Podcasts about mobile unit

Matt takes the Order Up! Mobile Unit with him on a business trip while Mary and Kelly chat with Sha Rita about the impact of pregnancy on the taste buds and just giving things a try.

Check out this podcast replay of our SDCF Panel: The Journey from Dancer to Choreographer with Mayte Natalio, Adesola Osakalumi, and Ellenore Scott. This conversation focuses on career transitions or expansions, specifically for dancers who have shifted or added choreography to their artistic practice. We hosted this panel at Sunlight Studios in February 2024. This video and audio was recorded by Michael Weir supported by the Maria Torres Emerging Artists Foundation. Transcript available upon request. Ellenore Scott (she/her) is a BIPOC, New York based choreographer and director. Through her work, Scott values lifting diverse voices in her community while creating a joyous space where the creative process can bring as many people in as possible. Her Broadway credits include Grey House, Funny Girl, Mr. Saturday Night. Her Off-Broadway credits include Little Shop of Horrors, Titanique (Lucille Loretel Nomination), I Can Get It For You Wholesale. Other choreography credits include: So You Think You Can Dance?, Single All the Way (Netflix). In 2023, Scott co-directed The Lonely Few, a world premiere rock musical at the Geffen Playhouse in Los Angeles, CA that will transfer to Off-Broadway's MCC Theatre in Spring of 2024. Scott's work has also been seen at The Bushwick Starr, The Old Globe, Hudson Valley Shakespeare Festival, McCarter Theatre, Cherry Lane Theatre, Asolo Repertory Theatre, Cape Fear Regional Theatre and Seattle Repertory Theatre. In 2020, Scott was a finalist for the SDC Breakout Award for the first ever TikTok Music Ratatouille: The TikTok Musical which raised over $2 million for The Entertainment Fund. As a performer, Scott appeared in numerous television shows (Marvelous Mrs. Maisel, Smash, The Blacklist, Glee! to name a few) and was a finalist and All-Star on So You Think You Can Dance? Scott is the Artistic Director of ELSCO Dance, a contemporary-fusion dance company. Mayte Natalio: Broadway: Suffs (spring 2024), For Colored Girls… (Associate Choreographer). Off-Broadway: Measure for Measure (The Public Theater, Mobile Unit). Regional: The Winter's Tale (DTC, Public Works), Into the Woods (Barrington Stage Company), Love in Hate Nation (Two River Theater), Hair (The Old Globe), Kiss My Aztec (Hartford Stage), How to Dance in Ohio (Syracuse Stage). Adesola Osakalumi: is a Bronx native, Bessie Award-winning, Drama Desk-nominated Choreographer and Actor. Inspired by his family's dance company Africa 1 Dance Theater, he began performing at an early age and was immediately captivated by popping, locking, and all diasporic hip-hop dance styles. He began training seriously at every opportunity possible while maintaining a strong presence in the New York club scene where these styles flourished. Selected Choreographic credits include: Fall For Dance/Jam On The Groove 3 For 30 (City Center),Skeleton Crew (Broadway MTC), Cullud Wattah, Coal Country, Othello (Public Theater), runboyrun, Eyewitness Blues (NYTW), Good Grief (Vineyard), Jam on the Groove (Minetta Lane) and the film School Of Rock. Upcoming: The Hippest Trip (Soul Train Musical) Associate Choreographer & Dance Consultant and Syncing Ink (Victoria Theater) Spring 2025.  As an Actor: Skeleton Crew, Fela!, Equus (Broadway), runboyrun (NYTW), Syncing Ink (Flea/Alley Theater) and the films Red Pill, IBRAHIM, Enchanted, Across the Universe, and Sex and the City 2. TV: "Endgame", “Ice”, Blue Bloods. Awards: Bessie Award Recipient, Drama Desk Recipient. I give thanks to my Ori, Ancestors, and Family for their constant support and love. adesola.com IG @adesolaosakalumi.

The Canadian Centre for Rural and Agricultural Health located at the University of Saskatchewan has received an anonymous, $1.5-million donation to fund the purchase and operating costs of a new mobile unit that will travel around rural Saskatchewan.Centre Director Dr. Shelly Kirchuk and Kendra Ulmer, the manager of the Agricultural Health and Safety Network will talk about the work of the rural and agricultural centre and the significance of the donation.Often people have a certain vision of what a conventional farm looks like.It usually involved a tractor or combine and a field of golden grain. John Cote and his wife Barb Stefanyshyn Cote did the unthinkable and sold the family farm and then they embarked on a completely different experience...making gin and selling flowers. Barb will talk about their journey to the creation of Black Fox Farm and Distillery and how they've never worked harder in their lives.See omnystudio.com/listener for privacy information.

