Podcasts about scepter

As we enter into Holy Week, this is an excerpt from the chapter entitled Good Friday from the Scepter title: The Sacred Passion by Luis De La Palma.

Welcome to the Grace in Focus podcast. Bob Wilkin and Philippe Sterling continue a short series about the Messianic Thread. This Messiah has a scepter, as seen in this thread. But what is a scepter and what does it signify? Thank you for listening and keep on listening for more insight into the Messianic Thread!

No Longer An Enemy.Book 3 in 18 parts, By FinalStand. Listen to the ► Podcast at Explicit Novels."My Sister wished to know if you speak Mandarin," the brother translated for me."Hi, I'm Cáel," I greeted him. "Who are you guys?" He looked to one of the two goons holding on to me. I received a painful kidney punch. I discovered a whole new super-power. It hurt for about two seconds then nothing."I asked you a question," he repeated."No, I don't speak Mandarin," I lied so well it came across as a dour confession."Yet you know the secretive language of the Earth & Sky," he stated."Yes, I do. I have a thing for dead languages. Maybe in a few more years, I'll pick up your Mother Tongue as well," I bantered.No punishment was immediately meted out, so I suspected no one close to me, besides him, spoke much if any English. Jian Bob (my new name for him) didn't relay my insult. I wasn't worth it. He went straight for the reason for our get-together."You are going to die, Mr. Nyilas. That is a given," J B began."We both know you have done enough damage to our cause to be worthy of elimination a hundred times over. I'm going to show you respect by not lying to you about your possible fate. What you can do is save your young companion. We understand you two are close," he appealed in a very polite manner. Aya snickered."Cáel, these people are mentally challenged," she giggled to me, "or hideously misinformed.""I know, I know," I smiled down at Aya. "Still, they have gone through a great deal of effort to insult our intellect today, so let's humor them a little longer." Jian Bob issued several casual orders.In short order, a third man had hold of me by the jaw with one hand while trying to hold my eyelids open with the other. One guard held her by the shoulders. A second held her right hand, extending her ring finger. A third man held a knife to her top knuckle. A forth stood close with a small blowtorch."She may be a small person, Mr. Nyilas, but she can still die by the Death of a Thousand cuts," he explained."I love you, Aya," I told her softly."I love you too, Fehér mén," she succeeding in keeping most of the fear from her voice.Neither one of us could stop this. Aya certainly didn't expect me to compromise the Host for her benefit. She was as much an Amazon as the first Epona."First, I wish to know what alerted you to the attack at the Summer Camp," Bob began the interrogation."We know you were responsible. We want to know what happened." I looked into his eyes and waited patiently. He nodded to the guard, who shoved my face toward Aya's extended finger until I was less than a foot away."Do it." The Order came in Mandarin.The guard cut the top part of the digit off, one knuckle. I looked at the flesh and bone being cut away. In a clinical manner, I noted how sharp the blade was. I saw the blood shoot forth and heard Aya's little voice cry out in pain. I was pulled back and pointed at Jian Bob again."Do I need to repeat the question for you?" he said."No, I caught it the first time," I grimaced. "It tells me that you haven't the slightest idea who you are fucking with." Bob made a slight hand gesture and the blowtorch cauterized Aya's stump. Her little lungs belted out a terrible screech that wound down as her feet gave out and she hung limply in the guard's grip."Revive her." The blowtorch guy, clearly not his first day on the job, snapped some smelling salts under her noise. Aya revived, sobbing and in a great deal of pain."Cáel," she whimpered. "I have found my stillness. I'll be okay now." Her sobs subsided."Shall we try this again?" J B remained coolly polite, almost urbane."Nah," I joked, "we are both pretty good over here.""Again." The Mandarin order came. Off went another digit of her ring finger. This time her scream was much more exuberant and forceful. We all know it hurt like Hell, but the world had turned."He's going to kill all of you," Aya snickered while she sobbed. "You are all going to die.""Mu, what is the little girl saying?" she asked Jian Bob, real name Mu."She is stating her belief that Cáel will somehow kill us all," he and his sister shared the joke. "Let us see what her tune is when they start in on her left hand," the woman smiled at her sibling.That implied they'd cut off her right thumb and fingers, digit by digit, until one, or both of us cracked. The man nodded and Aya's nub was burned again. Her scream was more of a cleansing shout."Cáel, do you think I will have a nice horse to ride when I join Epona's herds, or will I get a pony?" Aya whimpered."Not a clue," I began before Mu had the face-hugging guard apply a finger strike to my solar plexus. Alal's gift had allowed me to partially organize my brain functions. Coping with pain was a whole lot easier now, but I had to be careful to monitor it because pain was Nature's way of letting you know that there was something wrong with your body."What color would you like me to pick up and have waiting for you," punch, "when you finally take yourself to the cliffs?""Again.""This is accomplishing nothing," the senior bald Mo Fo grumbled. "He clearly cares nothing for the child and has been trained in counter-interrogation techniques.""There is nothing to indicate that," Mu bristled."Xiàsh, burn the tip of his left forefinger," senior necromancer commanded. The guy holding my face coordinated with the men holding my arms to free me of my bonds and wrestle my left arm forward. I didn't bother resisting.It didn't take the commandoes long to figure I had stopped caring. On came the flame and the pain. Oh, I screamed. The pain was real. What had changed was my ability to shuffle it off to an isolated memory file to be tackled later. The bald creep stepped into my field of vision. His eyes were windows to the abyss. My "spirit" sight opened my eyes to the truly inhuman sections of his mind and soul."See, normal techniques will not be affective. We will do it, " and they realized the enormity of their mistake by assuming I was paralyzed by the pain. I broke free of the guy on my left and began twisting around the guy on my right. I wasn't getting away, I was going for his QCW O5. I knew their favorite martial arts styles and their weaponry now.The guy I was rolling behind realized what I was doing (going for his gun), but mistook my intentions. I wasn't trying to get away, or steal the gun (still strapped to his body). That cockhead even helped me out by lurching ground-ward. I swung the gun up, hit the selector and fired two quick bursts.The first three rounds hit Mr. Blowtorch in his right thigh, shredding it. The second burst caught Mr. Knife guy in the crotch, a triple 21mm castration. Had Blowtorch Guy not been busy trying to keep the strands of his right hip connected to his right leg, he could have stopped the blood fountaining from his buddies shattered groin. That was the end of my joy.I was born to the ground and the guy whose gun I'd borrowed pulled away. I hit the concrete surface hard. That was only the beginning of my issues. Radiating from the floor was cold beyond cold. I had the sensation of falling into the heart of a cold, dead star. How I even knew what the felt like was an impossibility."He feels very cold," protested one of the two guards, in Mandarin; pulling me back to my feet groused."If your incompetence has led to his terminal condition," the male twin threatened. I felt the approach of the female twin, her reaching for me. A new intense pain seared me to the cores of my bones. Before she yanked my hair up, my body reignited.I found myself stared into her pitiless eyes that regarded me with the casual callousness of a veterinarian preparing to put down some rabid stray dog. She ran three fingers over my cheek."What are you babbling about?" she snapped at the two commandoes. "If anything, he is feverish.""Zhen, have him sedated," Chief Necromancer demanded. "Mu, now we will do this my way." Once more I was bound. Someone stabbed a needle into my right triceps. That was a mere discomfort. If I had any consolation, it was hearing Mu ordering the execution of the two men I'd shot.They didn't have the time and facilities to tend to their immediate emergency needs and taking them to a trauma center wasn't going to happen. Those two went into body bags. I had to assume they would be joining us on the plane, though they'd be in the cargo compartment."What are you smiling at?" I heard Zhen snapping before my world collapsed down to a pinhole of light."Lady, I don't know what you said," Aya declared happily. "You are probably angry that Cáel has already killed two of you and we haven't even got off the ground yet." I heard a sound I couldn't make out followed by another and finally a third. That resulted in an Aya-squeak. Ah, she'd tried to hit Aya and Aya had dodged the first two blows. Good girl."Cáel isn't going to like you doing that," Aya chirped."Aya's a winner," I mumbled. I wasn't in control of my senses when they dragged me onto a waiting jet. I wasn't worried. With Aya at my side, I was invincible.DreamingI looked at her face, so youthful, beautiful in her own way, yet far from innocent. She bore a terrible weight. The armor she was wearing, that of a heavy horseman of the steppe, was a leather coat, chain links over her vulnerable regions (throat, underarms and skirt), with the rest being covered by darkened bronze plates.Her iron helmet was open-faced with mobile plates covering her cheeks as well as the sides and the back of her neck; it bore a white horse-hair plume, it was the only feature of her panoply that would draw any special attention her way. She carried no shield. Instead, she wielded a powerful horn & sinew composite recurve bow. She used her knees to rise up on her mount and fire over the mare's head.Similarly attired women rode close to either side of this young woman. Both were older; one in her early forties and the other ~ late thirties. The one to the left bore a lance, not in the couched fashion most people today are familiar with, but used in a double-handed over-head fighting style.The woman to the right fought with a strange blade. It wasn't saber ~ an ancestor of that blade perhaps. It was about a meter long, no hand guard, single-edged except for the top 4 cm on the back side which was equally sharp. Her left hand remained free. I think I saw her purpose. If the young woman got into difficulty, her guardian on the right could pull her horse away and lead the woman to safety.Behind and beside those three rode perhaps three hundred of their sisters. Those in the center were as heavily armored as those three. On each flank were the lighter, faster bow-women, on smaller steeds. The women in the center rode larger mounts that were good for carrying weight and pushing home a charge, while the flanking steppe ponies were virtually tireless.In the center, identified only by her long golden-mane helm, was the Golden Mare ~ War Leader of the Host. The Amazons didn't fly pennants or carry banners. They judged the course of battle by that woman's head movements (the mane was quite long) and the shrill horn blasts unique to the Amazons.Let the barbarians have the all too common deep booming horns calls and their totems raised high for the world to see. Let the Romans keep their trumpets and Legion standards. Amazons had been putting those fools in their graves from time immemorial. Right now, those horns had summoned the Host to a trot.The Hun, Attila, had tasked the Sarmatian Chieftain, under whose banner they rode, to deal with another crisis, the third this short day. Once more, they directed their horses over Catalaunian Fields. The Ostrogoth had gotten themselves into a world of trouble, those filthy, stinking Germans (why was I even thinking that way?)First the Amazons had ridden forth on Attila's right, reinforcing the allied Germanic tribes on the Right Wing in their attempt to force a wedge between Aetius' Romans and King Sangiban's Alans. They'd shown the fools the way, but the supporting Gepids cavalry was too timid and by the time they began to approach, the Golden Mare had been forced to sound 'retire'.The Roman auxiliary cavalry, though of poor quality, had plugged the gap. The Host were too few and too valuable (in their estimation) to die holding a position that their 'allies' might not rescue them from. Next, they had been directed to attack the center of the Alan cavalry line in support of the Huns.Despite the cowardice of their king, the Alans were hardy fighters and too accustomed to the style of steppe warfare that the Host practiced to be lured away from their position. Arrows were exchanged and brief, brutal skirmishes developed, but no advantage was gained. With their mounts exhausted, the Golden Mare had ordered the Host to retired to their camp to water their horses and refill their quivers.That bit of common sense and tactical wisdom placed them in their present crisis. Their Ostrogoth allies had been beating themselves against their Visigoth cousins all afternoon, charging up the same cursed slope that any sane commander would have found a way to flank. No, the Germans had failed seven times using the same plan, so they tried an eighth.Miraculously, they had gained a toehold on the ridgeline and killed the Visigothic King. Like a mob of mindless farmers, the Ostrogoths stopped to celebrate their 'victory' and taunt the Visigoths with the mutilated body of their fallen leader. The Visigoths had been properly incensed and counter-attacked. That's what Princes were for, to avenge their fallen Sires.As the Host exited the Hunnic laager, they'd seen the calamity unfold. The wavering Visigoth infantry had stiffened their line. Believing the Ostrogoths would press forward, the Horse-tail banner of Attila himself broke away from the central Hunnic body, pivoted to his left and thundered into the Visigoth's exposed flank.In the din of battle, it may have looked to the Great Warlord that he had a vanishing opportunity for victory. From the valley below, it was much clearer to the Amazons that the moment to break the Visigothic infantry had passed. The Huns were too tired; their mounts frothing from a long, hot afternoon of battle. Without a swift follow-through, the attack was doomed.At that point, headlong flight for the Amazons wasn't possible. Their long term survival hung on the Hunnic King keeping his Germanic 'allies' in line. They were still somewhere in eastern Roman Gaul, with the Rhine to ford and a land thick with perpetually vicious, blood-thirsty, crotch-scratching, flea-bitten Germanic barbarians to cross before they saw the green rolling hills of home again.No, the Golden Mare, and that young lady knew they had to do something to stem the tide of this disaster for another hour, then darkness would force the combatants to separate so they could try their hand at battle the next day. As the Golden Mare rode to the Sarmatian Chieftain, a rider came through the dust from Attila. The Visigothic cavalry had returned with a vengeance and the Ostrogoths were folding up.The Sarmatians (with their attached Amazons) were to 'somehow' repair the situation. As the Chieftain, the Golden Mare and three Sarmatian tribal leaders hastily discussed the actions. They saw the Hunnic Right, under hard pressure from the Roman attack, beginning to disintegrate. Of immediate concern was the rift opening up between the retreating Hunnic Gepids and the Hunnic horsemen holding the center.King Sangiban had finally discovered his manhood. The Alans attacked through that gap in the Hunnic lines and a rout was in the offing. The Sarmatian Leader decided he had to answer Attila's call. The Golden Mare offered to take her Amazons and whichever tribal leader volunteered first to ride with her against the Alans.She drew her sword and held it aloft then motioned the Sarmatians to look at her shadow."We will hold them off until the length of our swords double (the shadow). Then we are all on our own," she offered. There was no further discussion necessary. There was nothing else to say. The Host and their allies had the fresher horses and full quivers.The Alans had numbers but no heavy horse present, yet. The Host had answered Attila's call to war and now, nearly a year away from their homes in the forested steppe lands of modern-day Bukovina. At that moment they were wondering how few of them would ever see their horse herds roaming free this side of life.That was where my vision came in ~ that woman was 'Ishara', the last of my major bloodline of the first Ishara and this was the last hour of her life. The other two women were the only other two members of that vanishing bloodline. One was her aunt and the other a cousin. Despite the dire peril to their lineage, they joined their sisters in battle.Even though they were outnumber 2 to 1, the Amazons swept aside the first burst of Alans, scattering their bands and hunting the slowest of them down. Rushing alone to fill the gaping hole in the main battle lines was to abandon all tactical sense. Eighty Amazon heavy horse and perhaps twenty more Sarmatians ~ they were integrated now ~ alone simply weren't enough.For the roughly 300 lightly armored horse-archers, it would be a pointless suicide and that was not the Amazon way. Instead, they scattered the initial Alan rush then gently trotted back down the slope. Of course, the Alans regrouped and followed. It was the battle pulse of steppe skirmishing.By simply existing, they turned the rushing wave of that first Alan charge into a slowly strengthening tide. The Alans' mounts were tired and in need of water. Their quivers were nearly empty and some were seen at the top of the slope looting the quivers of the fallen. Whenever they could, the Amazons killed those clever souls.Killing an archer closer to you who only had two arrows left wasn't as economical as killing the one who was both dismounted, thus an easier shot, and about to have fifteen bolts to use against you. Without the constant harassment, the Gepids were able to keep their retreat orderly. In turn, the other Germanics farther to the right kept their mobs relatively intact as well.Their success earned them the inevitable enemy reaction. From his vantage point, the Roman Aetius saw the vulnerable and unsupported position the Amazons held. If he could push past the Amazon screen, he could still achieve a route instead of accepting a mere victory for his side. The solution was a force of

