Podcasts about goldsmiths press

Play Episode Listen Later Aug 10, 2024 90:12

An exploration of the much-derided English suburbs through rap music. There are many different Englands. From the much-romanticized rolling countryside, to the cosmopolitanism of the inner cities (embraced by some as progressive, multicultural enlightenment and derided by others as the playground of a self-righteous metropolitan elite), or the disparagingly named "left behind" communities which, post-Brexit, have so interested political parties and pundits, demographers and statisticians. But there is also an England no one cares about. The England of semi-detached houses and clean driveways for multiple cars devotedly washed on Sundays, of "twitching curtains" and Laura Ashley sofas; of cul-de-sacs to nowhere and exaggerated accents; of late night drives to petrol stations on A roads, fake IDs tested in Harvesters, and faded tracksuits and over-gelled hair in Toby Carverys; of questionable hash from a "mate of a mate" and two-litre bottles of White Lightning from Budgens consumed in a kids playground. Much derided. Unglamorous, ordinary; cultural vacuity and small "c" conservatism. A hodgepodge. An--apparently--middling, middle-of-the-road middle-England of middle-class middle-mindedness. Part poetry anthology, part academic study into placemaking, and part autoethnography, The England No One Cares About (Goldsmith Press, 2024) innovatively brings together academic discussions of the ethnographic potential of lyrics, scholastic representations of suburbia, and thematic analysis to explore how rap music can illuminate the experiences of young men growing up in suburbia. This takes place by exploring the author's own annotated lyrics from his career as a musician known as Context where he was referred to by the BBC as "Middle England's Poet Laureate." George Musgrave studies the psychological experiences and working conditions of creative careers. He collaboratively undertook a major research project entitled Can Music Make You Sick? and cowrote a bestselling book on the subject. He has worked on ethical decision-making by music managers and wellbeing in the gig economy, and his research has been featured on BBC News, Pitchfork, Mixmag, GQ, The Financial Times, BBC Introducing, The Grammys, and Billboard among others. He is also a musician, signed with EMI/Sony/ATV. George on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America: Music, Satire, & the Battle Against the Christian Right (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

George Musgrave, "The England No One Cares About: Lyrics from Suburbia" (Goldsmiths Press, 2023)

New Books in European Studies

Play Episode Listen Later Aug 10, 2024 90:12

An exploration of the much-derided English suburbs through rap music. There are many different Englands. From the much-romanticized rolling countryside, to the cosmopolitanism of the inner cities (embraced by some as progressive, multicultural enlightenment and derided by others as the playground of a self-righteous metropolitan elite), or the disparagingly named "left behind" communities which, post-Brexit, have so interested political parties and pundits, demographers and statisticians. But there is also an England no one cares about. The England of semi-detached houses and clean driveways for multiple cars devotedly washed on Sundays, of "twitching curtains" and Laura Ashley sofas; of cul-de-sacs to nowhere and exaggerated accents; of late night drives to petrol stations on A roads, fake IDs tested in Harvesters, and faded tracksuits and over-gelled hair in Toby Carverys; of questionable hash from a "mate of a mate" and two-litre bottles of White Lightning from Budgens consumed in a kids playground. Much derided. Unglamorous, ordinary; cultural vacuity and small "c" conservatism. A hodgepodge. An--apparently--middling, middle-of-the-road middle-England of middle-class middle-mindedness. Part poetry anthology, part academic study into placemaking, and part autoethnography, The England No One Cares About (Goldsmith Press, 2024) innovatively brings together academic discussions of the ethnographic potential of lyrics, scholastic representations of suburbia, and thematic analysis to explore how rap music can illuminate the experiences of young men growing up in suburbia. This takes place by exploring the author's own annotated lyrics from his career as a musician known as Context where he was referred to by the BBC as "Middle England's Poet Laureate." George Musgrave studies the psychological experiences and working conditions of creative careers. He collaboratively undertook a major research project entitled Can Music Make You Sick? and cowrote a bestselling book on the subject. He has worked on ethical decision-making by music managers and wellbeing in the gig economy, and his research has been featured on BBC News, Pitchfork, Mixmag, GQ, The Financial Times, BBC Introducing, The Grammys, and Billboard among others. He is also a musician, signed with EMI/Sony/ATV. George on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America: Music, Satire, & the Battle Against the Christian Right (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

George Musgrave, "The England No One Cares About: Lyrics from Suburbia" (Goldsmiths Press, 2023)

New Books in Sociology

Play Episode Listen Later Aug 10, 2024 90:12

An exploration of the much-derided English suburbs through rap music. There are many different Englands. From the much-romanticized rolling countryside, to the cosmopolitanism of the inner cities (embraced by some as progressive, multicultural enlightenment and derided by others as the playground of a self-righteous metropolitan elite), or the disparagingly named "left behind" communities which, post-Brexit, have so interested political parties and pundits, demographers and statisticians. But there is also an England no one cares about. The England of semi-detached houses and clean driveways for multiple cars devotedly washed on Sundays, of "twitching curtains" and Laura Ashley sofas; of cul-de-sacs to nowhere and exaggerated accents; of late night drives to petrol stations on A roads, fake IDs tested in Harvesters, and faded tracksuits and over-gelled hair in Toby Carverys; of questionable hash from a "mate of a mate" and two-litre bottles of White Lightning from Budgens consumed in a kids playground. Much derided. Unglamorous, ordinary; cultural vacuity and small "c" conservatism. A hodgepodge. An--apparently--middling, middle-of-the-road middle-England of middle-class middle-mindedness. Part poetry anthology, part academic study into placemaking, and part autoethnography, The England No One Cares About (Goldsmith Press, 2024) innovatively brings together academic discussions of the ethnographic potential of lyrics, scholastic representations of suburbia, and thematic analysis to explore how rap music can illuminate the experiences of young men growing up in suburbia. This takes place by exploring the author's own annotated lyrics from his career as a musician known as Context where he was referred to by the BBC as "Middle England's Poet Laureate." George Musgrave studies the psychological experiences and working conditions of creative careers. He collaboratively undertook a major research project entitled Can Music Make You Sick? and cowrote a bestselling book on the subject. He has worked on ethical decision-making by music managers and wellbeing in the gig economy, and his research has been featured on BBC News, Pitchfork, Mixmag, GQ, The Financial Times, BBC Introducing, The Grammys, and Billboard among others. He is also a musician, signed with EMI/Sony/ATV. George on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America: Music, Satire, & the Battle Against the Christian Right (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

George Musgrave, "The England No One Cares About: Lyrics from Suburbia" (Goldsmiths Press, 2023)

New Books in Music

Play Episode Listen Later Aug 10, 2024 90:12

An exploration of the much-derided English suburbs through rap music. There are many different Englands. From the much-romanticized rolling countryside, to the cosmopolitanism of the inner cities (embraced by some as progressive, multicultural enlightenment and derided by others as the playground of a self-righteous metropolitan elite), or the disparagingly named "left behind" communities which, post-Brexit, have so interested political parties and pundits, demographers and statisticians. But there is also an England no one cares about. The England of semi-detached houses and clean driveways for multiple cars devotedly washed on Sundays, of "twitching curtains" and Laura Ashley sofas; of cul-de-sacs to nowhere and exaggerated accents; of late night drives to petrol stations on A roads, fake IDs tested in Harvesters, and faded tracksuits and over-gelled hair in Toby Carverys; of questionable hash from a "mate of a mate" and two-litre bottles of White Lightning from Budgens consumed in a kids playground. Much derided. Unglamorous, ordinary; cultural vacuity and small "c" conservatism. A hodgepodge. An--apparently--middling, middle-of-the-road middle-England of middle-class middle-mindedness. Part poetry anthology, part academic study into placemaking, and part autoethnography, The England No One Cares About (Goldsmith Press, 2024) innovatively brings together academic discussions of the ethnographic potential of lyrics, scholastic representations of suburbia, and thematic analysis to explore how rap music can illuminate the experiences of young men growing up in suburbia. This takes place by exploring the author's own annotated lyrics from his career as a musician known as Context where he was referred to by the BBC as "Middle England's Poet Laureate." George Musgrave studies the psychological experiences and working conditions of creative careers. He collaboratively undertook a major research project entitled Can Music Make You Sick? and cowrote a bestselling book on the subject. He has worked on ethical decision-making by music managers and wellbeing in the gig economy, and his research has been featured on BBC News, Pitchfork, Mixmag, GQ, The Financial Times, BBC Introducing, The Grammys, and Billboard among others. He is also a musician, signed with EMI/Sony/ATV. George on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America: Music, Satire, & the Battle Against the Christian Right (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

George Musgrave, "The England No One Cares About: Lyrics from Suburbia" (Goldsmiths Press, 2023)

Play Episode Listen Later Aug 10, 2024 90:12

An exploration of the much-derided English suburbs through rap music. There are many different Englands. From the much-romanticized rolling countryside, to the cosmopolitanism of the inner cities (embraced by some as progressive, multicultural enlightenment and derided by others as the playground of a self-righteous metropolitan elite), or the disparagingly named "left behind" communities which, post-Brexit, have so interested political parties and pundits, demographers and statisticians. But there is also an England no one cares about. The England of semi-detached houses and clean driveways for multiple cars devotedly washed on Sundays, of "twitching curtains" and Laura Ashley sofas; of cul-de-sacs to nowhere and exaggerated accents; of late night drives to petrol stations on A roads, fake IDs tested in Harvesters, and faded tracksuits and over-gelled hair in Toby Carverys; of questionable hash from a "mate of a mate" and two-litre bottles of White Lightning from Budgens consumed in a kids playground. Much derided. Unglamorous, ordinary; cultural vacuity and small "c" conservatism. A hodgepodge. An--apparently--middling, middle-of-the-road middle-England of middle-class middle-mindedness. Part poetry anthology, part academic study into placemaking, and part autoethnography, The England No One Cares About (Goldsmith Press, 2024) innovatively brings together academic discussions of the ethnographic potential of lyrics, scholastic representations of suburbia, and thematic analysis to explore how rap music can illuminate the experiences of young men growing up in suburbia. This takes place by exploring the author's own annotated lyrics from his career as a musician known as Context where he was referred to by the BBC as "Middle England's Poet Laureate." George Musgrave studies the psychological experiences and working conditions of creative careers. He collaboratively undertook a major research project entitled Can Music Make You Sick? and cowrote a bestselling book on the subject. He has worked on ethical decision-making by music managers and wellbeing in the gig economy, and his research has been featured on BBC News, Pitchfork, Mixmag, GQ, The Financial Times, BBC Introducing, The Grammys, and Billboard among others. He is also a musician, signed with EMI/Sony/ATV. George on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America: Music, Satire, & the Battle Against the Christian Right (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

George Musgrave, "The England No One Cares About: Lyrics from Suburbia" (Goldsmiths Press, 2023)

