Podcasts about Eiko Ishioka

This month we sit down with Vulture critic Angelica Jade Bastién, author of the newsletter Madwomen & Muses, where she recently started writing about “Movies That Fuck.” In honor of “cinematic sensuality,” we chat about Bram Stoker's Dracula (1992), Francis Ford Coppola's ode to ahistorical melodrama and doomed romance. We get into: Roman Coppola's practical effects, Keanu's accent work, crossing oceans of time to find you, Michael Ballhaus (and whether this is the dark b-side of The Age of Innocence), Eiko Ishioka with the muscle armor and tiny glasses, do young people want to be turned on by the movies (or at all), and more.--Further reading/viewing: The Costumes are the Sets (a 15-minute doc on the film's Oscar-winning costumes), and James Hart on the transformation of Dracula's script.--The Bright Wall/Dark Room Podcast is hosted by⁠⁠ Veronica Fitzpatrick⁠⁠ &⁠ Chad Perman⁠⁠, produced by⁠⁠ Eli Sands⁠⁠, and edited by ⁠⁠Buczar⁠⁠. Our theme music is composed by Chad. --This episode is sponsored by ⁠Galerie⁠, a new kind of film club where you can chat directly with filmmakers, watch groundbreaking movies, and discover stories that bring you closer than ever to the craft and culture of cinema.To enjoy one month of Galerie for free—and then receive 50% off the next three months—visit ⁠Galerie.com⁠ and enter the code “BWDR” when you sign up.

Once upon a time in Los Angeles! In this week's special audience request episode, our hosts watch another iconic film, 'The Fall,' with costumes designed by Eiko Ishioka. Listen along as Elizabeth and Spencer get into all of the costumes from the 1920s hospital to "The Five" and the Masked Bandit, and, of course, the costumes worn by Sister Evelyn. Watch on YouTube: ► https://www.youtube.com/watch?v=FK5cAbcAros ► Podcast Merch Store: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.teepublic.com/user/theartofcostume ► Join our Discord: ⁠⁠⁠https://discord.gg/ze3zBSK2⁠⁠⁠ ► Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/theartofcostumepod/ ► TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@theartofcostume --- Support this podcast: https://podcasters.spotify.com/pod/show/theartofcostume/support

Once upon a time in Los Angeles! In this week's special audience request episode, our hosts watch another iconic film, 'The Fall,' with costumes designed by Eiko Ishioka. Listen along as Elizabeth and Spencer get into all of the costumes from the 1920s hospital to "The Five" and the Masked Bandit, and, of course, the costumes worn by Sister Evelyn. Watch on YouTube: ► https://www.youtube.com/watch?v=FK5cAbcAros ► Podcast Merch Store: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.teepublic.com/user/theartofcostume ► Join our Discord: ⁠⁠⁠https://discord.gg/ze3zBSK2⁠⁠⁠ ► Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/theartofcostumepod/ ► TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@theartofcostume --- Support this podcast: https://podcasters.spotify.com/pod/show/theartofcostume/support

In this episode of the Filmumentaries podcast, host Jamie Benning interviews Nilo Rodis-Jamero, a designer and production designer known for his work on films like The Empire Strikes Back, Return of the Jedi, and Johnny Mnemonic. They discuss Nilo's experiences working with George Lucas, Phil Tippett, and Joe Johnston, as well as his collaborations with other renowned designers like Eiko Ishioka and Hayao Miyazaki. Nilo shares insights into his design process and the importance of simplicity and iconicity in his work. The conversation also touches on Nilo's involvement in the design of the character Buz Lightyear in Toy Story and his experiences as a production designer on Johnny Mnemonic. In this part of the conversation, Nilo discusses the challenges of working on movies with hard deadlines and limited budgets. He shares his experiences working with George Lucas and John Hughes, and how their approaches to filmmaking differed from the Hollywood norm. Nilo also compares working on Johnny Mnemonic and Explorers, both of which faced production difficulties. He highlights the importance of creative freedom and the impact of budget constraints on the filmmaking process. Nilo also shares insights into the differences between the film and video game industries, particularly in terms of discipline and the lack of a hard deadline in game development.This is only part 1 of a long conversation. Part 2 is coming up soon!TakeawaysNilo Rodis Jamero has had a diverse and influential career as a designer and production designer in the film industry.He has worked on iconic films like The Empire Strikes Back, Return of the Jedi, and Johnny Mnemonic.Nilo has rubbed shoulders with renowned designers and filmmakers, including George Lucas, Phil Tippett, Joe Johnston, Eiko Ishioka, and Hayao Miyazaki.His design process focuses on simplicity and creating designs that are easily recognizable and memorable.Nilo's work on the character Lunar Larry (who became Buzz Lightyear) in Toy Story showcases his ability to bring a character to life through design.His experiences as a production designer on Johnny Mnemonic highlight the challenges and dynamics of the filmmaking process. Movies are often made with hard deadlines and limited budgets, which can pose challenges for filmmakers.Working with directors like George Lucas and John Hughes, who prioritize creative freedom, can provide a different filmmaking experience.Films like Johnny Mnemonic and Explorers faced production difficulties, which affected their final outcomes.The film and video game industries have different approaches to discipline and deadlines, with games often lacking a hard deadline.Budget constraints can impact the creative process and the ability to achieve the desired vision for a film.Sound Bites"I like design that are very simple to digest and then reward the viewer with more details as they zoom in.""I work in an increment of a month. So, if, you know, can we agree on my terms?""The essence of that character is right there. Facially, like his expressions, his costume, his stance, like it's all there.""Movies are literally backed into a hard date, which is the release date.""The way Hollywood movies are made, it's the opposite of that.""I learned how to do movies the way George makes movies."Donate ButtonAll the links

It's the MISHIMA episode. It's also the Mishima episode, in a way. We do our best to discuss both Paul Schrader's 1985 art-biopic MISHIMA: A LIFE IN FOUR CHAPTERS and the man Yukio Mishima with our returning pal Comrade Yui, who has been on a real journey with this film. As you might expect, things get pretty weighty: the nature and purpose of art, Schrader's depiction of the suicide, whether you can be a bodybuilder without being fascist about it. This is a special one, folks. Further Reading: Mishima: Aesthetic Terrorist - An Intellectual Portrait by Andrew Rankin Confessions of a Mask by Yukio Mishima "Mishima, Mon Amour" by Gary Indiana "Sea of Crises" by Brian Phillips Further Viewing: THE STRANGE CASE OF YUKIO MISHIMA (McIntyre, 1985) PATRIOTISM (Mishima, 1966)  

​​Welcome to You Haven't Blanked That! It's Frances Ford Coppola month. This week watched Bram Stoker's Dracula. We talk about the book, epistolary novels, Frankenstein, Vampire Biology, Van Helsing, superstitions, Last Voyage of the Demeter, Blue Flame, Command of the Winds, Tom Waits, Keanu Reeves, Saved by the Bell, Cary Elwes, Billy Campbell, SFX, Horny movie chaste book, Lux Interior, Eiko Ishioka, Tom Waits's Dracula, Dracula: Dead and Loving It, Cape Fear, Absinthe commercial, Zoolander No. 2, Vampire stories, Gnomes, Who would Corey Feldman Play? What we are blanking: X-Men 97, Traitors, ​​Opening theme by the Assassins ​​Closing theme by Lucas Perea ​​ For more info, click the link in the bio. https://linktr.ee/yhblankthat --- Send in a voice message: https://podcasters.spotify.com/pod/show/blanked-that/message

