Podcasts about Andrey Zvyagintsev

加入摄影早自习群，请加微信：nihaoyelaoshi（暗号：喜马拉雅）早安，我是叶梓，今天是摄影早自习陪伴大家的第2090天。有位同学问我说：怎么样去把普通女生拍出女神范儿？这个问题里边其实暗藏着很多很多的小的问题，比如说怎么把人拍瘦，怎么把腿拍长，怎么把气氛给拍出来，怎么把人拍得更美等等，包括服装、道具、环境、化妆都有相关性。但是我们今天早自习的时间非常有限，我们只解析其中一点，就详细讲这一点，怎么样去把一个人的面部、脸部拍得更加的好看。© 叶梓好，我来给大家举一些实际的案例。首先我们一定要明白，就是拍照是要扬长避短的，每个人都有自己的长相的优点和缺陷。我很难说我能把每一个人拍出女神范儿，但是我可以说我只要扬长避短了，就可以把一个女生拍得比她自己要美得多，这一点是完全能做到的。© 叶梓怎么做到呢？我也不好拿别人举例，就拿我自己举例吧。比如说我发现我的鼻子是鼻翼有点宽，鼻头有点圆、有点大，那么按照现在的审美来说，大部分人都希望自己的鼻子秀气一点，不要那么醒目，鼻孔别那么大。那么这个时候首先我一定要避免从正面拍摄我的脸部，要不然的话拍出来你这个鼻子的宽度就完整的给展现出来了，就不好看了。更要避免抬头的姿势，有人说：哎呀，男生抬头显自信啊，显得有一种不可一世的那种气场感，对吧？但是我不能抬头，因为我一抬头那大鼻孔就出来了，对不对？这就是我的缺陷。那么当然我也不能侧脸拍，为什么不能侧脸拍？因为我在侧脸看的时候，我的嘴唇部分有点向外突出，嘴唇也有一点过厚，这样的话可能拍出来也显得不太好看。Photo by Andrey Zvyagintsev on Unsplash那怎么办？不能正面拍，不能侧面拍，当然我可以略微低头的拍摄，这样我小眼睛就放大了，鼻子嘴巴都显得比较秀气。我还可以3/4侧脸（就是所谓的45度侧脸），我既不是正面对你镜头，也不是完全侧脸，就是朝着一个斜着的方向侧，再低一点头，唉，这就是我的面部的最好看的一个角度。另外我还要研究一下我这个脸到底用广角拍好看，还是用中长焦拍比较好看。那肯定不是广角，因为广角它又会近大远小，我脸朝向广告镜头的时候，中间的鼻子会变得夸张的大，就变得更滑稽了，所以肯定不能用广角拍。但是我也不能用长焦来拍，因为长焦会让我的脸显得扁平，显得比较胖，我不太愿意，最后我选择在中焦拍摄。Photo by Andrey Zvyagintsev on Unsplash角度决定了，焦距决定了，我再来看看光线。如果是正面来的光呢，它可能会强调我的鼻子的宽度，照得太清楚了。但侧面来的光呢，可能又会在我这个嘴唇上形成很明显的立体感，然后我的嘴唇突出问题变得非常的明显。所以最适合我的光应该是伦勃朗光之类的光线，就是45度角来的光线，既让脸部稍有立体感，有一边脸能有点影子，显得人比较瘦比较精神，又能尽量避免我把我的两个缺陷暴露的太过明显。所以你看，以上不管是我们的拍摄的脸的角度，还是我的镜头的焦距，还是我用光的方法，它其实都不是一个定式，就是不是一个说：只要这么做这么做加这么做就会有好照片……没有这样的东西，他们全都是根据我的脸部特征、面部结构或者说是我的头骨结构来决定的应该怎么样去拍摄。Photo by Marco Xu on Unsplash所以我在教人像的线下课程的时候，通常都会带着一个骷髅头去见学生们，我会让大家摸着那个骷髅头来告诉他们你哪个部位有什么样的特征时，配合什么样的拍摄方法会更好。讲白了就还是那句老话，要具体问题具体分析。所以人像摄影真的是几大常见摄影类别中比较难的一种，它比静物要难，它比风光要难，因为它面对的情况可能更复杂，而被你拍的人对自己的面部好不好看这件事更加敏感。就是一个从来没学过摄影的人，他也可以去评判一张人像照片好看或者是不好看，审美的要求提高了，拍摄的难度就进一步提高了。所以人像摄影的事大家有兴趣的话还是应该跟我系统的学习，在底部“阅读原文”中是有我的“自由摄影师”这门大课的，里边有一大章都在讲人像摄影的拍摄，如果你感兴趣可以戳看一看。那么通过今天的早自习，大家至少要留下一个印象，就是我们所有的技法都是为某个目的在服务的，你一定要知道摄影是扬长避短的事，要能观察到你拍摄的这个人也好、景也好，短在哪，才知道如何去规避它，这个世界在你的镜头里才会变得更加精彩。好，今天是摄影早自习陪伴大家的第2090天，我是叶梓，每天早上6:30，微信公众号“摄影早自习”，不见不散。

In this clearing we are going to look at the energy of "I don't want to" and whether or not you can tell people the truth. This is an energy and when you clear it, you can allow yourself to be even more authentic in what you do and do not want to do without hurting someones feelings.   Blog: https://www.RobinYates.com  Facebook: http://www.Facebook.com/vibrationelevationn Instagram: http://www.instagram.com/vibrationelevationn Podcast https://robinyates.com/podcast Twitter https://twitter.com/@VibeElevation Telegram https://t.me/vibrationelevation Photo by Andrey Zvyagintsev on Unsplash

Leviathan (1989). Directed by George P. Cosmatos. Starring Ernie Hudson, Peter Weller, Daniel Stern, Richard Crenna, Meg Foster, Amanda Pays, and Hector Elizondo. Leviathan (2012). Leviathan (2014). Directed by Andrey Zvyagintsev. Starring Aleksei Serebryakov, Elena Lyadova, Vladimir Vdovichenkov, and Roman Madyanov. Please review us over on Apple Podcasts. Got comments or suggestions for new episodes? Email: sddpod@gmail.com. Seek us out via Twitter and Instagram @ sddfilmpodcast Support our Patreon for $3 a month and get access to our exclusive show, Sudden Double Deep Cuts where we talk about our favourite movie soundtracks, scores and theme songs. We also have t-shirts available via our TeePublic store!

In this episode, Tim, Ian, and Aaron discuss the 2014 film "Leviathan", from director Andrey Zvyagintsev. Music by Elijah Delgado and Aaron Negron Art by Tyler Berryhill Produced by Parker Berryhill

