Indigenous tribe of North America
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The Last of the Mohicans by James Fenimore Cooper词汇提示1.scout 侦察员2.canoe 独木舟3.paddle 划船原文Chapter II: Lost In The ForestA few miles west of Fort Edward, three men were sitting near a river.Two of the men were Indians.The other man was a white man.Chingachgook and his son, Uncas, were Mohicans.The white man was a scout called Hawk-eye.Hawk-eye had a long hunting-gun.The three men were talking.'My tribe is the oldest Indian tribe,' Chingachgook said. 'The blood of the Mohican chiefs is in me. Many summer ago, my tribe came here to the land of the Delawares.''Where are the Mohicans now?' asked Hawk-eye.'Where are the flowers of those summers?' said Chingachgook. 'Gone. All dead. After my death, Uncas will be the last of the Mohicans.'Suddenly,they heard a noise.Theyturned quickly.Hawk-eyelifted his gun.'Who is it?' he said.Duncan Heyward rode out of the forest. Cora and Alice followed him.'I am an English officer,' Duncan said. 'We have come from Fort Edward. How far is it to Fort William Henry?'Hawk-eye laughed. 'Fort William Henry?'You are going the wrong way,' he said. 'You are near Glenn's Falls.''The wrong way!' said Duncan. 'Then we are lost. But our Indian guide–' 'You have an Indian guide but you are lost in the forest?' said Hawk-eye. 'That is very strange. Is he a Delaware?''He is called Magua. He is a Huron', said Duncan.'But he lives with the Mohawks, and he is a guide for the Huron!' said Hawk-eye quickly.'You can trust a Mohican or a Delaware. But you cannot trust a Huron! Your guide will lead you to his friends. They will kill you. Let me see him.'Magua was standing behind Cora's horse.Hawk-eye looked at him.Then he went and spoke to Chingachgook and Uncas.Magua moved quickly. He ran into the forest.Hawk-eye,Chingachgook and Uncas ran after him.But Magua escaped.'What can I do?' thought Duncan. 'We are lost.'He turned to Hawk-eye.'Will you take us to Fort William Henry?' he asked. 'We will give you money.'Hawk-eye looked at Cora and Alice.'We will take you,' he told Duncan.'Money is not important. We will not leave you and the two young women here. Magua and his Huron friends will find you. Come now – quickly!'Duncan and Hawk-eye spoke to Cora and Alice.The sisters got off their horses.The Mohicans took the animals away.'They will hide the horses until the morning,' said Hawk-eye.He pulled a canoe from the tall grass at the side of the river.'Get into the canoe,' he said. 'We will go to a cave and we will stay there tonight.'Duncan,Cora and Alice got into the canoe.Hawk-eye pushed the canoe to the middle of the river.Then he got into the canoe.He started to paddle along the river.Soon they heard the sound of a great waterfall in front of them –Glenn's Falls. A few minutes later, they saw the waterfall.Hawk-eye paddled the canoe close to the great waterfall.Alice was afraid. She closed her eyes.Hawk-eye stop the canoe by a large flat rock, Cora, Alice and Duncan got out of the canoe.'Wait on the flat rock, rock I said to them. I will bring the Mohicans.'A few minutes later, Hawk-eye came back with Chingachgook and Uncas.The scout led everybody to a cave behind the waterfall.The cave was deep and narrow and dark.Hawk-eye immediately made a fire.Alice looked at the tall young Mohican, Uncas.'A strong man is guarding us,' she said quietly to her sister. 'We will be safe tonight.'翻译第二章：迷失在森林里在爱德华堡以西几英里的地方，有三个人坐在一条河边。其中两个人是印第安人。另一个人是白人。钦加古和他的儿子乌卡斯都是莫希干人。那个白人是一个名叫鹰眼的侦察兵。鹰眼有一支长长的猎枪。三个人在谈话。“我的部落是最古老的印第安部落，”钦加古说。我身上流着莫希干酋长的血。很多年前的夏天，我的部落来到了特拉华的土地上。”“莫希干人现在在哪儿？”鹰眼问。“那些夏天的花在哪里？”钦加古说。“一去不复返了。都死了。我死后，乌卡斯将是最后一个莫希干人。”突然，他们听到一个声音。他们迅速转过身来。鹰眼举起枪。“是谁？”他说。邓肯·海沃德骑马走出森林。科拉和爱丽丝跟着他。“我是英国军官，”邓肯说。“我们是从爱德华堡来的。到威廉·亨利堡有多远？”鹰眼笑了。“威廉·亨利堡？”“你走错路了，”他说。“你在格伦瀑布附近。”“走错了！”邓肯说。“那么我们就迷路了。但是我们的印第安向导——”“你有一个印第安向导，但你在森林里迷路了？”鹰眼说。“这太奇怪了。他是特拉华人吗？”“他叫马瓜。他是休伦人。”邓肯说。“但他和莫霍克人住在一起，他是休伦人的向导！”鹰眼赶紧说。“你可以信任莫希干人或特拉华州人。但你不能相信休伦人！你的向导会带你去找他的朋友。他们会杀了你的。让我看看他。”马瓜站在科拉的马后面。鹰眼看着他。然后他去找钦加古和乌卡斯谈话。马瓜行动迅速。他跑进了森林。鹰眼、钦加古和乌卡斯跟在他后面。但马瓜逃脱了。“我能怎么办呢？”邓肯想。“我们迷路了。”他转向鹰眼。“你能带我们去威廉·亨利堡吗？”他问。“我们会给你钱的。”鹰眼看着科拉和爱丽丝。“我们带你去，”他对邓肯说。“钱不重要。我们不会把你和那两个年轻女人留在这里。马瓜和他的休伦朋友会找到你的。来吧——快点！”邓肯和鹰眼对科拉和爱丽丝说。姐妹们下了马。莫希干人把动物带走了。“他们会把马藏起来直到明天早上。”鹰眼说。他从河边高高的草丛中拉出一只独木舟。“上独木舟去，”他说。“我们去一个山洞，今晚就在那儿过夜。”邓肯、科拉和爱丽丝上了独木舟。鹰眼把独木舟推到河中央。然后他上了独木舟。他开始沿河划桨。不久，他们听到前面有一个大瀑布的声音——格伦瀑布。几分钟后，他们看到了瀑布。鹰眼划着独木舟靠近大瀑布。爱丽丝很害怕。她闭上了眼睛。鹰眼把独木舟停在一块平坦的大石头旁，科拉、爱丽丝和邓肯下了独木舟。我对他们说，你们站在平坦的磐石上。我会把莫希干人带来。”几分钟后，鹰眼带着钦加古和恩卡斯回来了。侦察员带领大家来到瀑布后面的一个山洞。山洞又深又窄又黑。鹰眼立刻生起了火。爱丽丝看着高大的年轻莫希干人乌卡斯。“一个强壮的男人在保护我们，”她平静地对姐姐说。“今晚我们就安全了。”
The Last of the Mohicans byJames Fenimore Cooper词汇提示1.tribes 部落2.Fort 堡垒3.General 将军4.commander 指挥官5.Major 少校原文Chapter I: The Two SistersIt was the year 1757.The place was the dangerous and wild land, west of the Hudson River.It was the third year of the war in North America.The war was between England and France.Each country wanted the land for itself.Indian tribes had always lived in that land.In the war, some tribes were fighting for the French.Other tribes were fighting for the English.Fort Edward was on the Hudson River.General Webb was the commander of the English army at Fort Edward.He was waiting for news of General Montcalm.Montcalm was the commander of the French army.The news came one morning.An Indian called Magua arrived.'Montcalm and the French army are coming towards Fort William Henry,' Magua told General Webb Fort.William Henry was fifteen miles away.It was at the south end of Lake Horican.'How many men has Montcalm got?' asked Webb.'As many as the leaves on the trees,' said Magua.'General Munro wants more soldiers at Fort William Henry.''I will send fifteen hundred men,' said General Webb.General Munro was the commander of the English army at Fort William Henry.He had two daughters - Cora and Alice.Cora was about twenty-three years old and Alice was eighteen.Cora had dark hair and a beautiful face.Alice had fair hair and blue eyes.These two young women were at Fort Edward.But they were going to travel to Fort William Henry.They were going to meet their father.General Webb spoke to Cora and Alice.'Magua knows a secret path through the forest,' said General Webb. 'He will be your guide. Magua and Major Duncan Heyward will take you to Fort William Henry.'Major Duncan Heyward was a young English officer.He and the two young women left FortEdward.They rode on horses.Magua walked in front of them.Alice watched Magua.'I don't like him, Cora,' she said. 'What do you think? Will we be safe in the forest with Magua?''We must trust Magua,' said Cora.'The French know our soldiers' paths,' said Duncan. 'But Magua's path is secret.'He smiled at Alice, and she smiled at him.Duncan Heyward was in love with Alice.'Magua is a Huron,' said Duncan. 'But he lived with the Mohawks. The Mohawks are friends of the English. Magua came to us. Your father-'Duncan stopped. Then he said, 'But I don't remember all the story.'Duncan knew more about Magua.But he did not tell Cora and Alice.He did not say, 'A few years ago, your father's men beat Magua. Now Magua hates your father.'Duncan did not want to frighten the young women.So they followed Magua through the forest.翻译第一章：两姐妹那是1757年。这个地方是哈德逊河以西危险而荒凉的地方。这是北美战争的第三年。这场战争发生在英国和法国之间。每个国家都想占有这块土地。印第安部落一直生活在那片土地上。在战争中，一些部落为法国人而战。其他部落也有在为英国人而战。爱德华堡位于哈德逊河上。韦布将军是爱德华堡英军的指挥官。他在等待蒙卡姆将军的消息。蒙特卡姆是法军的统帅。一天早上消息传来。一个叫马瓜的印第安人来了。“蒙特卡姆和法军正向威廉·亨利堡挺进，”马古阿告诉韦布·福特将军。威廉·亨利在15英里外。它在霍里肯湖的南端。“蒙特卡姆有多少人？”韦勃问。“和树上的叶子一样多，”玛瓜说。“门罗将军要在威廉·亨利堡增派士兵。”“我要派一千五百人去，”韦勃将军说。门罗将军是威廉·亨利堡英军的指挥官。他有两个女儿——科拉和爱丽丝。科拉大约23岁，爱丽丝18岁。科拉有一头黑发和一张美丽的脸。爱丽丝有一头金发和一双蓝眼睛。这两个年轻女人在爱德华堡。但是他们要去威廉·亨利堡。他们要去见他们的父亲。韦布将军对科拉和爱丽丝说。“马瓜知道一条穿过森林的秘密小路，”韦布将军说。“他将是你的向导。马瓜和邓肯·海沃德少校会带你去威廉·亨利堡。”邓肯·海沃德少校是一位年轻的英国军官。他和两个年轻女子离开了福特沃德。他们骑马。玛瓜走在他们前面。爱丽丝看着马瓜。“我不喜欢他，科拉，”她说。“你觉得怎么样？”我们和马瓜在森林里安全吗？”“我们必须相信马瓜，”科拉说。“法国人知道我们士兵走过的路，”邓肯说。但马瓜的路线是秘密的他对爱丽丝微笑，爱丽丝也对他微笑。邓肯·海沃德爱上了爱丽丝。“马瓜是休伦人，”邓肯说。“但他和莫霍克人住在一起。莫霍克人是英国人的朋友。玛瓜来找我们了。你的父亲——”邓肯停了下来。然后他说：“但是我不记得整个故事了。”邓肯更了解马瓜。但他没有告诉科拉和爱丽丝。他没有说：“几年前，你父亲的人打败了马瓜。现在马瓜恨你父亲。”邓肯不想吓到那些年轻的女人。于是他们跟着玛瓜穿过森林。
Send us a textOk friends, show me yo bootyhole! Mohawks are lame, especially on kids. Andy and his girlfriend huff farts out of brown paper bags. Speaking of Andy, turn your phone sounds off during recording, asshole. Y'all ‘member the TMNT Coming Out Of Their Shells Tour? We discuss peeing in the water. Lakes, pools, it doesn't matter. Ok, I have to go make a sissy…Support the showFollow Us Everywhere and Anywhere You Do You Social Medias Stuff: Instagram: https://www.instagram.com/themovieroulettepodcastTikTok:https://www.tiktok.com/@themovieroulettepodcastFacebook: https://www.facebook.com/themovieroulettepodcastYouTube: https://www.youtube.com/@TheMovieRoulettePodcast
More than 50 years ago, a group of Native Americans chose to leave the reservations where they lived to form a new community near Plattsburgh. Frustrated with the overcrowding, drugs, and alcoholism they had just fled, they built their new settlement, called Ganienkeh, with the goal of following a traditional way of life. A land dispute between the group, a nearby town, and the state led to state troopers policing the area for three years until the Mohawks and the state reached an agreement, moving Ganienkeh to its permanent home. The story is told through the documentary, "This Land," which will be screened at the Rochester International Film Festival. This hour, we talk with the team behind the film and residents of Ganienkeh about their remarkable story of reclaiming their land and their culture. Our guests: Raiewate Herne, Ganienkeh community member Tyler Hemlock, Ganienkeh community member Darryl Martin, Ganienkeh community member Mike Bradley, documentary filmmaker and director, producer, and editor of "This Land"
(Apr 24, 2025) New York state is suing President Donald Trump's administration over its tariff policies. Those tariffs could raise prices in the state for everything from clothes to fireworks. Also: the decades-old Mohawk land claim could be settled for good if Congress ratifies an agreement between the Mohawks of Akwesasne and New York state.