The Prophetic Significance of Purim in 2025: A Call to Courage and Awakening • Friday Service Website: www.PastorTodd.org To give: www.ToddCoconato.com/give As we approach Purim in 2025, we must recognize that this is not just an ancient Jewish holiday—it is a prophetic message for this very hour. The story of Esther, Mordecai, and Haman is more than history; it is a blueprint for the spiritual battle we face today. The enemy has set traps, decrees, and wicked schemes against God's people, but Purim reminds us that divine reversals, supernatural intervention, and bold faith will lead us to victory. God is calling His remnant to rise up like Esther and Mordecai, to recognize the times, and to stand against the Haman spirit that seeks to destroy faith, truth, and righteousness in our day. Purim is a call to courage, fasting, discernment, and action. Let's dive into the Word and uncover why this moment in 2025 is critical for believers to understand and walk in the spirit of Purim. 1. Recognizing the Times: The Battle of Light and Darkness Esther 3:8-9 (NKJV) “Then Haman said to King Ahasuerus, ‘There is a certain people scattered and dispersed among the people in all the provinces of your kingdom; their laws are different from all other people's, and they do not keep the king's laws. Therefore it is not fitting for the king to let them remain. If it pleases the king, let a decree be written that they be destroyed…'” 2. The Call to Boldness: You Were Born for Such a Time as This Esther 4:14 (NKJV) “For if you remain completely silent at this time, relief and deliverance will arise for the Jews from another place, but you and your father's house will perish. Yet who knows whether you have come to the kingdom for such a time as this?” 3. Fasting and Prayer Release Breakthrough Esther 4:16 (NKJV) “Go, gather all the Jews who are present in Shushan, and fast for me; neither eat nor drink for three days, night or day. My maids and I will fast likewise. And so I will go to the king, which is against the law; and if I perish, I perish!” 4. Divine Reversals: What the Enemy Meant for Evil, God Turns for Good Esther 9:1 (NKJV) “On the day that the enemies of the Jews had hoped to overpower them, the opposite occurred, in that the Jews themselves overpowered those who hated them.” 5. The Scepter of Favor: Authority in the Courts of Heaven Esther 5:2 (NKJV) “So it was, when the king saw Queen Esther standing in the court, that she found favor in his sight, and the king held out to Esther the golden scepter that was in his hand. Then Esther went near and touched the top of the scepter.” 6. The Haman Spirit Will Hang on Its Own Gallows Esther 7:10 (NKJV) “So they hanged Haman on the gallows that he had prepared for Mordecai. Then the king's wrath subsided.” 7. The Call to Celebrate and Remember Esther 9:28 (NKJV) “That these days should be remembered and kept throughout every generation, every family, every province, and every city, that these days of Purim should not fail to be observed among the Jews, and that the memory of them should not perish among their descendants.” 8. No Weapon Formed Against Us Will Prosper Isaiah 54:17 (NKJV) “No weapon formed against you shall prosper, and every tongue which rises against you in judgment You shall condemn. This is the heritage of the servants of the Lord, and their righteousness is from Me,” says the Lord.” 9. Be Strong and Courageous Joshua 1:9 (NKJV) “Have I not commanded you? Be strong and of good courage; do not be afraid, nor be dismayed, for the Lord your God is with you wherever you go.” 10. The Lord Will Fight for You Exodus 14:14 (NKJV) “The Lord will fight for you, and you shall hold your peace.” This Is Our Purim Moment Purim in 2025 is a prophetic call to: • Wake up and recognize the times. • Fast, pray, and seek divine strategy. • Stand in courage and take action. • Believe in the power of divine reversals. • Walk in authority and favor.

Numbers 24 marks a pivotal moment in the story of Balaam, the enigmatic prophet hired by Balak, the king of Moab, to curse Israel. Despite Balak's persistent attempts, Balaam, under divine influence, speaks only blessings over Israel. This chapter concludes Balaam's series of oracles, affirming God's sovereign control over His people's destiny and foreshadowing Israel's future triumph. As Balaam looks out over the vast encampment of Israel, he falls into a prophetic trance. Unlike his earlier visions, which required sacrificial rituals, this time the Spirit of God takes over him spontaneously. His eyes are opened, and he delivers a powerful message about Israel's divine favor and future dominance. Themes and Symbolism in Numbers 24 One of the dominant themes in this chapter is God's sovereignty over human intentions. Balak's repeated efforts to manipulate Balaam into cursing Israel fail because God's plans cannot be overridden by human desires. The contrast between Balak's frustration and God's unwavering purpose highlights the futility of opposing divine will. Another theme is the power of divine revelation. Balaam's vision transcends his personal will; he is no longer an independent seer but a vessel for God's message. His words paint a picture of Israel's blessed and flourishing future, comparing them to lush gardens and towering trees planted by the Lord. Balaam's prophecy also introduces the concept of a future ruler, which is later seen as a messianic foreshadowing. In Numbers 24 verse 17, Balaam declares. “I see him, but not now; I behold him, but not near. A star shall come out of Jacob, and a scepter shall rise out of Israel; it shall crush the forehead of Moab and break down all the sons of Sheth.” This prophecy speaks of a coming leader who will bring victory to Israel. The star represents divine guidance and kingship, while the scepter symbolizes royal authority. Many biblical scholars and Christian theologians view this as an early reference to the coming Messiah, later associated with Jesus Christ. Symbolic Imagery in Balaam's Prophecy Balaam's vision is rich in powerful metaphors: • A Star Rising from Jacob – Symbolizing a future king or divine ruler, bringing victory and guidance to Israel. • A Scepter from Israel – Representing strength, sovereignty, and the authority to subdue Israel's enemies. • A Majestic Lion – Depicting Judah's power and the nation's eventual dominion over its adversaries. • Flourishing Gardens and Mighty Trees – Illustrating Israel's prosperity and divine favor. • Crushed Enemies – Signifying God's judgment on nations that oppose His chosen people. These images reinforce the prophecy's message: Israel is blessed, chosen, and destined for greatness, despite opposition. Balaam's Fate and the Aftermath Although Balaam speaks divine blessings over Israel, his story does not end on a righteous path. Later in the Book of Numbers, he is revealed to have played a role in leading Israel into sin through the seduction of Moabite women (Numbers 31:16). He ultimately meets his death when Israel conquers Midian. This serves as a cautionary tale: despite being used as a mouthpiece for God, Balaam's heart remained divided, and he succumbed to greed and manipulation. Conclusion Numbers 24 highlights God's ability to turn human schemes into opportunities for His glory. Balak's desire to curse Israel results in an overwhelming pronouncement of blessing, reaffirming that no earthly power can undo God's promises. Balaam's vision of a future ruler sets the stage for later biblical prophecies concerning the Messiah, reinforcing the theme of divine kingship. This chapter serves as a reminder that God's plans are unshakable, and His chosen people will always be under His protection. It also warns against spiritual compromise, as seen in Balaam's downfall. Ultimately, the story of Balaam is not just about prophecy, but about the greater truth that God's will prevails, regardless of human intent.Become a supporter of this podcast: https://www.spreaker.com/podcast/sendme-radio--732966/support.

