Podcasts about artur rubinstein

Imagine being a multi-talented artist, a composer who has crafted scores for TV and iconic films like Jeremiah Johnson and The Candidate. Now, imagine you're also an acclaimed actor, having graced countless movies and winning a Tony Award for Children of a Lesser God Picture collaborating with legendary directors such as Bob Fosse, Mike Nichols, and Stephen Sondheim. Oh, and did I mention your father was the renowned pianist Artur Rubinstein? Growing up, you played for distinguished guests like Stravinsky, Milhaud, and Lawrence Olivier. With that incredible background, you can only imagine how thrilling it was for me to chat with the extraordinary John Rubenstein!In Part 1, we delve into John's fascinating childhood and his initial steps into the world of composing. He began by writing for school projects and eventually transitioned into film scoring. John shares how the movie Chinatown influenced him and his special connection with trumpeter Uan Rasey, whose haunting solos left a lasting impact. We also explore the art of writing scores in Hollywood, discussing the nuances between composing for TV series and films. Then, we shift to John's acting career, highlighting his lead role in Pippin under the direction of the legendary Bob Fosse. We wrap up this segment by discussing the challenges of dealing with nerves and taking auditions.In Part 2, we take a detour to discuss a memorable evening when John starred in Children of a Lesser God at the Mark Taper Forum in Los Angeles, while his father performed at the Music Center. John reminisces about playing for George Szell and shares insights into his father's experience recording with Fritz Reiner. We conclude with a wide-ranging conversation covering John's favorite books and composers.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

Chillout Classic w Radiu Spin #39 "Back to Begin" Trochę w kontrze tej ostatniej z roku 2023. Czyli będą pierwsze symfonie, pierwsze części, pierwsze kroki, pierwszy walc. 1. J.S. Bach - Wariacje Goldbergowskie - Aria oraz wariacje 1,2,3, Glen Gould, wersja z 1955 r. 2. J.S. Bach - Preludium z I suity wiolonczelowej G-dur, Yo-Yo Ma. 3. F. Chopin - Grand Valse Brillante Es-dur op. 18, Artur Rubinstein. 4. P. Czajkowski - I Symfonia g-moll "Zimowe marzenia", cz. 1 Podróż zimowa, Vladimir Jurowski , London Philharmonic Orchestra. 5. C. Porter - Begin The Beguin - Ella Fitzgerald. 6. J. Haydn - I Symfonia D- dur, cz. 1 Presto, Haydn Orchestra, Adam Fischer. 7. H. Zimmer - First Step (Interstellar), Maksym Rzemiński, Rzemiński Chamber Orchestra. 8. G. Mahler - I Symfonia D- dur, cz. 1, Leonard Bernstein, New York Philharmonic.

Chillout Classic w Radiu Spin #40 Tematem jest czterdziestka. W audycji przestawiam utwory na różny sposób związany z numerem 40. Czasem to opus, czasem czterdziesta symfonia a czasem czasy lat czterdziestych, czy tempo 40. Miłego słuchania. 1. J.S. Bach - Wariacje Goldbergowskie, Aria i 1,2,3 wariacja, Andreas Schiff. 2. F. Chopin - Polonez op.40 nr 2 g-moll, Artur Rubinstein. 3. W.A. Mozart - 3 koncert fortepianowy D-dur KV 40, cz.2 Andante, Murray Perahia, English Chamber Orchestra. 4. W.A. Mozart symfonia 40 g-moll ,cz.1 Molto Allegro, Marc Minkowski, Les Musiciens du Louvre. 5. Harold Arlen - Over The Rainbow, Judy Garland 6. Leigha Harline - When You Wish Upon a Star, Cliff Edwards. 7. Max Steiner - Temat Tary z Przeminęło z wiatrem, Itzhak Perlman, John Williams, Boston Pops Orchestra. 8. Herman Hupfeld - As Time Goes By, Billy Holiday. 9. A. Dworzak - IX Symfonia e- moll, cz. 2 Largo, New York Philharmonic, Alan Gilbert.

Chillout Classic w Radiu Spin #38 "Every Time We Say Goodbye". Audycja na zakończenie roku, czyli wszystko co się kojarzy z końcem. Ostatnie części, symfonie, kwartety...ostatni pociąg. 1. J.S.Bach - Wariacje Goldbergowskie, Aria da capo, Dan Tepfer. 2. J. Haydn - Symfonia pożegnalna, cz 4, Amsterdam Baroque Orchestra, Ton Koopmann. 3. Path Metheny - Last train Home 4. F. Shubert - Symfonia niedokończona cz. 2 Andante com Moto, Gewandhausorchester, Herbert Bloomstedt. 5. F. Chopin Nocturne op.62 nr 2 E-dur, Artur Rubinstein. 6. L.van Beethoven kwartet a-moll op. 132 a moll, cz 3 Molto Adagio, Alban Berg Quartet. 7. J.S. Bach - Quodlibed z Wariacji Golbergowskich, Dan Tepfer. 8. Dan Tepfer - Mashup. 9. Every Time We Say Goodbye - Ray Charles, Betty Carter.

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- W sztuce dla mnie najważniejszy jest zapis chwili, ten przekaz emocjonalny. W dyskografii Artura Rubinsteina najbardziej dotykamy Chopina, ale przecież on grał właściwie wszystko - mówił w Dwójce pianista i pedagog Karol Radziwonowicz.