Romantismo incorrigível, uma viagem de ácido bissexual e vitoriana, projetos megalomaníacos, o poder da linguagem cinematográfica, delírios góticos febris, erotismo em tempos de vampirismo, o simbolismo do sangue, uma ode ao trabalho de Eiko Ishioka, sotaques macarrônicos e o potencial do terror em grande escala. Os Esqueletos provam que o amor nunca morre revisitando o clássico de Francis Ford Coppola, Dracula de Bram Stoker (1992). Apresentado por: Luiz Machado - @machadolue no Instagram Alvaro de Souza - @gayracula98 no Twitter e @alllvarusdesouza no Instagram João Neto - @netodojo no Twitter e @joaoneto_89 no Instagram Confira o nosso site: https://www.esqueletosnoarmario.com/ Apoie o nosso projeto: https://apoia.se/esqueletosgays @esqueletosgays no Twitter e Instagram

Angélica Hellish e Marcos Noriega conversam sobre um dos filmes mais bonitos do ano 2000, "A Cela" (The Cell) do diretor Tarsem Singh, onde o preciosismo visual se agrega ao figurino da esplêndida Eiko Ishioka (1938-2012) para trazer a angústia e a beleza do melhor estilo Dark Fantasy. Textos mencionados: "Horror Costuming - The Cell" por Cláudio Alves "Artistic Inspiration In The Cell"  https://www.youtube.com/watch?v=AyAe1wsDsAw&ab_channel=Sacrer   IMPORTANTE  *** SEJA UM APOIADOR E NOS AJUDE A MANTER ESSE PROJETO QUE EXISTE DESDE 2009: Só clicar aqui https://linktr.ee/masmorracine nesse link, tem todas as maneiras de nos apoiar OU FAÇA UM PIX – nosso pix é o email apoiomasmorra@gmail.com **** *Procure e inscreva-se nos aplicativos de PODCAST e também no SPOTIFY, AMAZON MUSIC, APPLE PODCASTS! – Só procurar MASMORRACINE *Nosso e-mail: contato.cinemasmorra@gmail.com https://www.youtube.com/watch?v=KD9FcBpAZHw&ab_channel=JuracirCarvalho SIGA A GENTE NO NOSSO CANAL NA TWITCH @AngelMasmorra https://www.twitch.tv/angelmasmorra AJUDE O NOSSO PODCAST A APARECER MAIS NO SPOTIFY DANDO 5 ESTRELAS PARA A GENTE! Procure-nos lá como Cineclube da Masmorra ou como MasmorraCine Nosso canal no OK.RU!

Angélica Hellish e Marcos Noriega conversam sobre um dos filmes mais bonitos do ano 2000, "A Cela" (The Cell) do diretor Tarsem Singh, onde o preciosismo visual se agrega ao figurino da esplêndida Eiko Ishioka (1938-2012) para trazer a angústia e a beleza do melhor estilo Dark Fantasy. Textos mencionados: "Horror Costuming - The Cell" por Cláudio Alves "Artistic Inspiration In The Cell"  https://www.youtube.com/watch?v=AyAe1wsDsAw&ab_channel=Sacrer   IMPORTANTE  *** SEJA UM APOIADOR E NOS AJUDE A MANTER ESSE PROJETO QUE EXISTE DESDE 2009: Só clicar aqui https://linktr.ee/masmorracine nesse link, tem todas as maneiras de nos apoiar OU FAÇA UM PIX – nosso pix é o email apoiomasmorra@gmail.com **** *Procure e inscreva-se nos aplicativos de PODCAST e também no SPOTIFY, AMAZON MUSIC, APPLE PODCASTS! – Só procurar MASMORRACINE *Nosso e-mail: contato.cinemasmorra@gmail.com https://www.youtube.com/watch?v=KD9FcBpAZHw&ab_channel=JuracirCarvalho SIGA A GENTE NO NOSSO CANAL NA TWITCH @AngelMasmorra https://www.twitch.tv/angelmasmorra AJUDE O NOSSO PODCAST A APARECER MAIS NO SPOTIFY DANDO 5 ESTRELAS PARA A GENTE! Procure-nos lá como Cineclube da Masmorra ou como MasmorraCine Nosso canal no OK.RU!

Reseña de la adaptación de Francis Ford Coppola de la novela de Bram Stoker, con el vampiro más famoso y lascivo de la Historia del Cine. Keanu Reeves, Winona Ryder y Anthony Hopkins llevan la película, aunque quien atrapa todas las miradas es Gary Oldman. El vestuario, diseñado por Eiko Ishioka, es un festín visual por derecho propio. No obstante, a veces la versión de Coppola es demasiado literaria y quizá no lo bastante cinematográfica. ENLACES DE INTERÉS https://www.fotogramas.es/noticias-cine/a42036854/dracula-bram-stoker-pelicula-coppola-curiosidades/ https://www.20minutos.es/cinemania/noticias/dracula-francis-ford-coppola-curiosidades-5085698/ https://www.espinof.com/criticas/vampiros-de-verdad-dracula-de-francis-ford-coppola https://culturainquieta.com/es/cine/item/19829-30-anos-del-amor-inmortal-que-francia-ford-coppola-nos-regalo-en-dracula-de-bram-stoker.html

This week, we discuss two films from acclaimed writer/director Paul Schrader. The first is American Gigolo (1980), which tells the story about a high-priced escort in Los Angeles, played by Richard Gere, who becomes romantically involved with a prominent politician's wife, while simultaneously becoming the prime suspect in a murder case. The second is Mishima: A Life in Four Chapters (1985), a biographical drama film based on the life and work of Japanese writer Yukio Mishima. Francis Ford Coppola and George Lucas were executive producers of the film, which has an excellent score composed by Philip Glass and beautiful production design by Eiko Ishioka.   Timestamps Paul Schrader (00:04:52) American Gigolo (00:15:00) Mishima: A Life in Four Chapters (00:45:00) Coin toss (01:12:02)   Links   Instagram - @callitfriendopodcast @munnywales @andyjayritchie   Justwatch.com – streaming and rental links - https://www.justwatch.com Norm Macdonald in Deuce Bigalow: European Gigolo - https://youtu.be/VNl8-7pDoNg Yukio Mishima Speaking In English - https://youtu.be/DPAZQ6mhRcU Yukio Mishima Commits Seppuku at Ichigaya Barracks in Tokyo | November 1970 - https://youtu.be/EDNjK6LnW0Y

