Podcasts about Grand Royal

This week we are breaking down Ill Communication as part of our miniseries entitled 3 Bad Brothers A Beastie Boys Breakdown. DBRP hosts Nate LeBlanc, David Ma and Demone Carter are joined by one of the very best producers in hip-hop, Kenny Segal, who knows a thing or two about blending disparate elements into a cohesive whole, as the Beasties did on one of their most successful records. In the popular imagination, the Beasties' anthemic rock song Sabotage and its iconic video are probably the highlights from this record, but for us rap nerds, it also contains some of their very best alternative hip-hop songs. We get into some specifics about Sure Shot, Flute Loop and of course Get It Together, the mostly-freestyled jam they recorded with Q-Tip from A Tribe Called Quest. At the end of the episode we rank the album on our 5-point rubric, talking about the best beats, rhymes and magic moments, as well as the album's lasting cultural impact and replay-ability. We'd love to hear from all of you, what do you think of this album? Leave a comment with any thoughts. Please make sure to listen to the very end to hear a snippet of Kenny's one and only Beasties remix, which may in an alternative timeline have been released on Grand Royal and changed the course of his life. 3 Bad Brothers A Beastie Boys Breakdown is a production of Dad Bod Rap Pod Hosted By Demone Carter, David Ma, and Nate LeBlanc Executive Produced by Nate LeBlanc Produced by Demone Carter and Paolo “Cutso” Bello  Edited by Demone Carter and Nate LeBlanc  Engineering and Post-Production by Paolo “Cutso” Bello Artwork by Rory Simms Photography by Stephanie Barajas  Youtube version produced by Paolo “Cutso” Bello Theme song written and recorded by Defcee and Produced by Cutso Dad Bod Rap Pod is distributed by Open Mike Eagle's Stony Island Audio

The mullet, the love-to-hate-it hairstyle, is as associated with the 1980's as Ronald Reagan, junk bonds, and breakdancing. But in at least one major way, we are suffering from a collective case of false memory syndrome. In this episode we track the rise and fall of the mullet, and also the lexical quandary at its heart: Who named the mullet? We learn how David Bowie, hockey players, the Oxford English Dictionary, the Beastie Boys, a mysterious Reddit user named Topsmate, and a group called Annoy Club all played a part in the strange history of the mullet. Some of the voices you'll hear in this episode include proud mullet-wearer Lauren Wright, amateur mullet-sleuth Oskar Sigvardsson, writer, market researcher, and 1980's hockey teenager John Warner, head of product for Oxford Languages Katherine Connor Martin, and novelist and Grand Royal contributor Warren Fahy. This episode was produced by Willa Paskin and Benjamin Frisch. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen. Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond's yield is a function of its market price, which can fluctuate; therefore, a bond's YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

The mullet, the love-to-hate-it hairstyle, is as associated with the 1980's as Ronald Reagan, junk bonds, and breakdancing. But in at least one major way, we are suffering from a collective case of false memory syndrome. In this episode we track the rise and fall of the mullet, and also the lexical quandary at its heart: Who named the mullet? We learn how David Bowie, hockey players, the Oxford English Dictionary, the Beastie Boys, a mysterious Reddit user named Topsmate, and a group called Annoy Club all played a part in the strange history of the mullet. Some of the voices you'll hear in this episode include proud mullet-wearer Lauren Wright, amateur mullet-sleuth Oskar Sigvardsson, writer, market researcher, and 1980's hockey teenager John Warner, head of product for Oxford Languages Katherine Connor Martin, and novelist and Grand Royal contributor Warren Fahy. This episode was produced by Willa Paskin and Benjamin Frisch. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen. Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond's yield is a function of its market price, which can fluctuate; therefore, a bond's YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