New Books in Urban Studies

Play Episode Listen Later Aug 10, 2024 90:12

An exploration of the much-derided English suburbs through rap music. There are many different Englands. From the much-romanticized rolling countryside, to the cosmopolitanism of the inner cities (embraced by some as progressive, multicultural enlightenment and derided by others as the playground of a self-righteous metropolitan elite), or the disparagingly named "left behind" communities which, post-Brexit, have so interested political parties and pundits, demographers and statisticians. But there is also an England no one cares about. The England of semi-detached houses and clean driveways for multiple cars devotedly washed on Sundays, of "twitching curtains" and Laura Ashley sofas; of cul-de-sacs to nowhere and exaggerated accents; of late night drives to petrol stations on A roads, fake IDs tested in Harvesters, and faded tracksuits and over-gelled hair in Toby Carverys; of questionable hash from a "mate of a mate" and two-litre bottles of White Lightning from Budgens consumed in a kids playground. Much derided. Unglamorous, ordinary; cultural vacuity and small "c" conservatism. A hodgepodge. An--apparently--middling, middle-of-the-road middle-England of middle-class middle-mindedness. Part poetry anthology, part academic study into placemaking, and part autoethnography, The England No One Cares About (Goldsmith Press, 2024) innovatively brings together academic discussions of the ethnographic potential of lyrics, scholastic representations of suburbia, and thematic analysis to explore how rap music can illuminate the experiences of young men growing up in suburbia. This takes place by exploring the author's own annotated lyrics from his career as a musician known as Context where he was referred to by the BBC as "Middle England's Poet Laureate." George Musgrave studies the psychological experiences and working conditions of creative careers. He collaboratively undertook a major research project entitled Can Music Make You Sick? and cowrote a bestselling book on the subject. He has worked on ethical decision-making by music managers and wellbeing in the gig economy, and his research has been featured on BBC News, Pitchfork, Mixmag, GQ, The Financial Times, BBC Introducing, The Grammys, and Billboard among others. He is also a musician, signed with EMI/Sony/ATV. George on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America: Music, Satire, & the Battle Against the Christian Right (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

George Musgrave, "The England No One Cares About: Lyrics from Suburbia" (Goldsmiths Press, 2023)

Play Episode Listen Later Aug 10, 2024 90:12

An exploration of the much-derided English suburbs through rap music. There are many different Englands. From the much-romanticized rolling countryside, to the cosmopolitanism of the inner cities (embraced by some as progressive, multicultural enlightenment and derided by others as the playground of a self-righteous metropolitan elite), or the disparagingly named "left behind" communities which, post-Brexit, have so interested political parties and pundits, demographers and statisticians. But there is also an England no one cares about. The England of semi-detached houses and clean driveways for multiple cars devotedly washed on Sundays, of "twitching curtains" and Laura Ashley sofas; of cul-de-sacs to nowhere and exaggerated accents; of late night drives to petrol stations on A roads, fake IDs tested in Harvesters, and faded tracksuits and over-gelled hair in Toby Carverys; of questionable hash from a "mate of a mate" and two-litre bottles of White Lightning from Budgens consumed in a kids playground. Much derided. Unglamorous, ordinary; cultural vacuity and small "c" conservatism. A hodgepodge. An--apparently--middling, middle-of-the-road middle-England of middle-class middle-mindedness. Part poetry anthology, part academic study into placemaking, and part autoethnography, The England No One Cares About (Goldsmith Press, 2024) innovatively brings together academic discussions of the ethnographic potential of lyrics, scholastic representations of suburbia, and thematic analysis to explore how rap music can illuminate the experiences of young men growing up in suburbia. This takes place by exploring the author's own annotated lyrics from his career as a musician known as Context where he was referred to by the BBC as "Middle England's Poet Laureate." George Musgrave studies the psychological experiences and working conditions of creative careers. He collaboratively undertook a major research project entitled Can Music Make You Sick? and cowrote a bestselling book on the subject. He has worked on ethical decision-making by music managers and wellbeing in the gig economy, and his research has been featured on BBC News, Pitchfork, Mixmag, GQ, The Financial Times, BBC Introducing, The Grammys, and Billboard among others. He is also a musician, signed with EMI/Sony/ATV. George on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America: Music, Satire, & the Battle Against the Christian Right (LSU Press, Spring 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Paul Rekret, "Take This Hammer: Work, Song, Crisis" (Goldsmiths Press, 2024)

New Books in Critical Theory

Play Episode Listen Later Jul 10, 2024 99:03

The emergence of the popular music industry in the early twentieth century not only drove a wedge between music production and consumption, it also underscored a wider separation of labor from leisure and of the workplace from the domestic sphere. These were changes characteristic of an industrial society where pleasure was to be sought outside of work, but these categories have grown increasingly porous today. As the working day extends into the home or becomes indistinguishable from leisure time, so the role and meaning of music in everyday life changes too. In arguing that the experience of popular music is partly conditioned by its segregation from work and its restriction to the time and space of leisure—the evening, the weekend, the dancehall— Take This Hammer: Work, Song, Crisis (Goldsmiths Press, 2024) shows how changes to work as it grows increasingly precarious, part-time, and temporary in recent decades, are related to transformations in popular music. Connecting contemporary changes in work and the economy to tendencies in popular music, Take This Hammer shows how song-form has both reflected developments in contemporary capitalism while also intimating a horizon beyond it. From online streaming and the extension of the working day to gentrification, unemployment and the emergence of trap rap, from ecological crisis and field recording to automation and trends in dance music, by exploring the intersections of work and song in the current era, not only do we gain a new understanding of contemporary musical culture, we also see how music might gesture towards a horizon beyond the alienating experience of work in capitalism itself. Paul Rekret is Lecturer in Media Industries in the School of Media and Communications at the University of Westminster, UK. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

university uk school media crisis song connecting hammer lecturer westminster work songs goldsmiths press

Paul Rekret, "Take This Hammer: Work, Song, Crisis" (Goldsmiths Press, 2024)

Play Episode Listen Later Jul 10, 2024 99:03

The emergence of the popular music industry in the early twentieth century not only drove a wedge between music production and consumption, it also underscored a wider separation of labor from leisure and of the workplace from the domestic sphere. These were changes characteristic of an industrial society where pleasure was to be sought outside of work, but these categories have grown increasingly porous today. As the working day extends into the home or becomes indistinguishable from leisure time, so the role and meaning of music in everyday life changes too. In arguing that the experience of popular music is partly conditioned by its segregation from work and its restriction to the time and space of leisure—the evening, the weekend, the dancehall— Take This Hammer: Work, Song, Crisis (Goldsmiths Press, 2024) shows how changes to work as it grows increasingly precarious, part-time, and temporary in recent decades, are related to transformations in popular music. Connecting contemporary changes in work and the economy to tendencies in popular music, Take This Hammer shows how song-form has both reflected developments in contemporary capitalism while also intimating a horizon beyond it. From online streaming and the extension of the working day to gentrification, unemployment and the emergence of trap rap, from ecological crisis and field recording to automation and trends in dance music, by exploring the intersections of work and song in the current era, not only do we gain a new understanding of contemporary musical culture, we also see how music might gesture towards a horizon beyond the alienating experience of work in capitalism itself. Paul Rekret is Lecturer in Media Industries in the School of Media and Communications at the University of Westminster, UK. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

university uk school media crisis song connecting hammer lecturer westminster work songs goldsmiths press

Paul Rekret, "Take This Hammer: Work, Song, Crisis" (Goldsmiths Press, 2024)

New Books in Communications

Play Episode Listen Later Jul 10, 2024 99:03

The emergence of the popular music industry in the early twentieth century not only drove a wedge between music production and consumption, it also underscored a wider separation of labor from leisure and of the workplace from the domestic sphere. These were changes characteristic of an industrial society where pleasure was to be sought outside of work, but these categories have grown increasingly porous today. As the working day extends into the home or becomes indistinguishable from leisure time, so the role and meaning of music in everyday life changes too. In arguing that the experience of popular music is partly conditioned by its segregation from work and its restriction to the time and space of leisure—the evening, the weekend, the dancehall— Take This Hammer: Work, Song, Crisis (Goldsmiths Press, 2024) shows how changes to work as it grows increasingly precarious, part-time, and temporary in recent decades, are related to transformations in popular music. Connecting contemporary changes in work and the economy to tendencies in popular music, Take This Hammer shows how song-form has both reflected developments in contemporary capitalism while also intimating a horizon beyond it. From online streaming and the extension of the working day to gentrification, unemployment and the emergence of trap rap, from ecological crisis and field recording to automation and trends in dance music, by exploring the intersections of work and song in the current era, not only do we gain a new understanding of contemporary musical culture, we also see how music might gesture towards a horizon beyond the alienating experience of work in capitalism itself. Paul Rekret is Lecturer in Media Industries in the School of Media and Communications at the University of Westminster, UK. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

university uk school media crisis song connecting hammer lecturer westminster work songs goldsmiths press

Paul Rekret, "Take This Hammer: Work, Song, Crisis" (Goldsmiths Press, 2024)

New Books in Sociology

Play Episode Listen Later Jul 10, 2024 99:03

The emergence of the popular music industry in the early twentieth century not only drove a wedge between music production and consumption, it also underscored a wider separation of labor from leisure and of the workplace from the domestic sphere. These were changes characteristic of an industrial society where pleasure was to be sought outside of work, but these categories have grown increasingly porous today. As the working day extends into the home or becomes indistinguishable from leisure time, so the role and meaning of music in everyday life changes too. In arguing that the experience of popular music is partly conditioned by its segregation from work and its restriction to the time and space of leisure—the evening, the weekend, the dancehall— Take This Hammer: Work, Song, Crisis (Goldsmiths Press, 2024) shows how changes to work as it grows increasingly precarious, part-time, and temporary in recent decades, are related to transformations in popular music. Connecting contemporary changes in work and the economy to tendencies in popular music, Take This Hammer shows how song-form has both reflected developments in contemporary capitalism while also intimating a horizon beyond it. From online streaming and the extension of the working day to gentrification, unemployment and the emergence of trap rap, from ecological crisis and field recording to automation and trends in dance music, by exploring the intersections of work and song in the current era, not only do we gain a new understanding of contemporary musical culture, we also see how music might gesture towards a horizon beyond the alienating experience of work in capitalism itself. Paul Rekret is Lecturer in Media Industries in the School of Media and Communications at the University of Westminster, UK. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

university uk school media crisis song connecting hammer lecturer westminster work songs goldsmiths press

Paul Rekret, "Take This Hammer: Work, Song, Crisis" (Goldsmiths Press, 2024)

New Books in Music

Play Episode Listen Later Jul 10, 2024 99:03

The emergence of the popular music industry in the early twentieth century not only drove a wedge between music production and consumption, it also underscored a wider separation of labor from leisure and of the workplace from the domestic sphere. These were changes characteristic of an industrial society where pleasure was to be sought outside of work, but these categories have grown increasingly porous today. As the working day extends into the home or becomes indistinguishable from leisure time, so the role and meaning of music in everyday life changes too. In arguing that the experience of popular music is partly conditioned by its segregation from work and its restriction to the time and space of leisure—the evening, the weekend, the dancehall— Take This Hammer: Work, Song, Crisis (Goldsmiths Press, 2024) shows how changes to work as it grows increasingly precarious, part-time, and temporary in recent decades, are related to transformations in popular music. Connecting contemporary changes in work and the economy to tendencies in popular music, Take This Hammer shows how song-form has both reflected developments in contemporary capitalism while also intimating a horizon beyond it. From online streaming and the extension of the working day to gentrification, unemployment and the emergence of trap rap, from ecological crisis and field recording to automation and trends in dance music, by exploring the intersections of work and song in the current era, not only do we gain a new understanding of contemporary musical culture, we also see how music might gesture towards a horizon beyond the alienating experience of work in capitalism itself. Paul Rekret is Lecturer in Media Industries in the School of Media and Communications at the University of Westminster, UK. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

university uk school media crisis song connecting hammer lecturer westminster work songs goldsmiths press