With our latest bonus episode behind us it's time to move on to another show. What could be more happy and chill than cooking monsters in a dungeon?! That's why we decided the next stop on the tour was going to be, Delicious In Dungeon.Join us this week as we contemplate the possibility of wearing a book like Flava Flav does a clock, lament the changing ways of British TV institution Blue Peter, and take a trip back in time with the cult classic song, United States of Whatever![Episode 1] Hot Pot/Tart: After a crushing loss, Laios, Marcille, and Chilchuck quickly reenter the dungeon to save Falin, but this time, they have a foolproof survival plan.[Episode 2] Going Too Far: Cossette returns as the third member of ACROSS, and gives Excel and Hyatt a potion which causes the two to switch bodies. This results in hilarious hijinks, as Watanabe takes Hyatt (in Excel's body) to a love hotel, and Excel (in Hyatt's body) adjusts to a far weaker body. Meanwhile, Nabeshin chases That Man's clones, and Il Palazzo plays guitar with the Mohawks on his three day break.If you'd like to get updates on the latest episodes and some occasional anime memes, why not give our Facebook page a follow?Who's That Anime? FB PageIf you'd like to see the video of our podcast, check out our YouTube channel:Who's That Anime? YouTube Channel!If you want to join in on the conversation why to become a member of our Discord!?Who's That Anime? DiscordWant to support us on Patreon to get early access to episodes?PatreonIf you're interested in following some of our other endeavours, why not give these links a try?Couch Fuel - Colin's Twitch channelHail, Paimon! - Steve's Twitch channelTheme Music by Taylor Gray
Is it too late to say sorry? Do apologies for medical harm actually create change? The Canadian Medical Association recently issued an apology to Indigenous Peoples for the harms inflicted upon them by the medical system, acknowledging a history of racism, neglect, and abuse. In this crucial episode, we delve into the significance of this apology and explore what true transformative medical justice must entail for First Nations, Inuit, and Métis Peoples in Canada. Our esteemed guest, Dr. Jamaica Cass, a First Nation physician, brings her invaluable perspective to this vital conversation. We discuss the limitations of apologies without concrete action and the urgent need for systemic change that respects and upholds Indigenous sovereignty within healthcare. Dr. Cass sheds light on the necessary steps to dismantle colonial structures in medicine, foster culturally safe practices, and ensure equitable access to care that is self-determined by Indigenous communities. Join The Gritty Nurses as we unpack what accountability looks like beyond words, and envision a future where Indigenous health and well-being are centered through the recognition of their inherent rights and sovereignty in healthcare delivery. More About Dr. Cass A member of the Mohawks of the Bay of Quinte, Turtle Clan, Dr. Cass practices Indigenous Health as a primary care physician on-reserve at Tyendinaga Mohawk Territory. In addition, as an assistant professor in the Department of Family Medicine at Queen's University, she currently supervises both undergraduate clerks and family medicine residents. Dr. Cass completed her family medicine residency at the University of Calgary, where she served on the Indigenous Health Working Group in the department of Family Medicine. Prior to her residency, Dr. Cass spent four years in New Orleans, Louisiana, where she completed her Medical Doctorate at Tulane University. With an extensive background in science, Dr. Cass earned her PhD from Queen's University in breast cancer molecular biology before pursuing a career in medicine. She was recognized with several institutional, national and international awards, including the American Association for Cancer Research MICR Scholar-in-Training Award, the Terry Fox Foundation Transdisciplinary Award and the Robert Sutherland Fellowship. While a student at Queen's, she was active in Indigenous mentorship and advocacy, serving on the Indigenous Council of Queen's University and the Native Students' Association, and mentoring Indigenous undergraduate students. CMA Apology https://www.cma.ca/our-focus/indigenous-health/apology-harms-indigenous-peoples#:~:text=We%20realize%20we%20have%20left,CMA%20apology%20to%20Indigenous%20Peoples Order our Book, The Wisdom Of Nurses! Leave us a review on Amazon! https://www.harpercollins.ca/9781443468718/the-wisdom-of-nurses/ https://www.grittynurse.com/ YouTube: https://www.youtube.com/@grittynursepodcast Facebook: https://www.facebook.com/grittynurse Instagram: https://www.instagram.com/gritty.nurse.podcast/ X: https://x.com/GrittyNurse LinkedIn: https://www.linkedin.com/company/grittynurse
Excel Saga is done! We have completed it! Does it make sense?Join us this week as we identify the constant use of innuendo, marvel at the blood fountain, and discuss the brazenness of showing your own adverts as part of your show![Episode 25] We Will Not Be Held Responsible: Il Palazzo has gained superhuman strength, and battles both the Daitenzin and Excel, who is seeking answers after regaining her memory. Meanwhile, Pedro, Sandora, Nabeshin, and his fallen comrades face off against That Man in a final battle.[Episode 26] Going Too Far: Cossette returns as the third member of ACROSS, and gives Excel and Hyatt a potion which causes the two to switch bodies. This results in hilarious hijinks, as Watanabe takes Hyatt (in Excel's body) to a love hotel, and Excel (in Hyatt's body) adjusts to a far weaker body. Meanwhile, Nabeshin chases That Man's clones, and Il Palazzo plays guitar with the Mohawks on his three day break.If you'd like to get updates on the latest episodes and some occasional anime memes, why not give our Facebook page a follow?Who's That Anime? FB PageIf you'd like to see the video of our podcast, check out our YouTube channel:Who's That Anime? YouTube Channel!If you want to join in on the conversation why to become a member of our Discord!?Who's That Anime? DiscordWant to support us on Patreon to get early access to episodes?PatreonIf you're interested in following some of our other endeavours, why not give these links a try?Couch Fuel - Colin's Twitch channelHail, Paimon! - Steve's Twitch channelTheme Music by Taylor Gray
In our very last interview of Season 3, we chat with Ev about spontaneous goblinization, nanite infestation, and a future Seattle that's even grimmer than the one we live in. Quite a bit of Seattle talk in this one, but also a lot of discussion of playing a TTRPG in a grounded and realistic world where actions have consequences. Also, spoilers for iZombie, Mr Robot, and possibly Oceans Eleven? Jake would like to sincerely apologize for making a Homestuck reference.In addition to the Shadowrun system, Ev mentions a few other science fiction-themed TTRPG systems:ParaoniaEclipse PhaseRogue TraderOnly WarJake mentions this Flashlight from last season where we tried out a system that uses a bunch of lookup tables for combat.To get used to the rhythm and rules of Shadowrun, Ev recommends checking out the Shadowrun subreddit, the Complex Action YouTube channel, this massive PDF tome called Shadowrun Storytime, and the Shadowrun: Dragonfall and Shadowrun: Hong Kong CRPGs. You can find more about Ev's music and events here and you can find more about Impact Foundation events here. Maybe we'll head to a future Impact Foundation event to interview people about their PCs? This week's intro comes from Rex, who was a guest in Season 2! Go check out Rex's writing projects.If you like the music on the show, go check out more of Reilly's music. Follow us wherever you get your podcasts, including Spotify, Apple Podcasts, and YouTube. You can also get episodes right from the source at our RSS feed. If you enjoy Campaign Spotlight, consider subscribing to our Patreon. For more on the show, including links to all our social media, visit our website. ★ Support this podcast on Patreon ★
We are back after a couple of weeks off and if you can believe it: Karl is actually famous now! We'll explain on the show. On today's show: Mohawks, a crazy reason why to ring the police, something went bump in the night at Karl's house......plus so much more! As well as our Featured Artist: Aria Cook!See omnystudio.com/listener for privacy information.