It's Casual Friday! Sam and Emma host Heather Digby Parton, contributing writer at Salon.com and proprietor of the blog Hullabaloo, to round up the week in news. Then, Sam and Emma are joined by Matthew Film Guy! Emma and Sam first dive into the Uvalde Police's ever-changing story, the White House's upcoming, likely-to-fail gun control package, and the GOP striking down a domestic terror bill, before watching Texas Lt. Chris Olivarez excuse Uvalde police's inaction as believing they had “contained” the shooter… inside of a childrens' classroom. Digby then joins as she and Sam reflect on two decades of covering these senselessly devastating instances of gun violence against children, from Wayne LaPierre asking the government to pry his gun from his “cold dead hands” in the wake of Columbine, to the tentative moments after Sandy Hook, where it seemed as though politicians would come around to reform, only for the NRA to disseminate all of the necessary talking points in a complete rejection of progress. This brings Emma, Sam, and Heather to a discussion on the collapse of the NRA in recent years, held up in court over embezzlement charges, yet with the Republican base more than picking up their torch and centering fundamentalist takes on gun ownership in electoral pushes. After briefly touching on the failure of Democrats in the wake of these mass shootings, reaching all the way back to their blame of Al Gore's gun control stance in 2000, Sam, Emma, and Digby return to the devastation in Uvalde as they tackle how a fully-militarized police department, as we have throughout the US, finds it reasonable to leave a mass shooter in a school filled with children due to fears for THEIR OWN (the cops') safety, as the Uvalde Police now claim they believed there to be no more living children in the classroom, despite the multiple incoming 911 calls FROM LIVING CHILDREN, clamoring from one lie to another as federal inaction from the democrats is the only repercussion that looms. Then, Matthew Film Guy joins as they discuss the central importance of art in creating the worlds we imagine for our futures, and in challenging and disrupting the status quo of our present, as Sam, Emma, and he give their takes on the importance of John Cassavetes and Mad Men, and Matthew rounds out the interview with his recommendations of Andrey Zvyagintsev's “Loveless” and John Gianvito's “Profit Motive and the Whispering Wind.” And in the Fun Half: Sam and Emma look to the GOP's stale response to mass shootings, as Kevin McCarthy pushes the “mental health” talking point, while refusing to address or help mental health, and Lauren Boebert cites 9/11 to ask “why ban guns when we didn't ban planes,” despite the countless massive (and problematic) regulations that DID arise in the wake of the terror attack. They also get into Biden sending out previews for a $10k student debt cancellation (for certain people only, of course), and Dave Rubin, the last liberal, now identifies as a Republican, plus, your IMs! Check out Digby's blog here: http://digbysblog.net/ Check out Matthew's Letterboxd account here: https://letterboxd.com/langdonboom/ Check out Matthew's film discussion group at CommonPoint Queens: https://www.commonpointqueens.org/program/cultural-arts-and-jewish-heritage-classes/ Call the White House and demand student loan cancellation: 202-456-1111/202-456-1414 Become a member at JoinTheMajorityReport.com: https://fans.fm/majority/join Subscribe to the AMQuickie newsletter here:  https://madmimi.com/signups/170390/join Join the Majority Report Discord! http://majoritydiscord.com/ Get all your MR merch at our store: https://shop.majorityreportradio.com/ Check out today's sponsors: sunsetlakecbd is a majority employee owned farm in Vermont, producing 100% pesticide free CBD products. Great company, great product and fans of the show! Use code Leftisbest and get 20% off at http://www.sunsetlakecbd.com. And now Sunset Lake CBD has donated $2500 to the Nurses strike fund, and we encourage MR listeners to help if they can. Here's a link to where folks can donate: https://forms.massnurses.org/we-stand-with-st-vincents-nurses/ Fiasco: Fiasco is a documentary-style podcast series hosted by Leon Neyfakh, the co-creator and original host of Slow Burn. You can listen to the new season of Fiasco exclusively on Audible. Just go to https://www.audible.com/pd/Fiasco-The-AIDS-Crisis-Podcast/B09SVPH27K?ref=mrq_aud_F_pod1&source_code=MRQOR2270330220706 or text FIASCOPOD to 500-500 Quip: Quip gets your smile ready, making good habits easy with all the essentials you need to care for your mouth. The quip Electric Toothbrush uses timed vibrations with 30-second pulses to guide a dentist-recommended two-minute clean. It's loved by over SEVEN MILLION mouths. You can even upgrade with a NEW Smart Motor to track and improve your brushing AND earn sweet rewards. If you go to https://www.getquip.com/store?coupon=majority&utm_source=podcast&utm_medium=sponsor&utm_campaign=the_majority_report_with_sam_seder RIGHT NOW, you'll get your first refill FREE. That's your first refill FREE at https://www.getquip.com/store?coupon=majority&utm_source=podcast&utm_medium=sponsor&utm_campaign=the_majority_report_with_sam_seder. Support the St. Vincent Nurses today! https://action.massnurses.org/we-stand-with-st-vincents-nurses/ Check out Matt's show, Left Reckoning, on Youtube, and subscribe on Patreon! https://www.patreon.com/leftreckoning Subscribe to Matt's other show Literary Hangover on Patreon! https://www.patreon.com/literaryhangover Check out The Nomiki Show on YouTube. https://www.patreon.com/thenomikishow Check out Matt Binder's YouTube channel: https://www.youtube.com/mattbinder Subscribe to Brandon's show The Discourse on Patreon! https://www.patreon.com/ExpandTheDiscourse Check out The Letterhack's upcoming Kickstarter project for his new graphic novel! https://www.kickstarter.com/projects/milagrocomic/milagro-heroe-de-las-calles Check out Jamie's podcast, The Antifada. https://www.patreon.com/theantifada, on iTunes, or at https://www.twitch.tv/theantifada (streaming every Monday, Wednesday, Thursday and Friday at 7pm ET!) 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This is a playtest of a new game in development; AKA is a espionage focused action thriller game inspired by the TV show Alias. We follow the career of a young intelligence officer, discovering that the agency she works for is a front for a criminal organisation, balancing professional and personal commitments while maintaining her cover as a double agent. (Photo by Andrey Zvyagintsev on Unsplash)

SO how are those inner critics doing? Quiet as a mouse? Raging like a hurricane? Most likely somewhere in between. At the core we are not wrestling with 1000 different critics. Most of those sabotaging voices are variations on the Five Bad Guys. The important truth is that they are a part of us. They intensify when we are growing, doing the work of evolution. For each Bad Guy there is a powerful Inner Hero ready to take them on, break their hold. You, absolutely do, have what it takes! Big thank you to these amazing photograpers from Unsplash: Creaslim, Nsey Benajah, engin akyurt, Emiliano Vittoriosi, Andrey Zvyagintsev, Maria Lupan

AKA is a espionage focused action thriller game inspired by the TV show Alias. We follow the career of a young intelligence officer, discovering that the agency she works for is a front for a criminal organisation, balancing professional and personal commitments while maintaining her cover as a double agent. (Photo by Andrey Zvyagintsev on Unsplash)

In mid-August, Russian film director Andrey Zvyagintsev was transferred to Germany for treatment due to a severe case of COVID-19. Doctors are now preparing to bring him out of a medically-induced coma, reports The Bell, citing sources familiar with the situation. Original Article: https://meduza.io/en/news/2021/09/16/russian-film-director-andrey-zvyagintsev-reportedly-in-medically-induced-coma

We're back this week to discuss Andrey Zvyagintsev's Elena from 2011. Based on our Tally, this film scores between a 74 and 85, so we get into the weeds as to why some elements were better executed than others. Make sure you're subscribed to the podcast and follow us @thetwiceover on all the socials! Website: www.thetwiceover.com/ Twitter: twitter.com/thetwiceover Instagram: www.instagram.com/thetwiceover/ Facebook: www.facebook.com/thetwiceover/ Patreon: www.patreon.com/thetwiceover YouTube: www.youtube.com/channel/UCGr4yzsQPNq8yqtcK4hcQww

Our movie this week is Andrey Zvyagintsev's Elena from 2011. We get into what we know about the director and what makes his work stand out. Get your watch in this week, our discussion will be out next week! Make sure you're subscribed to the podcast and follow us @thetwiceover on all the socials! Website: www.thetwiceover.com/ Twitter: twitter.com/thetwiceover Instagram: www.instagram.com/thetwiceover/ Facebook: www.facebook.com/thetwiceover/ Patreon: www.patreon.com/thetwiceover YouTube: www.youtube.com/channel/UCGr4yzsQPNq8yqtcK4hcQww

En este episodio de nuestro podcast de cine, conversamos sobre una película propuesta por Ángelo Illanes: “Vozvrashchenie” (El Regreso) de Andrey Zvyagintsev, protagonizada por Vladimir Garin, Ivan Dobronravov y Konstantin Lavronenko. Para terminar, algunas recomendaciones personales de películas y series para ver.

Lelma&Thuise'in bu bölümünde Hilal ve Başak şema yaklaşımı ışığında Bergman'ın Autumn Sonata'sını ve Andrey Zvyagintsev'in Loveless filmini inceliyorlar. Keyifli dinlemeler dileriz!

Who will win Oscar? Will Sloan and Luke Savage of the wonderful Michael and Us podcast join me to discuss Chloé Zhao's Nomadland. We also workshop some potentially viral takes and peruse reviews from the average Joes on the Internet Movie Database. ReComradationsWill: Wanda, dir. Barbara Loden (1970) Luke: Master and Commander: The Far Side of the World , dir. Peter Weir (2003) Evan: [1] Lost Themes III - Life After Death by John Carpenter [2] Loveless, dir. Andrey Zvyagintsev (2017) Listen to Michael and Us and check out their PatreonJoin the Kino Lefter DiscordJoin the Kino Lefter Facebook group "Kino Lefter VIP Cinema Experience"Get access to Primo Lefter, our weekly bonus show on our Patreon for just $3 per month. 