Con este episodio marcamos el final de Octubre de miedo, si en pleno Noviembre, con éste peliculón de aquellos, una historia milenaria, como sus protagonistas, y con grandes actuaciones, aunque por ahí alguno no llego a la marca, hablamos de Bram Stoker's Dracula, de Francis Ford Coppola, que nos entrega esta obra maestra, o joya como dirían los cinéfilos más acérrimos, aunque aquí para los/las/les #celufans, le llamamos una chingonería. Acompañanos a este episodio de colmillos largos y retráctiles, donde recorremos esta gran película que tantas buenas y tétricas memorias nos ha dejado, desde la sombra de Dracula, pasando por sus tanto sensuales como mortales novias, hasta Mina y Lucy y sus aventuras en Londres. Basada en la novela de Bram Stoker y nacida de la compra de los derechos de la misma por nada más y nada menos que Mina... o bueno, Winona Ryder, quien decide acercarse a Coppola para colaborar en esta gran obra del septimo arte. Cabe destacar el trabajo de la diseñadora de moda y vestuario Eiko Ishioka, quien en ésta película hace un gran trabajo de reinterpretación con la vestimenta de cada uno de los personajes, quienes están en dos epocas, durante los siglos XV y XIX, mejor conocido este último como la era victoriana . Por otra parte como olvidar la interpretación de Renfield por parte del grandísimo Tom Waits, que además nos ayuda meternos en la ambientación de ésta película de una manera magistral. ------------ Recuerden seguirnos en IG, FB, Twitter, TikTok, o todos, así como compartir sus episodios favoritos. Si todavía usan correo electrónico, nos pueden enviar uno a contacto@celuloide.live, donde escucharemos todas sus sugerencias y comentarios. Tenemos nueva página, dale un vistazo y conócenos en celuloide.live --- Send in a voice message: https://podcasters.spotify.com/pod/show/celuloide/message

Con este episodio marcamos el final de Octubre de miedo, si en pleno Noviembre, con éste peliculón de aquellos, una historia milenaria, como sus protagonistas, y con grandes actuaciones, aunque por ahí alguno no llego a la marca, hablamos de Bram Stoker's Dracula, de Francis Ford Coppola, que nos entrega esta obra maestra, o joya como dirían los cinéfilos más acérrimos, aunque aquí para los/las/les celufans, le llamamos una chingonería.Bram Stoker's Dracula de 1992Dirección: Francis Ford Coppola https://www.imdb.com/name/nm0000338/?ref_=tt_ov_drDracula: Gary Oldman https://www.imdb.com/name/nm0000198/?ref_=tt_ov_stMina Murray / Elisabeta: Winona Ryderhttps://www.imdb.com/name/nm0000213/?ref_=tt_ov_stProfessor Abraham Van Helsing: Anthony Hopkinshttps://www.imdb.com/name/nm0000164/?ref_=tt_ov_stJonathan Harker: Keanu Reeveshttps://www.imdb.com/name/nm0000206/?ref_=ttfc_fc_cl_t4Dr. Jack Seward: Richard E. Granthttps://www.imdb.com/name/nm0001290/?ref_=ttfc_fc_cl_t5Lord Arthur Holmwood: Cary Elweshttps://www.imdb.com/name/nm0000144/?ref_=ttfc_fc_cl_t6Quincey P. Morris: Billy Campbell (as Bill Campbell)https://www.imdb.com/name/nm0001004/?ref_=ttfc_fc_cl_t7Lucy Westenra: Sadie Frosthttps://www.imdb.com/name/nm0001244/?ref_=ttfc_fc_cl_t8Acompañanos a este episodio de colmillos largos y retráctiles, donde recorremos esta gran película que tantas buenas y tétricas memorias nos ha dejado, desde la sombra de Dracula, hasta sus novias tanto sensuales como mortales, hasta Mina y Lucy y sus aventuras en Londres.Basada en la novela de Bram Stoker y nacida de la compra de los derechos de la misma por nada más y nada menos que Mina... o bueno, Winona Ryder, quien decide acercarse a Coppola para colaborar en esta gran obra del septimo arte.Cabe destacar el trabajo de la diseñadora de moda y vestuario Eiko Ishioka (https://en.wikipedia.org/wiki/Eiko_Ishioka), quien en ésta película hace un gran trabajo de reinterpretación con la vestimenta de cada uno de los personajes, quienes están en dos epocas, durante los siglos XV y XIX, mejor conocido este último como la era victoriana .Por otra parte como olvidar la interpretación de Renfield por parte del grandísimo Tom Waits (https://en.wikipedia.org/wiki/Tom_Waits), que además nos ayuda meternos en la ambientación de ésta película de una manera magistral.------------Recuerden seguirnos en IG, FB, Twitter, TikTok, o todos, así como compartir sus episodios favoritos. Si todavía usan correo electrónico, nos pueden enviar uno a contacto@celuloide.live, donde leeremos todas sus sugerencias y comentarios.Tenemos nueva página, dale un vistazo y conócenos en celuloide.live

This week I'm jumping off horses, licking some ice, and telling wild stories, while discussing ‘The Fall' with the help of patron of the show David Powell! The Fall is a 2006 adventure fantasy film directed and co-written by Tarsem Singh and starring Lee Pace, Catinca Untaru, and Justine Waddell. It is based on the screenplay of the 1981 Bulgarian film Yo Ho Ho by Valeri Petrov. Its costume design is by Eiko Ishioka. The film was released to theaters in America and the UK in 2008 and earned $3.7 million worldwide. We Watched A Thing is supported by Dendy Cinemas Canberra. The best Australian cinema chain showing everything from blockbusters to arthouse and indie films. Find them at https://www.dendy.com.au/ If you like this podcast, or hate it and us and want to tell us so - You can reach us at wewatchedathing@gmail.com Or, Twitter - @WeWatchedAThing Facebook - @WeWatchedAThing Instagram - @WeWatchedAThing and on iTunes and Youtube If you really like us and think we're worth at least a dollar, why not check out our patreon at http://patreon.com/wewatchedathing. Every little bit helps, and you can get access to bonus episodes, early releases, and even tell us what movies to watch.

We are so excited to have the delightful Whitney Anne Adams on the pod with us to talk about her work as a costume designer on Three Months, Happy Death Day 2 U, Freaky, and more! She talks to us about creating memorable onscreen looks, such as Troye Sivan's Converse sneakers for Three Months, and the red jacket Kathyrn Newton wore as the Butcher in Freaky. She also tells us about being the personal seamstress to Eiko Ishioka (who we talked about before on our Bram Stoker's Dracula episode!) and assisting Catherine Martin on Baz Luhrmann's The Great Gatsby. Tune into this fun episode now!   Follow Whitney on Instagram: https://www.instagram.com/waacostumedesign/ Check out her treasure chest of a website: https://www.whitneyadams.com/ &  https://www.whitneyadams.com/bcd-adventure/2020/4/24/hamlet-1948-bram-stokers-dracula-1992    

In this bonus episode, Elizabeth and Spencer sit down with costume designer Whitney Anne Adams to talk about her work on the new film starring Troye Sivan, Three Months. To start, Whitney discusses her beginnings as a costume designer working with some industry legends such as Catherine Martin and Eiko Ishioka. Then we dive into some great stories behind this vibrant film such as the doodling on the shoes, the Fleetwood Mac and David Bowie graphic tees, a fridge-worthy email from Stevie Nicks, and designing a film set it in…wait for it… 2011! --- Send in a voice message: https://anchor.fm/theartofcostume/message Support this podcast: https://anchor.fm/theartofcostume/support