Psalm 125 (NCV)Andrew and Edwin discuss why having the right King matters.Read the written devo that goes along with this episode by clicking here.    Let us know what you are learning or any questions you have. Email us at TextTalk@ChristiansMeetHere.org.    Join the Facebook community and join the conversation by clicking here. We'd love to meet you. Be a guest among the Christians who meet on Livingston Avenue. Click here to find out more. Michael Eldridge sang all four parts of our theme song. Find more from him by clicking here.   Thanks for talking about the text with us today.________________________________________________If the hyperlinks do not work, copy the following addresses and paste them into the URL bar of your web browser: Daily Written Devo: https://readthebiblemakedisciples.wordpress.com/?p=20709The Christians Who Meet on Livingston Avenue: http://www.christiansmeethere.org/Facebook Page: https://www.facebook.com/TalkAboutTheTextFacebook Group: https://www.facebook.com/groups/texttalkMichael Eldridge: https://acapeldridge.com/ 

Mike McCoy 2-23-2025 AM A true story better than fiction. Brother Mike unpacks the story of Esther like you've never heard before in this important edge of your seat message. Crossville First Free Will Baptist Church www.crossvillechurch.com

This week's episode features the first chapter of our newest Scepter title, Wholeheartedly: God's Mystery of Love in the Call to Celibacy. Author Angela Fortunato shares how celibacy in the Church is being like Christ.

Genesis 48-49 You can subscribe to our sermon podcast on iTunes by clicking this link.

Our Weebs & Wyrms arc comes to close with the grand finale of Record of Lodoss War. Heroes and villains converge upon Fire Dragon Mountain, where the legendary dragon Shooting Star guards the Scepter of Domination. The dark wizard Wagnard intends to use the scepter to awaken and control Kardis, the primordial goddess of chaos and destruction. As evil ascends, Parn and his allies journey to the island of Marmo. Lord Ashram, betrayed by Wagnard but still possessing the Demon Sword, also moves to foil the wizard's plan. The final battle for Lodoss begins as the ritual to resurrect Kardis is set into motion. Ancient blades collide, dragons clash, and Slayn breaks the bro code on today's earth-shattering installment of Anime Was (Not) A Mistake! Rate, Review, Subscribe, and Listen to Us on Podbean/iTunes/Stitcher/Spotify Follow us on Instagram:@animewasnotamistakepodcast Or on Facebook:@animewasnotamistakepod Music Provided: “Sis Puella Magica!” – Yuki Kajiura – Aniplex – Puella Magi Madoka Magica - Puella Magi Madoka Magica Music Collection - 2011 “Zoltraak” – Evan Call feat Alina Lesnik – Frieren: Beyond Journey's End - 2023 “Dungeon Meshi Main Theme” – Yasunori Mitsuda feat. Lauren McGlynn [ANÚNA] – Delicious in Dungeon/Dungeon Meshi - 2024

Before diving back into Genesis 49 — Michael and Daniel share an exchange about the difference between all the 40,000 plus denominations of Christianity and the Gospel and how one single question on any of Christianities major beliefs would crumble their religion to the ground when compared to the Gospel contained within the Hebrew Scriptures […] The post 250214 The Scepter of Righteousness first appeared on Gospel Revolution.com.

"As the party makes their way through the catacombs below the Museum, they discover more than what the Empire wants hidden down there." Will they find a shortcut to the Scepter or will the old tomb's echoes from the past consume them? Who knows?   == CREDITS == Cast Cinderblocksally as GM Tyler Clawson as Phlanagin Harlock Emily Greymoore as Perrin McArthur  Craig Pate as Dwight Hearttaker  Soundtrack "Stolen Scepter" by Patrick Perini Additional music via Epidemic Sound and Tabletop Audio Follow us on Bluesky @uepodca.st

Audio reading: Gen 49:1-18, Matt 10:1-25, Psalm 12:1-8, Prov 3:13-15 Join me in this journey reading through the entire bible in one year!  In Matthew 4:4, Yeshua said these words: “Man shall not live by bread alone but by every word that proceeds out of the mouth of God.” Taking in the word of God every day is LIFE to our spirit and health to our bones! Visit us at: ⁠dailyaudiotorah.com⁠ Go to Israel Connect: Your bridge to the land and people of Israel!

As the Scepter team is attending SEEK in Salt Lake City this week, we wanted to share this excerpt from Coached By Joan: Lessons in Leadership. Joan of Arc is this year's patron of the SEEK conference.

The Scepter of Christ Micah 5:1-5 Advent 4 Speaker: Weston Brown More info @ covenantshreveport.org

 A sermon by Matt Zrust on Genesis 49:10-12; Numbers 24:10-19

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A significant contributor to the nostalgia we experience each December are the familiar things: traditions, songs, foods, etc. That is true as well for the Scripture passages we come back to time and again each December. But what are these prophecies really about? Listen to Pastor Brett's sermon on Numbers 24:17 and the expectation of a kingly star that would be seen by the magi of Matthew 2.

This week's bonus episode includes an interview with Stephen Gabriel. He is the author of a number of Scepter titles, including our most recent release, The Homestretch: Making the Best Use of Our Retirement Years.

Hear the beginning of Scepter's latest book release, The Upward Arrow: A Way of Holiness for Every Home by Fr. Colum Power. If you like fun and impactful stories, this book is for you!

Wat een wedstrijd! Bart en Jan bespreken alles over Ajax - PSV in deze Wedstrijdeditie.Zie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

Label: S.E.I. 16535Year: 1964Condition: MPrice: $15.00From a warehouse find, this is a new, unplayed stock copy. This is the first release of these very appealing Northern Soul tunes, on a tiny Charlotte, NC, label... They were picked up by Scepter in 1967 and re-released. Note: This beautiful copy has no notable flaws, grading Mint across the board (Labels, Vinyl, Audio).

I am Available October 13, 2024 Elwyn Johnston Numbers 22 – 24 Verse of the Week: “A Star shall come forth from Jacob, a Scepter shall rise from Israel” Numbers 24:17 1. God desires to use you “A Star shall come forth from Jacob, a Scepter shall rise from Israel” Numbers 24:17 “do only what I tell you to do.” Numbers 22:20 “you shall speak only the word which I tell you.” Numbers 22:35 “Submit therefore to God.” James 4:7 “Not everyone who says to Me, ‘Lord, Lord,' will enter the kingdom of heaven, but only the one who does the will of My Father”Matthew 7:21 “God said to Balaam, ‘Do not go with them; you shall not curse the people, for they are blessed.”' Numbers 22:12 “God's will for you, which is good and pleasing and perfect.” Rom 12:2 2. God knows your heart “The Lord doesn't see things the way you see them. People judge by outward appearance, but the Lord looks at the heart.” 1 Samuel 16:7 “Do not go with them” Numbers 22:12 imahem “Go with them” Numbers 22:20 & 35 itam “God was angry because Balaam went” Numbers 22:22 halakh “follow the way of Balaam…who loved the wages of wickedness” 2 Peter 2:15 “I have come out as an adversary, because your way was contrary to me.” Numbers 22:32 “Do not be deceived, God is not mocked; for whatever a man sows, this he will also reap.” Galatians 6:7 3. Walk in humility “the Lord opened the mouth of the donkey, and she said to Balaam, “What have I done to you, that you have struck me these three times?” Numbers 22:28 “Balaam answered the donkey, ‘You have made a fool of me! If only I had a sword in my hand, I would kill you right now.'” Numbers 22:29 “the Lord opened the eyes of Balaam, and he saw the angel of the Lord” Numbers 22:31 “Let me die the death of the righteous” Numbers 23:10

Jay Bernardo (Cardboard East YouTube channel + Marketing Manager at Bézier Games) joins Candice to discuss their SPIEL Essen '24 highlights and discoveries.00:00:00 Introduction00:03:29 Cardboard East00:13:06 Corrupt Parliament00:14:53 Fresh Plays00:15:26 Shinjuku00:19:23 Inheritors00:28:32 Age of Civilization, Age of Galaxy, Eila and Something Shiny00:29:48 Nukumi Onsen Kaitakuki (Nukumi Onsen Hanjouki)00:37:17 Aqua ROVE00:45:14 SPIEL Essen '24 Highlights & Discoveries00:58:08 Tomáš Holek (SETI, Galileo Galilei, Tea Garden) 00:59:10 Giant Monkey Palace01:00:07 Andromeda's Edge01:01:46 Speakeasy01:08:23 Xylotar, Sandbag, Seers Catalog01:09:21 "Baby Shark" Games01:10:53 Last Penguin01:12:45 Stella Quest01:27:49 Snow Planner01:35:28 Grand Austria Hotel01:38:13 Dirt and Glory01:47:20 Formosa Tea01:58:06 Jay's Asian Publisher Map01:58:55 Thaloria Quest02:02:12 Gibberers02:11:16 Fishing02:20:22 The Scepter of Zavandor02:22:32 YUBIBO02:25:41 Beatz'n'Catz02:30:24 Sign-offThank you to our sponsor, Dotted Games!Web: https://boardgamegeek.com/YouTube: https://www.youtube.com/@boardgamegeekTwitter: https://twitter.com/BoardGameGeekEmail: podcast@boardgamegeek.com

In today's chapter, Ezekiel is given a prophetic vision contrasting the scepter of the royal house of David to the sword of God's judgment in the hands of the King of Babylon. A chapter-a-day podcast from Ezekiel 21. The text version may be found and shared at tomvanderwell.com. --- Support this podcast: https://podcasters.spotify.com/pod/show/wayfarer-tom-vander-well/support

Hello and welcome to the Fantasy Rewind Podcast. We discuss fantasy news, shows, books, and all things nerdy. This week Mike and Dylan are breaking down Season 2. Episode 3: The Eagle and The Scepter, from Lord of the Rings- The Rings of Power, an Amazon Prime series. We discuss some of the major plot points, differences from the source material and overall impressions.    Let us know your thoughts, feelings, or perspectives on our socials: twitter- @fantasyrewind. Instagram- @fantasyrewindpod and fantasyrewindpod@gmail.com. We look forward to hearing comments and reactions from you!  

Psalm 110 — Psalm 110 is a key passage in the New Testament's understanding and interpretation of the Old. Many of the threads that form the tapestry of the entire Bible run through this Psalm, shaping the understanding of the office and ministry of Christ for the apostles. For more information, visit foundationfxbg.com

You are Love and Love commands.  You are the Creative Power of the Universe that directs and conducts the Sacred Fire Love.  You are one with the Mind of God, where everything; past, present, and future is known. You have a Scepter of Power that pulls heaven to earth. What are you waiting for?  Step up to the dais, pick up your scepter of power, point it where it's needed and declare the Truth. OMG are you powerful.  The experience of doing this will build your confidence. It will build your faith. Michael Gayle's plays the song, Declare, that accompanies this meditation.  Listen to more of his music HERE. Are you tired of stressing out about your finances? Discover the surprising spiritual secret to open the flow of abundance. Claim your full scholarship to Mother Mary's online master class - Money Miracles with Mother Mary

Do you value listening to this podcast and want to give back to the show? Visit https://solotalkmedia.com/support Today's podcast is brought to you by Audible – get a FREE audiobook download and 30-day free trial at solotalkmedia.com/audible. Over 400,000 titles to choose from for your iPhone, Android, Kindle or mp3 player. The Lord Of The Rings among them. Making a purchase on Amazon? Support Solo Talk Media by using this link https://solotalkmedia.com/amazon Please send me your feedback at 1-805-910-7656 or feedback@solotalkmedia.com The deadline to submit your feedback is Monday, 9 AM Eastern time. Welcome to The Rings Of Power Podcast – Tales From Middle Earth. In this episode, my listeners and I discuss our thoughts on the first three episodes of season 2 of The Lord of the Rings: The Rings Of Power titled “Elven Kings Under the Sky,” "Where the Stars are Strange," and "The Eagle and the Scepter." I'd like to thank everyone who has subscribed to this podcast and encourage you to join the discussion by sending in your feedback by calling +1-805-910-7656 or emailing me at feedback@solotalkmedia.com or visiting the website at solotalkmedia.com. If you enjoy this podcast, please consider leaving me a review on Apple Podcasts. You can also follow me on Twitter and Facebook.

