Podcasts about Big Day Out

LAFC put in one of their best overall performances of the year and Darren, Vince, and Travis are here to give their INSTANT REACTION to the Black and Gold winning 2-0 over Houston. They talk Olly's Big Day Out, Erik Duenas' homecoming, and of course, give their Happy Feet and Sad Feet from the match. Did you guys know Javier Bardem was on the jumbotron? JAVIER BARDEM WAS ON THE JUMBOTRON.Join our Patreon and help us keep making this show.Merch and more at HappyFootSadFootPod.comYouTube: @happyfootsadfoot Twitter: @HaFoSaFoInstagram: @happyfootsadfootTikTok: @happyfootsadfoot Hosted on Acast. See acast.com/privacy for more information.

Lorde's cross, Sam tees off about Dashboard Confessional, and Katy Perry's still a space cadet. Then, Bluesfest has maybe told us a little white lie, and Sam wants to geek out about guitars.Follow along with the songs we discuss with this week's Spotify Playlist.Discover more new music and hear your favourite artists with 78 Amped on Instagram and TikTok.

You're listening to Bears Beyond The Gate episode 196. Yes 196.We're three fans who love the club, the game and all things Bears.Each episode we talk about the game that's gone, the game that's coming up and anything else that takes our fancy as long as it is vaguely Bears related. We try to be as balanced as possible but ultimately we are trying to reflect the views and opinions of paying punters from all ages, backgrounds and demographics. We don't take ourselves too seriously but we do try to say it as we see it!This week we mull over the third defeat in a row at Franklins Gardens and wonder whether ‘the best form of defence is attack' strategy has now run its course and given that we have a play-off place hanging in the balance with only three games left, is there any way of tweaking the game plan to keep us in the top four?The next time that we see the Bears will be The Big Day Out in Cardiff and sadly we imagine that Bath players and fans will be licking their lips in anticipation. It has to be a yet another must-win for us, but how exactly are we going to do that?Finally, a new song, ‘Come on you Bristol Bears', has been published by lifelong fan and charity fundraiser, Paul Hobbs. All download proceeds are being donated to the Foundation and you can find out more by clicking here.Let us know what you think!

Our guest today is the much-beloved American rock band My Morning Jacket. Since forming in 1998, the Louisville five-piece has built a sound that fluidly blends alternative, country, roots, and rock. Last week, they dropped their 10th studio album, is—a milestone for the band as they teamed up with an outside producer for the first time, bringing in Brendan O'Brien (Pearl Jam, Bruce Springsteen) to help shape the record. In today's episode, we catch up with guitarist Carl Broemel to talk about working with an outside voice, narrowing down over 100 demos, and how the band's dynamic has evolved over the years. We also look back at their long-running connection with Australia, from playing Big Day Out to whether we'll see them back on tour soon.My Morning Jacket: Instagram / Spotify Purchase is and find the band on tour here.Visit our official website here and follow us across our socials.

Interview by Angela CroudacePhoto Credit: Erik Ohlsson, Magnus LarnhedTwo of the all-time punk greats will be returning to Australia with pioneering California dynamos PENNYWISE and beloved Swedish trailblazers MILLENCOLIN set to co-headline a huge run down under.For over 30 years, Swedish icons MILLENCOLIN have vividly put punk on the map. With their original line up still intact since forming back in 1992, MILLENCOLIN's debut album, 1994's Tiny Tunes, opened the floodgates that would shape the quartet's staggering career to come. Skyrocketing their popularity courtesy of the 2000 full-length Pennybridge Pioneers, the rock-infused dive beyond the band's earlier skate punk and ska leanings would ultimately spawn iconic tracks like No Cigar and Penguins & Polarbears, achieving infamy with No Cigar's addition to the soundtrack for Tony Hawk's Pro Skater 2, and ultimately finding the overall album scoring an ARIA Platinum certification.One of punk rock's most famed and favourite acts to emerge out of Europe, MILLENCOLIN have played thousands of shows around the world, including as part of Warped Tour, Soundwave Festival and Big Day Out, multiple sold-out headline performances, tours with the likes of Bad Religion and The Offspring, and, most recently for Australians, at Good Things Festival in 2022. And never ones to rest on their laurels, MILLENCOLIN also continue to finesse their sonic creations, seen vividly via their 2019 album SOS, exploring political and darker themes without sacrificing their explosive energy and gripping melodic.HEAVY caught up with Millencolin guitarist Mathias Färm to find out more.MILLENCOLIN & PENNYWISE tix from destroyalllines.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

About Leah Martin-BrownEven before picking up her first guitar at age 11, Leah Martin-Brown knew she was destined to become a musician.Born in Brisbane, Queensland and raised in the beautiful beach town Burleigh Heads, Leah would play anywhere there was a stage- oftentimes begging family friends who owned bars and restaurants to let her set up and play a few tunes. By the time she was 16, Leah was writing, recording and performing her original music all over the Gold Coast and surrounding areas- regularly being booked for locally run festivals, youth events and the occasional nightclub with her newly named project 'Lilly Rouge'.Leah finished high school and was accepted into the 'Bachelor of Popular Music' program at Griffith University which she graduated from in 2011. Still knowing that she desperately wanted to continue writing and performing music but not quite sure how to support herself doing so, Leah moved down to Melbourne in Victoria and began working on a Master of Music Education at Melbourne University. While she did not fall in love with teaching, she found new life within the vibrant Melbourne music scene, inspiring her to immediately change her hair colour to her signature red and, also, to defer her Degree and begin fully focusing on her band- 'Lilly Rouge'.September 2012 saw Leah return to her home state of Queensland to begin writing and recording with Brisbane based Producer, Stuart Stuart (The Veronica's, Sheppard). The two co-wrote over 30 tracks, most of which were released on 'Lilly Rouge" records.This set Leah and her band up for two Australian National tours, support slots for 'Everclear', 'Presidents of the United States' and 'The Getaway Plan' and a set at 2013's 'Big Day Out' Festival.This caught the eyes and ears of Los Angeles, CA based A&R Company- A&R Worldwide. They invited Leah to California to work on some new music with Producer, Brian Howes (Airbourne, Skillet, Hinder, Nickelback) and showcase at music industry event 'Musexpo'. It was at this point that Leah disbanded Lilly Rouge and created 'Evol Walks'.Leah spent the next 5 years extensively playing shows in her new home of Los Angeles, CA as well as touring through Australia, West Coast USA and parts of Europe, releasing 2 EPs and several singles with the band.In 2020, Leah relocated to Stockholm, Sweden where, as well as writing and recording new music, she was given the opportunity to work and record an album with legendary Producer & Songwriter Robert ‘Mutt' Lange and acclaimed songwriter & producer Tony Nilsson.In 2024, Leah Martin-Brown spends the bulk of her time in Los Angeles, CA but is consistently travelling the world writing, recording and playing wherever she can.She has shared the stage with Dreamtheatre, Flogging Molly, Nita Strauss, Glen Sobel, Johnny Depp and Joe Perry and many more.

ON THE SHOW TODAY Do you remember the Big Day Out? The girls show their hidden talents... Most impressive caller we've ever had. I Didn't know my friends name for FOUR years... We can't believe Megan ate this off the ground!!! Ben is frustrated with malls because of this Megan's review of baby girl! The best 2000s ads... Who remembers Decker? Facebook: The Hits Breakfast with Jono, Ben & Megan Instagram: THEHITSBREAKFAST See omnystudio.com/listener for privacy information.

