contato comigo e sugeriu que eu fosse ver sua coleção. A principio não vi uma maneira de como poderia encontrar uma forma coerente de mostrar esses pintores diferentes no Museu de Lodève. Então decidi pesquisar sobre esses artistas e percebi que havia um aspecto interessante, que é essa questão da identificação com o território e a impregnação desse imaginário que podemos ter”, explicou."Arado Torcido"Na literatura, diversos lançamentos de autores brasileiros marcaram o ano por aqui. O best-seller “Torto Arado” ganhou uma versão em espanhol, intitulada “Arado Torcido”. O autor, Itamar Vieira Júnior, participou de uma série de eventos em Madri sobre realidade rural brasileira relacionados à obra.Foi também a vez de obras focadas em temas sensíveis. O repórter João Alencar contou à RFI a experiência de cobrir um dos conflitos de maior impacto na geopolítica mundial no início do século 21. No livro “Ao Vivo da Ucrânia”, ele revela atrocidades cometidas por russos na guerra que dura quase três anos.Já a advogada e escritora Ruth Manus percorreu as cidades francesas de Paris e Lyon, além de fazer uma visita à Genebra, para o lançamento em francês de seu "Guia Prático do Antimachismo", que busca tratar do tema com pedagogia e, ao mesmo tempo, com ativismo e combatividade, como ela contou em visita aos nossos estúdios.“Eu adoraria que este fosse um livro 'démodé', que fosse um tema que já ficou no passado. Mas não é. Não é no Brasil, nem em Portugal, nem na França e imagino que isso se estenda a outros países. Fico muito feliz pela oportunidade de publicar aqui, mas ao mesmo tempo, fico triste de ver que num país desenvolvido como a França isso também seja necessário” comentou. Histórias do Brasil em QuadrinhosApesar de ser um tipo de literatura muito apreciada pelas crianças, as histórias em quadrinhos também podem abordar temas sociais e históricos bastante complexos. No último mês de setembro, o quadrinista franco-brasileiro Matthias Lehmann lançou o álbum “Chumbo” que, mesmo sendo em francês, conta a saga de uma família durante os anos de ditadura no Brasil. O autor contou para a RFI de onde surgiu a inspiração para o trabalho.“A minha mãe casou com um francês, veio morar na França há 40 anos e ela tinha uma saudade tremenda da familia, do Brasil e ela transmitiu esse sentimento para mim e minhas irmãs. Crescemos com esse apego muito forte pelo Brasil e sempre quisemos reafirmar esse lado brasileiro. Fazer o 'Chumbo' foi uma maneira de explorar a história brasileira, entender melhor o que é o Brasil e qual é o meu relacionamento com este país,” explicou.Vale destacar que as HQs são tema de um importante evento literário, que acontece na França todos os anos no mês de janeiro, o Festival Internacional de Histórias em Quadrinhos de Angoulême. O quadrinista brasileiro Marcello Quintanilha, que já conquistou dois prêmios no festival, teve uma retrospectiva da sua obra apresentada no icônico Museu de História em Quadrinhos de Bruxelas.“É incrível ter a possibilidade de expor no Centre Belge de la Bande Dessinée aqui em Bruxelas, porque Bruxelas é quase uma segunda pátria para as pessoas que se dedicam aos quadrinhos. Todo esse ambiente no que se refere ao quadrinho belga e franco-belga em maior medida é um ambiente no qual eu estou muito familiarizado”, afirmou.A sétima arte em 2023No cinema, os festivais europeus, mais uma vez, deram espaço para as temáticas brasileiras. O realizador carioca Leonardo Martinelli foi o vencedor do prêmio de melhor curta do Festival de Cinema Latino-Americano de Biarritz, com o filme Fantasma Neon.Já a edição de 2023 do Festival do Curta-Metragem de Clermont-Ferrand premiou as cineastas brasileiras Clara Anastácia e Gabriela Gaia Meirelles pelo filme “Escasso”. Elas conversaram com a RFI e falaram um pouco sobre esse projeto. Anastácia explica que a obra mistura um melodrama com a estética das favelas do Rio, focando no audiovisual brasileiro.“Escasso é uma entrevista, basicamente é um falso documentário. Um grupo de estudantes, ou de jornalistas, ou de filmmakers – a gente não coloca isso em pauta –  vai entrevistar essa mulher para entender qual é a dela nessa casa. A partir disso, ele discute território, ocupação, identidade, fé, culinária, entre muitas outras coisas, dentro de uma estética da comédia e desse humor trágico que o carioca tem”, descreve.Impossível falar em cinema sem falar no Festival de Cannes. Apesar de o Brasil não ter sido premiado, a participação do país na última edição do evento foi considerada um sucesso. Seis filmes foram selecionados em várias mostras e a presença no “Mercado do Filme” foi relevante.O chefe de Promoção Cultural do Instituto Guimarães Rosa do Itamaraty, Adam Jayme Muniz, falou sobre a importância da promoção do audiovisual como mecanismo de diplomacia cultural do Brasil.“O audiovisual é estratégico porque, de todas as linguagens artísticas e culturais, é a que consegue de forma mais eficaz promover a imagem do país no exterior. O audiovisual dialoga com todas as outras linguagens, a literatura, a música, a arte. É nesse contexto que o audiovisual se posiciona de forma estratégica e conta com esse apoio grande de diferentes agências do governo federal”, disse.Fotojornalismo ovacionadoNa fotografia, 2023 teve, como destaque, o mestre Sebastião Salgado apadrinhando um prêmio com tema humanista e ambientalista em Paris; moradores apresentando seus olhares pessoais do 11º distrito da capital francesa e o fotógrafo Emílio de Azevedo fazendo uma releitura das expedições do marechal Rondon, através do resgate dos arquivos militares e de viagens à Amazônia.  Teve também o festival de fotojornalismo Visa pour l'Image, que aproximou o público europeu de temas latino-americanos em Perpignan, no sul da França, no mês de setembro. O fotógrafo brasileiro Francisco Proner, que cobriu as eleições presidenciais de 2022 para o jornal francês Le Monde, teve sua obra apresentada e ovacionada pelo público presente.“O Brasil está muito em alta na Europa, tem muitas matérias sobre o Brasil, muito interesse, e acredito que os aplausos que recebi também foram para a vitória do Lula e para a derrota do Bolsonaro, não necessariamente para as fotos”, opinou. Teatro, circo e dançaNo teatro, circo, dança e política se misturaram em "23 fragments de ces derniers jours" (23 fragmentos dos últimos dias), um espetáculo bilíngue apresentado no Teatro Silvia Monfort. Enquanto o Festival de Avignon, no sul da França, destacou o trabalho da diretora Carolina Bianchi, uma das apostas da programação. E o Brasil esteve presente ainda no maior festival de marionetes do mundo, que contou com a participação do diretor Paulo Balardim com o espetáculo Habite-Moi, ou Habite-me, numa tradução livre para português."O espetáculo não apresenta uma história linear, mas três quadros que são intercalados por entreatos, que vão mesclar teatro de bonecos, máscaras e dança", diz. "É um jogo da atriz em cena. Ele vai orbitar no limite entre o inanimado e a vida e, dessa forma, fazer surgir presenças que vão contracenar com ela. Para isso, os bonecos vão adquirir vida e, à medida que vão sendo evocados, criam uma realidade ficcional íntima", completou. Há 60 anos, o Festival de Charleville-Mézières reúne artistas, marionetistas e um público de 170 mil pessoas para assistir às produções de mais de 80 companhias, de 25 países.No campo da cultura, o ano de 2023 foi de grandes eventos e importantes realizações não só para artistas e produtores, mas também para o público interessado, que pôde se divertir, se informar, torcer e se apaixonar com as obras, filmes, coreografias e espetáculos. E se “A arte é a mentira que nos permite conhecer a verdade”, como disse Pablo Picasso, que em 2024 possamos continuar a descobrir o mundo por meio da arte em todas as suas formas de expressão.

Stéphane Bern raconte les derniers jours d'un artiste de génie, d'un peintre qui a posé les pinceaux bien trop tôt. Ou la véritable histoire des derniers jours de Van Gogh. Pourquoi a-t-il choisi de s'installer à Auvers-sur-Oise ? Pourquoi a-t-il peint avec autant d'acharnement ? Avait-il conscience que ses jours étaient comptés ? Et qu'est-ce que ses dernières toiles représentaient ?Pour en parler, Stéphane Bern reçoit Emmanuel Coquery, responsable des peintures de Van Gogh et conservateur général au musée d'Orsay à Paris où se tient l'exposition "Van Gogh à Auvers-sur-Oise. Les derniers mois”, jusqu'au 4 février 2024.

À travers la réunion exceptionnelle de peintures, de dessins et de lettres, le musée d'Orsay fait revivre aux visiteurs les 70 derniers jours de Vincent Van Gogh à Auvers-sur-Oise, village tant apprécié des impressionnistes. Un endroit où Van Gogh, souffrant de troubles psychiques, explorera une expressivité créatrice sans commune mesure dans l'histoire de l'art.  C'est une exposition remplie d'énergie, de flamboyance dans les traits et dans les couleurs qui s'échappent des peintures. Des paysages de campagne, des demeures villageoises, des natures mortes, quelques portraits aussi… 74 peintures, mais aussi 33 dessins, des lettres et des objets personnels (une palette, un carnet de croquis), qui nous font vivre les 70 derniers jours de Vincent Van Gogh, son ultime séjour à Auvers-sur-Oise, cet endroit si apprécié des impressionnistes.C'est là que Van Gogh est mort, le 29 juillet 1890, deux jours après s'être tiré une balle de revolver dans la poitrine. Jusqu'au bout, il aura peint, cherché, expérimenté, exploré de nouveaux formats et de nouvelles couleurs, avec l'expressivité créatrice qui accompagnait sa souffrance psychique. Pour la première fois, une exposition se concentre sur les deux derniers mois de la vie du peintre, et en révèle toute la diversité et la richesse.Après le Musée Van Gogh d'Amsterdam, la voici à Paris. « Van Gogh à Auvers-sur-Oise, les derniers mois », est à découvrir au Musée d'Orsay jusqu'au 4 février 2024.Invité de VMDN : Emmanuel Coquery, conservateur général du Patrimoine, et l'un des commissaires de cette exposition.Rediffusion de l'émission du mardi 3 octobre 2023.

Exposition "Van Gogh à Auvers-sur-Oise. Les derniers mois."Du 3 octobre 2023 au 4 février 2024Enregistrement de la conférence inaugurale du 13 octobre 2023. L'exposition " Van Gogh à Auvers-sur-Oise. Les derniers mois" est la première consacrée aux œuvres produites par le peintre durant les deux derniers mois de sa vie, à Auvers-sur-Oise, près de Paris. Elle constitue l'aboutissement d'années de recherches sur cette phase cruciale de la vie de l'artiste.Avec le commissaire de l'exposition Emmanuel Coquery, conservateur général, directeur du développement culturel et du musée de la Bibliothèque nationale de France Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Com uma coleção excepcional de pinturas, desenhos e cartas, o Museu d'Orsay em Paris convida o público a reviver os últimos 70 dias de Vincent Van Gogh em Auvers-sur-Oise, o vilarejo francês amado pelos impressionistas – um lugar onde Van Gogh, sofrendo de problemas mentais, explorou uma expressividade criativa sem paralelo na história da arte e onde morreu, após atirar contra si mesmo durante um episódio depressivo em 1890.  Paisagens campestres, casas de vilarejo [as chamadas chaumières, construções típicas do norte da França], naturezas-mortas e alguns retratos. O Museu d'Orsay traz 74 pinturas e 33 desenhos, além de cartas e objetos pessoais, como um caderno de esboços, que teletransportam o público aos últimos 70 dias de Vincent Van Gogh, durante sua última estadia em Auvers-sur-Oise, um dos locais franceses mais populares entre os impressionistas, no norte do país.Foi lá que Van Gogh morreu em 29 de julho de 1890, dois dias depois de atirar no próprio peito com um revólver. Até o fim, o artista holandês pintou, pesquisou, experimentou e explorou novos formatos e novas cores, com a expressividade criativa que acompanhava seu sofrimento mental. É a primeira vez que uma exposição se concentra nos últimos dois meses da vida do pintor, revelando toda a diversidade e riqueza deste curto período.Depois do Museu Van Gogh em Amsterdã, a mostra está agora em Paris: "Van Gogh à Auvers-sur-Oise, les derniers mois" ("Van Gogh em Auvers-sur-Oise, os últimos meses") abriu as portas no dia 3 de outubro e pode ser vista no Museu d'Orsay até o dia 4 de fevereiro de 2024.Emmanuel Coquery, curador-geral de Patrimônio do museu e um dos curadores da exposição fala sobre o quadro que recebe os visitantes no início da mostra, um dos mais conhecidos de Van Gogh, um autorretrato pintado em 1889, no período em que morava em Saint-Remy de Provence. O pintor, com sua barba e cabelos ruivos, olha para a esquerda com olhos penetrantes que imediatamente nos colocam frente a frente com o destino do pintor. Qual seria o estado de espírito do artista ao se pintar dessa forma? "Ele convalescia de uma doença. Trata-se de um autorretrato. É um quadro que faz parte de uma série de quatro autorretratos, na verdade seus quatro últimos, uma vez que ele não se pintou em Auvers-sur-Oise, e são trabalhos que acontecem durante uma grave crise do artista que durou seis semanas e que o deixou completamente inconsciente", explica Coquery. "Ele ficou inativo devido a suas crises psicóticas nesse período. É preciso dizer que não se trata de um pintor louco, mas um homem que tinha crises de loucura. Ele pinta para se recompor, para se ver melhor, para se examinar, sendo tão introvertido, e ele acaba ficando tão feliz com esse quadro que ele se dizia pronto a mostrá-lo publicamente e ao médico que é a razão de sua mudança para a região", conta.Van Gogh chegou a Auvers-sur-Oise alguns meses depois, em 20 de maio de 1890, e pintou 74 quadros e fez 33 desenhos até o dia da sua morte. Emmanuel Coquery explica o frenesi criativo de Van Gogh no período."Ele precisa se curar. Ele precisa sentir que a cura é possível, e ele sente instintivamente que a pintura é sua boia de salvação. O médico que cuida da sua depressão lhe reafirma a importância de estar ativo no trabalho, e Van Gogh chega ao vilarejo culpando sua estadia no sul da França por sua melancolia, que ele espera dissipar no norte", sublinha o curador da exposição."Van Gogh é tomado por uma espécie de euforia ao chegar ao local que o reconecta com suas raízes e se reaproxima de seu irmão Théo, que o apoia e que literalmente o alimenta, pois lhe fornece uma pensão todos os meses e permite que o artista possa pintar", salienta.Coquery conta que Van Gogh dizia que Auvers-sur-Oise era "terrivelmente bela". Seria o vilarejo um condensado pitoresco de paisagens? "Sim, porque reunia, como ele mesmo dizia, as casas modernas e antigas, com telhado de sapê, e também o lado urbano e interiorano, com jardins de cultivo, e emolduradas pelo rio e a ferrovia bem ao lado. Isso criava um efeito concentrado de tudo que Van Gogh amava", nota Coquery.A exposição possui um fio condutor: os temas das pinturas. Van Gogh trabalhou sistematicamente os mesmos, estabelecendo ligações entre pinturas e desenhos. Um dos retratos é uma homenagem a seu médico, Dr. Gachet, por quem  o pintor desenvolveu uma estreita amizade e confiança."Ele é melancólico e isso marca o artista desde o início, como uma espécie de novo alterego, em relação ao principal alterego de suas pinturas, seu irmão Théo. Existe até uma semelhança física entre eles, porque Gachet é ruivo, e rapidamente eles se apaixonam amigavelmente, era uma relação mais como uma amizade do que uma coisa médico-paciente", diz o curador da mostra no Museu D'Orsay "E Gachet era um médico apaixonado pela arte, pintor amador, um artista da gravura, ou seja, ele tinha todos os instrumentos necessários para compreender o que se passava na cabeça de um pintor que não está bem; ele era o cara ideal para colocar Van Gogh no caminho certo, e o artista também sente isso e se apoia nele, rapidamente fazendo também uma gravura sua", esclarece.

durée : 00:38:06 - CO2 mon amour - par : Denis Cheissoux - En compagnie du passionné et passionnant historien de l'art et romancier Pascal Bonafoux, à Auvers-sur-Oise, dernier lieu de résidence du peintre

Matt 22:15-22 21st Sunday of Pentecost Image: detail of "The Church in Auvers-sur-Oise, View from the Chevet," by Vincent van Gogh

Narges Mohammadi, le courage et la Paix Turquie : Erdogan s'en prend directement à l'Union européenne Jean-Pierre Elkabbach, mort d'une icône du journalisme Bernadette, une belle comédie… humaine Van Gogh ou les derniers jours à Auvers-sur-Oise

« Van Gogh à Auvers-sur-Oise » au Musée d'Orsay est certainement l'un des évènements culturels majeurs cet automne à Paris. Pour la première fois, une exposition réunit les œuvres créées par l'artiste durant les deux derniers mois de sa vie avant son suicide fin juillet 1890. Une période productive intense comme dans l'urgence. Plus de 70 tableaux et une trentaine de dessins dont les deux tiers sont réunis au musée d'Orsay avec le concours du musée Van Gogh à Amsterdam : une prouesse.

« Van Gogh à Auvers-sur-Oise » au Musée d'Orsay est certainement l'un des évènements culturels majeurs cet automne à Paris. Pour la première fois, une exposition réunit les œuvres créées par l'artiste durant les deux derniers mois de sa vie avant son suicide fin juillet 1890. Une période productive intense comme dans l'urgence. Plus de 70 tableaux et une trentaine de dessins dont les deux tiers sont réunis au musée d'Orsay avec le concours du musée Van Gogh à Amsterdam : une prouesse.

Van Gogh à Auvers-sur-OiseLes derniers moisau Musée d'Orsay, Parisdu 3 octobre 2023 au 4 février 2024Interview de Emmanuel Coquery, directeur du développement culturel et du musée de la Bibliothèque nationale de France,conservateur général du patrimoine, auparavant adjoint au Directeur de la conservation et des collections du musée d'Orsay,et co-commissaire de l'exposition, par Anne-Frédérique Fer, à Paris, le 2 octobre 2023, durée 14'50, © FranceFineArt.https://francefineart.com/https://francefineart.com/2023/10/12/3485_van-gogh_musee-d-orsay/communiqué de presseCommissaires :Nienke Bakker, conservatrice des peintures au musée Van Gogh d'AmsterdamEmmanuel Coquery, directeur du développement culturel et du musée de la Bibliothèque nationale de France, conservateur général du patrimoine, auparavant adjoint au Directeur de la conservation et des collections du musée d'OrsayEn collaboration avec :Louis van Tilborgh et Teio Meedendorp, Directeurs de recherche au musée Van GoghCette exposition est organisée par le musée d'Orsay et le musée Van Gogh d'Amsterdam.Le musée Van Gogh d'Amsterdam et l'établissement public des musées d'Orsay organisent une exposition intitulée Van Gogh à Auvers-sur-Oise. Les derniers mois présentée au musée Van Gogh du 12 mai au 3 septembre 2023, pour marquer son 50e anniversaire, et au musée d'Orsay. C'est la première exposition d'envergure consacrée aux oeuvres produites par l'artiste durant les deux derniers mois de sa vie, passés à Auvers-sur-Oise, près de Paris. L'exposition constitue l'aboutissement d'années de recherches sur cette phase cruciale de la vie de l'artiste, et permettra au public de l'apprécier enfin à sa juste dimension.Arrivé à Auvers-sur-Oise le 20 mai 1890, Vincent Van Gogh y décède le 29 juillet à la suite d'un coup de revolver tiré dans la poitrine. Bien que le peintre n'ait passé qu'un peu plus de deux mois à Auvers, cette période voit un renouveau artistique, avec des recherches propres, marqués par la tension psychique de la nouvelle situation qui se cristallise autour de cette installation.Durement éprouvé par les différentes crises subies à Arles puis dans l'asile de Saint-Rémy, Vincent Van Gogh se rapproche de Paris et de son frère Théo, désormais marié et père d'un petit Vincent, pour retrouver un nouvel élan créatif. Le choix d'Auvers tient à la présence dans le village du Dr Gachet, médecin spécialisé dans le traitement de la mélancolie, et par ailleurs ami des impressionnistes, collectionneur, et peintre amateur. Van Gogh s'installe au centre du village, dans l'auberge Ravoux, et explore tous les aspects du nouveau monde qui s'offre à lui, tout en luttant contre des inquiétudes multiples, crainte du retour de ses crises cycliques, soucis liés à la santé et aux projets d'indépendance commerciale de Théo, sentiment de relégation dans les priorités existentielles de son frère, doutes sur sa valeur artistique, sans oublier une notoriété naissante dans la critique.Aucune exposition n'a encore été consacrée exclusivement à ce stade final, pourtant crucial, de sa carrière, en dépit du fait qu'il ait produit en deux mois pas moins de 73 tableaux et 33 dessins, parmi lesquels des chefsd'œuvre iconiques comme Le Docteur Paul Gachet, L'église d'Auvers-sur-Oise, ou encore Champ de blé aux corbeaux.my. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

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On this episode of Showcase, watch: Mesher Istanbul 00:02 The Sphere 03:42 Maneskin in Time Square 06:57 Gunter Brus Retrospective 08:46 Beatboxers' Gathering 11:22 Aya Takano 14:07 Van Gogh in Auvers 16:25 Shelter 19:20 Africa's Piano Technicians 22:50

Exposition "Van Gogh à Auvers-sur-Oise. Les derniers mois"Du 3 octobre 2023 au 4 février 2023 au musée d'Orsay Dans cet entretien, Nienke Bakker, conservatrice au Van Gogh Museum d'Amsterdam et Emmanuel Coquery, directeur du musée de la BnF, nous livrent les clés de l'exposition. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Stéphane Bern raconte les derniers jours d'un artiste de génie, d'un peintre qui a posé les pinceaux bien trop tôt. Ou la véritable histoire des derniers jours de Van Gogh. Pourquoi a-t-il choisi de s'installer à Auvers-sur-Oise ? Pourquoi a-t-il peint avec autant d'acharnement ? Avait-il conscience que ses jours étaient comptés ? Et qu'est-ce que ses dernières toiles représentaient ?Pour en parler, Stéphane Bern reçoit Emmanuel Coquery, responsable des peintures de Van Gogh et conservateur général au musée d'Orsay à Paris où se tient l'exposition 'Van Gogh à Auvers-sur-Oise. Les derniers mois”, jusqu'au 4 février 2024.