In this bonus episode, Elizabeth and Spencer sit down with costume designer Whitney Anne Adams to talk about her work on the new film starring Troye Sivan, Three Months. To start, Whitney discusses her beginnings as a costume designer working with some industry legends such as Catherine Martin and Eiko Ishioka. Then we dive into some great stories behind this vibrant film such as the doodling on the shoes, the Fleetwood Mac and David Bowie graphic tees, a fridge-worthy email from Stevie Nicks, and designing a film set it in…wait for it… 2011! --- Send in a voice message: https://anchor.fm/theartofcostume/message Support this podcast: https://anchor.fm/theartofcostume/support

Eiko Ishioka was a graphic, costume, and set designer. She was born July 12, 1938 in Tokyo, Japan. Growing up, her life always fused western and Japanese culture. She graduated from the Tokyo National University of Fine Arts and Music in 1960 and immediately started working for the largest cosmetic company in Japan, Shiseido. There she revolutionized the poster with her bold use of diverse models and progressive feminist messages that defied tradition. Ishioka later worked as a creative director for the department store Parco, producing iconic posters and television ads that broke with tradition and showed no products. In 1983, Ishioka left Parco and opened her own design studio. Once in her own practice, Eiko experimented more and more with surrealism as she moved into designing sets and costumes for film and theater. She won awards for her work on Mishima (1985) and Madame Butterfly (1988). Ishioka would go on to win the 1993 Academy Award for Best Costume Design (along with multiple other awards) for her incredible costume designs for Francis Ford Coppola's 1992 film adaptation of Bram Stoker's Dracula. It was Ishioka's life work to push up against tradition. The result is a stunning body of work worthy of inclusion in the design history canon.TIMELINE1938 –  b. Tokyo, Japan1961 –  graduated Tokyo National University of Fine Arts and Music1970 –  founded own firm1970 –  ūman ribu movement1980 –  moved to New York1983 –  published her own book Eiko by Eiko1985 –  Equal Opportunity Law passed in Japan; Mishima releases featuring set designs from Ishioka, for which she wins the Award for Artistic Contribution at the 1985 Cannes Film Festival.1992 –  Bram Stoker's Dracula1993 –  Ishioka's costume designs on Dracula win her the Academy Award for Best Costume Design2002 –  Designs sports uniforms for the 2002 Olympics2008 –  Designs the opening ceremony costume designs for the Beijing Olympics 2010 –  Costume Designs for Broadway Musical, “Spiderman: Turn Off the Dark”2012 –  d. Age 73 in Tokyo, Japan from pancreatic cancerREFERENCESAssociated Press. (2012, January 26). Costume designer Eiko Ishioka, recently known for Broadway's “Spider-Man,” has died at 73. Washington Post. https://web.archive.org/web/20120205143125/http://www.washingtonpost.com/entertainment/theater-dance/costume-designer-eiko-ishioka-recently-known-for-broadways-spider-man-has-died-at-73/2012/01/26/gIQAyZhgTQ_story.htmlDalí Paris. (n.d). Dalí and fashion. Dalí Paris. Retrieved 25 May 2021 from https://www.daliparis.com/en/salvador-dali-en/dali-fashion/Edwards, L. N. (1988). Equal Employment Opportunity in Japan: A View from the West. ILR Review, 41(2), 240–250. https://doi.org/10.1177/001979398804100206Eiko Ishioka. (1992). ADC Global. http://adcglobal.org/hall-of-fame/eiko-ishioka/Eiko Ishioka. (n.d.). A SEARCH HISTORY. https://asearchhistory.weebly.com/eiko-ishioka.htmlFox, M. (1984, March 1). An Interview with Eiko Ishioka, by Ingrid Sischy. Artforum International. https://www.artforum.com/print/198403/an-interview-with-eiko-ishioka-by-ingrid-sischy-35403Fox, M. (2012, January 27). Eiko Ishioka, Costumer of the Surreal, Dies at 73. The New York Times. https://www.nytimes.com/2012/01/27/arts/design/eiko-ishioka-designer-dies-at-73.htmlFusek, A. P. (2021, February 27). The Feminist Movement in Japan: WWII to the 1970s. Unseen Japan. https://unseenjapan.com/feminist-movement-japan-wwii-1970s/Goodall, H. (2013, January 3). Origins and influence of surrealism in Japanese art. Unframed. Retrieved 25 May 2021 from https://unframed.lacma.org/2013/01/03/origins-and-influence-of-surrealism-in-japanese-artGraphic Liberation of Gender: Eiko Ishioka Poster ExhibitionThe Japan Foundation, Toronto. (2017, September 6). Japan Foundation. https://jftor.org/event/eiko-ishioka-poster-exhibition/2017-09-06/Haley, M. (n.d.). Sneak Peek: Eiko Ishioka Papers at UCLA Library Special Collections. LA Collective. https://laacollective.org/work/eiko-ishiokaHooks, R. (2018). Surrealism in  graphic design. 99designs. Retrieved 25 May 2021 from https://99designs.com/blog/design-history-movements/surreal-graphic-design/ITSLIQUID. (2020, December 18). Eiko Ishioka: Blood, Sweat, and Tears. https://www.itsliquid.com/eikoishioka-bloodsweatandtears.htmlJapanese Pickers. (2017, January 6). 1990 Print Available [Facebook Post]. Facebook. https://www.facebook.com/unsupportedbrowserK. (2020, February 10). Shibuya PARCO - Interactive Shopping, Art, And Hands-On Technology. Matcha - Japan Travel Web Magazine. https://matcha-jp.com/en/9390Lorde Velho. (2020, July 23). The Costumes Are the Sets - The Design of Eiko Ishioka (Legendado PTBR) [Video]. YouTube. https://www.youtube.com/watch?v=3TFCNCt-gUkMolony, B. (2000). Women's Rights, Feminism, and Suffragism in Japan, 1870-1925. Pacific Historical Review, 69(4), 639-661. doi:10.2307/3641228Parsons, K. (2019, July 22). THE THEATER. VERY PARCO. | Cooper Hewitt, Smithsonian Design Museum. Cooper Hewitt Smithsonian Design Museum. https://www.cooperhewitt.org/2018/03/17/the-theater-very-parco-2/Pola Museum of Art. (2019). Surrealist painting: Influences and iterations in Japan. Pola Museum of Art. Retrieved 25 May 2021 from https://www.polamuseum.or.jp/english/exhibition/20191215s01/Sayej, N. (2018, January 16). 7 designers keeping the art of surrealism alive today. Print Mag. Retrieved 25 May 2021 from https://www.printmag.com/post/7-designers-keeping-surrealism-aliveSchenker, M. (2018, October 25). Design trend report: Surrealism. Creative Market. Retrieved 25 May 2021 from https://creativemarket.com/blog/design-trend-report-surrealismStech, A. (2019, October 4). How 1920s surrealism impacted modern design. Wallpaper. Retrieved from 25 May 2021 from https://www.wallpaper.com/design/surrealism-and-design-vitra-design-museum-exhibitionSurreal Costumes by Legendary Designer Eiko Ishioka. (2019, June 4). Juxtapoz: Art and Culture. https://www.juxtapoz.com/news/design/surreal-costumes-by-legendary-designer-eiko-ishioka/Takeuchi-Demirci, A. (2010). Birth Control and Socialism: The Frustration of Margaret Sanger and Ishimoto Shizue's Mission. The Journal of American-East Asian Relations, 17(3), 257-280. Retrieved April 28, 2021, from http://www.jstor.org/stable/23613288The Academy. (2018, March 30). How Eiko Ishioka's revolutionary costumes won Coppola's “Dracula” an Oscar. Medium. https://medium.com/art-science/how-francis-ford-coppola-s-choice-to-work-with-a-weirdo-outsider-led-to-an-oscar-dd22bdf51e2aTimes, T. N. Y. (1973, December 8). Japan Braces for a Full‐Scale Oil Crisis. The New York Times. https://www.nytimes.com/1973/12/08/archives/japan-braces-for-a-fullscale-oil-crisis-japan-whose-busy-economy.htmlTimes, T. N. Y. (1983, March 27). CHANGING FACE OF JAPAN. The New York Times. https://www.nytimes.com/1983/03/27/magazine/changing-face-of-japan.htmlVitra Design Museum. (2019). Objects of desire: Surrealism and design 1924 - today. Vitra Design Museum. Retrieved 25 May 2021 from https://www.design-museum.de/en/exhibitions/detailpages/objects-of-desire-surrealism-and-design.html?desktop=318&cHash=c626c20211a0d1333a9393761a0ffc40Wang, M. (2017, March 8). _What's PARCO?_JAPAN Monthly Web Magazine. https://japan-magazine.jnto.go.jp/en/special_parco.htmlWood, G. (2007). Surrealism and design. V&A. Retrieved 25 May 2021 from https://www.vam.ac.uk/articles/surrealism-and-design

We have a highly anticipated episode this week as our co-hosts watch a hauntingly beautiful classic, Bram Stoker's Dracula, directed by Francis Ford Coppola. Listen along as Elizabeth and Spencer discuss the Academy-Award-winning costumes designed by the legendary Eiko Ishioka, including Dracula's creepy fits and fashions, Mina's gowns, creepy Transylvanian taxis, and… well, a bunch of other things that are hard to describe! --- Send in a voice message: https://anchor.fm/theartofcostume/message Support this podcast: https://anchor.fm/theartofcostume/support

We have a highly anticipated episode this week as our co-hosts watch a hauntingly beautiful classic, Bram Stoker's Dracula, directed by Francis Ford Coppola. Listen along as Elizabeth and Spencer discuss the Academy-Award-winning costumes designed by the legendary Eiko Ishioka, including Dracula's creepy fits and fashions, Mina's gowns, creepy Transylvanian taxis, and… well, a bunch of other things that are hard to describe! --- Send in a voice message: https://anchor.fm/theartofcostume/message Support this podcast: https://anchor.fm/theartofcostume/support

Are we ready to talk about Keanu's best role in cinema? Ok, so it might not be exactly that, but I have a LOT of love for Francis Ford Coppola's lavish, sublime and gorgeous adaptation of Bram Stoker's Dracula. So much so that I don't even mind Keanu's stilted performance - it's no way as bad as many say it is, although that might be my bias shining through. It's a visual treat for the eyes, with stunning costume design by first-time costume designer Eiko Ishioka and incredibly practical in-camera special effects, headed by first-time visual effects director Roman Coppola (son of Francis Ford Coppola), as well as an unforgettable lead performance by the one and only Gary Oldman as Count Dracula; an icon of literature, TV and cinema for almost 100 years. This movie showed us that love, lust, sexual desire and terror are not mutually exclusive, and Coppola's vision would not only give us the only Academy Award-winning adaptation of the Dracula story, but also shape the way vampires (and the legendary Count himself) are portrayed in modern cinema. I love you too much to condemn you. I would love to hear your thoughts on Bram Stoker's Dracula! GET IN TOUCH.... Twitter https://twitter.com/verbaldiorama (@verbaldiorama) Instagram https://www.instagram.com/verbaldiorama (@verbaldiorama) Facebook https://www.facebook.com/verbaldiorama (@verbaldiorama) Letterboxd https://www.facebook.com/verbaldiorama (@verbaldiorama) Email verbaldiorama [at] gmail [dot] com Website https://my.captivate.fm/verbaldiorama.com (verbaldiorama.com) SUPPORT VERBAL DIORAMA.... Leave a 5-star rating/review: https://podcasts.apple.com/gb/podcast/verbal-diorama/id1453296967 (Apple Podcasts) or https://www.podchaser.com/podcasts/verbal-diorama-803268 (Podchaser) Join the Patreon: https://verbaldiorama.com/patreon (https://verbaldiorama.com/patreon) Thank you to all the patrons Simon E, Sade, Jardiel, Claudia, Simon B, Laurel, Derek, Jason, Kristin, Cat, Andy, Mike, Griff, Luke, Emily, Michael, Scott, Mark, Brendan, Ian, Lisa, Sam, Will and Jack. Buy Merch! https://verbaldiorama.com/merch (https://verbaldiorama.com/merch) Tees, mugs, hoodies and totes are available! EPISODE THANKS TO.... Most excellent patrons: Andy from Geek Salad for his Patron thoughts. You can find him @geeksaladradio on Twitter Derek and Laurel from The Midnight Myth for their Patron thoughts. You can find them @TheMidnightMyth on Twitter Subscribe, follow and listen to Geek Salad and The Midnight Myth in your podcast app of choice! And also to Patron Claudia for her thoughts! Twitter peeps @aliceoliverTV @MoviesWork Instagram folk @contrarianprime @stuntgoatanimation Facebook chums None this time Theme Music: Verbal Diorama Theme Song Music by Chloe Enticott - https://www.facebook.com/watch/Compositionsbychloe/ (Compositions by Chloe ) Lyrics by Chloe Enticott (and me!) Production by Ellis Powell-Bevan of Ewenique Studio Support this podcast

Yukio Mishima's controversial legacy as an LGBT icon, queer relationships and identities in Feudal Japan, Eiko Ishioka's groundbreaking production design, kishōtenketsu narrative structure, and the movie's unique blend of literature, theater, and film.Support the show (https://www.patreon.com/checkyourthreading)

Dive deep into fairytale costumes as we cover the Brandy/Whitney Houston movie "Cinderella" and the fantastical "Mirror Mirror"! Let's remember the legendary Eiko Ishioka, ponder the ideal shape for glass slippers, and gush over some pretty pretty dresses.Follow along with the visual analysis on Instagram @thecostumeplot or on YouTube! Cinderella Mirror Mirror part 1, part 2 Questions? Comments? Suggestions for future episodes? Email thecostumeplot@gmail.com. Follow us: Jojo Siu on IG @jojosiucostumes Sarah Timm on IG @breathcue, on Twitter @SarahTSews The Costume Plot on Youtube, Instagram, and Twitter Transcript available here

Get more at podsematary.com! Read our afterthoughts for this episode at https://twitter.com/PodSematary/status/1358549642523377666 CW: Sexual Assault It’s Valentine's Week on Pod Sematary! Chris & Kelsey get all sappy and romantic with two archetypical gothic horror giants! The Classic Film: Bram Stoker’s Dracula (1992) "[Dracula's] lonely soul is determined to reunite with his lost love, Mina. In Britain, [he] begins a reign of terror and seduction draining the life from her closest friend, Lucy. Together they try and drive Dracula away.” (RottenTomatoes.com). Francis Ford Coppola creates a stunning visual masterpiece using almost nothing but the cinematic techniques available at the turn of the 20th century. It's certainly quite something, but is it too bizarre for fans of the popular ur-vampire? The Modern Film: Crimson Peak (2015) "In the aftermath of a family tragedy, an aspiring author is torn between love for her childhood friend and the temptation of a mysterious outsider. Trying to escape the ghosts of her past, she is swept away to a house that breathes, bleeds - and remembers” (IMDb.com). You'll see a lot of familiar content here, even what are becoming Guillermo del Toro's own cliches, and the scares are a little weak, but as always, del Toro produces a feast for the eyes and the soul. Audio Sources: "Blood Lines: Dracula - The Man. The Myth. The Movies." produced by Columbia Pictures "Bram Stoker's Dracula" produced by American Zoetrope, et al. "The Costumes Are the Sets: The Design of Eiko Ishioka" produced by Zoetrope Aubry Productions "Crimson Peak" produced by Double Dare You (DDY) & Legendary Entertainment "It's My Party" written by Walter Gold, et al., and performed by Lesley Gore "Jurassic Park" produced by Universal Pictures & Amblin Entertainment "Love Song for a Vampire" written and performed by Annie Lennox "Pet Sematary" written by Dee Dee Ramone & Daniel Rey and performed by The Ramones "Pineapple Express" produced by Apatow Productions, et al. "Scream 4" produced by Dimension Films, et al. "She's Not There" written by Rod Argent and performed by The Zombies

Get ready to get goth! Today’s Keanuary episode is about Bram Stoker’s Dracula, Francis Ford Coppola’s 1992 film that stars our beloved Keanu as a man who gets cucked by DRACUL himself. The costumes, which are by Eiko Ishioka (who won an Oscar for them!), will blow your mind. Serpent dresses, golden kabuki-style robes, armadillo-inspired armor. Enjoy! Episode notes: "The Costumes Are The Sets" - documentary about the costumes on YouTube Coppola and Eiko on Bram Stoker's Dracula $600 book  Eiko Ishioka: Blood, Sweat, and Tears—A Life of Design exhibit Dracula’s gold robe inspired by Gustav Klimt’s The Kiss and more info on the costumes DH Gate lol Catherine D’Lish robes For visuals of the costumes, follow us on Instagram at @fishnetflixpod  DM or email your movie requests at info@fishnetflix.com!

时装界美而爆裂的“天才”或“疯子”“她，你懂吗？”“当人类身处极端的困境，如果拥有非做不可的意志，或许就可以激发超乎想象的能量。我也不例外，就像蒙上眼睛的赛马，只要喊了开始，那么不到终点就不会停止奔跑。跑到跑不动为止。途中遭遇的高高壁垒，就是新的问题，新的课题。”— Eiko Ishioka 石冈瑛子

时装界美而爆裂的“天才”或“疯子”“她，你懂吗？”“当人类身处极端的困境，如果拥有非做不可的意志，或许就可以激发超乎想象的能量。我也不例外，就像蒙上眼睛的赛马，只要喊了开始，那么不到终点就不会停止奔跑。跑到跑不动为止。途中遭遇的高高壁垒，就是新的问题，新的课题。”— Eiko Ishioka 石冈瑛子

Episode 8 - Thancoupie Gloria Fletcher, Eiko Ishioka, Wangari Maathai, Calypso Rose and Flossie Wong-Staal   Thancoupie Gloria Fletcher In which state of Australia did she grow up? What did her tribe usually use clay for? How did she help chronicle the Thaynakwith language? What do people celebrate at the Weipa Festival?   Eiko Ishioka What did Eiko's father do? What is a ‘mantra? Which 3 words became Eiko's mantra? What would yours be? Which award did she win in 1993? Name three people or companies Eiko has created costumes for.   Wangari Maathai What did Wangari's parents do? Which country ruled Kenya when Wangari was young? What did she suggest women should do to help the environment in Kenya? Why did she promote growing food at schools?   Calypso Rose  What is Calypso Rose's real name? Where was she born? What was her song “Glass Thief” about? Why did they change the name of the Calypso King competition?   Flossie Wong-Staal Why did Flossie and her family leave China? How did her dad choose the name Flossie? Which 2 subjects did Flossie choose between to study at high school? What does the acronym AIDS stand for?

Volvemos con un programa de Pizza DeSastre, esta vez analizamos el vestuario de Drácula de Francis Ford Coppola. Un repaso al hito que consiguió Eiko Ishioka en su primer trabajo para cine.

Volvemos con un programa de Pizza DeSastre, esta vez analizamos el vestuario de Drácula de Francis Ford Coppola. Un repaso al hito que consiguió Eiko Ishioka en su primer trabajo para cine.

047 James VanDemark: Technical Discipline & Interpretive Magic This episode is full of inspiration and extremely useful information!  Eastman School of Music Bass Professor, James VanDemark, offers us tip after great tip to bring our practice and performance to the next level! Among many topics, James talks to us about creating a technical discipline that leads to interpretive magic, and about on how crucial it is to have clear goals and setting the intention to build up our entire identity as an artist whenever we enter the practice room.  He elaborates on the importance of: using the bow in an imaginative way (having the bow be an extension of our imagination) while having a left hand that is as immaculate as can be acutely playing in the present moment establishing a great basic posture slow practice using the mirror having interpretation be at the center of the technical work create the concert experience in the practice room ear training - through listening to recording actively and with imagination, and through exercises having a schedule, have a clear intent, and be kind to others   MORE ABOUT JAMES: Eastman School of Music: https://www.esm.rochester.edu/faculty/james-vandemark/ YouTube Videos: Here Instagram: https://www.instagram.com/bassfilm1/     "Some people seemed destined to lead unconventional lives, and James VanDemark is certainly one of them," said the New York Times in the first of its three profiles on VanDemark. Performer, academic, boxer, producer, and entrepreneur - these are the principal roles VanDemark has successfully played in a highly diverse career spanning nearly four decades.   VanDemark's arts and culture projects have been featured in the New York Times, Connoisseur Magazine, on the MacNeil/Lehrer NewsHour, the BBC, CBC, NPR, and in many other media outlets around the world. In considerable demand as a speaker on entrepreneurial skills at colleges across the United States and Canada, VanDemark has also received great acclaim for his frequent role as narrator with many prominent symphony orchestras, including more than 40 performances with the Rochester Philharmonic and 15 with the Texas Festival Orchestra.   Appointed to the Eastman School of Music at the age of 23, VanDemark was the youngest faculty member ever appointed to a professorial position at a major American music school. His students perform in many of the world's great orchestras – the New York Philharmonic, Cleveland Orchestra, Pittsburgh Symphony, Los Angeles Philharmonic, Orpheus Chamber Orchestra, Philadelphia Orchestra, Rochester Philharmonic, Buffalo Philharmonic, Vienna Chamber Orchestra, Tokyo Chamber Orchestra, Singapore Symphony, Hong Kong Philharmonic – and many more. His students have also been nominated for—and won—numerous Grammy awards in various categories, including classical, contemporary, jazz, and bluegrass.   VanDemark's students have also held positions at major music schools, including Indiana University, Oberlin Conservatory, Eastman School of Music, Louisiana State University, Carnegie-Mellon, Peabody Conservatory, University of Delaware, NYU's Steinhardt School of Music, Michigan State University, University of Colorado, University of Alabama, University of Tennessee, and many others.   VanDemark's performing career has included solo appearances with the New York Philharmonic, St. Paul Chamber Orchestra, Buffalo Philharmonic, National Symphony of Mexico, Netherlands Radio Symphony, Symphony Nova Scotia, Minnesota Orchestra, Orchestre Symphonique de Quebec, Mostly Mozart Festival Orchestra, and many more. Chamber music appearances have included the Cleveland, Guarneri, Muir, Colorado and Ying Quartets, the Gryphon Trio, violinist Yehudi Menuhin, as well as legendary pianists Andre Watts, Alfred Brendel, and Gary Graffman. VanDemark has also been featured on Lincoln Center's “Great Performers Series” on three occasions, including in recital with Andre Watts.   VanDemark is also the recipient of commissioned works by many composers, including three Pulitzer Prize winners: Gian-Carlo Menotti, Joseph Schwantner, and Christopher Rouse. As a founding member of Square Peg Entertainment, VanDemark developed and represented screenplays and properties of Oscar winners Ernest Thompson, Horton Foote, Eiko Ishioka, Ron Harwood, Oscar nominee Hesper Anderson, Stu Silver, Paul Theroux, and many others. VanDemark also developed the World War I story CODE BROTHERS for CTV (Toronto), THE WAYNE AND SUE SHOW for Tribune Entertainment, produced the album and music video THE GIFT with singer Linda Eder for Atlantic Records, and with television legend Sir David Frost, developed the Frederick Forsyth novella THE SHEPHERD in conjunction with Shaftesbury Films (Toronto). VanDemark also co-produced and cast SPEAK LOW, the highly successful Brooklyn Academy of Music (BAM) Gala featuring Jerry Orbach, Donna Murphy, Duncan Sheik, and other stars of Broadway and the Metropolitan Opera in the music of Kurt Weill. VanDemark has also served as Music Supervisor for John Cougar Mellencamp's film, AFTER IMAGE.   Acclaimed for his extensive work in the Native American community, VanDemark commissioned and developed the Native collaborative musical work CIRCLE OF FAITH, profiled in The New York Times, Cleveland Plain Dealer, Detroit Free Press, Minneapolis Star and Tribune, Denver Post, Lakota Times, and on NPR's Morning Edition. VanDemark has helped produce more than 40 performances of the work in the United States and Canada.   As an accomplished amateur boxer, VanDemark was recently profiled on the front page of The Wall Street Journal, The Strad, on CBC's "Q," WNYC's "Soundcheck," and was featured at length on ESPN's E-60. VanDemark's conditioning and boxing program for students, musicians, and the general public has also brought him considerable worldwide acclaim. His recent boxing/ conditioning presentations include the University of Tennessee, the University of Alabama, Louisiana State University, Loyola University New Orleans, and the University of Santiago (Chile).   VanDemark attributes the longevity and diversity of his career not only to his own athletic training, but also to his work in the the health care field in the 1970's, when he worked extensively under the renowned neurologist Dr. Howard S. Barrows at the McMaster University School of Medicine in Canada in developing the groundbreaking Simulated/Standardized Patient Program (SPP). As a result of these achievements, VanDemark was named to the Industry Board of the American Health Council in October 2017.     If you enjoyed the show, please leave a review on iTunes!  I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. Join the Mind Over Finger Tribe here!  https://www.facebook.com/groups/mindoverfingertribe/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a HUGE thank you to my fantastic producer, Bella Kelly!   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/

Today we discuss two incredible horror costume designers! Please note this is an episode we recorded earlier this summer in our old format. If you have a sec, please leave us a review. Follow us on Instagram at @sinistersisterspodcast

Today we discuss two incredible horror costume designers! Please note this is an episode we recorded earlier this summer in our old format. If you have a sec, please leave us a review. Follow us on Instagram at @sinistersisterspodcast

From her breathtaking work on Bram Stoker's Dracula to the boundary pushing baroque madness of her collaborations with director Tarsem Singh, Japanese production and costume designer Eiko Ishioka created some of the most striking and revolutionary clothes ever seen on film.

Instead of "Designers, make it work." this week, it's "Work it, designers." Because in the battle of Eiko Ishioka vs. Edith Head, the competition is fierce and the designers are babes.   Show notes at historicallyhot.com/episodes/costumedesigners

From her breathtaking work on Bram Stoker's Dracula to the boundary pushing baroque madness of her collaborations with director Tarsem Singh, Japanese production and costume designer Eiko Ishioka created some of the most striking and revolutionary clothes ever seen on film.

