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Send us a textWelcome back Jam Fam! We know you are going to love our chat with Andrea Kron. Andrea is a wealth of knowledge, having been in the dance world as a performer, educator and choreographer. Her credits speak for themselves, and you can see why we had her on the show. Andrea received her Certificate of Dance from The Ailey School NYC where she was part of the Student Performance Ensemble and toured the New York metropolitan area. She has studied with the late Kevin Rotardier, the late David Howard, Milton Myers, Ann Reinking, the late Tony Stevens, Dorit Koppel, and Savion Glover.Performance credits include Radio City Music Hall, Helen Hayes Theatre, Hercules on Broadway at the New Amsterdam Theatre, the role of Arabian in The Nutcracker as a guest artist as well as dancing as a Rockette in Cremaster 3, an independent film at the Guggenheim Museum, directed by Matthew Barney. She has also premiered numerous dance works at the Two River Theater, Silk City Arts Festival and SUNY New Paltz.As a choreographer, Andrea has created over fifty repertory works for students and professional companies ranging in style from classical to Modern to Musical Theatre, including full length versions of ballets to full scale musicals. Some of her favorite shows and performances include A Funny Thing...Forum, Chicago, and Guys and Dolls. Other regional productions include Grease, Annie, Bye Bye Birdie, Godspell and Footloose.Andrea guest teaches ballet, Horton modern, theatre dance, audition technique, injury prevention and Pilates. She has designed injury prevention programs that fuse dance, science and anatomy so that students have a better understanding of how their bodies work. Teaching credits include Broadway Dance Center, Marymount Manhattan College, SUNY New Paltz, and Montclair State University. She coaches students and professionals in NYC for auditions and college bound performers.Today's episode is brought to you by the Commercial Dance Experience at Seton Hill University. For more information or to apply, go to: setonhill_dancedept and follow the link in bio on Instagram!Thank you for listening Jam Fam! Make sure you follow us across social media and don't forget to like and subscribe anywhere you listen to your favorite podcasts!Facebook: JAM Joe and Michelle's Dance PodcastInstagram: jam_dance_podcastTwitter: @jamdancepodcastEmail: jamdancepodcast@gmail.com
A week before the High Holidays, three rabbis find themselves in a room fighting to save a family by building a bridge between orthodoxy and modernity. One of these rabbis is Chava, the child of a dynastic Hasidic rabbinical family and destined to become a leader of the next generation before the revelation of her trans identity clashed explosively with the strictly gendered world in which she was raised. As we jump through memory—and wrestle with theology—truths and secrets emerge that ensure no one will read the old stories the same way again. Sarah chats with playwright, Emil Weinstein about this exciting new play, Becoming Eve. EMIL WEINSTEIN (Playwright) is a writer and director whose work spans theater, television, and filmmaking. He graduated from the David Geffen School of Drama at Yale, where he directed the first workshop production of Slave Play by Jeremy O. Harris. His productions as a theater director include Twelfth Night and Romeo & Juliet at Two River Theater, Comedy of Errors and As You Like It (upcoming) at the Old Globe, and developmental work with EnGarde Arts, Rattlestick Theater, Shakespeare and Company, and New York Theatre Workshop. For television, Emil worked as a staff writer on Amazon's “A League of Their Own,” and directed four episodes for the final season of “The L Word Generation Q” for Showtime. His short films “Candace” and “In France Michelle is a Man's Name” played at festivals around the world, winning multiple awards including two Academy Award Qualifying Grand Jury Prizes. Becoming Eve is Emil's Off-Broadway playwriting debut. Emil is a transgender man and uses he/him pronouns. Connect with GOOD SHOW! Instagram: @goodshowpodcast Tik Tok: @goodshowpodcast Learn more about your ad choices. Visit megaphone.fm/adchoices
On the January 18 WBGO Journal, an in-depth conversation with poet, author and journalist Kevin Powell about his presentation at Two River Theater titled "What Would Dr. King Say Now? How to Heal America"
On the September 21 WBGO Journal, previews of the Hudson Jazz Festival, Two River Theater's American Mariachi and a look at the Institute of New Dimensions
Janine Robledo – Book/Music/Lyrics is a New York City based creative. Originally from Miami, Florida, she is a Cuban-American librettist /composer/lyricist, and classically trained pianist. She holds an M.F.A. from the Graduate Musical Theater Writing Program at NYU Tisch School of the Arts and a B.A. from Florida Atlantic University where she studied piano performance. A recipient of the Paulette Goddard Award, Janine is a member of the Dramatists Guild, ASCAP, and Maestra Music. Her musical comedy "The Curious Contents of Christie's Wastebasket" (composer Aden Kent Ramsey) has had a reading at NYU, and with Two River Theater in Red Bank. It also received a workshop with the Berklee Theater Arts Collaborative in Boston and was presented as part of the 2019 Emerging Artist's Theater New Works Series at Tada Theater. Janine was previously a writer in residence for 2 years with Three Act Theater Company which culminated in two workshop performances of her musical "Chaundria and the Giant" (composer Micha Joel) at the Manhattan Movement and Arts Center. Héctor Flores Jr. (he/him) is a multi-hyphenate Latino theatre professional whose work meets at the intersection of art and advocacy. Héctor was born in New Jersey and raised by his Puerto Rican grandmother and his single mom. Luckily his mother believes in cultural enrichment & education which instilled a hunger for knowledge, art and change within him. The artform that chose him, however, wasn't made in his image. After being a first-generation college graduate Flores embarked on a career in musical theatre that continues to inspire him to find new ways to break barriers for Latinx people. Eddie Noel Rodríguez is a proud Puerto Rican performer who has lived and worked as a professional artist since he was 14 years old, starting with the folkloric dance company Gíbaro de Puerto Rico traveling the world representing his culture. He has a Bachelor of Arts in Communications from Universidad del Sagrado Corazón with a specialty in telecommunications and theater. He's collaborating with different Broadway artists to bring musical theater workshops to the artists living in Puerto Rico. Eddie appeared in his second national tour with the family of Hadestown. Tour: On Your Feet! (Emilio). Regional: Godspell (Jeffrey), Man of la Mancha (Dr. Carrasco), La Cage Aux Folles (Hanna), Footloose (Willard), Rent (u/s Roger), Piaf (Ensemble), Hair (Ensemble). Ghost in the Machine In a secluded lab nestled in the Argentinian mountains, an inventor named Victor creates Cynthia, an android to save his son's life. When Cynthia meets Victor's son, Carlo, an everlasting bond is formed. On a quest to keep Carlos alive and to free herself from the psychological imprisonment of her creator, Cynthia ponders the creation of her own invention. Janine Robledo's original musical Ghost and the Machine is part rom-com, part sci-fi thriller in the vein of Frankenstein meets Edward Scissorhands.