The mullet, the love-to-hate-it hairstyle, is as associated with the 1980's as Ronald Reagan, junk bonds, and breakdancing. But in at least one major way, we are suffering from a collective case of false memory syndrome. In this episode we track the rise and fall of the mullet, and also the lexical quandary at its heart: Who named the mullet? We learn how David Bowie, hockey players, the Oxford English Dictionary, the Beastie Boys, a mysterious Reddit user named Topsmate, and a group called Annoy Club all played a part in the strange history of the mullet. Some of the voices you'll hear in this episode include proud mullet-wearer Lauren Wright, amateur mullet-sleuth Oskar Sigvardsson, writer, market researcher, and 1980's hockey teenager John Warner, head of product for Oxford Languages Katherine Connor Martin, and novelist and Grand Royal contributor Warren Fahy. This episode was produced by Willa Paskin and Benjamin Frisch. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen. Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond's yield is a function of its market price, which can fluctuate; therefore, a bond's YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

The mullet, the love-to-hate-it hairstyle, is as associated with the 1980's as Ronald Reagan, junk bonds, and breakdancing. But in at least one major way, we are suffering from a collective case of false memory syndrome. In this episode we track the rise and fall of the mullet, and also the lexical quandary at its heart: Who named the mullet? We learn how David Bowie, hockey players, the Oxford English Dictionary, the Beastie Boys, a mysterious Reddit user named Topsmate, and a group called Annoy Club all played a part in the strange history of the mullet. Some of the voices you'll hear in this episode include proud mullet-wearer Lauren Wright, amateur mullet-sleuth Oskar Sigvardsson, writer, market researcher, and 1980's hockey teenager John Warner, head of product for Oxford Languages Katherine Connor Martin, and novelist and Grand Royal contributor Warren Fahy. This episode was produced by Willa Paskin and Benjamin Frisch. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen. Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond's yield is a function of its market price, which can fluctuate; therefore, a bond's YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome back to purgatory!!!   This week the boys continue their deep dive into At The Drive In with big hitter that changed the music world in a big, big way with Relationship and Command from 2000 released from Grand Royal, Fearless & Virgin records.   Thanks for checking us out and you can find us at podbean.com Outro track "Arcarsenal" live from Big Day Out from 2001 https://youtu.be/kBUtkPrANRs?si=tZO7grjmh3-NvWvp  

Geoff McFetridge has been called “the most famous Canadian artist you've never heard of.” As a graphic artist and painter, he's collaborated with directors such as Spike Jonze and Sofia Coppola, designed for brands like Nike and Apple, and created huge murals for Ottawa's transit system. In a rare interview, Geoff tells Tom how the DIY culture of skateboarding in Calgary influenced him to get into art, how he ended up designing the Beastie Boys' Grand Royal magazine, and how he keeps one foot in the world of art galleries and one foot in the world of corporate design. 

Cette semaine le SYMM met la table pour Symmania 5 qui se déroulera ce vendredi 17 mai au casino Grand Royal de Wolinak avec comme invités Max Lemire, Anthnony Bouffard et Frank Milano.

Geoff McFetridge has been called “the most famous Canadian artist you've never heard of.” As a graphic artist and painter, he's collaborated with directors such as Spike Jonze and Sofia Coppola, designed for brands like Nike and Apple, and created huge murals for Ottawa's transit system. In a rare interview, Geoff tells Tom how the DIY culture of skateboarding in Calgary influenced him to get into art, how he ended up designing the Beastie Boys' Grand Royal magazine, and how he keeps one foot in the world of art galleries, and one foot in the world of corporate design.

MICHAEL MUNK Denne episode byder på en snak med køkkenmaskinen Michael Munk. Michael og hans hustru Mette har drevet gastronomi på højt plan i Vejle i mange år, og siden min snak med Michael har ægteparret ændret lidt på såvel koncept som navn, så restauranten nu hedder Grand Royal by MeMu. Den er stadigt drevet af høje ambitioner og ditto faglighed med fokus på de bedste råvarer og de bedste vine. Hør med når kokken bag en af landets første jyske Michelin restauranter fortæller om hvad der får det til at banke under kokkejakken. Med på sidelinjen, som samarbejdspartner, har vi i denne sæson endnu en gang vore venner Gastrotools.dk https://www.instagram.com/rodentiletgodtliv/https://www.instagram.com/kokogkok/ Hosted on Acast. See acast.com/privacy for more information.

