Podcasts about Cool Hand Luke

On the 473rd episode of Piecing It Together, we are LIVE from AMC Town Square after an early screening of The Long Walk with film critic Daniel Howat. This adaptation of the Stephen King novel from JT Mollner and Francis Lawerence features a great young cast and a lot of walking. Puzzle pieces include Speed, Ploattoon, Cool Hand Luke and The Hunger Games.As always, SPOILER ALERT for The Long Walk and the movies we discuss!Written by JT MollnerDirected by Francis LawerenceStarring Cooper Hoffman, David Jonsson, Garrett Wareing, Charlie Plummer, Mark HamillLionsgateDaniel Howat is a film critic whose work can be seen at Next Best PictureCheck out Next Best Picture at https://www.nextbestpicture.com/And follow Daniel on Twitter @howatdkMy latest David Rosen album MISSING PIECES: 2018-2024 is a compilation album that fills in the gaps in unreleased music made during the sessions for 2018's A Different Kind Of Dream, 2020's David Rosen, 2022's MORE CONTENT and 2025's upcoming And Other Unexplained Phenomena. Find it on Bandcamp, Apple Music, Spotify and everywhere else you can find music.You can also find more about all of my music on my website https://www.bydavidrosen.comMy latest music video is “Shaking" which you can watch at https://www.youtube.com/watch?v=wzm8s4nuqlAThe song at the end of the episode is "Walka Walka" from The Pup Pups!Make sure to “Like” Piecing It Together on Facebook at http://www.facebook.com/PiecingPodAnd “Follow” us on Twitter @PiecingPodAnd Join the Conversation in our Facebook Group, Piecing It Together – A Movie Discussion Group.And check out https://www.piecingpod.com for more about our show!And if you want to SUPPORT THE SHOW, you can now sign up for our Patreon at https://www.patreon.com/bydavidrosenYou can also support the show by checking out our Dashery store to buy shirts and more featuring Piecing It Together logos, movie designs, and artwork for my various music projects at https://bydavidrosen.dashery.com/Share the episode, comment and give us feedback! And of course, SUBSCRIBE!And of course, don't forget to leave us a 5 star review on Goodpods, Apple Podcasts,

Tschechien bleibt ein gutes Pflaster für Luke Humphries: Drei der letzten vier Czech Darts Open hat "Cool Hand Luke" gewonnen und sich aus einem kleineren Loch gespielt. Kevin Barth analysiert mit Moritz Käthner das Wochenende in Prag sowie den anschließenden Pro-Tour-Block in Hildesheim. Mit Viertelfinalist Michael Unterbuchner gab es eine schöne Überraschung, Martin Schindler stand nun in 4 Tagen dreimal im Achtelfinale. Neben einem kurzen Blick auf die diesmal schwächere Development Tour richtet sich der Blick nach vorne auf die World Series Finals, das traditionell erste große TV-Turnier im Herbst.Shortleg, der dartn.de Podcast, mit Marvin van den Boom, Kevin Barth, Moritz ...+++ WERBUNG +++Ghost of Yōtei - das Action-Adventure - exklusiv für PS5 ab 2. Oktober hier erhältlich:https://www.playstation.com/de-de/games/ghost-of-yotei/Dieser Podcast wird vermarktet von der Podcastbude.www.podcastbu.de - Full-Service-Podcast-Agentur - Konzeption, Produktion, Vermarktung, Distribution und Hosting.Du möchtest deinen Podcast auch kostenlos hosten und damit Geld verdienen?Dann schaue auf www.kostenlos-hosten.de und informiere dich.Dort erhältst du alle Informationen zu unseren kostenlosen Podcast-Hosting-Angeboten. kostenlos-hosten.de ist ein Produkt der Podcastbude.

Tschechien bleibt ein gutes Pflaster für Luke Humphries: Drei der letzten vier Czech Darts Open hat "Cool Hand Luke" gewonnen und sich aus einem kleineren Loch gespielt. Kevin Barth analysiert mit Moritz Käthner das Wochenende in Prag sowie den anschließenden Pro-Tour-Block in Hildesheim. Mit Viertelfinalist Michael Unterbuchner gab es eine schöne Überraschung, Martin Schindler stand nun in 4 Tagen dreimal im Achtelfinale. Neben einem kurzen Blick auf die diesmal schwächere Development Tour richtet sich der Blick nach vorne auf die World Series Finals, das traditionell erste große TV-Turnier im Herbst.Shortleg, der dartn.de Podcast, mit⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Marvin van den Boom⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Kevin Barth⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Moritz Käthner⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Benni Scherp⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ und⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Lutz Wöckener⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alle Infos zum Podcast:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.dartn.de/Shortleg⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ihr wollt Shortleg und dartn.de unterstützen?[⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠][⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy us a beer⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠][⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Paypal-Spende⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠][⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠dartn.de Merchandise Shop⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠][⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠DAZN Affiliate⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠][⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Abo Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠][⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube Kanalmitgliedschaft⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠]0:00 Intro & Begrüßung3:22 Czech Darts Open - Analyse36:46 Development Tour 16-2043:58 Players Championship 26-271:05:26 Darts aus aller Welt (ADA, WDF Österreich/Spanien)1:14:03 World Series Finals Vorschau & Abschluss

In the latest dispatch from the Fortress of Proopitude, Greg and Jennifer chat about “Cool Hand Luke,” champagne and Connie Francis.

Lee built a playlist of some of his favourite stuff from the recently departed Boris Claudio "Lalo" Schifrin. Rest in Peace. --Gone With the Wave from "Gone With the Wave" (1964) --Dark Intruder from "Dark Intruder" (1965) --Main Titles from "The Liquidator" (1965) -- with Dame Shirley Bassey --The Cincinnati Kid from "The Cincinnati Kid" (1965) -- with Ray Charles --Main Title & Iron Head from "Murderer's Row" (1966) --Suite from "Way... Way Out" (1966) --Theme from Mission: Impossible from "Mission: Impossible" (1966) --Them (Main Title) & Dripping Icicles from "The Fox" (1967) --Main Title from "Cool Hand Luke" (1967) --Main Title, A Song for Cathy & Music to Interrogate By from "Bullitt" (1968) --Main Title from "Coogan's Bluff" (1968) --Che! from "Che!" (1969) --Kelly's Heroes Theme from "Kelly's Heroes" (1970) --Main Title & Scorpio's View from "Dirty Harry" (1971) --Main Title from "Joe Kidd" (1972) --Main Title & The Big Battle from "Enter the Dragon" (1973) --Last of the Independents from "Charley Varrick" (1973) --Confrontation from "Magnum Force" (1973) --Main Title & The Eagle's Enemy from "The Eagle Has Landed" (1976) --Main Theme from "St. Ives" (1976) --Calliope of Death, Magic Carousel & Tension Rock from "Rollercoaster" (1977) --Opening Titles from "The Manitou" (1978) --Fast Moves & Training Montage 2 from "Battle Creek Brawl" (1980) --Main Title, Frisco Night & Cocktails of Fire from "Sudden Impact" (1983) --Osterman Weekend Theme from "The Osterman Weekend" (1983) --Main Title & Harpoon from "The Dead Pool" (1988) --The Real Rado/Rado Attacks/Rado Chase Rollie from "FX2" (1991) --Main Title from "Rush Hour" (1998) Opening and closing music: Notre côté B from "Gina" by Michel Pagliaro, and Bubble Gum Girl from "Gas-s-s-s" by Johnny & The Tornados.

Jerome Powell's Jackson Hole speech marks a major pivot at the Federal Reserve. Peter Schiff explains how political pressure from the Trump administration has forced Powell's hand, why stagflation is now undeniable, and what this means for gold, the dollar, and the future of the U.S. economy.This episode is sponsored by NetSuite. Download the free ebook “Navigating Global Trade: 3 Insights for Leaders” at https://netsuite.com/goldIn this Sunday Night Live edition of The Peter Schiff Show, Peter compares Powell's capitulation to the “mind right” scene in Cool Hand Luke, warns about the Fed's coming return to QE, and exposes the dangerous precedent of the U.S. government seizing a 10% stake in Intel. Schiff lays out why gold, silver, and foreign stocks are outperforming, and why the next phase of the crisis will be even more severe.00:00 Introduction and Opening Remarks02:15 Powell's Jackson Hole Speech: A Sober Assessment06:48 Trump's Pressure and Powell's “Mind Right” Moment12:02 Comparing Trump and Biden Economies18:37 Stagflation Confirmed: Weak Growth, Stronger Inflation24:10 Fed Policy, Employment Risks, and Inflation Mandate29:44 The End of Inflation Averaging at 2%36:50 Rate Cuts, Quantitative Tightening, and QE Ahead44:15 Market Reactions: Stocks, Bonds, and the Dollar51:28 Gold and Silver Surge vs. Bitcoin's Underperformance58:44 Mining Stocks: GDX and GDXJ Leading 2025 Returns01:05:37 Foreign Stocks and the Great Rotation Out of U.S. Equities01:12:52 Intel's 10% Government Stake and Rising Corporatism01:20:46 Investment Strategy: Gold, Mining, and Foreign Markets01:28:14 Conclusion and Schiff Sovereign UpdateFollow @peterschiffX: https://twitter.com/peterschiffInstagram: https://instagram.com/peterschiffTikTok: https://tiktok.com/@peterschiffofficialFacebook: https://facebook.com/peterschiffSign up for Peter's most valuable insights at https://schiffsovereign.comSchiff Gold News: https://www.schiffgold.com/newsFree Reports & Market Updates: https://www.europac.comBook Store: https://schiffradio.com/books#federalreserve #stagflation #gold #inflation #dollarcollapse #economyOur Sponsors:* Check out Boll & Branch: https://bollandbranch.com/SCHIFF* Check out Fast Growing Trees and use my code GOLD for a great deal: https://www.fast-growing-trees.comPrivacy & Opt-Out: https://redcircle.com/privacy

Ayooo Netflix Book Club number 262 is Cool Hand Luke! Boy what a treat. Join the usual suspects @dennisroonney7 and @_miketoohey as they chop up a movie that means a lot to a lot of folks! Follow the instagram @netflixbookclubpodcast to see the upcoming schedule!

What's the one word leaders overlook that's quietly draining your team's motivation? If you've ever noticed your team going through the motions—or worse, burning out—you're not alone. In this episode, you'll uncover why even well-intentioned leaders unintentionally create meaningless work, and how reconnecting your team to a deeper sense of purpose can transform morale, trust, and results. By listening, you'll learn: How to prevent meaningless tasks from turning into morale-killers. The overlooked communication skill that boosts productivity and trust. A mindset shift that helps your team stay engaged—even during tough conversations. Tune in now to discover the overlooked word that can turn disengagement into purpose and performance. Check out: [03:52] — The Real Reason Motivation Fails David contrasts his short-lived teenage attempt at vegetarianism with his daughter's long-term commitment—unpacking how the depth and clarity of your “why” determine whether motivation lasts or fizzles. [05:48] — Prison Labor & Meaningless Work Through a reference to Cool Hand Luke, David paints a vivid picture of how tasks without purpose feel like spirit-breaking labor, and why failing to link tasks to meaning can silently erode your team's engagement. [08:33] — The Hardware Store Story A real-world example from an engineer named Matt reveals how explaining the “why” behind a policy could've completely changed his view of leadership—and how missing that moment cost more than just a summer job. Leadership Without Using Your Soul podcast offers insightful discussions on leadership and management, focusing on essential communication skills, productivity, teamwork, delegation, and feedback to help leaders navigate various leadership styles, management styles, conflict resolution, time management, and active listening while addressing challenges like overwhelm, burnout, work-life balance, and problem-solving in both online and in-person teams, all aimed at cultivating human-centered leadership qualities that promote growth and success. Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 293: This episode supported by USAE News! He's back! It's Carl Weaver, Publisher, Broken Column Press with another question about associations in our movie series. This time we are discussing "How are Associations like the movie 'Cool Hand Luke'?" From failures to communicate, ideas that seemed good at the time, and shiny distractions this movie seems like an association handbook. Or does it? Join us and find out! How do you think associations are like the movie "Cool Hand Luke"? Share a comment!

