Podcast appearances and mentions of Pierre Huyghe

Oggi a Cult: a Zona K la performer e coreografa fiamminga Zoe Demoustier presenta "Unfolding an Archive", basato sull'analisi degli archivi di immagini del padre, reporter di guerra; a Venezia, le mostre "Julie Mehretu. Ensemble" a Palazzo Grassi e "Pierre Huyghe. Liminal" della Pinault Collection; a Triennale Teatro arriva "The Game", l'ultimo lavoro del collettivo svizzero Trickster-p, un gioco partecipativo a partire dai condizionamenti sociali del contemporaneo; al Teatro Filodrammatici di Milano l'edizione 2024 di Lecite Visioni, festival di teatro e non solo LGBTQAI+ diretto da Michele Di Giacomo...

In the first episode of 2024 we look ahead to the next 12 months. The Art Newspaper's acting art market editor Tim Schneider peers into his crystal ball to tell us what we might expect from the coming 12 months in the art market. Then, Jane Morris, editor-at-large, Gareth Harris, chief contributing editor, and host Ben Luke select the biennials and exhibitions they are most looking forward to in 2024.Events discussed:60th Venice Biennale: Foreigners Everywhere, 20 April-24 November; Pierre Huyghe, Punta Della Dogana, Venice, 17 March-24 November; Julie Mehretu, Palazzo Grassi, Venice, 17 March-6 January; Willem de Kooning, Gallerie dell'Accademia, Venice, 16 April–15 September; Jean Cocteau, Peggy Guggenheim Collection, Venice, 13 April-16 September; Whitney Biennial: Whitney Museum of American Art, opens 20 March; PST Art: Art & Science Collide, 14 September-16 February; Istanbul Biennial, 14 September-17 November; Diriyah Contemporary Art Biennale 2024, Saudi Arabia, 20 February-24 May; Desert X 2024 AlUla, Saudi Arabia, 9 February-30 April; Frick Collection, New York, reopening late 2024; Grand Egyptian Museum, Giza, Egypt, dates tbc; IMAGINE!: 100 Years of International Surrealism, The Royal Museums of Fine Arts of Belgium, 21 February-21 July; Centre Pompidou, Paris, 4 September-6 January (travels to Hamburger Kunsthalle, Germany, Fundación Mapfré, Madrid, Philadelphia Museum of Art, US); Paris 1874: Inventing impressionism, Musée d'Orsay, 26 March-14 July; National Gallery of Art, Washington DC, 8 September-19 January; Van Gogh, National Gallery, London, 14 September-19 January; Matthew Wong, Vincent van Gogh, Van Gogh Museum, Amsterdam, 1 March-1 September; Caspar David Friedrich, Kunsthalle, Hamburg, Germany, until 1 April; Caspar David Friedrich, Alte Nationalgalerie, Berlin, 19 April-4 August; Caspar David Friedrich, Albertinum and Kupferstich-Kabinett, Dresden, Germany, 24 August-5 January; Arte Povera, Bourse de Commerce, Paris, 9 October-24 March; Brancusi, Centre Pompidou, Paris, 27 March-1 July; Comics, Centre Pompidou, Paris, 29 May-4 November; Yoko Ono, Tate Modern, London, 15 February-1 September 2024; Angelica Kauffman, Royal Academy, London, 1 March-30 June; Women Artists in Britain, Tate Britain, London, 16 May-13 October; Judy Chicago, Serpentine North, London, 22 May-1 September; Vanessa Bell, Courtauld Gallery, London, 25 May-6 October; Woven Histories: Textiles and Modern Abstraction, Los Angeles County Museum of Art, US, until 21 January; National Gallery of Art, Washington DC, 17 March-28 July; National Gallery of Canada, Ottawa, 25 October-2 March; The Museum of Modern Art, New York, dates tbc; Unravel: The Power and Politics of Textiles in Art, Barbican, London, 13 February-26 May 2024, Stedelijk Museum, Amsterdam, 14 September-5 January; The Harlem Renaissance, Metropolitan Museum of Art, New York, 25 February-28 July; Siena: the Rise of Painting, 1300-50, Metropolitan Museum, 13 October-26 January; Museum of Modern Art, New York, shows: Joan Jonas, 17 March-6 July, LaToya Ruby Frazier, 12 May-7 September, Käthe Kollwitz, 31 March-20 July; Kollwitz, Städel Museum, Frankfurt, Germany, 20 March-9 June; Käthe Kollwitz, SMK-National Gallery of Denmark, Copenhagen, 7 November-25 February; The Anxious Eye: German Expressionism and Its Legacy, National Gallery of Art, Washington DC, 11 February-27 May; Expressionists, Tate Modern, London, 25 April-20 October; Gabriele Münter: the Great Expressionist Woman Painter, Thyssen Bornemisza, Madrid, 12 November-9 February Hosted on Acast. See acast.com/privacy for more information.

