Podcasts about recitals

Dr.Collin Richardson Klais Organ Recital by First Community Church

PJ hears about relaxing summer music in the sun from Capt Jacob Thu Jul16th 12.45 pm in Fitzgerald Park & Fri Jul 17th 1.00 pm in Bishop Lucey Park Hosted on Acast. See acast.com/privacy for more information.

You walk into a dark church, you've never seen this console before, and the audience starts arriving in exactly 30 minutes. Is it actually possible to be ready? Today, we're breaking down the emergency checklist.

Views and News with Clarence Ford is the mid-morning show on CapeTalk. This 3-hour long programme shares and reflects a broad array of perspectives. It is inspirational, passionate and positive. Host Clarence Ford’s gentle curiosity and dapper demeanour leave listeners feeling motivated and empowered. Known for his love of jazz and golf, Clarrie covers a range of themes including relationships, heritage and philosophy. Popular segments include Barbs’ Wire at 9:30am (Mon-Thurs) and The Naked Scientist at 9:30 on Fridays. Thank you for listening to a podcast from Views & News with Clarence Ford Listen live on Primedia+ weekdays between 09:00 and 12:00 (SA Time) to Views and News with Clarence Ford broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/erjiQj2 or find all the catch-up podcasts here https://buff.ly/BdpaXRn Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567See omnystudio.com/listener for privacy information.

No Linha de Passe desta terça-feira(7), nossos comentaristas analisaram tudo sobre a virada épica da Argentina sobre o Egito nas oitavas da Copa do Mundo. A vitória nos pênaltis da Suíça com a Colômbia e a situação da Seleção Brasileira também foram assunto. Vem com a gente! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Welcome to Secrets of Organ Playing Podcast No. 785! Today Ausra and I will talk about my unsuccessful trip to Aland Organ Festival last week when due to multiple flight cancellations and delays I would have missed my own recital and therefore had to cancel it. It was the first time in my 26 year career as international concert organist. There were some lessons learned from this experience too so we hope you will enjoy our conversation!

Ana Milena López de Vélez es una destacada poeta, columnista, ingeniera agrónoma y gestora cultural colombiana, nacida el 14 de enero de 1954 en Palmira, Valle del Cauca. Desde hace más de una década reside en la zona rural del Eje Cafetero, donde combina su labor literaria con la producción agropecuaria y la docencia universitaria. López de Vélez es ingeniera agrónoma especializada en fisiología vegetal, con estudios en la Universidade Federal da Bahia . Su formación científica se refleja en su enfoque analítico y profundo sobre temas rurales y ambientales, los cuales aborda en sus columnas de opinión publicadas en medios como Eje 21, Proclama del Cauca y Palmiguía. En el ámbito literario, ha sido parte del Encuentro de Poetas Colombianas del Museo Rayo desde 2007 y fundadora del Movimiento Poético Musas de la Casa del Virrey en Cartago, así como del Recital de Velas y Faroles en Quimbaya, Quindío . Su primer libro de poemas, Sinfonía para violín de dos cuerdas, fue presentado en la Feria Internacional del Libro de Bogotá en 2016. Además de su actividad literaria, López de Vélez participa en espacios de análisis y opinión como el programa El Acertijo en plataformas como Facebook Live y YouTube . En redes sociales, mantiene una presencia activa en X (anteriormente Twitter) bajo el usuario @AnaMiledeVelez, donde comparte reflexiones y comentarios sobre temas de actualidad.Recientemente, fue invitada al podcast Literatura Universal con Adolfo Estévez, donde presentó su obra "Las gárgolas del río". López de Vélez ha representado la palabra escrita en la Fundación Mythos Art Gallery mediante entrevistas y ensayos. Su trabajo ha sido incluido en antologías como Universos del Museo Rayo y Verso Roldanillense . Su poesía se caracteriza por una sensibilidad profunda hacia la naturaleza, la vida rural y las emociones humanas, como se aprecia en su poema "Tomates rojos". En resumen, Ana Milena López de Vélez es una figura integral en la cultura colombiana, cuya obra entrelaza la ciencia, la poesía y el activismo social, reflejando su compromiso con el desarrollo rural y la expresión artística.

Ahead of his performance at the NCH, pianist Phillip Leslie discusses Chopin's Mazurkas. 