EPISODE SPECIAL! Covering PSR Day and why it doesn't make us feel food. What PSR has done to football and why Aston Villa are like Cool Hand Luke working within a stupid system.This is a reading of a piece written by Frankie Maguire, 'PSR Day | To Work Within Your System'PLEASE VISIT OUR WEBSITE WWW.ALLVILLANOFILLER.COMFOLLOW US AND SUBSCRIBE ONLINE!WEBSITEwww.allvillanofiller.comGET IN TOUCHYouTube: Search All Villa No FillerTwitter: @VillaNoFillerInstagram: @allvillanofillerFacebook: All Villa No FillerEmail: allvillanofiller@gmail.comHOSTS: George Zielinski (@ZielinskiGeorge) / Frankie Maguire (@FrankieMaguire)PRODUCTION: Frankie Maguire#avfc #utv #astonvilla #football #villapark #soccer #CHAMPIONSLEAGUE Hosted on Acast. See acast.com/privacy for more information.

June's Pride Month celebration continues as GGACP revisits this interview with standup comedian and Emmy-winning writer-producer Carol Leifer. In this episode, Carol joins Gilbert and Frank to talk about early comedy influences Mickey Katz, Allan Sherman and Vaughn Meader, her salad days at The Comic Strip and Catch a Rising Star and scripting unforgettable “Seinfeld” episodes like “The Rye,” “The Lip Reader” and “The Hamptons” (aka “The Ugly Baby.”) Also, Carol dates Paul Reiser, recognizes Ron Perlman, compliments Barry Levinson and opens for the Chairman of the Board. PLUS: Lenny Schultz! “Cool Hand Luke”! The return of “Dummy in the Window”! Gilbert meets Lorne Michaels! And Carol (sort of) meets Jack Nicholson! Learn more about your ad choices. Visit megaphone.fm/adchoices

One of the all time greatest TV music composers passed away on June 26th at age 93...Last season, we did an episode about the Life & the Work of Lalo Schifrin on our Patreon--as a tribute, we would like to present that show for you...

Paul Newman and George Kennedy (won Oscar) star in 1967 chain-gang drama.

On this week's Reel Talk: Jonathan and Honey get stuck into Netflix's popular series Dept. Q, Jonathan watches the highly-anticipated The Accountant 2 on Prime Video, and a Ross family favourite is back: And Just Like That Season 3.Also on this week's episode, Jonathan and Honey dine out on Carrie Bradshaw's outrageous hat, the family spend an evening in a spaceship simulation and Honey gets around to watching a cinematic classic, Cool Hand Luke.Remember, if you want to get involved, you can email us at reeltalk@global.com and follow us on Instagram at @reeltalkrossListen and subscribe to Reel Talk on Global Player or wherever you get your podcasts.

Revisiting the cool of Paul Newman led Jason and Ryan to two of the best performances he ever gave Movieland! He dazzles and charms in these perfect examples of his ability and stardom. Give them a watch and give this Cinema Drive episode a listen!The Deep Question: Will you finally be adding the inevitable 8-movie Mission: Impossible boxset to your list this Christmas or next Christmas?This Week's Features:Cool Hand Luke (1967)The Hustler (1961)Message Jason and Ryan

This week we review Andor Season 2 Episodes VII - IX, The Last of Us S02E04 Day One, and Doctor Who S02E04 Lucky Day.The Next Lord of the Rings Movie Finally Has a Release DateFoundation Season 3 Shares a First Look for Lee Pace Fans (and Everyone Else) THE LONG WALK Official Trailer (2025)Cool Hand Luke (1967) - Failure To Communicate Scene (7/8) | MovieclipsDisney Says It Made Its Walt Disney Robot to Remind Fans He Was an Actual PersonANDOR Season 2 Episodes 7 - 8 - 9 BREAKDOWN - Star Wars Easter Eggs You Missed!Tales of the Underworld | Official Trailer | Available May 4 on Disney+CONCLAVE - Official Trailer [HD] - Only In Theaters October 25The Shoes of the Fisherman Official Trailer #1 - Anthony Quinn Movie (1968) HDDept. Q | Official Trailer | NetflixTrainspotting - Diane - Can I See You Again - WITH ENGLISH SUBTITLES HDSupport this podcast at — https://redcircle.com/spockcast-a-star-trek-discovery-picard-and-lower-decks-podcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

What film do the Aeronauts think is the objective greatest? Does Zac know who Victorious is? Email us your questions at wordballoonspod@gmail.com

Send us a textA sweltering Florida chain gang. Mirrored sunglasses reflecting only your own desperate face. Fifty hard-boiled eggs and one man determined to defy expectations. "What we've got here is failure to communicate" isn't just the most famous line from Cool Hand Luke – it's the perfect distillation of this landmark film's exploration of rebellion against authority.Our deep dive into this 1967 masterpiece reveals why Paul Newman's portrayal of Luke Jackson remains one of cinema's most enduring symbols of resistance. Sentenced to two years for the minor offense of decapitating parking meters, Luke transforms from troublemaker to legend through his refusal to bow to the system. From the brutal boxing match where he won't stay down to his daring escapes that inspire his fellow inmates, Luke's journey resonates with anyone who's ever felt crushed by institutional power.The religious symbolism throughout the film surprised us – Luke as a Christ-like figure sacrificing himself for others, the crucifixion pose after eating fifty eggs, his final confrontation in a church. We explore how director Stuart Rosenberg created authentic performances by keeping actors in prison-like conditions during filming, even having them pave actual roads under the Florida sun. Paul Newman's determination to personally learn "Plastic Jesus" on the banjo resulted in one of the film's most moving scenes.Whether you're revisiting this classic or discovering it for the first time, Cool Hand Luke's examination of freedom, identity, and resistance against conformity remains as powerful today as when it first shocked audiences. Sometimes nothing can be a real cool hand – and sometimes a film from 1967 can still shake your world.Check out entertainthispodcast.com or follow us on social media @entertainthis_ to join our ongoing exploration of films that shaped cinema history.Support the show

Hi friends, I'm Scott and this is What a Weird Week, a look at the odd, interesting, strange, fun and weird stories that made news this week. See bottom of shownotes page for a transcript of the podcast episode. To Subscribe/ get in touch/ other see www.shownotes.page.Thanks for rating and reviewing!These are the shownotes for Season 6, Ep 16 first published Fri Apr 18th 2025.It's our Easter special so we've got some weird news and other interesting Easter stuff for you this week.If you don't celebrate the holiday, I think you'll still find this stuff to be neato but if you want to skip this ep, we'll be back with the usual format next week. Churches in a good-natured Easter fireworks battle on island of Chios. https://en.wikipedia.org/wiki/RouketopolemosEnormous Easter omelette tradition in France inspired by Napoleon. https://www.independent.co.uk/travel/news-and-advice/weirdest-easter-traditions-crucifixion-rabbit-hunting-running-madonna-a7682576.htmlDo folks in Papua New Guinea really hide smokes at Easter?! https://www.dailymail.co.uk/news/article-13256711/The-strangest-Easter-traditions-world-whipping-people-giant-omelettes-large-feed-2-000-people-hiding-cigarettes-near-churches.htmlEaster Butter Lamb https://www.dailymail.co.uk/news/article-13256711/The-strangest-Easter-traditions-world-whipping-people-giant-omelettes-large-feed-2-000-people-hiding-cigarettes-near-churches.htmlNorway's Easter crime drama and crime novel tradition. https://www.dailymail.co.uk/news/article-13256711/The-strangest-Easter-traditions-world-whipping-people-giant-omelettes-large-feed-2-000-people-hiding-cigarettes-near-churches.htmlMarshmallow decorating kits. https://people.com/jet-puffed-marshmallow-dyeing-kit-offers-cheaper-alternative-this-easter-amid-high-egg-prices-11715031Matt Stonie once ate 255 Peeps in five minutes. *Professional eater/ Do not attempt! https://majorleagueeating.com/contests/732 and video https://www.youtube.com/watch?v=4tbJ2ccROkY

On April 19, 1980, legendary character actor Strother Martin hosted Saturday Night Live—and delivered a surprisingly strong performance. Best known for his unforgettable roles in films like Cool Hand Luke, True Grit, Slap Shot, The Wild Bunch, Up in Smoke, and Butch Cassidy and the Sundance Kid, Martin brought his unique presence and versatility to Studio 8H for one memorable night. Nick looks back at this fascinating episode, featuring a clever Cool Hand Luke parody and a mix of strange, sharp, and hilarious sketches. Along the way, he shares behind-the-scenes stories about how some of the show's most unusual comedy came together. You'll hear standout moments from cast members Bill Murray, Gilda Radner, Harry Shearer, Garrett Morris, Paul Shaffer, and more—plus material that feels just as politically relevant today as it did in 1980. It's a fun, deep dive into a night when one of Hollywood's most underrated talents—often mistaken for Tennessee Williams—stepped into the world of live sketch comedy and left his mark. [Ep 119]

This week we dive into the powerful story found in Joshua 22—a moment when a misunderstanding nearly led to civil war among God's people. What started as hearsay turned into assumption, and assumption led to accusation. Sound familiar?We explore how miscommunication affects relationships—from ancient Israel to modern marriages—and how clear, honest communication is key to maintaining unity and trust.You'll hear:• A timeless quote from Cool Hand Luke that still hits home• Why obedience is a sign of relationship with God, not the basis of it• How Israel almost went to war over an altar they misunderstood• What it means to be a truth-seeker and not a rumor-spreader

One of the problems with today's movies and films is the lack of creativity. Modern filmmakers don't have to worry much about constraints on their content, but real creativity needs these constraints. Cool Hand Luke is more than half a century old but it is a great example of excellent storytelling. While it is not a Christian movie in any sense, it uses a lot of Christian symbology to tell its tale. Christians need to re-learn how to interpret art through a Christian worldview. Cool Hand Luke is a good place to begin.

Watch Mountain Ben: https://www.youtube.com/watch?v=n8_RZsex_oMhttps://letterboxd.com/film/mountain-ben/In this episode of KHAP Kody and Korbin are joined by former guest Ben Smith to break down the Paul Newman classic prison film "Cool Hand Luke" (30:15) at length after a short discussion with Smith on his short film "Mountain Ben" (1:00)Why "Cool Hand Luke" (32:45)Do You Remember? (33:55)Initial Thoughts (36:34)Roll Credits (47:00)The Good, The Bad And The Ugly (54:15) Welcome to the Academy (1:21:00)Invite, Fight, and Knight (1:24:35) The Recast (1:28:25)Rating (1:32:35)Tomato Tomato  (1:35:00)Weekly Watches (1:40:15)Hosts: Korbin Zvokel and Kody WebbGuest: Ben Smith ⁠https://linktr.ee/khapodcast⁠ Leave us a voice message:⁠ ⁠https://podcasters.spotify.com/pod/show/khapodcast/message⁠Buy Ben's Coloring Book:https://www.amazon.com/Brians-Mind-Coloring-Benny-Smith/dp/B0CZM1BM6X/ref=sr_1_1?crid=B4G0H66TYLHH&dib=eyJ2IjoiMSJ9.wTV7uluGNl9gfKOdKPO80g.SVSYiS_xP3G6uTdiTgLUVdo0LNBfREj98P6ySBAkdnU&dib_tag=se&keywords=Brian%27s+Mind%3A+Coloring+Book+By+Benny+Smith&qid=1712501215&s=books&sprefix=brian%27s+mind+coloring+book+by+benny+smith%2Cstripbooks%2C211&sr=1-1&dplnkId=06a4aa9a-aed3-4177-b65a-8dc7369165b5

Join us for an insightful discussion with Coach Hellige as he shares his thoughts on the recent victory Hellige over the Columbus Wildcats. Despite facing a strong opposition team, the Holy Trinity Crusaders showcased impressive performance, holding their opponents under 40 points and securing a significant win. Coach Hel[ige highlights the standout contributions of key players, including Cool Hand Luke's record-setting night. Looking forward, we delve into the upcoming challenges as the Crusaders prepare to face off against Waco in the district semi-finals. Coach Helogie provides an analysis of Waco's strengths and the strategies needed to advance further in the playoffs. Additionally, the episode explores other key matchups in the district, providing listeners with an in-depth preview of what to expect in this high-stakes tournament.