Ephere, musicien live et producteur nous présente son univers musical allant de l'ambient à la techno, des performances immersives aux dancefloors éthérés, de la contemplation à la libération des corps.D'abord DJ, Ephere produit et joue en live depuis une dizaine d'années maintenant, explorant les territoires les plus mentaux et texturés de la techno. Sous son vrai nom, Pierre Huyghe, il est désormais performeur ambient pour différents projets qui mettent tous la contemplation au centre. Pierre est aussi le créateur du label Stellar Transitions, spécialisé dans l'ambient. De ses débuts à jouer de la disco house à sa musique actuelle qui gravite dans les éthers, de son amour du field recording à sa vision tantôt introspective, tantôt dansante du son, on dresse avec lui le portrait d'un artiste tout en profondeur.Ephere conclut l'émission en nous présentant son live : une envolée mentale et hypnotique, une techno qui nous fait contempler au plus profond de notre âme tandis que nos corps se libèrent dans la danse.< TRACKLIST >Charpi, Etiology & Troubles (Ephere Synthesia Remix), Visions 001, Kornarion, 2018.Monolake, “North”, Polygon_Cities, Monolake / Imbalance Computer Music, 2005.Zhe Pechorin, “On My Way To Home”, A Story of Light - The Dawn, Stellar Transitions, 2020.Romain FX, “結合 Jiehe”, JIN 05, Jin, 2021< WHAT'S GOING ON >On reçoit le collectif rennais Vilaine Band qui fête sa première soirée en club vendredi 17 novembre, au Satori. Mathieu et JM nous présentent cette soirée qui fera la part belle à l'indie dance et à la progressive house et trance avec comme invités Clint et Romain FX aux côtés des résidents du collectif.BONNE ÉMISSION

Thibault BrunetEncore un peuà la galerie binome, Parisdu 5 octobre au 25 novembre 2023Interview de Thibault Brunet,par Anne-Frédérique Fer, à Paris, le 9 octobre 2023, durée 14'47, © FranceFineArt.https://francefineart.com/https://francefineart.com/2023/10/18/3489_thibault-brunet_galerie-binome/communiqué de presseEncore un peu, exposition personnelle de Thibault Brunet à la Galerie Binome du 5 octobre au 25 novembre, explore l'appréhension d'une fin du monde, dans des jeux d'inventaires de la dernière heure : maquettes de stations essence en passe de disparaître, portraits de nuages à l'ère d'une météo fabriquée, concrétion d'images de falaises. Si formellement son travail de modélisation le rapproche de la sculpture, ses images brouillent la distinction entre dessin, peinture et photographie.« Brunet a développé un mode exploratoire qui le pousse à créer et investir de nouveaux espaces virtuels, à défricher les potentialités des techniques contemporaines et à observer et anticiper les formes surgies de notre monde dématérialisé. Ce qui frappe pourtant depuis ses débuts, c'est la rêverie, l'humeur contemplative et mélancolique qui planent sur ses images. » Extrait du texte d'exposition « Paradoxes de l'éther » par Sonia Voss« Comme les artistes Pierre Huyghe et Philippe Parreno acquirent le personnage d'Ann Lee auprès d'une société japonaise à la fin du siècle dernier, c'est sur un serveur ordinairement destiné aux game designers que Thibault Brunet a fait l'acquisition de modèles en trois dimensions de nuages avant de les mettre en scène au sein d'un moteur de jeu. Ses esquisses tridimensionnelles de nuages disent cette capacité que nous avons aujourd'hui à tout modéliser pour mieux comprendre le monde. Les nuages de Thibault Brunet parlent de notre époque autant que ceux du Corrège parlaient au théoricien de l'art Hubert Damisch. Il s'inscrit ainsi dans la continuité des artistes qui tentent d'en capturer l'essence avec les idées comme avec les techniques de leur temps. » Dominique Moulon, critique d'art et commissaire indépendant [texte] Exposition Mondes Persistants, Prix Art [ ] Collector, 24Beaubourg, Paris« L'application Earth de Google doit son niveau de détail aux gens ordinaires qui, sans cesse, l'augmentent en modélisant leurs environnements. C'est au sein de cette base de données que Thibault Brunet prélève des architectures pour les recontextualiser au sein d'espaces délicatement colorés. Initié à l'échelle du territoire métropolitain en 2014 dans le cadre de la mission photographique France Territoire(s) Liquide. Il poursuit en 2022 à l'échelle internationale avec les représentations de stations essence dont on sait la récurrence tant dans l'histoire de la peinture que dans celle de la photographie. Agissant comme le témoin d'une architecture en voie de disparition. » Dominique Moulon, critique d'art et commissaire indépendant [texte] Exposition Mondes Persistants, Prix Art [ ] Collector, 24Beaubourg, Paris Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Today we are revisiting an episode that aired originally two years ago to the day featuring artist Ian Cheng. This episode was one of our most popular in 2021, so we are pulling it out of the archives for our more recent subscribers to enjoy. Since 2012, Ian has been building a universe of sentient software, creatures, and elaborate systems of logic in the form of self-playing video games, installations, drawings, and prints. In this extended chat Ian shares some of his deepest influences, past mentors, childhood, studio practice and rituals for creativity.Links from the conversation with Ian> Ian's website: http://iancheng.com> Life After Bob: https://theshed.org/program/142-ian-cheng-life-after-bob> Pierre Huyghe: https://en.wikipedia.org/wiki/Pierre_Huyghe> Paul Chan: https://en.wikipedia.org/wiki/Paul_Chan_(artist)Join the conversation:https://twitter.com/ArtObsolescencehttps://www.instagram.com/artobsolescence/Support artistsArt and Obsolescence is a non-profit podcast, sponsored by the New York Foundation for the Arts, and we are committed to equitably supporting artists that come on the show. Help support our work by making a tax deductible gift through NYFA here: https://www.artandobsolescence.com/donate

