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With just a little over a month away from the 2026 Independent Hotel Show Miami taking place, special guest and President of Staypineapple Hotels Inc., Dina Belon, joins the Suite Spot to discuss the Stayepineapple brand, the independent hotel industry, and what she is looking forward to from IHS Miami 2026! Ryan Embree: Welcome to Suite Spot, where hoteliers check in and we check out what’s trending in hotel marketing. I’m your host, Ryan Embree. Hello, everyone. Welcome to another episode of The Suite Spot. This is your host, Ryan Embree. Back for another edition of season two of our independent hotel show series, where we are getting geared up and ready for that annual tradition down in Miami Beach at the Independent Hotel Show. We cannot wait. We’re gonna talk a little bit about it with our guests. We actually met for the first time in person last year at this event. We’re able to spend some time with her. Dina Belon, president at Staypineapple Hotels. Dina, thank you so much for joining me back on The Suite Spot. Dina Belon: Oh, thank you so much for inviting me, Ryan. This is amazing. I’m so excited. We had such a good time in Miami last year, it was a blast and, uh, talking to you felt like I was talking to a friend. Ryan Embree: Well, I appreciate it. I feel the same. Just honored to be speaking with you here. And I can’t believe we’re here. It’s we’re just months away from the Independent Hotel Show. It’s gonna be bigger, better than ever. We’re excited about it. We’re gonna talk about it. But we did have you on for the first time, so we had the opportunity. Usually, I start these episodes by a little bit of a background and kind of an introduction, but I’m gonna start a little unorthodox today. There was a post that I saw on LinkedIn, which by the way, for our Suite Spot listeners, make sure you say, uh, you follow Staypineapple Hotels and Dina. Great follows on LinkedIn. But there’s an, an article called Everything Staypineapple Hotels Dina Belon Does in a Day. And I thought that was such a cool and creative idea and concept. Talk to us a little bit about how that idea originated and give us a day in life. What is it like to be Dina Belon? Dina Belon: Well, I tried to be very honest. Hopefully it was fun too. I, there’s a lot of humor in my day, and so hopefully that came across. Um, the magazine, uh, that’s a local magazine here in, uh, east, the east side of Seattle and Bellevue and Kirkland area of Washington does those highlights of leaders in the area, um, on a regular basis. So it was fun, uh, a little stressful because you had to, like, take photographs and, you know, kind of just walk through your day. Um, I loved, though, really integrating my pets, because they’re a big part of my life. And so it started off with Molly waking me up at 5:45, which is actually what she does every morning. About 15 minutes before my alarm goes off, my little kitty cat starts yelling at me about wanting water. Um, so yeah, all the way until, you know, 8:00 at night and a lovely glass of wine with my husband. And all the shenanigans in the middle. Ryan Embree: Yeah. And I think it’s so cool because I think it, you know, we obviously work in the people business, right? In hospitality. Uh, we host people from all over the world, all different walks of life. Um, but to see, you know, sometimes, uh, I think right now, especially right now, right, when there’s all this talk of AI and technology and stuff like that, it’s really refreshing to see our industry leaders. And I get that. I have the, the privilege of getting that, interviewing some of the industry leaders when they talk to me about their, you know, beginnings and, and how maybe they started as a bellman or a front desk agent or fell into the industry. And I think the more that we can kind of humanize and show that these are people that really have a true passion for serving other people. Um, and then on the other side of the front desk, the guests that come into our lobbies, they are people too, whether they’re on a work trip, where they’re trying to escape. You know, sometimes it, it’s refreshing to take, take a beat and think about that. And that’s exactly what this article did for me because it is, you know, even though we’re hospitality, we’re in it, the hustle bustle, 365, twenty four seven. We’re still people, right? Yeah. We’re still people with our pets and, and, and our, uh, you know, what we like to do. Um, so it was a really cool, I think, uh, refreshing look. I wa – I definitely wanted to bring that in. Br – um, and, and your love of pets, it goes right along with your brand, uh, Staypineapples Hotel. And, you know, I’ve come to know and love through your content, your keynotes at the Independent Hotel Show, uh, following you on LinkedIn. For those audience members that might not be as familiar, uh, share with us, uh, a little bit about what makes Staypineapple Hotels so unique and one of a kind. Dina Belon: Yeah. So we are the opposite of corporate uniformity, uniformity. Uh, we’re really about, you know, a boutique sp – hotel experience with a lot of personality. Um, so one of the things that we’re well known for is the naked experience, um, which is, uh, a little eye-opening to a lot of people, but all it really is, is a fun, cheeky, which we like to do, uh, marketing way to talk about our bed and our bedding and our linen and our terry is so comfy, cozy and amazing, you’ll wanna sleep naked. Um, so it, and we give you an, a big cuddly robe so that you don’t come to the door naked. Ryan Embree: There you go. Dina Belon: Um, so that, that’s, that’s very indicative of the Staypineapple personality. Um, we’re also, um, not just pet friendly, we’re dog obsessed. Um, so we, uh, really go over the top with our pet program. We have a partnership with Soundz, S-O-U-N-D-Z, uh, that is, um, uh, sounds, uh, in music – Sure. That, um, pets like and that calm them when they feel nervous, um, that is available for guests, uh, at no cost, a 14-day, uh, free trial. And then, um, we have a partnership with, uh, an emergency veterinary, uh, service called Veg. Um, of course, you get beds and bowls and treats and, um, water bottles and poop bags and all kinds of stuff when you bring, uh, your furry friend. Although we’re dog obsessed, we also love kitty cats too. I have two kitty cats and two dogs. So, um, we, yeah, we’re, we’re pretty over the top with the pet thing. And then we have a, we have a number of the properties that have, uh, hotel dogs as well. Um, so one of the management staff ha – brings their dog to work every day and has really become a, a core team member. Um, you wouldn’t believe how many reviews we get, uh, with our, our furry, uh, friends being, uh, listed as their favorite part of the hotel. Ryan Embree: Yeah. I’ve seen them at trade show nows at industry trade shows. Yeah. You’ll have, like, a puppy break. Uh, brilliant. Brilliant. Dina Belon: It’s my favorite thing. Ryan Embree: Yeah. It just gets people in, in, in a happy mood. People love it. So, uh, and, and the focus of, of the dog obs – dog obsessed, um, i- i- is, is so smart. I mean, p – you know, people. We always think about how stressful travel is, obviously, from a logistics and s – and people standpoint, but obviously on our pets too. They’re in a place that they’ve never been before. Um, they don’t know that they’re heading across the country or even down the road. They’re in somewhere unnatural. So that’s really, really cool that you can kind of make them feel at ease there. And, and I’m sure the guest feedback, uh, from that has been really, really great to see. Um, now, you talked about, um, Staypineapple being a, a very unique boutique brand. Um, I noticed one word you didn’t mention in there, which is, uh, independent or non-branded. Uh, you prefer the term unchained. And I wanna explore that a little bit. I don’t wanna give you too much, uh, of a question. I, I’d like, like you to kinda run with that. Why do you prefer unchained to maybe independent segment or non-branded? Dina Belon: So to me, independent, non-branded, um, you know, indicates that we’re small or we’re isolated or, um. And, and I think it’s, um, diminishing to 30% of the hotel sector, which is truly unchained in both term, both ways that that term can be used. One, we are not attached to a chain in literal terms, but we’re also unchained from a limitation perspective. I think what is so amazing about the independent or the in – the unchained sector of the market to the guest is the founders, the visionaries, the leadership teams, the hotel teams at these hotels put their lifeblood and their passion and their vision and their belief in hospitality into these properties and into the experiences guests are gonna get. It is not a corporate ownership that is managed by a brand that has 5,000 other w – hotels just like it. And, you know, the onsite hotel team has reams of binders to tell them how to do their job. Um, we believe very much in no SOPs. Um, we have, uh, ultimate SOP. It’s do the next right thing. That’s the SOP for Staypineapple. It’s that simple. Just do the next right thing. We help the team understand that a little bit with kind of some guidelines, which is what is the best thing for you and your colleagues? What is the best thing for the guests? And what is the best thing for the business? And if you frame that question, those questions under do the next right thing, anybody can make the right decision at any moment, at every level of the organization. When we talk about empowerment, it isn’t, you know, we’ve given you a toolkit. I always loved this, because I worked in, in the brands. Um, and we always had a toolkit. You had a toolbox full of things that you could use to solve a problem. Well, I don’t need to give you a toolbox. You are a grown person that is a professional in the hospitality industry and you’ve entered this industry with a passion for people. Why would I tell you how to do your job, um, in every aspect with books of SOPs? Instead, I should get out of your way and let you be who you are in an authentic way. Because that connects with people. If, uh, you know, we put, we put people in our industry in a blazer, a Navy blazer, and a name tag, and tell them, “This is how you answer the phone. This is how you greet somebody. This is how you do this.” Basically, you’re a representation of the brand, so you need to fit in this box. Well, I believe in a different hospitality, in a hospitality that is, um, grounded in, um, real people and real human beings and, and mistakes even, and quirkiness, and stuff that you wouldn’t necessarily, uh, engage in or experience in your normal life. That’s why you’re traveling. You wanna experience different things and new things. You’re going to a new place. And so we don’t have, um, dress. We don’t have uniforms for our front of house team members. We do for back of house simply because we don’t want the back of house team to have to ruin their own clothes because the engineers get their clothes snagged and the housekeepers get their clothes dirty and, you know, so it’s more just to take care of our team. But, um, the front of house team doesn’t have uniforms. They get to wear their own clothes to work. That’s another idea. It’s like, I want you to be you, but wear this black polo shirt that makes you look like everybody else. Or Navy Blazer that makes you look everybody, right? Like the entire concept of what we think is normal and standard in our industry is the antithesis of what we’re trying to create as an experience for a guest. Um, so it’s really important to us, you know, you can have colored hair and ear piercings and tattoos. And I remember early in my career, it was always, um, I love to tell this story. Um, the, the dress code, because I was a manager, so I was allowed to wear my own clothes, but the dress code was, had to have, um, pants or a skirt, uh, a, a jacket, had to have a blazer, and it had to be of solid color. So what I’ve got on today would not have applied. Um, my shoes could not have open toes and an open heel, one or the other. And I had to have pantyhose on. So I lived in Florida. I remember I stopped wearing pantyhose at some point because they were hot. And so I, I actually had an HR person, uh, come up to me and say, “By the way, um, we’ve, we’ve noticed that you’re not meeting the dress code.” And I just turned around and looked at her and I was like, “Those things make me sweat. I have to be out by the pool sometimes. I have to be outside. It’s too hot. I’m not wearing them. Fire me.” Ryan Embree: Yeah. Yeah. Dina Belon: That was the end of pantyhose in our dress code. I was like, “Good luck with that.” Ryan Embree: Right. And I’m sure the person on the other side, you know, it, it, they were just obviously following the guidelines – Right. And the standards of what was put before them. And you’re absolutely right, Dina. You know, the, the one thing that we talk about all the time, and you talk to. Uh, I’ve talked to industry leaders about is, you know, what makes your management company brand property so great? Usually the first thing they say is they’re people. Yet, when you’re putting those people in a box, how great can they actually be, right? Every property is so different because of the individuals that make up that property. Um, so, you know, that thought process is, is so brilliant to, to think of the individualism and the passion can kind of shine through because it’s those stories that you talked about in the unchained or the independent sector that, that reason why I, this is one of my favorite series, because I get to sit and talk to independent hoteliers and, and hear their stories, their struggles, their challenges, but also their successes, their passions, where they built this, this property that has been, you know, where they’ve had these struggles, but they’ve gotten over the hump and they just love it so much and you can just see it come out in that, that, uh, conversation. It’s, and sometimes very different. Nothing to knock the brands, but sometimes very different when you’re talking to a GM of a branded hotel. Um, and it’s m- maybe just a stop on, on their way to the career. So it is one piece of advice I hear all the time is if you’re a hospitality professional out there, you know, maybe explore the independent hotel down the road. You know, get some good experience there. It’ll, you’re definitely gonna learn a lot, that’s for sure. Yeah. Um, you’re gonna get a lot of – Well, it depends on – Yeah. Dina Belon: Yeah, what you like, right? And I agree with you. One isn’t right or wrong. I spent the vast majority of my career in the, in the branded hotel space. Um, and I just found my happy place in – Sure. In the independent space, right? I, because I was always bucking the rules when I worked in the brands. And I didn’t, I didn’t even know what boutique and. I, I though boutique hotels were just little. Like, I literally, when I started at Staypineapple, I love the story too. ‘Cause when I started, I was like, “I’m gonna come in and show them how to write SOPs and, and brand standards, and we’re gonna standardize this, and we’re gonna scale it, and it’s gonna be, you know, blah, blah, blah, blah, blah.” I had, I told, because I had spent my whole career in that space. Um, I believed passionately in brand standards when I started at Staypineapple. And I remember, um, our CFO telling me, “Do not say the word brand standard. You will send Michelle off the deep end.” Michelle is our founder. Yeah. And I was like, “What? I don’t understand.” Yeah. “How could you not have brand standards? How do you even operate this place without brand standards?” Right? Right. Um, and, and it took me a couple of years to really internalize what the difference in the business model is. Again, one is not right or wrong. They both have their strengths. But if you’re, uh, a free spirit, if you’re somebody. Like we hire for three things. Authenticity. Like your. First of all, people underestimate the willingness to be authentic. If you have been trained to put on a mask when you go to work and, and almost be an actor and play a part at the hotel, it’s very difficult to take that mask off and, and allow the vulnerability of being yourself. ‘Cause if somebody rejects you when you’re being yourself, it hurts a lot more than if a guest rejects you and yells at you when you have a mask on. That’s a Ryan Embree: Great point. Dina Belon: You’re being somebody else, right? Yeah. So it’s a harder position for our team members, I think, to be their authentic selves. Um, the next is really critical thinking. The ability to problem solve and, and, and be creative and figure out ways to, um. We know to say yes. That’s one of our sayings. We notice. We know how to say yes. Yes is not always a direct yes. Sometimes you have to go around to get to yes, but we know how to do that. And that’s all about creativity and critical thinking. And then really, the last one, um, I think is underserved in our industry, which is emotional intelligence. Um, that ability to read people. And, and it connects to that critical thinking, right? If I can, if I can, uh, connect with you on an emotional level and understand you better, understand your psychographics as a person, which is much deeper than that you like Diet Coke, right? I want to know things deeper than that about you. Then I can use that emotional intelligence to be creative and create, create hyper-personalized experiences for you. That is something that I think isn’t. It. The industry in general, particularly on the branded side, does not foster in our industry. If those things are interesting to you, then go check out the independent or unchained space, because I think you’ll be a lot happier coming from a recovering brand employee. Ryan Embree: Ryan Embree: Yeah. I, I love that. I love everything about that. I mean, those skills are. I mean, it’s, it’s at the core of hospitality, um, especially the emotional intelligence. And I think y- you’re absolutely right. It’s a skill needed now more than ever, by the way. Um, and it’s gonna get trickier to navigate. So we’ll be those, those younger, um, hospitality professionals and, you know, at, at, at any age, really, that invest that time and effort into honing in that skill that are gonna, that are gonna see successes there. Um, I wanna, I wanna take, uh, a step back, Dina, and kinda look at the hospitality landscape right now for independent and, or unchained, uh, uh, hotels. Where do you see opportunity in today’s landscape? And then maybe where are some of the bigger challenges that, that they’re coming up against? Dina Belon: Sure. So I think one of our biggest opportunities I just mentioned, which is hyper-personalization, um, we really look at this, i- if you kinda start at the beginning of the process of how you do hyperpersonalization. Um, it really starts with zero-party data for us. Uh, every brand or every group or every, you know, independent hotel is different, um, in their philosophy on this. I’ve certainly, um, experienced and, um, met with people that do research on their guests online. They look up your Facebook page. They check you out and see what you might be talking about. Um, we have decided to take the approach that we only wanna use data that you have freely and willingly given us. Um, so we communicate with our guests a lot, um, when we can. So there’s a little bit of a differentiator here when we talk about this. Um, if you’re coming in as an Expedia or a Booking.com guest, probably not getting this experience because we don’t have, we don’t have much information about you, and those OTAs don’t like to share. So, but if, uh, you’ve stayed with us before or it’s a direct booking, then we have communicated with you, um, in a way that is fun and cheeky and kinda starts to get you. Um, w- we like to, we like to encourage kind of a pre-arrival experience that is, um, engaging and, and, and gets you kind of primed for what Staypineapple is gonna be like. So you’re not, like, smacked in the fa – you know, you’re expecting a Marriott courtyard and you’re smacked in the face with Staypineapple. Ryan Embree: Right. You got a dog running up to you and yeah. Um, Dina Belon: So one of the things we do is ask a very open-ended question, um, in a pre-arrival email to all of our, uh, direct booking guests. And it says, um, basically in a cheeky way, I don’t remember exactly how it’s phrased, but it’s why you come in to stay with us. And you would be shocked at the amount of information that people share with us and, like, get into deep personal things and tell us all kinds of stuff. That is a trevor – treasure trove of information. Again, that’s stuff that matters. Not whether Jack Daniels is your favorite, you know, liquor. Uh, like, I wanna know that you’re. What, what do you volunteer for? What, what are you passionate about? What do you care about? Are you married? Do you have kids? You know, like, the things that, that you really, really make you who you are, right? That’s, that’s what we really look at for hyper-personalization and allows our team to use their creativity. So that’s just step one, right? Gotta have the information. And then two, you have to have a culture of people that are encouraged and inspired to be creative, to do fun, interesting things, not just deliver a bottle of wine to your room. What? Ryan Embree: Yeah. Dina Belon: Right? Um, like, do something that’s about me, not about you. It, like, that’s what I always say. To me, the bottle of wine in the room is about you buying my loyalty. It’s about you as a hotel. It’s not about me as an individual. So everything should be about the individual and about what makes them excited or happy or feel welcome or feel like they belong, um, there. How many times have you walked into a hotel and you felt like there was a cool club and you didn’t belong? Ryan Embree: Mm. Yeah. Dina Belon: So awful. It is the worst thing about hotels, I think. One of the other things that I just find, um, disheartening about our, our industry is that many people that are not related to the hotel business think you can’t go in a hotel if you’re not a guest. That’s so sad to me, right? Like, there’s, there’s this perception of a barrier, and it’s the opposite of what we should be. Like, we believe our hotels are very much a community hub. And so we encourage the community to come into the hotel. And we don’t even, we don’t have a lot of food and beverage. And some of our properties don’t have any. Some have just limited. We have a few full-service restaurants, but it’s not about us wanting to make money in our restaurants. It’s about us wanting to create an atmosphere in the hotel that is engaging and activating for the guests that are coming. ‘Cause the guests wanna interact with locals. They don’t want to interact with somebody from New York – Right. When they’re in Seattle. They wanna hang out with Seattle people, right? Yeah. So it’s, it’s a real win-win model, but you have to turn, you have to turn that barrier so many people think exists. Ryan Embree: Well, you touched on two things there, Dina, that at the core of this independent hotel show series, it really comes back to, which is loyalty, you know, just fierce, fierce loyalty for inde – I mean, the type of loyalty that I hear from guests talking about independent hotels is very different from the other points or nights that I’m, that I’m hearing in, on the other side of it. And, and it’s a depth that will be word of mouth. I mean, when you talk about word of mouth, like, that is the ultimate s – what marketing can’t buy, right? That storytelling that they’re going to be able to provide you champions of your brand and advocates for your hotel. Uh, the second thing is local community engagement and getting the community on board with what you do. I see it no greater place than Miami when we’re at, at the independent hotel show. And they talk about trying to just infuse that Miami culture into their own properties. And it does attracts a lot of locals. And, and you’re absolutely right. It’s, there’s a parallel where probably somewhere where you, where we talk a lot about reputation and people