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Daryn is a clinical professor of psychiatry and behavioral sciences at Stanford, dedicated to advancing trauma-informed mental health care and human rights. He leads the Human Rights in Trauma Mental Health Program, where he works with survivors of genocide, torture, and human rights violations locally and globally. With extensive experience in cross-cultural trauma psychiatry, Daryn consults for international courts and international investigations of war crime advising on complex cases of transitional justice and mental health. He currently serves as a consultant for trauma psychiatry to the United Nations' Investigative Team to Promote Accountability for Crimes Committed by Da'esh/ISIL, for the International Criminal Court, and for Human Rights Watch.    He has developed new clinical and educational programs for underserved communities in the Bay Area. Daryn also teaches a course on the psychology of happiness and leads the Stanford Stoked! Laboratory. Send a textSupport the showCan't get enough of the Journey On Podcast & it's guests? Here are two more ways to engage with them. Find exclusive educational content from previous podcast guests which include webinars, course and more: https://courses.warwickschiller.com If you want to meet your favorite podcast guest in person, you can attend our annual Journey On Podcast Summit either in person or via live stream: https://summit.warwickschiller.com Become a Patreon Member today! Get access to podcast bonus segments, ask questions to podcast guests, and even suggest future podcast guests while supporting Warwick: https://www.patreon.com/journeyonpodcastWarwick has over 900 Online Training Videos that are designed to create a relaxed, connected, and skilled equine partner. Start your horse training journey today!https://videos.warwickschiller.com/Check us out on Facebook: https://www.facebook.com/WarwickschillerfanpageWatch hundreds of free Youtube Videos: https://www.youtube.com/warwickschillerFollow us on Instagram: @warwickschiller

It's terrorism. Old Dominion University. Trump: Watch what happens to these deranged cardboard scumbags today. More losses for EV auto makers. Old Dominion terror suspect had ties to ISIL. Soros backed DA blames the guns not the terrorist. Indiana Senate Democratic Leader Shelli Yoder reacts to Braun backing Turning Point school clubsSee omnystudio.com/listener for privacy information.

It's terrorism. Old Dominion University. Trump: Watch what happens to these deranged cardboard scumbags today. More losses for EV auto makers. Old Dominion terror suspect had ties to ISIL. Soros backed DA blames the guns not the terrorist. Indiana Senate Democratic Leader Shelli Yoder reacts to Braun backing Turning Point school clubs Indiana Senate Democratic Leader Shelli Yoder reacts to Braun backing Turning Point school clubs. Today’s Popcorn Moment: Senator Chris Murphy trying to demoralize the US Military. Today on the Marketplace: Baby Jail. Terrorist attacks in VA and MI. There are more of us than them. Operation Epic Fury update from Pete Hegseth. NYC wants a $30 minimum wage. US Economy growing at an anemic rate. TV Theme Song: Film Friday - Pink Panther. The left all of a sudden cares about money being spent by the governmentSee omnystudio.com/listener for privacy information.

