Podcasts about To Dust

Watch This Episode On YouTubeEvery Sunday, I'll post a quick video -- and podcast -- about an indie film from at least a year ago. Today's film: TO DUST (2018).Director: Shawn SnyderWritten By: Shawn Snyder; Jason BegueCast: Matthew Broderick; Géza RöhrigSYNOPSISA Hasidic cantor in upstate New York, distraught by the untimely death of his wife, befriends a local community college biology professor and the two embark on an increasingly literal undertaking into the underworld.Watch This Episode On YouTubeSubscribe to our YouTube channelFollow us on LetterboxdFollow us on InstagramFollow us on XFollow us on FacebookFollow us on TikTokFollow us on LinkedInSubscribe to our YouTube channelSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

On the 448th episode of Piecing It Together, Eric Langberg joins me to talk about The Shrouds. The latest from David Cronenberg could be his last, and it would be a fitting end to a legendary career given the subject matter. Puzzle pieces include To Dust, Between The Temples, Her and Videodrome.As always, SPOILER ALERT for The Shrouds and the movies we discuss!Written by David CronenbergDirected by David CronenbergStarring Vincent Cassell, Guy Pearce, Diane KrugerSideshowEric Langberg is a film critic whose work can be read at SlashFilm, Bright Wall/Dark Room and on his own website Everything's InterestingCheck out Everything's Interesting at https://medium.com/everythings-interestingAnd Follow Eric on Twitter @ericanders.bsky.comMy latest David Rosen album MISSING PIECES: 2018-2024 is a compilation album that fills in the gaps in unreleased music made during the sessions for 2018's A Different Kind Of Dream, 2020's David Rosen, 2022's MORE CONTENT and 2025's upcoming And Other Unexplained Phenomena. Find it on Bandcamp, Apple Music, Spotify and everywhere else you can find music.You can also find more about all of my music on my website https://www.bydavidrosen.comMy latest music video is “Shaking" which you can watch at https://www.youtube.com/watch?v=wzm8s4nuqlAThe song at the end of the episode is "Forgot Along The Way" from my latest album Missing PIeces.Make sure to “Like” Piecing It Together on Facebook at http://www.facebook.com/PiecingPodAnd “Follow” us on Twitter @PiecingPodAnd Join the Conversation in our Facebook Group, Piecing It Together – A Movie Discussion Group.And check out https://www.piecingpod.com for more about our show!And if you want to SUPPORT THE SHOW, you can now sign up for our Patreon at https://www.patreon.com/bydavidrosenYou can also support the show by checking out our Dashery store to buy shirts and more featuring Piecing It Together logos, movie designs, and artwork for my various music projects at https://bydavidrosen.dashery.com/Share the episode, comment and give us feedback! And of course, SUBSCRIBE!And of course, don't forget to leave us a 5 star review on Goodpods, Apple Podcasts,...

On the 395th episode of Piecing It Together, Rabbi Lex Rofeberg joins me to talk about Between The Temples. Along with lots of great puzzle pieces we get into a lot of Jewish insights about this very jewish comedy. Puzzle pieces include Harold and Maude, A Serious Man, The Banshees of Inisherin and To Dust.As always, SPOILER ALERT for Between The Temples and the movies we discuss!Written by Nathan Silver and C. Mason WellsDirected by Nathan SilverStarring Jason Schwartzman, Carol Kane, Robert Smigel, Dolly de Leon, Carolin Aaron, Madeline WeinsteinSony Pictures Classicshttps://www.sonyclassics.com/film/betweenthetemples/Lex Rofeberg is a Rabbi, Jewish educator and host of Judaism Unbound Podcast.Check out Judaism Unbound at https://www.judaismunbound.com/Follow Lex on Twitter @lexaphusMy sixth album, MORE CONTENT is available NOW on iTunes, Bandcamp and all other digital music stores! Make sure to check it out!My latest music is the 24 for 2024 series in which I'm releasing a new single on the 1st and 3rd Fridays of every month in 2024. 24 new songs total. Follow along on the Spotify Playlist at https://open.spotify.com/playlist/4PDKoUQ1CoFpiogLu2Sz4D?si=3cb1df0dd0384968My latest music video “Burn" which you can watch at https://www.youtube.com/watch?v=UxKAWFm0gAoThe song at the end of the episode is from my jewish comedy rap group FA-COCK-TA!Make sure to “Like” Piecing It Together on Facebook at http://www.facebook.com/PiecingPodAnd “Follow” us on Twitter @PiecingPodAnd Join the Conversation in our Facebook Group, Piecing It Together – A Movie Discussion Group.And check out https://www.piecingpod.com for more about our show!And if you want to SUPPORT THE SHOW, you can now sign up for our Patreon at https://www.patreon.com/bydavidrosenYou can also support the show by checking out our Vouch store where we're selling a bunch of great products at https://vouch.store/piecingittogetherShare the episode, comment and give us feedback! And of course, SUBSCRIBE!And of course, don't forget to leave us a 5 star review on Goodpods, Apple Podcasts, Spotify, or Podchaser! And most important of all… Keep going to the theater to see new movies!Mentioned in this episode:Beetlejuice Beetlejuice Live ShowOur next live show is Thursday September 5th at Maya Cinemas on Beetlejuice Beetlejuice! More details and an enter to win contest

Presenting episode 112 of the Skwigly Animation Podcast! In this episode we welcome back director Robert Morgan, whose live-action/animation hybrid horror feature film 'Stopmotion' is released on Shudder this month. Starring Aisling Franciosi as haunted stop-motion animator Ella Blake alongside Stella Gonet and Tom York, Stopmotion is written by Robert Morgan with Robin King and recently enjoyed a festival run where it picked up the award for Best Director at Fantastic Fest and the Special Jury Award at Sitges. Filmed in live-action combined with Robert Morgan's signature brand of nightmarish puppet design and uncanny stop-motion animation, the film expands on a multi-award-winning legacy of (mostly) animated horror shorts that include The Man in the Lower Left Hand Corner of the Photograph, The Cat With Hands, The Separation, Invocation and Bobby Yeah, the latter picking up a BAFTA nomination for Animated Short in 2012. Morgan's body of work also includes contributions to YouTube phenomenon Don't Hug Me I'm Scared and the feature films The ABCs of Death 2 and To Dust, as well as the tribute films Belial's Dream and Tomorrow I Will Be Dirt, created for Arrow's BD releases of cult horror classics Basket Case and Schramm respectively. Also discussed: Festival reports from Anima Brussels, Animation Dingle and Cardiff Animation Festival, an overview of some of the exciting projects coming out of the Irish animation sector, 25 years of Cartoon Saloon, the BFI's upcoming 'Stop-Motion' season curated by Justin Johnson, 'Ren & Stimpy' reboot leaks and the bizarre fate of 'Coyote Vs. Acme'. Presented by Ben Mitchell and Steve Henderson Interview conducted by Ben Mitchell Edited, produced and music by Ben Mitchell