This week on The Sound Kitchen you'll hear the answer to the question about the Women's Singles 2023 Roland Garros winner. There's a poem from RFI listener Adeloya Opaluwah, the “Listeners Corner”, and “Music from Erwan”. All that, and the new quiz question, too, so click on the “Play” button above and enjoy!  Hello everyone! Welcome to The Sound Kitchen weekly podcast, published every Saturday – here on our website, or wherever you get your podcasts. You'll hear the winner's names announced and the week's quiz question, along with all the other ingredients you've grown accustomed to: your letters and essays, “On This Day”, quirky facts and news, interviews, and great music … so be sure and listen every week.Erwan and I are busy cooking up special shows with your musical requests, so get them in! Send your musical requests to thesoundkitchen@rfi.fr  Tell us why you like the piece of music, too – it makes it more interesting for us all!Be sure you check out our wonderful podcasts!In addition to the breaking news articles on our site, with in-depth analysis of current affairs in France and across the globe, we have several podcasts which will leave you hungry for more.There's Paris Perspective, Spotlight on France, and of course, The Sound Kitchen. We have an award-winning bilingual series – an old-time radio show, with actors (!) to help you learn French, called Les voisins du 12 bis. And there is the excellent International Report, too.As you see, sound is still quite present in the RFI English service. Keep checking our website for updates on the latest from our staff of journalists. You never know what we'll surprise you with!To listen to our podcasts from your PC, go to our website; you'll see “Podcasts” at the top of the page. You can either listen directly or subscribe and receive them directly on your mobile phone.To listen to our podcasts from your mobile phone, slide through the tabs just under the lead article (the first tab is “Headline News”) until you see “Podcasts”, and choose your show. Teachers, take note! I save postcards and stamps from all over the world to send to you for your students. If you would like stamps and postcards for your students, just write and let me know. The address is english.service@rfi.fr  If you would like to donate stamps and postcards, feel free! Our address is listed below. Another idea for your students: Br. Gerald Muller, my beloved music teacher from St Edward's University in Austin, Texas, has been writing books for young adults in his retirement – and they are free! There is a volume of biographies of painters and musicians called Gentle Giants, and an excellent biography of Dr Martin Luther King, Jr, too. They are also a good way to help you improve your English - that's how I worked on my French, reading books which were meant for young readers – and I guarantee you, it's a good method for improving your language skills. To get Br. Gerald's free books, click here.Independent RFI English Clubs: Be sure to always include Audrey Iattoni (audrey.iattoni@rfi.fr) from our Listener Relations department in all your RFI Club correspondence. Remember to copy me (thesoundkitchen@rfi.fr) when you write to her so that I know what is going on, too. N.B.: You do not need to send her your quiz answers! Email overload!And don't forget, there is a Facebook page just for you, the independent RFI English Clubs. Only members of RFI English Clubs can belong to this group page, so when you apply to join, be sure you include the name of your RFI Club and your membership number. Everyone can look at it, but only members of the group can post on it. If you haven't yet asked to join the group, and you are a member of an independent, officially recognized RFI English club, go to the Facebook link above, and fill out the questionnaire !!!!! (if you do not answer the questions, I click “decline”).There's a Facebook page for members of the general RFI Listeners Club too. Just click on the link and fill out the questionnaire, and you can connect with your fellow Club members around the world. Be sure you include your RFI Listeners Club membership number (most of them begin with an A, followed by a number) in the questionnaire, or I will have to click “Decline”, which I don't like to do!This week's quiz: On 17 June, I asked you a question about an article Paul Myers wrote about the Roland Garros (also known as the French Open) tennis tournament: “Swiatek battles past Muchova to claim her third French Open crown”. As noted in the headline, the Polish player Iga Swiatek won her third Women's Singles Roland Garros trophy, placing her square and center with three other tennis legends – and that was your question. What are the names of the three women who have also won three Women's Singles Roland Garros trophies?The answer is, to quote Paul's article: “It was Swiatek's fourth trophy at a Grand Slam tournament venue and the third at the French Open to go with crowns from 2020 and 2022. The feat puts her on the same pedestal as Serena Williams, Monica Seles and Arantxa Sanchez Vicario.”In addition to the quiz question, there was the bonus question: “What would you do if you won the lottery?”The winners are: Raihan Ali, who's a member of the Nilshagor RFI Fan Club in Nilphamari, Bangladesh. Raihan is also the winner of this week's bonus question - congratulations, Raihan!There's also Saleem Akhtar, the president of the RFI Seven Stars Radio Listeners Club in District Chiniot, Pakistan, and RFI Listeners Club members Nasyr Muhammad from Katsina State in Nigeria and Radhakrishna Pillai from Kerala State, India. Rounding out the list of winners for this week is RFI English listener Malik Allah Bachaya Khokhar, who's a member of the Sungat Radio Listeners Club in Muzaffargarh Pakistan.Congratulations winners!Here's the music you heard on this week's programme: the "Minute" waltz by Frédéric Chopin, performed by Artur Rubinstein; “The Flight of the Bumblebee” by Nicolai Rimsky-Korsakov; “The Cakewalk” from Children's Corner by Claude Debussy, performed by the composer, and “Suite: Golden Dawn” by Al Di Meola, performed by Al Di Meola, Jaco Pastorius, and members of the Return to Forever band.Do you have a musical request? Send it to thesoundkitchen@rfi.fr This week's question ... you must listen to the show to participate. After you've listened to the show, re-read our article: “Paris practices for 2024 Olympics opening ceremony on the Seine” to help you with the answer.You have until 18 September to enter this week's quiz; the winners will be announced on the 23 September podcast. When you enter, be sure you send your postal address with your answer, and if you have one, your RFI Listeners Club membership number.Send your answers to:english.service@rfi.frorSusan OwensbyRFI – The Sound Kitchen80, rue Camille Desmoulins92130 Issy-les-MoulineauxFranceorBy text … You can also send your quiz answers to The Sound Kitchen mobile phone. Dial your country's international access code, or “ + ”, then  33 6 31 12 96 82. Don't forget to include your mailing address in your text – and if you have one, your RFI Listeners Club membership number.To find out how you can win a special Sound Kitchen prize, click here.To find out how you can become a member of the RFI Listeners Club, or form your own official RFI Club, click here.  