Ben Luke talks to Marguerite Humeau about her influences—from writers to film-makers, musicians and, of course, other artists—and the cultural experiences that have shaped her life and work.Humeau was born in 1986 in the French city of Cholet, near Nantes, and lives in London. She creates extraordinary sculptural environments in which the scientific and the speculative are fused. She acknowledges the perilous present state of the planet and the future of humanity while exploring histories of life on earth across millennia, drawing on mainstream and fringe scientific theory, science fiction and various cultural phenomena, to create dramatic tableaux that are hugely distinctive in their visual language and subject matter. She asks fundamental questions about the world we inhabit and the meaning of human existence. She discusses her early love of the painting of Marlene Dumas, her awe at the work of Pierre Huyghe and how Nina Simone is an ongoing role model. She also reflects on her fascination with Leonora Carrington and the musicians Angel Bat Dawid and Bendik Giske. Plus, she gives insight into her studio life and answers our usual questions, including the ultimate: “What is art for?”Marguerite Humeau: meys, White Cube Bermondsey, London, until 14 May; Orisons, Black Cube, San Luis Valley, Colorado, 24 June-June 2025. Hosted on Acast. See acast.com/privacy for more information.

Ben Luke talks to Pierre Huyghe about his influences—including writers, musicians and, of course, other artists—and the cultural experiences that have shaped his life and work. Huyghe was born in 1962 in Paris and today lives and works between Santiago in Chile and New York. He has experimented over more than 30 years with the form of exhibitions and the very nature of art. His works are complex systems involving a host of elements, from lifeforms including plants, animals and microorganisms, to inanimate objects and technologies. He pays particular attention to the spaces in which these disparate factors come together and bleed into each other, leading to constantly evolving, strange and often spellbinding experiences. He discusses his early interest in the “multiplicity of things” in Yves Tanguy and Hieronymus Bosch; his admiration for artists today, including Daniel Buren and three previous guests on A brush with…, Mark Leckey, Philippe Parreno and Dominique Gonzalez-Foerster; his response to the musical works of John Cage; and his 1990s projects exploring the cinema of Pasolini and Hitchcock, among others. Plus, he gives insights into his daily studio life and answers the ultimate question: what is art for?Pierre Huyghe's permanent work Variants is at Kistefos, Jevnaker, Norway. Pierre Huyghe: Offspring, Kunsten Museum of Modern Art, Aalborg, Denmark, until 30 October. Une seconde d'éternité, Bourse de Commerce, Paris, until 26 September. Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