On this episode of gaybros enjoy seeing Russian misery, we watch The Return (2003) by Andrey Zvyagintsev

EPISODE 66 - ANDREY ZVYAGINTSEV & MIKHAIL KRICHMAN - Director & Cinematographer Team - Part 2 Team Deakins continues their epic conversation with Andrey Zvyagintsev and Mikhail Krichman, celebrated Russian collaborative team of director and cinematographer. This is the second part of a two part episode. We learn a lot about the shooting of the movie, Leviathan and the weather challenges they faced. Andrey shares that he doesn’t re-watch his films and also entertained us with the story of his very first experience shooting a 16mm film when he was young. He’s come a long way since then, let’s just say! We also speak about independent film financing in Russia vs state funded and their feelings on film vs digital. And Mikhail tells how Roger unknowingly participated on The Return! A great conversation with talented filmmakers!! RECOMMENDED EPISODE VIEWING: The Return, The Banishment, Elena, Leviathan, Loveless

EPISODE 65 - ANDREY ZVYAGINTSEV & MIKHAIL KRICHMAN - Director & Cinematographer Team - Part 1 Team Deakins have an amazing conversation with the Russian collaborative team of Andrey Zvyagintsev and Mikhail Krichman. We have been avid fans of their films for years and so this was very special to us. Their films are: The Return, The Banishment, Elena, Leviathan and Loveless. We speak about so many things that we had to make two episodes from the result! In this episode we learn about their unique collaborative process of 20 years, their experiences on The Return, The Banishment and Elena. We speak about VFX, how Andrey works with his actors and how they battle unpredictable elements, like children and weather. A great conversation with true masters of filmmaking! RECOMMENDED EPISODE VIEWING: The Return, The Banishment, Elena, Leviathan, Loveless

Fresno Co. DA is getting $249k to help prosecute those busted for DUI leading into the holidays. Listeners comment. Wed 11/18: Hour 2 Photo by Andrey Zvyagintsev on Unsplash See omnystudio.com/listener for privacy information.

早安，我是叶梓，今天是摄影早自习陪伴大家的第1450天。一位叫做“FREE摄影师.小楷”的同学问我说，“十一”黄金周如果是拍婚礼的话，在户外的强烈的阳光下，人的表情不是很好，拍人的话怎么办？我想这不只是拍婚礼的问题，这是我们所有人在黄金周旅行期间拍纪念照的时候都会遇到的一个问题：阳光太刺眼，表情不好怎么办？我觉得我可以在两个方向上可以给你建议：第一个方向是我们把这个人的表情给调顺了，变好。怎么样让人在强光下还能保持很好的表情呢？有三个小的技巧。Photo by GREG KANTRA on Unsplash第一个就是你让她干脆闭上眼睛吧，享受一下阳光挺好的。有人会觉得闭眼那不是眨眼的那种很尴尬的瞬间吗？怎么能拍下来当照片呢？不对，你如果身体姿态合适，周围的东西合适，她会变成一种享受阳光的感觉。什么叫合适呢？一般都是倚靠在什么事物上。比如说这个人她是躺在游泳池旁的藤椅上，让她闭着眼睛这绝对是非常舒服漂亮的照片。那如果是站着的，比如她倚靠在大树上，嘴角还带着笑，有一种调皮的但是又有点舒舒服服的，很清新自然的、很邻家的那么一种小姑娘的感觉其实蛮好的。所以你们可以放开思路，闭上眼睛不见得是个坏事，可以用来躲避强光。Photo by taylor hernandez on Unsplash第二个方法就是，不闭眼但是垂眼，就是眼睛别往上看，反而是往下看。怎么引导呢？就比如说你身边有一棵小草或者是有另外一个人站在你边上，然后你在你面前拍的这个人冲她拍摄的时候，你跟她说：“你别看我。”为什么？因为看镜头的时候阳光刺眼，所以别看我，看我边上那棵小草，看旁边那个人的鞋子。这样一来她就是一个垂眼的姿态，拍出来的这个人物性格是非常温柔的，蛮符合我们中国的审美观念的。第三个方法就是让人先闭眼或垂着眼睛，然后你叫她的时候，她才抬起眼睛来看着你的镜头。还是那句话，就是因为我们如果是顺光拍的话，她看镜头的话会太刺眼，所以你让她站在那摆好姿势，你这边调好构图，调好曝光，什么都准备好了，正准备抢拍的时候，这个时候跟对方说：“哎，你可以看我镜头啦。”对方一抬眼，你在那一瞬间——她还没来得及因为强光而皱眉的那一瞬间，把照片给拍下来，这个时候也能解决这个问题。所以关于怎么样去引导对方，我就给你这三个方向。接下来我们看看第二个大的方向，就是我们直接在用光上规避强光刺眼这件事。怎么规避呢？很简单，就是要么你就躲在阴影下拍，树的阴影或者是建筑阴影，要么你就是逆光拍照。Photo by Ayo Ogunseinde on Unsplash在树或者建筑的阴影下拍照，因为人物是没有受到阳光直射的，所以脸上的光还挺好看，不是那种强烈的有阴影的光，而是那种来自于四面八方的光，很柔和，所以皮肤质感会非常的细腻。同时还会显白，因为在晴天，来自于天空的大面积的光线都是泛一点蓝的，这种蓝光跟我们的黄皮肤一综合，它出来的效果就是有点偏白的。这一点我相信有的同学如果是女生的话，你们涂过那种防晒霜或者是粉底液是白色偏蓝的话你就知道，涂了那个东西脸是特别白的。所以同样的道理，蓝光加上黄皮肤最后也是挺白的——我说的是天空那种略带一丁点蓝的光，不是真正的蓝色的光。那么这是一种方法。Photo by Andrey Zvyagintsev on Unsplash另一种方法就是干脆逆光拍了。逆光拍的话其实跟前者一样也是脸部会被天空、地面、对面的建筑物的反光照亮，所以脸上光也是非常好，很柔和。但是唯独有一个问题，就是逆光拍的话，因为你的被摄对象——正在被你拍照的这个人，她背后是太阳，所以你拍照的时候很容易出现背后天空曝光过度的情况。这个时候你有两个选择，第一就是压暗一点曝光来拍，把人拍黑一点，后期再把人调亮，但是这样的话人脸上可能会出现一些噪点，画质会下降。另一种方法就是干脆就让天空这块稍微曝光过度一点，这个时候你如果能让太阳进入到你构图里来的话，反而会有一种很小清新的感觉，很阳光明媚的感觉，这种方法也不错。唯一需要注意的就是，当你把这个人物丢在大树底下拍照的时候，一定要注意树叶之间漏过的光形成的光斑不要把你的脸打成迷彩状，这样的话就比较难看了。好，今天我们就先聊这么多，大家还有什么摄影问题都欢迎在底部向我留言，在出行之前咱们做好充分的准备。另外“十一”期间还没有什么计划的，可以考虑一下跟我一起去重庆，我们来搞一组摄影的创作。如果你想了解我们怎么策划一个拍摄项目，怎么样拍摄，怎么样编排又怎么样展现，想学这些内容的可以点底部那张图片，上面有大大的重庆两个字，点击进去了解我们“十一”期间的课程详情。仅余1席，报名加微信：hello-kato另外如果想临时抱个佛脚，学点摄影基础的，可以“戳阅读原文”，来观看“叶梓的摄影入门课”。今天是摄影早自习陪伴大家的第1450天，我是叶梓，每天早上6:30，微信公众号“摄影早自习”，不见不散。