***This episode is brought to you by BetterHelp. Give online therapy a try at betterhelp.com/playon and get on your way to being your best self.*** Next Chapter Podcasts presents the complete Play On Podcast series, ROMEO AND JULIET, in its entirety. Next Chapter Podcasts presents the NAATCO and Two River Theater production of “ROMEO AND JULIET”, written by WILLIAM SHAKESPEARE and translated into modern English verse by HANSOL JUNG. The Play On Podcast series, ROMEO AND JULIET, is Directed by DUSTIN WILLS. Radio play by CATHERINE EATON with additional contributions by LEANNA KEYES. The cast is as follows: DORCAS LEUNG as JULIET CHRIS BANNOW as ROMEO MIA KATIGBAK as NURSE and PRINCE DANIEL LIU as LADY CAPULET, LADY MONTAGUE, PETER and GREGORY PURVA BEDI as FRIAR LAURENCE MITCHELL WINTER as PARIS, TYBALT and APOTHECARY DAISUKE TSUJI as LORD CAPULET and LORD MONTAGUE JOSE GAMO as MERCUTIO and SAMPSON ZION JANG as BENVOLIO and BALTHASAR Casting by THE TELSEY OFFICE: KARYN CASL, CSA. Mix and Sound Design by LINDSAY JONES. Original music composition by BRIAN QUIJADA. Additional music composition and music direction by NYGEL ROBINSON. Sound engineering by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND. The Managing Director of Business Operations and Partnerships at Next Chapter Podcasts is SALLYCADE HOLMES. The Play On Podcast Series “ROMEO AND JULIET” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NCPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare. Subscribe to Play On Premium on Apollo Plus for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to playonpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “Violent delights have violent ends”. Learn more about your ad choices. Visit megaphone.fm/adchoices
***This episode is brought to you by BetterHelp. Give online therapy a try at betterhelp.com/playon and get on your way to being your best self.*** Juliet's body is discovered by the Nurse, sending the household into frenzied mourning. Romeo hears news of her death before the Friar's message arrives to tell him that it's all a ruse. Grief stricken, Romeo goes to an apothecary for poison which he plans to drink next to Juliet's body. Paris gets to Juliet's tomb before Romeo and tries to stop him from breaking into the crypt. Romeo kills Paris, finds Juliet's body and drinks the poison. Juliet wakes to see Romeo dead. She ends her life with a dagger. The Montagues and Capulets arrive with the Prince, and together they mourn the tragic consequences of their feud. Next Chapter Podcasts presents the NAATCO and Two River Theater production of “ROMEO AND JULIET”, written by WILLIAM SHAKESPEARE and translated into modern English verse by HANSOL JUNG. The Play On Podcast series, ROMEO AND JULIET, is Directed by DUSTIN WILLS. Radio play by CATHERINE EATON with additional contributions by LEANNA KEYES. The cast is as follows: DORCAS LEUNG as JULIET CHRIS BANNOW as ROMEO MIA KATIGBAK as NURSE and PRINCE DANIEL LIU as LADY CAPULET, LADY MONTAGUE, PETER and GREGORY PURVA BEDI as FRIAR LAURENCE MITCHELL WINTER as PARIS, TYBALT and APOTHECARY DAISUKE TSUJI as LORD CAPULET and LORD MONTAGUE JOSE GAMO as MERCUTIO and SAMPSON ZION JANG as BENVOLIO and BALTHASAR Casting by THE TELSEY OFFICE: KARYN CASL, CSA. Mix and Sound Design by LINDSAY JONES. Original music composition by BRIAN QUIJADA. Additional music composition and music direction by NYGEL ROBINSON. Sound engineering by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND. The Managing Director of Business Operations and Partnerships at Next Chapter Podcasts is SALLYCADE HOLMES. The Play On Podcast Series “ROMEO AND JULIET” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NCPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare. Subscribe to Play On Premium on Apollo Plus for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to playonpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “Violent delights have violent ends”. Learn more about your ad choices. Visit megaphone.fm/adchoices
Romeo and Juliet reluctantly part ways at dawn before her mother enters to tell Juliet to prepare to marry Paris on Thursday. Juliet protests first to her mother and then to her father, who violently berates her for refusing to marry. Lady Capulet takes her husband's side and shames Juliet before departing, leaving her to beg the Nurse to intervene. The Nurse, however, advises Juliet to take Paris's hand and forget about Romeo. Juliet pretends to agree but secretly goes to Friar Laurence's cell, where she runs into Paris, who is seeking the Friar's services for their upcoming wedding. Juliet brushes off Paris's affection and after he departs, laments her woes, threatening to kill herself with a dagger she snatches from the Friar's chamber. The Friar consoles Juliet with a plan for her to drink a potion that will make it look like she is dead and that she will send word of the plan to Romeo. They will then free Juliet from the Montague tomb and together, Romeo and Juliet will escape to Mantua. Back at the Capulet home, the wedding preparations are well underway. Juliet returns and begs her father's forgiveness, then retires to her chamber where she dismisses her mother and Nurse before drinking the potion. Next Chapter Podcasts presents the NAATCO and Two River Theater production of “ROMEO AND JULIET”, written by WILLIAM SHAKESPEARE and translated into modern English verse by HANSOL JUNG. The Play On Podcast series, ROMEO AND JULIET, is Directed by DUSTIN WILLS. Radio play by CATHERINE EATON with additional contributions by LEANNA KEYES. The cast is as follows: DORCAS LEUNG as JULIET CHRIS BANNOW as ROMEO MIA KATIGBAK as NURSE and PRINCE DANIEL LIU as LADY CAPULET, LADY MONTAGUE, PETER and GREGORY PURVA BEDI as FRIAR LAURENCE MITCHELL WINTER as PARIS, TYBALT and APOTHECARY DAISUKE TSUJI as LORD CAPULET and LORD MONTAGUE JOSE GAMO as MERCUTIO and SAMPSON ZION JANG as BENVOLIO and BALTHASAR Casting by THE TELSEY OFFICE: KARYN CASL, CSA. Mix and Sound Design by LINDSAY JONES. Original music composition by BRIAN QUIJADA. Additional music composition and music direction by NYGEL ROBINSON. Sound engineering by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND. The Managing Director of Business Operations and Partnerships at Next Chapter Podcasts is SALLYCADE HOLMES. The Play On Podcast Series “ROMEO AND JULIET” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NCPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare. Subscribe to Play On Premium on Apollo Plus for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to playonpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “Violent delights have violent ends”. Learn more about your ad choices. Visit megaphone.fm/adchoices
Benvolio tells the Prince how Mercutio was killed by Tybalt, and Tybalt by Romeo. The Capulets call for Romeo's execution but the Prince punishes him with banishment from Verona instead. Back at home, Juliet awaits news of her rendezvous with Romeo but when the Nurse arrives and informs her of what has happened, she threatens to kill herself. The Nurse calms her by saying she'll find Romeo and bring them together. Romeo, hiding in Friar Laurence's cell, mourns his banishment and threatens to take his own life until Juliet's Nurse arrives with news of her desire to be with him. Romeo agrees to go to Juliet's chamber and to leave for Mantua by nightfall, where he will stay until the dust has settled and he and Juliet can return in marriage to Verona. Meanwhile, Lord Capulet comforts his grieving wife by setting a date with Paris for him to wed Juliet in two days. Next Chapter Podcasts presents the NAATCO and Two River Theater production of “ROMEO AND JULIET”, written by WILLIAM SHAKESPEARE and translated into modern English verse by HANSOL JUNG. The Play On Podcast series, ROMEO AND JULIET, is Directed by DUSTIN WILLS. Radio play by CATHERINE EATON with additional contributions by LEANNA KEYES. The cast is as follows: DORCAS LEUNG as JULIET CHRIS BANNOW as ROMEO MIA KATIGBAK as NURSE and PRINCE DANIEL LIU as LADY CAPULET, LADY MONTAGUE, PETER and GREGORY PURVA BEDI as FRIAR LAURENCE MITCHELL WINTER as PARIS, TYBALT and APOTHECARY DAISUKE TSUJI as LORD CAPULET and LORD MONTAGUE JOSE GAMO as MERCUTIO and SAMPSON ZION JANG as BENVOLIO and BALTHASAR Casting by THE TELSEY OFFICE: KARYN CASL, CSA. Mix and Sound Design by LINDSAY JONES. Original music composition by BRIAN QUIJADA. Additional music composition and music direction by NYGEL ROBINSON. Sound engineering by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND. The Managing Director of Business Operations and Partnerships at Next Chapter Podcasts is SALLYCADE HOLMES. The Play On Podcast Series “ROMEO AND JULIET” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NCPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare. Subscribe to Play On Premium on Apollo Plus for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to playonpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “Violent delights have violent ends”. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode, Adam and Budi kick of the first book club episode of the year with The Dutchman, by Amiri Baraka. We welcome Taylor Barfield to the discussion, as he joins Budi and Adam in dissecting this classic. Poet, writer, teacher, and political activist Amiri Baraka was born Everett LeRoi Jones in 1934 in Newark, New Jersey. He attended Rutgers University and Howard University, spent three years in the U.S. Air Force, and returned to New York City to attend Columbia University and the New School for Social Research. Baraka was well known for his strident social criticism, often writing in an incendiary style that made it difficult for some audiences and critics to respond with objectivity to his works. Throughout most of his career his method in poetry, drama, fiction, and essays was confrontational, calculated to shock and awaken audiences to the political concerns of black Americans. For decades, Baraka was one of the most prominent voices in the world of American literature.Baraka's legacy as a major poet of the second half of the 20th century remains matched by his importance as a cultural and political leader. His influence on younger writers has been significant and widespread, and as a leader of the Black Arts movement of the 1960s Baraka did much to define and support black literature's mission into the next century. His experimental fiction of the 1960s is considered some of the most significant African-American fiction since that of Jean Toomer.________________________________________________________________________________________________Taylor Barfield is a dramaturg, writer, and theater artist from Baltimore, MD. He served as the Acting Literary Manager at Yale Repertory Theatre in New Haven, CT and the Literary Manager at Two River Theater in Red Bank, NJ. Taylor currently works as a freelance dramaturg and consultant working with organizations such as the Guthrie, BMG, Portland Center Stage, the August Wilson African American Cultural Center, and Yale Repertory Theatre. Taylor received his B.A. in Molecular/Cellular Biology and English Literature from Johns Hopkins University and is a graduate of the Yale School of Drama, where he earned his M.F.A. and D.F.A. in Dramaturgy and Dramatic Criticism. His scholarly work explores how contemporary Black American playwrights re-imagine and re-stage Black theater history. His writing has been published in Vulture, TDF Stages, and the Marginalia Review of Books. He is currently an adjunct professor at NYU Tisch.Support the show2024 Audio Play Festival submissions "Sounds of Home"If you enjoyed this week´s podcast, please leave a review on Apple Podcasts. To submit a question: Voice- http://www.speakpipe.com/theatreofothers Email- podcast@theatreofothers.com Show Credits Co-Hosts: Adam Marple & Budi MillerProducer: Jack BurmeisterMusic: https://www.purple-planet.comAdditional compositions by @jack_burmeister