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Chaque dimanche, William Leymergie vous fait découvrir de nouveaux lieux partout en France.

Essentiel – Le rendez-vous culture de RCJ – présenté les lundis par Sandrine Sebbane. Elle reçoit Philippe Delerm pour la sortie de son livre « Les Instants Suspendus » aux éditions du Seuil. À propos du livre : « Les Instants Suspendus » paru aux éditions Seuil « Ce n'est pas un éblouissement, pas une surprise. On est tout à coup dans cette lumière-là, comme si on l'avait toujours habitée. On vient de sortir du tunnel. Le train n'a pas changé de cadence, il y a juste eu un petit crescendo dans la musique, moins un bruit de moteur qu'une tonalité nouvelle, offerte au vent. Une infime parenthèse entre deux talus, et d'un seul coup : le paysage. Montagne, lac ou forêt, château en ruine ou autoroute, on sait tout absorber, tout devenir. » Comme on les chérit, ces instants suspendus dans nos vies. Passer le doigt sur une vitre embuée. La mouche de l'été dans la chaleur de la chambre. Le jaillissement du paysage à la sortie du tunnel ferroviaire… Philippe Delerm n'invente pas ces moments, il les réveille en nous. Il leur donne une dimension d'horizon infini. On ne savait pas qu'on abritait tous ces trésors, Delerm les met en écrin. Entre humour subtil et nostalgie, un recueil dans la droite ligne de ses grands succès, La Première Gorgée de bière, La Sieste assassinée ou Les Eaux troubles du mojito. Philippe Delerm est né le 27 novembre 1950 à Auvers-sur-Oise. Ses parents étant instituteurs, il passe son enfance dans des « maisons d'école» : à Auvers, Louveciennes, Saint-Germain. Il fait des études de lettres à la faculté de Nanterre, puis devient professeur de lettres en Normandie. Il vit donc depuis 1975 à Beaumont-le-Roger (Eure), avec Martine, sa femme, également professeur de lettres et illustrateur-auteur d'albums pour enfants. Il anime un club de théâtre et un club de football dans son collège, après avoir été entraîneur d'athlétisme. Auteur d'une vingtaine d'ouvrages destinés à un public adulte dont "La première gorgée de bière", un des plus grands succès d'édition, qui s'est vendu à un million d'exemplaires, et "La sieste assassinée".

Suốt sự nghiệp cầm cọ, Vincent Van Gogh (1853-1890) không bán được một tác phẩm nào. Chỉ vài ngày sau khi có người mua tác phẩm đầu tiên, họa sĩ qua đời ở tuổi 37. Trong quãng đời ngắn ngủi, có lẽ hai năm ở Paris là giai đoạn thăng hoa trong sự nghiệp của họa sĩ đoản mệnh. Van Gogh gặp những người bạn mới, khám phá trường phái Ấn Tượng, định hình phong cách vẽ. Đến Paris vào đầu tháng 03/1886 sau thời gian dài bất định về sự nghiệp, bất ổn về cuộc đời, lận đận trong tình duyên, Van Gogh tìm bước khởi đầu mới ở Kinh đô Ánh sáng. Chuỗi thất bại của họa sĩ Hà Lan được Wouter van der Veen, người chuyên viết về nghệ thuật và là chuyên gia về Van Gogh, tóm lược trong chương trình của Culture Tube về Van Gogh : Những bậc thầy hội họa :“Vào lúc Vincent Van Gogh bắt đầu vẽ, ông ở trong tình trạng khá là tuyệt vọng, bị rơi vào ngõ cụt. Ông buộc phải đưa ra chọn lựa đó. Ông từng muốn làm mục sư nhưng thất bại, từng muốn làm nhà buôn nghệ thuật nhưng cũng không thành, cuối cùng ông tâm sự trong một bức thư gửi em trai là những gì còn lại với ông, chỉ là chút khả năng vẽ phác thảo. Chính từ chút năng lực đó, ông quyết định tiếp tục cuộc sống và dấn thân vào một con đường mới, nơi ông hy vọng trở thành một nhà in thạch bản, người vẽ tranh minh họa, người vẽ phác thảo. Nhưng ban đầu, đó không phải tiếng gọi của nghệ thuật lớn lao, đặc trưng cho sự nghiệp của ông như chúng ta biết sau này”.Có lẽ sẽ không có một Vincent Van Gogh nổi tiếng nếu không có người em trai Théo của ông. Théo có tài kinh doanh, đến Paris làm việc từ năm 1881, được giao làm giám đốc một chi nhánh của Galerie Boussod, Valadon et Cie trên đại lộ Montmartre. Théo sống trong căn hộ nhỏ ở phố Victor Massé để tiện cho công việc. Hai tháng sau khi Vincent đến, họ chuyển sang căn hộ trong tòa nhà xây theo phong cách kiến trúc Haussman ở số 54 phố Lepic, ngay dưới chân đồi Montmartre. Théo là nguồn động viên không mệt mỏi cả về tài chính lẫn tinh thần cho Vincent, vì Théo giữ niềm tin vô hạn vào tài năng của anh trai.Những cuộc gặp mới ở MontmartreMontmartre vào Thời Kỳ Tươi Đẹp (Belle Epoque, 1871-1880) nổi tiếng là tụ điểm giải trí sành điệu. Quán rượu, cà phê thi nhau mọc lên từ năm 1888, thu hút giới tinh hoa Paris và những nghệ sĩ nổi tiếng đương thời. Nhưng bên cạnh đó, vẫn còn một Montmartre giữ nét hoang sơ, tồi tàn của những khu ổ chuột trước đó.Montmatre và Paris mở ra nhiều cơ hội cho họa sĩ Hà Lan : bạn bè mới nhờ những mối quan hệ của Théo, cơ hội triển lãm tranh, khám phá trường phái Ấn Tượng để rồi theo đuổi con đường này. Trong thư đề tháng 9 hoặc 10/1886 gửi Horace Mann Livens, bạn đồng môn năm 1885 ở Viện Hàn Lâm Mỹ Thuật Hoàng Gia Anvers (Bỉ), Vincent Van Gogh tỏ ra hào hứng với cuộc sống mới : “Paris là Paris, chỉ có một Paris và dù cuộc sống ở đây có khó khăn đến đâu... không khí Pháp làm đầu óc tỉnh táo và tốt lên”. (1)Van Gogh bắt đầu vẽ từ cửa sổ phòng ngủ trong căn hộ mới phóng tầm mắt khắp Paris, từ những bức chân dung tự họa đến những khu vườn quanh Montmartre và mỏ đá trắng. Ngay cuối năm 1886, họa sĩ Hà Lan tham gia Xưởng Vẽ Cormon (Atelier Cormon do Fernand Cormon thành lập năm 1883 tại 104 đại lộ Clichy, Paris), nơi đánh dấu những thay đổi mang tính quyết định cho sự nghiệp của ông. Vincent học vẽ khỏa thân, làm quen với những họa sĩ trẻ như Emile Bernard và Henri de Toulouse-Lautrec.Qua giới thiệu của Théo, Vincent gặp nhiều nghệ sĩ nổi tiếng khác, Georges Seurat, Camille Pissaro, Paul Gauguin và Paul Cézanne. Họa sĩ Hà Lan hòa mình vào cuộc sống nghệ thuật sôi động của thành phố, thường xuyên đi xem triển lãm của Degas, Monet, Renoir và Sisley. Được truyền cảm hứng vẽ trực tiếp ngoài trời, ông không ngại vác giá vẽ ra khỏi đồi Montmartre và Paris để đến các vùng ngoại ô Asnières-sur-Seine, rừng Boulogne hay đảo Grande Jatte ở vùng Hauts-de-Seine hiện nay, kinh nghiệm mà theo tâm sự của ông trong thư gửi người bạn Bernard là “người ta không thể học vẽ được nếu chỉ ở trong xưởng vẽ của mình”.Chuyên gia về nghệ thuật Pascal Bonafoux nhận định trong chương trình của Culture Tube : “Giữa một bên là phòng trưng bày tranh Boussod, Valadon et Cie do Théo quản lý và bên kia là cửa hàng của Cha Tanguy, người ta đoán về cơ bản là Vincent khám phá ra trường phái Ấn Tượng. Chưa bao giờ ông ấy nhìn thấy bóng của một bức tranh như thế. Theo tôi, trong gần hai năm sống ở Paris là quãng thời gian Vincent Van Gogh thực sự tạo cho mình những cách sáng tạo ra một Vincent Van Gogh và để tạo ra sự độc đáo, có một không hai, sự kỳ dị trong tranh của ông”.Cha Tanguy (Père Tanguy) là một nhân vật quan trọng trong đời sống nghệ thuật của khu vực, là ân nhân của rất nhiều họa sĩ trẻ nhưng nghèo, kể cả Monet và Pissarro thời đó. Cửa hàng Cha Tanguy có đủ loại màu vẽ và thường bán chịu. Van Gogh cũng nằm trong số những họa sĩ gán nợ bằng tranh. Để cảm ơn “người bạn lớn”, Van Gogh đã vẽ Chân dung Cha Tanguy (Portrait du père Tanguy, 1887), chưa đầy một năm sau bức tự họa khi mới đến Paris.Thấm nhuần trường phái Ấn TượngChính những bức chân dụng tự họa cho thấy rõ độ mở nghệ thuật của ông. Mọi nghiên cứu về phong cách và mầu sắc đều được ông thể hiện trong những bức chân dung tự họa này, theo giải thích của chương trình Van Gogh : Những bậc thầy hội họa :“Những bức tự họa đầu tiên được vẽ trong các mầu xám và mầu hạt dẻ nhanh chóng nhường chỗ cho các mầu vàng, đỏ, xanh lá cây và xanh dương. Kỹ thuật cầm cọ của ông cũng bắt đầu giống kỹ thuật không ngắt đoạn của các họa sĩ trường phái Ấn Tượng. Ông viết cho một người em gái : “Ý định của anh là cho thấy rằng người ta có thể vẽ nhiều bức tranh hoàn toàn khác nhau về cùng một người” (bức Tự họa đội mũ rơm (Autoportrait au chapeau de paille, 1887). Cho dù các ảnh hưởng xuất hiện trong tác phẩm của Van Gogh là đương thời hay truyền thống, chúng đều được thể hiện trong ngôn từ nghệ thuật của riêng ông”.Paris và cuộc gặp với trường phái Ấn Tượng, rồi hậu Ấn Tượng đã khiến bảng mầu của Van Gogh được mở rộng, sáng hơn, sống động hơn so với những bức tranh u tối, sầu não lúc còn ở Hà Lan và Bỉ. Sự thay đổi này được chính họa sĩ giải thích trong thư gửi em gái : “Điều mà người ta yêu cầu trong nghệ thuật ngày này, đó là điều gì đó thật sống động, rực rỡ, nồng nàn”.Sự sôi động trong tác phẩm Đại lộ Clichy (Boulevard de Clichy, 1887) là nhờ nét vẽ bớt cứng nhắc hơn, với hai gam mầu chủ đạo là tím và xanh. Những mầu sắc tươi sáng khác cũng được Van Gogh vận dụng vào tác phẩm Những vườn rau ở Montmartre (Jardins potagers à Montmartre, 1887), Sông Seine và cây cầu Grande Jatte (La Seine avec le pont de la Grande Jatte, 1887), Cây và rừng (Arbre et sous-bois, 1887), Công viên vào xuân (Parc au printemps, 1887)…Tranh của Van Gogh còn có ảnh hưởng từ cách chấm mầu của Paul Signac. Nghệ thuật Nhật Bản - niềm đam mê của các họa sĩ thời đó - hiện rõ trong hơn 30 bức vẽ tĩnh vật hoa, qua cách ông sử dụng những phối cảnh đậm và các mẫu trang trí phẳng, điểm thêm các tông màu đỏ đậm, để “cố thể hiện cường độ mầu sắc”.“Có thể thấy được sự tiến bộ rõ rệt trong cách vẽ của Van Gogh từ 1886-1888 qua ba bức chân dung. Chân dung một người đàn ông năm 1886 tiếp nối loạt chân dung sâu kín và thống thiết trong thời kỳ đầu của Van Gogh ở Nuenen. Bức chân dung Alexander Red được vẽ vào mùa xuân năm 1887 sử dụng cách phối mầu và kỹ thuật vẽ tương đối khác. Tháng 12/1887, Van Gogh vẽ Cô gái Ý (L'Italienne), được coi là bước ngoặt nghệ thuật của họa sĩ ở hai chiều và chịu ảnh hưởng của nghệ thuật Nhật Bản, trong đó các màu sắc và đường nét tạo giá trị riêng biệt, ngoài thực tế”.Vận đen đeo bámVan Gogh trưng bày tranh ở các phòng tranh của bạn bè, các quán cà phê và nhà hàng, nơi trở thành điểm giao lưu, trao đổi của họa sĩ. Không ngạc nhiên khi Van Gogh vẽ chân dung khổ lớn chủ một nhà hàng lúc đó, có thể là Lucien Martin, ông chủ của quán Grand Bouillon, nơi họa sĩ Hà Lan trưng bày tranh. Van Gogh vẽ hơn 200 tác phẩm trong hai năm ở Paris. Thế nhưng không ai đoái hoài đến tranh của ông. Đen đủi vẫn đeo bám Van Gogh, như lúc ông còn ở Hà Lan hay Bỉ. Chuyên gia Pascal Bonafoux giải thích :“Hãy hình dung là vào thời kỳ mà tranh lịch sử vẫn được coi là hội họa chân chính, tranh chân dung là thể loại lớn… Còn đối với Van Gogh , một cành hoa, một chiếc giầy, một củ khoai tây cũng quan trọng như vậy. Dù chưa biết nhưng họa sĩ đã tham gia vào phong trào sau này là trở thành trường phái Ấn Tượng, lúc đó đã thịnh hành được khoảng 10 năm, và từng bước loại dần hội họa phân cấp đối tượng. Điều này đặc biệt quan trọng”.Những tác phẩm quan trọng nhất thuộc sở hữu của Théo, còn những bức khác thì làm quà tặng hoặc bị ăn trộm. Một vài tác phẩm được họa sĩ bán rẻ cho người buôn nghệ thuật. Vincent Van Gogh chán thành phố đang dần khiến ông ngột ngạt. Ông viết cho em gái Wilhemina, “Paris lớn như biển nhưng người ta luôn để ở đó một mảnh lớn cuộc đời”. Quyết định tìm đến thiên nhiên, tháng 02/1888, họa sĩ ôm đầy hoài bão chuyển xuống thành phố Arles, miền nam Pháp.Thế nhưng Van Gogh vẫn phải đối mặt với thực tế : tranh của ông không bán được. Đổi lại, Théo an ủi trong thư đề ngày 27/10/1888 là “anh đã tạo được cho chúng ta một mạng lưới nghệ sĩ và bạn bè, điều mà em hoàn toàn không thể làm được, vậy mà anh đã làm được phần nào từ khi anh ở Pháp”.Chán nản, kiệt quệ, bệnh tật có lẽ dần bào mòn sức lực của họa sĩ. Ông qua đời ở tuổi 37 vào lúc mà nỗ lực của ông cuối cùng cũng được biết đến, theo giải thích của Wouter van der Veen, chuyên gia về Van Gogh : “Sáu tháng trước khi qua đời (ở Auvers-sur-Oise, ngoại ô Paris), công việc của Vincent Van Gogh thu hút sự chú ý của một nhà phê bình nghệ thuật nổi tiếng. Người này viết trong tạp chí Mercure de France một bài báo dài gần 17 trang để giải thích công việc của họa sĩ Hà Lan này tuyệt vời đến nhường nào”.(1) Bảo tàng Van Gogh, Hà Lan