The royal family have had their glad rags on again (and again) this week as Trooping the Colour, Garter Day and Royal Ascot provided plenty of opportunities for family get togethers.  And Prince William's big interview announcing his mission to end homelessness demonstrated the Firm's ambition to make sure there is a point as well as pomp.  Pod Save the King host Ann Gripper is joined by Daily Mirror royal editor Russell Myers to discuss William's plans and reflect on the grand royal occasions, as well as what the end of the Spotify deal means for the Sussexes.  And longtime listener Deb Stratas shares her experience of being at Saturday's Trooping the Colour - and tips for Canadian listeners on how to get tickets to royal events. Learn more about your ad choices. Visit megaphone.fm/adchoices

Darin sits down for a cultural chat with Kashy Khaledi, proprietor and owner of Ashes and Diamonds Winery.  They chat about Kashy's start in the world of magazines at Grand Royal, his foray into the music industry, and the launch of his own wine label. In the second half of the show, we dig into the archives for a performance from Anni Rossi.  An American singer, violist and keyboardist from Minnesota, she is notable for her unique style of playing the viola and singing, often at the same time.  Anni shares details surrounding her uniquely constructed instrument as well as her release from Spring 2015.Snacky Tunes: Music is the Main Ingredient, Chefs and Their Music (Phaidon), is now on shelves at bookstores around the world. It features 77 of the world's top chefs who share personal stories of how music has been an important, integral force in their lives. The chefs also give personal recipes and curated playlists too. It's an anthology of memories, meals and mixtapes. Pick up your copy by ordering directly from Phaidon, or by visiting your local independent bookstore. Visit our site, www.snackytunes.com for more info.Heritage Radio Network is a listener supported nonprofit podcast network. Support Snacky Tunes by becoming a member!Snacky Tunes is Powered by Simplecast.

Beastie Boys' Grand Royal MagazineSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Dopo aver vinto a febbraio 2022 il Bando del Comune di Aosta per la concessione del Caffè Nazionale, Paolo Griffa aprirà qui a fine agosto 2022 il suo locale che comprenderà caffè, pasticceria e ristorante di alta cucina. Rimane immutato il suo impegno come Executive al Grand Hotel Royal e Golf di Courmayeur presso il Bistrot e il Grand Royal.

Managed to fix the mic issue from the last episode. Not much going on in disc golf this week with the holidays but January is going to be insane. Call it a hunch. Discord Channel https://discord.gg/RpAMEJrZPC All the Links https://linktr.ee/joesdiscgolf Looking to start investing in Crypto? Signup at Coinbase using the link below and get $10USD in free Bitcoin after you buy or sell $100USD worth of ANY Crypto! https://www.coinbase.com/join/mccudd_28 --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/joesdiscgolf/message Support this podcast: https://anchor.fm/joesdiscgolf/support