Like a bombshell on the lay theologian's playground, I am happy to announce a forthcoming new book I wrote that I hope serves the body of Christ! (https://urbanpuritano.com/new-book-preview).CHRIST'S SCOPE AND SCEPTER: HIS WORD, HIS WORLD scratches several layers below the surface to show the continuity between a Christocentric interpretation of the Word and a Christocentric interpretation of the world, the trinitarian contours of which all believers should be familiar with.In this episode, I give a little bit of the back stories of how this work came together and how the fusion of hermeneutics, Biblical Theology, and worldview thinking can benefit the Church for such a time as this. Part 1 lays the groundwork for interpreting the Word. Part 2 is a rubber meets the road extending reading and test case from the Old Testament. Part 3 concludes with a Christocentric vision of the world.In unabashedly confessional Calvinist fashion, the book shows how the rays of Christocentrism shine forth in the midst of the endarkenment of medieval interpretive sensibilities such as found in the Quadriga. Finding the Bible's meaning involves not an ascent to higher realms of spiritual meanings, but a sometimes arduous descent and digging into the text of Scripture. No dualism exists in the Word. The Bible's meaning is at once nothing more than literal and nothing less than spiritual. This same posture is taken in order to rightly "see" the world. In His light, we see light. In the pursuit of faith seeking understanding, God's truth is all truth! Readers will be able to use this book as a resource at Church, in small groups, at home, Bible College, Seminary, and of course, by yourself with your Bible under a tree!  Take up and read a free preview! 

Join Kit, Andy, and Steve as they explore "The Eagle and the Scepter," Episode 3 of Season 2 from 'The Rings of Power.' After Mount Doom's eruption, Elendil returns to Númenor with Queen Regent Míriel while his son Isildur, presumed dead, survives in Mordor. In Númenor, scandal arises when Eärien exposes Míriel's use of an Elvish palantír. Political tensions escalate as a Great Eagle's arrival at the coronation hints at divine support, influencing royal alliances. Meanwhile, Celebrimbor and Annatar seek Dwarven mithril to forge new Rings of Power.Don't miss out! Grab your tickets now for the first-ever Streaming Things live show on October 5th, 2024, in Cincinnati, Ohio. Get your tickets today and be part of the magic! BUY THEM HERE00:00:00 - Introduction:Welcome to a new episode of Streaming Things, where we dive deep into the world of streaming content!00:04:37 - Overall Thoughts:Our hosts share their initial impressions and overarching thoughts on today's movie/TV episode.00:17:28 - Scene by Scene Recap:Join us as we break down the episode or movie scene by scene, offering insights and commentary.01:01:55 - Old Tobeys:The hosts list their top 3 moments of the episode.01:08:38 -One Performance to Rule Them All:The hosts recognize the talent they think delivered the best performance of the episode.Engage with Streaming Things:Merchandise: Check out our BRAND NEW Merch Store for the latest Streaming Things apparel and accessories.YouTube: Don't miss our visual content on Streaming Things YouTube channel.Website: Visit our official website for more updates and content.Connect with Us:Email: Send your feedback and questions to streamingthingspod@gmail.com.Instagram: Follow us @streamingthingspodofficial for behind-the-scenes content.Twitter: Stay updated with our latest tweets @StreamThingPod or follow Chris @moviesRtherapy.Fan Mail:Address: Send your letters and fan mail to:Streaming Things6809 Main St. #172Cincinnati, OH 45244Episode Sponsors:This episode is sponsored by BetterHelp. Get the support you need at betterhelp.com/streamingthings. Hosted on Acast. See acast.com/privacy for more information.

Today's podcast is brought to you by Audible – get a FREE audiobook download and 30-day free trial at solotalkmedia.com/audible. Over 400,000 titles to choose from for your iPhone, Android, Kindle or mp3 player. The Lord Of The Rings amongst them. Please send me your feedback at 1-805-910-7656 or feedback@solotalkmedia.com The deadline to submit your feedback for THIS EPISODE ONLY is Tuesday, 9 AM Eastern time. And you are allowed 5 minutes for your feedback. Welcome to The Rings Of Power Podcast – Tales From Middle Earth. In this Double Take episode, I give you my first impressions after seeing the first three episodes of The Rings Of Power second season, titled “Elven Kings Under the Sky”, " Where the Stars are Strange" and “The Eagle and the Scepter .” I'm creating these short posts to encourage listener feedback by asking questions about the episode. This week's questions are… 1) Will Galadriel follow Elrond's orders as leader of their company? 2) What will Pharozôn's next move be? 3) What did Theo stop short of? 4) Can Estrid be trusted? I'd like to thank everyone who has subscribed to this podcast and encourage you to join the discussion by sending in your feedback by calling +1-805-910-7656 or emailing me at feedback@solotalkmedia.com or visiting the website at solotalkmedia.com. If you enjoy this podcast, please consider leaving me a review on Apple Podcasts. You can also follow me on Twitter and Facebook.

Thursday, 8 August 2024   Then Herod, when he had secretly called the wise men, determined from them what time the star appeared. Matthew 2:7   “Then Herod, having called the magicians secretly, exacted of them the time of the appearing star” (CG).   In the previous verse, those before Herod cited the words of Micah concerning the birthplace and ruling status of the Messiah. Now, with that information, it next says, “Then Herod, having called the magicians secretly.”   The word is lathra. It is an adverb signifying secretly or privately. It is the same word used in Matthew 1:19 when Joseph thought to put away Mary once he found that she was pregnant. Herod pulled the magicians aside to discern something from them that he wanted to keep from the religious leaders. Having called them secretly, he “exacted of them.”   The word translated as “exacted” is akriboo. It is found only here and in Matthew 2:16. It signifies to learn carefully or inquire with exactness. He was careful to ascertain a particular bit of information that he did not want to become public, which was “the time of the appearing star.”   The verb is a present participle. The star was there. In other words, this wasn't a star that only appeared in the past, as some translations could be interpreted. It was a star that had appeared and remained in appearance. This will be evident in verse 9. As such, this would dispel several of the “Bethlehem star” theories, which point to an astrological event that took place and then was over.   This lasted long enough for the magicians to see the star, prepare for the journey, travel, seek out the king, and so forth. It appears to be an extended event that took place.   Life application: Ultimately, the Star of Bethlehem is Jesus. That was seen in a previous commentary which cited Numbers 24 –   “I see Him, but not now; I behold Him, but not near; A Star shall come out of Jacob; A Scepter shall rise out of Israel, And batter the brow of Moab, And destroy all the sons of tumult.” Numbers 24:17   However, there is also something that directs the magicians to know where to go. This will be seen in verses 9 and 10. Despite this, the magicians needed to ascertain from the chief religious authorities in Jerusalem where the Messiah would be born. If the star guided them all the way, this step would not have been necessary.   Further, as noted above, the star had appeared and continued to appear as indicated in the present participle. Thus, this was not a single, short-term, astronomical event that happened. In the Bible, stars have various connotations, both literal and figurative. Stars can refer to literal stars, people (even bad people, such as in Jude 1:13), messengers (whether human or angelic), and so forth.   The star noted in Matthew is not defined, but it is separate from Jesus. This will become evident in the verses ahead. Suffice it to say that the coming of Jesus was prophesied. The magicians perceived His coming (whether literally or through sacred writings) in the East. Also, the magicians had then traveled to pay homage to the Messiah.   From there, they had to ask where He was to be born. The enigmatic nature of the star calls out for us to know that God is in control of the process, and He alerted these magicians to confirm the words of Scripture and to bring about other events which were necessary to fulfill typology concerning the Messiah and His work.   Therefore, getting overly bogged down in past celestial events that may or may not point to the coming of the Messiah is not something necessary. Matthew has compiled an account of what occurred, it is detailed enough to ensure that we are aware of the coming of the Messiah and that we have our eggs in the right basket.   Beyond that, becoming argumentative over things that are uncertain is unprofitable and divisive. Let us instead focus on what God has done in Christ and rejoice that it leads to our salvation when we put our faith in Him.   O God, we stand in awe of You and what You have done. Your word tells us of the coming of Jesus and of the marvelous work He has accomplished for us. Help us to always consider Him in our daily walk. We are free from condemnation because of our Lord. Praise to You, O God, for Jesus Christ! Amen.

Thursday, 8 August 2024   Then Herod, when he had secretly called the wise men, determined from them what time the star appeared. Matthew 2:7   “Then Herod, having called the magicians secretly, exacted of them the time of the appearing star” (CG).   In the previous verse, those before Herod cited the words of Micah concerning the birthplace and ruling status of the Messiah. Now, with that information, it next says, “Then Herod, having called the magicians secretly.”   The word is lathra. It is an adverb signifying secretly or privately. It is the same word used in Matthew 1:19 when Joseph thought to put away Mary once he found that she was pregnant. Herod pulled the magicians aside to discern something from them that he wanted to keep from the religious leaders. Having called them secretly, he “exacted of them.”   The word translated as “exacted” is akriboo. It is found only here and in Matthew 2:16. It signifies to learn carefully or inquire with exactness. He was careful to ascertain a particular bit of information that he did not want to become public, which was “the time of the appearing star.”   The verb is a present participle. The star was there. In other words, this wasn't a star that only appeared in the past, as some translations could be interpreted. It was a star that had appeared and remained in appearance. This will be evident in verse 9. As such, this would dispel several of the “Bethlehem star” theories, which point to an astrological event that took place and then was over.   This lasted long enough for the magicians to see the star, prepare for the journey, travel, seek out the king, and so forth. It appears to be an extended event that took place.   Life application: Ultimately, the Star of Bethlehem is Jesus. That was seen in a previous commentary which cited Numbers 24 –   “I see Him, but not now; I behold Him, but not near; A Star shall come out of Jacob; A Scepter shall rise out of Israel, And batter the brow of Moab, And destroy all the sons of tumult.” Numbers 24:17   However, there is also something that directs the magicians to know where to go. This will be seen in verses 9 and 10. Despite this, the magicians needed to ascertain from the chief religious authorities in Jerusalem where the Messiah would be born. If the star guided them all the way, this step would not have been necessary.   Further, as noted above, the star had appeared and continued to appear as indicated in the present participle. Thus, this was not a single, short-term, astronomical event that happened. In the Bible, stars have various connotations, both literal and figurative. Stars can refer to literal stars, people (even bad people, such as in Jude 1:13), messengers (whether human or angelic), and so forth.   The star noted in Matthew is not defined, but it is separate from Jesus. This will become evident in the verses ahead. Suffice it to say that the coming of Jesus was prophesied. The magicians perceived His coming (whether literally or through sacred writings) in the East. Also, the magicians had then traveled to pay homage to the Messiah.   From there, they had to ask where He was to be born. The enigmatic nature of the star calls out for us to know that God is in control of the process, and He alerted these magicians to confirm the words of Scripture and to bring about other events which were necessary to fulfill typology concerning the Messiah and His work.   Therefore, getting overly bogged down in past celestial events that may or may not point to the coming of the Messiah is not something necessary. Matthew has compiled an account of what occurred, it is detailed enough to ensure that we are aware of the coming of the Messiah and that we have our eggs in the right basket.   Beyond that, becoming argumentative over things that are uncertain is unprofitable and divisive. Let us instead focus on what God has done in Christ and rejoice that it leads to our salvation when we put our faith in Him.   O God, we stand in awe of You and what You have done. Your word tells us of the coming of Jesus and of the marvelous work He has accomplished for us. Help us to always consider Him in our daily walk. We are free from condemnation because of our Lord. Praise to You, O God, for Jesus Christ! Amen.

