Podcast appearances and mentions of dean hurley

We are taking a deep dive into the world of Twin Peaks today with music editor Lori Eschler - who worked on the original series - and longtime David Lynch collaborator Dean Hurley, who did all kinds of work with him on numerous projects. It's an illuminating chat, shedding bright light on David's process and reminding us all what a seminal show it was and remains. 

Welcome to faustforward 12 Weird goings on in the sonic shadows.....   Playlist Bernice Johnson Reagon – We Are Climbing Jacob's Ladder Grobschnitt – Solar Impro Suarasama – Flying Gambus Amadou & Mariam – Coulibaly Pavement – Stereo Super Kidd – People Pere Ubu – Worried Man Blues SeizzeSA & DJ Harvey – Afghan Alan Blood & Skanking Lizard – Heart Full of Soul Karen Dalton – Katie Cruel Shirley Collins & Davy Graham – Hares on the Mountain The Sensational Alex Harvey Band – The Hot City Symphony Pt 1: Vambo Edith Frost – Time to Bloom Eroc – Nebelwelt Sweetpool – Dancing Wildly Hidden Horse – The Tape Spool Withing the Horse's Mouth (feat. Arianne Churchman) Troth & Jon Collin – Nocturnal House Ute Lemper, Neil Hannon, The Divine Comedy & Others – Die Dreigroschenoper: Tango Ballad A.R. & Machines – Station 3-Body Kali Malone – Retrograde Canon A.R. & Machines – Station 3 – A Book's Blues Bryan Ferry & Antony – Lowlands Low Edith Frost – The Bastards Johnny Cash – I See a Darkness Amici Chamber Ensemble – Pour L'ange Qui Annonce La Fin Du Temps (Messiean) Patrick Shiroishi & Piotr Kurek - Days Lawrence English – Even the Horizon Knows its Bounds VI (feat. Dean Hurley, Vanessa Tomlinson, Stephen Vitiello & Jim O'Rourke)

Nadja [00:23] "Sievert Pt. 1" Sv Broken Spine Productions BSP015 2023 (original release 2016) Doomy ambient goodness from Aidan and Leah once again. Eurythmics [22:32] "Love Is a Stranger" Sweet Dreams Are Made of This RCA AFL1-4681 1983 Side one, track one from their sophomore album, with a classic video (https://youtu.be/o6f593X6rv8?si=JdUQVqkJ6oVbYuni) to go along for the ride. Plus, high harmonies by Kiki Dee (https://youtu.be/z0qW9P-uYfM?si=y9ywrtnrvrpZvDqI)! Mose Allison [26:15] "Stop This World" Swingin' Machine Atlantic SD 1398 1963 Amen, Mose. Throwing in some horns is not quite the same as the classic trio from the preceding album I Don't Worry About a Thing, but it's still pretty great. Wendy Carlos [29.38] "Brandenburg Concerto No. 3 in G Major - Third Movement" Switched-On Bach Columbia Masterworks MS 7194 1968 Carlos collaborated with Bob Moog on his nascent synthesizer technology to create this album. Because the Moogs were monophonic, it took 1,000 hours over five months to record. In case you are wondering what a traditional version of this movement sounds like, here is the Netherlands Bach Society performing it (https://youtu.be/qr0f6t2UbOo?si=yiW4DA0AxFSb3sB5&t=370). The Police [34:44] "Miss Gradenko" Synchronicity A&M Records SP-3735 1983 The requisite Stewart Copeland track from final album by The Police. Ultravox [38:18] "Slow Motion" Systems of Romance Antilles AN-7069 1978 Lead track and single from Ultravox's third studio album, which became a large influence on Gary Numan (https://youtu.be/_nt5EH0UYxE?si=pm0h_4YWwXlCKJks). T. Rex [41:44] "20th Century Boy" T. Rextasy: The Best of T. Rex, 1970-1973 Warner Bros. Records 25333-1 1985 As usual, Marc Bolan lays down an undeniable groove (https://youtu.be/9SG65dlho_o?si=4Q8NPlKJc_87trVQ), produced by Tony Visconti. I almost forgot about the sax parts. Can [45:23] "Mushroom" Tago Mago United Artists Records 1971 (2007 "unofficial" repress) Tago Mago was Damo first outing with the band, following Malcolm Mooney's departure. According to guitarist Michael Karoli, the explosion at the end of the song is a slowed-down recording of an exploding firecracker. Zola Jesus [49:41] "Long Way Down" Taiga Mute 9611-1 2014 Zola Jesus' fourth studio album and only outing on Mute (before returning to Sacred Bones). Produced by musician, sound designer, and composer Dean Hurley. The Folk Implosion [54:49] "Had to Find Out" Take a Look Inside...... Communion Label COMM 32 1994 The debut album from Lou Barlow and John Davis... released 30 years ago! Stevie Wonder [56:55] "You Are the Sunshine of My Life" Talking Book Tamla T319L 1972 What?! It's a great song. And it was the single that followed up "Supersition". That's a heckuva gear shift. Number one on the Hot 100, of course. Silver Jews [59:53] "Sometimes a Pony Gets Depressed" Tanglewood Numbers Drag City DC297 2005 A rehabilitated Dave Berman comes back with this album, the fifth studio album. He is joined once again by Bob Nastanovich and Stephen Malkmus, as well as his then-wife Cassie Berman. Cover photo by William Eggleston. Music behind the DJ: "Jackie (https://youtu.be/HqAbaqVBCyo?si=qu8P0gk6OeWL5SeB&t=224)" by Billy May and his Orchestra

Welcome back to Aquarium Drunkard Transmissions. This week on the show, one of our favorite return guests: Mitch Horowitz. As scholar and historian of the occult, he's established himself as one of the most literate voices in the New Age field. On previous episodes, Horowitz has discussed his books, like Uncertain Places and Daydream Believer—but he's finally taking the plunge with a podcast of his own. It's called Extraordinary Evidence | ESP Is Real, a “limited series on the history, struggles, and proofs of parapsychology and the science of studying the supernatural.” The first episode is out October 30th, a presentation of the Spectrevision Radio Network, the podcast division of Elijah Wood's Spectrevision production company. It features music by Dean Hurley, another former Transmissions guest, known for his musical and sound design projects with David Lynch.  The podcast comes on top of Mitch's recent work on your TV screen—this year, he starred alongside podcaster and UAP researcher Chrissy Newton in Discovery's Alien Encounters: Fact or Fiction, and on October 27th, you can see him in MGM+'s Beyond: UFOs and the Unknown.  How do UFOs and ESP connect? How did Horowitz approach creating his own podcast? And what do we have to learn from the skeptics who scoff at the mere mention of these topics? Mitch explores these questions and more on this week's episode of Aquarium Drunkard Transmissions. Aquarium Drunkard is supported by our subscribers. Head over and peruse our site, where you'll find nearly 20 years worth of playlists, recommendations, reviews, interviews, podcasts, essays, and more. Subscribe at Aquarium Drunkard.  Transmissions is a part of the Talkhouse Podcast Network. Visit the Talkhouse for more interviews, fascinating reads, and podcasts. This episode is brought to you by DistroKid. DistroKid makes music distribution fun and easy with unlimited uploads and artists keep 100% of their royalties and earnings. To learn more and get 30% off your first year's membership, visit: distrokid.com/vip/aquariumdrunkard