Hey folks! It's that time of year again. EPISODE #89 of Random Old Records is the annual 5/10/15/20 edition, featuring classic tracks from the years 2000, 2005, 2010, and 2015. This will probably be the last episode of Random Old Records of 2020 and I wanted to go out with a bang, so this one is JAM-PACKED with hit after hit after hit!Going back 20 years to 2000, you'll hear post-hardcore rippers from At The Drive-In and The Anniversary, then 2005 brings pop bliss from Epoxies and Nada Surf. 2010 was the year of garage rock like Dum Dum Girls and Best Coast, and 2015 closes things out with the nervy post-punk of Courtney Barnett and Bully. In between there's 11 more absolute classics, so climb in the time machine and turn the dial way back! Don't forget to SUBSCRIBE to Random Old Records via Apple Podcasts or RSS. If you like the show, please rate it and write a review! You can also go the traditional route and stream or download the new episode below. Come back next month (or so) for another episode of Random Old Records. As always, thanks for listening!Also, if you've been following me for awhile you'll know I started working on a zine back in 2013, and somehow it's finally finished! Random Old Records Zine #1 is out and shipping now! $6.50 postage-paid, 20 pages, black & white, all previously unpublished on this blog or elsewhere. It features long reviews of the albums Don't Knock My Love by Wilson Pickett and Shadows by Maston, along with interviews I did with Dennis Coffey and Frank Maston about the making of those albums. Click the Buy Now button below to order, US shipping only. Thanks for the support! Random Old Records Podcast #89Released 12/03/20DOWNLOAD HERE (Right-Click, "Save As")1. Sleater-Kinney - "All Hands On The Bad One"(All Hands On The Bad One, Kill Rock Stars 2000)2. The Anniversary - "All Things Ordinary"(Designing A Nervous Breakdown, Vagrant 2000)3. The Party Of Helicopters - "Mt. Forever"(Mt. Forever, Troubleman United 2000)4. At The Drive-In - "Pattern Against User"(Relationship Of Command, Grand Royal 2000)--2005: The social network!5. Epoxies - "Everything Looks Beautiful On Video"(Stop The Future, Dirtnap 2005)6. Meneguar - "House Of Cats"(I Was Born At Night, Magic Bullet 2005)7. Len Price 3 - "The Last Motel"(Chinese Burn, Laughing Outlaw 2005)8. Nada Surf - "Blankest Year"(The Weight Is A Gift, Barsuk 2005)9. Jennifer Gentle - "I Do Dream You"(Valende, Sub Pop 2005)--2010: Crash landing!10. Happy Birthday - "Girls FM"(Happy Birthday, Sub Pop 2010)11. Dum Dum Girls - "Wrong Feels Right"(He Gets Me High, Sub Pop 2010)12. La Sera - "Never Come Around"(Never Come Around 7", Hardly Art 2010)13. Sugar Stems - "Beat Beat Beat"(The Sweet Sounds Of The Sugar Stems, Dusty Medical 2010)14. The Like - "He's Not A Boy"(Release Me, Downtown 2010)15. Best Coast - "Something In The Way"(Something In The Way 7", Past Present Medium 2010)--2015: A look at Pluto!16. Bully - "Trying"(Feels Like, Startime International 2015)17. Courtney Barnett - "Elevator Operator"(Sometimes I Sit And Think, And Sometimes I Just Sit, Mom + Pop 2015)18. Colleen Green - "TV"(I Want To Grow Up, Hardly Art 2015)19. Hex Dispensers - "I Hope The Sun Explodes Today"(III, Alien Snatch 2015)

Let the Record Show, the crate-dug interview series in which artists discuss their favorite songs of all time as the tracks spin on vinyl, continues its third season today, as hosts Mike Pizzo and Warren Peace speak with original Beastie Boys jockey of discs, DJ Hurricane. Backing the group during arguably their greatest era, from 1986 - 1997, Hurricane watched the band transform from the beer-drinking, breath-stinking, glue-sniffing Def Jam hip-hop trio to the multi-instrumentalist, genre-bending, Grand Royal rap activists they are known as today. Growing up alongside Jam Master Jay, Hurricane was also present for the formation of Run-D.M.C. As hosts Mike Pizzo and Warren Peace dig up obscure vinyl pressings of some Beastie Boys and Run-D.M.C. classics, Hurricane pulls the curtain back on the early history of both groups. Hurricane also touches upon foundational hip-hop classics, breaks, and samples throughout his song selections. Originally released September 2019.