早安，我是叶梓，今天是摄影早自习陪伴大家的第1450天。一位叫做“FREE摄影师.小楷”的同学问我说，“十一”黄金周如果是拍婚礼的话，在户外的强烈的阳光下，人的表情不是很好，拍人的话怎么办？我想这不只是拍婚礼的问题，这是我们所有人在黄金周旅行期间拍纪念照的时候都会遇到的一个问题：阳光太刺眼，表情不好怎么办？我觉得我可以在两个方向上可以给你建议：第一个方向是我们把这个人的表情给调顺了，变好。怎么样让人在强光下还能保持很好的表情呢？有三个小的技巧。Photo by GREG KANTRA on Unsplash第一个就是你让她干脆闭上眼睛吧，享受一下阳光挺好的。有人会觉得闭眼那不是眨眼的那种很尴尬的瞬间吗？怎么能拍下来当照片呢？不对，你如果身体姿态合适，周围的东西合适，她会变成一种享受阳光的感觉。什么叫合适呢？一般都是倚靠在什么事物上。比如说这个人她是躺在游泳池旁的藤椅上，让她闭着眼睛这绝对是非常舒服漂亮的照片。那如果是站着的，比如她倚靠在大树上，嘴角还带着笑，有一种调皮的但是又有点舒舒服服的，很清新自然的、很邻家的那么一种小姑娘的感觉其实蛮好的。所以你们可以放开思路，闭上眼睛不见得是个坏事，可以用来躲避强光。Photo by taylor hernandez on Unsplash第二个方法就是，不闭眼但是垂眼，就是眼睛别往上看，反而是往下看。怎么引导呢？就比如说你身边有一棵小草或者是有另外一个人站在你边上，然后你在你面前拍的这个人冲她拍摄的时候，你跟她说：“你别看我。”为什么？因为看镜头的时候阳光刺眼，所以别看我，看我边上那棵小草，看旁边那个人的鞋子。这样一来她就是一个垂眼的姿态，拍出来的这个人物性格是非常温柔的，蛮符合我们中国的审美观念的。第三个方法就是让人先闭眼或垂着眼睛，然后你叫她的时候，她才抬起眼睛来看着你的镜头。还是那句话，就是因为我们如果是顺光拍的话，她看镜头的话会太刺眼，所以你让她站在那摆好姿势，你这边调好构图，调好曝光，什么都准备好了，正准备抢拍的时候，这个时候跟对方说：“哎，你可以看我镜头啦。”对方一抬眼，你在那一瞬间——她还没来得及因为强光而皱眉的那一瞬间，把照片给拍下来，这个时候也能解决这个问题。所以关于怎么样去引导对方，我就给你这三个方向。接下来我们看看第二个大的方向，就是我们直接在用光上规避强光刺眼这件事。怎么规避呢？很简单，就是要么你就躲在阴影下拍，树的阴影或者是建筑阴影，要么你就是逆光拍照。Photo by Ayo Ogunseinde on Unsplash在树或者建筑的阴影下拍照，因为人物是没有受到阳光直射的，所以脸上的光还挺好看，不是那种强烈的有阴影的光，而是那种来自于四面八方的光，很柔和，所以皮肤质感会非常的细腻。同时还会显白，因为在晴天，来自于天空的大面积的光线都是泛一点蓝的，这种蓝光跟我们的黄皮肤一综合，它出来的效果就是有点偏白的。这一点我相信有的同学如果是女生的话，你们涂过那种防晒霜或者是粉底液是白色偏蓝的话你就知道，涂了那个东西脸是特别白的。所以同样的道理，蓝光加上黄皮肤最后也是挺白的——我说的是天空那种略带一丁点蓝的光，不是真正的蓝色的光。那么这是一种方法。Photo by Andrey Zvyagintsev on Unsplash另一种方法就是干脆逆光拍了。逆光拍的话其实跟前者一样也是脸部会被天空、地面、对面的建筑物的反光照亮，所以脸上光也是非常好，很柔和。但是唯独有一个问题，就是逆光拍的话，因为你的被摄对象——正在被你拍照的这个人，她背后是太阳，所以你拍照的时候很容易出现背后天空曝光过度的情况。这个时候你有两个选择，第一就是压暗一点曝光来拍，把人拍黑一点，后期再把人调亮，但是这样的话人脸上可能会出现一些噪点，画质会下降。另一种方法就是干脆就让天空这块稍微曝光过度一点，这个时候你如果能让太阳进入到你构图里来的话，反而会有一种很小清新的感觉，很阳光明媚的感觉，这种方法也不错。唯一需要注意的就是，当你把这个人物丢在大树底下拍照的时候，一定要注意树叶之间漏过的光形成的光斑不要把你的脸打成迷彩状，这样的话就比较难看了。好，今天我们就先聊这么多，大家还有什么摄影问题都欢迎在底部向我留言，在出行之前咱们做好充分的准备。另外“十一”期间还没有什么计划的，可以考虑一下跟我一起去重庆，我们来搞一组摄影的创作。如果你想了解我们怎么策划一个拍摄项目，怎么样拍摄，怎么样编排又怎么样展现，想学这些内容的可以点底部那张图片，上面有大大的重庆两个字，点击进去了解我们“十一”期间的课程详情。仅余1席，报名加微信：hello-kato另外如果想临时抱个佛脚，学点摄影基础的，可以“戳阅读原文”，来观看“叶梓的摄影入门课”。今天是摄影早自习陪伴大家的第1450天，我是叶梓，每天早上6:30，微信公众号“摄影早自习”，不见不散。

早安，我是叶梓，今天是摄影早自习陪伴大家的第1450天。一位叫做“FREE摄影师.小楷”的同学问我说，“十一”黄金周如果是拍婚礼的话，在户外的强烈的阳光下，人的表情不是很好，拍人的话怎么办？我想这不只是拍婚礼的问题，这是我们所有人在黄金周旅行期间拍纪念照的时候都会遇到的一个问题：阳光太刺眼，表情不好怎么办？我觉得我可以在两个方向上可以给你建议：第一个方向是我们把这个人的表情给调顺了，变好。怎么样让人在强光下还能保持很好的表情呢？有三个小的技巧。Photo by GREG KANTRA on Unsplash第一个就是你让她干脆闭上眼睛吧，享受一下阳光挺好的。有人会觉得闭眼那不是眨眼的那种很尴尬的瞬间吗？怎么能拍下来当照片呢？不对，你如果身体姿态合适，周围的东西合适，她会变成一种享受阳光的感觉。什么叫合适呢？一般都是倚靠在什么事物上。比如说这个人她是躺在游泳池旁的藤椅上，让她闭着眼睛这绝对是非常舒服漂亮的照片。那如果是站着的，比如她倚靠在大树上，嘴角还带着笑，有一种调皮的但是又有点舒舒服服的，很清新自然的、很邻家的那么一种小姑娘的感觉其实蛮好的。所以你们可以放开思路，闭上眼睛不见得是个坏事，可以用来躲避强光。Photo by taylor hernandez on Unsplash第二个方法就是，不闭眼但是垂眼，就是眼睛别往上看，反而是往下看。怎么引导呢？就比如说你身边有一棵小草或者是有另外一个人站在你边上，然后你在你面前拍的这个人冲她拍摄的时候，你跟她说：“你别看我。”为什么？因为看镜头的时候阳光刺眼，所以别看我，看我边上那棵小草，看旁边那个人的鞋子。这样一来她就是一个垂眼的姿态，拍出来的这个人物性格是非常温柔的，蛮符合我们中国的审美观念的。第三个方法就是让人先闭眼或垂着眼睛，然后你叫她的时候，她才抬起眼睛来看着你的镜头。还是那句话，就是因为我们如果是顺光拍的话，她看镜头的话会太刺眼，所以你让她站在那摆好姿势，你这边调好构图，调好曝光，什么都准备好了，正准备抢拍的时候，这个时候跟对方说：“哎，你可以看我镜头啦。”对方一抬眼，你在那一瞬间——她还没来得及因为强光而皱眉的那一瞬间，把照片给拍下来，这个时候也能解决这个问题。所以关于怎么样去引导对方，我就给你这三个方向。接下来我们看看第二个大的方向，就是我们直接在用光上规避强光刺眼这件事。怎么规避呢？很简单，就是要么你就躲在阴影下拍，树的阴影或者是建筑阴影，要么你就是逆光拍照。Photo by Ayo Ogunseinde on Unsplash在树或者建筑的阴影下拍照，因为人物是没有受到阳光直射的，所以脸上的光还挺好看，不是那种强烈的有阴影的光，而是那种来自于四面八方的光，很柔和，所以皮肤质感会非常的细腻。同时还会显白，因为在晴天，来自于天空的大面积的光线都是泛一点蓝的，这种蓝光跟我们的黄皮肤一综合，它出来的效果就是有点偏白的。这一点我相信有的同学如果是女生的话，你们涂过那种防晒霜或者是粉底液是白色偏蓝的话你就知道，涂了那个东西脸是特别白的。所以同样的道理，蓝光加上黄皮肤最后也是挺白的——我说的是天空那种略带一丁点蓝的光，不是真正的蓝色的光。那么这是一种方法。Photo by Andrey Zvyagintsev on Unsplash另一种方法就是干脆逆光拍了。逆光拍的话其实跟前者一样也是脸部会被天空、地面、对面的建筑物的反光照亮，所以脸上光也是非常好，很柔和。但是唯独有一个问题，就是逆光拍的话，因为你的被摄对象——正在被你拍照的这个人，她背后是太阳，所以你拍照的时候很容易出现背后天空曝光过度的情况。这个时候你有两个选择，第一就是压暗一点曝光来拍，把人拍黑一点，后期再把人调亮，但是这样的话人脸上可能会出现一些噪点，画质会下降。另一种方法就是干脆就让天空这块稍微曝光过度一点，这个时候你如果能让太阳进入到你构图里来的话，反而会有一种很小清新的感觉，很阳光明媚的感觉，这种方法也不错。唯一需要注意的就是，当你把这个人物丢在大树底下拍照的时候，一定要注意树叶之间漏过的光形成的光斑不要把你的脸打成迷彩状，这样的话就比较难看了。好，今天我们就先聊这么多，大家还有什么摄影问题都欢迎在底部向我留言，在出行之前咱们做好充分的准备。另外“十一”期间还没有什么计划的，可以考虑一下跟我一起去重庆，我们来搞一组摄影的创作。如果你想了解我们怎么策划一个拍摄项目，怎么样拍摄，怎么样编排又怎么样展现，想学这些内容的可以点底部那张图片，上面有大大的重庆两个字，点击进去了解我们“十一”期间的课程详情。仅余1席，报名加微信：hello-kato另外如果想临时抱个佛脚，学点摄影基础的，可以“戳阅读原文”，来观看“叶梓的摄影入门课”。今天是摄影早自习陪伴大家的第1450天，我是叶梓，每天早上6:30，微信公众号“摄影早自习”，不见不散。