"Ordinary Man" by Lilacs and Champagne from Fantasy World; "Retreat Beats" by Bitokagaku from Unknown Me; "Crystal Hummingbird" by Elkhorn from The Red Valley; "Also the Gorilla" by Osees from SORCS; "Lingua Geral" by Sessa from Grandeza; The "Garmonbozia" single by Flying Lotus; "Flame of Perfect Form" by Tashi Wada from What is not Strange; "Realistic (I'm Still Waiting" by Belong from Realistic IX; "Final Fight" by DJ Muggs and Dean Hurley from the soundtrack to Divinity; "I Don't Have Missions" by Chris Corsano from The Key (Became the Important Thing and Then Just Faded Away); "When the Labour Is for Love" by Olivier Cong from Tropical Church; "Overflow" by Yoshinori Hayashi from Ambivalence.

Support Night Clerk Radio on PatreonThe community members on our Patreon Discord are constantly posting suggestions and recommendations for great albums of all genres. We've gotten into the habit of digging through them every six months or so and seeing what's there. We cover everything from vaporwave to dark ambient to hip hop to jazz.We aren't able to talk about everything, so check the wall of links below, organized by Discord channel. Enjoy!#vaporwaveSPEZ068 - Dnevna televizija / Д​н​е​в​н​а т​е​л​е​в​и​з​и​ј​а by SEM-TVBarbershop Simulator™ by slowerpace 音楽Cyanotype by CyanBlueＤ​Ｒ​Ｅ​Ａ​Ｍ​Ｓ Ｕ​Ｎ​Ｌ​Ｉ​Ｍ​Ｉ​Ｔ​Ｅ​Ｄ by 夢達無制限LAST WAVE OUT by EPPSSONNTHROUGH THE FOG AND THE DRIFTWOOD by §E▲ ▓F D▓G§YEARS OF FAILURE by HATENAArcade Girl EP by Crystal EternalThe Darkness in Her Eyes by Notorious Secret転移 by victory over deathVirtuality by Sierra On-linePhysical Death VIP Membership (death cycle) - 死​亡​循​環 by b e g o t t e n 自杀Grid Of Reality by Infinity Frequencies x Sangamt h e s o n y p l a y s t a t i o n 1 ソ​​​ニ​​​ー by V/ALiminal Spaces by HantasiThe Mall of Our Lord by

"Reel Life (Evolution 2)" by Cinematic Orchestra from Man with a Movie Camera; "Shinbone Star" by Acid Twilight from Shadow Wrangler; "Butterfly House" by Teeth of the Sear from Hive; "Memories of Music" by Oneohtix Point Never from Again; "Les Parentheses Enchantees - Movement III" by Colleen from Le Jour et la Nuit du Reel; "We Were There" by Sparkle Division from Foxy; "Traveler" by Precocious Neophyte from Home in the Desert; "A Man's Mind Will Play Tricks on Him" by Jim O'Rourke from the Hands That Bind Original Soundtrack; "Free Wifi" by Markus Floats from Fourth Album; "Nightswim" by Wayne Phoenix featuring Run Rivers from Soaring Wayne Phoenix Story of the Earth and Sky; "Eyes Within" by Gloria De Oliveira and Dean Hurley from Oceans of Time

Spring 2023 Discord RecommendationsSupport Night Clerk Radio on Patreon It's that time of year again. It's our biannual Discord extravaganza. We selected almost 20 pieces of music recommended by our patrons on the Night Clerk Radio Discord over the past few months and spent this episode going over them. We cover everything from vaporwave to jazz rock to black metal covers, so join us and check out a variety of great music!Music DiscussedNeon Godsby Failed State Audioillegal scam hold music by The Yonko LLCPisces, 3rd Decan: Introduction (Movements 121, 122) | Zodiac Cycle | art and music by The Yonko LLCｓ​ｐ​ａ​ｃ​ｅ​ｗ​ａ​ｖ​ｅ by KratzwerkＴ​ｈ​ｅ​　​Ｐ​ｌ​ａ​ｙ​ｇ​ｒ​ｏ​ｕ​ｎ​ｄ by CT57River Of Dreams by Romance & Dean HurleyH​ä​xan - Selected Works by Dagerlöff and GalnerSow Your Gold In The White Foliated Earth by DeathprodNicolas Jaar - Essential Mix - 19-05-2012Vital by BIG|BRAVEBlack Renditions by Spider GodCo)))ltraneThe Comet Is Coming: NPR Music Tiny Desk ConcertV by Unknown Mortal OrchestraHeld Together by AberdeenABSOLUT MAYHEM by UNWINDInstupendo - Six Forty SevenCONTACT by DatapointVisions and Prophetic Dreams, Vol. 2: A Vangelis Tribute by Various Artists Additional LinksDEATHPROD Sow Your Gold In The White Foliated Earth Additional Info CreditsMusic by: 2MelloArtwork by: Patsy McDowellRoss on TwitterBirk on TwitterNight Clerk Radio on Twitter

2015 wurde die Initiative Keychange ins Leben gerufen – was ist seither passiert? Wir blicken gemeinsam mit Lea Karwoth vom Reeperbahn Festival auf die Entwicklungen rund um die Gleichberechtigungsbemühungen in der Musikbranche und sprechen auch über neue, beim großen Keychange-Netzwerktreffen in Brüssel geschmiedete Pläne und Visionen. Außerdem haben wir Künstlerin und Keychange-Talent Gloria de Oliveira zu Gast, die von ihren Erfahrungen im Kulturbetrieb, ihrem Werdegang und ihrer aktuelle Platte „Oceans Of Time“ berichtet.