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JJ speaks with cellist James Morley about his life as an artist and the thought-provoking repertoire for solo cello he's bringing to Eglws Dewi Sant. There are pieces that require improvisation, electronics, even places where the artist is being 'played by the cello', creating unique, fascinating colours and timbres. This will be a recital like no other.Artists featured in the musical excerpts (in order):Sept Papillons by Kaija Saariaho - James MorleySolitiude by Recbecca Saunders - James MorleyRicercare no. 2 by Domenico Gabrielli - Guillermo TurinaThe motion between three worlds by initi figgis-vizueta - Benjamin CoyteSept papillons by Kaija Saariaho - James Morley, then Oliver HerbertSonata for Solo Cello by Zoltan Kodaly - Movt 1, Jean-Guihen QueyrasSonata for Solo Cello by Zoltan Kodaly - Movt 3, Sabastic BäverstamSupport the showwww.artsactive.org.ukEmail a2@artsactive.org.ukX @artsactiveInstagram artsactivecardiff Facebook artsactive#classicalmusic #artsactive #drjonathanjames #bravingthestave #musicconversations #funfacts #guestspeakers #cardiff #cardiffclassical

Consider taking out a paid subscription to The Piano Maven podcast via our Substack page (https://jeddistlermusic.substack.com/about), which you also can access by clicking on the "Donate" button here: https://rss.com/podcasts/pianomaven Marc-André Hamelin's 2011 recital in Schwhetzingen finds the great pianist on blazing form throughout. Here is a link to listen: https://archive.org/details/nbghxf

Meliss chats about the Toy Story 5 premiere, a yellow "happy" face memory, and her 3rd piano recital. She closes out the episode by playing "Open Arms" by Journey (very slowly) on keyboard.

Jon Glover and Marisa Pinson of On Brand with Jon and Marisa join us and we find out that what Jon describes as shoplifting is really burglary. We also discuss his personal leaf blower, ice capades, magazines, the woman I worked with who was "allergic to sleeves," And Just Like That, Daniel's scent accident, yogurt shops, America's Next Food Network Star and more. Plus we did a round of JMOE, HGFY and favorite words! Get yourself some new ARIYNBF merch here: https://alison-rosen-shop.fourthwall.com/ Subscribe to my Substack: http://alisonrosen.substack.com Podcast Palz Product Picks: https://www.amazon.com/shop/alisonrosen/list/2CS1QRYTRP6ER?ref_=cm_sw_r_cp_ud_aipsflist_aipsfalisonrosen_0K0AJFYP84PF1Z61QW2H Products I Use/Recommend/Love: http://amazon.com/shop/alisonrosen Check us out on Patreon: http://patreon.com/alisonrosen   This episode is brought to you by MINT MOBILE (mintmobile.com/alisonrosen) Buy Alison's Fifth Anniversary Edition Book (with new material): Tropical Attire Encouraged (and Other Phrases That Scare Me) https://amzn.to/2JuOqcd You probably need to buy the HGFY ringtone! https://www.alisonrosen.com/store/ Try Amazon Prime Free 30 Day Trial

1/22/2026 - Junipero Serra Elementary School

BYU-Idaho alumnus, Jason Gunnell, will perform an organ recital Tuesday in the Barrus Concert Hall. Gunnell graduated in 2007 and has received his doctorate and plays the organ professionally.