being scared of those one-star, two-star, or even negative feedback in any sense of it, embracing that and saying, “I don’t want one-star reviews, but I wanna see the negative feedback so that I can fix it, right? I want those, I want those locals to come into my hotel. Um, I don’t wanna put that barrier up because I wanna be that community hub. I love that. So what about any challenges you think right now? Dina Belon: Yeah, I think, um, the, there’s, there’s a number of challenges. I mean, I can, I can talk about the obvious, the headwinds on inflation, the cost of human and financial capital, maintaining service quality while we’re trying to maximize profit. Yeah. I like all of the blah, blah, blah. All of the, Ryan Embree: Yeah. All those talking points. Dina Belon: Yeah. They’re not very fun topics though. Um, honestly, I think the most interesting topic right now is really AI. And I do think it’s our biggest risk, particularly in our, our world of this unchained or independent hotel space. It’s the biggest risk we have, and it’s also the biggest opportunity. And it could go either way. And I think it will probably go hard one way or the other. It won’t be somewhere in the middle. And the reality is, is AI, AI search, which is kind of where we’re at right now, not, we’re not really to the point of bookings starting a little tiny bit. But, um, AI search is focused on very deep, complex, broad data about a hotel. So a, a person, and it really starts with the search parameters. You’re going from keyword search, like, I’m going to Seattle and I wanna be near Pioneer Square, to, I’m interested in a boutique hotel with a cool vibe that has a restaurant and provides a great sleep experience. Those two searches are completely different and is where the threat and the opportunity comes from. The opportunity is, as the hotel owner, operator, you have the best opportunity to create very deep content that is searchable by an AI. Compared to Booking.com and Expedia and all the others, their scale just does not allow them to create that kind of deep content for every hotel on their site, right? So you can create a higher value for the AI search to go to your website over somewhere else that it can go find your hotel. You might still find your hotel, but you’d rather get the booking. Um, direct and get the AI sending the guests to your website to check out the hotel than to booking.com ‘s website to check out. So that’s where the opportunity is. Threat is very real that the big brands and the OTAs have the pocketbooks, bandwidth, the resources to win at this fight and come in and put themselves between us and our guests. And so I think both at a legislative level, all the way down to individual property advocacy and elevating your voice online and everything in between, every hoteler, hotelier needs to be paying attention to. Because in the next five years, you could lose, you could lose the connection to your guests prior to arriving. And that, for us, that would ruin a huge part of our experience. Like we have pre-arrival concierge that helps you curate and plan your experience for your whole trip, not just your hotel stay. All of that would be for naught if I can’t communicate with my guests. Ryan Embree: 100%. Yeah. Uh, seismic shift happening, technologics pl – like shifting beneath us. Uh, I think you’re absolutely where it’s gonna impact everyone from the big brands all the way down to the small independent hotel who, who thinks, “Oh, this is, this isn’t coming for me. It’s gonna have wide ranging effects. It’ll be very, very interesting to see.” But share your concern, but also hopefully that little bit of hope there too, that it, it does go that right way and hospitality stays in, in somewhere where we come to know and, and love our industry. I wanna shift gears. Another thing I’ve, uh, learned about you over the years following your content and your career is your work, uh, inspiring, empowering the next generation of female hospitality professionals. Dina, I’ve seen you on stage at, at multiple panels, uh, a- a- around this subject. Tell us a little bit about the work you do behind the scenes and any tips you would share for up and coming Suite Spot female listeners or just the listeners in general here. Dina Belon: Yeah, I do. I love this topic. I, I love to empower women. Um, I think, uh, uh, we’re, we’re a force in this industry, um, and our voice should be heard. Um, so I, I like to support other women by a couple of things. Um, you’ll, you’ll, you’ll start to notice, I like to simplify things down to like one, two, three points at most. Yeah, I like it. Um, because I think it’s the way the human brain works. Sure. And the best way we can kind of, uh, create change – Yeah. Is by having a very focused, uh, approach to it. I really like self-advocacy, um, and encouraging women to self-advocate, because I think in general, this is a generalization because it’s not all women, but in general, we’re not great at it. Um, men are much better at self-advocacy than women. There’s been all kinds of study and research done on that. Um, and it’s a huge part of why women are paid less, why women are promoted less, because they just don’t ask. They don’t raise their hand. Um, and so I. And then the, the second point kind of ties in, which is leading by example. And so I think I love to tell stories about my career when self-advocacy was a benefit to me and how I got to where I am. And I’m afraid of it too. Let me tell all the female listeners I am not great at self-advocacy. Um, I’ve learned to do it over the years while I’m kind of gritting my teeth in the back of my mouth. Um, but I, there’s been a number of times when, you know, the really, the places where my career really took off, um, I stood up for myself and I raised my hand and I said, “I can do that.” Or, “I can even do more than what you asked me for.” So I’ll give you an example. Um, when I was at Wyndham, um, we, we acquired another company that did the same thing as we did. Um, and we were looking at how to create efficiency and blah, blah, blah. One was in Seattle and one was in Florida. And I was in the Florida office and I was asked, and we were the acquirer, so we acquired the company in Seattle. And so I was asked to fly out to Seattle and check out how my division, which we did all the renovation work and capital improvements and stuff like that, how my division would work with the group in Seattle. And so off I went on a plane and met with them and talked to them and figured out how they did things and figured out how we did things. Um, and so the ask was like, how do we merge the two and how do we create some efficiency? And I came back with a combined team that had me at the top of it with a promotion to vice president. It was really hard for me to do. It was a little bit easier because I gotta do it in writing and send it in and I didn’t have to say it out loud. Um, but it worked. And it was the first VP role I ever had. I was one of the youngest vice presidents at Wyndham. I remember the first time I went to the all leadership meeting, which was, happened once a year at Wyndham. There was 500 people there. This is vice presidents and above. Um, that’s how large the organization is. Um, that’s less than 5% of the employment base of the company. Um, and I was one of the youngest and I was one of the few women that were in the room. And I was blown away by that factor. And I went, “I, I need to work at do- doing something about this. I need to help other women.” ‘Cause particularly 20 years ago probably, um, there was a little bit more sharp elbows among women. There were so few seats in leadership that we were competing for them. And I think women weren’t as good as we are today at lifting everybody up instead of competing with each other. Adding more chairs at the table instead of competing for the one that a woman is gonna fail, fill. Um, so those, I think, are really my biggest things that I recommend younger women focus on is be an example to other women around you, above you, below you, beside you, I don’t care. Advocate for yourself. Advocate for other women and support each other. Um, don’t compete with each other. Ryan Embree: Yeah, I love that. I love that story. And I think we, you know, it’s inspiring to hear those, right? Because it, it can be scary sometimes. Um, but to hear those, those stories, those real life, um, you know, personal, uh, examples in front of you, those are the things that maybe get you that extra bit of confidence there. And it’s, it’s very, very cool to see. So, uh, appreciate your work there. And, um, you know, ex- excited to, to share that with those tips for the audience. Definitely wanted to, to, um, go into that topic a little bit. Um, but this is the Independent Hotel Show series. We might change your episode to say Unchained Hotel Series. But, uh, we’ll, we’re gonna. This is. We’re talking today about the Independent Hotel Show happening this year, September 16th and 17th. Uh, Miami Beach. Remember, listeners, uh, don’t forget to use promo code Ryan26. That’s for a complimentary, uh, registration. Dina, you’re on the advisory board. You’ve been a long time supporter of this show. What inspired you? Take me back to when you were first kind of asked to get involved with the show. Uh, what inspired you to get in, like, first involved with it? And how do you see it supporting independent hoteliers? Dina Belon: Yeah. I was, uh, introduced to it before the very first one and asked to be on the advisory board. And it was an immediate yes, and yes, what can I, what can I do to help? Because I knew that there was a gap in our industry in the independent space for a place for independents to get together and have real conversations and real opportunity to collaborate and learn from each other. We’re so isolated, um, in, in many ways. Like, we don’t have a mothership to create all of the stuff, the, you know, programs or education or philosophy or how do you do this? Or what do you do with that? Or, you know, how do you get mustard stains out of the towels? You know, like, anything. Like, we don’t have a mothership that helps us, that hands us a bunch of stuff and tells us how to do it. Each of us are creating all of this on our own. And that’s part of what makes our sector of the industry so unique and great, is that you get a different experience at every property because they’re all created through a visionary process. But there’s also a lot that we could share best practices and adapt what somebody else is doing to what we’re doing. I, like, I love to talk to, um, suppliers and vendors and tech companies, um, that reach out to me all the time because I learn from them. I learn what they’re doing, um, how one of their customers is doing something. You know, like, we constantly have a need for new knowledge and collaboration in our space that didn’t exist. And so this show is one of the only things that are really in our space focused on us and give us the opportunity to do that. It is an incredibly good show. It’s so well curated from, uh, an educational perspective, from the sessions. There’s multiple stages. Um, everything is in one room, which I love. Um, you can, you know, you can be listening to a panel discussion that’s really energizing, and then you’ve got a 10-minute break and you can run over and see a vendor that you wanted to talk to because you’ve only got 10 minutes. And then you get, you know, it’s not spread out. It’s not like the big shows where, you know, you’re gonna have to walk 10 miles to get to something. And the people that are there care and are focused on the independent space. So you’re also not gonna get the eye rolls and the you’re too small and we don’t care about you, and oh, you’re not part of Marriott, uh, you know, conversation, whether with vendors or with anybody, right? The, the people that are here are passionate about this part of the industry and are ready and willing to help anybody that comes to the show improve what they’re doing. Uh, like, I love helping other independent hoteliers, uh, in any way I can. In any context, talking about distribution, talking about guest service, talking about, you know, any, any part, because there are enough customers out there for all of us. I know we’re competitors, but, um, helping, helping everybody lift is a much better strategy than trying to elbow somebody out. Ryan Embree: Absolutely. We’re all in it together. 100% agree. And it’s funny, you know, you were mentioning at the, at the top of the answer about, you know, how independent hotels don’t have some of these resources that the big brands do. Uh, you know, one of the, one of the common things that big brands do is have an annual conference, right? And they get everybody together and, and share ideas and challenges. This is like the annual conference for independent hotel shows. So it’s a sense of belonging. Um, it’s a different energy. It’s a different. It’s, it’s a different type of, uh, uh, of event. Um, it. So real quick, first, uh, tip for any first time attendees that, uh, might be going. Dina Belon: Yeah. Um, I think two. Again, I love my, my two or three points. Um, be curious. So show up curious, um, and, and open and willing to share. Um, because that’s what your, your analogy to a brand conference is perfect because, um, that’s what we’re there to do is help each other. Um, and being curious will help you just be a sponge and take things in. Um, use, use AI in this scenario, um, and help have an AI assistant help you, an electronic one in your pocket, help you remember all the stuff that is gonna come at you because it’s gonna come like a fire hose and it’s gonna be really hard to remember it all when you get home. Um, I use Pocket for anybody who cares. It’s a little tiny device that I literally keep in my pocket. And I push it anytime I have an idea, I can just talk into it. Or I can push it if I’m having an interesting conversation with somebody and it’ll record that conversation. Of course, I ask the person before I do it. Um, but right? So that it, so that you’re, you’re capturing all of that interesting, cool ideas and, um, vendors and sup – you know, people that can support you. Um, it, walk away from an interaction with somebody and they’ve handed you their business card. Take your little device. It can be your phone too, but however you wanna do it and say, “I just met Ryan with Suite Spot and I really wanna be on his podcast. I need to reach out to him after when I get back.” And then your little AI will give you a to-do when you get back, uh, home. So that’s, that’s my number one tech tip. Um, and then I think the other, the opposite of that, which is a little challenging sometimes, is set the technology down and be present and be aware and pay attention. And don’t be on your phone answering emails from your staff back at your hotel. Like, I know it’s super hard to disconnect and, and be present while you’re at the conference, but you’ll gain a lot more if you’re there and you’re listening and you’re talking. Like, if you go to some of the educational sessions, raise your hand, ask questions. Make a point. Don’t even ask a question. If you’ve got an idea that the panel needs to hear, raise your hand and say it. Um, because it’s a, it’s a dialogue. This isn’t a. There’s, you know, we don’t have the president of Marriott and the president of Wyndham sitting on a panel telling us all how to do things. We’re all collaborators that are telling how we’re doing things and wanting to hear how you’re doing it and figuring out how we can share, share those ideas. So be present. Ryan Embree: That, that’s a great. Yeah, that’s a great mindset to, to enter this show into. My tip is gonna be make sure you see Dina Bellin on stage, uh, because she’s gonna be there once again. You’re gonna be moderating a powerhouse panel. Hospitality is not a department. Um, give us a sneak preview, if you can, of what that discussion might unpack and maybe your thoughts on the topic. Dina Belon: Yeah. It’s really gonna be, you know, about how hospitality is a culture. It’s not a silo. It’s, um, it’s really formed over time through behavior and modeling. Um, it’s not training manuals. It’s not a poster on the wall. It’s values. Um, it’s about, um, really taking everybody in your organization, whether it’s ops, which always seems obvious, but the finance departments, you know, HR, uh, the marketing team. Like, is everybody aligned to your mission and values as an organization? And you as a leader, are you practicing, as a lifestyle, the culture of your organization? So hospitality is not about the ops department. It is about the entire organization following a. Identifying first, have you identified? Right? So, like, our mission at Staypineapple is where stays become stories. Um, it’s a cute, cute way to say it, but it is in very real terms. We want your stay to be so impactful and so memorable that it becomes a lifetime story for you and your family. That kind of connection, that kind of sense of belonging, that kind of emotional feeling, um, is what we’re after, and that’s our mission. And so, if I’m not living that lifestyle every day as the leader of the organization, and our CFO, and our accountant, and our HR, uh, manager aren’t living that lifestyle, how can we ask the hotel teams to live it? Ryan Embree: Yeah. Great point. Yeah, it’s, I mean, it’s hospitality, right? And what we’re always trying to, to try to accomplish, uh, at the end of a guest day is to really, uh, not just, not just feel, feel the, the hospitality, feel the s – the, uh, uh, the, the service that we were providing them. Uh, not just feeling like they, they stayed in, you know, four rooms in a, four rooms in a box, right? That’s, that’s what – Yeah. The old saying. Dina Belon: How many hotels have you forgotten – Ryan Embree: Right. That’s a wonderful point. Wonderful point. And a great segue into our next, because I think you’ve got an unforgettable, um, uh, portfolio over there. So we’re gonna do some rapid fire here, Dina, to get to know you and your, uh, portfolio a little better at Staypineapple Hotel. So, uh, we always like to start with our favorite view from one of your hotels. Dina Belon: Definitely Chicago. So we’re in the loop and we look right at the Chicago Theater sign. And then three blocks down the other way, you can see the edge of the bean. And then there’s this amazing jazz mural, uh, from the corner rooms of the building. The, the incredible view. And we’re an urban city center, so views are not generally our vibe. Um, right? It’s usually another building next door. Um, but that one, that is really incredible. Ryan Embree: That makes for a good one. Uh, favorite fun fact about one of your properties? Dina Belon: Oh, uh, this is personal. Uh, uh, Fetch, which is our recycling program, is, um, all built around our dog obsessed culture. Uh, again, we like to be, you know, funny and cheeky. Um, so Dash, who’s our, um, our mascot, um, the pineapple pup. Um, he helps with waste reduction education, the Fetch program. Get it? Fetch, dog. Ryan Embree: Oh, I love it. Yeah. There you go. Uh, favorite signature dish, um, or amenity? Dina Belon: Hmm. Um, there’s a couple. Oh, goodness. These, this is hard. This is really hard. I, I mentioned the naked experience already, so I’ll let that one go, though that is one of my favorites. Again, personal. So you might start to see, I have a little bit of slant towards sustainability. Um, I am. It’s a, it’s a personal topic that I’m very passionate about. Um, our water bottles. Um, it was a huge lift for us to figure out. So, uh, what, I don’t know, five years ago, we used to have, um, unlimited water bottles available to our guests. Um, it’s part of our health and wellness program. We believe that, you know, hydration is a big part of health and wellness, particularly in en – urban environments when you’re walking a lot, you need to stay hydrated. It gave me a lot of heartburn. We were, we were, we were selling, or not selling, giving away a half a million water bottles, plastic water bottles a year. And it just, it hurt my heart. Um, so we were able to partner, um, with Path Water to do a custom 20-ounce aluminum water bottle pre-filled. Um, and we leave that in the guest room complimentary for every guest. And we put a water bar in our lobbies, um, for, to refill those bottles. Um, and that replaced all the plastic water bottles. And so, so now you see really fun, cute, steak pineapple aluminum water bottles all over the airport all the time in our city. Ryan Embree: Hey, there you go. Great marketing goes along with it. Uh, favorite guest experience? Dina Belon: Um, definitely Surprise and Delight, which is our, uh, strategy around that creative, uh, you know, hyper-personalization for guests. Uh, really creating those moments that create memories and stories. Ryan Embree: And then last favorite piece of art. Ryan Embree: That’s funny. Um, we, we happen to have our owner, our founder, Michelle, is a huge art collector. So that is really hard. We have a lot of original art in our hotels that’s from her personal collection. She regularly emails me and says, “Hey, I just bought a new piece, and can you find a place to put it in one of the hotels?” And I’m always like, “Oh my God, I’m running out of walls, Michelle.” But I think my favorite that she has, um, bought for every single hotel is, um, a Martin Goldstein original dog sculpture. Um, he is famous for creating these whimsical, limited edition bronze dogs that are known as Harvey Dogs. Um, and they’re just super cute. Um, and you can find one at every hotel. It’s, it’s one of those, like, Disney where you have to find the Mickey Mouse and Everything. Ryan Embree: Yeah, like a little Easter egg, yeah. Dina Belon: Exactly. An Easter egg hunt at any Staypineapple is go find the Marty Goldstein, uh, Harvey dog. Ryan Embree: All right. Well, there it, there it is. Challenge, um, put out there for our Suite Spot listeners, uh, visiting Staypineapple Hotels. Well, Dina, thank you. You’ve spent, um, quite, uh, some time with us. Um, thank you so much for sitting down. As we wrap up today, we do like to look into kind of our hospitality crystal ball. Uh, try to predict the future, which is becoming more difficult to do every single day, uh, now with every, the technology and AI. But, you know, as president of Staypineapple Hotels, what’s your vision for the future of, uh, the brand? Dina Belon: Yeah. You know, I think we’re gonna continue to expand on our ability to connect with guests and make them feel like they belong when they’re at Staypineapple, that they’re part of the family. And I know that sounds kitschy, but it’s, it’s a very real emotional, uh, mission for us. And, and in the broader context, what we believe the hospitality’s, hospitality industry’s role and responsibility in society is, and will become even more important as robots take over the world. That human connection that a hospitality industry can create, um, becomes an imperative for us to stay connected as a society. Ryan Embree: I agree. Yeah, that was just gonna echo that same sentiment. I think it’s gonna become more and more im- important. So we need, uh, brands like Staypineapple Hotels to, to keep true to that hospitality mission statement. So Dina, thank you again, uh, for taking the time to join us here on The Suite Spot. Any final thoughts before we wrap up? Dina Belon: Just go out there and be you, you know? Uh, don’t be afraid to, uh, come play in the independent space and definitely come to the Independent Hotel Show in Miami and, uh, let’s have a cocktail. Ryan Embree: Let’s do it. Uh, both Dina and I will have the privilege of being down there in Miami. We hope to see you in person. Dina, thank you so much for joining us here on The Suite Spot, and we hope to see you at the Independent Hotel Show in Miami. Thank you. And thank you for listening. We’ll talk to you next time here on The Suite Spot. To join our loyalty program, be sure to subscribe and give us a five-star rating on iTunes. Suite Spot is produced by Travel Media Group. Our editor is Brandon Bell with cover art by Bary Gordon. I’m your host, Ryan Embree and we hope you enjoyed your stay.  