Paul Rekret, "Take This Hammer: Work, Song, Crisis" (Goldsmiths Press, 2024)

Play Episode Listen Later Jul 10, 2024 99:03

The emergence of the popular music industry in the early twentieth century not only drove a wedge between music production and consumption, it also underscored a wider separation of labor from leisure and of the workplace from the domestic sphere. These were changes characteristic of an industrial society where pleasure was to be sought outside of work, but these categories have grown increasingly porous today. As the working day extends into the home or becomes indistinguishable from leisure time, so the role and meaning of music in everyday life changes too. In arguing that the experience of popular music is partly conditioned by its segregation from work and its restriction to the time and space of leisure—the evening, the weekend, the dancehall— Take This Hammer: Work, Song, Crisis (Goldsmiths Press, 2024) shows how changes to work as it grows increasingly precarious, part-time, and temporary in recent decades, are related to transformations in popular music. Connecting contemporary changes in work and the economy to tendencies in popular music, Take This Hammer shows how song-form has both reflected developments in contemporary capitalism while also intimating a horizon beyond it. From online streaming and the extension of the working day to gentrification, unemployment and the emergence of trap rap, from ecological crisis and field recording to automation and trends in dance music, by exploring the intersections of work and song in the current era, not only do we gain a new understanding of contemporary musical culture, we also see how music might gesture towards a horizon beyond the alienating experience of work in capitalism itself. Paul Rekret is Lecturer in Media Industries in the School of Media and Communications at the University of Westminster, UK. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

university uk school media crisis song connecting hammer lecturer westminster work songs goldsmiths press

Paul Rekret, "Take This Hammer: Work, Song, Crisis" (Goldsmiths Press, 2024)

New Books in Economic and Business History

Play Episode Listen Later Jul 10, 2024 99:03

The emergence of the popular music industry in the early twentieth century not only drove a wedge between music production and consumption, it also underscored a wider separation of labor from leisure and of the workplace from the domestic sphere. These were changes characteristic of an industrial society where pleasure was to be sought outside of work, but these categories have grown increasingly porous today. As the working day extends into the home or becomes indistinguishable from leisure time, so the role and meaning of music in everyday life changes too. In arguing that the experience of popular music is partly conditioned by its segregation from work and its restriction to the time and space of leisure—the evening, the weekend, the dancehall— Take This Hammer: Work, Song, Crisis (Goldsmiths Press, 2024) shows how changes to work as it grows increasingly precarious, part-time, and temporary in recent decades, are related to transformations in popular music. Connecting contemporary changes in work and the economy to tendencies in popular music, Take This Hammer shows how song-form has both reflected developments in contemporary capitalism while also intimating a horizon beyond it. From online streaming and the extension of the working day to gentrification, unemployment and the emergence of trap rap, from ecological crisis and field recording to automation and trends in dance music, by exploring the intersections of work and song in the current era, not only do we gain a new understanding of contemporary musical culture, we also see how music might gesture towards a horizon beyond the alienating experience of work in capitalism itself. Paul Rekret is Lecturer in Media Industries in the School of Media and Communications at the University of Westminster, UK. Learn more about your ad choices. Visit megaphone.fm/adchoices

university uk school media crisis song connecting hammer lecturer westminster work songs goldsmiths press

32. Arte Sonoro

ContemporÃ¡nea

Play Episode Listen Later Mar 16, 2024 19:47

Su aceptación para la Historia del Arte es complicada: la arquitectura de museos y salas no está concebida para la experiencia de escucha. Comprende instalación sonora, escultura interactiva, poesía experimental, fonografía, y sobre todo, la prevalencia de la escucha y el sonido sobre el hecho artístico._____Has escuchadoDedicatorias. Infinito Infinity (19/5/2013-10/11/2014) / José Iges. María de Alvear World Edition (2016)El ojo del silencio / José Antonio Sarmiento. [Grabación de la acción e instalación sonora para 100 radio transistores]. Centro de Creación Experimental (2000)Guitar Drag / Christian Marclay. [Banda sonora del vídeo Guitar Drag, 2000. Grabado en San Antonio, Texas, el 18 de noviembre de 1999]. Neon (2006)Irregularity / Homogeneity: Emerging from the Perturbation / Minoru Sato. [Instalación sonora]. Senufo Editions (2012)Magnetic Flights (2007) / Christina Kubisch. [Instalación sonora]. Important Records (2021)Motores / Isidoro Valcárcel Medina. [Obra sonora]. Ediciones sonoras experimentales; Radio Fontana Mix (1973)Small Music. Musik für einen fast leeren Raum / Music for an almost Empty Space (Edition VIII) / Rolf Julius. [Instalación sonora]. Autoedición (1998)_____Selección bibliográficaADEN, Maike (ed.), Disonata: arte en sonido hasta 1980. Museo Nacional Centro de Arte Reina Sofía, 2020ÁLVAREZ-FERNÁNDEZ, Miguel, “Panorama del arte sonoro y la música experimental en la península ibérica”. En: Experimentaclub Limbo: proyecto iberoamericano de intercambio artístico y cooperación cultural. Editado por Jorge Haro y Javier Piñango. Experimentaclub LIMbO (2010), pp. 54-64—, “Sonido, musicología, archivo: tres genealogías (hacia un catálogo de arte sonoro)”. Boletín DM, año 16 (2012), pp. 62-69*ARIZA, Javier, Las imágenes del sonido: una lectura plurisensorial en el arte del siglo XX. Universidad de Castilla-La Mancha, 2003*ASHER, Michael, Writings 1973-1983 on Works 1969-1979. Editado por Benjamin H. D. Buchloh. Press of the Nova Scotia College of Art and Design; The Museum of Contemporary Art, 1983*BARBER, Llorenç y Monserrat Palacios, La mosca tras la oreja. De la música experimental al arte sonoro en España. Fundación Autor, 2009*COSTA, José Manuel (ed.), ARTe SONoro. La Casa Encendida, 2010*CUYÁS, José Díaz, Carmen Pardo y Esteban Pujals (eds.), Encuentros de Pamplona 1972: fin de fiesta del arte experimental. Museo Nacional Centro de Arte Reina Sofía, 2009*DE LA MOTTE-HABER, Helga, Matthias Osterwold y Georg Weckwerth (eds.), Sonambiente Berlin 2006. Kehrer Verlag, 2006DEWEY, Fred et al. Brandon Labelle: Overheard and Interrupted. Les Presses du Réel, 2016*ESPEJO, José Luis (ed.), Escucha, por favor: 13 textos sobre sonido para el arte reciente. Exit Publicaciones, 2019*ESPEJO, José Luis y Óscar Martín (eds.), Ursonate: revista de arte sonoro y culturas aurales (2011-)*ETIENNE, Yvan, Bertrand Gauguet y Matthieu Saladin (eds.), “De l'espace sonore = From Sound Space”. TACET: Sound in the Arts, n.º 3 (2014)FONTÁN DEL JUNCO, Manuel, José Iges y José Luis Maire (eds.), Escuchar con los ojos. Arte sonoro en España, 1961-2016. Fundación Juan March, 2016*GARCÍA FERNÁNDEZ, Isaac Diego, Conversaciones en Nueva York: sobre arte sonoro, música experimental e identidad latina. EdictOràlia, 2020*GRANT, Jane, John Matthias y David Prior (eds.), The Oxford Handbook of Sound Art. Oxford University Press, 2021*HEGARTY, Paul, Noise/Music: A History. Continuum, 2007*—, Rumour and Radiation: Sound in Video Art. Bloomsbury, 2015*IGES, José et al., MASE. Historia y presencia del Arte Sonoro en España. Bandaàparte Editores, 2015*—, “Dimensión sonora de la escritura”. Arte y Parte, n.º 117 (2015), pp. 8-27*—, Conferencias sobre arte sonoro. Árdora Ediciones, 2017*JIMÉNEZ CARMONA, Susana y Carmen Pardo, “Aperturas y derivas del arte sonoro”. Laocoonte: revista de estética y teoría de las artes, n.º 8 (2021), pp. 49-56JOSEPH, Branden W., Beyond the Dream Syndicate: Tony Conrad and the Arts After John Cage. Zone Books, 2008*JOY, Jérôme y Peter Sinclair, Locus Sonus: 10 ans d'expérimentations en art sonore. Le Mot et le Reste, 2015*KAHN, Douglas, Noise Water Meat. A History of Sound in the Arts. The MIT Press, 1999*KELLY, Caleb (ed.), Sound. Documents of Contemporary Art. The MIT Press, 2011*KIM-COHEN, Seth, In the Blink of an Ear: Toward a Non-Cochlear Sonic Art. Continuum, 2009*KOTZ, Liz, Words to Be Looked At. Language in 1960s Art. The MIT Press, 2007*LABELLE, Brandon, Background Noise. Perspectives on Sound Art. Bloomsbury, 2006*—, “Short Circuit: Sound Art and The Museum”. Journal BOL, n.º 6 (2007), pp. 155-175—, Acoustic Territories: Sound Culture and Everyday Life. Continuum, 2010*LABELLE, Brandon y Christof Migone (eds.), Writing Aloud: The Sonics of Language. Errant Bodies Press, 2001*LICHT, Alan, Sound Art: Beyond Music, Between Categories. Rizzoli International Publications, 2007*MADERUELO, Javier, “The Book of i's, de José Luis Castillejo”. Arte y Parte, n.º 108 (2013), pp. 98-115*MAIRE, José Luis, “Documentar el sonido: consideraciones sobre la documentación musical, la música experimental y el arte sonoro”. Boletín DM, año 16 (2012), pp. 73-84*—, “Espacio resonante e instalación sonora: Robert Morris, Michael Asher, Bill Viola, Terry Fox”. Arte y Parte, n.º 117 (2015), pp. 64-85*MOLINA ALARCÓN, Miguel, “El arte sonoro”. Itamar: revista de investigación musical: territorios para el arte, n.º 1 (2008), pp. 213-234*MUNÁRRIZ, Jaime (ed.), Encuentros sonoros: música experimental y arte sonoro. Facultad de Bellas Artes, UCM, 2021*NEUHAUS, Max, Max Neuhaus. Sound Works. Cantz Verlag, 1994*PARDO, Carmen, “Avatares de la ciudad musical”. Quodlibet: Revista de Especialización Musical, n.º 68 (2018), pp. 64-78*ROCHA ITURBIDE, Manuel, “La curaduría, el arte sonoro y la intermedia en México”. Itamar: revista de investigación musical: territorios del arte, n.º 5 (2019), pp. 162-186*SALADIN, Matthieu (ed.), “Sounds of Utopia = Sonorités de l'utopie”. TACET: Sound in the arts, n.º 4 (2015)*SARMIENTO, José Antonio, La música del vinilo. Centro de Creación Experimental de la Universidad de Castilla-La Mancha, 2010*SEIFFARTH, Carsten, Carsten Stabenow y Golo Föllmer (eds.). Sound Exchange: Experimentelle Musikkulturen in Mittelosteuropa = Experimental Music Cultures in Central and Eastern Europe. Pfau, 2012SOLOMOS, Makis, Exploring the Ecologies of Music and Sound: Environmental, Mental and Social Ecologies in Music, Sound Art and Artivisms. Routledge, 2023*TOOP, David, Inflamed Invisible: Collected Writings on Art and Sound, 1976-2018. Goldsmiths Press, 2019*VOEGELIN, Salomé, Listening to Noise and Silence. Towards a Philosophy of Sound Art. Continuum, 2010*WANG, Jing, Half Sound, Half Philosophy: Aesthetics...