Full episodes info and Show Notes - www.wearelookingsideways.com It's the first episode of my special Portland omnibus - and I kicked things off with this conversation with the great Mark Lewman, recorded at Nemo HQ in Portland. Lewman has had one of those circuitous, intensely creative career path that action sports culture often throws up. We’re dealing with creative royalty, a man who’s resume includes stints steering era-defining titles such as Freestylin’, Homeboy, Sassy, Dirt, Grand Royal and Big Brother. Along the way he worked on Jackass, collaborated with his friend Spike Jonze and ghostwrote Mat Hoffman’s autobiography. He then switched codes, went brand-side and works today as one of the honchos at Nemo Design, delivering ground-breaking campaigns
for some of the biggest companies in action sports.  As you might expect from that CV, Lewman has a wealth of anecdotes and experience, and I had a blast during this conversation. As ever with these episodes, this is the story of how somebody carved out a unique career in the industry, and had a riot doing it. Right up my strasse, then. My thanks to Lewman and everyone at Nemo for being such great sports for this one, and to Travel Portland, Kex Portland, Hertz and Black Diamond PR for their help in pulling this one together. Thanks to Matt Ward for the theme tune, and to my editor Fina Charleson.

Oba of Benin, Oba Ewuare II Commences Igue Festival 2019 In Grand Royal Style News: Nosa IdahosaNigerian most celebrated Reggae musician, Eno Osagie Kingsley, popularly known by his stage name Winning Jah recently released another anthem to celebrate national Iguè festival, the single was written in Benin dialect , produced by multiple award winning music producer , Jossy Joe. Due to the Nigerian King of Reggae versatility in the entertainment industry, the Big Man crooner went to release an evergreen hit single titled “Igue” meaning thanks giving, to celebrate his royal majesty, Oba Ewuare II of Benin Kingdom. Igue festival is normally celebrated by Benin indigenous people from Edo State in Nigeria every end of Year.

Kashy Khaledi is a former journalist who worked at Grand Royal and Capitol Records before starting his winery "Ashes and Diamonds"  www.ashesdiamonds.comKashy and Jed sit down to talk about his parents emigration from Iran, leaving the music business to start a winery and what climate change means for the future of his business. You're listening to Jedbanger's Ball.

Kashy Khaledi is a former journalist who worked at Grand Royal and Capitol Records before starting his winery "Ashes and Diamonds"  www.ashesdiamonds.comKashy and Jed sit down to talk about his parents emigration from Iran, leaving the music business to start a winery and what climate change means for the future of his business. You're listening to Jedbanger's Ball.

As the Beastie Boys prepare for the release of their new book, we take a look back at their first kick in the literary world: Grand Royal, Issue #1. (Special thanks to Pootytang for the long distance loan!)

Cette semaine à l'émission, Smackdown reprend du poil de la bête après le Shakeup et la WWE nous force à nous intéresser au ridicule Greatest Royal Rumble en Arabie.

Geoff McFetridge is an artist and designer based in Los Angeles California. Born in Canada, Geoff studied at the Alberta College of Art and got his MFA from CalArts. For two years, McFetridge was art director for the acclaimed underground Beastie Boys magazine Grand Royal. Since then he has started the design studio Champion Graphics, which has produced projects for numerous clients ranging from Nike, Pepsi, Stussy, Burton Snowboards, Girl Skateboards, and Patagonia. Geoff has made videos for Plaid, Simian, Erlend Oye fronted band The Whitest Boy Alive, and film title sequences for The Virgin Suicides and Adaptation. In 2013, McFetridge designed all interface graphics for the feature film Her, directed by Spike Jonze. Geoff has all along maintained a non-stop drawing practice and makes paintings as well. He’s had solo shows at V1 Gallery in Copenhagen, Joshua Liner Gallery in New York, Cooper Cole in Toronto, New Image Art in LA amongst many others. Brian met up with Geoff at the site of his solo show, The Beringians, at Half Gallery and they talked about his formative days in Canada, skateboarding, computers, punk rock, working across disciplines, electronic music and much more.