It's another great conversation with the current/next generation of the Blues as host Jim Ervin welcomes Chicago's Jamiah Rogers for a fun discussion about starting out as a VERY young drummer, his development as a multi-instrumentalist, finding himself on stage at the Chicago Theater with legendary Jimi Hendrix bassist, Billy Cox, touring with John Primer, Billy Branch, and Annika Chambers, and how he is working to make his own mark on the genre. C'mon in, and enjoy!Facebook: https://www.facebook.com/jamiah.rogers/Brotherhood of the Guitar: https://brotherhoodoftheguitar.com/?team=jamiah-rogersSpotify: https://open.spotify.com/artist/1OFTCHri7tRbRJw52DTxTD?si=egYoN_2yQ-uGpsMnTltSVwYouTube: https://www.youtube.com/channel/UCw2oD8CEcvvlhmM6pQPbc7Q_________________________Facebook: Time SignaturesYouTube: Time SignaturesFacebook: Capital Area Blues SocietyWebsite: Capital Area Blues SocietyFriends of Time Signatures _______Website: University of Mississippi Libraries Blues ArchiveWebsite: Killer Blues Headstone ProjectWebsite: Blues Society Radio NetworkWebsite: Keeping the Blues Alive Foundation

The challenge of Putting a Price on Loss. A widowed father is informed that his child has been killed during a protest, forcing him to consider whether a cash settlement can possibly soothe his grief – in the process, we witness how public institutions and policies, in an attempt to remain impartial, reduce tragedy to a transaction that ignores the emotional needs of individuals. The world premier of WINDFALL at Steppenwolf Chicago.