Ella Blake is a stop-motion animator who is struggling to control her demons after the loss of her overbearing mother. Suddenly alone in the world, she embarks upon the creation of a macabre new puppet film, which soon becomes the battleground for her sanity. As Ella's mind starts to fracture, the characters in her animated film take on a terrifying life of their own, and the unleashed power of her imagination threatens to destroy her. Anchored by a standout performance featuring actress Aisling Franciosi, the film is about a young stop-motion animator who is driven to the edge of sanity by her own creations. STOPMOTION also features Morgan's captivating yet frightening stop-motion animation, which heightens Aisling's performance of a grieving daughter who must grapple with her own demons. Director Robert Morgan (The Vandal, To Dust) joins us to talk about his background as an artist, his love of stop motion filmmaking and horror, working with a superb cast that includes Aisling Franciosi, Stella Gonet and newcomer Caolinn Springall, and his collaboration with co-writer Robin King. For more go to: ifcfilms.com/films/stopmotion

Join The Mighty Decibel for our specially curated look (listen?) at the best in doom metal for the year. Listen along and have all your hopes and dreams, along with your skull, crushed! We're all doomed!!! Side 1 (0:00) "Dwarvanaught": PETH - Merchant of Death (4:29) "Desert of Madness": 10,000 YEARS - III (11:05) "Return To Salem's Gate": EARLY MOODS - Early Moods (16:14) "Wish You Well": ERIC WAGNER - In The Light of Mourning (20:38) "Age of the Idiot": FREEDOM HAWK - Take All You Can Side 2 (24:34) "Desolation": VOLCANOVA - Cosmic Bullshit (28:05) "Parish": PARISH - Parish (33:42) "To Dust": YOUR HIGHNESS - RagBag Vol. 1 (39:21) "Return of the Warlords": WARLUNG - Vulture's Paradise (43:09) "Devil's Bride": PARALYZED - Heavy Road

David Moscow is the creator, executive producer, and host of From Scratch. David made his feature film debut at age thirteen in Big, starring as the young Tom Hanks; years later, he starred with Christian Bale in Newsies. He has appeared in dozens of films, television shows, and theater productions over a thirty-five year career. Most recently, David founded the production company UnLTD Pictures. He has executive produced more than twenty feature films, including Under the Silver Lake, To Dust, Strawberry Mansion, and Wild Nights with Emily. David develops mixed-income sustainably green apartment buildings. He lives in Los Angeles with his wife and children. http://discoverfromscratch.com   JJ Flizanes is an Empowerment Strategist and the host of several podcasts including People's Choice Awards nominee Spirit, Purpose & Energy. JJ Flizanes works with conscious, spiritual truth seekers who want to remove emotional blocks to success. She helps people identify sabotaging patterns and transmute struggle into joy. Through a series of clarifying exercises, she is able to curate a personalized roadmap to emotional healing.  JJ is passionate about empowering people with the knowledge and awareness of how they can live the life of their dreams. http://jjflizanes.com  

David Moscow is the creator, executive producer, and host of From Scratch. David made his feature film debut at age thirteen in Big, starring as the young Tom Hanks; years later, he starred with Christian Bale in Newsies. He has appeared in dozens of films, television shows, and theater productions over a thirty-five year career. Most recently, David founded the production company UnLTD Pictures. He has executive produced more than twenty feature films, including Under the Silver Lake, To Dust, Strawberry Mansion, and Wild Nights with Emily. David develops mixed-income sustainably green apartment buildings. He lives in Los Angeles with his wife and children. http://discoverfromscratch.com   JJ Flizanes is an Empowerment Strategist and the host of several podcasts including People's Choice Awards nominee Spirit, Purpose & Energy. JJ Flizanes works with conscious, spiritual truth seekers who want to remove emotional blocks to success. She helps people identify sabotaging patterns and transmute struggle into joy. Through a series of clarifying exercises, she is able to curate a personalized roadmap to emotional healing.  JJ is passionate about empowering people with the knowledge and awareness of how they can live the life of their dreams. http://jjflizanes.com  

David Moscow is the creator, executive producer, and host of From Scratch. David made his feature film debut at age thirteen in Big, starring as the young Tom Hanks; years later, he starred with Christian Bale in Newsies. He has appeared in dozens of films, television shows, and theater productions over a thirty-five year career. Most recently, David founded the production company UnLTD Pictures. He has executive produced more than twenty feature films, including Under the Silver Lake, To Dust, Strawberry Mansion, and Wild Nights with Emily. David develops mixed-income sustainably green apartment buildings. He lives in Los Angeles with his wife and children. http://discoverfromscratch.com   JJ Flizanes is an Empowerment Strategist and the host of several podcasts including People's Choice Awards nominee Spirit, Purpose & Energy. JJ Flizanes works with conscious, spiritual truth seekers who want to remove emotional blocks to success. She helps people identify sabotaging patterns and transmute struggle into joy. Through a series of clarifying exercises, she is able to curate a personalized roadmap to emotional healing.  JJ is passionate about empowering people with the knowledge and awareness of how they can live the life of their dreams. http://jjflizanes.com  

David Moscow is the creator, executive producer, and host of From Scratch. David made his feature film debut at age thirteen in Big, starring as the young Tom Hanks; years later, he starred with Christian Bale in Newsies. He has appeared in dozens of films, television shows, and theater productions over a thirty-five year career. Most recently, David founded the production company UnLTD Pictures. He has executive produced more than twenty feature films, including Under the Silver Lake, To Dust, Strawberry Mansion, and Wild Nights with Emily. David develops mixed-income sustainably green apartment buildings. He lives in Los Angeles with his wife and children. http://discoverfromscratch.com   JJ Flizanes is an Empowerment Strategist and the host of several podcasts including People's Choice Awards nominee Spirit, Purpose & Energy. JJ Flizanes works with conscious, spiritual truth seekers who want to remove emotional blocks to success. She helps people identify sabotaging patterns and transmute struggle into joy. Through a series of clarifying exercises, she is able to curate a personalized roadmap to emotional healing.  JJ is passionate about empowering people with the knowledge and awareness of how they can live the life of their dreams. http://jjflizanes.com  

David Moscow is the creator, executive producer, and host of From Scratch. David made his feature film debut at age thirteen in Big, starring as the young Tom Hanks; years later, he starred with Christian Bale in Newsies. He has appeared in dozens of films, television shows, and theater productions over a thirty-five year career. Most recently, David founded the production company UnLTD Pictures. He has executive produced more than twenty feature films, including Under the Silver Lake, To Dust, Strawberry Mansion, and Wild Nights with Emily. David develops mixed-income sustainably green apartment buildings. He lives in Los Angeles with his wife and children. http://discoverfromscratch.com   JJ Flizanes is an Empowerment Strategist and the host of several podcasts including People's Choice Awards nominee Spirit, Purpose & Energy. JJ Flizanes works with conscious, spiritual truth seekers who want to remove emotional blocks to success. She helps people identify sabotaging patterns and transmute struggle into joy. Through a series of clarifying exercises, she is able to curate a personalized roadmap to emotional healing.  JJ is passionate about empowering people with the knowledge and awareness of how they can live the life of their dreams. http://jjflizanes.com  