Omkring 60.000 dræbte og sårede russiske soldater i Ukraine - i juli og august, siger britiske efterretninger. De ukrainske tab er knapt så store. Men begge parter bløder. Russerne masse-bomber ukrainsk infrastruktur, og soldater rykker frem i Donetsk. Ukrainerne har invaderet Kursk i Rusland og bomber så langt væk som Moskva. Og så appellerer de om flere og langtrækkende vestlige missiler. Ingen af parterne vil give sig - og alligevel syder spekulationer om forhandlinger, ikke om fred, men om våbenhvile. Men er det realistisk for to parter, der hellere bløder end giver sig? Gæster: Matilde Kimer - DRs Ruslandskorrespondent, Flemming Splidsboel - Forsker ved DIIS med speciale i Rusland samt Ove Urup-Madsen - Chef for Mobile Unit under EUAM. Vært: Steffen Gram.

Trent reports on Western North Carolina from the HIMU (History Improv'ed Mobile Unit). In a land brimming with U.S. Civil War history, will he share some interesting local trivia? Will it be history-focused? Is this because Episode 8 of History Improv'ed isn't ready? Spoiler alert: Ummm, yes, no, and yes.  

Find out more about this Mobile Unit production of The Comedy of Errors/La Comedia de Errors at www.publictheater.org.  Follow The Present Stage on Instagram at @thepresentstageThe Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Slant Magazine. You can also find Dan's reviews on Cast Album Reviews and in The New Yorker's Briefly Noted column.The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org

RV Airstreams (917-213-1614) are offering their vintage RVs to film and video production houses in Brooklyn, Queens and throughout NYC. With flexible rentals and incredible set ups, their RVs make the best unit bases. Go to https://www.rvairstream.com/marketing to find out more. Daylight Studio City: New York Address: 450 West 31st Street Website https://www.daylightstudio.com/ Phone +1-917-213-1614 Email alfina@daylightstudio.com

The Canadian Centre for Rural and Agricultural Health located at the University of Saskatchewan has received an anonymous, $1.5-million donation to fund the purchase and operating costs of a new mobile unit that will travel around rural Saskatchewan. Centre Director Dr. Shelly Kirchuk and Kendra Ulmer, the manager of the Agricultural Health and Safety Network will talk about the work of the rural and agricultural centre and the significance of the donation.Saskatchewan Agriculture is telling farmers to watch for anthrax after one confirmed case in the eastern part of the province.Two additional cows in the same herd are also suspected of contracting the fatal disease.Dr Wendy Wilkins, a disease surveillance veterinarian with the Ministry of agriculture says anthrax is caused by a bacterium which can survive in spore form for decades in the soil. Changes in soil moisture from flooding and drying can lead to a buildup of spores on pastures. Those spores tend to concentrate in slough and pothole and become exposed in drier years.She'll explain which animals are susceptible and what should be done if you suspect anthrax on your farm.See omnystudio.com/listener for privacy information.

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Rebecca Kidd, Program Manager at Molina Healthcare of Illinois, joins Samantha to talk about how Molina is bringing high quality healthcare to its members through their new mobile unit. 

Episode 1/3 of the EOD Memorial special. This is dedicated to the memory, life, and career of Spencer Nelson. (see bottom of the show notes for more info on JoAnne's husband, Spencer, and a brief history of his remarkable career.) Welcome to a very special episode of the HeroFront Podcast! In this EOD Memorial special, we have not one, not two, but three captivating episodes lined up for you. Prepare to be moved, inspired, and enlightened as we delve into the remarkable world of Explosive Ordnance Disposal (EOD) technicians. Every year, on the first Saturday in May, the EOD Memorial Ceremony is held to commemorate fallen EOD technicians to recognize and preserve the legacy of the service and sacrifices of our fallen warriors and their families. Join us as we sit down with a diverse range of guests, all intimately connected to the EOD community. In our first episode, we have the honor of speaking with Stephen O'Donnell, an Army and Marine Corps EOD veteran, and the proud owner of Master Blaster Coffee Company. (https://masterblastercoffee.us) Stephen, also known as "The Pushup Guy," shares his powerful story and sheds light on the challenges faced by white star widow Mrs. JoAnne Nelson, whose husband tragically lost his life to suicide. Brace yourself for an emotional and thought-provoking conversation tackling tough topics head-on. In the second installment of our EOD Memorial special, we introduce you to Mario Kovach, an EOD veteran and co-creator of the groundbreaking initiative, "Project Felix." Discover how this innovative project is revolutionizing the EOD landscape and making a profound impact on the lives of those involved. Finally, in our third and last EOD episode of the EOD Memorial Series, we have the privilege of hearing from Carlos Sanchez, a Chief Master Sergeant currently serving as a Legislative Fellow in Washington, D.C. Gain a unique perspective on the intersection of military service and legislative affairs as Carlos shares his experiences and sheds light on the vital role played by the Department of Defense legislative fellowship program. We discuss the significance of the EOD memorial and the distinction between PTSD and PTSI, to the heartbreaking reality of losing a loved one to suicide and the alarming "22 a day" crisis, we delve deep into the challenges faced by the EOD community. Moreover, we touch on crucial subjects such as transitioning out of the military, post-traumatic growth, and the quest for identity and purpose. A special shout-out goes to Heath Tempel for extending the invitation and to MSgt Jason Umlauf for orchestrating these captivating interviews. More on Spencer Nelson: AW (AW), OTA (IUSS), EN (EOD) Nelson Spencer's Navy career was as unique as he was and not one that most sailors have the opportunity or fortitude to serve, not then (70s, 80s and 90s) and still not today (2023). He was afforded three (3) different platforms and ratings in his 20 year career. AW-Aviation Antisubmarine Warfare Operator, reflecting a specialization that was clearly born out of Cold War needs to monitor the activities of Soviet submarines. He was stationed in Lajes, Azores where the maritime patrol aircraft crews would gather intelligence by detecting, tracking, classifying, and analyzing both surface and subsurface contacts. OTA-Ocean Systems Technician Analyst, same premise and mission as the AW in him, but he got to do it from land based duty stations, Naval Facilities. He served at NOPF on Ford Island, HI. In 1990, more than 1/2 way thru his career he challenged the EOD physical fitness requirement because he exceeded the maximum allowable age limit, by almost a decade!!!!!! He "sailed" through the requirements and finally found his passion and jov of his career, EOD. He served with Mobile Unit 3 in San Diego until his retirement 26 years ago, 4/30/1997. He deployed on numerous occasions to regions you are all well to knowing of but had the biggest joy.