Today we visit the rare recorded output my beloved teacher, Joan Caplan (15 October 1932 – 19 April 2025), live performances made during her active years as a song recitalist and as an opera and oratorio singer. We hear her complete performances of Thirteen Ways of Looking at a Blackbird by Peggy Glanville-Hicks, the Cinco canciones negras by Xavier Montsalvatge, and the Zigeunerlieder of Johannes Brahms, as well as songs by Gustav Mahler from the German folk poetry collection Des Knaben Wunderhorn and arias by Handel, Vivaldi, Hasse, and Donizetti. This episode constitutes the continuation of a promise that I made to Joan before she died that I would do my utmost to ensure that she never be forgotten for the great teacher and singer that she was. The episode also includes a memorial tribute full of insights and anecdotes that I recorded in her memory last year. Countermelody is the podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Send us Fan MailJoin Gary as he pays another visit to the Maket Collective Recital from the National Piping Centre.PlaylistThe Nexus Project (Bede Patterson) with Prelude from GlaisvairEala McElhinney with The Festival March  from the Maket Collective Recital, National Piping Centre, April 2026, recordings courtesy of Tradtv (an Inner Ear Brand)Eala McElhinney  with Out of the Ocean, John Mackenzie's Fancy & Battangorm House from the Maket Collective Recital, National Piping Centre, April 2026, recordings courtesy of Tradtv (an Inner Ear Brand)Eala McElhinney  with Older, Brian o 'Lynn, Hartigan ' s Fancy & Bìmid Ag Òl from the Maket Collective Recital, National Piping Centre, April 2026, recordings courtesy of Tradtv (an Inner Ear Brand)Eala McElhinney  with Bog an Lochan, Murdo took the Stoup, The Crooked Bridge & Captain McKay from the Maket Collective Recital, National Piping Centre, April 2026, recordings courtesy of Tradtv (an Inner Ear Brand)Eireann Ianetta-MacKay with Gardens of Skye, Bob Martin and Lord Lovats Lament from the Maket Collective Recital, National Piping Centre, April 2026, recordings courtesy of Tradtv (an Inner Ear Brand) Eireann Ianetta-MacKay with Lament for the Iolaire (ground and variation 1) from the Maket Collective Recital, National Piping Centre, April 2026, recordings courtesy of Tradtv (an Inner Ear Brand) Eireann Ianetta-MacKay with Lady Mackenzie, Shepherds Crook, Willie Murray ' s Reel, Lt Col DJS Murray from the Maket Collective Recital, National Piping Centre, April 2026, recordings courtesy of Tradtv (an Inner Ear Brand) Eireann Ianetta-MacKay with The Sleeping Tune, The Millstead, Rory Gallagher and I Have it Somewhere from the Maket Collective Recital, National Piping Centre, April 2026, recordings courtesy of Tradtv (an Inner Ear Brand)With grateful thanks to Tradtv and Inner Ear for permission to share these recordings.LinksBede Patterson's Nexus ProjectThe Maket CollectiveSupport the show

El presentador de Radioestadio reflexiona sobre las críticas hacia 'La casita' de Bad Bunny después de los primeros conciertos en Madrid.

RHR interviews Christine Gevert, Founder and Artistic Director of Crescendo.Christine, an internationally acclaimed artist,will perform a solo harpsichord recital. Experience the genius of Wanda Landowska, the legendary keyboard player who brought Baroque harpsichord music back to life. Discover how the... Read More ›

RHR interviews Christine Gevert, Founder and Artistic Director of Crescendo.Christine, an internationally acclaimed artist,will perform a solo harpsichord recital. Experience the genius of Wanda Landowska, the legendary keyboard player who brought Baroque harpsichord music back to life. Discover how the... Read More ›

Send us Fan MailHighlights from the first Maket Collective Recital held at the National Piping Centre in April 2026, featuring sets from Anna Kummerlow and Hazel Whyte.PlaylistThe Tannahill Weavers with Orach from OrachAnna Kummerlow with Alan Dodd's Farewell to Scotland, Monymusk and Fiona MacLeod from the Maket Collective Recital, National Piping Centre, April 2026, recordings courtesy of Tradtv (an Inner Ear Brand) Anna Kummerlow with Lament for John Morrison of Assynt House from the Maket Collective Recital, National Piping Centre, April 2026, recordings courtesy of Tradtv (an Inner Ear Brand) St Lawrence O'Toole Pipe Band with Boolavogue from Dawning of the Day Anna Kummerlow with Sharon's Cat and Skye from the Maket Collective Recital, National Piping Centre, April 2026, recordings courtesy of Tradtv (an Inner Ear Brand)Hazel Whyte with Pipe Major John Barclay the Maket Collective Recital, National Piping Centre, April 2026, recordings courtesy of Tradtv (an Inner Ear Brand)Hazel Whyte with Major Mason at Clachantrushal, The Shepherd' s Crook & Alick C. MacGregor the Maket Collective Recital, National Piping Centre, April 2026, recordings courtesy of Tradtv (an Inner Ear Brand) Hazel Whyte with The Kings Taxes (ground, and V1) the Maket Collective Recital, National Piping Centre, April 2026, recordings courtesy of Tradtv (an Inner Ear Brand)Hazel Whyte with Ella's Crunchie, Henningham Reunion and Isla MacLeod the Maket Collective Recital, National Piping Centre, April 2026, recordings courtesy of Tradtv (an Inner Ear Brand)With grateful thanks to Tradtv and Inner Ear for permission to share these recordings.LinksTradtvThe Maket CollectiveSupport the show

The McGraw Show 6-1-26: Storms, Interpretive Dance Recitals, Good to Be Alive in the USA & Owning a Boat by