David Moscow is the creator, executive producer, and host of From Scratch. David made his feature film debut at age thirteen in Big, starring as the young Tom Hanks; soon after, he starred with Christian Bale in Newsies. He has appeared in dozens of films, television shows, and theater productions over a thirty-five year career. Most recently, David founded the production company UnLTD Pictures. He has executive produced more than twenty feature films, including Under the Silver Lake, To Dust, Strawberry Mansion, and Wild Nights with Emily. He also directed the thriller Desolation. David currently lives in LA with his family—and develops mixed-income sustainably green apartment buildings in NYC.Jon Moscow is David's father, creative partner, and a writer on From Scratch. He is co-executive director of Ethics in Education Network and co-host of the Ethical Schools podcast (ethicalschools.org). He actively works to support asylum seekers with housing and links to social services. He has a BA in International Studies from Reed College and a master's degree from Bank Street College of Education. He and David's mother, Pat, live in Teaneck, NJ, with a Shih-Tzu named Niki.They just wrote a book together called: From Scratch: Adventures in Harvesting, Hunting, Fishing, and Foraging on a Fragile PlanetBuy the book here. A note from Lev:I am a high school teacher of history and economics at a public high school in NYC, and began the podcast to help demystify economics for teachers.  The podcast is now within the top 2% of podcasts worldwide in terms of listeners (per Listen Notes) and individual episodes are frequently listed by The Syllabus (the-syllabus.com) as among the 10 best political economy podcasts of a particular week.  The podcast is reaching thousands of listeners each month.  The podcast seeks to provide a substantive alternative to mainstream economics media; to communicate information and ideas that contribute to equitable and peaceful solutions to political and economic issues; and to improve the teaching of high school and university political economy. I am looking to be able to raise money in order to improve the technical quality of the podcast and website and to further expand the audience through professionally designed social media outreach. I am also hoping to hire an editor. Best, LevDONATE TODAY

Matthew Broderick is currently appearing opposite his wife, Sarah Jessica Parker, in the hit Broadway revival of Neil Simon's Plaza Suite. He made his stage debut at 17 in Horton Foote's On Valentine's Day (opposite his father, James Broderick), and quickly became one of the most respected and beloved actors of his generation.  Broadway credits include Brighton Beach Memoirs (Tony, OCC, Theatre World awards), Biloxi Blues, How to Succeed in Business... (Tony, DD, OCC awards), Night Must Fall, Taller Than a Dwarf, The Producers (Tony, DD, OCC nominations) The Foreigner, The Philanthropist, The Odd Couple, Nice Work If You Can Get It, Sylvia and It's Only a Play. Off-Broadway, Mr. Broderick has appeared in The Seafarer, The Closet, Evening at the Talk House, Shining City (Obie Award), Torch Song Trilogy (OCC, Villager awards), The Widow Claire, and in the recent London production of The Starry Messenger. Selected film and television credits include: Max Dugan Returns, WarGames, 'Master Harold'...and the Boys, Ladyhawke, On Valentine's Day, Ferris Bueller's Day Off, Biloxi Blues, Glory, The Freshman, A Life in the Theater, The Lion King, The Cable Guy, Infinity, Election, You Can Count on Me, Wonderful World, The Music Man, Margaret, Tower Heist, Rules Don't Apply, Manchester by the Sea and To Dust. Mr Broderick will next be seen in Painkiller for Netflix. Photo credit: Tawni Bannister

Ash Wednesday Homily: From Dust and To Dust by Rev. Alex Arthurs

Alessandro Nivola's career trajectory is proof that artists, especially actors, must continue to adjust ambitions and dream big. On first the stage and then the screen, Alessandro carved out a character actor niche, morphing into roles “very unlike” himself, as he tells Backstage. “It's part of staying alive, always having new cravings and goals and longings.... One has to battle those feelings on some level and try and feel grateful for what you have.” A Boston native who studied acting at regional theaters and as an undergrad at Yale University, Alessandro fulfilled his dreams of a stage career as a young adult, award-nominated for his Broadway debut opposite Helen Mirren in “A Month in the Country.” After watching his theater peers cross over to Hollywood, he did the same with “Face/Off,” and appeared in “Laurel Canyon,” “Junebug,” “Selma,” “A Most Violent Year,” “The Wizard of Lies,” “Disobedience,” and in many more character roles. Tony-nominated for “The Elephant Man” and a SAG Award winner for “American Hustle,” he also runs the company behind “Doll & Em” and “To Dust,” King Bee Productions, with his wife, actor Emily Mortimer. Alessandro now stars as Dickie Moltisanti, one of his first leading roles, in Warner Brothers' new prequel to “The Sopranos” from David Chase, “The Many Saints of Newark.” Read more about the buzzy film at backstage.com: https://bit.ly/3a3CbSo --- Backstage has been the #1 resource for actors and talent-seekers for 60 years. In the Envelope, Backstage's podcast, features intimate, in-depth conversations with today's most noteworthy film, television, and theater actors and creators. This is your guide to every aspect of acting, from voiceover and commercial work to casting directors, agents, and more. Full of both know-how and inspiration, In the Envelope airs weekly to cover everything from practical advice on navigating the industry, to how your favorite projects are made, to personal stories of success and failure alike. Join host Jack Smart, Awards Editor at Backstage, for this guide on how to live the creative life from those who are doing it every day: https://bit.ly/2OMryWQ Follow Backstage and In the Envelope on social media: - https://www.facebook.com/backstage - https://www.twitter.com/backstage - https://www.twitter.com/intheenvelope - https://www.instagram.com/backstagecast Looking to get cast? Subscribe here: www.backstage.com/subscribe Browse Backstage casting listings: https://bit.ly/3mth68e Check out our community-driven virtual programming, The Slate: https://bit.ly/2WDNXf0 Backstage stands in solidarity with the Black Lives Matter movement: https://bit.ly/3cuMBt5 Special thanks to... - Host: Jack Smart - Producer: Jamie Muffett - Social media: Katie Minard - Design: Mark Stinson, Caitlin Watkins - Additional support: Christine McKenna-Tirella, Kasey Howe, Samantha Sherlock, Benjamin Lindsay, Oriella St. Louis