The episode in which Giannis DEFENDS hitting children. Multiple times. And then proceeds to blame the victims, the children.This episode is a RIDE. Warning: Giannis goes on very long, unnecessary tangents and plot descriptions. Feel free to fast forward through those parts. Facebook Page , Twitter Page , Instagram Page ,Youtube Page, Patreon Page

Fitzcarraldo 5, se acerca la nueva normalidad, pero nosotros seguimos más confinados que nunca, y mientras tanto las crías de los pitirrojos que anidaron en el balcón alzaron el vuelo y abandonaron el nido. Comenzamos la selección musical, homenajeando a George Floyd y al Black Lives Matter con la gran Nina Simone, además de una artista descomunal una incasable luchadora por los derechos civiles de los afroamericanos, escribió su canción “Mississippi Goddamn” a raíz del asesinato de cuatro niñas negras en una iglesia de Alabama y de la muerte a tiros del activista Medgar Evers, la versión que suena es 1965 interpretada en directo tras la muerte de Martin Luther King. Aprovechamos para recomendar el podcast amigo “First World Problems” , que en su último episodio recoge canciones protesta y reivindicativas, y nos hablan del festival Woodstock negro, ofreciéndonos buena música y mucha información sobre el tema. Dos obsesiones y una novedad Eloína. Arvo Pärt pone música a los versos del poeta escoces Robert Burns en “My Heart's in the Highlands”… Cuando las cosas vienen mal dadas, nos escapamos mentalmente a las Highlands. Todos los 25 de enero se celebra la noche de Robert Burns, suena la gaita y se comen haggis. Escuchamos el clarinete de Yom en el tema “Everywhere home” de 2015 .. Nos gustan la música clarinete… no tanto la de Kenny G.. Es el tiempo de otra obsesión, la canción más triste del SXVI, “Flow my tears” la triste historia de su compositor John Dowland y la loca obsesión de Philip K.Dick por esta canción, las lágrimas del “Blade Runner”, el intento de suicidio con bromuro. Para finalizar dos novedades, “1772” de Dijit, SD , el proyecto de un productor egipcio , los sonidos de Bristol traspasados a Egipcio. Para finalizar suena el tema de dream pop “Save you tears” de The weeknd perteneciente a su último disco “After hours” publicado el pasado marzo. Seguimos con las lágrimas. Llega el momento de la película de la semana en este caso son dos de Andrey Zvyagintsev – intentamos pronunciar su apellido-…”El regreso” y “El destierro”. Una búsqueda de la trascendencia. “El regreso” una genial opera prima, que ganó el León de Oro de Venecia y Gijón. La función de los festivales. Un director dentro de la tradición rusa de Tarkovskiy, Sokúrov… El padre ausente en el regreso, reminiscencia de Ulises, imágenes que reverberan. Un viaje desde la madre hasta el padre. Un padre misterioso lleno de secretos. Una road movie. El padre intenta marcar su autoridad y darles una educación viril. Como decía Hitchcock cuando están en la aturas los personajes dicen la verdad. “El destierro” dos universos, el campo y la ciudad. Influencia de Antonioni en la parte de la ciudad, y ecos del western y de Malick en el campo. Una tragedia en el estilo clásico. La artificiosidad de los flash backs. Un paraíso corrupto. El clima refleja el estado de ánimo de los personajes. Un universo ancestral, masculino, atávico. Otra vez aparece una figura paterna llena de misterios e incapaz de comunicarse …. Por fin, consegimos hablar de las películas sin hacer spoilers...

Andrey Zvyagintsev ist einer der besten und erfolgreichsten russischen Filmregisseure der Gegenwart. Goldener Löwe in Venedig. Drehbuchpreis in Cannes. Und: Oscar in Hollywood für den besten fremdsprachigen Film, nämlich „Loveless“. Dieser Film schaut Russland ins lieblose Herz und ist nun auf DVD erschienen. - Eine Empfehlung von Christine Deggau.

Considerado heredero natural del legado de Tarkovsky, el ruso Andrey Zvyagintsev se ha pasado la última década expandiendo magistralmente su lenguaje hasta independizarse casi por completo de la larga sombra del maestro. En ese viaje, iniciado con Elena (2011) y luego continuado con Leviatán (2014), Nelyubov -literalmente, "no me gusta"- viene a ser el golpe de gracia de un persistente y descarnado esfuerzo por dar cuenta de los avatares de la Rusia contemporánea, contenidos esta vez en el atroz relato de un niño que desaparece de un hogar en el que nunca fue querido. Conminados a buscarlo, sus padres no tienen otra que enfrentar la raíz de ese desamor, sus deseos de nunca haberlo tenido y la perspectiva de unas vidas separadas en las que él siempre será un fantasma. De eso y de otros dolores, hablamos en esta podcast.

Com Profa. Denise Grimm e Profa. Elisa Vieira Neste episódio, recebemos duas convidadas muito especiais – as Professoras Denise Grimm e Elisa Vieira, aposentadas do Colégio Pedro II – para debater sobre duas das maiores obras da literatura brasileira: os romances Dom Casmurro, de Machado de Assis, e S. Bernardo, de Graciliano Ramos. Mais especificamente, falamos das personagens femininas que protagonizam essas narrativas – não para colocá-las no banco de réus, como muitas vezes se faz em discussões mais superficiais sobre esses romances, mas sim para tentar olhar para essas histórias de amor, ciúme e adultério a partir de um ponto de vista mais feminino. Como não poderia deixar de ser, aproveitamos também para descer a lenha no governo abordando algumas questões que ocuparam os noticiários nas últimas semanas, como a criminosa reforma da Previdência e o corte de verbas às universidades e institutos federais. >>> SUMÁRIO 00:00:00 a 00:10:49Apresentação do tema e das convidadas, pistolagem sobre a Reforma da PrevidênciaBloco 1 >>> 00:10:50 a 00:32:05Resumo de Dom Casmurro e S. Bernardo por Liliane MachadoBloco 2 >>> 00:32:06 a 00:46:52O ciúme é problema do ciumento (ou “Por que Capitu era muito mais mulher do que Bentinho era homem”)Bloco 3 >>> 00:46:53 a 01:16:02Ciúme e possessividade, violência e educação em S. BernardoRecomendações culturais >>> 01:16:03 a 01:35:51Teve MUITA dica boa de filme e livro!Recados finais >>> 01:35:52 a 01:55:54Pistolagem sobre o corte de verbas, recadinho para os alunos do CP2 e agradecimentos >>> NOSSOS CONTATOS PARTICIPARAM DO EPISÓDIO REFERÊNCIAS DO EP RECOMENDAÇÕES CRÉDITOS PLAYLIST COMO CITAR ESTE EPISÓDIO

Cinephiles, what Russian film have you seen lately? Serious Conversations has two suggestions for you. The first of a two part conversation on recent Russian cinema, in this episode the friends introduce two Russian films: The Fool (2014) by Yuri Bykov, and Leviathan (2014) by Andrey Zvyagintsev. They give a summary and an analysis of The Fool, a dark drama about political corruption and moral principle, and discuss some of its thematic qualities. This episode contains spoilers.

In this episode, the friends conclude their discussion of two recent Russian films, The Fool (2014), by Yuri Bykov, and Leviathan (2014), by Andrey Zvyagintsev. Having finished their discussion of The Fool, the friends now move on to Leviathan, another drama about political corruption in Russia, and give a detailed analysis of its themes and its criticism of contemporary Russian society. They then compare the two films, discussing their various similarities and possible trends in contemporary Russian cinema. The friends also digress and talk about communism, the Orthodox Church, and oddly depressing Soviet kid's cartoons. This episode contains spoilers.