Suốt sự nghiệp cầm cọ, Vincent Van Gogh (1853-1890) không bán được một tác phẩm nào. Chỉ vài ngày sau khi có người mua tác phẩm đầu tiên, họa sĩ qua đời ở tuổi 37. Trong quãng đời ngắn ngủi, có lẽ hai năm ở Paris là giai đoạn thăng hoa trong sự nghiệp của họa sĩ đoản mệnh. Van Gogh gặp những người bạn mới, khám phá trường phái Ấn Tượng, định hình phong cách vẽ. Đến Paris vào đầu tháng 03/1886 sau thời gian dài bất định về sự nghiệp, bất ổn về cuộc đời, lận đận trong tình duyên, Van Gogh tìm bước khởi đầu mới ở Kinh đô Ánh sáng. Chuỗi thất bại của họa sĩ Hà Lan được Wouter van der Veen, người chuyên viết về nghệ thuật và là chuyên gia về Van Gogh, tóm lược trong chương trình của Culture Tube về Van Gogh : Những bậc thầy hội họa :“Vào lúc Vincent Van Gogh bắt đầu vẽ, ông ở trong tình trạng khá là tuyệt vọng, bị rơi vào ngõ cụt. Ông buộc phải đưa ra chọn lựa đó. Ông từng muốn làm mục sư nhưng thất bại, từng muốn làm nhà buôn nghệ thuật nhưng cũng không thành, cuối cùng ông tâm sự trong một bức thư gửi em trai là những gì còn lại với ông, chỉ là chút khả năng vẽ phác thảo. Chính từ chút năng lực đó, ông quyết định tiếp tục cuộc sống và dấn thân vào một con đường mới, nơi ông hy vọng trở thành một nhà in thạch bản, người vẽ tranh minh họa, người vẽ phác thảo. Nhưng ban đầu, đó không phải tiếng gọi của nghệ thuật lớn lao, đặc trưng cho sự nghiệp của ông như chúng ta biết sau này”.Có lẽ sẽ không có một Vincent Van Gogh nổi tiếng nếu không có người em trai Théo của ông. Théo có tài kinh doanh, đến Paris làm việc từ năm 1881, được giao làm giám đốc một chi nhánh của Galerie Boussod, Valadon et Cie trên đại lộ Montmartre. Théo sống trong căn hộ nhỏ ở phố Victor Massé để tiện cho công việc. Hai tháng sau khi Vincent đến, họ chuyển sang căn hộ trong tòa nhà xây theo phong cách kiến trúc Haussman ở số 54 phố Lepic, ngay dưới chân đồi Montmartre. Théo là nguồn động viên không mệt mỏi cả về tài chính lẫn tinh thần cho Vincent, vì Théo giữ niềm tin vô hạn vào tài năng của anh trai.Những cuộc gặp mới ở MontmartreMontmartre vào Thời Kỳ Tươi Đẹp (Belle Epoque, 1871-1880) nổi tiếng là tụ điểm giải trí sành điệu. Quán rượu, cà phê thi nhau mọc lên từ năm 1888, thu hút giới tinh hoa Paris và những nghệ sĩ nổi tiếng đương thời. Nhưng bên cạnh đó, vẫn còn một Montmartre giữ nét hoang sơ, tồi tàn của những khu ổ chuột trước đó.Montmatre và Paris mở ra nhiều cơ hội cho họa sĩ Hà Lan : bạn bè mới nhờ những mối quan hệ của Théo, cơ hội triển lãm tranh, khám phá trường phái Ấn Tượng để rồi theo đuổi con đường này. Trong thư đề tháng 9 hoặc 10/1886 gửi Horace Mann Livens, bạn đồng môn năm 1885 ở Viện Hàn Lâm Mỹ Thuật Hoàng Gia Anvers (Bỉ), Vincent Van Gogh tỏ ra hào hứng với cuộc sống mới : “Paris là Paris, chỉ có một Paris và dù cuộc sống ở đây có khó khăn đến đâu... không khí Pháp làm đầu óc tỉnh táo và tốt lên”. (1)Van Gogh bắt đầu vẽ từ cửa sổ phòng ngủ trong căn hộ mới phóng tầm mắt khắp Paris, từ những bức chân dung tự họa đến những khu vườn quanh Montmartre và mỏ đá trắng. Ngay cuối năm 1886, họa sĩ Hà Lan tham gia Xưởng Vẽ Cormon (Atelier Cormon do Fernand Cormon thành lập năm 1883 tại 104 đại lộ Clichy, Paris), nơi đánh dấu những thay đổi mang tính quyết định cho sự nghiệp của ông. Vincent học vẽ khỏa thân, làm quen với những họa sĩ trẻ như Emile Bernard và Henri de Toulouse-Lautrec.Qua giới thiệu của Théo, Vincent gặp nhiều nghệ sĩ nổi tiếng khác, Georges Seurat, Camille Pissaro, Paul Gauguin và Paul Cézanne. Họa sĩ Hà Lan hòa mình vào cuộc sống nghệ thuật sôi động của thành phố, thường xuyên đi xem triển lãm của Degas, Monet, Renoir và Sisley. Được truyền cảm hứng vẽ trực tiếp ngoài trời, ông không ngại vác giá vẽ ra khỏi đồi Montmartre và Paris để đến các vùng ngoại ô Asnières-sur-Seine, rừng Boulogne hay đảo Grande Jatte ở vùng Hauts-de-Seine hiện nay, kinh nghiệm mà theo tâm sự của ông trong thư gửi người bạn Bernard là “người ta không thể học vẽ được nếu chỉ ở trong xưởng vẽ của mình”.Chuyên gia về nghệ thuật Pascal Bonafoux nhận định trong chương trình của Culture Tube : “Giữa một bên là phòng trưng bày tranh Boussod, Valadon et Cie do Théo quản lý và bên kia là cửa hàng của Cha Tanguy, người ta đoán về cơ bản là Vincent khám phá ra trường phái Ấn Tượng. Chưa bao giờ ông ấy nhìn thấy bóng của một bức tranh như thế. Theo tôi, trong gần hai năm sống ở Paris là quãng thời gian Vincent Van Gogh thực sự tạo cho mình những cách sáng tạo ra một Vincent Van Gogh và để tạo ra sự độc đáo, có một không hai, sự kỳ dị trong tranh của ông”.Cha Tanguy (Père Tanguy) là một nhân vật quan trọng trong đời sống nghệ thuật của khu vực, là ân nhân của rất nhiều họa sĩ trẻ nhưng nghèo, kể cả Monet và Pissarro thời đó. Cửa hàng Cha Tanguy có đủ loại màu vẽ và thường bán chịu. Van Gogh cũng nằm trong số những họa sĩ gán nợ bằng tranh. Để cảm ơn “người bạn lớn”, Van Gogh đã vẽ Chân dung Cha Tanguy (Portrait du père Tanguy, 1887), chưa đầy một năm sau bức tự họa khi mới đến Paris.Thấm nhuần trường phái Ấn TượngChính những bức chân dụng tự họa cho thấy rõ độ mở nghệ thuật của ông. Mọi nghiên cứu về phong cách và mầu sắc đều được ông thể hiện trong những bức chân dung tự họa này, theo giải thích của chương trình Van Gogh : Những bậc thầy hội họa :“Những bức tự họa đầu tiên được vẽ trong các mầu xám và mầu hạt dẻ nhanh chóng nhường chỗ cho các mầu vàng, đỏ, xanh lá cây và xanh dương. Kỹ thuật cầm cọ của ông cũng bắt đầu giống kỹ thuật không ngắt đoạn của các họa sĩ trường phái Ấn Tượng. Ông viết cho một người em gái : “Ý định của anh là cho thấy rằng người ta có thể vẽ nhiều bức tranh hoàn toàn khác nhau về cùng một người” (bức Tự họa đội mũ rơm (Autoportrait au chapeau de paille, 1887). Cho dù các ảnh hưởng xuất hiện trong tác phẩm của Van Gogh là đương thời hay truyền thống, chúng đều được thể hiện trong ngôn từ nghệ thuật của riêng ông”.Paris và cuộc gặp với trường phái Ấn Tượng, rồi hậu Ấn Tượng đã khiến bảng mầu của Van Gogh được mở rộng, sáng hơn, sống động hơn so với những bức tranh u tối, sầu não lúc còn ở Hà Lan và Bỉ. Sự thay đổi này được chính họa sĩ giải thích trong thư gửi em gái : “Điều mà người ta yêu cầu trong nghệ thuật ngày này, đó là điều gì đó thật sống động, rực rỡ, nồng nàn”.Sự sôi động trong tác phẩm Đại lộ Clichy (Boulevard de Clichy, 1887) là nhờ nét vẽ bớt cứng nhắc hơn, với hai gam mầu chủ đạo là tím và xanh. Những mầu sắc tươi sáng khác cũng được Van Gogh vận dụng vào tác phẩm Những vườn rau ở Montmartre (Jardins potagers à Montmartre, 1887), Sông Seine và cây cầu Grande Jatte (La Seine avec le pont de la Grande Jatte, 1887), Cây và rừng (Arbre et sous-bois, 1887), Công viên vào xuân (Parc au printemps, 1887)…Tranh của Van Gogh còn có ảnh hưởng từ cách chấm mầu của Paul Signac. Nghệ thuật Nhật Bản - niềm đam mê của các họa sĩ thời đó - hiện rõ trong hơn 30 bức vẽ tĩnh vật hoa, qua cách ông sử dụng những phối cảnh đậm và các mẫu trang trí phẳng, điểm thêm các tông màu đỏ đậm, để “cố thể hiện cường độ mầu sắc”.“Có thể thấy được sự tiến bộ rõ rệt trong cách vẽ của Van Gogh từ 1886-1888 qua ba bức chân dung. Chân dung một người đàn ông năm 1886 tiếp nối loạt chân dung sâu kín và thống thiết trong thời kỳ đầu của Van Gogh ở Nuenen. Bức chân dung Alexander Red được vẽ vào mùa xuân năm 1887 sử dụng cách phối mầu và kỹ thuật vẽ tương đối khác. Tháng 12/1887, Van Gogh vẽ Cô gái Ý (L'Italienne), được coi là bước ngoặt nghệ thuật của họa sĩ ở hai chiều và chịu ảnh hưởng của nghệ thuật Nhật Bản, trong đó các màu sắc và đường nét tạo giá trị riêng biệt, ngoài thực tế”.Vận đen đeo bámVan Gogh trưng bày tranh ở các phòng tranh của bạn bè, các quán cà phê và nhà hàng, nơi trở thành điểm giao lưu, trao đổi của họa sĩ. Không ngạc nhiên khi Van Gogh vẽ chân dung khổ lớn chủ một nhà hàng lúc đó, có thể là Lucien Martin, ông chủ của quán Grand Bouillon, nơi họa sĩ Hà Lan trưng bày tranh. Van Gogh vẽ hơn 200 tác phẩm trong hai năm ở Paris. Thế nhưng không ai đoái hoài đến tranh của ông. Đen đủi vẫn đeo bám Van Gogh, như lúc ông còn ở Hà Lan hay Bỉ. Chuyên gia Pascal Bonafoux giải thích :“Hãy hình dung là vào thời kỳ mà tranh lịch sử vẫn được coi là hội họa chân chính, tranh chân dung là thể loại lớn… Còn đối với Van Gogh , một cành hoa, một chiếc giầy, một củ khoai tây cũng quan trọng như vậy. Dù chưa biết nhưng họa sĩ đã tham gia vào phong trào sau này là trở thành trường phái Ấn Tượng, lúc đó đã thịnh hành được khoảng 10 năm, và từng bước loại dần hội họa phân cấp đối tượng. Điều này đặc biệt quan trọng”.Những tác phẩm quan trọng nhất thuộc sở hữu của Théo, còn những bức khác thì làm quà tặng hoặc bị ăn trộm. Một vài tác phẩm được họa sĩ bán rẻ cho người buôn nghệ thuật. Vincent Van Gogh chán thành phố đang dần khiến ông ngột ngạt. Ông viết cho em gái Wilhemina, “Paris lớn như biển nhưng người ta luôn để ở đó một mảnh lớn cuộc đời”. Quyết định tìm đến thiên nhiên, tháng 02/1888, họa sĩ ôm đầy hoài bão chuyển xuống thành phố Arles, miền nam Pháp.Thế nhưng Van Gogh vẫn phải đối mặt với thực tế : tranh của ông không bán được. Đổi lại, Théo an ủi trong thư đề ngày 27/10/1888 là “anh đã tạo được cho chúng ta một mạng lưới nghệ sĩ và bạn bè, điều mà em hoàn toàn không thể làm được, vậy mà anh đã làm được phần nào từ khi anh ở Pháp”.Chán nản, kiệt quệ, bệnh tật có lẽ dần bào mòn sức lực của họa sĩ. Ông qua đời ở tuổi 37 vào lúc mà nỗ lực của ông cuối cùng cũng được biết đến, theo giải thích của Wouter van der Veen, chuyên gia về Van Gogh : “Sáu tháng trước khi qua đời (ở Auvers-sur-Oise, ngoại ô Paris), công việc của Vincent Van Gogh thu hút sự chú ý của một nhà phê bình nghệ thuật nổi tiếng. Người này viết trong tạp chí Mercure de France một bài báo dài gần 17 trang để giải thích công việc của họa sĩ Hà Lan này tuyệt vời đến nhường nào”.(1) Bảo tàng Van Gogh, Hà Lan

Nos colamos en el Festival Jorearte en Biscarrués con el grupo The Flamingos y en el vecindario de Les Vessenots en Auvers gracias a la pintura de Van Gogh y descubrimos cómo pasan profesionalmente el verano los fotógrafos. Además, repasamos los mejores momentos del programa y viajamos hasta el año 2006, cuando Fidel Castro abandonó la presidencia del gobierno cubano.

Hoy en la primera parte de Visión Global, charlamos con José Luis García-Ochoa, director de la correduría de seguros García-Ochoa. Después, analizamos la actualidad de los mercados con Marc Ribes, cofundador de Blackbird. Repasamos las noticias internacionales. Además, entrevistamos a Evelio Acevedo, director gerente del Museo Thyssen sobre la primera colección de NFTS "Les Vessenots en Auvers" de Van Gogh y nuestra segunda entrevista será con Ana Solá, CEO de CINESI sobre la movilidad urbana sostenible.

Hoy en la primera parte de Visión Global, charlamos con José Luis García-Ochoa, director de la correduría de seguros García-Ochoa. Después, analizamos la actualidad de los mercados con Marc Ribes, cofundador de Blackbird. Repasamos las noticias internacionales. Además, entrevistamos a Evelio Acevedo, director gerente del Museo Thyssen sobre la primera colección de NFTS "Les Vessenots en Auvers" de Van Gogh y nuestra segunda entrevista será con Ana Solá, CEO de CINESI sobre la movilidad urbana sostenible.

Hoy en la primera parte de Visión Global, charlamos con José Luis García-Ochoa, director de la correduría de seguros García-Ochoa. Después, analizamos la actualidad de los mercados con Marc Ribes, cofundador de Blackbird. Repasamos las noticias internacionales. Además, entrevistamos a Evelio Acevedo, director gerente del Museo Thyssen sobre la primera colección de NFTS "Les Vessenots en Auvers" de Van Gogh y nuestra segunda entrevista será con Ana Solá, CEO de CINESI sobre la movilidad urbana sostenible.

Join Caroline Wilson and guest co-host Anna Barry aka Anna from the Op-Shop for Ep 273. This podcast is proudly supported by Red Energy - Awarded Australia's most trusted energy provider by Canstar three times. Isn't it time you switched to Red? Head to www.redenergy.com.au This week Caro and Anna discuss the sacking of Stuart Dew as coach of the Gold Coast Suns and the backlash against Caro for the way she reported the story in the lead up to the official announcement. We also talk memories of the Gold Coast and some more mid-winter tips and recommendations including; Lightscape at the Royal Botanic Gardens in Melbourne - details HERE. WHAM! doco on Netflix Hijack on Apple TV The Last Vermeer on Netflix and SBS on Demand Limbo on SBS on Demand In The Cocktail Cabinet for Prince Wine Store Myles Thompson joins us to discuss French Wines. Lucien Lardy Beaujolais Villages 2021 Fontareche Corbieres Rouge Vieilles Vignes 2022 Bastille Day Mixed Dozen Use the promo code MESS at www.princewinestore.com.au or instore for your 10% listener discount. BSF for Red Energy The Feast by Margaret Kennedy Indiana Jones and the Dial of Destiny (at the movies) Crispy Sticky Mongolian Beef by Tin Eats - recipe HERE or subscribe wherever you listen to podcasts. Anna's Grumpy about people who hassle for discounts even at charity shops and in 6 Quick Questions we discuss favourite winter bulbs, the most versatile vegetable Caro came across in her travels, Anna's visit to the amazing Delatite Wines Cellar Door in Mansfield and Caro ends the podcast on an emotional note as she recounts her visit to the Van Gough in Auvers exhibition. Dear Caro and Corrie is back - send us your question or dilemma to feedback@dontshootpod.com.au and each week a lucky listener will receive a gift from Ello Botanicals - all natural Australian made facial oils. Email feedback@dontshootpod.com.au or join us on Instagram or Facebook.   This podcast is produced by Corrie Perkin and Caroline Wilson and produced, engineered and edited by Jane Nield for SEN.  You can listen to Home Style with Shaynna Blaze on Spotify HERE Crispy Sticky Mongolian Beef by Tin Eats - recipe HERE BEEF AND MARINADE 8 oz / 250g beef steak (rump, scotch or flank), sliced into 1/5" / 3mm slices (Note 1) 1 tsp soy sauce 1 tsp cornstarch/cornflour 1 tsp vegetable oil SAUCE 2 tsp cornflour / cornstarch 1/4 cup water 2 tbsp soy sauce (light or all purpose, NOT dark) 1/4 cup chicken broth 1 1/2 tbsp Chinese cooking wine or dry sherry, or more chicken broth (Note 2) 3 tbsp / 1/4 cup brown sugar, lightly packed CRISPY BEEF 1/4 - 1 1/2 cups vegetable oil (Note 1) 1/4 cup cornstarch/cornflour STIR FRY 1/2 tsp ginger, finely minced 2 garlic cloves, crushed 2 scallions/shallots, cut into 1 1/2" / 4cm pieces on the diagonal Instructions BEEF AND MARINADE Combine the Beef and Marinade ingredients in a bowl and marinate for 10 minutes (though you could even leave it overnight). SAUCE Mix the cornstarch with a splash of the water. Then add the remaining Sauce ingredients, including remaining water. CRISPY BEEF AND STIR FRY Add 1/4 cup cornstarch and use your fingers to lightly coat the beef. Heat 1/4 cup oil in a wok (Note 2) over medium high heat. Add 1/2 the beef and cook the first side for around 45 seconds or until golden and crisp. Then flip (I use an egg flip) and cook the other side for 30 - 45 seconds until golden and crisp. Remove onto a paper towel lined plate. Repeat with remaining beef. Discard the oil, leaving behind about 1 tablespoon in the wok. Add the ginger and garlic and sauté for about 15 seconds. Don't let it burn! Add the Sauce into the wok. Bring it to a simmer and let it cook for about 1 1/2 minutes or until it thickens into a glossy sticky sauce. Add the beef and scallions, toss to coat and cook for a further 30 seconds. Serve immediately with rice - or for a low carb, low cal option, try Cauliflower Rice! Learn more about your ad choices. Visit megaphone.fm/adchoices

Nienke Bakker, curator at the Van Gogh Museum, unpacks how the artist encountered Japan in Europe, and how woodblock prints shaped his perspectives in the rural village of Auvers-sur-Oise, an ‘artist's colony' on the outskirts of Paris. Unlike other post-Impressionists like Paul Gauguin, Vincent van Gogh never travelled outside of Europe. He didn't need to; for him, the idea of ‘exotic' places was often enough to inspire his vivid practice. van Gogh found ‘foreign' inspirations in cities like Paris and London. His paintings were displayed at the same time as the Paris Universal Exhibition (1889) and as an avid collector of Japanese prints, he also attended the city's new Asian art exhibitions. Exposure to artists like Katsushika Hokusai shaped his perspectives on his own local environment, his elongated forms, and his surprising use of the colour blue. But it was in the countryside - and the rural village of Auvers-sur-Oise - where Vincent van Gogh realised these various influences in their most vivid visual forms. Here, he spent just 74 days before his death, but produced a painting per day - and was close to the global recognition he gets today. Following their landmark Van Gogh and Japan (2018), Van Gogh Museum curator Nienke Bakker talks about their new exhibition, the first ‘serious' study of the end of his life, how Vincent's landscapes combined both local and global images, plus the often unequal relationship between rural and urban spaces. Van Gogh in Auvers. His Final Months runs at the Van Gogh Museum in Amsterdam until 3 September 2023, and then the Musée d'Orsay in Paris, until 4 February 2024. For more, read my article in The New European: https://www.theneweuropean.co.uk/the-exhibition-that-re-frames-van-goghs-last-days/ WITH: Nienke Bakker, curator at the Van Gogh Museum in Amsterdam. She is a curator of Van Gogh in Auvers. ART: ‘Old Vineyard with Peasant Woman, Vincent van Gogh (1890)'. PRODUCER: Jelena Sofronijevic. Follow EMPIRE LINES on Twitter: twitter.com/jelsofron/status/1306563558063271936 And Instagram: instagram.com/empirelinespodcast Support EMPIRE LINES on Patreon: patreon.com/empirelines

Cette semaine, on parle de films d'horreur et de grosses cylindrées. Buckle up! Les films de l'épisode : - 3'18" Crash [David Cronenberg]  - 25'58" Titane [Julia Ducournau]  - 47'08" Christine [John Carpenter]  - 65'02" Aux frontières de l'aube [Kathryn Bigelow]  ⚠️ Attention aux spoilers ⚠️

Le 11 mai 1995, Katell Berrehouc est retrouvée morte chez elle à Auvers-sur-Oise, dans le Val-d'Oise. C'est son petit frère qui découvre son corps en rentrant du collège. La jeune étudiante de 19 ans est étendue sur le lit de ses parents, un legging serré autour de son cou. La police retrouve des traces d'ADN sur le corps de la jeune fille, mais les enquêteurs ne parviennent pas à identifier un suspect. Il faudra attendre 23 ans pour que ce cold case soit relancé grâce à l'ADN. En juillet 2018, un suspect est enfin mis en examen pour le meurtre et le viol de Ketell Berrehouc.Dans Crime story, la journaliste Clawdia Prolongeau raconte cette enquête avec Damien Delseny, chef du service police-justice du Parisien.Écoutez Crime story sur toutes les plateformes audio : Apple Podcast (iPhone, iPad), Google Podcast (Android), Amazon Music, Podcast Addict ou Castbox, Deezer, Spotify.Crédits. Direction de la rédaction : Pierre Chausse - Rédacteur en chef : Jules Lavie - Ecriture et voix : Clawdia Prolongeau et Damien Delseny - Production : Emma Jacob et Thibault Lambert - Réalisation et mixage : Julien Montcouquiol - Musiques : Audio Network - Archives : INA. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Le 11 mai 1995, Katell Berrehouc est retrouvée morte chez elle à Auvers-sur-Oise, dans le Val-d'Oise. C'est son petit frère qui découvre son corps en rentrant du collège. La jeune étudiante de 19 ans est étendue sur le lit de ses parents, un legging serré autour de son cou. La police retrouve des traces d'ADN sur le corps de la jeune fille, mais les enquêteurs ne parviennent pas à identifier un suspect. Il faudra attendre 23 ans pour que ce cold case soit relancé grâce à l'ADN. En juillet 2018, un suspect est enfin mis en examen pour le meurtre et le viol de Ketell Berrehouc.Dans Crime story, la journaliste Clawdia Prolongeau raconte cette enquête avec Damien Delseny, chef du service police-justice du Parisien.Écoutez Crime story sur toutes les plateformes audio : Apple Podcast (iPhone, iPad), Google Podcast (Android), Amazon Music, Podcast Addict ou Castbox, Deezer, Spotify.Crédits. Direction de la rédaction : Pierre Chausse - Rédacteur en chef : Jules Lavie - Ecriture et voix : Clawdia Prolongeau et Damien Delseny - Production : Emma Jacob et Thibault Lambert - Réalisation et mixage : Julien Montcouquiol - Musiques : Audio Network - Archives : INA. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Direction le Val d'Oise ! A pieds, à vélo ou sur l'eau, vous pourrez suivre les traces des impressionnistes et de Van Gogh, tout en profitant du charme bucolique des lieux ! Léa Bara vous propose de découvrir une ville chargée d'histoire ! 

Maria Teresa Benedetti"Van Gogh"Mostra al Palazzo Bonaparte, Romahttps://www.arthemisia.it/it/van-gogh-roma/Alla vigilia dei 170 anni dalla sua nascita, fino al 26 marzo 2023 Palazzo Bonaparte ospita la grande e più attesa mostra dell'anno dedicata al genio di Van Gogh. Attraverso le sue opere più celebri – tra le quali il suo famosissimo Autoritratto (1887) – sarà raccontata la storia dell'artista più conosciuto al mondo.Nato in Olanda il 30 marzo 1853, Vincent Van Gogh fu un artista dalla sensibilità estrema e dalla vita tormentata. Celeberrimi sono i suoi attacchi di follia, i lunghi ricoveri nell'ospedale psichiatrico di Saint Paul in Provenza, l'episodio dell'orecchio mozzato, così come l'epilogo della sua vita, che termina il 29 luglio 1890, a soli trentasette anni, con un suicidio: un colpo di pistola al petto nei campi di Auvers.Nonostante una vita impregnata di tragedia, Van Gogh dipinge una serie sconvolgente di Capolavori, accompagnandoli da scritti sublimi (le famose “Lettere” al fratello Theo Van Gogh), inventando uno stile unico che lo ha reso il pittore più celebre della storia dell'arte.La mostra di Roma, attraverso ben 50 opere provenienti dal prestigioso Museo Kröller Müller di Otterlo – che custodisce uno dei più grandi patrimoni delle opere di Van Gogh – e tante testimonianze biografiche, ne ricostruisce la vicenda umana e artistica, per celebrarne la grandezza universale.Un percorso espositivo dal filo conduttore cronologico e che fa riferimento ai periodi e ai luoghi dove il pittore visse: da quello olandese, al soggiorno parigino, a quello ad Arles, fino a St. Remy e Auvers-Sur-Oise, dove mise fine alla sua tormentata vita.Dall'appassionato rapporto con gli scuri paesaggi della giovinezza allo studio sacrale del lavoro della terra scaturiscono figure che agiscono in una severa quotidianità come il seminatore, i raccoglitori di patate, i tessitori, i boscaioli, le donne intente a mansioni domestiche o affaticate a trasportare sacchi di carbone o a scavare il terreno; atteggiamenti di goffa dolcezza, espressività dei volti, la fatica intesa come ineluttabile destino.Tutte queste sono espressione della grandezza e dell'intenso rapporto con la verità del mondo di Van Gogh.Particolare enfasi è data al periodo del soggiorno parigino in cui Van Gogh si dedica a un'accurata ricerca del colore sulla scia impressionista e a una nuova libertà nella scelta dei soggetti, con la conquista di un linguaggio più immediato e cromaticamente vibrante.Si rafforza anche il suo interesse per la fisionomia umana, determinante anche nella realizzazione di una numerosa serie di autoritratti, volontà di lasciare una traccia di sé e la convinzione di aver acquisito nell'esperienza tecnica una fecondità ben maggiore rispetto al passato.È di questo periodo l'Autoritratto a fondo azzurro con tocchi verdi del 1887, presente in mostra, dove l'immagine dell'artista si staglia di tre quarti, lo sguardo penetrante rivolto allo spettatore mostra un'insolita fierezza, non sempre evidente nelle complesse corde dell'arte di Van Gogh. I rapidi colpi di pennello, i tratti di colore steso l'uno accanto all'altro danno notizia della capacità di penetrare attraverso l'immagine un'idea di sé tumultuosa, di una sgomentante complessità.L'immersione nella luce e nel calore del sud, a partire dal 1887, genera aperture ancora maggiori verso eccessi cromatici e il cromatismo e la forza del tratto si riflettono nella resa della natura. Ecco quindi che torna l'immagine de Il Seminatore realizzato ad Arles nel giugno 1888, con la quale Van Gogh avverte che si può giungere a una tale sfera espressiva solo attraverso un uso metafisico del colore.E così Il giardino dell'ospedale a Saint-Rémy (1889) assume l'aspetto di un intricato tumulto, mentre lo scoscendimento di un Burrone (1889) sembra inghiottire ogni speranza e la rappresentazione di un Vecchio disperato (1890) diviene immagine di una disperazione fatale.Con il patrocinio della Regione Lazio, del Comune di Roma – Assessorato alla Cultura e dell'Ambasciata del Regno dei Paesi Bassi, la mostra è prodotta da Arthemisia, realizzata in collaborazione con il Kröller Müller Museum di Otterlo ed è curata da Maria Teresa Benedetti e Francesca Villanti. Il catalogo è edito da Skira.IL POSTO DELLE PAROLEAscoltare fa Pensarehttps://ilpostodelleparole.it/