Pure Harvest's new range of delicious nut milks are available in three dairy-free flavours: Nut Bliss, Lust Almond, and Creamy Cashew, you'll never have to worry about having ordinary milk again.Today's guest was in my eyes the leading charge in the female entrepreneurial space - she paved the path to success sharing the highs and lows while empowering other females t think big, be bold and chase their dreams.I'm thrilled to be joined by Samantha Wills, who at just 21 years of age, foundered her self-titled jewelry company. Like many great success stories, it was humble beginnings for Samantha who started making jewelry from her kitchen table and selling them at Bondi markets before she made her first big break at Australian Fashion Week in 2004.Making her first million at 26 years old, Samantha was quickly thrown into the spotlight with the world watching on as her jewelry was worn and loved by some of the world's biggest names including Rihanna, Taylor Swift and Pink.Today, she is the author of To Gold and Dust, a book that documents why in 2019 she suddenly decided to close her multi-million dollar global business as well as providing readers with a raw and honest insight into her private life journey thus far.Samantha Wills is now a household name, the iconic jewelry brand that took the world by storm will be remembered for generations to come and as you will hear throughout this nourishing chat, Samantha's lessons, experiences and insights will continue to shape and influence entrepreneurs for years to come.We chat about creative burnout, imposter syndrome, and how listening to your intuition is one of our strongest superpowers.Thanks to Pure Harvest for making this episode possible. NOM Milks are available from selected leading independent supermarkets and health food stores Australia-wide.Checkout Pure Harvest full range of natural and organic products: https://pureharvest.com.au/Follow Samantha: https://www.instagram.com/samanthawillsGet a copy of Samantha's new book, To Dust & Gold: https://samanthawills.com/bookFollow your host, Madelyn: https://www.instagram.com/madelyncarafaFor all podcast updates and guest, announcements follow: https://www.instagram.com/thehealthyhustlersJoin me and other hustling females in our supportive Facebook Community: https://www.facebook.com/groups/288287145154102Download your FREE HEALTHY GUIDES: https://www.thehealthyhustlers.com/healthy-guide

Welcome to The B-Side, from The Film Stage. Here we talk about movies stars! Not the movies that made them famous or kept them famous, but the ones that they made in between. And today we talk to the one-and-only Alessandro Nivola, a star who has played every manner of character in his illustrious, nearly twenty-five year film career. Conor and Dan were lucky enough to speak with Nivola about his entire filmography, while focusing specifically on: Love's Labour's Lost, Ginger & Rosa, and Disobedience. We discuss his big break on Broadway in the mid-90s, his break on the silver screen as Pollux Troy in Face/Off, how many thought he was from the United Kingdom for a good long while, and that part of Jurassic Park III. We also bring up a solid indie dramedy he produced called To Dust, his new show Black Narcissus on FX, and his starring role in the upcoming, much-anticipated The Many Saints of Newark. This a frank, funny conversation that we were beyond grateful to be a part of. You will hear a lot about process, opportunity, and the movie Timecode. Be sure to give us a follow on Twitter and Facebook at @TFSBSide. Also enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. We are also now on Spotify and Stitcher. Enjoy!

Welcome to The B-Side, from The Film Stage. Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between. And today we talk to the one-and-only Alessandro Nivola, a star who has played every manner of character in his illustrious, nearly twenty-five-year film career. Conor and I were lucky enough to speak with Nivola about his entire filmography, while focusing specifically on: Love's Labour's Lost, Ginger & Rosa, and Disobedience. We discuss his big break on Broadway in the mid-90s, his break on the silver screen as Pollux Troy in Face/Off, how many thought he was from the United Kingdom for a good long while, and that part of Jurassic Park III. We also bring up a solid indie dramedy he produced called To Dust, his new show Black Narcissus on FX, and his starring role in the upcoming, much-anticipated The Many Saints of Newark. This a frank, funny conversation that we were beyond grateful to be a part of. You will hear a lot about process, opportunity, and the movie Timecode.

Ariel Marx is a composer, multi-instrumentalist, and Sundance Film Music and Sound Design Lab fellow who has scored films like The Tale, To Dust, and Edward James Olmos’ The Devil Has a Name.This episode, we premier Ariel’s new piece “Somnambulist,” and discuss short films, composing with the violin, and sleepwalking.Somnambulistwritten & performed by Ariel Marx

On the 139th episode of Piecing It Together, Jason Harris from Awesome Movie Year returns to the podcast to cover a movie we mentioned in our August 2020 Trailers Special Episode, the Seth Rogen star vehicle An American Pickle. It's very jewy, but unfortunately not very good. But we had a great time talking about it. Puzzle pieces include Adaptation, To Dust, Borat and Being There.

To Dust (2018) This 2018 film, directed by Shawn Snyder, stars Géza Röhrig and Matthew Broderick, in a dramedy that explores the messiness of grief and loss. In this solo, quarantine episode, Aaron name-checks an ancient rabbinic commentary, shoe horns it into a discussion of his life, but fails to do so regarding the movie.    Next Time and Thank You Additional episodes will be forthcoming eventually, but my family is welcoming an new child into the ranks, so that is likely to slow things down even further. Thank you as always to the Klezmer Rebs for letting us play their music as our intro and outro! Check out their unique brand of klezmer on their website and bandcamp pages!