Artur Rubinstein interpreta Fryderyk ChopinWaltz No.1, Op.18, Grande Valse BrillanteWaltz No.2, Op.34 No.1, Valse BrillanteBallades No. 1 in G minor op. 23 Ballades No. 2 in F major op. 38Scherzo No. 1 in B minor op. 20         Scherzo No. 2 in B flat minor op. 31Scherzo No. 3 in C sharp minor op. 39

- Każdy ma prawo nie pamiętać po latach kilkudziesięciu, co się działo w jego życiorysie dziecięcym - bo książka dotyczy tych pierwszych 10 lat małego Arturka, które spędził w Łodzi - w związku z czym trzeba wybaczyć mistrzowi, że mógł coś przeinaczyć - mówił w Dwójce dr Maciej Janik, autor publikacji o łódzkim okresie życia Artura Rubinsteina.

Artur Rubinstein interpreta F. Chopin Waltz No.1, Op.18, Grande Valse Brillante Waltz No.2, Op.34 No.1, Valse Brillante Ballades No. 1 in G minor op. 23  Ballades No. 2 in F major op. 38 Scherzo No. 1 in B minor op. 20          Scherzo No. 2 in B flat minor op. 31 Scherzo No. 3 in C sharp minor op. 39

Artur Rubinstein interpreta Fryderyk ChopinWaltz No.1, Op.18, Grande Valse BrillanteWaltz No.2, Op.34 No.1, Valse BrillanteBallades No. 1 in G minor op. 23 Ballades No. 2 in F major op. 38Scherzo No. 1 in B minor op. 20         Scherzo No. 2 in B flat minor op. 31Scherzo No. 3 in C sharp minor op. 39

This is a piece given to me by my high school piano teacher when I was 13 years old. For most of it the left hand has triplets while the right hand has sixteenth notes. It was a fun piece for me to play and may be the reason that I was chosen to be the accompanist for the Lake County Philharmonic when I was only 14 years old. However, the very best piano teacher I had, had been a Julliard piano professor but he got sick and was unable to play, so he transferred to DePauw University in Indiana. I was at Eastman School of Music then and a graduate of DePauw was getting her Master's degree at Eastman and told me about him. So I transferred there my junior year. He was super good! He made me count out loud when I played, and if I played louder than I counted he would yell at me - "Count louder! Count louder!" Consequently that loud counting enabled me to play much better. So not long ago I decided to go back to Fantaisie Impromptu and COUNT OUT LOUD. That really helped me play it even better than I had when I was young. So I've been playing it at Mayo and I played it on the new piano that we have at church and many people have appreciated it.The claims are that it was Artur Rubinstein himself who put Chopin's original on the map. Ernst Oster explained that the Fantaisie-Impromptu draws many of its harmonic and tonal elements from Beethoven's Moonlight Sonata, which is also in C♯ minor, and from the third movement in particular. He continues that The Fantaisie-Impromptu is perhaps the only instance where one genius discloses to us—if only by means of a composition of his own—what he actually hears in the work of another genius.

Artur Rubinstein interpreta F. ChopinWaltz No.1, Op.18, Grande Valse BrillanteWaltz No.2, Op.34 No.1, Valse BrillanteBallades No. 1 in G minor op. 23 Ballades No. 2 in F major op. 38Scherzo No. 1 in B minor op. 20 Scherzo No. 2 in B flat minor op. 31Scherzo No. 3 in C sharp minor op. 39

durée : 00:57:48 - Artur Rubinstein, la noblesse et le style - par : Aurélie Moreau - "Depuis ma petite enfance, la musique a toujours vécu en moi d'une vie aussi naturelle que le battement de mon cœur ou ma respiration", déclarait Arthur Rubinstein dont les interprétations sont à son image : technique limpide, dépouillée, claire et toujours en quête d'un chant profond et naturel. - réalisé par : Vivian Lecuivre

On today’s date in 1916, at the Teatro Real in Madrid, “Nights in the Gardens of Spain,” a new work by the Spanish composer, Manuel de Falla, received its first performance. The first night’s audience didn’t know quite what to make of it—was it a piano concerto or a tone poem? Whatever it was, they didn’t like it much, apparently, but there was at least one musician in the audience who did: the young Polish piano virtuoso, Artur Rubinstein. “I had the opportunity to hear the first performance,” wrote Rubinstein in his autobiography, “I fell in love with this work and offered to play it at the last symphony concert of the season. Being constantly on tour, I learned it by reading the score on trains. At the rehearsal I played it by heart. De Falla and the conductor, Arbos, were pleased, but again the public did not respond—the work was too complicated for them, and it ended in a dead pianissimo. Nevertheless, Arbos and I were applauded warmly” But Rubinstein knew just what was required to direct some of that applause back to the composer. “I played de Falla’s ‘Fire Dance’ as an encore,” recalled Rubinstein,” which produced the usual ovation.”