This week Dalanie and Katie discuss similarities between The Devil Wears Prada 2 and classical music. IN THIS EPISODE: Video episodes are now available on YouTube! Subscribe here: https://www.youtube.com/@classicallyblackpodcast WE HAVE MERCH!: https://www.classicallyblackpodcast.com/store JOIN US ON PATREON!: https://patreon.com/ClassicallyBlackPodcast FOLLOW US ON SOCIAL MEDIA! https://linktr.ee/classicallyblack https://theviolinchannel.com/previously-unknown-vaughan-williams-piece-found-in-london/ https://theviolinchannel.com/sarasota-orchestra-receives-11-7-million-gift-towards-new-concert-hall/ Black Excellence: Emmanuel Losa https://www.instagram.com/emmtlosa/ Piece of the week: Dona Nobis Pacem https://www.youtube.com/watch?v=Ga_6H42cw1A

Most music schools run two or three recitals a year and call it a retention strategy. I used to think that was enough, too. In this episode, I want to challenge that assumption, because I think it's costing schools more students than they realize, and the fix has nothing to do with running better recitals. In today's episode, I break down why recitals work when they do work, what's actually happening in a parent's mind when they re-enroll after a shaky performance, and why building your retention around two big events a year is less of a strategy and more of a rescue operation. Here's what I cover: Why parents don't quit because their kids hate music, they quit because confidence quietly erodes What a recital actually does inside a parent's brain (it's not what most of us think) Why "the problem is practice" is the wrong diagnosis almost every time What soccer gets right about retention that music schools keep getting wrong The visibility gap that's silently draining families between your recitals In this episode, you'll learn: Why recitals are "confidence restoration events" and what that actually means for how you run your school How to map parent confidence across your school year and see exactly where families are slipping away Why blaming practice charts and accountability systems is solving the wrong problem What the real lever for retention is, and why almost no one in this industry is building around it How to start thinking about weekly visibility instead of relying on two big moments a year What changes when you stop asking "how do we run a better recital?" and start asking a much bigger question   davesimonsmusic.com  

Welcome to the Patreon Archives! This episode is filled with Screen Rant Rants dug from our vault!!!

En este Vivo del Podcast "La Hora de la Nostalgia", Vamos a seguir hablando del recital sinfónico de 1972, Leeremos sus comentarios, vamos a ver el trailer del próximo episodio y respondemos inquietudes y mucho más!El Podcast es conducido por Lea Devecchi, Sebastián Saravia y Juan Vargas Eguinoa. Participa con nosotros, como columnista estrella, el Maestro: Carlos Núñez Cortés.Podés apoyar el proyecto con unos cafés en: https://cafecito.app/lahoradelanostalgiaTambién podés ser parte desde Patreon en:   / lahoradelanostalgia  Y tenés nuestras remeras acá: En Argentina: https://belfast.empretienda.com.ar/la...Resto del mundo: https://lhdln.redbubble.comTambién nos podés seguir en instagram:   / horadelanostalgia  y en Facebook: https://www.facebook.com/profile.php?...video Candonga de los colectiveros https://youtu.be/EiurPmhcT0U?is=FLquvyEasRR9EdahUnite a la comunidad de Oyentes en Whatsaap https://chat.whatsapp.com/IfUsoup1G3E...Suscribite y dejanos tus comentarios!#lesluthiers #podcast #mastropiero #humor #nuevoepisodio #lahoradelanostalgia #lesluthiers

Send us Fan MailGary returns from a wee break with some excellent sets from Dougie Murray in recital in Broughty Ferry hosted by the MacKenzie Caledonian Pipe Band. There's also a visit to chat with Alastair and Isla from our sponsors, RG Hardie Bagpipes.PlaylistAssynt with Assynt House from Where from Here?Dougie Murray with The Garb of Old Gaul, Battle of Waterloo and Wee Highland Laddie from MacKenzie Caledonian Pipe Band Recital Series, April 2026.Dougie Murray with The Highland Wedding, Lady Louden and  Alick C MacGregor from MacKenzie Caledonian Pipe Band Recital Series, April 2026. Dougie Murray with Eileen Mary Connolly, The Train Journey North, Jig, The Curlew, Troy's Wedding, Going to the Well for Water from MacKenzie Caledonian Pipe Band Recital Series, April 2026. Field Marshall Montgomery Pipe Band with the B52, the Galtee Rangers and the Double F Dilemma from Re-Charged: Live at the Glasgow Royal Concert Hall. Breabach with the Ramparts from AstarLinksRG Hardie - Peter Henderson Heritage Viking BagpipesSupport the show