music history texas art sound design mental dm arts silence language philosophy press musical espa museum exploring historia perspectives san antonio musik arte mart jos autor licht costa barbers centro xx universidad blink eastern europe documents wang ecology medina everyday life nueva york experimental fundaci obra rumours panorama escuchar neon espacio banda interrupted salom kahn selecci reste etienne continuum oxford university press matthieu contemporary art creaci facultad conversaciones writings labelle espejo routledge carsten jos luis sonido bloomsbury mase pardo pamplona encuentros grabado bellas artes jing jos manuel jos antonio grabaci sarmiento robert morris mit press maike dimensi conferencias yvan ucm ariza itamar ediciones oxford handbook le mot editado castilla la mancha bolet neuhaus instalaci hegarty terry fox saladin editores background noise comprende especializaci sound art pfau avatares jos d video art documentar kotz lloren iges david prior bill viola les presses juan march nova scotia college toop arte reina sof zone books museo nacional centro la casa encendida goldsmiths press arte sonoro christina kubisch important records ursonate michael asher

Black Film, British Cinema II

Play Episode Listen Later May 25, 2023 41:06

Clive Nwonka and Anamik Saha discuss their forthcoming book Black Film, British Cinema II (publishing in March with Goldsmiths Press), a book which brings together scholars, thinkers and practitioners to consider the politics of blackness in contemporary British cinema and visual practice. Black Film British Cinema II considers the politics of blackness in contemporary British cinema and visual practice. This second iteration of Black Film British Cinema, marking over 30 years since the ground-breaking ICA Documents 7 publication in 1988, continues this investigation by offering a crucial contemporary consideration of the textual, institutional, cultural and political shifts that have occurred from this period. It focuses on the practices, values and networks of collaborations that have shaped the development of black film culture and representation. But what is black British film? How do such films, however defined, produce meaning through visual culture, and what are the political, social and aesthetic motivations and effects? How are the new forms of black British film facilitating new modes of representation, authorship and exhibition? Explored in the context of film aesthetics, curatorship, exhibition and arts practice, and the politics of diversity policy, Black Film British Cinema II provides the platform for new scholars, thinkers and practitioners to coalesce on these central questions. It is explicitly interdisciplinary, operating at the intersections of film studies, media and communications, sociology, politics and cultural studies. Through a diverse range of perspectives and theoretical interventions that offer a combination of traditional chapters, long-form essays, shorter think pieces, and critical dialogues, Black Film British Cinema II is a comprehensive, sustained, wide ranging collection that offers new framework for understanding contemporary black film practices and the cultural and creative dimensions that shape the making of blackness and race. Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

british mixed soundtracks explored black film sam kelly british cinema samantha doyle goldsmiths press

Black Film, British Cinema II

New Books in Film

Play Episode Listen Later May 25, 2023 41:06

Clive Nwonka and Anamik Saha discuss their forthcoming book Black Film, British Cinema II (publishing in March with Goldsmiths Press), a book which brings together scholars, thinkers and practitioners to consider the politics of blackness in contemporary British cinema and visual practice. Black Film British Cinema II considers the politics of blackness in contemporary British cinema and visual practice. This second iteration of Black Film British Cinema, marking over 30 years since the ground-breaking ICA Documents 7 publication in 1988, continues this investigation by offering a crucial contemporary consideration of the textual, institutional, cultural and political shifts that have occurred from this period. It focuses on the practices, values and networks of collaborations that have shaped the development of black film culture and representation. But what is black British film? How do such films, however defined, produce meaning through visual culture, and what are the political, social and aesthetic motivations and effects? How are the new forms of black British film facilitating new modes of representation, authorship and exhibition? Explored in the context of film aesthetics, curatorship, exhibition and arts practice, and the politics of diversity policy, Black Film British Cinema II provides the platform for new scholars, thinkers and practitioners to coalesce on these central questions. It is explicitly interdisciplinary, operating at the intersections of film studies, media and communications, sociology, politics and cultural studies. Through a diverse range of perspectives and theoretical interventions that offer a combination of traditional chapters, long-form essays, shorter think pieces, and critical dialogues, Black Film British Cinema II is a comprehensive, sustained, wide ranging collection that offers new framework for understanding contemporary black film practices and the cultural and creative dimensions that shape the making of blackness and race. Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

british mixed soundtracks explored black film sam kelly british cinema samantha doyle goldsmiths press

Black Film, British Cinema II

New Books in European Studies

Play Episode Listen Later May 25, 2023 41:06

Clive Nwonka and Anamik Saha discuss their forthcoming book Black Film, British Cinema II (publishing in March with Goldsmiths Press), a book which brings together scholars, thinkers and practitioners to consider the politics of blackness in contemporary British cinema and visual practice. Black Film British Cinema II considers the politics of blackness in contemporary British cinema and visual practice. This second iteration of Black Film British Cinema, marking over 30 years since the ground-breaking ICA Documents 7 publication in 1988, continues this investigation by offering a crucial contemporary consideration of the textual, institutional, cultural and political shifts that have occurred from this period. It focuses on the practices, values and networks of collaborations that have shaped the development of black film culture and representation. But what is black British film? How do such films, however defined, produce meaning through visual culture, and what are the political, social and aesthetic motivations and effects? How are the new forms of black British film facilitating new modes of representation, authorship and exhibition? Explored in the context of film aesthetics, curatorship, exhibition and arts practice, and the politics of diversity policy, Black Film British Cinema II provides the platform for new scholars, thinkers and practitioners to coalesce on these central questions. It is explicitly interdisciplinary, operating at the intersections of film studies, media and communications, sociology, politics and cultural studies. Through a diverse range of perspectives and theoretical interventions that offer a combination of traditional chapters, long-form essays, shorter think pieces, and critical dialogues, Black Film British Cinema II is a comprehensive, sustained, wide ranging collection that offers new framework for understanding contemporary black film practices and the cultural and creative dimensions that shape the making of blackness and race. Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

british mixed soundtracks explored black film sam kelly british cinema samantha doyle goldsmiths press

Black Film, British Cinema II

Play Episode Listen Later May 25, 2023 41:06

Clive Nwonka and Anamik Saha discuss their forthcoming book Black Film, British Cinema II (publishing in March with Goldsmiths Press), a book which brings together scholars, thinkers and practitioners to consider the politics of blackness in contemporary British cinema and visual practice. Black Film British Cinema II considers the politics of blackness in contemporary British cinema and visual practice. This second iteration of Black Film British Cinema, marking over 30 years since the ground-breaking ICA Documents 7 publication in 1988, continues this investigation by offering a crucial contemporary consideration of the textual, institutional, cultural and political shifts that have occurred from this period. It focuses on the practices, values and networks of collaborations that have shaped the development of black film culture and representation. But what is black British film? How do such films, however defined, produce meaning through visual culture, and what are the political, social and aesthetic motivations and effects? How are the new forms of black British film facilitating new modes of representation, authorship and exhibition? Explored in the context of film aesthetics, curatorship, exhibition and arts practice, and the politics of diversity policy, Black Film British Cinema II provides the platform for new scholars, thinkers and practitioners to coalesce on these central questions. It is explicitly interdisciplinary, operating at the intersections of film studies, media and communications, sociology, politics and cultural studies. Through a diverse range of perspectives and theoretical interventions that offer a combination of traditional chapters, long-form essays, shorter think pieces, and critical dialogues, Black Film British Cinema II is a comprehensive, sustained, wide ranging collection that offers new framework for understanding contemporary black film practices and the cultural and creative dimensions that shape the making of blackness and race. Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

british mixed soundtracks explored black film sam kelly british cinema samantha doyle goldsmiths press

Black Film, British Cinema II

New Books in American Studies

Play Episode Listen Later May 25, 2023 41:06

Clive Nwonka and Anamik Saha discuss their forthcoming book Black Film, British Cinema II (publishing in March with Goldsmiths Press), a book which brings together scholars, thinkers and practitioners to consider the politics of blackness in contemporary British cinema and visual practice. Black Film British Cinema II considers the politics of blackness in contemporary British cinema and visual practice. This second iteration of Black Film British Cinema, marking over 30 years since the ground-breaking ICA Documents 7 publication in 1988, continues this investigation by offering a crucial contemporary consideration of the textual, institutional, cultural and political shifts that have occurred from this period. It focuses on the practices, values and networks of collaborations that have shaped the development of black film culture and representation. But what is black British film? How do such films, however defined, produce meaning through visual culture, and what are the political, social and aesthetic motivations and effects? How are the new forms of black British film facilitating new modes of representation, authorship and exhibition? Explored in the context of film aesthetics, curatorship, exhibition and arts practice, and the politics of diversity policy, Black Film British Cinema II provides the platform for new scholars, thinkers and practitioners to coalesce on these central questions. It is explicitly interdisciplinary, operating at the intersections of film studies, media and communications, sociology, politics and cultural studies. Through a diverse range of perspectives and theoretical interventions that offer a combination of traditional chapters, long-form essays, shorter think pieces, and critical dialogues, Black Film British Cinema II is a comprehensive, sustained, wide ranging collection that offers new framework for understanding contemporary black film practices and the cultural and creative dimensions that shape the making of blackness and race. Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

british mixed soundtracks explored black film sam kelly british cinema samantha doyle goldsmiths press

America & Democracy Ep. 3: Carol A. Stabile on the Red Scare

Play Episode Listen Later May 20, 2023 42:31

In this series of interviews from The MIT Press Podcast, we'll be drawing on the research of various authors to reflect on some of the issues shaping the American political landscape of today. In this episode Carol A. Stabile discusses her book The Broadcast 41 (published in April of last year by Goldsmiths Press.) In her book, Carol traces the history of forty-one women who were forced out of American television and radio in the 1950s as part of a censorship program often referred to as the Red Scare. She explains their broad and nuanced political beliefs and how an FBI-backed program of state censorship invoked the paranoia of another American revolution to try and destroy their careers. We discuss how the cause of anti-communism, g-man masculinity and censorship destroyed a potential television landscape that reflected the reality of post-war America in favor of a white, straight, patriarchal world of white picket fences and eager beavers. We also discuss what the history of these women might tell us about current debates on free-speech and ‘cancel-culture'. Carol is Professor of Women's, Gender, and Sexuality Studies and Associate Dean for Strategic Initiatives for the College of Arts and Sciences at the University of Oregon. She's also the author of Feminism and the Technological Fix, White Victims, Black Villains: Gender, Race, and Crime News in US Culture, among other books. You can find more resources related to the book, including FBI files released since the book's publication, at https://broadcast41.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