En mai 1995, Katell Berrehouc est sauvagement assassinée et violée chez elle à Auvers-sur-Oise. En 2018, un homme a été arrêté et mis en examen. Alors qu'il continue de nier, les parents de Katell Berrehouc attend un procès 27 ans après le meurtre de leur fille. Retrouvez tous les jours en podcast le décryptage d'un faits divers, d'un crime ou d'une énigme judiciaire par Jean-Alphonse Richard, entouré de spécialistes, et de témoins d'affaires criminelles. Ecoutez L'heure du Crime avec Jean-Alphonse Richard du 28 novembre 2022

En mai 1995, Katell Berrehouc est sauvagement assassinée et violée chez elle à Auvers-sur-Oise. En 2018, un homme a été arrêté et mis en examen. Alors qu'il continue de nier, les parents de Katell Berrehouc attend un procès 27 ans après le meurtre de leur fille. Retrouvez tous les jours en podcast le décryptage d'un faits divers, d'un crime ou d'une énigme judiciaire par Jean-Alphonse Richard, entouré de spécialistes, et de témoins d'affaires criminelles. Ecoutez L'heure du Crime avec Jean-Alphonse Richard du 28 novembre 2022

Molly talks with author Timothy Miller about his book, "The Strange Case of the Dutch Painter".   Order "The Strange Case of the Dutch Painter" from an independent bookseller at this link: https://bookshop.org/a/10588/9781645060420 or at Amazon right here https://amzn.to/3g4CJ15 ABOUT THE STRANGE CASE OF THE DUTCH PAINTER  Paris, 1890. When Sherlock Holmes finds himself chasing an art dealer through the streets of Paris, he's certain he's smoked out one of the principals of a cunning forgery ring responsible for the theft of some of the Louvre's greatest masterpieces. But for once, Holmes is dead wrong. He doesn't know that the dealer, Theo Van Gogh, is rushing to the side of his brother, who lies dying of a gunshot wound in Auvers. He doesn't know that the dealer's brother is a penniless misfit artist named Vincent, known to few and mourned by even fewer. Officialdom pronounces the death a suicide, but a few minutes at the scene convinces Holmes it was murder. And he's bulldog-determined to discover why a penniless painter who harmed no one had to be killed–and who killed him. Who could profit from Vincent's death? How is the murder entwined with his own forgery investigation? Holmes must retrace the last months of Vincent's life, testing his mettle against men like the brutal Paul Gauguin and the secretive Toulouse-Lautrec, all the while searching for the girl Olympia, whom Vincent named with his dying breath. She can provide the truth, but can anyone provide the proof? From the madhouse of St. Remy to the rooftops of Paris, Holmes hunts a killer—while the killer hunts him. ABOUT TIMOTHY MILLER Timothy Miller is a native of Louisiana, a graduate of Loyola University in New Orleans. He has two Sherlock Holmes novels under his belt, with a third in the oven. His screenplays have placed in several contests, including five times as a semifinalist in the Academy's prestigious Nicholl Fellowship. He tended bar for twenty-five years everywhere from Bourbon St. in New Orleans to Fisherman's Wharf in San Francisco. When not mourning over his beloved New Orleans Saints he is mourning over his beloved Chicago Cubs. His favorite superhero is Underdog.

Dominique Bruneau alias Lefty Dom crée des guitares à partir de presque rien : il part d'objets de récupération... Il s'inspire des "cigar box guitars" issues de l'Amérique ségrégationniste. Au XIX ème siècle, les esclaves fouillaient dans les poubelles des riches et piquaient de quoi créer des instruments. C'est à ce moment que le blues est né. Dominique nous a donné rendez-vous dans son atelier-studio à Auvers-sur-Oise, en région parisienne. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Don't forget to follow The Worst Traveller on YouTube! In this episode I talk about my first day exploring the European continent by car. With Eurotunnel I arrived in France in just 35 minutes from the UK and in this episode describe my experience with visiting Auvers sur Oise, the place where Vincent Van Gogh spent his final days and painted 'Wheatfield with Crows'. I then also talk about my journey to Rouperroux le Coquet where I spent the evening in the most amazing trailer and relaxed in a Nordic Bath underneath the most beautiful night sky. Check out The Worst Traveller Blog at www.theworsttraveller.com If you enjoy this episode please do leave a 5* rating and review on Apple Podcasts - it would mean the world! The Backpack I recommend: https://www.discoversalkan.com/store/?ref=12 My Instagram: @tomjpage + @worsttraveller My TikTok: @theworsttraveller See you next week!

Sarah speaks with Timothy Miller about the second book in his Sherlock Holmes historical mystery series, The Strange Case of the Dutch Painter: Paris, 1890. When Sherlock Holmes finds himself chasing an art dealer through the streets of Paris, he's certain he's smoked out one of the principals of a cunning forgery ring responsible for the theft of some of the Louvre's greatest masterpieces. But for once, Holmes is dead wrong. He doesn't know that the dealer, Theo Van Gogh, is rushing to the side of his brother, who lies dying of a gunshot wound in Auvers. He doesn't know that the dealer's brother is a penniless misfit artist named Vincent, known to few and mourned by even fewer. Officialdom pronounces the death a suicide, but a few minutes at the scene convinces Holmes it was murder. And he's bulldog-determined to discover why a penniless painter who harmed no one had to be killed–and who killed him. Who could profit from Vincent's death? How is the murder entwined with his own forgery investigation? Holmes must retrace the last months of Vincent's life, testing his mettle against men like the brutal Paul Gauguin and the secretive Toulouse-Lautrec, all the while searching for the girl Olympia, whom Vincent named with his dying breath. She can provide the truth, but can anyone provide the proof? From the madhouse of St. Remy to the rooftops of Paris, Holmes hunts a killer—while the killer hunts him." If you enjoyed this episode, follow and subscribe to the show: you can find us on iTunes or on any app that carries podcasts as well as on YouTube. Please remember to subscribe and give us a nice review. This way you will always be among the first to get the latest GSMC Book Review Podcasts. We would like to thank our Sponsor: GSMC Podcast Network Advertise with US: https://gsmcpodcast.com/advertise-with-us Website: https://gsmcpodcast.com/gsmc-book-review-podcast Apple Podcasts: https://itunes.apple.com/…/gsmc-book-review-po…/id1123769087 GSMC YouTube Channel: https://www.youtube.com/watch?v=N-EKO3toL1A Twitter: https://twitter.com/GSMC_BookReview Facebook: https://www.facebook.com/GSMCBookReview/ Instagram: https://www.instagram.com/gsmcbookreview Disclaimer: The views expressed on the GSMC Book Review Podcast are for entertainment purposes only. Reproduction, copying, or redistribution of The GSMC Book Review Podcast without the express written consent of Golden State Media Concepts LLC is prohibited.

Kabarety, bary, kavárny, noční život i umění. Nezaměnitelnou atmosféru pařížského Montmartru nejlépe zachytili umělci, kteří se tam na přelomu 19. a 20. století stěhovali. Ale i takový život po nějaké době omrzí. A většina z nich začala vyhledávat klidná místa v okolí Paříže. Jedním takovým bylo i městečko Auvers.Všechny díly podcastu Zápisník zahraničních zpravodajů můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

On this episode of the podcast, Jennifer Gruenke tells us about her 7 day trips from Paris on public transportation. She went to Rambouillet, Auvers-sur-Oise, Fontainebleau, Saint-Cloud, Saint-Germain-en-Laye, Provins, and Versailles all in the same week! Which one was her favorite? Click play to hear all about it! Episode Page | Guest Notes | Transcript Table of Contents for this Episode [00:00:40] A conversation with Jennifer Gruenke about her 7 day trips from Paris [00:02:45] Rambouillet, Auvers-sur-Oise, Fontainebleau, Saint-Cloud, Saint-Germain-en-Laye, Provins, and Versailles [00:03:49] Getting a week-long Navigo Pass [00:04:35] Taking a different day trip from Paris every day [00:05:32] Day trip to Rambouillet [00:10:51] Chateau gardens are often free [00:11:20] Versailles gardens on fountain days [00:13:48] More people willing to speak French with visitors outside of Paris [00:14:24] Rambouillet gets a 7/10 from Jennifer [00:15:09] Auvers-sur-Oise, the town where Van Gogh lived at the end of his life [00:15:41] Finding Van Gogh Podcast [00:15:54] Go to the Orsay Museum then go to Auvers-sur-Oise [00:17:10] Lookout for things to be closed on Mondays or Tuesdays [00:18:06] Van Gogh plus in Auvers-sur-Oise [00:19:26] Fontainebleau [00:20:47] Are these all easy to get to once you get off the train? [00:22:41] Domaine National de Saint Cloud [00:24:29] Virtual Reality at Saint Cloud [00:29:49] Saint Germain en Laye [00:32:58] Provins [00:38:13] Bring ID in exchange for audio guide [00:39:15] Bring cash and toilet paper to Provins [00:42:45] Versailles gardens only: enter at Allée des Matelots [00:44:54] The RER to Versailles is often really crowded! [00:48:31] Ranking these 7 day trips from Paris [00:50:41] Seeing French Chateaux without going to the Loire Valley [00:51:29] Lyon and other cities are not far from Paris on the TGV [00:54:31] Thank you patrons and donors [00:58:53] Travel Tip: Can you ask for a doggy bag in France? [01:00:19] This week in French news [01:01:35] Annie's personal update [01:02:42] Use the search button on Join Us because there are a lot of episodes! [01:03:12] Share the podcast with a fellow Francophile [01:04:11] Next week on the podcast an episode about the Cathars and their strange theology More episodes about day-trips from Paris

ESSENTIEL, le rendez-vous culture présenté par Sandrine Sebbane. Elle reçoit Philippe Delerm, écrivain, pour son livre « New York sans New York » paru aux éditions du seuil  À propos du livre : «New York sans New York» paru aux éditions seuil « Tous ces films regardés, toutes ces photos, tous ces albums, tous ces livres, non pas pour aller à New York un jour, mais un peu bizarrement pour ne pas y aller, pour préserver le secret d'une ville essentielle qui ne supporterait pas d'être tant soit peu violée par la réalité. » Inventer sa vie, la rendre plus authentique et plus forte que la réalité, c'est la proposition que nous fait Philippe Delerm. Trouver dans les cartons des brocantes, sur les murs d'une chambre, dans les recoins de sa mémoire tous les trésors qui font les vrais voyages. Les tenir bien au chaud dans la main, les admirer quand on le veut. Se réjouir de vivre si fort avec si peu de choses. Les textes courts de Philippe Delerm nous enchantent. Un grand auteur classique et familier qui nous connaît mieux que nous-mêmes. Inventeur d'un genre dont il est l'unique représentant, l'« instantané littéraire », Philippe Delerm s'inscrit dans la lignée des grands auteurs classiques qui croquent le portrait de leurs contemporains, tels La Fontaine ou La Bruyère. Il est l'auteur de nombreux livres à succès, dont La Première Gorgée de bière, Je vais passer pour un vieux con ou Sundborn Philippe Delerm est né le 27 novembre 1950 à Auvers-sur-Oise. Ses parents étant instituteurs, il passe son enfance dans des «maisons d'école» : à Auvers, Louveciennes, Saint-Germain. Il fait des études de lettres à la faculté de Nanterre, puis devient professeur de lettres en Normandie. Il vit donc depuis 1975 à Beaumont-le-Roger (Eure), avec Martine, sa femme, également professeur de lettres et illustrateur-auteur d'albums pour enfants. Il anime un club de théâtre et un club de football dans son collège, après avoir été entraîneur d'athlétisme. Auteur d'une vingtaine d'ouvrages destinés à un public adulte dont "La première gorgée de bière", un des plus grands succès d'édition, qui s'est vendu à un million d'exemplaires, et "La sieste assassinée".

Em 17 de março de 1901, quadros do pintor holandês Vincent van Gogh são exibidos na galeria Bernheim-Jeune em Paris. Os 71 quadros, que capturavam seus objetos com fortes pinceladas e cores expressivas, causaram viva sensação no mundo da arte. Onze anos antes, enquanto vivia em Auvers-sur-Oise, arredores de Paris, van Gogh cometeu suicídio sem ter qualquer noção de que seus trabalhos teriam um destino: o de conquistar a consagração, muito além de seus enlouquecidos sonhos.Veja a matéria completa em: https://operamundi.uol.com.br/historia/10479/hoje-na-historia-1901-onze-anos-apos-suicidio-quadros-de-van-gogh-sao-exibidos-em-paris----Quer contribuir com Opera Mundi via PIX? Nossa chave é apoie@operamundi.com.br (Razão Social: Última Instancia Editorial Ltda.). Desde já agradecemos!Assinatura solidária: www.operamundi.com.br/apoio★ Support this podcast ★

For a different view of Europe, you might consider a river cruise. From Paris to Le Havre in Normandy and back is filled with unbelievable scenery, food, and history. Jack Baumann relates what you can expect on a river cruise in France. [00:23] What do you see and expect on a river cruise from Paris to LeHavre? [03:36] Food on the river cruise [04:32] Stops on the river cruise [07:38] Conflans-Sainte-Honorine [07:59] Auvers-sur-Oise (Van Gogh) [08:46] Normandy-cows, climate, language [11:26] Rouen (Richard the Lion-Hearted, Joan of Arc) [13:39] Jumièges Abbey [15:20] Le Havre (historic harbor) [16:48] Arromanches [22:51] Vernon (Old Mill) [24:14] Paris Dream. Learn. Plan. Prepare. Go to https://www.guidester.com/virtual-vacation/ (Guidester/Virtual-Vacation) Season 1: Episode 19 #travel #europe #vacation #traveleurope #travelguide #tourguide #seineriver  #Normandy  #France  #joanofarc  #Paris  #lehavre  #vangogh  #cheese   #rouen    #omahabeach   #arromanches #vernonfrance # JumiègesAbbey

Maxime Delauney x Les Cotentinois Cotentinois par nature, Maxime rêvait du cinéma depuis le plus jeune âge. A force de rencontres, travail et persévérance, il est aujourd'hui devenu producteur. Un métier passionnant qu'il nous raconte dans cet épisode. Il s'investit sur le territoire au travers des films qu'il produit avec des tournages réalisés dans le Cotentin mais aussi par son implication dans le festival du cinéma normand Les Egaluantes à Carentan. Il a également repris, avec quelques amis, la cidrerie Hérout à Auvers. Maxime nous raconte les coulisses du métier de producteur, l'évolution de son lien avec le territoire et nous parle de ses différents projets. Bonne écoute. Retrouvez toute l'actualité de Maxime sur les différents réseaux : www.nolita.fr, www.lesegaluantes.com et www.maisonherout.com. Belle journée et on se retrouve très vite en compagnie de nouveaux talents cotentinois. Camille. ✉ Si vous voulez prolonger la discussion, on peut se retrouver sur les réseaux sociaux ou par email : camille@lescotentinois.fr : ➡ https://www.instagram.com/lescotentinois ➡ https://www.facebook.com/lescotentinois ➡ https://www.linkedin.com/company/les-cotentinois

Dans cet épisode, je pose mon micro à Auvers en Normandie à la rencontre de Jean-Baptiste Aulombard. Ce normand amoureux de son terroir s'est d'abord initié au vin avant revenir sur ces terres natales pour reprendre la maison Hérout, une cidrerie familiale fondée en 1946 à Auvers. Son objectif ? Dépoussiérer l'image du cidre et lui donner ses lettres de noblesses.   Avec Jean-Baptiste, on aborde son parcours et son attachement au terroir normand, la reprise de la Maison Hérout et ses liens avec Marie-Agnès, l'héritière de la cidrerie, ou encore le processus de fabrication du cidre.   « Le cidre, une histoire de temps long », une conversation enregistrée à la Cidrerie Hérout et un reportage photo à retrouver sur le site internet du podcast Les Nouveaux Aventuriers. — Reportage complet sur www.les-nouveaux-aventuriers.com   Précommandez le magazine Bobine sur Ulule    Suivre l'itinérance sur Instagram et Facebook

Dal carattere mite e schivo, Vincent diventava irrefrenabile se si parlava di arte. Armato di coraggio, sfidava le convenzioni e le tradizioni dell’epoca incurante del prezzo che avrebbe potuto pagare con queste scelte. Decise che l’arte e la pittura sarebbero state la sua terapia e tutta la sua vita venne vissuta all’eccesso, tanto da farlo sempre passare per un personaggio bizzarro. Le frasi su van Gogh ci raccontano questo straordinario artista. Van Gogh fu indubbiamente una persona difficile, dall’indole distruttiva sia per se stesso che per gli altri. Dopo Parigi, dove viveva col fratello Theo, nel 1888 si stabilì ad Arles in Provenza e visse nella famosa “Casa Gialla” dove ospitò artisti ed amici fondando una sua comunità. I colori del Mediterraneo lo incantarono al punto da riversarli in tutte le opere del periodo. La pittura di Van Gogh è arte d’espressione, attraverso la quale il pittore desidera esprimere la sostanza più profonda di ciò che lo circonda, ecco perché i suoi paesaggi non sembrano semplici paesaggi. Vincent lasciò che a guidarlo fossero ardore e inquietudine, riuscendo quindi a non fermarsi a ciò che vedeva con gli occhi e mettendo su tela quello che invece sentiva dentro. I colori simboleggiavano le passioni, il tratto contorto e dinamico delle sue pennellate emanano tutta la sua tensione esistenziale. Nell’ottobre nel 1888 viene raggiunto da Gauguin e vive un periodo ricco di felicità e ottimismo, durante il quale dipinge la famosa serie dei “Girasoli”. L’intento era decorare lo studio he avrebbe avuto col collega e amico. L’artista conosceva il significato positivo e ottimistico dei fiori, esaltandoli con pennellate luminose e intense, trasformando dei soggetti da natura morta in qualcosa di vivo ed energico. Tuttavia, la realtà cadde addosso all’artista quando Gauguin decise di andarsene, lasciando Vincent in preda alla disperazione, fino a tagliare il lobo del suo orecchio sinistro. Nel maggio del 1889 venne internato pur continuando a produrre capolavori come “Notte Stellata”. Lasciata la clinica nel 1890, aveva ormai raggiunto il punto di non ritorno, con la depressione e la disperazione che lo logoravano. Il 27 luglio 1890 decise di spararsi, morendo appena due giorni dopo tra le braccia di suo fratello Theo. Nel 2011 la teoria del suicidio fu confutata perché le ferite riportate non sembravano compatibili con la volontà di uccidersi, visto che si trovavano sull’addome. Resterà un istero irrisolto. Vincent è sepolto presso il cimitero di Auvers-sur-Oise. Theo morì appena sei mesi il suo amato fratello, tanto che el 1914 il suo corpo venne riesumato per riposare accanto a quello di Vincent.

In this second episode we conclude our look into the life and art of Van Gogh, exploring the complexities of December 23, 1888 (the infamous night that Vincent supposedly cut off his own ear). Did Vincent really give his ear to a prostitute? is among the many questions we will explore. We will talk about Vincent's affinity for portraiture, as well as his final days and untimely death. We will explore a few more of his works of art, as well as one of his final paintings, Wheat Field with Crows, from July 1890. WORKS REFERRED TO IN THE EPISODE Self-Portrait with Bandaged Ear, Vincent van Gogh (1853 - 1890), 1889, oil on canvas, 60 x 49 cm (Courtauld Galleries, London) Dr Paul Gachet, Vincent van Gogh (1853-1890), 1890, Oil on canvas, H. 68; W. 57 cm. Musée d'Orsay, Paris Dr Paul Gachet, Vincent van Gogh (1853-1890), 1890, Oil on canvas, 67 cm × 56 cm (23.4 in × 22.0 in). Private Collection (unknown). Wheat Field with Crows, from July 1890. Vincent van Gogh (1853-1890), Auvers-sur-Oise: July, 1890, Oil on canvas, 50.5 x 103.0 cm, Van Gogh Museum, Amsterdam. Self Portrait, Vincent van Gogh (1853-1890, 1889, Oil on canvas, 65 cm × 54 cm (26 in × 21 in) Musée d'Orsay, Paris

Eccoci qua! Sono affezionato a tutti gli episodi di Life in the Garden che ho realizzato finora, ma a questo sono particolarmente legato. Forse per le emozioni di questo periodo, per quelle che ho provato nel prepararlo, per la vita di questo grande artista, per le lettere che ha scritto durante la sua vita al fratello. È un omaggio a Vincent Van Gogh. In questo episodio insieme a Clara Rita Stevanato, abbiamo cercato di onorare e seguire la sua breve e difficile vita e il suo percorso artistico; in particolare Clara ha avuto modo recentemente di viaggiare in Francia nei luoghi di Van Gogh, da Parigi ad Auvers-sur-Oise, da Arles all'ospedale psichiatrico di Saint-Rémy-de-Provence e a Saintes-Maries-de-la-mer. Non aggiungo altro, vi lascio all'ascolto di questo episodio. Fateci sapere cosa ne pensate, e se apprezzate condividete!