SPONSOR: — BLAZE TV — If you’re not already a subscriber, you’re missing out on everything we’re building here at BlazeTV. This is where you get the full, unfiltered version of the show—no cuts, no algorithms deciding what you can and can’t see, and a whole lot more content you won’t find anywhere else. When you subscribe, you’re not just getting extended episodes—you’re getting exclusive shows, original documentaries, and early access to the conversations that actually matter. It’s the kind of content that doesn’t get buried or watered down. The best part? You can support this show directly while getting access to all of it. Just head over to https://www.BlazeTV.com/RICK and use promo code RICK to get 20 dollars off your subscription. Unlock everything we’re doing—and keep us going. SPONSOR: -- PATRIOT MOBILE -- As America’s ONLY Christian conservative wireless provider, Patriot Mobile offers a way to vote with your wallet, without compromising on quality or convenience. Patriot Mobile isn’t just about providing exceptional cellphone service—it’s a call to action to defend our rights and freedoms.With Patriot Mobile, you’ll get outstanding nationwide coverage because they operate on ALL THREE major networks. If you have cellphone service today, you can get cellphone service with Patriot Mobile, with a coverage guarantee.Right now, go to https://patriotmobile.com/RICK or call 972-PATRIOT and get a FREE MONTH of service with promo code RICK. Switch to Patriot Mobile today and defend freedom with every call and text you make. Visit https://patriotmobile.com/RICK or call 972-PATRIOT!See omnystudio.com/listener for privacy information.

Craig & Mezza are joined by Leo Trimming, Guy Vickers , Stuart Chandler and Scott Evans to take look back at Marillions first long form live video - Recital of the Script - recorded in 1983.Chat includes memories of the "Script" tour - buying the release on video cassette - VHS and Betamax - the release of the "Video E.P. " and a track by track review. Scott also tells us why he chose this film for a screening in his Artisan Tap - venue - in Stoke, UK

En este episodio vamos a analizar el primer recital con sinfónica de Les Luthiers en el teatro Opera del año 1972. También vamos a puntuarlo.. Esperamos que disfruten de este análisis y los leemos en los comentariosEl Podcast es conducido por Lea Devecchi, Sebastián Saravia y Juan Vargas Eguinoa. Participa con nosotros, como columnista estrella, el Maestro: Carlos Núñez Cortés.Podés apoyar el proyecto con unos cafés en: https://cafecito.app/lahoradelanostalgiaTambién podés ser parte desde Patreon en:   / lahoradelanostalgia  Y tenés nuestras remeras acá: En Argentina: https://belfast.empretienda.com.ar/la...Resto del mundo: https://lhdln.redbubble.comTambién nos podés seguir en instagram:   / horadelanostalgia  y en Facebook: https://www.facebook.com/profile.php?...Unite a la comunidad de Oyentes en Whatsaap https://chat.whatsapp.com/IfUsoup1G3E...Suscribite y dejanos tus comentarios!#lesluthiers #podcast #humor

I Knew My Husband Was Cheating at Our Daughter's RecitalBecome a supporter of this podcast: https://www.spreaker.com/podcast/true-cheating-wives-and-girlfriends-stories-2026-true-cheating-stories-podcast--5689182/support.

Noa Wildschut is a spectacular 24 year old Dutch violinist. She is an amazing virtuoso. She made her concert debut when she was 7. Since then she's played festivals, recitals and solo performances with dozens of orchestras all over the world including the Royal Philharmonic, Royal Stockholm Philharmonic and the Royal Liverpool Philharmonic to name just a few. My featured song is “Ma Petite Fleur String Quartet”, my recent release. Spotify link. —----------------------------------------------------------- The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for All Episodes  Click here for Guest List  Click here for Guest Groupings  Click here for Guest Testimonials Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH NOA:www.noawildschut.com —---------------------------------------- ROBERT'S NEWEST RELEASE:“MI CACHIMBER ALL STARS” is the new, expanded version of Robert's single, “Mi Cachimber”, which he wrote for his father. Featuring Camila Cortina on Rhodes and Xito Lovell on trombone in addition to Benny Benack III and Dave Smith on flugelhorn, and Project Grand Slam's rhythm section. CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- ROBERT'S RECENT RELEASE: “MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars. CLICK HERE FOR YOUTUBE LINK CLICK HERE FOR ALL LINKS —---------------------------------------- Audio production: Jimmy RavenscroftKymera Films   Connect with the Follow Your Dream Podcast: Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com   Follow Robert's band, Project Grand Slam, and his music: Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com    

Jorge Natan, Larissa Ramos e Rodrigo Lois analisam semifinais da Liga dos Campeões e projetam jogos de volta.