In this episode of Gangland Wire, I sit down with retired FBI agent Geoff Kelly, a specialist in art theft investigations who inherited one of the most notorious unsolved cases in American history—the 1990 robbery at the Isabella Stewart Gardner Museum. He recently wrote a book about this theft titled 13 Perfect Fugitives: The True Story of Mob, Murder, and the World’s Largest Art Heist. Kelly's law enforcement career began as a New York City transit police officer before transitioning to the FBI. Like many agents, he initially sought violent crime work. Instead, he was assigned to economic crimes before eventually transferring to a violent crime squad. It was there that he encountered the Gardner case—a cold case largely untouched by senior agents at the time. The robbery itself remains extraordinary: two men posing as police officers gained entry to the museum and stole 13 works of art, including masterpieces by Rembrandt. More than three decades later, none of the works have been recovered. Inside the Gardner Heist Geoff explains how art theft is often misunderstood. Popular culture portrays refined, sophisticated criminals orchestrating elaborate capers. The reality, he says, is usually more opportunistic and frequently violent. Art theft often intersects with organized crime, drug trafficking, and even homicide. Massachusetts has a documented history of art-related crimes, and several individuals connected to the Gardner investigation met violent ends. The criminal underworld surrounding stolen art is less about wealthy collectors hiding paintings in private vaults and more about leverage—using artwork as collateral in criminal negotiations. The FBI's Art Crime Evolution Following the 2003 looting of Iraq's National Museum during the Baghdad invasion, the FBI formalized its Art Crime Team. Kelly discusses how intelligence gathering, informants, and international cooperation became central tools in recovering stolen artifacts. He emphasizes that solving art crimes often depends less on forensic breakthroughs and more on human intelligence. Informants remain essential, especially in cases where organized crime overlaps with high-value theft. Kelly also discusses his upcoming book, 13 Perfect Fugitives, which explores the intersections of mobsters, murder, and the illicit art market. Organized Crime and the Reality of Stolen Art Drawing on my own experience working organized crime in Kansas City, I found clear parallels between traditional mob rackets and art theft networks. The same structures—intimidation, secrecy, and violence—apply. Once a painting disappears into criminal circulation, it becomes a liability as much as an asset. Kelly challenges the myth that thieves profit easily from masterpieces. High-profile works are difficult to sell. The black-market art world is volatile and dangerous. In many cases, the artwork becomes bargaining collateral rather than a cash windfall. A Case Still Waiting for Closure More than 30 years later, the Gardner Museum still displays empty frames where the paintings once hung. Kelly remains committed to the idea that public awareness may eventually generate new leads.  The Gardner heist stands as both a cultural tragedy and a criminal mystery—one that continues to intersect with organized crime, violence, and international intrigue. Hit me up on Venmo for a cup of coffee or a shot and a beer @ganglandwire Click here to “buy me a cup of coffee” Subscribe to the website for weekly notifications about updates and other Mob information. To go to the store or make a donation or rent Ballot Theft: Burglary, Murder, Coverup, click here To rent ‘Brothers against Brothers’ or ‘Gangland Wire,’ the documentaries click here.  To purchase one of my books, click here. Transcript [0:00] Hey, you guys, Gary Jenkins back here in studio Gangland Wire. Y’all know me. I’m a retired Kansas City Police Intelligence Unit detective and now podcaster and documentary filmmaker. I have in the studio today… Jeff Kelly, he’s a now-retired FBI agent. He was an expert in recovering stolen artifacts and art pieces. He was involved. He wasn’t involved in the original theft of the Boston art theft, the Isabella Stewart Gardner Museum, but he ended up inheriting that case. So welcome, Jeff. Hi. Thanks, Gary. Nice to be here. And guys, I need to mention this right off the bat. Jeff has a book, 13 Perfect Fugitives, The True Story of the Mob, Murder, and the World’s Largest Art Heist. Be out on Amazon. I’ll have links down below in the show notes if you want to get that book. I think it would be pretty interesting. I was telling Jeff, I just interviewed Joe Ford, the million-dollar detective, the guy that goes after classic cars, and I read that book. I love these kind of caper kind of books and caper crimes. Those are the ones I like the best is the caper crimes. And Jeff is an expert at working caper crimes. And that’s what these are, capers. So Jeff, how did you get into this? Now you came on the FBI. You were a policeman before, I believe. So tell the guys a little bit about yourself and your FBI career. Yeah, I started out with the Metropolitan Transportation Authority Police in New York City. It was a transit cop. I did that for three years. And then I got into the FBI in October of 95. [1:30] And my goal was always, I wanted to work violent crime. That’s what drew me to law enforcement in the first place, working bank robberies and kidnappings and fugitives. I had to do my five years on working economic crime, telemarketing fraud. It was interesting, but not all that exciting. And finally in 2000, I got my transfer to the violent crime squad. And I loved working it. And I did it for my entire career from then on, right up until my retirement in 2024. But back then, art theft was considered a major theft violation, [2:01] and it was worked by the Violent Crime Squad. And so in 2002… My supervisor dumped this old moribund cold case in my lap. It was the Isabella Stewart Gardner Museum heist. [2:15] Nobody wanted it on the squad, so they figured, let’s give it to the new guy. I was ecstatic to get it because I’d heard about it. I went to school in Boston. I went to Boston University and graduated the year before it happened, but I knew about it. [2:28] That’s how I started working this case, this particular case, and then the following year during the U.S., there was a, the U.S. And coalition forces invaded Baghdad in Iraq. And during a 36-hour period, more than 15,000 objects of very, very important cultural history were looted from the National Museum of Iraq. And it’s really one of the most important museums in the world in terms of our shared history. Kind of the cradle of civilization over there in the Tigers and Euphrates River. Yeah, and that was the time when the FBI kind of belatedly realized that there was no art crime team to investigate this. And of course, FBI agents have been working art theft like any other property crime since the beginning of the FBI’s existence, but there was no codified team. So they did a canvas for the team in 2004 and I applied for it because at this point I’d been working the Gardner case for a couple of years and really was fascinated by it and made the team. And so then over the next 20 years, we continued to expand the team both in size and in scope and in our intelligence base and knowledge base. And when I left the Bureau in 2024, it was and still is a tremendous team with a lot of very dedicated and professional agents and professional support. [3:51] Now, guys, if you don’t know about the Isabella Stewart Gardner case, there was a Netflix documentary on it a few years ago. It was an art museum in Boston. [4:01] Two guys showed up. They had Boston police uniforms on, and they got in. They basically, it was an armed robbery, and they took control of the museum. The guards were in there late at night and took these really valuable paintings out. I believe you told me earlier they were Remington paintings. We’ll get into that. And it was a violent crime. It was an armed robbery of paintings, and you told me about other armed robberies of paintings. I think you got into some other armed robberies of paintings. You always think of, as you mentioned before, the Thomas Crown Affair character that goes out and does these sophisticated art thefts. That’s not always true, is it? It’s never that way, but it doesn’t matter. Don’t let the facts get in the way of a good story. Everybody wants to believe that art thefts are pulled off by the Thomas Crown Affairs and these gentlemen thieves repel in through skylights and do all that fancy stuff, put it in their underground lair. That’s just not the way it works. But if you look to art theft. [4:55] Massachusetts really is a cradle of art theft in this country, and it’s very unique. The first armed robbery of a museum occurred in Boston in 1972. It was committed by a guy named Al Monday, who was a prolific art thief. And they stole four pieces from the Worcester Art Museum in central Massachusetts with a gun. They ended up shooting the guard. And one of the pieces that they stole was a Rembrandt called St. Bartholomew. [5:26] And in keeping with the milieu of true art thieves, the paintings were stored on a pig farm just over the state line in Rhode Island. And when this Connecticut safecracker by the name of Chucky Carlo, who was looking at some serious time in prison for some of the crimes that he committed, when he found out that Al Monday had these paintings, he just simply kidnapped Al Monday and stuck a gun in his ribs and said he would kill him if he didn’t give him the paintings. which is no honor among thieves. And Al turned over the paintings, Chucky returned them, and he got a very significant break on his pending jail sentence. Right here in 1972, Boston thieves see Rembrandt as a valuable get-out-of-jail-free card. [6:09] And then if we jump forward three years to 1975, there was a very skilled art thief, really a master thief by the name of Miles Conner. I interviewed Miles for my book. It was very gracious of him to sit down with me for it. And he had robbed or committed a burglary of the Woolworth estate up in Maine, the family, the five and dime family magnets. And he got caught for it because he tried to sell those paintings to an undercover FBI agent. And so he was looking at 12 years in prison for it. And he was out on bail. And he reached out to a family friend who was a state trooper. And he asked him, how can I get away with this one? How can I get out of this? Because he was in serious trouble. The trooper’s response was meant to be hyperbolic. The trooper said, Miles, it’s going to take you a Rembrandt to get out of this one. [6:57] And so Miles said, okay, I’ll go get a Rembrandt. And he got a crew together and they did a daylight smash and grab at the Museum of Fine Arts in Boston, just across the street from the Gardner. And they stole Rembrandt, the girl in a gold-trimmed cloak. [7:12] And he was able to return that painting. Instead of doing 12 years, he did 28 months. And he even managed to, he told me he even managed to get the $10,000 reward in the process. So you have this atmosphere in Massachusetts that Rembrandts are a valuable commodity, right? They can help you out in a jam. And so I think it’s no coincidence that in 1990, when the Gardner Museum heist came down, the Gardner Museum had this array of motion sensors all throughout the museum. It would alert to wherever you went, every gallery, hallway, whatever. [7:49] And we know from these motion sensors that after, as you said, the two guys went in disguised as cops and bluffed their way into the museum, they made a beeline for the Dutch room, which is the room of all things Rembrandt. They stole three Rembrandts. They stole a fourth piece called Landscape with an Obelisk, which was actually by Govard Flink, but it had been misattributed to Rembrandt until the mid 80s. And then they took a large Rembrandt oil-on-panel off the wall and it was recovered the next morning leaning against a piece of furniture. We believe they just overlooked it in the dark. So out of the 13 pieces taken, three were Rembrandt, a fourth was misattributed to Rembrandt, and there was going to be a 14th piece taken, which was also Rembrandt. It definitely falls into that theory that this was going to be a hold-on to these pieces for a while and see if you can use them for a break. [8:48] Interesting. Now, back in the 70s, for example, when somebody would work in an art robbery like that or an art theft, you got your tried and true ways of working a crime. You got to have sources, you got to have witnesses, and hopefully you can get a crime like this. You can get a source that says, hey, this guy, we had a guy in Kansas City that he was a fence for these kinds of guys. He had an antique auction and he took all this stuff and got it somewhere else. So at the time, just use your regular police methods. And what changed over the years as you’ve done this? Yeah, certainly we’ve become much more sophisticated with the techniques that we use. But at the end of the day, it’s always still going to be intelligence. But I found from working my entire career in violent crime, virtually my whole career in violent crime, the sources are crucial. Having a good informant can make and break a case. And working art theft investigations, you’re certainly going to have the same types of fences of informants, fences for stolen property and what they’re hearing about what organized crime guys are doing and what drug guys are doing. But it also opened up a whole new avenue of sources for me as working in art investigations, because now you’ve got pawn shops and gallery owners and auction houses, and they’re in a position to know when not only when stolen artwork is coming in, but also fakes and forgeries. We spoke about this, that. [10:16] Somebody comes in with one valuable piece that would be very difficult for somebody in his or her position to come across one piece like this, let alone a dozen of them. That really points to probably a fake. And so that’s really the key to solving these things is just having a good intelligence base who’s going to let us know about when something comes up that’s either stolen or it’s been forged. [10:43] Brings up a question. In my mind, did you ever work a gallery owner or a gallery [10:48] that then would filter in, knowingly filter in some fakes every once in a while? They couldn’t do it 100% of the time, but you could certainly make some extra money by filtering fakes out of it because many people would get it and they’d never know. Nobody would ever know. Listen, it is a really difficult thing when you’re working these types of crimes because unlike bank robber, you go into a bank and you stick them up with a gun and take them on. It’s not up to the government to be able to prove at trial that you knew that the bank was insured by the FDIC. You went in and you robbed it, you committed the offense. When you’re talking about interstate transportation of stolen property or possession of stolen property, there are what’s called specific intent crimes, meaning you have to prove the element of knowledge. You have to be able to prove that the person knew that that item was stolen. Not that it said it was stolen. and you had to show that they knew it. And that’s a really high hurdle to overcome. And typically what we do to try and prove that specific intent is we’re going to go through. [11:53] Recorded statements made to a source or to an undercover or emails or texts or something that we can show that this person knew that item was stolen. And so we would see that a lot in auction houses and galleries. There’s a lot of willful blindness where a lot of gallery owners and auction houses, they’re going to look the other way because it’s too lucrative to pass up. And in fact, in 2015, the art crime team, once we received information that ISIL or ISIS was using looted cultural property from Syria and Iraq as a form, a viable form of terrorism financing. And we put auction houses and gallery owners on notice in 2015, and we basically told them that if you’re selling objects of cultural patrimony or cultural heritage with a dubious provenance, like a wink and a nod, you may be unwittingly or wittingly funding terrorism. While we never charged anybody with it, hopefully it was an eye-opener that when you’re getting into this world, it’s not a victimless crime. There are very real victims involved. [13:07] And that’s one of the things that really is interesting about working our crime investigations. And I used to get ribbed by my friends who were not on the art crime team about [13:18] where like the wine and cheese squad were raised and everything. But our subjects are far from it. We’re dealing with organized crime, gangs, terrorists. This is no joke. These are serious individuals and the stakes are high. And in the Gardner case, three or four people that we believe were involved in the heist were murdered a year after the Gardner case crime occurred. Yeah, I was just going to go back to that a little bit, as