For the past month, The Public Theater's Mobile Unit has been performing a modern adaptation of Shakespeare's "The Comedy of Errors" in community spaces around New York City, from parks, to correctional facilities, to community centers. The show, a bilingual and musical adaptation set in the streets New York, is now running at The Public, and all tickets are free. Director Rebecca Martínez and composer Julián Mesri join to discuss their modern retelling and the importance of accessible theater. "The Comedy of Errors" is showing through June 11.

Doctors training at Elmhurst Hospital in Queens are planning to walk out on Monday if they don't get a wage increase. Plus, a federal monitor threatens legal action over the NYPD's refusal to release records on racially biased policing. Also, the New York City Comptroller is calling on state leaders to support a proposed Climate Change Superfund Act. And finally, WNYC's Precious Fondren shares everything you need to know about the return of the Public Theater's Mobile Unit.

 In this sixth Episode of Public Square 2.0, the re-launch of The Public Theater's podcast, Public Square, we take a look at Mobile Unit's bilingual production of THE COMEDY OF ERRORS. Host Garlia Cornelia Jones speaks with Praycious Wilson-Gay (Interim Director, Mobile Unit), Freedome Bradley-Ballentine (Associate Artistic Director/Director of Artistic Programs), Julián Mesri (Music & Lyrics, Adapter, Music Director, Spanish Translations for THE COMEDY OF ERRORS), and Rebecca Martínez (Director, Choreographer, Adapter, Lyrics for THE COMEDY OF ERRORS) to talk about the show and the Mobile Unit program.   Learn more about Mobile Unit here!   Executive Producer: Garlia Cornelia Jones, Director - Innovation and New Media Creative Producer: John Sloan III, Ghostlight Productions Audio Producer: Justin K. Sloan, Ghostlight Productions Assistant Producer: Emily White - New Media Associate Graphics by Tam Shell, Art Director - Brand Studio   Music Credits:   “Latte” By Sunny Fruit, Artlist.io “Belong to You” By Denitia, Artist.io “Catch Me” By Russo, Artist.io This is the Life” By Yuval Maayan   Transcript by 3Play  

This episode is also available as a blog post: https://thecitylife.org/2023/02/08/the-public-theaters-mobile-unit-and-joes-pub-present-a-city-wide-concert-series-called-in-transit-featuring-sarah-elizabeth-charles/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/citylifeorg/message Support this podcast: https://podcasters.spotify.com/pod/show/citylifeorg/support

If you need help with your plans membership benefits, existing plans and more, Ismaris (who speaks Spanish) and Michael can help you! Call TODAY 850-273-5680 Ismaris EXT: 81175 Michael EXT: 81363

https://www.floridablue.com/ From Open Enrollement Period to what’s happening at the Florida Blue Mobile Unit, Michael and Ismaris share what’s going on at Florida Blue. CALL 850-273-5680 TO FIND OUT WHERE THE MOBILE UNIT WILL BE THIS WEEK!!!