Saturday, 3 August 2024   saying, “Where is He who has been born King of the Jews? For we have seen His star in the East and have come to worship Him.” Matthew 2:2   “Saying, ‘Where is He having been born King of the Jews? For we saw His star in the sunrising, and we came to worship Him'” (CG).   In the previous verse, the magicians had come from the sunrisings to Jerusalem. Now, Matthew continues with the words, “Saying, ‘Where is He?'”   The words of the magicians are in the form of a question, but they are also just as much an assertion. By stating “Where is He,” they are proclaiming that they are certain that the person they are looking for exists. This is understood. The question isn't, “Has He come?” but rather, “Where is He?” Understanding this, they continue with, “having been born?”   Again, it is an assertion. They do not ask, “Where is the King who has been coronated?” Nor do they ask, “Where is the King who has been appointed by Rome?” Instead, the question is about a birth. Therefore, something prompted them to accept that a divinely appointed birth had taken place for one who was to be “King of the Jews.”   The answer is to be found in Daniel 9:24-27 where a timeline of prophetic events was to take place –   “Seventy weeks are determined For your people and for your holy city, To finish the transgression, To make an end of sins, To make reconciliation for iniquity, To bring in everlasting righteousness, To seal up vision and prophecy, And to anoint the Most Holy. 25 “Know therefore and understand, That from the going forth of the command To restore and build Jerusalem Until Messiah the Prince, There shall be seven weeks and sixty-two weeks; The street shall be built again, and the wall, Even in troublesome times. 26 “And after the sixty-two weeks Messiah shall be cut off, but not for Himself; And the people of the prince who is to come Shall destroy the city and the sanctuary. The end of it shall be with a flood, And till the end of the war desolations are determined. 27 Then he shall confirm a covenant with many for one week; But in the middle of the week He shall bring an end to sacrifice and offering. And on the wing of abominations shall be one who makes desolate, Even until the consummation, which is determined, Is poured out on the desolate.”   The words of Daniel may be confusing without understanding the greater context of the Bible, but they clearly and precisely state when the Messiah would come, what would happen to Him, and what would happen afterward. For example, it is understood from the words that the sanctuary, meaning the temple in Jerusalem, would be destroyed.   Of this expectation of the coming Messiah, Albert Barnes writes –   “This personage, they supposed would be a temporal prince, and they were expecting that he would deliver them from Roman bondage. It was natural that this expectation should spread into other countries. Many Jews at that time lived in Egypt, in Rome, and in Greece; many, also, had gone to Eastern countries, and in every place they carried their sacred writings, and diffused the expectation that some remarkable person was about to appear. Suetonius, a Roman historian, speaking of this rumor. says: ‘An ancient and settled persuasion prevailed throughout the East that the Fates had decreed some one to proceed from Judea who should attain universal empire.' Tacitus, another Roman historian, says: ‘Many were persuaded that it was contained in the ancient books of their priests, that at that very time the East should prevail, and that some one should proceed from Judea and possess the dominion.' Josephus also, and Philo, two Jewish historians, make mention of the same expectation. The fact that such a person was expected is clearly attested. Under this expectation these wise men came to do him homage, and inquired anxiously where he was born?”   The reason for paying homage to Him is next explained by them, “For we saw His star.” This “star” is referred to in the Book of Numbers –   “I see Him, but not now; I behold Him, but not near; A Star shall come out of Jacob; A Scepter shall rise out of Israel, And batter the brow of Moab, And destroy all the sons of tumult. 18 “And Edom shall be a possession; Seir also, his enemies, shall be a possession, While Israel does valiantly. 19 Out of Jacob One shall have dominion, And destroy the remains of the city.”  Numbers 24:17-19   The Jews, attempting to hide the fact that Jesus fit the biblical narrative, hid a significant period of time in the chronology of the Old Testament. By doing this, they then made the assertion that another person, Simon bar Kokhba, was the anticipated Messiah. His name means “Simon son of a Star.” They claimed he was the fulfillment of the Numbers prophecy.   However, he came after the destruction of the temple in Jerusalem. Thus, he could not be the Messiah as indicated in the Daniel timeline. As for the Numbers prophecy, it was understood that One would arise and subdue the surrounding nations. But in the greater context of Scripture, much more was understood about this coming One.   As for seeing His star, the word can mean literally seeing, as in a visible star, or it can mean to perceive, as in “the magicians perceived the star from a reading of sacred texts.” Thus, it is a seeing with the mind. This explanation of the word may help understand later verses. Or it may be that they have seen a literal event that alerted them to the coming of the Messiah. Understanding that, it next says, “in the sunrising.”   It is the same word used in the previous verse. It indicates “east,” but it means “rising of light.” This does not mean that they saw the star to their east but that they were east of Israel and saw the star rising from there, knowing that the heavenly sign prophesied for Israel had come to pass. Therefore, with this information clearly known by them, it next says, “and we came to worship Him.”   Of these words, Albert Barnes says, “This does not mean that they had come to pay him religious homage, or to adore him They regarded him as the King of the Jews, but there is no evidence that they supposed that he was divine. They came to honor him as a Prince, or a king, not as God.”   Barnes' words, though dogmatic, are not necessarily correct. Depending on the knowledge of the Hebrew Scriptures, one could clearly determine that this coming One was, in fact, divine. At a minimum, it would be understood He was divinely appointed by God. He had been anticipated since the time of the first man on earth. He was spoken of throughout the historical writings and prophets of the Jews, etc.   Therefore, whether mere obeisance or worship, these magicians had come to bow before this coming King.   As for the star that anticipated the coming of Christ, the number of theories concerning planetary alignments, the position of constellations, particular comets, and so forth go on and on. Everyone who has a theory dogmatically claims his presentation is correct. Those who hear one claim or another will hold fast to the one they find most convincing and dogmatically avow that they are right as to what is being referred to.   In the end, these things are not necessary to determine when Christ came. The years of Herod's life and the prophecy of Daniel sufficiently tells us by what time Jesus had to be born and by what time He would be crucified. And more, the fact that these magicians saw a divinely appointed star tells us that it was there.   As such, determining the particular star that heralded in the coming of Jesus, whatever it was, is not necessary, even if it is fun to consider.   Life application: As noted, there are many theories about the star in the skies which point to the coming of Jesus. Some say it is a conjunction of Saturn and Jupiter, which took place in May to July and again in September of 7BC. Others say it was the rising of Sirius which occurred on the same day in four subsequent years from 5-2BC. Many other speculations have been set forth as well.   A video that has gotten jillions of social media views and sold innumerable CDs by Rick Larsen makes certain assertions about the star of Bethlehem. He goes on to cite details about the cosmic event at Christ's cross as well. The problem with his analysis is that after all of his calculations and details, he assertively places Christ's crucifixion at the time of a particular solar eclipse.   The problem with this is that it is impossible to have a solar eclipse at the time of the Passover. The moon is full at the Passover. Thus, it is on the other side of the earth when the sun is in the sky. With such an obvious error in his presentation, it then calls into question all of his other assertions as well. The house of cards comes crashing down.   It is best to not get caught up in such hype. If the Bible does not provide the particular details concerning things like this, it is because God is not interested in telling us about those things. Rather, He is directing our attention to Jesus, not a star that served a purpose in telling eastern magicians about the coming of Jesus.   Let us not get overly distracted from the biblical text. It is good to research extra-biblical history, which can confirm many aspects of the Bible but when something is so unreasonably argued over, like the Star of Bethlehem, we have lost focus of the main Subject. Eyes to Jesus. In this, we will do well. The Bible records the facts, and they are sufficient for us to know that Christ has come according to the plan and purposes of God.   Lord God, before Jesus came, we were given the timeline to tell us that He would come at a certain time. As we can rely on Your word, we can also be certain that He is the Messiah. No other person can make the claim because the time for His coming is past. With that, we can read the New Testament and discover what He did and how it has changed all of human history. Thank You, O God, for the coming of Jesus Christ our Lord. Amen.  

Listen in to the first part of Chapter 5 of Scepter's newest release: Coached by Paul the Apostle by Fr. Nathan Cromly. This chapter focuses on overcoming fear in order to lead.

Pastor Joni Stevenson

It's been more than 50 years since Carole King's Tapestry was released to critical and cultural acclaim, and the record is still as impressive today as it was then. Hosts Jim DeRogatis and Greg Kot revisit their classic album dissection of Carole King's Tapestry.--Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops--Featured Songs:Carole King, "It's Too Late," Tapestry, Ode, 1971The Shirelles, "Will You Love Me Tomorrow," Tonight's the Night, Scepter, 1960Little Eva, "The Loco-motion," The Loco-motion (Single), Dimension 1000, 1962Bobby Vee, "Take Good Care of My Baby," Take Good Care of My Baby, Liberty, 1961The Monkees, "Pleasant Valley Sunday," Pisces, Aquarius, Capricorn & Jones Ltd., Colgems, 1967Carole King, "It Might As Well Rain Until September," It Might As Well Rain Until September (Single), Dimension, 1962The City, "Now That Everything's Been Said," Now That Everything's Been Said, Ode, 1968Carole King, "No Easy Way Down," Writer, Ode, 1970Carole King, "Beautiful," Tapestry, Ode, 1971Carole King, "I Feel the Earth Move," Tapestry, Ode, 1971Carole King, "You've Got a Friend," Tapestry, Ode, 1971Carole King, "Tapestry," Tapestry, Ode, 1971Carole King, "(You Make Me Feel Like) A Natural Woman," Tapestry, Ode, 1971Carole King and Louise Gioffin, "Where You Lead," Our Little Corner of the World: Music From Gilmore Girls, Rhino, 2002Carole King, "Where You Lead," Tapestry, Ode, 1971Carole King, "So Far Away," Tapestry, Ode, 1971Carole King, "Will You Love Me Tomorrow," Tapestry, Ode, 1971Carole King, "Way Over Yonder," Tapestry, Ode, 1971Carole King, "Home Again," Tapestry, Ode, 1971Carole King, "Smackwater Jack," Tapestry, Ode, 1971James Taylor, "You've Got a Friend," Mud Slide Slim and the Blue Horizon, Warner Bros., 1971Carole King and James Taylor, "You've Got a Friend," Live At The Troubadour, Syzygy, 2010Liz Phair, "Divorce Song (Girly-Sound Version)," The Girly-Sound Tapes, Matador, 2018Lauryn Hill, "Everything Is Everything," The Miseducation of Lauryn Hill, Columbia, 1998Tori Amos, "Cornflake Girl," Under the Pink, Atlantic, 1994Caroline Rose, "Do You Think We'll Last Forever?," Superstar, New West, 2020See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Join Mattrod, Jeremy, and Steven as they review the final episode of Masters Of The Universe Revolution! 