we said before, a little bit like the Lufthansa case. All of a sudden, everybody that was involved in the theft. Started dropping like flies. So tell the guys about that. That is really interesting. [14:00] Yeah. So the two individuals that we believe went into the museum dressed as cops, just a week shy of the one-year anniversary, one of the guys was found dead in his apartment of an acute overdose of cocaine, intravenous. And his family admitted that he used Coke, but they said he was terrified of needles. He was scared of needles. So it really looked to be like a hotshot, an intentional overdose of cocaine. Two weeks later, the other guy who we believe went into the museum with him, his wife reported him missing. And a couple of weeks later, his bullet riddled body was recovered in the trunk of his car out by Logan Airport in East Boston. There was another member of that crew. These were all part of the same crew. This Carmelo Merlino, who was a Boston mobster, had an auto shop down in the Dorchester section of Boston. Another member of his crew, a guy named Bobby, six weeks after the heist, he brought in, he visited a jeweler in the downtown crossing jewelry district in Boston. He came in with this object and he unwrapped it. It was an eagle. [15:03] It was the finial from the Napoleonic flag that was stolen in the Gardner heist. And he asked the jeweler, how much is this thing worth? And the jeweler looked at it and he said, it’s worth nothing. Because he immediately recognized it as one of the people that had been stolen six weeks earlier from the Gardner heist. And then a few months later, Bobby was stabbed to death and nearly decapitated on the front porch of his house. And the responding police saw that his house had been broken into and ransacked like his killers had been looking for something. There was a fourth guy, Jimmy, who bragged to his girlfriend a few months after the heist that he had a couple of pieces from the Gardner Museum hidden in his attic. [15:47] And in February of 1990, 11 months after the heist, he was executed on his front porch in what the local police called a mob hit. So, yeah, these are the types of crimes that have a tendency to have a chilling effect on anybody who harbors any aspirations to come forward with information. Yeah, and we talked earlier a little bit about, like, the crime itself, and the statute of limitations is up on that, what you said, and the crime itself, but how we talked a little bit and explained to them about how this could be part of a RICO case. And you’ve got the murders and you’ve got the actual theft and whatever they did with the paintings, then maybe you could get over after a Bob boss as a Rico case. Tell the guys a little bit about doing that. Yeah. [16:32] I’ve heard it so many times in more than two decades that I worked the case and people would say, geez, why don’t people come forward? They’re just paintings. There are so many times they’re just paintings. They’re like, yeah, they are, but there’s two things about that. Number one, there’s some dead bodies on these paintings, three or four, and that there’s no statute of limitations for murder. And so if you implicate yourself in the theft or you implicate yourself in possessing or transporting these paintings at any time, the fear is that you’re then implicating yourself in a homicide. And the other aspect of this, which I think has a chilling effect, is the fact that transportation of stolen property is one of the predicate acts for RICO, racketeering influence corrupt organization case. And RICO is basically, Gary, is basically an entire organization is corrupt. Yeah. There’s no legitimate purpose. It’s what we think about the mob and the [17:27] FBI has taken down the mob in the past. So if you implicate yourself in stolen property and you’re part of organized crime, that’s one of the predicate acts for a RICO. And that’s basically life sentences. And so one of my goals in the years and years that I worked in this case was to try and convince people that you could come forward with information and the U S attorney’s offices, whether it’s up in Boston or new Haven or Philadelphia. [17:58] Would be willing to figure out a way to get the paintings back with immunity from prosecution for a RICO case. Look, that’s a high hurdle. That’s a high hurdle to convince somebody that if you come forward, you’re not going to get charged and you’re eligible for millions of dollars in reward. That’s a tough bill to swallow, but it’s the truth. I’m retired from the FBI now. I can tell you that it was, it’s a, it was, and still is a bona fide offer. And that’s one of the goals that I’ve always tried to impress on anyone is the opportunity to become a millionaire without going to jail. There you go, Jeff. Can you, now you’re not with the Bureau anymore. Can you go out, if you could go out and find them and bring them in, could you collect that reward? I would certainly hope so. [18:48] I can’t tell you how many of my friends thought that I had some of these paintings stashed in my basement. Waiting for retirement to go turn them in the next day. I think half the guys I worked with were expecting to see me pull into the parking lot of the FBI. [19:01] Big package, but no. But yeah, I suppose I could. By this point, I can tell you the amount of my very being that I put into this case over two days. Yeah. I just would love to see these paintings go back just because they need to be back at the museum. That’s where they belong. Now, these crimes, they seem, You said there’s a lot of murders attached to this. They seem a little boring. Did you have any exciting moments trying to pop anybody or do any surveillances? I know we did a big surveillance of a bunch of junkies that were going around stealing from small museums around the Midwest. And we follow them here in Kansas City. And they would have been pretty exciting had we had a confrontation with them. Did you have any exciting moments in this? It actually was a fascinating case. And for the first, there’s the really boring aspects of this job and tedious aspects. And I would say that in my, two decades working this case, I probably did, I don’t know, 50, 60, 70 consent searches, searching in attics and basements and crawling through crawl spaces and just getting sweaty and covered in cobwebs. But the break in the case for me came in 2009 when one of the guys who was part of Merlino’s crew who was deceased, his niece came forward to me and told me that the paintings. Some of them had been hidden up in this guy’s hide at his house up in Maine. I went up to Maine with Anthony Amore, who’s the director of security for the Gardner Museum. We worked on this case together for years. [20:29] And then we found that hide. And then we interviewed, right from there, we went and interviewed Guarenti. That’s the guy, Bobby Guarenti. We interviewed his widow and she broke down and admitted that he once showed her the paintings and she gave them to a guy down in Connecticut. And we identified that guy and we interviewed him. My name is Bobby Gentile. He’s a made member of the Philly Mob. He got straightened out with his crew back in the late 90s. [20:54] And he refused to cooperate. And then that’s where we really just started getting, using a lot of ingenuity to try and break it. And an agent down in the New Haven office, a guy by the name of Jamie Lawton, he joined our team and we started working this case. And he had a source who knew Gentile, Bobby Gentile, and the source started buying drugs from Gentile. Ah, there we go. We ended up arresting Gentile and we did a search warrant at his house. And it was crazy. Like we recovered, I want to say seven handguns, loaded handguns lying all over the place. He had a pump action shotgun hanging by the front door. He had high explosives. We had to evacuate the house and call him the bomb squad. But the interesting thing was he had the March 19th, 1990 edition of the Boston Herald with headlines about the Gardner heist and tucked inside that newspaper was a handwritten list of all the stolen items. With what looked like their black market values. This is in the house of a guy who swore up and down that he’d never heard of the Gardner Museum. And we were able to figure out who wrote the list. It was written by none other than Al Monday, who’s the guy that did the first armed robbery of a museum, of a Rembrandt. And we interviewed him and he told us that he wrote that list for Bobby Gentile and his buddy up in Maine, Bobby Garanti, because they had a buyer for the paintings and they wanted to know what they were worth. [22:24] So yeah, and then Gentile took 30 months. [22:28] He wouldn’t cooperate. And while he was incarcerated, we turned two of his closest friends to becoming sources. And so when he got out of prison in February or April of 2014, they started talking to him and talked about the gardener and they said they might know somebody who’d want to buy him. That’s how we then introduced an undercover agent. Gentile was introduced to Tony, this undercover FBI agent. Over six months, they had long talks about selling the paintings. Unfortunately, before Gentile would sell the paintings, he wanted to do a drug deal first, which we couldn’t allow to happen. We can’t let drugs walk on the street. So we had to take it down. And although we’d seized all these guns from Gentile back in 2012, he told the sources the FBI didn’t get all of his guns. Because of that disturbing comment, one of the sources asked Gentile if he could buy a gun for him. And Gentile sold him a loaded 38. So we arrested him again. And he still refused to cooperate. I don’t respect what he did for a living or a lot of the things that he did, but you do have to respect his adherence to his values. However, misguided they may have been, he took the code of omerta, the code of silence to heart, and he took it to his grave. He died, I think, in 2021 after going to prison a second time. [23:50] While we never got any paintings back, it was a tremendous ride, and I’m confident they will come back. It’s just going to be a question of when. Yeah, that kind of brings up the question that you hear people speculate. Did you ever run across this? Is there actually any rich old guys or an Arab sheik or somebody that buys stuff like this and then really keeps it and never shows it to anybody? Does that unicorn really exist? everybody wants that to be true i know virtually it’s not yeah there’s there’s never been a case of some wealthy what we call the doctor no theory some some reclusive billionaire with his underground lair filled with all the illicit stolen treasures of the world yeah that’s it’s never happened yeah i guess you never say never but but no look the majority statistically about three-quarters of everyone that collects art in this country does it for, and I assume it’s probably worldwide, does it for the investment potential. There’s a lot of money to be made in collecting art. It rarely, if ever, drops in value. So that’s why people collect art. If there’s somebody who has a particular piece that they want so badly that they’re going to commission its theft, it’s more the stuff of Hollywood. It could happen, but we’ve never seen that happen yet. Interesting. [25:14] We did have one case here where we had a medical doctor and he had it on the wall of his house. And it was, I believe it was a Western artist named Remington that these junkies stole out of Omaha. But it was such a minor piece that he could show it to anybody and they wouldn’t. They would say, oh, that’s cool. You got a Remington. [25:30] There’s plenty of those around. And he could afford a real deal Remington anyhow. So it wasn’t that big a deal. And that’s really what it comes down to is that art, high-end art does get stolen. It gets stolen quite often. The art market is about $60 billion, and the FBI, we estimated about $6 to $8 billion of that is illicit, whether it’s theft or fakes and forgeries. It’s a tremendous market, but it’s mostly second and third tier items. [26:02] Really valuable, well-known pieces. They do get stolen, but that’s the easy part. The easy part is stealing it. The hard part is monetizing it. That’s why you very rarely see recidivism among art thieves, high-end art thieves, because you do it once, and now you’re stuck with the thing. It’s easier to steal something else. You got to go out and boost fur coats and stuff to make a living. Exactly. Do a jewelry store robbery down there and make a living. And that’s exactly the point. That’s why you’re seeing a sea change in terms of art thefts, museum thefts. The Louvre was a great example of that. Dresden green vault robbery where 100 million euros in gems were stolen back in 2019 yeah. [26:45] Gems and jewelry, it can be broken down. It’s going to greatly diminish their value, but you can recut a gem. You can melt down the setting. You can monetize it for a greatly diminished value, but at least you can monetize it. You can’t cut up a Rembrandt into smaller pieces. [27:02] It’s only valuable as a whole complete piece. Yeah. I’m just thinking about that. We got a couple of guys, Jerry Scalise and Art Rachel in Chicago, flew to London, robbed a really valuable piece, the Lady Churchill’s diamond or something, I don’t remember, but really valuable piece and mailed it to somebody on their way to the airport and then got caught when they got back to Chicago and brought back to London and did 14 years in England and they never gave up that piece and nobody could, it never appeared anywhere, but it was just cut up and they didn’t make hardly any money off of it. Yeah. Look, there’s a, there’s much more profitable ways to. Yeah. To make an illicit living than stealing high-end artwork, but it does still get stolen. And that’s one of the cruel ironies when you’re talking about art theft is if somebody has a $20,000 piece of jewelry or a very expensive watch, they’re most likely going to lock it up in a safe in their bedroom or something. But you have a $10 million piece of artwork, you probably got it on the mantle. You’ve got it over the fireplace or in the front foyer of your house and probably doesn’t have a passive alarm system protecting it or security screws to keep it from being taken off the wall because people want to show it off. Yeah. It’s way too enticing. [28:24] Really? So, yes, you need to keep the word out there and keep this in people’s minds. And I’m sure the museum tries to do this in some ways in order, hopefully, that maybe somebody will say, oh. Yeah. [28:38] I think I saw that somewhere in this news program or on this podcast. [28:42] I’ll put some pictures on the podcast when I end up editing this. No, please do, Kerry. And that’s the thing. That’s the basis for the title of my book is it really is a fugitive investigation. And that’s how I work this case is fugitives and perfect fugitives because they’re not like their human counterparts. They’re not going to get tripped up on the silly things that we need to do as human beings, getting a driver’s license or whatnot. Yeah. [29:09] And so that’s how I worked the case. The FBI was really, I was always impressed with the FBI’s support that they gave me on this investigation. We did billboard campaigns and social media and a lot of things to get these images out there to the public, hoping it might resonate with somebody. And that’s really my goal for this book. I felt it should be written. I felt it’s an important case. Certainly, it’s something that I wanted to write about. It’s something that’s very important to me. [29:42] But it’s yet another attempt to apprehend these fugitives. And I’m hopeful that somebody, it might resonate with somebody. Somebody’s going to see something. And there’s so much disinformation and misinformation that’s out there in the media about this case. People are endlessly, all these armchair detectives, and I don’t say it in a deprecating way. Good for them. Work as hard as you can. But if you want to work this case from your armchair, great. but you should be going off accurate information because there’s a lot of bad information that’s out there on the internet. And if you want to help out, if you want to collect that $10 million reward, great, but you should be going off the most accurate factual information that’s available. Yeah. And you probably ought to go down to the deep seamy underbelly of Philadelphia or Boston or somewhere and get involved with a mob and then work your way up and make different cocaine deals and everything. And eventually you might be trusted enough that some might say, oh yeah, I’ve got those in this basement. I would suggest there’s better hobbies. [30:47] That could be hazardous to your health. I wouldn’t recommend it. Yes, it could. All right. Jeffrey Kelly, the book is 13 Perfect Tuesdays. Those are the paintings that were stolen that you’ll see on the podcast on the YouTube channel. The true story of the mob, murder, and the world’s largest art heist. Jeffrey, thanks so much for coming on to tell us about this. Thanks, Gary. Thanks for having me.