Hi everyone! We’re closing out the week with another entry in our series, Under the Kanopy. Kanopy is a library and university funded streaming service that grants card holders six free streams a month, featuring a combination of classic, mainstream, independent, and international films. They currently have streaming deals with some of our favorite distributors, like A24 and Kino Lorber, which offer the critically acclaimed, if not commercially successful films. Today’s film deals with grief in unexpectedly funny ways, while also exploring some of the weirder relationships between faith and science. My review of TO DUST will be up in a minute. Before the review, we’ll have a promo from our good friends Aicila and Erik at Bicurean. Every episode, they explore a different topic, looking for the underlying issues, and finding common ground whenever possible. You can find them on Twitter, Facebook, and Instagram @bicurean, or check them out at bicurean.com. Be sure to like, follow, rate, and subscribe! They’ve been huge supporters of One Movie Punch over the past year, and we cannot recommend them enough! A promo will run before the review. Subscribe to stay current with the latest releases. Contribute at Patreon for exclusive content. Connect with us over social media to continue the conversation. Here we go! ///// > ///// Today’s movie is TO DUST(2018), the melancholic dramedy directed by Shawn Snyder and written for the screen in collaboration with Jason Begue. In Upstate New York, a Hasidic cantor named Shmuel (Géza Röhrig), has lost his wife, leaving him alone with his kids Naftali (Sammy Volt) and Noam (Leo Heller). Struggling to make sense of his situation, he seeks out a community college professor named Albert (Matthew Broderick), who finds himself helping Shmuel with a bizarre experiment in an effort to help Shmuel process his grief. No spoilers. Earlier this week, I reviewed BREAKTHROUGH (Episode #712), which was a film targeted towards evangelical Christians and with a particular evangelical mission, as told through a boy almost drowning. One of the insights I had in writing that review is that the very elements that appeal to evangelical Christian film’s core audience, which is to say other evangelical Christians, are the very elements that often turn away the non-evangelical audience. Everything is generally very certain in the storytelling. There are no gray areas. And there is only darkness if there is also redemption. It generally feels ham-handed and a little overtly judgmental of undesirable viewpoints or conflicting ideas. There’s a specific worldview, generally a Creationist one, and one that can be manipulated through faith and miracles. And if you don’t buy into that, it’s hard to accept the rest of the story. By contrast, films about the Jewish community always seem more integrated into the world as it is. Perhaps that comes from a long history of being a diasporic community, learning to live among other cultures, sometimes peacefully, sometimes under devastating oppression going back to the Middle Ages, and sometimes now as the oppressor as seen in the Middle East. The viewer is generally asked to accept the world as it is, or as we have come to know it scientifically and socially, and the story is told against that backdrop. I’ve also found a lack of certitude in the storytelling, one that doesn’t seek to provide answers as to ask questions. Of course, this is in addition to exploring themes common to most spiritual practices, like faith and reason, life and death, love and loss, and our place in the larger community. We’re not sure if we’re getting miracles, or even answers, and that’s where we find Shmuel, right in the opening scene as he’s saying goodbye to his wife. Shmuel is part of the ultra-Orthodox sect of Hasidic Judaism, which arose as a revivalist movement in Western Ukraine during the 18thCentury, adopting a number of specific religious and social customs. Among the larger Jewish population, roughly 15 million worldwide, the Hasidic community is a small percentage of that population, about 130,000 households. They are also a more insulated community, generally handling matters internally, which has caused them to come under fire from accusations of domestic abuse. For more information, check out the Netflix documentary ONE OF US, which speaks to some women who have left the community, often at great expense. Or for a more transgressive criticism, check out my review for DISOBEDIENCE (Episode #248). I was actually worried this film might be another criticism of the Hasidic community, but TO DUST thankfully does not address these darker issues, and that’s definitely part of the film’s charm. The good news is that Shmuel is definitely not an abuser. He’s a cantor for his local community, a devoted father, and up until his wife’s untimely death, a loving husband. Moreover, Shmuel is played by Géza Röhrig, a Hungarian poet and actor, who is a convert to Hasidism, which allows him to understand the world both inside the community and from the outside looking in. Röhrig’s portrayal of Shmuel becomes our gateway into the Hasidic community of upstate New York, full of seemingly alien customs which Snyder highlights as part of the film, without any overt explanation or messaging. We might not understand everything happening, but we understand its meaning to Shmuel in the larger community. His awkward encounters with the larger community are often filled with playful comedy, the kind that comes from miscommunications and blissful ignorance. And most importantly, we get to see that even the ultra-religious have crises of faith, which is where the story really takes off. Like everyone, Shmuel is looking for answers, and when he is unsatisfied with the answers from his own community, he looks outside, ending up in the classroom of a science professor named Albert, who is ironically unsatisfied with his own life teaching students who obviously don’t care. Each ends up turning to the other to find meaning in their life, an obvious representation of faith and science attempting to solve the problem of Shmuel’s grief. The darkly comedic part of this film is the source of his grief. Shmuel is obsessed with knowing when his wife’s body will be fully decomposed, and Albert unwittingly finds himself conducting a series of experiments to help him understand the process, each of which gets darker and more surreal, and eventually ends in a very unexpected, extremely cathartic place. The two work well together on screen, even if the story remains focused on Shmuel when they’re not together. In addition to the great story and excellent performances, Snyder does a great job framing key scenes, finding a nice color pattern and muted filters to create a consistent picture. The film has a nice mix of stoner rock, especially when Albert’s on screen, and an excellent score by multi-instrumentalist Ariel Marx. Sets and locations are all well-chosen and well-framed. Everything really comes together in the end, for an impressive debut feature film from Shawn Snyder. I sincerely hope he has more features in store. TO DUSTis a very poignant look at faith and reason, and life and death, masquerading as a surreal buddy comedy. The film has its strengths in its story and its performances, but is also carried by great production design, a wonderful soundtrack, and an impressive score from Ariel Marx. Drama fans, especially for films about grief and the grieving process, will definitely enjoy this film, as well as anyone looking for a peek into the less controversial side of the Hasidic community. Everyone else, just know going in that it will have a lot of heady discussion at times, as the subject matter demands. Rotten Tomatoes: 88% (CERTIFIED FRESH) Metacritic: 66 One Movie Punch: 8.6/10 TO DUST (2018) is rated R and is currently playing on Amazon Prime, Hoopla, VUDU, and Kanopy.

