Podcasts about inquisitor martyr

O Galinha de hoje é pelo Imperador! Leon e Samuca falam dos jogos de Warhammer 40k, uma das franquias de sci-fi grimdark mais famosas do mundo. Nascida nas mesas dos wargames, Warhammer 40k já foi pra várias outras mídias e encontrou uma casa maravilhosa nos videogames, com jogos pra todos os gostos - estratégia, RPG, tiro, corrida e até gacha, infelizmente. Conheça os jogos da franquia e saiba qual você precisa jogar pra começar a entrar de cabeça nesse universo.APOIE O GALINHA VIAJANTEAcesse catarse.me/galinhaviajanteOu mande qualquer valor no pix: cast@galinhaviajante.com.brLINKS DA GALINHACatarse | Youtube | Instagram | Tiktok | BlueskyContato: cast@galinhaviajante.com.brAcesse nosso SITE: galinhaviajante.com.brCONHEÇA O PERSONA DIÁRIOOuça no Spotify: Persona Diário no SpotifyTambém disponível nas outras plataformas de áudioJOGOS CITADOSTabletop Simulator, Dawn of War, Armageddon, Gladius Relics of War, Battlesector, Sanctus Reach, Spacemarine I e II, Darktide, Inquisitor Martyr, Rogue Trader, Space Hulk Deathwing, Mechanicus, Chaos Gate Daemonhunters, Boltgun, Battlefleet Gothic Armada, Space Hulk Tactics, Space Hulk Ascension, Necromunda Underhive Wars, Warpforge, Horus Heresy Legions, Shootas Blood and Teef, Dakka Squadron, Speed Freeks, Tacticus♪ TRILHA SONORAArrival of the Blood Ravens (Dawn of War III OST)Chamber Militant (Chaos Gate Daemonhunter OST)Dies Irae (Chaos Gate OST)Children of the Omnissiah (Mechanicus OST)Void Dragon (Rogue Trader OST)Titan (Spacemarine OST)Crash Landing (Shootas Blood and Teef OST)Battle On The Jazzy Bridge (Quasar)EDIÇÃO: Samuel R. Auras @samucarohling00:00:00 - Abertura do Episódio00:03:38 - Introdução à Franquia00:19:32 - Jogos com "feeling" de WH40K 00:33:50 - Jogos pra entrar no mundo e lore 00:55:01 - Adaptações de tabuleiro e cartas 01:03:50 - Maluquices01:16:40 - Encerramento do EpisódioO Galinha vai ao ar toda semana graças aos Escudeiros da Galinha Viajante! Apoie você também o nosso projeto no Catarse e junte-se à Escudaria!Apresentado e produzido por Leon Cleveland e Samuel R. Auras.Contato: cast@galinhaviajante.com.brSupport the show

¿Querés enterarte sobre el nuevo DLC de Last of Us donde a Ellie se la come un Cordyraptorceps? El Ep495 de Café Fandango es para vos. Esta semana Seba se engancha inesperadamente con Warhammer 40.000 Inquisitor - Martyr y Dead End Job, mientras que Edu sigue en las andanzas calavéricas en FM24, sigue enganchado con FFVII Rebirth, y, junto con Vale, arrancan emocionados la actualización 1.6 de EsTarde Vale. Luego de un lanzamiento de confusas reseñas, repasamos los detalles del nuevo programa familiar de Steam, nos enteramos en qué guerra pasa el nuevo juego de Capitán América y Black Panther que dice 1943 en el título, cae de paracaidista el anuncio del PC Fútbol 8, entramos en detalles en el profundo lore del Sims para su próxima película, y anunciamos un genocidio masivo planeado por los jugadores de Dragon's Dogma 2 en pos de la optimización. Cerramos con una Pregunta Fandango que se ofrece a hacer de sicario para esos NPCs que no nos bancamos.