Fresh off recital day, Amy shares practical reflections, simple wins, and thoughtful tweaks from 15 years of studio recital planning.Subscribe to Piano PantryJoin PatreonEpisode Links & Transcript: https://pianopantry.com/podcast/episode182

Welcome to the Big Rab Show Podcast.  In this our 484th Episode we hear all about this weekends Maket Collective Recital, happening at the National Piping Centre in Glasgow.  This fantastic initiative continues to grow momentum, and this weekend see's the first in what will hopefully be more recital's from some of the worlds most talented women pipers.  All this plus we catch up with all the usual news and views from around the piping world this last week.    Don't forget we have lots of amazing backstage videos, and audio recordings, exclusive interviews, episodes of Big Rab Show Plus! and loads more to share with you on there, so click support and get your hands on all this extra stuff!! Email us now - bigrabshow@gmail.com Support us  www.patreon.com/BigRabShow We are the show for the piping folk, reflecting everything to do with the bag piping world. Feel free to message us on Facebook and on Twitter and let us know what you would like to hear on the show, as well just to let us know that you're listening. Our live show continues to broadcast live every week on Fuse FM Ballymoney on Tuesday nights 7pm-9pm (uk time) be sure to check it out. Thank you to our very kind sponsors, G1 Reeds. If you would be interested in sponsoring the show, please do get in touch.  Or help support us via our Patreon page.   www.thebigrabshow.com www.facebook.com/TheBigRabShow www.twitter.com/bigrabshow bigrabshow@gmail.com  

Fluent Fiction - Catalan: Blossom of Courage: Montserrat's Inspiring Recital Night Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ca/episode/2026-04-17-22-34-01-ca Story Transcript:Ca: A l'antiga escola amb murs coberts d'heura, els estudiants es preparaven pel recital de primavera.En: In the old school with walls covered in heura (ivy), the students were preparing for the spring recital.Ca: L'excitació omplia els passadissos.En: Excitement filled the hallways.Ca: El gran saló, decorat amb roses fresques, estava llest per a una nit màgica.En: The great hall, decorated with fresh roses, was ready for a magical night.Ca: Sant Jordi s'apropava, i cada rosa i llibre recordaven aquesta festa tan especial a Catalunya.En: Sant Jordi was approaching, and every rose and book reminded of this very special festival in Catalunya.Ca: Montserrat, una noia de setze anys, passava el dit per un roser de la finestra.En: Montserrat, a sixteen-year-old girl, ran her finger over a rosebush by the window.Ca: Els seus ulls brillaven amb somnis d'amor.En: Her eyes sparkled with dreams of love.Ca: Li agradava Pere, un noi del seu curs.En: She liked Pere, a boy from her class.Ca: Però ell semblava no adonar-se'n dels seus sentiments.En: But he seemed unaware of her feelings.Ca: Montserrat volia rebre una rosa de Sant Jordi, però sobretot volia brillar al recital.En: Montserrat wanted to receive a Sant Jordi rose, but above all, she wanted to shine at the recital.Ca: Montserrat era tímida.En: Montserrat was shy.Ca: Tenia por de l'escenari, però somiava cantar un solo.En: She was afraid of the stage, but she dreamed of singing a solo.Ca: El cap li deia que fos prudent.En: Her mind told her to be cautious.Ca: Passaven els