You think we're shipping the wrong people to Guantanamo? I'm old enough to remember a time when, if some civilian loudmouth waltzed through your front door barking orders, you could kick him in the plums, give him the old heave and also the ho, and get back to whatever it was you were doing before all the bad noise started. Yet somehow, in the Year of Our Lard 2025, we've allowed this porcelain pissant from South Africa to start rearranging the national furniture, to say nothing of the org chart, without so much as a “Just who the hell elected you to anything, anyway, Fisheyes?” Raise a ruckus and you get frog-marched out the door, either to the breadline or maybe a gated beachfront community that doesn't feature in Beelzebozo's plans for the tourist trade. Meanwhile, our media watchdogs just keep licking their own nuts; chasing random brain farts down countless odiferous ratholes; and “fact-checking” the arsonists who are burning down the government faster and more thoroughly than the Brits did during the War of 1812. But be of good cheer: There's plenty of bark and bite to be had in the latest edition of Radio Free Dogpatch! • Technical notes: RFD favors the Ethos mic from Earthworks Audio; Audio-Technica ATH-M50X headphones; Zoom H5 Handy Recorder; Apple's GarageBand, and Auphonic for a wash and brushup. The Captain from "Cool Hand Luke" communicates to us from YouTube. The boot to the bollocks and subsequent heave-ho hail from Freesound. The French taunter you may recall from "Monty Python and the Holy Grail." Air travel to Gitmo, a newspaper's printing press running, and soldiers on the march courtesy of Freesound. "Twisted Clowns" honk at us from Zapsplat. And last, but far from least, that's Sam Cooke working the "Chain Gang." All the other gang violence is the fault of Your Humble Narrator.

In this week's episode of The Capitalist Investor, the hosts Diamond Hands D, Cool Hand Luke, and Tony the Tiger delved into a plethora of topics that have significant implications for the economy, politics, and society. Here, we summarize the five hot topics discussed in the episode:Sovereign Wealth FundThe episode opened with a debate on the creation of a sovereign wealth fund. Hosted by nations typically with fiscal surpluses and vast natural resources, the U.S.'s idea of establishing such a fund was met with skepticism. Luke argued that utilizing taxpayers' money for this purpose while in a deficit isn't prudent, likening it to a new form of government overreach.Government Spending Cuts: The Doge DepartmentThe discussion segued into the controversial cuts in government spending, specifically targeting the U.S. Agency for International Development. The "Doge Department," a playful term for these government reductions, was slashed under Elon Musk's directive, stirring political backlash. The hosts discussed the implications, questioning the necessity of some of these international expenses and pointing out the potential for fraud in such enterprises.Tariffs and Trade TensionsAddressing the brief trade war with Mexico and Canada, the discussion highlighted President Trump's approach to leverage in negotiations. Tony emphasized the role of tariffs in compelling these nations to address issues such as the fentanyl trade, with both countries responding swiftly to the pressures applied by the U.S.Interest Rates and InflationWhile discussing the broader economic implications, Luke pinpointed the connection between government spending, inflation, and interest rates. He advocated for reduced government size and balanced budgets, explaining how this could lead to lower interest rates and create a more stable economic environment for middle-class America.Political Dynamics and Elon Musk as a Government OfficialThe dynamic nature of political narrative was examined, especially concerning the critique of billionaires like Elon Musk. The episode underscored the differing perceptions of wealth and governmental influence, with Musk positioned as a significant disruptor—a point of contention within political circles, given his influence and recent cuts in government spending.The episode effectively captured the complex interplay of economic policy, political dynamics, and individual influence. By examining these hot topics, "The Capitalist Investor" continues to provide in-depth analysis and lively debate on the pressing issues of today.

The Holidays are a time for watching movies, and we need an entire episode to catch you all up on what we've caught up on… including The Brutalist, Babygirl, A Real Pain & over 40 movies. These reviews are mostly Spoiler Free. HOWEVER, we do discuss some mid-Act II events for a few movies like The Brutalist, Y2K and Juror No. 2. NEW FILMS REVIEWED: The Brutalist - 1:26 Oscars & Globes Betting Odds Updated For The Brutalist, etc - 14:36 All We Imagine As Light then reviewing (September 5) Nowon East Village - 24:05 Babygirl - 28:47 The Lord of the Rings: The War of the Rohirrim, La Cocina & Y2K - 34:40 The People's Joker - 39:15 A Real Pain - 41:32 Bird - 45:18 The Six Triple Eight - 47:14 Small Things Like These - 49:21 Out Of My Mind- 51:13 Juror No. 2 - 54:17 Red One, Sweethearts, Late Bloomers, Coup!, Lonely Planet - 59:03 Rewatches of Will & Harper, My Old Ass, Conclave, etc - 1:03:11 OLDER FILMS: Family Movie Nights: Hombre, The Shootist, The Crimson Pirate - 1:05:46 Christmas Movies: The Feast of the Seven Fishes, It's A Wonderful Life, A Christmas Vacation, A Christmas Story, The Holdovers - 1:07:12 Mike's Tour of the film year of 1967 continues: In The Heat of the Night & Guess Who's Coming For Dinner, The Graduate, In Cold Blood, Bonnie & Clyde, Cool Hand Luke, Wait Until Dark, The Producers, The Dirty Dozen, Point Blank - 1:08:08 OUTRO: Let us know your thoughts (especially with all the opinions we have to lay down in this episode). Plus, what's coming next might involve some radio time and words of wisdom.

Luke Altmyer will return to Illinois for his senior season, a bit of huge news ahead of the team's appearance in the Citrus Bowl. Mike Carpenter takes a quick break from basketball to discuss how Luke's return affects expectations going into 2025, raising the floor for Bret Bielema's program and giving them an even better chance of sustaining momentum.

Connect to John Gilroy on LinkedIn   https://www.linkedin.com/in/john-gilroy/ Want to listen to other episodes? www.Federaltechpodcast.com In 1967 the movie Cool Hand Luke gave us this famous quote, “what we have here is a failure to communicate.” Surprisingly, this adage may apply to federal technology as well. If a federal leader allows secure information to be communicated, they can get fired. If they do not allow enough access to appropriate information, decisions can go sideways. The federal government is being bombarded with data, some important, some trivial. The challenge is to get life-and-death information into the hands of decision makers. So, we have massive data stores and some of them reside in the intelligence community. During the interview, Dr. Williams offers an innovation that allows users to access multiple sources as if it were a single database. Further, the data can be protected to allow the correct users the specific amount of data permitted. The beneficiary of this method of protecting data at rest is Artificial Intelligence.  The data that if fed into AI model can be leveraged and protected at the same time.

Joy Harmon is a baker, actress, author, mother, and grandmother.  From her many television and film roles, you undoubtedly recognize Joy best as the beautiful blue-eyed blonde from the iconic car wash scene in the 1967 Paul Newman classic, Cool Hand Luke.  Joy left her acting career behind in 1973 to focus on raising her family, and along the way began a successful bakery, Aunt Joy's Cakes, that serves individuals, cafes, and Hollywood studios.  Listen to be inspired by the faith, strength, and sweetness that, to quote the celebrated line from Cool Hand Luke, make Joy Harmon “a natural born world-shaker.”

Welcome back, savvy listeners of The Capitalist Investor! In this episode, Diamond Hands D, Tony, and Cool Hand Luke dive deep into a wide range of topics that are sure to spark discussions around your next dinner table or boardroom meeting. If you missed it, fear not! We've got the top 5 hot topics covered for you right here.1. The Impact of Tariffs: President-Elect Trump's Ambitious PlansDiamond Hands D kicks things off with an insightful discussion on tariffs under President-Elect Trump. The proposed 20% tariff on all imports and a hefty 60% on Chinese goods are shaking up the market. Business chatter around these tariffs has surged, doubling in comparison to the trade war with China back in 2018-2019. The conversation highlights worries around inflation and the long-term impact on revenues and job creation in the U.S.Key Takeaway: The potential for these tariffs to create jobs and boost domestic production is counterbalanced by the risk of increased inflation and supply chain disruptions. What does this mean for the average consumer and investor? Only time will tell.2. Department of Government Efficiency: A Bold Move for Fiscal ResponsibilityThe episode then transitions into the newly proposed Department of Government Efficiency, a brainchild aimed at slashing government spending. With Elon Musk rumored to be on board, there's talk of trimming a trillion dollars annually from the budget. The hosts discuss the controversial expenditures that could be cut, including funds allocated to seemingly frivolous projects.Key Takeaway: This department could be deflationary by reducing wasteful spending, but its success hinges on meticulous implementation and overcoming political obstacles.3. Cryptocurrency Craze: The Future of Bitcoin and DogecoinTurning the spotlight on cryptocurrency, the crew delves into the rally in Bitcoin and Dogecoin. Bitcoin's current bull run is drawing comparisons to previous surges, and there is speculation it could hit the psychological barrier of $100,000 per coin. Tony and Luke's personal experiences and strategies with crypto investments provide a relatable and educational angle.Key Takeaway: With institutional interest and potential government involvement, the future of Bitcoin and cryptocurrencies continues to look promising but remains highly speculative and volatile.4. Campaign Expenditures: Trump vs. HarrisA fascinating segment of the episode centers on campaign spending. Diamond Hands D reveals that Trump's campaign ran on a tighter budget compared to Harris, who seemingly spent lavishly on endorsements from celebrities like Beyonce and Oprah. The discrepancy in campaign management offers a window into their different strategies and priorities.Key Takeaway: Efficient allocation of campaign resources could be indicative of broader fiscal responsibility, influencing how each administration might manage the country's budget.5. Sporting Showdown: Mike Tyson vs. Jake PaulIn a lighter yet equally engaging topic, the hosts preview the anticipated boxing match between Mike Tyson and Jake Paul. With Tony leaning towards Jake Paul for his youthful vigor and marketing genius, while Diamond Hands D considers Tyson's legendary status, it's a clash of generations that's creating buzz in both the sports and investment worlds.Key Takeaway: The fight symbolizes more than just a sporting event—it's a commentary on the impact of social media, celebrity influence, and generational shifts in public interest.This episode of The Capitalist Investor packed a punch, from economic policies and government reforms to the speculative yet exciting world of cryptocurrencies and cultural events. Stay informed and get ahead by tuning into the full episode for more in-depth discussions and expert insights.Until next time!