从拍摄场景，到服装，还有描述对象都不尽相同，差别可大了去啦！加入摄影早自习【微信群】1、添加叶梓私人微信：katoyezi（暗号：喜马拉雅）2、发送“申请入群”　　早安我是叶梓，今天是摄影早自习陪伴大家的第976天。 我想回答头条的问答邀请里的一位同学的问题，他问：人像摄影和私房摄影有什么不同？有什么要注意的地方？ 我简单说三个方面的不同：　　第一、拍摄场景不同。人像摄影它可以是在户外拍摄的，可以是在公共场所拍摄的，比如说公园里，比如说咖啡厅，它也可以在影棚里来拍摄。Photo by Raphael Schaller on Unsplash　　但私房摄影大多都是在类似于家居环境中拍摄的。真的是在家里拍摄的吗？我想并不是，因为每个人家里都很乱，很多时候我们可能会在外面去租一个民宿，然后在漂亮的、整洁的、东西并不杂乱的房间里面来拍摄私房照。　　这样的场景中通常都会有大大的玻璃窗，会有很浪漫的轻柔的纱帘，有一张大大的床，上面是白色的或者其它的素色的床单。这些场景可以营造一个比较清新的，比较纯洁的一种画面感。当然私房照也并不是只有小清新的，它可能还有一些欧美范儿的，一些比较重的情绪的一些照片。Photo by Ye Fung Tchen on Unsplash　　这样的场景可能是比较暗调的光线，墙壁也可能是深灰色，甚至是直接那种水泥涂抹的质感。灯光可能也是非常集中的，只有一部分被照亮，其它地方可能大多数都是处在阴影之中，颜色上可能也会比较鲜艳、比较浓郁。私房场景的风格其实跟人像场景的风格是类似的，只不过私房照基本上都在室内进行，这是第一个不同。Photo by Timothy Dykes on Unsplash　　第二个不同是人物的着装不同。人像照的人物着装是多样化的，其实什么样的都有，可能会穿的很多，穿个羽绒服，他也可能穿得很少，穿个比基尼站在沙滩上，这都可以算是人像照。但是私房照我们很少会见到穿得很多的，即便是她穿的长袖的睡衣，她也是一个非常松垮的状态。因为我们要模拟的是她一个人在家的，私有化的场景下的一种情绪，谁也不会在家里边穿戴得整整齐齐的，是不是？所以我们不能讲私房照的所有照片都是偏性感的，但是它注定是偏私密化的。　　当然了，现在绝大部分的私房照都还是穿的比较少一些，有很多人找摄影师来拍私房照，就是想记录一下自己身体的美，所以你要是穿太多，你身体的美就无从谈起了。Photo by Andrey Zvyagintsev on Unsplash　　人像和私房照的第三个不同是描述对象的不同。我们在做人像摄影的时候描述对象可能有两种：第一种，可能是描述她的面部，比如说半身像，胸像或者是人物头部的特写镜头，都是以描述面部为主；另一种人像照片是描述她的服饰，比如说你们在淘宝上见到那些衣服的广告照片，那都是在描述那件衣服的。那个人长什么样，其实只是起到一个辅助作用。 　　但私房照就不一样了。私房照第一重点不是在描述脸，第二重点不是在描述衣服。它首先要描述的对象是身体，其次要描述的是对方的情绪，而这两者都是比较私密化的。所以有时候拍摄私房的摄影师可能会使用50mm甚至85mm这样的中长焦镜头，来拍摄身体的某些局部。比如说一双非常修长的手放在她自己的锁骨上，咱们就拍这手，这锁骨，它就已经是非常美的画面了，不见得张张照片都会带上她的脸，因为重心根本就不在那边。Photo by Juliana Arruda on Unsplash　　我还有个学生，她在拍摄私房照的时候会有很多的方法去让对方在镜头前放松下来，让对方展示出她内心深处所不为人所知的那一面，这样的私房照最终她可能不会给别人看，但是对她自己而言是非常有价值的一个记录。这记录的并不只是对方年轻时的身体的美，而且也是她当时生活的情绪的真实的写照，这样的照片是在普通的人像照片里难以见到的。Photo by JoelValve on Unsplash- 小作业-　　好了，今天我们布置一个小思考题，你认为私房照和所谓的情色摄影之间它有明确的界限吗？请在底部留言，我想听听你的看法。免费摄影课《旅行摄影评片会》复制链接观看：https://study.163.com/courses-search?keyword=摄影评片会#/?ot=5　　今天是摄影早自习陪伴大家的第976天，我是叶梓，每天早上6:30，微信公众号“摄影早自习”，不见不散。 　

从拍摄场景，到服装，还有描述对象都不尽相同，差别可大了去啦！加入摄影早自习【微信群】1、添加叶梓私人微信：katoyezi（暗号：喜马拉雅）2、发送“申请入群”　　早安我是叶梓，今天是摄影早自习陪伴大家的第976天。 我想回答头条的问答邀请里的一位同学的问题，他问：人像摄影和私房摄影有什么不同？有什么要注意的地方？ 我简单说三个方面的不同：　　第一、拍摄场景不同。人像摄影它可以是在户外拍摄的，可以是在公共场所拍摄的，比如说公园里，比如说咖啡厅，它也可以在影棚里来拍摄。Photo by Raphael Schaller on Unsplash　　但私房摄影大多都是在类似于家居环境中拍摄的。真的是在家里拍摄的吗？我想并不是，因为每个人家里都很乱，很多时候我们可能会在外面去租一个民宿，然后在漂亮的、整洁的、东西并不杂乱的房间里面来拍摄私房照。　　这样的场景中通常都会有大大的玻璃窗，会有很浪漫的轻柔的纱帘，有一张大大的床，上面是白色的或者其它的素色的床单。这些场景可以营造一个比较清新的，比较纯洁的一种画面感。当然私房照也并不是只有小清新的，它可能还有一些欧美范儿的，一些比较重的情绪的一些照片。Photo by Ye Fung Tchen on Unsplash　　这样的场景可能是比较暗调的光线，墙壁也可能是深灰色，甚至是直接那种水泥涂抹的质感。灯光可能也是非常集中的，只有一部分被照亮，其它地方可能大多数都是处在阴影之中，颜色上可能也会比较鲜艳、比较浓郁。私房场景的风格其实跟人像场景的风格是类似的，只不过私房照基本上都在室内进行，这是第一个不同。Photo by Timothy Dykes on Unsplash　　第二个不同是人物的着装不同。人像照的人物着装是多样化的，其实什么样的都有，可能会穿的很多，穿个羽绒服，他也可能穿得很少，穿个比基尼站在沙滩上，这都可以算是人像照。但是私房照我们很少会见到穿得很多的，即便是她穿的长袖的睡衣，她也是一个非常松垮的状态。因为我们要模拟的是她一个人在家的，私有化的场景下的一种情绪，谁也不会在家里边穿戴得整整齐齐的，是不是？所以我们不能讲私房照的所有照片都是偏性感的，但是它注定是偏私密化的。　　当然了，现在绝大部分的私房照都还是穿的比较少一些，有很多人找摄影师来拍私房照，就是想记录一下自己身体的美，所以你要是穿太多，你身体的美就无从谈起了。Photo by Andrey Zvyagintsev on Unsplash　　人像和私房照的第三个不同是描述对象的不同。我们在做人像摄影的时候描述对象可能有两种：第一种，可能是描述她的面部，比如说半身像，胸像或者是人物头部的特写镜头，都是以描述面部为主；另一种人像照片是描述她的服饰，比如说你们在淘宝上见到那些衣服的广告照片，那都是在描述那件衣服的。那个人长什么样，其实只是起到一个辅助作用。 　　但私房照就不一样了。私房照第一重点不是在描述脸，第二重点不是在描述衣服。它首先要描述的对象是身体，其次要描述的是对方的情绪，而这两者都是比较私密化的。所以有时候拍摄私房的摄影师可能会使用50mm甚至85mm这样的中长焦镜头，来拍摄身体的某些局部。比如说一双非常修长的手放在她自己的锁骨上，咱们就拍这手，这锁骨，它就已经是非常美的画面了，不见得张张照片都会带上她的脸，因为重心根本就不在那边。Photo by Juliana Arruda on Unsplash　　我还有个学生，她在拍摄私房照的时候会有很多的方法去让对方在镜头前放松下来，让对方展示出她内心深处所不为人所知的那一面，这样的私房照最终她可能不会给别人看，但是对她自己而言是非常有价值的一个记录。这记录的并不只是对方年轻时的身体的美，而且也是她当时生活的情绪的真实的写照，这样的照片是在普通的人像照片里难以见到的。Photo by JoelValve on Unsplash- 小作业-　　好了，今天我们布置一个小思考题，你认为私房照和所谓的情色摄影之间它有明确的界限吗？请在底部留言，我想听听你的看法。免费摄影课《旅行摄影评片会》复制链接观看：https://study.163.com/courses-search?keyword=摄影评片会#/?ot=5　　今天是摄影早自习陪伴大家的第976天，我是叶梓，每天早上6:30，微信公众号“摄影早自习”，不见不散。 　