The following morning, Mercutio and Benvolio find Romeo and tease him mercilessly for ghosting them after the party. Juliet's nurse arrives with her servingman, Peter, in search of Romeo. The three young men have fun at her expense until Romeo reveals he's the one she's looking for. Together, they plan for Juliet to meet him at Friar Laurence's cell. The Nurse returns to the Capulet's house and toys with Juliet until she can't hold back the good news any longer. That evening, in the Friar's verdant cell where plants and botany abound, Juliet and Romeo are wedded. Meanwhile, out on the street, Mercutio and Benvolio while away the time until Juliet's cousin, Tybalt, arrives and picks a fight with Mercutio. As they spar, Romeo arrives and tries to make peace with Tybalt. Mercutio insists on fighting and is mortally wounded in the fray. Romeo, incensed, plunges his sword into Tybalt, killing him in revenge. Next Chapter Podcasts presents the NAATCO and Two River Theater production of “ROMEO AND JULIET”, written by WILLIAM SHAKESPEARE and translated into modern English verse by HANSOL JUNG. The Play On Podcast series, ROMEO AND JULIET, is Directed by DUSTIN WILLS. Radio play by CATHERINE EATON with additional contributions by LEANNA KEYES. The cast is as follows: DORCAS LEUNG as JULIET CHRIS BANNOW as ROMEO MIA KATIGBAK as NURSE and PRINCE DANIEL LIU as LADY CAPULET, LADY MONTAGUE, PETER and GREGORY PURVA BEDI as FRIAR LAURENCE MITCHELL WINTER as PARIS, TYBALT and APOTHECARY DAISUKE TSUJI as LORD CAPULET and LORD MONTAGUE JOSE GAMO as MERCUTIO and SAMPSON ZION JANG as BENVOLIO and BALTHASAR Casting by THE TELSEY OFFICE: KARYN CASL, CSA. Mix and Sound Design by LINDSAY JONES. Original music composition by BRIAN QUIJADA. Additional music composition and music direction by NYGEL ROBINSON. Sound engineering by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND. The Managing Director of Business Operations and Partnerships at Next Chapter Podcasts is SALLYCADE HOLMES. The Play On Podcast Series “ROMEO AND JULIET” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NCPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare. Subscribe to Play On Premium on Apollo Plus for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to playonpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “Violent delights have violent ends”. Learn more about your ad choices. Visit megaphone.fm/adchoices
On the February 10 WBGO Journal, a preview of the 44th MTW and Kate Hamill's The Scarlet Letter
Romeo hides from his friends outside the Capulet's house after the party. Finally, alone in the garden, he sees Juliet emerge from her balcony. He makes his presence known to her as she repeats his name. They profess their love for each other and vow to marry. Romeo leaves when Juliet's nurse calls to her. He visits Friar Laurence and asks for her blessing of the marriage. Hoping their love might finally end the bitter rivalry between the two families, the Friar agrees to perform the marriage rites in secret. Next Chapter Podcasts presents the NAATCO and Two River Theater production of “ROMEO AND JULIET”, written by WILLIAM SHAKESPEARE and translated into modern English verse by HANSOL JUNG. The Play On Podcast series, ROMEO AND JULIET, is Directed by DUSTIN WILLS. Radio play by CATHERINE EATON with additional contributions by LEANNA KEYES. The cast is as follows: DORCAS LEUNG as JULIET CHRIS BANNOW as ROMEO MIA KATIGBAK as NURSE and PRINCE DANIEL LIU as LADY CAPULET, LADY MONTAGUE, PETER and GREGORY PURVA BEDI as FRIAR LAURENCE MITCHELL WINTER as PARIS, TYBALT and APOTHECARY DAISUKE TSUJI as LORD CAPULET and LORD MONTAGUE JOSE GAMO as MERCUTIO and SAMPSON ZION JANG as BENVOLIO and BALTHASAR Casting by THE TELSEY OFFICE: KARYN CASL, CSA. Mix and Sound Design by LINDSAY JONES. Original music composition by BRIAN QUIJADA. Additional music composition and music direction by NYGEL ROBINSON. Sound engineering by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND. The Managing Director of Business Operations and Partnerships at Next Chapter Podcasts is SALLYCADE HOLMES. The Play On Podcast Series “ROMEO AND JULIET” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NCPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare. Subscribe to Play On Premium on Apollo Plus for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to playonpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “Violent delights have violent ends”. Learn more about your ad choices. Visit megaphone.fm/adchoices
Juliet's nurse and mother share fond memories of Juliet's early childhood but the mood changes when Lady Capulet tells her daughter to consider Paris as a suitor at that evening's feast. Meanwhile, Mercutio and Benvolio try to get Romeo in better spirits as they prepare to crash the Capulet's party. Once the household completes its feverish preparations, Lord Capulet welcomes all his guests to the party. Romeo spots the beautiful Juliet across the crowded room and asks one of the revelers for her name. Tybalt, Juliet's quick-tempered cousin, recognizes Romeo's voice and seethes with rage. Hoping to avoid any further unrest, Lord Capulet scolds Tybalt into submission but Tybalt quietly vows to get his revenge. Romeo greets Juliet with a song, which she joins in duet. The two are smitten, but when Romeo finds out that Juliet is a Capulet and Juliet finds out Romeo is a Montague, they reluctantly go their separate ways. Next Chapter Podcasts presents the NAATCO and Two River Theater production of “ROMEO AND JULIET”, written by WILLIAM SHAKESPEARE and translated into modern English verse by HANSOL JUNG. The Play On Podcast series, ROMEO AND JULIET, is Directed by DUSTIN WILLS. Radio play by CATHERINE EATON with additional contributions by LEANNA KEYES. The cast is as follows: DORCAS LEUNG as JULIET CHRIS BANNOW as ROMEO MIA KATIGBAK as NURSE and PRINCE DANIEL LIU as LADY CAPULET, LADY MONTAGUE, PETER and GREGORY PURVA BEDI as FRIAR LAURENCE MITCHELL WINTER as PARIS, TYBALT and APOTHECARY DAISUKE TSUJI as LORD CAPULET and LORD MONTAGUE JOSE GAMO as MERCUTIO and SAMPSON ZION JANG as BENVOLIO and BALTHASAR Casting by THE TELSEY OFFICE: KARYN CASL, CSA. Mix and Sound Design by LINDSAY JONES. Original music composition by BRIAN QUIJADA. Additional music composition and music direction by NYGEL ROBINSON. Sound engineering by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND. The Managing Director of Business Operations and Partnerships at Next Chapter Podcasts is SALLYCADE HOLMES. The Play On Podcast Series “ROMEO AND JULIET” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NCPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare. Subscribe to Play On Premium on Apollo Plus for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to playonpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “Violent delights have violent ends”. Learn more about your ad choices. Visit megaphone.fm/adchoices
The cast assembles at the recording studio to create the Play On podcast series, “Romeo and Juliet”. Two actors take on the roles of Sampson and Peter, members of the house of Capulet, as the rest of the cast pretend to be the people of Verona milling about in the streets. When Balthasar and Abraham show up from the House of Montague, Sampson and Peter pick a fight with them. Benvolio, a friend of the House of Montague, tries to break it up, but Tybalt, a firebrand from the House of Capulet, escalates the violence. The Prince arrives on the scene and finally ends the melee, warning the rival factions that if there's another brawl, they'll pay for it with their lives. In the aftermath, Lady Capulet asks Benvolio about her lovesick son, Romeo. Benvolio promises Lady Capulet he'll try to talk him out of his melancholy. Romeo appears, strumming his guitar, and confesses to Benvolio that his crush, Rosaline, has sworn to live a life of chastity as a nun. Benvolio tells Romeo to start looking for other women to woo, but Romeo says it will only remind him of his heartbreak. Back at Lord Capulet's house, Count Paris asks Juliet's father for her hand in marriage. Next Chapter Podcasts presents the NAATCO and Two River Theater production of “ROMEO AND JULIET”, written by WILLIAM SHAKESPEARE and translated into modern English verse by HANSOL JUNG. The Play On Podcast series, ROMEO AND JULIET, is Directed by DUSTIN WILLS. Radio play by CATHERINE EATON with additional contributions by LEANNA KEYES. The cast is as follows: DORCAS LEUNG as JULIET CHRIS BANNOW as ROMEO MIA KATIGBAK as NURSE and PRINCE DANIEL LIU as LADY CAPULET, LADY MONTAGUE, PETER and GREGORY PURVA BEDI as FRIAR LAURENCE MITCHELL WINTERS as PARIS, TYBALT and APOTHECARY DAISUKE TSUJI as LORD CAPULET and LORD MONTAGUE JOSE GAMO as MERCUTIO and SAMPSON ZION JANG as BENVOLIO and BALTHASAR Casting by THE TELSEY OFFICE: KARYN CASL, CSA. Mix and Sound Design by LINDSAY JONES. Original music composition by BRIAN QUIJADA. Additional music composition and music direction by NYGEL ROBINSON. Sound engineering by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND. The Managing Director of Business Operations and Partnerships at Next Chapter Podcasts is SALLYCADE HOLMES. The Play On Podcast Series “ROMEO AND JULIET” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NCPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare. Subscribe to Play On Premium on Apollo Plus for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to playonpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “Violent delights have violent ends”. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode, Jennifer talks to Christina Pumariega all about the tangible aspects of TV writing, pilots, and storytelling. Puma shares what inspired her to write her first pilot, how she ended up landing a writer's room gig, and the importance of community. They delve into the intricacies of structure - from creating compelling loglines to storyengines to ABC breakdowns to character descriptions. They discuss the art of breaking story, carding, the challenges of both starting and ending a script, and the messy process of writing. Plus they share the value of persistence & discipline, seeking feedback & mentorship, and navigating the ever-evolving landscape of the entertainment industry. About Christina: Christina Pumariega acts and writes. Often simultaneously. She is the author of VOS! (Crossing Borders Festival at Two River Theater), Joan Dark (DCPA Colorado New Play Summit, Jane Chambers Prize runner-up, O'Neill NPC finalist), Lei Chiede/She Asks (O'Neill NPC finalist) and Her Math Play (EST/Sloan Foundation in collaboration with Hartford Stage Company, BAPF finalist). Her plays have been developed at Joe's Pub at the Public Theater, the New Harmony Project, the Lark, New Georges, Hartford Stage Company and Ammunition Theatre Company. She is currently under commission by Denver Center for the Performing Arts and Two River Theater. TV writing credits include “Turner & Hooch” (Disney+) and “Bluff City Law” (NBC). Acting on and Off-Broadway and in television and film, Pumariega has cross examined Coach Taylor, made out with the Fly and set a Cuban pharmacy ablaze in a corset. She's been an Expert Contributor to BackStage Magazine and has taught at Yale, NYU, Pace and other institutions. Pumariega created and leads the collective Más Páginas: both a writers' group dedicated to nurturing diverse voices; and playwriting and screenwriting classes held entirely online. Born and raised all over the south, her father is Cuban, her mother is Italian-American. MFA Acting, NYU. Christina's IG: @christinapumariega Want to coach with Jennifer? Schedule a session here! https://appt.link/jenniferapple Monologue Sourcing Promo Link! https://empoweredartistcollective.com/podcastpromo Learn more: https://www.empoweredartistcollective.com/podcast EAC IG: @EmpoweredArtistCollective EAC TikTok: @EmpowerArtistCollective EAC Facebook: https://www.facebook.com/empoweredartistcollective/ Nominate a Podcast Guest! https://form.jotform.com/220608577638162 Sign up for our newsletter! https://mailchi.mp/8e72e8dcb662/stay-in-touch Check Out Our Merch! https://www.empoweredartistcollective.threadless.com/ Any thoughts you'd like to share? Email us at EmpoweredArtistCollective@gmail.com
Fresh off his Broadway run as Prince Sebastian in Andrew Lloyd Webber's, Bad Cinderella, Jordan Dobson is starring in HAIR at Two River Theater. U Guys, this week's BroadwayWorld Recap has everything, including casting notices and all the tea on a new non-replica production of a very 'popular' Broadway show! Then I am joined by Bway performer and musician, Jordan Dobson, to talk about his incredible career, including his current starring role as Claude in HAIR at Two River Theater in Red Bank, NJ. Jordan shares about his experience working with titans of the musical theater industry, including Andrew Lloyd Webber, Stephen Sondheim, Michael Mayer, and more. We talk about Jordan's introduction to music through his upbringing in the church, and his journey to NYC and the Broadway stage, making his Bway debut as Tony in the buzzed-about revival of West Side Story. He touches on working on A Beautiful Noise; The Neil Diamond Musical, alongside Neil Diamond himself in the rehearsal room. Jordan is such a delight, U don't want to miss this episode! Follow the pod on Instagram: @ohmypoduguys Connect with Jordan Dobson on Instagram: @jordandobson_ Learn more about your ad choices. Visit megaphone.fm/adchoices
MINDI DICKSTEIN is an award-winning writer of plays and musicals best known as the lyricist for Broadway's LITTLE WOMEN (licensed by MTI, Original Broadway Cast album released by Ghostlight/Sh-k-boom Records), which continues to be performed worldwide, including recent premieres in Tokyo and London. Current projects include book and lyrics for MAIDEN VOYAGE (New Works Provincetown), lyrics for WITNESSES (California Center for the Arts, 2022 San Diego Critics award for Best Production), lyrics for BEYOND WHAT CAN BE SEEN, based on The Little Prince and the life of Saint-Exupery, and lyrics for BENNY & JOON, based on the MGM film, which had its world premiere at The Old Globe (2017 San Diego Critics nominee for Best Musical), east coast premiere at Paper Mill Playhouse, and which has been developed at Transport Group, NAMT, Theatreworks Silicon Valley, and the Goodspeed Johnny Mercer and Rhinebeck retreats. Her work has been commissioned, produced, and developed widely, including by Disney (book for TOY STORY, based on the animated film), Second Stage (lyrics for SNOW IN AUGUST, based on the novel by Pete Hamill), Playwrights Horizons (book and lyrics for TRIP, based on Rip Van Winkle; Harold & Mimi Steinberg Commission), Theatreworks USA, Two River Theater, and the ASCAP Workshop. Her songs have been performed at The Kennedy Center, 54 Below, The Cutting Room, Gotham Hall (The Dramatists Guild's “Great Writers Thank Their Lucky Stars”) and Lincoln Center (“Hear and Now: Contemporary Lyricists”), among others. Honors include a Larson Foundation Award, New York Foundation for the Arts and Massachusetts Artists Foundation Playwriting Fellowships, Jane Chambers Award (for her play, THE EXISTENTIAL GOURMET), and a Second Stage Constance Klinsky Award for Excellence in Musical Theater. Education: MFA, Tisch School of the Arts Graduate Musical Theater Writing Program (where she was an Oscar Hammerstein Fellow); BFA, NYU's Department of Undergraduate Drama. Member of ASCAP and The Dramatists Guild.
On this edition of the WBGO Journal, host Doug Doyle chats with the Two River Theater's new Artistic Director Justin Waldman and soccer legend Juan Pablo Ángel
Actor Crystal Dickinson and director Brandon J. Dirden join us to discuss their upcoming production of the Alice Childress play, "Wine in the Wilderness," at Two River Theater in Red Bank, New Jersey. The show runs until November 6.
On this edition of the WBGO Journal, a look into special education in Newark, a preview of Two River Theater's production of Wine in the Wilderness and trombonist Conrad Herwig talks about the Rutgers University Jazz Ensemble
On this edition of the WBGO Journal, a look into special education in Newark, a preview of Two River Theater's production of Wine in the Wilderness and trombonist Conrad Herwig talks about the Rutgers University Jazz Ensemble
On this edition of the WBGO Journal, Sade Lythcott and Jonathan McCrory of the National Black Theatre in Harlem talk about their new upcoming home and currents projects and the three star of "Three Sisters" at Two Rive Theater discuss their roles in the bold new translation of Chekhov's classic play
On this edition of the WBGO Journal, Sade Lythcott and Jonathan McCrory of the National Black Theatre in Harlem talk about their new upcoming home and currents projects and the three star of "Three Sisters" at Two Rive Theater discuss their roles in the bold new translation of Chekhov's classic play
Born in South Korea, adopted and raised in Rochester, New York. Off-Broadway: The Chinese Lady (The Public, Ma Yi), Kentucky (EST), Bikeman (Tribeca PAC). Regional: The Good Book (Berkeley Rep), Fun Home (Baltimore Center Stage), Broadway Bounty Hunter (Barrington Stage), Smart People (Geva Theatre), Bright Half Life (Kitchen Theatre), The White Snake (Old Globe), Miss Saigon (Pioneer Theatre, MT Wichita), The 25th Annual Putnam County Spelling Bee (Northern Stage). TV: 30 Rock (NBC), The Last O.G. (TBS), Rediscovering Christmas (Lifetime). Notable audio projects: The MS Phoenix Rising (Playwrights Horizons), antarctica (Two River Theater), Half the Sky (5th Avenue Theater), The Girl from the Sea (2021 SOVAS Award, Audiobook Narration), Vancouver (Ma Yi). BFA Syracuse University. Philanthropic/Activist Causes: Also-Known-As
Todd Robbins is an award-winning performer and creative artist that has worked in many areas of popularentertainment and the performing arts during a forty-year career.Todd has been on more than 200 TV shows, and recently was seen hosting his True Nightmares TV seriesfor the Investigation Discovery Channel.Classically trained as an actor at the American Conservatory Theater in San Francisco, he has put hisperforming abilities to good use in the two Drama Desk nominated theater pieces that he created for off-Broadway. The first one, Carnival Knowledge, is a behind the scenes look at the world of the Americansideshow and chronicled his experiences working in places like Coney Island. The second show is PlayDead. which he wrote with Teller (of Penn & Teller). Teller also directed this acclaimed production.Todd reprised his role in Play Dead at the Geffen Playhouse in Los Angeles, and also created and starredin The Charlatan's Séance at the Two River Theater in Red Bank, NJ. Most recently, Todd just finishedan extended run at the SoHo Playhouse of his controversial necromantic show, Haunt Quest.Todd is one of the producers of NY's longest running magic show, Monday Night Magic, now in its 25thseason, and is a partner in the show's parent company, Magical Nights Inc.Todd is currently working on several projects with the producers of Sleep No More. The first project isSpeakeasy Magic, an ongoing series of performances at the McKittrick Hotel featuring an ensemble of thebest close-up magicians in NYC, now in its third year of performances. Upcoming will be a newimmersive theater show called Life & Trust. And there is a rumor that Todd also has a secret séance roomhidden somewhere within the McKittrick.Also upcoming is a new magical cocktail lounge in Bushwick, with a permanent magic/variety/burlesqueshow that Todd is developing with Austin McCormick and his Company XIV (Nutcracker Rouge).As an authority in many areas of arcane popular culture, Todd has been called upon to be a talking headon countless TV programs, and to provide commentary on the DVDs of Tod Browning's Freaks and theCriterion Collection release of the 1947 noir classic Nightmare Alley.Todd's podcast Abnormalcy features Todd telling true twisted stories of murder and mayhem. For moreabout this go to abnormalcypodcast.com.For more information about Todd, go to his website: www.toddrobbins.com.