Tobin welcomes fellow East Coaster, John Reardon to the show. You may know him as Detective Hudson on CityTV's Hudson and Rex filmed in Newfoundland ( cheap home province plug). John discusses the new season of the show, how he got into acting and what it's like working with animals on set. Don't worry no spoilers were given BUT we did dive deeper into the relationship between Hudson and Sarah and of course we talk the MOBILE UNIT. Check It Out Here Learn more about your ad choices. Visit megaphone.fm/adchoices

Hana Sharif, the Augustin Family Artistic Director for The Rep, stopped by to speak with Nancy about her career and the upcoming season. HANA SHARIF (Augustin Family Artistic Director) has enjoyed a multi-faceted theatre career, including roles as an artistic leader, director, playwright and producer with a specialty in strategic and cross-functional leadership. She served for five years as Associate Artistic Director at Baltimore Center Stage, where she oversaw the day-to-day execution of all of the mainstage and studio productions, and was the architect of the innovative CS Digital program: a platform that pushes the boundaries of traditional theatre and looks at the nexus point between art and technology. Her other achievements at Baltimore Center Stage include prototyping the Mobile Unit, strengthening community engagement, producing multiple world and regional premieres and helping to guide the theatre through a multi-million dollar building renovation and rebranding effort. In 2012, Hana served as the inaugural Program Manager of the ArtsEmerson Ambassador Program and launched ArtsEmerson Artist-In-Residency program featuring playwright Daniel Beaty. In addition to her work at ArtsEmerson, Hana leveraged her regional theatre experience to freelance produce for smaller theatre companies, looking to expand and restructure their administrative teams. Hana served as developmental producer and program manager for Progress Theatre in Houston, where she consulted with the Artistic Director on redefining the artistic vision and subsequent recasting of the ensemble company and lead strategic organizational planning focused on LORT market entry. During her decade-long tenure at Hartford Stage, Hana served as the Associate Artistic Director, Director of New Play Development, and Artistic Producer. Hana launched the new play development program, expanded the community engagement and civic discourse initiatives, and developed and produced Tony, Grammy, Pulitzer and Obie Award-winning shows. From 1997–2003, Hana served as the co-founder and Artistic Director of Nasir Productions, a theatre dedicated to underrepresented voices to challenge traditional structures. Her guest lecturer credits include Spelman College, Sewanee University, UT Austin, UCSD, Prairie View A&M, Emerson College, Maggie Flanigan Studio, Towson University, UMD, UConn, UMass and University of Hartford, among others. Additionally, Hana has directed acclaimed productions of Porgy & Bess, The Who & The What, Fun Home, Sense and Sensibility, The Christians, Les Liaisons Dangereuses, Pride and Prejudice (DCArts: Best Director/Best New Play), The Whipping Man, Gem of the Ocean (six CCC nominations), Gee's Bend (CCC Award Best Ensemble, two nominations), Next Stop Africa, Cassie, The Drum and IFdentity. Her plays include All the Women I Used to Be, The Rise and Fall of Day and The Sprott Cycle Trilogy. Hana holds a BA from Spelman College and an MFA from the University of Houston. She is the recipient of the 2009–10 Aetna New Voices Fellowship, EMC Arts Working Open Fellowship, Theatre Communications Group (TCG) New Generations Fellowship, and is a founding member of The Black Theatre Commons (BTC). She serves on the board of directors for the TCG, BTC, and the Sprott Foundation.

Hopeologist Dr. Rosalind Tompkins has a hope chat with Dr. Claudette Harrell Project Manager of Bethel Baptist Medical Mobile Unit. The Bethel Baptist Medical Mobile Unit is Mothers In Crisis' local HOPEE (Helping Others Practice Enduring Empowerment) Awardee for April National Month of Hope 2022. The Lord poured into the spirit of Reverend Dr. R. B. Holmes, Jr., Pastor of Bethel Missionary Baptist Church a vision to purchase a mobile medical unit. Dr. Holmes obeyed the Lord, and purchased the mobile medical unit in April 2021, under Jeremiah 33:6 “Behold, I will bring it health and cure, and I will cure them, and will reveal unto them the abundance of peace and truth.”  The vision of the mobile medical unit is to create a model mobile health clinic program to increase healthcare that ensures people can access timely and decrease illnesses disproportionately affecting certain populations due to disparities in healthcare. Dr. Claudette Harrell shares from her heart about the challenges and triumphs of managing the medical mobile unit. She shares about the vision and mission of the outreach and how it is a ministry that is founded and fueled by the Word of God. Find out what brings her hope and receive hope from the Hope Thoughts that are shared throughout the podcast. The full list of HOPEE Awardees is also revealed during this powerful episode of Think Hope Podcast. Mothers In Crisis' Campaign Hope Pass It On and Save a Life is in full swing! To download your Free Practice of Hopeology Booklet please visit: www.practiceofhopeology.com. For more information visit www.makeahopeconnection.com.    

Marty and Sandeep, being banned from their respective homes by their wives, conduct the podcast from the "Mobile Unit" or Marty's minivan.  Parked on the street in Rogers Park, Illinois, the two muse about the end of the 20th-century style expectation of work in an office.  The two predict that we will see growth in two new industries: the mini-study or miniature office in a home, and office-on-the-go, a fleet of campervans that allow a "workation" of sorts, where an employee can visit beautiful spots, yet report into work in a timely and productive fashion.  Tune in and enjoy!