L'essentiel des nouvelles le 4 février 2025---Consultation gratuite de Podpass sur la publicité en podcasts: https://bit.ly/appel-podpass ---Tarifs américains: le Canada a obtenu un sursis d'un mois Le président américain a également suspendu les tarifs douaniers visant le Mexique Québec veut pénaliser les entreprises américaines dans les appels d'offres publics Le gouvernement Legault reporte lui aussi à 2026 l'augmentation d'impôt sur les gains en capitalUn nouveau programme de rabais est entré en vigueur dans le secteur du transport aérien régionalListe des compagnies aériennes participantes à https://infobref.com/programme-transport-aerien-regional-2025-02/ La journée d'hier a été en montagne russe pour les marchés financiers La Caisse de dépôt s'associe aux Mohawks pour investir dans l'énergie renouvelableL'entreprise montréalaise Groupe Grandio, qui possède la chaine La Cage – Brasserie sportive, a acheté trois restaurants situés dans le complexe hôtelier Le Vanguard réduit les frais de plusieurs dizaines de ses fondsOpenAI a lancé un nouvel agent pour la «recherche approfondie»--- Version écrite de ces nouvelles et autres nouvelles: https://infobref.com S'abonner aux infolettres gratuites d'InfoBref: https://infobref.com/infolettres Où trouver le balado InfoBref sur les principales plateformes de balado: https://infobref.com/audio Commentaires et suggestions à l'animateur Patrick Pierra, et information sur la publicité-commandite de ce balado: editeur@infobref.com Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
In this episode of Coffee Talk with Bryan, Bryan shares three nonprofits that he highly recommends supporting. He discusses 22 Mohawks, Ultimate Veteran Adventures, and Herostock, highlighting how these organizations are actively helping the veteran community. Bryan dives into the different events they host and participate in, and shares their websites where you can see pictures and testimonials from those who have benefited from these nonprofits. This is an episode you won't want to miss, filled with inspiring stories and valuable information on how to support our veterans. Cache Coffee https://cachecoffeeandmore.com/affiliate/82/ Put in BRCOFFEE at checkout for 10% discount Ultimate Veteran Adventure ultimateveteranadventures.org 22Mohawks 22mohawks.com Herostock www.herostock.org
Check out BALLSmusical.com to STREAM or ATTEND Brandon's Completely Unrelated Monster-Catchin' Musical!Listen to BONUS EPISODES and MORE at patreon.com/WhosThatPatreonDon't make any sudden movements, or your best friend will ram you into a wall! It's PILOSWINE! Join Brandon and Brielle as they send congratulations cards to dead men, plan the perfect crime, and design yarmulkes for Mohawks. So go chat up the quiet guy in the corner and make sure your poems don't rhyme—it's time to get dirty in the mud patch with this mammoth mofo!Tiktok and Instagram: @WhosThatPokemonPodTwitter: @BrandonZelman and @CapnBrielle
In this episode of Relationship As Medicine, we explore the power of intentional relationships and the ripple effect of our actions. Topics include the pitfalls of spiritual bypassing, the necessity of rest and reciprocity, and how to create a bigger impact by doing less. We also dive into decolonizing coaching & healing relationships and building authentic relationships. I hope this conversation acts as an invitation to you to reflect on how your small ripples can lead to meaningful waves of change. Emily Anne Brant is an Indigenous writer, speaker & mentor working at the intersection of personal development and decolonization. She is Turtle clan, from the Mohawks of the Bay of Quinte First Nation. Emily is on a mission to decolonize the personal development and coaching industry and works with coaches, leaders and all types of therapists and healers to create more inclusive spaces. At the heart of it all is fostering communities where everyone feels seen, safe, and truly supported so that we can grow and rise together! You can find Emily in these places: Emily's Website: www.emilyannebrant.com Emily's Instagram: www.instagram.com/emilyannebrant FREE E-BOOK: www.emilyannebrant.com/decolonize The Round Table Replay Box: https://www.emilyannebrant.com/the-round-table-replay-box
Kids Haircuts Salon publishes Holiday Hair Guide for parents to enhance their child's holiday look. Pigtails & Crewcuts: Haircuts for Kids City: Atlanta Address: 3495 Piedmont Road Northeast Website: https://pigtailsandcrewcuts.com/ Phone: +1 877 752 6800 Email: tvona@pigtailsandcrewcuts.com
Cet épisode a été diifusé une première fois le 11 septembre 2024.Les bulldozers sont de nouveau à l'œuvre sur le site de l'ancien hôpital Royal Victoria de Montréal, mais les "Mères Mohawks" n'ont pas dit leur dernier mot.Ces femmes luttent depuis plus de deux ans pour mettre en pause un projet immobilier de l'Université McGill et du gouvernement québécois.Elles demandent de nouvelles fouilles pour retrouver les corps d'enfants autochtones disparus il y a une soixantaine d'années.Dans les années 1950 et 1960, la CIA a financé à Montréal le grand projet MKUltra. En plein cœur de la Guerre froide, l'idée était de voir s'il était possible d'anéantir la personnalité d'un individu pour ensuite le contrôler mentalement.Dans cet épisode, Sur le Fil vous emmène dans les pas des "Mères Mohawks", qui forcent le Canada à regarder son passé dans les yeux.Réalisation : Maxime MametSur le terrain : Daphné Lemelin et Mathiew LeiserSur le Fil est le podcast quotidien de l'AFP. Vous avez des commentaires ? Ecrivez-nous à podcast@afp.com. Si vous aimez et que vous voulez nous soutenir, abonnez-vous sur la plateforme de votre choix, c'est gratuit. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
In 1990, a plan to expand a golf course in Oka, Quebec led to a 78 day standoff with the Mohawks of Kanesatake who claimed the disputed land belonged to them. During the tense standoff a provincial police officer was killed, mobs of locals burned effigies and harassed Indigenous people and ultimately Canadian Forces soldiers were deployed to the area. In this episode of History of the 90s we look back at what led up to the Kanestake Resistance and how it forced Canada to confront a new reality in its relationship with Indigenous people. GUEST INFO: Kahente Horn-Miller, Associate Professor of Indigenous Studies and Associate Vice President Indigenous Teaching, Learning and Research at Carleton University Facebook: @kahente SHOW INFO: TikTok: @90spodcast Instagram: @that90spodcast Email: 90s@curiouscast.ca Learn more about your ad choices. Visit megaphone.fm/adchoices
It's been 12 years since St. Kateri Tekakwitha ("The Lily of the Mohawks") was declared a saint by the Catholic church, in October 2012. She was a Mohawk/Algonquin woman who lived in the late 17th century in present-day New York and Quebec, declaring herself a virgin for Christ. Her sainthood has sparked both pride and soul-searching within and beyond Canada's First Nations. St. Kateri's earthly remains are entombed at the National Saint Kateri Tekakwitha Shrine, in St. Francis Xavier Mission Catholic Church in Kahnawake, on the banks of the St. Lawrence River near Montreal. The church is not far from the Kateri school and Kateri Memorial Hospital—visible reminders that she lived here, or nearby, in a Catholic community before her death at age 24. Faith Full is a Catholic podcast hosted by Tony Ganzer. In this episode we are not retelling St. Kateri's life story, but rather we're bringing you voices from a few members of the present-day Catholic community in Kahnawake: Beverly Anna Sky Dolormier, a volunteer named Marian, and Fr. Richard Saint-Louis. Visit our website: https://www.faithfullpod.com/ Donate: https://www.faithfullpod.com/support/ Subscribe on iTunes: https://itunes.apple.com/us/podcast/faith-full-podcast/id1363835811 Spotify: https://open.spotify.com/show/34sSHs8hHpOCi5csuTtiIv Before we explore St. Kateri, we need to be transparent: there are many serious issues that may cloud discussions involving the Catholic Church that we won't fully be able to explore. The Church has a complicated history and present here. Jesuits, known as the Black Robes, evangelized as European powers colonized North America. Over centuries, the systems put in place to govern these territories have wrested ancestral lands, water rights, and more, from the indigenous peoples. Church-affiliated residential schools separated children from their families and culture in the name of assimilation. Despite public apologies from Pope Francis, the reports of abuses committed at those schools have left societal wounds that, for some, may never fully heal. But for some Catholics, faith bears witness to their resilience.
Today we spoke with Emily Anne Brant, an indigenous author, speaker, and mentor who works with with businesses, leaders, and coaches who have colonial settler ancestry and want to make their spaces safer, more welcoming, and actually supportive for folks in the global majority. Emily is Turtle clan, from the Mohawks of the Bay of Quinte First Nation. Emily shares free e-book: www.emilyannebrant.com/decolonize ...and invites you to attend her upcoming 4-day masterclass series - The Round Table: www.emilyannebrant.com/trt-live You can find Emily here:Website: www.emilyannebrant.comInstagram: https://www.instagram.com/emilyannebrant/LinkedIn: https://www.linkedin.com/in/emilyannebrant/ **************************************** JOIN THE ALIGNED AF COMMUNITY MEMBERSHIP Get Aligned AF and build your business with a community created precisely for you Join the online community of Gen X women entrepreneurs and soon-to-be entrepreneurs who give a damn about doing business with intention. https://www.skool.com/aligned-af-community-4419/about (Sorry, bro marketers, start your own club.) ************************************************************FOLLOW BRENDA ON INSTAGRAM: https://www.instagram.com/itsbrendarigney/
On this day of Truth and Reconciliation in Canada I sit down with Emily Brant, an Indigenous writer, speaker, and mentor who is on a mission to decolonize the personal development and coaching industries. Emily, a Turtle Clan member from the Mohawks of the Bay of Quinte, works with coaches, leaders, and healers to create more inclusive spaces where everyone feels seen, safe, and supported. Through her work, Emily guides others to unlearn colonized ways of thinking and offers tools to help foster communities that value decolonization at their core. In this episode, we dive into Emily's journey, her experiences with assimilation, and the crucial moment when she realized that her Indigenous identity was key to her business growth and personal development. We also explore how Emily is helping others navigate these spaces, offering practical advice for decolonizing the coaching industry and addressing deep-rooted trauma. If you've been curious about how colonization impacts the coaching world or want to learn more about Indigenous perspectives in business and healing, this episode offers profound insights into the ongoing journey of decolonization. Emily's Website: www.emilyannebrant.com Emily's Instagram: www.instagram.com/emilyannebrant FREE E-BOOK: www.emilyannebrant.com/decolonize The Round Table Replay Box: https://www.emilyannebrant.com/the-round-table-replay-box
Les bulldozers sont de nouveau à l'œuvre sur le site de l'ancien hôpital Royal Victoria de Montréal, mais les "Mères Mohawks" n'ont pas dit leur dernier mot.Ces femmes luttent depuis plus de deux ans pour mettre en pause un projet immobilier de l'Université McGill et du gouvernement québécois. Elles demandent de nouvelles fouilles pour retrouver les corps d'enfants autochtones disparus il y a une soixantaine d'années. Dans les années 1950 et 1960, la CIA a financé à Montréal le grand projet MKUltra. En plein cœur de la Guerre froide, l'idée était de voir s'il était possible d'anéantir la personnalité d'un individu pour ensuite le contrôler mentalement.Dans cet épisode, Sur le Fil vous emmène dans les pas des "Mères Mohawks", qui forcent le Canada à regarder son passé dans les yeux.Réalisation : Maxime MametSur le terrain : Daphné Lemelin et Mathiew LeiserSur le Fil est le podcast quotidien de l'AFP. Vous avez des commentaires ? Ecrivez-nous à podcast@afp.com. Vous pouvez aussi nous envoyer une note vocale par Whatsapp au + 33 6 79 77 38 45. Si vous aimez et que vous voulez nous soutenir, abonnez-vous sur la plateforme de votre choix, c'est gratuit. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
Cette semaine à mâmawi musique, Moe Clark nous présente le groupe de percussions et de chants Eagleheart, basé à Toronto. Le groupe rassemble plusieurs nations comme celle de Moose Factory en Ontario, les Ojibwés (Anishinaabe), les Mohawks, et les Cris de la Saskatchewan. Le groupe est connu à l'international pour ses chansons traditionnelles de pow-wow, incluant les danses sacrées comme la danse de l'herbe et la danse ronde.