Aussie comedian and filmmaker Monty Franklin grew up strongly influenced by the film industry, but has never seen Cool Hand Luke...until now. But what does he think? Was Luke actually a hero, or just a guy in the wrong place at the wrong time?  Feel free to drop us some comments, feedback or ideas on the speakpipe (link below) Keep it fun and under a minute and you may get on the show. https://www.speakpipe.com/YASNYSee omnystudio.com/listener for privacy information.

(00:00) Golf Distance and Self-Perception This chapter explores the nuances of golf distances and perceptions among golfers of various ages and skill levels. I discuss the average distance a golfer hits a seven iron, noting that it is often cited as 138 yards, but recognizing that this average can be misleading due to the broad range of golfer ages and abilities. Jeff Smith and I share our personal distances, with Jeff hitting his seven iron further than the average due to both his skill level and the elevation where he plays. We also humorously address exaggerated distance claims made by some senior golfers, highlighting how golfers often remember their best shots as their standard. Lastly, I recall attending Fuzzy Zoeller's Wolf Challenge, where I observed a variety of celebrity participants, underscoring the diversity and appeal of golf events. (11:00) Honesty in Golf This chapter touches on the themes of honesty and sportsmanship in golf. We start by addressing the famous movie quotes often misattributed, clarifying that "A man's got to know his limitations" is actually from "Magnum Force," not "Cool Hand Luke," which features "What we have here is a failure to communicate." Shifting to golf, we stress the importance of honesty about one's abilities on the course, emphasizing how inflated claims about driving distance are unimpressive. We share stories of golfing scrambles and the notorious cheating that often occurs, humorously recounting a scramble in Louisville where the police team won with an unbelievable score. We also explore the concept of "sandbagging" in golf—where players misrepresent their abilities, either to gain an advantage or to boost their ego—and question the motivations behind such behavior. (23:28) Golf Handicap Misconceptions This chapter explores the intricacies of the golf handicap system and its purpose as a representation of a golfer's potential. We break down common misconceptions, such as the belief that a handicap is a direct reflection of one's average score, and clarify how it actually accounts for a player's best potential performance. By analyzing a golfer's last 20 scores in relation to course and slope ratings, the system offers a fair way to compete across different levels of difficulty. We discuss how this system allows for fair competition, even against top players like Tiger Woods, by adjusting scores based on the course's challenges. We also touch on the issues of dishonesty in reporting scores and how that affects the perception of one's skill level. Ultimately, we emphasize the system's role in leveling the playing field and fostering fair competition, while acknowledging that not everyone reports their scores truthfully. (34:21) Improving Your Golf Game This chapter transports us to the beautiful mountains of Arizona, where we discuss the striking landscape surrounding the golf course and reminisce about the journey from cornfields to mountain vistas. We reflect on an intriguing story about Reggie Brooks, a former Notre Dame running back who scored a touchdown while unconscious, highlighting the unpredictable nature of sports. Shifting gears, we address the common reluctance among athletes to take golf lessons, despite their lifelong experience with coaching in other sports. We ponder why professional athletes, who understand the value of coaching, often shy away from lessons in golf, and emphasize the importance of seeking guidance to improve one's game. I share my personal experience of mastering the "hinge and thump" technique, illustrating the power of simplifying golf. Finally, we caution against emulating professional golfers without proper practice, stressing the need to approach the game in a way that suits one's own level and abilities.

Navigating Labor Strikes, Middle East Tensions, VP Debates, and Global Economies: Key Insights from This Week's Capitalist Investor EpisodeIn the latest episode of the Capitalist Investor, hosts Diamond Hands D, Tony the Tiger, and Cool Hand Luke delve into five pivotal topics that have significant economic, political, and social implications. Here's a breakdown of the episode's key discussions:1. The Longshoremen Strike and Its Economic ImpactThe episode kicks off with a deep dive into the longshoremen strike, where workers are demanding a staggering 77% pay raise over five years. Luke argues that this could be a case of unions being overly greedy, especially given the direct correlation between the rise in strikes and inflationary pressures over the past few years. The hosts also discuss how resistance to automation could backfire, as robots don't strike or demand pay raises. Tony highlights the logistical nightmare, noting that for every day on strike, it takes three to five days to catch up on the backlog. The consensus? The strike is setting up workers for obsolescence in the face of inevitable automation.2. Middle East Tensions and Economic RipplesThe conversation swiftly moves to escalating tensions in the Middle East, particularly between Israel and Iran. Luke provides a hot take on the economic ramifications, explaining that if Iran is attacked, it could disrupt oil exports to China, potentially leading to a larger-scale conflict involving Russia. Such a scenario would wreak havoc on commodity prices, causing reinflation in the U.S. and shattering the Federal Reserve's narrative of cooling inflation. Tony throws in a conspiracy theory, questioning the timing and nature of the missile attacks, suggesting that something feels staged.3. Vice Presidential Debate: A Breath of Fresh AirThe recent Vice Presidential debate also makes headlines in this episode. Diamond Hands D praises the debate for being watchable and surprisingly cordial. Tony lauds JD Vance for his well-spoken and knowledgeable demeanor, even hinting that he might vote for him in the future. Luke speculates that JD could run for president in 2028, sharing his excitement about a potential JD Vance and Vivek Ramaswamy partnership. Despite the positive reception, the hosts agree that Vice Presidential debates don't usually sway voters significantly, as people vote for the president, not the VP.### 4. China's Stimulus Package: Bazooka or Firecracker?When it comes to global economics, China's recent $115 billion stimulus package, dubbed the "bazooka," is dissected. Tony finds the amount underwhelming compared to the U.S.'s multi-trillion-dollar stimulus efforts. Luke explains that while the amount may seem minuscule, the perception is that China is committed to bailing out its economy, which has been facing real estate issues and supply-demand imbalances. The discussion ends with a cautionary note that government bailouts often make things worse in the long run.5. Childhood Dreams: From Fighter Pilots to Watch ReviewersIn a lighter segment, the hosts reveal their childhood career aspirations. Luke initially wanted to be a banker, later dreaming of becoming a quantum physicist or biomedical engineer. Tony aspired to be a fighter jet pilot, sharing an inspiring story of meeting a real-life Blue Angels pilot at a wedding. Diamond Hands D kept it simple, initially wanting to be a professional basketball or baseball player. Today, he dreams of starting a YouTube channel to review luxury watches.Final ThoughtsThis week's Capitalist Investor episode is a rollercoaster of economic insights, global political analysis, and personal anecdotes. Whether it's the implications of labor strikes, the destabilizing effects of Middle Eastern conflicts, the nuances of political debates, or the financial strategies of global superpowers, the hosts cover it all with their signature

Shawshank Redemption. Escape From Alcatraz. Cool Hand Luke. Hollywood has given us some great movies about escaping from prison. But no one does a prison break better than God. Today, Ron takes us to Acts chapter twelve, where Herrod Agrippa the First kills James and throws Peter into prison. That story and more come your way next, as Ron continues his teaching series, “AD: Acts of the Apostles.”  --- Support this podcast: https://podcasters.spotify.com/pod/show/something-good-radio/support

Join us for the second episode of Incarceration month where we discuss Matt's pick of Cool Hand Luke and answer questions like:What's your favorite Newman's Own dressing?Are there elves in this movie?andHow many eggs could you eat?Learn all about Quad Pro Quo at: https://linktr.ee/quadproquopod

Welcome back, listeners! This week's episode of the Capitalist Investor featured Diamond Hands Derek and Cool Hand Luke, who took the current chill in the air as an opportunity to dive into the intricacies of financial planning. With football season casting a refreshing aura around, Derek and Luke expertly weaved through essential components of financial planning. Here are the five hot topics they discussed on this episode — Episode 9-11.1. Lower ReturnsThe cornerstone of any financial plan is understanding and anticipating returns. Derek highlighted the importance of incorporating lower-than-historical returns in your financial projections. Historical returns aren't necessarily indicative of future performance, particularly given the economic shifts over the past decade. Derek mentioned that their blended rate of return is currently around 5.15%-5.2%, compared to historical rates in the range of 6.5%-7%.2. Bear Market ScenariosOne of the key elements of a robust financial plan is preparing for potential bear markets, especially the one that could coincide with your retirement year. As Derek noted, nobody wants to face a 20-30% portfolio dip right when they retire. By running simulations that include bear market conditions, financial advisors can help determine how resilient your plan is against market downturns, ensuring that you won't have to go back to work or drastically alter your living standards during retirement.3. Social Security CutsSocial Security is a significant topic, especially considering its current uncertain future. Luke and Derek underscored the importance of planning for potential Social Security cuts. While it's not certain if and when Social Security will be reduced, anticipating a potential 25% cut can prepare your financial plan to withstand such scenarios. The key takeaway was to not solely rely on Social Security for your entire retirement income.4. Higher TaxesNo financial plan is complete without considering the impact of taxes. Derek pointed out that the government's spending habits make higher taxes a likely future scenario. Building your retirement plan around current tax rates may give you an overly optimistic outlook. Running scenarios with higher taxes will provide a more realistic view of your future financial landscape and help you in strategizing moves to mitigate future tax burdens.5. InflationInflation has been a trending topic this year, and its impact on financial planning is substantial. From 2007 to 2020, inflation was relatively benign, averaging around 2.2%. However, recent spikes mean that inflation rates need careful attention. Derek emphasized using a reasonable inflation rate, currently about 3%, to forecast long-term financial requirements accurately. Additionally, Luke highlighted keeping an eye on unused cash and its returns, stressing that today's higher return rates on cash are unlikely to last forever.These five hot topics encapsulate critical considerations for anyone serious about financial planning. By examining lower returns, bear market scenarios, potential Social Security cuts, higher future taxes, and inflation, Derek and Luke provide a comprehensive guide to ensuring your financial plan is resilient under various conditions. Whether you're nearing retirement or just starting your financial journey, these insights offer a roadmap to navigate the uncertainties of the financial landscape.Stay tuned for more expert advice in upcoming episodes of the Capitalist Investor. If you have any questions or topics you'd like Derek and Luke to cover, don't hesitate to reach out at @swpconnect.com. Until next time, keep those financial strategies sharp!

What happens when famous actors go fast? Not just Cool Hand Luke. Also Tom Cruise, Patrick Dempsey, and many others, including that one guy I can't remember from that one show. (You know—that dude with the hair and the face?) Spoiler: There is crashing! But that's not the point. Ross has coached Hollywood celebrities. Jeff once worked with Paul Newman himself. Plus, we dip into the weird and wonderful story of the 1977–2016 Long Beach Toyota Pro/Celebrity Race. Which was basically Formula 1, except the part of Max Verstappen was played by Carlton from “The Fresh Prince of Bel Air.” This show's format rotates weekly, because squirrel. We call this format “Ross Teaches Sam a Thing.” Related Trivia: Jeff and Sam were at the VIR IMSA race last weekend, working and slapping INTC stickers on children and livestock. So many people found us in the paddock to share how much they enjoy this show! Thank you—we really enjoyed meeting all of you! (Except you, Tom from South Dakota. You know what you did.) This episode was produced by Mike Perlman. ** Support It's Not the Car: Contribute on Patreon ⁠www.patreon.com/notthecar⁠ ** Topic suggestions, feedback, questions? Let us know what you think! ⁠⁠INTCPod@gmail.com⁠⁠ ** Check out Sam's new book! ⁠⁠Smithology: Thoughts, Travels, and Semi-Plausible Car Writing, 2003–2023⁠⁠ ** Where to find us: ⁠⁠⁠⁠⁠https://www.instagram.com/intcpod⁠ ⁠https://www.instagram.com/j.v.braun/⁠ ⁠https://www.instagram.com/rossbentley/⁠ ⁠https://www.instagram.com/thatsamsmith/⁠ ⁠⁠https://www.facebook.com/INTCpod⁠ ⁠https://rossbentley.substack.com/⁠ ⁠https://speedsecrets.com/⁠ ⁠https://www.facebook.com/Drivercoach⁠ ** ABOUT THE SHOW: It's Not the Car is a podcast about people and speed. We tell racing stories and leave out the boring parts. Ross Bentley is a former IndyCar driver and an internationally renowned performance coach and author. Jeff Braun is a championship-winning race engineer. Sam Smith is an award-winning journalist and a former executive editor of Road & Track magazine. Together, we explore the emotion at the heart of the machine. We don't love racing for the nuts and bolts—we love it for what it asks of the bag of meat at the wheel. New episodes every Tuesday.

In this episode of Capitalist Investor, hosts Tony Tiger and Cool Hand Luke dive into a range of engaging and at times provocative topics affecting today's financial landscape. Here are the five hot topics they discussed:1. Government Officials and Tax InefficiencyTony and Luke explore the apparent disconnect between government officials' personal tax strategies and the tax policies they advocate. They highlight a detailed investigation into Vice President Kamala Harris's tax returns, revealing an approach that's surprisingly conservative and, perhaps, inefficient. They contrast this with the far more aggressive financial tactics of other politicians, like Nancy Pelosi, raising questions about who genuinely understands and practices effective tax planning among public officials.2. Insight into Kamala Harris's Financial StrategiesThe hosts unveil the financial strategies, or lack thereof, employed by Vice President Kamala Harris. Despite her high income and notable book sales, her tax returns suggest she's very conservative with her money, keeping large sums in low-interest bank accounts. Tony and Luke question her lack of engagement in more tax-efficient strategies such as retirement accounts and tax-deferred investment vehicles, sparking a broader debate on whether this conservative approach is a lack of financial savvy.3. The Role and Impact of IRS AgentsLuke and Tony ponder the efficiency and necessity of the recent hiring spree at the Internal Revenue Service (IRS). They argue about the return on investment for employing large numbers of IRS agents dedicated to hunting down tax evasion. Their dialogue raises issues such as the overall effectiveness of this approach and whether it justifies the significant governmental expenditure.4. The Philosophy of Minimal Government OversightA significant portion of the episode is dedicated to discussing the ideal size and role of government. Luke articulates a classic liberal viewpoint, advocating for more power to the states and smaller federal government. He criticizes the federal government's pervasive influence on individuals' financial lives, arguing that a more localized form of government could lead to more efficient and effective governance.5. Strategic Financial Planning for the FutureFinally, Luke and Tony discuss the importance of strategic financial planning, especially in the context of increasing government control and changing tax policies. They emphasize the necessity of thinking long term rather than just seeking immediate tax savings. Various strategies are mentioned, including Roth conversions and the potential impact of reverting to older tax regulations, underlining the hosts' belief in the importance of proactive, informed financial decision-making.In summary, this episode underscores Tony and Luke's perspective on the intersection of government policy and personal finance, highlighting how political actions and decisions could affect individual financial strategies. They encourage listeners to be their own ‘Chief Executive Officer' of their finances, to think critically about who they seek financial advice from, and to remain vigilant about future changes in the financial landscape.Stay tuned for more episodes of Capitalist Investor for insightful discussions on how to navigate the complexities of today's economic world.

Welcome back, Capitalist Investor listeners! In today's episode, Tony the Tiger and Cool Hand Luke dive deep into some compelling economic topics that are sure to spark your interest. Here's a recap of the five hot topics discussed in this episode.1. Inflationary Fears and Presidential PoliciesThe primary focus of today's episode centers around a unique debate: Who would be more inflationary as President, a Democratic administration led by Kamala Harris, or a Republican administration under Donald Trump? Luke introduces a contrarian take, suggesting that a second Trump administration might actually be more inflationary than most people would assume. His theory hinges on assumptions that both parties will continue to spend large sums of money and that we may be facing tougher economic conditions in the near future. 2. Fiscal Policy and Deficit SpendingTony and Luke discuss the current state of fiscal policy, agreeing that both major political parties have drifted away from fiscal conservatism. Both Democrats and Republicans are engaging in deficit spending, which has significant implications for inflation and the overall economy. They argue that even under different leadership, the trend of spending is likely to continue, contributing to the inflationary environment.3. Taxation and Economic GrowthThe duo dives into the impact of tax policies on economic growth. Tony emphasizes how a lower tax environment, as advocated by Trump, could spur economic activity, leading to a more robust economy but also potentially driving up prices. They discuss how reducing corporate taxes can result in greater economic productivity and increased tax revenues in the long run, despite the lower rates. This was illustrated during Trump's first term when tax revenues grew even with lower tax rates.4. Short-term vs. Long-term Economic EffectsLuke and Tony touch on the complexity of how fiscal policies affect the economy in both the short and long term. While free-market capitalism tends to drive down prices due to competition over time, pro-growth policies often lead to short-term price increases. Luke points out that in the immediate future, stimulating the economy through tax cuts and deregulation can lead to higher inflation, which might be necessary if deflationary pressures emerge during an economic downturn.5. Addressing Socio-economic EquityIn a related discussion, the hosts examine the socio-economic policies that differentiate a Harris administration from a Trump administration. Tony criticizes policies aimed at redistributing wealth, arguing that they stifle economic incentives and could ultimately be detrimental to a capitalist economy. Luke adds that while such policies might sound appealing, especially to those on the lower socio-economic rungs, they could lead the country toward a more socialist or even communist economic structure.In conclusion, today's episode of Capitalist Investor was packed with thought-provoking discussions about the interplay between political leadership, fiscal policy, and economic outcomes. As always, the opinions expressed are meant to provide educational insight into the financial industry. Feel free to reach out with any questions or show ideas at info@connect.com.Stay tuned for more insightful discussions in our upcoming episodes!

In this episode of "The Capitalist Investor, hosts Derek ("Diamond Hands D") and Luke Lloyd ("Cool Hand Luke") discuss various aspects of financial planning, focusing particularly on taxes and 401(k) plans. With Tony absent, the duo ensures his favorite segment, the "Planning Corner," continues to deliver valuable insights.The discussion kicks off with an overview of tax payment strategies, such as making quarterly estimated payments to avoid end-of-year surprises. Luke emphasizes the importance of planning ahead to make the most of the interest earnings from delayed tax payments, especially in a high-interest environment.The conversation then delves into the broader implications of taxes on wealth creation, highlighting how tax obligations can delay retirement and discussing the potential impact of Social Security on personal finances. Luke and Derek express skepticism about the long-term sustainability of Social Security and speculate on the future role of Universal Basic Income (UBI).Towards the end, they tackle one of the most frequently asked questions about 401(k) contributions: whether to opt for a Roth or a traditional 401(k). Luke advises that the decision is highly personalized, varying based on expected future income levels and potential tax scenarios.In summary, the episode provides a comprehensive look at tax strategies, the impact of Social Security, and considerations for 401(k) contributions, urging listeners to adopt a long-term financial plan tailored to their unique circumstances.

In episode two of the Paul Newman arc, Zach and Ben dive into one of his most revered performances as the charismatic prisoner Lucas Jackson. A significant amount of time is spent on the film's themes and the importance of Newman's performance. It is certainly one for the history books Instagram-@TheMovieVaultPod Email us- themovievaultpod@gmail.com This episode is brought to you by Hedman Anglin Agency. Contact them at 614-486-7300 for your home and auto insurance needs. If you do contact them, make sure to tell them that Ben and Zach sent you! Visit their website for more information at www.HedmanAnglinAgency.com

Join Kenny, Kyle, Doolin, and Max as we recap, review, and rank our 6th movie list for Board Game Box Office! Manchester by the Sea, Cop Car, The Usual Suspects, Big Fish, Cool Hand Luke, Taxi Driver, Kiss Kiss Bang Bang, & Gone in Sixty Seconds! We also talk board games like Arcs, and more! —————

Ohohoho it's getting sweaty over here! On this episode we are joined by Ryan and Katie from The List to chat about Cool Hand Luke. Perhaps the defining prison film of the New Hollywood era, Paul Newman's megawatt star power is put to perfect use as the ultimate lovable loser. We had a ball making the episode and what emerged was more or less a complete exegesis on this multifaceted Christian allegory. Except, you know, funny. Topics include: podcasting while married, slang words in West Side Story, and Dennis Hopper's distracting background work.

Andrew Nette, El Goro, and Mike have no failure in communicating about  Stuart Rosenberg's 1967 film Cool Hand Luke.  The film stars Paul Newman as the titular Luke.  He's a former war hero who cuts the heads off of some parking meters and gets tossed onto a chain gang for his crimes.  We discuss the film and the book as well as highlighting some of Rosenberg's other directorial efforts. Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

Andrew Nette, El Goro, and Mike have no failure in communicating about  Stuart Rosenberg's 1967 film Cool Hand Luke.  The film stars Paul Newman as the titular Luke.  He's a former war hero who cuts the heads off of some parking meters and gets tossed onto a chain gang for his crimes.  We discuss the film and the book as well as highlighting some of Rosenberg's other directorial efforts. Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

As the world of finance continuously evolves, investors and enthusiasts alike are often left navigating a labyrinth of strategies, trends, and noteworthy events. This week's episode of the 'Capitalist Investor' podcast, featuring Tony "The Tiger," Cool Hand Luke, and Derek "Diamond Hands D," dissected a combination of meme stock phenomena and the excitement surrounding the PGA Championship. Let's delve into the five hot topics they covered.1. The Resurgence of Meme StocksThe episode kicked off by touching upon the resurgence of meme stocks such as AMC and GameStop. Luke elaborated on how these stocks are experiencing another wave of investor interest, driven by the fear of missing out (FOMO). However, he expressed skepticism about the longevity of this trend, noting the differences in economic conditions compared to the initial surge during the COVID-19 pandemic. The panel agreed that while the excitement is palpable, the sustainability of these astronomical rises is questionable, given current market conditions and the reintegration of job stability for many potential investors.2. Market Sentiments and the Fear of Missing OutTony and Luke discussed the broader psychological impact of these meme stock rallies on the market. The sentiment of FOMO is powerful but also dangerous. Investors, especially retail traders, are driven by the desire to capitalize on seemingly easy profits, even though similar past events have often ended in steep declines. The question remains whether this enthusiasm is a sign of a healthy market or a precursor to potential downturns, as speculative bubbles tend to burst unpredictably.3. Institutional Versus Retail TradersThe conversation segued into the dynamics between institutional investors and retail traders. Luke pointed out that institutional investors generally engage in these stocks on the short side, while retail traders attempt to inflate prices. However, the possibility of institutions partaking in these trades was scrutinized. The hosts highlighted that unless these retail traders start making substantial, profitable operational changes within these companies, it's hard to see institutional investors diving in for long-term gains.4. The Economic Climate and Market BehaviorA significant concern raised was the impact of inflation and the overall economic climate on these trading behaviors. With inflation eroding disposable income, there's a likelihood of reduced participation from retail investors. Also, stimulus checks that fueled earlier trading booms are no longer in play, offering a stark contrast to the earlier scenario that drove meme stock prices sky-high. As Tony pointed out, people might be taking significant risks out of desperation, an indication that broader economic troubles could be brewing.5. PGA Championship and Golf Betting InsightsShifting from Wall Street to the greens, the crew rounded off the episode by discussing their golf picks for the upcoming PGA Championship at Valhalla. They analyzed the competition, going through favorites like Rory McIlroy and John Rahm while also giving a nod to dark horses like Gary Woodland and Patrick Reed. Derek especially had his eyes set on Bryson DeChambeau and Brooks Koepka, while Luke was intrigued by Colin Morikawa's potential. This light-hearted segment brought a refreshing contrast to the intense financial discussion, appealing to listeners with a penchant for golf betting.This episode of 'Capitalist Investor' offered a rich tapestry of insights into the volatile nature of meme stocks, the psychology of market behavior, and even some friendly banter on golf. As always, it left listeners with valuable takeaways, reminding them to approach market trends with caution and a critical eye, whether dealing with meme stocks or placing bets on their favorite golfers.Re