You'll probably love this if you're of Irish heritage because of the familiarity of the songs and background message. If you're a few generations removed or have no Irish heritage you will likely find some insight into this segment of America that makes up about 10% of the overall population.The Irish and How They Got That Way by Porchlight Theatre Company is at Ruth Page Center for the Arts, tickets are available at PorchlightMusicTheatre.org Theater review by Reno Lovison concludes with an original rendition of Danny Boy recorded live at the Roots Room.Cover photo by LaPenna.

Featuring an impressive, ancient, oppressive, dimly lit three story plaster and brick edifice, that apparently was a former jail, it is now the military home of a company commander and his wife located on an offshore island.  Set in Scandinavia sometime in the late 19th or early 20th Century, Alice (Kathryn Erbe) and Edgar (Jeff Perry) will soon be marking the 25TH anniversary of their mostly unhappy marriage. The structure serves as a physical representation of the couple's own feelings of entrapment and isolation.Playwright August StrindbergAdaptor Conor McPhersonDirector Yasen PeyankovScenic Design - Collette PollardCostume Design - Ana KuzmanicLighting Design - Lee FisknessTheater Review by Reno Lovison

Chicago Theater Week returns next month, with tickets on sale today, giving people a chance to see shows at much lower prices and making theater more accessible citywide. Marissa Lynn Jones, executive director of the League of Chicago Theatres, joins Rob Hart on the WBBM Noon Business Hour with the details.

This year we reviewed over 30 Chicago plays and events. This podcast recaps favorites and highlights of the 2025 season plus a few ideas for 2026.Some productions mentioned include:Iraq But FunnyAmelieTom & ElizaGalileoHedda Gablerand a few more.

Memoirist and professor Maggie Andersen on turning a Chicago theater coming of age into No Stars in Jefferson Park, translating performance craft to the page, writing honestly about love, loss, and disability with care and permission, and trusting the long arc of a creative life.  You'll learn:Why writing “for others” can be generous without self-erasure (and how to tell the difference). What theater can teach memoirists about scene movement, including emotional marks, entrances, and exits. How to borrow “page-turner” pacing without sacrificing literary depth. What to cut or keep when you're thinking like a live audience rather than a solitary reader. How to shape a memoir around friendship and time, even when you're learning the form as you write. What “truth with care” can look like in memoir, including permission, restraint, and choosing what must be faced on the page. Ways to involve the people you're writing about early, so the work stays accountable to real humans. Why your definition of “making it” may change, and how timing, fit, and rejection can still lead to publication.  Resources and Links:No Stars in Jefferson Park About Maggie AndersenMaggie Andersen has published fiction and nonfiction in magazines such as Salt Hill, Blood Orange, the Los Angeles Review, Creative Nonfiction, Grain, Cutbank, and DIAGRAM. She has been a finalist for the Montana Prize for Nonfiction and has been nominated twice for the Pushcart Prize. She is an Associate Professor of English at Dominican University and an ensemble member at the Gift Theatre. Her debut memoir, No Stars in Jefferson Park, was published by Northwestern University Press in October 2025.   For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com.For free writing sessions, join free Writers' Hours: writershour.com.*FOLLOW LONDON WRITERS' SALONTwitter: twitter.com/​​WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalonIf you're enjoying this show, please rate and review this show!

A teenage crime wave hits Chicago, and Mabel doesn't mix words.