On this week's show we chat with artist Ian Cheng, who since 2012 has been building a universe of sentient software, creatures, and elaborate systems of logic in the form of self-playing video games, installations, drawings, and prints. In this extended chat with host Ben Fino-Radin, Ian shares some of his deepest influences, past mentors, childhood, studio practice and rituals for creativity.Links from the conversation with Ian> Ian's website: http://iancheng.com> Life After Bob: https://theshed.org/program/142-ian-cheng-life-after-bob> Pierre Huyghe: https://en.wikipedia.org/wiki/Pierre_Huyghe> Paul Chan: https://en.wikipedia.org/wiki/Paul_Chan_(artist)Join the conversation:https://twitter.com/ArtObsolescencehttps://www.instagram.com/artobsolescence/Support artistsArt and Obsolescence is a non-profit podcast, sponsored by the New York Foundation for the Arts, and we are committed to equitably supporting artists that come on the show. Help support our work by making a tax deductible gift through NYFA here: https://www.artandobsolescence.com/donate

Chapters00:34 - Introduction02:06 - Summary Of The Film02:52 - Why Make The Documentary?04:15 - Not Seeking Popularity 06:08 - Gathering Archive Footage07:22 - Narration by Laurie Anderson08:34 - The Women Tell Their Own Stories 09:32 - Sound Design Instead Of A Score12:21 - Marta Salogni On Her Influences 20:53 - Defining A New Genre Of Music 23:32 - Creating New Sounds And Composing With Tape 28:26 - Sound Design For The Film31:38 - The Challenges Of Composing For Film34:41 - The Importance Of Female Role Models36:29 - EndingThe film features Clara Rockmore, Daphne Oram, Bebe Barron, Delia Derbyshire, Maryanne Amacher, Pauline Oliveros, Wendy Carlos, Eliane Radigue, Suzanne Ciani and Laurie Spiegel with commentary by Laurie Anderson.https://sisterswithtransistors.com/https://www.modernfilms.com/sisterswithtransistors (UK) https://metrograph.com/live-screenings/sisters-with-transistors/ (USA)Lisa Rovner BiogA French American artist and filmmaker, Lisa Rovner is now based in London with her work presented in art venues and theatres internationally. Her films delve into the archives and work to transform politics and philosophy into cinematic spectacle. Rovner has collaborated with some of the most internationally respected artists and brands including Pierre Huyghe, Liam Gillick, Sebastien Tellier, Maison Martin Margiela and Acne. Sisters With Transistors is her first feature documentary.www.messageisthemedium.comMarta Salogni BiogA record producer, mixer, recording engineer and tape composer, Marta Salogni launched her career in her native Italy, where she spent her early years collaborating with artists and bands across a range of musical styles. As a producer and mixer, Marta Salogni has worked with Björk, M.I.A., Factory Floor, Kelela, Liars, Alex Cameron, Daniel Blumberg, Little Boots, Temples, Insecure Men, The Orielles, HMLTD, and Django Django. Marta is the sound designer for Sisters With Transistors.www.solarmanagement.co.uk/marta-salogniCaro C BiogCaro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album "Electric Mountain" is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This "sonic enchantress" (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.URL: http://carocsound.com/Twitter: @carocsoundInst: @carocsoundFB: https://www.facebook.com/carocsound/Delia Derbyshire Day Charity: https://deliaderbyshireday.com

