Podcast appearances and mentions of Ezra Koenig

Hay muchas cosas que a algunos le resultan ofensivas del cristianismo, pero ninguna como las increíbles pretensiones de su fundador acerca de sí mismo. Se puede aceptar a Jesús como un indulgente y amable rabino, que quisiera ser amigo de todos, pero que pretenda ser el único "camino, verdad y vida" (Juan 14:6), en exclusión de cualquier otro, se considera ya excesivo. En este programa de radio escuchamos las palabras del Evangelio en una canción de Johnny Cash con la voz del predicador Billy Graham en 1971 (The Preacher Said Jesus Said) en su disco "El hombre vestido de negro" (Man In Black). Ambos se conocieron en 1969, cuando el evangelista le pidió al gobernador de Tennessee que le presentara al artista. Apareció por primera vez en una de esas campañas que solían llamar "cruzadas", en 1970 en Knoxville, o sea justo antes de grabar la canción. Participó en treinta de ellas, a lo largo de su vida. La canción "Ya Hey" es una composición en 2013 del músico judío Ezra Koenig para su banda de Nueva York de Vampiro de Fin de Semana (Vampire Weekend). Reflexiona sobre el gran "Yo Soy" de la Biblia: "A través del fuego y las llamas / no quieres siquiera decir Tu nombre / Sólo Yo soy el que Soy". La escuchamos esta vez en la magnífica versión acústica que hizo para la radio KSC, el cantautor de Alabama, Matthew Houck, que actúa con el nombre de Fosforescente (Phosphorescent). Este gran Yo Soy del Evangelio de Juan viene después de decir Jesús que es "El Pan de Vida" (6:35), "La Luz del mundo" (8:12; 9:5), "La Puerta" (10:7,9), "El Buen Pastor" (10:11, 14) y "La Resurrección y la Vida" (11:25). Por si acaso, a alguno no le queda claro lo que quiere decir, añade: "Nadie viene al Padre sino por mí" (14:6). La aclamada obra de teatro que une a Sigmund Freud y C. S. Lewis en la casa del padre del psicoanálisis en Londres, poco antes de su muerte, llegó al cine en 2023. "La última sesión de Freud" fue escrita por el neoyorquino Mark St. Germain, imaginando el encuentro que hubieran podido tener el judío ateo con el apologista cristiano, el día que el Reino Unido entró en la segunda guerra mundial. Esta vez Anthony Hopkins hace de Freud, no de Lewis como en "Tierras de penumbra" (1993), mientras que Matthew Goode hace del joven Lewis. Este brillante diálogo sobre la fe se basa en un seminario que daba el psiquiatra Armand M. Nicholi en la universidad de Harvard desde 1967, comparando a los dos pensadores. José de Segovia comenta varias escenas con la música de la banda sonora original de la película que hizo Coby Brown. La película se inicia con unas frases de "El Progreso del Peregrino" (1678), la obra del puritano John Bunyan que ha llegado a ser patrimonio de la literatura universal en lengua inglesa. Escuchamos las palabras de admiración de Freud por la obra del predicador bautista y la canción que inspiro ese "Sueño" (A Dream) al cantautor inglés Clifford Ward en 1972. Este músico no era conocido por su fe cristiana, pero sí, Paul Clark, uno de los artistas pioneros de la Revolución por Jesús, cuando muchos "hippies" llegaron a la fe evangélica. El cantautor de Kansas publicó dos álbumes con el título de "Canciones para el Salvador", la que oímos está en el segundo de 1972: "Iremos pronto a Casa" (We´ll Soon Be Going Home). Frente a nuestra ignorancia y condenación a la muerte, física y espiritual, Jesús nos dice que Él es la Verdad y la Vida. A la pregunta de Felipe de a dónde va Jesús y cómo podemos ir con Él, Jesucristo se revela como el Camino a Casa, el verdadero Hogar que no encontramos en este mundo. El cantautor uruguayo Luis Alfredo Díaz puso música a estas palabras del Evangelio en el disco que grabó en 1979, "Baja a Dios de las nubes". En la canción "Yo Soy" le escuchamos con las voces del grupo Maná y los teclados de Kitflus, el nombre con el que se conoce al músico Josep Mas, entonces en el grupo Iceberg. luego Pegasus y acompañando a Joan Manuel Serrat en tantos discos desde 1980 a 2006.

Ezra Koenig of Vampire Weekend talks songwriting, Phish, music industry, show biz, influences, New York and more. RJ Bee joins Tom to interview Ezra in a far-ranging open-ended interview where the Vampire Weekend effect is viewed through a Phish lens occasionally. Originally released in 2020. Please support our work by visiting OsirisPod.com/Premium.

Musician and Vampire Weekend frontman Ezra Koenig feels cautiously optimistic about being Conan O'Brien's friend. Ezra sits down with Conan to discuss producing Vampire Weekend's first album while teaching full time, looking to artists like Bob Dylan and Leonard Cohen for inspiration, how everything changed in the era between Napster and Spotify, and which of his albums contain the most psychoactive compounds. Later, Conan continues the investigation into his grandmother's namesake. For Conan videos, tour dates and more visit TeamCoco.com.Got a question for Conan? Call our voicemail: (669) 587-2847. Get access to all the podcasts you love, music channels and radio shows with the SiriusXM App! Get 3 months free using this show link: https://siriusxm.com/conan.

Lead singer Ezra Koenig of Vampire Weekend has been called a generational voice in indie rock. From the band's iconic first singles “A-Punk” and “Oxford Comma” to their acclaimed follow-up albums “Contra” and “Modern Vampires of the City,” their music defined the mid-‘00s for millions of people. Now, Vampire Weekend is back with their fifth album, “Only God Was Above Us.” Ezra joins Tom in the Q studio to talk about the new record, the early days of the band, and what it's like having Quincy Jones for a father-in-law.