On this episode, we sit down with Broadway actress and singer/songwriter, Lauren Marcus. Lauren opens up about what it was like to go to work every day with her spouse, takes us behind the scenes of her Broadway debut, and gets real about the process of writing her own one-woman show and how she deals with the financial and emotional ups and downs that come with being an artist in NYC. Lauren Marcus is an actor and writer living in New York City. After originating the role of Brooke Lohst in "Be More Chill" at Two River Theater in 2015, Lauren made her Broadway debut with the show at the Lyceum Theatre in 2019. Lauren will be making her feature film debut this month in “tick, tick…Boom!” She also plays regularly throughout NYC with her 12-person band, most recently completing a residency downtown at Rockwood Music Hall. Follow Lauren - Instagram: @laurmarcus Website: laurenmarcus.com Follow us on - Instagram: @obsessedwiththebestpod YouTube: Obsessed With The Best Patreon: Obsessed With The Best TikTok: @obsessedwiththebestpod This Podcast Is Sponsored By Better Help BetterHelp is an online portal that provides direct-to-consumer access to mental health services. Join the millions of people who are seeing what online therapy is really about with a special offer just for Obsessed with the Best listeners. Get 10% of your first month of therapy on Better Help by using our code OBSESSED or sign up by going to: https://betterhelp.com/obsessed This Podcast Is Sponsored By Ombre Labs Take the Ombre Labs gut health test today, and receive a science-backed probiotic & diet plan. Rid yourself of symptoms like bloating, abdominal pain, diarrhea, and constipation. At Home Test Kit. Discreet Packaging. Customized Probiotics. Data-Driven Gut Test. Use promo code OBSESSED to Get $30 off your at home test or go to https://tryombre.com/obsessed to get started! Shop our Favorite Brands! Use code OBSESSED for 15% off your first Plant People order at www.plantpeople.co/OBSESSED Use code OBSESSED20 for 20% off your WKND Nation Purchase! Feel free to email us any time at obsessedwiththebestpod@gmail.com, with questions, comments, and product or guest suggestions! Support us by supporting our host network, DimlyWitProductions. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode, Adam and Budi interview Dramaturg Taylor BarfieldTaylor Barfield is a dramaturg, writer, and theater artist from Baltimore, MD. He currently serves as the Literary Manager for Two River Theater in Red Bank, NJ. Before that, he was the Associate Artistic Director at Collaboraction Theatre Company in Chicago, IL. Select freelance dramaturgy credits include Nothing to Lose (But Our Chains) (Second City/Woolly Mammoth), Electra (Court Theatre), Cymbeline (Yale Repertory Theatre), Barbecue (Strawdog), and Megastasis (Eclipse Theatre Company). Taylor also served as assistant director for the world premiere productions of Cadillac Crew (Yale Repertory Theatre), Man in the Ring (Court Theatre), and War (Yale Repertory Theatre), the Midwest premiere of Paradise Blue (Timeline Theatre), and the east coast premiere of Native Son (Yale Repertory Theatre). He received his M.F.A. in Dramaturgy and Dramatic Criticism from the Yale School of Drama and his B.A. in Molecular/Cellular Biology and English Literature from Johns Hopkins University. He is currently a D.F.A. candidate at the Yale School of Drama where his dissertation explores how contemporary African American playwrights re-imagine and re-stage black theater history. Taylor is also a member of the 2021 REALITY Leadership Institute. Mentioned in this episode:August Osage CountyDunbar Baldwin Hughes TheaterYahya Abdul Mateen IIActors Equity AssociationMamadou AthieFOLKSSarah WilliamsAugust Wilson American Century Cycle (first performance order)Jitney (set in the '70s) Fences (set in the '50s)Ma Rainey's Black Bottom (set in the '20s)Joe Turner's Come and Gone (set in the 1910s)The Piano Lesson (set in the '30s)Two Trains Running (set in the '60s)Seven Guitars (set in the '40s)King Hedley II (set in the '80s)Gem of the Ocean (set in the 1900s)Radio Golf (set in the '90s)Tori SampsonTwo River Theatre CompanyLark TheatreNew DramatistsPage 73Re-framing the Critic EF's Visit to a Small PlanetBeehive dramaturgyMusic credit: https://www.purple-planet.com
Stephanie Hsu is a familiar face on both the stage and screen, maybe best known for originating the role of Christine in Be More Chill at Two River Theater, and then on Broadway. She previously made her Broadway debut as Karen the Computer in the original cast of Spongebob Squarepants: The Broadway Musical. Her TV and Film credits include The Path (seasons 1-3), Set It Up, Unbreakable Kimmy Schmidt, Awkwafina is Nora from Queens, Asking For It, and Mei in The Marvelous Mrs. Maisel. Born in Torrance, CA, Stephanie shares that it was mostly just her and her mom growing up. The two clashed at times - her mother was not sure America was built for her as an immigrant, while Stephanie was “adamant about being an American.” As a child, Stephanie was very into basketball, and fought against the urge to become a “drama geek”. But when a fellow classmate in high school arranged an audition for her with the drama teacher, it “launched everything”, including heading to NYU to study acting. Stephanie stresses the importance of visibility in the arts, and candidly talks with us about her role on The Marvelous Maisel - Mei, who as a bilingual, strong and independent Chinese American woman in the 1960’s, was “unlike any character” she’d ever seen in her life. During our conversation, Stephanie continues to bring us back to themes of “love”, sharing, “Love has always been my favorite thing in the whole world,” (her college thesis was about love). When she was recently commissioned by Works & Process, the performing arts series at the Guggenheim, to create a piece of self expression, she found herself in the silence of the pandemic trying to understand “if being in love is ok”. Stephanie walks us through the creation of her piece “Another Love Letter”, where she battled between feeling the desire and responsibility as an artist to be productive and to make something big, but also feeling drawn to explore the poetic parts of quiet simplicity. In this episode, we talk about: Creating her virtual commission “Another Love Letter” Her thoughts on polyamorous relationships One of her favorite things to do at museums Working on The Marvelous Mrs. Maisel The importance of making work you care about with people you care about Her journey to landing a role in the new film Everything Everywhere All At Once Connect with Stephanie: Watch Another Love Letter IG: @hsulace Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com. A very special thanks to our patrons who help make this podcast possible! Cheryl Hodges-Selden, Paul Seales, David Seales If you would like to see your name in this show notes or get a shout out on the pod itself, visit ttp.fm/patreon to become a member and show your support! Learn more about your ad choices. Visit megaphone.fm/adchoices
Two River Theater's most popular education program in Red Bank, New Jersey is creating something entirely new with Tiny Shakes: Romeo and Juliet, adapted and directed by Em Weinstein (A Little Shakespeare: Twelfth Night ). Weinstein and Two River's Education Director Kate Cordaro joined WBGO Journal host Doug Doyle to talk about the exciting and creative break from the theater's A Little Shakespeare productions. Because of the limitations of 2021 and coronavirus pandemic, Tiny Shakes brings high school students (audition submissions due March 1) from all over the country together with a professional design team, with students performing and supporting the production behind the scenes. Em Weinstein says students will get a great opportunity to delve deeply into Shakespeare's star-crossed romantic tragedy, giving them creative license to come up with virtual interpretations through TikTok videos, animation, dance routines, as well as rap battles and traditional scene readings. "I love