Comedian Chris D'Elia joins Chris of The Morning Mix to chat about comedy and D'Elia's upcoming show at Chicago Theater on Saturday, December 15th. Tickets available at ChrisDElia.com.Listen to The Morning Mix weekdays from 5:30am - 10:00am on 101.9fm The Mix or with the free Mix App available in the Apple App Store and Google Play.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Mabel explores the unknown world of Ritual Killings.Mayday gives you the inside scoop on Chicago Theater. These are her top picks for 2025!Trauma Attraction Tickets available now: https://www.eventbrite.com/e/trauma-attraction-play-tickets-1948753858249Ipsy Products: ⁠⁠⁠⁠⁠https://www.ipsy.com/jjqcojjo⁠⁠⁠⁠⁠Mayday Stash Bag: ⁠⁠⁠⁠⁠https://maydaymayhaim.com/

Mayday gives you the inside scoop on Chicago Theater. These are her top picks for 2025!Trauma Attraction Tickets available now: https://www.eventbrite.com/e/trauma-attraction-play-tickets-1948753858249Ipsy Products: ⁠⁠⁠⁠⁠https://www.ipsy.com/jjqcojjo⁠⁠⁠⁠⁠Mayday Stash Bag: ⁠⁠⁠⁠⁠https://maydaymayhaim.com/

Campaign Spotlight: General Washington and The Liberty Tree On this episode of Go Fund This, we talk with writer and creator John Luzar, whose latest comic campaign delivers a bold mix of historical action and revolutionary storytelling: General Washington and The Liberty Tree. The story reimagines the fight for independence with epic stakes, powerful symbolism, and a creative spin that only John could deliver.

Riverside.FM is proud (neither legally nor officially) to present (allegedly) Chuck Swirsky and The Untitled Beatles Podcast! Brought to you (someday?) by Westmont's incredible Blue Village Vinyl. And when not spending gobs of sweet improv cash in Chicagoland's many fine vinyl establishments, you can often find the UBP Two doing the next best thing: seeing Ringo Starr And His Approximately Infinite All Starr Band, live in Chicago! Every “real” Beatles fan is aware that the Chicago Theater's most famous moment was when Donny Osmond pranced the stage nightly in a coat of many colors back in 1995. (Trivia: That's what killed a ton of old people that summer. #HeGone) But not anymore. Because Ringo Starr in 2025 has never sounded better, supported by a loyal, accomplished band who still rocks hard. Sometimes, for too long! So join Tony, T.J., Ringo, some true all-stars, a replacement player (e.g. “scab”) or two, and a few great UBP listeners, for some spirited/spirits-filled conversation, and highly illegal concert audio that can rather easily be traced back to the phone on which it was recorded. LOL! So in the interest of free speech, and praying our billion dollar merger with Sinstar Media goes through, let's ignore dumb legalities/norms and instead misdirect with inane questions, like:

Fall theater season is picking up across Chicago and host Jacoby Cochran is sharing a few of the shows he is most excited for. Plus, he is joined by Chicago actor Ronald Conner to get a behind the scenes look at Chicago's thriving theater scene.  Big White Fog at Court Theater Rabbits in their pockets at Lifeline Theatre  Veal at Red Orchid Theatre Rome Sweet Rome at Chicago Shakespeare Theater Saving Myself  at Urban Theater Company  Blue Heaven at Black Ensemble Theater  Ashland Avenue at The Goodman Things with friends at American Blues Theater  Oak at Raven Theatre The Last Senior Home in Bronzeville at Definition Theatre The House That Will Not Stand at Invictus Theater 8th Annual Destinos Festival at Various theaters Want some more City Cast Chicago news? Then make sure to sign up for our Hey Chicago newsletter.  Follow us @citycastchicago You can also text us or leave a voicemail at: 773 780-0246 Learn more about the sponsors of this Sept. 17 episode: Chicago Architecture Center Kidney Cancer Association Chicago Association of Realtors Window Nation The Newberry Become a member of City Cast Chicago. Interested in advertising with City Cast? Find more info HERE

The story of Jonah like you've never seen it before. On this episode of The Interludes Podcast, Val “The Voice” Johnson sits down with Emma St. Kathryn, first-time director, and Erika Walton Sitzberger, actress and singer, to discuss Ionéu—a bold, reimagined stage production of the prophet Jonah's tale. Staged at the historic Athenaeum Center in Chicago, Ionéu blends Greek tragedy and folktale to unpack themes of justice, identity, and the transformative power of mercy. Erika shares how returning to the stage as Teller/Giàla has reshaped her creative journey, while Emma opens up about directing her first play and what it means to reinterpret a sacred story for a modern audience. Show Notes:

If robots take over the world what would be their relationship to humans? Would it be a carefree utopia with happy automatons cheerfully laboring away while people enjoy a life of leisure or will the robots develop ideas and aspirations of their own, eventually viewing their human creators as archaic inferior predecessors, in-fact outdated models?This is the concept behind Bo List's R.U.R. a world premiere production, freely adapted from the play Rossum's Universal Robots by Karel Capek playing now at City Lit Theatre, directed by Brian Pastor.

Charles Dickens' expose of the French Revolution is cleverly performed and seems a little too close to home in today's political climate. I would highly recommend this anyone unfamiliar with "A Tale of Two Cities" by DIckens, anyone unfamiliar with the history of the French Revolution and anyone interested in how a political movement run amok can affect the lives of every person involved resulting in unfathomable horrors perpetrated in the name of justice.

See Tom Papa at The Chicago Theater on April 11! https://www.ticketmaster.com/tom-papa-grateful-bread-tour-chicago-illinois-04-11-2025/event/0700616EE3395584?camefrom=CFC_MSG&_gl=1*17zfpis*_ga*MTE5NTE3MDA1Ny4xNzQ0MzgzMTA5*_ga_YT63BSQYCF*MTc0NDM4MzEwOC4xLjAuMTc0NDM4MzExMS4wLjAuMA.. Chicago’s best morning radio show now has a podcast! Don’t forget to rate, review, and subscribe wherever you listen to podcasts and remember that the conversation always lives on the Q101 Facebook page. Brian & Kenzie are live every morning from 6a-10a on Q101. Subscribe to our channel HERE: https://www.youtube.com/@Q101 Like Q101 on Facebook HERE: https://www.facebook.com/q101chicago Follow Q101 on Twitter HERE: https://twitter.com/Q101Chicago Follow Q101 on Instagram HERE: https://www.instagram.com/q101chicago/?hl=en Follow Q101 on TikTok HERE: https://www.tiktok.com/@q101chicago?lang=enSee omnystudio.com/listener for privacy information.

John McDermott, Catalog Director for the Jimi Hendrix family company Experience Theater, joins Lisa Dent to discuss the upcoming Chicago date for the Experience Hendrix Tour. The tour is the all-star concert event of the year, celebrating the music and legacy of Jimi Hendrix. For more information on tour dates and locations, visit www.experiencehendrixtour.com.

This episode of Seeing Them Live features an in-depth and in-person conversation with Ray the Roadie and Hollywood Mike, hosts of the Rock and Roll Chicago podcast. Joined by producer and co-host Doug Florzak, the episode was recorded inside the Illinois Rock and Roll Museum on Route 66 in downtown Joliet, Illinois, where the Rock and Roll Chicago podcast is also recorded. The Rock and Roll Chicago podcast provides a platform for bands and musicians from the Chicago area, delving into the history of rock and roll in Chicago and Illinois, the current scene, and the challenges and opportunities for musicians today. Mike and Ray share humorous anecdotes, such as Mike jokingly proposing 'The Procrastinators' as a name for his next punk band, and Mike mentioning his varied musical activities, including performing with bands like Cadillac Groove and Mike and the Stillmasters, and his solo work. Mike also uncovers a rich musical heritage after meeting a cousin who fronts a Zydeco band in Louisiana, leading him to discover his extended family's significant contributions to various facets of the entertainment industry. Ray recounts his multifaceted career journey, involving roadie work, being a firefighter for 28 years, and later diving back into music and podcasting post-retirement. Personal anecdotes include Ray's memories of his first concert, seeing Chicago Transit Authority, and his best concert experience with ZZ Top, where he enjoyed backstage access and partied with the band. Mike fondly recalls his first concert, a Billy Squire show with Def Leppard as the opener, and his best concert experience, which was a transformative Buddy Guy performance that inspired him to become a musician. The episode concludes with Ray and Mike previewing their plans for upcoming podcast episodes and discussing the Illinois Rock and Roll Museum's ongoing development and various exhibits, including guitars from Buddy Guy, and its status as a non-profit organization reliant on donations and memberships for support.BANDS: 4 Non-Blondes, Alison Krauss, Billy Joel, Billy Squire, Buddy Guy, Cadillac Groove, Def Leppard, Flat Cats, Iron Maiden, Joker, Led Zeppelin, Lynyrd Skynyrd, Mabel's, Mike and the Still Masters, Outlaws, Rage Against A Machine, REO Speedwagon, REM, Robert Plant, Stevie Ray Vaughan, Train, Vulgar Boatmen, Wrought Iron Soul, ZZ Top.VENUES:  Alpine Valley, Chicago Theater, El Macomber, Illinois Rock and Roll Museum, Illinois Rock and Roll Museum on Route 66, International Amphitheater, Mabel's, Ravinia, Rialto Square Theater, Rosemount Horizon, Route 66, Taste of Westmont, The Amphitheater, The Flat Cats, The Forge, The Riviera Theater. PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

Segment 1: Ilyce Glink, owner of Think Glink Media and Best Money Moves, joins John Williams to talk about Illinois being the 7th best state to raise a family, what she took away from Friday’s labor report, the cost of the wildfires in California, and the latest on mortgage interest rates. Segment 2: Jim Dallke, Director of Communications, TechNexus Venture Collaborative, tells […]

Marissa Lynn Jones, Executive Director of the League of Chicago Theaters, joins Steve Dale to talk about next month’s Chicago Theater Week. Featuring productions all over the city and surrounding Chicagoland, Jones tells people where they can find affordable tickets during the first week of February to experience the amazing theater that Chicago has to […]

Discover the vibrant world of theater with our guest, DC Cathro, a dynamic force in the Chicago theater scene. DC, a versatile playwright, actor, and director, opens up about his creative journey, sharing insights into his organic writing process. This episode promises to be a treasure trove for theater enthusiasts eager to learn about crafting authentic narratives and navigating the creative challenges of balancing artistic pursuits with life's demands. DC's stories about finding inspiration in everyday life and his refusal to be boxed into a specific genre illustrate the rich tapestry of experiences that shape his diverse body of work.Theater's future and its vital role in promoting inclusion take center stage as we discuss the importance of representing varied voices on stage, emphasizing the unique experience live performances offer in today's digital age. DC shares his candid thoughts on theater's current struggles, including financial pressures and capturing audience attention amidst a sea of digital distractions. The conversation also takes a fascinating detour into the world of silent performance, where DC recounts his adventures in non-verbal roles, from earning accolades for his silent acting to dealing with the challenges of less favorable reviews. Engage with us for a compelling exploration of theater's artistry and evolution, and learn why supporting diverse narratives remains crucial for the future of the stage.Support the showQuill & Curtain podcast is sponsored by Theatre Marketing Lab. Theatre Marketing Lab founder Julie Nemitz has been lifting up theatre organizations and theatre artists since 2019. The Lab exists to help theatremakers like you expand your exposure by developing personal branding and marketing skills that promote your works with more clarity and purpose, always rooted in authenticity so your talent and works can be seen on more stages worldwide. To learn more visit: https://theatremarketinglab.com To support the podcast: https://www.buymeacoffee.com/QuillandCurtainPodcast The Podcast SWAG store!: https://www.bonfire.com/store/the-quill-and-curtain-podcast/To read Darrin's plays, click: https://newplayexchange.org/users/76352/darrin-friedman

A conversation with Chicago Theater legend Jackie Taylor who founded the Black Ensemble Theater 48 years ago. The Black Ensemble Theater, located at 4450 N Clark St., Chicago, is recognized around the world for their productions. Taylor says of all the many shows she’s mounted the current production, Blue Eyed Soul Sung by Brown Eyed People, showing through […]

Send us a textChristopher “Chris” Tucker is an international award winning actor and comedian best known for playing the role of Detective James Carter in the Rush Hour film series. Tucker became a favorite on Russell Simmons' HBO Def Comedy Jam in the 1990's and came to prominence in the 1995 film Friday alongside Ice Cube. Next he co-starred and executive produced Money Talks with Charlie Sheen and then appeared in Luc Besson's The Fifth Element. In 2006, he negotiated an unprecedented $25 million salary to appear in Rush Hour 3, which at the time made him the highest paid actor in Hollywood.Chris called in to promote his upcoming show on January 24th at the Chicago Theater. (From 1-14-15)

Whitney Cummings chats with Chris of The Morning Mix about her upcoming show at The Chicago Theater on Friday, October 18th! Listen to The Morning Mix weekdays from 5:30am - 10:00am on 101.9fm The Mix in Chicago or with the free Mix App available in the Apple App Store and Google Play. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Whitney Cummings chats with Chris of The Morning Mix about her upcoming show at The Chicago Theater on Friday, October 18th!Listen to The Morning Mix weekdays from 5:30am - 10:00am on 101.9fm The Mix in Chicago or with the free Mix App available in the Apple App Store and Google Play. Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

As summer winds down, theater season kicks into full swing. From small storefront productions and family dramas to high-intensity wizarding spectacles, there's something for everyone. Reset hears what Chicago's theaters have in store as we get into fall from WBEZ's Mike Davis. For a full archive of Reset interviews, head over to wbez.org/reset.

In my most popular, most shared, and most downloaded interview of all time, featuring my favorite comments from YouTubers about my "annoying Chicago accent," Dan Howell and Phil Lester (Dan and Phil) talk about their book "The Amazing Book is Not on Fire" and an upcoming appearance at the Chicago Theater. (From April 21, 2016)

This week jD is joined by Kyra from the cornfields of Western Illinois to discuss both her Pavement origin story as well as her perspective on track 19. Transcript:Track 2:[0:00] Previously on the Pavement Top 50. Blackout. So what do you think, Jessica, from Ann Arbor? I think it is a very solid Pavement song. Yeah. Like, I think it belongs in the top 20 to 30. Okay. Because, I don't know, it hits all the right Pavement beats. Hey, this is Westy from the Rock and Roll Band Pavement.Track 3:[0:27] And you're listening to The Countdown. Hey, it's J.D. here, back for another episode of our Top 50 Countdown for Seminal Indie Rock Band, Pavement. Week over week, we're going to count down the 50 essential Pavement tracks that you selected with your very own Top 20 ballots. I then tabulated the results using an abacus, six taquitos, and a bottle of bismal. How will your favorite songs fare in the rankings? Rankings you'll need to tune in to find out so there's that this week i'm joined by pavement superfan kyra from the cornfields of western illinois illinois illinois how the fuck is it going my friend it's uh pretty fucking great thank you for asking all right well um let's let's not beat around the bush let's get right into this let's talk about your pavement origin story.Track 3:[1:27] Okay um i got into pavement in the early 90s um i um graduated high school in 1994 so that was the year oh cool all right so um so you know um yeah i was 18 years old i was getting ready to graduate high school and um i'd been hearing about pavement you know and like spin and stuff magazine spin magazine and stuff like that and it sounded cool but here in the middle of fucking nowhere cornfield um they just didn't have everything you know or um you know just things were slower to get here maybe yeah stuff like that um but it's a it's a small town western illinois i lived in a town of 800 people 801 people and um i'm right now i'm in the college town that's not far from there which is a town of like 20 000 i think okay western illinois University and that's where I live now and that's where I kind of grew up around here and ended up back here but so anyway I was a teenage kid and I was into Nirvana and Pearl Jam Soundgarden all that all that stuff Alice in Chains but I was also getting into cool stuff I had a really cool curiosity I think you know I was into uh Dinosaur Jr. I was getting into Sonic Youth and uh.Track 3:[2:43] Sugar, The Replacements, REM, Morphine, just stuff like that. I think I was getting into alternative type music. And I was also really getting into Bob Dylan around that time. Oh, wow. That's pretty diverse.Track 3:[3:00] So Pavement kind of clicked with me. I got that CD called No Alternative. It was a compilation. It had a bunch of cool bands. It had a new Nirvana song on it. I think that's why I wanted to get it, because it had a cool Nirvana. A new hidden track on it or something like that um but the pavement song was really cool it was unseen power of the picket fence which is that weird rem kind of tribute not one of their best tunes but it's fun and it's cool and it introduced me to their how goofy and uh quirky and there's there's their sound and stuff like that right right so and i thought that's cool i like that filed it away maybe, hip-pocketed it. But then I got off work. I worked at the Hardee's here in town, the fast food restaurant. I got off work, went home, and I turned on my little black-and-white TV I had in my room and watched the end of the Jay Leno show. And he had pavement as his guests on his show, and I just, they played Cut Your Hair. Yeah. And it was, I just thought, I fell in love right there. I was like, this is the coolest thing I've ever heard.Track 3:[4:17] And... And you're not wrong. Yeah, right? And it was around that time where Kurt Cobain died, too. And I was a big Nirvana fan. And shit was just really serious and heavy and kind of depressing. I was listening to a lot of Pearl Jam and Nirvana and Soundgarden and Alice in Chains. And everybody was a junkie and everybody was depressed. And pavement was a cool thing to come across around that time when I was an 18-year-old impressionable youth. because it wasn't really like that. It was fun, but it still felt very urgent, I felt. Their music felt vital and urgent and had a lot of depth and meaning for an 18-year-old kid, I think. Yeah. So it was a good breather from that serious stuff I've been listening to, and I was just instantly in love with that. And my friend, I think I went to school a couple days later, and my friend's like, hey, I bought that pavement tape that you told me about on Jay Leno or whatever. And he loaned it to me, and it was Crooked Ring, Crooked Ring. And of course, that's the greatest album ever made. So that was a pretty big one to get and get into. And I fell in love with that instantly, all those great songs. Songs, you know, Gold Sound, Silent Kid, Fillmore Jive, Ranged Life.Track 3:[5:47] Every song on that one's a banger, right? It's a masterpiece. Yeah, so I got into that. I was like, well, I got to go get more of this. So I came over here to the record store. We used to have four record stores in this town. Now we have zero. Oh, shit.Track 3:[6:02] Sucks but um anyway there's uh i came over here and bought the i saw another pavement cd and it was uh watery domestic chicken on the cover and that that's also the greatest thing ever made the greatest ep ever made i guess the greatest album ever no argument from me right and this was all within like maybe a few weeks a week or a week of each other and i just loved that i thought that was the best best thing i'd ever heard um and yeah i was just in love with paper after that And I was like, this is my band. You found your band. Yeah. And I eventually, over the next few months, started getting the other stuff. I got that Westing, which I don't know if you can see it back there, my little Steve Keen of the Westing cover. A friend gave me that. She bought it down from him in Oklahoma. But anyway, that's a great, that's a cool collection of tunes. And I was like, introduced me to their early stuff, which I thought was pretty cool. But I really like what they were doing currently more, you know, yeah, they're crooked rain stuff and you know And then I started just buying everything I could get from pavement and then I heard slanted enchanted I'm like, holy shit. This is also the greatest album ever made. So Yeah, yeah all that stuff. And then wowie zowie came out like maybe a year later, you know It wasn't very long and that one was pretty amazing too little little more of a head fuck than the other ones which is I.Track 3:[7:27] Awesome you know and i just a big fan ever since um did you convert people as well i tried you had like so that you had some sort of echo chamber to be talking about this or were you isolated with your fandom um well that's a good question because my friends some of my friends kind of dug when i dug pavement and when i played it for them but i don't think they were they clicked with it like i I did, where they were totally in love with it, but they enjoyed that album, Crooked Rain and Crooked Rain. I think I might have played them something off Debris Slide or something like that. I don't know about this one, but I remember that. I actually joined the Navy right after I graduated high school and found out in the Navy that nobody liked pavement or heard of pavement.Track 3:[8:18] I hardly met anybody. buddy um but i was traveling a lot and i would go to different towns to different record stores and find the find different pavement things so that was kind of fun and i would try to turn people onto it and it didn't really click very much i converted a few people though over the years i guess i had a roommate have people to talk to about it right yeah i had a roommate who was a drummer and i played him uh watery domestic i think and he was just blown away by the drumming I think that's Gary Young, right? Doing the crazy drumming on that one. Yeah, the drumming on that was Texas Never Whispers is so cool. And he was pretty blown away by that. He's like, this drumming is so different and not your typical drumming, I guess. So I converted a few people here and there over the years. Did you ever manage to see them live?Track 3:[9:08] I did, yeah, finally, two years ago. Oh, cool. I saw them at the Chicago Theater. Yeah, good venue? They were so good. It's a classic venue, but it's not my preferred type of venue to see them in, but it was a beautiful place, and I was seeing the greatest band ever there. They sounded really good. They sounded so good on that. Yeah, they were great. So um i saw that i saw um steven malchemist and the jicks also when they first went on tour in like 2001 and that was a really cool show yeah yeah um bob was driving the rv and uh selling t-shirts really it just seemed really like a cool little tour um i think steven's um malchemist's girlfriend was in the band kind of for a while there um and she was kind of like doing background own vocals and stuff like that so it was kind of a fun gig um yeah i saw him on the pig lib tour.Track 3:[10:13] Uh but i didn't make it out i don't i wonder where he would have played here for pig lib he played at a bar called lee's palace which is like just a great venue to you know just yeah he's into and i like those be with your people right i would rather do that than be at the show the Chicago theater but um this was at the metro where I saw in Chicago which is a it's kind of the cool venue in Chicago where all the cool bands play but um and I'm from small town it's three hours to Chicago for me a three or four hour drive um and you know it's scary in Chicago because it's hard to drive and traffic and stuff like that but that's why I didn't go to a lot of shows when I was a kid.Track 3:[10:56] Just because I'm a hillbilly and uh I um didn't make it to see them when I when I would have loved to have seen them when they were at Lollapalooza or playing small clubs and stuff like that, touring behind Slanton and Enchanted. But no, I just kind of didn't get the chance to actually see them. I remember actually my now ex-wife bought me tickets to see them just on a whim. I told her I wanted to go see them in New York when they first reunited, like the reunion in 2010. 2010, I guess it would have been. Yeah, and she actually bought tickets, but we ended up going to Jamaica and getting married instead around the same time, so I had to cancel that. I mean, that's kind of a bust.Track 3:[11:45] So I kind of missed the opportunity there, I guess. But yeah, I've just been a huge fan ever since. I always felt like all of their album releases were like an event. And I remember hanging out like when I was stationed in Texas, hanging out with some friends when Bright in the Corners came out.Track 3:[12:08] Playing it for them, and they actually really liked some of the songs on it. I remember, like, Stereo and Shady Lane and stuff like that. I thought that stuff could have been a hit. I was like, this stuff's going to be a hit, guys. And they're like, yeah, sure. And, of course, I'm always wrong. I was always wrong about that. I'm actually a radio person. I used to run the alternative rock station here in town when they had one, and I was always a champion of pavement.Track 3:[12:32] I do have a funny story, I guess, kind of funny. So I worked for the radio station here in town. there's like this local group of six radio stations yeah um and i was the um i ran the alternative station i was the music director and the dj there and then uh also was like the classic morning classic rock morning show person and um also the news kind of a news person too i just kind of did a lot of things jack of all trades or whatever but um our little station group got bought out by this uh corporate butthole hedge fund dude came down and bought the stations and then fired all the people basically but um they kind of kept me around for a couple months and i learned how to they talked told me i had to do the news so i was the news director and i had to make news stories and stuff like that which not much of a journalist but i was doing i was trying but um eventually they had they were going to fire me too and they did and i knew they were going to fire me so i did not go out without a fight and i um made this news story about how oh, the new owner was a butthole and all this stuff. But, you know, I still had like two something minutes left on my newscast.Track 3:[13:40] So I play, I'm like, oh, and here's pavement, gold sounds. And then I put gold sounds in there. And then I broadcast that out the rest of the day. They fired me across the whole area on all six of their stations. And so that went out and I exposed people to pavement and made my little...Track 3:[14:03] Snide remarks about the the butthole uh guy who bought the stations and fired everybody and, it was uh it was a good feeling you played gold sounds yeah yeah i just i just thought that was a good it was it was a good length i think it's it's it might be my favorite of their songs i i don't know what i don't have i don't think i have a favorite but i have many but um yeah that Very nostalgic. Yeah, it is. Yeah, it's just got that feel. Yeah, just something wistful about it, I guess.Track 3:[14:37] But, yeah, that was... Do you have a go-to record at this point? Like, do you have one that you'll put on, you know, when you're feeling pavement-y? Or does it depend on a specific mood? It's definitely a mood thing. It seems like Wowie Zowie is always getting played around here a lot for some reason. Um because that one's that one's big it's like the white album kind of you know favorite albums so it's a big long one with uh different moods and stuff like that and i kind of it's kind of how i am a moody person so i like the roller coaster ride of that one and i like the kind of woozy sound of a lot of the songs on that one i think it's just this beautiful sounding record and.Track 3:[15:20] Um, it's got songs I don't like on it, even like a couple that kind of, I find a little more jarring, but, uh, it's still the one I've been listening to the most, I guess. But I, um, the first three, I think are, you know, the greatest albums ever made. And, um, I like the other ones also. So I have those ones on vinyl. I don't have the last two albums on vinyl and I play a lot of vinyl. So I guess that's why I, um, but my kids are into it too. That's kind of cool. They've, uh, tick tock was the harness your hopes thing. I heard my kids listening to it and I was like, Whoa, that's so cool. And they, uh, they would like, I had a t-shirt and didn't fit me anymore. So they would, they would fight over the t-shirt. They had a couple of daughters.Track 3:[16:10] Yeah. Right. But they, uh, they did. I tried to get them a little deeper into it, but they, they know harness your hopes. Which is cool and uh i was like why what does this mean my daughter said it's for a fit check i'm like what the heck is a fit check it's like an outfit showing off your outfit yeah i didn't know that it's been around yeah yeah so that's it's over my head too i'm 50 years old yeah, so i think that's pretty cool and then i've they've gotten into it it's cool seeing younger kids get into it i see it every once in a while i see somebody who's considerably younger than to myself almost in my kids age and getting into Pavement I'm like that's good it means it's I was right this whole time you know about this great band justice.Track 3:[16:55] Exactly well Kyra what do you say we flip the record and get into track number 19.Track 3:[17:08] Okay alright we'll do that right after this.Track 3:[19:46] This week, we're going deep on Box Elder. How are you feeling about song number 19, Kyra, from the COWI? I fucking love Box Elder so much. It's a great song. It's one of the earlier Pavement songs. I think it's a very early Pavement song. Say it's, you know, song number one. Yeah, yeah, exactly. Which is cool. And it's one that really holds up, I think, too. So I was saying, if you're just joining us, I got into Pavement in 1994 at Crook and Rain, and it was awesome. And then I got Watery Domestic, and then I think a few weeks later, I got the Westing collection of tunes. And yeah, I just remember that one, immediately liking that song.Track 3:[20:37] One thing I like about it is it's got a twee kind of twee element to it almost like a beat happening or something like that, like K Records Calvin Johnson kind of sound which I didn't really know much about then but when I hear it now and there's also something R.E.M. About that guitar riff on that I agree with you there Early R.E.M., for sure. Yeah, and I know that it was a big influence on them. And I'm a huge R.E.M. fan now. So there's that. And that song, I actually had to look this up, but it said that it's a true collaboration between the two, Stephen and Scott. Spiral, yeah. Yeah, they kind of just, it was his riff, I think, and then Malcolm Husky wrote the lyrics and sang over it. And they didn't really write songs like that before or after. It's kind of one of the only ones that was like really a collaboration like that, I guess. Very. I mean, I think they were all collaborations in one way or the other, but...Track 3:[21:42] Yeah, for sure. On that tune. I love the lyrics of the tune. I love the meaning of it. I'm from Vermont, Illinois. Vermont IL, population 801. And Box Elder MO is just, I'm going to head to Box Elder MO. It's just he's going to head to some hillbilly ass town in Missouri. It's kind of what that's what i got out of it anyway um but being from a small town and being somebody who's different i'm a transgender woman um i didn't know it then but it's something i've always felt and it's something i still feel and getting hearing that line i've got to get the fuck out of this town meant something back then and recently maybe in the last couple years that tune is really everyone's like man i really love this song because i love that line i've got to get get the fuck out of this town because i was living in this other small town nearby which is just very, bigotty town and i was ready to get the fuck out of there so i'm glad to be out of that town um had to get the fuck out of that town and come over here to yes box elder love that that it means box elder yeah it's got some deep deep meaning um i think and uh yeah i'm in a place where there's I was in the town, there's not a lot of pavement fans, you know?Track 3:[23:02] So get the fuck out of this town. So yeah, it's a cool song. I think their sound and their songwriting improved significantly after that. But as an early tune, I think it's definitely one of their best. And it's one that definitely means something to me, I think, for sure. Love that song. Love Box Elder. It's a good one. What do you think about where it landed on the countdown, number 19?Track 3:[23:33] That's actually perfect. Do you think it's a fair spot for it? Yeah. I guess, yeah. I think it's a perfect spot. I mean, considering they made so many other great songs and that they really improved on their sound after that, but also as an early tune and they're finding their sound, I think that was definitely one of the most important songs in there.Track 3:[23:56] In their canon of awesome tunes. Well, really, I mean, if you think back, this song was covered by Wedding Present and played by John Peel. And I wonder if John Peel hadn't got his hands or mine wrapped around pavement. Like, they are so huge in the UK. Yeah. And it just makes me wonder what, you know, what would have happened had they not had access to you know john peel it would have been very interesting but so that's how he got into them through wedding presents cover that's how uh my memory is so shit but i feel that sounds yeah okay yeah if i'm wrong send me an email jd meeting malcolmus at gmail.com new email address everybody well kyra it's been good talking to you today from uh western illinois and uh talking about box elder i enjoyed myself i hope you enjoyed yourself and um that's about what we have to say do you have anything you want to plug.Track 3:[25:04] Um no i mean i i host a i host a folk uh alternative country americana radio show on tri-states public radio every sunday night at seven o'clock if people are into that sort of stuff um but uh that's what i do but nothing to plug i'm just here to talk about pavement.Track 3:[25:25] Love it i love the show it's a it's great show keep up the good work oh thanks that means a lot for real that's what i gotta say this week and uh we'll be back next week with song number 18 we are in the thick of the top 20 my goodness wash your goddamn hands.Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