Vampire Weekend frontman Ezra Koenig checks in with Lana to chat about the new record, the important influence of New York, how time is the greatest collaborator, and more.

On this week's Talkhouse Podcast we've got what might seem like an unlikely pairing, but one that makes sense when you dive into it: Rick Mitarotonda from Goose and M.C. Taylor of Hiss Golden Messenger. If you're not into the jam-band world, Goose might not be super familiar to you yet, but in that world, the Connecticut band is absolutely massive, moving from clubs to amphitheaters over the past few years. And while jam bands themselves are pretty common—the barrier to entry isn't super high—very few have reached these heights, and after a decade Goose already find themselves in the vaunted company of bands like Phish and Dead and Company. It's kind of obvious why: They are fantastic players, and their songs offer more than just extended noodling. It makes sense that they're not influenced just by their jam forebears, but by jam-adjacent indie kingpins like Radiohead. And they've even got the stamp of approval of Vampire Weekend's Ezra Koenig, who asked them to cover his band's song “2021”—and to stretch it out to 20 minutes and 21 seconds. The latest Goose album is Dripfield from 2022, but as you'll hear in this chat, they've got a couple more in the works. Check out their song “Give It Time” right here. As the primary creative force behind Hiss Golden Messenger, M.C. Taylor has amassed an incredible catalog over the past 15 or so years. He was initially lumped in with the alt-country scene and later with the likes of Will Oldham and Bill Callahan, Hiss records kind of defy categorization, though I should mention that 2019's Terms Of Surrender was nominated for the Best Americana Album Grammy. Taylor's latest album as Hiss Golden Messenger is called Jump For Joy, and the title is reflective of what's inside: It's looser and more playful and even groove-oriented at moments, a new move but not an unwelcome one for sure. Check out “Sanctuary” right here. In this chat, Rick and M.C. chat about making studio records versus playing live, and they get into the fundamental question of how songs are written. Answer: It's different for everybody. They both reflect, oddly, on the Hare Krishna world, and Rick decides that Goose is more like a sitcom or a sports team than a band. Enjoy. 0:00 – Intro 2:48 – Start of the chat 4:04 – What are you listening to right now? 12:05 – Rick's musical awakening 19:01 – Long songs versus short ones. “It'd be sick to have some short bangers.” 24:36 – Goose's recent lineup change and how that might affect things. 36:16 – The difficulty of writing new songs while on tour. Thanks for listening, and thanks to Rick and M.C. for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by The Range. See you next time! This episode is brought to you by DistroKid. DistroKid makes music distribution fun and easy with unlimited uploads and artists keep 100% of their royalties and earnings. To learn more and get 30% off your first year's membership, visit: distrokid.com/vip/talkhouse

Ezra Koenig is the lead vocalist, guitarist, and songwriter of the band Vampire Weekend. He co-founded the group in 2006 while attending Columbia University. Vampire Weekend has released several critically acclaimed and commercially successful albums, blending indie rock with elements of world music. Beyond his work with Vampire Weekend, he is the creator and host of the radio show “Time Crisis” on Apple Music's Beats 1. He has collaborated with various artists across different genres, such as Major Lazer, Charli XCX, and Beyonce, notably co-writing and co-producing the song “Hold Up” on Beyoncé's critically acclaimed album “Lemonade.” He has been involved in various other creative projects, including an animated series called “Neo Yokio,” which features the voice talents of Jaden Smith, Jude Law, and Susan Sarandon, among others, and premiered on Netflix in 2017. ------ Thank you to the sponsors that fuel our podcast and our team: Lucy https://lucy.co/tetra ------ LMNT Electrolytes https://drinklmnt.com/tetra ------ Squarespace https://squarespace.com/tetra ------ House of Macadamias https://www.houseofmacadamias.com/tetra

Ezra Koenig is the lead vocalist, guitarist, and songwriter of the band Vampire Weekend. He co-founded the group in 2006 while attending Columbia University. Vampire Weekend has released several critically acclaimed and commercially successful albums, blending indie rock with elements of world music. Beyond his work with Vampire Weekend, he is the creator and host of the radio show “Time Crisis” on Apple Music's Beats 1. He has collaborated with various artists across different genres, such as Major Lazer, Charli XCX, and Beyonce, notably co-writing and co-producing the song “Hold Up” on Beyoncé's critically acclaimed album “Lemonade.” He has been involved in various other creative projects, including an animated series called “Neo Yokio,” which features the voice talents of Jaden Smith, Jude Law, and Susan Sarandon, among others, and premiered on Netflix in 2017. ------ Thank you to the sponsors that fuel our podcast and our team: LMNT Electrolytes https://drinklmnt.com/tetra ------ Squarespace https://squarespace.com/tetra ------ Lucy https://lucy.co/tetra ------ House of Macadamias https://www.houseofmacadamias.com/tetra

O fio que une Ezra Koenig, Glenn Mercer/Bill Million e Frank Zappa é indesmentível - o perfecionismo a roçar a obsessão, a inventividade, a dedicação à causa de fazer música. Estabelecemos esses laços neste episódio, onde nos debruçamos sobre "Only God Was Above Us", recente disco dos Vampire Weekend, "Crazy Rhythms", o seminal dos Feelies e "When Zappa came to Sicily", documentário sobre um incrível episódio da vida do prolífico guitarrista. Rádio Clube Altamont, uma parceria Altamont.pt e Futura - Rádio de Autor.

Unlock the full episode at https://www.patreon.com/coldpod Owen Pallett is a Toronto-based musician and composer who's scored films such as 'Her' and 'Dream Scenario'. He's also arranged strings for artists such as Taylor Swift, Ed Sheeran and Lana Del Rey. Owen sat down with us to discuss memory loss, moving to the east end, collection agencies, Leslieville feeling like Los Angeles, seeing shows at History, smoking sections, learning to read music before learning English, Eurythmics, Jean Michel Jarre, scoring a video games as a teenager, Les Mouches, Free Times Cafe, live sampling a blender, naming his project 'Final Fantasy', Ezra Koenig's early noise band 'Total War', signing with Domino, Square Enix's legal team, working with Taylor Swift, Ed Sheeran's brand of looping pedals, recording at home vs recording an orchestra, getting left off of 'Taylor's Version', Goldfrapp, getting ripped off by Coldplay, pissing off Spike Jonze, 'Dream Scenario', his next album and more! Owen Pallett Josh McIntyre Austin Hutchings ---- COLD POD SUPPORT THIS PODCAST https://www.patreon.com/coldpod

Season 21 Episode 6 Best Day Ever - The Derevolutions Prep-School Gangsters - Vampire Weekend Pravda - Vampire Weekend Me and Julio Down by the Schoolyard (Demo - San Francisco 2/71) - Paul Simon Duncan - Paul Simon Follow the Ghost - The Eastern Plain Should I Stay or Should I Go? - Nouvelle Vague (feat. Alonya) This Charming Man - Nouvelle Vague (feat. Melanie Pain) Pareidolia - Matt Monsoor I Love My Television - The Rhythm Method Curse - The Rhythm Method Show & Tell - Bored at My Grandmas House This episode features some edited down clips of Vampire Weekend's Ezra Koenig on Radio X talking to John Kennedy about the origins of the two songs I played in the episode. The Paul Simon documentary I mentioned is called In Restless Dreams: The Music of Paul Simon by Alex Gibney.

▶️ ⏪️ Vampire Weekend es una banda de indie rock estadounidense de Nueva York fundada en 2006. Está compuesta por el vocalista y guitarrista Ezra Koenig, el baterista y percusionista Chris Tomson y el bajista y vocalista Chris Baio. “Only God Was Above Us” es su 5to álbum de estudio recién estrenado. Te platicamos sobre este disco en este nuevo episodio de PR. También puedes seguirnos en: - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X (Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Youtube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon Music⁠

Digging into “Only God Was Above Us,” an LP that's both catchy and complex. Guest host: Jon Pareles. Guests: The New Yorker's Amanda Petrusich and Pitchfork's Matthew Strauss.

Since there was a major influx of new listeners thanks to last week's episode 105 with Vampire Weekend's Ezra Koenig, I wanted to bring back this super fun 2021 interview with VW bassist (Chris) Baio, which we recorded in the lead-up to his solo album Dead Hand Control. This is an abbreviated version of the episode, but you can find the full interview HERE. We talked about Sex and the City, Burnt, Spin Doctors, "Bohemian Rhapsody," Akron/Family, his dad's Columbia House CD collection, seeing Cranberries at Jones Beach Amphitheater, VW's early days at Columbia University, and more.

Michael Kosta tackles the Biden administration's new standard for limiting so-called “forever chemicals” in drinking water, the USPS's announcement to raise the price of postage stamps, and Democrats' call for Supreme Court Justice Sonia Sotomayor to retire. Plus, Troy Iwata joins to offer up some youthful options as her replacement. And the Grammy Award-winning band Vampire Weekend, Ezra Koenig, Chris Baio, and Chris Tomson, discusses the story behind the cover of their new album, “Only God Was Above Us,“ being an iconic NYC band living in LA, and what inspired their podcast, “Vampire Campfire.”See omnystudio.com/listener for privacy information.

Some bands, you love them almost instantly, and that was the deal for me with Vampire Weekend, who I was fortunate to be tipped off to early on, through some mutual friends in NYC. My love for them has only grown with each new album, as VW continue to explore new sonic terrain, including on their brilliant latest LP, Only God Was Above Us, which is out now. In this interview, VW frontman Ezra Koenig — one of my mega-favorite songwriters, and also one of my favorite dudes — talks about his mega favorites. And, somewhat unsurprisingly, we have at least a few in common — The Kinks and Belle and Sebastian, among the ones he talks about here. Ezra also shares how his music tastes were shaped by the 50s and 60s pop hits he loved listening to as a kid, on his local oldies station, and how that shifted into discovering Scott Walker and Neil Young and 90s hip-hop and early aughts Radiohead and a whole eclectic swath of other music, including 21st century faves like M.I.A. and Lana Del Rey. We also discuss the evolution of Vampire Weekend, and how his view of what the band can be continues to expand. 

In honor of Ezra Koenig's birthday and the release of "Only God Was Above Us", we're finally doing a deep dive into the iconic indie band Vampire Weekend. Listen in for an detailed discussion of their discography, iconic artsy baroque pop music style, their departure and return to chamber pop, our review of their new album, our favorite times seeing them live, and other random topics.

Ezra Koenig versteht die Aufregung nicht. Ja, es ist tatsächlich schon wieder fünf Jahre her seit Vampire Weekend, New Yorks Indie Rock-Export #1, zum letzten Mal ein Album veröffentlicht haben. So what? «Fünf Jahre machen für mich am meisten Sinn. Ich verstehe diese Leute nicht, die jedes Jahr ein Album herausbringen. Ich will nicht so viel arbeiten!», erzählt Koenig. Auf «Only God Was Above Us» zeigen sich Vampire Weekend fokussiert, musikalisch verzerrter und trotzdem ähnlich verspielt wie immer. Warum und wie genau Black Sabbath, Rage Against the Machine, The Smiths *und* der Wu-Tang-Clan Taufpaten des Albums wurden, ob Rockmusik mittlerweile endgültig gestorben ist oder doch wieder auferstanden, und wieso das fünfte Vampire Weekend-Album um einiges optimistischer ausgefallen ist als ihr viertes, erklärt uns Koenig heute im Interview. Das neue Vampire Weekend-Album ist unser Sounds! Album der Woche. Vinyl und CDs gibts bei uns jeden Abend zu gewinnen – exklusiv in der Livesendung. Weiterhören im Sounds!-Archiv: * Sounds! Album der Woche: Vampire Weekend «Father of the Bride» (2019) * Sounds! Album der Woche: Vampire Weekend «Modern Vampires of the City» (2013)

The Jokermen rap with Ezra Koenig about Vampire Weekend's superb new album, tunnels, astrology, and listening to "Brownsville Girl" on the streets of Tokyo. LISTEN TO "OGWAU" NOW COP VW TOUR TIX

August 14th, 1994 Woodstock '94 Saugerties, NY The Players Bob Dylan: vocals, guitar, harp Bucky Baxter: pedal steel, slide guitar John “JJ” Jackson: electric guitar Winston Watson: drums Tony Garnier: bass Like what you hear? SUBSCRIBE NOW FOR ACCESS TO ALL EPISODES AND BOOTLEGS

August 14th, 1994Woodstock '94Saugerties, NYThe PlayersBob Dylan: vocals, guitar, harpBucky Baxter: pedal steel, electric slide guitarJohn "JJ" Jackson: guitarWinston Watson: drumsTony Garnier: bassLike what you hear? SUBSCRIBE NOW FOR ACCESS TO ALL EPISODES AND BOOTLEGS Hosted on Acast. See acast.com/privacy for more information.

This Friday, March 1st Bruce Hornsby releases a new album in collaboration with chamber ensemble yMusic. The record is entitled “Deep Sea Vents”. It straddles the line between contemporary songwriting and modern classical, and the album has an aquatic theme with all the songs dealing with the ocean, or at least water in some way. The album is emblematic of much of Hornsby's career in that it veers from the strange to the beautiful to the funny to the challenging. He doesn't like the easy route. If you know anything about Bruce's career you'll know his mid-80s smash “The Way It Is”, released by Bruce Hornsby and the Range, a powerful piece of social commentary inspired by his life growing up in Virginia, and featuring two piano solos. It's a song that's hung around, being sampled by rappers like 2Pac and Polo G. Bruce seems to have a conflicted relationship with the song. He often stills play it live but in a re-worked way, and he seems keen to be seen as a forward-thinking artist, not wishing to be defined by the past. He was a live member of the Grateful Dead in the early 90s playing over a hundred shows with them. In recent years, he's collaborated often with Justin Vernon of Bon Iver, and you'll see like the likes of Vampire Weekend's Ezra Koenig or The Staves or Blake Mills pop up on his album credits. I was a big admirer of his 2019 album “Absolutely Zero” which is well worth your time. Bruce was fantastic company when we spoke, and I hope you enjoy our chat!X: @signalspodcastInstagram: @sendingsignalspodcast

Bruce is best known for his first album The Way It Is (1986), but has come light years since then through 18+ albums, experimenting with different styles, playing over 100 shows with the Grateful Dead, and scoring numerous projects for Spike Lee. He's won three Grammys and recorded with music royalty including Elton John, Ornette Coleman, Branford Marsalis, Willie Nelson, Bob Dylan, etc. We discuss "Sidelines" (feat. Ezra Koenig from Vampire Weekend) from 'Flicted (2022), "My Resolve" (feat. James Mercer of The Shins) from Non-Secure Connection (2020), and a new live version of "Shadow Hand" from the 25th Anniversary Edition of Spirit Trail. End song: "Cast-Off" (feat. Justin Vernon of Bon Iver) from Absolute Zero (2019). Intro: "The Way It Is" (Live from Köln, 2019). More at brucehornsby.com Hear more Nakedly Examined Music. Like our Facebook page. Support us on Patreon. Sponsors: Visit GreenChef.com/60Nakedly (use code 60Nakedly) to get 60% off your first box from America's #1 Meal Kit for eating clean (plus 20% off for the next two months) Get the ultimate gift: A custom-written song from Songfinch. Use songfinch.com/NEM to get free Spotify streaming for your song. Listen to the song Mark commissioned.

Thomas Mars of Phoenix called for a fun conversation about making music in The Louvre, finding creativity in what you can and can't see, being out on tour with Beck and their friends, the collaboration with Ezra Koenig of Vampire Weekend, how Phoenix always looks forward and the theory of what causes brothers in bands to fight!

Singer, songwriter and multi-instrumentalist Brian Dunne joins Al for this episode to introduce him to Vampire Weekend's Father of the Bride. Brian talks about why he loves the album's frequent shifting of genres, what he admires about Ezra Koenig as a songwriter and the specific time period that the album references. Brian also discusses his new album, Loser On The Ropes, and playing the songs from the album live for the first time.Al has a previous guest to thank for his being aware of Brian's music, and ultimately, for Brian joining him for this episode. Joan Holiday, who was Al's guest on ep. 66, played “Rockaway” on her drive time show on WRSI The River.At 51:46, Al and Mary Beth's horse Fynn makes his first podcast appearance!Be sure to follow Brian on Twitter and Instagram at @briandunnemusic!Brian also has a website, https://www.briandunnemusic.net/……and a Bandcamp page: https://briandunne.bandcamp.com/.Al is on Twitter at @almelchiorBB, and this show has accounts on Twitter and Instagram at @youmealbum. Be sure to follow @youmealbum to find out in advance about upcoming guests and featured albums for this podcast.Subscribe for free to You, Me and An Album: The Newsletter and participate in weekly chats about this podcast's featured albums! https://youmealbum.substack.com/If you are interested in supporting this podcast, please check out the show's Patreon site, https://www.patreon.com/youmealbum. Your contributions are greatly appreciated and keep this show going.1:15 Brian joins the show1:36 Brian explains why he chose to discuss Father of the Bride3:03 The album's frequent changes in styles and genres made an immediate impression on Brian5:47 Brian cites an example of great songwriting on the album9:30 Father of the Bride has been a polarizing album for Vampire Weekend fans11:23 Al wonders why he has such a hard time “getting” Vampire Weekend14:05 Brian places Vampire Weekend in the context of indie rock17:30 There is a purpose to all of the switching between genres21:56 Brian talks about growing up with classic rock24:11 Brian digs into his favorite songs on the album27:57 Al asks Brian for his interpretation of “Jerusalem, New York, Berlin”31:49 Brian understands that Father of the Bride is not for everybody33:04 Al talks about one of his favorite moments on the album34:50 Brian sees Modern Vampires of the City as a pivotal album37:07 Father of the Bride takes Brian back to 199440:45 Brian makes an analogy between Father of the Bride and Bruce Springsteen's The River46:46 Brain explains what he was conveying with the song “Rockaway”51:58 Brian talks about playing the songs from Loser On The Ropes liveOutro is from “Rockaway” by Brian Dunne.Support the show

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Special guest: Jeremy Simmons of Elephant Ear Studios, Simmerin' Simmons, SKYDOGTopics include:New Blood, Sweat & Tears doc Chaka Khan beefs w/ Rolling Stone MagEugene Levy says mockumentary genre is dead and overdone Foo Fighters steal drummer from another band??MBU: musician Wayne Shorter, actor Tom Sizemore, bassist Michael Rhodes SLAPS: Portugal. The Man, Wiz Khalifa ft. Snoop Dogg, Phoenix ft. Ezra Koenig, SlipknotDoes It Slap Playlist The Hustle Season on Patreon Our Linktree:::::ADVERTISE ON THE HUSTLE SEASON PODCAST:::::Have a business/event you want to get out to listeners?Are you an out of town band coming to Richmond and want to promote your gig ?? Buy a spot on the Hustle Season Podcast, starts at $25. So easy!!

On this week's Talkhouse Podcast, we've got a pair of pioneering musical searchers who came together for a Grammy-nominated record last year: Angélique Kidjo and Ibrahim Maalouf. Now, trying to encapsulate Kidjo's career into the little space I have here is an even more daunting task than usual—and we've had some really accomplished people on this podcast. Born in West Africa, Kidjo has ably explored various musics over the past 40 years or so, winning fans with an incredible range of styles and interests. She's played on Lilith Fair, won Grammys, been a muse for Philip Glass, started a foundation to empower girls and young women in sub-Saharan Africa, collaborated with everyone from Carlos Santana to Ezra Koenig to Dr. John to Josh Groban to Kronos Quartet—and that list goes on and on. The only real constant in her career—besides a sort of deep, inexplicable beauty—is a restlessness. Kidjo is always looking for the next thing to spark her interest, which led to a recent Grammy-nominated collaboration with today's other guest, Ibrahim Maalouf. Maalouf is a French-Lebanese trumpeter who shares a musical outlook with Kidjo—both care deeply about always pushing the boundaries of what they do, and never repeating themselves. To that end, they collaborated on last year's Queen of Sheba, which takes the oft-told Biblical story to new places. KIdjo wrote the lyrics in the Yoruba language, and Maalouf's music builds a bridge between the sounds of the Middle East and Africa. Since that record came out, Maalouf has already released another, Capacity to Love, on which he examines American sounds—specifically hip-hop—gathering guests like Eric the Architect from Flatbush Zombies and Pos from De La Soul. Also, strangely, Sharon Stone. In this lovely and enlightening conversation, Kidjo and Maalouf trade stories about their inspiration behind making music, and each shares some really profound advice they got as children. Kidjo speaks about the recent loss of her mother, and what that's meant to her spiritually—and how it might affect her next album, which sounds like it will be deeply personal. Enjoy. Thanks for listening to the Talkhouse Podcast and thanks to Angélique Kidjo and Ibrahim Maalouf for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform, and check out all the great stuff we've got going at Talkhouse.com. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time!

In our final episode of 2022, we unpack the wave of Global South media overtaking (and possibly decolonizing) our social media feeds. We discuss Bella Hadid's epic pilgrimages to the Middle East, Brazilian child dance battles, M.I.A.‘s groundbreaking globalist maximalism, ethnic fan fictions of the modern day, and more. Happy New Year ... We are the world!!‿︵‿︵ʚ˚̣̣̣͙ɞ・❉・ ʚ˚̣̣̣͙ɞ‿︵‿︵‿︵‿︵ʚ˚̣̣̣͙ɞ・❉・ ʚ˚̣̣̣͙ɞ‿︵‿︵‿︵‿︵ʚ˚̣̣̣͙ɞ・❉・ ʚ˚̣̣̣͙ɞ‿︵‿Links:-Image board: https://pin.it/7nOXTQu-"Galang" by M.I.A. music video: https://www.youtube.com/watchv=DCL1RpgYxRM&ab_channel=MIAVEVO-Orientalismby Edward Said: https://monoskop.org/images/4/4e/Said_Edward_Orientalism_1979.pdf-i-D on M.I.A. and indie sleaze: https://i-d.vice.com/en/article/5d3bxb/mia-style-"Warm Heart of Africa" by Ezra Koenig music video: https://www.youtube.com/watch?v=3MDYTkdVT8M&ab_channel=ADA-Bella Hadid's Vogueprofile: https://www.vogue.com/article/bella-hadid-cover-april-2022-Bella Hadid and Ramy Youssef for GQ: https://www.gq.com/story/bella-hadid-ramy-youssef-friendship This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.nymphetalumni.com/subscribe

In our final episode of 2022, we unpack the wave of Global South media overtaking (and possibly decolonizing) our social media feeds. We discuss Bella Hadid's epic pilgrimages to the Middle East, Brazilian child dance battles, M.I.A.‘s groundbreaking globalist maximalism, ethnic fan fictions of the modern day, and more. Happy New Year ... We are the world!! ‿︵‿︵ʚ˚̣̣̣͙ɞ・❉・ ʚ˚̣̣̣͙ɞ‿︵‿︵‿︵‿︵ʚ˚̣̣̣͙ɞ・❉・ ʚ˚̣̣̣͙ɞ‿︵‿︵‿︵‿︵ʚ˚̣̣̣͙ɞ・❉・ ʚ˚̣̣̣͙ɞ‿︵‿︵ʚ˚̣̣̣͙ɞ・❉・ ʚ˚̣̣̣͙ɞ‿︵‿︵‿︵‿︵ʚ˚̣̣̣͙ɞ・❉・ ʚ˚̣̣̣͙ɞ‿︵‿︵‿Links:Image board: https://pin.it/7nOXTQu"Galang" by M.I.A. music video: https://www.youtube.com/watch?v=DCL1RpgYxRM&ab_channel=MIAVEVOOrientalism by Edward Said: https://monoskop.org/images/4/4e/Said_Edward_Orientalism_1979.pdfi-D on M.I.A. and indie sleaze: https://i-d.vice.com/en/article/5d3bxb/mia-style"Warm Heart of Africa" by Ezra Koenig music video: https://www.youtube.com/watch?v=3MDYTkdVT8M&ab_channel=ADABella Hadid's Vogue profile: https://www.vogue.com/article/bella-hadid-cover-april-2022Bella Hadid and Ramy Youssef for GQ: https://www.gq.com/story/bella-hadid-ramy-youssef-friendship

Last NEW MUSIC FRIDAY of 2022! Next week we dive into a recap of my favourite tracks/albums of the year. Week after that we are doing a Wild Card episode. Lots of fun planned so stay tuned! Keep up with the show on IG: @mintcondition_cjsw or twitter: @jessarcand . Big radio HUGS!Playlist: Nemahsis - criminaldj poolboi - comfortDJ Dine & Dash - Don't Ever WonderCaroline Polachek - Welcome to my IslandPENDANT - Latex Heart (Jay Som Remix)Mild Minds - NO SKIN (ft. Frameworks)Dayglow, Endel - Second Nature - FocusMaya Jane Coles - Freefall (ft. Moxie Knox)(ZeroFG Remix)Mall Grab - TremorsOliver Sim - Sensitive Child (Soulwax Remix)Bjork - Atopos (sideproject Remix)PinkPantheress - Take me homeImogen Heap - Just For Now (ericslake Remix)DJ Planet Express - HalcyonSwedish House Mafia, Fred Again... - Turn On the Lights Again (ft. Future)Ninajirachi - Start Small (Lamorn Remix)Flume, Toro y Moi - Shooting Stars - Triple j Like a VersionATRIP - In the BoothThe Knocks - Walking on Water (ft. Totally Enormous Extinct Dinosaurs)Shygirl - Poison (Club Shy mix)Amtrac & Reva DeVito - ContrastLION BABE - Bonita Applebum (extended mix)Bimini - Tommy's Dream (PVA Remix)RUBII - FoolMetronomy - Life and Death (Metronomy x Porij Remix)Jungle - GOOD TIMES (Elephant Talk Remix)Kornel Kovacs & Aluna - Follow You (Alex Kassian Remix)Zorza - Bodiless (Evil Edit)Isabella Lovestory - ExibisionistaTom Rasmussen - Dysphoria (Planningtorock Remix)Hercules & Love Affair, ANOHNI - One (Seth Troxler Remix)Gerry Read, FLUMPS - Save Your BreathLaurence Guy - Extremely Present or Present in the ExtremeBoys Noize - Let us Rave (ft. Naeem & Velvet Negroni)Phoenix - Tonight (ft. Ezra Koenig)

Ezra Koenig is the lead singer and guitarist of Vampire Weekend. But he is also the host of Time Crisis, an internet radio show with a very deep cult-like following. This week, Carla and Adam talk to Ezra about the people who follow his band vs. his show, how he eats on tour, and more. Learn more about your ad choices. Visit podcastchoices.com/adchoices

THE DROP - Sports Team WORDS AND GUITAR -Sleater-Kinney, Courtney Barnett LONG LOST - Lord Huron THINKING OF YOU, THINKING OF ME - The Bloods IMPERIAL TWIST - No-No Boy, Robert Vifian FOREVER YOUNG - Beth Orton TYPICAL MUSIC - Tim Burgess THERE'S A MOON ON - The Pixies BEEP - M.I.A. NATURAL INFORMATION - Bill Callahan DO YOU WANNA DANCE? - Coyle Girelli GOOD LOVE - Mama's Gun SEEING STARS - Jessica Veronica (of The Veronicas) TONIGHT - Phoenix w/Ezra Koenig NOT DEAD! - Tom the Mailman TOMMY - Petal TRAP - The Frogs HERE TO FOREVER - Deathcab for Cutie SAME DIFFERENCE - Future Teens UNDER THE WATER - Hand Habits, Amelia Meath OCEANS OF DARKNESS - The War on Drugs NEW BODY RHUMBA - LCD Soundsystem

durée : 00:05:02 - Dans la playlist de France Inter - par : Jean-Baptiste AUDIBERT, Thierry Dupin, Muriel Perez, Julien Deflisque - Cinq ans maintenant que les nombreux fans de Phoenix attendent un nouvel album. Normal pour un groupe récompensé d'un Grammy award (pour Wolfgang Amadeus Phoenix) et d'une Victoire de la musique (pour Bankrupt). Plus qu'un petit mois et demi à attendre avant la sortie du petit dernier “Alpha zulu”

Media Monarchy plays The Mars Volta, Björk, Phoenix x Ezra Koenig and more on #PumpUpThaVolume for September 23, 2022. ♬

Ezra Koenig is an unlikely evangelist for the Grateful Dead, and that's exactly why we brought him on the show. In this first episode of America's Dead, hear the Vampire Weekend frontman defend the wisdom of “hippie psychedelic nonsense” and reveal what has inspired him most as a songwriter. Plus in this episode, Koenig imagines that if Kurt Cobain were alive today, he too would be a Deadhead. Credits:America's Dead is produced by work by work: Scott Newman, Jemma Brown, Kathleen Ottinger, Alex Kapelman, and Ben Montoya. Additional production from Josh Agajanian. The show is mixed by Sam Bair and Josh Hahn. Our theme music is by Jake Longstreth, John Nixon, Aaron Olson, and Ryan Adlaf of Mountain Brews and Richard Pictures. The show art is created by Andy J. Pizza. Special thanks to Joe Dawson at Sonos. 

Hasta el 4 de noviembre no se publica 'Alpha Zulu', el nuevo disco de Phoenix pero el cuarteto ya comparte otra canciñon, 'Tonight', junto a Ezra Koenig, líder de Vampire Weekend. Lady Banana vuelve a sorprender con una descarga llamada 'Overflow' y Venturi, con un medio tiempo melancólico pero lleno de energía, 'Naces, Creces, Enloqueces'. Aparte, escuchamos a Chemical Club, a The Beatles, Abe Parker y el debut de Grauwi + Marta Cascales. GINEBRAS – Ansiedad THE BEATLES - Taxman KING GIZZARD & THE LIZARD WIZARD - Kepler CHEMICAL CLUB - Hurt Happens TWO DOOR CINEMA CLUB – Blue Light PLACEBO – Shout VENTURI – Naces, Creces, Enloqueces COURTING – Tennis GARBAGE - Shut Your Mouth GRAUWI + MARTA CASCALES – Contradictions ABE PARKER - Live, Laugh, Love PHOENIX ft EZRA KOENIG - Tonight THE HEAVY HEAVY - All My Dreams STONE – Waste LADY BANANA – Overflow CAITY BASER – X&Y CRYSTAL FIGHTERS – Wild Ones Escuchar audio

Bruce Hornsby & The Noisemakers "Flicted": ”Sidelines” (with Ezra Koenig and Blake Mills) ”Tag” ”The Hound” ”Too Much Monkey Business” ”Maybe Now” ”Bucket List” ”Days Ahead” (feat. Danielle Haim) ”Lidar” ”Is This It” ”Had Enough” ”Simple Prayer II” (feat. Z. Berg, Ethan Gruska and Rob Moose) ”Point Omega” Van Morrison “What’s It Gonna Take?: ”Fear And Self-Loathing In Las Vegas” Escuchar audio

Inspired by recent collaborations with some of America's coolest indie A-listers (Vampire Weekend's Ezra Koenig, Danielle Haim, Justin Vernon aka Bon Iver, James Mercer, Jamila Woods) Bruce Hornsby has been prolific in recent times, making a trilogy of albums beginning with the ‘return-to-form album' Absolute Zero (2019). This trilogy is a real display of Hornsby's musical prowess and curiosity – a mix of progressive, avant garde pop and contemporary classical works. Completing the trio of albums, Flicted, Hornsby's 23rd studio record, is a collection of songs built from ‘cues' for his music to Spike Lee's films (Bruce and Spike have been collaborating since the early 90s). The album features some phenomenal side players including the producer Blake Mills (on guitar) and yMusic, a Brooklyn-based chamber sextet that lends lush arrangements throughout. Indeed as Bruce hints during our conversation, more is to come from his sessions with yMusic. “I'm a lifelong student and I'm way more interested in getting better as a musician, a vocalist and especially as a writer. I've been getting nasty letters ever since my second record saying “how dare you change”, but my silent response is “you haven't heard anything yet.”Perhaps all ‘pop' musicians of longevity should aspire to Bruce Hornsby's musically borderless, ‘post-genre' way of working. “My art of longevity is not giving a rat's ass about what's popular, or whether I'm popular but to please myself and to grow, evolve, change and expand…on and on”. When it comes to music, and Bruce Hornsby, whatever you do, don't call it a comeback. Support the show

As broadcast April 1, 2022 and no foolin for your world premiere pod.  Tonight we welcome Paris-via-NYC independent artist Ryan Egan to take over the 2nd hour playlist and give us an exclusive listen to an unreleased joint off his debut album out next week.  "Soft Power" drops next Friday, and we got an early spin of "Full-Time," which is the big single lined up for after release day April 8.  A great playlist of new inspirations for the artist is lined up as well, with tunes from Dijon, Methyl Ethel, and Papooz to give a nod.  Be sure to pre-save the LP here.#feelthegravityTracklisting:Part I (00:00)Teena Marie – 365Adeline – BeforeIbibio Sound Machine – All That You WantPolo & Pan – Plage isolee (Soleil couchant)Barrie – FrankieCaroline Rose – Jeannie Becomes A Mom Part II (34:46)Billie Holiday – April In ParisDimitri from Paris – Un TerludeStill Woozy x Remi Wolf – PoolCuarto Mundo – La Cumbia Del TarotJarvis Cocker – This Is Going To HurtRyan Egan – We Do It On Purpose Ryan Egan – Alone For The Last Time Part III (63:01)Ryan Egan – Full TimeDijon – The DressCharlie Burg – 97 AvalonMethyl Ethel feat Stella Donnelly – ProofOliver Sim – Romance With A MemoryAldous Harding – Tick Tock Part IV (99:04)Ryan Egan – Soft PowerPapooz – Hell of a WomanAdam Melchor – Lateral Move Jenny Hval – Year of LoveAlex Cameron – Prescription RefillBruce Hornsby feat Ezra Koenig & Blake Mills - Sidelines 