Elgin watches star studded Christmas shows with Ginny Simms, Eddie Anderson, Jack Benny, Louis Silvers and His Orchestra, Manny Klein, The Swing Wing, The Charioteers, George Burns, Gracie Allen, Carmen Miranda, Joseph Szigeti, The Les Paul Trio, Barbara Jo Allen, Bob Hope, and Bing Crosby, Jack Benny, Bob Hope, Ginny Simms, Red Skelton, Bob Crosby and The Bobcats, Barbara Jo Allen (as "Vera Vague"), Allan Jones, Artur Rubinstein, Ella Logan, Alan Reed, General Omar Bradley, The Charioteers, Larry Storch, and The Elgin Orchestra conducted by Louis Silvers.

"Mémoires Vives" émission de la Fondation pour la Mémoire de la Shoah. Préparée par Rachel Rimmer et présentée par Stéphane Bou qui reçoivent Laurent Slaars. Sujet: Livre "Commando Musik - Comment les nazis ont pillé l'Europe musicale" de Willem de Vries, traduit par Laurent Slaars À propos du livre : "Commando Musik - Comment les nazis ont pillé l'Europe musicale" Paru aux éditions Buchet Chastel Dès leur accession au pouvoir, les nazis ont développé une politique culturelle agressive, qui se poursuivit par des saisies et des pillages en France et dans tous les territoires occupés. L'organisation Rosenberg (ERR) fut notamment créée en 1940 dans le but d'éliminer la vie culturelle juive dans toute l'Europe, à travers la confiscation des œuvres d'art et des bibliothèques. C'est dans ce cadre qu'une cellule consacrée à la musique a vu le jour, le Sonderstab Musik (commando « musique »), composée d'éminents musicologues allemands, chargés de localiser des instruments, des partitions, des manuscrits. Dans cet ouvrage, qui a nécessité plus de dix ans de recherches, Willem de Vries révèle pour la première fois l'organisation de ce commando qui, entre 1940 et 1944, fit « transférer » vers l'Allemagne plusieurs centaines de milliers d'ouvrages et plusieurs dizaines de milliers d'instruments et de partitions. Le compositeur Darius Milhaud, les pianistes Wanda Landowska et Artur Rubinstein, le critique musical Arno Poldès, le violoncelliste Gregor Piatigorsky furent parmi les victimes de ces spoliations massives, dont les acteurs, le fonctionnement et l'ampleur sont enfin mis au jour.

À propos du livre : «COMMANDO MUSIK» paru aux éditions Buchet Chastel "Dès leur accession au pouvoir, les nazis ont développé une politique culturelle agressive, qui se poursuivit par des saisies et des pillages en France et dans tous les territoires occupés. L’organisation Rosenberg (ERR) fut notamment créée en 1940 dans le but d’éliminer la vie culturelle juive dans toute l’Europe, à travers la confiscation des œuvres d’art et des bibliothèques. C’est dans ce cadre qu’une cellule consacrée à la musique a vu le jour, le Sonderstab Musik (commando « 　musique　 »), composée d’éminents musicologues allemands, chargés de localiser des instruments, des partitions, des manuscrits. Dans cet ouvrage, qui a nécessité plus de dix ans de recherches, Willem de Vries révèle pour la première fois l’organisation de ce commando qui, entre 1940 et 1944, fit « 　transférer　 » vers l’Allemagne plusieurs centaines de milliers d’ouvrages et plusieurs dizaines de milliers d’instruments et de partitions. Le compositeur Darius Milhaud, les pianistes Wanda Landowska et Artur Rubinstein, le critique musical Arno Poldès, le violoncelliste Gregor Piatigorsky furent parmi les victimes de ces spoliations massives, dont les acteurs, le fonctionnement et l’ampleur sont enfin mis au jour." Né à Amsterdam en 1939, Willem de Vries est docteur en musicologie. C’est au cours de la rédaction de sa thèse sur « 　Darius Milhaud et le jazz　 », entre 1984 et 1991, qu’il a découvert l’existence du commando « 　musique　 », auquel il consacra ensuite ses recherches.

Sie ist eine Pianistin multinationaler Herkunft: Janina Fialkowska kam 1951 in Montréal auf die Welt und lebt inzwischen in der Nähe von Augsburg. Den Start ihrer Karriere verdankt sie Artur Rubinstein. Davon und wie sie sich von zwei Krebserkrankungen immer wieder ans Klavier zurückgekämpft hat, erzählt sie BR-KLASSIK im Interview.

Joseph Kreines is a legendary conductor in Florida and co-author of Music for Concert Band.  Topics: Joseph’s background in music and how a Chicago Symphony Orchestra concert featuring Artur Rubinstein inspired his career as a musician. How he came to Florida as the Assistant Conductor of the Florida Orchestra and his first steps as a conductor and clinician for young bands and orchestras in the state. The story of how, as a young conductor he caught the attention of the faculty at Tanglewood, including Lukas Foss and Aaron Copland. Advice for score study when approaching an unfamiliar work. A discussion of the works on his first Florida All-State Concert band and a more generalized discussion about literature. Links: Joseph Kreines Alfred Music Music for Concert Band Ruggles: Lilacs Carter: Capitol Hill March Glière: Symphony No. 3 'Ilya Muromets' Ribble: Bennet’s Triumphal Willan: Royce Hall Suite Biography: A native of Chicago, Joseph Kreines came to Florida as associate conductor of the Florida Symphony Orchestra, where he served for four years. Subsequently, he was conductor of the Brevard Symphony, associate conductor of the Florida Orchestra in Tampa, and musical director for several opera and musical theatre productions. He has served as clinician and guest conductor with some 300 bands, orchestras and choruses throughout the nation and also appears as piano accompanist at numerous recitals and festivals. In addition, Mr. Kreines has composed a number of original works for various media, and has made numerous transcriptions for concert band and brass choir, and other chamber ensembles, being particularly well-known for those of the music of Percy Grainger. He is also the author of Music for Concert Band, a selective annotated guide to band literature. Kreines received a Masters degree in Music from the University of South Florida and a Bachelor of Arts from the University of Chicago. He did additional study at the Tanglewood Music Festival in 1958 where he was chosen to participate in the conducting class with fellow classmates Zubin Mehta, Claudio Abbado, David Zinman, and Gustav Meier. In 2004, he was honored as an inductee to the Roll of Distinction in the Florida Bandmasters Association Hall of Fame.

做一档有灵魂的读书节目。每天更新一期。 主播：潮羽，365天每天更新一期。背景音乐：1.折戸伸治 - 白詰草；2.Erik Satie - Gymnopedies 1；3.Artur Rubinstein,Frédéric François Chopin - Nocturne No. 3 in B Major, Op. 9, No. 3；4.Artur Rubin...

做一档有灵魂的读书节目。每天更新一期。 主播：潮羽，365天每天更新一期。背景音乐：1.折戸伸治 - 白詰草；2.Erik Satie - Gymnopedies 1；3.Artur Rubinstein,Frédéric François Chopin - Nocturne No. 3 in B Major, Op. 9, No. 3；4.Artur Rubinstein,Frédéric François Chopin - Nocturne No. 15 in F Minor, Op. 55, No. 1；5.黄小琪 - 结婚。

Michael Berkeley's guest is Anne Sebba, the best-selling biographer of iconic women including Wallis Simpson, Winston Churchill's mother Jennie, Laura Ashley, and Mother Teresa. Her most recent book tells the stories of the women of Paris in the 1940s. She follows the lives of housewives, Resistance fighters, shop girls, prostitutes and celebrities, all the time examining the big, small - and often impossible - choices people have to make in wartime. And we hear part of an operetta composed by one of these women, imprisoned by the Nazis at Ravensbruck. Anne tells Michael about her controversial biography of Wallis Simpson in which she claims that we should have more understanding of her situation and more admiration for her as a person - and she argues that Wallis married Edward with great reluctance. We hear Artur Rubinstein playing Rachmaninov, which brings back memories for Anne of interviewing him when she was a young journalist, and she chooses music by Mendelssohn, Chopin, and Verdi. A passionate advocate for the celebration of women's lives and talents, Anne chooses performances by Robyn Archer, Maria Callas and Margaret Fingerhut. Producer: Jane Greenwood A Loftus production for BBC Radio 3.

I programmet diskuteras musik av Szymanowski, ett album med Los Angeles slagverks-kvartett, arior av Stradella samt Tjajkovskijs Pathétique under Teodor Currentzis ledning. Johan väljer Batiasjvili I panelen Camilla Lundberg, Hanna Höglund och Niklas Lindblad som tillsammans med programledaren Johan Korssell betygsätter följande skivor:  PETER TJAJKOVSKIJ Symfoni nr 6 h-moll, Pathétique MusicAeterna Teodor Currentzis, dirigent Sony Classical 88985404352 ALESSANDRO STRADELLA Lagrime e sospiri, arior Chantal Santon Jeffery, sopran Galilei Consort Benjamin Chénier, violin och dirigent Alpha ALPHA 297 BEYOND Musik för slagverk av Thorvaldsdottir, Bjarnason, Cerrone, Reid och McIntosh Los Angeles slagverks-kvartett Sono Luminus DSL 92214 KAROL SZYMANOWSKI Konsert-uvertyr, Slopiewnie, Sinfonia Concertante, Nocturne och Tarantella Marisol Montalvo, sopran, Ewa Kupiec, piano Deutsche Staatsphilharmonie, Rheinland-Pfalz Karl-Heinz Steffens, dirigent Capriccio C 5280 Johans val Johan väljer och spelar valda delar ur ett album med samlingstiteln Visions of Prokofiev, där Lisa Batiasjvili är solist i Prokofjevs båda violinkonserter. Med sig på skivan har hon Europas kammarorkester och allt hålls ihop av Yannick Nézet- Séguin. Inspelad på DGG.  Referensen - Szymanowski Johan jämför med och relaterar till en inspelning av Szymanowskis Sinfonia Concertante med Artur Rubinstein som solist tillsammans med Los Angeles filharmoniker ledd av Alfred Wallenstein i en inspelning från 1952 på RCA.  Andra i programmet nämnda eller rekommenderade inspelningar: Szymanowskis Sinfonia Concertante med pianosolisten Artur Rubinstein tillsammans med Los Angeles filharmoniker under ledning av Alfred Wallenstein inspelad 1952 på RCA (Referensen). Szymanowskis Stabat mater med solister, samt Birminghams kör och symfoniorkester ledda av Simon Rattle på skivmärket EMI. Szymanowskis opera Kung Roger och den tredje symfonin. Tjajkovskijs sjätte symfoni med New Yorks filharmoniker under Leonard Bernstein på Columbia och DG; med Sankt Petersburgs filharmoniker ledd av Jurij Temirkanov på RCA samt med Chicagos symfoniorkester dirigerad av Georg Solti på Decca.  Inget Svep denna vecka

Mit 88 Jahren ließ Artur Rubinstein es sich nicht nehmen, zum dritten Mal Beethovens Klavierkonzerte Nr. 3 und 4 aufzunehmen, diesmal unter der Leitung von Daniel Barenboim. Die Wiederveröffentlichung der Aufnahme erschien jetzt als SACD. Matthias Keller lobt das "perlende, niemals forcierte solistische Spiel" Rubinsteins.

I programmet diskuteras Brahms serenader med Gävle symfoniorkester, norska verk med trumpet i fokus, Frank Almond spelar på 300-årig violin samt Prokofjevs Romeo och Julia med Petrenko på pulten. I panelen Camilla Lundberg, Kalle Moraeus och Tony Lundman som tillsammans med programledaren Johan Korssell betygsätter följande skivor:  JOHANNES BRAHMS Serenader Gävle symfoniorkester Jaime Martin, dirigent Ondine ODE 1291-2 VARIATIONS OVER VARIATIONS Musik av Alfred Janson, Jan Erik Mikalsen, Knut Vaage och Maja S. K. Ratkje Tine Thing Helseth, trumpet Norska radions orkester Miguel Harth-Bedoya, dirigent Aurora ACD 5096 A VIOLINS LIFE (2) Musik för violin och piano av Amanda Maier-Röntgen, Eduard Tubin och L v Beethoven Frank Almond, violin William Wolfram, piano Avie AV 2363 SERGEJ PROKOFJEV Romeo och Julia Oslos filharmoniska orkester Vasily Petrenko, dirigent LAWO LWC 1105 Referensen - Prokofjev Johan jämför med och refererar till Sergej Prokofjevs balett Romeo och Julia med Berlins filharmoniker under Esa-Pekka Salonen, inspelad 1988 på skivmärket Sony.  Sofia möter Victoria Borisova-Ollas Sofia Nyblom träffade kompositören i hemmet under takåsarna i Gamla stan i Stockholm inför den stundande premiären av operan Dracula på Stockholmsoperan 28 oktober. Samtalet kretsade bland annat runt komponerandet kring operan, den första symfonin samt  den försenade premiären i Göteborg av den andra symfonin. Andra i programmet nämnda eller rekommenderade inspelningar: Brahms serenader med Londons filharmoniker under ledning av Adrian Boult på EMI; Gewandthausorchester, Leipzig, ledd av Riccardo Chailly på Decca; Concertgebouw-orkestern dirigerad av Bernard Haitink på Philips; Londons symfoniorkester tillsammans med dirigenten Michael Tilson Thomas på Sony samt med New Yorks symfoniker under ledning av Leonard Bernstein på Sony. Griegs Ballad g-moll med Artur Rubinstein på märket RCA. Maier-Röntgens Violinsonat h-moll med Cecilia Zilliacus och Bengt Forsberg på dB Productions. Prokofjevs balett Romeo och Julia i komplett version med Cleveland-orkestern ledd av Lorin Maazel på skivmäket Decca; med Bostons symfoniorkester ledd av Seiji Ozawa på DG; Mariinsky-teaterns orkester, S:t Petersburg under Valerij Gergijev på Philips; Londons symfoniorkester under Valerij Gergijev på LSO Live; Tjeckiska filharmonin ledd av Karel Ancerl på Supraphon samt med Berlins filharmoniker dirigerad av Esa-Pekka Salonen på Columbia och Sony (Referensen). Prokofjevs Violinkonserter nr 1 D-dur och nr 2 g-moll Berlinfilharmonikerna under Herbert von Karajan  spelar Vivaldis Årstiderna med Anne-Sophie Mutter som solist. Svepet Johan sveper över ett album med musik av Camille Saint-Saëns, närmare bestämt Orgelsymfonin och Djurens karneval, Daniele Rossi spelar orgel, Antonio Pappano leder Santa Cecilia-akademins orkester samt spelar också piano tillsammans med Martha Argerich. Inspelad på Warner Classics.

I programmet diskuterades Haydn-symfonier med Il Giardino Armonico, Alice Coote sjunger sångcykler av Mahler, Krystian Zimerman spelar Schubert samt sena verk av Elliott Carter. Johan möter Schwabe. I panelen Alexander Freudenthal, Evert van Berkel och Johanna Paulsson som tillsammans med programledaren Johan Korssell betygsätter följande skivor:  GUSTAV MAHLER Sångcykler Alice Coote, mezzosopran Nederländska filharmonikerna Marc Albrecht, dirigent Pentatone PTC 5186 576 FRANZ SCHUBERT Pianosonater D 959 och D 960 Krystian Zimerman DG 479 7588 JOSEPH HAYDN DOMENICO CIMAROSA Il Distratto Symfonier nr 60, 70, 12 Il Maestro di Cappella Riccardo Novaro, baryton Il Giardino Armonico Giovanni Antonini, dirigent Alpha Classics ALPHA 674 ELLIOTT CARTER Late Works Pierre-Laurent Aimard, Colin Currie, Isabelle Faust, Jean-Guihen Queyras Birmingham Contemporary Music Group BBC symfoniorkester Oliver Knussen, dirigent Ondine ODE 1296-2 Johan möter Gabriel Schwabe Johan Korssell träffade den 29-årige cellisten på Stockholms-visit, ett samtal om sin alldeles färska CD där han är solist i Saint-Saëns cellokonserter. Schwabe spelar tillsammans med Malmö symfoniorkester under ledning av Marc Soustrot. Inspelningen är gjord på Naxos.  Referensen Schuberts Sonat D 960 Johan jämför med och refererar till Schuberts pianosonat nr 21 D 960 B-dur, med pianisten Wilhelm Kempff. Inspelad 1967 på DG. Andra i programmet nämnda eller rekommenderade inspelningar: Haydns symfonier i komplett utgivning (box med 32 CD) med The Academy Of Ancient Music, London, ledd av Christopher Hogwood på skivmärket Oiseau Lyre. Il Giardino Armonico ledd av Giovanni Antonini i Mozarts violinkonserter med Isabelle Faust som solist, inspelad på Harmonia Mundi. Mahlers sångcykler med mezzosopranen Christa Ludwig tillsammans med Philharmonia Orchestra i inspelningar ledda av Otto Klemperer och Adrian Boult på märket EMI samt med Berlins filharmoniker ledda av Herbert von Karajan på DG. Vidare rekommenderades Christa Ludwig ackompanjerad på piano av Leonard Bernstein på Sony; Janet Baker tillsammans Halléorkestern under John Barbirolli på EMI; Brigitte Fassbaender med Deutsche Sinfonieorchester ledda av Riccardo Chailly på Decca samt med barytonen Thomas Hampson ackompanjerad av Wiens filharmoniker dirigerade av Leonard Bernstein på DG. Schuberts pianosonater med Wilhelm Kempff på skivmärke DG (Referensen); Andreas Staier, hammarklaver, på Teldec; Alfred Brendel på Philips; Svjatoslav Richter på Music & Arts; Clara Haskil på Archipel; Artur Rubinstein på Philips samt med András Schiff på Decca. Nelson Freire spelar Bach på Decca. Arkadij Volodos spelar Brahms på Sony Classical. Elliott Carters klarinettkonsert med solisten Michael Collins och Londons Sinfonietta ledda av Oliver Knussen på DG. Elliott Carters orkestermusik med Londons Sinfonietta ledd av Oliver Knussen på Virgin Classics. Inget Svep denna vecka

I programmet diskuteras Violinsonater av Brahms med Tetzlaff och Vogt, ovanliga rekvier av Cherubini och Plantade samt Job och den nionde symfonin av Vaughan Williams. Hanna väljer 4 countertenorer. I panelen Alexander Freudenthal, Bengt Forsberg och Måns Tengnér som tillsammans med programledaren Johan Korssell betygsätter följande skivor: RALPH VAUGHAN WILLIAMS Job och Symfoni nr 9 Bergens filharmoniker Andrew Davis, dirigent Chandos CHSA 5180 JOHANNES BRAHMS Violinsonaterna Christian Tetzlaff, violin Lars Vogt, piano Ondine ODE 1284-2 REKVIER Musik av Cherubini och C-H Plantade Le Concert Spirituel Hervé Niquet, dirigent Alpha ALPHA 251 Referensen Johan jämför med och refererar till en inspelning av Vaughan Williams nionde symfoni med Londons symfoniorkester under ledning av André Previn, inspelad år 1968 på RCA.  Hannas val Hanna Höglund väljer ur fyra nya countertenor-album: Iestyn Davies sjunger Bach, Mikael Bellini sjunger ur Kent Olofssons kammarverk "Champs detoile" utgiven på dB Productions; Philippe Jarousskys med tema Orfeus på Erato samt ur svenskboende venezuelanen Rodrigo Sosas Dal Pozzos "Pure haute-contre på egen utgåva. Andra i programmet nämnda eller rekommenderade inspelningar: Brahms violinsonater med Christian Tetzlaff och Lars Vogt i live-version på EMI; Itzhak Perlman och Vladimir Ashkenazy på EMI; Nils-Erik Sparf och Elisabeth Westenholz på Bis; Viktoria Mullova och Piotr Anderszewski på Philips; David Ojstrach och Frieda Bauer på märket Praga; Josef Suk och Julius Katchen på Decca samt med Henryk Szeryng och Artur Rubinstein på RCA. Cherubinis Requiem c-moll med Ambrosian Singers och Philharmonia Orchestra, London under ledning av Riccardo Muti på EMI. Vaughan Williams balett Job med både Londons filharmoniker och Londons symfoniorkester under Adrian Boult på bl.a. EMI samt med Londons filharmoniker ledd av Vernon Handley på EMI. Vaughan Williams nionde symfoni med Sovjetiska kulturministeriets symfoniorkester, Moskva ledd av Gennadij Rozjdestvenskij på Melodija; Londons filharmoniker ledda av Adrian Boult på Decca; Leopold Stokowski med egna orkestern från en radioupptagning i New York 1958 samt med BBCs symfoniorkester under ledning av Andrew Davis på Warner Classics.  Svepet Den här veckan sveper Johan över två album. På det ena spelar pianisten Alexander Melnikov Prokofjevs pianosonater nr 2, 6 och 8 i en utgåva på Harmonia Mundi. På det andra betitlad 4 x Anders Eliasson, framför Norrbotten Neo fyra verk av Anders Eliasson, utgiven på Bis.

Ungarsk fødte Eugen Ormandy (1899-1985) og den polske pianist Artur Rubinstein (1887-1982) slog sig begge ned i USA og repræsenterede en spillestil hvor poesi og klassisk dannelse går op i en højere enhed. Prokofjev: Symfoni nr. 1. Den klassiske. Beethoven: Klaverkoncert nr. 5, Kejserkoncerten. Sibelius: Symfoni nr. 2. Artur Rubinstein (billedet), klaver. Philharmonia Orkestret. Dirigent: Eugene Ormandy. (Koncert i Royal Festival Hall, 14. juni 1963). Vært: Peter Filtenborg.

Alfred Hoehn var en tysk pianist och pianopedagog. Han studerade för bl.a. Eugen dAlbert och Ferruccio Busoni. 1910 vann han Anton Rubinstein-priset före Artur Rubinstein. Hoehn var en framstående pianist med stor klangfärgsrikedom och närvaro i spelet och en enastående teknik. Han systematiserade pianospelets anslag. Genom målinriktad anslagsträning skulle man bemästra de tekniska problemen i stället för att spela sig igenom oändliga etydövningar. Mer information på sverigesradio.se/p2

Alfred Hoehn var en tysk pianist och pianopedagog. Han studerade för bl.a. Eugen dAlbert och Ferruccio Busoni. 1910 vann han Anton Rubinstein-priset före Artur Rubinstein. Hoehn var en framstående pianist med stor klangfärgsrikedom och närvaro i spelet och en enastående teknik. Han systematiserade pianospelets anslag. Genom målinriktad anslagsträning skulle man bemästra de tekniska problemen i stället för att spela sig igenom oändliga etydövningar. Mer information på sverigesradio.se/p2

Historical recordings of Chopin favorites. Works include: Polonaise #3, Scherzo #1, Berceuse, Waltz # 7, and Nocturne #19.  Pianists include: Vladimir Horowitz, Artur Rubinstein, Eileen Joyce, Cyrill Smith, Louis  Kentner and Vladimir de Pachmann.

Music for National Piano Month.  Pianists include: Art Tatum, Artur Rubinstein, Moon Mullican, Pinetop Smith, Thelonius Monk,  Erroll Garner, Liberace and Edwin Fischer.  Works include: Jump steady Blues, Turkish Rondo, September Song, Mazurka #10, Perdidio and April in Paris.

Alfred Hoehn var en tysk pianist och pianopedagog. Han studerade för bl.a. Eugen dAlbert och Ferruccio Busoni. 1910 vann han Anton Rubinstein-priset före Artur Rubinstein. Hoehn var en framstående pianist med stor klangfärgsrikedom och närvaro i spelet - och en enastående teknik. Han systematiserade pianospelets anslag. Genom målinriktad anslagsträning skulle man bemästra de tekniska problemen i stället för att spela sig igenom oändliga etydövningar. Mer information på sverigesradio.se/p2

Alfred Hoehn var en tysk pianist och pianopedagog. Han studerade för bl.a. Eugen dAlbert och Ferruccio Busoni. 1910 vann han Anton Rubinstein-priset före Artur Rubinstein. Hoehn var en framstående pianist med stor klangfärgsrikedom och närvaro i spelet - och en enastående teknik. Han systematiserade pianospelets anslag. Genom målinriktad anslagsträning skulle man bemästra de tekniska problemen i stället för att spela sig igenom oändliga etydövningar. Mer information på sverigesradio.se/p2

The camera tracks out the open window of Faustus’ study and shows us Faustus home. It is another winter; a new Christmas is to be celebrated. In Faustus’ garden grows his magic flowers in the snow.The Chorus speaks. ***Music excerpt is
Rhapsody on a Theme from Paganini, by Rachmoninoff, pianist Artur Rubinstein.Image is a still frame from the silent movie of F. W. Murnau, Faustus.

The room in which we find ourselves appears by gradual suggestion, as if the light materially causes the appearance of things to be. They grow solid as the light delineates them, finding edges and then filling surfaces with substance and color. It begins from a beam of sunlight that reveals a window, framed in the center of the stage, against a vaguely opaque wall of black.***Music excerpt is Rhapsody on a Theme from Paganini, by Rachmoninoff, pianist Artur Rubinstein.

Chorus introduces the scene; we are inside a tavern across from the home of Faustus. Ralph is speaking in a corner, near the hearth, surrounded by the former students of Faustus, all attending what he is saying. The tavern keeper is eavesdropping.Music excerpt is Rhapsody on a Theme from Paganini, by Rachmoninoff, pianist Artur Rubinstein.Image is a still frame from the silent movie of Fritz Lang, Nosferatu

Beneath a tree in a summery woods beyond Württemberg; a creek is heard; the sun is setting off stage.A mountain is above and beyond the horizon of the forest, distantly, a pearly cascade plunges from its peak and where it crashes a mist rises.This is the very place whence the adventure began.***Music excerpt is Rhapsody on a Theme from Paganini by Rachmoninoff, played by pianist Artur Rubinstein.

Roy Plomley's castaway is concert pianist Artur Rubinstein. Favourite track: String Quintet In C by Franz Schubert Book: Any one from his library Luxury: Revolver