Germano Dushá nasceu em Serra dos Carajás, Pará, Brasil, em 1989. É escritor, curador, crítico e gestor cultural baseado em São Paulo. Trabalha principalmente com organizações culturais e experimentos curatoriais, e tem colaborado com galerias, instituições e publicações em diferentes países. Entre outros projetos, é co-fundador das plataformas Fora e BANAL BANAL, além do programa "um trabalho um texto", do espaço autônomo Observatório e do Coletor, campo itinerante de ações culturais e práticas artísticas contemporâneas. [Germano Dushá was born in Serra dos Carajás, Pará, Brazil, in 1989. He's a writer, curator, critic and cultural manager based in São Paulo. He works mainly with cultural organizations and curatorial experiments and collaborates with galleries, institutions and publications in different countries. Among his projects, he's the co-founder of the platforms Fora and BANAL BANAL, besides the program "um trabalho um texto", the autonomous space Observatório and Coletor, a travelling field of cultural actions and contemporary artistic practices.] ///imagens selecionadas|selected images: "Tambor de Mina", Missão de Pesquisas Folclóricas ("Mission of Folklore Research"), 1938 + Miro da Mangueira com o (with the) “P2 - Parangolé Bandeira 1” de (by) Hélio Oiticica, 1964 + Robert Smithson, “Bingham Copper Mining Pit—Utah / Reclamation Project”, 1973 + Lygia Pape, “Espaços imantados” ("Magnetized spaces"), 1995 + TELFAR, “TELFAR: RETROSPECTIVE”, 9ª Bienal de Berlim (9th Berlin Biennale), 2016 + Pierre Huyghe, “After ALife Ahead”, Skuptur Projekte, Münster, 2017 + Castiel Vitorino Brasileiro, “Minha garganta dói, minha garganta pode doer?” ("My throat hurts, can my throat hurt?"), 2018/// [entrevista realizada em 22 de agosto/interview recorded on august 22th] [link para YouTube: https://www.youtube.com/watch?v=kKxeZt8zOa4]

Ouça os destaques do suplemento Viagem desta terça-feira (30/07/19)See omnystudio.com/listener for privacy information.

Agustin Pérez Rubio was born in Valencia, Spain in 1972. He has a degree in art history from the Universidad de Valencia . He has curated over one hundred and fifty exhibitions at important museums and art centres, biennales, etc. mainly in Europe and Latin America. Before he was Chief curator and Director of MUSAC 2003- 2013, he organized monographic exhibitions of major artists like Pierre Huyghe, Julie Mehretu, Dora García, Pipiloti Rist, Sejima + Nishizawa / SANAA, Elmgreen and Dragset, Harun Farocki, Dave Muller, Ana Laura Aláez, Ugo Rondinone, Azucena Vietes and Lara Almarcegui. Later, as an independent curator, he curated projects that include solo shows by artists such as SUPERFLEX, Sophie Calle, Nestor Sanmiguel Diest, Rosangela Rennó, Carlos Garaicoa, and many group shows thematically related to gender, linguistics, architecture and politics. He is currently a member of the board of Istanbul Biennial and CIMAM for the period 2017-2019. He has been the Artistic Director of MALBA, Museo de Arte Latinoamericano de Buenos Aires since May 2014, where he developed a socio-political programme dedicated to female Latin- American artists that already included the exhibitions of Teresa Burga, Annemarie Heinrich and Claudia Andujar plus the ones planned for the future. In addition, Pérez Rubio worked together with Andrea Giunta, on a new curatorial script of MALBA’s collection titled VERBOAMERICA a postcolonial revision of the Collection. He curated solo shows of artists such as Jorge Macchi, Yoko Ono, Voluspa Jarpa, Carlos Motta, Alexander Apóstol and the retrospective show of the collective “General Idea: Broken Time” which will tour though Latin America. He is the curator of the Chilean Pavillion at 58th Venice Biennale with the decolonial project of the female artist Voluspa Jarpa and one of the curators for the 11th Berlin Biennale 2020. Charcot’s Hysterical Women  ©farrenkopf Hegemonic Museum ©farrenkopf

Frederic Tuten grew up in the Bronx. At fifteen, he dropped out of high school with aspirations to become painter and live in Paris. He took odd jobs and eventually went back to school, earning a Ph.D. from NYU. He travelled through Latin and South America, studied mural painting at the University of Mexico and wrote about Brazilian Cinema Novo. He taught at the University of Paris, acted in a short film by Alain Resnais, co-wrote the film Possession, and conducted summer writing workshops with Paul Bowles in Tangiers. The recipient of many awards for his writing, Tuten's short stories, art and film criticism have appeared in ArtForum, the New York Times, Vogue, Granta and other publications. He has written about artists including John Baldessari, Eric Fischl, Pierre Huyghe, David Salle and Roy Lichtenstein. His books include The Adventures of Mao on the Long March; Tintin in the New World; The Green Hour; Van Gogh's Bad Café; Self Portraits: Fictions, and most recently his memoir, My Young Life.· frederictuten.com· www.creativeprocess.info