Hi everyone! Welcome back for another week of reviews! Tonight’s the big night! The 92nd Academy Awards will be held today at 5:00pm PST, and we’ll see just how the Academy distributes their praise. We’re also catching up on a number of Oscar nominees this week, including today’s review for one of the more insightful documentaries from last year, and an Oscar nominee for Best Documentary Feature. I’ll be up in a minute with my thoughts on 2019’s THE EDGE OF DEMOCRACY. Be sure to stay tuned with us all week! Tomorrow I’ll be reviewing perhaps the most unknown of the nominees, 2019’s BREAKTHROUGH, which is not my usual cup of tea. On Tuesday, Jon-David returns with his review of 2019’s MALEFICENT: MISTRESS OF EVIL. On Wednesday, I’ll be reviewing a low-budget adaptation of an H.P. Lovecraft story, in a film titled THE DARK SLEEP. On Thursday, Keith Lyons returns with his review of Oscar nominee HONEYLAND. On Friday, Andrew has another Fantastic Fest offering, this time a challenging and thought-provoking French film. And on Saturday, I’ll be reviewing TO DUST, a dark comedy about dealing with loss, as part of our Under the Kanopy series. Over on our Patreon page, at patreon.com/onemoviepunch, we just put up our full interview with writer/director Alex Goldberg, where we discuss his low-budget daytime noir film CLOSURE (2019), starring his spouse Catia Ojeda. We also talk about his extensive work as a playwright and what it’s like working with your spouse. The interview will be publicly available for a limited time, but you can maintain access by contributing to One Movie Punch at any level. All contributors become eligible for Sponsor Sundays, where you can force me to review a film for the podcast, as long as we haven’t reviewed it, with just a few exceptions. Check back next week for a Sponsor Sunday episode reviewing 2008’s THE DARK KNIGHT, thanks to the generosity of the Ocho Duro Parlay Hour. A promo for Sponsor Sundays will run before the review. Subscribe to stay current with the latest releases. Contribute at Patreon for exclusive content. Connect with us over social media to continue the conversation. Here we go! ///// > ///// Today’s movie is THE EDGE OF DEMOCRACY(2019), the political documentary directed by documentarian Petra Costa, and written for the screen in collaboration with Carol Pires, David Barker, and Moara Passoni. The film reviews the rise and the current fall of Brazilian democracy, looking at how media moguls divided the population in two, which allowed a far-right government to take power, all from Costa’s unique perspective and with her unique access to top government officials. No spoilers. About a year ago, I had to stop taking in the daily news. I used to listen to two plus hours of news, mostly Democracy Now and The Intercept, along with a handful of commentary shows, and a couple anarcho-communist podcasts specifically about community organization and resistance. I was a political animal, tracking elections, major news stories, evaluating sources, and coming to three very clear conclusions: (1) we spend way too much on the military and not enough on social programs; (2) massive wealth inequality, if not addressed, will become a massive social flashpoint; and (3) if we don’t address the impending climate collapse in due time, our entire civilization will be put at risk. All of these conclusions come from a combination of scientific consensus and common sense, but this reality-based outlook has been under assault by the billionaires who control most of our media. And most people are media illiterate, generally believing that media literacy is hearing a bunch of different opinions and making up your own mind. Very few people will take the time to consider the sources, sift through rhetoric, examine data, and all the other parts of media literacy. Very few people also acknowledge that their favorite news programs have billionaire-driven agendas, or at the very least, advertising-driven agendas. Cable news is a for-profit venture, and we should all be careful, regardless of political persuasion. Once you realize that, listening to the stories their channels choose to cover becomes nauseating, across the spectrum. Especially when they unjustly stoke the flames of social unrest through creating divisions. It’s why I still mostly rely on the fact-based journalism of Democracy Now and The Intercept, both of which are featured heavily in today’s documentary, even if they have a so-called “left-leaning slant”. It’s also why watching THE EDGE OF DEMOCRACY is so important, because Petra Costa documents the very destructive power of the media in Brazil, which could easily be a template for similar governmental takeovers. I came into THE EDGE OF DEMOCRACY with a distinct advantage over most people, given my past media consumption. Costa calmly lays out all the major events, from the first fights for democracy by her parents under the US-backed military dictatorship, all the way to the present day. Most of the major events featured in the documentary were stories I heard live on Democracy Now as they happened. And each of those major events, at the time, came with a host of political analysis from journalists and pundits, most of which are arguing comfortably from studios for a mostly myopic audience. Each event is generally taken out of its important context, and abstracted into some argument about “liberty” or “freedom”, usually with more than a few lies from the more deceptive news outlets. The real value of Costa’s work is that it places all of these individual events back into their necessary context. Lula isn’t reduced to some alleged criminal politician, but also a long-time labor organizer who brought in Brazil’s great economic prosperity through sensible policies. Dilma Rouseff isn’t just another alleged criminal politician, but a former revolutionary who endured torture at the hands of the military dictatorship. We don’t get the headlines that shocked the populace and the world; we get the actual trumped-up charges and corrupt actions of politicians and judges. We get a full, complete, and consistent story – which completely shreds nearly all the mainstream political analysis in the United States. THE EDGE OF DEMOCRACY may not be able to stop the rapid descent into Brazilian fascism, but it will serve as an important addition to the historical record. THE EDGE OF DEMOCRACY should also serve as a warning tale for our own political situation in the United States. Just as media literacy requires much more than evaluating opinions, media criticism needs to be a lot more than simply calling things “fake news”. I am most definitely an advocate for both freedom of speech and freedom of the press, but I am not an advocate for the ability to lie, whether directly or by omission. The United States used to have a fairness doctrine in place for the media, but that was mostly revoked under Reagan, which gave rise to the cable news of today. They yield enormous power, can drive public opinion, and receive regular injections of capital every four years from our election process. I don’t want to disband the press, or censor anyone, but a re-instatement of the fairness doctrine would be a good first step towards bringing sanity back to our new media. Towards the end of THE EDGE OF DEMOCRACY, and as we get closer to the present day, we see the full force of the Brazilian media begin demanding that corruption is rooted out from the Brazilian government. We see their readership rise and their pundits get more air time, and government officials compromising themselves and their colleagues to survive the bloodletting. We see the same kind of political power of the press in the United States, because conflict sells. We also see the power of billionaires buying advertisements on those same stations and papers, which lead to stories attacking progressive populist candidate Bernie Sanders. And rest assured, those same media outlets will attempt to have a field day with Sanders should he win the presidency, likely using the same tactics documented in THE EDGE OF DEMOCRACY, because his policies run counter to their bottom lines. We need to be literate and critical if we want to prevent what happened in Brazil from happening here, assuming it’s not already too late. THE EDGE OF DEMOCRACY is a powerful documentary that documents the rise and near collapse of Brazilian democracy, from the revolution against the dictatorship through the present rise of the far-right fascist government. While expertly placing each major event into a consistent context, the film also serves as a warning tale for other media-driven societies, and a plea for real media literacy and criticism. Documentary fans, or folks who want a succinct, if depressing look at recent Brazilian politics, should definitely check out this film. Rotten Tomatoes: 97% Metacritic: 81 One Movie Punch: 8.5/10 THE EDGE OF DEMOCRACY (2019) is rated TV-14 and is currently playing on Netflix.

The Band's Visit (2007) This 2007 film, directed by Eran Kolirin and starring Sasson Gabai, as well as the late Ronit Elkabetz, is the basis for the acclaimed Broadway musical currently touring the country. This is a lovely, quiet film that generally lives up to the hype around it. Do you agree?     Next Time and Thank You Next time, we'll be watching To Dust (2018), a recent film that looks as if it will be an extended meditation on death and loss (subjects that the films we've watched have touched on before). I plan on reading "Thanatopsis" to prepare. Thank you as always to the Klezmer Rebs for letting us play their music as our intro and outro! Check out their unique brand of klezmer on their website and bandcamp pages!

MMOW reviews 6 Underground, In Fabric, Watchmen, The Mandalorian & Climax. We react to the new scores for Star Wars: The Rise Of Skywalker & Cats before our reviews. Plus, there’s a bunch of new trailers to get excited about for A Quiet Place 2, Top Gun: Maverick, etc. What is This Show - 1:10 WHAT WE’RE WATCHING: 6 Underground Review - 2:00 In Fabric Review - 6:19 AlsoMike - 9:15 (Watchmen s1; Climax; Linda Ronstandt: The Sound of My Voice; The Mandalorian e6+7; To Dust) See, Buy, Skip - 16:55 Mike1 - 17:41 (Survivor Drama; The Confession Killer; Schmoedown Spectacular; Around the Wrestling World; Is NBC Magic?) #SIXDEGREESOFMMO: Recap and Awards - 25:22 Winner + New Challenge - 33:28 BOX OFFICE UPDATE: Last Week’s Top 5 Recap - 37:14 Uncut Gems Has Done Amazing - 42:00 Star Wars Is Disliked, But Profitable - 43:20 TRAILER THOUGHTS: A Quiet Place II Teaser Trailer - 44:33 Top Gun Maverick Trailer 1 - 45:53 Onward Trailer 3- 47:33 Saint Maud Trailer 1 - 50:08 Emma Trailer 2 - 53:57 Promising Young Woman Trailer 1 - 56:20 DO YOU CARE (About…): This Week’s New Releases - 59:36 First Reactions To Episode IX - 1:02:10 (or Mike1 Says JJ Abrams Reaps What He Sows) Kevin Feige Teases Next Avengers Stage - 1:08:25 Cats First Reactions - 1:09:37 Tarantino Could’ve Done Halloween 6 - 1:11:16 Yorgos’ Next Movie Announced - 1:13:15 Your Homework/PLEASE LEAVE US 5*’S - 1:15:00 What’s Next From MMO/Words of Wisdom - 1:16:06 We got MMOW into the middle of your week! Well, for this one at least. Hopefully, the Wednesday / Thursday spot will continue going forward, but we certainly enjoyed it now because we had a ton of cool stuff to discuss, most notably, the first reactions to Star Wars & Cats. What We’re Watching reviews 6 Underground & In Fabric together. Then Also Mike reviews Climax, Watchmen, The Mandalorian, Linda Ronstadt: The Sound Of My Voice, & To Dust. Mike 1 also weighs in on Survivor, The Confession Killer, The Schmoedown Spectacular, the state of all things wrestling, and his most recent binge watch of The Office. #SixDegreesOfMMO is spectacular as usual, and we offer up another challenge. There’s a box office update, plus a new projections segment that discusses what Star Wars might take in during its opening weekend. We discuss trailers for A Quiet Place 2, Top Gun: Maverick, Onward, Saint Maud, and Promising Young Woman. A24 and Focus Features continue their momentum of great filmmaking from 2019, and Mike 1 identifies one of his favorite new trailers of the year. Then we close out the episode with a DYC that previews the next week of Christmas season theatrical releases & streaming options, including Little Women, The Two Popes, & 1917. You also get our takes on news stories like the first reactions to Star Wars & Cats, Quentin Tarantino’s Halloween, the next big team up in the Marvel Cinematic Universe, and an upcoming film from Yorgos Lanthimos. If you enjoyed this episode of MMOW, please take a few moments to leave us a 5 star review on Apple Podcasts. Just click on our show icon, scroll down a few seconds, and do click that fifth star. Do send us your next wave of responses to #SixDegreesOfMMO and as always, we wanna know your thoughts on anything or everything we discussed in this MMOW. We’re @MMandOscar on Twitter, and we are on Instagram, Facebook, Reddit, and Gmail. You can subscribe / rate / review / like / share / & listen to us on iTunes, Soundcloud, Stitcher, Google Play, Tune In, Spotify, and just about wherever you listen to podcasts. When reality sucks, keep watching movies with us. We’re Mike, Mike, & Oscar!