La biographie de Paloma Kouider Révélation classique de l'Adami et lauréate de la Fondation Groupe Banque Populaire, Paloma Kouider s'est formée auprès de Sergueï Markarov à l'Ecole Normale de Musique de Paris et d'Elisso Virssaladze à Florence, avant d'intégrer la classe d'Avedis Kouyoumdjian à l'Universität für Musik und Darstellende Kunst à Vienne. Invitée très jeune à se produire au sein de programmations prestigieuses tant en soliste, en musique de chambre qu'avec orchestre, Paloma n'en oublie pas pour autant une autre passion, la littérature, qu'elle cultive en intégrant une classe préparatoire littéraire au Lycée Louis-le-Grand - encouragée par un Premier Prix au Concours Général des Lycées. Une passion qu'elle partage avec ses collègues du Trio Karénine qui remportent, entre autres récompenses, le prestigieux concours de l'ARD de Munich en 2013, le Prix Pro Musicis international en 2011 ainsi que le Nordmetall Ensemble - Preis des Mecklenburg-Vorpommern Festspiele en 2015 avec la contrebassiste Laurène Durantel et l'altiste Krzysztof Chorzelski pour leur interprétation de la Truite de Schubert. Parallèlement à son activité au sein du Trio Karénine, Paloma collabore régulièrement avec les violoncellistes Aurélien Pascal et Anastasia Kobekina - avec laquelle elle a reçu le Prix André Hoffmann des Sommets Musicaux de Gstaad - ainsi qu'avec la violoniste Alexandra Soumm. Certaines rencontres musicales vont particulièrement marquer et orienter son cheminement artistique, notamment au sein des Académies de Villecroze ou de Musique à Flaine : le Quatuor Ysaÿe, Hatto Beyerle, Menahem Pressler, Ferenc Rados, Jean-Claude Pennetier, Paul Badura-Skoda mais aussi Claude Helffer pour la musique contemporaine et Stéphane Béchy pour l'interprétation de la musique ancienne sur instruments d'époque. On compte parmi ses engagements passés et à venir les Festivals d'Aix-en-Provence, Radio France et Montpellier, Pablo Casals, Menton, Roque d'Anthéron, Auvers-sur-Oise, Piano folies du Touquet, les Folles Journées de Tokyo, les Moments musicaux de Gstaad, les salles Gaveau, Pleyel et la grande salle de l'Unesco à Paris, la série « Stars von Morgen » à Berlin, le Wigmore Hall, la Herkulessaal et le Pinzregentheater de Munich, la Laeizsalle de Hambourg... Régulièrement invitée sur les plateaux radiophoniques, son premier enregistrement discographique, consacré à Beethoven et Liszt, paru en septembre 2010 pour le label Lyrinx, a été salué par la presse musicale française, ainsi que celui du Trio Karénine, consacré au trios de Robert Schumann, paru sous le label Mirare et celui enregistré avec la violoniste Fanny Robilliard pour le label Evidence Classics. Très engagée auprès des plus démunis, Paloma a créé, aux côtés d'Alexandra Soumm et Maria Mosconi, l'association « Esperanz'Arts » qui organise des manifestations artistiques pour tous.

Trk 21 - 1890 Auvers - Sur - Oise – Portrait Of Dr Gachet by Birmingham Hippodrome

Trk 20 - 1890 Auvers - Sur - Oise – The Church In Auvers - Sur - Oise by Birmingham Hippodrome

Trk 22 - 1890 Auvers - Sur - Oise – Wheat Field With Crows by Birmingham Hippodrome

La última vez que el mundo vio el retrato que Van Gogh pintó de su médico el doctor Paul Gachet fue el 15 de mayo de 1990.  La obra se vendió esa noche por 82.5 millones de dólares, el precio más alto alcanzado por una obra de arte en subasta hasta ese momento.  Después se perdió su rastro para siempre. Quién la compró? Cuál es su historia?  Dónde esta hoy? En este episodio les contamos todo, o más bien: todo lo que se sabe, acerca del “Dr. Gachet”.Vincent Van Gogh vivió las ultimas semanas de su vida en el poblado de  Auvers-sur-Oise en Francia.  Se mudó ahí en Mayo de 1890, después de haber sido dado de alta de la clínica para enfermos mentales de Saint-Remy en la que estuvo interno por un año. Auvers era la residencia del doctor Paul Gachet, neurólogo y psiquiatra que se especializaba en pacientes melancólicos (así llamaban entonces a los trastornos causados por la depresión). Gachet fue pintor y grabador amateur, ademas de médico de varios artistas incluyendo a Paul Cezanne y Camille Pissarro. Se hicieron amigos y el doctor posó para un retrato. Aquí comienza la historia de una de las obras de arte más buscadas de la  historia.BibliografíaBailey, Martin (2019). The Art Newspaper. Adventures in Van Gogh (blog). "Where is the portrait of Dr Gachet? The mysterious disappearance of Van Gogh's most expensive painting.” https://www.theartnewspaper.com/blog/where-is-van-gogh-s-portrait-of-dr-gachet Mayo, 2021.(2019). The Art Newspaper. Adventures in Van Gogh (blog). “Van Gogh and Germany: Frankfurt mounts best show on the artist in recent years.”  https://www.theartnewspaper.com/blog/van-gogh-and-germany-frankfurt-mounts-best-show-on-the-artist-in-recent-years 10 de mayo, 2021.Blot, Gérard. Musee d’Orsay. Le docteur Paul Gachet [Dr Paul Gachet]. [Internet] Accesible en https://www.musee-orsay.fr/en/collections/works-in-focus/search/commentaire/commentaire_id/dr-paul-gachet-2988.html?no_cache=1&S=&print=1&no_cache=1& 14 de mayo, 2021.Rosenbaum, Lee. (2007). Arts Journal. “Dr. Gachet” Sighting: It WAS Flöttl! [Internet] Accesible en https://www.artsjournal.com/culturegrrl/2007/01/dr_gachet_sighting_it_was_flot.html Mayo, 2021Kleiner, Carolyn (2000). U.S. News online. Mysteries of History. “Van Gogh's vanishing act: A high-cost, low-profile canvas.” https://web.archive.org/web/20110514004014/http://www.usnews.com/usnews/doubleissue/mysteries/portrait.htm  Mayo, 2021.Städel Museum (2019). Making Van Gogh: A German Love Story (exhibition). [Internet] Accesible en https://www.staedelmuseum.de/en/vangogh 10 de mayo, 2021.(2019). Podcast Finding Van Gogh: In search of the legendary “Portrait of Dr Gachet” [Internet] Accesible en https://www.staedelmuseum.de/en/podcast-finding-van-gogh Mayo, 2021.Boll, Dirk. (2015) Christie’s. Art Works News. “Auctions that made art history: Part 2.”  https://www.christies.com/features Auctions_That_Made_History_2-5580-1.aspx Mayo, 2021.

durée : 00:52:05 - Le Cours de l'histoire - par : Xavier Mauduit, Maïwenn Guiziou - Préparer l’absinthe oblige à respecter un cérémonial. Au-dessus du verre, un sucre est posé sur une cuillère ajourée. Au fond du verre, l’alcool. Goutte à goutte, de l’eau fraîche fait fondre le sucre. L’alcool se brouille, l’esprit aussi. Voici qu’apparaît la fée verte. - réalisation : Milena Aellig, Eric Lancien - invités : Marie-Claude Delahaye Maîtresse de conférence en biologie cellulaire à l’université Pierre-et-Marie-Curie à Paris et fondatrice du Musée de l’absinthe d’Auvers-sur-Oise; José-Luis Diaz Professeur émérite de littérature française à l'université Paris-Diderot. Président de la Société des études romantiques et dix-neuviémistes. Directeur du Magasin du XIXe siècle.

What a wonderful conversation with visual artist, Minna Kokko. Her love for nature and deep appreciation of how we are nature is clear. Discovering more about what motivates her to create her artwork, and, by doing so, how her work can pose questions relating to the connection and/or disconnection people have to the natural world is fascinating. Our chat weaves in Japanese culture, trees, calligraphy, Auvers-sur-Oise, Minna's daughter as muse, microscopes, and much more. You can find out more about Minna at: instagram.com/minnakokko_artist/ minnakokko.com/ aralya.fr/artistes/minna-kokko/ katmapped.org/2021-spring-show%3A-jungle tebbsgallery.com/ I hope you enjoy listening and finding out more about Minna. You can see a version with captions on my ShutterPod/Photopocene YouTube channel too. Let me know if you'd like to take part in Photopocene via josiepurcellphotography.com *Title image © Minna Kokko

Our guest this week is Annebelle Mauger. Manager of Imagine Van Gogh. The immersive ground-breaking installation that’s gaining profile all over the World. It opens at Vancouver’s Convention and Exhibition Centre March 19 – June 11 and in Edmonton Expo Centre March 27 – May 2   https://vancouver.imagine-vangogh.com/information/ https://edmonton.imagine-vangogh.com/information/   In 2000, Annabell Mauger discovered Cathédrale d’images in Baux-de-Provence thanks to her partner, Timothée Polad. Founded by his grandparents Albert and Anne Plécy, this historic site was home to the first audiovisual creation in “Image Totale”. As it gained recognition worldwide, Cathédrale d’images presented new immersive exhibitions every year. Imagine Van Gogh, designed by Annabelle Mauger and Julien Baron (longtime collaborators on projects at Cathédrale d’images), is a direct continuation of Albert Plécy’s concept of the “Image Totale”. From the very first outline of Imagine Van Gogh right up to its full realization, complete respect for the painted work is present in all of Annabelle Mauger and Julien Baron’s work. Though time passes and technology evolves, these advancements ensure above all else the preservation of still works of art. Imagine Van Gogh highlights the works of Vincent Van Gogh from his Arles period (1888-1889) to the end of his life in 1890. These were exceptional years for the master, showcasing his talent, as well as his torments, in iconic works such as Sunflowers, Irises, Wheatfield with Crows, The Starry Night, in addition to his Japanese influences with the magnificent Almond Blossoms or his later The Church at Auvers. It also incorporates the many portraits painted during this period, including his Self-Portraits, Portrait of Dr. Gachet, La Mousmé, Portrait of the Postman Joseph Roulin, and L’Arlésienne: Madame Ginoux. Altogether, an incredible number of Van Gogh’s masterpieces will be revealed to visitors from a completely new perspective. Vincent writing to his brother Theo as he painted … The Arles Period Selected works: The Yellow House, Café Terrace at Night, Harvest at La Crau with Montmajour in the Background, L’Arlésienne : Madame Ginoux, Sunflowers, Starry Night over the Rhône (1888). When the mistral’s blowing, though, it’s the very opposite of a pleasant land here, because the mistral's really aggravating. But what a compensation, what a compensation, when there’s a day with no wind. What intensity of colors, what pure air, what serene vibrancy. The Saint-Rémy-de-Provence Period Selected works: The Garden of St. Paul Hospital, The Red Vineyard, The Road Menders, Les Alyscamps, Fishing Boats on the Beach at Saintes-Maries (1889). For many days I’ve been absolutely distraught, as in Arles, just as much if not worse, and it’s to be presumed that these crises will recur in the future, it is abominable.» The Auvers-sur-Oise Period Selected works: The Town Hall at Auvers, Portrait of Doctor Gachet, The House of Pere Pilon, Daubigny’s Garden. The Church at Auvers, Landscape of Auvers in the Rain, Wheatfield with Crows (May 20 to July 29, 1890). Auvers is really beautiful – among other things many old thatched roofs, which are becoming rare. I’d hope, then, that in doing a few canvases of that really seriously, there would be a chance of recouping some of the costs of my stay – for really, it’s gravely beautiful, it’s the heart of the countryside, distinctive and picturesque. They’re immense stretches of wheatfields under turbulent skies, and I made a point of trying to express sadness, extreme loneliness. You’ll see this soon, I hope – for I hope to bring them to you in Paris as soon as possible since I’d almost believe that these canvases will tell you what I can’t say in words, what I consider healthy and fortifying about the countryside. Vincent Van Gogh Exhibition: https://vancouver.imagine-vangogh.com/lexposition/ Annabelle Mauger Bio: https://vancouver.imagine-vangogh.com/biographie-dannabelle-mauger/ Vincent Van Gogh Bio: https://vancouver.imagine-vangogh.com/biographie-de-vincent-van-gogh/

Welcome to the Instant Trivia podcast episode 11, where we ask the best trivia on the Internet. Round 1. Category: Care To See My Etchings? 1: This man worked with Robert Havell on some etchings so that his "Birds of America" could find a publisher. (John James) Audubon. 2: He created etchings of Paul Gachet, a doctor who in 1890 took him in and cared for him at Auvers. van Gogh. 3: One of his most famous etchings is "Christ Healing the Sick", aka "The 100-Guilder Print", completed in the 1640s. Rembrandt. 4: This British artist known for his "Marriage a la Mode" engravings had a 1735 copyright act named for him. Hogarth. 5: His "Ancient of Days" was the frontispiece to his 1794 poem "Europe, A Prophecy". Blake. Round 2. Category: Crossword Clues "I" 1: Titanic sinker(7). Iceberg. 2: Mesopotamia today(4). Iraq. 3: Pianists tickle them(7). Ivories. 4: A store's stock(9). Inventory. 5: Give the third degree(11). interrogate. Round 3. Category: Castles 1: This English castle, badly damaged by fire in November 1992, reopened to the public in December 1997. Windsor Castle. 2: Neuschwanstein Castle, often described as a magical setting, is found in this country. Germany. 3: You can see the royal crown of Scotland in a castle in this Scottish city, but you can't try it on. Edinburgh. 4: Once home to the Knights of the Sword, Riga Castle is today the official residence of the president of this Baltic country. Latvia. 5: Balmoral Castle is this present monarch's summer home. Queen Elizabeth II (of Great Britain). Round 4. Category: Polar Animals 1: This ursine likes to eat seals as well as fish. a polar bear. 2: The emperor is the largest variety of this bird. a penguin. 3: The bellow of this tusked sea animal can be heard from half a mile away. a walrus. 4: This ox, one of the northernmost hoofed animals, is named for the odor it emits. a musk ox. 5: When these rodents drown during their migrations, itÂ's an accident, not suicide. lemmings. Round 5. Category: The Misspeled Word 1: An absence of leisure may leave you feeling like you live in the Artic. Artic/Arctic. 2: Wearing weird jewelry is no gaurantee of ecstasy. gaurantee/guarantee. 3: On occasion, it may be neccessary to be grateful. neccessary/necessary. 4: Quite frankly, his knowledge of the cemetary was mediocre. cemetary/cemetery. 5: The turn of the millenium was a humorous odyssey. millenium/millennium. Thanks for listening! Come back tomorrow for more exciting trivia!

Marco Goldin"Van Gogh. I colori della vita"Padova, Centro San Gaetanohttps://www.lineadombra.it/ita/index.php“Van Gogh. I colori della vita” (Padova, Centro San Gaetano, dal 10 ottobre 2020 all'11 aprile 2021) non ha nulla di generico e non è solo una sfilata di quadri e disegni, che pur in molti casi sono capolavori notissimi.È invece un sorprendente percorso volto a far conoscere, passo dopo passo, alcune trame della vita e dell'opera di Van Gogh non così affrontate finora. Questo per la volontà del curatore di ricostruire l'intero percorso, includendo anche quanto di solito non viene compreso o è stato poco o per nulla studiato. Sarà lo stesso Van Gogh a raccontarsi in mostra, attraverso le sue lettere. Esse sono il filo conduttore di un poderoso volume di 850 pagine che Marco Goldin, ideatore e curatore della mostra, ha scritto per La nave di Teseo. Libro in uscita in parallelo all'apertura dell'esposizione e intitolato “Van Gogh. L'autobiografia mai scritta”.“Van Gogh. I colori della vita”, intende – anticipa Goldin – ripercorrere l'intero cammino della sua attività, concentrandosi sui principali punti di snodo di quel cammino. I luoghi che lo hanno visto diventare il pittore che tutti conosciamo, grazie proprio a quei luoghi medesimi, al fascino che hanno esercitato su di lui, alla loro storia che si è incisa nella sua storia. Verrà precisamente analizzato il rapporto tra l'esterno della natura, e talvolta delle città, e l'interno dell'uomo e del pittore. Per comprendere il motivo per cui sia stata così rapida l'evoluzione dell'artista e perché sia stata necessitata e indotta dall'aver vissuto in determinati posti, prima in Belgio e Olanda e poi in Francia”.Gli 82 quadri e disegni di Van Gogh eccezionalmente riuniti al San Gaetano rappresenteranno proprio questo percorso, in una sorta di itinerario che terrà insieme l'esigenza del vedere fisico e quella dello sprofondamento interiore.Grazie soprattutto, ma non solo, alla collaborazione fondamentale del Kröller-Müller Museum e del Van Gogh Museum, la mostra potrà proporre capolavori di ognuno tra i periodi della vita di Van Gogh, da quello olandese fino al tempo francese vissuto tra Parigi, la Provenza e Auvers-sur-Oise. Dipinti famosissimi come l'”Autoritratto con il cappello di feltro”, “Il seminatore”, i vari campi di grano, “Il postino Roulin”, “Il signor Ginoux”, “L'Arlesiana”, i vari paesaggi attorno al manicomio di Saint-Rémy e tantissimi altri.Ma la grande esposizione padovana non si limita al pur incredibile corpus di ben 82 opere di Van Gogh. A esse sarà infatti affiancata una selezione di una ulteriore quindicina di capolavori di artisti, a partire ovviamente da Millet, passando tra gli altri per Gauguin, Seurat, Signac, Hiroshige, a lui precisamente collegati. O come nel caso delle tre grandi, splendide tele di Francis Bacon a inizio percorso, a indicare come la figura dello stesso Van Gogh abbia agito anche sui grandissimi del XX secolo.La mostra “Van Gogh. I colori della vita” è promossa da Linea d'ombra (www.lineadombra.it) e dal Comune di Padova, con la decisiva collaborazione del Kröller-Müller Museum, ed è prodotta da Linea d'ombra, con il Gruppo Baccini in qualità di main sponsor.Lo sforzo produttivo e organizzativo che Linea d'ombra ha messo in campo per poter realizzare questa grandiosa esposizione è davvero enorme. Basti pensare che per effetto delle normative legate alla diffusione del coronavirus, potrà entrare in mostra appena un terzo del pubblico che avrebbe potuto accedervi in epoca pre-Covid. Aspetto che, per altro, assicurerà ai visitatori l'opportunità di non incorrere in alcun affollamento, potendo anzi ammirare i capolavori riuniti nel Centro San Gaetano di Padova con tutto l'agio possibile."Ho creato Linea d'ombra nel 1996 e dunque nel 2021 cadranno i venticinque anni da allora. Possiamo chiamarle le nostre nozze d'argento con l'arte. Le società organizzatrici di mostre in Italia, in quel momento, si contavano sulle dita di una mano e niente lasciava presagire quello che sarebbe accaduto dopo in un ambito sempre complicato e difficile. Ancor più difficile in questo 2020 devastato dal virus. Per di più a fondare quella società, nel 1996, era un trentenne che fino alla metà degli anni novanta aveva esperienza solo di esposizioni legate al Novecento italiano.Quello che è successo da allora fa parte della nostra storia, e certamente un po' anche della storia delle mostre in Italia, cui Linea d'ombra ha saputo dare il suo contributo. Una storia fatta di oltre undici milioni di visitatori finora e di relazioni con oltre mille musei prestatori in tutti i cinque continenti. Musei che hanno concesso oltre diecimila opere giunte nel nostro paese. Molte, moltissime tra queste opere veri e propri capolavori. Se c'è una sola cosa che mi fa piacere ricordare infatti, questa è proprio la capacità di avere fatto mostre mai ancorate all'annuncio dei soli nomi, ma sostanziate da quadri e sculture di qualità spesso superlativa. Tanti ci hanno aiutato a percorrere questa strada, dai committenti agli sponsor a tutti i collaboratori che ho avuto e che ringrazio di cuore. Niente sarebbe stato possibile senza di loro.Adesso viene questa mostra che ho pensato, in accordo con la città di Padova nella quale mai Linea d'ombra aveva lavorato prima, per dare senso compiuto a questi venticinque anni. Su Van Gogh ho lavorato e scritto, tra l'altro dedicandogli il mio primo romanzo, mentre proprio in questi mesi sto scrivendo una sua grande biografia attraverso le lettere, in uscita per La nave di Teseo a ottobre 2020. Questa esposizione, forte di ben novanta opere, con vari musei prestatori e ovviamente al primo posto il Kröller-Müller Museum e poi il Van Gogh Museum, ha l'ambizione di inserire Van Gogh nel flusso del suo tempo, nella precisa relazione con altri artisti che per lui hanno contato.Un'esposizione che dunque non si ferma a una visione esclusivamente monografica, ma presenta l'opera del grande artista olandese con tanti approfondimenti non così usuali da vedersi, e in questo modo colloca quell'opera meravigliosa entro non abituali confini. Dai due anni nelle miniere del Borinage in Belgio, al tempo nel Brabante olandese, fino agli anni francesi che la mostra indaga in modo approfondito."Marco GoldinPer prenotare la visita alla mostra:https://www.lineadombra.it/ita/mostre-eventi/van-gogh-i-colori-della-vita/vg-orari-prezzi.phpMarco Goldin"Van Gogh. I colori della vita"Catalogo della MostraLinea d'ombraIl catalogo è introdotto da un saggio ampio di Marco Goldin sulla vita e sull'opera di Vincent van Gogh, sulle motivazioni profonde della sua pittura, e sulle riflessioni a essa tenacemente intrecciate, che scandiscono le oltre ottocento lettere scritte nell'arco della sua vita, a partire dal 1872, fino all'ultima al fratello Theo, il 23 luglio 1890.È il legame indissolubile tra vita e arte a rendere la figura di Vincent van Gogh così affascinante e la sua pittura così toccante, così piena di vita; la “fede” nell'arte è un tratto che non abbandonerà mai il pittore; al contrario sarà per lui sempre nutrimento e stimolo anche nei periodi di inoperosità creativa causati dalla malattia malinconica.Da qui nasce l'interpretazione di Goldin del pittore come eroe, «colui che ha un compito, una missione da compiere e a essa tutto sacrifica.» Van Gogh, dunque, come eroe moderno, come artista al quale un altro grande pittore contemporaneo, Francis Bacon, si è rivolto per dipingere alcuni quadri meravigliosi posti all'inizio di questo affascinante viaggio nel mondo di Van Gogh.I testi introduttivi alle sezioni di cui si compone il catalogo, scritti sempre da Marco Goldin, consentono di percorrere i momenti e i luoghi fondanti della vita e dell'opera del pittore olandese: dagli anni iniziali in Belgio, e poi a Etten, all'Aia, a Nuenen in Olanda, quindi a Parigi, Arles, Saint- Rémy e infine Auvers in Francia: tutti luoghi estremamente formativi per il delinearsi della sua produzione, che in un solo decennio è passata dai disegni inizialmente un po' goffi derivanti da libri e manuali ai quadri ricchi di colore e di padronanza tecnica, famosi in tutto il mondo.A conclusione, e per sottolineare ulteriormente il rapporto pittura-pensiero nell'opera di Van Gogh, ci sono le parole di Vincent stesso, sette lettere scelte a simboleggiare le tappe del suo viaggio e tutti i periodi importanti per la sua ricerca.Marco Goldin"Van Gogh. L'autobiografia mai scritta"La nave di Teseohttp://www.lanavediteseo.eu/“Van Gogh non era pazzo. Si è avvicinato al sole, prima cercandolo, poi fuggendone via. Vi è rimasto impigliato, con un filo che mai più ha districato, stringendolo nella mano. Fino a quella spiga di grano rimasta nella tasca della sua giacca, sotto il cielo di Auvers, prima di sera. Accanto a un covone. Sotto le stelle del firmamento.Van Gogh non era pazzo. Ha camminato danzando sulla vita, come sul filo mai interrotto di un vulcano. E lapilli e piccoli falò e notti e stelle. E apparizioni e misteri. Ha creato con la disciplina della sua anima un mondo inarrivabile, il mondo di un eroe. Colui che arriva a toccare il sole e poi riesce a raccontarne il fuoco e il calore, la luce che abbaglia. E quella luce la fa diventare colore. Un colore che nessuno mai aveva dipinto così prima. E mai nessuno ha dipinto poi.Questo libro racconta la vita e l'opera di Van Gogh facendo continuo riferimento alle sue lettere, che diventano quindi non solo l'occasione per lo svolgimento di una vera e propria trama, ma anche il riferimento assoluto pagina dopo pagina. Quasi come fosse Van Gogh, almeno in alcuni capitoli, a raccontarsi, in una sorta di autobiografia che non ha mai scritto. La vita si intreccia con l'opera e ugualmente l'opera entra nella vita.”Marco GoldinIL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Baker applauds Mara's recent improvisational marionette dance, we discuss a recent art heist in New Zealand and the conclusion of the "Gurlitt Trove" investigation. We accidentally get into a really interesting discussion about stereoscopes and trains and how they both changed the course of Impressionism. And then Mara dives into one of the coolest art heists in history when someone steals Cezanne's painting, View of Auvers-sur-Oise. We don't condone the theft, but we celebrate the speed, athleticism, and use of smoke canisters during the heist!  Episode References ART  Cezanne's View of Auvers-sur-Oise Cezanne's The Large Bathers  Vincent Van Gogh's Le Jardin de Daubigny Camille Pissarro's Jalais Hill, Pontoise Charles Frederick Goldie (1870-1947) at Art UK  NEWS Gurlitt trove: Research on Nazi-looted art ends Goldie painting 'Sleep 'tis a Gentle Thing' stolen Batman #1 (1940) sold for $2.22m  OTHER The Ashmolean The History of the Prestigious Paris Salon Van Gogh Museum's "In Daubigny's Footsteps" online exhibit Brewster’s Stereoscope Stereoscopy, Cézanne, and the Metapictorial Logic of Spatial Construction "All hail Adrian Pimento, God Emperor of Brooklyn Nine-Nine" by Alasdair Wilkins  Find Us Instagram: @artcrimepod Twitter: @artcrimepod Show Notes and Blog: https://artcrime.blog Mara on Instagram: @mjvpaints --- Send in a voice message: https://anchor.fm/artcrimepodcast/message