Hair Metal's prime: 1983-1991 - For Matt Beard, this genre is still vibrant today! ** Defining the Genres** - Beardo explains the differences between Hair Metal, Glam Metal, and Heavy Metal - Who is the "Dude Who Looks Like a Lady?" Beginner's guide: Essential songs for newcomers to the scene **: The Grunge Effect** - Did grunge kill Hair Metal? - What makes 80s rock unique and fun-loving? ** Hair Spray History** - Ancient Egyptian hair gel and spiked Mohawks – surprisingly punk! - The secrets behind the big, crunchy hair of the 80s --- Send us a voicemail here! https://www.speakpipe.com/The70sVsThe80s
This is day 1 of the Dog Days of Podcasting. From Blackpool England Handsome Dick Manitoba Shows Rebellion Festival HDM in London […] The post 10,000 Mohawks – DDOP Day 1 first appeared on The Rock and Roll Geek Show.
Shelley Niro (Kanien'kehaka) grew up watching her father craft faux tomahawks to sell to tourists who flocked to her birthplace, Niagara Falls. In this episode of the Hyperallergic podcast, she reflects on how witnessing him create these objects planted the seeds for her brilliant multidisciplinary art practice spanning film, sculpture, beading, and photography. The National Museum of the American Indian in New York displayed a retrospective of her work titled Shelley Niro: 500 Year Itch, a traveling exhibit which will be on display next at the National Gallery of Canada, in Ottawa, Ontario. She joined us in our Brooklyn studio for an interview, where she reflected on growing up in the Six Nations of the Grand River, the Native artists she discovered on her dentist's wall but rarely encountered in a museum before the mid-'90s, and her latest obsession with 500 million-year-old fossils.The music and sound effects in this episode are from the films “Honey Moccasin” and “Tree” by Shelley Niro, courtesy of the artist. Subscribe to Hyperallergic on Apple Podcasts, and anywhere else you listen to podcasts.(00:00) - Intro (03:02) - Beginnings of “500 Year Itch” Retrospective (04:18) - About “Honey Moccasin” (06:47) - Early Life (08:42) - The Six Nations of the Grand River (12:12) - Going to Art School and Native Representation in Museums (19:12) - Work in Painting (22:32) - Work in Photography (24:53) - On Niagara Falls (26:29) - History Behind Grand River Reserve (27:58) - The 1990s and Institutional Perspectives on Native American Art (31:12) - “Mohawks and Beehives” Series (34:51) - Why “500 Year Itch”? (39:47) - Art Schools Today (42:54) - Humor (47:27) - “In Her Lifetime” Series (49:57) - The Grand River (53:52) - Newest Works and Ancient Fossils (57:05) - Outro —Subscribe to Hyperallergic NewslettersBecome a member
This blogcast explores “St. Kateri Tekakwitha: Lily of the Mohawks," written by Pat Fricchione and read by Sarah Harrigan. “St. Kateri Tekakwitha: Lily of the Mohawks," by Pat Fricchione. In this Blogcast, Pat Fricchione, the author, describes the life of a World Youth Day Krakow patron Saint, St. Kateri Tekakwitha. St. Kateri Tekakwitha, was born in 1656 to a Mohawk father and a Christian Algonquin mother in modern upstate New York. She contracted smallpox in her youth, which led to poor eyesight. She learned about the Christian faith from Jesuit Father Jacques de Lamberville and received Baptism and First Holy Communion on Christmas day at the age of 21. She died on April 17, 1680 at the age of 24 and Pope Benedict XVI canonized her on October 21, 2012, made her patron of the environment, and her feast day is July 14. Pat Fricchione concludes his blog post with a reminder of the need to care for our common home as explained in Pope Francis' encyclical, Laudato Si'. To learn more about St. Kateri Tekakwitha, click here.For more information on World Youth Day 2016, click here. Sarah Harrigan:Sarah Harrigan is the Manager of Communications and Special Programs for the Catholic Apostolate Center where she coordinates the promotions and logistics of various groups and visitors coming to our Green Hill facility. She also assists with the day-to-day operations of Green Hill and other administrative duties and is responsible for the creation and publication of our Center newsletter. Pat Fricchione:Pat Fricchione is a collaborator with the Catholic Apostolate Center. Follow us:The Catholic Apostolate CenterThe Center's podcast websiteInstagramFacebookApple PodcastsSpotify Blogcasts are produced by the Catholic Apostolate Center. Follow the Center on Facebook, Instagram, Twitter, and YouTube to remain up-to-date on the latest Center resources and podcasts. Listen to Fr. Frank's weekly reflections, episodes of On Mission, and recent blogcasts. Follow us:The Catholic Apostolate CenterThe Center's podcast websiteInstagramFacebookApple PodcastsSpotify Fr. Frank Donio, S.A.C. also appears on the podcast, On Mission, which is produced by the Catholic Apostolate Center and you can also listen to his weekly Sunday Gospel reflections. Follow the Center on Facebook, Instagram, X (Twitter), and YouTube to remain up-to-date on the latest Center resources.
For those who haven't heard the announcement I posted , songs from this point on will sometimes be split among multiple episodes, so this is the first part of a two-episode look at the song “I Heard it Through the Grapevine”. This week we take a short look at the song’s writers, Norman Whitfield and Barrett Strong, and the first released version by Gladys Knight and the Pips. In two weeks time we’ll take a longer look at the sixties career of the song’s most famous performer, Marvin Gaye. This episode is quite a light one. That one… won’t be. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a half-hour bonus episode, on “Bend Me Shape Me” by Amen Corner. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Resources Mixcloud will be up with the next episode. For Motown-related information in this and other Motown episodes, I've used the following resources: Where Did Our Love Go? The Rise and Fall of the Motown Sound by Nelson George is an excellent popular history of the various companies that became Motown. To Be Loved by Berry Gordy is Gordy's own, understandably one-sided, but relatively well-written, autobiography. Women of Motown: An Oral History by Susan Whitall is a collection of interviews with women involved in Motown. I Hear a Symphony: Motown and Crossover R&B by J. Andrew Flory is an academic look at Motown. The Motown Encyclopaedia by Graham Betts is an exhaustive look at the people and records involved in Motown's thirty-year history. Motown: The Golden Years is another Motown encyclopaedia. And Motown Junkies is an infrequently-updated blog looking at (so far) the first 693 tracks released on Motown singles. For information on Marvin Gaye, and his relationship with Norman Whitfield, I relied on Divided Soul: The Life of Marvin Gaye by David Ritz. I’ve also used information on Whitfield in Ain't Too Proud to Beg: The Troubled Lives and Enduring Soul of the Temptations by Mark Ribowsky, I’ve also referred to interviews with Whitfield and Strong archived at rocksbackpages.com , notably “The Norman Whitfield interview”, John Abbey, Blues & Soul, 1 February 1977 For information about Gladys Knight, I’ve used her autobiography. The best collection of Gladys Knight and the Pips’ music is this 3-CD set, but the best way to hear Motown hits is in the context of other Motown hits. This five-CD box set contains the first five in the Motown Chartbusters series of British compilations. The Pips’ version of “I Heard it Through the Grapevine” is on disc 2, while Marvin Gaye’s is on disc 3, which is famously generally considered one of the best single-disc various artists compilations ever. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript Before I start, a brief note — this episode contains some brief mentions of miscarriage and drug abuse. The history of modern music would be immeasurably different had it not been for one car breakdown. Norman Whitfield spent the first fifteen years of his life in New York, never leaving the city, until his grandmother died. She’d lived in LA, and that was where the funeral was held, and so the Whitfield family got into a car and drove right across the whole continent — two thousand five hundred miles — to attend the old lady’s funeral. And then after the funeral, they turned round and started to drive home again. But they only got as far as Detroit when the car, understandably, gave up the ghost. Luckily, like many Black families, they had family in Detroit, and Norman’s aunt was not only willing to put the family up for a while, but her husband was able to give Norman’s father a job in his drug store while he saved up enough money to pay for the car to be fixed. But as it happened, the family liked Detroit, and they never did get around to driving back home to New York. Young Norman in particular took to the city’s nightlife, and soon as well as going to school he was working an evening job at a petrol station — but that was only to supplement the money he made as a pool hustler. Young Norman Whitfield was never going to be the kind of person who took a day job, and so along with his pool he started hanging out with musicians — in particular with Popcorn and the Mohawks, a band led by Popcorn Wylie. [Excerpt: Popcorn and the Mohawks, “Shimmy Gully”] Popcorn and the Mohawks were a band of serious jazz musicians, many of whom, including Wylie himself, went on to be members of the Funk Brothers, the team of session players that played on Motown’s hits — though Wylie would depart Motown fairly early after a falling out with Berry Gordy. They were some of the best musicians in Detroit at the time, and Whitfield would tag along with the group and play tambourine, and sometimes other hand percussion instruments. He wasn’t a serious musician at that point, just hanging out with a bunch of people who were, who were a year or two older than him. But he was learning — one thing that everyone says about Norman Whitfield in his youth is that he was someone who would stand on the periphery of every situation, not getting involved, but soaking in everything that the people around him were doing, and learning from them. And soon, he was playing percussion on sessions. At first, this wasn’t for Motown, but everything in the Detroit music scene connected back to the Gordy family in one way or another. In this case, the label was Thelma Records, which was formed by Berry Gordy’s ex-mother-in-law and named after Gordy’s first wife, who he had recently divorced. Of all the great Motown songwriters and producers, Whitfield’s life is the least-documented, to the extent that the chronology of his early career is very vague and contradictory, and Thelma was such a small label there even seems to be some dispute about when it existed — different sources give different dates, and while Whitfield always said he worked for Thelma records, he might have actually been employed by another label owned by the same people, Ge Ge, which might have operated earlier — but by most accounts Whitfield quickly progressed from session tambourine player to songwriter. According to an article on Whitfield from 1977, the first record of one of his songs was “Alone” by Tommy Storm on Thelma Records, but that record seems not to exist — however, some people on a soul message board, discussing this a few years ago, found an interview with a member of a group called The Fabulous Peps which also featured Storm, saying that their record on Ge Ge Records, “This Love I Have For You”, is a rewrite of that song by Don Davis, Thelma’s head of A&R, though the credit on the label for that is just to Davis and Ron Abner, another member of the group: [Excerpt: The Fabulous Peps, “This Love I Have For You”] So that might, or might not, be the first Norman Whitfield song ever to be released. The other song often credited as Whitfield’s first released song