In the City of Sharn, full of commonplace magic, subtle powers, and ruthless criminals, One small inquisitive agency tries to scratch out a living uncovering truth for anyone who’s willing to pay. The changeling Witz and the warforged Sevens are imperfect people in a city of perfect chaos. Will they bring justice to the city? Or will they find themselves torn apart by sinister forces? Find out, on To Ashes, To Dust; a Sharn Inquisitive Podcast.  

In the City of Sharn, full of commonplace magic, subtle powers, and ruthless criminals, One small inquisitive agency tries to scratch out a living uncovering truth for anyone who’s willing to pay. The changeling Witz and the warforged Sevens are imperfect people in a city of perfect chaos. Will they bring justice to the city? Or will they find themselves torn apart by sinister forces? Find out, on To Ashes, To Dust; a Sharn Inquisitive Podcast.

In the City of Sharn, full of commonplace magic, subtle powers, and ruthless criminals, One small inquisitive agency tries to scratch out a living uncovering truth for anyone who’s willing to pay. The changeling Witz and the warforged Sevens are imperfect people in a city of perfect chaos. Will they bring justice to the city? Or will they find themselves torn apart by sinister forces? Find out, on To Ashes, To Dust; a Sharn Inquisitive Podcast.

In the City of Sharn, full of commonplace magic, subtle powers, and ruthless criminals, One small inquisitive agency tries to scratch out a living uncovering truth for anyone who’s willing to pay. The changeling Witz and the warforged Sevens are imperfect people in a city of perfect chaos. Will they bring justice to the city? Or will they find themselves torn apart by sinister forces? Find out, on To Ashes, To Dust; a Sharn Inquisitive Podcast.

In the City of Sharn, full of commonplace magic, subtle powers, and ruthless criminals, One small inquisitive agency tries to scratch out a living uncovering truth for anyone who’s willing to pay. The changeling Witz and the warforged Sevens are imperfect people in a city of perfect chaos. Will they bring justice to the city? Or will they find themselves torn apart by sinister forces? Find out, on To Ashes, To Dust; a Sharn Inquisitive Podcast.

In the City of Sharn, full of commonplace magic, subtle powers, and ruthless criminals, anyone can make their fortune in one moment only to lose it and their life in the next. One small inquisitive agency tries to scratch out a living uncovering truth for anyone who’s willing to pay. The changeling Witz and the warforged Sevens are imperfect people in a city of perfect chaos. Will they bring justice to the city? Or will they find themselves torn apart by sinister forces? Find out, on To Ashes, To Dust; a Sharn Inquisitive Podcast.

Welcome, and thank you for listening! This episode 00 is a brief introduction that covers what we're hoping to do with the rest of the podcast. In the City of Sharn, full of commonplace magic, subtle powers, and ruthless criminals, anyone can make their fortune in one moment only to lose it and their life in the next. One small inquisitive agency tries to scratch out a living uncovering truth for anyone who’s willing to pay. The changeling Witz and the warforged Sevens are imperfect people in a city of perfect chaos. Will they bring justice to the city? Or will they find themselves torn apart by sinister forces? Find out, on To Ashes, To Dust; a Sharn Inquisitive Podcast.

When thinking about the topic for this week's Practical Magic Podcast I consulted the Practical Magic Activation Deck and pulled the dance card... twice. So, I followed the call of the disco ball and dance with what I was going to share with you on the show today, and what I got was the kind of magic that only happens when you move and groove to get out of your stuck head and back in connection with the wisdom of your body, and your intuition. Take a listen and enjoy the activation challenge at the end of the podcast.  My dance shuffle activation song: To Dust by Alice Russell. Find out more about the Practical Magic Activation Deck. Follow the call of the disco ball and come dance with me at The Awakening THIS WEEKEND. Grab the last couple of tickets. The Awakening Weekend bookings website

In this episode Jaime and Jim get into some of the technical aspects of editing and Avid versus Adobe Premiere. We also shoot the sh*t, talk production workflows, personal work stories and our post-production / film origin stories. Support the show (https://www.patreon.com/j3filmworks)

On this special episode we follow up Episode 60's conversation about To Dust with an interview with the film's writer/director Shawn Snyder. To Dust is Shawn's first feature and won the Audience Award at the 2018 Tribeca Film Festival. It's also one of my favorite movies of the year so far so it was an honor to have him on the show as we got into the films and directors that inspired him and his film.

On the 60th episode of Piecing It Together, Kris Krainock returns with a movie we both loved and have been waiting a long time to talk about. To Dust from Director Shawn Snyder, which we saw in theaters a few months ago, finally is out on VOD. It's the story of a Hasidic Jew whose wife dies. Grief stricken, he enlists the help of a community college professor to help him figure out what will actually, physically and biologically happen to her body when it's buried. It's a weird one. Puzzle pieces include A Serious Man, Election, Eraserhead and Swiss Army Man.