Cette seconde partie a été enregistrée dans les locaux Bragelonne / Hi Comics. Merci encore à Alain Névant, Claire Deslances et Sullivan Rouaud pour leur acceuil. Nous reprenons le cours du podcast après le divorce fracassant entre Alan Moore et DC Comics. Durant cette longue période encore en cours, Moore propose certaines de ces oeuvres les plus marquantes comme From Hell, Filles perdues et La Ligue des Gentlemen Extraordinaires. Il va aussi participer au lancement de nouveaux éditeurs et s’intéresser à plus d’une forme d’expression : les romans, la musique ou encore... la magie. Bref, cette fois, on analyse plus profondément le bonhomme et les grands thèmes de son oeuvre. Et Glycon sait qu’ils sont nombreux. Et passionnants. Les invités : Sullivan Rouaud, fondateur du réseau ARTS (Comicsblog, SyFantasy, 9ème Art) et éditeur de la nouvelle collection de BD américaine de Bragelonne, HiComics, nous rejoint pour cette seconde partie. Ses occasions d’enrichir le débat ne manquent pas, vu le nombre de sujets passionnants qui sont évoqués ici. | @SullivanROUAUD | @hicomicsfrance Rutile, scénariste de bandes dessinées, on lui doit notamment les séries Geek & Girly, Mytho, Rhapsody et Dans les cuisines de l’Histoire. | @SparkleRutile | Fanpage Facebook Alexis Landreau, historien vidéaste, possède une chaîne YouTube géniale, Analepse, dans laquelle il s’intéresse à plusieurs périodes ou faits historiques par le prisme d’oeuvre pop culturelles. | @analepsetv | @_Landros | Philippe Touboul, déjà présent dans l’émission sur Neil Gaiman, revient aussi. Ex-libraire de la boutique Arkham Comics, il est désormais traducteur de romans, comics et guides pour Hachette, Huginn & Muninn, Urban, Delcourt, Akileos, Delirium, HiComics, etc. Liens : Dans la tête d’Alan Moore 7/8 : Les fantômes d’Alan Moore : http://bit.ly/2C0cf6C Les Inconnus - La Set (peinture - sculpture) : http://bit.ly/2BZhmEk Playlist :The Satanic Nurses - The Murders on the Rue Morgue | Alan Moore : Storyteller © 2001 UniverseJudas Priest - The Ripper | Sad Wings of Destiny © 1976 Gull,Repertoire RecordsJohn Williams - Granny Wendy | Hook : Original Motion Picture Soundtrack © 1991 Epic RecordsBeastie Boys - Sabotage | III Communication © 1994 Grand Royal, Pictures MuThe Doors - Light my Fire | “The Doors” © 1967 Elektra, Warner MusicHank Williams - I’m so lonesome i could cry | © 1949 MGMLMFAO & Lil Jon - Shots | Party Rock © 2009 Foo & Blu, LLC, under exclusive License to Interscope RecordsTrevor Jones - Dawn of a New Century | The League of Extraordinary Gentlemen : Original Motion Picture Score © 2003 Varese SarabandeThe Prodigy - Mindfields | The Fat of the Land © 1997 XL, MaverickDaniel Balavoine - Je ne suis pas un héros | Un autre monde © 1982 BarclayNick Cave & Warren Ellis - Memory | The Road : Original Film Score © 2010 Mute RecordsThe Emperors of Ice Cream & The Lyons Maids - Me and Dorothy Parker | Alan Moore : Storyteller © 2001 Universe Bibliographie / sources : On commence évidemment par Alan Moore : La biographie illustrée de Gary Spencer Milidge. Tour connement, c’est la référence actu...

Brian and Brian celebrate the show's 50th episode with the shortest episode to date, featuring the Beastie Boys' punk rock EP Aglio e Olio. volcanovinyl@gmail.com @volcanovinyl #vv050

The state of the major labels and should bands even be seeking out major label deals?Steve Rosenblatt VP Sales and Marketing at Capitol Records, working with Radiohead, Beastie Boys, Foo Fighters, Beatles, etc. GM of Grand Royal working with Beastie Boys and At The Drive In. VP Marketing at DreamWorks working with Papa Roach, Alien At Farm, Powerman 5000 and more. GM at New West Records worked with Drive By Truckers, John Hiatt, Dwight Yoakam, and more.What is the state of the major labels?What opportunities did the majors miss over the last few decades?What led to the demise of the influence of the major labels When should a band DIY and when should they get a major/feeder label deal?