is “Answer Me” by Richard Street and the Distants — Street was another member of the Fabulous Peps, but we’ve encountered him and the Distants before when talking about the Temptations — the Distants were the group that Otis Williams, Melvin Franklin, and Al Bryant had been in before forming the Temptations — and indeed Street would much later rejoin his old bandmates in the Temptations, when Whitfield was producing for them. Unlike the Fabulous Peps track, this one was clearly credited to N. Whitfield, so whatever happened with the Storm track, this is almost certainly Whitfield’s first official credit as a songwriter: [Excerpt: Richard Street and the Distants, “Answer Me”] He was soon writing songs for a lot of small labels — most of which appear to have been recorded by the Thelma team and then licensed out — like “I’ve Gotten Over You” by the Sonnettes: [Excerpt: The Sonnettes, “I’ve Gotten Over You”] That was on KO Records, distributed by Scepter, and was a minor local hit — enough to finally bring Whitfield to the attention of Berry Gordy. According to many sources, Whitfield had been hanging around Hitsville for months trying to get a job with the label, but as he told the story in 1977 “Berry Gordy had sent Mickey Stevenson over to see me about signing with the company as an exclusive in-house writer and producer. The first act I was assigned to was Marvin Gaye and he had just started to become popular.” That’s not quite how the story went. According to everyone else, he was constantly hanging around Hitsville, getting himself into sessions and just watching them, and pestering people to let him get involved. Rather than being employed as a writer and producer, he was actually given a job in Motown’s quality control department for fifteen dollars a week, listening to potential records and seeing which ones he thought were hits, and rating them before they went to the regular department meetings for feedback from the truly important people. But he was also allowed to write songs. His first songwriting credit on a Motown record wasn’t Marvin Gaye, as Whitfield would later tell the story, but was in fact for the far less prestigious Mickey Woods — possibly the single least-known artist of Motown’s early years. Woods was a white teenager, the first white male solo artist signed to Motown, who released two novelty teen-pop singles. Whitfield’s first Motown song was the B-side to Woods’ second single, a knock-off of Sam Cooke’s “Cupid” called “They Call Me Cupid”, co-written with Berry Gordy and Brian Holland: [Excerpt: Mickey Woods, “They Call Me Cupid”] Unsurprisingly that didn’t set the world on fire, and Whitfield didn’t get another Motown label credit for thirteen months (though some of his songs for Thelma may have come out in this period). When he did, it was as co-writer with Mickey Stevenson — and, for the first time, sole producer — of the first single for a new singer, Kim Weston: [Excerpt: Kim Weston, “It Should Have Been Me”] As it turned out, that wasn’t a hit, but the flip-side, “Love Me All The Way”, co-written by Stevenson (who was also Weston’s husband) and Barney Ales, did become a minor hit, making the R&B top thirty. After that, Whitfield was on his way. It was only a month later that he wrote his first song for the Temptations, a B-side, “The Further You Look, The Less You See”: [Excerpt: The Temptations, “The Further You Look, The Less You See”] That was co-written with Smokey Robinson, and as we heard in the episode on “My Girl”, both Robinson and Whitfield vied with each other for the job of Temptations writer and producer. As we also heard in that episode, Robinson got the majority of the group’s singles for the next couple of years, but Whitfield would eventually take over from him. Whitfield’s work with the Temptations is probably his most important work as a writer and producer, and the Temptations story is intertwined deeply with this one, but for the most part I’m going to save discussion of Whitfield’s work with the group until we get to 1972, so bear with me if I seem to skim over that — and if I repeat myself in a couple of years when we get there. Whitfield’s first major success, though, was also the first top ten hit for Marvin Gaye, “Pride and Joy”: [Excerpt: Marvin Gaye, “Pride and Joy”] “Pride and Joy” had actually been written and recorded before the Kim Weston and Temptations tracks, and was intended as album filler — it was written during a session by Whitfield, Gaye, and Mickey Stevenson who was also the producer of the track, and recorded in the same session as it was written, with Martha and the Vandellas on backing vocals. The intended hit from the session, “Hitch-Hike”, we covered in the previous episode on Gaye, but that was successful enough that an album, That Stubborn Kinda Fellow, was released, with “Pride and Joy” on it. A few months later Gaye recut his lead vocal, over the same backing track, and the record was released as a single, reaching number ten on the pop charts and number two R&B: [Excerpt: Marvin Gaye, “Pride and Joy”] Whitfield had other successes as well, often as B-sides. “The Girl’s Alright With Me”, the B-side to Smokey Robinson’s hit for the Temptations “I’ll Be In Trouble”, went to number forty on the R&B chart in its own right: [Excerpt: The Temptations, “The Girl’s Alright With Me”] That was co-written with Eddie Holland, and Holland and Whitfield had a minor songwriting partnership at this time, with Holland writing lyrics and Whitfield the music. Eddie Holland even released a Holland and Whitfield collaboration himself during his brief attempt at a singing career — “I Couldn’t Cry if I Wanted To” was a song they wrote for the Temptations, who recorded it but then left it on the shelf for four years, so Holland put out his own version, again as a B-side: [Excerpt: Eddie Holland, “I Couldn’t Cry if I Wanted To”] Whitfield was very much a B-side kind of songwriter and producer at this point — but this could be to his advantage. In January 1963, around the same time as all these other tracks, he cut a filler track with the “no-hit Supremes”, “He Means the World to Me”, which was left on the shelf until they needed a B-side eighteen months later and pulled it out and released it: [Excerpt: The Supremes, “He Means the World to Me”] But the track that that was a B-side to was “Where Did Our Love Go?”, and at the time you could make a lot of money from writing the B-side to a hit that big. Indeed, at first, Whitfield made more money from “Where Did Our Love Go?” than Holland, Dozier, or Holland, because he got a hundred percent of the songwriters’ share for his side of the record, while they had to split their share three ways. Slowly Whitfield moved from being a B-side writer to being an A-side writer. With Eddie Holland he was given a chance at a Temptations A-side for the first time, with “Girl, (Why You Wanna Make Me Blue)”: [Excerpt: The Temptations, “Girl (Why You Wanna Make Me Blue)”] He also wrote for Jimmy Ruffin, but in 1964 it was with girl groups that Whitfield was doing his best work. With Mickey Stevenson he wrote “Needle in a Haystack” for the Velvettes: [Excerpt: The Velvettes, “Needle in a Haystack”] He wrote their classic followup “He Was Really Sayin' Somethin’” with Stevenson and Eddie Holland, and with Holland he also wrote “Too Many Fish in the Sea” for the Marvelettes: [Excerpt: The Marvelettes, “Too Many Fish In The Sea”] By late 1964, Whitfield wasn’t quite in the first rank of Motown songwriter-producers with Holland-Dozier-Holland and Smokey Robinson, but he was in the upper part of the second tier with Mickey Stevenson and Clarence Paul. And by early 1966, as we saw in the episode on “My Girl”, he had achieved what he’d wanted for four years, and become the Temptations’ primary writer and producer. As I said, we’re going to look at Whitfield’s time working with the Temptations later, but in 1966 and 67 they were the act he was most associated with, and in particular, he collaborated with Eddie Holland on three top ten hits for the group in 1966. But as we discussed in the episode on “I Can’t Help Myself”, Holland’s collaborations with Whitfield eventually caused problems for Holland with his other collaborators, when he won the BMI award for writing the most hit songs, depriving his brother and Lamont Dozier of their share of the award because his outside collaborations put him ahead of them. While Whitfield *could* write songs by himself, and had in the past, he was at his best as a collaborator — as well as his writing partnership with Eddie Holland he’d written with Mickey Stevenson, Marvin Gaye, and Janie Bradford. And so when Holland told him he was no longer able to work together, Whitfield started looking for someone else who could write lyrics for him, and he soon found someone: [Excerpt: Barrett Strong, “Money”] Barrett Strong had, of course, been the very first Motown act to have a major national hit, with “Money”, but as we discussed in the episode on that song he had been unable to have a follow-up hit, and had actually gone back to working on an assembly line for a while. But when you’ve had a hit as big as “Money”, working on an assembly line loses what little lustre it has, and Strong soon took himself off to New York and started hanging around the Brill Building, where he hooked up with Doc Pomus and Mort Shuman, the writers of such hits as “Save the Last Dance for Me”, “Viva Las Vegas”, “Sweets for My Sweet”, and “A Teenager in Love”. Pomus and Shuman, according to Strong, signed him to a management contract, and they got him signed to Atlantic’s subsidiary Atco, where he recorded one single, “Seven Sins”, written and produced by the team: [Excerpt: Barrett Strong, “Seven Sins”] That was a flop, and Strong was dropped by the label. He bounced around a few cities before ending up in Chicago, where he signed to VeeJay Records and put out one more single as a performer, “Make Up Your Mind”, which also went nowhere: [Excerpt: Barrett Strong, “Make Up Your Mind”] Strong had co-written that, and as his performing career was now definitively over, he decided to move into songwriting as his main job. He co-wrote “Stay in My Corner” for the Dells, which was a top thirty R&B hit for them on VeeJay in 1965 and in a remade version in 1968 became a number one R&B hit and top ten pop hit for them: [Excerpt: The Dells, “Stay in My Corner”] And on his own he wrote another top thirty R&B hit, “This Heart of Mine”, for the Artistics: [Excerpt: The Artistics, “This Heart of Mine”] He wrote several other songs that had some minor success in 1965 and 66, before moving back to Detroit and hooking up again with his old label, this time coming to them as a songwriter with a track record rather than a one-hit wonder singer. As Strong put it “They were doing my style of music then, they were doing something a little different when I left, but they were doing the more soulful, R&B-style stuff, so I thought I had a place there. So I had an idea I thought I could take back and see if they could do something with it.” That idea was the first song he wrote under his new contract, and it was co-written with Norman Whitfield. It’s difficult to know how Whitfield and Strong started writing together, or much about their writing partnership, even though it was one of the most successful songwriting teams of the era, because neither man was interviewed in any great depth, and there’s almost no long-form writing on either of them. What does seem to have been the case is that both men had been aware of each other in the late fifties, when Strong was a budding R&B star and Whitfield merely a teenager hanging round watching the cool kids. The two may even have written together before — in an example of how the chronology for both Whitfield and Strong seems to make no sense, Whitfield had cowritten a song with Marvin