For those who haven't heard the announcement I posted , songs from this point on will sometimes be split among multiple episodes, so this is the first part of a two-episode look at the song “I Heard it Through the Grapevine”. This week we take a short look at the song’s writers, Norman Whitfield and Barrett Strong, and the first released version by Gladys Knight and the Pips. In two weeks time we’ll take a longer look at the sixties career of the song’s most famous performer, Marvin Gaye. This episode is quite a light one. That one… won’t be. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a half-hour bonus episode, on “Bend Me Shape Me” by Amen Corner. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Resources Mixcloud will be up with the next episode. For Motown-related information in this and other Motown episodes, I've used the following resources: Where Did Our Love Go? The Rise and Fall of the Motown Sound by Nelson George is an excellent popular history of the various companies that became Motown. To Be Loved by Berry Gordy is Gordy's own, understandably one-sided, but relatively well-written, autobiography. Women of Motown: An Oral History by Susan Whitall is a collection of interviews with women involved in Motown. I Hear a Symphony: Motown and Crossover R&B by J. Andrew Flory is an academic look at Motown. The Motown Encyclopaedia by Graham Betts is an exhaustive look at the people and records involved in Motown's thirty-year history. Motown: The Golden Years is another Motown encyclopaedia. And Motown Junkies is an infrequently-updated blog looking at (so far) the first 693 tracks released on Motown singles. For information on Marvin Gaye, and his relationship with Norman Whitfield, I relied on Divided Soul: The Life of Marvin Gaye by David Ritz. I’ve also used information on Whitfield in  Ain't Too Proud to Beg: The Troubled Lives and Enduring Soul of the Temptations by Mark Ribowsky, I’ve also referred to interviews with Whitfield and Strong archived at rocksbackpages.com , notably “The Norman Whitfield interview”, John Abbey, Blues & Soul, 1 February 1977 For information about Gladys Knight, I’ve used her autobiography. The best collection of Gladys Knight and the Pips’ music is this 3-CD set, but the best way to hear Motown hits is in the context of other Motown hits. This five-CD box set contains the first five in the Motown Chartbusters series of British compilations. The Pips’ version of “I Heard it Through the Grapevine” is on disc 2, while Marvin Gaye’s is on disc 3, which is famously generally considered one of the best single-disc various artists compilations ever. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript Before I start, a brief note — this episode contains some brief mentions of miscarriage and drug abuse. The history of modern music would be immeasurably different had it not been for one car breakdown. Norman Whitfield spent the first fifteen years of his life in New York, never leaving the city, until his grandmother died. She’d lived in LA, and that was where the funeral was held, and so the Whitfield family got into a car and drove right across the whole continent — two thousand five hundred miles — to attend the old lady’s funeral. And then after the funeral, they turned round and started to drive home again. But they only got as far as Detroit when the car, understandably, gave up the ghost.  Luckily, like many Black families, they had family in Detroit, and Norman’s aunt was not only willing to put the family up for a while, but her husband was able to give Norman’s father a job in his drug store while he saved up enough money to pay for the car to be fixed. But as it happened, the family liked Detroit, and they never did get around to driving back home to New York. Young Norman in particular took to the city’s nightlife, and soon as well as going to school he was working an evening job at a petrol station — but that was only to supplement the money he made as a pool hustler. Young Norman Whitfield was never going to be the kind of person who took a day job, and so along with his pool he started hanging out with musicians — in particular with Popcorn and the Mohawks, a band led by Popcorn Wylie. [Excerpt: Popcorn and the Mohawks, “Shimmy Gully”] Popcorn and the Mohawks were a band of serious jazz musicians, many of whom, including Wylie himself, went on to be members of the Funk Brothers, the team of session players that played on Motown’s hits — though Wylie would depart Motown fairly early after a falling out with Berry Gordy. They were some of the best musicians in Detroit at the time, and Whitfield would tag along with the group and play tambourine, and sometimes other hand percussion instruments. He wasn’t a serious musician at that point, just hanging out with a bunch of people who were, who were a year or two older than him. But he was learning — one thing that everyone says about Norman Whitfield in his youth is that he was someone who would stand on the periphery of every situation, not getting involved, but soaking in everything that the people around him were doing, and learning from them. And soon, he was playing percussion on sessions. At first, this wasn’t for Motown, but everything in the Detroit music scene connected back to the Gordy family in one way or another. In this case, the label was Thelma Records, which was formed by Berry Gordy’s ex-mother-in-law and named after Gordy’s first wife, who he had recently divorced. Of all the great Motown songwriters and producers, Whitfield’s life is the least-documented, to the extent that the chronology of his early career is very vague and contradictory, and Thelma was such a small label there even seems to be some dispute about when it existed — different sources give different dates, and while Whitfield always said he worked for Thelma records, he might have actually been employed by another label owned by the same people, Ge Ge, which might have operated earlier — but by most accounts Whitfield quickly progressed from session tambourine player to songwriter. According to an article on Whitfield from 1977, the first record of one of his songs was “Alone” by Tommy Storm on Thelma Records, but that record seems not to exist — however, some people on a soul message board, discussing this a few years ago, found an interview with a member of a group called The Fabulous Peps which also featured Storm, saying that their record on Ge Ge Records, “This Love I Have For You”, is a rewrite of that song by Don Davis, Thelma’s head of A&R, though the credit on the label for that is just to Davis and Ron Abner, another member of the group: [Excerpt: The Fabulous Peps, “This Love I Have For You”] So that might, or might not, be the first Norman Whitfield song ever to be released. The other song often credited as Whitfield’s first released song is “Answer Me” by Richard Street and the Distants — Street was another member of the Fabulous Peps, but we’ve encountered him and the Distants before when talking about the Temptations — the Distants were the group that Otis Williams, Melvin Franklin, and Al Bryant had been in before forming the Temptations — and indeed Street would much later rejoin his old bandmates in the Temptations, when Whitfield was producing for them. Unlike the Fabulous Peps track, this one was clearly credited to N. Whitfield, so whatever happened with the Storm track, this is almost certainly Whitfield’s first official credit as a songwriter: [Excerpt: Richard Street and the Distants, “Answer Me”] He was soon writing songs for a lot of small labels — most of which appear to have been recorded by the Thelma team and then licensed out — like “I’ve Gotten Over You” by the Sonnettes: [Excerpt: The Sonnettes, “I’ve Gotten Over You”] That was on KO Records, distributed by Scepter, and was a minor local hit — enough to finally bring Whitfield to the attention of Berry Gordy. According to many sources, Whitfield had been hanging around Hitsville for months trying to get a job with the label, but as he told the story in 1977 “Berry Gordy had sent Mickey Stevenson over to see me about signing with the company as an exclusive in-house writer and producer. The first act I was assigned to was Marvin Gaye and he had just started to become popular.” That’s not quite how the story went. According to everyone else, he was constantly hanging around Hitsville, getting himself into sessions and just watching them, and pestering people to let him get involved. Rather than being employed as a writer and producer, he was actually given a job in Motown’s quality control department for fifteen dollars a week, listening to potential records and seeing which ones he thought were hits, and rating them before they went to the regular department meetings for feedback from the truly important people. But he was also allowed to write songs. His first songwriting credit on a Motown record wasn’t Marvin Gaye, as Whitfield would later tell the story, but was in fact for the far less prestigious Mickey Woods — possibly the single least-known artist of Motown’s early years. Woods was a white teenager, the first white male solo artist signed to Motown, who released two novelty teen-pop singles. Whitfield’s first Motown song was the B-side to Woods’ second single, a knock-off of Sam Cooke’s “Cupid” called “They Call Me Cupid”, co-written with Berry Gordy and Brian Holland: [Excerpt: Mickey Woods, “They Call Me Cupid”] Unsurprisingly that didn’t set the world on fire, and Whitfield didn’t get another Motown label credit for thirteen months (though some of his songs for Thelma may have come out in this period). When he did, it was as co-writer with Mickey Stevenson — and, for the first time, sole producer — of the first single for a new singer, Kim Weston: [Excerpt: Kim Weston, “It Should Have Been Me”] As it turned out, that wasn’t a hit, but the flip-side, “Love Me All The Way”, co-written by Stevenson (who was also Weston’s husband) and Barney Ales, did become a minor hit, making the R&B top thirty. After that, Whitfield was on his way. It was only a month later that he wrote his first song for the Temptations, a B-side, “The Further You Look, The Less You See”: [Excerpt: The Temptations, “The Further You Look, The Less You See”] That was co-written with Smokey Robinson, and as we heard in the episode on “My Girl”, both Robinson and Whitfield vied with each other for the job of Temptations writer and producer. As we also heard in that episode, Robinson got the majority of the group’s singles for the next couple of years, but Whitfield would eventually take over from him. Whitfield’s work with the Temptations is probably his most important work as a writer and producer, and the Temptations story is intertwined deeply with this one, but for the most part I’m going to save discussion of Whitfield’s work with the group until we get to 1972, so bear with me if I seem to skim over that — and if I repeat myself in a couple of years when we get there. Whitfield’s first major success, though, was also the first top ten hit for Marvin Gaye, “Pride and Joy”: [Excerpt: Marvin Gaye, “Pride and Joy”] “Pride and Joy” had actually been written and recorded before the Kim Weston and Temptations tracks, and was intended as album filler — it was written during a session by Whitfield, Gaye, and Mickey Stevenson who was also the producer of the track, and recorded in the same session as it was written, with Martha and the Vandellas on backing vocals. The intended hit from the session, “Hitch-Hike”, we covered in the previous episode on Gaye, but that was successful enough that an album, That Stubborn Kinda Fellow, was released, with “Pride and Joy” on it. A few months later Gaye recut his lead vocal, over the same backing track, and the record was released as a single, reaching number ten on the pop charts and number two R&B: [Excerpt: Marvin Gaye, “Pride and Joy”] Whitfield had other successes as well, often as B-sides. “The Girl’s Alright With Me”, the B-side to Smokey Robinson’s hit for the Temptations “I’ll Be In Trouble”, went to number forty on the R&B chart in its own right: [Excerpt: The Temptations, “The Girl’s Alright With Me”] That was co-written with Eddie Holland, and Holland and Whitfield had a minor songwriting partnership at this time, with Holland writing lyrics and Whitfield the music. Eddie Holland even released a Holland and Whitfield collaboration himself during his brief attempt at a singing career — “I Couldn’t Cry if I Wanted To” was a song they wrote for the Temptations, who recorded it but then left it on the shelf for four years, so Holland put out his own version, again as a B-side: [Excerpt: Eddie Holland, “I Couldn’t Cry if I Wanted To”] Whitfield was very much a B-side kind of songwriter and producer at this point — but this could be to his advantage. In January 1963, around the same time as all these other tracks, he cut a filler track with the “no-hit Supremes”, “He Means the World to Me”, which was left on the shelf until they needed a B-side eighteen months later and pulled it out and released it: [Excerpt: The Supremes, “He Means the World to Me”] But the track that that was a B-side to was “Where Did Our Love Go?”, and at the time you could make a lot of money from writing the B-side to a hit that big. Indeed, at first, Whitfield made more money from “Where Did Our Love Go?” than Holland, Dozier, or Holland, because he got a hundred percent of the songwriters’ share for his side of the record, while they had to split their share three ways. Slowly Whitfield moved from being a B-side writer to being an A-side writer. With Eddie Holland he was given a chance at a Temptations A-side for the first time, with “Girl, (Why You Wanna Make Me Blue)”: [Excerpt: The Temptations, “Girl (Why You Wanna Make Me Blue)”] He also wrote for Jimmy Ruffin, but in 1964 it was with girl groups that Whitfield was doing his best work. With Mickey Stevenson he wrote “Needle in a Haystack” for the Velvettes: [Excerpt: The Velvettes, “Needle in a Haystack”] He wrote their classic followup “He Was Really Sayin' Somethin’” with Stevenson and Eddie Holland, and with Holland he also wrote “Too Many Fish in the Sea” for the Marvelettes: [Excerpt: The Marvelettes, “Too Many Fish In The Sea”] By late 1964, Whitfield wasn’t quite in the first rank of Motown songwriter-producers with Holland-Dozier-Holland and Smokey Robinson, but he was in the upper part of the second tier with Mickey Stevenson and Clarence Paul. And by early 1966, as we saw in the episode on “My Girl”, he had achieved what he’d wanted for four years, and become the Temptations’ primary writer and producer. As I said, we’re going to look at Whitfield’s time working with the Temptations later, but in 1966 and 67 they were the act he was most associated with, and in particular, he collaborated with Eddie Holland on three top ten hits for the group in 1966. But as we discussed in the episode on “I Can’t Help Myself”, Holland’s collaborations with Whitfield eventually caused problems for Holland with his other collaborators, when he won the BMI award for writing the most hit songs, depriving his brother and Lamont Dozier of their share of the award because his outside collaborations put him ahead of them. While Whitfield *could* write songs by himself, and had in the past, he was at his best as a collaborator — as well as his writing partnership with Eddie Holland he’d written with Mickey Stevenson, Marvin Gaye, and Janie Bradford. And so when Holland told him he was no longer able to work together, Whitfield started looking for someone else who could write lyrics for him, and he soon found someone: [Excerpt: Barrett Strong, “Money”] Barrett Strong had, of course, been the very first Motown act to have a major national hit, with “Money”, but as we discussed in the episode on that song he had been unable to have a follow-up hit, and had actually gone back to working on an assembly line for a while. But when you’ve had a hit as big as “Money”, working on an assembly line loses what little lustre it has, and Strong soon took himself off to New York and started hanging around the Brill Building, where he hooked up with Doc Pomus and Mort Shuman, the writers of such hits as “Save the Last Dance for Me”, “Viva Las Vegas”, “Sweets for My Sweet”, and “A Teenager in Love”.  