Australian authorities refuse to repatriate women and children whom they claim are relatives of ISIL fighters; Olympics presenter goes off script; what Australians are most proud of as Australians. Katie Macdonald shares all the details with Lester Kiewit. Good Morning Cape Town with Lester Kiewit is a podcast of the CapeTalk breakfast show. This programme is your authentic Cape Town wake-up call. Good Morning Cape Town with Lester Kiewit is informative, enlightening and accessible. The team’s ability to spot & share relevant and unusual stories make the programme inclusive and thought-provoking. Don’t miss the popular World View feature at 7:45am daily. Listen out for #LesterInYourLounge which is an outside broadcast – from the home of a listener in a different part of Cape Town - on the first Wednesday of every month. This show introduces you to interesting Capetonians as well as their favourite communities, habits, local personalities and neighbourhood news. Thank you for listening to a podcast from Good Morning Cape Town with Lester Kiewit. Listen live on Primedia+ weekdays between 06:00 and 09:00 (SA Time) to Good Morning CapeTalk with Lester Kiewit broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/xGkqLbT or find all the catch-up podcasts here https://buff.ly/f9Eeb7i Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk5See omnystudio.com/listener for privacy information.

The US has transferred thousands of detainees linked to the group from Syria to Iraq. It cites security concerns, but is the move enough to prevent ISIL from re-emerging in Syria? In this episode: Zeidon Alkinani, independent researcher on identity politics in Iraq and the Middle East Colin Clarke, executive director of The Soufan Center Sarah Sanbar, researcher in the Middle East and North Africa division at Human Rights Watch Host: James Bays Connect with us:@AJEPodcasts on X, Instagram, Facebook, and YouTube