Career Q&A with Willem Dafoe on September 26, 2017. Moderated by Jenelle Riley, Variety. Academy Award® and Golden Globe® nominated actor Willem Dafoe continues to make his mark in entertainment through a myriad of challenging roles, working alongside the industry's most respected talent. Dafoe will next be seen in Tommy Wirkola’s What Happened to Monday?, with Noomi Rapace and Glenn Close. This film is set in the future and in a world where families are limited to one child due to over population and follows a set of septuplets who must avoid being discovered by the government. Following that, he lends his voice in Adam Wingard’s Death Note with Nat Wolff. The film follows Light Turner (Wolff) who stumbles upon the ‘Death Note,’ a journal in which he can write anyone’s name and kill them at any time, in any fashion he wants. Dafoe plays the role of Ryuk, a shinigami or “death god,” who guides Light to use the Death Note and then watches chaos unfold. Late this year, Dafoe will be seen in Sean Baker’s The Florida Project opposite Bria Vinaite, Brooklynn Prince and Valeria Cotto. The film follows a 6-year-old and her friends who are homeless, living in extended-stay motels on the outskirts of Orlando, Florida. Dafoe plays ‘Bobby,’ the manager of the motel, whose job requires him to be a handyman, an office grind, a den mother, a father figure, and a law enforcer all at the same time. Originally premiering at the 2017 Cannes Film Festival acquiring rave reviews, A24 is slated to release the film October 6, 2017. After, Dafoe has Kenneth Branagh’s Murder on the Orient Express, starring Jonny Depp, Michelle Pfeiffer and Dame Judi Dench. Adapted from the book Agatha Christie, the film follows a lavish train ride through Europe quickly unfolds into the thrilling mystery of thirteen strangers stranded on a train. Twentieth Century Fox will release the film November 10, 2017. Dafoe is currently in production for James Wan’s Aquaman opposite Jason Momoa and Nicole Kidman. Dafoe will be seen as ‘Nuidis Vulko,’ a key venerated academic and politician in Atlantis who comes from the generation before Aquaman’s. Exact details of Vulko’s role in the film are still being kept under wraps. Warner Brothers is slated to release the film December 21, 2018. Following, he will begin lensing for Julian Schnabel’s biopic At Eternity’s Gate, which follows the Dutch Post-Impressionist artist, Vincent Van Gough, (Dafoe) and the time he spent in Arles and Auvers-sur-Oise, France. Most notably, Dafoe garnered critical acclaim for his Oscar®nominated supporting role in the category of Best Actor in a Supporting Role for Shadow of a Vampire. The film is a fictionalized account of F. W. Murnau’s making of the classic vampire film Nosferatu, eine Symphonie des Grauens. During production, the crew begins to have disturbing suspicions about their lead actor, Max Schreck, (Dafoe), who arrives onto set in full Gothic regalia, asserting that he is indeed a vampire.  He was also nominated for a Golden Globe®, Screen Actors Guild®, Critics Choice®, and won a Film Independent Spirit Award and Satellite Award on behalf of this performance. Prior to that, Dafoe also received critical acclaim for his Oscar®nominated supporting role in the category of Best Actor in a Supporting Role for Oliver Stone’s Academy Award winning Platoon playing ‘Sargent Elias,’ one of the leaders of the US infantry platoon near the Cambodian border during the Vietnam War.

 Vincent Willem van Gogh, né le 30 mars 1853 à Groot-Zundert, aux  Pays-Bas, et mort le 29 juillet 1890 à Auvers-sur-Oise, en France, est  un peintre et dessinateur néerlandais. Son œuvre pleine de naturalisme,  inspirée par l'impressionnisme et le pointillisme, annonce le fauvisme  et l'expressionnisme. 

Son château, son histoire, son art ! En cette fin d'été, le 107.7 vous propose un détour par le nord de l'Île-de-France dans le Val-d'Oise. Un village de caractère marqué par son virage "impressionniste"... 

Ce matin, Lisa est retournée à l’école. Hier soir, elle a préparé son cartable.— J’ai l’impression que c’est la rentrée, m’a-t-elle dit. Je me demande comment seront les autres élèves de la classe, comment sera ma maîtresse. Et puis, tout à coup, je me dis « Ah, mais je les connais déjà ! » La suite du texte est dans la NEWSLETTER, abonnez-vous!http://j.mp/OneThingInAFrenchDayNewsletter

durée : 00:11:50 - Le jeu des 1000 € - par : Nicolas Stoufflet - Rediffusion d'une émission enregistrée dans le Val-d'Oise

Et voici l'épisode 8 ! Jamiroquai, groupe culte. Auvers-sur-oise, village artistique. Lectures pour les petits. Et plein de surprises. Intro - 00:00:00 Petit Déjeuner - 00:00:35 Radio Coolos - Jamiroquai - 00:02:39 Gégénial - La Roche-Guyon - 00:16:45 Parent(s)thèse - Lectures pour enfants - 00:36:16 La dispute - Habiller l'enfant ? - 00:56:37 La réconciliation - Retour vers le Futur - 01:06:01 Conclusion - 01:17:24

Dit is deel 2 van de podcast "De Droefheid zal blijven duren". In dit deel gaat het over Vincent Van Gogh in Auvers-sur-Oise tot aan zijn dood en zijn begrafenis, eind juli 1890.

Deel 1 van een tweedelige podcast waarin Wim Chielens, auteur van de gelijknamige roman "De Droefheid zal blijven duren", vertelt over zijn fascinatie voor Vincent Van Gogh. Waar de roman volledig focust op de laatste 70 dagen van Vincent Van Gogh in Auvers-sur-Oise, gaat Chielens hier in op de aanloop naar die laatste periode, toen Vincent in de Provence vertoefde en hij beschrijft hoe Van Gogh op een haartje van de ontdekking (of de uitvinding?) van de abstracte kunst was, toen hij zijn laatste doek schilderde.

Johannes and the curator Alexander Eiling are standing in the Städel Museum’ storage room – in front of an empty picture frame. It is the frame that once held the “Portrait of Dr Gachet”, which was in the Städel collection until 1937. The present owner: anonymous. The museum long made every effort to obtain the painting as a loan for its upcoming van Gogh exhibition – in vain. Instead, the empty picture frame will serve in the show as a reminder of the work’s breath-taking history. The tale begins in Auvers-sur-Oise, a small town outside Paris. It is there that van Gogh paints the portrait of his doctor just a few weeks before he commits suicide. How is the painting linked to van Gogh’s own biography? What makes it a masterwork?

Johannes steht mit Kurator Alexander Eiling im Gemäldedepot des Städel Museums – vor einem leeren Bilderrahmen. Der Rahmen gehörte einmal zum „Bildnis des Dr. Gachet“, das bis 1937 Teil der Städel Sammlung war. Der heutige Besitzer: anonym. Das Städel Museum hat lange versucht, das Gemälde als Leihgabe für seine anstehende Van-Gogh-Ausstellung zu bekommen, vergebens. Stattdessen wird dort der leere Rahmen an die atemberaubende Geschichte des Bildes erinnern. Sie beginnt in Auvers-sur-Oise, einem kleinen Ort außerhalb von Paris. Hier malt van Gogh das Porträt seines Nervenarztes, nur wenige Wochen, bevor er sich selbst das Leben nimmt. Wie ist das Gemälde verwoben mit van Goghs eigener Biografie? Was macht es zu einem Meisterwerk?

Are you ready? We hope so because here it is, another amazing episode from the goofballs of Nerd pop-culture to entertain you once again. This week we bring you some brilliant stories that are sure to educate (we apologise for those not looking to learn, we are Nerds, you have got to expect it). There are some laughs, so grab hold, strap in and let’s get this party started.First up we have Buck with solar powered water filtration systems that are looking pretty darn good. Trust me, when you look at the science behind these you will understand why we got excited, I mean this is fantastic and the possibilities are amazing. While they are only in the early development stages the fact is that this is game changing technology to make life better.Next up DJ has news about the Steven Universe movie, that’s right, not Marvel. Now we know that some of you are going to be fans of this on many levels, I mean who doesn’t like 80’s style dance and music to solving the world’s problems. It worked for the Care Bears and the Smurfs and they are still around, let alone Bob the Builder. Now, we won’t give away the storyline and details, but just remember we can fix it.Next we have the Professor with the story of struggling game developers trying to make it big in a world full of nasty companies. This is a look at the realities of the various platforms available and the costs incurred in bringing games to an over saturated market. Think we are joking consider 40 plus games a day being released, some of which are clones. Now before anyone gets upset, software clones are not aliens who have escaped from Area 51. So, if you want to understand why Geeks and Nerds look stressed and sleep deprived this will explain it to you. Also it is why we review the games we are playing each week to try and help identifying something cool.Next is the regular shout outs, remembrances, birthdays, and events of interest. We take a moment in this to pay respect to the Swiss that even their train accidents are organised. While serious injuries and fatality is never a laughing matter the Swiss are the people who are so organised they make a German sweat about the details. That is it for another week, remember to take care of yourselves, stay safe, look out for each other and stay hydrated.EPISODE NOTES:Solar powered device - https://www.sciencenews.org/article/solar-powered-device-produces-energy-cleans-waterSteven Universe The Movie – https://www.syfy.com/syfywire/sdcc-2019-steven-universe-the-movieBarely surviving game developer - https://hackernoon.com/barely-surviving-as-a-game-developer-while-steam-gets-its-cut-7028x34z8Games currently playingBuck– Company of Heroes - https://store.steampowered.com/app/228200/Company_of_Heroes/Prof– NetHack - https://www.nethack.org/DJ– Warhammer 40,000: Dawn of War - Game of the Year Edition - https://store.steampowered.com/app/4570/Warhammer_40000_Dawn_of_War__Game_of_the_Year_Edition/Other topics discussedSalt as a form of currency- https://encyclopedia-of-money.blogspot.com/2011/10/salt-currency.htmlThe Bush Tucker Man (Australian Bushman)- https://en.wikipedia.org/wiki/Les_HiddinsThe Bush Tucker Man finding water- https://www.youtube.com/watch?v=IQcYlUUSRVcSteven Universe (2013 TV series)- https://en.wikipedia.org/wiki/Steven_UniverseSteven Universe posters- TV series poster - https://m.media-amazon.com/images/M/MV5BNTNjMTM1YWYtZWQ3Yy00OGI1LWEyZjUtYTk3OTk5NGIxMzIyXkEyXkFqcGdeQXVyMzM4NjcxOTc@._V1_.jpg- Steven Universe the movie poster - https://vignette.wikia.nocookie.net/steven-universe/images/4/41/SU_Movie_Poster.jpg/revision/latest/scale-to-width-down/666?cb=20190710090429Steven Universe Music- List of songs - https://steven-universe.fandom.com/wiki/Category:Music- Every song on Steven Universe - https://www.youtube.com/watch?v=k-Irgf54fD8Blockchain (Cryptography terminology)- https://en.wikipedia.org/wiki/BlockchainShareware (Downloadable software)- https://en.wikipedia.org/wiki/SharewareIndiana Jones and the Temple of Doom (1984 movie)- https://en.wikipedia.org/wiki/Indiana_Jones_and_the_Temple_of_DoomPython (programming language)- https://en.wikipedia.org/wiki/Python_(programming_language)Infiniminer (2009 game)- https://en.wikipedia.org/wiki/Zachtronics#InfiniminerHarry Potter in Minecraft- https://www.youtube.com/watch?v=ZoIXD0Tz6qEEvent Horizon (1997 Sci-Fi horror movie)- https://en.wikipedia.org/wiki/Event_Horizon_(film)Warhammer 40,000: Space Marine (2011 game)- https://store.steampowered.com/app/55150/Warhammer_40000_Space_Marine/Hackers: Heroes of the Computer Revolution (1984 book by Steven Levy)- https://en.wikipedia.org/wiki/Hackers:_Heroes_of_the_Computer_RevolutionSlaves to Armok: God of Blood Chapter II: Dwarf Fortress or Dwarf Fortress (2006 game)- https://en.wikipedia.org/wiki/Dwarf_FortressCataclysm: Dark Days Ahead (2013 game)- https://en.wikipedia.org/wiki/Cataclysm:_Dark_Days_AheadVan Goh painting in Queensland- https://www.couriermail.com.au/questnews/southeast/its-all-van-gogh-at-this-school-thanks-to-former-student/news-story/7910a77db99e679fa0d0936be2b7415cLoving Vincent (2017 movie)- https://en.wikipedia.org/wiki/Loving_VincentVincent and the Doctor (Dr Who episode)- https://en.wikipedia.org/wiki/Vincent_and_the_DoctorVincent (Don Mclean song)- https://en.wikipedia.org/wiki/Vincent_(Don_McLean_song)David Hahn (Radioactive Boy Scout or Nuclear Boy Scout)- https://en.wikipedia.org/wiki/David_Hahn1997 Thredbo Landslide- https://en.wikipedia.org/wiki/1997_Thredbo_landslideMusicals Taught Me Everything I Know (TNC podcast)- https://thatsnotcanon.com/mtmeikShoutouts29 Jul 2005 – Eris’ discovery was announced by the team of Mike Brown,Chad Trujillo, and David Rabinowitz. - https://en.wikipedia.org/wiki/Eris_(dwarf_planet)29 Jul 2013 - Two passenger trains were involved in a head-on collision at Granges-près-Marnand, Switzerland, killing one person and injuring 25 others. - https://en.wikipedia.org/wiki/Granges-pr%C3%A8s-Marnand_train_crash31 Jul 1715 - A hurricane strikes the east coast of Florida, sinking 10 Spanish treasure ships and killing nearly 1,000 people, on this day in 1715. All the gold and silver onboard at the time would not be recovered until 250 years later. - https://www.history.com/this-day-in-history/hurricane-sinks-spanish-treasure-shipsRemembrances29 Jul 1833 - William Wilberforce, British politician, philanthropist, and a leader of the movement to abolish the slave trade. In 1787, he came into contact with Thomas Clarkson and a group of anti-slave-trade activists, including Granville Sharp, Hannah More and Charles Middleton. They persuaded Wilberforce to take on the cause of abolition, and he soon became one of the leading English abolitionists. He headed the parliamentary campaign against the British slave trade for twenty years until the passage of the Slave Trade Act of 1807. Wilberforce was convinced of the importance of religion, morality and education. He championed causes and campaigns such as the Society for the Suppression of Vice, British missionary work in India, the creation of a free colony in Sierra Leone, the foundation of the Church Mission Society, and the Society for the Prevention of Cruelty to Animals. In later years, Wilberforce supported the campaign for the complete abolition of slavery, and continued his involvement after 1826, when he resigned from Parliament because of his failing health. That campaign led to the Slavery Abolition Act 1833, which abolished slavery in most of the British Empire. He died from illness at the age of 73 in London. - https://en.wikipedia.org/wiki/William_Wilberforce29 Jul 1890 - Vincent van Gogh, Dutch post-impressionist painter who is among the most famous and influential figures in the history of Western art. In just over a decade he created about 2,100 artworks, including around 860 oil paintings, most of them in the last two years of his life. They include landscapes, still lifes,portraits and self-portraits, and are characterised by bold colours and dramatic, impulsive and expressive brushwork that contributed to the foundations of modern art. His reputation began to grow in the early 20th century as elements of his painting style came to be incorporated by the Fauves and German Expressionists. He attained widespread critical, commercial and popular success over the ensuing decades, and is remembered as an important but tragic painter, whose troubled personality typifies the romantic ideal of the tortured artist. Today, Van Gogh's works are among the world's most expensive paintings to have ever sold at auction, and his legacy is honoured by a museum in his name, the Van Gogh Museum in Amsterdam, which holds the world's largest collection of his paintings and drawings. He died from suicide at the age of 37 in Auvers-sur-Oise. - https://en.wikipedia.org/wiki/Vincent_van_Gogh29 Jul 1982 - Vladimir K. Zworykin, American inventor, engineer, and pioneer of television technology. Zworykin invented a television transmitting and receiving system employing cathode ray tubes. He played a role in the practical development of television from the early thirties, including charge storage-type tubes, infrared image tubes and the electron microscope. He died at the age of 94 in Princeton, New Jersey. - https://en.wikipedia.org/wiki/Vladimir_K._ZworykinFamous Birthday29 Jul 1888 - Vladimir K. Zworykin, American inventor, engineer, and pioneer of television technology. Zworykin invented a television transmitting and receiving system employing cathode ray tubes. He played a role in the practical development of television from the early thirties, including charge storage-type tubes, infrared image tubes and the electron microscope. He was born in Murom, Vladimir Governorate - https://en.wikipedia.org/wiki/Vladimir_K._Zworykin29 July 1924 – Elizabeth Short known posthumously as the "Black Dahlia", was an American woman who was found murdered in the Leimert Park neighbourhood of Los Angeles, California. Her case became highly publicized due to the graphic nature of the crime. It is commonly held that Short was an aspiring actress, though she had no known acting credits or jobs during her time in Los Angeles. She would acquire the nickname of the Black Dahlia posthumously, as newspapers of the period often nicknamed particularly lurid crimes; the term may have originated from a film noir murder mystery, The Blue Dahlia, released in April 1946. Short's unsolved murder and the details surrounding it have had a lasting cultural intrigue, generating various theories and public speculation. Her life and death have been the basis of numerous books and films, and her murder is frequently cited as one of the most famous unsolved murders in American history, as well as one of the oldest unsolved cases in Los Angeles County. She was born in Boston,Massachusetts. - https://en.wikipedia.org/wiki/Black_Dahlia29 Jul 1973 - Stephen Dorff, American actor, known for portraying Roland West in True Detective Season 3, PK in The Power of One, Stuart Sutcliffe in Backbeat, Johnny Marco in Sofia Coppola'sSomewhere, and for his roles in Blade as vampire-overlord Deacon Frost. He was born in Atlanta,Georgia. - https://en.wikipedia.org/wiki/Stephen_DorffEvents of Interest29 Jul 1907 – Sir Robert Baden-Powell sets up the Brownsea Island Scout camp in Poole Harbour on the south coast of England. The camp runs from August 1 to August 9, 1907, and is regarded as the foundation of the Scouting movement. - https://en.wikipedia.org/wiki/Brownsea_Island_Scout_camp29 Jul 1954 - Publication of "Fellowship of the Ring" 1st volume of "Lord of the Rings" by J. R. R. Tolkien published by George Allen and Unwin in London. - https://en.wikipedia.org/wiki/The_Lord_of_the_Rings29 Jul 1981 – A worldwide television audience of over 700 million people watch the wedding of Charles, Prince of Wales, and Lady Diana Spencer at St Paul's Cathedral in London. - https://en.wikipedia.org/wiki/Wedding_of_Prince_Charles_and_Lady_Diana_SpencerIntroArtist – Goblins from MarsSong Title – Super Mario - Overworld Theme (GFM Trap Remix)Song Link - https://www.youtube.com/watch?v=-GNMe6kF0j0&index=4&list=PLHmTsVREU3Ar1AJWkimkl6Pux3R5PB-QJFollow us on Facebook - https://www.facebook.com/NerdsAmalgamated/Email - Nerds.Amalgamated@gmail.comTwitter - https://twitter.com/NAmalgamatedSpotify - https://open.spotify.com/show/6Nux69rftdBeeEXwD8GXrSiTunes - https://itunes.apple.com/au/podcast/top-shelf-nerds/id1347661094RSS - http://www.thatsnotcanonproductions.com/topshelfnerdspodcast?format=rss