Le club du vendredi, c'est l'émission qui se danse ! En direct depuis chez lui, David Blot vous partage des classiques et quelques nouveautés...Poussez les tapis et montez le son ! Tracklist : Young Thug - Wyclef Jean The World's Famous Supreme Team - Hey DJMalcolm McLaren - Buffalo Gals Armand Van Helden - The Funk Phenomena Earth, Wind & Fire - Brazilian Rhyme (Danny Krivit Re-Edit)The Emotions - I Don't Wanna Lose Your Love Mad Lion - Take It EasyOrlando Julius - Disco Hi-LifeThe Very Best - Warm Heart Of AfricaSudan Archives - Home MakerT-Coy - Carino M People - Moving On Up (Mk Movin' Mix)Gabrielle - Forget About The World (Daft Punk Mix)RHR - Mente e DramaOvermono - GunkRhythim Is Rhythim - The DanceD-Tune - Just An Organ (Just An Organ Mix)Eris Drew - HeartbeatBauhaus - Bela Lugosi's Dead Vampire Weekend - The Kids Don't Stand A Chance Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

0:00 Intro2:16 Icarus54:00 Beyoncé

"BUT MOM I DON'T WANT TO LEAD PRAYER AT DINNER!" -Ezra Koenig (maybe)

There have been a few break-ins in Branchburg recently. A local pizza shop is shut down by the Health Department. And a father has a big surprise for his daughter's Sweet 16. Written and performed by Brendan O'Hare and Cory Snearowski. Sound by Alex Gilson. Produced by Tim Heidecker and Dave Kneebone. This Is Branchburg is a production of Adult Swim and Abso Lutely Productions. Featuring Ezra Koenig and Mrs. Gilson See omnystudio.com/listener for privacy information.

Vampire Weekend Singer/songwriter/bandleader on The Moments that got him here. Also, don't forget to get your own "The Royale" coffee mug. All proceeds go to the Food Bank for New York City To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

It was a week for excellent returning guests this week. Both Gary Lightbody and Ezra Koenig returned to The Evening Show – plus a chat with Johnny Took from DMA's and a Classic Album from Coldplay! Tune in LIVE every weeknight from 7pm-10pm to hear the Evening Show on Radio X.

Ezra Koenig of Vampire Weekend joins for a chat to talk about latest album, Father of the Bride. Rhianna Dhillon reviews the nineties rave film Beats, dystopian drama Years & Years and Netflix's sci-fi film, See You Yesterday. In The Maths of Life, Professor Sophie Scott looks at how culture shapes our perception of the world, and how much of the world we really see. Finally, we have House Music – the every day objects playing the pop hits

Síðasta föstudag kom út fjórða breiðskífu bandarísku indísveitarinnar Vampire Weekend, Father of the Bride, sem er jafnframt þeirra fyrsta í sex ár. Platan er leitandi, bæði inn á við í sálarlíf söngvarans Ezra Koenig, en líka út á við í tónlist annarra heimsálfa, og er með allra bestu plötum sem komið hafa út í ár. Davíð Roach Gunnarsson hellir sér ofan hyldjúpan hljóðheim Föðurs Brúðarinnar í Lestinni í dag. Met Gala, viðburðurinn sem er gjarnan kallaður Óskar tískuheimsins, átti sér stað síðasta mánudag. Þemað var að þessu sinni Camp. Í þættinum í dag verður fjallað um viðburðinn og að gefnu tilefni rifjuð upp ritgerð bandarísku fræðikonunnar Susan Sontag um költ hugtakið Camp. Og á dögunum var tilkynnt að ein áhrifamesta raftónlistar-hljómsveit í heimi, þýska hljómsveitin Tangerine Dream, myndi halda tónleika í Gamla-bíói í september. Hljómsveitin var stofnuð árið 1967, hefur sent frá sér ríflega hundrað hljómplötur, samið tónlist við fjölda kvikmynda og tölvuleikja og sjö sinnum verið tilnefnd til Grammy-verðlauna. Fjallað verður um Tangerine Dream í Lestinni í dag, gestir þáttarins verða Ingvar Víkingsson grafískur hönnuður og Árni Matthíasson blaðamaður.

Ezra Koenig and co. broke into our collective brains and made us talk about their self-titled debut album. Welcome to the beginning our Vampire Weekend series! Supergroup Presents is Declan Murphy, Rachel Poe, and Luis Gomez. Our theme song is "Polaroid" by extenz. Find more at soundcloud.com/extenz Follow the show on twitter @supergrouppod https://twitter.com/supergrouppod --- Support this podcast: https://podcasters.spotify.com/pod/show/supergrouppresents/support

Jersey Boy Evan and New Yorker David bring in guest Rickie Sherman to talk Neo Yokio, the inscrutable vanity anime co-production from Vampire Weekend lead singer Ezra Koenig. But first, a recap of Evan's weekend with Studio Trigger at Genericon 2018 and some Boogiepop news. Topics include: Kim and Kanye's favorite anime, the pineapple on pizza of anime, and a shockingly sincere discussion of race and class in America. Production note: Rickie's mic was having some issues, so apologies for the crappy quality. I tried my best to clean it up in post! Send us feedback at podcast@anigamers.com! Show notes, links, comments, and more can be found at http://anigamers.com/podcast.