On December 30th, I hosted a webinar called “How Professional Screenwriters Overcome Writer's Block” and I talked about why story structure is so important in getting past this block. This episode addresses questions you asked in our Q&A session that we didn't have time to answer. There's lots of great info here, make sure you watch.Show NotesA Paper Orchestra on Website: - https://michaeljamin.com/bookA Paper Orchestra on Audible: - https://www.audible.com/ep/creator?source_code=PDTGBPD060314004R&irclickid=wsY0cWRTYxyPWQ32v63t0WpwUkHzByXJyROHz00&irgwc=1A Paper Orchestra on Amazon: - https://www.amazon.com/Audible-A-Paper-Orchestra/dp/B0CS5129X1/ref=sr_1_4?crid=19R6SSAJRS6TU&keywords=a+paper+orchestra&qid=1707342963&sprefix=a+paper+orchestra%2Caps%2C149&sr=8-4A Paper Orchestra on Goodreads: - https://www.goodreads.com/book/show/203928260-a-paper-orchestraFree Writing Webinar - https://michaeljamin.com/op/webinar-registration/Michael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Newsletter - https://michaeljamin.com/newsletterAutogenerated TranscriptMichael Jamin:Everyone wants to be a showrunner, which is again, why it's so freakingMichael Jamin:Hard. I want to make all the decisions, but you don't know based on what youMichael Jamin:Don't know what you're doing. Why would you want that? Is it an ego thing you want to tell people you're a showrunner or don't you want to learn? Do you assume? When I was starting off, I didn't want to be a showrunner for 10 years. I didn't want to be a show runner. Like, this is a hard job. I don't know how to do it.Michael Jamin:You are listening to What the Hell is Michael Jamin talking about conversations in writing, art, and creativity. Today's episode is brought to you by my debut collection of True Stories, a paper orchestra available in print, ebook and audiobook to purchase and to support me in this podcast, please visit michael jamin.com/book and now on with the show.Michael Jamin:Hey everyone, welcome back to another episode of What the Hell is Michael Jamin talking about? Well, we're doing another q and a from one of our webinars and my special guest host is Kevin Lewandowski, script coordinator extraordinaire. He helps out with a lot of my projects, social media projects here and he's subbing in for Phil and he's doing a great job. So welcome Kevin.Kevin Lewandowski:Thank you again for having me.Michael Jamin:You screwed it up. You already screwed. No, I'm only messing with you. You're doing great. Thanks.Kevin Lewandowski:Yeah, I'm not going to apologize for not being Phil anymore, so fair Phil. But no, I'm happy to be here and this how professional screenwriters overcome Writer's Block is one of my favorite topics to talk about. Oh good. So I think it's super, super interesting and there's been, when we dive into it, I'll say my favorite line that you always say that just unlocked the excuse sometimes we use for when we have writer's block.Michael Jamin:I'm curious to know what your favorite line is.Kevin Lewandowski:Alright, I have so many Michael Jainism that I think my all time favorite is Shit Happening is not a story.Michael Jamin:By the way, we have that on merch now, guys. Yeah, we do. We got merch and you can go get it@michaeljamin.com/merch where all the crazy things that I say, you can get it on a on mug or a notebook or whatever. We got merge. Go get it. I should have plugged it before, but I forgot. But anyway, these questions came from our last webinar that we did and if you're not on my webinar list, sign up for it's free. Go to michael jamin.com/webinar and you can sign up. You can be invited when we do our next one. And so yeah, Kevin, we had a lot of questions people asked. We didn't have time to get all the questions answered and so here they are nKevin Lewandowski:Here we go. These first couple of questions are going to be about kind of course related stuff. So this first one is from David Zilo. I feel like we see his name a lot. I feel like he comes to these webinars a lot and ask a lot of questions. The question is, how does the story structure change when say a character does not, cannot achieve a goal in the tragic story, for example,Michael Jamin:Doesn't change at all. It's the same old story structure that we use. Whether the character achieves their goal at the end or not, it's the same damn thing.Kevin Lewandowski:Yep.Michael Jamin:The guys you're just asking, he's just asking at the end, what if the last two minutes are different, so what? Nothing.Kevin Lewandowski:Yeah, I think it's always more interesting for me when that character doesn't achieve their goal. I think the breakup with, but yeah, Vince v and Jennifer Ston, they don't stay together in the end. No. It's one of the few rom-coms that I think they decide to go off the beaten path and not haveMichael Jamin:Them end often. We call this the joyful defeat in a movie or the character doesn't get what they want, but they get what they need. Yeah.Kevin Lewandowski:Next question, Rob. Robert, when is the latest the stakes should be made clear?Michael Jamin:The sooner the better because the story does not start until the audience knows what's at stake. And so until then you're boring them and you're daring them to change the channel or read another script or do something else with their time. So the sooner the better, and that's a note you'll get from a network executive. They'll always say, can we start the story sooner? And so wherever you have it, they'll give you that note. If it's on page four, they'll say page two.Kevin Lewandowski:In your experience, is there a realistic, for instance, if they were like, oh, it's on page three, we need it on page two, have you ever run into We just can't. We need a little bit of room to be able toMichael Jamin:SetKevin Lewandowski:SomethingMichael Jamin:Up. Absolutely. And so you'll move it up a little bit, but sometimes there's only so much you can do.Kevin Lewandowski:Yeah. But yeah, like you said, they'll always say, oh, can we start this sooner? Yeah, we'll take a look at it. We'll take a look at that. Coley Marie, can the goal change or appear to change?Michael Jamin:Yeah. Yes. And often it sometimes will. It's like because something happens and what the character thought they wanted is not what they want anymore. So yeah.Kevin Lewandowski:So how do you feel about, because sometimes it's, is there a fear of if you start writing it too much of a change, can it almost feel like, oh, okay, now we're following a different story to,Michael Jamin:It usually happens kind of like an act top of act three with the character discoveries. This thing that I wanted turns out I don't really want any. I got what I thought I wanted and it's not what I want. So that's usually late in the script.Kevin Lewandowski:Yeah. So you're saying in top of act two, if they wanted to,Michael Jamin:It wouldn't be top ofKevin Lewandowski:Act ride a pony at the end of act one. Top of Act two should be like, well, I want to win this prize at the CarnivalMichael Jamin:Now. Yeah, top of act two is one. Well, this is what we teach in the course. What tab of Act two would be, so yeah,Kevin Lewandowski:Arius Kennedy. So should we avoid high stakes conflicts?Michael Jamin:No. The higher stakes are good. High stakes are good. Higher the stakes are better. You want to avoid low stakes conflicts.Kevin Lewandowski:Yeah, low stakes conflicts are not that interesting. Heather Marie, vital, how do we find conflicts for TV shows with main characters without getting stale? That's kind of the job of a writer.Michael Jamin:Yeah, that's right. That's exactly, that's the job without getting stale, it's like, and again, this is not her concern. Concern. Your concern is to do it once and then let's a showrunner worried about it getting stale. Right now your job is to write one great scriptKevin Lewandowski:Are Barry, when it comes to an episodic show, there's the overall show conflict and then the mini conflicts of the episodes. So I'm assuming they're talking about, there's the A story, the B story, the C story,Michael Jamin:Or maybe they're talking about the overall arch of the show. I'm watching Show Gun right now and I'm only on episode one, so it seems like the overarching stories, how is this one? I dunno if he called the futile Lord going to maintain his position in the kingdom, but within each episode he has a challenge that he has to overcome, so to make that larger prop goal happen.Kevin Lewandowski:Meg Parker Wilson, when you are writing a TV show, do you plot out the entire story pilot to finale and then create all those moments episode by episode in terms of the arc and the structure?Michael Jamin:No, it's too much work. It's too difficult. What you really, and again, this is not something that she needs to worry about, but maybe she's just asking me out of curiosity, we'll come up with a pilot and we'll have that pilot broken. We know what that story is going to be and then we have a vague idea of what season one might be. But I'm talking vague, just enough to bullshit our way through this because it'll change when we're breaking the story. As we discover writing and digging into the character, we'll discover something that might be better. So what are we going to do? Not do it just because we said we were talking out of our ass that this other thing was going to be better,Kevin Lewandowski:Right? Yeah. I think Vince Gilian, creator of Breaking Bad, I think he says something very similar. Yeah, we kind of have an idea, but part of going through different story ideas is you discover stuff along the way. Jesse Pinkman was only supposed to be four or five episodes, and then now they realize how much chemistry those two characters had. And could you imagine, would that show have worked if they would've killed off Jesse Pinkman? Because they said, well, we said our pitch, we have to kill em off after five episodes. We have to stick with that.Michael Jamin:I'm always surprised that people don't know that and they're worried about breaking the entire series. It's like, but breaking one episode of television when I'm talking breaking, figuring out what the story is and writing the outline in the script is so much work. How could you possibly do all that in advance and you have a team of writers doing all that work.Kevin Lewandowski:Yeah. Yeah. It's interesting. Sometimes you'll see people that'll talk about, yeah, I have this TV series I wrote and I have the first eight episodes done, and I'm like, oh, that's a lot to do withMichael Jamin:No theyKevin Lewandowski:Don't. One person,Michael Jamin:They really don't. They might have enough for one episode and they broke it up into eight episodes. They don't know any better. That's very common. I thinkKevin Lewandowski:I remember there's another example on friends that one of the writers was talking about. It's probably one of the more iconic moments of the whole series is when Ross is getting married to Emily and Rachel shows up and he ends up, he accidentally says Rachel's name, I Ross take the Rachel. And the writer was saying that wasn't anything we would've ever thought of. It was one day we were rehearsing or something like that. And he accidentally said the wrong name. And as writers, we all laughed and we thought that's super funny. He was like, we had the aha moment of like, oh, we need to include this. And that little moment had so much of a change for the rest of the series. Now it turned into, well, Emily will make them now. Okay. It's clear that Ross is still in love with Rachel and Emily. She's only going to come to New York if Ross stops talking to Rachel. So it was just that little moment of discovery and what would that scene or storyline have been if Ross married EmilyMichael Jamin:And they discovered that by accident and rehearsal and what are you going to do not do with this and that, that moment everyone gasped in the audience and people at home gasped. So what you not going to do it?Kevin Lewandowski:Yeah, and I don't think in their pitch they're like, okay, season five we're going to have Ross marry this British girl, but when he is actually up there, we're going to have him say Rachel's thing. It was just discovery.Michael Jamin:You don't think that far in advanced. You can't. It's too much work.Kevin Lewandowski:Let's see. So this next question from Sarah, there's a bit of terminology from your course, so I'm going to not use that terminology, but does the end of act two have to be in direct relation to the conflict with the introduced in the first act? Can it be attributed to a different relationship conflict?Michael Jamin:No, no, no. Pretty much no. If you're telling one story that's your A story or your act two break to be on the A story. If it's coming out of nowhere and it's like, what's this? It's not going to feel earned. It's going to be like, what's going on?Kevin Lewandowski:Rob, Robert again, how do we make funny? Because it can be so subjective.Michael Jamin:Yeah. One thing I say is in my course, I can't teach you how to be funny. I can maybe teach you how to be a little funnier. I could give you tips that will help you be a little funnier, but if you're not funny, I can't help you be funny. It's okay. You can write drama. There's plenty of work for drama writers and just write what you're really good at. But it is a little heartbreaking. I see sometimes when people, I want to be accommodator, but you're not funny, so you don't have that in you. That's okay. Write some other stuff. Drama's great too.Kevin Lewandowski:Yeah. One of my other favorite things you say, and this wasn't the one I was talking about earlier, is you have to find new ways to say old things in a funny way. Yeah. Every version of a joke has been told to a degree. So how do you make it relevant to today and your story and your characters and make it so it hasn't been heard that way before.Michael Jamin:You know what though? I just got an email from, I don't know how I'm on this list, whatever. I got an email from a writer and she's doing a public appearance and she said, come see me the headline, come see me. I don't bite. And I'm like, oh God, you're supposed to be a writer. Don't tell me you don't bite. That's so unoriginal. That's so clammy. That's not something a writer should ever say. Find a new way to say, I don't bite. I was so unimpressed. I was like, oh God, you just embarrass yourself. Don't do that. You're a writer. You have to find a new way to say old things.Kevin Lewandowski:Yeah. Okay, so these are kind of more craft related questions, Nathan Shapiro, what are the rookie mistakes you see new writers making both in writing as well as from the business side. What is something you wish you had known when you were starting out? And then part two, which I think this is actually part three, do all supporting lead characters need an obstacle and goal? Or is it sufficient that they're simply there to facilitate the main hero's journey?Michael Jamin:This guy's gotKevin Lewandowski:Questions. We'll split this up. So the first part was what are the rookie mistakes you see new writers making both in writing as well as from the business side.Michael Jamin:I mean, a rookie mistake in the writer's room is what we call when they bitch instead of pitch. The expression is pitch, don't bitch. So it's very easy for a new writer to shoot down an idea in the room without having a better one because it's hard to come up with a better one. So that's a rookie thing. I don't care if the idea on the table is bad, if you don't have a better one, shut up because it's what are you there for? You're not a critic. Your job is to make it better, not to say this is bad. AndKevin Lewandowski:Also don't defend your joke if the showrunner doesn't think it's good. If you put something, they're like, ah, I don't really know. Okay, that's it.Michael Jamin:Don'tKevin Lewandowski:Fight for it. Don't just let it go. Think of a better one.Michael Jamin:What was the other question?Kevin Lewandowski:So the next one is, what is something you wish you had known when you were starting up?Michael Jamin:Well, to be honest, everything that I teach in the course, I didn't know any of it.Kevin Lewandowski:Yeah, I think it's just, yeah, I mean, again, Michael's course has unlocked a lot for me and someone that's not a very intelligent person, he really simplifies it.Michael Jamin:Yeah, make it easy.Kevin Lewandowski:It's easy to understand. I don't understand the terminology of progressive complications and sight incidents, all that stuff. IMichael Jamin:Don't understand it either.Kevin Lewandowski:Any sense to me? I won't tell you what the terms are that Michael uses. You'll have to take this course, but they're much easier toMichael Jamin:Understand. Yeah, I think writing should be simple. It's not easy, but it's simple.Kevin Lewandowski:And then the last part of this question, do all supporting lead characters need an obstacle and goal, or is it sufficient that they're simply there to facilitate the main hero's journey?Michael Jamin:Well, often they are an obstacle in the main hero's journey. Sometimes if you don't give 'em too much to play, they can be the Greek chorus, but generally every character in a scene has to have an attitude on something, and if they don't wire in the scene, if they don't have, they're not just there to stand around. Yeah.Kevin Lewandowski:So do you also think when in the context of the story structure that you teach in your class, those B stories that aren't necessarily as emotionally empowering as what the A story is, do you think it should still follow all those structure points or just enough or doesn't really matter?Michael Jamin:No, a b story doesn't carry the same emotional weight as the A story. So it doesn't actually have to carry, it doesn't have to be structured the way an A story is, but stuff does have to happen and it can't be random. It has to be on that story that we're following.Kevin Lewandowski:Okay. Next question. If it's an ensemble cast, like Orange is a new black or stranger things, does each character have to have a stake or only a main character? So very similar to thisMichael Jamin:Question. Yeah, usually you're following. I mean, I haven't watched Stranger Things in a long time. Maybe they have two or three running storylines in each episode. I don't know. They probably do.Kevin Lewandowski:Who is the hero in horror movies like Friday the 13th? Is it Jason or the person who survives at the end?Michael Jamin:Well, you're not rooting for Jason. You're not rooting for him to murder everybody. And again, I haven't seen those Friday the 13th movies, but you're rooting for the person in the summer camp.Kevin Lewandowski:Michael. Is there such thing as an anti-hero?Michael Jamin:Yeah, of course there is, and I talk about that, but the problem is I think it's unnecessarily complicated. What's interesting, an anti-hero and a hero. Why don't you just call it a hero and make it easier on yourself? Oh, because your anti-hero is a little bit unlikeable or a little bit dirty or villainous. Well, that's okay. There's still a hero.Kevin Lewandowski:I think there was an example you used of if you're writing something about the devil, him being what we all think the devil is, that's not interesting. You make him where he has compassion with some things and you give him layers like Sopranos. You talk about the example as well, and I think it's those villains are, they're the hero in their own story. We may not agree with it. They're the hero in their own story though. Yeah,Michael Jamin:I think Tony Swan, I don't think he's an anti-hero. I think he's a hero.Kevin Lewandowski:Okay, next question. Do you have to know the end when you start the story? Can it change?Michael Jamin:And often it does. You'll get often it does. Often it does, but usually when we're breaking a story on the board in the writer's room, no one sent off to outline or script until we know what the ending is. But it's not uncommon to get a draft back and you go, you know what? This ending isn't working. Let's figure out a new Act three.Kevin Lewandowski:And in your experience, do you think for something like the ending doesn't feel right, do you think that was potentially because it wasn't broken in the best way? Or do you think the writer didn't maybe necessarily deliver the dialogue the right way?Michael Jamin:Well, often problems in act three requires solutions in Act one. So in other words, it wasn't set up right. The ending wasn't set up early, and so it's unusual to say, okay, all we have to do is fix Act three. No, you got to fix all of it.Kevin Lewandowski:And that's when you have the really late nights and you do dinner in the writer's room, which everyone hates when that PA comes around is All right. What does everyone want for dinner?Michael Jamin:Yep.Michael Jamin:You are listening to What the Hell is Michael Jamin talking about? Today's episode is brought to you by my new book, A Paper Orchestra, A collection of True Stories. John Mayer says, it's fantastic. It's multi timal. It runs all levels of the pyramid at the same time. His knockout punches are stinging, sincerity, and carcass Review says Those who appreciate the power of simple stories to tell us about human nature or who are bewitched by a storyteller who has mastered his craft will find a delightful collection of vignettes, a lovely anthology that strikes a perfect balance between humor and poignancy. So my podcast is not advertiser supported. I'm not running ads here. So if you'd like to support me or the podcast, come check out my book, go get an ebook or a paperback, or if you really want to treat yourself, check out the audio book. Go to michael jamin.com/book, and now back to our showKevin Lewandowski:From Rachel. It helps to do homework before even writing. Yes. If you're new to fantasy, read some fantasy scripts or books first.Michael Jamin:Sure, a lot as much as you can, but I'd also ask you why you want to write fantasy then, if you've never read any or what's attracting to you, to you if you don't even know anything about it.Kevin Lewandowski:Next question. What's with the job titles that writers end up with? What do the different kinds of jobs actually cover?Michael Jamin:So there's different levels to writers. They're just ranks and in terms of how much it's big pay grades basically. So the lowest level writer is called a staff writer. Even though everyone, it's confusing because every writer on staff is a staff writer, but the lowest level writer has the title of staff writer. Then the next higher up is called story editor, then executive story editor, then co-producer, producer, supervising producer, co-executive producer, executive producer, the executive producer's the showrunner, and so they're the boss and everyone else. They're just different levels that determines how much you're going to get paid. Often it determines how much responsibility you have. If the showrunner leaves the room, often it's the co-executive producer who will run the room in their proxy or they'll do the set, they'll work on the set, they'll do whatever that's based on their experience. But in terms of job responsibilities, other than that, it's really up to the S to determine how much they want. Maybe they'll say if someone's a producer, they may let them go to the set on their own. I mean, it just depends on the showrunner, what they want them to do.Kevin Lewandowski:Yeah. One of the shows I worked on, I think we talked about this in the last podcast, Steve Rudnick, who wrote Space Jam and Santa Claus movies. He was a supervising producer on The Muppets, and he spent a lot of time on set and he really liked it. It's just fascinating to watch how those puppeteers canMichael Jamin:DoKevin Lewandowski:Their stuff. Next question from Steven. Can stream of consciousness work for screenwriting?Michael Jamin:Sounds terrible to me. I'm not a fan of stream of consciousness. I'm not really interested in reading your thoughts. If you're going to take me someplace, take me by the hand and lead me there. To be honest, just going to say it right now, I feel stream of consciousness is masturbatory. I feel like it's for yourself and no one else, but I could be. Someone else may enjoy it.Kevin Lewandowski:So when you say hold my hand, because I think there's also this, people sometimes assume, well, well, I don't want to put that on the page. It's just going to take a page. The audience will get, the audience will understand what I'm going for, and I think is there that fine line of figuring out, okay, what do I need to hold the hand of the audience through versus what do I think they're going to be able to pick up?Michael Jamin:Yeah. I like to write. When I'm writing, I like to check in with the audience, let 'em know. Yeah. When I say hold their hand, let them know. Remind them what's at stake here. This character wants, I'd like to just check. So it's not a mystery. Now, often that's the difference between sometimes you'll see a really smart writing, they won't kind of do that. They expect a little more of the audience. It just depends on what kind of show you're doing. If you're doing a broad silly show, you check in with the audience knowing that that's not what they're there for. They're there for something silly and fun. You got to keep checking in with them. But I just saw a zone of interest, which is really smart, and they didn't check in with the audience, and that might win. The Oscars a wonderful movie also. That's not a movie for the masses. I don't think it's going to be a movie that's a blockbuster. It was a great movie though.Kevin Lewandowski:What are the stakes of 2001 a Space Odyssey?Michael Jamin:God, I haven't seen it in forever. What were the stakes was the guy I am trying to remember. They went on a spaceship. They had a mission, but then the computer was sabotaging the mission and there was going to basically, I think the computer was going to kill them, basically take 'em on a mission that would kill them. Is that that I remember. So the stakes were life or death.Kevin Lewandowski:Those are pretty mistakes.Michael Jamin:And how do we defeat the computer? Who's the boss of the whole thing? How do we fool the computer? I believe that's what it was, right? It was a long time ago.Kevin Lewandowski:Yeah, it's been a while since I've seen that, and I guess if they don't, they die.Michael Jamin:I think so, yeah.Kevin Lewandowski:Next question. How would you recommend doing a man versus a system conflict, like perhaps is seen in Cool Hand Luke?Michael Jamin:Well, I mean, yeah, that was the whole thing. He wanted to get out of prison. They were trying to, and again, I haven't seen that in 10, 12 years. I don't remember. He was in prison and the system was trying to break him down. Right? That's like anything you escape from Alcatraz to the same thing. How do we get out of this prison? So yeah, but I'm trying to remember in Cool Luke, there was probably a face to the system. It wasn't like a system. I'm guessing it there was a warden or something, or there were other inmates who was the face of the system trying to remember. They called me off guard.Kevin Lewandowski:Yeah. So I was thinking about when you said I was Shawshank Redemption, and I think it's, yeah, there's the system, but then kind of the warden represents the system. In that context,Michael Jamin:There was the warden and then the warden's proxy, the guard, and there were definitely, it wasn't so much the system. They were faces of the system. Yeah.Kevin Lewandowski:Okay. Can the conflict be hidden from the hero? The hero thinks they want control money, but they really don't want to be alone because they were abandoned as a kid.Michael Jamin:Well, I mean, all of that is fine, but your hero is not going to want a hero. Wanting money is not a reputable goal. Who cares? So what your hero wants it sounds like, is companionship. If they're abandoned or or whatever. That's what they're really wanting. So yeah, I mean, all of that is fine, but I'm not sure why it's not hidden for the, yeah,Kevin Lewandowski:I think thinking about breaking bad, I think a lot of people would think, well, Walter White wanted money. No, that'sMichael Jamin:Not what he wanted. Walter White wanted to provide for his family. He was going to be dead soon, so it wasn't the money he wanted. What he wanted was very reputable. He wants to give his family something so they could live when he's dead to, because he can't provide for them. So it wasn't like he wanted a new Ferrari,Kevin Lewandowski:And I think that slightly eventually morphed into he just wants to maintain being powerful.Michael Jamin:Well, then it turned into something else. Then he went down this path of it was about power and control, and he went down that, but that was only seasons into it.Kevin Lewandowski:AI and equalizer for skill and creativity in this competitive era of artists?Michael Jamin:I don't think so. I think ai, I guess it's a cheat code if you want to be a writer, if you wanted to be a race car driver, you'd learn how to race, car drive, and you'd go to courses and classes and you'd be really good at shifting and all that stuff and understand the apex of a curve and how to attack a curve. Or I suppose you could get behind the wheel of a Tesla and put it on autopilot and you could just fall asleep. But why do you want to be a race car driver then if that's what you aspire to do? Do you just want to be a dummy in the wheel of the car?Kevin Lewandowski:I think one of the other things you always say too is AI may never be able to write true human emotion and never be able to really write what my personal stories have been my life. And I think until it can do that, I think we're fine.Michael Jamin:Yeah, we'll see. They're doing some, I guess, crazy amazing things, and I don't know. We'll see. But I'm not sure. I don't know why you or any other aspiring writer would want that. I would think you would want to root against that.Kevin Lewandowski:Oh yeah.Michael Jamin:I think, don't you want to write stories? Don't you want to be the author of the stories, don't you? Isn't that why you want to be a writer, to take what's inside of you and express it in a way that entertains people? Or do you want to be just the person who plugs the computer in the morning and say You're a writer?Kevin Lewandowski:And I think about the writer strike we all went through, and that was a huge topic of conversation, and writers took a sacrifice to stop this from happening to help protect writers that are going to be coming up. And I think it's probably going to be an ongoing battle for a while.Michael Jamin:Yeah, the world's changing fast. Yeah. Scary.Kevin Lewandowski:Yeah. Too fast.Michael Jamin:Yeah, too fast.Kevin Lewandowski:Is it possible to have two showrunners attached to one project, the creator of the show, and one more experienced showrunner?Michael Jamin:No. I mean, they're not going to be equal. I mean, I suppose anything's possible, but it's very unlikely. I've been on shows where someone, a younger writer created it and then they assigned a showrunner. And the showrunner on that one show, the showrunner was very gracious, and he included this young writer and a lot of the decisions, and it wasn't like he made it a partnership as best as he could, but at the end of the day, he was still the boss. Someone has to be the boss, but he was very gracious about how he treated this young writer and he really wanted to mentor him. But again, when you're a mentor, that means more than the other person.Kevin Lewandowski:And you and Seaver have run shows together, right?Michael Jamin:Yeah. But we're a partnership, so that's a little different. But this person is talking about one person created another one. Everyone wants to be a showrunner, which is again, why it's so freaking hard. I want to make all the decisions, but you don't know based on what you don't know what you're doing. Why would you want that? Is it an ego thing you want to tell people you're a showrunner or don't you want to learn? Do you assume? When I was starting off, I didn't want to be a showrunner for 10 years. I didn't want to be a showrunner. This is a hard job. I don't know how to do it. And then you get to the point in your career where it's like, it's either that or unemployment. So I'm like, all right, sign me up for showrunner.Kevin Lewandowski:What, even with that, the rooms I've been in, you just see how many meetings that the showrunners have to be in that aren't necessarily directly related to the writing and the story. It's costume stuff, it's hair and makeup stuff. It's set pieces. It's all these different things that they have the final, final approval on andMichael Jamin:And that's the easy part, all that stuffKevin Lewandowski:Breaking in. Any advice for being hired in a writer's room without coming up with an original show idea? Or do you have to bring an original idea to an interview?Michael Jamin:No, you don't have to. You can write a script on an existing show. You can write a great Game of Thrones spec script, and as long as the showrunner wants to read it and thinks it's great, you're hired.Kevin Lewandowski:Yeah. Do you think in today's world, from what I've heard, spec scripts sort of aren't really a thing anymore. Do you think a lot of that has to do with just because there's so much out there that if I'm like, here, Michael, here's a specs on whatever show, there's a real chance that I've never heard of the show.Michael Jamin:Yes, that's exactly, and that's why, that's why I think it's unfair. I mean, life is unfair, but that's why I think it's harder today than it was back when I was breaking in. Because you could write a spec sip on an existing show on er, and everyone knew what ER was. Yeah.Kevin Lewandowski:It's interesting too, because then I've heard you say this too before, if you're running whatever show and it's in season two or season three, and you're interviewing me and you read my original pilot, you're more like, well, this is great, but I want to know, can you write my show? That's what I want you for. Your original pilot is cool, has nothing to do with my show. I want to know. Can you write my show? Do you have the character's personalities down?Michael Jamin:And it's harder to create an original show, a pilot. It's much harder, I feel, than creating a spec script of an existing show. That's the days we live in. What are we going to do?Kevin Lewandowski:Yeah, I think that might've been all of our questions for right now, but I did want to say, so the one thing I always take away when we talk about this is when writers overcome writer's block, something you always say is Writer's block isn't really a thing for professional writers. You don't get to say, I'm going to go to the beach for three days and clear my head. And if you're really struggling with the writer's block, chances are you don't necessarily have the structure down to a point. And that'll help unlock a lot of problems for you. And that's what Michael scor teaches is those structure points and what you need to know. And I think there's little instances of writer's block where if I'm just kind of like I'm a little frustrated, go for a walk for 15, 20 minutes, and I live by a mall here in Glendale, and it wasn't too long ago, I remember I was walking and I was just thinking about something.I saw these two people, and it looked like it was a boyfriend and a girlfriend, and she had her Starbucks, and she was taking a picture of it, and someone bumped into her and she dropped it everywhere. And I just happened to see this interaction. And the guy, his reaction was kind of like, well, and I thought that was so fascinating because I was like, okay, what's the relationship between these two people? Because this is definitely not a first date. Because if it was a first date, he'd be like, oh my gosh, let me go get you a new one. And so then I was like, okay, so have they been dating for a while? Okay, then it's like, okay, well, if that was his reaction, has this happened so many times? He's just sick of her shit, always posting it to Instagram. He's like, I told you this was going to happen.And then I start kind of building this story in my head of what if this is her moment where she's like, I'm going to break up with you. This is bullshit. You're laughing at something bad. That happened to me. And I remember coming back to my apartment that day, and I felt like more just relaxed and calm. I saw this live event unfold that I don't think anyone else was watching, but I just happened to see this unfold. And I don't think that was anything I could have really written. I think I would've wrote like, oh, she drops it. He picks it up. He wants to impress her because he wants to get laid later. But his reaction was like, yeah, I told him this shit happens all the time. Stop taking pictures. Just drink the damn coffee.Michael Jamin:Yeah, it's good. You're observing. That's what you should be doing.Kevin Lewandowski:It's good. When I worked at a theme park,Get a lot of material there from people, a lot of different personalities, I used to jot down a lot of stuff I used to see and just how people would interact. And it's nice to, when you kind of feel those moments of writing and you're kind of stuck, go back to those notes you took in that can help unlock something. I know you always show on your webinars, you have your black notebook that you've been carrying around your entire career and things people have taught you along the way, and you write 'em down in there. And that's just, that's gold right there.Michael Jamin:Yeah. Write it down. Keep a list of your, like what you're saying. Those specific things are just interesting.Kevin Lewandowski:And because you always say too, when you're driving, you don't really listen to the radio or anything. You just kind of talk with notes on your phone just to get it out there and start thinking about it. AndMichael Jamin:Yeah, if I'm working on a story, I won't listen to the radio. I'll just obsess over this one moment I'm trying to fix in the story. And if I get it, great. Now, that was my writing for that morning was fixing that one problem. Yeah.Kevin Lewandowski:Well, I think that is all we have question wise, Michael. WeMichael Jamin:DidKevin Lewandowski:It. We did it.Michael Jamin:We did it. Thank you everyone. What else do we got to talk about? If you want to come to our free screenwriting webinars, you could sign up at michael jamin.com/webinar if you'd like to. I got a newsletter. Get on that Michael jamin.com/newsletter. And of course, we're unplugging my book, which I worked on for four and a half years. It's called the Paper Orchestra, and it asks the question, what if it's the smallest, almost forgotten moments that are the ones that shape us most? And someone asked me on the live, if I could explain it a little better what it is. And I think what the book, one way to explain it is imagine they're very personal and intimate stories, and I'm sharing them as if, imagine me reading my diary, but performing it out loud knowing that you are going to be watching it. And so I'm going to say it in a way that's going to be entertain you, but it's still my diary. But it's structured in a way, so it's like, I know I have an audience here. And so that's kind of what it is. They're stories, they're true stories, but hopefully they're told in a way that is engaging and makes you laugh and hopefully makes you feel something. It's more importantly.Kevin Lewandowski:Yeah. Yeah. So go to michael jamin.com, check out his book. There's a bunch of, just go to his website, michael jamin.com, click around. There's webinars, there's the podcast. Get uploaded there. There's a couple of free lessons you can download, scripts he's written. There's so much there. And like he said, that you can get his book there and you can get a signed copy from him on his website. And it's Amazon. It was when you originally launched it, it was number one in five different categories on Amazon, so it was pretty wild. So yeah, check out the book, join the class, join our webinars, follow Michael on social media. He's still giving out free tips and trying to help people. And yeah, that's all I got.Michael Jamin:Excellent. Alright. Thank you Kevin. Great job. And if they want to follow you, Kevin, where do they follow you on social media?Kevin Lewandowski:Yeah, so it's Kevin Lewandowski. It's a long last name, I'm sure after you just type the first five letters, it'll pop up.Michael Jamin:Excellent. Alright everyone, until next week, keep writing.Michael Jamin:Wow. I did it again. Another fantastic episode of What the Hell is Michael Jamin talking about? How do I do it week after week? Well, I don't do it with advertiser supported money. I tell you how I do it. I do it with my book. If you'd like to support the show, if you'd like to support me, go check out my new book, A Paper Orchestra. It asked the question, what if it's the smallest, almost forgotten moments that are the ones that shape us most? Laura Sanoma says, good storytelling also leads us to ourselves, our memories, our beliefs, personal and powerful. I loved the Journey, and Max Munic, who was on my show says, as the father of daughters, I found Michael's understanding of parenting and the human condition to be spot on. This book is a fantastic read. Go check it out for yourself. Go to michael jamin.com/book. Thank you all and stay tuned. More. Great stuff coming next week.

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