America & Democracy Ep. 3: Carol A. Stabile on the Red Scare

New Books in Women's History

Play Episode Listen Later May 18, 2023 42:31

In this series of interviews from The MIT Press Podcast, we'll be drawing on the research of various authors to reflect on some of the issues shaping the American political landscape of today. In this episode Carol A. Stabile discusses her book The Broadcast 41 (published in April of last year by Goldsmiths Press.) In her book, Carol traces the history of forty-one women who were forced out of American television and radio in the 1950s as part of a censorship program often referred to as the Red Scare. She explains their broad and nuanced political beliefs and how an FBI-backed program of state censorship invoked the paranoia of another American revolution to try and destroy their careers. We discuss how the cause of anti-communism, g-man masculinity and censorship destroyed a potential television landscape that reflected the reality of post-war America in favor of a white, straight, patriarchal world of white picket fences and eager beavers. We also discuss what the history of these women might tell us about current debates on free-speech and ‘cancel-culture'. Carol is Professor of Women's, Gender, and Sexuality Studies and Associate Dean for Strategic Initiatives for the College of Arts and Sciences at the University of Oregon. She's also the author of Feminism and the Technological Fix, White Victims, Black Villains: Gender, Race, and Crime News in US Culture, among other books. You can find more resources related to the book, including FBI files released since the book's publication, at https://broadcast41.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

America & Democracy Ep. 3: Carol A. Stabile on the Red Scare

New Books in Gender Studies

Play Episode Listen Later May 17, 2023 42:31

In this series of interviews from The MIT Press Podcast, we'll be drawing on the research of various authors to reflect on some of the issues shaping the American political landscape of today. In this episode Carol A. Stabile discusses her book The Broadcast 41 (published in April of last year by Goldsmiths Press.) In her book, Carol traces the history of forty-one women who were forced out of American television and radio in the 1950s as part of a censorship program often referred to as the Red Scare. She explains their broad and nuanced political beliefs and how an FBI-backed program of state censorship invoked the paranoia of another American revolution to try and destroy their careers. We discuss how the cause of anti-communism, g-man masculinity and censorship destroyed a potential television landscape that reflected the reality of post-war America in favor of a white, straight, patriarchal world of white picket fences and eager beavers. We also discuss what the history of these women might tell us about current debates on free-speech and ‘cancel-culture'. Carol is Professor of Women's, Gender, and Sexuality Studies and Associate Dean for Strategic Initiatives for the College of Arts and Sciences at the University of Oregon. She's also the author of Feminism and the Technological Fix, White Victims, Black Villains: Gender, Race, and Crime News in US Culture, among other books. You can find more resources related to the book, including FBI files released since the book's publication, at https://broadcast41.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

America & Democracy Ep. 3: Carol A. Stabile on the Red Scare

New Books in American Politics

Play Episode Listen Later May 16, 2023 42:31

In this series of interviews from The MIT Press Podcast, we'll be drawing on the research of various authors to reflect on some of the issues shaping the American political landscape of today. In this episode Carol A. Stabile discusses her book The Broadcast 41 (published in April of last year by Goldsmiths Press.) In her book, Carol traces the history of forty-one women who were forced out of American television and radio in the 1950s as part of a censorship program often referred to as the Red Scare. She explains their broad and nuanced political beliefs and how an FBI-backed program of state censorship invoked the paranoia of another American revolution to try and destroy their careers. We discuss how the cause of anti-communism, g-man masculinity and censorship destroyed a potential television landscape that reflected the reality of post-war America in favor of a white, straight, patriarchal world of white picket fences and eager beavers. We also discuss what the history of these women might tell us about current debates on free-speech and ‘cancel-culture'. Carol is Professor of Women's, Gender, and Sexuality Studies and Associate Dean for Strategic Initiatives for the College of Arts and Sciences at the University of Oregon. She's also the author of Feminism and the Technological Fix, White Victims, Black Villains: Gender, Race, and Crime News in US Culture, among other books. You can find more resources related to the book, including FBI files released since the book's publication, at https://broadcast41.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

America & Democracy Ep. 3: Carol A. Stabile on the Red Scare

New Books in Policing, Incarceration, and Reform

Play Episode Listen Later May 16, 2023 42:31

In this series of interviews from The MIT Press Podcast, we'll be drawing on the research of various authors to reflect on some of the issues shaping the American political landscape of today. In this episode Carol A. Stabile discusses her book The Broadcast 41 (published in April of last year by Goldsmiths Press.) In her book, Carol traces the history of forty-one women who were forced out of American television and radio in the 1950s as part of a censorship program often referred to as the Red Scare. She explains their broad and nuanced political beliefs and how an FBI-backed program of state censorship invoked the paranoia of another American revolution to try and destroy their careers. We discuss how the cause of anti-communism, g-man masculinity and censorship destroyed a potential television landscape that reflected the reality of post-war America in favor of a white, straight, patriarchal world of white picket fences and eager beavers. We also discuss what the history of these women might tell us about current debates on free-speech and ‘cancel-culture'. Carol is Professor of Women's, Gender, and Sexuality Studies and Associate Dean for Strategic Initiatives for the College of Arts and Sciences at the University of Oregon. She's also the author of Feminism and the Technological Fix, White Victims, Black Villains: Gender, Race, and Crime News in US Culture, among other books. You can find more resources related to the book, including FBI files released since the book's publication, at https://broadcast41.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

005 // Una McCormack

IZ Pod

Play Episode Listen Later May 9, 2023 35:32

Dr Una McCormack is a New York Times and USA Today bestselling author of over two dozen science fiction novels including the brilliant new Star Trek novel SECOND SELF, and is also a series editor of Gold SF, a new imprint of Goldsmiths Press that is dedicated to discovering and publishing new intersectional feminist science fiction. Una McCormack came on IZ Pod and talked about writing sf, the importance of small press publishing, the finale of STAR TREK: PICARD, and why you should never throw anything away… // Support Interzone at Patreon to get issues packed with mind- and genre-bending fiction and non-fiction, and visit IZ Digital, IZ's free online sister zine, for even more amazing stories. // https://interzone.press / https://interzone.digital

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204--Bookin' w/ Timothy C. Baker

Bookin'

Play Episode Listen Later Oct 3, 2022 25:32

This week, host Jason Jefferies is joined by Timothy C. Baker, author of Reading My Mother Back: A Memoir in Childhood Animal Stories, which is published by our friends at Goldsmiths Press. Topics of conversation include Babar the elephant, Baltimore, Ronald Reagan, animal industries, Frog & Toad, The Lord of the Rings vs. Chronicles of Narnia, Watership Down, and much more. Copies of Reading My Mother Back can be ordered here from Explore Booksellers.

baltimore chronicles lord of the rings ronald reagan narnia copies watership down babar bookin goldsmiths press

Ella Frears

Scottish Poetry Library Podcast

Play Episode Listen Later Aug 12, 2022 22:08

Ella Frears is a poet and visual artist based in south-east London. She has had poetry published in the LRB, Poetry London, Ambit, The Rialto, Poetry Daily, POEM, and the Moth among others. Her pamphlet Passivity, Electricity, Acclivity was published by Goldsmiths Press 2018. Her debut collection, Shine, Darling is published by Offord Road Books, and came out in April, 2020. Suzannah V Evans spoke with Ella Frears at the StAnza Poetry Festival in 2019. Frears reads her poems and discusses sand, vintage porn, and the interplay between her roles as a writer and visual artist.

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Dhanveer Singh Brar, "Teklife, Ghettoville, Eski: The Sonic Ecologies of Black Music in the Early 21st Century" (Goldsmiths Press, 2021)

New Books in African American Studies

Play Episode Listen Later May 6, 2022 69:24

Teklife, Ghettoville, Eski: The Sonic Ecologies of Black Music in the Early 21st Century (Goldsmiths Press, 2021) uses three Black electronic musics – footwork, grime, and the work of the producer Actress – to provide a theory of how Black musical experimentation has disrupted the circuits of racialized domination and exclusion in the 21st Century city. The book carefully attends to the unique ‘sonic ecologies' produced by these three musical forms in South/West Chicago; East London and South London respectively, steering a course between uncritical celebration narratives of ‘resistant' cultural production and dystopian analyses of urban decay. Brar instead theorises these musics as forms of popular experimentalism which are not just inseparable from questions of space, race and class, but are productive of social and spatial relations. The book draws upon, and intervenes in, Black Studies literature to contribute a set of examples, questions and provocations that help readers to think about how the ‘Blackness of Black electronic dance music' has produced (and continues to produce) a fugitive urban aesthetic sociality that has flourished in spite of the degradations of state and capital. At the end of the interview, Dhanveer recommended some music as good entry points into the three musical worlds that we discuss and that he analyses in the book: Actress – Splazsh (2010) DJ Rashad – Just a Taste Vol. 1 (2011) Slimzee/Wiley/Dizzee Rascal and more – Sidewinder sessions (2002-2004) Gummo Clare is a PhD researcher in the School of Media and Communications, University of Leeds. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

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Dhanveer Singh Brar, "Teklife, Ghettoville, Eski: The Sonic Ecologies of Black Music in the Early 21st Century" (Goldsmiths Press, 2021)

New Books in Critical Theory

Play Episode Listen Later May 6, 2022 69:24

Teklife, Ghettoville, Eski: The Sonic Ecologies of Black Music in the Early 21st Century (Goldsmiths Press, 2021) uses three Black electronic musics – footwork, grime, and the work of the producer Actress – to provide a theory of how Black musical experimentation has disrupted the circuits of racialized domination and exclusion in the 21st Century city. The book carefully attends to the unique ‘sonic ecologies' produced by these three musical forms in South/West Chicago; East London and South London respectively, steering a course between uncritical celebration narratives of ‘resistant' cultural production and dystopian analyses of urban decay. Brar instead theorises these musics as forms of popular experimentalism which are not just inseparable from questions of space, race and class, but are productive of social and spatial relations. The book draws upon, and intervenes in, Black Studies literature to contribute a set of examples, questions and provocations that help readers to think about how the ‘Blackness of Black electronic dance music' has produced (and continues to produce) a fugitive urban aesthetic sociality that has flourished in spite of the degradations of state and capital. At the end of the interview, Dhanveer recommended some music as good entry points into the three musical worlds that we discuss and that he analyses in the book: Actress – Splazsh (2010) DJ Rashad – Just a Taste Vol. 1 (2011) Slimzee/Wiley/Dizzee Rascal and more – Sidewinder sessions (2002-2004) Gummo Clare is a PhD researcher in the School of Media and Communications, University of Leeds. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

university black school media phd sonic actress 21st century leeds singh ecology blackness east london south london black music eski black studies sidewinder brar teklife goldsmiths press gummo clare