从拍摄场景，到服装，还有描述对象都不尽相同，差别可大了去啦！加入摄影早自习【微信群】1、添加叶梓私人微信：katoyezi（暗号：喜马拉雅）2、发送“申请入群”　　早安我是叶梓，今天是摄影早自习陪伴大家的第976天。 我想回答头条的问答邀请里的一位同学的问题，他问：人像摄影和私房摄影有什么不同？有什么要注意的地方？ 我简单说三个方面的不同：　　第一、拍摄场景不同。人像摄影它可以是在户外拍摄的，可以是在公共场所拍摄的，比如说公园里，比如说咖啡厅，它也可以在影棚里来拍摄。Photo by Raphael Schaller on Unsplash　　但私房摄影大多都是在类似于家居环境中拍摄的。真的是在家里拍摄的吗？我想并不是，因为每个人家里都很乱，很多时候我们可能会在外面去租一个民宿，然后在漂亮的、整洁的、东西并不杂乱的房间里面来拍摄私房照。　　这样的场景中通常都会有大大的玻璃窗，会有很浪漫的轻柔的纱帘，有一张大大的床，上面是白色的或者其它的素色的床单。这些场景可以营造一个比较清新的，比较纯洁的一种画面感。当然私房照也并不是只有小清新的，它可能还有一些欧美范儿的，一些比较重的情绪的一些照片。Photo by Ye Fung Tchen on Unsplash　　这样的场景可能是比较暗调的光线，墙壁也可能是深灰色，甚至是直接那种水泥涂抹的质感。灯光可能也是非常集中的，只有一部分被照亮，其它地方可能大多数都是处在阴影之中，颜色上可能也会比较鲜艳、比较浓郁。私房场景的风格其实跟人像场景的风格是类似的，只不过私房照基本上都在室内进行，这是第一个不同。Photo by Timothy Dykes on Unsplash　　第二个不同是人物的着装不同。人像照的人物着装是多样化的，其实什么样的都有，可能会穿的很多，穿个羽绒服，他也可能穿得很少，穿个比基尼站在沙滩上，这都可以算是人像照。但是私房照我们很少会见到穿得很多的，即便是她穿的长袖的睡衣，她也是一个非常松垮的状态。因为我们要模拟的是她一个人在家的，私有化的场景下的一种情绪，谁也不会在家里边穿戴得整整齐齐的，是不是？所以我们不能讲私房照的所有照片都是偏性感的，但是它注定是偏私密化的。　　当然了，现在绝大部分的私房照都还是穿的比较少一些，有很多人找摄影师来拍私房照，就是想记录一下自己身体的美，所以你要是穿太多，你身体的美就无从谈起了。Photo by Andrey Zvyagintsev on Unsplash　　人像和私房照的第三个不同是描述对象的不同。我们在做人像摄影的时候描述对象可能有两种：第一种，可能是描述她的面部，比如说半身像，胸像或者是人物头部的特写镜头，都是以描述面部为主；另一种人像照片是描述她的服饰，比如说你们在淘宝上见到那些衣服的广告照片，那都是在描述那件衣服的。那个人长什么样，其实只是起到一个辅助作用。 　　但私房照就不一样了。私房照第一重点不是在描述脸，第二重点不是在描述衣服。它首先要描述的对象是身体，其次要描述的是对方的情绪，而这两者都是比较私密化的。所以有时候拍摄私房的摄影师可能会使用50mm甚至85mm这样的中长焦镜头，来拍摄身体的某些局部。比如说一双非常修长的手放在她自己的锁骨上，咱们就拍这手，这锁骨，它就已经是非常美的画面了，不见得张张照片都会带上她的脸，因为重心根本就不在那边。Photo by Juliana Arruda on Unsplash　　我还有个学生，她在拍摄私房照的时候会有很多的方法去让对方在镜头前放松下来，让对方展示出她内心深处所不为人所知的那一面，这样的私房照最终她可能不会给别人看，但是对她自己而言是非常有价值的一个记录。这记录的并不只是对方年轻时的身体的美，而且也是她当时生活的情绪的真实的写照，这样的照片是在普通的人像照片里难以见到的。Photo by JoelValve on Unsplash- 小作业-　　好了，今天我们布置一个小思考题，你认为私房照和所谓的情色摄影之间它有明确的界限吗？请在底部留言，我想听听你的看法。免费摄影课《旅行摄影评片会》复制链接观看：https://study.163.com/courses-search?keyword=摄影评片会#/?ot=5　　今天是摄影早自习陪伴大家的第976天，我是叶梓，每天早上6:30，微信公众号“摄影早自习”，不见不散。 　

A couple in the midst of divorce tragically neglect their 12-year-old son, in Andrey Zvyagintsev ‘s portrait of spiritual malaise…

Unutulmaz Podcastler’in yeni bölümünde sevgili dostlarımız Tuğba B. ve Özgür B.’nin AŞIRI BÜYÜK evlerine konuk olduk, Andrey Zvyagintsev’in fırtınalar koparan son eseri Loveless’ı tartıştık. Tuğba bir saat içerisinde kaç aforizma üretebilir, ürettiklerinin hepsini dövme yaptıracak olsak vücudumuzda yer kalır mı? Özgür ortamlarda Andrey Bey’in ilk uzun metrajını izlemiş tek kişi olmanın ekmeğini yemekten ne zaman vazgeçecek? Yıkık dökük ev görünce kendinden geçen Defne, boş zamanlarında inşaat izlemeye bayılıyor mu? Arda üzerine haftalardır çalıştığı Zvyagintsev telaffuzunu mükemmelleştirip overachiever’lık yaptı mı? Hepsinden öte, Tuğba ve Özgür’ün evinin yüzölçümü Cambridge’in kültür merkezi olmayı kaldırabilecek mi? Hepsi ve daha fazlası için tıklayınız.

Netflix's remake of Lost in Space and upcoming Foxtel comedy Barry. Plus, Jason's film of the week is Andrey Zvyagintsev's Loveless, an interview with Sally Potter about The Party, and a new exhibition looks at how Alice in Wonderland inspired revolutionary filmmaking.

Netflix's remake of Lost in Space and upcoming Foxtel comedy Barry. Plus, Jason's film of the week is Andrey Zvyagintsev's Loveless, an interview with Sally Potter about The Party, and a new exhibition looks at how Alice in Wonderland inspired revolutionary filmmaking.

This week we review Paul Thomas Anderson's sumptuous period drama Phantom Thread, a film which is going straight into my top four films with the word "Phantom" in the title*.Then we tackle Loveless which unfortunately is not a Wild Wild West spinoff film focussing on Kenneth Branagh's villain but the latest masterpiece from acclaimed Russian director Andrey Zvyagintsev. If you like your art bleak, uncompromising and totally enthralling then this is the movie for you!We also try our best to speak vaguely intelligently about Tarantino and the latest wave of sexual assault allegations, discuss the various Superbowl trailers and talk about how The Cloverfield Paradox was dumped on Netflix like the steaming dump it is...because it's shit?...I don't know there's a joke there somewhere.*Official Rankings1. The Phantom 2. The Phantom of the Opera3. The Phantom Menace4. Phantom Thread See acast.com/privacy for privacy and opt-out information.

Em ritmo de Carnaval, a Unidos da Varanda apresenta seu samba-enredo. Tem especial sobre a vida e a obra de Greta Gerwig (19:38), do cinema indie americano à indicação ao Oscar de direção. E, claro, falamos tudo sobre um dos grandes filmes dessa temporada: Lady Bird - A Hora de Voar (30:20). Da Rússia, outro indicado ao Oscar de Filme Estrangeiro. Sem Amor (1:05:08) já fora rapidamente comentado durante a Mostra SP, mas agora aprofundamos mais o papo sobre ele e sobre a filmografia de Andrey Zvyagintsev. Tem chances de levar a estatueta? Cinéfilos foliões, temos também Cantinho do Ouvinte, Boletim do Oscar e Recomendações – com destaque para outro indicado a filme estrangeiro, O Insulto. Bom podcast!

Acclaimed director Andrey Zvyagintsev takes part in a Q&A for his new film Loveless together with producer Alexander Rodnyansky, hosted by Paul Whittington. Recorded at the Irish Film Institute on January 28th 2018.