dies i encara no havia decidit què fer.En: The days passed, and she still hadn't decided what to do.Ca: Juli, el seu millor amic, l'animava.En: Juli, her best friend, encouraged her.Ca: "Vinga, Montse, pots fer-ho!En: "Come on, Montse, you can do it!"Ca: ", deia sempre que la veia patir.En: he would say every time he saw her struggling.Ca: Finalment, el dia del recital va arribar.En: Finally, the day of the recital arrived.Ca: L'olor de roses era intensa.En: The smell of roses was intense.Ca: Els estudiants, vestits amb les seves millors gales, estaven nerviosos.En: The students, dressed in their finest attire, were nervous.Ca: Montserrat es va mirar al mirall, recordant les paraules de Juli.En: Montserrat looked in the mirror, remembering Juli's words.Ca: Va sentir un valor nou creixent dins seu.En: She felt a new courage growing inside her.Ca: Quan va arribar el moment del seu número, Montserrat va respirar profundament.En: When the time for her performance came, Montserrat took a deep breath.Ca: Va decidir: cantaria el solo.En: She decided: she would sing the solo.Ca: Els llums eren enlluernadors.En: The lights were dazzling.Ca: Els nervis van desaparèixer quan va començar a cantar una cançó dedicada als amors de Sant Jordi.En: Her nerves disappeared when she began to sing a song dedicated to the loves of Sant Jordi.Ca: La seva veu va omplir el saló.En: Her voice filled the hall.Ca: Tots els espectadors van quedar bocabadats.En: All the spectators were left amazed.Ca: Quan va acabar, un aplaudiment enorme va inundar l'espai.En: When she finished, a huge applause filled the space.Ca: Montserrat va somriure, agraint el suport de tots.En: Montserrat smiled, grateful for everyone's support.Ca: Després del recital, Pere va apropar-se a Montserrat.En: After the recital, Pere approached Montserrat.Ca: Amb un somriure dolç, li va oferir una rosa.En: With a sweet smile, he offered her a rose.Ca: Montserrat va agafar la flor, sense poder creure que el seu somni fos real.En: Montserrat took the flower, unable to believe her dream had come true.Ca: Els seus ulls es van trobar, i en aquell moment, les paraules eren innecessàries.En: Their eyes met, and in that moment, words were unnecessary.Ca: Montserrat va aprendre que trencar les pors i perseguir els somnis pot portar regalies inesperades.En: Montserrat learned that breaking fears and pursuing dreams can bring unexpected rewards.Ca: Aquell recital no només va ser un èxit, sinó una lliçó de vida.En: That recital was not only a success but a life lesson.Ca: Montserrat se sentia més valenta que mai, sabent que havia fet una passa capaç de canviar-ho tot.En: Montserrat felt braver than ever, knowing she had taken a step capable of changing everything. Vocabulary Words:the ivy: l'heurathe recital: el recitalthe hallway: els passadissosthe great hall: el gran salóthe spring: la primaverathe rosebush: el roserthe dreams: els somnisthe stage: l'escenarithe solo: el solocautious: prudentto encourage: animarthe attire: les galesto breathe deeply: respirar profundamentdazzling: enlluernadorsthe nerves: els nervisto disappear: desaparèixerto amaze: bocabadarhuge: enormeto smile: somriurethe support: el suportto approach: apropar-sesweet: dolçto offer: oferirto believe: creureunnecessary: innecessàriesto break: trencarto pursue: perseguirunexpected: inesperadesthe reward: les regaliesthe lesson: la lliçó