Dhanveer Singh Brar, "Teklife, Ghettoville, Eski: The Sonic Ecologies of Black Music in the Early 21st Century" (Goldsmiths Press, 2021)

Play Episode Listen Later May 6, 2022 69:24

Teklife, Ghettoville, Eski: The Sonic Ecologies of Black Music in the Early 21st Century (Goldsmiths Press, 2021) uses three Black electronic musics – footwork, grime, and the work of the producer Actress – to provide a theory of how Black musical experimentation has disrupted the circuits of racialized domination and exclusion in the 21st Century city. The book carefully attends to the unique ‘sonic ecologies' produced by these three musical forms in South/West Chicago; East London and South London respectively, steering a course between uncritical celebration narratives of ‘resistant' cultural production and dystopian analyses of urban decay. Brar instead theorises these musics as forms of popular experimentalism which are not just inseparable from questions of space, race and class, but are productive of social and spatial relations. The book draws upon, and intervenes in, Black Studies literature to contribute a set of examples, questions and provocations that help readers to think about how the ‘Blackness of Black electronic dance music' has produced (and continues to produce) a fugitive urban aesthetic sociality that has flourished in spite of the degradations of state and capital. At the end of the interview, Dhanveer recommended some music as good entry points into the three musical worlds that we discuss and that he analyses in the book: Actress – Splazsh (2010) DJ Rashad – Just a Taste Vol. 1 (2011) Slimzee/Wiley/Dizzee Rascal and more – Sidewinder sessions (2002-2004) Gummo Clare is a PhD researcher in the School of Media and Communications, University of Leeds. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

university black school media phd sonic actress 21st century leeds singh ecology blackness east london south london black music eski black studies sidewinder brar teklife goldsmiths press gummo clare

Dhanveer Singh Brar, "Teklife, Ghettoville, Eski: The Sonic Ecologies of Black Music in the Early 21st Century" (Goldsmiths Press, 2021)

New Books in American Studies

Play Episode Listen Later May 6, 2022 69:24

Teklife, Ghettoville, Eski: The Sonic Ecologies of Black Music in the Early 21st Century (Goldsmiths Press, 2021) uses three Black electronic musics – footwork, grime, and the work of the producer Actress – to provide a theory of how Black musical experimentation has disrupted the circuits of racialized domination and exclusion in the 21st Century city. The book carefully attends to the unique ‘sonic ecologies' produced by these three musical forms in South/West Chicago; East London and South London respectively, steering a course between uncritical celebration narratives of ‘resistant' cultural production and dystopian analyses of urban decay. Brar instead theorises these musics as forms of popular experimentalism which are not just inseparable from questions of space, race and class, but are productive of social and spatial relations. The book draws upon, and intervenes in, Black Studies literature to contribute a set of examples, questions and provocations that help readers to think about how the ‘Blackness of Black electronic dance music' has produced (and continues to produce) a fugitive urban aesthetic sociality that has flourished in spite of the degradations of state and capital. At the end of the interview, Dhanveer recommended some music as good entry points into the three musical worlds that we discuss and that he analyses in the book: Actress – Splazsh (2010) DJ Rashad – Just a Taste Vol. 1 (2011) Slimzee/Wiley/Dizzee Rascal and more – Sidewinder sessions (2002-2004) Gummo Clare is a PhD researcher in the School of Media and Communications, University of Leeds. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

university black school media phd sonic actress 21st century leeds singh ecology blackness east london south london black music eski black studies sidewinder brar teklife goldsmiths press gummo clare

Dhanveer Singh Brar, "Teklife, Ghettoville, Eski: The Sonic Ecologies of Black Music in the Early 21st Century" (Goldsmiths Press, 2021)

New Books in Sociology

Play Episode Listen Later May 6, 2022 69:24

Teklife, Ghettoville, Eski: The Sonic Ecologies of Black Music in the Early 21st Century (Goldsmiths Press, 2021) uses three Black electronic musics – footwork, grime, and the work of the producer Actress – to provide a theory of how Black musical experimentation has disrupted the circuits of racialized domination and exclusion in the 21st Century city. The book carefully attends to the unique ‘sonic ecologies' produced by these three musical forms in South/West Chicago; East London and South London respectively, steering a course between uncritical celebration narratives of ‘resistant' cultural production and dystopian analyses of urban decay. Brar instead theorises these musics as forms of popular experimentalism which are not just inseparable from questions of space, race and class, but are productive of social and spatial relations. The book draws upon, and intervenes in, Black Studies literature to contribute a set of examples, questions and provocations that help readers to think about how the ‘Blackness of Black electronic dance music' has produced (and continues to produce) a fugitive urban aesthetic sociality that has flourished in spite of the degradations of state and capital. At the end of the interview, Dhanveer recommended some music as good entry points into the three musical worlds that we discuss and that he analyses in the book: Actress – Splazsh (2010) DJ Rashad – Just a Taste Vol. 1 (2011) Slimzee/Wiley/Dizzee Rascal and more – Sidewinder sessions (2002-2004) Gummo Clare is a PhD researcher in the School of Media and Communications, University of Leeds. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

university black school media phd sonic actress 21st century leeds singh ecology blackness east london south london black music eski black studies sidewinder brar teklife goldsmiths press gummo clare

Dhanveer Singh Brar, "Teklife, Ghettoville, Eski: The Sonic Ecologies of Black Music in the Early 21st Century" (Goldsmiths Press, 2021)

Play Episode Listen Later May 6, 2022 69:24

Teklife, Ghettoville, Eski: The Sonic Ecologies of Black Music in the Early 21st Century (Goldsmiths Press, 2021) uses three Black electronic musics – footwork, grime, and the work of the producer Actress – to provide a theory of how Black musical experimentation has disrupted the circuits of racialized domination and exclusion in the 21st Century city. The book carefully attends to the unique ‘sonic ecologies' produced by these three musical forms in South/West Chicago; East London and South London respectively, steering a course between uncritical celebration narratives of ‘resistant' cultural production and dystopian analyses of urban decay. Brar instead theorises these musics as forms of popular experimentalism which are not just inseparable from questions of space, race and class, but are productive of social and spatial relations. The book draws upon, and intervenes in, Black Studies literature to contribute a set of examples, questions and provocations that help readers to think about how the ‘Blackness of Black electronic dance music' has produced (and continues to produce) a fugitive urban aesthetic sociality that has flourished in spite of the degradations of state and capital. At the end of the interview, Dhanveer recommended some music as good entry points into the three musical worlds that we discuss and that he analyses in the book: Actress – Splazsh (2010) DJ Rashad – Just a Taste Vol. 1 (2011) Slimzee/Wiley/Dizzee Rascal and more – Sidewinder sessions (2002-2004) Gummo Clare is a PhD researcher in the School of Media and Communications, University of Leeds. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

university black school media phd sonic actress 21st century leeds singh ecology blackness east london south london black music eski black studies sidewinder brar teklife goldsmiths press gummo clare

Dhanveer Singh Brar, "Teklife, Ghettoville, Eski: The Sonic Ecologies of Black Music in the Early 21st Century" (Goldsmiths Press, 2021)

New Books in Music

Play Episode Listen Later May 6, 2022 69:24

Teklife, Ghettoville, Eski: The Sonic Ecologies of Black Music in the Early 21st Century (Goldsmiths Press, 2021) uses three Black electronic musics – footwork, grime, and the work of the producer Actress – to provide a theory of how Black musical experimentation has disrupted the circuits of racialized domination and exclusion in the 21st Century city. The book carefully attends to the unique ‘sonic ecologies' produced by these three musical forms in South/West Chicago; East London and South London respectively, steering a course between uncritical celebration narratives of ‘resistant' cultural production and dystopian analyses of urban decay. Brar instead theorises these musics as forms of popular experimentalism which are not just inseparable from questions of space, race and class, but are productive of social and spatial relations. The book draws upon, and intervenes in, Black Studies literature to contribute a set of examples, questions and provocations that help readers to think about how the ‘Blackness of Black electronic dance music' has produced (and continues to produce) a fugitive urban aesthetic sociality that has flourished in spite of the degradations of state and capital. At the end of the interview, Dhanveer recommended some music as good entry points into the three musical worlds that we discuss and that he analyses in the book: Actress – Splazsh (2010) DJ Rashad – Just a Taste Vol. 1 (2011) Slimzee/Wiley/Dizzee Rascal and more – Sidewinder sessions (2002-2004) Gummo Clare is a PhD researcher in the School of Media and Communications, University of Leeds. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

university black school media phd sonic actress 21st century leeds singh ecology blackness east london south london black music eski black studies sidewinder brar teklife goldsmiths press gummo clare

Dhanveer Singh Brar, "Teklife, Ghettoville, Eski: The Sonic Ecologies of Black Music in the Early 21st Century" (Goldsmiths Press, 2021)

New Books in Urban Studies

Play Episode Listen Later May 6, 2022 69:24

Teklife, Ghettoville, Eski: The Sonic Ecologies of Black Music in the Early 21st Century (Goldsmiths Press, 2021) uses three Black electronic musics – footwork, grime, and the work of the producer Actress – to provide a theory of how Black musical experimentation has disrupted the circuits of racialized domination and exclusion in the 21st Century city. The book carefully attends to the unique ‘sonic ecologies' produced by these three musical forms in South/West Chicago; East London and South London respectively, steering a course between uncritical celebration narratives of ‘resistant' cultural production and dystopian analyses of urban decay. Brar instead theorises these musics as forms of popular experimentalism which are not just inseparable from questions of space, race and class, but are productive of social and spatial relations. The book draws upon, and intervenes in, Black Studies literature to contribute a set of examples, questions and provocations that help readers to think about how the ‘Blackness of Black electronic dance music' has produced (and continues to produce) a fugitive urban aesthetic sociality that has flourished in spite of the degradations of state and capital. At the end of the interview, Dhanveer recommended some music as good entry points into the three musical worlds that we discuss and that he analyses in the book: Actress – Splazsh (2010) DJ Rashad – Just a Taste Vol. 1 (2011) Slimzee/Wiley/Dizzee Rascal and more – Sidewinder sessions (2002-2004) Gummo Clare is a PhD researcher in the School of Media and Communications, University of Leeds. Learn more about your ad choices. Visit megaphone.fm/adchoices

university black school media phd sonic actress 21st century leeds singh ecology blackness east london south london black music eski black studies sidewinder brar teklife goldsmiths press gummo clare

Dhanveer Singh Brar, "Teklife, Ghettoville, Eski: The Sonic Ecologies of Black Music in the Early 21st Century" (Goldsmiths Press, 2021)

Scottish Poetry Library Podcast

Play Episode Listen Later May 6, 2022 69:24

Teklife, Ghettoville, Eski: The Sonic Ecologies of Black Music in the Early 21st Century (Goldsmiths Press, 2021) uses three Black electronic musics – footwork, grime, and the work of the producer Actress – to provide a theory of how Black musical experimentation has disrupted the circuits of racialized domination and exclusion in the 21st Century city. The book carefully attends to the unique ‘sonic ecologies' produced by these three musical forms in South/West Chicago; East London and South London respectively, steering a course between uncritical celebration narratives of ‘resistant' cultural production and dystopian analyses of urban decay. Brar instead theorises these musics as forms of popular experimentalism which are not just inseparable from questions of space, race and class, but are productive of social and spatial relations. The book draws upon, and intervenes in, Black Studies literature to contribute a set of examples, questions and provocations that help readers to think about how the ‘Blackness of Black electronic dance music' has produced (and continues to produce) a fugitive urban aesthetic sociality that has flourished in spite of the degradations of state and capital. At the end of the interview, Dhanveer recommended some music as good entry points into the three musical worlds that we discuss and that he analyses in the book: Actress – Splazsh (2010) DJ Rashad – Just a Taste Vol. 1 (2011) Slimzee/Wiley/Dizzee Rascal and more – Sidewinder sessions (2002-2004) Gummo Clare is a PhD researcher in the School of Media and Communications, University of Leeds. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

university black school media phd sonic actress 21st century leeds singh ecology blackness east london south london black music eski black studies brar teklife goldsmiths press gummo clare

ASLE EcoCast Quick Fictions 2021

ASLE EcoCast Podcast

Play Episode Listen Later Jul 1, 2021 68:17

It's our birthday! In this episode, we reflect on the first year of EcoCast, and then hear 25 environmentally-themed Quick Fictions. You can find bios of all the contributors below, in alphabetical order by first name. If you have an idea for an episode, please submit your proposal here: https://forms.gle/Y1S1eP9yXxcNkgWHA Twitter: @ASLE_EcoCast Jemma: @Geowrites Brandon: @BeGalm If you're enjoying the show, please consider subscribing, sharing, and writing reviews on your favorite podcast platform(s)! CC BY-NC-ND 4.0 QUICK FICTION AUTHOR BIOS (alphabetical order by first name): Abi Curtis is Professor of Creative Writing at York St John University where she runs the MA and MFA programmes. She is the author of two poetry collections, Unexpected Weatherand The Glass Delusion, and a speculative flood novel Water & Glass. She is currently completing a novel set on the Kent coast featuring an alien, and writing a co-authored New Critical Idiom book Speculative Fiction. She is on the editorial board for Gold SF, an imprint for feminist science fiction from Goldsmiths Press. Andrew Hadfield is Professor of English at the University of Sussex. His most recent book is John Donne: In the Shadow of Religion (2021). Ashwarya Samkaria, a Masters in English Literature (University of Delhi) and a Masters in Performance Studies (Ambedkar University Delhi) is currently working as an independent researcher whose publications in journals on Ecocriticism in Indian Fiction and on Body and Performance are forthcoming. She is also trained in the (neo)classical dance form Odissi and has performed extensively in India and abroad. Her areas of interest are performance studies, ecocriticism, postcolonialism, gender studies, and creative writing. Barbara Krystal is a Marine Biologist and Author. She is writing a dissertation questioning the traits we use to define the human when we come into contact with marine invertebrates. Basak Almaz is a graduate of English Language and Literature and a grad student of American Culture and Literature at Hacettepe University, Turkey. She is a research assistant at Istanbul Aydin University and writing her MA thesis on the relation between climate change and neoliberalism through sci-fi novels of Kim Stanley Robinson. Christopher Collier is an educator and ecological advocate, working at the intersection of art and cultural ecology. With a background in academia and community art, he currently teaches at Anglia Ruskin University, and City Lit college in London, England, as well as regularly facilitating workshops in a variety of contexts. He is a volunteer Ranger with the London National Park City organisation. Erik Lauks is a writer living in Munich. Currently occupied by consciousness. Huiying Ng works to expand the possibility of agroecological landscapes in Southeast Asia - she is a doctoral researcher at the Rachel Carson Centre for Environment and Society at the Ludwig-Maximilian University in Munich, and an occasional-editor of Foodscape Pages, a journa-zine dedicated to food, community and inspiration in Southeast Asia. She has performed and created installations in group residencies with soft/WALL/studs (Yogyakarta) and Heroines' Wave (Bangkok), and will have a speculative fiction piece in print in Antennae's next issue, Uncontainable Natures. She also writes a Substack on food, commons and ag! Find her on Twitter / Instagram @fuiin. Jada Ach is a lecturer for the Leadership and Integrative Studies Program at Arizona State University where she teaches classes in interdisciplinary and liberal studies. She is the author of Sand, Water, Salt: Managing the Elements in Literature of the American West, 1880-1925 (Texas Tech UP, in press) and coeditor of Reading Aridity in Western American Literature (Lexington Books, 2020). Her poetry has appeared in New South, The Dalhousie Review, and elsewhere. James Burt is a writer and computer programmer. Kate Wright works at the interface of community-based social and environmental activism and environmental humanities research. She is currently completing her second book – an experimental environmental history of the Armidale Aboriginal Community Garden, co-authored with Anaiwan Elder Steve Widders, and is an Affiliated Researcher with the Rachel Carson Center for Environment and Society, Ludwig-Maximilians Universität in Munich. Maggie Light is Assistant Professor at Otis College of Art & Design. She teaches storytelling as a means to process the effects of the climate crisis. Her work is published in CleaverMagazine, Furious Gazelle, and The Free State Review, and she's represented by Bridget Smith at JABberwocky Literary Agency. Maggie is currently writing a YA cli-fi rom com. Marula Tsagkari is a PhD candidate at the University of Barcelona, Spain. Her research focuses on energy transition and degrowth. Meenu Akbar Ali works as a Lecturer of English for HED Punjab, Pakistan. Her Masters was in English Literature from NUML, Islamabad. She was also a Research Scholar at The University of North Texas, Denton, USA. Her interests include Ecocriticism, Feminism and Postcolonialism. Michael Hewson is an environmental geographer at Central Queensland University (Australia). Michael's research interests include the spatial analysis of the atmosphere. A motivation for Michael's creative writing is to influence public policy with strategic storytelling. Naomi Booth is a fiction writer and academic. She is the author of The Lost Art of Sinking, Sealed and Exit Management and her short fiction has been longlisted for the Sunday Times EFG Short Story Award and anthologised in Best British Short Stories 2019. Her debut collection of short stories, Animals at Night, will be published in 2022. She lives in Yorkshire and is Assistant Professor in English Studies at Durham University. Nicholas Royle is Professor of English at the University of Sussex. His books include Telepathy and Literature (1991), Jacques Derrida (2003), The Uncanny (2003), Quilt (2010), Veering: A Theory of Literature (2011), An Introduction to Literature, Criticism and Theory (with Andrew Bennett, 5th edition, 2016), An English Guide to Birdwatching (2017),Hélène Cixous: Dreamer, Realist, Analyst, Writing (2020), and Mother: A Memoir (2020). Current projects include a collaboration with Timothy Morton on Covid-19, and a new ‘comic history of England' focusing on David Bowie and Enid Blyton. Patrycja Austin is a mother and an Assistant Professor at the Institute of English Studies, University of Rzeszów where she teaches literature and researches the way mosses, fungi and lichens feature in contemporary fiction. Peter Boxall is Professor of English at the University of Sussex. He has written a number of books on the novel, and is currently writing a book on the precarious state of contemporary democracy entitled Fictions of the West. Scott T. Starbuck's book of climate poems Hawk on Wire was a July 2017 "Editor's Pick" at Newpages.com and selected from over 1,500 books as a 2018 Montaigne Medal Finalist at Eric Hoffer Awards for "the most thought-provoking books." His book My Bridge at the End of the World was a 2020 Finalist for the Blue Light Press Book Award. Starbuck taught ecopoetry workshops the past two years at Scripps Institution of Oceanography in UC San Diego Masters of Advanced Studies Program in Climate Science and Policy. His Trees, Fish, and Dreams Climateblog at riverseek.blogspot.com has readers in 110 countries. Sonakshi Srivastava is an MPhil candidate at Indraprastha University, Delhi. Her works have appeared in Rhodora Magazine, OddMagazine, Feminism in India. She has been the recipient of the national story writing competition, “MyStory Contest” organized by TATA LitLive, the international literature festival of Mumbai thrice. Her short stories have also been anthologized, and at the moment she is one of the current recipients of South Asia Speaks mentorship programme. Thea Verdak is a writer and minimalist. Yazeed Dezele is a writer of Africanfuturism, published in sub-Saharan, omenana and lawino.

covid-19 united states university world english body leadership england water west phd professor religion society masters writing performance spain current night institute environment turkey shadow wall fish theory barcelona policy animals fiction feminism pakistan literature sand assistant professor kent elements criticism david bowie wire analysts substack southeast asia arizona state university munich mfa hawk lecturer mumbai ranger yorkshire delhi creative writing sussex north texas sealed sinking finalist lost art english literature american west denton english language american culture uncanny telepathy starbuck durham university realist quilt birdwatching heroines islamabad oceanography climate science mphil new south art design speculative fiction marine biologist kim stanley robinson saharan yogyakarta jacques derrida enid blyton ludwig maximilians universit scripps institution anglia ruskin university research scholar otis college andrew bennett english studies timothy morton postcolonialism asle antennae ludwig maximilian university rzesz york st john university odissi scott t her masters ecocriticism city lit rachel carson center nicholas royle goldsmiths press

Clive Nwonka and Anamik Saha: Black Film, British Cinema

MIT Press Podcast

Play Episode Listen Later Feb 1, 2021 41:06

Clive Nwonka and Anamik Saha discuss their forthcoming book Black Film, British Cinema II (publishing in March with Goldsmiths Press), a book which brings together scholars, thinkers and practitioners to consider the politics of blackness in contemporary British cinema and visual practice. Hosted and produced by Sam Kelly Mixed by Samantha Doyle Soundtrack by Kristen Gallerneaux

british clive saha black film british cinema goldsmiths press

America & Democracy Ep. 3: Carol A. Stabile on the Red Scare

MIT Press Podcast

Play Episode Listen Later Oct 26, 2020 42:31

On November 3rd, America chooses its next president and in this series of interviews from The MIT Press Podcast, we'll be drawing on the research of various authors to reflect on some of the issues shaping the American political landscape of today. In this episode Carol A. Stabile discusses her book The Broadcast 41 (published in April of last year by Goldsmiths Press.) In her book, Carol traces the history of forty-one women who were forced out of American television and radio in the 1950s as part of a censorship program often referred to as the Red Scare. She explains their broad and nuanced political beliefs and how an FBI-backed program of state censorship invoked the paranoia of another American revolution to try and destroy their careers. We discuss how the cause of anti-communism, g-man masculinity and censorship destroyed a potential television landscape that reflected the reality of post-war America in favor of a white, straight, patriarchal world of white picket fences and eager beavers. We also discuss what the history of these women might tell us about current debates on free-speech and ‘cancel-culture’. Carol is Professor of Women's, Gender, and Sexuality Studies and Associate Dean for Strategic Initiatives for the College of Arts and Sciences at the University of Oregon. She’s also the author of Feminism and the Technological Fix, White Victims, Black Villains: Gender, Race, and Crime News in US Culture, among other books. You can find more resources related to the book, including FBI files released since the book's publication, at https://broadcast41.com/