Aldo e Federica parlano dell'ultimo film di Andrey Zvyagintsev (di cui già parlammo a Ricciotto 110). Un film con diverse cose da dire, ma non perfettamente riuscito.Il link alla puntata di Ricciotto 110: http://querty.it/podcast/mad-max-fury-road-leviathan-ricciotto-110/

Aldo e Federica parlano dell'ultimo film di Andrey Zvyagintsev (di cui già parlammo a Ricciotto 110). Un film con diverse cose da dire, ma non perfettamente riuscito. Il link alla puntata di Ricciotto 110: http://querty.it/podcast/mad-max-fury-road-leviathan-ricciotto-110/

Aldo e Federica parlano dell'ultimo film di Andrey Zvyagintsev (di cui già parlammo a Ricciotto 110). Un film con diverse cose da dire, ma non perfettamente riuscito.Il link alla puntata di Ricciotto 110: http://querty.it/podcast/mad-max-fury-road-leviathan-ricciotto-110/

We talk with Lily's friend Nastya all about Russian movies since perestroika. Well we were supposed to, but we lost most of the recording. So instead we bring you a baby episode about heating pads (get one!), and a theory about how The Return and Leviathan, both directed by Andrey Zvyagintsev, exemplify Russia's changing relationship with The West. Fear not, in the future, we'll re-record a full episode on Russian film. Telegram channel: https://t.me/shesinrussia

Le mois de septembre 2017 a eu le mérite d'être très varié pour 24FPS, le podcast ciné avec ou sans spoiler !Voici la liste des 19 films (dont deux films surprise) évoqués sans spoiler par Julien et Jerome dans cet épisode : HHhH de Cédric Jimenez (à partir de 0h02m53) Wind River de Taylor Sheridan (à partir de 0h08m13) A Beautiful Day (You Were Never Really Here) de Lynne Ramsay (à partir de 0h21m08) Le Redoutable de Michel Hazanavicius (à partir de 0h25m36) Stronger de David Gordon Green (à partir de 0h37m37) Jerry Before Seinfeld de Michael Bonfiglio (à partir de 0h47m38) Le Chateau De Verre de Destin Daniel Cretton (à partir de 1h01m54) Black Sabbath: The End Of The End de Dick Carruthers (à partir de 1h06m35) Faute d'Amour (Loveless) de Andrey Zvyagintsev (à partir de 1h26m07) Barry Seal: American Traffic (American Made) de Doug Liman (à partir de 1h34m35) Good Time de Ben et Joshua Safdie (à partir de 1h46m17) Terminator 2 3D de James Cameron (à partir de 1h50m45) Mad Max Fury Road Black & Chrome Edition de George Miller (à partir de 1h56m42) Le Jeune Karl Marx de Raoul Peck (à partir de 2h03m09) Patti Cake$ de Geremy Jasper (à partir de 2h10m39) Une Suite Qui Dérange : Le Temps De l'Action de Bonni Cohen et Jon Shenk (à partir de 2h13m12) Les Proies (The Beguiled) de Sofia Coppola (à partir de 2h21m43) Mon Garçon de Christian Carion (à partir de 2h29m34) Ça (It) de Andy Muschietti (à partir de 2h47m53)Bonne écoute, et n'hésitez pas à nous dire ce que vous pensez de Stranger Things !Crédits musicaux : War Pigs (Live) et Black Sabbath (Live) de Black Sabbath, issu de l'album Live... Gathered In Their Masses (2013), et Antisocial (French Version) de Anthrax, issu des bonus de l'album State Of Euphoria (1988)

Wongie continues to discuss with his fellow journalists on the 2017 Cannes Film Festival from a behind the scenes perspective! Day 2: With a few movies in the bag, Wongie talks to Ward about Todd Haynes "Wonderstruck", Vanessa Redgrave's doc "Sea Sorrow" and then returns at the end about a party that the two were both invited to. Then Irene chats about her thoughts on Andrey Zvyagintsev's "Loveless" which has people already claiming a prize at the end of the fest, and Takashi Miike's 100th film "Blade of the Immortal". Finally Nadia and Wongie walk along the piers looking at big yachts while breaking down the town of Cannes to the un-initiated. It's alot to take in, but thank goodness my co-stars are filled with entertaining knowledge! Guests: Ward Verrijcken: https://twitter.com/filmWard Irene Crespo: https://twitter.com/irenecrespo_ Nadia Neophytou: https://twitter.com/NadiaNeophytou If you like what you hear please follow Wongie Facebook: www.facebook.com/WorldOfWongie Twitter: @wongie1 Instagram: @wongie1

Desde ayer miércoles y hasta el próximo domingo 28 de mayo PremiosOscar.net y su podcast La Sexta Nominada estarán presentes en el Festival de Cannes, la cita cinematográfica más prestigiosa e influyente del planeta. Con la ayuda de otros periodistas desplazados en el festival, cada día publicaremos un podcast en el que repasaremos las películas que veamos, nuestros encontronazos con las estrellas, las anécdotas del día a día y muchos más detalles de la vida en Cannes. En la primera jornada los grandes protagonistas han sido Arnaud Depleschin y Andrey Zvyagintsev. El francés ha inaugurado la 69 edición del Festival con 'Ismael's Ghosts', mientras que el ruso ha abierto el fuego en la lucha por la Palma de Oro con 'Loveless' tres años después de ganar el premio al mejor guion con 'Leviathan'. Nos acompañan en este podcast Inma Pilar, de Videódromo, y Nacho Gonzalo, de El cine de LoQueYoTeDiga.

   Episode 168: The Garrel Grievance [1:05:33] You can Listen online or Download Here  (Right Click… Save as) News from the Croisette lures Irini and Cal back to the microphone, as we discuss yesterday’s announcement of the 70th Cannes Film Festival lineup, featuring (among others) new films from Andrey Zvyagintsev, Lynne Ramsay, Todd Haynes, and podcast favourite […]

La cuarta película de este director ruso retoma la vocación rural y contemplativa de sus dos primeras cintas (El regreso, 2004, y El destierro, 2007) y le agrega la denuncia social de su tercera cinta (Elena, 2011), para conformar una obra mayor. Perfecta en lo formal, eficaz en lo narrativo (aunque se le pasa la mano con la caricaturización de ciertos personajes)y punzante a nivel discursivo, su denuncia contra la corrupción de la iglesia, el Estado y la justicia de su país se expande incluso hacia una indagación feroz sobre el sentido de la propia existencia de la humanidad como especie. Ambición gigante sostenida sobre sólidos cimientos bíblicos, literarios y cinematográficos. De esto y más hablamos en el podcast.

2014 was an amazing year for movies and there are no two examples that are better than Andrey Zvyagintsev's "Leviathan" and J.C. Chandor's "A Most Violent Year". Mikhail Karadimov discusses how he was moved on a personal level by the new film from Russia while James Hancock and Parker Dixon enjoy a friendly debate over Chandor's best film to date.

With Kirsty Lang. When poet Sharon Olds' husband told her he was leaving her, she took out her notebook and started writing. Her new volume, Stag's Leap, charts the death of that marriage in a collection of poems now shortlisted for the T S Eliot Prize for Poetry. Sharon Olds is known for being a poet of the personal, and she joins Kirsty to discuss her latest revelations. A black female lead character is a rare sight in television, which is why Scandal - a new drama from the US about political corruption - has attracted attention. It stars Kerry Washington as Olivia Pope, a crisis-management expert in Washington DC, and is loosely based on Judy Smith, former press aide to President George H. W. Bush. Gaylene Gould reviews. Elena, a new film from Russian director Andrey Zvyagintsev, won the Cannes Film Festival's Un Certain Regard Special Jury Prize earlier this year. Elena is forced to fight for an inheritance from her wealthy husband, in a modern take on the classic noir. Author A D Miller, a former Moscow correspondent for The Economist, discusses what the film tells us about contemporary Russia. Chris Difford and Glenn Tilbrook of the band Squeeze are preparing to tour the UK next month. Following each performance they will be behind the counter of their Pop-Up Shop, where they'll be selling recordings of that evening's concert. Tilbrook and Difford discuss this new venture, the first music they've written together for 14 years, and what it's like to sing the old hits more than 30 years on. Producer Rebecca Nicholson.

Show Notes:A quick note: this episode will contain some references to suicide throughout along with one mention of rape.  This week, Matt and Cameron quietly consider the movie Leviathan (2014), directed by Andrey Zvyagintsev, while standing on the edge of a cliff. Come along as they talk about a dismal family story that may or not have a lot to do with the biblical Book of Job and institutions of good and evil. Grab an entire bottle of vodka and your military surplus AK-style rifle, then tune in! Major themes: “It's a bleak boy,” Job's lament, God in silence01:36 - Watch This Tonight 2:26 - A little info on Marvin Heemeyer's rampage49:45 - Check out our episode on Solzhenitsyn's “Matryona's House.”56:21 - I was actually thinking of “Roy Medvedev.” The music used in this episode was “Старое Кино / Staroye Kino,” by Перемотка / Peremotka. You can find more of their work on Bandcamp and Youtube. Check out the work of Shae McMullin, who did our wonderful podcast art. Our links: Website | ⁠Discord⁠Socials: Instagram⁠ | Twitter⁠ | Facebook | ThreadsQuestions, comments, want to hear your voice on a bonus episode? Send us an email at slaviclitpod@gmail.com or call our voicemail at 209.800.3944