As with all past ‘Reflection' year-end mixes, I start with a collection of music I have enjoyed over the past year. Through the process of compiling a mix, songs are whittled down and selected from this collection. This means many of my favorite tracks and albums are often omitted in this process, due to the need for them to fit in a mix that comes together as organically as possible. As I say every year, this isn't a definitive ‘best-of' list, but a selection of just *some* of my favorite music from the year in one easily listenable format. It's the most enjoyable way for me to boil down the music I've loved from the year using these self-imposed restrictions, for you to then enjoy and hopefully discover more. I encourage you to use the mix to jump off and explore each artist, listen to the album in full and see what else is on the label (and check the Buy Music Club list at the bottom). Of course, releases or aliases that are a part of our own label/s are not considered for this mix (head over here for our label-specific 2022 showcase!), and if you want to see the majority of what I've been supporting, head over to my Bandcamp collection.~Mixes paint a memory, and in many ways better than a photo. That's half the reason I do these year-end mixes. Listening back to some of the past ten ‘Reflection on' editions, each one still does the job of invoking specific memories for me. From the time I made the mix or tracks that trigger a time and place, maybe a gig I went to, an album that soundtracked a special moment, or just a record that didn't leave my turntable. All of these things influence what tracks go into my year-end mix. It makes it challenging to try and capture, but also rewarding when I come out of the other side with something to listen back to that really shaped my year in listening. Despite this feature taking many, many hours, it's much easier than doing a list, because not only do I dislike ranking music, but I really enjoy putting together mixes (so any excuse really!).I haven't written in-depth track notes for the past few Reflection mixes, mostly due to the sheer high number of track inclusions, but I want to go into depth on the inclusions this time around. I miss writing about music here, and it's been a few years now since I've even posted a review. So hit play below, keep scrolling for the track notes, and link to a BuyMusicClub list to support all the featured music. astrangelyisolatedplace · ASIP - Reflection on 2022 Listen on Soundcloud, or the ASIP Podcast.Download MP3~Firstly, let's sweep it under the rug; I've broken the biggest rule of the mix and included a track that wasn't from 2022 (in fact, a couple aren't strictly, but more on that later). The first track (and album), by maarja nut and ruum was such a lovely discovery for me this year that I missed in 2018, it accidentally slipped into my 2022 playlist due to being on high rotation. Of course, it was the very first track in the mix that set the tone- a hard one to undo when you've completed the set. So, because I have no one to answer to but myself, it stays! And I doubt you will regret this decision either if this album is new to you. Malibu made an appearance in 2020's mix, and she's perhaps a good reason for igniting a stronghold in female vocal led-ambient music recently. But few attempts are as ethereal as Malibu's latest, going full-on Salt Tank (as a fellow Trance lover nicely put it once).Ecovillage have made some gorgeous music over the years, and their latest album was a work of collaborations with some impressive producers such as Fennesz and harpist Nailah Hunter. My favorite track of the bunch was Memories of Spring featuring Japanese vibraphone player Masayoshi Fujita (the Erased Tapes stalwart). Raum, a collaborative project by Jefre Cantu-Ledesma and Liz Harris (Grouper) released a long-awaited follow-up to their 2013 album, and it didn't disappoint. Whilst used more as a texture/segue in this mix, I encourage you to explore the full album. And, in a nod to Liz Harris' involvement in the artwork for one of our releases this year, it felt fitting to include her project in this mix (thanks Liz!).I've admired GiGi FM's DJ'ing abilities for a few years now (check out her isolatedmix) but only last year did she debut her production chops with Kiwi Synthesis Diary 21k. I didn't get around to listening to the album until this year (along with her latest, Magnetite EP) and so it didn't make last year's mix which was already out in the world. So here's another little cheat, albeit a very short inclusion. You can't say "In Every Dream Home A Heartache” without reading it like the Roxy Music intro, and Romance and Dean Hurley's similarly named album is just as memorable for me in many ways. Whilst this track is not my favorite from the album, it reminds me of the church bells and distant music playing from across the farm fields in my hometown back in England.Fallen, aka Lorenzo Bracaloni seems to have released quite a few albums this year, but I was introduced to Moonlight Romance by Noah M (who creates many of our own artworks and was behind the art for this one). It's like a new-new-age album, full of life and color, and a really pleasant listen from front to back.One thing I find hard with this annual mix is whether to include tracks that have appeared in some other mixes of mine this year. Ultimately, I want to try and present new listening experiences with each mix, but then again, I am sure it's very few of you who actually listen to all of them!… . Steve Roach's What Remains appeared in a previous mix of mine this year, but this track is him at his very best. Refined, patient, bellowing, and glistening - a master of the style.Pretty sure nthng has appeared in the last two Reflection mixes, but what can I say… whether he is releasing pounding atmospheric techno or soaring trance-inducing textures like this one, he somehow manages to draw me in with each of his releases. (I think, secretly, he's a trance head and there's a subconscious/ telepathic attraction going on between us).At this point I got lost in the bellows of the last few tracks, so decided to find a way out of this musical chapter, and IKSRE provided a nice euphoric bridge with her vocals. Released on the ‘Healing Together' compilation curated by Cynthia Bernard / Marine Eyes, plenty of tracks from this comp could've made it onto this mix, so you know what to do after...There was no doubt I was going to try and include a Norm Chambers track in here somewhere, both due to his unfortunate passing this year and his undeniable contribution to the ambient and experimental community. I seeked out a jolt in the mix at this point, so his music didn't go unnoticed. As someone I follow recently said, you could make five mixes from his library of music and each one would sound different. Thank you for the music Norm - RIP.Chicago artists Purelink seems to be at the front of this new 'jungle/beat infused choppy ambience™, that I've seen becoming quite popular lately (how old do I sound). And one member of this trio features a bit later under a different alias. There is lots to explore in this world - whether it be following each of the member artists, their labels, or some of their own self-released music on Bandcamp. This track fits my dreamy chill-out world perfectly and was a much-needed segue into a more beat-driven chapter of the mix. Spoiler alert, Mikkel Rev will be making an appearance in the ASIP fam in 2023, so until he does, he's OK to be included in this mix (!) As part of the Ute Collective hailing from Norway, it's another rabbit hole of amazing young talent should you be into the more trance-infused sound of ambient music (or indeed, full-on trance music - plenty of that there). He makes some superb atmospheric chugging downtempo that ranges from the delicate to the beat-driven.Whenever a new Biosphere album drops, it's met with slight trepidation on my end. Not least because his albums take forever to reach the US on vinyl, but, how do you live up to the classics you created that helped define a genre? But that feeling is always short-lived and none so short as 2022's effort. In what is a direct throwback to some of his earlier electronic styles, Shortwave Memories is one of his best in the past 10 years - at least. The N-Plants vibe in this particular track is the show-stopper. ReKaB was a new discovery for me this year, and the Móatún 7 label that homes this release, is a goldmine for electro-leaning music (even featuring a Yagya 10” recently). I think I played this ReKaB album front to back more than five times in the car one day. It's such an enjoyable listen - not too pretentious, just enough old-school vibe, and energy to keep things present as opposed to wallpaper. OK, a couple more records were not strictly new in 2022 but I've always debated including reissues in this mix, and finally come around to the idea given the proliferation recently. After all, there was never a Reflection on 1993 was there?! Spacetime Continuum and the always-on-point Musique Por La Danse label provide the 90's throwback. (The similar-era Detroit Escalator reissue would have also made it in here, but I had to stop somewhere). Daniel Avery's album is a monolith. Throwbacks to Aphex on a SAW tip, mixed in with wall-shuddering bass and cave-mentality breakdowns. Any electronic fan that spent time in a dimly lit rave is going to enjoy his latest, just as much as the IDM/Electronica fan in all of us. I'm not sure if the track in the mix is my fave of the album yet, but the bigger tracks on the album would have sent this mix into a whole new dimension. Seeing James Devane pop up this year was weird. Back in my blog days (they still exist today but this specific instance was 13 years ago), I uploaded a cover of Aphex Twin's Rhubarb by James Devane to Soundcloud to host on the blog (remember those days) - it has 26k plays and the majority of us I'm sure really had no idea who he was until this year. With just one prior release on Discogs, I thought he dropped off radar. I guess he kind of did. This album was therefore a surprise to see, and its Gas-like fringed-techno a pleasant