Your daily news in under three minutes. At Al Jazeera Podcasts, we want to hear from you, our listeners. So, please head to https://www.aljazeera.com/survey and tell us your thoughts about this show and other Al Jazeera podcasts. It only takes a few minutes! Connect with us: @AJEPodcasts on Twitter, Instagram, Facebook, and YouTube

Your daily news in under three minutes. At Al Jazeera Podcasts, we want to hear from you, our listeners. So, please head to https://www.aljazeera.com/survey and tell us your thoughts about this show and other Al Jazeera podcasts. It only takes a few minutes! Connect with us: @AJEPodcasts on Twitter, Instagram, Facebook, and YouTube

Your daily news in under three minutes. At Al Jazeera Podcasts, we want to hear from you, our listeners. So, please head to https://www.aljazeera.com/survey and tell us your thoughts about this show and other Al Jazeera podcasts. It only takes a few minutes! Connect with us: @AJEPodcasts on Twitter, Instagram, Facebook, and YouTube

Marking the 80th anniversary of the United Nations Economic and Social Council (ECOSOC), the UN Secretary-General urged Member States to take immediate steps to implement the reforms they committed to in the Pact for the Future. Speaking at the commemoration of ECOSOC at 80 named “a turning point for multilateralism” today , Guterres said, “let us renew our commitment to safeguarding rights and speeding up development through multilateral cooperation. ECOSOC is an indispensable platform for global dialogue and action.” ECOSOC President Lok Bahadur Thapa said the Council's legacy at 80 is simple and more urgent. He said, “Multilateralism must deliver. Development must be inclusive. And progress must reach everyone. This is the vision and commitment we set forth in the Charter - one that should continue to guide our collective action.” For her part, President General Assembly Annalena Baerbock reiterated, “Peace, development and human dignity and human rights are inseparable,” adding that delivering on these social and economic goals is therefore “not only a moral imperative for those they are designed to serve. It is also a matter of enlightened self-interest.” “It is an investment in stability, resilient and security in a world that is too often defined by crisis,” she added. Established in 1945 by the Charter of the United Nations, ECOSOC held its first meeting on 23 January 1946. Its mandate – to coordinate the economic, social, and cultural activities of the United Nations and promote international cooperation and development – has placed it at the heart of advancing the principles of the UN Charter. Multilateralism, inclusivity, and global solidarity have been central to ECOSOC's mission from the outset. Marking the 80th anniversary of the United Nations Economic and Social Council (ECOSOC), the UN Secretary-General urged Member States to take immediate steps to implement the reforms they committed to in the Pact for the Future. Speaking at the commemoration of ECOSOC at 80 named “a turning point for multilateralism” today , Guterres said, “let us renew our commitment to safeguarding rights and speeding up development through multilateral cooperation. ECOSOC is an indispensable platform for global dialogue and action.” ECOSOC President Lok Bahadur Thapa said the Council's legacy at 80 is simple and more urgent. He said, “Multilateralism must deliver. Development must be inclusive. And progress must reach everyone. This is the vision and commitment we set forth in the Charter - one that should continue to guide our collective action.” For her part, President General Assembly Annalena Baerbock reiterated, “Peace, development and human dignity and human rights are inseparable,” adding that delivering on these social and economic goals is therefore “not only a moral imperative for those they are designed to serve. It is also a matter of enlightened self-interest.” “It is an investment in stability, resilient and security in a world that is too often defined by crisis,” she added. Established in 1945 by the Charter of the United Nations, ECOSOC held its first meeting on 23 January 1946. Its mandate – to coordinate the economic, social, and cultural activities of the United Nations and promote international cooperation and development – has placed it at the heart of advancing the principles of the UN Charter. Multilateralism, inclusivity, and global solidarity have been central to ECOSOC's mission from the outset. Briefing the Security Council today on the situation in Syria, Assistant Secretary-General for Middle East Khaled Khiari said, “It is vital that ISIL is not allowed to capitalize on the fluid situation in the northeast.” Khiari also said, “As I speak, the situation on the ground remains very tense, with exchanges of fire and clashes between Government forces and the SDF in parts of Hasekeh governorate and also on the outskirts of Ayn al Arab, also known as Kobane - an SDF-controlled enclave where access is challenging, given ongoing clashes.” He appealed for both sides to “immediately adhere to a ceasefire in line with the 18 January agreement and engage in fleshing out and implementing the details of this latest understanding of 20 January swiftly and in a spirit of compromise, in order to ensure a peaceful integration of north-east Syria in support of Syria's broader transition.” He highlighted, “It is important also to note the recent Decree no. 13 announced by President al-Sharaa concerning the linguistic, cultural, and citizenship rights of Syrian Kurds within the Syrian state. This is a crucial issue for the future, and the decree is an encouraging initiative on which to build further through a genuinely inclusive process.” He stressed, “We share concerns about the presence of foreign terrorist fighters in Syria. During the fighting in northeast Syria, control of some of the detention centers for ISIL fighters switched from the SDF to Government forces, as did al-Hol camp in Hasakeh. There are indications that some detainees escaped.” He added, “Separately, the US announced on 21 January its mission to transfer ISIL detainees from Syria to Iraq, with 150 ISIL members held in Hasakeh already transported to a secure facility in Iraq. ” He also noted, “Israeli incursions in southern Syria continue to undermine Syria's sovereignty and territorial integrity. We welcome this Council's extension of UNDOF's mandate for another six months.” Edem Wosornu, Director of the Crisis Response Division of the UN Office for the Coordination of Humanitarian Affairs (OCHA) said, “In spite of these challenges, Syrians across the country continue to work to build a brighter future. More than 3 million refugees and internally displaced people have returned to their homes since December of 2024. And we have started to see some encouraging, if still limited, improvements in humanitarian indicators. Food security has improved slightly, but only one in five families are consistently meeting their nutritional needs.” Ibrahim Olabi, Syrian Permanent Representative to the United Nations, said, “We are fully aware of the suffering endured by our Syrian Kurdish compatriots for decades due to marginalization and denial of rights. We are pleased today to see them as part of the new Syrian State institutions, like all other Syrian communities.” He reported, “The Ministry of Interior successfully apprehended the majority of escaped members and continues its efforts to follow to pursue the remaining ones, stressing that extended State sovereignty and the rule of law is the only permanent guarantee of security, stability, and effective counterterrorism. In this regard, the Syrian Government welcomes the American operation to transfer ISIS detainees out of Syrian territories and affirms its readiness to provide the necessary logistical and security support to ensure its success.” Lukman Al-Faily, Iraqi Permanent Representative to the United Nations, stated that his government reaffirms “its reception of foreign terrorists whose states refused to repatriate them is a measure aimed at protecting regional and international security from an imminent threat. Nevertheless, we stress that this issue should not be left to become a long-term strategic burden on Iraq alone. The insistence of some States on considering their terrorist nationals a threat to their national security and refusing to repatriate them is unacceptable.”Become a supporter of this podcast: https://www.spreaker.com/podcast/policy-and-rights--3339563/support.