This week, David and Joey chat with actor Reza Salazar about making his Broadway debut this fall in Lynn Nottage's Clyde's, surviving a COVID diagnosis, and being part of one of the first outdoor productions in New York City after being shut down for over a year.    Reza Salazar will make his Broadway debut this fall in Lynn Nottage's Clyde's at The Hayes Theater. Off-Broadway: Richard II, Oedipus El Rey, Mobile Unit's Shakespeare: Call and Response and The Tempest (Public Theater), My Mañana Comes (Lortel Award Nomination).  He appeared regionally in the world premiere of Floyd's by Lynn Nottage (Guthrie Theatre), Sweat (Arena Stage). His TV credits include: “The Accidental Wolf,” (Topic) “Unbreakable Kimmy Schmidt,” “Daredevil,” (Netflix) “The Blacklist,” “Believe,” “Law & Order” and “Law & Order: Criminal Intent” (NBC), "Louie," (FX) "The Knick," (Cinemax). Reza's film credits include: The Imperialists Are Still Alive, See Girl Run, The Inquisition of Camilo Sanz. Reza is also a musician who has performed in venues such as Joe's Pub at The Public Theater. Connect with Reza (he/him) https://www.instagram.com/reza.salazar/  https://twitter.com/TheRezaSalazar?s=20   Connect with David (he/they) http://www.davidmendizabal.com/ https://www.instagram.com/its_daveed/ Connect with Joey (they/them) https://www.instagram.com/mxjoeyreyes/ https://twitter.com/mxjoeyreyes Follow The Sol Project http://www.solproject.org/about-us.html  https://www.facebook.com/solprojectnyc/ https://www.instagram.com/solprojectnyc/ https://twitter.com/solprojectnyc This episode was mixed and edited by Iris Zacarías (she/they) https://www.iriszdesigns.com/ https://www.instagram.com/irismarcelina/

MISS DIG 811's community-focused Educational Mobile Unit (EMU) has been making the rounds this summer. We'll look at several events that the EMU has been a part of and give you a heads up on future dates where you can find MISS DIG 811 spreading its safety messaging.

MISS DIG 811's community-focused Educational Mobile Unit (EMU) has been making the rounds this summer. We'll look at several events that the EMU has been a part of and give you a heads up on future dates where you can find MISS DIG 811 spreading its safety messaging.

A mobile unit will be at Jackson City Hall Thursday, May 6 from 1 until 3 p.m. to process voter photo identification cards for anyone who needs one and to register voters and update voter information. The unit is from the Alabama Secretary of State's office. A photo ID is required in order to vote in Alabama. Driver's license IDs and other photo IDs can be used but this is for people who may not have any form of photo ID. You must provide proof of your full legal name through documents such as a birth certificate, Social Security or...Article Link

Where is that intersection between theatre, education and engagement? How important are community and learning environments? Please join me in this amazing and raw conversation with Crystal Mercado, Artistic Director and Founder of Bocón Arts and Karen Ann Daniels, Director of Mobile Unit at The Public Theater in NYC. Links to what we talked about: Café Dionisio in Tijuana. Bocón Arts Onstage Playhouse More about our guests: Karen Ann Daniels is the Director of Mobile Unit at The Public Theater in NYC. A native San Diegan, she is an accomplished actor, director, vocalist, and musician. In her prior role as the Associate Director of The Old Globe’s Arts Engagement, she program managed community partnerships and piloting and implementing key programs: Globe for All (the biannual tour of free plays across San Diego,) coLAB (devising original performances with community,) Community Voices (playwriting for new writers) and Reflecting Shakespeare (teaching Shakespeare in corrections facilities) across communities. She joined the Globe in 2013 after working in the technology sector and as a teaching artist and director with Studio East’s ArtsReach! program in Seattle. Karen Ann created marketing and event programs including large-scale trade shows, networking, and national recruiting events for Xbox, Halo, Windows Phone, Hardware, Server and other Microsoft Entertainment clients as well as for private entities, non-profits, and advertising clients. In 2019, her new musical, The Ruby in Us premiered as part of The Old Globe’s coLAB project, which was co-created with the Fourth District Seniors Resource Center in San Diego. Ms. Daniels served as a chair for the City of Chula Vista’s Cultural Arts Commission, held a seat on the Leadership Committee and was co-chair of Learning for the New California Arts Fund representing the future of community engagement for a cross-section of California arts organizations, via the James Irvine Foundation. She holds a B.A. in Art History from UCLA, an M.F.A in Musical Theatre from San Diego State, and a certificate in Shakespeare from the British American Drama Academy. Crystal Mercado is a proud native of San Diego California and the Artistic Director of Bocón, dedicated to empowering artists of all ages to create collaborative works of art that voice social perspectives on community stages. She is a theatre artist, director, facilitator, and educator passionate about the intersections of theatre and her community of San Diego. Crystal’s unswerving dedication and devotion to education has earned her a Master of Fine Arts in Theatre for Youth from Arizona State University and a BA in Children’s Theatre from San Diego State University. As the Co- Founder of TuYo Theatre, she served as the Co- Artistic Director. She co-wrote and co-directed Self-Conchas a new bilingual play for middle school. She directed Bodyguard: Protector of Anatomy (Creede Repertory Theatre), a bilingual play that toured to hundreds of schools across the American Southwest. She has worked as an artist in residence teaching theatre, creative drama, puppetry and theatre for social change in classrooms K-12 all over San Diego. Mrs. Mercado’s actions to create a dialogue and take actions around her community set a new precedent for how to engage community audiences through the many forms of storytelling and personal narrative is at the center of her artistic work and pedagogy. Photos of the Artwork by Reanne Acasio and Rich Soublet. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/from-another-zero/message Support this podcast: https://anchor.fm/from-another-zero/support

The fear of God, dark years of addictions, shame, being saved by his Grandmothers' spirit, sobriety, and a lesson about God from his young son. Paco Lozano is a professional television and stage actor.  Recent credits include Jessica Jones, Law & Order: SVU, and God Friended Me.  He was born in Puerto Rico to Cuban and Mexican parents, and he lives in New York City with his wife and young son.  Here's a link to the mission of the Mobile Unit at The Public Theatre, which Paco will be a part of when live theatre can return in New York: The Mobile Unit at The PublicAnd Paco loves to cook.  Here's one of his favorite chefs to watch for inspiration: Sam the Cooking Guy Paco's Instagram: @puertopacoPaco's Twitter: @puertopaco Official Website: nicholasdagosto.comInstagram: @nicholasdagosto #GodsDelicateShowTwitter: @nicholasdagosto #GodsDelicateShow LinkedIn: Nicholas D'Agosto Music by Sean Whalen, Art by Alexandra Delano

In this episode we sit down with James Averhart, the Democrat Candidate for U.S. House AL01 seat. James is a retired United States Marine (over 30 years service), Chief Warrant Officer Five (CWO5). James is also the President and CEO of J.T. Averhart Group (JTAG), a non-profit organization that facilitates ex-offenders' re-entry into society, and he currently serves as Executive Director of the National Association for the Advancement of Colored People (NAACP), Mobile Unit #5044. Get to know more about James, as well as where he stands on several key issues that impact South Alabama such as Medicare insurance, the Affordable Care Act (Obamacare), and more! To learn more about James Averhart, visit his website at: https://jamesaverhart.comNote: We previously interviewed his opponent in the November general election, Republican candidate Jerry Carl. You can find that interview in Episode 1 of our Podcast series.

Leave a voice message and say hi! don't be shy! My guest today: Eric Keen-Louie joined the La Jolla Playhouse in 2018 as Producing Director, overseeing the day-to-day management of the artistic and producing operations of the theater. He spent seven years at The Old Globe, where he started as Associate Producer and later became Associate Artistic Director. At the Globe, he helped guide nearly fifty productions, eleven of which moved to Broadway or off-Broadway, including Bright Star, Allegiance, and the Tony Award-winning A Gentleman’s Guide to Love and Murder. Links about what was discussed during the episode: La Jolla Playhouse: https://lajollaplayhouse.org/ Eric's Mom and pop shop recs: SPICY CITY in Kearny Mesa: http://spicycity.menutoeat.com/ SHWARMA GUYS in South Park: https://www.theshawarmaguys.com/ Eric's causes: Fourth District Seniors Resource Center https://fdsrc.org/ Let America Vote: https://letamericavote.org/ More info on Eric: He co-created the theater’s new play development initiative The Powers New Voices Festival and helped launch the arts engagement programs Community Voices and Globe for All. Keen-Louie spent three years at The Public Theater as the Assistant to the Associate Producer and then Director of Special Projects, working on world premieres by Stephen Sondheim, Richard Nelson and Suzan-Lori Parks, as well as the Broadway revival of Hair and the creation of The Mobile Unit. Independently, he produced Kingdom and the GLAAD Media Award-winning when last we flew. He also assisted Broadway producer Margo Lion on Hairspray and Caroline, or Change. He is a recipient of The Edward & Sally Van Lier Arts Fellowship for Producing and an alumnus of American Express’ Leadership Academy. He graduated with a B.A. in Dramatic Literature from New York University and an M.F.A. in Theatre Management and Producing from Columbia University, where he received a Dean’s fellowship. He is on the Board of Directors for The National Alliance for Musical Theatre and is currently a member of LEAD San Diego’s 2021 Impact San Diego class. Thank you for listening! Love always, Alejandra --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/from-another-zero/message Support this podcast: https://anchor.fm/from-another-zero/support

Doctors all over the world have been pressed into duty taking care of patients with respiratory issues during the COVID-19 crisis. But a deadly pandemic doesn’t mean they also get to press pause on other types of care. While fractures and similar injuries have gone down with far fewer people playing sports and less drivers on the road causing traffic incidents, there’s still work to be done. For Dr. Matthew Solan, an orthopedic surgeon in the UK, that has meant adapting on the fly to make sure foot and ankle patients don’t get lost in the shuffle. Solan and other doctors have utilized a mobile cone beam CT scanner to keep patients out of the main hospital but still get imaging that can help them determine next steps for those who have undergone operations or determine if someone has suffered a fracture. While it’s something they’ve used during a crisis, Dr. Solan said he’d love to see CBCT become common in emergency rooms. “It’s certainly something I’ll carry forward in my practice after the emergency, and I hope the same will be true of weight-bearing CT, because it makes a big difference to how efficiently we can manage our patients,” Solan said. “There are lots of things we can learn from this experience, so, yes, I’m hopeful we can continue to use the service after COVID. “I think in an absolutely ideal world, hospital emergency rooms would have cone beam CT as their first investigation. I’m sure the hospital I work in isn’t alone in having a steady stream of missed fractures that pass through the emergency room and are picked up subsequently.” While weight-bearing CT is perfect for foot and ankle specialists, doctors also are finding wider uses for CBCT scanners beyond the lower extremities. “The indications for cone beam CT are multiplying. Some of the latest machines scan knees, hips, and the spine, and there are upper-limb scanners as well,” Solan said. said. “We’re going to see cone beam CT really revolutionize orthopedic care. I think all orthopedic surgeons need to think about this and move toward using it as a way of improving care for their patients.”

What is GDPR and Oxfam's Responsible Data Policy? How does GDPR affect the way we collect data when carrying out monitoring and evaluations?Following the recent publication of the Going Digital report on GDPR, two of our regular "Real Geekers", Jaynie Vonk, Global Advisor on Impact Evaluations and Simone Lombardini, Impact and Evaluation lead, discuss the implementation, challenges and dilemmas of integrating GDPR and Oxfam's Responsible Data Policy into our monitoring and evaluation processes.Read the full report here:Going Digital: Privacy and data security under GDPR for quantitative impact evaluation. Image credit: Kalpesh Lathigra/OxfamOxfam’s Mobile Unit team interview migrants to establish whether or not they have fallen outside of the official Italian ‘hotspot’ system. If migrants are not currently aware of their rights and are not receiving support, Oxfam provide assistance, informing them of their rights, and directing them to structures that can host them.

Actor Christopher Ryan Grant shares his experiences with the dark side, finding community, how his work with The Public Theater's Mobile Unit has changed how he tells stories, auditioning, and learning to put things in perspective.  Learn more about your ad choices. Visit megaphone.fm/adchoices

The Sol Project’s Associate Artistic Director, David Mendizábal, and Producing Assistant, Joey Reyes, interview Maria Goyanes, Artistic Director of Woolly Mammoth Theatre in Washington D.C., and Stephanie Ybarra, Artistic Director of Baltimore Center Stage in Baltimore Maryland. They discuss leadership turnover, institutional values, and the changing landscape of the American Theater.  Maria Goyanes joined Woolly Mammoth Theater as the new Artistic Director in September 2018. Previously, she served as the Director of Producing and Artistic Planning at The Public Theater in New York City where she oversaw the day-to-day execution of the plays and musicals at the theatre’s five performance spaces, including the Delacorte Theater for the company’s Shakespeare in the Park programming. She also lead the season planning process as well as the theatre’s artistic programs, including Public Works, the Under the Radar Festival, and the offerings at Joe’s Pub. She is a faculty member at the Juilliard School, where she co-teaches a course on producing. She also creates the curriculum for Playwrights Downtown, the Playwrights Horizons Theater School at New York University. She serves as a board member of the National Alliance for Musical Theatre. She served as executive producer of the 13P playwrights collective and as the co-chair of the Soho Rep Writer/Director Lab. She was also the associate producer of Trinity Repertory Company. The League of Professional Theatre Women honored her with the Josephine Abady Award. She earned a B.A. at Brown University, where she was awarded the Susan Steinfeld Award. Stephanie Ybarra joined Baltimore Center Stage as the new Artistic Director full-time in December 2018. Previously, she served as the Director of Special Artistic Projects at The Public Theater, where she lead the Mobile Unit and Public Forum programs. She made her artistic producing debut with the original production of Tarell Alvin McCraney’s The Brothers Size, for which she received the inaugural Producer’s Chair Award from the Foundry Theater. She went on to serve as the first Producing Director for Playwrights Realm and Producing Artistic Director for the Cherry Lane Theater’s Mentor Project, collaborating with artists such as Jen Silverman, Snehal Desai, Greg Moss and Awoye Timpo. In 2015, she was the recipient of TCG’s Continuing Education Grant, which took her to Peru to explore socio-political theater, and in 2016 she received the Congressional Award for Achievement in Excellence from Zara Aina, an international nonprofit dedicated to community engaged artmaking. Stephanie holds an MFA in Theater Management from Yale School of Drama. David (daveed) Mendizábal is an NYC based director, designer, one of the Producing Artistic Leaders of The Movement Theatre Company, and Associate Artistic Director of The Sol Project. Learn more about David and his work at www.davidmendizabal.com.  Joey Reyes serves as the Producing Assistant of The Sol Project and Executive Assistant at Long Wharf Theatre in New Haven, CT. Originally from Southern California, they have worked as a producer, administrator, and facilitator on the east coast since late 2017. IG & Twitter: @joeykangarooooo. Follow us on Facebook at The Sol Project and Instagram and Twitter at @solprojectnyc!