Welcome to the 22nd episode of Broadway Babies! This week Noelle and Stephanie welcome the wonderful Joe Iconis (Be More Chill, Smash)! Joe Iconis is a musical theater writer and performer. He has been nominated for a Tony Award, four Drama Desk Awards, two Lucille Lortel Awards, two Outer Critics’ Circle Awards, and is the recipient of an Ed Kleban Award, a Jonathan Larson Award, and a Richard Rodgers Award. Be More Chill (with Joe Tracz) is currently playing London’s West End, after running at Broadway’s Lyceum Theatre and off-Broadway’s The Pershing Square Signature Center after a world premiere at Two River Theater. Joe is the author of Love in Hate Nation (directed by John Simpkins; Two River Theater), Broadway Bounty Hunter (with Lance Rubin and Jason SweetTooth Williams; Barrington Stage Company and Greenwich House Theater Off-Broadway), Bloodsong of Love (Ars Nova, NAMT), The Black Suits (with Robert Maddock; Center Theater Group, Barrington Stage Company), ReWrite (Urban Stages, Goodspeed Opera House), and Theaterworks USA’s The Plant That Ate Dirty Socks and We the People. Musicals currently in development include The Untitled Unauthorized Hunter S. Thompson for La Jolla Playhouse (directed by Christopher Ashley), Punk Rock Girl! His music appeared on season two of NBC’s Smash. Albums: Be More Chill (OCR and OBCR, which over 500 million streams); Broadway Bounty Hunter (OCR); Things to Ruin (OCR); Two-Player Game, The Joe Iconis Rock & Roll Jamboree, and the upcoming Broadway Bounty Hunter (OCR) all available on Sh-K-Boom/Ghostlight Records. Joe is hugely inspired by Robert Altman, Dolly Parton, The Muppets, and the Family of artists he frequently surrounds himself with. www.MrJoeIconis.com --- Stephanie Andersen (Bare: A Pop Opera, Original Cast, Cast Recording and Revival) and Noelle Hannibal (Hair: 20th Anniversary Production, Star Trek, Buffy) and are professional performers and fangirls with a deep and never-ending love for musical theatre. Join them as they chat about all things Broadway on this special podcast which will feature interviews with some of Broadway's most beloved stars. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/broadway-babies/support
In this episode, I discuss topics ranging from the Hardy Boys to beatboxing to "Kindness is my Superpower" workshops with the Artist, Educator, Activist and Superhero, Chesney Snow. Drama Desk winner and 3x Artist in Residence at Harvard University as well as a 2020 guest artist of theatre at Princeton University. Most recently appeared in Two River Theater’s production of Oo Bla Dee written by Regina Taylor and directed by Ruben Santiago Hudson. Composer/lyricist for the McCarter Theatre and Long Wharf Theater's 2018 Crowns. A pioneering figure in American beatbox culture he originated the role of Boxman off-Broadway at Primary Stages and on Broadway in In Transit at Circle In The Square. Snow headlined Carnegie Hall twice. He created, produced, and starred in the feature music documentary American Beatboxer which was placed in the Rock and Roll Hall of Fame and numerous other archives throughout the United States. His upcoming original work Soil Beneath: An Empirical Decay will premiere for the 2020 fall season for Primary Stages. Snow is also a teaching artist with New Victory Theater and an activist who frequently teaches in schools, hospitals, prisons, and universities. He also toured with the US State Department as a performer and teaching artist in southeast Asia. More about this artist on his website: http://www.chesneysnow.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/antoinette-lavecchia/support
Lisa speaks with Bobby Conte Thornton about second chances, hard work, getting back to the core of why we do what we do and embracing your inner child. Bobby is a New York-based actor and singer who made his Broadway debut originating the role of Calogero in A Bronx Tale, directed by Robert De Niro and Jerry Zaks. He returned to Broadway this spring singing “Another Hundred People” as P.J. in Marianne Elliott’s gender-bent revival of Company. Other New York stage credits include My Fair Lady directed by Michael Arden and Starting Here, Starting Now directed by its lyricist, Richard Maltby, Jr. A graduate of the University of Michigan School of Music, Theatre & Dance, BCT starred as Danny Zuko in Grease at Paper Mill Playhouse and Enjolras in Les Misérables at the Muny while pursing his BFA. He subsequently trained in London at the Royal Academy of Dramatic Art. Upon graduation, his regional stage credits include the new musical Last Days of Summer at George Street Playhouse, Two River Theater's all-male A Funny Thing Happened on the Way to the Forum, the world premiere co-production of Ken Ludwig's A Comedy of Tenors at McCarter Theatre Center and Cleveland Play House, and three seasons at the Muny. BCT made his feature film debut in If Beale Street Could Talk, adapted and directed by Barry Jenkins. Television credits include “Unbreakable Kimmy Schmidt”, “Madam Secretary” and “The Code”. His debut studio album, Along the Way, is available across all digital music providers. The record is based off his touring solo cabaret, Blame It on My Youth, which premiered at the historic Venetian Room in the Fairmont San Francisco prior to a sold-out engagement at Feinstein's/54 Below. As a concert artist, he has headlined at Lincoln Center, the Carolina Philharmonic and as Tony in Oakland Symphony’s concert version of West Side Story. A native of San Francisco, California, BCT currently resides in Manhattan and is quarantining in Big Sky, Montana. Follow @bobby_contehttps://www.amazon.com/Along-Way-Bobby-Conte-Thornton/dp/B0875RF2CY
This week we continue our conversation about the moral dilemma, THE SURROGATE (2020 SXSW Official Selection). J Jessica (Jasmine Batchelor) a 29 year old web designer for a nonprofit in Brooklyn, is ecstatic to be the surrogate and egg-donor for her best friend Josh (Chris Perfetti, "Looking") and his husband Aaron (Sullivan Jones, Slave Play). Twelve weeks into the pregnancy, a prenatal test comes back with unexpected results that pose a moral dilemma. As they all consider the best course of action, the relationship between the three friends is put to the test. We are joined this week for PART II with the cast behind this moral drama that brings up conversations surrounding race, sexuality, class and activism while taking a glimpse into the down syndrome community. In this first part, writer/director, Jeremey Hersh, introduces us to Brooke Bloom: Theatre credits: Cloud Nine at Atlantic Theatre Company (2016 Drama Desk nomination for Outstanding Featured Actress in a Play), You Got Older with Page 73 (Obie Award Winner & 2015 Drama Desk nomination for Best Actress in a Play)...I’m Looking For Helen Twelvetrees at the Abron Arts Center, Somewhere Fun at Vineyard Theatre, Lungs at the Studio Theatre in D.C. and Barrington Stage, Becky Shaw at the Wilma, The Grown-Up at the Actors Theatre of Louisville, Marie Antoinette at ART, as well as A Feminine Ending, Completeness and Hamlet all at South Coast Rep. Film: Extremely Loud and Incredibly Close, Ceremony, He’s Just Not That Into You, Gabbi on the Roof in July, Swim Little Fish Swim (SXSW 2013) and She's Lost Control (Berlinale 2014). Television: Series Regular roles on Netflix's "Gypsy" and "Amazon's Alpha House," guest appearances on the USA series "Falling Water," "Louie," "The New Normal," "Person of Interest," "Law & Order: SVU," "The Good Wife," a recurring role on "CSI: Miami" and various pilots for NBC. The recipient of the 2012 Barrymore and 2013 IRNE awards for Best Actress, Brooke also received a 2013 Elliot Norton nomination. And, finally, the star of THE SURROGATE Jasmine Batchelor sits with us to discuss filling the shoes of Jessica and what life has been like for her after her first big film role: Jasmine Batchelor currently stars as Jess in THE SURROGATE, a feature film written and directed by Jeremy Hersh. She is an actor, writer, producer, and teaching artist residing in New York City, and an alumnus of The Juilliard School. She has been seen on stage at The Public Theater, Playwrights Realm, Manhattan Theatre Club, Two River Theater, and Baltimore Center Stage, among others. She is a major Lorraine Hansberry fan. ABOUT THE DIRECTOR: Jeremy Hersh is a New York-based filmmaker whose first feature, The Surrogate, was an Official Selection of the 2020 SXSW Film Festival. His 2015 short, Actresses, screened at Sundance, SXSW, BAMCinemafest and the New Orleans Film Festival, where it won the audience award for best narrative short. Jeremy’s undergraduate thesis short, Natives, premiered at SXSW in 2013. THE SURROGATE is available on VOD. Rate and Review Pink Among Men wherever you get your podcasts. Follow us on Insta @pinkamongmen.