On this weeks episode, Carson attends the Atlanta Jewish Film Festival and interviews Geza and Shawn Snyder, the director or co-writer of the film "To Dust" starring Geza Rohrog and Matthew Broderick.   Follow the show @PodWithTheWind Follow Carson @CarsonLeCook

On this week's episode: Joe Penna's Arctic & Shawn Snyder's To Dust.  We also discuss Jonas Åkerlund's Lords of Chaos, Nicolas Winding Refn's Pusher (1996), Oliver Stone's JFK: Directors Cut, Oscar Conspiracy Theories, Oscar Predictions and our #CedarLee3 picks for great feature film debuts. New Film: Arctic (Joe Penna) To Dust (Shawn Snyder) #CedarLee3: This week’s list of films you should be watching was inspired by both Joe Penna and Shawn Snyder making their feature film debuts this week with Arctic and To Dust (respectively).  We discuss District 9 (2009) Shadows (1958), Fruitvale Station (2013), The Blair Witch Project (1999), Lady Bird (2017) and Primer (2004). Tell us about your favorites @CedarLeeTheatre using #CedarLee3.

Matthew Broderick, along with two special guests — co-star Géza Röhrig and director Shawn Snyder, discuss their new film, To Dust, with Reel Pieces moderator Annette Insdorf. The conversation was recorded on January 20, 2019 in front of a live audience at New York’s 92nd Street Y.

On this edition of the Cinema Clash: the sci-fi fantasy adventure movie ALITA: BATTLE ANGEL; the romantic comedy satire ISN’T IT ROMANTIC; the black comedy slasher film sequel HAPPY DEATH DAY 2U; the truly epic Oscar-nominated foreign language film NEVER LOOK AWAY; and a little gem of a tragicomedy, TO DUST. Plus, an early shout-out to the APOLLO 11 documentary and a quick round of #AgreeOrDisagree. Tune in!

Shawn Snyder's "To Dust" tells the tale of Shmuel (Géza Röhrig), a Hasidic cantor in upstate New York, distraught by the untimely death of his wife, befriends a local community college biology professor (Matthew Broderick) and the two embark on an increasingly literal undertaking into the underworld.

Andrew Keenan-Bolger is an actor, director, author and filmmaker. He recently starred as “Jesse Tuck” in Tuck Everlasting on Broadway (Drama League Award nominee). He created the role of "Crutchie" in the Original Broadway Cast of Newsies (Outer Critics Circle nominee) and in the record-breaking Newsies: The Broadway Musical film. Other Broadway: Mary Poppins, Seussical, Beauty and the Beast, A Christmas Carol. 1st Nat'l Tours: Spelling Bee, How The Grinch Stole Christmas, Mary Poppins, Ragtime. Theater: “Jesse Tuck” in Tuck Everlasting at The Alliance Theater (dir. Casey Nicholaw), Ever After at Papermill Playhouse (dir. Kathleen Marshall), Family Furniture at The Flea Theater (dir. Thomas Kail). Film: “Billy Frazier” in The Rewrite starring Hugh Grant, To Dust (2018), Marci X, Are You Joking? TV: Three Rivers (ABC Pilot), Nurse Jackie (Showtime), Looking (HBO), Naked Brothers Band (Nickelodeon), One Life to Live. Podcast: Bobby in Marvel's Wolverine: The Long Night. B.F.A. from the University of Michigan. His work as a filmmaker has been profiled in The New York Times, The Wall Street Journal, Entertainment Weekly, Rolling Stone, The Associated Press and New York Magazine. Director of the award-winning short films Sign and The Ceiling Fan. Along with collaborator, Kate Wetherhead, he is the co-creator the critically acclaimed webseries, Submissions Only (www.submissionsonly.com) and co-author of the children’s series Jack & Louisa (Penguin Random House).

It's episode 04 of Season 10. On this week's show we have five tales about deep dryness, fiendish forests, and medicinal memories. "My Son Brought Something Home From the Woods"† written by Harrison Prince and performed by Mary Murphy & Erika Sanderson & Dan Zappulla & Jeff Clement. (Story starts around 00:02:00) "An Out of Place Artefact at Toltec Site Three"‡ written by Samuel J. Allen and performed by Jeff Clement & Elie Hirschman & Atticus Jackson. (Story starts around 00:36:00) "To Dust"† written by David Skulich and performed by David Cummings & Nichole Goodnight & Peter Lewis & Nikolle Doolin. (Story starts around 01:13:00) "Don’t Become a Fire Lookout in Montana"¤ written by J.P. Carver and performed by Jesse Cornett & Erin Lillis & Matthew Bradford & Jessica McEvoy. (Story starts around 01:40:00) "After The Curtain Called"† written by Marcus Damanda and performed by Mick Wingert & Mary Murphy & Nikolle Doolin & Atticus Jackson & Erin Lillis & Peter Lewis & Mike DelGaudio. (Story starts around 02:09:00) Click here to learn more about the voice actors on The NoSleep Podcast   Click here to learn more about the NoSleep Live Tour 2018   Click here to learn more about Mary Murphy   Click here to learn more about J.P. Carver   Click here to learn more about Marcus Damanda   Executive Producer & Host: David Cummings Musical score composed by: Brandon Boone Audio adaptations produced by: Phil Michalski† & Jeff Clement‡ & Jesse Cornett¤ "My Son Brought Something Home From the Woods" illustration courtesy of Naomi Ronke Audio program ©2017-2018 - Creative Reason Media Inc. - All Rights Reserved - No reproduction or use of this content is permitted without the express written consent of Creative Reason Media Inc. The copyrights for each story are held by the respective authors.  

It's episode 04 of Season 10. On this week's show we have five tales about deep dryness, fiendish forests, and medicinal memories."My Son Brought Something Home From the Woods"† written by Harrison Prince and performed by Mary Murphy & Erika Sanderson & Dan Zappulla & Jeff Clement. (Story starts around 00:02:00)"An Out of Place Artefact at Toltec Site Three"‡ written by Samuel J. Allen and performed by Jeff Clement & Elie Hirschman & Atticus Jackson. (Story starts around 00:36:00)"To Dust"† written by David Skulich and performed by David Cummings & Nichole Goodnight & Peter Lewis & Nikolle Doolin. (Story starts around 01:13:00)"Don’t Become a Fire Lookout in Montana"¤ written by J.P. Carver and performed by Jesse Cornett & Erin Lillis & Matthew Bradford & Jessica McEvoy. (Story starts around 01:40:00)"After The Curtain Called"† written by Marcus Damanda and performed by Mick Wingert & Mary Murphy & Nikolle Doolin & Atticus Jackson & Erin Lillis & Peter Lewis & Mike DelGaudio. (Story starts around 02:09:00)Please visit www.thenosleeppodcast.com for full show notes and links to learn more about our authors, voice actors, and producers.Executive Producer & Host: David CummingsMusical score composed by: Brandon BooneAudio adaptations produced by: Phil Michalski† & Jeff Clement‡ & Jesse Cornett¤"My Son Brought Something Home From the Woods" illustration courtesy of Naomi RonkeAudio program ©2017-2018 - Creative Reason Media Inc. - All Rights Reserved - No reproduction or use of this content is permitted without the express written consent of Creative Reason Media Inc. The copyrights for each story are held by the respective authors.