In 1954, Joseph Papp founded the New York Shakespeare Festival with touring productions of Shakespeare, presented for free to the people of New York City. 65 years later, The Public Theater is still touring Shakespeare with our Mobile Unit to the five boroughs and beyond. This episode is all about the Mobile Unit (and more), featuring a covnersation with Roxanna Barrios (Associate Director of the Mobile Unit) and Laurie Woolery (director of Mobile Unit's The Tempest), an excerpt of Michael Thurber's music from a past Mobile Unit production, a chance to 'Meet The Public' with Assistant General Manager Alyssa Simmons, and more! Episode music by Michael Freidman Audio engineering by Dani Lencioni Hosted by Drew Broussard and Reynaldi Lindner Lolong Featuring Roxanna Barrios, Kaleda Davis, Lauren Henderson, Alyssa Simmons, Jackie Tralies, Michael Thurber, and Laurie Woolery

Last August, Baltimore Center Stage announced the appointment of Stephanie Ybarra as its new Artistic Director. She succeeds Kwame Kwei Armah, who left to become the Artistic Director of the Young Vic Theater in London. Stephanie Ybarra comes to Baltimore after six years as the Director of Special Artistic Projects at the Public Theatre in New York City, where she oversaw its popular Public Forum programs and led the theater’s Mobile Unit on a first-of-its-kind national tour. She is an alum of the Women’s Project Theater, where she’s served for the past few years as the Producer’s Lab Liaison. She is also the Curator and Casting Director of the Cruzando Fronteras, or Crossing Borders Festival at the Two River Theater in New Jersey. That festival features the work of Latinx theater artists. Stephanie Ybarra is, in fact, the first Latinx theater artist to lead one of America’s major theaters. Baltimore Center Stage on Thursday announced the list of plays it will present during its upcoming 2019-2020 season. Our theater critic, J Wynn Rousuck, joins Tom in Studio A with Stephanie Ybarra to talk about the new season lineup, and about the artistic vision she brings to her new role at Baltimore Center Stage.This conversation was livestreamed on WYPR's Facebook page. You can watch the video here.

Lynn Nottage’s play Sweat won the Pulitzer Prize for Drama in 2017. It tells the story of a group of friends who work in a factory in Reading, Pennsylvania and are reeling from layoffs and racial tension. The Public Theater’s Mobile Unit took the show to the road and visited 18 places in the so-called Rust Belt. One of these unconventional venues was a public library in St. Cloud, Minnesota. Studio 360 was there to capture the moment. This podcast was produced by Studio 360’s Sandra Lopez-Monsalve. Invaluable production assistance on the ground in Minnesota was provided by Allison Herrera. Learn more about your ad choices. Visit megaphone.fm/adchoices

Lynn Nottage’s play Sweat won the Pulitzer Prize for Drama in 2017. It tells the story of a group of friends who work in a factory in Reading, Pennsylvania and are reeling from layoffs and racial tension. The Public Theater’s Mobile Unit took the show to the road and visited 18 places in the so-called Rust Belt. One of these unconventional venues was a public library in St. Cloud, Minnesota. Studio 360 was there to capture the moment. This podcast was produced by Studio 360’s Sandra Lopez-Monsalve. Invaluable production assistance on the ground in Minnesota was provided by Allison Herrera. Learn more about your ad choices. Visit megaphone.fm/adchoices

   The Winter's Tale Act 3, Scene 2 Paulina December 15, 2017     Have Bard, Will Travel!  The Public Theater's Mobil Unit brings Shakespeare all over the 5 boroughs of NYC.  Patrena Murray, playing Paulina in the Mobile Unit's production of The Winter's Tale, talks the audiences, the impact and of course what is going on in one of Shakespeare's most beloved "problem" plays. Click here to follow along with the text. Click here for a First Folio version of the text. Click here for a scanned version of the text.  

On today's new Satellite Sisters, Sheila establishes connectivity with Julie, Liz and Monica from her new mobile unit parked in front her new base of operations.  Wifi, Skype, air conditioning, coffee and frozen yoghurt are all involved. A social media round-up from our email, blog and Facebook group include a great brithday email from Jill to Julie (see photo left!), birthday Facebook photo from Lu Ann (check the SS Open Group) and a trip in the wayback machine with Kathy Douglass about a show we recorded in November 2005. In the news: Julie has her own emissaries in the Moscow airport transit lounge checking on Edward Snowden.  (Wait until you here who they are!) She also has some thoughts for Kate Middleton, who must really need a Satellite Sister about now. Sheila has the complete update on wardrobe planning for the big family wedding in August.  You thought all the sisters had sworn off the high/lo look?  Not so fast! Monica learns a new bra-ism that might change her life. And Liz files her anticipated Thundershirt Report.