Joe Iconis is a musical theater writer and performer. He has been nominated for a Tony Award, four Drama Desk Awards, two Lucille Lortel Awards, two Outer Critics’ Circle Awards, and is the recipient of an Ed Kleban Award, a Jonathan Larson Award, and a Richard Rodgers Award. Be More Chill (with Joe Tracz) is currently playing London’s West End, after running at Broadway’s Lyceum Theatre and off-Broadway’s The Pershing Square Signature Center after a world premiere at Two River Theater. Joe is the author of Love in Hate Nation (directed by John Simpkins; Two River Theater), Broadway Bounty Hunter (with Lance Rubin and Jason SweetTooth Williams; Barrington Stage Company and Greenwich House Theater Off-Broadway), Bloodsong of Love (Ars Nova, NAMT), The Black Suits (with Robert Maddock; Center Theater Group, Barrington Stage Company), ReWrite (Urban Stages, Goodspeed Opera House), and Theaterworks USA’s The Plant That Ate Dirty Socks and We the People. Musicals currently in development include The Untitled Unauthorized Hunter S. Thompson for La Jolla Playhouse (directed by Christopher Ashley), Punk Rock Girl! His music appeared on season two of NBC’s Smash. Albums: Be More Chill (OCR and OBCR, which over 500 million streams); Broadway Bounty Hunter (OCR); Things to Ruin (OCR); Two-Player Game, The Joe Iconis Rock & Roll Jamboree, and the upcoming Broadway Bounty Hunter (OCR) all available on Sh-K-Boom/Ghostlight Records. Joe is hugely inspired by Robert Altman, Dolly Parton, The Muppets, and the Family of artists he frequently surrounds himself with. www.MrJoeIconis.com @mrjoeiconis Jennifer Ashley Tepper is producer of the musicals Be More Chill, Broadway Bounty Hunter, and Love In Hate Nation, recent projects that are part of a decade-long collaboration with the group known as Joe Iconis & Family. From producing small concerts in basements to producing a show on Broadway, Tepper has cultivated the theatrical collective which The New York Times called “the future of musical theatre”. She is also the Creative and Programming Director at Feinstein’s/54 Below, where she has curated or produced over 3000 shows, including musicals in concert, original solo acts, theatrical reunions, songwriter celebrations, and more. Tepper's leadership at the venue has gained praise from publications including The Huffington Post, The New York Times, Buzzfeed, Playbill, Newsday, The New York Post, and more. As a writer, Tepper has authored three volumes of The Untold Stories of Broadway book series, published by Dress Circle. NBC New York has called the books an "inspiring Must-Read". Published in 2013, 2014, and 2016, each book has occupied the #1 spot on Amazon.com's Best Sellers List in Broadway & Musicals. On Broadway, Tepper has worked on [title of show], The Performers, Godspell, Macbeth, and The Parisian Woman, and off-Broadway Smokey Joe’s Café and Boys’ Life. Tepper is the conceiver and director of The Jonathan Larson Project which premiered in fall 2018 and received an original cast recording from Ghostlight Records. She is historian consultant on the upcoming tick, tick… BOOM! movie and co-creator of the Bistro Award- winning concert series, If It Only Even Runs A Minute, now in its 11th year. Tepper recently received a 2020 Lincoln Center Emerging Artist Award. She was named one of the 10 professionals on Backstage Magazine's "1st Annual Broadway Future Power List", which stated: "Proving herself both a zeitgeist predictor and theatrical historian with her eclectic programming, Tepper is leading the conversation on contemporary musical theatre." @jenashtep . Want more of My Broadway Memory?! Follow us on Social! @MyBroadwayMemory on Instagram and Facebook and @MyBwayMemory on Twitter MICHAEL KUSCHNER: Instagram or The Dressing Room Project Dear Multi-Hyphenate Podcast BRIAN SEDITA: Instagram, Website, Page to Stage Podcast BROADWAY PODCAST NETWORK: Website or Instagram #MyBroadwayMemory Learn more about your ad choices. Visit megaphone.fm/adchoices
This week's guests are Joe Iconis and Lauren Marcus. Tony Award nominee Mr. Joe Iconis is best known for writing Be More Chill, Broadway Bounty Hunter, The Black Suits, Love In Hate Nation, Bloodsong of Love. Plus, his SMASH hit single "Broadway, Here I Come!" All the Joe Iconis and Family concerts are can't-miss events, especially The Joe Iconis Christmas Extravaganza. Singer-song writer Lauren Marcus, who portrayed Brooke Lohst in Be More Chill on Broadway, Audrey in Little Shop of Horrors at the Pittsburgh Public Theater and Miss Asp in Love in Hate Nation at Two River Theater. Enjoy our conversation from April 1st, recorded for my live YouTube series: The SHO Must Go On...line! Thanks for listening to the first episode of bwaySHO: The Podcast! If you like what you heard, please subscribe, rate and review, so you can be a spy on the inside for future episodes. Thanks to all the SHOtreons and special shout-out to the SHOstopper and SHOnanigans levels. Alyssa Walles, Ashley Stasak, John Benson, Shannon Wheeler, Judy Cotner, Naomi Cotner, Lisa Michelle Martin O'Neill, Eva Fink Clausen, Andrea Gilderhus, Theresa Piliero and Julie Larkin. If This Was Your Jam, You Can Become A SHOtreon! Head Over To Patreon.Com/bwaySHO. We Do Weekly Trivia And Monthly Video Chats! It's A Fun Time, Come Check It Out. Thanks As Always To Khayle Braxton Aka Gedun For These Awesome Beats, Jelani Remy For The Beautiful Intro Riff, Alex Brightman for the SHO time promo, Chelsey Hill AKA Illustrating Diva, For The Cool Cover Art, all the wonderful guests and all of you for listening! We don't know the future of live theatre, or when Broadway will be back, but we do know it's on all of us to get through this pandemic. Wear a mask, be safe and let's take care of ourselves. @mrjoeiconis / @laurmarcus / @bwaySHO / @bwaySHOpodcast / bwaySHO.com Proud member of the Broadway Podcast Network See you at the SHO! Learn more about your ad choices. Visit megaphone.fm/adchoices
Thank you for taking the time to listen to this episode. We appreciate that you shared your time with us. If you listened on Apple Podcast, we'd love it if you could share your love in a review. Margo Seibert has proven herself to be a uniquely captivating and versatile performer, writer, and activist. After originating the role of “Jane” in Broadway’s first a cappella musical, IN TRANSIT, she recently co-starred in Dave Malloy’s world premiere OCTET at Signature Theatre in New York and released her debut album “77th Street”on Yellow Sound Label . She is perhaps best known for her critically acclaimed performance as “Adrian” in the Broadway musical ROCKY. After graduating with a degree in International Relations from American University, Margo began her acting career in the D.C. Theatre scene, seamlessly transitioning between plays and musicals at Signature Theatre, Folger Theatre, Ford’s Theatre, Olney Theatre Center and the Shakespeare Theatre. Margo moved to New York after appearing in Mary Zimmerman’s CANDIDE at the Goodman in Chicago, and has continued her multifaceted career performing in plays at Playwright’s Horizons Rattlestick, The Women's Project, and Weston Playhouse, and starring in musicals at The Paper Mill Playhouse, A.C.T, and Two River Theater. She can also been seen on television in “Boardwalk Empire,” “Elementary,” “Instinct,” and “The Good Cop.” Margo is also the co-founder of the organization RACKET, whose goal is to make as much noise about periods as it takes to normalize the conversation and draw attention to under-prioritized menstrual hygiene needs. Since inception, Margo has collected hundreds of thousands of menstrual hygiene products for transient menstruators in need, and helped eliminate the tax on those products in NY State. Keep up with Margo: @margo_seibert & www.margoseibert.com To listen to Margo's album, 77th Street, click here! Want more of Page To Stage?! Follow us on Social! @PageToStage on Instagram and Facebook MARY DINA: Instagram or Twitter BRIAN SEDITA: Instagram or Website BROADWAY PODCAST NETWORK: Website or Instagram #PageToStagePodcast
John sits down with Joey McIntyre of New Kids On The Block. He’s appearing in the Shakespeare comedy “Twelfth Night” at Two River Theater in Red Bank, New Jersey. They discuss tackling Shakespeare, the breakup and reunion of New Kids On The Block and McIntyre’s upcoming role in the musical “The Wanderer.”
It's been called the perfect romantic comedy. Shakespeare's “Twelfth Night" begins with sister-brother twins losing each other in a shipwreck, leading to a high-spirited tale of gender-bending and mixed-up love affairs. Director Sara Holdren recalls falling in love with Shakespeare at a very early age, and the creative fun of interpreting his plays. Hint: Sara's making the most of the music in the production, collaborating with the band and theater collective, The Lobbyists. “Twelfth Night” is on stage at Two River Theater in Red Bank, NJ through February 2, 2020.