Vincent Willem van Gogh (Zundert, 30 marzo 1853 – Auvers-sur-Oise, 29 luglio 1890) è stato un pittore olandese. Fu autore di quasi novecento dipinti e di più di mille disegni, senza contare i numerosi schizzi non portati a termine e i tanti appunti destinati probabilmente all'imitazione di disegni artistici di provenienza giapponese. Tanto geniale quanto incompreso se non addirittura disprezzato in vita, Van Gogh influenzò profondamente l'arte del XX secolo; dopo aver trascorso molti anni soffrendo di frequenti disturbi mentali, morì all'età di soli trentasette anni. In vita riuscì a vendere un solo quadro, "La vigna rossa", ora esposto al Museo Puškin di Mosca (Russia). Oggi le sue opere valgono milioni. (fonti: https://it.wikipedia.org/wiki/Vincent_van_Gogh https://www.youtube.com/watch?v=aI7586_NB_E&t=424s )

Vincent Van Gogh was a loser and a failure. He failed as an art dealer, and as a preacher. He even got fired and banned from his own family’s business. On top of it, Van Gogh had terrible health problems. His gums were sore, he was losing weight, and he had a hacking cough. He was also prone to psychotic episodes, during which he was institutionalized for months at a time. Vincent never really found his place in the world. He died young, at only 37. I recently read an incredible biography of Van Gogh. By the end, I was left wondering, what can you possibly learn from this tragic life? Steven Naifeh is co-author if the incredible [Van Gogh: The Life]  (@VanGoghTheLife). It’s a 900-page treasure chronicling the life of an artist who is so revered, tourists bring their relative’s ashes to spread over his gravesite in Auvers, France. Steven and his co-author and partner Gregory White Smith spent more than a decade compiling Van Gogh’s biography. To do so, they had to sort through mountains of letters and literature from the period of Van Gogh’s life. Since neither of them spoke Dutch, they worked with more than twenty translators and researchers to complete the book. The result is a Van Gogh biography of unparalleled depth, painting in intricate detail the outer and inner life of Vincent Van Gogh. In this conversation, you’ll learn: Most people think Vincent Van Gogh died in obscurity, but that’s not true. Why is it that, as he languished in an asylum, Vincent's work was actually exploding in popularity. Many people also believe that Vincent Van Gogh committed suicide. How did Naifeh and Smith come to change the opinion of even the most studied Van Gogh historians. What can you possibly learn from the tragic success of Vincent Van Gogh? Steven shares insights about what he and his late partner and co-author learned from studying Van Gogh’s life. It’s surprising, and touching. Links and resources mentioned Steven Naifeh Van Gogh: The Life - Book Van Gogh The Life - Website Van Gogh The Life - Instagram Van Gogh The Life - Facebook Claude Monet Jackson Pollock: An American Saga Jackson Pollock - Is he the greatest living painter in the United States? Theo Van Gogh Van Gogh Letters Albert Aurier Article Grave of Vincent and Theo van Gogh The Potato Eaters Van Gogh Museum Paul Gauguin German Expressionism Pierre-Auguste Renoir Georges Seurat A Sunday on La Grande Jatte Camille Pissarro Émile Bernard Paul Signac Henri de Toulouse-Lautrec Salon Paul Cézanne Alfred Sisley The Eight Impressionist Exhibitions, 1874-1886 Temporal Lobe Epilepsy Manic Depression Absinthe Syphilis Syphilis and the use of mercury Gregory White Smith Wheatfield with Crows Tree Roots Museum unconvinced by Van Gogh death theory John Rewald Loving Vincent At Eternity's Gate Don McLean - Vincent ( Starry, Starry Night) Vincent Di Maio NCIS: Provence: The Van Gogh Mystery Luck Unites a Couple for a Lifetime of Great Collaborations Almond Blossom What should be our next Patreon goal? Take our survey at kadavy.net/goals. New Weekly Newsletter: Love Mondays Start off each week with a dose of inspiration to help you make it as a creative entrepreneur. Sign up at: kadavy.net/mondays Feedback? Questions? Comments? I love to hear anything and everything from you. Leave a review on Apple Podcasts, Tweet at me @kadavy, or email me david@kadavy.net.     Show notes: http://kadavy.net/blog/posts/vincent-van-gogh-podcast/

The rusty old revolver believed to have taken the life of Vincent Van Gogh will soon be up for auction. The artifact was discovered in a field in Auvers-sur-Oise, France decades after Van Gogh fired it. Also in this episode: you get to hear me attempt to pronounce a very complicated French village name followed by me quickly moving along in hopes nobody notices I butchered it. Hey, I took Spanish.

The MFAH is the only venue for this major survey that brings together more than 50 masterworks by one of the most iconic artists in the history of Western art. Vincent van Gogh: His Life in Art follows Van Gogh (1853–1890) through four key stages of his career, from early sketches to final paintings. Few artists left behind as complete a diary of life and work as Van Gogh, whose decade-long career as an artist began when he took up painting in 1881. Vincent van Gogh: His Life in Art highlights the artist’s early years in the Netherlands; his luminous period in Paris; his search for light and color in the South of France; and his exploration of nature as a source of enduring inspiration in Saint-Rémy and Auvers. The exhibition showcases portraits, landscapes, and still lifes drawn primarily from the collections of the Van Gogh Museum in Amsterdam and the Kröller-Müller Museum in Otterlo, the Netherlands.

At Eternity's Gate (2018) A look at the life of painter Vincent van Gogh during the time he lived in Arles and Auvers-sur-Oise, France.

At Eternity's Gate (2018) A look at the life of painter Vincent van Gogh during the time he lived in Arles and Auvers-sur-Oise, France.

On July 27, 1890, Vincent van Gogh came stumbling into his room in the Ravoux Inn, in Auvers-sur-Oise, France, bleeding from a wound in his abdomen. Thirty hours later, Vincent was dead. The common myth, which has prevailed for over one hundred years, is that the "mad" artist shot himself in a wheat field after suffering from years of unhappiness and "insanity". But is that what really happened? Killing Vincent is meant as a historical analysis and exposé of the most dastardly murder of Vincent van Gogh and the19th century, nefarious cover up of the world's most iconic artist's death. This is the biggest cold case in the annals of the art world. I have attempted to continue to explore the key questions that TIME magazine asked in its October 31, 2011, cover story: “Who killed Vincent van Gogh?” and “Was van Gogh's death really a suicide?” on the “Culture” Cover. I have attempted to answer both questions by adding in modern 21st century forensic analysis. This work is not meant as an academic treatise or dissertation, with every observation, thought, and detail requiring documentation. It is only an attempt as an expose', to seek the truth of what really happened….

Pasajeros #2 - programa destinado a compartir las experiencias de viajes. Con la conduccion de Julia Bowland y Gustavo Lema.BoliviaCómo guardar los recuerdos de tus viajes?Adrián Korol cuenta ¿cómo llegó a China?Auvers sur oise, FranciaTestimonio de Fernando Lema sobre su viaje a Marruecos

On the first segment of today’s show, host Tom Breen talks with Allan Appel and Lucy Gellman about LOVING VINCENT, a new animated film from directors Dorota Kobiela and Hugh Welchman that gives the Citizen Kane treatment to the life of Dutch post-impressionist painter Vincent Van Gogh: through a series of flashbacks and second-hand stories, we see the rise and fall of the troubled and inspired life of this eccentric painter, focusing in on the final days of his life in the rural French town of Auvers. Unlike most animated movies, this story is composed of tens of thousands of hand-drawn oil paintings by over one hundred contributing artists, all simulating the heavy brushstrokes and ebullient style of the movie’s namesake. On the second segment of the show, Breen is joined by Lucy McClure, Debbie Hesse, and Trish Clark to talk about the Nasty Women Film Event, a screening night of locally made feminist films that will be taking place at the Ely Center of Contemporary Art on Election day, next Tuesday, in honor of, or in defiance of, the anniversary of Donald Trump’s election as president.

After moving to Auvers in 1890, Van Gogh was drawn to the same fields that Daubigny had painted. He wrote to his brother, Theo van Gogh: “I am completely absorbed in that immense plain covered with fields of wheat against the hills, boundless as the sea in delicate colors of yellow and green, the pale violet of the plowed and weeded earth checkered at regular intervals with the green of the flowering potato plants, everything under a sky of delicate blue, white, pink and violet.”

This was the last canvas on Daubigny’s easel before his death in February of 1878. Here, he portrays the fields of Auvers in the early evening, as a shepherd and his flock head back to the village.

When Van Gogh settled in Auvers to seek care from the physician, Dr. Gachet, he learned with delight that Daubigny had had a home in Auvers. In mid-June 1890, he painted his first small study of Daubigny’s garden. In July, he made this larger version of the house and its property, adding the small dark figure of Madame Daubigny in the distance at the left, along with a black cat in the foreground.

Auvers-sur-Oise

Auvers-sur-Oise

Il 29 luglio Vincent van Gogh muore. Pochi mesi dopo muore anche Theo van Gogh. Nel 1914 le sue spoglie vengono trasferite al cimitero di Auvers, accanto a quelle del fratello.

Van Gogh si trasferisce ad Auvers-sur-Oise, nella locanda dei coniugi Ravoux. Il pittore viene affidato alle cure del malinconico dottor Gachet. A Vincent basta poco per capire che il dottore è malato più di lui.