Ben Lee is a singer and songwriter, originally from Australia who now lives in Los Angeles with his wife Ione Skye and their two daughters. Ben first recorded in Sydney with his group Noise Addict when he was 16. The Beastie Boys liked his early work and signed him to their label Grand Royal. In 2005 he shifted is lyrical focus into a spiritual frame with the album Awake Is The New Sleep which included the song Catch My Disease. That album was several ARIA Awards (The Australian equivalent of the Grammys) including Best Song and Best Album. Catch My Disease was also a hit in the United States and elsewhere. Ben has continued to explore spiritual concepts in his work most notably on his last two albums Ayahuasca: Welcome To The Work, and Love Is The Great Rebellion. Ben also appeared as an actor in the Australian film The Rage In Placid Lake that co-starred Rose Byrne. Full disclosure: I have been Ben’s manager for almost a decade. When I started the podcast I knew I wanted him as an early guest because most of our actual conversations are as much about grappling with spirituality in the context of the so-called real world as much as they are about business.

Part 3 of my conversation with guest Ric Dube as we dissect a swingin' episode of I Dream of Jeannie. I've also got the Bonehead of the Week and music from At the Drive-In, Shellac and Jawbox. Show notes: - Recorded at More Lost Time world HQ - Watch the episode along with us at the CompCon YouTube channel - Season 2 of I Dream of Jeannie, episode aired in April 1967 - Larry Hagman, R.I.P. - Did Americans really throw "mod parties"? - Pre-Summer of Love '67 - Barbara Eden hasn't really done anything else - Young Dabney Coleman makes a cameo - Bill Daily plays the George Costanza-esque sidekick - Sitcom lies are so badly written - This show was a clear ripoff of Bewitched - Jay breaks out his Paul Lynde impression - Trying to create a new dance craze - Unrelated sight gag in the kitchen - Imagining a darker turn of events - Much of the episode was people dancing - Dube: Too much plot and not enough going on - The whole master-servant theme was odd - Dube goes off on Kate Hudson - Modern version would make the guy dumb and the woman smarter - Coming soon: We pitch remakes of old shows - Lassie reimagined - Bonehead of the Week Music:At the Drive-In - One-Armed Scissor Shellac - Watch Song Jawbox - 68 Completely Conspicuous is available through the iTunes podcast directory. Subscribe and write a review! The At the Drive-In song is on the album Relationship of Command on Grand Royal. Download it for free at Epitonic. The Shellac song is on the album 1000 Hurts on Touch and Go. Download it for free at Epitonic. The Jawbox song is on the album My Scrapbook of Fatal Accidents on DeSoto Records. Download it for free at Epitonic. The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Find out more about Senor Breitling at his fine music blog Clicky Clicky. Voiceover work is courtesy of James Gralian.

On this episode of The Brouhaha, Kid Rock channels his inner Beastie; Jim (the first skinnee J) talks with Music Choice's Justin Prager (the second skinnee J) about interning at Capitol Records, programming music videos for MTV, and prognosticating about the Beastie Boys' new album, Hot Sauce Committee, Pt. 2; and John (the third skinnee J) tries his hand at "20 Questions." (left to right:  Kid Rock's under-appreciated, college-radio fav The Polyfuze Method; Kid Rock gracing the cover of Grand Royal, and Justin and Jim cold lampin' with Flavor Flav—who unfortunately is not on this episode of The Brouhaha.)

Be kind to the punishers; you know not where you'll meet them again. Today, Jim Ward from Sparta comes to TOAP and face to face with his one time punisher: Damian. Listen in to hear how Jim's kindness 27 years ago helped set Damian on the path to this podcast and so much more! From the greatness of the Rhythm Pigs, to the DC vs the gun totting parts of the El Paso scene, to Mike D's Grand Royal coolness, to the dark downside of At The Drive In's success and so much more: DON'T MISS THIS ONE!Also, don't miss the 20th anniversary edition of Sparta's "Porcelain"Also, don't miss Jim and Sparta on tour!Support this podcast at — https://redcircle.com/turned-out-a-punk/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy