Podcasts about The Rembrandts

In this episode of Gangland Wire, I sit down with retired FBI agent Geoff Kelly, a specialist in art theft investigations who inherited one of the most notorious unsolved cases in American history—the 1990 robbery at the Isabella Stewart Gardner Museum. He recently wrote a book about this theft titled 13 Perfect Fugitives: The True Story of Mob, Murder, and the World’s Largest Art Heist. Kelly's law enforcement career began as a New York City transit police officer before transitioning to the FBI. Like many agents, he initially sought violent crime work. Instead, he was assigned to economic crimes before eventually transferring to a violent crime squad. It was there that he encountered the Gardner case—a cold case largely untouched by senior agents at the time. The robbery itself remains extraordinary: two men posing as police officers gained entry to the museum and stole 13 works of art, including masterpieces by Rembrandt. More than three decades later, none of the works have been recovered. Inside the Gardner Heist Geoff explains how art theft is often misunderstood. Popular culture portrays refined, sophisticated criminals orchestrating elaborate capers. The reality, he says, is usually more opportunistic and frequently violent. Art theft often intersects with organized crime, drug trafficking, and even homicide. Massachusetts has a documented history of art-related crimes, and several individuals connected to the Gardner investigation met violent ends. The criminal underworld surrounding stolen art is less about wealthy collectors hiding paintings in private vaults and more about leverage—using artwork as collateral in criminal negotiations. The FBI's Art Crime Evolution Following the 2003 looting of Iraq's National Museum during the Baghdad invasion, the FBI formalized its Art Crime Team. Kelly discusses how intelligence gathering, informants, and international cooperation became central tools in recovering stolen artifacts. He emphasizes that solving art crimes often depends less on forensic breakthroughs and more on human intelligence. Informants remain essential, especially in cases where organized crime overlaps with high-value theft. Kelly also discusses his upcoming book, 13 Perfect Fugitives, which explores the intersections of mobsters, murder, and the illicit art market. Organized Crime and the Reality of Stolen Art Drawing on my own experience working organized crime in Kansas City, I found clear parallels between traditional mob rackets and art theft networks. The same structures—intimidation, secrecy, and violence—apply. Once a painting disappears into criminal circulation, it becomes a liability as much as an asset. Kelly challenges the myth that thieves profit easily from masterpieces. High-profile works are difficult to sell. The black-market art world is volatile and dangerous. In many cases, the artwork becomes bargaining collateral rather than a cash windfall. A Case Still Waiting for Closure More than 30 years later, the Gardner Museum still displays empty frames where the paintings once hung. Kelly remains committed to the idea that public awareness may eventually generate new leads.  The Gardner heist stands as both a cultural tragedy and a criminal mystery—one that continues to intersect with organized crime, violence, and international intrigue. Hit me up on Venmo for a cup of coffee or a shot and a beer @ganglandwire Click here to “buy me a cup of coffee” Subscribe to the website for weekly notifications about updates and other Mob information. To go to the store or make a donation or rent Ballot Theft: Burglary, Murder, Coverup, click here To rent ‘Brothers against Brothers’ or ‘Gangland Wire,’ the documentaries click here.  To purchase one of my books, click here. Transcript [0:00] Hey, you guys, Gary Jenkins back here in studio Gangland Wire. Y’all know me. I’m a retired Kansas City Police Intelligence Unit detective and now podcaster and documentary filmmaker. I have in the studio today… Jeff Kelly, he’s a now-retired FBI agent. He was an expert in recovering stolen artifacts and art pieces. He was involved. He wasn’t involved in the original theft of the Boston art theft, the Isabella Stewart Gardner Museum, but he ended up inheriting that case. So welcome, Jeff. Hi. Thanks, Gary. Nice to be here. And guys, I need to mention this right off the bat. Jeff has a book, 13 Perfect Fugitives, The True Story of the Mob, Murder, and the World’s Largest Art Heist. Be out on Amazon. I’ll have links down below in the show notes if you want to get that book. I think it would be pretty interesting. I was telling Jeff, I just interviewed Joe Ford, the million-dollar detective, the guy that goes after classic cars, and I read that book. I love these kind of caper kind of books and caper crimes. Those are the ones I like the best is the caper crimes. And Jeff is an expert at working caper crimes. And that’s what these are, capers. So Jeff, how did you get into this? Now you came on the FBI. You were a policeman before, I believe. So tell the guys a little bit about yourself and your FBI career. Yeah, I started out with the Metropolitan Transportation Authority Police in New York City. It was a transit cop. I did that for three years. And then I got into the FBI in October of 95. [1:30] And my goal was always, I wanted to work violent crime. That’s what drew me to law enforcement in the first place, working bank robberies and kidnappings and fugitives. I had to do my five years on working economic crime, telemarketing fraud. It was interesting, but not all that exciting. And finally in 2000, I got my transfer to the violent crime squad. And I loved working it. And I did it for my entire career from then on, right up until my retirement in 2024. But back then, art theft was considered a major theft violation, [2:01] and it was worked by the Violent Crime Squad. And so in 2002… My supervisor dumped this old moribund cold case in my lap. It was the Isabella Stewart Gardner Museum heist. [2:15] Nobody wanted it on the squad, so they figured, let’s give it to the new guy. I was ecstatic to get it because I’d heard about it. I went to school in Boston. I went to Boston University and graduated the year before it happened, but I knew about it. [2:28] That’s how I started working this case, this particular case, and then the following year during the U.S., there was a, the U.S. And coalition forces invaded Baghdad in Iraq. And during a 36-hour period, more than 15,000 objects of very, very important cultural history were looted from the National Museum of Iraq. And it’s really one of the most important museums in the world in terms of our shared history. Kind of the cradle of civilization over there in the Tigers and Euphrates River. Yeah, and that was the time when the FBI kind of belatedly realized that there was no art crime team to investigate this. And of course, FBI agents have been working art theft like any other property crime since the beginning of the FBI’s existence, but there was no codified team. So they did a canvas for the team in 2004 and I applied for it because at this point I’d been working the Gardner case for a couple of years and really was fascinated by it and made the team. And so then over the next 20 years, we continued to expand the team both in size and in scope and in our intelligence base and knowledge base. And when I left the Bureau in 2024, it was and still is a tremendous team with a lot of very dedicated and professional agents and professional support. [3:51] Now, guys, if you don’t know about the Isabella Stewart Gardner case, there was a Netflix documentary on it a few years ago. It was an art museum in Boston. [4:01] Two guys showed up. They had Boston police uniforms on, and they got in. They basically, it was an armed robbery, and they took control of the museum. The guards were in there late at night and took these really valuable paintings out. I believe you told me earlier they were Remington paintings. We’ll get into that. And it was a violent crime. It was an armed robbery of paintings, and you told me about other armed robberies of paintings. I think you got into some other armed robberies of paintings. You always think of, as you mentioned before, the Thomas Crown Affair character that goes out and does these sophisticated art thefts. That’s not always true, is it? It’s never that way, but it doesn’t matter. Don’t let the facts get in the way of a good story. Everybody wants to believe that art thefts are pulled off by the Thomas Crown Affairs and these gentlemen thieves repel in through skylights and do all that fancy stuff, put it in their underground lair. That’s just not the way it works. But if you look to art theft. [4:55] Massachusetts really is a cradle of art theft in this country, and it’s very unique. The first armed robbery of a museum occurred in Boston in 1972. It was committed by a guy named Al Monday, who was a prolific art thief. And they stole four pieces from the Worcester Art Museum in central Massachusetts with a gun. They ended up shooting the guard. And one of the pieces that they stole was a Rembrandt called St. Bartholomew. [5:26] And in keeping with the milieu of true art thieves, the paintings were stored on a pig farm just over the state line in Rhode Island. And when this Connecticut safecracker by the name of Chucky Carlo, who was looking at some serious time in prison for some of the crimes that he committed, when he found out that Al Monday had these paintings, he just simply kidnapped Al Monday and stuck a gun in his ribs and said he would kill him if he didn’t give him the paintings. which is no honor among thieves. And Al turned over the paintings, Chucky returned them, and he got a very significant break on his pending jail sentence. Right here in 1972, Boston thieves see Rembrandt as a valuable get-out-of-jail-free card. [6:09] And then if we jump forward three years to 1975, there was a very skilled art thief, really a master thief by the name of Miles Conner. I interviewed Miles for my book. It was very gracious of him to sit down with me for it. And he had robbed or committed a burglary of the Woolworth estate up in Maine, the family, the five and dime family magnets. And he got caught for it because he tried to sell those paintings to an undercover FBI agent. And so he was looking at 12 years in prison for it. And he was out on bail. And he reached out to a family friend who was a state trooper. And he asked him, how can I get away with this one? How can I get out of this? Because he was in serious trouble. The trooper’s response was meant to be hyperbolic. The trooper said, Miles, it’s going to take you a Rembrandt to get out of this one. [6:57] And so Miles said, okay, I’ll go get a Rembrandt. And he got a crew together and they did a daylight smash and grab at the Museum of Fine Arts in Boston, just across the street from the Gardner. And they stole Rembrandt, the girl in a gold-trimmed cloak. [7:12] And he was able to return that painting. Instead of doing 12 years, he did 28 months. And he even managed to, he told me he even managed to get the $10,000 reward in the process. So you have this atmosphere in Massachusetts that Rembrandts are a valuable commodity, right? They can help you out in a jam. And so I think it’s no coincidence that in 1990, when the Gardner Museum heist came down, the Gardner Museum had this array of motion sensors all throughout the museum. It would alert to wherever you went, every gallery, hallway, whatever. [7:49] And we know from these motion sensors that after, as you said, the two guys went in disguised as cops and bluffed their way into the museum, they made a beeline for the Dutch room, which is the room of all things Rembrandt. They stole three Rembrandts. They stole a fourth piece called Landscape with an Obelisk, which was actually by Govard Flink, but it had been misattributed to Rembrandt until the mid 80s. And then they took a large Rembrandt oil-on-panel off the wall and it was recovered the next morning leaning against a piece of furniture. We believe they just overlooked it in the dark. So out of the 13 pieces taken, three were Rembrandt, a fourth was misattributed to Rembrandt, and there was going to be a 14th piece taken, which was also Rembrandt. It definitely falls into that theory that this was going to be a hold-on to these pieces for a while and see if you can use them for a break. [8:48] Interesting. Now, back in the 70s, for example, when somebody would work in an art robbery like that or an art theft, you got your tried and true ways of working a crime. You got to have sources, you got to have witnesses, and hopefully you can get a crime like this. You can get a source that says, hey, this guy, we had a guy in Kansas City that he was a fence for these kinds of guys. He had an antique auction and he took all this stuff and got it somewhere else. So at the time, just use your regular police methods. And what changed over the years as you’ve done this? Yeah, certainly we’ve become much more sophisticated with the techniques that we use. But at the end of the day, it’s always still going to be intelligence. But I found from working my entire career in violent crime, virtually my whole career in violent crime, the sources are crucial. Having a good informant can make and break a case. And working art theft investigations, you’re certainly going to have the same types of fences of informants, fences for stolen property and what they’re hearing about what organized crime guys are doing and what drug guys are doing. But it also opened up a whole new avenue of sources for me as working in art investigations, because now you’ve got pawn shops and gallery owners and auction houses, and they’re in a position to know when not only when stolen artwork is coming in, but also fakes and forgeries. We spoke about this, that. [10:16] Somebody comes in with one valuable piece that would be very difficult for somebody in his or her position to come across one piece like this, let alone a dozen of them. That really points to probably a fake. And so that’s really the key to solving these things is just having a good intelligence base who’s going to let us know about when something comes up that’s either stolen or it’s been forged. [10:43] Brings up a question. In my mind, did you ever work a gallery owner or a gallery [10:48] that then would filter in, knowingly filter in some fakes every once in a while? They couldn’t do it 100% of the time, but you could certainly make some extra money by filtering fakes out of it because many people would get it and they’d never know. Nobody would ever know. Listen, it is a really difficult thing when you’re working these types of crimes because unlike bank robber, you go into a bank and you stick them up with a gun and take them on. It’s not up to the government to be able to prove at trial that you knew that the bank was insured by the FDIC. You went in and you robbed it, you committed the offense. When you’re talking about interstate transportation of stolen property or possession of stolen property, there are what’s called specific intent crimes, meaning you have to prove the element of knowledge. You have to be able to prove that the person knew that that item was stolen. Not that it said it was stolen. and you had to show that they knew it. And that’s a really high hurdle to overcome. And typically what we do to try and prove that specific intent is we’re going to go through. [11:53] Recorded statements made to a source or to an undercover or emails or texts or something that we can show that this person knew that item was stolen. And so we would see that a lot in auction houses and galleries. There’s a lot of willful blindness where a lot of gallery owners and auction houses, they’re going to look the other way because it’s too lucrative to pass up. And in fact, in 2015, the art crime team, once we received information that ISIL or ISIS was using looted cultural property from Syria and Iraq as a form, a viable form of terrorism financing. And we put auction houses and gallery owners on notice in 2015, and we basically told them that if you’re selling objects of cultural patrimony or cultural heritage with a dubious provenance, like a wink and a nod, you may be unwittingly or wittingly funding terrorism. While we never charged anybody with it, hopefully it was an eye-opener that when you’re getting into this world, it’s not a victimless crime. There are very real victims involved. [13:07] And that’s one of the things that really is interesting about working our crime investigations. And I used to get ribbed by my friends who were not on the art crime team about [13:18] where like the wine and cheese squad were raised and everything. But our subjects are far from it. We’re dealing with organized crime, gangs, terrorists. This is no joke. These are serious individuals and the stakes are high. And in the Gardner case, three or four people that we believe were involved in the heist were murdered a year after the Gardner case crime occurred. Yeah, I was just going to go back to that a little bit, as we said before, a little bit like the Lufthansa case. All of a sudden, everybody that was involved in the theft. Started dropping like flies. So tell the guys about that. That is really interesting. [14:00] Yeah. So the two individuals that we believe went into the museum dressed as cops, just a week shy of the one-year anniversary, one of the guys was found dead in his apartment of an acute overdose of cocaine, intravenous. And his family admitted that he used Coke, but they said he was terrified of needles. He was scared of needles. So it really looked to be like a hotshot, an intentional overdose of cocaine. Two weeks later, the other guy who we believe went into the museum with him, his wife reported him missing. And a couple of weeks later, his bullet riddled body was recovered in the trunk of his car out by Logan Airport in East Boston. There was another member of that crew. These were all part of the same crew. This Carmelo Merlino, who was a Boston mobster, had an auto shop down in the Dorchester section of Boston. Another member of his crew, a guy named Bobby, six weeks after the heist, he brought in, he visited a jeweler in the downtown crossing jewelry district in Boston. He came in with this object and he unwrapped it. It was an eagle. [15:03] It was the finial from the Napoleonic flag that was stolen in the Gardner heist. And he asked the jeweler, how much is this thing worth? And the jeweler looked at it and he said, it’s worth nothing. Because he immediately recognized it as one of the people that had been stolen six weeks earlier from the Gardner heist. And then a few months later, Bobby was stabbed to death and nearly decapitated on the front porch of his house. And the responding police saw that his house had been broken into and ransacked like his killers had been looking for something. There was a fourth guy, Jimmy, who bragged to his girlfriend a few months after the heist that he had a couple of pieces from the Gardner Museum hidden in his attic. [15:47] And in February of 1990, 11 months after the heist, he was executed on his front porch in what the local police called a mob hit. So, yeah, these are the types of crimes that have a tendency to have a chilling effect on anybody who harbors any aspirations to come forward with information. Yeah, and we talked earlier a little bit about, like, the crime itself, and the statute of limitations is up on that, what you said, and the crime itself, but how we talked a little bit and explained to them about how this could be part of a RICO case. And you’ve got the murders and you’ve got the actual theft and whatever they did with the paintings, then maybe you could get over after a Bob boss as a Rico case. Tell the guys a little bit about doing that. Yeah. [16:32] I’ve heard it so many times in more than two decades that I worked the case and people would say, geez, why don’t people come forward? They’re just paintings. There are so many times they’re just paintings. They’re like, yeah, they are, but there’s two things about that. Number one, there’s some dead bodies on these paintings, three or four, and that there’s no statute of limitations for murder. And so if you implicate yourself in the theft or you implicate yourself in possessing or transporting these paintings at any time, the fear is that you’re then implicating yourself in a homicide. And the other aspect of this, which I think has a chilling effect, is the fact that transportation of stolen property is one of the predicate acts for RICO, racketeering influence corrupt organization case. And RICO is basically, Gary, is basically an entire organization is corrupt. Yeah. There’s no legitimate purpose. It’s what we think about the mob and the [17:27] FBI has taken down the mob in the past. So if you implicate yourself in stolen property and you’re part of organized crime, that’s one of the predicate acts for a RICO. And that’s basically life sentences. And so one of my goals in the years and years that I worked in this case was to try and convince people that you could come forward with information and the U S attorney’s offices, whether it’s up in Boston or new Haven or Philadelphia. [17:58] Would be willing to figure out a way to get the paintings back with immunity from prosecution for a RICO case. Look, that’s a high hurdle. That’s a high hurdle to convince somebody that if you come forward, you’re not going to get charged and you’re eligible for millions of dollars in reward. That’s a tough bill to swallow, but it’s the truth. I’m retired from the FBI now. I can tell you that it was, it’s a, it was, and still is a bona fide offer. And that’s one of the goals that I’ve always tried to impress on anyone is the opportunity to become a millionaire without going to jail. There you go, Jeff. Can you, now you’re not with the Bureau anymore. Can you go out, if you could go out and find them and bring them in, could you collect that reward? I would certainly hope so. [18:48] I can’t tell you how many of my friends thought that I had some of these paintings stashed in my basement. Waiting for retirement to go turn them in the next day. I think half the guys I worked with were expecting to see me pull into the parking lot of the FBI. [19:01] Big package, but no. But yeah, I suppose I could. By this point, I can tell you the amount of my very being that I put into this case over two days. Yeah. I just would love to see these paintings go back just because they need to be back at the museum. That’s where they belong. Now, these crimes, they seem, You said there’s a lot of murders attached to this. They seem a little boring. Did you have any exciting moments trying to pop anybody or do any surveillances? I know we did a big surveillance of a bunch of junkies that were going around stealing from small museums around the Midwest. And we follow them here in Kansas City. And they would have been pretty exciting had we had a confrontation with them. Did you have any exciting moments in this? It actually was a fascinating case. And for the first, there’s the really boring aspects of this job and tedious aspects. And I would say that in my, two decades working this case, I probably did, I don’t know, 50, 60, 70 consent searches, searching in attics and basements and crawling through crawl spaces and just getting sweaty and covered in cobwebs. But the break in the case for me came in 2009 when one of the guys who was part of Merlino’s crew who was deceased, his niece came forward to me and told me that the paintings. Some of them had been hidden up in this guy’s hide at his house up in Maine. I went up to Maine with Anthony Amore, who’s the director of security for the Gardner Museum. We worked on this case together for years. [20:29] And then we found that hide. And then we interviewed, right from there, we went and interviewed Guarenti. That’s the guy, Bobby Guarenti. We interviewed his widow and she broke down and admitted that he once showed her the paintings and she gave them to a guy down in Connecticut. And we identified that guy and we interviewed him. My name is Bobby Gentile. He’s a made member of the Philly Mob. He got straightened out with his crew back in the late 90s. [20:54] And he refused to cooperate. And then that’s where we really just started getting, using a lot of ingenuity to try and break it. And an agent down in the New Haven office, a guy by the name of Jamie Lawton, he joined our team and we started working this case. And he had a source who knew Gentile, Bobby Gentile, and the source started buying drugs from Gentile. Ah, there we go. We ended up arresting Gentile and we did a search warrant at his house. And it was crazy. Like we recovered, I want to say seven handguns, loaded handguns lying all over the place. He had a pump action shotgun hanging by the front door. He had high explosives. We had to evacuate the house and call him the bomb squad. But the interesting thing was he had the March 19th, 1990 edition of the Boston Herald with headlines about the Gardner heist and tucked inside that newspaper was a handwritten list of all the stolen items. With what looked like their black market values. This is in the house of a guy who swore up and down that he’d never heard of the Gardner Museum. And we were able to figure out who wrote the list. It was written by none other than Al Monday, who’s the guy that did the first armed robbery of a museum, of a Rembrandt. And we interviewed him and he told us that he wrote that list for Bobby Gentile and his buddy up in Maine, Bobby Garanti, because they had a buyer for the paintings and they wanted to know what they were worth. [22:24] So yeah, and then Gentile took 30 months. [22:28] He wouldn’t cooperate. And while he was incarcerated, we turned two of his closest friends to becoming sources. And so when he got out of prison in February or April of 2014, they started talking to him and talked about the gardener and they said they might know somebody who’d want to buy him. That’s how we then introduced an undercover agent. Gentile was introduced to Tony, this undercover FBI agent. Over six months, they had long talks about selling the paintings. Unfortunately, before Gentile would sell the paintings, he wanted to do a drug deal first, which we couldn’t allow to happen. We can’t let drugs walk on the street. So we had to take it down. And although we’d seized all these guns from Gentile back in 2012, he told the sources the FBI didn’t get all of his guns. Because of that disturbing comment, one of the sources asked Gentile if he could buy a gun for him. And Gentile sold him a loaded 38. So we arrested him again. And he still refused to cooperate. I don’t respect what he did for a living or a lot of the things that he did, but you do have to respect his adherence to his values. However, misguided they may have been, he took the code of omerta, the code of silence to heart, and he took it to his grave. He died, I think, in 2021 after going to prison a second time. [23:50] While we never got any paintings back, it was a tremendous ride, and I’m confident they will come back. It’s just going to be a question of when. Yeah, that kind of brings up the question that you hear people speculate. Did you ever run across this? Is there actually any rich old guys or an Arab sheik or somebody that buys stuff like this and then really keeps it and never shows it to anybody? Does that unicorn really exist? everybody wants that to be true i know virtually it’s not yeah there’s there’s never been a case of some wealthy what we call the doctor no theory some some reclusive billionaire with his underground lair filled with all the illicit stolen treasures of the world yeah that’s it’s never happened yeah i guess you never say never but but no look the majority statistically about three-quarters of everyone that collects art in this country does it for, and I assume it’s probably worldwide, does it for the investment potential. There’s a lot of money to be made in collecting art. It rarely, if ever, drops in value. So that’s why people collect art. If there’s somebody who has a particular piece that they want so badly that they’re going to commission its theft, it’s more the stuff of Hollywood. It could happen, but we’ve never seen that happen yet. Interesting. [25:14] We did have one case here where we had a medical doctor and he had it on the wall of his house. And it was, I believe it was a Western artist named Remington that these junkies stole out of Omaha. But it was such a minor piece that he could show it to anybody and they wouldn’t. They would say, oh, that’s cool. You got a Remington. [25:30] There’s plenty of those around. And he could afford a real deal Remington anyhow. So it wasn’t that big a deal. And that’s really what it comes down to is that art, high-end art does get stolen. It gets stolen quite often. The art market is about $60 billion, and the FBI, we estimated about $6 to $8 billion of that is illicit, whether it’s theft or fakes and forgeries. It’s a tremendous market, but it’s mostly second and third tier items. [26:02] Really valuable, well-known pieces. They do get stolen, but that’s the easy part. The easy part is stealing it. The hard part is monetizing it. That’s why you very rarely see recidivism among art thieves, high-end art thieves, because you do it once, and now you’re stuck with the thing. It’s easier to steal something else. You got to go out and boost fur coats and stuff to make a living. Exactly. Do a jewelry store robbery down there and make a living. And that’s exactly the point. That’s why you’re seeing a sea change in terms of art thefts, museum thefts. The Louvre was a great example of that. Dresden green vault robbery where 100 million euros in gems were stolen back in 2019 yeah. [26:45] Gems and jewelry, it can be broken down. It’s going to greatly diminish their value, but you can recut a gem. You can melt down the setting. You can monetize it for a greatly diminished value, but at least you can monetize it. You can’t cut up a Rembrandt into smaller pieces. [27:02] It’s only valuable as a whole complete piece. Yeah. I’m just thinking about that. We got a couple of guys, Jerry Scalise and Art Rachel in Chicago, flew to London, robbed a really valuable piece, the Lady Churchill’s diamond or something, I don’t remember, but really valuable piece and mailed it to somebody on their way to the airport and then got caught when they got back to Chicago and brought back to London and did 14 years in England and they never gave up that piece and nobody could, it never appeared anywhere, but it was just cut up and they didn’t make hardly any money off of it. Yeah. Look, there’s a, there’s much more profitable ways to. Yeah. To make an illicit living than stealing high-end artwork, but it does still get stolen. And that’s one of the cruel ironies when you’re talking about art theft is if somebody has a $20,000 piece of jewelry or a very expensive watch, they’re most likely going to lock it up in a safe in their bedroom or something. But you have a $10 million piece of artwork, you probably got it on the mantle. You’ve got it over the fireplace or in the front foyer of your house and probably doesn’t have a passive alarm system protecting it or security screws to keep it from being taken off the wall because people want to show it off. Yeah. It’s way too enticing. [28:24] Really? So, yes, you need to keep the word out there and keep this in people’s minds. And I’m sure the museum tries to do this in some ways in order, hopefully, that maybe somebody will say, oh. Yeah. [28:38] I think I saw that somewhere in this news program or on this podcast. [28:42] I’ll put some pictures on the podcast when I end up editing this. No, please do, Kerry. And that’s the thing. That’s the basis for the title of my book is it really is a fugitive investigation. And that’s how I work this case is fugitives and perfect fugitives because they’re not like their human counterparts. They’re not going to get tripped up on the silly things that we need to do as human beings, getting a driver’s license or whatnot. Yeah. [29:09] And so that’s how I worked the case. The FBI was really, I was always impressed with the FBI’s support that they gave me on this investigation. We did billboard campaigns and social media and a lot of things to get these images out there to the public, hoping it might resonate with somebody. And that’s really my goal for this book. I felt it should be written. I felt it’s an important case. Certainly, it’s something that I wanted to write about. It’s something that’s very important to me. [29:42] But it’s yet another attempt to apprehend these fugitives. And I’m hopeful that somebody, it might resonate with somebody. Somebody’s going to see something. And there’s so much disinformation and misinformation that’s out there in the media about this case. People are endlessly, all these armchair detectives, and I don’t say it in a deprecating way. Good for them. Work as hard as you can. But if you want to work this case from your armchair, great. but you should be going off accurate information because there’s a lot of bad information that’s out there on the internet. And if you want to help out, if you want to collect that $10 million reward, great, but you should be going off the most accurate factual information that’s available. Yeah. And you probably ought to go down to the deep seamy underbelly of Philadelphia or Boston or somewhere and get involved with a mob and then work your way up and make different cocaine deals and everything. And eventually you might be trusted enough that some might say, oh yeah, I’ve got those in this basement. I would suggest there’s better hobbies. [30:47] That could be hazardous to your health. I wouldn’t recommend it. Yes, it could. All right. Jeffrey Kelly, the book is 13 Perfect Tuesdays. Those are the paintings that were stolen that you’ll see on the podcast on the YouTube channel. The true story of the mob, murder, and the world’s largest art heist. Jeffrey, thanks so much for coming on to tell us about this. Thanks, Gary. Thanks for having me.

CADENA 100, en '¡Buenos días, Javi y Mar!', ofrece 45 minutos de música sin interrupción. Suenan temas como "I'll Be There For You" de The Rembrandts, "Flowers" de Miley Cyrus, "Let Me Love You" de Justin Bieber y "Summer Love" de David Tavare. La Noche de CADENA 100, a beneficio de Manos Unidas, celebra su gala el 28 de marzo con David Bisbal, Beret, Melendi (que estrena tema), Efecto Pasillo, Sidecars, Maldita Nerea y DePol en el Movistar Arena. El programa destaca buenas noticias: "Mamás en acción" ya asiste a niños en 54 hospitales españoles. Además, los vecinos de Hortaleza, Madrid, homenajean con aplausos al farmacéutico Fausto en su jubilación. Una oyente, Sara, comparte su éxito al aprobar dos exámenes de Criminología. Carlos Baute presenta su nuevo sencillo "Quién Mejor Que Tú", manteniendo su esencia con un sonido actual y resaltando a su familia como "personas vitaminas". También se escucha música de Taylor Swift, Lady Gaga y Bruno Mars.

President Macron maakt bekend dat Frankrijk het aantal kernkoppen gaat vergroten en Europese bondgenoten uitnodigt te trainen onder de Franse nucleaire paraplu. Nederland mag aansluiten, maar neemt volgens oud-minister Ruben Brekelmans voorlopig een afwachtende houding aan. De besluitvorming over inzet blijft bij Frankrijk, terwijl EU-lidstaten zoals Duitsland, Polen en België een ondersteunende rol krijgen. In het Midden-Oosten loopt de spanning verder op na nieuwe Israëlische bombardementen op Teheran en tegenaanvallen vanuit Iran en Hezbollah. Volgens correspondent Ralph Dekkers zijn er zeker tientallen gewonden in Beër Sjeva en opent Israël nu een tweede front tegen Hezbollah in Libanon. Europese landen bereiden een gezamenlijk mechanisme voor om hun burgers te kunnen repatriëren zodra de veiligheidssituatie dat toelaat. Het Rijksmuseum presenteert een schilderij dat na jaren van onderzoek tóch een echte Rembrandt blijkt. Met geavanceerde technieken als X-ray fluorescent scanning werd aangetoond dat zowel de pigmenten als de schilderstijl overeenkomen met Rembrandts werk uit dezelfde periode. Conservator Jonathan Bikker noemt de vondst ‘heel indrukwekkend’ en spreekt van een bijzondere aanwinst voor het museum. Deze omschrijving is met AI gemaakt en gecontroleerd door een BNR-redacteur. Over deze podcast BNR Nieuws Vandaag is de podcast met daarin BNR Ochtendnieuws en BNR Avondnieuws. Je krijgt ’s ochtends vroeg en aan het einde van de werkdag in 20 minuten het belangrijkste nieuws van de dag. Abonneer je via bnr.nl/podcast/bnrnieuwsvandaag, de BNR-app, Spotify en Apple Podcasts. Of luister elke dag live via bnr.nl/live.See omnystudio.com/listener for privacy information.

Einmal die Woche spielen Hamburgs Kunsthallen-Direktor Alexander Klar und Abendblatt-Chefredakteur Lars Haider „Ich sehe was, was du nicht siehst“ – und zwar mit einem Kunstwerk. Heute geht es um das Bild „Simeon und Hanna im Tempel“ von Rembrandt Harmensz. Van Rijn aus dem Jahr 1627 und eine seltsame Hand. Live aus der Kunsthalle, zu Gast: Autorin Vera Fengler.

In this episode of the  Exit Advisory Team podcast the team discuss how the Exit Readiness Assessment tool can help you can clarity on how prepared you are to achieve one of the most momentous events you have had in terms of your business life... achieving the successful sale of your company.On this weeks podcast we welcome  three members of The Exit Advisory Team Neale Lewis (Scaling Up + Strategic Exit Coach)Debra Martin – Corporate lawyer (30+ years, heads corporate team at Geldards)Adam Rhodes – Wealth manager (25 years; focused on pre-sale and post-sale planning for entrepreneurs)Core message:At the heart of the webinar was the launch of our Exit Readiness Scorecard — a 3-part diagnostic tool that helps business owners assess: Personal Readiness – Are you emotionally and financially ready to let go? Do you know your “magic number” — the net amount you truly need to walk away fulfilled? Value Maximisation – Is your business positioned like a premium strategic asset, with predictable revenues, minimal owner dependency, and a compelling reason for buyers to pay a premium? Exit Process Readiness – Is your legal, financial, and operational house in order to withstand due diligence without delays, discounts, or drama? Highlights from the conversation include: Time kills deals. Failing to prepare legal, contractual, and compliance essentials in advance can stall or sink even the most promising exits. Emotional readiness is a deal killer. Most founders underestimate the psychological games buyers play — and overestimate their ability to emotionally detach when the pressure is on. Rembrandts in the Attic — unique assets like IP, contracts, or market positioning — could unlock massive value… but only if you start identifying and protecting them years in advance. Owner dependency deflates value. If you are essential to the day-to-day, expect earn-outs, deferred payments, and buyer control over the deal structure. Your Magic Number matters more than your headline price. Too many owners chase round numbers instead of understanding what they actually need to live their next chapter with freedom, purpose, and security. Ready to discover where you stand?Take the Exit Readiness Scorecard  — a 3-minute “yes/no” assessment. You'll receive a personalised report instantly to find out where you're strong, where the gaps are, and how to start taking action with the right advisors beside you.

The Rembrandts - I'll Be There For You Genesis - Jesus He Knows Me Phil Collins - You Can't Hurry Love Phoenix - Lisztomania George Michael - Faith Chappell Roan - The Giver Mike And The Mechanics - Over My Shoulder Sabrina Carpenter - Busy Woman Estelle Feat. Kanye West - American Boy Kavinsky - Nightcall (Dustin N'Guyen remix) Depeche Mode - Strangelove U2 - With Or Without You (Teemid remix) The Police - Every Breath You Take The Style Council - Shout To The Top The Ting Tings - That's Not My Name Phoenix - 1901 Soft Cell - Tainted Love The Fray - A Light That Waits Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Send a text“The most dangerous position for any founder is not failure. It's being too important.”-Jeffrey FeldbergExclusive Insights from This Week's EpisodesYou are not stuck because profits are too low (or too high). You are stuck because success quietly turned you into the operating system. This episode exposes the silent trap that hits respected, profitable founders: the harder you work, the more indispensable you become, and the more fragile the business gets. You will learn how to spot the hidden single point of failure, how to shift from reaction to intention, and how to build a company that delivers profit, control, and choice at the same time. If growth feels heavier than it should, this is your wake up call. Listen now and redesign the way you operate.Episode Highlights00:01:00 Profits rise, freedom drops, and the business depends on you00:03:00 The most dangerous position is being too important00:04:00 The Deep Wealth Operating System and the shift from reaction to intention00:11:00 Step 2 X Factors and how elite businesses become fundamentally different00:16:00 Step 3 Future Buyer and seeing risk through outside eyes00:20:00 Step 8 Skeletons and Rembrandts and removing fragility while amplifying value00:25:00 Step 7 Timing and Execution and why power comes from not needing anything to happen00:30:00 Step 9 Deep Wealth and the real goal: calm and choice00:38:00 The core question: are you creating choice or quietly losing it00:47:00 Email call to action with subject word ChoicesFull show notes, transcript, and resources for this episode:https://podcast.deepwealth.com/516The Deep Wealth Podcast Most entrepreneurs do not fail.They just carry too much for too long. The business grows. Pressure grows faster. Profits get harder to predict. Decisions cost more energy. Over time, focus slips and health takes the hit. The Deep Wealth Podcast and Deep Wealth Mastery are built from real experience. We're the only system based on a 9-figure exit. This system exists because guessing gets expensive.

En ¡Buenos días, Javi y Mar!, Pedro Sánchez anuncia que España legisla para que menores de 16 años no tengan redes sociales como Instagram o TikTok, una medida que sigue a Australia y Francia, y que genera la fuerte crítica de Elon Musk. Las intensas lluvias afectan Andalucía, con cierre de colegios, carreteras cortadas y desalojos, interrumpiendo también el AVE. La Universidad Miguel Hernández de Elche logra que un hombre ciego recupere parcialmente la visión. El programa destaca el poder de la música en directo y la próxima 'La Noche de CADENA 100' el 28 de marzo, a beneficio de Manos Unidas, cuyo cartel se desvela este viernes. Suenan éxitos de Ellie Goulding, Maldita Nerea con Melendi, Beyoncé, The Rembrandts, Alicia Keys y se menciona la nueva versión de Alphaville con David Guetta.

Welcome to the DMF! I'm Justin Younts, and today I'm thrilled to introduce you to Alexandra Beller, an incredible artist, choreographer, and soon-to-be-published author. In this first part of our conversation, we dive deep into Alexandra's upbringing in Queens during the vibrant 80s, a time that profoundly influenced her artistic journey. She shares how the rich diversity of characters and experiences around her shaped her resilience and creativity. From sneaking into the Metropolitan Museum to sketch Rembrandts to her first dance class at summer camp, Alexandra's story is one of passion and discovery. We explore the importance of embodiment in dance and how it transcends mere movement, allowing for a deeper connection to oneself. Alexandra also discusses her academic journey at the University of Michigan, where she double-majored in dance and English, seeking a balance between technical skill and literary prowess. This conversation is not just about dance; it's about finding your voice, challenging societal norms, and embracing the complexities of human expression. Join us as we uncover the layers of creativity and the power of asking 'why' in art. Don't miss out on this inspiring dialogue that encourages you to explore your own artistic potential!00:00:00 - Introduction00:00:29 - Growing Up in Queens, New York00:00:39 - Influence of New York on Career00:02:26 - Early Exposure to Art and Culture00:03:31 - Discovering Dance00:05:08 - College Experience and Majoring in Dance and English00:06:57 - Influence of Literature and Bible Study00:08:42 - Changing Perspectives and Adapting00:09:16 - Challenging Established Norms in Art00:11:11 - Pushing Boundaries in Casting and Directing00:14:01 - Addressing Controversial Content in Older Stories00:15:29 - Questioning Societal Norms in Storytelling00:16:04 - Reimagining Macbeth00:19:17 - The Need for Empathy in Storytelling00:20:00 - Staying True to the Text00:21:52 - The Importance of 'How' in Storytelling00:23:35 - The Role of Improvisation in Creativity00:24:45 - Introduction to Laban and Bartenieff00:25:08 - The Influence of Laban and Bartenieff on Dance00:30:52 - Using Movement for Character Development00:31:30 - Recognizing Non-Neutrality in Acting00:32:04 - Associations and Emotions in Acting00:32:25 - Interpreting Anger in Acting00:34:05 - Understanding Personal Energy in Acting00:34:32 - The Role of Laban's Effort in Acting00:35:57 - Manipulating Energy in Acting00:36:19 - ConclusionCheck out her website: https://www.alexandrabellerdances.org/

Brygg en kopp te och luta dig tillbaka, det här är ett poddsamtal att verkligen njuta av! Under vår resa till Nederländerna gjorde vi ett stopp på Museum Het Rembrandthuis i Amsterdam, där museichefen Epco Runia bjöd oss på ett fantastiskt samtal. Ja, vi vet att det är ett långt avsnitt, men man kommer verkligen Rembrandt nära inpå livet. Efteråt känns det nästan som om man själv har lärt känna den berömde 1600-talskonstnären.Epco Runia tecknar ett levande personlighetsporträtt där vi inte bara möter Rembrandt som konstnär och entreprenör, utan också som människa. En människa som periodvis mådde mycket dåligt och som inte alltid framstår i särskilt smickrande dager.Han berättar om Rembrandts liv, om huset där han bodde under cirka 20 framgångsrika år, och om den nära konkursen 1656 som ledde till det berömda handskrivna inventariet, där Rembrandt själv listade alla sina ägodelar. Just detta dokument har varit avgörande vid rekonstruktionen av huset och dess inredning.Avsnittet spelades in en varm dag med öppna fönster. I bakgrunden anar man Amsterdams pulserande gatuliv – the hustle and bustle – samtidigt som vi befinner oss inne i Rembrandts hus på Jodenbreestraat 8. Det skapar en levande känsla av hur det var när konstnären själv levde och arbetade här på 1600-talet, mitt i stadens brus.Support till showen http://supporter.acast.com/konsthistoriepodden. Hosted on Acast. See acast.com/privacy for more information.

Send us a textUnlock Proven Strategies for a Lucrative Business Exit—Subscribe to The Deep Wealth Podcast TodayHave Questions About Growing Profits And Maximizing Your Business Exit? Submit Them Here, and We'll Answer Them on the Podcast!“Preparation is the gift that keeps on giving.”- Jeffrey“Entrepreneurs create something out of nothing.” - SteveExclusive Insights from This Week's EpisodesJeffrey Feldberg and Steve Wells, co-founders of a 9-figure liquidity event, celebrate the milestone by exposing the exact principles that let you dominate profits today while quietly building a business buyers fight over tomorrow. You'll discover why “I'm never selling” is the fastest way to leave a fortune on the table and how to uncover hidden “Rembrandts” that explode enterprise value.[01:30] How the podcast started in total lockdown with zero clue how to podcast[03:00] The mindset shift that turned a stubborn “never sell” into a 9-figure exit[06:00] Why making your business more sellable actually makes it more profitable – forever[09:00] The “Rembrandts in the attic” every founder ignores until it's too late[13:00] Why AI and future disruption make exit-ready systems non-negotiable[19:00] Timing the market: the close call that almost cost everything[25:00] Post-exit depression: why many founders feel worse after the big check[33:00] The one trait every billionaire guest shares: their company runs without them[42:00] Final gift to Deep Wealth Nation: the journey is the treasureClick here for full show notes, transcript, and resources:https://podcast.deepwealth.com/500Essential Resources to Maximize Your Business ExitUnlock Your Lucrative Exit and Secure Your Legacy

In this episode of Impact Through Voice, I sit down with world‑class speaker, trainer, and entrepreneur Eric Edmeades to dismantle some of the biggest myths about public speaking, confidence and authenticity. Eric has shared stages with Tony Robbins, Richard Branson, Bill Clinton, and is one of Mindvalley's most highly‑rated speakers and trainers. But he wasn't always confident on stage – in fact, he stayed terrified of public speaking well into his thirties. Together, we dive into how you can reclaim the powerful voice you were born with, and use it to grow your career, business and influence – whether you're an aspiring speaker, a coach, or a corporate executive.

Avui posem la cançó triada per Jan Vesely, que és un duet que malgrat l'aturada entre 1997 i 2002, és en actiu des de l'any 89, o dit d'una altra manera, 36 anys. Tot i això gairebé podem dir que son un duo de one-hit wonder el que van fer Phil Solem i Danny Wilde i que gràcies a una de les millors sitcoms de la història aquesta cançó serà eterna. Parlem de The Rembrandts i parlem de la BSO de Friends. I com que sempre hi som i serem Barça, I'll be there for you. podcast recorded with enacast.com

Avui posem la cançó triada per Jan Vesely, que és un duet que malgrat l'aturada entre 1997 i 2002, és en actiu des de l'any 89, o dit d'una altra manera, 36 anys. Tot i això gairebé podem dir que son un duo de one-hit wonder el que van fer Phil Solem i Danny Wilde i que gràcies a una de les millors sitcoms de la història aquesta cançó serà eterna. Parlem de The Rembrandts i parlem de la BSO de Friends. I com que sempre hi som i serem Barça, I'll be there for you. podcast recorded with enacast.com

Découvrez comment une histoire personnelle entre Danny Wilde et Phil Solem a donné naissance au tube "Just The Way It Is, Baby", et comment ce succès les a menés à composer le générique de la série culte Friends. De leur rencontre improbable à la reconnaissance mondiale, cet épisode retrace le parcours étonnant des Rembrandts, entre anecdotes intimes et opportunités inattendues.À retenir :Une histoire amoureuse rocambolesque à l'origine du groupe.Le succès de "Just The Way It Is, Baby" ouvre la porte à Friends.Une trajectoire musicale marquée par le hasard et le talent.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Slip off Oxford Street and into another world – chandeliers, Rembrandts, and the best cakes in Marylebone. Housed in a stately mansion on Manchester Square, the Wallace Collection is London's most beautiful secret: an 18th-century treasure chest of art, armour, and elegance. A museum that still feels like a home – and, thanks to Rick Mather's sunlit café, the sweetest spot in the city for tea.

Schweighöfer, Kerstin www.deutschlandfunk.de, Kultur heute

Met vandaag: Geen hoffelijkheid meer in EenVandaag verkiezingsdebat | Wat staat op het spel bij rechtszaak tegen Marco Borsato? | De verkiezingen in Hongarije worden óók spannend | Cabaretier-filosoof Tim Fransen grijpt terug op marxistisch theoreticus Antonio Gramsci  | 5 voor 12: De vrouw met drie handen in ets van Rembrandt Presentatie: Chris Kijne

Rembrandts Gemälde „Die Nachtwache“ ist das berühmteste Bild der Niederlande. Es gehört zur nationalen Identität. Gerade deswegen wurde es mehrfach zur Zielscheibe von Anschlägen. So auch 1975. Dahinter verbirgt sich eine traurige Geschichte. Reinhardt, Anja www.deutschlandfunk.de, Kalenderblatt

Join us as we dive into Amanda's investigation at Four Peaks Brewery in Tempe, Arizona! We'll uncover the fascinating history of the area, the property, and its lingering haunts. Then we'll spill all the details (and a little hot goss) from the investigation itself.Sign up for their Haunted Brewery Tour here! https://www.fourpeaks.com/ghost-toursJoin our Reddit community: https://www.reddit.com/r/truecreepspodcast/s/JVToI0ykGEJoin our Facebook group here: https://www.facebook.com/groups/449439969638764A special thank you to our jam thief, Mary Quiton!https://www.patreon.com/truecreepshttps://www.truecreeps.com/shopwww.truecreeps.comHave an episode idea or a question about a case? Submit them here: https://www.truecreeps.com/ideasandquestionsTwitter @truecreepsInstagram @truecreepspodFacebook.com/truecreepspodEmail us at truecreepspod@gmail.comVictor I. CorbellOodham | Salt River Pima-Maricopa Indian CommunityHistory | Salt River Pima-Maricopa Indian CommunityHistory of Salt River Project | SRPVictor I. CorbellUranus Recording of Tempe Closes With Great Performances From Gin Blossoms, Rembrandts, and Tempe Rock LifersBorden Milk Co. Creamery and Ice Factory - Tempe Arizona - U.S. National Register of Historic Places on Waymarking.comThe Resiliency of 8th Street – Four Peaks HistoryAaron's Mechanical Services: Cool Arizona Places: Borden Milk Company Creamery and Ice FactoryFour Peaks Brewery in Tempe completes expansion, adds bar, shop, patioCreamery Park - Hours 6 a.m. - 12 a.m.The Closing of Uranus Recording Marks End of Era for a Gin BlossomUranus Recording6 changes coming to Tempe's Four Peaks BreweryBorden Milk Co. Creamery and Ice...

The Rembrandts - I'll Be There For You Genesis - Jesus He Knows Me The Blues Brothers - Everybody Needs Somebody Phoenix - Lisztomania Phil Collins - You Can't Hurry Love Culture Club - Karma Chameleon Yes - Owner Of A Lonely Heart Queen - One Vision Robbie William - Let Me Entertain You Parcels - Yougotmefeeling Ed Sheeran - Azizam Arctic Monkeys - Mardy Bum Simple Minds - Don't You Queen - Another One Bites The Dust Tate McRae - Greedy Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Rob Follows, founder and chairman of STS Capital, shares his expertise on helping business owners achieve maximum value when selling their companies by targeting strategic buyers rather than financial buyers. His passion stems from his own experience selling a business for 27 times EBITDA, only to later discover the buyer had valued it at 100 times EBITDA.• The concept of "Rembrandts in the attic" - identifying hidden value that strategic buyers can leverage more effectively than current owners• How STS Capital helps business owners sell directly to strategic buyers for 2-3 times what financial buyers typically offer• Strategic buyers see value others miss - Rob shares examples of businesses selling for 60x EBITDA through careful buyer selection• Private equity firms are middlemen using other people's money to "buy low, sell high" - business owners can bypass them• Business owners should plan their exit 3-5 years in advance rather than waiting for the "six Ds" (death, disease, divorce, disability, disenchantment, disintermediation)• STS Capital typically works with businesses in the $100M-$1B enterprise value range, but can sometimes work with businesses valued at $30-50M• How financial advisors and consultants can become certified in "selling to strategics" to better serve their business owner clientsTo learn more or become an ambassador of the STS Capital program, contact Rob at rob@stscapital.com.STS Capital Partners4 Robert Speck Pkwy, Mississauga, ON L4Z 1S1, Canada+1 905-804-1934Hear Past episodes of the Way2Wealth Podcast!https://theway2wealth.com Learn more about our Host, Scott Ford, Managing Director, Partner & Wealth Advisorhttps://www.carsonwealth.com/team-members/scott-ford/ Investment advisory services offered through CWM LLC, an SEC-registered investment advisor. Carson Partners, a division of CWM LLC, is a nationwide partnership of advisors. The opinions voiced in the Way to Wealth with Scott Ford are for general information only and are not intended to provide specific advice or recommendations for an individual. Past performance is no guarantee of future results. All indices are unmanaged and may not be invested into directly. Investing involves risk, including possible loss of principal. No strategy assures success or protects against loss. To determine what may be appropriate for you, consult with your attorney, accountant, financial or tax advisor prior to investing. Guests on Way to Wealth are not affiliated with CWM, LLC. Legado Family is not affiliated with CWM LLC. Carson Wealth 19833 Leitersburg Pike, Suite 1, Hagerstown, Maryland, 21742.

Today's program features tuneage from The Who, Dawes, Counting Crows, Stones, Steely Dan, John Prine, Quincy Jones, Michael Franks, Cracker, Allman Brothers, Wallflowers, Derek & The Dominos, Jimi Hendrix Experience, Tom Petty, Rembrandts, John Waite, Jeff Golub, The Kinks, John Lennon and Gary Calamar.

(00:00-24:32) Doug's just stew today after that tough loss. Texters trying to beat the rush this morning. Helsley with a toughie last night. Carrera is clutch. Farm to table breakfast pizza. Audio of Ryan Helsley talking about his third blown save in a week. Ballwin Beer Bitch is on the phone lines. Jackson, The Etiquette King. Pretzels in the pool.(24:41-43:19) Tim looks great today. Martin topless at home, Doug topless at the ball game. The Anatomy of An Infidelity Special. Pastrami dogs. Doug doesn't like German food. The filtering process is a united front.(43:29-59:59) Mount Rushmore of television theme songs. One Day At A Time. Penalty minutes galore in Game 3 of the Stanley Cup Finals last night. Audio of Connor McDavid talking about the weird game and not playing their best yet in the series. Kris Knoblauch on the chippiness of Game 3. Doug's clergy cape. The Rembrandts. Ky's tertiary friends.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

National Egg day.  Entertainment from 1981.  Andy Warhol shot by feminist, Willie Nelson hit with $32 million tax bill, 1st baseball uniforms.  Todays birthdays - Jimmy Rogers, Tony Curtis, Ian Hunter, Eddie Holman, Deniece Williams, Danny Wilde, David Cole, Doro.  Muhammad Ali died.Intro - God did good - Dianna Corcoran   https://www.diannacorcoran.com/Egg Song - Land before timeBette Davis eyes - Kim CarnesFriends - Razzy BaileyBirthdays - In da club - 50 Cent   http://50cent.com/Thats all right - Jimmy RogersOnce bitten twice shy - Ian HunterHey there lonely girl - Eddie HolmanLets hear it for the boy - Deniece WilliamsJust the way it is - The RembrandtsI'll be there for you - The RembrandtsGonna make you sweat - C&C Music FactoryAll we are - WarlockExit - Those kind of songs - Brinley Addington   https://www.brinleyaddington.com/countryundergroundradio.comcooolmedia.com 

The Rembrandts - I'll Be There For You Genesis - Jesus He Knows Me The Blues Brothers - Everybody Needs Somebody Phoenix - Lisztomania Phil Collins - You Can't Hurry Love Culture Club - Karma Chameleon Yes - Owner Of A Lonely Heart Queen - One Vision Robbie William - Let Me Entertain You Parcels - Yougotmefeeling Jimmy Somerville Feat. June Miles - Comment Te Dire Adieu ? Teddy Swims - Bad Dreams Ed Sheeran - Azizam Arctic Monkeys - Mardy Bum Simple Minds - Don't You Queen - Another One Bites The Dust Tate McRae - Greedy Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Tu veux créer ton entreprise mais tu es encore salariée ? Et si tu n'étais pas obligée de choisir ?Dans cet épisode, Sarah Zitouni prouve qu'on peut réussir en étant salariée ET entrepreneure.Fondatrice de PowHer ta carrière et directrice stratégie dans l'automobile, elle t'explique comment mener une double vie professionnelle sans perdre la tête… ni ton équilibre.

"AI can't produce anything we haven't already heard." Chuck Zwicky and Lij Shaw discuss how AI is changing music production and songwriting, highlighting the importance of human elements and collaboration in the creative process while exploring the balance between technology and artistic expression. Chuck offers insights on mixing, emphasizing the value of interaction and the significance of live feedback in crafting music. The conversation also includes personal anecdotes and advice for aspiring producers. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Chuck Zwicky, a Manhattan-based engineer, writer, and producer with a diverse discography. Chuck has worked with iconic artists like The Rembrandts, Reggie Watts, Soul Asylum, Prince, and Information Society, as well as emerging talents. His sun-soaked mixing HQ reflects his unique approach to mixing, from the gear he uses to the plugins he designs himself. Chuck likes to bring together the audio artist and scientist through his techniques. This is Chuck's second time on the show — he first joined us in episode RSR260. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://stealthchair.com/ Use code ROCK10 to get 10% off! https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/6m08mI58QrvO8e97BrilPi?si=f0ab12ca4019468d If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/505

Schweighöfer, Kerstin www.deutschlandfunkkultur.de, Fazit

Schweighöfer, Kerstin www.deutschlandfunk.de, Kultur heute

Rembrandt prägte maßgeblich das sogenannte Goldene Zeitalter im 17. Jahrhundert. Wo lassen sich die Einflüsse seiner Werke auf die Kunst ablesen? Eine Ausstellung in Heidelberg zeigt Gemälde und Graphiken seiner Zeitgenossen, Schüler und Nachfolger.

Holly Solem is a model, actress, writer, and singer/songwriter known for her work on Amazon's original series Hand of God. Over 25 of her songs have appeared in films and on TV. Holly is currently working on her debut memoir. Read her Substack, “Holly Would”; watch/listen to her podcast of the same name, available on all platforms; and follow her on Instagram: @HollyMSolem. And, oh yeah, her father wrote the theme song for Friends and performed it with his band, The Rembrandts!Support this podcast at — https://redcircle.com/90who10/donations

In this special All-Rembrandt-All-The-Time edition, we're in Amsterdam to join in the Netherland's celebrations of the 350th Anniversary of Rembrandt Van Rijn. The Rijksmuseum puts on display every one of its Rembrandt holdings; a treasure through which curator and Rembrandt biographer Jonathan Bikker leads Culture File. (First broadcast 15/03/19)

While I'm taking a break, I thought you might enjoy this encore presentation of a popular episode from 2019—the gorgeous Woman Holding a Balance at the National Gallery of Art. If you want to follow along, you can find it at alonglookpodcast.com/vermeer.  And make sure to stick around to the end for a special announcement! SHOW NOTES  “A Long Look” themes are "Easy" by Ron Gelinas https://youtu.be/2QGe6skVzSs and “At the Cafe with You” by Onion All Stars https://pixabay.com/users/onion_all_stars-33331904/ Episode theme is “Caro Mio Ben in C Major” by Giuseppe Giordani, performed by Joel Meza. https://soundcloud.com/joel-meza-1/caro-mio-ben-in-c-major “Women Holding a Balance” information https://www.nga.gov/collection/art-object-page.1236.html https://www.nga.gov/collection/highlights/vermeer-woman-holding-a-balance.html Vermeer information https://www.nga.gov/collection/artist-info.1951.html “Essential Vermeer” website (extensive amount of info!)  https://www.essentialvermeer.com Widener information “Dutch Paintings at the National Gallery of Art: The Untold Stories behind the Acquisitions of the Rembrandts, Vermeers, and Other Treasures in the Collection” (audio) https://www.nga.gov/global-site-search-page.html?searchterm=wheelock+audio RECOMMENDED READING “Vermeer and the Masters of Genre Painting” by Adriaan Waiboer, et al. Dublin, National Gallery of Ireland, 2017. Exhibit brochure https://www.nga.gov/content/dam/ngaweb/exhibitions/pdfs/2017/vermeer-brochurel.pdf “Vermeer: Faith in Art” by Daniel Arasse Transcript available at https://alonglookpodcast.com/encore-woman-balance-vermeer/  

I had a couple friends post something about how when they vent on Facebook, people click that "Care" react emoji on their post but then never actually leave any kind of comments with encouragement, positive vibes, etc... just clicked a button and moved on, and how that felt so artificial because no effort went into that. So I was inspired to take a satirical take on it, by making an insistence that clicking that button was my way of actually telling whomever that that's my way of showing them support and letting them know I'm thinking about them. This song is a parody of "I'll Be There For You" by The Rembrandts, a song very familiar to anyone who has watched the 90s sitcom Friends.

Mark Karan is best known for his extended time on the Grateful Dead scene as lead guitarist for Bob Weir & Ratdog, The Other Ones, Phil & Friends, and Planet Drum. But Mark's musical reach extends far beyond the land of the Dead. His six-string contributions have complemented recordings and tours with Delaney Bramlett, Dave Mason, Sophie B. Hawkins, the Rembrandts, and Paul Carrick. Mark has been a guest for sit-ins with the Allman Brothers, Trey Anastasio, Gov't Mule, Jackie Greene, Levon Helm, Little Feat, and many more. The San Francisco-based singer-songwriter-guitarist has recently been playing well-received live shows with the Grammy Award-winning Dave Alvin in a newly minted interpretive Americana band called “the Third Mind,” touring actively with “Live Dead & Brothers,” an interpretive “mash-up” of “Grateful Dead” & “Allman Brothers” material… touring with the David Gilmour/Pink Floyd inspired “Gilmour Project” & playing nearer to home with his own band, “Mark Karen's Buds.” Mark also recently finished recording and mixing his newest record and is embarking on what is possibly the most personal phase of his career. He joins Vivian to discuss it all.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Oelze, Sabine www.deutschlandfunkkultur.de, Fazit

Reinhardt, Anja www.deutschlandfunkkultur.de, Fazit

Dennis is joined via Zoom by two women from the documentary The World According to Allee Willis; director Alexis Spraic and Executive Producer Prudence Fenton who was also Allee's life partner. Allee Willis, who passed away on Christmas Day in 2019, is primarily known as a a songwriter (Earth Wind & Fire's "September" and "Boogie Wonderland," the Friends theme song, The Color Purple musical) but she was also an accomplished visual artist, collector of kitsch, wild party thrower and internet entrepreneur. Alexis talks about what drew her to Allee as a film subject, sorting through Allee's six storage units of material and how she's tried to incorporate Allee's motto 'If you have a weakness, turn it into a hook" into her own life. Prudence talks about the exhausting prep that went into Allee's legendary house parties, the hurt caused by Allee's father not allowing Allee to be herself and that time a few years ago when the Rembrandts reached out to ask Allee for a share of the "Friends" theme song royalties...years after the show had left the air. Other topics include: Allee's wide array of friends, Allee's foray's into performing, the scandalously low number of female producers in the music business, how Allee dealt with disappointment and the moments in the filmmaking process where they really felt like Allee was guiding them.

How to Support the Rob Skinner Podcast.  If you would like to help support my mission to multiply disciples, leaders and churches, click here:  https://www.buymeacoffee.com/robskinner   Matthew Series Matthew 13:44-58 Sunday, August 25th, 2024 What's the most valuable thing you've ever discovered?    1. Staffordshire Hoard, 2009 In 2009, Terry Herbert, a passionate amateur treasure hunter, was exploring a plowed field near Hammerwich, Staffordshire, England, when his  metal detector signaled a significant discovery. Over five days of diligent excavation, Herbert and the landowner, Fred Johnson, unearthed a staggering 3,500 military artifacts, collectively known as the Staffordshire Hoard. This extraordinary find included over 11 pounds of gold, 3 pounds of silver, and semi-precious garnets, possibly sourced from as far as Sri Lanka or Afghanistan. Dating back to the 6th and 7th centuries, during the Anglo-Saxon kingdom of Mercia, the hoard is believed to have been buried around 875 A.D., when the region was under Viking threat.     2. The Le Catillon II Hoard, 2012 Reg Mead and Richard Miles, metal detection enthusiasts from Jersey, embarked on a decades-long quest after hearing a farmer's tale in the early 1980s. The farmer claimed to have discovered silver coins while plowing his field on the British island of Jersey. Mead and Miles, armed with perseverance, obtained permission to search the field for a mere 10 to 15 hours each year after the harvest. Their dedication bore fruit in 2012 when they unearthed 68,000 coins, along with gold neck torcs and glass beads. These treasures, dating back to 30 B.C. to 40 B.C., were buried by the Coriosolitae tribe of Celts, likely fleeing from a Roman invasion led by Julius Caesar. The Le Catillon II Hoard stands as the largest collection of gold jewelry and Celtic coins ever found.   3. St. Albans Hoard, 2012 In 2012, novice metal detectorist Westley Carrington ventured into a farm field in Berkhamsted, England, armed with a beginner's metal detector. His discovery turned out to be one of the largest hoards of Roman gold coins ever uncovered in Great Britain Jesus Introduction ·         This chapter forms a composite picture of the kingdom of God o   Responses to it o   Rejection of it o   Judgement of all people o   Personal responses to it o   The value of it ·         It can also form a historical outline: o   Planting of the seeds o   Varied responses o   Small beginnings o   Infiltration of the gospel throughout the Roman empire o   Individual responses and value of the kingdom o   Final judgment These parables are only found in Matthew 1.      The Parables of the Hidden Treasure and the Pearl 44 “The kingdom of heaven is like treasure hidden in a field. When a man found it, he hid it again, and then in his joy went and sold all he had and bought that field. 45 “Again, the kingdom of heaven is like a merchant looking for fine pearls. 46 When he found one of great value, he went away and sold everything he had and bought it. These stories build on what Jesus has taught about how things are “hidden” and “secret.”  Some find the gospel, others don't.  The other parables talk about the impact or spread or nature of the gospel, these two talk about the value to individuals.  The treasure ·         People hid valuables in the ground, there were no banks or vaults to provide safety. o   Genghis Khan §  Khan was reported to have given himself a front row seat for the mayhem at Merv. He sat on a golden throne and watched as men were dragged before him and executed. It was said to have been a ‘memorable day for shrieking and weeping and wailing'. The invaders tortured the wealthy citizens of Merv so they'd give up their money and jewels.  One source puts the number of dead in the Merv massacre at 700,000, while a contemporary Persian chronicler estimated the number of corpses at a staggering 1.3 million. Khan apparently ordered each of his soldiers to kill at least 300 people. ·         He stumbles on it ·         He knows he's found something amazing ·         He sells all out of self-interest Feb. 25, 2014, 12:53 PM MST / Updated Feb. 25, 2014, 12:54 PM MST A Northern California couple out walking their dog on their Gold Country property stumbled across a modern-day bonanza: $10 million in rare, mint-condition gold coins buried in the shadow of an old tree.   Nearly all of the 1,427 coins, dating from 1847 to 1894, are in uncirculated, mint condition, said David Hall, co-founder of Professional Coin Grading Service of Santa Ana, which recently authenticated them.   Although the face value of the gold pieces only adds up to about $27,000, some of them are so rare that coin experts say they could fetch nearly $1 million apiece. The pearl ·         This is a person who is seeking actively ·         He is familiar with prices and value ·         He realizes that this is the only one he needs to own ·         Once you have the gospel, you don't need anything else ·         Share:  Silver Coins These stories emphasize that only the wholehearted get to enjoy the treasure.  You have to go all in, sell out and grab hold of what God is offering you.  Jesus specifically says that in Luke 14:33 “In the same way, those of you who do not give up everything you have cannot be my disciples.”   How's your response to the gospel? Whether you've stumbled on it or have been searching for it these stories show that once you discover it, you have to determine the incomparable value of Jesus and then divest of anything necessary to get the treasure. The trouble is we don't value Jesus highly enough.  We want him and a whole lot more. It's time to repent and get baptized.   If you are already a disciple and have the treasure: Ø  Do you gripe and complain how hard it is to follow Jesus? Ø  Do you complain how much you've had to give up to follow him? Ø  Are you considering selling Jesus for something in the world, like Judas?   If you have Jesus, you have everything you need. There once was a fabulously wealthy man who loved his son above all things. To stay close to his son, they began to build an art collection together. Every spare minute, they were out at auctions and sales acquiring rare works of art: everything from Picasso to Raphael. By the time the Vietnam conflict broke out, they built one of the rarest most valuable collections in the world. A letter came one day informing the son he had been drafted. The father offered to pull some strings, but the son felt compelled to serve his country as his father and grandfather did before him.  The son went off to war, but he wrote his dad every day. One day the letters stopped. The father's worst fears were realized when he received a telegram from the war department informing him his son had been killed while attempting to rescue another soldier. About six months later, there was a knock at the door. A young soldier with a large package under his arm said, "Sir, you don't know me, but I am the man your son saved on that faithful day he died deep in the jungles of Viet Nam. He had already saved many lives that day, and as he was carrying me off the battlefield, he was shot through the heart and died instantly. Your son was my friend and we spent many a lonely night "in country talking about you and your love for art." The young soldier held out his package and said, "I know this isn't much and I'm not much of an artist, but I wanted you to have this painting I've done of your son as I last remember him. The father tore open the package and fought back the tears as he gazed at a portrait of his one and only son. He said, "You have captured the essence of my son's smile in this painting and I will cherish it above all others." The father hung the portrait over his mantle. When visitors came to his home, he always drew attention to the portrait of his son before he showed them any of the other masterpieces. When the father died the news went out that the entire collection was being offered at an exclusive private auction. Collectors and art experts from around the world gathered for the chance of purchasing one of them. The first painting on the auction block was the soldier's modest rendering of his son. The auctioneer pounded his gavel and asked someone to start the bidding. The sophisticated crowd scoffed and demanded the Van Gogh's and the Rembrandts be brought forth. The auctioneer persisted. "Who will start the bidding? $200? $100?" The crowd continued to turn up their noses, waiting to see the more serious paintings. Still the auctioneer solicited, "The son! The son! Who will take the son? Finally, a squeaky voice from the back said, "I'll bid $10 for the son." The bidder was none other than the young soldier the son had died saving. He said, "I didn't come to buy anything and all I have is $10 to my name, but I bid it all." The auctioneer continued seeking a higher bid, but the angry crowd began to chant, "Sell it to him and let's get on with the auction." The auctioneer pounded the gavel and sold the painting for the bid of $10. An eager buyer from the second row bellowed, "Finally, on with the auction." And just then the auctioneer said, "The auction is now officially closed." The hostile crowd demanded to know how after coming, all this way could the auction possibly be over? The president of the auctioning company came to the microphone and said, "When I was called to conduct this auction, I was told of a stipulation in the will I could not divulge until now. According to the wishes of the deceased only the painting of the son was to be sold today and whoever takes the son gets it all. So today, for $10 this young man has bought one of the world's most priceless art collections and the entire estate in which it is housed -- auction closed." And with the swing of the gavel, the crowd sat in stunned silence staring at the young soldier. “Whoever takes the son, gets it all” If you have the Son, you have it all.     2.     The Parable of the Net 47 “Once again, the kingdom of heaven is like a net that was let down into the lake and caught all kinds of fish. 48 When it was full, the fishermen pulled it up on the shore. Then they sat down and collected the good fish in baskets, but threw the bad away. 49 This is how it will be at the end of the age. The angels will come and separate the wicked from the righteous 50 and throw them into the blazing furnace, where there will be weeping and gnashing of teeth. ·         This is similar to the parable of the weeds. ·         There will never be a time when you as a disciple will be surrounded only by “righteous” people. ·         It's like a lake where everyone is swimming free. ·         There is a net slowly moving us in one direction, but we all have freedom now. So many people are like the optimist falling from a tenth story window, who called out cheerfully as he passed each story, going down, “All right so far!”   51 “Have you understood all these things?” Jesus asked. “Yes,” they replied. 52 He said to them, “Therefore every teacher of the law who has become a disciple in the kingdom of heaven is like the owner of a house who brings out of his storeroom new treasures as well as old.”   ·         When you become a disciple, you are like a teacher of the law who has access to treasures both old and new. ·         Why wouldn't you want to share those with others? Ø  Share the word study and discipleship study this fall with someone   3.     A Prophet Without Honor 53 When Jesus had finished these parables, he moved on from there. 54 Coming to his hometown, he began teaching the people in their synagogue, and they were amazed. “Where did this man get this wisdom and these miraculous powers?” they asked. 55 “Isn't this the carpenter's son? Isn't his mother's name Mary, and aren't his brothers James, Joseph, Simon and Judas? 56 Aren't all his sisters with us? Where then did this man get all these things?” 57 And they took offense at him. But Jesus said to them, “A prophet is not without honor except in his own town and in his own home.” 58 And he did not do many miracles there because of their lack of faith. ·         This is a variation on the saying, “Familiarity breeds contempt.” ·         I should have read this scripture before I decided to plant a church in my hometown. ·         I somehow missed this ·         Many people became Christians, my family didn't make it. ·         Show picture of my hometown church. You know how many family members responded?  None   Next Steps ·         Pay any price to get Jesus and his kingdom ·         Pull out treasures old and new and teach someone the word and discipleship study this fall ·         Prepare for the judgment.  Make sure you have a real relationship with Christ.  Repent and get baptized immediately.    

Episode 026: Ever had a tune that just won't quit playing in your head? We're diving into the world of earworms—those catchy melodies that loop endlessly in your mind. Join Geoff, Russ, and Dave as they explore this musical phenomenon with infectious tracks from The Rembrandts, Blessed Union of Souls, Aqua, Starship, Dead Sara, and the king of rickrolling himself, Rick Astley. Some of these earworms are welcome companions, while others might drive you up the wall. Tune in for an episode guaranteed to leave something stuck in your head—for better or worse!   Apple Podcasts Instagram Spotify Playlist YouTube Playlist Listener Listens - Odie Leigh - Instagram

What is the value of protecting intellectual property (IP)?That's the fundamental question that most Chief IP Counsel need time to answer to help their companies succeed. However, they're often bogged down by the daily demands of leading teams that are doing what's necessary to make sure that they're obtaining the necessary IP protection. When they do have a chance to pose and answer that question to business executives, they quickly realize that those business executives are concerned with more pressing issues. When they succeed and those business executives start getting excited about the potential value of protecting IP, in-house counsel has the added responsibility of making sure they can follow-through.In this episode of Clause 8, Eli sits down with the founder & CEO of Tradespace, Alec Sorensen, to discuss potential strategies for in-house counsel facing these challenges. Alec talks about how he first discovered these challenges of in-house IP counsel while being asked to wade through messy IP portfolios of acquired companies as a management consultant. He explains how he was able to facilitate over $250 million in commercialization deals in that role and how that led him to found Tradespace to help in-house counsel set up their companies for similar success.Eli and Alec explore the complexities of IP development and the potential to unlock hidden value in patent portfolios, how and when to communicate with the C-suite about IP, how IP teams can get other parts of the company become champions for its role, the role that commercialization plays for Tradespace tools, and much more!Selected Topics* How lean, efficient IP teams are able to contribute to business success* IP team demands leading to lack of business relationships* Handling analysis paralysis in IP with analytics* Strategic IP questions for a new CEO* Successful IP strategies for universities* Role of AI in empowering IP decision-making* Risk of AI diminishing human judgement* Advice for tech entrepreneurs in the IP space* Customers using Tradespace to create better processesDisclaimer This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.voiceofip.com

Theo tells the story of the American pop-rock duo's short-but-sweet 1995 TV-theme smash Hosted on Acast. See acast.com/privacy for more information.

John Ratliff started a 24/7 telephone answering service in 1995…. … as the sole employee and operator

We are so stoked this week to have Mark Karan, a living legend, on No Simple Road this week! Mark Karan is best known for performing with the extended Grateful Dead family. He has anchored the lead guitar slot in Bob Weir & RatDog, playing hundreds of shows to thousands of fans year-round. Before crossing over into the land of the Dead, Mark worked his guitar and vocal voodoo for the likes of Dave Mason, Delaney Bramlett, the Rembrandts, Paul Carrack, Huey Lewis, Jesse Colin Young and Sophie B. Hawkins. Mark also tours with an array of amazing musicians in his own “Mark Karan's Buds”, where his soulful blues-based vocal stylings and inspired guitar work meld with the remarkably creative and responsive playing of his friends in a passionate delivery of the psychedelicized sounds of Americana. This is where rock meets R&B and country and mixes with the soul of New Orleans… with healthy portions of reggae, folk, funk and whatever else the muse might bring. In addition to his originals, as well as those of songwriter friends, Mark covers a range of eclectic songs from Johnny “Guitar” Watson's “You Can Stay (But the Noize Must Go)” and Peter Tosh's “Don't Look Back”, to the Kinks' “Lazin' on a Sunny Afternoon” or Joe Jackson's “Fools in Love” — his unique musical taste and song choices are the hallmark of these shows, and always crowd pleasers for his nationwide, loyal fanbase. Head over to www.markkaran.com for all his tour info, videos, booking, and more! -For THE BEST MUSHROOM CHOCOLATES EVER go over to @MELTMUSHROOMS ON INSTAGRAM and shoot them a DM for a menu of all the amazing flavors of MUSHROOM CHOCOLATE BARS and MAKE SURE TO TELL THEM NSR SENT YOU FOR $20 OFF YOUR FIRST ORDER! -FREE SHIPPING from Shop Tour Bus Use The PROMO CODE: nosimpleroad -venuellama.com is back! Head over and sign up for your free Llama Account now and start rating venues! INTRO MUSIC PROVIDED BY - Young & Sick MUSIC IN THE COMMERCIALS BY AND USED WITH PERMISSION OF: CIRCLES AROUND THE SUN OUTRO MUSIC BY AND USED WITH PERMISSION OF: CHILLDREN OF INDIGO No Simple Road is part of OSIRIS MEDIA. Osiris Media is the leading storyteller in music, combining the intimacy of podcasts with the power of music.

Tawny and Lisa talk with Anna Goldfarb a journalist, author and speaker. Called “The New York Times' friendship correspondent”, Anna's work explores the nuances of friendships, relationships, and pop psychology. They talk about making friends, keeping friends, and approaching friendship with empathy.  Her new book, Modern Friendship: How to Nurture Our Most Valued Connections, is available everywhere.  Music Minute features Bossa Nova, Queen, and the Rembrandts. Find the book and all things Anna here Sign up for Anna's Substack newsletter, Friendship Explained Follow Anna on Instagram Order Tawny's book, DRY HUMPING: A Guide to Dating, Relating, and Hooking Up Without the Booze. Sign up for Tawny's newsletter, "Beyond Liquid Courage" Order Tawny's new NA drink, (parentheses) Order Lisa's memoir, Girl Walks Out of a Bar

In this episode, Eric Edmeades encourages listeners to uncover their "Rembrandts in the attic".Key Points:1. Eric shares how valuable life experiences, even painful ones, can be important stories to help others if reframed in the right light.2. He tells two personal stories about burns and fireworks to illustrate experiences from his own past that helped others in the present.3. Listeners are challenged to find their own untapped stories from the past and look for chances to share them in a way that can help and inspire others.

This week we look at the landslide in Papua New Guinea; The Greens and a Two State solution; the UK election;  Winston Marshall v. Nancy Pelosi; Country of the Week - Pakistan; Vaccination Decline; Dutch Euthanising the Depressed; Non-Christian Friends; Glen Scrivener on Celebrity Christians; with music from the Snuts, Alice Cooper, Mumford and Sons, the Pakistan Hallelujah Band, the Rembrandts; and Mother Kirk

My guest today is Producer/Engineer/Songwriter, Ryan Ordway. Ryan runs The Studio Portland and has worked with 98.9 WCLZ Studio Z Series, The Heavy Heavy, Gregory Alan Isa Kov, Nature Valley, and actor Xander Berkeley.In this episode, we discussCentral New HampshireMusic Learned Via CampingBeing Connected TechnologicallyThe RembrandtsFallback PlanLA Kicking his AssNot Going to Berklee School of MusicStarting on TapeHome Studio StrugglesMoving to PortlandClear Lines Between Home and WorkStudio PortlandFacelift for an Old StudioPortland Music SceneSpeaker Choice Ready to RecordClient TrendsMark RubelFocusing on the ClientSongwriter PerspectiveMatt's Rant: Food for ThoughtLinks and Show NotesThe Studio PortlandPete Morse on WCATodd Hutchison on WCAJason Phelps on WCAMark Rubel on WCAKevin Becka on WCACreditsGuest: Ryan OrdwayHost: Matt BoudreauEngineer: Matt BoudreauProducer: Matt BoudreauEditing: Anne-Marie Pleau WCA Theme Music: Cliff Truesdell Announcer: Chuck Smith

My guest today is Producer/Engineer/Songwriter, Ryan Ordway. Ryan runs The Studio Portland and has worked with 98.9 WCLZ Studio Z Series, The Heavy Heavy, Gregory Alan Isa Kov, Nature Valley, and actor Xander Berkeley. In this episode, we discuss Central New Hampshire Music Learned Via Camping Being Connected Technologically The Rembrandts Fallback Plan LA Kicking his Ass Not Going to Berklee School of Music Starting on Tape Home Studio Struggles Moving to Portland Clear Lines Between Home and Work Studio Portland Facelift for an Old Studio Portland Music Scene Speaker Choice  Ready to Record Client Trends Mark Rubel Focusing on the Client Songwriter Perspective Matt's Rant: Food for Thought Links and Show Notes The Studio Portland Pete Morse on WCA Todd Hutchison on WCA Jason Phelps on WCA Mark Rubel on WCA Kevin Becka on WCA Credits Guest: Ryan Ordway Host: Matt Boudreau Engineer: Matt Boudreau Producer: Matt Boudreau Editing: Anne-Marie Pleau  WCA Theme Music: Cliff Truesdell  Announcer: Chuck Smith