For whatever reason, society harbors feelings of discrimination against certain communities, one of which is the Asian-American and Pacific Islander community. Token Theatre is a relatively new player in the Chicago Theater world which presents Asians in the positive light they deserve with an emphasis of casting the community in meaningful stories which need to […]

Scott Aukerman first appeared on The Big Wakeup Call back in 2014 to discuss the season one DVD of the Comedy Bang! Bang! TV show. Here on his 20th appearance, we discuss the origin of the TV show and what could have been a spinoff, the 15th anniversary of the podcast, the CBB action figures, CBB book, and the Bang! Bang! Into Your Mouth Tour that will visit the Chicago Theater on August 3rd.

WBEZ's May highlights of productions feature a mix of works at storefront and big-name theaters.The mix of local and national talent on stage is a testament to Chicago's place in the theater ecosystem. Reset gets the scoop from WBEZ's theater reporter, Mike Davis. For a full archive of Reset interviews, head over to wbez.org/reset.

Legendy playwright August Wilson – considered one of the most important Black voices in theater – wrote the story of his life in the play How I Learned What I Learned. Today, that script is coming to life in a one-man show at the Broadway Playhouse in Water Tower Place. And Chicago-bred actor Harry Lennix (The Blacklist, Matrix Reloaded) is stepping into the role of August Wilson himself. How I Learned What I Learned is on a limited run until May 5, and Reset sits down with the actor for more on what audiences can expect. For a full archive of Reset interviews, head over to wbez.org/reset.

Charles welcomes Rick Onstop who hosts the Rock Talk Studio podcast. Rick is a seasoned veteran of the music industry with a rich history in music distribution, blogging, and podcasting. Rick shares his journey from working in a record store in Hollywood, experiencing in-store appearances by big names like Bruce Springsteen, Alice Cooper, Patrick Swayze and Itzhak Perlman, to attending iconic concerts, including an unforgettable KISS concert at the young age of 14. Rick's deep-rooted connections within the music scene unfold as he describes his personal encounters with music legends and one near encounter with Bob Dylan.Among the live music experiences Rick delves into, he recounts the electric atmosphere of U2 concerts that deeply moved him, leaving a lasting impression. Rick's narrative brings to life the profound impact these live performances had on him. Additionally, Rick reflects on his near encounter with Bob Dylan, sharing a candid story that nearly brought him face-to-face with the music legend in an intimate backstage moment, further illustrating the unpredictability and excitement inherent to the music industry.The conversation shifts to Rick's podcast, "Rock Talk Studio," where he shares his passion for rock music through book and documentary reviews. Rick explains his unique rating system to help listeners gauge the depth of content suitable for casual fans versus enthusiasts, underscoring his commitment to providing insightful and honest reviews. Through discussions on various topics, from music books to documentaries, Rick and Charles illustrate the vast landscapes of rock music culture and its enduring legacy, highlighting the storytelling aspect of Rick's work that captivates and educates his audience.BANDS:Alice Cooper, The Band, Billy Idol, Blind Melon, Bruce Springsteen, Dylan, Fleetwood Mac, Geddy Lee, Guns N Roses, Harry Styles, J Giles Band, James Brown, Kiss, Lindsey Buckingham, Little Richard, Prince, Stevie Wonder, Suicidal Tendencies, The Allman Brothers, The Immediate Family, The Violent Femmes, Tina Turner, Tommy Lee, U2, Yes, ZZ Top.VENUES:Aragon Ballroom, Athenium Center, Belly Up, Bushnell Theater, Chicago Theater, Greek Theater, LA Sports Arena, Solider Field, Springfield Civic Center, UIC Pavilion. PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

Comedian, storyteller, director and actor Mike Birbiglia joins John Williams to talk about, “Please Stop the Ride,” his new show coming to the Chicago Theater later this month. Mike tells John about having eclipse fever, his desire to go to a Cubs game while he’s in town, how he mined material for this new show, […]

Comedian, storyteller, director and actor Mike Birbiglia joins John Williams to talk about, “Please Stop the Ride,” his new show coming to the Chicago Theater later this month. Mike tells John about having eclipse fever, his desire to go to a Cubs game while he’s in town, how he mined material for this new show, […]

Comedian, storyteller, director and actor Mike Birbiglia joins John Williams to talk about, “Please Stop the Ride,” his new show coming to the Chicago Theater later this month. Mike tells John about having eclipse fever, his desire to go to a Cubs game while he’s in town, how he mined material for this new show, […]

The Price Is Right Live Stage Show will be at the Chicago Theater on March 2nd. Jennifer Aniston presented her good friend Adam Sandler with an award during the People's Choice Awards. Garrett Popcorn is celebrating national chocolate mint day with Frango Chocolate.