Join Cheryl Lee - That Radio Chick on STILL ROCKIN' IT for news, reviews, music and interviews with some of our favourite Australian musicians.Join me for a chat with three members of hard rock band, local legends AudioReign. Ever wondered how a band keeps rocking through a decade of changes and challenges? Jake, Alek, and Dieter spill the secrets behind their enduring success, from their hits like "Relentless" to iconic performances at festivals such as Big Day Out with Pearl Jam. Through lineup shifts and the setback of canceled tours due to COVID-19, their story of grit and resilience is sure to inspire. And you'll hear how their debut EP “Find Your Way” set them on a path to musical prominence and how they've managed to crack the ARIA charts.In an episode filled with laughter and insight, get ready for a journey through AudioReign's eclectic musical influences, quirky backstage must-haves, and their rock-and-roll dreams. From the prog and death metal vibes of Opeth and Whiplash to jazz, discover how these diverse inspirations fuel their creativity and shape their unique sound. They share the backstory of their newest release, their take on Elton John's "Rocket Man." Looking ahead, the band teases exciting plans for new albums and international tours, particularly in Europe, leaving fans eager for what's next. Stay tuned for a conversation that mixes humor, gratitude, and a whole lot of rock spirit.What have AudioReign been up to lately?  Let's find out!!Get out when you can, support local music and I'll see you down the front!!Visit: ThatRadioChick.com.au

Today on the show - 0.00 - Nela Zisser 8.36 - Eyes For Xmas 12.24 - Thank Fact It's Friday 16.47 - Big Day Out 19.25 - Foreskin Friday 30.39 - Blair Vining GC Award 35.16 - The Dilly Season 40.44 - Battletix 44.11 - How's Ya First Day? 48.47 - Best Bits Of The Week

Gladstone, a 15-minute drive from Carterton in Wairarapa, is putting on its annual Scarecrow's Big Day Out, where locals and school kids make their own scarecrows to line the school fence, culminating in a big fundraiser fair for the school.

Welcome back to purgatory!!!   This week the boys continue their deep dive into At The Drive In with big hitter that changed the music world in a big, big way with Relationship and Command from 2000 released from Grand Royal, Fearless & Virgin records.   Thanks for checking us out and you can find us at podbean.com Outro track "Arcarsenal" live from Big Day Out from 2001 https://youtu.be/kBUtkPrANRs?si=tZO7grjmh3-NvWvp  

In episode 69 Mark Adams from the Shipwrecked & Comatose and Chuckyvision podcasts joins us again to talk about Select Magazine's BSE: Bangin' Summer Extravaganza from May 1999. The cd's full tracklisting is -1 – Manic Street Preachers - Prologue To History2 - Super Furry Animals - Organ Yn Dy Geg3 - Mercury Rev - Delta Sun Bottleneck Stomp (Chemical Brothers Remix)4 - The Cardigans - Explode (Remixed)5 - Suede - Implement Yeah!6 - Travis - She's So Strange7 - Ben & Jason - On Days Like Yours8 - Delakota - C'mon Cincinatti (M. Organ's Village Mix)9 - Orbital - New Style10 - Underworld - Jumbo (Jedis Electro Dub Mix)11 - Cast - Burn The Light12 - Ultrasound - Fame Thing13 - Idlewild - (1903-70)14 - Bentley Rhythm Ace - Madam, Your Carriage Awaits15 - Scott 4 - Lefturno16 - Stereophonics - Raymond's Shop17 - 3 Colours Red - Paranoid People Listen to Mark's Red Dwarf podcast Shipwrecked & Comatose (also featuring Colin, and our other previous guests Matt Latham, Kurt North, & Carl Bryan) at https://pod.link/1514570118Listen to Mark's Chucky/Childsplay/Killer dolls podcast ChuckyVision at https://pod.link/1579168246Find Mark on Twitter at https://twitter.com/markadamshcListen to all available songs on our ongoing Spotify playlist - https://open.spotify.com/playlist/1mzWOWEfQ5LklJyUZkpfs2?si=LbWBi9-oTl-eXjkUJbpx2QYou can buy a copy of the cd from Discogs here - https://www.discogs.com/release/1219626-Various-BSE-Bangin-Summer-ExtravaganzaHost - Colin Jackson-BrownRecorded/Edited/Mixed/Original music by Colin Jackson Brown for We Dig PodcastsPart of the We Dig Podcasts network along with We Dig Music & Pick A Disc.Tiktok - https://www.tiktok.com/@freewiththismonthsissueTwitter – https://twitter.com/thismonthsissueInstagram - https://www.instagram.com/freewiththismonthsissue/Facebook - https://www.facebook.com/freewiththismonthsissue/Find our other episodes & podcasts at www.wedigpodcasts.com 

Interview by Kyra-Jade CoombsIn my opinion, The Living End are a staple in the Australian music scene. They have graciously given us 8 albums and if you break them down over the years, you find hit after hit. Their debut album (self-titled) is one of those albums you can play start to finish and happily immerse yourself right into their music and feel nothing but pure joy.HEAVY took the chance to have a chat with singer/ guitar player Chris Cheney to see what's new in the world of The Living End…From the 15-17 of August The Living End are playing the sold-out Mundi Mundi Bash in Broken Hill with a few other huge names like Baby Animals (my absolute favourite!), James Reyne, Jon Stevens, Ian Moss, Daryl Braithwaite and Diesel to name a few. The fact that it has sold out in outback Broken Hill is amazing news for a health check of our Australian music industry. We are slowly getting back on track.Chris immediately laughed, saying it's surreal that although he grew up listening to most of these guys; he never thought he would see the day where he could call them mates and share the stage with them. A far cry from starting out and playing the front bar of the Epsy!Fans would be happy to hear that they are chipping away at creating their 9th album, and it's said to be ‘the most aggressive album' they have put together in years. If you jump onto The Living End social media, you can see a few behind the scenes shots that look like a bunch of fun.I must admit, I was absolutely stoked to be able to interview Chris. I had 1000 questions to ask him and could honestly chat for hours. We covered lots of cool shit like playing in Australia's golden days of the Big Day Out tours, getting rotation Triple J and appearing on Recovery – Channel [V] to having that telepathic connections with his band mates, giving way to improve jams that can either be a trainwreck or magic, in his words! You'll get a glimpse into his creative space, where he's got a set-up to appease any creative mood. An area for producing music, painting and even a bar. What more could you want, really?Being someone who's so passionate about music, I wondered what band or album Chris would give his younger self, or bring to his attention earlier if he could go back in time. To my surprise, he said early Cold Chisel… I guess I just assumed that would have been a staple. Yet of course being someone who grew up smashing the shredders of the world like Eddie Van Halen then going onto 50s music, Aussie pub rock wasn't the path they were on, nor wanted to. Which is interesting to think about the full circle moment from starting out as a young band being told to ‘play Aussie rock' to being put on the huge bills with the original Australian pub rock music pioneers and staying true to who they are.Chris is a very humble guy and genuinely - so stoked to have reached the status that they have today with The Living End. He is the kind of person you want as a role model for young musicians and says there's a space for every type of music, which sings true to his kind nature. The Living End boys still have “a lot of fuel in the tank” and thankfully aren't showing signs of slowing down!If you were lucky enough to secure a ticket to the Mundi Mundi Bash then get out there and have the time of your life! And if you didn't then that will teach you not to sleep on a good thing!Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Spécialiste des musiques chaudes et électroniques, l'auteur-compositeur-interprète / DJ / producteur canadien Poirier a un parcours des plus prolifiques où créativité et éclectisme sont au rendez-vous en plus de 25 ans de carrière. Figure emblématique de Montréal, une constante majeure traverse ses albums et performances, celle de bâtir des ponts entre les différentes communautés, langues, époques et cultures. Il compose une musique faite de rencontres qui mélange de façon décomplexée plusieurs styles et époques. Il est gagnant à l'ADISQ du réalisateur de l'année en 2013 en plus d'avoir été nommé dans la longue liste du Prix Polaris (2008) et nommé aux Junos à plusieurs reprises. Il a lancé onze albums et de nombreux EPs avec des labels tels que Ninja Tune et Wonderwheel Recordings en plus de diriger un album de remixes de la légende de la chanson québécoise Robert Charlebois ainsi qu'un EP de remixes pour Ariane Moffatt, Poirier a sorti en 2020 son 11e album, "Soft Power", inspiré par ses séjours à l'étranger et par ses mémorables soirées montréalaises. Tirée de cet album, la chanson "Café Com Leite" avec Flavia Coelho compte plus de 6 millions d'écoutes sur les différentes plateformes d'écoute. En 2021, Poirier sort le EP "Soft Power Remixes" qui clôt la boucle de son album du même nom. Puis en 2022, il récidive avec le EP "Momentum" qui comprend notamment les deux titres phares "Teke Fren" avec Waahli et "Leader" avec Angee Wings. Son 12e album "Quiet Revolution" dont la sortie est prévue pour octobre 2024 façonne une irrésistible ambiance intime et réconfortante où la musique électronique et acoustique se fondent ensemble pour un résultat intemporel. Le premier single "Agua Oro", une collaboration avec Ramon Chicharron est sorti en juin 2024. Basé à Montréal, il a joué dans plus de 30 pays partout sur la planète (Ouganda, Éthiopie, Afrique du Sud, Haïti, Cuba, Sénégal, Cap-Vert, Chine, Mexique, Angleterre, Suisse, France / La Réunion / Mayotte / Guadeloupe, Russie, Belgique, Australie) et il participé à des festivals d'envergure tel que BoomTown Festival, Dour Festival, Igloofest, Big Day Out, Montreux Jazz Festival, Garorock, Sonar Festival, Nyege Nyege Festival, Piknic Electronik, Cervantino Festival, Mutek et bien d'autres.Il est très actif à Montréal comme en fait foi sa soirée dansante mensuelle Qualité de Luxe dédiée aux musiques africaines et antillaises qui attire les foules depuis plus de dix ans! Poirier est aussi l'instigateur des réputées soirées Bounce le Gros et du party annuel Karnival (depuis 13 ans) qui ont marqué la vie nocturne montréalaise.Il a aussi produit des chansons pour des artistes comme Sol Pereyra (Argentine), Ramon Chicharron (Colombie / Canada), Boogát (Canada). C'est sans compter plus de 55 remixes officiels fait pour une variété d'artistes internationaux comme Gotan Project, Salif Keita, Nickodemus, João Selva, Guts, Thornato, Gilles Peterson, K.O.G, Bandé-Gamboa, Flavia Coelho, Chinese Man, Popcaan, Busy Signal et bien d'autres.Instagram :https://www.instagram.com/laprescriptiondrfred/?hl=frFacebook :https://www.facebook.com/people/La-prescription-avec-Dr-Fred-Lambert/100078674880976/ Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Send us a Text Message.Nick Cave.  After a career that would exhaust a lesser man, he's still recording and performing breathtaking work.  Mick's just seen him live with only his piano, and a bass guitar, and can't stop raving! We look at how he started and the difference between his performances and attitudes then and now.    In other news, Lenny Kravitz is still sticking to his vow of celibacy, The Police's Andy Summers declares that they were total babes, and The Angels are still releasing new work. Hmmm.......  References: Jarrah McCleary, Panama, Jethro Tull, The Prince of Darkness, Nick Cave, Wollongong Entertainment Centre, Lenny Kravitz, The Police, Andy Summers, The Angels, Christine Anu, Mark E Smith, The Fall, “music for surly virgins”, Boys Next Door, Caulfield Grammar, Mick Harvey, Phill Calvert, The Birthday Party, Nick Cave and the Bad Seeds, Grinderman, “Lawless”, “And the Ass Saw the Angel”, Dogs in Space, "Shivers", “a murder of crows”, John Cooper Clarke, Rowland S Howard, Colin Greenwood, Radiohead, “Fragments of a Rainy Season”, John Cale, “Mercy Seat”, “Balcony Man”, The Seekers, “The Carnival is Over”, “Kicking against the Pricks”, The Big Day Out, “The Weeping Song”, The Good Son, Blixa Bargeld, Live Seeds, Red Right Hand, “Into Your Arms”, “Mutiny in Heaven”, Order of Australia, Coronation of Charles III Playlists: Episode Playlist Nick Cave Solo Setlist Live Seeds YouTube Links Roy and RG Planet Norwich 1998 Cave on Roy and HG - part 2  https://youtu.be/fiwlZgOeAHA?si=8iyIi8m1JmVcVfaG https://youtu.be/MfPQZzTbVqU?si=z7X0Eb5ea9NhS7cJ 

At our Big Day Out weekend we're looking at the Unseen Foundations of Jesus' ministry and how this impacts our own faith. Levi kicked off session one looking at the love of the Father and how this shapes our thinking and actions.

Liam and Tim discuss the main takeaways from the 27 point win against the Adelaide Crows including a Giant return, Spiritual Leader setting the standards and Ginni's Big Day Out . Player sponsor experience: https://bit.ly/3x7frj6 Give TH a 5-star review! Subscribe on YouTube: https://www.youtube.com/@TalkingHawks Follow on Facebook: https://www.facebook.com/TalkingHawks Follow on Twitter: https://twitter.com/talking_hawks Follow on Instagram: https://www.instagram.com/talkinghawks

From being involved with festivals such as Big Day Out, rock and roll band Mammal are making a comeback and want you to know all about it. Zeke, the lead vocalist jumps on this weeks podcast to share all of their new info! The Mayor, Glenn Wilson is also on this weeks episode, sharing the updates from this months City Council Meeting. From rates to Where's Wally... how does this fit in? Listen now to find out!See omnystudio.com/listener for privacy information.

Send us a Text Message.This week, something a little different for you – our first live interview!  Jarrah McCleary is an Australian musician - writer, songwriter & producer - whose music, a mix of synth heavy sounds and beats to smooth electronica, is sometimes evocative of a smoky Fifties restaurant, and at other times, the coolest nightclubs.  Starting out in Western Australia around 20 years ago, Jarrah has toured Australia and Europe, played the festival circuit in Europe and the UK and played the Big Day Out. We talk with Jarrah about his history and how he creates his work with his band Panama and how, more importantly, a musician like him makes a living in this modern world that doesn't have physical albums fans can buy, far fewer venues where fans can see him play, and, often, a more remote atmosphere for collaboration with other musicians.  Our “Album You Must Hear Before You Die” is “Back to Black” by Amy Winehouse, and Jeff loves it.  Jeff also brings us some Rock News with legal action against Rod Stewart kicking soccer balls into the crowd.  We think you'll like it.  References:  Big Day Out, Rod Stewart, Back to Black, Tensnake

Interview by Kris PetersEskimo Joe are in the rare and elite class of Australian bands who could probably never make another album again, but still draw people to their shows based solely on the quality of material they have released thus far.Two songs in particular - Love Is A Drug and Black Fingernails, Red Wine - have etched Eskimo Joe into Australian music folklore, but their 27-year journey has seen many more highlights and relatable songs.The band built their reputation playing festivals such as Big Day Out and Splendour In The Grass, but of late have been playing nostalgia-type festivals featuring classic bands from the past few decades that are still going strong.The most recent of which was Lookout Festival which featured Incubus, Live, Eskimo Joe, The Superjesus and Birds Of Tokyo. It was a series of concerts that drew consistently high numbers and reaffirmed Eskimo Joe's standing amongst the country's elite live bands, despite having not released a full album since Wastelands in 2013.With the release of their first single since 99 Ways in 2021 - a nostalgic number called The First Time - Eskimo Joe are embarking on a new chapter of their careers and learning to embrace the very fabric of music that excited them nearly three decades ago.HEAVY caught up with bass guitar/keyboards/vocals Kav Temperley to find out more."This is certainly the first song we've put out post-COVID where we've actually played some shows in front of people and then recorded a song, which is a very different feeling," he said. "I think we've hit a real purple patch. Since we saw you at Sandstone Point, all of the shows that we have been playing have been these big, almost nostalgia fests. We've noticed that the gigs are filled with people who are in their early 20s to their 60s and 70s. They are people who would have been 5 or 6 when Black Fingernails, Red Wine first came out, and people who would have discovered us when we first put out Sweater. We've kind of hit this really interesting place where we're not cool or uncool anymore, we just occupy this Eskimo Joe shaped hole in the music industry, which is great. Putting out a new song has been wicked. Definitely the best pickup we've had at radio since 2010 I guess, but everyone is receiving it really well."In the full interview, Kav talks more about The First Time and its sonic direction, the film clip that traces the history of the band over the last 20-odd years, if it is a stand-alone track or part of something bigger, the shows with Live and Incubus, some things they have learnt about themselves and their bandmates over 20 plus years of touring, the just started National Acoustic Theatre Tour and what to expect, playing the more intimate shows and the higher level of fan interaction, future plans and more.

Listen to Part 1 of this conversation via the link below. After over 30 years of a career in Rock n Roll Photography including touring with the Rolling Stones three times amongst others, British born photographer TONY MOTT is one of a kind. He's photographed Nicole Kidman, Bob Dylan and Fleetwood Mac… and even took some snaps of our host Bradley McCaw. Listen to Part 1 of this conversation hereWatch video of this episodeFollow the RC Music PlaylistCheck out Tony's photosFollow Brad everywhere @bradleymccawofficialBrought to by True Arts Podcast NetworkThis interview was originally recorded in late 2021. Created, produced, hosted & engineered by Bradley McCaw.Original sound design by Matt Erskine at Crosspoint SolutionsOriginal Video designed by Adam Shaw at Axis Productions Theme composed by James RyanAbout Tony Mott:After over 30 years of a career in Rock n Roll Photography including touring with the Rolling Stones three times amongst others, Tony decided to branch out into Film and TV Stills Photography commencing in 2005 with the feature, Suburban Mayhem.Tony has worked on numerous features and television series since and has become a sought after photographer in the field.A 30 year retrospective of Tony's work “What A Life” is currently touring Australia after opening at the State Library of NSW in Sydney .Tony lives in Sydney with his wife Libby and two children Harvey and Lucinda Mott and his cat “kitten caboodle”.Except from Tony Mott's website: Trainspotting… travel around the world… life as a Chef on the high seas, a passion for music and few photos along the way. Welcome to Tony's Mott's story – so far.I was born in April, 1956, (that makes me sort of old) and raised in Sheffield, England, quite normally by mum and dad, Mary and Brian Moulds. I was trained as a chef at Sheffield Polytechnic and in 1976 I left England, arriving in Australia for the first time. Using my training I worked in Sydney at the Opera House and the Gazebo before helping a friend open a restaurant in Armidale, New South Wales, called The Blackboard Menu, but I had to leave after six months because I only had a limited working visa. It was at this point that I realised I wanted to live in Australia permanently. I returned to England with the intention of securing a permanent visa, which didn't eventuate. Refusing to allow a little thing like a visa to stand in the way of escaping the UK, I managed to get a job on the SS Oriana as a chef, a wonderful job that lasted two years and took me to over 60 countries as diverse and interesting as Puerto Rico, Egypt, Panama, India, the Caribbean Islands, all around the Mediterranean, Nordkapp (where the sun never goes down and all its inhabitants are bonkers) and elsewhere. It was during this time I developed a strong sense of wanderlust, an affliction which has taken me to India seven times and helped me traverse the Himalayas on a number of occasions. In fact, to celebrate my 40th birthday I had to make a choice between getting pissed in Redfern or walking the Annapurna Circuit with my best friend, I chose the latter.Eventually my job on the ship came to an end and brought me back to Australia and in 1981 I finally managed to settle here permanently. I got my old job back at the Gazebo Hotel in King Cross, which, as it turns out was a perfect location to embark on the next stage of my life.I've often thought about my penchant for travel and trainspotting (that's a whole other story right there!) and always go back to my childhood in Sheffield. When I was about eight or nine years old my mum and dad used to visit the local pubs, including one called the Castle Inn. My sister and I used to sit on the wall outside with our crisps and fizzy pop watching the trains go by. From this point we could see the trains disappear into a tunnel and I always wanted to know what was on the other side of that tunnel. Eventually I got to the other side of the tunnel and just kept on going!! Finally I got to and settled in Sydney.In the early 1980s Sydney had a brilliant live music scene. Every night of the week you could see any number of excellent bands at any number of excellent venues, right across the city. Working as a chef meant I usually finished work around midnight, not a bad situation for somebody like me who loved music. I'd leave work and hop into any given venue. On Monday nights I used to go to the Piccadilly Hotel in the Cross to see the Divinyls play. They had a residency at the venue and at this stage they were unsigned and largely unknown. Singer Chrissy Amphlett didn't do a lot in those days. The stage persona she later became famous for was non-existent but, suddenly it seemed, she became a loony on stage wearing the schoolgirl uniform and gyrating about.During my days sailing the seven seas I'd developed a strong desire to document photographically the amazing places I saw. So every Monday night after work at the Gazebo I used to hone my fledgling skills by snapping away at the Divinyls. A lot of crap shots were taken but after four months the band's manager, Vince Lovegrove, who'd obviously seen me shooting away, asked to see the shots, one of which he chose and used as a tour poster. I was well chuffed! To top it off he paid me 20 bucks – my first foray into professional photography.I was very green in those days, typified when Vince told me that my name was on the door for the band's next gig. I had no idea what this expression meant and for the next two months I continued to pay my way into their shows. One night he saw me and said, “You know your name's on the door, don't you?” Not wishing to appear unsophisticated, I replied, “Yeah, I know. Isn't that great,” thinking that somewhere – perhaps the band's rehearsal studio – there was a door on which they'd written my name as a mark of respect. Just shows you how much I had to learn about the music industry.By 1983 the Divinyls tour poster had had a snowball effect on my career and before long other bands were asking me to shoot their gigs. One day I walked into the offices of the free paper On The Street, then in its infancy and long before the term street press had ever been coined. I started getting work through the paper.About a week before I went to “On The Street”, Margaret Cott, now publisher of “The Drum Media”, had just started as a layout girl and so began a professional relationship with her which lasts to this day. Within a year Margaret had become editor and I was photographing anything that moved, anywhere, anytime. All this and I was still working full-time at the Gazebo.It was 1985 and for a short period of time during that year I got married. My wife was Swedish (and to my knowledge still is) but I won't go into the topic any further other than to say she now lives in Sweden and I still live in Sydney. Anyway, she had suggested I head back to England and so I did, and with my few contacts in the industry I spent the summer of 1986 drinking a lot and generally having a good time going to music festivals. I went to Reading, Milton Keynes and so on, seeing tons of bands. I haven't managed to work out how to this day, but I managed to photograph Queen at Knebworth, which was a hell of an experience. I also went to Paris and New York that summer, purely as a drunken wanderlust thing as opposed to seriously pursuing anything professionally.When I got back to Australia, Mick Jagger was touring to promote his first solo album. While I was away, and unbeknownst to me, Jagger's manager, Tony King had been trying to track me down wanting to hire me as Jagger's tour photographer. To this day I have no idea who recommended me for the job but I'm extremely grateful. Eventually I made contact with Tony King and as it turned out they were not happy with whoever it was they had hired instead of me. By this stage the tour was in Melbourne so I went down and met Tony in his hotel room. I don't think I would be giving anything away when I say that Tony King is what you would describe as an effervescent gay man and when I met him he enthusiastically expounded the virtues of Sydney. “Oh I love Sydney,” he said, “so many sailors in the one city.” I thought, what have I got to do to get this gig? Tony King, it should be pointed out, is a lovely man and I have always gotten on extremely well with him on a professional basis. But that was the start of my relationship with Mick Jagger and eventually the Rolling Stones. It was an enormous break which has resulted in me touring with the Stones three times. As I've said, I have no idea how I got the gig because I was only reasonably well-known as a live photographer in Sydney at that point. And to think I nearly missed out because I was getting legless overseas!!To illustrate how absurd the music industry can be at times, at the end of tour party I could hear people behind me talking about the tour photographer and how “he's just come back from working in London, Paris and New York, don't you know”. I suddenly realised they were talking about me! Little did they know I was basically having a good time in these places and not doing the glamorous jobs they imagined.As a consequence of the Jagger gig I toured in the same year with Bob Dylan and Fleetwood Mac. I wasn't any better as a photographer but once I had gigs of that calibre in my CV I looked so much better. That period was the beginning of my first break.It was 1988 and with these three enormous gigs under my belt I was going out at least five nights a week just to see bands. I'd worked out by now what having my name on the door actually meant so I was saving myself a small fortune. The Sydney scene during this time was fertile. There were great bands in great venues happening every night of the week; a favourable environment in which to grow as a rock'n'roll photographer.More breaks came my way in the early 1990s. I did a book called Still Noise with four other photographers, the album cover photography for Tommy Emmanuel's Dare To Be Different and the Beasts of Bourbon's Black Milk. It was all moving along quite nicely in a relatively short period of time. I'm proud of both those album covers because they're so radically different. Tommy Emmanuel's album was so obviously mainstream and commercial while the Beasts of Bourbon was very inner city and independent, and that's one of the things I love about working in the music industry – one minute you can be working with somebody like Lucinda Williams and the next minute working with the likes of Slipknot. They're vastly different performers with vastly different personalities to be captured through the lens. But I digress.I guess the next major event that boosted my career was the start of the Big Day Out in 1992. In the late 80s and early 90s I'd been regularly heading over to Europe and the US every couple of years to check out the summer music festivals. I really couldn't understand why Australia didn't have its own version of the UK's Reading or Glastonbury festivals. Being staged in the UK, when those festivals take place, it's an added bonus when it doesn't rain, so why, with our weather and talented bands, why should we miss out??Enter Ken West. Obviously Ken had been to these festivals, too, and had some thoughts about doing an Australian festival, and so began the Big Day Out. He's now one of the most respected promoters in the country and the Big Day Out is highly regarded both here and overseas. It became very successful very quickly and in the space of four years was at the same level as the festivals in the UK. So the Big Day Out was a valuable break for me. Every year I go on the road with the Big Day Out as it tours around Australia. This means I get to build a rapport with the bands I shoot, which is a luxury not often afforded a photographer.It's always easier to work with people who you feel relaxed with and vice versa. I don't work like a fashion photographer – I've never treated a musician as a model. A lot of photographers do because they presume there's a lot of glamour involved. Musicians are not thespians and they're not models so you need to build a rapport with them. Musicians can often feel uncomfortable in front of the camera, so relaxing them is an imperative. Obviously I'm referring to session work here. Live is a completely different kettle of fish. The disadvantage of doing sessions is that the artist is doing something that doesn't come naturally to them. The advantage is that you as the photographer have complete control over the environment, things like lighting. The difficulty is getting the artist comfortable. The live situation is the opposite, the artist is in their natural environment but the photographer is not, you have no control over the lighting and so on. The quality of your shots is reliant on the lighting guy and the movement of the artist.Eye contact is vital in photography. If you take a photo of someone and their eyes are out of focus the whole shot lacks impact. That's how people look at photos, through the eyes of the subject. The eye is all important. In a live situation the subject is more than likely not looking at you, and there's also the bloody ever present microphone getting in the way. In total I've had over 30,000 photographs published, the result of some 2,500 sessions and countless live shows, which have become 400 posters, 450 cd or vinyl covers and over 800 magazine front covers, and I'm still counting. It seems an age has passed since Vince Lovegrove used my shot of Chrissy Amphlett as a tour poster. I guess it has been a long time. Certainly much has happened and I've managed to collect some stories that I think are vaguely intresting along the way – some are downright bizarre and I hope you enjoy them.Oh, and why did I change my name from Moulds to Mott? Well, when I first got a photo credit Moulds didn't look so groovy so I had to come up with an alternative. I looked to the most influential band in my life, Mott the Hoople. The next decision was Tony Mott or Tony Hoople. I went for the former.Everyone should have a Mott the Hoople. In my formative years in college they were the only band that I related to lyrically.They delved into social, political and more general matters, not to mention being a dynamic live act. They were punks before punk had happened, all that and glam rock as well.I've always felt music is an important medium, it can be a sanctuary when things are not so rosy, and a celebration of the joys of life, the two extremes of emotion. And that is why Mott the Hoople have been so important to me. A couple of examples of that are in 1976, when I first left England for Australia, I related to the Ian Hunter album All American Alien Boy, an album about an Englishman arriving in the US, feeling alien and yet loving it. I totally related to the sentiments. Thirty years later, when I lost my best friend who died at an early age and I was finding grief very difficult to deal with, I found solace in the Ian Hunter song “Michael Picasso”, a song about the death of his long-time best friend and David Bowie guitarist Mick Ronson. That's why I believe music is so powerful and important. Everyone should have a Mott the Hoople.

Australian musicians have been facing a tough road with the decline in music festivals. Iconic events like Big Day Out and Stereosonic have fallen victim to the festival cancellation epidemic in recent years while more recently Falls Festival and Splendour In The Grass have also been dumped, raising questions about the future of the industry. In this episode of The Quicky, we take a look at what is going on in behind the scenes of music festivals in Australia and what we can do to ensure our favourite artists have a space to visit us down under again and again.  Click here to take the latest Mamamia survey and you'll go in the running to win one of five $100 gift vouchers Want to try our new exercise app? Click here to start a seven day free trial of MOVE by Mamamia. Subscribe to Mamamia GET IN TOUCH Feedback? We're listening! Call the pod phone on 02 8999 9386 or email us at podcast@mamamia.com.au CONTACT US Got a topic you'd like us to cover? Send us an email at thequicky@mamamia.com.au CREDITS Host: Grace Rouvray With thanks to: Georgie McClean - Executive Director of Development and Partnerships at Creative Australia  Producers: Grace Rouvray Executive Producer: Kally BorgAudio Producer: Thom LionBecome a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Over the years, whenever Dave has seen a notable Doctor Who alum at an event, we've endeavoured to switch on the microphones and grab his thoughts in a special, standalone episode of the show. A year ago this was Sophie Aldred in the original 'Dave's Big Day Out' episode, but prior to that, episodes like, 'When Dave Met Chris' have also entertained listeners who couldn't attend the events. Today, we talk to Dave immediately upon his return home from Supanova where he saw, and interacted with, Jodie Whittaker. And also caught the panel for Jango/Boba Fett himself, Temuera Morrison. Enjoy our chat, and contact us anytime at hello@theDWshow.net

Dive into the electrifying world of rock and metal with Emmy Mack of RedHook in the latest episode of Hard N Heavy Headlines. This episode is a treasure trove for fans, featuring monumental tour announcements, groundbreaking exhibitions, and candid revelations from rock legends. Pearl Jam is making a triumphant return down under for the first time in a decade, with a brand new album, 'Dark Matter', set to release on April 19. The anticipation is palpable as the Aussie leg of their world album tour is announced for November, promising unforgettable stadium shows in Melbourne, Sydney, and the Gold Coast. This marks the iconic band's first Australian appearance since the Big Day Out in 2014, igniting excitement among fans across the nation. Furthermore, Melbourne is gearing up for a world-first Nine Inch Nails exhibition next month. The photo gallery, curated by award-winning photographer Jonathan Rach, features never-before-seen snaps from the industrial rock legends' Self Destruct Tour in the 90s. Coinciding with the 30th anniversary of the band's iconic album 'The Downward Spiral', the free exhibit is a must-visit for fans, running from Wednesday, March 6, to Sunday, March 10. In a shocking revelation, Brian May admits he was never a fan of the Queen and David Bowie's collaborative hit, ‘Under Pressure'. Despite its success, May reveals his disappointment with the track's direction, preferring a sound akin to The Who. His candidness provides a rare glimpse into the dynamics and challenges of collaborative music-making.See omnystudio.com/listener for privacy information.

Murray Cammick, then editor of music mag Rip It Up, was there when the very first Big Day Out exploded into Mt Smart Stadium in 1994.

Artist and producer Tiki Taane has cemented himself as a figure of stature in the Kiwi music scene. From his early days with Salmonella Dub, to headlining Big Day Out as a solo artist a decade ago, to his highly-anticipated performance at Synthony in the Domain, his creative output has evolved. He says the rise of social media has changed music and music festivals- and he needed to adapt to that. "There's a different energy. I don't want to sound like one of those old farts, but there definitely is. When people engage and really watch and really feel and listen as you perform without a cell phone, you feel like you're connecting more." LISTEN ABOVE  See omnystudio.com/listener for privacy information.

'The Darkness' lead singer Justin Hawkins chats to Smallzy about returning back to Australia this month, memories of Big Day Out & announces that he's writing a book!See omnystudio.com/listener for privacy information.

With some rumors swirling about Pearl Jam playing Australia this year for the first time since 2014, we thought now would be as good of a time as any to get into a show from down under. 2006 was the last time they played Australia without the help of the Big Day Out festival. For Melbourne, they were treated to three great shows in the same fashion that they had done in previous years, such as 1995 and 1998. While the performances are great from this show, there is one thing that will make this one go down in the annals of Pearl Jam history, and that is... Ed's butt cheeks. Yes, you read that right. Three nights in Melbourne means that shenanigans are bound to be had both after the shows and on the off day, which Ed had partaken in. During his escapades, he was informed of a traditional Australian drinking game in which you take a 50 cent coin, wedge it between your butt cheeks and then try and walk with it over to a cup and see if you can drop it in. In the spirit of a night three, Ed plays the game on stage to pretty hilarious results. Also, Stone takes a crack (ha....) at it as well. Aside from that, we have some great performances at this show. We'll end up talking about Jeff a lot who is prominent in the mix on such songs like Hail, Hail and Even Flow, and Javier's segments this week will focus heavily on the Telecaster sound during World Wide Suicide and Save You, as well as Mike's Ibanez (not Gibson) Flying V on Present Tense. Big thank you to our Patron, William Rees, who submitted this episode request and joins us to tell his story Visit the Concertpedia - http://liveon4legs.com Contact the Show - liveon4legspodcast@gmail.com Donate to the Show - http://patreon.com/liveon4legs

It's a sad and shocking start to the week this week with the death of cricket legend David Hookes as the result of an altercation with a bouncer at a nightclub. In scientific news NASA lost contact with the Spirit rover as it's flash memory subsystem overloaded. Thanksfully they were able to try turning it off an on again to get things working. In tech Nintendo announce the release of the DS console in a sexy campaign that seemed very off brand for them.In music news Twista releases Slow Jamz, with a little help from Kanye West and Jamie Foxx, Sia releases her third album, 'Colour the Small One' and The Darkness steal the show at the 2004 Big Day Out, which was headlined by Metallica. In movies, Ben Stiller releases his romantic comedy Along Came Polly starring Jennifer Anniston and in TV land 'THe L Word' debuts along with 'Carmen and Dave, Til Death Do us Part'.Hang with us on socials to chat more noughties nostalgia - Facebook (@tminus20) or Instagram (tminus20podcast). You can also contact us there if you want to be a part of the show.

This morning, we're releasing the premiere of 'Hank's Big Day Out!' Have you heard the story? On one of our stations, the story of Hank's love life was told, and we had the chance to hear from someone in Athens who could give Hank some guidance. So, we took the trip, and this is our story!

In this conversation with guitarist Jim Ward, we explore a range of topics. These include the origins of the songs on Wiretap Scars during his time with At the Drive-In, his memories of At the Drive-In's performance at the Big Day Out festival in 2001, and the shared fanbase between At the Drive-In and Sparta. Additionally, we delve into Jim's artistic evolution transitioning from At The Drive-In to Sparta, the factors influencing his songwriting and lyrical themes, his musical influences, the challenges inherent in sustaining a music career, and his ongoing projects and future directions in his musical journey. SPARTA is set to embark on their Australian tour in May 2024 with the following dates and venues: Thursday, May 16th: BRISBANE at The Triffid Friday, May 17th: SYDNEY at Metro Theatre Saturday, May 18th: MELBOURNE at Croxton Bandroom Wednesday, May 22nd: ADELAIDE at The Gov Thursday, May 23rd: PERTH at Rosemount Hotel Tickets for these shows are available for purchase now at this link: https://metropolistouring.com/sparta-2024/

We welcome one of Sydney's Funk heavyweights at this jam.. DJ MEEM the hosted of BACK TO FUNK radio show (2ser 107.3 FM) dropped this dope Funk, Soul, Disco & Heavy tropical latin set to warm up for CUMBIAMUFFIN for our 12th birthday. Check out more from MEEM at https://soundcloud.com/m-104 https://2ser.com/back-to-funk/ https://meem.org/index.php/radio/podcast/item/21-the-history-of-the-back-to-funk-radio-show About MEEM: Meem (Michael Moebus) is a respected and pioneering music producer, DJ and radio host from Sydney, Australia - whose inimitable style of funk, disco, soul, electro-boogie & hip hop has kept dancefloors shaking for over 20 years. In the late 90's Meem began performing live at underground dance parties in Canberra (illegal forest parties, art galleries and aquariums) and soon catapulted from a shy art-school raver to a highly sought after live electronic act – performing at The Big Day Out, Sydney Festival, Peats Ridge Festival, Triple J Groove Train, Parklife, and Field Day. Meem has supported internation heavyweights such as Sharon Jones & The Dap Kings, and Jamie Lidell, and he has showcased his live and DJ performances in London, Manchester, island beach parties in Croatia, and summer festivals throughout Eastern Europe. As a sought after DJ, Meem has supported international acts including Thievery Corporation, and Tom Findlay (Groove Armada). Bringing a diverse and expansive music collection to each gig, Meem blends a broad range of styles and genres including funk, soul, disco, hip-hop, reggae, latin, jazz, R&B and boogie. As a weekly testament to his love of funk music (and all its related styles), Meem also hosts the long-running and much-loved radio program Back to Funk, broadcasting every Monday afternoon on 2SER 107.3FM. Meem has also achieved design notoriety by releasing almost every release in limited edition, and often handmade, packaging. Destined to become collector's items, covers have been crafted from wood, cotton, felt and vinyl upholstery. Meem's CD design has been featured in the UK publication ‘CD - Art: Innovation in CD Packaging Design' by Charlotte Rivers, alongside cover art for The Pet Shop Boys and design by Andy Warhol.

Join us on Triple M Homegrown with Matty O as we introduce Heartbeatz, the solo project of William Drummond, better known as the bass player of Matty O's band British India. In this special episode, we dive deep into the musical journey of William Drummond, who's venturing into new territories with his debut album, a project three years in the making. We're excited to premiere 'Sweeping Up My Shadow,' the debut single from Heartbeatz, setting the stage for an album release next year that promises to captivate listeners. William shares the intricate process of creating his album, highlighting the significant differences he experienced in crafting a solo album compared to his collaborative efforts in a band. One of the episode's highlights includes William's collaboration with Michael Belsar, one of the most sought-after upcoming producers. This partnership has not only shaped the album but also marked a career milestone for both artists. In a first for the show, we take a trip down Memory Lane with William, revisiting some of the most memorable and unusual gigs he's encountered. From electrifying performances at the Big Day Out to supporting the legendary Rolling Stones, this episode is an enthralling journey through William's musical escapades, filled with insights and anecdotes that fans and music enthusiasts will cherish.See omnystudio.com/listener for privacy information.

Lisa finishes our Big Day Out talks (or Big Weekend as Lisa like to put it) with a talk about our church's third value, Multiculturalism and Inclusion.

Fresh off releasing "Two Songs I Wrote in 1993 & Recorded Last Week," legendary Australian singer-songwriter Ben Lee joins me for episode 93 (pure numerological coincidence!) to reflect on key moments of musical discovery -- seeing Nirvana play at Big Day Out, starring in a school musical called Uncle Moishe and his Mitzvah Men, recording fucked-up sounding songs on his Tascam 244, hoping to emulate Appetite for Destruction but coming up with something even cooler, figuring out how to get his demo to a record label, and more recent insights about longevity and staying true to your unique vision. He also discusses his songwriting practice today, prioritizing playfulness, supporting young artists, and more. Ben and his wife, Ione Skye, host an awesome weekly podcast called Weirder Together, and their Weirder Together podcast network presents shows hosted by J. Mascis, Lou Barlow and Jello Biafra, among others. Ben will be on tour in September. Get tickets here.

*** Use Promo Code THEPOSTCINCY for 10% off your Cincy Shirts orders! ***   Jonah, Grayson, The Chief, and Kevin do their best to not talk about the DC United Match that ended 3-0 against The FC. Squad rotation, poor play, and a solid DC team handed the orange and blue their second loss on the season. Is it weird they lose big when they lose? Yerson Mosquera's passport troubles continue and the club is strangely silent on the matter. And finally Vazquez continues his impressive form with the national team on what was an otherwise bad Cincinnati sports night.    Timestamps:  (2:00) - A whole lotta not FCC talk  (28:24) - DC United Match Recap / Reaction (1:03:57) - FCC and FCC2 Player Movement and Yerson Mosquera (1:32:42) - Brandon's Big Day Out with the USMNT   Links:  Cincy Shirts: cincyshirts.com/ThePostCincy  Check out The Post at www.thepostcincy.com Music by Jim Trace and the Makers Join the Discord Server and jump into the conversation Follow us on Twitter and Facebook

This month on Pocono Mountains Magazine: Jim previews summer at Pocono Raceway, Camelbeach, Pocono Organics and Pocono Whitewater's Big Day Out and for Pride Month, he introduces us to two Pocono mayors who represent the LGBTQ+ community too! Deanna heads out on Lake Wallenpaupack with Pocono Action Sports and hits the trail on e-bikes with Bronson E-Bikes then joins Chris for a tour of historic Jim Thorpe! Brianna travels back in time with No. 9 Coal Mine & Museum, then George & Connie Roberts take us on part two of the series on the D&L Trail. 

Iain is joined by Tim Warwood: BBC snowboarding, skateboarding, BMX reporter, and generally ‘very loud voice' (his words). We discuss how snowboarding took him from Tamworth to Colorado to commentating around the world on the sport.  Among the many stories Tim shares, he tells us how he persuaded Bill Nighy to lipsync to Kim Wilde, what's it's like being a “professional snowballer” and the truth behind that infamous moment when Jenny Jones won bronze at Sochi. SHOW NOTES Tim is not 50 years old, despite what it says on FamousBirthdays.com He started snowboarding at Britain's first indoor snow centre, the Tamworth Snowdome (6:00) Tim's first season was in Winter Park in Colarado (8:45) Listen to Iain's interview with Pat Sharples, GB Snowsports Head Coach (9:00) Listen to our interview with pioneer snowboarder Chris Moran (14:20) He did definitely finish 3rd in the Banked Slalom at the 2023 Brits (14:50) Tim may or may not be current British snowboard slalom champion… (15:00) The Brits took place in Aviemore in April 2023 (16:00) Tim was working in Vail when he started making snowboard movies (19:00) Adam Gendle is Tim's long-time film-making partner (21:30) Jeremy Sladen at the Snowboard Asylum sponsored the first set of movies that Tim and Adam produced (23:00) Titles includes ‘Proper', ‘Big Ass Big Airs', ‘Show Offs' and ‘Terminal Ferocity' (23:45) Check out Tim's 2006 Brits Video (25:00) Watch the movie ‘Chalet Girl' (26:45) And definitely watch the closing credits… (28:30) Tim presented ‘Freesports on 4' (31:30) Iain interviewed Ski Sunday's Ed Leigh in Episode 169 It featured events the Xbox (Gumby's) Big Day Out (33:00) The London Freeze took place at Battersea Power Station (34:00) In 2014, Tim was asked to join the BBC Sport team to cover the Sochi Winter Olympics (35:00) Who wouldn't want to be a “professional snowballer” (36:20) Jenny Jones won Team GB's first ever Olympic medal on snow in the snowboard slopestyle (37:45) Ed Leigh, Aimee Fuller and Tim got rather excited… (38:30) The ‘Daily Mail' described the commentary team as  “Immature idiots” (39:20) Tim was a reporter for the BBC at the Tokyo 2020 Summer Olympics, held in 2021 (43:00) Being a reporter is more than just an “eyes and teeth” role (47:00) Tim also reported from the Commonwealth Games for the BBC (50:00) Beijing was a different experience as Tim was located in Manchester (52:00) Tim filmed a feature on splitboarding for Ski Sunday in Scotland (55:00) Look out for the hare when Tim went snowboarding in Weardale (59:15) Find out about Yad Moss in Episode 88 of The Ski Podcast (1:00:00) Enjoy ‘Gravity Grandma' on YouTube (1:01:45) Catch up with more of Tim's work on ‘The Indestructibles‘ (1:03:00) Watch ‘The Nearly Men' with Marc Webber (01:03:45) Find out more about Tim's ‘Famous First Words' game show tour (01:05:00) Read White Lines' defence of the infamous Jenny Jones commentary   “Riding switch is like writing left-handed while wearing a chip hat and being attacked by seagulls” (01:08:30)

In this highlight from 'These Days Ep 3 - 90s Evolution' hear about the day U2's booking agent wanted to sign Silverchair after witnessing the pre-set pandemonium in the crowd at the 1995 Big Day Out.  “U2's booking agent was standing front of house watching the pandemonium before the band even walked on stag. He turned to me and said ‘I want to book the band'. I said ‘They haven't started playing yet!'” - John Watson, Silverchair Manager See omnystudio.com/listener for privacy information.

The be-all and end-all of the Bard is on show at the Stratford Shakespeare Festival in Taranaki this month. Back for the first time in a decade, the event boasts performances from luminaries such as Michael Hurst, features drive-in movies and culminates in Baldrick's Big Day Out. Taranaki Whanganui reporter Robin Martin went along to take a look.  

This week marks 20 years since the firestorm that hit Canberra's suburbs during a hot and terrifying Saturday. We talk about our experience during that disasters and break down the events that led to one of the worst days in the national capital's history.We also try and have a bit of fun when we discuss the 2003 Big Day Out as well as all the pomp and ceremony from to 2003 People's and Critic's Choice award ceremonies.Hang with us on socials to chat more noughties nostalgia - Facebook (@tminus20) or Instagram (tminus20podcast). You can also contact us there if you want to be a part of the show.

Welcome to Just Ace - a podcast about the 90s Australian Alternative Music Scene - whatever the hell that means. This week we look at the start of the Big Day Out. Show notes, including information on all the music heard, is on the website. Check it out – Just Ace 90s Follow Facebook Instagram Support Patreon Buy Me A Coffee Buy a poster You can write to us at justace90s [at] gmail [dot] com

Here's a Highlight from my chat with Kingswood who talk about meeting Snoop Dogg at the Big Day Out in 2014.Here's The Full Chat:https://omny.fm/shows/triple-m-aussie-with-matty-o/homegrown-kingswood-have-62-tour-dates-send-helpSee omnystudio.com/listener for privacy information.

Ahead of their Australian tour, we've got Hot Chip on the pod! The London indie dance and electronic act consistently bring the goods, and their 8th studio record 'Freakout/Release' is no exception. The lads are making their way back to Australia this week, with an appearance at Harvest Rock Festival in Adelaide over the weekend. In today's episode, we're speaking with band member Felix Martin about whether the band returns to previous bodies of work before each new record, fond tour memories from the Big Day Out, and we discuss the pros and cons of festival sets versus theatre sets.Hot Chip: Instagram / Facebook / SpotifyPurchase Freakout/Release here.Purchase tickets to Harvest Rock Festival here, and tickets to their sideshows here.Thanks again to Felix Matin for his time. We also want to give a special shout out to Layla from Scrabble PR for her assistance with this episode.You can help follow and support here: TSIY Insta / TSIY FB / TSIY TikTok / TSIY Patreon Hosted on Acast. See acast.com/privacy for more information.

Todd here — Frank's my co-host this week while Jamie's away on a well deserved holiday. We chat about the end of Gmail days, play a game of “pog or not pog”, indulge ourselves in some Big Day Out after party stories, and answer some questions written in from the Patreon crew. To hear the full episode head over to our Patreon https://patreon.com/whatagreatpunkShout outs @honestfranksSign up to our Patreon for a bonus pod each week (that's double the pod!) and other VIP stuff for just $5 a month:https://patreon.com/whatagreatpunkJoin us all in the TNSW Discord community chathttps://tnsw.co/discordWatch our Comedy Central mockumentary series and TNSW Tonight! on YouTube:https://youtube.com/thesenewsouthwhalesFollow us on Twitch:https://twitch.tv/thesenewsouthwhalesTNSW on Spotify:https://open.spotify.com/artist/0srVTNI2U8J7vytCTprEk4?si=e9ibyNpiT2SDegTnJV_6Qg&dl_branch=1TNSW: @thesenewsouthwhalessJamie: @mossylovesyouTodd: @mrtoddandrewshttps://patreon.com/whatagreatpunkhttps://thesenewsouthwhales.comShout-outs to the Honorary Punks of the Pod:Oli MossMagnusHarry WalkomHugh FlassmanZac NickClaireElliott FlassmanJimi KendallEdmund SmithAngus LillieLachy TanBen JaminDan Dingus

Picture this: you've been invited to pop icon Bjork's Big Day Out afterparty. You rock up to her trailer and dance music's pumping. You step inside and everyone's having a grand old time, including Bjork herself, who's posted up behind a set of turntables, grooving to the music. You figure you should congratulate her on a great set, but when you get closer, you notice… She's got black gaff tape across her mouth?It's a bit weird, sure, but according to one of Australia's most successful music exports, Eddie Perfect, it's also genius. When Eddie heard this story from his manager, he knew Bjork was onto something. The discipline required to properly care for and rest your voice is what separates the amateurs from the professionals in the world of performance, and Eddie's a more seasoned professional than almost anyone else. He shares the industry's most effective tips for caring for the instrument inside you, including a surprisingly simple trick for recovering quickly after you've completely lost your voice. Eddie also details the chaotic but incredibly efficient “29-Hour Read” process responsible for many of Broadway's most beloved shows, as well as his own process for placing and writing songs for the stage. Connect with Eddie on Instagram or find his performer page on the 9 to 5 The Musical website***My new book Time Wise is out now. You can grab a copy here. Connect with me on the socials:LinkedinTwitterInstagram  If you're looking for more tips to improve the way you work, I write a fortnightly newsletter that contains three cool things I have discovered that help me work better, which range from interesting research findings through to gadgets I am loving. You can sign up for that at http://howiwork.coVisit https://www.amantha.com/podcast for full show notes from all episodes.Get in touch at amantha@inventium.com.auCREDITSProduced by InventiumHost: Amantha ImberProduction Support from Deadset StudiosEpisode Producer: Liam RiordanSound Engineer: Martin ImberSee omnystudio.com/listener for privacy information.

Picture this: you've been invited to pop icon Bjork's Big Day Out afterparty.  You rock up to her trailer and dance music's pumping. You step inside and everyone's having a grand old time, including Bjork herself, who's posted up behind a set of turntables, grooving to the music. You figure you should congratulate her on a great set, but when you get closer, you notice… She's got black gaff tape across her mouth? It's a bit weird, sure, but according to one of Australia's most successful music exports, Eddie Perfect, it's also genius. When Eddie heard this story from his manager, he knew Bjork was onto something.  The discipline required to properly care for and rest your voice is what separates the amateurs from the professionals in the world of performance, and Eddie's a more seasoned professional than almost anyone else.  He shares the industry's most effective tips for caring for the instrument inside you, including a surprisingly simple trick for recovering quickly after you've completely lost your voice.  Eddie also details the chaotic but incredibly efficient “29-Hour Read” process responsible for many of Broadway's most beloved shows, as well as his own process for placing and writing songs for the stage.  Connect with Eddie on Instagram or find his performer page on the 9 to 5 The Musical website *** My new book Time Wise is out now. You can grab a copy here.   Connect with me on the socials: Linkedin Twitter Instagram    If you're looking for more tips to improve the way you work, I write a fortnightly newsletter that contains three cool things I have discovered that help me work better, which range from interesting research findings through to gadgets I am loving. You can sign up for that at http://howiwork.co Visit https://www.amantha.com/podcast for full show notes from all episodes. Get in touch at amantha@inventium.com.au CREDITS Produced by Inventium Host: Amantha Imber Production Support from Deadset Studios Episode Producer: Liam Riordan Sound Engineer: Martin Imber

It's an election free zone, as we wrap our loving arms around you and talk shit about the week that was. Britney has some joy to share too, with the announcement of her pregnancy. And we debrief on the most talked about fashun of the Grammy's; Justin Bieber's oversized suit and Balenciaga Crocs.   In sad music news, we reflect on the legacy of Chris Bailey of The Saints, and Big Day Out founder Ken West, who both touched our lives in different ways.   Myf's in the market for a caravan, having found the greatest eBay ad / saga of all time. And we're banging on about The Andy Warhol Diaries and Amy Schumer's new show Life & Beth.   Show notes: Severance: https://tv.apple.com/us/show/severance/umc.cmc.1srk2goyh2q2zdxcx605w8vtx Justin Bieber at Grammy's: https://www.gq.com/story/justin-bieber-grammys-suit Joni Mitchell: https://pitchfork.com/news/joni-mitchell-wins-best-historical-album-and-gives-speech-at-2022-grammys/ Chris Bailey: https://www.abc.net.au/doublej/music-reads/features/chris-bailey-obituary-saints-ed-kuepper-brisbane-punk-stranded/13835750 Ken West: https://www.abc.net.au/doublej/music-reads/music-news/ken-west-big-day-out-founder-died/13832090 Caravan for sale: https://www.ebay.co.uk/itm/154933141682?hash=item2412bc20b2:g:Uo0AAOSwUtJiS1uG The Andy Warhol Diaries: https://www.netflix.com/au/title/81026142 Life & Beth: https://www.youtube.com/watch?v=Dfz11eEOif0     Bang On is an ABC podcast, produced by Double J. It is recorded on the lands of the Wurundjeri people of the Kulin nation. We pay our respects to elders past and present. We acknowledge Aboriginal and Torres Strait Islander peoples as the First Australians and Traditional Custodians of the land where we live, work, and learn.

It's an election free zone, as we wrap our loving arms around you and talk shit about the week that was. Britney has some joy to share too, with the announcement of her pregnancy. And we debrief on the most talked about fashun of the Grammy's; Justin Bieber's oversized suit and Balenciaga Crocs.   In sad music news, we reflect on the legacy of Chris Bailey of The Saints, and Big Day Out founder Ken West, who both touched our lives in different ways.   Myf's in the market for a caravan, having found the greatest eBay ad / saga of all time. And we're banging on about The Andy Warhol Diaries and Amy Schumer's new show Life & Beth.   Show notes: Severance: https://tv.apple.com/us/show/severance/umc.cmc.1srk2goyh2q2zdxcx605w8vtx Justin Bieber at Grammy's: https://www.gq.com/story/justin-bieber-grammys-suit Joni Mitchell: https://pitchfork.com/news/joni-mitchell-wins-best-historical-album-and-gives-speech-at-2022-grammys/ Chris Bailey: https://www.abc.net.au/doublej/music-reads/features/chris-bailey-obituary-saints-ed-kuepper-brisbane-punk-stranded/13835750 Ken West: https://www.abc.net.au/doublej/music-reads/music-news/ken-west-big-day-out-founder-died/13832090 Caravan for sale: https://www.ebay.co.uk/itm/154933141682?hash=item2412bc20b2:g:Uo0AAOSwUtJiS1uG The Andy Warhol Diaries: https://www.netflix.com/au/title/81026142 Life & Beth: https://www.youtube.com/watch?v=Dfz11eEOif0     Bang On is an ABC podcast, produced by Double J. It is recorded on the lands of the Wurundjeri people of the Kulin nation. We pay our respects to elders past and present. We acknowledge Aboriginal and Torres Strait Islander peoples as the First Australians and Traditional Custodians of the land where we live, work, and learn.

It's an election free zone, as we wrap our loving arms around you and talk shit about the week that was. Britney has some joy to share too, with the announcement of her pregnancy. And we debrief on the most talked about fashun of the Grammy's; Justin Bieber's oversized suit and Balenciaga Crocs.   In sad music news, we reflect on the legacy of Chris Bailey of The Saints, and Big Day Out founder Ken West, who both touched our lives in different ways.   Myf's in the market for a caravan, having found the greatest eBay ad / saga of all time. And we're banging on about The Andy Warhol Diaries and Amy Schumer's new show Life & Beth.   Show notes: Severance: https://tv.apple.com/us/show/severance/umc.cmc.1srk2goyh2q2zdxcx605w8vtx Justin Bieber at Grammy's: https://www.gq.com/story/justin-bieber-grammys-suit Joni Mitchell: https://pitchfork.com/news/joni-mitchell-wins-best-historical-album-and-gives-speech-at-2022-grammys/ Chris Bailey: https://www.abc.net.au/doublej/music-reads/features/chris-bailey-obituary-saints-ed-kuepper-brisbane-punk-stranded/13835750 Ken West: https://www.abc.net.au/doublej/music-reads/music-news/ken-west-big-day-out-founder-died/13832090 Caravan for sale: https://www.ebay.co.uk/itm/154933141682?hash=item2412bc20b2:g:Uo0AAOSwUtJiS1uG The Andy Warhol Diaries: https://www.netflix.com/au/title/81026142 Life & Beth: https://www.youtube.com/watch?v=Dfz11eEOif0     Bang On is an ABC podcast, produced by Double J. It is recorded on the lands of the Wurundjeri people of the Kulin nation. We pay our respects to elders past and present. We acknowledge Aboriginal and Torres Strait Islander peoples as the First Australians and Traditional Custodians of the land where we live, work, and learn.