Introducción por Fran Beltrán: Hoy que tanto esta de actualidad el nombre de Chicho Ibáñez Serrador por ese merecidisimo Goya honorífico, me ha venido a la cabeza que le debo a él y a su mítico programa: Mis terrores favoritos, mi primer contacto con el príncipe de las tinieblas creado por Bram Stoker. Llegaba la noche y como era habitual la programación no era apta para niños, así que mi madre ya me dijo eso de: esto no es para ti!! seguidamente me fui a dormir pero dejé mi puerta entreabierta, la luminosidad del aparato de televisión iluminaba media parte de mi habitación, así que me dispuse a mirar entre el orificio que la puerta me permitía la película que estaba viendo mi madre y cual fue mi sorpresa cuando apareció delante de mi con los ojos rojos como el fuego y la boca abierta ensangrentada, el señor de las tinieblas, encarnado bajo el rostro de Christopher Lee en la magnífica Horror of Dracula de 1958, su mirada se cruzó con la mia, la intenté apartar pero de poco sirvió, había conocido a uno de mis personajes literarios y cinematográficos más fascinantes, tenía ante mi al Conde Dracula. No cabe duda que esa noche no dormí, ese ser se apareció en mis pesadillas una y otra vez helandome la sangre, pero a la vez creando en mi una mayor atracción. Pasaron los años y en 1992 llegó a los cines una nueva adaptación del conde Vampiro, bajo la batuta de Francis Ford Coppola, mis sentimientos eran confusos, las imágenes que observaba en revistas como la desaparecida Fantastic Magazine, me aterraban y me fascinaban al igual manera, su nueva visión, obviando la clásica imagen de la capa y el color negro, sustituyendolo por un arriesgado atuendo de clara inspiración japonesa era muy atrayente o esa armadura impresionante de Vlad siempre portando el color rojo simplemente me fascinaban. La música que a pesar de no conocer al compositor autor de la partitura fue también una poderosa atracción sintiendo durante su audición, toda clase de emociones. Llegó el día y volví a enfrentarme a él, a mi mayor terror de niño y debo decir que lo que vi marcó mi afición por el cine, el filme de Coppola me hizo fascinarme aún más por el personaje, por su historia, enamorarme de su mundo, de sus poderes y de su aura tenebrosa. La música se convirtió en un excelente protagonista que alzaba aún más una historia realizada con total cuidado hacia la novela de Stoker que compré nada más salir del cine y leí con pasión al llegar a casa. Después de aquel segundo encuentro, Dracula no dejó de fascinarme y como si su poder de seducción se tratara consiguió envolverme en su campo de atracción, visione las obras de Fisher, la excelente adaptación de Badham y por supuesto disfrute de las partituras de Bernard y Williams. Coppola supo convertir en mi, el miedo que me producía el solo escuchar mencionar su nombre, en admiración y en querer investigar más sobre el príncipe Transilvano en el que Stoker se inspiró para crear su criatura. Bram Stoker's Dracula es más que un blockbuster, es amor al cine bajo un cuidado perfecto de cada escena, los sonidos, los movimientos todo se converge en un engranaje perfecto para que los aficionados a la obra literaria disfrutemos de cada minuto de su duración. Obviando que la síntesis del libro fue reconstruida por el guionista James v. Hart, sustituyendo la naturaleza asesina del conde literario por la romántica del cinematográfico, el filme de Coppola es poesía en movimiento, donde cada detalle es digno de admirar, como el impresionante vestuario obra de Eiko Ishioka o los continuos homenajes hacia el Nosferatu de Murnau con sus juegos de luces y sombras. La música de Wojciech Kilar ejerce un desarrollo importantisimo a la historia, convirtiéndose en la personalidad de Vlad, dotándolo de tristeza, amor y locura, sensibilidad para la dulce Mina o la seducción y el erotismo que reparte a partes iguales entre Lucy y el trío de vampiras todo ello envuelto en un aura de oscuridad y magnetizante misterio. Dejad parte de vuestra felicidad y sucumbid al poder de Dracula Tracklist: -Intro Drácula JR 1 (2:05) -Tema de “Drácula” (1979) “Main Title” de John Williams (7:43) -Intro Drácula JR 2 (12:45) -Presentación JR 3 (19:56) -Tema 1 “The Beginning” (26:25) -Análisis “ Al límite” por Fran Beltrán (34:58) -Trailer -Tema 2 “The Legacy” (59:05) -“Cuaderno de cine” con Fernando Alonso Barahona (1:00:43) -Tema 3 “The Journey” (1:20:49) -“Dirigido por” César Bardés (1:25:30) -Tema 4 “To The Brides” + “The Brides” (1:38:06) -“El Acomodador” con Ali Trujillo (1:41:46) -Tema 5 “The Storm” (1:48:16) -“Conexión Berlín” con Celia Martínez (1:54:50) -Tema 6 “The Letter I” + Love Remembered + Lucy’s Window (2:00:54) -“Al límite” con Fran Beltrán (2:09:08) -Tema 7 “Rules Café” + “The Letter II” (2:13:37) -“Senderos de gloria” con Francisco Torrecillas (2:23:57) -Tema 8 “The Hunt Builds” (2:28:05) -“La Butaca Salvaje” con Norberto Piñar (2:37:47) -Tema 9 “Drácula Revealed” + “Vampire Hunters” + “The Green Mist” (2:42:54) -Grandes Esperanzas con Alma López (2:47:07) -Tema “El Violín Rojo” - “Main Title” de John Corigliano (3:04:47) -Tema 10 “Mina-Dracula” (3:09:10) -“El rincón del coleccionista “con Miguel Casares (3:13:56) -Tema 11 “Mina/Jonathan Suite” -(No usada en la película)-(3:18:55) -Bonus Track (3:22:23) -Tema “Exodus” de Wojciech Kilar (3:23:31) -“La Firma Invitada” con Arturo Boscovich (3:30:50) -Ensayo con Orquesta y Coros Nacionales (3:40:30) -“El buzón del oyente” con Jo Magale de “Luces en el horizonte” (3:49:52) -Tema 12 “Love Remembered - Love Eternal” (3:54:49) -Tema 13 “Love Song for A Vampire” Annie Lennox (4:01:38) -“Drácula, claves de un mito” Reportaje Archivos RTVE (4:05:55) -Tema 14 “The End” + “The End Credits” (4:08:08) -Despedida JR (4:15:32) -Tema “El Cid” Overture -Miklós Rózsa (4:18:54)

Welcome to our annual Halloween episode. This year we’re doing something a little different we’re focusing on the costume designer Eiko Ishioka in two films: Bram Stoker’s Dracula (Dir. Francis Ford Coppola, 1992) and The Cell (Dir. Tarsem Singh, 2000). We’ve selected a few characters and/or notable costumes in each film to analyze Ishioka’s designs. Spoiler Alert! Timestamps: Dracula (0:00 - 1:00) The Cell (1:01-2:03). Sources: Alexander McQueen S/S RTW 2001, VOSS Eiko Ishioka: Celebrating the designer’s extraordinary costumes for Bram Stoker’s Dracula The Late Eiko Ishioka Was a Costume Designer, Art Director, and Provocateur The Making of Bram Stoker's Dracula UCLA Library Special Collections’ Eiko Ishioka’s Online Archive of California (OAC) Website: www.unravelpodcast.com Patreon: https://www.patreon.com/unravelpodcast PayPal: https://www.paypal.me/unravelpodcast Instagram: @unravelpodcast Twitter: @unravelpodcast Facebook: www.facebook.com/unravelpodcast/ Pinterest: Unravel: A Fashion Podcast www.pinterest.com/afashionpodcast/ Stitcher: www.stitcher.com/podcast/unravel-podcast Waller Gallery Website www.wallergallery.com/ Waller Gallery Instagram: @wallergallery Jasmine's Nicaragua Instagram: @recuerdosdenicaragua

Martin and resident artist Emma Guerard have a discussion about the film work of designer Eiko Ishioka. The discuss her production designs for the literary sequences in Mishima: A Life in Four Chapters, as well as her costume designs for Dracula, The Cell, and The Fall. They try to pin down her unique aesthetic, and look at how sets and costumes can do their part to tell a story on film. They manage to touch on some of her work outside of film as well, including her work in advertising, the Beijing Olympics, and Spider-Man: Turn Off the Dark.

SAJA, South Asian Journalists Assn & SAMMA, South Asians in Media, Marketing & Entertainment, present their annual BlogTalkRadio conversation about the biggest day in films - from a South Asian perspective.   Our experts: Lance Still, EVP, Integrated Marketing & Promotions, The Weinstein Company; Gitesh Pandya, founder Box Office Guru & Raja Sen, Freelance film critic, calling in from Mumbai.   Hosted by Aseem Chhabra of SAJA & Rajan Shah of SAMMA - both film industry insiders themselves, who will moderate this session.   You should also note these South Asian ties to the 2013 Oscars.     Ang Lee's India focused "Life of Pi" is nominated for 11 Oscars, including one for classical singer Bombay Jayashri for the song "Pi's Lullaby"   Kathryn Bigelow's "Zero Dark Thirty" focuses on the hunt and the killing of Osama bin Laden in Abbottabad, Pakistan. A substantial part of the film was shot in India, in and around Chandigarh.   Stephen Spielberg's "Lincoln" was co-financed by India's Reliance (which finances all Dreamworks films).   Anuradha Bhagwati, executive director of Service Women's Action Network and a former U.S. Marine, is featured in "The Invisible War," a nominee for feature-length documentary. It is an expose about the epidemic of rape within the U.S. military.   Tarsem Singh directed "Mirror Mirror," which has been nominated for costume design. (Eiko Ishioka, the designer, died this past year and is nominated posthumously).    Last year, SAJAer Sharmeen Obaid Chinoy won an Oscar for her short documentary "Saving Face."