reintroduction. Prior to Covid, I was due to DJ at an Astral Industries gig in London, and Transcendence Orchestra was on the bill for the second night I was there (when I'd get to relax and enjoy the full night!) It didn't happen, unfortunately, but I always keep an ear out for their output and regret not being able to see them live. Back to the mix though, I didn't go too hard on the modular synth-heavy tracks this year, but as with all Reflection mixes, I try and cover the variety of music I've been listening to. Whilst the full Transcendence Orchestra album ‘Dreams, Waking Thoughts and Incidents' is a dark trance-inducing affair that might have felt like a rabbit hole at this point in the mix, this track formed a nice segue into the next with a similar sound…This was the year Abul Mogard no longer hid behind his “old man steel factory worker” story and came out of the shadows on Houndstooth alongside COH (Gone is my idea for an “I AM THEREFORE I AM (ABUL MOGARD)” t-shirt). I've always wondered what Abul Mogard's (real name Guido Zen) music would sound like if you added some fizz and more obvious structure, and this track can still be found bouncing around in my head somewhere. Another track not ‘new' in 2022, but once again, there are no rules when you're documenting someone so profound. And to lose Low's Mimi Parker was a shock to everyone this year. I was late to the Low party given how long they have been around, but Mimi's vocals on this track from one of their most recent albums (Double Negative) are purely angelic. I took liberties with the layering in the mix here, respectfully, so I hope it pays off in the listen as a moment of true reflection. It's not often you get treated to some of this early 90's music for the very first time, but stumbling across Bowery Electric is like finding a long-lost favorite. Originally released in 1996, this is an example of why Kranky is so legendary all those years later, playing host to gems like this. Nosaj Thing isn't normally the type of music that stays in my periphery, but my colleagues were sharing the news of this new album, existing on the fringes of hip-hop and electronica, and when Julianna Barwick is involved, I tend to put it at the top of the pile. Whilst the beat closely reminded me of Massive Attack's Teardrop, there's no hiding the track's beauty in totality. Add to this, I took a friend to see Nosaj Thing at The Greek Theater in LA, and we drank way too many Caipirinha's before stumbling up the hill to the venue and missed Nosaj playing altogether… We did catch Toro Y Moi after though, so it's a perfect memory captured for 2022. I'm glad Synkro returned with music this year, and it's an amazing little EP on R&S to boot. Maybe even more atmospheric than his previous work, the beats are a little more smudged across this EP, but everything he touches has a considered, unique touch that can be heard strongly throughout his work and within collaborations (such as Kiyoko). There's a substantial amount of music to discover from Neglect on Bandcamp, someone I've admired from afar for a while now. This track, taken from his latest album is amongst a beautiful bunch of nostalgic electronica that cries quality. It's always hard to single out an Astral Industries release. The consistency of releases are faultless, so my shortlist this year with AI releases to include, was, well… not very short. Mystic AM, however, is the first release by Astral label boss Ario, alongside none other than Rod Modell, so it quickly became top of the pile by reason of a special moment in 2022, not least because of the beauty found in its original Iranian field recordings. Perhaps one of the most extensive releases of the year comes from the always intriguing Stroom label, and Voice Actor. 109 pieces of music and a surprising quality found throughout. It's more collage than music when listened to as one, but you'll find some lovely moments hidden amongst the 8(?) hours. “Will it be available on vinyl” I hear you jest? I've seen this popping up in lots of EOY lists already too. There's talk within my small circles that Music For Animals is Nils Frahm's best album yet. I'm not sticking by that just yet, as Spaces is probably in my top 10 of all time so far, but it certainly represents a stunning (d)evolution? Not a piano in sight you say? I immediately disbelieved it. But alas. It's like Nils kept getting put into Ambient playlists on Spotify and was like "OK, I'll give you what you really want…”.I'm not quite sure how I stumbled across Ben Bondy. I think a friend might've recommended an album of his (Hadi, was that you?!) but It was enough for me to stalk his many Bandcamp releases and find some lovey instances. This track reminds me of a classic chill-out room track in its swirling laid-back mystery and vocal. I wouldn't have come across the All India Radio track if it wasn't for the great compilation it was presented on this year by Mystic and Quantum (a label responsible for some lovely releases over the years). New to me, it looks like they have quite the discography I'm yet to dig into, but this was a lovely moment that flowed nicely after the previous. Time to do some digging.Concave Reflection (see Purelink reference above) is another artist in the fringes of my frequent listens but one I'm fully dipping my toes in right now. The full-length album 'The Best People Are Like Water' is a really interesting listen - kind of metallic, chopped-up ambiance that the Spheric label are becoming known for (and seems to be all the hype right now). Whilst the next track was originally from an album released a few years back, you've probably learned by now I'm bending the rules a little. However, this version of Hania Rani's track Leaving, is a live recording released in 2022. After watching her live performance on KEXP, (shout to Alex Ruder!) I was truly mind-blown at her talent. It's easy to make comparisons to Nils of course, but Hania has that vocal element which adds a whole new dimension. If I had to be pushed, my favorite non-ambient album this year might have come from Mike Paradinas / µ-Ziq. Magic Pony Ride is just pure fun. And you need that in your listening repertoire nowadays, right? The bank of melodies and creativity this guy has amassed over the years must be unbelievable. To think, only some of it makes itself out into the world as a record. He followed this album up with another similar stunner too - spoiled!I've already given Wardown his superlatives for the year in his isolatedmix feature, but in summary, Wardown II followed up his nostalgic DnB/Jungle debut under this alias in style. Will there be a third that can keep the standard this high??I could've launched into a complete Jungle/DnB hour at this point, but being 2hrs in, I really had to start winding this beast down and get all the end-of-the-night feels going. Bot1500's latest EP stepped in nicely here - a lovely collection of melodic IDM and the track Chartreuse 8 felt rather emotional. Royksopp really don't do things by halves, and whether the entirety of their music is enjoyed or not when it crosses into the Pop realm, they still manage to conjure up some magic moments. I wanted to try and include a track out of the 3(!) albums they released this year but really couldn't find one that fit outside of this weird sample here. It worked on a few levels for me here though, “Press R to continue” …Rose Riebl…With three compilations curated by Headphone Commute, the quality found amongst the ‘For Ukraine' comps should go down as monumental and unmissable. I knew I had to get a track in this mix from the many on display, and this one felt like a perfect near-conclusion to the mix. Don't miss out on supporting a great cause and listening to some of the best artists creating modern classical music right now. The final track of the mix comes from EXM. While I normally try and end these mixes with a closer that is potentially surprising or off-genre (maybe a glance at other weird music I listen to) this one just somehow felt right. Uplifting and melodic, you can't help but mirror its gradual progression with your volume-up button. ~The art for this mix might feel a little unflattering at first, but I wanted to capture the mass AI hysteria as part of this year's memory and mix. So, fittingly, this is what I got back with the creative input of ‘A Strangely Isolated Place'. Why so literal, bot?Tracklist + Buy Music Club:01. maarja nuut & ruum - Mahe (Fat Cat Records)02. Malibu - Iliad (UNO NYC)03. Ecovillage - Memories of Spring feat. Masayoshi Fujita (LAAPS)04. Raum - Daughter (Self)05. GiGi FM - Rosé (Louise) (Self)06. Romance & Dean Hurley - The Flesh Is Weak (Ecstatic)07. Fallen - Under A Glass Moon Of Wonder (Aural Canyon)08. Steve Roach - What Remains (Self)09. nthng - Some Clouds Are Destined To Break (Transatlantic)10. IKSRE - You Will Find (PITP)11. Norm Chambers - Resonant Foam (Self)12. Purelink - Butterfly Jam (uWu Dust Bath)13. Mikkel Rev - Ende (Translusid)14. Biosphere - Night Shift (Biophon Records)15. ReKaB - The Lightest Touch (Móatún 7)16. Spacetime Continuum - Drift (Musique Pour La Danse)17. Daniel Avery - Lone Swordsman (Mute)18. James Devane - Orange and Tan (Umeboshi)19. Transcendence Orchestra - The Hills Are Alive (Old Technology)20. COH meets Abul Mogard - Traverse Within (Houndstooth)21. Low - Fly (Subpop)22. Bowery Electric - Postscript (Kranky)23. Nosaj Thing feat. Julianna Barwick - Blue Hour (Lucky Me)24. Synkro - Last Breath (R&S Records)25. Neglect - In The Bondage of Your Identity (Unsilent Desert Press)26. Mystic AM - This Spoke Zarathustra (Astral Industries)27. Voice Actor - Hurt With Me (STROOM)28. Nils Frahm - Right Right Right (Leiter)29. Ben Bondy - Spring (Self)30. All India Radio - Ancient Invocations (Mystic & Quantum)31. Concave Reflection -Daylight Portrait (Theory Therapy)32. Hania Rani - Leaving (Live from Studio S2) (Gondwana)33. µ-Ziq - Turquoise Hyperfizz (Planet Mu)34. Wardown - Stimulus Progression Pattern (Blu Mar Ten)35. Bot1500 - Chartreuse 8 (Lith Dolina)36. Royksopp - Press (Self)37. Rose Riebl - Near Dark (Headphone Commute)38. EXM - Autumn is Coming (Dyadik) ~Buy Music Club list >>

Sophie selected 8 songs of the best new indie & alternative scene, including an unreleased song by Jeff Buckley & Elizabeth Frazer (Cocteau Twins) covered by Gloria de Oliveira & Dean Hurley, Lilies in my brain, Columbia Mills, In Waves & more. The podcast celebrates its 1 year anniversary! Thanks for your support!This episode's  line up:Lilies in my brain: SunshineIn Waves: ElephantColumbia Mills: The day has wonChorus Girl: In the business of dreamsODEONS feat. Okafuwa: A present unopenedLewca: IncredibleLyon Tide: ChangeGloria de Oliveira: All flowers in timeEnjoy! Thanks for listening and subscribing! Say Hi on @purplemacpodcast on instahttps://www.instagram.com/purplemacpodcast/#indiemusic #newmusic #podcast #purplmacEnjoy! Thanks for listening and subscribing! Say Hi on @purplemacpodcast on insta. https://www.instagram.com/purplemacpodcast/

Welcome zu LIV Folge 128: Heute mit Stereolab, Project Lazarus, Taylor Swift, Charles Stepney, Dean Hurley, Curtis Mayfield und anderen. Viel Spaß beim Platten-Talk eures Vertrauens.

Today on Transmissions, representatives of the Cosmic Network Gloria de Oliveira and Dean Hurley join us to discuss their new album of dream pop bliss and New Ages swoon, Oceans of Time, out this week from Sacred Bones Records.  Dean is best known for his work with David Lynch, with whom he's collaborated on sound design, music, and more since 2006's Inland Empire. Gloria is a German-Brazilian songwriter and singer. Without ever meeting in person, they fashioned Oceans of Time. Part Cocteau Twins, part Pure Moods, and also entirely its own thing, it's a fantastic recording. In this interview, they join host Jason P. Woodbury to discuss their haunting cover of Jeff Buckley and Elizabeth Fraser's “All Flowers in Time,” the myriad ways Lynch influenced the project, and the ever elusive nature of time and existence. Thanks for checking out Transmissions. If you dig the show, please consider leaving a five star rating or a review—or just forwarding your favorite episodes to a friend. We're a part of the Talkhouse Podcast Network. Next week on the show: Medicine Singers.

We're sitting down with Chicago sisters Eibur, Charlene, and Chanté Stepney, who join us to discuss the work of their father, the late Charles Stepney. As a producer and arranger, Stepney was at the helm for incredible '60s and '70s work with Earth, Wind & Fire, Rotary Connection, The Dells, Muddy Waters, Minnie Riperton, Ramsey Lewis, Terry Callier, and many more before his passing in 1976. But on Step on Step, a mind-blowing new collection from International Anthem, a new vision of Stepney emerges: that of a home recording genius. Propelled by a drum machine and warm synths, the music here was recorded alone on a 4-track in his Southside Chicago basement, it retains the sophistication of his studio efforts but presents his sound in a raw, utterly unvarnished manner. As the Summer of Stepney rolls on, the Stepney Sisters join host Jason P. Woodbury to unpack who Stepney was, his relationship with his wife and partner Rubie, his love of science fiction, and his status as one of hip-hop's most sampled composers.  Thanks for checking out Transmissions. If you dig the show, please consider leaving a five star rating or a review—or just forwarding your favorite episodes to a friend. We're a part of the Talkhouse Podcast Network and you can find us on Patreon. Next week on the show: Gloria de Oliveira and David Lynch sound designer Dean Hurley join us to discuss their new age/cosmic synth album Oceans of Time.

Edición Limitada - 25 de Julio del 2022. Producción, realización y conducción: Francisco J. Brenes. Presentando música de Thom Yorke, Mark Peters con Dot Allison, Gloria de Oliveira & Dean Hurley, Beth Orton, Skullcrusher, No Devotion, Paul Heaton & Jacqui Abbott, Laura Jean, The Beths, Aoife Nessa Frances, St. Vincent, Spring Summer, The Murder Capital, Modern Woman, The Afghan Whigs, Disco Doom, Panic! At The Disco, Robyn Hitchcock, The House Of Love, Death Cab for Cutie, The Subways, Sorry, Oneida, Silversun Pickups, SLOAN, The Wedding Present, Pearl Jam, High Vis, The Mountain Goats, Fotocrime, Muse, William Orbit & Polly Scattergood, Hyd, Mykki Blanco, Traams, Warmduscher, Movulango, Fujiya & Miyagi, The Swedish Railway Orchestra, The Soft Moon, PVA, Disq, Ásgeir, Four Tet, Daphni, Daniel Avery, Hørd, Blimp y Unloved.

This is the water, this is the click. Welcome to the eighth episode of Click Vortex, your biweekly exploration of the rabbit holes Sam Means (The Format) and Jason P. Woodbury (Aquarium Drunkard) find themselves tumbling into. This episode, they are joined by Duwaun Johnson of the Country Brothers podcast to discus David Lynch's Twin Peaks, specifically the music featured in 2017's Twin Peaks: The Return. From Lynch and sound artist Dean Hurley's otherworldly Optigan sketches to the harrowing sound of "The" Nine Inch Nails in the Roadhouse, music and sound design in general are key to the sensibility and tone of Twin Peaks. Join the Click Crew  as they drink deep and descend, examining The Platters' version of "My Prayer" as a kind of skeleton key to The Return and sharing their own personal entry points into Lynch's vivid and powerful oeuvre. Wanna share your opinions about cherry pie, David Lynch, or anything else? Call us: 1-877-WASTOIDS. 

Calling this episode a discussion about sound is really an understatement. Because, although Dean Hurley has been David Lynch's official “sound guy” for many years, it's clear that you're getting way more with this guy than a conversation about audio. We won't spoil things, so just listen and enjoy the ride. ———————————— Dean is a sound designer, re-recording mixer, and composer best known for his collaboration with film director David Lynch. Hurley operated Lynch's Asymmetrical Studio from 2005 - 2018, where he collaborated extensively on the sound and music for an array of Lynch's film projects, commercial work and music albums. In 2017, Hurley served as sound and music supervisor for the return of Lynch's iconic Twin Peaks on Showtime. He has also supervised and mixed projects for directors like Werner Herzog, Randall Wallace, and most recently 2021's ‘JFK Revisited: Through the Looking Glass' for Oliver Stone.

Episode 572: April 24, 2022 playlist: Fovea Hex, "All Those Signs (EarthPercent Mix)" (All Those Signs (EarthPercent Mix)) 2022 Janet Caterina Barbieri, "Broken Melody" (Spirit Exit) 2022 Light-Years Los Gatos Blancos, "El Chacarero" (Saturno 2000 - La Rebajada de Los Sonideros 1962 - 1983) 2022 Analog Africa Starless, "Squares" (RISE!) 2019 Pserfect TSVI and Loraine James, "Observe" (053) 2022 AD93 Romance and Dean Hurley, "Flame in the Wind" (In Every Dream Home A Heartache) 2022 Ecstatic Tortoise, "The Match Incident (remix by Steve Albini)" (Rhythms, Resolutions and Clusters) 1995 Thrill Jockey part timer, "The Runner (Mute Forest Remix)" (Real to Reel Remixes) 2022 Lost Tribe Sound Branko Mataja, "Hteo Bi Te Zaboraviti" (Over Fields And Mountains) 2022 Numero Group Lay Llamas, "Circular Time" (Goud) 2022 Black Sweat Virginia Aveline, "I Keep Inviting Death into My Life, and It Never Comes" (Stages of Grief Vol. 3 'Acceptance' (Part 2)) 2021 Vaagner More Eaze, "crii" (oneiric) 2022 Ooh Sounds IHVH, "Sister Ferdinande (Kolkota)" (The Agnostic) 2022 Ash International claire rousay, "everything perfect is already here (excerpt)" (everything perfect is already here) 2022 Shelter Press Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Sound and music supervisor Dean Hurley, best known for his work with David Lynch, joins the pod to exalt in audiovisual euphoria. We get into Lynchland: Inland Empire, the non-existent new Cannes film, Weather Report truthers, and how ZZ Top's Eliminator figures into the filmmaker's sonic universe. We also celebrate the visual and aural patinas of different eras of image and sound technology—from 35mm optical release prints to early YouTube compression of VHS dubs—and how armchair conservationists help to preserve these experiences. Plus shoutouts to Lethal Weapon 4, Scanner Cop 2, the Alphaville voice, Hurley's new release with Romance, and much more.Hosted by Screen Slate editor Jon Dieringer and film archivist John Klacsmann. Audio engineer C. Spencer Yeh.Dean Hurley websiteScan-It-Yourself: An Ode to 35mm Release Prints by Dean HurleyThe Frequency of Fear: Dean Hurley InterviewRomance & Dean Hurley - In Every Dream Home a Heartache on BandcampLethal Weapon 4 opening scene on YouTubeThis episode of the Screen Slate podcast is co-presented with the German Film Office, an initiative of the Goethe-Institut and German Films.Support the show (https://www.patreon.com/screenslate)

Wir sind zurück mit einer neuen regulären Folge. Hier gehts zwischendurch auch um RZA, Papoose und Stove God. Aber man kennt das. Außerdem erfahrt ihr, was Haiyti besser kann als Flee Lord. Nach unserem ersten Review zu Call Me If You Get Lost machen wir einfach noch ein Track by Track für die Kultur. Viel Spaß beim hören, lasst gerne Feedback da und empfehlt uns weiter. Alben: Boldy James & The Alchemist - Bo Jackson Navy Blue - Navy's Reprise Tha God Fahim & Nicholas Craven - Dump Gawd: Shot Clock King (+ Pt. 2) Flee Lord & Roc Marciano - Delgado Westside Gunn - ______ Wears Hermes 8: Sincerely _____ Vol. 1 Tyler, the Creator - Call Me If You Get Lost + Chopped: https://soundcloud.app.goo.gl/c2VxvtHwRaB3HMXL8 Little Simz - Sometimes I Might Be Introvert Nathy Peluso - Calambre Dean Hurley - Concrete Feather Midwife - Luminol Mike Dean - Echoplex Nils Petter Molvær - Stitches Pat Metheny - Side-Eye NYC Unsere Til The Podcast Playlist(s): "Told Virgil write "Playlist" on my Playlist" (Spotify) "Told Virgil write "Playlist" on my Playlist" (Tidal) "Cigarette Marina" Playlist (Best of Curren$y & Harry Fraud) (Spotify) TTPD Instagram TTPD Twitter TTPD RSS Feed für euren Podcatcher Til the Podcast Drops Selector (Playlists, Spotify, iTunes, Podimo, Deezer, you name it)

Dean Hurley is a sound designer, musician, producer, engineer, and more. He does all things sound, and for the past decade and a half, he's done them with David Lynch, as the operator of Lynch's Asymmetrical Studios. From the streets of LA in Inland Empire to the depths of the Black Lodge in Twin Peaks: The Return, Dean's been responsible for immersing you in the Lynchian world. His work on Twin Peaks: The Return earned him two Emmy nominations. This sound design work on The Return was released as its own album on 2017's Anthology Resource Volume I on Sacred Bones Records. Since then, Dean's also released Anthology Resource Volume II: Philosophy of Beyond, a sonic foray into ideas beyond physical reality.Dean hopped on the call with us here at the Ion Pack, and we talked about working with Lynch, the role of sound in general, and the sublime. We discuss four tracks, reverse engineering, shadow recording, plugging things in, Lynch's recording process, Trent Reznor, interpreting the Twin Peaks script, Walter Hill, Angelo Badalamenti, and MORE. And of course, we try to answer the question, “What do our souls remember?”Music throughout from Twin Peaks: The Return / Dean Hurley's "Anthology Resource Volume I"★ Support this podcast on Patreon ★

In this episode, NWAP 122, we listen to ritual electronics from Melbourne artist Sandpit Alias; as well as new solo work from PVT's Richard Pike. Sydney saxophonist Jorja Chalmers unites with David Lynch collaborator Dean Hurley on her new album; and we hear new work recorded in Korea from interdisciplinary artist Melanie Eden.  We also check out the new release from Little Songs Of The Mutilated collective, featuring Nat Grant and Michelle Nguyen; as well as the first album from visual-art duo Snawklor in over a decade; and a piece taken from the new retrospective collection by Adelaide's Panoptique Electrical.  And to round out the episode, a preview of the new album from Megan Alice Clune on Room 40 and the latest ‘decolonial ambient' work from Amby Downs.Featured in this episode:Sandpit Alias - Gawl Mountain (from Spinal Data)Richard Pike - Goodbye, Good Luck / Xerust (from How To Breathe)Jorja Chalmers - Underwater Blood (from Midnight Train)Melanie Eden - Dreaming (from 공 空)Nat Grant - Slow Motion Storm Roll (from A Tightfisted Molten Sellout)Michelle Nguyen - Baby Fog (from A Tightfisted Molten Sellout)Snawklor - Language Laid Bare (from Perfumed Ground)Panoptique Electrical - Never Sleep Again (from Decades 2001-2021)Megan Alice Clune - The Swirl of the Void (from If You Do)Amby Downs - Quietly Quietly Catchee Monkey (GUK) (from Liminal)Cover Image: Michelle Nguyen

Sailing on a sea of love, with Novisad, Gas, Dean Hurley, Ben Frost and Stars of the Lid.

Sailing on a sea of love, with Novisad, Gas, Dean Hurley, Ben Frost and Stars of the Lid.

Japan [00:49] "All Tomorrow's Parties" All Tomorrow's Parties Hansa 1218 1983 Well, it's certainly of a time. Originally recorded in 1979, this Steve Nye remix was released in 1983. Benny Goodman Sextet [06:05] "Flying Home" All-Time Greatest Hits Columbia KG 31547 1972 From one of the many, many Columbia retreads of Goodman's material, we have Lionel Hampton's signature tune "Flying Home" featuring solos by both Hampton and pioneer electric-guitarist Charlie Christian. Willie Nelson [09:25] "Do Right Woman, Do Right Man" Always on My Mind Columbia FC 37951 1983 I was really hoping Willie's rendition of the Aretha Franklin classic would well, not be a weak early 80s arrangement. But there ya have it. Ya can't win 'em all. The Decemberists [12:23] "Valerie Plame" Always the Bridesmaid, Vol. 1: A Singles Series Jealous Butcher/Y.A.B.B. Records JB-074 2008 Ah, a single from simpler political times. The Decemberists [18:26] "Days of Elaine" Always the Bridesmaid, Vol. 2: A Singles Series Jealous Butcher/Y.A.B.B. Records JB-075 2008 A snappy little number from Mr. Meloy and Co. This single also features a cover of VU's I'm Sticking with You. The Decemberists [22:55] "Record Year of Rainfall" Always the Bridesmaid, Vol. 3: A Singles Series Jealous Butcher/Y.A.B.B. Records JB-076 2008 Sure wish we were having a record year for rainfall here in Sonoma County. Brian Eno [27:26] "2/2" "Ambient 1: Music for Airports PVC/Ambient Records 7908 AMB001 1978 Ground breaking ambient music from Mr. Eno with this track engineered by krautrock/kosmiche impresario Conny Plank. Hermes Nye [37:49] "Bonnie & Clyde" American Folk Music (The Life Treasury of) LIFE L1001 1961 Jiminy jilligers... those are some sympathetic sentiments right there. Neil Young [40:48] "Hold Back the Tears" American Stars 'n Bars Reprise MSK 2261 1977 Linda Ronstadt and Nicolette Larson on backing vox, Ben Keith on pedal steel. All fine stuff on this track. Other tracks on this album featured Crazy Horse, and of course Star of Bethlehem with Emmylou Harris. Made it to number 21 on the top 200. Oh, and the awesome cover art by none other than Dean Stockwell. Silver Jews [45:08] "Smith & Jones Forever" American Water Drag City DC149 1998 Recorded at the Rare Book Room in Brooklyn, the late great Dave Berman created another wondrous record. Michael Nesmith [48:28] "Different Drum" And the Hits Just Keep Comin' RCA Victor LSP-4695 Michael Nesmith and Red Rhodes with a post-First National Band release. Mighty fine in its simplicity. Brian Eno [52:43] "I'll Come Running" Another Green World Polydor Deluxe 2302 069 1975 Yes, more Eno. This time it's Pop Eno. So many great tracks to choose from this 1975 album, but I've always loved this kinda goofy number featuring Robert Fripp on "restrained lead guitar". Gladys Knight and the Pips [56:32] "Help Me Make It Through the Knight" Anthology Motown M792S2 1973 I saw this song listed on the back of the album and thought, wow... I need to hear this version. And now you have too! This rendition made it to number 33 on the Hot 100. The Supremes [01:00:57] "Baby Love" Anthology Motown M9-794A3 1974 Once again, sometimes you just have to go with the classics, like this number one smash hit from 1964. Dean Hurley [01:03:32] "Edge of Known" Anthology Resource Vol. II: Philosophy of Beyond Sacred Bones Records SBR-225 2019 Like many folks, I was introduced to the work of Dean Hurley through his sonic contribution to Twin Peaks: The Return and was instantly enthralled. This is the second collection of thematic soundscapes, dealing with what lies beyond the veil. Music behind the DJ: "Dance with Domino" by John Barry

The year's best ambient featuring tracks by M83, Winged Victory For the Sullen, Bobby Krlic, Bibio, Dean Hurley, Visible Cloaks, Laraaji, and more.

Episode 427: August 4, 2019 playlist: L'Epee, "Last Picture Show" (Diabolique) 2019 A Records Telefon Tel Aviv, "standing at the bottom of the ocean;" (Dreams Are Not Enough) 2019 Ghostly Dean Hurley, "Far Boundaries" (Anthology Resource Vol. II: Philosophy of Beyond) 2019 Sacred Bones Francois J. Bonnet and Stephen O'Malley, "Premiere Noire" (Cylene) 2019 Editions Mego Ty Segall, "Taste" (First Taste) 2019 Drag City The Silence, "Freedom" (Metaphysical Feedback) 2019 Drag City Ali Berger, "Sump Pump" (Sump Pump) 2019 Spectral Sound Low, "Fly (King Britt's Fhloston Paradigm Remix)" (Fly) 2019 Sub Pop We Like We and Jacob Kirkegaard, "Clotho" (Time Is Local) 2019 Sonic Pieces Monocube and Troum, "Circularis et Perpetua" (Contemplator Caeli) 2019 Transgredient Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Dean Hurley talks to Third Of Never's Jon Dawson about his new album "Philosophy of Beyond", creating sound design for "Twin Peaks: The Return", and running David Lynch's recording studio. Hurley also sheds light on Angelo Badalamenti's participation in "The Return", why he left Los Angeles, and the path that led him there. From Sacred Bones Records: For over 12 years, sound and music supervisor Dean Hurley has exclusively operated Asymmetrical Studio, director David Lynch’s own film-dubbing and recording studio in Los Angeles. He has collaborated closely with Lynch on a myriad of his film, commercial, and music projects, including most recently Showtime’s 18-episode Twin Peaks: The Return. Hurley co-wrote and produced four full-length LPs with Lynch: The Air is on Fire (2007), This Train (2011), Crazy Clown Time (2011) and The Big Dream (2013) as well as serviced remixes for artists such as Duran Duran, Moby and Danish musician Agnes Obel. Hurley’s own music production has additionally extended to artists like Lykke Li, Dirty Beaches, Zola Jesus, and The Veils.

Hypnagogic mix with tracks from Loscil, David Sylvian, Dean Hurley, Vangelis, Danny Wolfers, Constance Demby, and more.

I had the pleasure of interviewing Dean Hurley, David Lynch's regular sound supervisor for over a decade, while he was here in Sydney working on the upcoming Sydney Festival event Masters of Modern Sound, where him and other sound practitioners are composing and performing works in response to the Art Gallery of NSW's current exhibition, Masters of Modern Art from the Hermitage. Walking through the gallery space we discussed how an artwork creates a musical response, working with the director Werner Herzog, and the collaborative process between himself and David Lynch. Masters of Modern Sound is on at the Art Gallery of NSW from January 10th-12th; more info can be found at the AGNSW website or https://www.sydneyfestival.org.au/events/masters-of-modern-sound

David Lowery talks about directing Robert Redford  in The Old Man and the Gun, the true story of a career criminal and rumoured to be Redford's last film. Sound artist Dean Lowery was David Lynch's music supervisor for over 12 years. He tells us what it's like to work with the man and the visions of the notably abstract director. Greg Haddrick is a writer and producer behind shows like Underbelly, Janet King and Pine Gap, he joins us for our Top Shelf segment, and a review of Hirokazu Kore-eda's Shoplifters, a bittersweet Japanese film that looks at an unconventional idea of family.

David Lowery talks about directing Robert Redford  in The Old Man and the Gun, the true story of a career criminal and rumoured to be Redford's last film. Sound artist Dean Lowery was David Lynch's music supervisor for over 12 years. He tells us what it's like to work with the man and the visions of the notably abstract director. Greg Haddrick is a writer and producer behind shows like Underbelly, Janet King and Pine Gap, he joins us for our Top Shelf segment, and a review of Hirokazu Kore-eda's Shoplifters, a bittersweet Japanese film that looks at an unconventional idea of family.

Listen in as Holler celebrated its 18th birthday on Dublin Digital Radio - ddr. To paraphrase Aretha Franklin, we may be “just 18, but we're old men in disguise." So tune in for another bout of ill-prepared mangling. Beardy started off this one with some drone, from the likes of Chra, Jefre Cantu-Ledesma and Dean Hurley before turning to lush ambient from Dedekind Cut. Watch out for that mournful descent into the gut wrenching poetry of North Yorkshire’s Adelle Stripe. It will hurt. Reddy stepped in with some D-Bridge dread and filth from Pariah mashing into the first of our Aretha Franklin injections with a song called America’s Nightmare. Things took a turn to variants of thug, deep and soulful house - before the bass whacked back in with club heaters tracks from the likes of Batu, Metrist, rRoxymore, Hodge, Ipman and Pinch. Things get wheeled up with a full on speed garage segment, some classic italo-house and Massive Sounds from NYC don dadda Bobby Konders. Finishing up with some electro/electronic futuristic sounds from DJ Stingray 313, Ceephax Acid Crew, Maelstro, Alphonse and Mike In and some seriously woofer slaying Miami Bass and B-More rescued from the depths of an old hard-drive and the back of the shelves. Holler!

Charles and Xan review the 2017 score album Twin Peaks: Limited Event Series Soundtrack, featuring music from Angelo Badalamenti, David Lynch, Dean Hurley, Chromatics, Johnny Jewel, Grady Tate, Muddy Magnolias, and the Warsaw National Philharmonic Orchestra with Witold Rowicki! Email us at southgatemediagroup@gmail.com Follow us on Twitter at @GhostwoodCast

Topics: Twin Peaks Finale, Richard & Linda, David Lynch, Duality, Freddy's Green Glove, Time, Audrey Horne, The Roadhouse, Wizard of Oz, Vishnu, Texas, 2:53, Fan Festival, John In The Morning, Dean Hurley, Sabrina Sutherland, Booking Agent, Linear, Circu...

42 Minutes 285: DJ Morgan - Twin Peaks: The Return - 09.04.2017 We Return to Twin Peaks one final time by way of Fall City to see who is playing at the Roadhouse with our guide DJ Morgan, KEXP's resident Twin Peaks expert. Topics Include: Twin Peaks Finale, Richard & Linda, David Lynch, Duality, Freddy's Green Glove, Time, Audrey Horne, The Roadhouse, Wizard of Oz, Vishnu, Texas, 2:53, Fan Festival, John In The Morning, Dean Hurley, Sabrina Sutherland, Booking Agent, Linear, Circular, Uncles, Blue Rose, 708. http://blog.kexp.org/category/twin-peaks/

Le monsieur son de David Lynch Obsessed with sound Dean Hurley, 27 ans, est responsable du studio son de David Lynch à Los Angeles. Il a élaboré avec lui la bande-son de l'exposition 'The Air is on Fire' qui réunit pour la première fois l'oeuvre plastique, filmique et sonore de David Lynch à la fondation Cartier (Paris). Depuis cet entretien, Dean Hurley est devenu le collaborateur musical attitré de David Lynch, notamment sur son album de 2011 'Crazy Clown Time'. Enregistrements : 1er mars 07 - Entretien : Silvain Gire - Mixage : Samuel Hirsch - Réalisation : Jeanne Robet