Ella Frears

Play Episode Listen Later Apr 2, 2020 23:58

Ella Frears is a poet and visual artist based in south-east London. She has had poetry published in the LRB, Poetry London, Ambit, The Rialto, Poetry Daily, POEM, and the Moth among others. Her pamphlet Passivity, Electricity, Acclivity was published by Goldsmiths Press 2018. Her debut collection, Shine, Darling is published by Offord Road Books, and came out in April, 2020. Suzanna V Evans spoke with Ella Frears at the StAnza Poetry Festival in 2019. Frears reads her poems and discusses sand, vintage porn and the interplay between her roles as a writer and visual artist. Photo credit: Cat Goryn

shine poem darling electricity moth passivity rialto lrb ambit poetry daily frears goldsmiths press

Les Back on Migrants

Social Science Bites

Play Episode Listen Later Feb 1, 2019 24:59

Sociologists Les Back and Shamser Sinha spent a decade following 30 migrants in London, a study that forms the narrative in their new book, Migrant City. But the book, which includes the names of three of their subjects as additional co-authors, doesn’t focus the lives of 30 characters, but 31. “In the end,” Back tells interviewer David Edmonds in this Social Science Bites podcast, “Shamser Sinha and I learned so much about not only the experience of migration, but about London as a space and a place that is made through migration. So this is not really just a migrants’ story; it’s the story of London but told through and eyes, ears and attentiveness of 30 adult migrants from all corners of the world.” Given the focus on immigration at present – whether into the European Union from the developing world, into Britain from the rest of pre-Brexit Europe, or into the United states from points south – Edmonds inquires whether the immigrants were in London legally or not. They were both, although Back notes that migrants in general often pass between the two states. The question itself allows Back to expound on the way that that binary colors so much of the conversation about immigration. “The idea of the immigrant itself holds our thinking hostage very often; that’s one of the big points we wanted to make. It’s so coded, it’s so symbolic in our political culture, particularly the legal/illegal ones that bear down on the public debates – the good migrants vs. the unwanted ones.” Sinha and Back’s work was part of a larger European Union-funded seven-country study of migration in Europe. The pair’s longitudinal ethnography In, and of, London was accompanied by a conscious effort not just to “mine” the 30 migrants of their personal experiences and data; the sociologists were “doing research alongside people, instead of just in front of them and on them.” Many of the migrants were happy to become more than mere subjects, hence the writing credit for three of them. “To say that the participants are co-authors, on the one hand, is an attempt to honor their contribution,” Back recounts in explaining the unique two-plus-three byline. “On the other hand, we felt there was a bit of sleight of hand, because at the end of the day Shamser and I spent 10 years listening to people, thinking about the way they documented their own lives and observed their own lives and the way we made sense of that. At the end of the day, Shamser and I pulled this piece of writing together and shaped it. So it would be wrong to not acknowledge that.” Back describes both the alienation the migrants experienced, but also their “enchantment” with being a London, a city which had often loomed large in their lives well before they set off to live there. “Very often, those young people were here because British interests, or London’s interests specifically, had been alive in the places where they grew up, their hometowns and their far-off places. ... They are here because we were there, or continue to be there.” A native Londoner, Back is a professor of sociology at Goldsmiths, University of London. He is both a student of Goldsmiths, having done undergraduate and postgraduate studies there, and since 1993 has been on the faculty there. In that time he’s written number of books, including 2007’s The Art of Listening; 2002’s Out of Whiteness: Color, Politics and Culture (with Vron Ware); and 2001’s The Changing Face of Football: racism, identity and multiculture in the English game (with Tim Crabbe and John Solomos). In 2016, his Academic Diary: Or Why Higher Education Still Matters, was the first book ever published by the then new Goldsmiths Press.

university culture english europe art politics british football european union britain migrants university of london londoners edmonds changing face sinha goldsmiths david edmonds goldsmiths press brexit europe

LIVE PANEL: Bikes and Bloomers

Wheel Suckers Podcast

Play Episode Listen Later Apr 21, 2018 73:58

Kat Jungnickel has written a book about Radical 19th Century Victorian woman inventors. Bikes & Bloomers showcases the work of 8 cyclists and the great new forms of cycle wear and patents they created in response to their restrictions of freedom and movement. At the launch, Kat invited fellow experts in the field to talk about the book in relation to their own work, answering the questions of why do stories or representations of women cycling matter, why is it important? This is a (slightly edited) LIVE recording of the panel held at Look mum no hands! on 49 Old St on Wednesday 18th April. Buy the book: https://t.co/y5CNrslE9z Watch the fb live video: https://www.facebook.com/1ookmumnohands/videos/2438306872862216/ ~ Intro ~ Kat Jungnickel Cycling sewing (swimming) sociologist interested in inventions and patents. Senior lecturer at Goldsmiths, University of London. www.katjungnickel.com https://twitter.com/katjungnickel Sarah Pendler from Goldsmiths Press https://www.gold.ac.uk/goldsmiths-press/ ~ Panel ~ Bruce Bennet Senior lecturer in Film studies at Lancaster University Emily Chappell Founding member of The Aventure Syndicate and fastest woman in the 2016 Transcontinental Race www.thatemilychappell.com Laura Laker Journalist for The Guardian, Total Women's Cycling and Road.cc and more https://twitter.com/Lakerlikes ~ Track ~ Evangelion - A Cruel Angel's Thesis: Bike Horn Cover www.youtube.com/watch?v=SUamHEvVQy0Sounds ~ Work handles ~ Look mum no hands! www.lookmumnohands.com/ London Bike Kitchen www.lbk.org.uk/ ~ Our personal handles ~ Alex Davis twitter.com/Singyamatokun Jenni Gwiazdowski twitter.com/money_melon ~ Follow us ~ Twitter twitter.com/WheelSuckersPod Instagram www.instagram.com/wheelsuckerspod/ ~ PHOTO ~ https://www.instagram.com/katjungnickel/ See acast.com/privacy for privacy and opt-out information.

live film guardian senior radical cycling bikes university of london goldsmiths live panel bloomers old st alex davis transcontinental race goldsmiths press

Les Back, “Academic Diary: Or Why Higher Education Still Matters” (Goldsmiths Press, 2016)

New Books in Higher Education

Play Episode Listen Later Jun 23, 2016 40:53

Why does higher education still matter? In Academic Diary: Or Why Higher Education Still Matters, Les Back, a professor of Sociology at Goldsmiths' College, University of London, offers a series of reflections framed by the time of the academic year. The first book from Goldsmiths Press, Academic Diary consists of short entries that think through the problems of university management, defend the idea of scholarship, and consider what ideas of being ‘honored' as an academic might mean. Other chapters extol the virtues of the library and take a witty and wry look at the academy. Thus, the book, with its insights into academic life as well as broader analysis of the social forces shaping the university, offers a picture of the contemporary university, illuminating the pleasures and pains of working within this modern institution. Ultimately, Academic Diary offers a defense of the idea of the university and will be relevant and readable to anyone working or interested in the sector. Dave OBrien is the host of New Books in Critical Theory and is a Senior Lecturer in Cultural Policy at the Institute for Cultural and Creative Entrepreneurship, Goldsmiths College, University of London. His research covers a range of areas between sociology and political science, including work on the British Civil Service, British Cultural Policy, cultural labour, and urban regeneration. His most recent books are Cultural Policy: Management, Value and Modernity in the Creative Industries and After Urban Regeneration (edited with Dr. Peter Matthews). He tweets@Drdaveobrien. Learn more about your ad choices. Visit megaphone.fm/adchoices

college institute cultural new books diary sociology higher education academic senior lecturer university of london modernity critical theory creative industries goldsmiths creative entrepreneurship goldsmiths college cultural policy dave o'brien peter matthews british civil service goldsmiths press after urban regeneration drdaveobrien

Les Back, “Academic Diary: Or Why Higher Education Still Matters” (Goldsmiths Press, 2016)

New Books in Critical Theory

Play Episode Listen Later Jun 23, 2016 40:53

Why does higher education still matter? In Academic Diary: Or Why Higher Education Still Matters, Les Back, a professor of Sociology at Goldsmiths’ College, University of London, offers a series of reflections framed by the time of the academic year. The first book from Goldsmiths Press, Academic Diary consists of short entries that think through the problems of university management, defend the idea of scholarship, and consider what ideas of being ‘honored’ as an academic might mean. Other chapters extol the virtues of the library and take a witty and wry look at the academy. Thus, the book, with its insights into academic life as well as broader analysis of the social forces shaping the university, offers a picture of the contemporary university, illuminating the pleasures and pains of working within this modern institution. Ultimately, Academic Diary offers a defense of the idea of the university and will be relevant and readable to anyone working or interested in the sector. Dave OBrien is the host of New Books in Critical Theory and is a Senior Lecturer in Cultural Policy at the Institute for Cultural and Creative Entrepreneurship, Goldsmiths College, University of London. His research covers a range of areas between sociology and political science, including work on the British Civil Service, British Cultural Policy, cultural labour, and urban regeneration. His most recent books are Cultural Policy: Management, Value and Modernity in the Creative Industries and After Urban Regeneration (edited with Dr. Peter Matthews). He tweets@Drdaveobrien. Learn more about your ad choices. Visit megaphone.fm/adchoices

university institute cultural new books diary sociology higher education academic senior lecturer university of london modernity critical theory creative industries creative entrepreneurship goldsmiths college cultural policy dave o'brien peter matthews british civil service goldsmiths press after urban regeneration drdaveobrien

Les Back, “Academic Diary: Or Why Higher Education Still Matters” (Goldsmiths Press, 2016)

Play Episode Listen Later Jun 23, 2016 40:53

Why does higher education still matter? In Academic Diary: Or Why Higher Education Still Matters, Les Back, a professor of Sociology at Goldsmiths’ College, University of London, offers a series of reflections framed by the time of the academic year. The first book from Goldsmiths Press, Academic Diary consists of short entries that think through the problems of university management, defend the idea of scholarship, and consider what ideas of being ‘honored’ as an academic might mean. Other chapters extol the virtues of the library and take a witty and wry look at the academy. Thus, the book, with its insights into academic life as well as broader analysis of the social forces shaping the university, offers a picture of the contemporary university, illuminating the pleasures and pains of working within this modern institution. Ultimately, Academic Diary offers a defense of the idea of the university and will be relevant and readable to anyone working or interested in the sector. Dave OBrien is the host of New Books in Critical Theory and is a Senior Lecturer in Cultural Policy at the Institute for Cultural and Creative Entrepreneurship, Goldsmiths College, University of London. His research covers a range of areas between sociology and political science, including work on the British Civil Service, British Cultural Policy, cultural labour, and urban regeneration. His most recent books are Cultural Policy: Management, Value and Modernity in the Creative Industries and After Urban Regeneration (edited with Dr. Peter Matthews). He tweets@Drdaveobrien. Learn more about your ad choices. Visit megaphone.fm/adchoices

university institute cultural new books diary sociology higher education academic senior lecturer university of london modernity critical theory creative industries creative entrepreneurship goldsmiths college cultural policy dave o'brien peter matthews british civil service goldsmiths press after urban regeneration drdaveobrien

Les Back, “Academic Diary: Or Why Higher Education Still Matters” (Goldsmiths Press, 2016)