In this episode of "Seeing Them Live," Charles welcomes guest Andy to share memorable concert stories. Andy discusses his extensive collection of concert ticket stubs, mentioning that he has about 350 concert stubs and over 125 stubs from other events. The conversation takes a nostalgic turn as they reminisce about concerts they attended together since seventh grade.Charles asks Andy about his first concert, and Andy's unique response involves distinguishing between tickets with stubs and those without. He reflects on his early concert experiences, particularly at Chicago Fest, where he saw acts like the Greg Kihn Band and the Joe Perry Project. The discussion delves into the significance of ticket stubs as memory triggers, providing insight into the concerts and events they attended.The conversation also touches on the value of concert tickets as collectibles. Andy shares that some of his Grateful Dead tickets from the 1980s are now worth more as collectibles than the original ticket prices. The mention of different venues and festivals like Chicago Fest sparks memories of specific shows and experiences, including encounters with iconic musicians like Muddy Waters.The conversation transitions to discussing the unique aspects of certain concerts, such as the legendary "wall of sound" designed by Owsley Bear Stanley for the Grateful Dead. Andy explains that, while he didn't witness the wall of sound, it was a significant part of the band's history. The discussion also covers social protocols at concerts, including designated areas for different groups of fans, such as the "deaf zone" for those going deaf and the presence of spinners (dancers).As the episode progresses, the hosts explore Andy's decision to swear off heavy metal concerts and share anecdotes from specific shows, both positive and challenging. The episode concludes with a brief mention of the Ticket Stub Museum, a concept introduced by the hosts, and the idea of incorporating personal stories or notations for each ticket in the museum. They express enthusiasm for the tangible and sentimental value of physical ticket stubs in contrast to digital ticketing.Bands Mentioned: Almond Brothers, Bob Dylan, Bob Weir, Grateful Dead, Greg Kihn Band, Iggy Pop, Jane's Addiction, Jason and the Scorchers, Jerry Garcia Band, Jethro Tull, Joe Perry Project, King Gizzard and the Lizard Wizard, Neil Young, Phil Lesh, Ramones, REM, Santana, Slayer, Stevie Ray Vaughan, The Moody Blues, Vulgar Boatmen.Venues Mentioned: Alpine Valley (mentioned in connection with Iron Maiden), Champaign (general reference), Chicago Fest, Chicago Theater, International Amphitheater (mentioned in connection with Iron Maiden and Judas Priest), Las Vegas (mentioned in connection with Bobby Weir), Mabel's (venue in Champaign, mentioned in connection with Otis and the Elevators), Salt Shed (King Gizzard and the Lizard Wizard concert), Soldier Field (mentioned in connection with Chicago Fest with Stevie Ray Vaughan), UIC Pavilion. PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

“Christmas with C.S. Lewis” will play Broadway In Chicago's Broadway Playhouse at Water Tower Place for a limited engagement today through Sunday. David Payne, who plays C.S. Lewis, joins Brian and Aubrey for an interview. (Send us a message on social media @commongoodtalk for a special 50% discount code being offered through the C.S. Lewis Institute!) Follow The Common Good on Facebook, Twitter and Instagram Hosted by Aubrey Sampson and Brian From Produced by Laura Finch and Keith ConradSee omnystudio.com/listener for privacy information.

This weeks episode is another solo dolo. Had to talk about my experience opening for Nimesh Patel at the Chicago Theater. Also went over my first time getting drunk in utah, and my experience driving dirty in Utah.  This week is the return to the drunk videos, so go ahead and send me them funny drunk videos. Like comment and Subscribe, tell yo aunty and great grandma about the show.  Social media links https://www.patreon.com/Adrunkennightout  https://www.facebook.com/ADRUNKENNIGHTOUT https://www.facebook.com/Kendalehamlett https://www.instagram.com/kenhamlett/  https://www.youtube.com/channel/UCzHOZjx8yWynzKQocYLcL3Q  https://www.Bigblackshlongs.com  

Live From The Chicago Theater!  Today, this is what's important: Evanstan, floofy hair, Florida, Malort, aliens, Blake breaking his back, diarrhea, Instagram algorithms, Q&A, and more.See omnystudio.com/listener for privacy information.

Garry Peterson is a Canadian and American drummer who over the course of a iconic career spanning more then six decades is best known for: being a founding member and co-owner of the legendary Canadian rock band The Guess Who; performing with former Guess Who member Burton Cummings; and performing with Bachman Turner Overdrive during their support of Van Halen's 5150 Tour. For Garry, being a child prodigy meant success came at a very young age with his first professional gig by the age of four and by six he had already performed with Peggy Lee at the Chicago Theater in Chicago, IL. Similar gigs would following with the likes of Lionel Hampton, The Four Lands, and The Andrew Sisters to name a few.By sixteen, Garry had joined the Winnipeg band Al & The Silvertones; which over the next couple of years would transform itself into The Guess Who. As a member of The Guess Who, Garry has to his credit: fifteen albums that have charted on Billboard 200; fourteen singles that have charted on Billboard's Top 40, including two #1's; and three Gold Singles and three Gold Albums as certified by RIAA. Through The Guess Who, Garry has also been inducted in The Canadian Music Hall of Fame and received the Governor General's Performing Arts Award for Lifetime Artistic Achievement for contribution to popular music in Canada. Garry is also the only current or former member of The Guess Who that has performed on every single album and participated in every single tour over the course of the band's lengthy history.Thanks for listening!!! Please Follow us on Instagram @hiddentracks99

Kathleen opens the show drinking a State Wide Hazy Pale Ale from St. Louis's 4 Hands Brewery. She announces that the Chicago Cubs have invited her to throw out the 1st pitch at the game before her upcoming show at the Chicago Theater, and reminisces about all of the fun that she and her friends had traveling to Chicago to see Cardinals vs Cubs series as a teenager. QUEEN NEWS: Kathleen reports that Queen Taylor Swift shut down Long Beach Island over the weekend while attending Jack Antonoff's wedding rehearsal dinner, and Stevie Nicks made local headlines having her hair done at a local Kansas City salon before her Arrowhead Stadium show. “GOOD BAD FOOD”: In her quest for delicious not-so-nutritious food, Kathleen samples Terrell's Syracuse Style potato chips, and Ott's Ozark Recipe BBQ Sauce (made for Silver Dollar City.)UPDATES: Kathleen gives updates on Mandy Matney's forthcoming book “Blood On Their Hands,” MH370 debris is found in Madagascar, and Britney Spears has more marital drama.“HOLY SHIT THEY FOUND IT”: Kathleen is amazed to read about the discovery of a an 1,800-year-old coin at an after-school club in Germany.FRONT PAGE PUB NEWS: Kathleen shares articles on frequent fliers boycotting Southwest's new boarding change, the “Restaurant of Mistaken Orders” in Japan known for employing dementia patients, a huge backlog of 200 ships are stuck at the entrance of the Panama Canal, two drunk tourists are trapped overnight in the Eiffel Tower, and a man jumps off the top of the Mandarin Oriental in NYC and is split in half.LYRICAL BREAKDOWN: Kathleen compares the lyrical breakdown of Toto's “Africa” to Taylor Swift's “ Karma.”WHAT TO WATCH THIS WEEK: Kathleen recommends watching her new stand-up Special “Hunting Bigfoot” on Prime Video.ngSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Join us as we sit down with Lajé, a multi-talented music artist, songwriter, and entrepreneur. In this episode, Lajé shares her inspiring journey of achieving her long-standing goal of performing not once, but twice at the prestigious Chicago Theater. We delved into the challenges she faced while balancing a regular job with her creative pursuits, discussing how it often drained her creative energy. Lajé also reveals her latest venture, "The Genie Creative Studios," offering photography, videography, and podcast services. Additionally, we explore topics such as artist management, label dynamics, the pursuit of independence, and much more. Tune in for an enriching conversation filled with insights and experiences from Lajé's remarkable career. ----Connect With Us On Social Media ----- Instagram: ⁠⁠⁠⁠⁠⁠www.instagram.com/illanoizeradio⁠⁠⁠⁠⁠⁠ Twitter:⁠⁠⁠ ⁠⁠⁠twitter.com/illanoizeradio⁠⁠⁠⁠⁠⁠ Facebook: ⁠⁠⁠⁠⁠⁠www.facebook.com/illanoizeradio

Live from The Chicago Theater, Paul, June, and Jason discuss the 1996 fantasy adventure film The Adventures of Pinocchio starring Martin Landau and Jonathan Taylor Thomas. They talk about Geppetto and Pinocchio getting in a bathtub, donkey transformations, Pepe the talking cricket, and much more.HDTGM is going on tour! For tickets and info check out www.hdtgm.comFor more Matinee Monday content, check out Paul's Youtube pageHDTGM Discord: discord.gg/hdtgmPaul's Discord: https://discord.gg/paulscheerCheck out Paul and Rob Huebel live on Twitch (https://www.twitch.tv/friendzone) every Thursday 8-10pm ESTSubscribe to The Deep Dive with Jessica St. Clair and June Diane Raphael here: listen.earwolf.com/deepdiveSubscribe to Unspooled with Paul Scheer and Amy Nicholson here: listen.earwolf.com/unspooledCheck out The Jane Club over at www.janeclub.comCheck out new HDTGM merch over at https://www.teepublic.com/stores/hdtgmWhere to Find Jason, June & Paul:@PaulScheer on Instagram & Twitter@Junediane on IG and @MsJuneDiane on TwitterJason is Not on Twitter

It's bottoms up when Lovett or Leave It rolls into town for a show at the beautiful Chicago Theater. The Chicago Gay Men's Chorus reminds us we were born this way: tired and gay. Ali Barthwell does the Cell Block Tango with Trump's murderers' row of henchmen. Abby McEnany serves up the Gay News deep dish. A former Jane (Kim Quindlen) gives us hope in a post-Roe world. Ashley Ray and Lovett raise a shot glass to the Second City, and our Hot Takes are the only thing steamier than this humid Windy City summer.--Thanks to The Chicago Theatre and MSG Entertainment for hosting this week's show.

It's bottoms up when Lovett or Leave It rolls into town for a show at the beautiful Chicago Theater. The Chicago Gay Men's Chorus reminds us we were born this way: tired and gay. Ali Barthwell does the Cell Block Tango with Trump's murderers' row of henchmen. Abby McEnany serves up the Gay News deep dish. A former Jane (Kim Quindlen) gives us hope in a post-Roe world. Ashley Ray and Lovett raise a shot glass to the Second City, and our Hot Takes are the only thing steamier than this humid Windy City summer.--Thanks to The Chicago Theatre and MSG Entertainment for hosting this week's show.