Your daily news in under three minutes. At Al Jazeera Podcasts, we want to hear from you, our listeners. So, please head to https://www.aljazeera.com/survey and tell us your thoughts about this show and other Al Jazeera podcasts. It only takes a few minutes! Connect with us: @AJEPodcasts on Twitter, Instagram, Facebook, and YouTube

Your daily news in under three minutes. At Al Jazeera Podcasts, we want to hear from you, our listeners. So, please head to https://www.aljazeera.com/survey and tell us your thoughts about this show and other Al Jazeera podcasts. It only takes a few minutes! Connect with us: @AJEPodcasts on Twitter, Instagram, Facebook, and YouTube

Your daily news in under three minutes. At Al Jazeera Podcasts, we want to hear from you, our listeners. So, please head to https://www.aljazeera.com/survey and tell us your thoughts about this show and other Al Jazeera podcasts. It only takes a few minutes! Connect with us: @AJEPodcasts on Twitter, Instagram, Facebook, and YouTube

Your daily news in under three minutes. At Al Jazeera Podcasts, we want to hear from you, our listeners. So, please head to https://www.aljazeera.com/survey and tell us your thoughts about this show and other Al Jazeera podcasts. It only takes a few minutes! Connect with us: @AJEPodcasts on X, Instagram, Facebook, and YouTube Your daily news in under three minutes.

The US President says they are against ISIL, claiming it targets Christians in the country.But are his allegations of religious persecution in Nigeria justified?And could his administration have other motives? In this episode: Malik Samuel, Senior Researcher at Good Governance Africa. Ebenezer Obadare, Senior Fellow for Africa Studies at the Council on Foreign Relations. David Otto, Deputy Director of Counterterrorism Training at the International Academy for the Fight Against Terrorism. Host: Adrian Finighan Connect with us: @AJEPodcasts on Twitter, Instagram, Facebook

Your daily news in under three minutes. At Al Jazeera Podcasts, we want to hear from you, our listeners. So, please head to https://www.aljazeera.com/survey and tell us your thoughts about this show and other Al Jazeera podcasts. It only takes a few minutes! Connect with us: @AJEPodcasts on X, Instagram, Facebook, and YouTube

Your daily news in under three minutes. At Al Jazeera Podcasts, we want to hear from you, our listeners. So, please head to https://www.aljazeera.com/survey and tell us your thoughts about this show and other Al Jazeera podcasts. It only takes a few minutes! Connect with us: @AJEPodcasts on X, Instagram, Facebook, and YouTube

Your daily news in under three minutes. At Al Jazeera Podcasts, we want to hear from you, our listeners. So, please head to https://www.aljazeera.com/survey and tell us your thoughts about this show and other Al Jazeera podcasts. It only takes a few minutes! Connect with us: @AJEPodcasts on X, Instagram, Facebook, and YouTube

Your daily news in under three minutes. At Al Jazeera Podcasts, we want to hear from you, our listeners. So, please head to https://www.aljazeera.com/survey and tell us your thoughts about this show and other Al Jazeera podcasts. It only takes a few minutes! Connect with us: @AJEPodcasts on X, Instagram, Facebook, and YouTube

Your daily news in under three minutes. At Al Jazeera Podcasts, we want to hear from you, our listeners. So, please head to https://www.aljazeera.com/survey and tell us your thoughts about this show and other Al Jazeera podcasts. It only takes a few minutes! Connect with us: @AJEPodcasts on X, Instagram, Facebook, and YouTube

Your daily news in under three minutes. At Al Jazeera Podcasts, we want to hear from you, our listeners. So, please head to https://www.aljazeera.com/survey and tell us your thoughts about this show and other Al Jazeera podcasts. It only takes a few minutes! Connect with us: @AJEPodcasts on X, Instagram, Facebook, and YouTube

En este episodio recibimos a las ganadoras del concurso Haciendo Empresa ISIL, un evento organizado por la Subdirección de Desarrollo y Vida Estudiantil. Conversamos sobre sus proyectos y propuestas de emprendimiento, que destacan por su creatividad, visión y ganas de cambiar el juego. Sus historias nos inspiran y demuestran que el talento ISIL sigue creciendo cada año.

Vivimos en una era donde las imágenes, audios y videos creados con inteligencia artificial son cada vez más realistas… y más difíciles de detectar. En este episodio nos acompaña Linalyn Dorta, publicista y profesora de ISIL, con quien conversamos sobre cómo la IA puede generar contenido tan convincente que pone a prueba nuestros sentidos y nuestro criterio. Hablaremos de deepfakes, fotos falsas, noticias inventadas y cómo aprender a distinguir la realidad de la ficción digital. Además, conoceremos herramientas y trucos para no caer en engaños, porque en internet, no todo lo que ves es lo que parece.

Ese momento en el que recibes tu primer pago es emocionante… y peligroso. En este episodio hablaremos sobre qué hacer (y qué evitar) cuando llega tu primer sueldo: desde planificar gastos, ahorrar y cumplirte un gusto, hasta evitar caer en compras impulsivas que desaparecen tu dinero en segundos. Compartiremos anécdotas, errores comunes y trucos para que tu primer sueldo sea el inicio de una relación sana con tus finanzas, sin dejar de disfrutarlo.

Desde coleccionar Funkos y jugar videojuegos hasta vestirse con estética nostálgica o seguir viendo caricaturas, cada vez más adultos jóvenes reivindican el derecho a mantener vivas sus pasiones infantiles. En este episodio exploramos por qué el Kidulting es más que una moda: es una forma de expresar identidad, encontrar confort emocional y romper con la idea tradicional de “ser adulto”. También veremos hasta qué punto este estilo de vida es liberador… y cuándo puede chocar con responsabilidades del mundo real.

En el aula no todos aprendemos igual, y eso está bien. Este episodio conversaremos con el Psicólogo Julius Silva sobre la neurodivergencia: desde TDAH hasta autismo y otras formas de pensar distintas. Hablaremos de mitos, realidades y estrategias para un aprendizaje más inclusivo y creativo, donde la diversidad de mentes sea vista como fortaleza, no como barrera. 

Ir a clases no significa vestirse aburrido ni incómodo. En este episodio, junto a nuestra invitada especial Lorena Naveda, egresada y profesora de ISIL, exploramos cómo armar outfits que combinan comodidad, practicidad y un toque personal.