Pomus and Shuman, according to Strong, signed him to a management contract, and they got him signed to Atlantic’s subsidiary Atco, where he recorded one single, “Seven Sins”, written and produced by the team: [Excerpt: Barrett Strong, “Seven Sins”] That was a flop, and Strong was dropped by the label. He bounced around a few cities before ending up in Chicago, where he signed to VeeJay Records and put out one more single as a performer, “Make Up Your Mind”, which also went nowhere: [Excerpt: Barrett Strong, “Make Up Your Mind”] Strong had co-written that, and as his performing career was now definitively over, he decided to move into songwriting as his main job. He co-wrote “Stay in My Corner” for the Dells, which was a top thirty R&B hit for them on VeeJay in 1965 and in a remade version in 1968 became a number one R&B hit and top ten pop hit for them: [Excerpt: The Dells, “Stay in My Corner”] And on his own he wrote another top thirty R&B hit, “This Heart of Mine”, for the Artistics: [Excerpt: The Artistics, “This Heart of Mine”] He wrote several other songs that had some minor success in 1965 and 66, before moving back to Detroit and hooking up again with his old label, this time coming to them as a songwriter with a track record rather than a one-hit wonder singer. As Strong put it “They were doing my style of music then, they were doing something a little different when I left, but they were doing the more soulful, R&B-style stuff, so I thought I had a place there. So I had an idea I thought I could take back and see if they could do something with it.” That idea was the first song he wrote under his new contract, and it was co-written with Norman Whitfield. It’s difficult to know how Whitfield and Strong started writing together, or much about their writing partnership, even though it was one of the most successful songwriting teams of the era, because neither man was interviewed in any great depth, and there’s almost no long-form writing on either of them. What does seem to have been the case is that both men had been aware of each other in the late fifties, when Strong was a budding R&B star and Whitfield merely a teenager hanging round watching the cool kids. The two may even have written together before — in an example of how the chronology for both Whitfield and Strong seems to make no sense, Whitfield had cowritten a song with Marvin Gaye, “Wherever I Lay My Hat, That’s My Home”, in 1962 — when Strong was supposedly away from Motown — and it had been included as an album track on the That Stubborn Kinda Fellow album: [Excerpt: Marvin Gaye, “Wherever I Lay My Hat, That’s My Home”] The writing on that was originally credited just to Whitfield and Gaye on the labels, but it is now credited to Whitfield, Gaye, and Strong, including with BMI. Similarly Gaye’s 1965 album track “Me and My Lonely Room” — recorded in 1963 but held back – was initially credited to Whitfield alone but is now credited to Whitfield and Strong, in a strange inverse of the way “Money” initially had Strong’s credit but it was later removed. But whether this was an administrative decision made later, or whether Strong had been moonlighting for Motown uncredited in 1962 and collaborated with Whitfield, they hadn’t been a formal writing team in the way Whitfield and Holland had been, and both later seemed to date their collaboration proper as starting in 1966 when Strong returned to Motown — and understandably. The two songs they’d written earlier – if indeed they had – had been album filler, but between 1967 when the first of their new collaborations came out and 1972 when they split up, they wrote twenty-three top forty hits together. Theirs seems to have been a purely business relationship — in the few interviews with Strong he talks about Whitfield as someone he was friendly with, but Whitfield’s comments on Strong seem always to be the kind of very careful comments one would make about someone for whom one has a great deal of professional respect, a great deal of personal dislike, but absolutely no wish to air the dirty laundry behind that dislike, or to burn bridges that don’t need burning. Either way, Whitfield was in need of a songwriting partner when Barrett Strong walked into a Motown rehearsal room, and recognised that Strong’s talents were complementary to his. So he told Strong, straight out, “I’ve had quite a few hit records already. If you write with me, I can guarantee you you’ll make at least a hundred thousand dollars a year” — though he went on to emphasise that that wasn’t a guarantee-guarantee, and would depend on Strong putting the work in. Strong agreed, and the first idea he brought in for his new team earned both of them more than that hundred thousand dollars by itself. Strong had been struck by the common phrase “I heard it through the grapevine”, and started singing that line over some Ray Charles style gospel chords. Norman Whitfield knew a hook when he heard one, and quickly started to build a full song around Strong’s line. Initially, by at least some accounts, they wanted to place the song with the Isley Brothers, who had just signed to Motown and had a hit with the Holland-Dozier-Holland song “This Old Heart of Mine”: [Excerpt: The Isley Brothers, “This Old Heart of Mine (Is Weak For You)”] For whatever reason, the Isley Brothers didn’t record the song, or if they did no copy of the recording has ever surfaced, though it does seem perfectly suited to their gospel-inflected style. The Isleys did, though, record another early Whitfield and Strong song, “That’s the Way Love Is”, which came out in 1967 as a flop single, but would later be covered more successfully by Marvin Gaye: [Excerpt: The Isley Brothers, “That’s the Way Love Is”] Instead, the song was first recorded by the Miracles. And here the story becomes somewhat murky. We have a recording by the Miracles, released on an album two years later, but some have suggested that that version isn’t the same recording they made in 1966 when Whitfield and Strong wrote the song originally: [Excerpt: Smokey Robinson and the Miracles, “I Heard it Through the Grapevine”] It certainly sounds to my ears like that is probably the version of the song the group recorded in 66 — it sounds, frankly, like a demo for the later, more famous version. All the main elements are there — notably the main Ray Charles style hook played simultaneously on Hammond organ and electric piano, and the almost skanking rhythm guitar stabs — but Smokey Robinson’s vocal isn’t *quite* passionate enough, the tempo is slightly off, and the drums don’t have the same cavernous rack tom sound that they have in the more famous version. If you weren’t familiar with the eventual hit, it would sound like a classic Motown track, but as it is it’s missing something… [Excerpt: Smokey Robinson and the Miracles, “I Heard it Through the Grapevine”] According to at least some sources, that was presented to the quality control team — the team in which Whitfield had started his career, as a potential single, but they dismissed it. It wasn’t a hit, and Berry Gordy said it was one of the worst songs he’d ever heard. But Whitfield knew the song was a hit, and so he went back into the studio and cut a new backing track: [Excerpt: Marvin Gaye, “I Heard it Through the Grapevine (backing track only)”] (Incidentally, no official release of the instrumental backing track for “I Heard it Through the Grapevine” exists, and I had to put that one together myself by taking the isolated parts someone had uploaded to youtube and synching them back together in editing software, so if there are some microsecond-level discrepancies between the instruments there, that’s on me, not on the Funk Brothers.) That track was originally intended for the Temptations, with whom Whitfield was making a series of hits at the time, but they never recorded it at the time. Whitfield did produce a version for them as an album track a couple of years later though, so we have an idea how they might have taken the song vocally — though by then David Ruffin had been replaced in the group by Dennis Edwards: [Excerpt: The Temptations, “I Heard it Through the Grapevine”] But instead of giving the song to the Temptations, Whitfield kept it back for Marvin Gaye, the singer with whom he’d had his first big breakthrough hit and for whom his two previous collaborations with Strong – if collaborations they were – had been written. Gaye and Whitfield didn’t get on very well — indeed, it seems that Whitfield didn’t get on very well with *anyone* — and Gaye would later complain about the occasions when Whitfield produced his records, saying “Norman and I came within a fraction of an inch of fighting. He thought I was a prick because I wasn't about to be intimidated by him. We clashed. He made me sing in keys much higher than I was used to. He had me reaching for notes that caused my throat veins to bulge.” But Gaye sang the song fantastically, and Whitfield was absolutely certain they had a sure-fire hit: [Excerpt: Marvin Gaye, “I Heard it Through the Grapevine”] But once again the quality control department refused to release the track. Indeed, it was Berry Gordy personally who decided, against the wishes of most of the department by all accounts, that instead of “I Heard it Through the Grapevine” Gaye’s next single should be a Holland-Dozier-Holland track, “Your Unchanging Love”, a soundalike rewrite of their earlier hit for him, “How Sweet It Is”. “Your Unchanging Love” made the top thirty, but was hardly a massive success. Gordy has later claimed that he always liked “Grapevine” but just thought it was a bit too experimental for Gaye’s image at the time, but reports from others who were there say that what Gordy actually said was “it sucks”. So “I Heard it Through the Grapevine” was left on the shelf, and the first fruit of the new Whitfield/Strong team to actually get released was “Gonna Give Her All the Love I’ve Got”, written for Jimmy Ruffin, the brother of Temptations lead singer David, who had had one big hit, “What Becomes of the Brokenhearted” and one medium one, “I’ve Passed This Way Before”, in 1966. Released in 1967, “Gonna Give Her All the Love I’ve Got” became Ruffin’s third and final hit, making number 29: [Excerpt: Jimmy Ruffin, “Gonna Give Her All the Love I’ve Got”] But Whitfield was still certain that “Grapevine” could be a hit. And then in 1967, a few months after he’d shelved Gaye’s version, came the record that changed everything in soul: [Excerpt: Aretha Franklin, “Respect”] Whitfield was astounded by that record, but also became determined he was going to “out-funk Aretha”, and “I Heard it Through the Grapevine” was going to be the way to do it. And he knew someone who thought she could do just that. Gladys Knight never got on well with Aretha Franklin. According to Knight’s autobiography this was one-sided on Franklin’s part, and Knight was always friendly to Franklin, but it’s also notable that she says the same about several other of the great sixties female soul singers (though not all of them by any means), and there seems to be a general pattern among those singers that they felt threatened by each other and that their own position in the industry was precarious, in a way the male singers usually didn’t. But Knight claimed she always *wished* she got on well with Franklin, because the two had such similar lives. They’d both started out singing gospel as child performers before moving on to the chitlin circuit at an early age, though Knight started her singing career even younger than Franklin did. Knight was only four when she started performing solos in church, and by the age of eight she had won the two thousand dollar top prize on Ted Mack’s Amateur Hour by singing Brahms’ “Lullaby” and the Nat “King” Cole hit “Too Young”: [Excerpt: Nat “King” Cole, “Too Young”] That success inspired her, and she soon formed a vocal group with her brother Bubba, sister Brenda and their cousins William and Eleanor Guest. They named themselves the Pips in honour of a cousin whose nickname that was, and started performing at talent contests in Atlanta Chitlin’ Circuit venues. They soon got a regular gig at one of them, the Peacock, despite them all being pre-teens at the time. The Pips also started touring, and came to the attention of Maurice King, the musical director of the Flame nightclub in Detroit, who became a vocal coach for the group. King got the group signed to Brunswick records, where they released their first single, a song King had written called “Whistle My Love”: [Excerpt: The Pips, “Whistle My Love”] According to Knight that came out in 1955, when she was eleven, but most other sources have it coming out in 1958. The group’s first two singles flopped, and Brenda and Eleanor quit the group, being replaced by another cousin, Edward Patten, and an unrelated singer Langston George, leaving Knight as the only girl in the quintet. While the group weren’t successful on records, they were getting a reputation live and toured on package tours with Sam Cooke, Jackie Wilson, and others. Knight also did some solo performances with a jazz band led by her music teacher, and started dating that band’s sax player, Jimmy Newman. The group’s next recording was much more successful. They went into a makeshift studio owned by a local club owner, Fats Hunter, and recorded what they thought was a demo, a version of the Johnny Otis song “Every Beat of My Heart”: [Excerpt: The Pips, “Every Beat of My Heart (HunTom version)”] The first they knew that Hunter had released that on his own small label was when they heard it on the radio. The record was picked up by VeeJay records, and it ended up going to number one on the R&B charts and number six on the pop charts, but they never saw any royalties from it. It brought them to the attention of another small label, Fury Records, which got them to rerecord the song, and that version *also* made the R&B top twenty and got as high as number forty-five on the pop charts: [Excerpt: Gladys Knight and the Pips, “Every Beat of My Heart (Fury version)”] However, just because they had a contract with Fury didn’t mean they actually got any more money, and Knight has talked about the label’s ownership being involved with gangsters. That was the first recording to be released as by “Gladys Knight and the Pips”, rather than just The Pips, and they would release a few more singles on Fury, including a second top twenty pop hit, the Don Covay song “Letter Full of Tears”: [Excerpt: Gladys Knight and the Pips, “Letter Full of Tears”] But Knight had got married to Newman, who was by now the group’s musical director, after she fell pregnant when she was sixteen and he was twenty. However, that first pregnancy tragically ended in miscarriage, and when she became pregnant again she decided to get off the road to reduce the risk. She spent a couple of years at home, having two children, while the other Pips – minus George who left soon after – continued without her to little success. But her marriage was starting to deteriorate under pressure of Newman’s drug use — they wouldn’t officially divorce until 1972, but they were already feeling the pressure, and would split up sooner rather than later — and Knight  returned to the stage, initially as a solo artist or duetting with Jerry Butler, but soon rejoining the Pips, who by this time were based in New York and working with the choreographer Cholly Atkins to improve their stagecraft. For the next few years the Pips drifted from label to label, scoring one more top forty hit in 1964 with Van McCoy’s “Giving Up”, but generally just getting by like so many other acts on the circuit. Eventually the group ended up moving to Detroit, and hooking up with Motown, where mentors like Cholly Atkins and Maurice King were already working. At first they thought they were taking a step up, but they soon found that they were a lower tier Motown act, considered on a par with the Spinners or the Contours rather than the big acts, and according to Knight they got pulled off an early Motown package tour because Diana Ross, with whom like Franklin Knight had something of a rivalry, thought they were too good on stage and were in danger of overshadowing her. Knight says in her autobiography that they “formed a little club of our own with some of the other malcontents” with Martha Reeves, Marvin Gaye, and someone she refers to as “Ivory Joe Hunter” but I presume she means Ivy Jo Hunter (one of the big problems when dealing with R&B musicians of this era is the number of people with similar names. Ivy Jo Hunter, Joe Hunter, and Ivory Joe Hunter were all R&B musicians for whom keyboard was their primary instrument, and both Ivy Jo and just plain Joe worked for Motown at different points, but Ivory Joe never did) Norman Whitfield was also part of that group of “malcontents”, and he was also the producer of the Pips’ first few singles for Motown, and so when he was looking for someone to outdo Aretha, someone with something to prove, he turned to them. He gave the group the demo tape, and they worked out a vocal arrangement for a radically different version of the song, one inspired by “Respect”: [Excerpt: Gladys Knight and the Pips, “I Heard it Through the Grapevine”] The third time was the charm, and quality control finally agreed to release “I Heard it Through the Grapevine” as a single. Gladys Knight always claimed it had no promotion, but Norman Whitfield’s persistence had paid off — the single went to number two on the pop charts (kept off the top by “Daydream Believer”), number one on the R&B charts, and became Motown’s biggest-selling single *ever* up until that point. It also got Knight a Grammy nomination for Best R&B Vocal Performance, Female — though the Grammy committee, at least, didn’t think she’d out-Aretha’d Aretha, as “Respect” won the award. And that, sadly, sort of summed up Gladys Knight and the Pips at Motown — they remained not quite the winners in everything. There’s no shame in being at number two behind a classic single like “Daydream Believer”, and certainly no shame in losing the Grammy to Aretha Franklin at her best, but until they left Motown in 1972 and started their run of hits on Buddah records, Gladys Knight and the Pips would always be in other people’s shadow. That even extended to “I Heard It Through the Grapevine” when, as we’ll hear in part two of this story, Norman Whitfield’s persistence paid off, Marvin Gaye’s version got released as a single, and *that* became the biggest-selling single on Motown ever, outselling the Pips version and making it forever his song, not theirs. And as a final coda to the story of Gladys Knight and the Pips at Motown, while they were touring off the back of “Grapevine’s” success, the Pips ran into someone they vaguely knew from his time as a musician in the fifties, who was promoting a group he was managing made up of his sons. Knight thought they had something, and got in touch with Motown several times trying to get them to sign the group, but she was ignored. After a few attempts, though, Bobby Taylor of another second-tier Motown group, the Vancouvers, also saw them and got in touch with Motown, and this time they got signed. But that story wasn’t good enough for Motown, and so neither Taylor nor Knight got the credit for discovering the group. Instead when Joe Jackson’s sons’ band made their first album, it was titled Diana Ross Presents the Jackson 5. But that, of course, is a story for another time…