Anne is joined by special guest, Ian Russell, a multi-award-winning voice actor. They discuss his career in the voice over industry, including his journey to success. They talk about the importance of social media and authenticity in character creation. He advises aspiring voiceover actors to be careful not to violate non-disclosure agreements and to use social media to support their profiles. Anne and Ian also discuss the importance of respecting specified ethnicities and the limitations of casting notices. They highlight that authenticity and believability are essential in video game casting, and that having an acting background is a serious advantage. Tune in to hear the full conversation.    Transcript   It's time to take your business to the next level, the BOSS level! These are the premiere Business Owner Strategies and Successes being utilized by the industry's top talent today. Rock your business like a BOSS, a VO BOSS! Now let's welcome your host, Anne Ganguzza.   Anne: All right. Hey everyone. Welcome to the VO BOSS podcast. I'm your host Anne Ganguzza, and today I am so excited to bring very special guest Ian Russell to the podcast. Hey Ian. Yay.   Ian: Hey, Anne.   Anne: welcome. For those of you BOSSes out there, we'll tell you a little bit about Ian, and then he's gonna continue on telling us about his journey, he is a, a multi-award winning, seasoned voice actor working in commercial, corporate, video games, audiobooks. His voice can be heard for companies including Coca-Cola, MasterCard, Nestle, Heineken, Club Med, Phillips, and a bunch more. He was the recipient of the One Voice Male Voice of the Year 2020 award. And also in that year, he was also best character performance. Is that correct?   Ian: Animation, yeah.   Anne: And then continuing in 2021, he won Gaming Best Performance for One Voice Awards. And in 2022, the SOVAS Outstanding International Audio Description, Museums and Cultural Sites. Wow. That is fantastic. Ian, so honored to have you here on the show to talk about your journey and your wisdom. So , let's start.   Ian: Well, good luck with that.   Anne: Well, let's start telling people about your journey. How did you get into voiceover, a little bit about yourself and how you got into voiceover.   Ian: It's a long and winding road, which is a Beatles reference, but the first ever voiceover I ever, ever did was for a radio station in Liverpool. And it was a friend of mine worked at the radio station, and they had a pre-recorded interview for Paul McCartney when he bought and set up the Liverpool Institute for Performing Arts in Liverpool. It was his old school. And rather than having a boring interview where it was just Paul McCartney and some radio guy , he asked me. I was, we were in a local acting thing together, and he asked me to be the voice of Paul McCartney's teacher.   Anne: Wow.   Ian: When Paul McCartney was a kid. So we linked the questions, you know, and it  was like, oh yes, that McCartney he was always playing around with a guitar. He'll never amount anything. So it was that kind of -- we made it funny. I didn't even know what voiceover was, but I did it anyway. And it was fun. I didn't get paid or anything. I was doing it for a mate, but I still have the magnetic cassette tape, shows how long ago it was.   Anne: Yep. There you go. .   Ian: And then 30 years go by, and I get married, and my wife's stumbling around for what she can buy me. And we, because you know --   Anne: What happened 30 years though? That was a long time.   Ian: Oh, sorry. I, I went off and got a real job. I was, I was working in sales and sales management in the northwest of England and in Belgium and Holland and in and around Oxford.   Anne: So International for sure. Yeah.   Ian: Yeah. That's a whole other story, which we could get into another time. But that would use up our 30 minutes, would be nothing left . So anyway, so my wife's like, oh, well what do I buy him for Christmas this year? And I had done a bit of sort of community theater stuff as a young man, just explained with the Paul McCartney thing. And so she found a one day introduction to voiceover.   Anne: Uh-huh.   Ian: In London. It's a place called the Show Reel. And she bought me that for Christmas 2012. It's 10 years almost to the day.   Anne: Wow. Yeah.   Ian: And then two years later, we've had the credit crunch and the bank -- I was working for a bank at the time and they were trying to offload people, and I had to reapply for my own job multiple times. And in the end I'm like, I volunteer as tribute . Let me go, you know, I'm done here. I'm older than all these young guys. I don't want to be rushing around half of the UK seeing multimillionaires coming home at night, barely seeing my kids, writing reports 'til midnight, and then doing the same rinse and repeat tomorrow. I'll have a heart attack and die. Let me go. And two years later, they eventually let me go. And so my wife's American and we said, well, what are we gonna do now? ? Well, let's sell everything and move to America. Be near my dad, says my wife. So that's what we did.   Anne: I love that. Let's do it.   Ian: And I said, well, what am I, what am I gonna do?   Anne: Let's sell everything and move.   Ian: I'll give that voiceover thing a go. And I went to the guy in London and I said, does anybody get hired for this? And he went, yeah. And I said, would anybody hire me? And he went, I don't see why not. And that was the ringing endorsement that I had to come off and start. So 2014 I started properly, I would say.   Anne: Wow. Wow. And so when you started, what was it that -- I assume you, you got coaching, you got a demo, and then you started working, and so you started working and were successful in which genres?   Ian: I think I'm a product of the internet age. You know, I live in the metaphorical middle of nowhere. And everything I do is via the internet, pretty much. So I started probably the way a lot of people start. I didn't know anybody and I didn't know anything. I had some experience, life experience that helps for sure, the sales and having done a bit of community theater and all that. But I knew no one and I knew nothing. So I started searching on the internet, and I paid money down to online casting and, and started throwing mud at the wall. And I think in that market you do a lot of explainers. You do a lot of corporate. You do a lot of e-learning, e-sort of things that, that sort of thing.   Anne: And of course in the States now, you know, that accent of yours doesn't hurt you. I had a very good friend when I started and she was hired all the time for e-learning. Because I think for us listening, and you gotta have some sort of interesting -- like an American accent is, we hear it all the time. But a British accent might be something that, oh, that makes it more interesting. And so she was high in demand for e-learning and, and those explainers and corporate things. And she was always so wonderfully like natural and conversational about it. And it was just a pleasure to listen to her all the time. And I remember thinking, gosh, I wanna aspire to be that relaxed and that friendly in my voiceovers. And so I can totally see where that just, it lends it. It's also a very large market. And so everybody kind of gets there, and it's a good, good place to start off. And I know a lot of students that I work with, they start off in corporate or e-learning.   Ian: Yeah. There's masses of it. And it's relatively easy to find.   Anne: Exactly.   Ian: You might not get the best rate, but it's relatively easy to find.   Anne: Now, you won these awards, but these awards were not for corporate or e-learning. It was for gaming and character performance. And so let's talk about, 'cause I know when people start out, they're very concerned about you know, what's my niche? Like, where do I start and how do I know what I'm good at? You evolved into becoming an award-winning voice talent in gaming and characters.   Ian: Yeah, I know.   Anne: So let's talk about that.   Ian: How does that happen?   Anne: Yeah. How does that happen?   Ian: I'm gonna say I got lucky, but we all know that that's hard work meets preparation and all of that. But in 2015, so a year after I'd started, I booked a role in a significant video game called Payday 2. And the role is utterly -- it's this South African mercenary. He speaks like that, he's Locke, his name is Locke. And I have been performing Locke for Starbury Studios for seven years now.   Anne: Oh wow.   Ian: And it was the performance of Locke that won me the video game award last year. And we're still making content. And at the end of this year, we have Payday 3 coming up.   Anne: Ooh. Get ready, BOSSes.   Ian: And so there's a lot of chatter around who's gonna be in Payday 3. You know what it's like with a lot of --   Anne: NDAs.   Ian: -- casting for voiceover. It's --   Anne: You can't tell --   Ian: -- NDAs -- Well, well, if I knew something, I'd be able to tell you, but voice over casting often happens right at the end. So nothing, I can't say anything. I don't know anything. So.   Anne: So seven years.   Ian: I'm like a mushroom.   Anne: Wow.   Ian: Yeah. So, so that was my first video game thing. And I think a lot of younger folk, they're growing up now with video games and animation and it's a very aspirational genre for people to get into. And I think I got one, and I'll keep the story very short, but Locke, the character, has his own Twitter account, which now has almost 12,000 followers.   Anne: Do you have input into that account?   Ian: It's mine.   Anne: Okay. Okay.   Ian: It's all mine.   Anne: Now, was that something that maybe was requested of you through an agent or the company or --   Ian: No.   Anne: -- you just created it? That's a very interesting marketing um   Ian: Well, it was suggested to me because I went on a charity stream as Locke for Payday, and the guys that were running it said, you might want to set up a separate account because you don't want your personal account flooded with teenage boys --   Anne: Yeah, that makes sense.   Ian: -- swearing at you. Frankly.   Anne: Yeah, yeah.   Ian: Asking you about Locke, you know, what's your favorite color, that kind of thing. So I set up a separate Twitter account for him then; that was 2017-ish. And that, that's kind of just grown from there. And I don't just use it for Locke. I use it for Locke. But I, all my video game stuff I promote on there because they're all video game players. So they're interested.   Anne: I love that I'm talking to you about this right now because I wanna know, is the content monitored at all by the game company or the people that hire you at all? Or if you were to say something that maybe wouldn't be appropriate for your character, I would imagine that that's kind of a line that you walk.   Ian: For sure, it is. I'm pretty sure there have been several occasions where I've written something, and I've had the wherewithal to go, no, don't do that. Don't say that. That would be silly . The only thing that Starbury said is, because they own the character, they own the IP of the character, that I can't monetize it for myself. I have run charity fundraisers and things like that, but if I'm gonna do anything out of the ordinary, I go through them and say, hey, I'm thinking about about this; what do you think? I don't think they've ever said, no.   Anne: That's something that's so interesting for those BOSSes out there that are thinking about getting into video games or character animation. I mean, there really becomes -- it can have a celebrity attached to it, and that becomes more than just voicing. Right? That is voicing. And then also it becomes a marketing effort. It becomes something that is outside of your voiceover persona that is of concern, I would think, for you to make sure that you're not gonna say the wrong thing or make sure you're not gonna do something that spoils any new things coming out or disturbs any NDAs.   Ian: Yeah. I just basically assume that everything I've ever done is under NDA until it's public.   Anne: That's very wise, very wise.   Ian: I really don't, you know. It's just, it's easier to do that than to go, oh, I've been cast, I can't...   Anne: I think no matter what we do, we should consider that, even doing a lot of corporate work and e-learning, it really all should be considered.   Ian: It is one of the challenges with video games, because whilst we get cast often towards the end of the process, it can be months before the game is actually shipped. And I have got the list, but I've got games coming out this year with my voice in them, and I am burning, burning up with desire to tell people because I am so excited about it. And I just can't. And it's just really, really one of the hard things, you know, that you have to bury that.   Anne: Yeah. Yeah. So you got hired for this one game, it became something --   Ian: Yes. So the thing about the Twitter was, so a little while after that I had auditioned for a role in a Warhammer game called Inquisitor Martyr for one of the -- there were only gonna be three player characters. It was one of the player characters. And I got shortlisted, and they asked me for a second audition and I did that. And then they came back and they said, okay, it's down to two people, so can you do a third audition? I'm like, I almost didn't want to know. You know, me or the other guy. And if I don't get it, I know the other guy got it. And I'm like, I was so close. But , what I did say was, look, you must make the right casting choice for your game. But please know that I have a Twitter account with 10,000 followers who are all game players. And I promote any game I'm in on that Twitter account. So I just want you to know that.   Anne: I like that.   Ian: Don't let that influence your casting decision in any way at all, but know that I've got it.   Anne: Hey, that 27 years in sales, I think it served you well. I think it served you well. That's fantastic. I love that.   Ian: So I booked that. I don't know that, that's why I would like to think it was just because of my awesome acting talent. But it taught me a lesson that you can use these things to help support your profile, particularly in a high profile thing like animation or like games. You see like the anime guys that are doing that; they're always at cons promoting themselves. And you know that the anime companies are loving that. Because that sells more anime. And the video games is the same. So.   Anne: Now would you say that your award also was something you were able to use as a marketing for more characters and more work?   Ian: I'm gonna put it the other way around. I can't draw a direct line to -- I won this award in August last year in video games, and then suddenly I get cast in a lot of games. What I think happens, this is what I think happens, a lot of casters in video games are younger people. I mean, there are older ones as well, but they're very tech savvy. And I think that you --they get their auditions in, and if you get shortlisted, and you may not know you've been shortlisted, but they're gonna create a shortlist, and I think they pop over onto Instagram or onto Twitter --   Anne: Oh yeah, absolutely.   Ian: Right?   Anne: And look at your profiles and --   Ian: They wanna, who's, who is this guy? Is he an umpti or whatever. And they see the awards and they see the interaction with a game community from my case. And they go, oh, he knows what he's doing. He's obviously done it before. You know, and you can say that til you're blue in the face in a pitch proposal, but nobody reads them, I don't think. But when they see it on Instagram or they see it on Twitter, it makes a difference.   Anne: Yeah. It's validation for them.   Ian: Yeah. It's that whole trust.   Anne: Right? That maybe they're picking somebody that has that little bit of trust. Yep. That you've got these experience.   Ian: Well, and you think how many -- as, as the game studios get bigger, how many multimillions of pounds they've got invested in a game. And it has to ship successfully, otherwise the company goes pop.   Anne: Absolutely.   Ian: That narrative story to a two or three talent generally telling the story is a big decision for them. So I do think they check. I have no evidence directly for it, but I absolutely think they check.   Anne: Especially I think as a lead character. Right? I mean, there's more responsibility than just the voicing of it, because like I said, there's a persona attached to it, that can be attached to it, and the potential for that character to be able to sell more game, new releases of games.   Ian: I kind of figure if I can help sell 10 or 20 or 30 copies of the game, I'm getting out someway towards paying my own fee.   Anne: Now -- right? Now, lemme ask you though, in terms of, let's say compensation for games, right? What are your thoughts about that? I mean, do voices for big games get paid better? There's really no royalties, residuals, like that kinda sucks.   Ian: No. It does. Yeah. If I was being paid union royalties for Payday 2, I'd be a wealthier man.   Anne: Yeah.   Ian: It's just the, that's the way it is, Anne. I don't have any control over it. So all I can do is negotiate the best fee I think I can for each individual one. But that's the other thing you've got, if you like AAA games at the top of the feeding frenzy, and they can afford to pay a great deal more. And at the bottom, you've got one guy with a 40-watt light bulb who's making a game, and he wants to get a voice in it, and he just doesn't have the budget. So you have to ask yourself then, is this a game that will further my profile? Do I want my -- you almost, you talk about the celebrity element of it. Do I want my name attached to this game?   Anne: Absolutely. Yeah.   Ian: And there are games I want attached. There are a lot of games out there that the content is marginal, should we say? Not safe for work is the phrase. . And there is no value to me as a talent in attaching my name to a game like that, because it would impact -- if I wanna be in a big AAA adventure game, I think it taints a little bit, my profile. So I, there are games that I will avoid and I will ask. There's one game I'm in and they have a safe for work version and they have a non-safe work version. And I said, uh, nothing to -- if you want this character in both versions, count me out. But they said, no, we can just write you into this one. So, they did that.   Anne: That's great. Look at that. That, you know, and that's interesting that you bring up these things that I never would've thought of, because obviously I'm not doing video games, but I love that you brought that up.   Ian: But you could, Anne.   Anne: Well, I could if I wanted to. I mean, you did it. So what made you, I'm gonna say, what made you audition for that first game? Did somebody suggest it to you? Did they say, oh, we're looking --   Ian: The Payday one? No, it was an open audition. It said South African mercenary.   Anne: And you said, oh, I can do that. Right?   Ian: Yeah, absolutely. I was so naive that I thought I could do everything.   Anne: So you said, I could do that.   Ian: Yeah, I can do that.   Anne: Okay. So I have to tell you my little story.   Ian: They cast me so great.   Anne: That's fantastic. I have to tell you my story. My story was a long time ago, like when I first started, I was on one of the pay-to-plays and they had a audition out, and they said it was for a phone system and it was for a British accent. And I thought, well, I can do that. I was naive , and I got it. And literally I worked for that company for 10 years. And it wasn't until like I actually spoke to somebody on the phone, because we had communicated, got jobs from them all the time onto this. And then it became not a cool thing to do because what accent am I doing? And it started to become that sort of a thing. Well, you're not a native. They didn't know. They said, oh my God, we thought you were native --   Ian: Oh, really?   Anne: -- British. And, and it was because I just, I didn't know any better, and I made the mistake. I didn't read that where it said they wanted native. And I said, oh, I can do that. I'll give it a shot. I'll throw my audition in. And I got it. And they employed me for a good 10 years before it was like, oh, now Anne, we just need your English. You know? Not, not your British. So, but it's so interesting that you kind of on a whim just did it. And I think that really speaks to having the confidence to kind of just put yourself out there, and even for things that you don't think you're good at, because they think when people get into this industry in the beginning, they're so concerned about, oh my God, I think I should do this, and I'm no good at character, or I'm no good at -- and I think that really, you don't really know until you try.   Ian: Well, let me share another quick story for you.   Anne: Sure.   Ian: So I auditioned for another game called Road Redemption, which is a motorcycle game. And you drive along the road and you have an iron stick and you're trying to hit other people off their motorbikes. And I auditioned with a sort of a Ray Wins, yeah. Come over, we all gonna hit you with a steel bat, you know, that sort of thing. And I thought, yeah, that'll work. And they decided that they liked my take on the character. So we got together on Skype . Who remembers Skype? And we are chatting, there's three of them, and there's me here. And they're like, what's your Australian accent like? Alright, where's that, right out of left field.   Anne: Where'd that come from?   Ian: Where'd that come from? And he said, because it's this sort of Mad Max kind of feel to the game. And they said, you know, what's your, and I said, very bad. I said, any Australian will immediately notice. You know, I can put another prawn on a barbie kind of thing. But everybody will, they will know, he's not from Australia anyway. So then we're on Skype and you hear tap, tap, tap, tap, tap, tap, tap. And they've sent me a line on the, in the chat. Read that in your Australian accent, whatever it was. Hey, I'm gonna hit you in me iron bar, mate, you know, tap, tap, tap, tap, tap. Read that one in your Australian -- yeah, this shrimp's gonna really get you, you know, anyway. And at the end of it, they said, yeah, okay, we're gonna use you for the game. And I said, okay, do you want the Ray Winston thing or do you want this? Oh, we want the Australian thing. Okay. Well, I, like I said, they went, yeah, but Australia's such a small market for us. We're not worried about that.   Anne: We're not worried that people in Australia are gonna complain . Well, it's true.   Ian: Right. And Locke's the same thing with his South African. And where it led me to in my head was video games, even if they're sort of set in an earth-like environment, are fiction. And I think a lot of game makers now particularly, but certainly back then as well, the acting performance of the character outweighs --   Anne: Is more important.   Ian: -- the absolute accuracy of a given accent.   Anne: Very interesting. Especially now because now it's a casting thing. Are they casting a native UK or a native Australian? And I think that we are all in a spot, like are we going to audition for that? Ian: Well, with that rider of there are accent issues and there are ethnicity issues.   Anne: Yes. Absolutely.   Ian: You know, I absolutely would not put myself forward for a British SWANA or MENA or -- I can't say African American because that's American.   Anne: Yeah, no, I get, I get that.   Ian: British Black, I think.   Anne: I think if they're, if they're specifying -- yes. If they're specifying ethnicity, then I think, yeah, absolutely. It's something that we respect.   Ian: PGM, person of global majority.   Anne: Yep. Absolutely.   Ian: That's, that, that works well for me. So there are things that I just will walk past now that maybe 10 years ago would've been acceptable.   Anne: Sure. Yeah. Things have definitely changed over the past just a few years.   Ian: This could be quite controversial, but I've seen casters ask for a minority ethnicity, and then in the sides it makes reference to, I don't know, America or Great Britain or whatever. And you're like, the ethnicity of of this character does not match the character in the script that you are portraying. And I fear a little bit, what's been the motivation for that?   Anne: You know what, interestingly enough, I know that you say that that's a very inter -- I had that with an e-learning, believe it or not, they had the characters, it was a character based e-learning, and they were all different ethnicities. And mine was a mixed ethnicity, but then they said, don't perform it in any kind of accent. And so I thought, well what is that there for then? You know what I mean? And that was a few years back now. I would kind of hope that if they're specifying ethnicity, that they try really hard to get that so that there can be authentic and genuine. Yeah.   Ian: Yeah. And at the top end, some casting directors at the top of the market will challenge that sort of thing. They'll go back to the studio, they're in a strong enough position to go back to the studio and go, really? Does that work? Are you sure? And they will challenge that if you like the mass market, often the person hiring the voice and directing the voice is a part of the studio itself. So. Johnny at the back, go and get a voice actor, will you, for this character. I think a lot of that is kind of left to the voice actor to work out for themselves. If you have an any kind of an acting background, and you are auditioning for particularly indie video games, you are already streets ahead because the guys in the studios have never hired anyone before. They don't know who to hire really. It's kind of like, we'll know it when we hear it kind of thing. So if you can make a performance, if you can create a character that's believable within the universe of the game, you are already streets ahead.   Anne: It's very interesting that you bring up the casting directors for video games. And you know, it's not necessarily, I think, the talent agents of today that you think of for commercial and broadcast. For video games, you do have to make it authentic and believable. And these people may only be casting for their game, and maybe they've never cast for another game, or they don't have a lot of experience . But that's a great point. And so I think that even more so now, the marketing that you employed, having followers on Twitter, maybe putting your awards on your website so that it's out there and it's known, that definitely has an impact. Because your casting directors may or may not be as experienced as somebody who's casting like 10 commercials a day. Right? That's all they do. That they listen for voices and they cast, whereas games, they're so into their game that they know their characters, and they're listening for just that character to come alive, what they believe the character is like.   Ian: Yeah, absolutely, absolutely, absolutely. I had a beautiful testimonial from an indie guy, he put on Twitter, it was on Twitter, his casting notice. And he said, the character is 60 and British from the southwest of England, and he's got early signs of dementia. And he said, but there aren't many older British actors. You know, I've always found it a struggle to cast older actors. So when I wrote to him, I said, , I am 60.   Anne: I'm old. .   Ian: So anyway, so I got cast of that surprising, surprise me though. He actually cast me as a second character that he was struggling. I said to him, you said you were struggling to cast this. Have you've got anything else that you're struggling to cast? So he sent me, said, yes, I'm struggling to cast this. And he sent it to me, and I thought, I can have a go at that. So I sent it back and I said, do you mean something like this? So I didn't put it as though I was auditioning. I just said, do you mean something like this? And he went, oh great. Was that you? And I went, yes. He went, okay, yeah, you are hired.   Anne: I love it. I love it.   Ian: I booked two characters. But he said, you might just, it's a real kind of bigging myself up, but you might be, he said, the best actor I've ever auditioned.   Anne: Awesome.   Ian: And I'm like, aww.   Anne: What a wonderful, what a wonderful compliment.   Ian: Oh. That is on my Instagram. If you check -- care to go.   Anne: Yeah. There you go. . So I love that.   Ian: Oh, and I know, what did I wanted to say about, you talked about casting directors. So Bianca Shuttling, who's one of the big casting directors in LA, she goes looking on Instagram. She's very open about that. If she's not got someone in her little pool of people where she goes, she gets -- she doesn't go to agents, she goes to Instagram.   Anne: Wow, there you go.   Ian: That's where she goes.   Anne: There you go. I love that.   Ian: There, you learnt it -- you heard it third or fourth here. .   Anne: So let me say, because I really think that there's that business savvy that you have, which, BOSSes out there, do not discount the value of being business savvy and marketing savvy. Because I think that that's gonna get you opportunities that otherwise you would not already have. But I do wanna address the acting part of it because you don't just get these roles over and over again if you're not a great actor. So what do you attribute your acting prowess? Have you, just because you've been doing it for years, have you been working with coaches or what do you attribute it to?   Ian: I owe it all to my mum.   Anne: Ah, okay. Well, there you go. , I'd like to thank my mom and my .   Ian: Well, yeah. But in this case, my mom was a very prolific community actress herself.   Anne: Got it.   Ian: So my first living memory is a smell, and it's not the smell of the grease pain. It's that kind of musty damp wood smell that you get backstage in an old theater. And I have the image that follows it, but -- and I must have been maybe around two or three years old. There's no words involved in this memory. So I basically grew up --   Anne: In the theater.   Ian: -- in the backstage. Yeah. One of those things. So it was happening all around me all the time. And I did try and become a proper professional actor as a young man, but I couldn't figure out how to earn money doing it . So.   Anne: Same thing when you start off doing voice acting, right? It's kind of hard sometimes. How do I even get money? How do I even get started? Yeah.   Ian: Yeah, yeah. It took me another 27 years of sales and management --   Anne: Well, there's your overnight success. Right? And I love telling that to people. They're like, you're so successful. Like, how did you do it? And people think it's overnight, but I think obviously you've evolved so nicely into your success, and it well, well deserved.   Ian: And now it pays two -- pays me and I hired -- my wife works for me now.   Anne: There you go.   Ian: So that Christmas present 10 years ago has employed both of us now.   Anne: Yeah. So that 10 year overnight success in voiceover, I mean actually, actually it was a little less than that.   Ian: Yeah, that's interesting. Because I got my first nomination, and I was --   Anne: In 2020, right?   Ian: -- 2019, I got nominated. I didn't win anything that year, but I thought I was ahead of the curve at that point. You know, and then it all went a bit quieter after that. But the last two years, so years nine and ten, or if you count it from 2014, years seven and eight, really have my career, iIt just looks entirely different now. And it is for the people out there, the BOSSes out there, you know, if you are three, four, and five years in and you're making your way, keep going. Because it is my view that in another two or three years, if you are booking regularly, suddenly something will click, something will change, and bam, away you go.   Anne: I was just gonna ask you what's your best advice? But I'll tell you what, that was a golden nugget of wisdom right there . I think so many people, they give up so quickly, and they get their demos, and they're like, well, why am I not working? And they get so frustrated and down and yeah.   Ian: Took me three months to get my first booking. I worked for three months for nothing.   Anne: Yeah, absolutely. Absolutely. Well, Ian, it has been such a wonderful pleasure having you in here.   Ian: Are we done?   Anne: Yeah.   Ian: Already?   Anne: Well, I, I can probably talk to you for another three hours, for sure. But I appreciate you coming and sharing your journey. I think ,BOSSes out there, you can learn a lot from this wonderful gentleman. And thank you so much for being here with us today.   Ian: You're very welcome, Anne. Anytime.   Anne: I'm gonna give a great big shout out to my sponsor, ipDTL. You too can connect and work like a BOSS. Find out more at ipdtl.com. And then also I'd like to talk to you about 100 Voices Who Care. It's your chance to make a difference in the world and give back to the communities that give to you. Find out more at 100voiceswhocare.org to commit. All right, you guys, have an amazing week. Ian, thanks again, and we'll see you next week. Bye-bye.   Ian: Bye-Bye.   Join us next week for another edition of VO BOSS with your host Anne Ganguzza. And take your business to the next level. Sign up for our mailing list at voBOSS.com and receive exclusive content, industry revolutionizing tips and strategies, and new ways to rock your business like a BOSS. Redistribution with permission. Coast to coast connectivity via ipDTL.

In this episode we drink Sprecher Orange Dream and Brewdogs Caddyshack Bushwood beer. RLXP includes a brake part and a garden plant. We've played the frentic co-op game Out Of Space Couch Edition (XB/Gamepass), the novelty game Give Me The Toilet Paper (Switch), and the looter shooter with lore that's called Warhammer 40,000: Inquisitor - Martyr. Our reccos are buying parts before a project, DVDs, and VHSs. Links - Atlanta Solidarity Fund - https://atlsolidarity.org/?__cf_chl_tk=R5dA9iwCHi20XSIbCBfaIFKgj2ibm29EEQ4WWKGTEJ0-1685147789-0-gaNycGzNC_s GRPVG links - linktr.ee/grandrapidians --- Send in a voice message: https://podcasters.spotify.com/pod/show/grandrapidians/message Support this podcast: https://podcasters.spotify.com/pod/show/grandrapidians/support

Jonathan and Nick recount purging lots of heretics in Inquisitor: Martyr, a great action game with a few rough edges, but absolutely lives up to the standards of the Warhammer 40K franchise lore. If you're new to lore, don't miss Luetin's channel. https://www.youtube.com/@Luetin09

日本・北米にて今週発売される新作ゲームをひとまとめにしてご紹介です。日本『ドラゴンクエスト トレジャーズ 蒼き瞳と大空の羅針盤』『魔法使いの夜』『ザ・ランブルフィッシュ 2』、北米『Hello Neighbor 2』『Warhammer 40,000_ Inquisitor - Martyr』他。

In unserem Format "Xbox Aktuell Kompakt" werfen wir einen Blick zurück auf die vergangene Woche und fassen für euch die News-Highlights rund um unsere Lieblingskonsole zusammen - eigentlich bei YouTube, doch jetzt bekommt ihr alle Infos auch hier auf die Ohren! Inhalte dieser Folge im Detail: 00:00 Hey Leute! 00:40 Halo Infinite - https://t.co/L1c2m27reY 02:19 The Witcher - https://t.co/a4pXNjYGlh 04:55 Cyberpunk 2077 - https://t.co/UiN59lIhQV 05:45 Let's Sing presents ABBA - https://t.co/jpK84usqR6 06:37 Xbox Game Pass - https://t.co/ITZHb83Lfu 07:27 Dead Space Remake - https://t.co/r7jJRKspH4 09:07 Need for Speed: Unbound - https://t.co/ooayLWijBN 10:00 Roller Champions - https://t.co/vmqC4WxrZo 10:16 Overwatch 2 - https://t.co/YJwlxQsweQ 10:45 Warhammer 40k: Inquisitor - Martyr - https://t.co/QKJKCg9vbS 11:07 Dragon Ball Z: Kakarot - https://t.co/ixjEnEG4QR 11:30 A Plague Tale: Requiem - https://t.co/jYYE6rFYuD 11:54 Kao the Kangaroo - https://t.co/BP6iX4CgYG 12:07 eFootball 2023 - https://t.co/uBZuHLMgaW 12:25 Catan: Console Edition - https://t.co/j93bVtH4DD 13:03 Xbox-Highlights der Woche - https://t.co/aDCh1KSy3a 13:14 Medieval Dynasty - https://t.co/eab5E4ovqM 15:25 Vorschau 15:48 Ciao ciao! --- Send in a voice message: https://podcasters.spotify.com/pod/show/xbox-aktuell/message

Neste episódio de "o que estamos jogando", Demon's Souls Remake, Darksiders Genesis, Warhammer 40k Inquisitor Martyr e Assetto Corsa Competizione.

AI is a hot topic in the voiceover world. Joining me on a thoroughly interesting discussion are Rupal Patel and Ian Russell.  Rupal Patel is the Founder and CEO of VocaliD, a voice AI company that creates synthetic voices with personality for discerning brands that understand the power of customised voice and for individuals living with speechlessness who want to be heard in a voice that is uniquely theirs. VocaliD is a spin out of Rupal's research at Northeastern University where she is an internationally renowned speech scientist and tenured professor. Named one of Fast Company's 100 Most Creative people in Business, Rupal has been featured on TED, NPR, WIRED, and in major international news and technology publications. Ian is a British Actor living in the USA. Back in 2012 his wife bought him an experience gift for christmas - A one day Introduction to Voiceover - 2 years later 2014 he started his VO business. He's now a multi nominated and multi award winning talent (including Voice of the Year 2020), he can be heard in campaigns around the world including a global branding campaign for Intel and the UK localisation TV Ad for Noom. He's an established gaming and animation voice - You perhaps know him as Locke in Payday2, The Psyker in Warhammer 40k Inquisitor Martyr or Igor in the breakout Indie Hit, Chernobylite. We hear from Ian and Rupal their perspectives on how AI has a place in voiceover. By applying your business head and not your emotional one voice actors have new opportunities rather than threats as a result of AI disrupting the industry and gaining attention.   We hear how technology has moved on from the days of concatic speech synthesis and how resynthesis of the voice is done today with modern technology. Today's neural text to speech is a new way of creating more flexible and higher quality AI voices with better tone and inflection. This also requires less speech input to create scalable AI voices. Which means a world of possibilities for voice actors! Having an AI built version of your voice means your voice can be used as a consistent brand element when you aren't available, when you are on vacation perhaps, making it an element of the whole voice industry ecosystem and not the threat it's sometimes perceived to be.  Ian and Rupal tell us about the opportunities presented by AI and how to capitalise on this advancing technology and the types of work out there.    Are you ready to take your voiceover career to the next level? The Voiceover Network is an organisation for voiceover professionals providing voiceover training, webinars, The Buzz magazine, support, networking events and an amazing VO community. If you are thinking of getting into voiceover work or if you already work in this area and just want to know what's going on in the industry – then this podcast is for you. Our host is Rachael Naylor, founder and CEO of The Voiceover Network as well as an experienced voiceover artist. Thanks to our Sponsors:  Hindenburg, Apogee, Source Elements and Focusrite.  Follow us on instagram.com/the_voiceover_network/ Follow us on facebook.com/TheVoiceOverNetworkOfficial Follow us on twitter.com/NetworkVO Follow us on linkedin.com/company/the-voiceover-network-ltd/

ON THIS EPISODE:A review for season 1 of the sci-fi drama, "Severance", a review of the first 5 hours of Ghostwire Tokyo, an open and honest conversation with Paeter's wife, Holly, and a look at the power and impact we can have in life by being immersed in the truth in God's word.PLUS, more assorted topics based on your questions, feedback and Paeter's Geek Week!TIMESTAMPS00:00:30 Intro00:01:33 Ghostwire Tokyo Review00:20:30 CGC & Christian Geek Entertainment News00:40:59 The Weekly Word (2 Samuel 16-24, 1 Kings 1-10, Psalms 91-96)00:51:00 An Honest Chat With Paeter's Wife, Holly (Her Interests, Faith Life, Struggles, Marriage & Parenting)02:12:21 The power of a life immersed in God's word (Colossians Geek Bible Study)02:26:14 Severance Season 1 Review02:40:00 Listener/Viewer Questions & Feedback (Paeter's "Perfect" Pilot, DC Universe Infinite & The "Triangle Numbering" Of Superman Books) 02:57:04 Paeter's Geek Week (Game Pass/Netflix/PS+ Vs. DC Universe Infinite, Finishing Far Cry 6 Campaign, Deciding What To Play Next[Cyberpunk 2077, Darkest Dungeon, Final Fantasy IV, Tainted Grail, Weird West, Warhammer 40k: Inquisitor Martyr, Homefront: Revolution, Dragon Quest XI, Grim Dawn, Exlex 2])03:50:03 Next Episode03:52:17 Babylon 5 SchawarmaSupport this podcast and enjoy exclusive rewards at https://www.patreon.com/spiritbladeproductions SUMMER INSANITY '22 Info Page: https://christiangeekcentral.blogspot.com/2022/01/summer-insanity-22.html“Weekly Word” Bible Reading Plan & Info: https://christiangeekcentral.blogspot.com/2021/12/read-bible-in-year-with-me-weekly-word.html Submit your review of a FREE PnP Tabletop RPG for this year's "Summer Of Free!" Deadline May 1st 2022, send submissions (written or audio) to paeter(at)spiritblade(dot)com Looking for options? Try here to start: https://github.com/Zireael07/awesome-tabletop-rpgsEpisodes #0-500 of this podcast were published as "The Spirit Blade Underground Podcast" and are archived and available for download at www.spiritblade.com , Resources used to prepare the "In Search Of Truth" Bible Study include:"Expositor's Bible Commentary", Frank E. Gaebelein General Editor (Zondervan Publishing House),"The IVP Bible Background Commentary: Old Testament", by Dr. John H. Walton, Dr. Victor H. Matthews & Dr. Mark W. Chavalas (InterVarsity Press), "The IVP Bible Background Commentary: New Testament", by Dr. Craig S. Keener (InterVarsity Press),Thayer's Greek Lexicon, Strong's Exhaustive ConcordanceBlueletterbible.org (primarily for search functionality), The Christian Geek Central Statement Of Faith can be found at: http://christiangeekcentral.blogspot.com/p/about.html The Christian Geek Central Podcast is written, recorded and produced by Paeter Frandsen. Additional segments produced by their credited authors. Logo created by Matthew Silber. Copyright 2007-2022, Spirit Blade Productions. Music by Wesley Devine, Bjorn A. Lynne, Pierre Langer, Jon Adamich, audionautix.com and Sound Ideas. Spazzmatica Polka by Kevin MacLeod (incompetech.com) Freesound.org effects provided by: FreqMan

This week: we talk about how awesome the new "God of War" reboot is, then hit you with a full review of "Warhammer 40,000: Inquisitor - Martyr" and its sequel "Prophecy." Long and short, looking for a party based Diablo-esque slash and loot slaughterfest, then look no further! Next week: encore episode! Aloha! ---Games Mentioned In This Week's Episode:--- Warhammer 40,000: Inquisitor - Prophecy (-75%, $6.24, through Feb 3rd) https://store.steampowered.com/app/1042800/Warhammer_40000_Inquisitor__Prophecy/ God of War ($49.99) https://store.steampowered.com/app/1593500/God_of_War/ -------- -BE SURE TO CHECK OUT our twitch livestream at: www.twitch.tv/skookiesprite -JOIN OUR DISCORD EXPERIMENT at: https://discord.gg/M3C7AvKrj3 --POST YOUR GAME REPORTS TO PROTONDB.COM!!!! --------------------------------------------------------------- BUY A CUSTOM LUNCHSTICK FIGHT STICK (essential post apocolyptic survival equipment): https://www.etsy.com/shop/LunchSticks?ref=simple-shop-header-name&listing_id=899071632

As usual, our first show of the new year covers the show's stats for the previous year. We also discuss the Steam Awards winners for 2021. Happy New Year to all our friends and listeners! ---Games Mentioned In This Week's Episode:--- Witcher 3 Wild Hunt ($39.99) https://store.steampowered.com/app/292030/The_Witcher_3_Wild_Hunt/ Sky Force Anniversary ($9.99) https://store.steampowered.com/app/355050/Sky_Force_Anniversary/ Fights In Tight Spaces ($24.99) https://store.steampowered.com/app/1265820/Fights_in_Tight_Spaces/ Warhammer 40,000: Inquisitor - Martyr ($49.99) https://store.steampowered.com/app/527430/Warhammer_40000_Inquisitor__Martyr/ Kards (Free to play) https://store.steampowered.com/app/544810/KARDS__The_WWII_Card_Game/ Arcade Game Series: Galaga ($3.99) https://store.steampowered.com/app/403430/ARCADE_GAME_SERIES_GALAGA/ -------- -BE SURE TO CHECK OUT our twitch livestream at: www.twitch.tv/skookiesprite -JOIN OUR DISCORD EXPERIMENT at: https://discord.gg/M3C7AvKrj3 --POST YOUR GAME REPORTS TO PROTONDB.COM!!!! --------------------------------------------------------------- BUY A CUSTOM LUNCHSTICK FIGHT STICK (essential post apocolyptic survival equipment): https://www.etsy.com/shop/LunchSticks?ref=simple-shop-header-name&listing_id=899071632

It's not a real show, its us hanging out on our Inquisitor Martyr night to  get something recorded as a Sorry for messing up the real episode 84 :( We will be back later this week with a real show that hopefully records with no issues this time! Make sure you head over to the DiceHate Discord to join our growing community:  https://discord.gg/SYZqBwG You can support the channel on Patreon: https://www.patreon.com/LackofFocus https://www.patreon.com/DiceHate Check us out on Social Media: Facebook: https://www.facebook.com/DiceHate/  https://www.facebook.com/LackofFocusPodcast  You can follow Kris on Instagram @DiceHateKris

It's not a real show, its us hanging out on our Inquisitor Martyr night to  get something recorded as a Sorry for messing up the real episode 84 :( We will be back later this week with a real show that hopefully records with no issues this time! Make sure you head over to the DiceHate Discord to join our growing community:  https://discord.gg/SYZqBwG You can support the channel on Patreon: https://www.patreon.com/LackofFocus https://www.patreon.com/DiceHate Check us out on Social Media: Facebook: https://www.facebook.com/DiceHate/  https://www.facebook.com/LackofFocusPodcast  You can follow Kris on Instagram @DiceHateKris

Jonathan recounts his experience with the diablo-esque overhead action game in the Warhammer 40K universe "Inquisitor: Martyr". Great for when you just need to mow down some chaos scum and pointy aliens.

This week, the guys played games like mobile witching simulator Witcher Monster Slayer and Amazon's upcoming MMO A New World, as well as Guild Wars 2 Astralaria and The Horus Heresy Legions and Warhammer 40,000 Inquisitor: Martyr. We cover EA Play, Netflix gaming, Facebook gaming, and Zoom gaming, and the conduct allegations and lawsuit this week at Blizzard. Intro: "Combat Suite" - The New World Outro: "The Beginning of Something" - Haven, by Danger Check out our Discord community at https://discord.gg/ZTzKH8y Podcast audio produced by Jeremy Lamont

  Er det lidt varmt i aften? Casper er fanget i ejerforeningsmøde, som har en ophedet debat om korrekt beskæring af Piletræer på programmet. Vi andre taler om den nye PS5, Pathway, Inquisitor Martyr, Fortnite Season 3, Last of Us 2, og Pheonix Point “Danfort update”.

  Er det lidt varmt i aften? Casper er fanget i ejerforeningsmøde, som har en ophedet debat om korrekt beskæring af Piletræer på programmet. Vi andre taler om den nye PS5, Pathway, Inquisitor Martyr, Fortnite Season 3, Last of Us 2, og Pheonix Point “Danfort update”.

  Er det lidt varmt i aften? Casper er fanget i ejerforeningsmøde, som har en ophedet debat om korrekt beskæring af Piletræer på programmet. Vi andre taler om den nye PS5, Pathway, Inquisitor Martyr, Fortnite Season 3, Last of Us 2, og Pheonix Point “Danfort update”.

We played Final Fantasy 7 Remake and was blown away at the game. We talk about how this remake was so different from other remakes or remaster we've played, and what games we would love a 'FFVII Remake' remake of!Want to be part of the show? Give your suggestions and ask your questions at onthecouchs2@gmail.com News Bites with a Bit Of SpiceSony Is Planning a PS5 Conference for as Early as Next WeekLinks: Bloomberg, Jeff Grubb, Jason SchreierWhen will the next Grand Theft Auto come out?Links: venturebeatEpic Games StoreBorderlands: The Handsome Collection (2015)a First-person shooter, Action role-playing game. with a metacritic score of 82.Also if you have an option use our creator code OTCOUCH we make 5% on your purchases at no cost to you.PlayStation PlusCall of Duty WWII (2017)a WWII, First Person Shooterwith a metacritic score of 79.Farming Simulator 19 a Farming Simulator hahawith a metacritic score of 64.Cities: Skylines (2015)a City Builder, strategy gamewith a metacritic score of 81.These all end this month.Xbox Games Pass Minecraft Dungeons (2020) NEWA co-op Diablo-like, Hack ‘n’ Slash, RPG, open world gamewith a metacritic score of 70 at the moment. We’ve already downloaded this and we are very keen to play.Games with Gold for Xbox Warhammer 40,000: Inquisitor - Martyr (2018)a Diablo-like, Hack ‘n’ Slash, RPGwith a metacritic score of 71.VRally 4 (2018) ends this montha Rally Car Simulation gamewith a metacritic score of 67.Overlord 2 (2009) Xbox 360 ends this montha Singleplayer Fantasy, RPGwith a metacritic score of 75.