Gaye, “Wherever I Lay My Hat, That’s My Home”, in 1962 — when Strong was supposedly away from Motown — and it had been included as an album track on the That Stubborn Kinda Fellow album: [Excerpt: Marvin Gaye, “Wherever I Lay My Hat, That’s My Home”] The writing on that was originally credited just to Whitfield and Gaye on the labels, but it is now credited to Whitfield, Gaye, and Strong, including with BMI. Similarly Gaye’s 1965 album track “Me and My Lonely Room” — recorded in 1963 but held back – was initially credited to Whitfield alone but is now credited to Whitfield and Strong, in a strange inverse of the way “Money” initially had Strong’s credit but it was later removed. But whether this was an administrative decision made later, or whether Strong had been moonlighting for Motown uncredited in 1962 and collaborated with Whitfield, they hadn’t been a formal writing team in the way Whitfield and Holland had been, and both later seemed to date their collaboration proper as starting in 1966 when Strong returned to Motown — and understandably. The two songs they’d written earlier – if indeed they had – had been album filler, but between 1967 when the first of their new collaborations came out and 1972 when they split up, they wrote twenty-three top forty hits together. Theirs seems to have been a purely business relationship — in the few interviews with Strong he talks about Whitfield as someone he was friendly with, but Whitfield’s comments on Strong seem always to be the kind of very careful comments one would make about someone for whom one has a great deal of professional respect, a great deal of personal dislike, but absolutely no wish to air the dirty laundry behind that dislike, or to burn bridges that don’t need burning. Either way, Whitfield was in need of a songwriting partner when Barrett Strong walked into a Motown rehearsal room, and recognised that Strong’s talents were complementary to his. So he told Strong, straight out, “I’ve had quite a few hit records already. If you write with me, I can guarantee you you’ll make at least a hundred thousand dollars a year” — though he went on to emphasise that that wasn’t a guarantee-guarantee, and would depend on Strong putting the work in. Strong agreed, and the first idea he brought in for his new team earned both of them more than that hundred thousand dollars by itself. Strong had been struck by the common phrase “I heard it through the grapevine”, and started singing that line over some Ray Charles style gospel chords. Norman Whitfield knew a hook when he heard one, and quickly started to build a full song around Strong’s line. Initially, by at least some accounts, they wanted to place the song with the Isley Brothers, who had just signed to Motown and had a hit with the Holland-Dozier-Holland song “This Old Heart of Mine”: [Excerpt: The Isley Brothers, “This Old Heart of Mine (Is Weak For You)”] For whatever reason, the Isley Brothers didn’t record the song, or if they did no copy of the recording has ever surfaced, though it does seem perfectly suited to their gospel-inflected style. The Isleys did, though, record another early Whitfield and Strong song, “That’s the Way Love Is”, which came out in 1967 as a flop single, but would later be covered more successfully by Marvin Gaye: [Excerpt: The Isley Brothers, “That’s the Way Love Is”] Instead, the song was first recorded by the Miracles. And here the story becomes somewhat murky. We have a recording by the Miracles, released on an album two years later, but some have suggested that that version isn’t the same recording they made in 1966 when Whitfield and Strong wrote the song originally: [Excerpt: Smokey Robinson and the Miracles, “I Heard it Through the Grapevine”] It certainly sounds to my ears like that is probably the version of the song the group recorded in 66 — it sounds, frankly, like a demo for the later, more famous version. All the main elements are there — notably the main Ray Charles style hook played simultaneously on Hammond organ and electric piano, and the almost skanking rhythm guitar stabs — but Smokey Robinson’s vocal isn’t *quite* passionate enough, the tempo is slightly off, and the drums don’t have the same cavernous rack tom sound that they have in the more famous version. If you weren’t familiar with the eventual hit, it would sound like a classic Motown track, but as it is it’s missing something… [Excerpt: Smokey Robinson and the Miracles, “I Heard it Through the Grapevine”] According to at least some sources, that was presented to the quality control team — the team in which Whitfield had started his career, as a potential single, but they dismissed it. It wasn’t a hit, and Berry Gordy said it was one of the worst songs he’d ever heard. But Whitfield knew the song was a hit, and so he went back into the studio and cut a new backing track: [Excerpt: Marvin Gaye, “I Heard it Through the Grapevine (backing track only)”] (Incidentally, no official release of the instrumental backing track for “I Heard it Through the Grapevine” exists, and I had to put that one together myself by taking the isolated parts someone had uploaded to youtube and synching them back together in editing software, so if there are some microsecond-level discrepancies between the instruments there, that’s on me, not on the Funk Brothers.) That track was originally intended for the Temptations, with whom Whitfield was making a series of hits at the time, but they never recorded it at the time. Whitfield did produce a version for them as an album track a couple of years later though, so we have an idea how they might have taken the song vocally — though by then David Ruffin had been replaced in the group by Dennis Edwards: [Excerpt: The Temptations, “I Heard it Through the Grapevine”] But instead of giving the song to the Temptations, Whitfield kept it back for Marvin Gaye, the singer with whom he’d had his first big breakthrough hit and for whom his two previous collaborations with Strong – if collaborations they were – had been written. Gaye and Whitfield didn’t get on very well — indeed, it seems that Whitfield didn’t get on very well with *anyone* — and Gaye would later complain about the occasions when Whitfield produced his records, saying “Norman and I came within a fraction of an inch of fighting. He thought I was a prick because I wasn't about to be intimidated by him. We clashed. He made me sing in keys much higher than I was used to. He had me reaching for notes that caused my throat veins to bulge.” But Gaye sang the song fantastically, and Whitfield was absolutely certain they had a sure-fire hit: [Excerpt: Marvin Gaye, “I Heard it Through the Grapevine”] But once again the quality control department refused to release the track. Indeed, it was Berry Gordy personally who decided, against the wishes of most of the department by all accounts, that instead of “I Heard it Through the Grapevine” Gaye’s next single should be a Holland-Dozier-Holland track, “Your Unchanging Love”, a soundalike rewrite of their earlier hit for him, “How Sweet It Is”. “Your Unchanging Love” made the top thirty, but was hardly a massive success. Gordy has later claimed that he always liked “Grapevine” but just thought it was a bit too experimental for Gaye’s image at the time, but reports from others who were there say that what Gordy actually said was “it sucks”. So “I Heard it Through the Grapevine” was left on the shelf, and the first fruit of the new Whitfield/Strong team to actually get released was “Gonna Give Her All the Love I’ve Got”, written for Jimmy Ruffin, the brother of Temptations lead singer David, who had had one big hit, “What Becomes of the Brokenhearted” and one medium one, “I’ve Passed This Way Before”, in 1966. Released in 1967, “Gonna Give Her All the Love I’ve Got” became Ruffin’s third and final hit, making number 29: [Excerpt: Jimmy Ruffin, “Gonna Give Her All the Love I’ve Got”] But Whitfield was still certain that “Grapevine” could be a hit. And then in 1967, a few months after he’d shelved Gaye’s version, came the record that changed everything in soul: [Excerpt: Aretha Franklin, “Respect”] Whitfield was astounded by that record, but also became determined he was going to “out-funk Aretha”, and “I Heard it Through the Grapevine” was going to be the way to do it. And he knew someone who thought she could do just that. Gladys Knight never got on well with Aretha Franklin. According to Knight’s autobiography this was one-sided on Franklin’s part, and Knight was always friendly to Franklin, but it’s also notable that she says the same about several other of the great sixties female soul singers (though not all of them by any means), and there seems to be a general pattern among those singers that they felt threatened by each other and that their own position in the industry was precarious, in a way the male singers usually didn’t. But Knight claimed she always *wished* she got on well with Franklin, because the two had such similar lives. They’d both started out singing gospel as child performers before moving on to the chitlin circuit at an early age, though Knight started her singing career even younger than Franklin did. Knight was only four when she started performing solos in church, and by the age of eight she had won the two thousand dollar top prize on Ted Mack’s Amateur Hour by singing Brahms’ “Lullaby” and the Nat “King” Cole hit “Too Young”: [Excerpt: Nat “King” Cole, “Too Young”] That success inspired her, and she soon formed a vocal group with her brother Bubba, sister Brenda and their cousins William and Eleanor Guest. They named themselves the Pips in honour of a cousin whose nickname that was, and started performing at talent contests in Atlanta Chitlin’ Circuit venues. They soon got a regular gig at one of them, the Peacock, despite them all being pre-teens at the time. The Pips also started touring, and came to the attention of Maurice King, the musical director of the Flame nightclub in Detroit, who became a vocal coach for the group. King got the group signed to Brunswick records, where they released their first single, a song King had written called “Whistle My Love”: [Excerpt: The Pips, “Whistle My Love”] According to Knight that came out in 1955, when she was eleven, but most other sources have it coming out in 1958. The group’s first two singles flopped, and Brenda and Eleanor quit the group, being replaced by another cousin, Edward Patten, and an unrelated singer Langston George, leaving Knight as the only girl in the quintet. While the group weren’t successful on records, they were getting a reputation live and toured on package tours with Sam Cooke, Jackie Wilson, and others. Knight also did some solo performances with a jazz band led by her music teacher, and started dating that band’s sax player, Jimmy Newman. The group’s next recording was much more successful. They went into a makeshift studio owned by a local club owner, Fats Hunter, and recorded what they thought was a demo, a version of the Johnny Otis song “Every Beat of My Heart”: [Excerpt: The Pips, “Every Beat of My Heart (HunTom version)”] The first they knew that Hunter had released that on his own small label was when they heard it on the radio. The record was picked up by VeeJay records, and it ended up going to number one on the R&B charts and number six on the pop charts, but they never saw any royalties from it. It brought them to the attention of another small label, Fury Records, which got them to rerecord the song, and that version *also* made the R&B top twenty and got as high as number forty-five on the pop charts: [Excerpt: Gladys Knight and the Pips, “Every Beat of My Heart (Fury version)”] However, just because they had a contract with Fury didn’t mean they actually got any more money, and Knight has talked about the label’s ownership being involved with gangsters. That