Frederic Tuten grew up in the Bronx. At fifteen, he dropped out of high school with aspirations to become painter and live in Paris. He took odd jobs and eventually went back to school, earning a Ph.D. from NYU. He travelled through Latin and South America, studied mural painting at the University of Mexico and wrote about Brazilian Cinema Novo. He taught at the University of Paris, acted in a short film by Alain Resnais, co-wrote the film Possession, and conducted summer writing workshops with Paul Bowles in Tangiers. The recipient of many awards for his writing, Tuten's short stories, art and film criticism have appeared in ArtForum, the New York Times, Vogue, Granta and other publications. He has written about artists  including John Baldessari, Eric Fischl, Pierre Huyghe, David Salle and Roy Lichtenstein. His books include The Adventures of Mao on the Long March; Tintin in the New World; The Green Hour; Van Gogh's Bad Café; Self Portraits: Fictions, and most recently his memoir, My Young Life. www.creativeprocess.info

Are you a creative intellectual looking for a solution to boring art and technology talk? Look no further, this week Good Point will thrill and entertain your senses with an improvised and rambling conversation on marketing and advertising. Casper mattress https://casper.com/ Glossier https://www.glossier.com/ Deciem store.deciem.com The Pitchman, Malcom Gladwell on Ron Popeil and the importance of the Demo to marketing https://www.youtube.com/watch?v=20uLEtHSGi8 Casper ads with bunnies https://www.google.com/search?q=casper+ads&rlz=1C5CHFA_enCA727CA728&tbm=isch&tbo=u&source=univ&sa=X&ved=0ahUKEwim8KauoKfbAhXl7YMKHek8BeIQsAQINw&biw=1713&bih=1176 Product Channel Fit https://www.coursera.org/learn/corporate-entrepreneurs-business-model/lecture/0SQPW/product-channel-fit 7up fancy-sparkling lemonade https://www.gustotv.com/food/7up-just-debuted-fancy-pants-sparkling-lemonade/ Pierre Huyghe https://art21.org/artist/pierre-huyghe/ Oprah refused service at Luis Vuitton https://www.youtube.com/watch?v=IGbfJv1ia7c Rock around the clock in intro to Blackboard Jungle https://www.youtube.com/watch?v=GnN_zSApOiw The Beatle ad that changed advertising https://medium.com/theagency/the-ad-that-changed-advertising-18291a67488c Key Influencer, Casey Neistat https://www.youtube.com/user/caseyneistat Seth Godin, Tribes https://www.ted.com/talks/seth_godin_on_the_tribes_we_lead Zag https://www.slideshare.net/johnecooper/zag-brand-strategy Self Control app https://selfcontrolapp.com/ Lion Cafe http://blog.uchujin.co.uk/2010/09/lion-cafe-%E2%80%93-tokyo%E2%80%99s-worst-%E2%80%9Cbest-kept%E2%80%9D-secret/

Is the iPad Pro sincerely progressive or ironically backward, is it possible it’s both at the same time? Chicago Apple Store https://www.apple.com/retail/michiganavenue/ Genius Grove replacing the Genius Bar https://www.racked.com/2016/5/20/11721984/apple-new-store-design Microsoft Surface Studio Ad https://www.youtube.com/watch?v=BzMLA8YIgG0 Austin Lee https://www.instagram.com/austinleee/ Procreate https://procreate.art/ Apple Pencil https://www.apple.com/ca/apple-pencil/ Mother of all demos https://www.youtube.com/watch?v=yJDv-zdhzMY Sterling Crispin’s VR painting tool (Cyber Paint) http://www.sterlingcrispin.com/cyberpaint.html James Paterson, using VR and 3d printing http://presstube.com/hello/, https://www.instagram.com/presstube/ James Turrell http://jamesturrell.com/ Amalia Ulman http://amaliaulman.eu/ Jonathan Harris http://number27.org/works Cité Internationale des Arts, Paris https://www.citedesartsparis.net/ Teenage engineering https://www.teenageengineering.com/products/op-1 Philippe Parreno https://hyperallergic.com/101160/philippe-parreno-palais-de-tokyo/ Pierre Huyghe https://www.hauserwirth.com/artists/63/pierre-huyghe/images-clips/ Apple iPad Pro “What’s a Computer” https://www.youtube.com/watch?v=sQB2NjhJHvY

In this week's episode of the ArtTactic Podcast, Mark Rappolt, editor-in-chief of ArtReview, joins us to review their annual Power 100 list, a guide to the 100 most powerful figures in contemporary art. First, Mark reveals Hito Steyerl, Pierre Huyghe and Donna Haraway as the top 3 on this year's list and details why they are worthy of that ranking. Then, Mark identifies Gavin Brown as the gallery that surged the most in terms of influence over the past year. Also, he explains why artists have the most momentum at the moment in terms of increasing influence and he shares the extent to which Instagram is a factor in shaping the standing of certain individuals in the contemporary art world.