Today's sermon is Jesus, Star, and Scepter by David Guzik Find more teaching from Pastor David at www.enduringword.com

Revelation 5 (NKJV)Andrew and Edwin talk about the Lion the elder told John about and why He is worthy to open the scroll.Read the written devo that goes along with this episode by clicking here.    Let us know what you are learning or any questions you have. Email us at TextTalk@ChristiansMeetHere.org.    Join the Facebook community and join the conversation by clicking here. We'd love to meet you. Be a guest among the Christians who meet on Livingston Avenue. Click here to find out more. Michael Eldridge sang all four parts of our theme song. Find more from him by clicking here.   Thanks for talking about the text with us today.________________________________________________If the hyperlinks do not work, copy the following addresses and paste them into the URL bar of your web browser: Daily Written Devo: https://readthebiblemakedisciples.wordpress.com/?p=16206The Christians Who Meet on Livingston Avenue: http://www.christiansmeethere.org/Facebook Page: https://www.facebook.com/TalkAboutTheTextFacebook Group: https://www.facebook.com/groups/texttalkMichael Eldridge: https://acapeldridge.com/ 

The posture of humility brings the actual rule & reign of Christ to take care of every fleshly thing. Josh 3:5-6 / Josh 5:13-15 / Matt 5:1-9 / Luke 1:46-52 / Phil 2:1-11 / Ps 110:1-4

Today's Bible Verse: The scepter will not depart from Judah, nor the ruler's staff from his descendants, until the coming of the one to whom it belongs, the one whom all nations will honor. - Genesis 49:10   Want to listen without the ads? Become a BibleStudyTools.com PLUS Member today: https://www.biblestudytools.com/subscribe/   MEET OUR HOSTS:   JENNIFER SLATTERY is a writer and speaker who hosts the Faith Over Fear podcast. She's addressed women's groups, Bible studies, and writers across the nation. She's the author of Building a Family and numerous other titles and maintains a devotional blog at https://jenniferslatterylivesoutloud.com   Follow Jennifer: https://www.lifeaudio.com/faith-over-fear/  https://www.facebook.com/JenSlatte https://www.instagram.com/slatteryjennifer/    CAROL MCCRACKEN is a Christian communicator who teaches women Biblical truths through real-life application and humor to connect them to their God-given purpose. Carol has been a Bible teacher for twenty years and served on church staff and in women's ministry for three decades.   Follow Carol: https://www.carolmccracken.com/   REVEREND DR. KYLE NORMAN is the Rector of St. Paul's Cathedral, located in Kamloops BC, Canada.  He holds a doctorate in Spiritual formation and is a sought-after writer, speaker, and retreat leader. His writing can be found at Christianity.com, crosswalk.com, ibelieve.com, Renovare Canada, and many others.  He also maintains his own blog revkylenorman.ca.  He has 20 years of pastoral experience, and his ministry focuses on helping people overcome times of spiritual discouragement.   Follow Rev. Kyle: https://revkylenorman.ca/   JOY A. WILLIAMS is a writer and speaker who is amazed her first name became her life's mission. As life happens in ways that baffle us or bring us joy, she loves exploring how those moments can bring us closer to God.  She is a member of the “First 5” writing team at Proverbs 31 ministries. As a licensed minister, she serves as a teacher for the Women's Bible Study and the Married Couples Ministry at her church.  Joy is a wife and mother and she shares encouragement on the “Joy to the Soul” blog.  Subscribe to receive the newest posts and updates at joyawilliams.com.   Follow her on Facebook, Twitter, Instagram and Pinterest   Read Joy's 7-day Bible reading plans: “Live Your Joy Story” and “When Easy Doesn't Live Here: Living by Faith When Life Is Hard” on the YouVersion Bible app.   JESSICA VAN ROEKEL loves the upside-down life of following Jesus as she journeys to wholeness through brokenness. As an author, speaker, and worship leader, she uses her gifts and experiences to share God's transformative power to rescue, restore, and renew. She is the author of Reframing Rejection: How Looking Through a Different Lens Changes Everything.   Jessica and her husband have two adult daughters spreading their wings, and two high schoolers, a son and daughter, fluttering their wings as they edge closer to the nest. Connect with her at welcomegrace.com and reframingrejection.com.   GRACE FOX is the award-winning author of 13 books, a popular Bible teacher at international women's events, and a member of the “First 5” Bible study writing team (Proverbs 31 Ministries). She's also been a career missionary for more than 30 years.   She and her husband have served in Nepal, at a year-round Christian camp on an island off Canada's west coast, and currently co-direct International Messengers Canada, a missionary sending agency with 300 staff in 30 countries. They live fulltime aboard a sailboat in Vancouver, British Columbia. Married in 1982, they celebrate three grown kids and 13 grandchildren.   Learn about Grace's books and subscribe to her free resources at https://www.gracefox.com   Follow her: https://www.fb.com/gracefox.author Learn more about ministry opportunities with International Messengers: https://www.im-canada.ca   Discover more Christian podcasts at lifeaudio.com and inquire about advertising opportunities at lifeaudio.com/contact-us.