Ross Baum is a lot of things. He's a composer, arranger, producer, vocal coach, and a performer and does ALL of those incredibly well. The reason why I wanted to sit down with him NOW is because the new musical Gun+Powder, which he wrote the music for, began rehearsals this week for the world premiere production that will open at the Signature Theater in DC this January. I felt like capturing how he's feeling right now and hearing where he's at as an artist and in his life, would make for not only great conversation, but an incredible time capsule for this moment before his first step into what he refers to as, “The Big Leagues.” In our conversation we hit on things like collaboration, community, success, momentum, the starving artist mentality, and the difference between writing pop and theater music. Ross and I, before this recording, had only spent one-on-one time together, once. I'm extremely happy to say that since we sat down for this, he's become much more integrated in my life and listening back made me feel deep gratitude for the opportunity that this podcast has afforded me in a short amount of time. I'm excited to continue on in 2020 and I couldn't have asked for a better guest to close out the decade with. + + + Ross Baum is a composer, performer, and music arranger. He received the 2018 Richard Rodgers Award for his original musical GUN & POWDER (book & lyrics by Angelica Chéri), which was also selected for the 2018 NAMT Festival, Theatre Latté Da's 2018 NEXT Festival, and Signature Theatre's 2017 Sigworks Lab, with presentations in Lincoln Center's Broadway's Future Songbook Series and the Drama League's 2018 DirectorFest. Ross composed original scores to ANNE FRANK: MY SECRET LIFE and A LETTER TO AUNTIE ROSA, which were commissioned by Diverging Elements Theatre Company. Also with Chéri, he was commissioned to write the official anthem for the National Children's Theatre of South Africa and the score for her play, Crowndation: I Will Not Lie To David, at the National Black Theatre. He has had residencies at Goodspeed Opera House and Two River Theater, and was selected as winner of NY City Center's Sondheim Remix contest and Disney/NMI's 2018 New Voices Project. Ross is the founder and music director of RANGE a cappella, through which he has provided vocal arrangements for Nickelodeon, Sesame Street, Playbill, Billboard, the E! Network's 2015 Oscars Live Red Carpet coverage, and performed with Kelly Clarkson at Radio City Music Hall. RANGE music videos have been viewed over 30 million times on YouTube, with Ross's arrangement of Hamilton [in 7 minutes] at 6 million views and counting. Their debut studio album, RANGE volume one, is now available on iTunes and Spotify. Ross holds a BFA in Musical Theatre from Syracuse University, MFA in Musical Theatre Writing from New York University, and is a member of the BMI Lehman Engel Musical Theatre Workshop. For more, visit www.rossbaum.net / @bossraum + + + The Come Up is a podcast that holds space for honest conversations about the reality of being a growing artist in the entertainment industry today. The myth of "making it" tells us that our happiness and fulfillment is dependent on a specific outcome when the truth is that there is no moment of arrival - the journey is never ending. This podcast will serve as an archive of individual perspectives and a source of inspiration for anyone navigating their own creative path. It's an opportunity to reflect on where we've been, where we're at, and where we're going. Learn more about your ad choices. Visit megaphone.fm/adchoices
Mike Rosengarten was the guitarist for the viral smash hit musical Be More Chill all the way from the world premiere production at Two River Theater through the show's Broadway run, so you can imagine that he has the most incredible behind-the-scenes stories from every incarnation of the show. Be More Chill was the beginning of working with the Joe Iconis "family" and his story of the first time he heard and played "Michael In The Bathroom" will make you cry, so get your tissues now. It won't be long until this episode until you realize what Sam and Ilana figured while recording it: Mike is brilliant, hilarious, and truly one of the nicest humans on the planet. Oh...and did you know that that Mike built his own Be More Chill guitar? Yes, built. his. own. guitar. HIMSELF. Guitarist extraordinary Mike Rosengarten, let's do this! Part of the Broadway Podcast Network.
Christopher & Justin Swader are New York-based identical twin scenic designers for theatre, opera, puppetry, site-specific performance and live events. Recent collaborations include designs with Two River Theater, Miami New Drama, The New Victory Theatre, Classical Theatre of Harlem, Big Apple Circus, Sotheby’s, National Geographic, Lincoln Center Education, ArtsEmerson, Emerson String Quartet, IBEX Puppetry, La MaMa, Park Avenue Armory, National Black Theatre, York Theatre Company, Ars Nova, 3LD, HERE Arts Center, Trusty Sidekick, Luna Stage, SpeakEasy Stage Company, Manhattan School of Music, Kitchen Theatre Company, Mason Holdings. Their design for JARRING was exhibited at the 2017 World Stage Design. 2016 American Theatre Wing Henry Hewes Design Award Nomination, 2017 AUDELCO Award, 2018 IRNE Award, Boston. Originally from Indiana, they are graduates of Ball State University. www.cjswaderdesign.com
Joe Iconis just earned his first Tony nomination for his original score of Be More Chill, which just earned 12 BACA nominations. Iconis has been working on the new musical since its premiere at Two River Theater in Red Bank, New Jersey in 2015. He is also well-known for his Joe Iconis and Family concerts. His upcoming works include Broadway Bounty Hunter and Punk Rock Girl. Follow him on social media at @mrjoeiconis.Hosted by Paul Wontorek, Beth Stevens and Caitlin Moynihan
Be More Chill star George Salazar walks Sam and Ilana through the experience of coming on board for the original workshop presentation of Be More Chill and then the world premiere production at Two River Theater in New Jersey and its sold-out run Off-Broadway in Summer 2018. George also dives deep into the Be More Chill's incredible fandom and how they played such a huge part in getting the show to Broadway. Fair warning: get a giant box of tissues ready... Part of the Broadway Podcast Network.
Last August, Baltimore Center Stage announced the appointment of Stephanie Ybarra as its new Artistic Director. She succeeds Kwame Kwei Armah, who left to become the Artistic Director of the Young Vic Theater in London. Stephanie Ybarra comes to Baltimore after six years as the Director of Special Artistic Projects at the Public Theatre in New York City, where she oversaw its popular Public Forum programs and led the theater’s Mobile Unit on a first-of-its-kind national tour. She is an alum of the Women’s Project Theater, where she’s served for the past few years as the Producer’s Lab Liaison. She is also the Curator and Casting Director of the Cruzando Fronteras, or Crossing Borders Festival at the Two River Theater in New Jersey. That festival features the work of Latinx theater artists. Stephanie Ybarra is, in fact, the first Latinx theater artist to lead one of America’s major theaters. Baltimore Center Stage on Thursday announced the list of plays it will present during its upcoming 2019-2020 season. Our theater critic, J Wynn Rousuck, joins Tom in Studio A with Stephanie Ybarra to talk about the new season lineup, and about the artistic vision she brings to her new role at Baltimore Center Stage.This conversation was livestreamed on WYPR's Facebook page. You can watch the video here.
In this inaugural episode, Sam and Ilana interview composer/lyricist Joe Iconis as he walks us through the origins of the Be More Chill journey - all the way from the nexus of the idea of writing the musical leading up to to the opening night of the world premiere at Two River Theater in Red Bank, New Jersey and then the making of the triumphant original cast recording of the show. Part of the Broadway Podcast Network.
It's a musical about a woman on her own in the Old American West – disguised as a man named Jo. "The Ballad of Little Jo" opened Friday, June 9th at Two River Theater in Red Bank, and runs through June 25th. Based on the 1993 film of the same name, the show is directed by Maggie Greenwald, who based her story on the real life experiences of a woman named Josephine Monaghan. In the story, Josephine becomes Jo to survive in a time and place in which women are openly preyed upon, and lynch mobs are a cold fact of life. Shunned by her East Coast family when she refuses to deny that she has given birth to an illegitimate child, Josephine heads for the edge of civilization – the Wild West – in late 1800s Idaho to re-invent herself, make her way in the world, and be re-united with the son she had to leave behind. We recently spoke to the musical's co-writer and lyricist Sarah Schlesinger about creating this production with composer Mike Reid in 2000 at Steppenwolf Theatre Company in Chicago, and collaborating with Two River Theater's Artistic Director John Dias to bring it to a 2017 audience.
I had the opportunity to sit down with John Dias on March 10th to talk about his work as the Artistic Director at the Two River Theater, in Red Bank NJ. John shares his thoughts and stories about working behind the scenes and the challenges to continue to make live theater an important cultural event. We also had a special guest Sasha, John's dog who comes to work with him. So if you are wondering what the chewing is going on or clanging, it's Sasha. I think Sasha helps add to the realistic qualities of my recordings. I want them to sound real and not over produced in a studio. Thanks to everyone at the Two River Theater to make this possible. Also thanks to Cassie Galasetti, from Social Sidekick for taking the pictures and making the arrangements to make this happen.
Kevin Kline is one of the most acclaimed entertainers working today. So how did the kid from St. Louis end up with an Oscar, two Tony awards, and a career that has intersected with those of Meryl Streep, Angela Lansbury, John Cleese, and Kenneth Branagh, to name just a few? He says that, at Juilliard, the answer came in the form of a pair of tights and lots of dance practice, as well as a merciless culling of his midwestern elocution. Kline's career accelerated early: a cross-country tour with the soon-to-be renowned acting company founded by the great John Houseman led to Tony-decorated roles (three years apart) in "On the Twentieth Century" and "The Pirates of Penzance." His first film role soon followed, opposite Streep in "Sophie's Choice." Kline's stage and screen stock hasn't dipped since. He recently spoke with Alec Baldwin in front of a live audience at the Two River Theater in Red Bank, New Jersey, where he assessed some of his many marquee performances, and demonstrated the most important thing he learned at Juilliard: how to do a theatrical bow from every era since the Renaissance.
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