Dzisiejszy odcinek jest specjalny. Wiecie, jak ten wagon z PKP. Głupie? Ok. To inaczej. Tak długi jak... albo nie, to też nie. Posłuchajcie po prostu bo dzieje się w odcinku sporo. Uwaga, rozmawiamy o żarciu! W co graliśmy Dirt Rally 2.0 DayZ, Ken Follett's The Pillars of the Earth Mafia II: Definitive Edition Warhammer 40,000: Inquisitor – Martyr Daymare: 1998 Saints Row The Third Remaster Iratus: Lord of the Dead, Maneater Forumogadka to podcast poświęcony szeroko pojętej elektronicznej rozrywce w ujęciu odrobinę mniej poważnym i zdecydowanie mniej profesjonalnym. Od graczy dla graczy. Regularnie, bo co dwa tygodnie, w każdą sobotę późnym popołudniem możesz posłuchać nowego odcinka poświęconego nowinkom branżowym, recenzjom gier i wszystkim innym tematom, o które potkniemy się w naszych rozmowach. Więcej Forumogadki na: Stronie WWW: http://forumogadka.pl iTunes: http://itunes.apple.com/pl/podcast/forumogadka/id328575115?mt=2 YouTube: http://youtube.com/Forumogadka Facebooku: http://facebook.com/Forumogadka Twitterze: http://twitter.com/forumogadka Spotify: https://open.spotify.com/show/0WJl8GgTBW4PxavSzykiOz?si=_s2hSy9vQ6W6lBhC8nsc8A Discord: https://discord.gg/yQ6c6vU RSS: http://forumogadka.pl/rss Pytania, uwagi i groźby należy kierować pod adres: kontakt@forumogadka.pl Sat, 23 May 2020 21:33:14 GMT Dirt Rally 2.0, DayZ, Ken Follett's The Pillars of the Earth, Mafia II: Definitive Edition, Warhammer 40,000: Inquisitor – Martyr, Daymare: 19

It’s the 15th of May.  This week Halo 2: Anniversary was added to Halo: The Master Chief Collection on PC. With native mouse and keyboard support and 4K and 60FPS graphics, you can experience the campaign like never before. There are also 7 remastered multiplayer maps from Halo 2: Anniversary and 25 multiplayer maps from the original Halo 2. Halo: The Master Chief Collection is available via Microsoft Store, Steam, or with Xbox Game Pass for PC. In addition to Halo 2: Anniversary, Xbox Game Pass for PC also added Endless Legend, a 4x turn-based fantasy strategy game. You’ll control every aspect of your civilization as you build, progress, research, and choose whether to use force or diplomacy to expand your reach. Also added for PC and Console is Final Fantasy IX, an adventure RPG that will introduce you to a broad cast of characters and set you on a memorable journey. The second half of May’s Games With Gold will be available on May 16th. Xbox Live Gold and Xbox Game Pass Ultimate members can download Warhammer 40,000 Inquisitor – Martyr for Xbox One, and Overlord II for Xbox One and Xbox 360. And don’t forget, you can still get V-Rally 4 through the end of May. Thanks for listening and have a great weekend.

.שורפים משחקים, הפודקאסט לגיימר העצלן, על כל המשחקים כולם. השבוע אנחנו חוזרים מהפגרה. יהודה בדק את Fort Triumph לאחר ההשקה הרשמית, Chimera Squad המשחק החדש בסדרת XCOM וגם משחקי לוח דיגיטליים בסימולטור. אביב ניסה לשחק ב־Gears 5 עם הרבה בעיות אבל Rage 2 היה סבבה. שורפים משחקים – תוכנית מספר 201 – הוקלטה בתאריך 07/05/2020 משתתפים: יהודה חלפון ואביב מנוח. הערות הפרק באתר הרשמה לרסס שלחו לנו מייל כל הפרקים -- Arkham Horror: The Card Game, Fort Triumph, Gears 5, History 2048, Rage 2, Tabletop Simulator, Warhammer 40000: Inquisitor – Martyr, XCOM: Chimera Squad

V-Rally 4, Warhammer 40,000: Inquisitor - Martyr, Overlord II, and Sensible World of Soccer are May 2020's Xbox Games with Gold.

The Last of Us 2 was leaked to YouTube (allegedly by a pissed off Naughty Dog employee.) The result? The Last of Us 2 is now coming out in June and the internet is mad. Again.What You're PlayingColby: SWORD ART ONLINE HOLLOW REALIZATIONCliff: Final Fantasy 15, Kingdom Hearts 3Dylan: Animal CrossingNewsThere is Actually News About Good StadiaPhil Spencer Is Excited About Some Xbox Series X Tech That You Might Not ExpectGOG Galaxy Will Now Track Game Pass Games for You NowThis New Fallout 76 Robot is Going to Turn You Into a CommieCheap/Free GamesPlaystation PlusDying LightDark Souls RemasteredGames with GoldV-Rally 4 ($59.99 ERP): Available May 1 to 31 on Xbox OneWarhammer 40,000: Inquisitor – Martyr ($39.99 ERP): Available May 16 to June 15 on Xbox OneSensible World of Soccer ($9.99 ERP): Available May 1 to 15 on Xbox One & Xbox 360Overlord II ($9.99 ERP): Available May 16 to 31 on Xbox One & Xbox 360Game PassMoving Out: April 28Red Dead Redemption 2: May 7Twitch PrimeTurokEtherbornLightmatterEarthlockKathy RainYono & The Celestial ElephantEpic Games Storehttps://www.polygon.com/2020/4/28/21240024/epic-games-store-two-factor-authentication-2fa-free-gamesAmnesia: Dark DescentCrashlands

Bienvenidos al #VersusPodcast de esta semana donde platicamos de las novedades más recientes del mundo geek. En esta ocasión hablamos de Assassin's Creed: Valhalla, las filtraciones de The Last of Us Part II y los juegos gratis para Xbox y PlayStation esta semana. Las notas de esta semana son: -Koei Tecmo aun planea localizar Persona 5 Scramble -Warhammer 40,000: Inquisitor - Martyr y Overlord II encabezan los juegos de Games with Gold para mayo -Se filtran detalles de The Last of Us Part II -Assassin’s Creed: Valhalla ha sido anunciado; mañana veremos su primer avance -The Last of Us Part II y Ghost of Tsushima of llegarán en junio y julio -Irrfan Khan, actor de Bollywood conocido por Jurassic World, Life of Pi y más, fallece a los 53 años -PUBG, Zombie Army 4, Octopath Traveler y más llegan a Stadia -Cities: Skylines y Farming Simulator 19 son los juegos de PS Plus para mayo Además las recomendaciones de la semana.

Here’s your news for Wednesday the 29th of April.   Gears Tactics just launched and you can play it now on Steam, Windows 10, and Xbox Game Pass for PC. Set 12 years before Gears of War, you’ll play as Gabe Diaz on your mission to hunt down the Locust mastermind. Featuring unique turn-based combat, this is an intense new way to experience Gears.   Out now is Moving Out, a physics based moving simulator with challenging quirky levels. You can play solo or with 4-player local co-op. The great news? Moving Out is also launching into Xbox Game Pass for console and PC on Day One.   April’s Games with Gold have just been announced. Starting May 1st, Xbox Live Gold and Xbox Game Pass Ultimate members can download V-Rally 4 for Xbox One, and Sensible World of Soccer for Xbox One and Xbox 360. Starting May 16th, download Warhammer 40,000: Inquisitor – Martyr for Xbox One, and Overlord II for Xbox One and Xbox 360.   Also Human Fall Flat is adding the brand-new level Thermal, free for all owners of the game and for Xbox Game Pass for Console and PC. You can explore the new gold-filled world and manipulate rising air thermals to get around.   Next, DRAGON BALL Z Kakarot is getting its first DLC episode. The DLC adds a boss battle against the God of Destruction, Beerus (beer-us) and challenges you to reach Super Saiyan God Form.   Finally, the Activision Blizzard Publisher Sale is on now. Save up to 67% on great titles like Call of Duty: Modern Warfare, Call of Duty Black Ops 4, Diablo 3: Eternal Collection, Crash Team Racing, and more.   That’s all for today and we’ll see you tomorrow.  

In this week's games-we-played extravaganza, Dale and LeGrande and Jeremy have been hitting some new hotness and also a Warhammer game. Dale gets that last bit out of the way up front by discussing Warhammer: 40,000: Inquisitor: Martyr. (Colons speculative). LeGrande has been playing the new Warzone mode in Call of Duty Modern Warfare, and Jeremy gets a shot in at the Final Fantasy VII Remake demo before talking mostly about Ori and the Will of the Wisps. Intro: "Momma Said Knock You Out (Undefeated Reix)" - Call of Duty Modern Warfare: Warzone Outro: "Sanctuary in the Glades" - Ori and the Will of the Wisps, by Gareth Coker Check out our Discord community at https://discord.gg/ZTzKH8y Podcast audio produced by Jeremy Lamont

SCF Episode 2 Credits Thank you for checking out my podcast! Discussion topics this time include the Warhammer gaming franchise, Destiny 2, and the Fast and the Furious movies. I then move into more tips about writing. Novels, short stories, and even concept musical projects. Check out the following supplemental links for this episode: Support me at ko-fi: http://ko-fi.com/societycasefiles www.societycasefiles.com (My web site). Writing Dialogue: https://www.amazon.com/Write-Great-Fiction-Gloria-Kempton-ebook/dp/B005E8AEJ0 (Anything from the 'Write Great Fiction' line is great). Creating Plot: https://www.amazon.com/Novelists-Essential-Guide-Creating-Essentials/dp/0898799848 Art of Dramatic Writing: https://www.amazon.com/Art-Dramatic-Writing-Creative-Interpretation/dp/0671213326 Destiny 2: https://www.bungie.net/ Warhammer 40k Inquisitor Martyr (longest name ever) https://neocoregames.com/en/games/warhammer-40k-inquisitor-martyr Thank you so much for checking this out!

In this episode we discuss our experience with Warhammer 40K Inquisitor Martyr through out the month of March! --- Support this podcast: https://anchor.fm/tastylootgaming/support

No politics this week, only games and maybe a movie or two. We promise. It’s been too cold to get worked up about anything outside of our warm, cozy houses. Chamberlain has moved from one mediocre Diablo clone to another. What Shadows Awakening lacked in creativity Warhammer 40,000 Inquisitor Martyr make up in big words and inscrutable mechanics. Alex has returned to Slay the Spire but has yet to actually slay the eponymous spire. And Chance and Overwatch are on a ‘break,’ so he had plenty of time for Darkest Dungeon, Horizon Zero Dawn and Resident Evil 2.

Μεγάλη παρέα στα μικρόφωνα της εκπομπής που μεταδόθηκε την Τρίτη 29/5 (Νικόλας Μαρκόγλου, Νίκος Πλωμαριτέλης, Κώστας Παπαμήτρου, Θάνος Τσομπάνης και Γιώργος Καλλίφας) με συζήτηση για πολλά θέματα, όπως τα ταξίδια μας σε Αμβούργο και Βουδαπέστη για τα Warhammer 40k Inquisitor Martyr και State of Mind, τα παιχνίδια που έχουμε ήδη κανονίσει να δούμε στην Ε3 και πολλά ακόμα.

¡NUEVO PROGRAMA! Esta semana os traemos un nuevo y variado “Reseñas de Maná“ en el que analizamos todos estos títulos: Divinity: Original Sin 2, The Messenger, Shenmue I & II HD, Guacamelee! 2, Pro Evlution Soccer 2019, Warhammer 40.000 Inquisitor Martyr, Monster Hunter Generations Ultimate, Yakuza Kiwami 2, y State of Mind. Como veis, mucho, muy bueno y para todos los gustos. Que disfrutéis. En este programa intervienen: Jaime (@jaibrot), Alberto (@Martin87Alberto), David (@davidvalero), Oscar (@furgonetero), y Pedro (@pedro16marti) del podcast Logros y Trofeos (@logrosytrofeosp)

¡NUEVO PROGRAMA! Esta semana os traemos un nuevo y variado “Reseñas de Maná“ en el que analizamos todos estos títulos: Divinity: Original Sin 2, The Messenger, Shenmue I & II HD, Guacamelee! 2, Pro Evlution Soccer 2019, Warhammer 40.000 Inquisitor Martyr, Monster Hunter Generations Ultimate, Yakuza Kiwami 2, y State of Mind. Como veis, mucho, muy bueno y para todos los gustos. Que disfrutéis. En este programa intervienen: Jaime (@jaibrot), Alberto (@Martin87Alberto), David (@davidvalero), Oscar (@furgonetero), y Pedro (@pedro16marti) del podcast Logros y Trofeos (@logrosytrofeosp)

In today's episode we talk about a bunch of 40k stuff before chatting about our recent holiday(s). The we discuss The Surge, Know no Fear, Submerged, Disenchantment, Inquisitor Martyr, Battle for Azeroth, Monster Hunter World and Pokemon Sun. All before tackling your questions! Emails to: onlydrummermattatsnipeandwib@gmail.com

Medverkande denna gång är: Carl, Fredrik, Louise och Danny. VECKAN SOM HÄNT! (Tid: 0t 01m 46s) Vi tar upp och pratar länge och väl om; Filmerna Mary och Häxans Blomma och Fredrik smyger som en katt runt het gröt om Hereditary (inga spoilers som tur är). Vi har spelat nyutgåvan av klassikerna Shenmue I & II, jagat runt i Monster Hunter: World och köttat allt som vi kan i Warhammer 40k - Inquisitor Martyr. Vi tar även upp om rektorn som vill anmäla föräldrar till socialtjänsten om de låter deras barn spelar t.ex. GTA V, pratar om fördelarna med att kunna hyra en Xbox via "Xbox All Access". Slutligen så får Carl prata loss sig lite på att Nvidia har visat upp sin nya 2000 grafikkortsserie! VECKANS DISKUSSION (Tid: 1t 18m 49s) Swedish Delight! Svenska utvecklare som utmärker sig! info@nordlivpodcast.se★ Support this podcast on Patreon ★

This time we’re talking about Shadespire, Warhammer 40,000: Inquisitor Martyr and don’t once comment on how bad a name that is, Quarantine Circular, Stellaris and Factorio. There’s a video version as well of course.

Episode 80 - "Retroactive Continuity" - In our latest Only War show, we start the story of our own campaign which started back in beta. We also preview Inquisitor Martyr, discuss the Hunter Killer regiment doctrine, and tackle the use of retconning in games.

Greetings Crusaders! Katzu and Gigabyte talk about episode thirty-three of BHVR’s “Into the Warp” livestream, cover the facts and our thoughts on Founder’s Access, chat about the new Tau super-heavies, Dark Nexus Arena, Eisenhorn, Inquisitor: Martyr, and Deathwatch.   View the […] The post Vox Arkhona Mission 18: The Sack of NDA appeared first on Holosuite Media.