Synopsis During a visit to an art gallery with , the Doctor's interest is caught by a painting of a church by Vincent van Gogh: there's a face in the window of the church – a curious, shadowed creepy face with a beak and nasty eyes. The Doctor is worried, and is sure he has seen the face somewhere before. There is only one thing for it: a trip in the TARDIS back to , so the Doctor can find out from the artist himself. Plot The Doctor and Amy looking at van Gogh's painting of the Church at Auvers. In a field of wheat, something begins running through it, scaring the crows away, while an artist paints the scene. The same painting, years later, hangs in the Musée d'Orsay in . A man, Dr. Black, in glasses and a bowtie tells a group of people that the painting is one of van Gogh's last paintings and that the last few months of his life were the most astonishing months of his artistic outpouring. As he compares van Gogh to , the Doctor and pass behind him, admiring the pieces of art around them. Amy thanks the Doctor for bringing her to the museum and asks why he is being so nice to her. The Doctor defends himself and Amy says that she was only joking, asking why he was being so serious. Dr. Black tells the group the value of van Gogh's work today, tens of millions, and compares it with the value of it when van Gogh died, the value of a sofa and some chairs. A child says "He's the doctor." Thinking it is him, the Doctor turns around, only to discover the children are looking at a picture of van Gogh's doctor. Amy grabs the Doctor's hand and pulls him towards a painting of a church. As the Doctor admires the work, he notices something in the window of the church. Amy asks if it is a face and the Doctor tells her that it is, and that it isn't a nice face. The Doctor approaches Dr. Black, interrupting his talk and asks him when the painting was painted, asking him to skip a long speech. Dr. Black tells him that it was probably between the first and third of June in 1890. The Doctor thanks him, then the two men compliment each others bow ties. The Doctor then grabs Amy's hand and pulls her away. She asks about looking at the rest of the paintings, but he shoves her ahead, telling her that it is a matter of life and death, and that they must talk to Vincent van Gogh. The materializes and the Doctor and Amy exit. The Doctor tells Amy the plan, to find van Gogh, wait for him to take them to the church, then defeat the monster. Amy exclaims that it will be easy, but the Doctor disagrees. He says that van Gogh will probably be in the local café and describes it. Amy flicks through her van Gogh guide and finds a painting of it. The Doctor tells her that that painting is the one, then Amy points out that the real café is right infront of them. The Doctor approaches the owner and asks about Vincent van Gogh. The owner disappears inside, so the Doctor asks the waitresses. The waitresses tell the Doctor and Amy that van Gogh is a mad drunk who never pays his bills. The Doctor tells them he's a good painter and the two women just laugh at him. As the Doctor sits at a table, a man follows the owner out of the café and tries to bargain with him, one painting for a drink. The Doctor points to the man and mouths to Amy that he is van Gogh. The owner says that the painting is no good, and tells van Gogh to either pay for drinks or get out. The Doctor offers to either pay for van Gogh's drink or to buy the painting, to which van Gogh asks who the Doctor is. The Doctor tells him that he is new in town, to which van Gogh tells him three things; that he pays for his own drinks, that no-one buys his paintings lest they be laughed out of town and that Amy is cute, but the Doctor should not interfere. Van Gogh returns to bargaining with the owner who still refuses to give him a drink, until Amy interferes and tells the two to shut up. She tells the owner that she will buy a bottle of wine, and will share it with whomever she wishes, looking at van Gogh. The owner agrees and follows Amy inside. Inside, the Doctor and Amy talk with van Gogh. Van Gogh asks about Amy's accent and whether she comes from Holland. She replies "no" while the Doctor replies "yes" at the same time. The Doctor introduces himself properly as "the Doctor", which causes van Gogh to believe that he is a doctor sent by his brother to help him with his mental state. The Doctor laughs at the notion and points to a painting beside van Gogh. Amy says that it is one of her favourites, to which van Gogh tells her she's never seen it before. She covers up her mistake and van Gogh comments on her hair colour, so she comments on his. Vincent and Amy at the Café. The Doctor interrupts and asks Vincent if he has painted any churches lately and van Gogh tells him that he has been thinking about painting one church. The Doctor says that is good news, when someone screams, the Doctor says that that is not good news. Out in the street, the three find a girl who has been killed. The mother of the girl pushes her way through, then blames Vincent for her daughter's death. She and some of the crowd throw stones at Vincent, so the Doctor, Amy and Vincent leave immediately. The Doctor asks Vincent if a similar murder has happened before. Vincent tells him that there was one a week ago and the Doctor says he thought so. He tells Vincent that he must get home. Vincent asks where the Doctor and Amy are staying, which the Doctor takes as an invite to stay with him. Amy nervously laughs and follows the Doctor, Vincent in tail of the two. Outside Vincent's home, the Doctor comments on the dark and the starry night. Van Gogh says that Amy and the Doctor will be alright to stay with him for one night, and one night only. Amy exclaims that they will be staying with him and the Doctor tells her until he paints the church. Inside, van Gogh lights a lamp and apologizes about the "clutter", saying he must really clear it out. Vincent offers coffee and after seeing Vincent put coffee on one of his works, the Doctor tells him to be careful with his work and that they are precious. Vincent disagrees with the Doctor, but Amy tells Vincent that they are precious to her. The Doctor asks about the church, to which Vincent asks about his obsession with it. The Doctor asks about Vincent, and Vincent tells him that it seems to him the world offers much more than the normal eye can see. The Doctor agrees with him, glancing at Amy. Soon after, Vincent wildly talks about colours and how he can hear them, and how he thinks. The Doctor stares at Vincent saying that he believes he has had enough coffee. The Doctor asks where Amy is and a scream comes from outside. Vincent and the Doctor rush outside and find Amy on the ground, shaken, but not injured. The Doctor says not to worry that the attacker has gone, but Vincent screams and runs to get a fork. The Doctor tries to calm Vincent down, but Vincent runs towards them. Amy and the Doctor move to the side and van Gogh tells them to run. The Doctor agrees and tells Amy that Vincent is having a fit. The Doctor again tries to calm Vincent down, telling him that it is only him there, when something large knocks him off his feet. Amy shouts that she cannot see anything and asks what it is. The Doctor agrees that her question is good. He gets up and grabs a stick, telling Vincent he will help him fight it. Vincent asks the Doctor if he can see the creature too, to which the Doctor says he can, kind of, and finally not. The Doctor then gets hit again and thrown over a table, landing on his back. Vincent tells the Doctor that he couldn't see the creature. The Doctor returns to where the creature was, swinging his stick around, while Vincent attacks the creature and fends it off. Both Vincent and Amy watch as the Doctor continues to fight nothing, swinging his stick around. Vincent tells the Doctor that the creature has gone, to which the Doctor stops. The three return inside. The Doctor says that the creature was invisible, and asks Vincent what it looked like. Vincet says he'll show them and begins to paint over one of his paintings, much to the Doctor and Amy's horror. After he has finished, the Doctor takes the painting from van Gogh and gives Amy instructions to keep Vincent safe. Amy protests the Doctor going outside as it is dangerous, but the Doctor decides to still go, telling them he'll be back before they can say "where's he got to now?" The Doctor leaves and Amy turns back to Vincent. The Doctor screams "not that fast" to keep the two on their toes and says he'll be pretty fast, then leaves. The Doctor walks down the alleyways, seemingly being followed by the creature, but reaches the TARDIS before he comes to any danger. Inside, he drags a chest from one of the alcoves, talking to a specific item. He apologizes to the item, saying he thought it was just a useless, embarrassing present from his godmother, who had two heads and bad breath, on both the heads. He pulls out a machine attached to a mirror and puts it up on the TARDIS console. He links it up to the TARDIS and sticks his tongue out at it. The machine identifies the Doctor as "Doctor" and his home planet as and prints a copy out on the console's typewriter, including pictures of the first and incarnations. The Doctor then shows Vincent's drawing of the creature to the mirror in order to identify it. The machine first identifies it as a parrot, then a polar bear, both of which the Doctor dismisses. He then complains that the impressionists are not accurate enough and that it wouldn't happen with one of the "proper" painters, but then apologizes to Vincent. He says that Vincent will have to draw something better and throws the painting away behind him. The Doctor attempting to identify the 'invisible monster'. Leaving the TARDIS, now day, the Doctor alters the machine. The creature appears behind the Doctor, appearing in the mirror. The machine's "match" noise sounds and the Doctor says that there may be a time delay, but the machine always gets it in the end, not noticing the actual creature behind him. The Doctor reads the details on the creature, a , before noticing that it is directly behind him. The Doctor begins to run and hides behind a corner. He uses the mirror to see the creature charging towards him, before running again. He tries to slow the creature by blocking its path, and the creature hits its head on an archway. The Doctor hides behind another corner and sees the creature fleeing. He breathes a sigh of relief, before turning the corner and seeing Amy. Both of them scream and the Doctor says that she scared the living daylights out of him. Amy apologizes and says that she was bored of Vincent's snoring. The Doctor enters Vincent's room and opens the windows, letting in a flood of light and waking Vincent up. Vincet gets up as the Doctor leaves the room, telling Vincent that Amy brought him a present. Amy tells him she brought the present for saving her the previous night. Vincent looks out to see the outside surrounded by sunflowers. Amy suggests he paint the flowers, but Vincent says that they are not his favourite flower, much to the surprise of Amy and the Doctor. Vincent explains that he finds them complex, half-living and half-dying, a little disgusting, but a challenge. The Doctor tells Vincent he is sure he will rise to the challenge. Amy amidst the sunflowers. The Doctor shows Vincent a picture of the Krafayis, explaining how the species travels in space as a pack and that they are a brutal race; if one falls behind, the rest of the pack do not return for it. He explains that this particular one has been left behind, and like the other Krafayis abandoned across the universe, it will kill without mercy until killed, which they usually are not, given their invisibility. The Doctor tells Vincent that they are in a unique position of being able to stop this one if Vincent paints the church. Vincent asks about the monster, but the Doctor tells him that if he paints the church, the monster will come. Vincent agrees and the Doctor tells him that he and Amy will be no longer bothering him by the next day and will be gone. After Vincent has left the room, the Doctor tells Amy that taking Vincent is risky. Amy asks if it is riskier than normal. The Doctor checks to see that Vincent is not listening and tells Amy that if Vincent is killed, half the pictures in the Musée d'Orsay will disappear and that it will be their fault. The Doctor knocks on Vincent's door and enters. He finds Vincent on his bed crying. The Doctor asks if he can help. Vincent tells the Doctor that he and Amy will leave as everyone always leaves him, that he will be left with an empty heart and no hope. The Doctor tells Vincent that his experience is that there is always hope, but Vincent tells him that he does not have a full experience and that he knows it will not end well. The Doctor tries to console him, but Vincent gets angry and tells him to get out. The Doctor leaves. Amy asks the Doctor what is happening and the Doctor explains how delicate Vincent is, that he will eventually shoot himself, and that is why they should leave. After looking at some of Vincent's paintings, the Doctor says that he and Amy must go to the church and hope that the Krafayis still turns up. Before they can leave, Vincent appears at the door, fully clothed and ready to go, selecting a paintbrush. Amy, walking arm in arm with Vincent, tells him that she is sorry he is sad. He tells her that the moods he has last for weeks or even months, but that he can soldier on if she can. She tells him that she is not soldiering on but he says to her that he can hear the song of her sadness and points out that she is crying. He tells Amy that he understands but Amy replies, telling him that she does not. The Doctor, having listened to the conversation interrupts and proposes a plan. Vincent says that they will fight the creature, but the Doctor explains that it needs to be more developed, that he needs to be able to see the creature as well. Amy asks how the Doctor is supposed to see the monster, to which he replies that he has the answer inside a box he is carrying, giving praise to his godmother. Further up the road, the three see the funeral of the girl who was killed the previous night. They stand at the side of the road, Vincent having taken his hat off in respect, as the coffin passes with sunflowers on top. Amy asks the Doctor if he has a plan, to which he tells her that he doesn't, but something similarly greater. Vincent sets up his easle as the Doctor makes sure that he will be told when the creature appears. Vincent tells the Doctor that he is mad and not stupid. The Doctor begins to explain that he may not actually be mad, just deeply depressed, but Vincent tells him to shush, and that he is working. As Vincent paints, the Doctor talks about watching painting the Sistine Chaple, and how he winged because he was afraid of heights but Amy tells him to shush. Later he moves on to , and how he tried to advise him on his paintings. Much later, the Doctor, bored, asks if time normally passes really slowly and in the correct order. He stands up and tells Amy and Vincent that he can't stand an unpunctual alien attack. Amy asks if he is nervous, when Vincent tells the two that the monster is now at the window. The Doctor tells Amy and Vincent that he is going in, so Vincent tells him that he is going in too. The Doctor stresses that Vincent is Vincent van Gogh, and that he is not going in. Vincent protests that the Doctor is not armed, but the Doctor tells him that he is, with overconfidence, the machine and a small screwdriver. The Doctor says that all he needs to do is find the correct prozac setting to stun the creature. He gives Amy one simple instruction, not to follow him and signals to Vincent to watch her. Amy agrees and the Doctor heads towards the church. Vincent leans in towards Amy and asks if she will follow him, and she tells him that she will. Vincent then tells Amy that he loves her. Just outside the chapel, the Doctor opens his box and takes out the machine. He puts it on and before heading into the chapel, looks at a carving above the door, a carving of an angel slaying a dragon. Inside, the Doctor looks around for the Krafayis. Outside, Amy asks Vincent if the Krafayis has moved. Vincent tells her that it hasn't, but suddenly tells her that it has turned around. After approaching the window where the Krafayis was, the Doctor believes the creature has moved. Suddenly, a hand knocks the Doctor flying. Amy and Vincent hear the crash, look at each other and head inside to help the Doctor. The Doctor recovers from his fall and tries to stun the Krafayis. He runs towards a room when he bumps into Amy. The two of them hide in a confessions box to hide. While inside, the Doctor tells Amy to breath quieter. Amy says that she cannot, then believes that it has walked past them. Then the Krafayis begins attacking the confessions box, and the Doctor compliments its excellent hearing. Vincent then calls on the monster, fighting it with a chair, while telling Amy and the Doctor to get behind him. The Doctor, twice, tries to stun the Krafayis again but is unsuccessful and on the second attempt, the Krafayis actually seems to enjoy it. Vincent tells the Doctor to duck as the creature takes a swipe at him, then to move to his left. However, because of miscommunication, left being Vincent's left and not the Doctor's, the Doctor is hit by the monster against a wall. The Doctor suggests that they run like crazy and regroup, so Amy chooses the nearest room to hide in. They get in the room and attempt to close the door until the creature blocks it with its foot. Vincent, however, stands on the foot and the creature retreats. The Doctor begins to tell Amy and Vincent his plan, but accidentally calls Vincent, Rory. When Amy asks what the plan is, the Doctor tells her that the only plan he is sure of his that he will only use his sonic screwdriver to screw in screws in future. Vincent tells Amy and the Doctor to give him a second and that he will be back. The Doctor considers talking to the Krafayis and hearing his side of the story. Although he thinks the Krafayis may not be in the mood for it, the Doctor but tries anyway. The Doctor explains to the creature that he understands that it is trapped on the planet and alone, and tells it that he is also alone. Suddenly, the window behind them smashes open and the invisible creature jumps through. Vincent returns with his easle, holding the feet up, the spikes being used as a weapon. The Doctor asks what it is doing and is told it is feeling it's way around the room. The Doctor calls himself stupid and comments that he is getting old. The Doctor figures out that the Krafayis is blind and raises his voice when mentioning the fact it has perfect hearing. Vincent then tells them that it is now charging towards them. Vincent runs forward as the creature charges, telling the Doctor and Amy to get back. The creature is stabbed by the easle, and Vincent is sent hanging in the air. As the creature falls to the ground, Vincent lets go of the easle and lands on his feet. Vincent tells the Doctor that he didn't mean to kill the creature, and the Doctor comforts it as it dies. He makes out that the creature says that it is afraid and the Doctor tells it not to be while stroking it. Vincent compares the Krafayis to humans who lash out when they are frightened, much like those in the town that scream at him and the children who throw stones at him. The Doctor then says that sometimes winning is no fun at all. Amy, Vincent and the Doctor lie in a field and hold hands. Vincent asks the other two to see the world as he does, describing the night sky. The Doctor tells him that he has seen nothing as wonderful as what Vincent has. Vincent tells the Doctor and Amy that he will miss them when they are gone. The Doctor, Vincent and Amy gazing up at the 'Starry Night' The next morning, Vincent tries to give the Doctor a self portrait as a gift, but the Doctor refuses (though Vincent isn't surprised). Vincent hugs Amy who tells him to be good and kind to himself and to trim his beard before next kissing someone. Vincent also tells Amy that if she tires of the Doctor, she should return and they could have children together. Vincent then tells the Doctor that he thinks he might not do as well on his own than when he was with him. They embrace in a hug, then Amy and the Doctor leave. Outside, the Doctor asks Amy if she is thinking what he is thinking. She replies telling him she wants food before they leave, not exactly what the Doctor was thinking. The Doctor then calls Vincent, who hangs out a window, and tells him he has something to show him and to tidy himself up first. The Doctor takes Vincent to a poster covered TARDIS and lets him inside. Vincent then peers out of the TARDIS and feels the outside walls before going back in and asking how he is crazy and the Doctor and Amy are sane. The Doctor enters and takes Vincent's hat off him, placing it on the hatstand. Amy closes the door and they head to the console. Vincent asks what all of the buttons do and the Doctor explains several of them; one which plays soothing music, one which makes a large noise and one which makes everything shake. Vincent asks what a button does and the Doctor lunges forward to stop Vincent from pressing it, telling him that it is the Friction Contrafibulator. Then Vincent asks what another button does, to which the Doctor tells him that it is ketchup, then points to another which he calls mustard. Vincent asks them back to the café, but the Doctor tells him that he wishes to show him something first. In Paris 2010, outside the Musée d'Orsay, the last few posters burn off the TARDIS. Amy, Vincent and the Doctor step outside and head into the museum, the Doctor explaining when and where they are. The three enter the van Gogh exhibition. Vincent looks around at his work in awe at the number of people looking at them. The Doctor then asks Dr. Black to tell him where van Gogh stands in the importance of the history of art. Amy positions Vincent behind Dr. Black so he can hear all the positive things he thinks of him; that he is the finest painter of them all, the most popular painter who managed to transform his pain into beauty, that he was not only the world's greatest artist but also one of the greatest men of all time. Vincent in the Musée d'Orsay At hearing these words, Vincent begins to cry, but when the Doctor asks if it is too much, he replies that they are tears of joy. Vincent then kisses, hugs and thanks Dr. Black, apologizing about his beard after. Dr. Black then walks away, but pauses for a moment to ponder. He looks back and then dismisses the thought. The Doctor returns Vincent to his own place and time. Vincent tells the Doctor that he will be a new man and the Doctor tells Vincent that it has been an honour. Amy then hugs Vincent as he jokes about her marital status, to which Amy tells him she in not the marrying kind. The TARDIS departs and Vincent walks off. Vincent's dedication of Sunflowers for Amy.Amy and the Doctor return to the Musée d'Orsay, Amy believing that there will be hundreds more paintings, but the Doctor is doubtful. In the gallery, Amy finds no new paintings and hears Dr. Black still saying that he commited suicide at age 37. Amy thinks that they didn't make a difference to Vincent's life at all, but the Doctor explains to her that although good things can't remove the bad things, the bad things can't spoil the good things, and that they certainly added a large amount of good things to Vincent's life. The Doctor also shows Amy that they did make a couple of minor changes, such as the non-existance of the evil face in the church window. As Amy walks away, she walks towards another painting, one of sunflowers, which she sees is dedicated in her name. She tells the Doctor that if they had been married, their children would have had very red hair. The Doctor calls them the "Ultimate Ginger". Amy smiles at him and says the "Ultimate Ginge". The two chuckle together as Amy tears up. Cast - Matt Smith Amy Pond - - Tony Curran Dr Black - Bill Nighy (uncredited) - Chrissie Cotterill Student - Student - - Nik Howden Waitress - Sarah Counsell Crew Executive Producers: Steven Moffat, and Beth Willis Produced byPatrick Schweitzer Directed by Richard Curtis Brian Minchin and Director of PhotographyTony Slater Ling Edward Thomas Visual Effects Make-up DesignerBarbara Southcott Casting DirectorAndy Pryor CDG MusicMurray Gold Costume DesignerRay Holman Special Effects Original theme music by Ron Grainer• Title sequence by • With thanks to ,   General production staff Production Executive - - Location Manager - - Rhys Griffiths Production Co-ordinator - Jess van Niekerk Production Management Assistant - - Production Accountant - A/Production Accountant - Carole Wakefield Directorial/DOP staff 1st Assistant Director - 2nd Assistant Director - 3rd Assistant Director - - Nicola Eynon Price, - Non Eleri Hughes - B Camera Operator - Matthew Poynter - - John Robinson Assistant Camera - , Jon Vidgen - - Mark Hutchings Best Boy - - Ben Griffiths, Steve Slocombe, , Art department Supervising Art Director - Stephen Nicholas Art Department Co-ordinator - Associate Designer - - Ben Morris - - Catherine Samuel - Storyboard Artist - Concept Artists - Richard Shaun Williams, - - , Standby Art Director - Tristan Peatfield Standby Carpenter - - Keith Freeman Standby Painter - - Paul Aitken Dressing Chargehand - - Martin Broadbent, Props Fabrication Manager - Barry Jones - Penny Howarth, Nicholas Robatto Construction Manager - Matthew Hywel-Davies Construction Chargehand - Practical Electrician - - , - BBC Wales Graphics Costume Costume Supervisor - Crowd Supervisor - Lindsay Bonacorssi Costume Assistants - , Make-up and prosthetics Make-up Supervisor - Make-up Artists - , Morag Smith Movement Stunt Co-ordinator - Crispin Layfield Casting Casting Associates: , General post-production staff Post-production Supervisors - , Chris Blatchford Post-production Co-ordinator - - - Matthew Clarke, Mark Bright Special and visual effects - - Mick Vincent Sound - Bryn Thomas - Tim Ricketts Sound Maintenance Engineer - Jeff Welch Supervising Sound Editor - Sound FX Editor - Foley Editor - Not every person who worked on this adventure was credited. The absence of a credit for a position doesn't necessarily mean the job wasn't required. The information above is based solely on observations of the actual end credits of the episodes as broadcast, and does not relay information from IMDB or other sources.            This was the first episode of the BBC Wales series to have two credited script editors. Oddly, was credited at the end of the roll, suggesting she was considered more "senior" than .  As on , Patrick Schweitzer was double-credited as both and . References The episode makes numerous direct and indirect references to van Gogh's most famous works, though artistic liberty was taken in regard to their chronology and the locations in which they were painted. While the setting for the episode was ostensibly Auvers-Sur-Oise, the last place of residence and resting place of van Gogh, where he painted Church at Auvers, inspiration for the set decoration of his home and the cafe he frequented (or rather was frequently thrown out of), came from works he previously produced while living in Arles several years before (Bedroom in Arles, Cafe Terrance at Night). Also, while the episode suggested Amy Pond inspired van Gogh to paint sunflowers, particularly Still Life: Vase with Twelve Sunflowers, to which he then 'dedicated' to her, they were, in fact, painted in 1887 and 1888. Van Gogh works referenced in the episode include: Church at Auvers (1890), Bedroom in Arles (1887), Cafe Terrance at Night (1888), Still Life: Vase with Twelve Sunflowers (1888), Portrait of Dr. Gachet (1890), The Starry Night (1889), Wheatfield With Crows (1890), Vincent's Chair with His Pipe (1888), Self-Portrait with Straw Hat (1887). Among the posters covering the TARDIS are those for the cafe Au Tambourin at 27 Rue Richelieu in Paris, which was the first place to exhibit van Gogh's artwork in Paris. The Doctor refers to having met and . The Doctor expresses frustration with van Gogh's 'impressionist' style when attempting to identify the invisible monster (though van Gogh is considered to be post-Impressionist by art historians), suggesting that this would "never happen with , one of those proper painters." While this suggests the Doctor's affinity for some notion of 'scientific accuracy' over emotive artistic expression, he later humbly tells Vincent that while he has seen many things, "you are right, nothing quite as wonderful as the things you see." Story notes The episode was incorrectly entitled, Lend Me Your Ear. However, no mention or reference was made in the episode regarding van Gogh's ear at all. Unlike most stories in this series, this story focuses much more on characters than plot, and has hints and references to van Gogh's depression and suicide, something the series has not explored very much before. In fact, a message and phone number for the 'BBC Action Line' was broadcast following the 'Next Time' trail, for those wanting more information on 'issues raised in this program.' Pictures of the First and Second Doctors are printed on the TARDIS' typewriter. This is the second story in the series to lack any cracks, silence, or other foreshadowing of the series' finale (the first being Amy's Choice). However, it does tie in to 's death and establishes that, on some level, Amy is aware he has died. Although originally believed to be standalone, spoilers make this story involved with the series arc, some mentioning van Gogh's paintings, one of which is Dr. Gatchet, relating to the finale. Dr. Gatchet is supposed to be appearing in the mentioned episode. Others include van Gogh communicating a disturbing prophecy to the Doctor in the finale through one of his paintings, and a van Gogh reference in : The Lodger. Bill Nighy was not credited for his role. Numerous positive or affirmative references were made in the episode to van Gogh and Amy's hair colour, perhaps in a conscious effort to address the accusation by some viewers of the program being 'anti-ginger' (the so-called 'ginger' controversy). The song used for the final scenes is "Chances" by Athlete. Amy attempting to get Vincent to paint 'The Sunflowers' is similar to Rose trying to get Queen Victoria to say, "I am not amused." (: Tooth and Claw) Ratings 5.0 million Filming locations National Museum of Wales Trogir, Croatia Roald Dahl Plass , which is supposed to double for the Musée d'Orsay in Paris Rumours It was rumoured that either the Timoreen, the Ha'rik or the Skarkish will appear. The monster was a Krafayis. It was rumoured that Vincent van Gogh will stab a yellow monster. He stabbed the Krafayis, the monster was pale yellow. Howard Lee plays a character called "Dr. Gachet" . Dr. Gachet was van Gogh's real doctor, who nursed him during his final years. He was mentioned but he was not actually in the episode. Nighy plays a van Gogh expert, with similar fashion tastes to the Doctor himself. This turned out also true. He also wore a bowtie. Steven Moffat stated in a recent interview that the controversial topic of the regeneration limit for Time Lords will be "addressed in a very, very cheeky way by an old friend of mine" at some point in Series 5. As the "old friend" could very well be Richard Curtis, the issue might be addressed in this episode. This turned out to be false for this episode, but it could happen in later episodes with Alex Kingston's character River Song addressing the subject, as Steven Moffatt created her character. As a Vincent van Gogh painting will feature in the events of "The Pandorica Opens", it was likely that this story would bring more developments to the main story arc of the series. This was not the case, with the episode being more or less a stand-alone story, but apparently the finale will still feature a van Gogh painting in some way. This connection may be illuminated in "The Lodger", as a pamphlet for a van Gogh exhibit can be seen on Craig's fridge in the trailer. Although, the Doctor does take a van Gogh painting inside the TARDIS trying to identify the Krafayis, he pitches the painting over his shoulder into the TARDIS. Perhaps that painting is the one to carry a message 1,000 years into the future. It was rumoured that Vincent will propose to Amy or ask the Doctor to travel with them because in the preview clips, he shows a large interest in Amy and the Doctor and even tells Amy that he loves her. This turned out true. Production errors When running through the streets with his mirror, the Doctor screams "Ahh", but his mouth is not synced with his screaming. For most of the episode, Amy is wearing tights. During the church scene, when van Gogh starts painting the Church, they've gone. Later on when the group are hiding from the monster, she's wearing them again, as was the case with the previous episode. When in the chapel looking for the monster, the Doctor switches the mirror from his left to right side while holding his sonic screwdriver. For each change, the camera angle also changes, and the sonic screwdriver changes from being in closed mode and extended mode. At the beginning, when looking at the painting of the church, the Doctor scratches his head. When the camera is behind the Doctor, he uses his right hand but when the camera cuts to in front of him, he is using his left hand. Continuity If you'd like to talk about narrative problems with this story — like plot holes and things that seem to contradict other stories — please go to this episode's discontinuity discussion. The Doctor and compliment each other's bow ties, the Doctor exclaiming again that "bow ties are cool". (: The Eleventh Hour, Amy's Choice) The Doctor mentions that he had a godmother with two heads. Before his , he declared that he might have ended up with two heads. (: The Parting of the Ways) Although it seemed like a joke at the time, this statement suggests that a regeneration actually could result in the creation of an extra head. It may also be a reference to the . (: The Time of Angels) The and second Doctors are pictured. The Doctor finds his species identifier device by rifling through a chest in the TARDIS' alcoves; this plot device for providing artifacts and tools was utilised in several of the previous incarnations' series (e.g. : The Abominable Snowmen, where the Second Doctor finds a holy Tibetan bell and Jamie a set of bagpipes). It has also been used in the Tenth Doctor's era, in which he retrieved an Agatha Christie novel. (: The Unicorn and the Wasp) The Doctor once again mentions that he is aging mentally, contrasting with his physical appearance. (: Time Crash, ) Amy mentions that the Doctor took her to . The planet was featured in : , and the "fall of Arcadia" was mentioned as one of the events of the Time War in : . The Doctor mentions , to which Amy asks "who?" Amy also says that the Doctor is being extra kind to her, feeling guilty about Rory's erasure. Van Gogh also sees that Amy is crying, although she doesn't know why; he theorises that she has lost someone. After receiving a half-joking marriage proposal from Vincent, Amy tells him that she's "not the marrying kind". (: Cold Blood). This marks the fourth episode this season which opens on a nature shot. : The Time of Angels, Amy's Choice, The Hungry Earth and this episode all open on beautiful, wide-open fields on bright, sunny days. Vincent van Gogh is the second historical figure in the new series to have romantic feelings for one of the Doctor's companions and the third to have such feelings for a member of the TARDIS crew. Previously, made advances towards , and Madame de Pompadour fell in love with the Doctor. (: The Shakespeare Code, The Girl in the Fireplace) Home video releases - Doctor Who Series Five - Volume Three will feature , The Hungry Earth, Cold Blood and Vincent and the Doctor. It will be released on Monday 2nd August 2010 (UK Only) on DVD and Blu-ray.

Van Gogh’s extraordinary and tragic life, his feelings and thoughts revealed in prolific correspondence, often overwrites the material reality of his paintings. He was a pioneer of modern art, using the genres of landscape, portraiture and still life to experiment with form and colour. Here, in an extraordinary close-up rendition of urban nature, Tree trunks in the grass, Van Gogh reinvigorates the landscape format by looking down into it instead of outwards, and thus eliminates both horizon and sky. He wrote about the painting in a letter to his brother Theo in early May 1890, in which he also details a planned journey from the asylum at Saint-Rémy to the care of Dr Gachet at Auvers-sur-Oise: … my work is going well, I have done two canvases of the fresh grass in the park, one of which is extremely simple, here is a hasty sketch of it. The trunk of a pine violet-pink and then the grass with white flowers and dandelions, a little rose tree and other tree trunks in the background right at the top of the canvas.1 By cropping the composition so radically, especially at the top and bottom, Van Gogh shows how well he absorbed the strategies of Japanese woodblock artists. He combines these with the exemplar of photography, focusing on one part of an object to stand in for the whole. Verticals and diagonals struggle for dominance, with the main tree trunks sloping slightly, boldly placed off-centre. Our eye is led back by white accents from the foreshortened ground in a zigzag, and through the central field into the dappled lawn under the far trees. It lingers briefly, returning by means of blue marks, to the central motif. In Tree trunks in the grass, the artist’s palette is reduced to light shades of green, white and yellow, highlighted by blue and a little red, allowing tones to accentuate the texture of the main trunk. Other trunks are blue-black, dark against bright spring vegetation. Van Gogh’s characteristically energetic paintstrokes, delicate in the flowers and thicker in the grass, become rugged in the bark of the trees. This landscape was observed close-to, painted on the spot in the asylum garden at the end of April 1890. Van Gogh is a specific, rather than a general, artist: that is, he uses the immediate to communicate larger themes. Looking at the painting, we feel the joy of being outdoors, where sunlight and flowered grass suffuse our senses. Christine Dixon 1 Letter 631, The complete letters of Vincent Van Gogh, 2nd edn, vol. 3, London: Thames & Hudson, 1959, pp. 265, 267.

Après son internement à l'asile de Saint-Rémy-de-Provence, Vincent Van Gogh se rend à Auvers-sur-Oise chez le docteur Gachet, amateur d'art et protecteur des peintres, à qui l'a recommandé son frère Théo. Van Gogh peint l'idiot du village, ainsi que Marguerite, la fille de son hôte, insatisfaite de ce portrait. Puis il rejoint, sur les bords de l'Oise, des amies prostituées dont Cathy, qui s'étonne de le trouver vieilli; il n'a alors que trente-sept ans. Théo vient à Auvers passer le dimanche en compagnie de son épouse Jo et de leur petite fille. La réunion familiale est joyeuse, Vincent se plaît à singer Toulouse-Lautrec. Jo se confie à lui à propos du caractère de Théo, qui lui échappe. Souffrant d'être à la charge de son frère, qui n'arrive pas à vendre une seule de ses toiles...

Après son internement à l'asile de Saint-Rémy-de-Provence, Vincent Van Gogh se rend à Auvers-sur-Oise chez le docteur Gachet, amateur d'art et protecteur des peintres, à qui l'a recommandé son frère Théo. Van Gogh peint l'idiot du village, ainsi que Marguerite, la fille de son hôte, insatisfaite de ce portrait. Puis il rejoint, sur les bords de l'Oise, des amies prostituées dont Cathy, qui s'étonne de le trouver vieilli; il n'a alors que trente-sept ans. Théo vient à Auvers passer le dimanche en compagnie de son épouse Jo et de leur petite fille. La réunion familiale est joyeuse, Vincent se plaît à singer Toulouse-Lautrec. Jo se confie à lui à propos du caractère de Théo, qui lui échappe. Souffrant d'être à la charge de son frère, qui n'arrive pas à vendre une seule de ses toiles...