was the first recording to be released as by “Gladys Knight and the Pips”, rather than just The Pips, and they would release a few more singles on Fury, including a second top twenty pop hit, the Don Covay song “Letter Full of Tears”: [Excerpt: Gladys Knight and the Pips, “Letter Full of Tears”] But Knight had got married to Newman, who was by now the group’s musical director, after she fell pregnant when she was sixteen and he was twenty. However, that first pregnancy tragically ended in miscarriage, and when she became pregnant again she decided to get off the road to reduce the risk. She spent a couple of years at home, having two children, while the other Pips – minus George who left soon after – continued without her to little success. But her marriage was starting to deteriorate under pressure of Newman’s drug use — they wouldn’t officially divorce until 1972, but they were already feeling the pressure, and would split up sooner rather than later — and Knight returned to the stage, initially as a solo artist or duetting with Jerry Butler, but soon rejoining the Pips, who by this time were based in New York and working with the choreographer Cholly Atkins to improve their stagecraft. For the next few years the Pips drifted from label to label, scoring one more top forty hit in 1964 with Van McCoy’s “Giving Up”, but generally just getting by like so many other acts on the circuit. Eventually the group ended up moving to Detroit, and hooking up with Motown, where mentors like Cholly Atkins and Maurice King were already working. At first they thought they were taking a step up, but they soon found that they were a lower tier Motown act, considered on a par with the Spinners or the Contours rather than the big acts, and according to Knight they got pulled off an early Motown package tour because Diana Ross, with whom like Franklin Knight had something of a rivalry, thought they were too good on stage and were in danger of overshadowing her. Knight says in her autobiography that they “formed a little club of our own with some of the other malcontents” with Martha Reeves, Marvin Gaye, and someone she refers to as “Ivory Joe Hunter” but I presume she means Ivy Jo Hunter (one of the big problems when dealing with R&B musicians of this era is the number of people with similar names. Ivy Jo Hunter, Joe Hunter, and Ivory Joe Hunter were all R&B musicians for whom keyboard was their primary instrument, and both Ivy Jo and just plain Joe worked for Motown at different points, but Ivory Joe never did) Norman Whitfield was also part of that group of “malcontents”, and he was also the producer of the Pips’ first few singles for Motown, and so when he was looking for someone to outdo Aretha, someone with something to prove, he turned to them. He gave the group the demo tape, and they worked out a vocal arrangement for a radically different version of the song, one inspired by “Respect”: [Excerpt: Gladys Knight and the Pips, “I Heard it Through the Grapevine”] The third time was the charm, and quality control finally agreed to release “I Heard it Through the Grapevine” as a single. Gladys Knight always claimed it had no promotion, but Norman Whitfield’s persistence had paid off — the single went to number two on the pop charts (kept off the top by “Daydream Believer”), number one on the R&B charts, and became Motown’s biggest-selling single *ever* up until that point. It also got Knight a Grammy nomination for Best R&B Vocal Performance, Female — though the Grammy committee, at least, didn’t think she’d out-Aretha’d Aretha, as “Respect” won the award. And that, sadly, sort of summed up Gladys Knight and the Pips at Motown — they remained not quite the winners in everything. There’s no shame in being at number two behind a classic single like “Daydream Believer”, and certainly no shame in losing the Grammy to Aretha Franklin at her best, but until they left Motown in 1972 and started their run of hits on Buddah records, Gladys Knight and the Pips would always be in other people’s shadow. That even extended to “I Heard It Through the Grapevine” when, as we’ll hear in part two of this story, Norman Whitfield’s persistence paid off, Marvin Gaye’s version got released as a single, and *that* became the biggest-selling single on Motown ever, outselling the Pips version and making it forever his song, not theirs. And as a final coda to the story of Gladys Knight and the Pips at Motown, while they were touring off the back of “Grapevine’s” success, the Pips ran into someone they vaguely knew from his time as a musician in the fifties, who was promoting a group he was managing made up of his sons. Knight thought they had something, and got in touch with Motown several times trying to get them to sign the group, but she was ignored. After a few attempts, though, Bobby Taylor of another second-tier Motown group, the Vancouvers, also saw them and got in touch with Motown, and this time they got signed. But that story wasn’t good enough for Motown, and so neither Taylor nor Knight got the credit for discovering the group. Instead when Joe Jackson’s sons’ band made their first album, it was titled Diana Ross Presents the Jackson 5. But that, of course, is a story for another time…
This week, Nathanael is joined by Bryan Olesen to talk about being coached by John Legend, being labeled as Mr. Potato Head and Bryan answers some burning questions. Host: Nathanael Reyes Guest: Bryan Olesen https://linktr.ee/imnathanaelreyes Follow @imnathanaelreyes Shop Mad Rabbit Products (CODE: REYESREFLECTION For 20% OFF) https://www.madrabbit.com/collections/all-products Shop Jocko Fuel (CODE: REYESREFLECTION For 10% OFF) https://store.jockofuel.com Shop Arave Cards https://www.ebay.com/str/aravecards https://m.facebook.com/people/Arave-Cards/100090481594642/
We're thrilled to host Steve Foxe, an acclaimed writer known for his contributions to the X-Men universe through works like Dark X-Men, Dead X-Men, and X-Men '92: House of XCII. We dive into X-Men '97 #1, the captivating prelude to the Disney+ series. Witness the Charles Xavier Memorial Concert by pop songstress Dazzler and the debut of Storm's fierce new mohawk, to an unexpected attack by The Nasty Boys. Plus, don't miss the dramatic moment when Jean reveals her pregnancy news to Cyclops. Join us as we explore the narrative that connects X-Men: The Animated Series to its exciting continuation, X-Men '97!Find us on the AIPT Podcast Network. Follow our show to be alerted when new episodes appear the first and third Wednesday of the month. Check us out on social media @xreadspodcast on Twitter, Instagram, and Facebook. For business inquiries, email xreadspodcast@gmail.com. Learn more at https://aiptcomics.com
A millennium ago, North American cities rivaled urban centers around the world in size. So, when Europeans arrived in the sixteenth century, they encountered societies they did not understand, having developed differently from their own, and whose power they often underestimated. And no civilization came to a halt when a few wandering explorers arrived, even when the strangers came well-armed.To explore this overlooked history is today's guest, Kathleen DuVal, author of “Native Nations.” For centuries after these first encounters, Indigenous people maintained an upper hand and used Europeans in pursuit of their own interests. In Native Nations, we see how Mohawks closely controlled trade with the Dutch--and influenced global markets--and how Quapaws manipulated French colonists.Power dynamics shifted after the American Revolution, but Indigenous people continued to control the majority of the continent. Shawnee brothers Tecumseh and Tenskwatawa forged new alliances and encouraged a controversial new definition of Native identity to attempt to wall off U.S. ambitions. The Cherokees created new institutions to assert their sovereignty on the global stage, and the Kiowas used their preponderance of power in the west to regulate the passage of white settlers across their territory.
-Trev & Bush are back from playing in the annual "Last chance hockey tournament" -The pools are set for the Freddy (Men's and Women's divisions) -Who will win Tribal Days and NAFN this weekend? -Do you take the shampoo and complimentary items from your hotel room? -Rez Hockey top 5 team names that will be playing in the Freddy -We're joined by special guest Brooke Stacey of the Mohawks of Kahnawá:ke **Plus much more!**
Canadian journalist Nora Loreto reads the latest headlines for Wednesday, March 6, 2024.TRNN has partnered with Loreto to syndicate her daily news digest and share it with our audience—tune in every morning on the TRNN podcast feed to hear about the latest important news stories from Canada and around the world.Find more headlines from Nora at Sandy & Nora Talk Politics podcast feed.Help us continue producing radically independent news and in-depth analysis by following us and becoming a monthly sustainer:Donate: https://therealnews.com/donate-podSign up for our newsletter: https://therealnews.com/newsletter-podLike us on Facebook: https://facebook.com/therealnewsFollow us on Twitter: https://twitter.com/therealnewsReferenced articles:Story 1 - Massive investigation by Global News shows Residential school-like conditions that Indigenous youth are subjected to in private, for-profit youth homes.Story 2 - Mohawks of Kahawake have spent $100,000 trying to clean up a diesel spill coming from Châteauguay.Story 3 - Five dead after plane crashes in Nashville, all on board were Canadian.Story 4 - CBC's Catharine Cullen reports that the government will reverse its decision on UNRWA because it's seen an interim UN report, makes no mention of the social pressure to do this ... and the press conference was just cancelled.Story 5 - Underwater cables in the Red Sea have been severed, impacting 26% of all east-west communications. No word yet on whether it was sabotage or an accident.Story 6 - Yahya Dillo, the head of the Parti Socialiste sans frontières in Chad was killed as Chadian forces stormed their headquarters.
Alexandre Cauchy est le cofondateur de la société de distribution Mohawks Cycles.
Brains On host Molly Bloom needs a haircut! The only problem is we don't know what kind of cut she should get. Molly wants something simple, while producers Marc Sanchez and Sanden Totten think she should get a mullet or mohawk! And at Brains On HQ there's only one wait to settle a dispute: with a Sneak Attack! Grab your Smarty Pass for this hair raising game!
(Jan 9, 2024) North Country Congresswoman Elise Stefanik had a sit-down interview on NBC's Meet the Press Sunday. She called people found guilty of entering the Capitol illegally on January 6th “hostages” and wouldn't commit to certifying the 2024 election no matter who wins; Governor Kathy Hochul will deliver her third 'State of the State' address later today; Many Mohawk people are raving about the all-new Marvel superhero that's from right here in the Haudenosaunee Confederacy. Folks who attended a pre-screening in Montreal say Kahhori is a hero for generations of Mohawks.
(Jan 9, 2024) Marvel has a new superhero, and she's Mohawk. People from Akwesasne went to the premiere of the animated feature, Kahhori, in Montreal to celebrate. Also: Governor Kathy Hochul laid out an agenda focused on crime, housing, mental health, and the economy in her State of the State today.
Tunes for the first week of 2024 including favourites from Maxine Brown, Evie Sands, The Castaways, Prince Buster, The Mohawks. Expect to hear some RnB, Funk, Northern Soul, Mod, Ska, Reggae, Garage, Crossover from the 60s to the 90s.Tune into new broadcasts of Girl About Town,1st, Monday 1 - 2 PM EST / 6 - 7 PM GMT.Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com//For more info visit: https://thefaceradio.com/girl-about-town/ Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.