Today, we take you to Germany, to experience the 2017 edition of Skulptur Projekte Münster. The international public art exhibition that has taken place every ten years since 1977 activates historical, architectural, social and political sites across the city. The best way to experience this model of art in the public sphere is on foot and by bicycle. Featuring temporary public art projects by Ei Arakawa, Aram Bartholl, Gerard Byrne, Jeremy Deller, Nicole Eisenman, Pierre Huyghe, Emeka Ogboh, Alexandra Pirici, Koki Tanaka, Benjamin de Burca/Barbara Bárbara Wagner, Cerith Wyn Evans and Hervé Youmbi. Sound engineer: Guney Ozsan

The Fault In Our Stars, starring Shailene Woodley, is the screen adaptation of John Green's best selling young adult novel of the same name about a pair of love struck teenagers both of whom are terminally ill with cancer. Brought together at a cancer support group the pair embark on a pilgrimage to Holland to meet the author of a book on dying. Green himself was a hospital chaplain and the story is based on an actual encounter with a dying 16 year old girl. Following on from the huge success of The Cuckoo's Calling a second novel from Robert Galbraith - aka JK Rowling. Featuring private investigator Cormoran Strike it merges an old fashioned detective story with Jacobean tragedy, whilst providing insight into literary London, a grisly murder and a page turning plot. Comedian and actor David Schneider's new play Making Stalin Laugh - at the JW3 Community Centre in London - tells the story of the Moscow State Yiddish Theatre which in the 1920s was one of the most respected in the world. Chagall designed for them, Prokofiev, Stanislavski and Eugene O'Neill all saluted them. By 1952 the surviving members of the troupe had all been purged - executed by Stalin on the same day in August. Making Stalin Laugh tells their story, with at its centre the most celebrated Yiddish actor of his generation, Solomon Mikhoels. Making Colour at London's National Gallery is the first ever exhibition of its kind in the UK and was developed from the National Gallery's own internationally recognised Scientific Department's work into how artists historically overcame the technical challenges in creating colour. As well as paintings it includes objects such as early textiles, mineral samples and ceramics and shows the huge impact the development of synthetic paint had on major art movements such as Impressionism. And The Human Factor: The Figure in Contemporary Sculpture brings together major works by 25 leading international artists who have fashioned new ways of using the human form in sculpture over the past 25 years. Featuring work from Jeff Koons, Mark Wallinger and Yinka Shonibare, exhibits include two re-imaginings of Edgar Degas's famous Little Dancer Aged Fourteen and in a work by French artist Pierre Huyghe a live beehive adorns a cast in concrete of a beautiful reclining nude woman.

Extracts from a conversation between the French artist Pierre Huyghe (born 1962) and Curators Richard Julin and Tessa Praun. The experience of seeing Pierre Huyghe’s work Untilled at Documenta 13 in 2012, has been the key source of inspiration in the making of the exhibition On the Tip of My Tongue. In this conversation, amongst many things, Pierre Huyghe and the curators talk about cutting out the spectator and reflect on the implications that this idea may have on exhibition making. Pierre Huyghe’s work, which includes film, installation and public interventions, often take the form of constructed systems that are as unscripted as living organisms. Through his work, Huyghe is able to conjure up quite otherworldly realms in which his artworks appear freed from the constraints of accepted reality.

Extracts from a conversation between the French artist Pierre Huyghe (born 1962) and Curators Richard Julin and Tessa Praun. The experience of seeing Pierre Huyghe’s work Untilled at Documenta 13 in 2012, has been the key source of inspiration in the making of the exhibition On the Tip of My Tongue. In this conversation, amongst many things, Pierre Huyghe and the curators talk about cutting out the spectator and reflect on the implications that this idea may have on exhibition making. Pierre Huyghe’s work, which includes film, installation and public interventions, often take the form of constructed systems that are as unscripted as living organisms. Through his work, Huyghe is able to conjure up quite otherworldly realms in which his artworks appear freed from the constraints of accepted reality.

M/M speak about their practice and collaborations, and their position between the art and design worlds with Alice Rawsthorn, design critic of the International Herald Tribune.