In this week's Security Sprint, Dave and Andy covered the following topics: Warm Open:• Nerd Out EP 61. The 2/3 of the Year Awards!Main Topics:FBI PSA - Russian Government Cyber Actors Targeting Networking Devices, Critical Infrastructure. The Federal Bureau of Investigation (FBI) is warning the public, private sector, and international community of the threat posed to computer networks and critical infrastructure by cyber actors attributed to the Russian Federal Security Service's (FSB) Center 16. The FBI detected Russian FSB cyber actors exploiting Simple Network Management Protocol (SNMP) and end-of-life networking devices running an unpatched vulnerability (CVE-2018-0171) in Cisco Smart Install (SMI) to broadly target entities in the United States and globally. Info Ops: • Most Adults in 25 Countries Say Spread of False Information Is a Top National Threat. The findings come from Pew's seventh iteration of its Global Attitudes Survey: International Opinion on Global Threats, which was last published in 2022. • Foreign disinformation enters AI-powered era. At least one China-based technology company, GoLaxy, seems to be using generative AI to build influence operations in Taiwan and Hong Kong… Documents also show that GoLaxy has created profiles for at least 117 members of Congress and over 2,000 American political figures and thought leaders.• Toxic politics and TikTok engagement in the 2024 U.S. election• Why wind farms attract so much misinformation and conspiracy theory UN - Terror threat posed by ISIL ‘remains volatile and complex,' Security Council hears. The threat posed by the terrorist group ISIL – known more widely in the Middle East as Da'esh – remains dynamic and diverse, with Africa currently experiencing the highest level of activity worldwide.• PDF: Remarks by Mr. Vladimir Voronkov, Under-Secretary-General for Counter-Terrorism, United Nations Office of Counter-Terrorism. • PDF: Remarks by Mr. Vladimir Voronkov, Under-Secretary-General, United Nations Office of Counter-Terrorism.• UN Report: ISIS Fighters' Migration to Afghanistan and the Taliban's Failure• ISIS-K poses major threat with 2,000 fighters in Afghanistan, UN saysFEMA Employees Warn That Trump Is Gutting Disaster Response. After Hurricane Katrina, Congress passed a law to strengthen the nation's disaster response. FEMA employees say the Trump administration has reversed that progress. Employees at the Federal Emergency Management Agency wrote to Congress on Monday warning that the Trump administration had reversed much of the progress made in disaster response and recovery since Hurricane Katrina pummeled the Gulf Coast two decades ago. The letter to Congress, titled the “Katrina Declaration,” rebuked President Trump's plan to drastically scale down FEMA and shift more responsibility for disaster response — and more costs — to the states. It came days before the 20th anniversary of Hurricane Katrina, one of the deadliest and costliest storms to ever strike the United States.Quick Hits:• 25% of security leaders replaced after ransomware attack• Gate 15: Hack Yourself First: Pen Testing for Prevention • FB-ISAO: Ransomware Incident Review January to June 2025• Dissecting PipeMagic: Inside the architecture of a modular backdoor framework• Maryland Transit Administration says cybersecurity incident is affecting some of its servicesNevada state government offices closed after network security incident• Audit of Antisemitic Incidents 2024• MIT report: 95% of generative AI pilots at companies are failing• Report: Russian Sabotage Operations In Europe Have Quadrupled Since 2023• CISA Requests Public Comment for Updated Guidance on Software Bill of Materials• Risky Bulletin: NIST releases face-morphing detection guideline• CVE-2025–41688: Bypassing Restrictions in an OT Remote Access Device• Think before you Click(Fix): Analyzing the ClickFix social engineering technique

Jaridani leo tunaangazia baa la njaa katika ukanda na huduma za afya katika ukanda wa Gaza. Makala tunafuatilia harakati dhidi ya ugaidi ukimulika ripoti ya Katibu Mkuu wa Umoja wa Mataifa, na mashinani tunaangazia simulizi za wakimbizi kupitia vyombo vya habari.Zaidi ya nusu milioni ya watu huko Gaza wameripotiwa kukumbwa na baa la njaa, hali ambayo Katibu Mkuu wa Umoja wa Mataifa António Guterres ameielezea kuwa “janga lililosababishwa na mwanadamu, shutuma ya kimaadili na kushindwa kwa ubinadamu.Shirika la Umoja wa Mataifa la Afya Duniani, WHO, licha ya mazingira magumu linaendelea na juhudi za kuokoa uhai wa kila binadamu katika eneo la Ukanda wa Gaza linalokaliwa kimabavu na Israel. Wakati huo huo linatoa wito kwa mataifa mengine kufuata mfano wa Umoja wa Falme za kiarabu, UAE ambao juzi Jumatano wamewapokea baadhi ya wagonjwa mahututi na majeruhi waliobahatika kuhamishwa Gaza ili kupata huduma za kiafya wanazozihitaji.Katika makala Assumpta Massoi anamulika Mkutano wa Baraza la Usalama la Umoja wa Mataifa uliofanyika wiki hii hapa makao makuu ya Umoja wa mataifa kuangazia harakati dhidi ya ugaidi ukimulika ripoti ya Katibu Mkuu wa Umoja huo kuhusu kikundi cha kigaidi cha ISIL kijulikanacho pia kama Da'esh.Na katika mashinani fursa ni yake Abraham Mwani mwandishi wa habari za wakimbizi kutoka Radio Pacis miongoni mwa wananufaika wa mafunzo ya UNESCO ya kuwezesha vyombo vya habari kusimulia vyema habari za wakimbizi.Mwenyeji wako ni Leah Mushi, karibu!

Tarehe 18 Agosti mwaka 2025 siku ya Jumatano, wajumbe 15 wa Baraza la Usalama walikutana kujadili Ripoti ya Katibu Mkuu wa Umoja wa Mataifa kuhusu kikundi cha kigaidi cha ISIL/Da'esh.Walikabidhiwa ripoti hiyo ya 21 ikimulika vitisho vinavyotokana na kikundi hicho ambacho kirefu chake ni Islamic State in Iraq and the Levant au pia Da'esh. Ripoti ikigusia tishio la kikundi hicho katika maeneo mbalimbali duniani, lakini makala hii initajikita zaidi barani Afrika!

Looking for potential allies inside Mosul, the Task Force has crossed the Tigris River eastward in the direction of Mosul University. Yet as the last ISIL bastion of resistance within Iraq, will there be any signs of resistance they can exploit?  The team decides to split, approaching different objectives to uncover local intel. Find out what they discover as we continue Iconoclasts, a Delta Green campaign. Starring: Schroeder Jeff Daniel Spencer Jeffbot   Want to leave a comment? -Email therancorsbrothel@gmail.com.  -Follow us on Twitter @Rancors_Brothel -Follow us on Instagram @rancorsbrothel

Nos sentamos con Ricardo Canales, profesor del Taller de Guitarra y líder del Club de Música en ISIL, para descubrir su faceta menos conocida: ¡la de gamer apasionado! Conversamos sobre cómo la música y los videojuegos se cruzan en su vida, su evolución como músico, sus juegos favoritos y cómo logra conectar con sus alumnos a través de estos mundos creativos...¡Profe mande partida!

The UK has outlawed Palestine Action, grouping it with ISIL and al-Qaeda. Supporters of the group now risk up to 14 years in prison, and arrests of protesters opposed to the listing have already begun. What does the decision reveal about the UK’s approach to protest and civil disobedience, and how might it reshape the wider Palestine solidarity movement? In this episode: Hil Aked, (@hil_aked), Author and Organizer Episode credits: This episode was produced by Amy Walters, Tamara Khandaker and Noor Wazwaz with Kylene Kiang, Phillip Lanos, Spencer Cline, Melanie Marich, Marya Khan and our guest host, Manuel Rapalo. It was edited by Sarí el-Khalili. Our sound designer is Alex Roldan. Our video editor is Hisham Abu Salah and Mohannad Al-Melhem. Alexandra Locke is the Take’s executive producer. Ney Alvarez is Al Jazeera’s head of audio. Connect with us: @AJEPodcasts on Instagram, X, Facebook, Threads and YouTube

¿Cómo llegamos a esto?... ¡Rogar un punto para aprobar el curso!... ¿Sabías que hay soluciones estratégicas para evitar llegar al límite? En este episodio, nuestro empático consejero de ISIL Martín Olivera te da las claves para no morir en el intento de aprobar, y sin complicaciones. ¿Nos acompañas? 

Mais de 60 pessoas ficaram feridas no atentado à igreja de Santo Elias, na capital Damasco; investigação preliminar de autoridades atribui autoria ao grupo Estado Islâmico do Iraque e do Levante, Isil, também conhecido como Daesh.

The Insight: Nigeria on Edge - Boko Haram & ISIL Resurgence Unpacked with Abdkabir Azeez by Radio Islam

Para muchos, el Chat GPT es el compañero ideal, y para pocos una amenaza... En este tecnológico episodio, Mili, Ceci, el profe Julio García, y Oscar Arakaki Sub-Director de Investigación Aplicada e Innovación de ISIL, nuestro invitado especial, debatirán este tema del que todos estamos involucrados de una u otra manera. 