This week: where there's smokes, there's fire. Does a recent ruling by Quebec's Superior Court have the potential to dramatically alter Canada's constitutional landscape? Known as R. v. Montour and White, the case takes its name from a pair of Mohawk tobacco traders who refused to pay millions in excise taxes on goods brought across the Canadian border. Import duties the defendants said violated the Covenant Chain, a series of treaties with the Haudenosaunee dating back to the mid-1600s. A defense the court not only accepted, but built upon to breathe new life into these centuries-old treaties, adopting the more recent lens of UNDRIP, the United Nations Declaration on the Rights of Indigenous Peoples. A Declaration the Court held to be both binding and the floor of section 35 protections for Indigenous rights in Canada. And the Court didn't limit the scope of its findings to just tobacco, or even the Mohawks. As some observers note, it affirmed the right of any and all First Nations to freely pursue economic development by their own chosen means, a view that goes well beyond the familiar, racist shackles of mere subsistence or moderate livelihood. Joining host/producer Rick Harp to smoke out the potential ramifications of this mammoth, 440-page judgement—a ruling (spoiler) Canada appealed days after our recording—Brock Pitawanakwat (Associate Professor of Indigenous Studies at York University) and Candis Callison (Associate Professor in the Institute for Critical Indigenous Studies and the Graduate School of Journalism at UBC.) * 100% Indigenous-owned, we're 100% listener-funded: learn how you can help keep our content free for all at mediaindigena.com/support * CREDITS: 'Forest Heartbeat' by malictusmusic (CC BY); our theme is 'nesting' by birocratic. Edited by Cassidy Villebrun-Buracas and Rick Harp.
In commemoration of Native American Heritage Month, Indian Country Executive Michael Garrow joins the OneHaas podcast to talk about his cultural heritage, his career, and his time at the Haas School of Business. Michael is a member of the St. Regis Mohawk Tribe in upstate New York and grew up on the reservation. After spending some time in an aviation career, he applied to Haas to get his MBA so he could give back to his community. Michael and host Sean Li discuss what it was like growing up on a reservation, the current challenges facing Native American communities, and how Michael has been able to use his MBA to help his tribe economically. *OneHaas Alumni Podcast is a production of Haas School of Business and is produced by University FM.*Episode Quotes:Why he decided to change careers and get his MBA“I just started wanting to learn more about the finance and operations side and help the tribes. That really was my passion was to be able to give back to the community. When I applied to Berkeley, that's what I said I was going to do. And that's what I had always done with the reservation is helping youth and trying to develop the economy of the tribe because there's nothing really here. It's economically depressed.”How gaming changed the economic landscape for tribes“It gave our parents jobs, or in my case, us jobs, so our children had somebody to guide. Meaning like, they could see like a career path… You can get a job in a casino, and you can go get your education. But what's interesting with the Mohawks is a lot of people went to Yale, Dartmouth, Cornell, back in the 1800s. So we are one of the most educated tribes, like reservations, where people have education. It's a big part of our culture is getting your education. So growing up was tough because there was not much opportunity.”How his generation keeps the next generation involved and connected to their culture“I think a lot of that responsibility lies in the home with the parents and making sure they get out. For the Mohawks, a big part of our culture is the sports, you know, unplugging them and they're involved in sports and they have a positive outlet rather than drugs, alcohol. So I think doing things with your children as they're growing up. So when they're teenagers, you have a relationship with them, so they'll listen to you better.” His advice to young Native Americans about the value of college “I've talked to a lot of tribal youth and said, ‘Oh, I don't want to get in debt.' And I would, almost like a spreadsheet, explain to them how it makes sense to get in debt for a university. How you would be better off. I always say, ‘Well, you can get your sneaker at Walmart or you can get a Nike sneaker. Which one has more perceived value? Well, the Nike does.' And then go, ‘Well, that's about education. You go to a top university, the top employers hire there. And so that's why you need to work hard to get into these universities.'”Show Links:LinkedIn ProfileSupport this podcast at — https://redcircle.com/onehaas/donations
Before Europeans landed in North America, five Indigenous nations around what would become New York State came together to form the Haudenosaunee Confederacy. When the Europeans arrived, the French called them the Iroquois Confederacy, and the English called them the League of Five Nations. Those Five Nations were the Mohawks, Oneidas, Onondagas, Cayugas, and Senecas; the Tuscaroras joined the Confederacy in 1722. Some founding father of the United States, including George Washington and Benjamin Franklin admired the Haudenosaunee and incorporated their ideas into the U.S. Constitution. Despite that admiration, though, the United States government and the state government of New York did not always treat the Haudenosaunee with respect, and Haudenosaunee leaders had to navigate a difficult terrain in maintaining their sovereignty. Today we're going to look at the relationship between the Haudenosaunee and the United States through the stories of four individuals: Red Jacket, Ely S. Parker, Harriet Maxwell Converse, and Arthur C. Parker. Joining me in this episode is Dr. John C. Winters, Assistant Professor of History at the University of Southern Mississippi and author of The Amazing Iroquois and the Invention of the Empire State. Our theme song is Frogs Legs Rag, composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. The mid-episode music is “Falling Leaves (Piano),” by Oleksii Holubiev, from Pixabay, used under the Pixabay Content License. The episode image is “Red Jacket (Sagoyewatha),” painted by Thomas Hicks in 1868; the painting is in the public domain and can be found in the National Portrait Gallery, Smithsonian Institution. Additional Sources: Haudenosaunee Confederacy “Haudenosaunee Guide For Educators,” National Museum of the American Indian. “The Haudenosaunee Confederacy and the Constitution,” by Jennifer Davis, Library of Congress, September 21, 2023. “Indian speech, delivered before a gentleman missionary, from Massachusetts, by a chief, commonly called by the white people Red Jacket. His Indian name is Sagu-ua-what-hath, which being interpreted, is Keeper-awake,” Library of Congress, 1805. “The Graves of Red Jacket,” Western New York Heritage. “Red Jacket Medal Returned to Seneca Nation [video],” WGRZ-TV, May 17, 2021. “Ely S. Parker,” Historical Society of the New York Courts. April 2, 2015 in From the Stacks “‘We Are All Americans:' Ely S. Parker at Appomattox Court House,” by Mariam Touba, New York Historical Society, April 2, 2015. “Engineer Became Highest Ranking Native American in Union Army,” by David Vergun, DOD News, November 2, 2021. “Building to be Named for Ely S. Parker First Indian Commissioner of the BIA Recognized,” U.S. Department of the Interior, December 15, 2000. “‘The Great White Mother': Harriet Maxwell Converse, the Indian Colony of New York City, and the Media, 1885–1903,” by John. C. Winters, The Journal of the Gilded Age and Progressive Era, 21(4), 279-300. “Harriet Maxwell Converse,” PBS.org. “Harriet Maxwell Converse,” Poets.org. “Research and Collections of Arthur C. Parker,” New York State Museum. “Arthur C. Parker and the Society of the American Indian, 1911-1916,” by S. Carol Berg, New York History, vol. 81, no. 2, 2000, pp. 237–46. Learn more about your ad choices. Visit megaphone.fm/adchoices
In This Episode: We talk about a compliment gone WRONG, a girlfriend who got too many tattoos, mohawks vs mullets, a listener who lets their dog in the bathroom, and some one who cant stop themselves from laughing at their son. We also go over some unbunged tweets from some of our listeners! This Episode is sponsored by: Hello Fresh! Go to HelloFresh.com/50Judgies and use code 50Judgies for 50% off and FREE shipping! Get BRAND NEW Judgies Merch Here: https://judgiespod.myspreadshop.com/ Our Patreon is officially open, if you want to see extra content go check it out! https://www.patreon.com/JudgiesPod Send us mail! (Addressed However You'd Like) P.O. Box 58 Ottawa, IL 61350 Leave a Review! https://podcasts.apple.com/us/podcast/the-judgies/id1519741238 Follow us on Twitter: https://twitter.com/judgiespod Follow us on Instagram: https://instagram.com/judgiespod Intro Music by: Iván https://open.spotify.com/artist/5gB2VvyqfnOlNv37PHKRNJ?si=f6TIYrLITkG2NZXGLm_Y-Q&dl_branch=1 Story Links: AITA: Neighbors Bathroom: https://www.reddit.com/r/Judgiespod/comments/15sglcu/am_i_the_asshole_for_shitting_and_throwing_up_all/ Reddit Moment: https://www.reddit.com/r/redditmoment/comments/168ez3b/this_is_a_wild_take_the_general_public_doesnt/ "Plump" GF Deleted Red Pill Barbie https://www.reddit.com/r/RedPillWomen/comments/16cfpff/rpw_interpretation_of_the_movie_barbie/ Divorcing Wife https://www.reddit.com/r/stories/comments/15ysuej/i32m_am_divorcing_my_wife_33f_after_finding_out/ Time Stamps: 0:00 Intro 6:17 Compliment to My GF 15:15 Girlfriend's Tattoos 26:02 Mohawk Vs Mullet 31:09 Christian's Hat 32:34 CJ: LS Unbunged Tweets 47:07 LS Sound(s) 53:59 LS: Dog in Bathroom 1:02:13 AITA: Laughing at Son Learn more about your ad choices. Visit megaphone.fm/adchoices
Here's the video of the episode on YouTube and Facebook: https://www.youtube.com/watch?v=OF794hOJgzU https://www.facebook.com/opieradiofans/videos/770961334333120 All episodes of Da Beer Show can be found on my YouTube and Facebook In this episode of Da Beer Show, Opie and Matt the owner of Gebhards Beer Culture try out different types of beers while sharing some laughs. They also share their opinions on the Kid Rock Queen of Beers controversy. Opie and Matt sample Transmitter T1, a beer from Brooklyn Navy Yards, and Lemon Meringue beer from Evil Twin Brewing. They also taste the Bloody Kisses beer from Greenpoint. Throughout the livestream, they answer beer questions from their viewers. Matt even tries to convince Opie to do acid! They also talk about getting Mohawks and list their top 5 Pearl Jam songs. Cheers! Sponsored by Manscaped Beard Hedger Pro Kit - 20% Off and Free Shipping with our code "Opie" at Manscaped.com. Join the Private Facebook Group - https://www.facebook.com/groups/203909694525714 Now offering subscriptions on my Instagram - OpieRadio NEW Merch - www.opieradio.com Tik Tok - OpieRadio opie #opieandanthony #comedy #funny #pods #nyc #newyorkcity #nyclife #JoeRogan #beer #Craftbeer #beertasting #beersSee omnystudio.com/listener for privacy information.
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