--- SUBJECT MATTER WARNING --- This campaign contains war atrocities and other crimes committed by ISIL  

In this episode, Daniel J. Levy speaks with Edmund Fitton-Brown, former UK Ambassador to Yemen, about the evolving Houthi threat and its implications for Israel, the Gulf states, and the broader regional balance of power. They explore the role of the Houthis in Iran's attempts to project power in the region and in ongoing talks about the Iranian nuclear programme. Edmund Fitton-Brown is a veteran British diplomat who served as the UK's Ambassador to Yemen from 2015 to 2017 and later coordinated UN expert panels on ISIL, Al-Qaeda, and the Taliban. He holds advisory or fellowship positions with the Counter Extremism Project, the Middle East Institute, The Soufan Center and New America.

La mayoría es consciente de que algún día asumirá la responsabilidad de tener hijos, pero... ¿Qué pasa si no quieres?... ¿A qué, o a quiénes te enfrentas con tal decisión?... En este episodio, Julius Silva, coordinador del área de psicología de ISIL nos orienta al respecto.

In this powerful episode, Eoin sits down with Ryan Ahlgren — a wilderness and humanitarian medicine practitioner whose career spans some of the most challenging environments on the planet.From frontline trauma care during the ISIL occupation in Iraq, to medevac operations in Ukraine, to six-week stints deep in the jungles of Papua New Guinea, Ryan shares what it's really like to provide medical care in the face of heat, hardship, and uncertainty. He also discusses his recent role in Antarctica and how diverse experiences have shaped his approach to both emergency and primary care.This episode explores:The realities of conflict and humanitarian medicineLessons in leadership, flexibility, and riskThe importance of ultrasound and sonography in remote settingsAspirations for the future – including medicine in spaceWhether you're a clinician, adventurer, or just fascinated by global health, this one's for you.You can connect with Ryan on LinkedIn here.

Factual misinformation is spread in conflict zones around the world, often with dire consequences. But when is this misinformation actually believed, and when is it not?  Seeing is Disbelieving: Why People Believe Misinformation in War, and When They Know Better (Cambridge University Press, 2024) by Dr. Daniel Silverman examines the appeal and limits of dangerous misinformation in war, and is the go-to text for understanding false beliefs and their impact in modern armed conflict. Dr. Silverman extends the burgeoning study of factual misinformation, conspiracy theories, and fake news in social and political life into a crucial new domain, while providing a powerful new argument about the limits of misinformation in high-stakes situations. Rich evidence from the US drone campaign in Pakistan, the counterinsurgency against ISIL in Iraq, and the Syrian civil war provide the backdrop for practical lessons in promoting peace, fighting wars, managing conflict, and countering misinformation more effectively. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Factual misinformation is spread in conflict zones around the world, often with dire consequences. But when is this misinformation actually believed, and when is it not?  Seeing is Disbelieving: Why People Believe Misinformation in War, and When They Know Better (Cambridge University Press, 2024) by Dr. Daniel Silverman examines the appeal and limits of dangerous misinformation in war, and is the go-to text for understanding false beliefs and their impact in modern armed conflict. Dr. Silverman extends the burgeoning study of factual misinformation, conspiracy theories, and fake news in social and political life into a crucial new domain, while providing a powerful new argument about the limits of misinformation in high-stakes situations. Rich evidence from the US drone campaign in Pakistan, the counterinsurgency against ISIL in Iraq, and the Syrian civil war provide the backdrop for practical lessons in promoting peace, fighting wars, managing conflict, and countering misinformation more effectively. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

Factual misinformation is spread in conflict zones around the world, often with dire consequences. But when is this misinformation actually believed, and when is it not?  Seeing is Disbelieving: Why People Believe Misinformation in War, and When They Know Better (Cambridge University Press, 2024) by Dr. Daniel Silverman examines the appeal and limits of dangerous misinformation in war, and is the go-to text for understanding false beliefs and their impact in modern armed conflict. Dr. Silverman extends the burgeoning study of factual misinformation, conspiracy theories, and fake news in social and political life into a crucial new domain, while providing a powerful new argument about the limits of misinformation in high-stakes situations. Rich evidence from the US drone campaign in Pakistan, the counterinsurgency against ISIL in Iraq, and the Syrian civil war provide the backdrop for practical lessons in promoting peace, fighting wars, managing conflict, and countering misinformation more effectively. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

Factual misinformation is spread in conflict zones around the world, often with dire consequences. But when is this misinformation actually believed, and when is it not?  Seeing is Disbelieving: Why People Believe Misinformation in War, and When They Know Better (Cambridge University Press, 2024) by Dr. Daniel Silverman examines the appeal and limits of dangerous misinformation in war, and is the go-to text for understanding false beliefs and their impact in modern armed conflict. Dr. Silverman extends the burgeoning study of factual misinformation, conspiracy theories, and fake news in social and political life into a crucial new domain, while providing a powerful new argument about the limits of misinformation in high-stakes situations. Rich evidence from the US drone campaign in Pakistan, the counterinsurgency against ISIL in Iraq, and the Syrian civil war provide the backdrop for practical lessons in promoting peace, fighting wars, managing conflict, and countering misinformation more effectively. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Factual misinformation is spread in conflict zones around the world, often with dire consequences. But when is this misinformation actually believed, and when is it not?  Seeing is Disbelieving: Why People Believe Misinformation in War, and When They Know Better (Cambridge University Press, 2024) by Dr. Daniel Silverman examines the appeal and limits of dangerous misinformation in war, and is the go-to text for understanding false beliefs and their impact in modern armed conflict. Dr. Silverman extends the burgeoning study of factual misinformation, conspiracy theories, and fake news in social and political life into a crucial new domain, while providing a powerful new argument about the limits of misinformation in high-stakes situations. Rich evidence from the US drone campaign in Pakistan, the counterinsurgency against ISIL in Iraq, and the Syrian civil war provide the backdrop for practical lessons in promoting peace, fighting wars, managing conflict, and countering misinformation more effectively. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/national-security

ISIL’s detention camps in northeast Syria remain packed with thousands, with al-Hol alone holding 40,000—mostly wives and children of suspected fighters. Recent Al Jazeera reporting offers a rare inside look at their reality. As Syria enters a post-Assad era, what will become of them? In this episode: Nils Adler (@nilsadler1), Al Jazeera Journalist Episode credits: This episode was produced by Amy Walters, Sonia Bhagat, Ashish Malhotra with Sarí el-Khalili, Phillip Lanos, Spencer Cline, Melanie Marich, Hanah Shokeir, Marcos Bartolomé, and our guest host, Kevin Hirten. It was edited by Kylene Kiang. Our sound designer is Alex Roldan. Our video editor is Hisham Abu Salah. Alexandra Locke is the Take’s executive producer. Ney Alvarez is Al Jazeera’s head of audio. Connect with us: @AJEPodcasts on Instagram, X, Facebook, Threads and YouTube

Your daily news in under three minutes. At Al Jazeera Podcasts, we want to hear from you, our listeners. So, please head to https://www.aljazeera.com/survey and tell us your thoughts about this show and other Al Jazeera podcasts. It only takes a few minutes! Connect with us: @AJEPodcasts on Twitter, Instagram, Facebook, Threads and YouTube

Your daily news in under three minutes. At Al Jazeera Podcasts, we want to hear from you, our listeners. So, please head to https://www.aljazeera.com/survey and tell us your thoughts about this show and other Al Jazeera podcasts. It only takes a few minutes! Connect with us: @AJEPodcasts on Twitter, Instagram, Facebook, Threads and YouTube

Your daily news in under three minutes. At Al Jazeera Podcasts, we want to hear from you, our listeners. So, please head to https://www.aljazeera.com/survey and tell us your thoughts about this show and other Al Jazeera podcasts. It only takes a few minutes! Connect with us: @AJEPodcasts on Twitter, Instagram, Facebook