Fluent Fiction - Italian: Conquering Stage Fright: A Spring Recital Tale Find the full episode transcript, vocabulary words, and more:fluentfiction.com/it/episode/2026-04-17-07-38-20-it Story Transcript:It: In una splendida mattina di primavera, il sole dorato brillava sulle colline verdi della campagna italiana.En: On a beautiful spring morning, the golden sun was shining upon the green hills of the Italian countryside.It: Fiori selvatici di ogni colore sbocciavano nei prati intorno al collegio, riempiendo l'aria di profumi dolci.En: Wildflowers of every color bloomed in the meadows surrounding the collegio, filling the air with sweet fragrances.It: Era una giornata perfetta per una passeggiata, ma per Marco e Alessia, era tempo di prepararsi per il recital musicale.En: It was a perfect day for a walk, but for Marco and Alessia, it was time to prepare for the music recital.It: Marco era un pianista eccezionale.En: Marco was an exceptional pianist.It: Le sue dita danzavano velocemente sui tasti del pianoforte, creando melodie che incantavano chiunque le ascoltasse.En: His fingers danced swiftly over the piano keys, creating melodies that enchanted anyone who heard them.It: Tuttavia, Marco aveva un problema: la paura del palcoscenico.En: However, Marco had a problem: stage fright.It: Ogni volta che pensava di esibirsi davanti a un pubblico, il suo cuore cominciava a battere velocemente e le mani diventavano fredde e sudate.En: Every time he thought about performing in front of an audience, his heart would start racing and his hands would become cold and sweaty.It: Alessia, la sua migliore amica, era l'opposto.En: Alessia, his best friend, was the opposite.It: Era una violinista sicura di sé e affrontava il palco con grazia ed eleganza.En: She was a confident violinist and faced the stage with grace and elegance.It: Il suo sorriso era contagioso, e sapeva sempre come motivare Marco.En: Her smile was contagious, and she always knew how to motivate Marco.It: "Marco, devi crederci.En: "Marco, you have to believe in yourself.It: Sei bravissimo," diceva Alessia, mentre praticavano nella sala con le finestre ad arco del collegio.En: You're amazing," Alessia would say as they practiced in the hall with arched windows of the collegio.It: Attraverso i vetri, potevano vedere il paesaggio primaverile che li circondava, una vista che normalmente avrebbe calmato Marco ma che, in quel momento, non riusciva a distrarlo dalle sue paure.En: Through the glass, they could see the spring landscape surrounding them, a view that would normally calm Marco but, at that moment, could not distract him from his fears.It: Il recital di primavera era speciale perché coincideva con Pasqua, una festa amata da tutti al collegio.En: The spring recital was special because it coincided with Easter, a holiday loved by everyone at the collegio.It: Le famiglie venivano a vedere gli studenti esibirsi, portando con sé ceste di uova di cioccolato e colombe pasquali.En: Families came to see the students perform, bringing with them baskets of chocolate eggs and Easter colombe.It: Marco voleva disperatamente suonare bene e rendere orgogliosa la sua famiglia.En: Marco desperately wanted to play well and make his family proud.It: Decise di affrontare la paura.En: He decided to face his fear.It: Ogni giorno, si esercitava al pianoforte.En: Every day, he practiced at the piano.It: Alessia passava ore ad ascoltarlo, correggendo errori minimi e incoraggiandolo.En: Alessia spent hours listening to him, correcting minor mistakes and encouraging him.It: "Pensa solo alla musica, Marco.En: "Just think about the music, Marco.It: Immagina che ci sei solo tu e il pianoforte."En: Imagine it's just you and the piano."It: Finalmente, il giorno del recital arrivò.En: Finally, the day of the recital arrived.It: Nella grande sala gremita di persone, la tensione era palpabile.En: In the large hall packed with people, the tension was palpable.It: Quando fu il turno di Marco, il suo cuore batteva all'impazzata.En: When it was Marco's turn, his heart was pounding wildly.It: Entrò in scena e si sedette al pianoforte, ma improvvisamente si bloccò.En: He walked on stage and sat at the piano, but suddenly he froze.It: Sentì gli occhi del pubblico su di lui e la paura lo paralizzò.En: He felt the eyes of the audience on him, and fear paralyzed him.It: Poi, voltandosi leggermente, vide Alessia in prima fila.En: Then, slightly turning, he saw Alessia in the front row.It: Sorrideva, sicura e fiduciosa.En: She was smiling, sure and confident.It: Quel semplice gesto gli diede coraggio.En: That simple gesture gave him courage.It: Respirò profondamente e cominciò a suonare.En: He took a deep breath and began to play.It: Le note fluivano dolcemente, e presto l'ansia svanì.En: The notes flowed smoothly, and soon the anxiety vanished.It: La musica riempì la sala, e quando finì, scoppiò un applauso fragoroso.En: The music filled the hall, and when he finished, a thunderous applause broke out.It: Marco aveva superato la sua paura.En: Marco had overcome his fear.It: In piedi accanto al pianoforte, accolto dagli applausi, sentì un'ondata di sollievo e orgoglio.En: Standing next to the piano, embraced by applause, he felt a wave of relief and pride.It: Salutò il pubblico e, mentre si avvicinava ad Alessia, lei gli disse: "Sapevo che ce l'avresti fatta."En: He greeted the audience and, as he approached Alessia, she said to him, "I knew you could do it."It: Grazie al supporto di un'amica fidata e alla sua determinazione, Marco aveva finalmente imparato che con il giusto aiuto, era possibile affrontare e vincere le proprie paure.En: Thanks to the support of a trusted friend and his determination, Marco had finally learned that with the right help, it is possible to face and conquer one's fears.It: Il sole continuava a splendere sulle colline mentre lui e Alessia si avviavano per festeggiare la loro vittoria personale e l'arrivo della Pasqua.En: The sun continued to shine on the hills as he and Alessia headed off to celebrate their personal victory and the arrival of Easter. Vocabulary Words:the fragrance: il profumothe pianist: il pianistathe fear: la paurathe audience: il pubblicothe stage fright: la paura del palcoscenicothe landscape: il paesaggiothe meadow: il pratothe student: lo studentethe families: le famigliethe baskets: le cestethe eggs: le uovathe tension: la tensionethe wave: l'ondatathe spring: la primaverathe meadow: il pratoto bloom: sbocciareto motivate: motivareto perform: esibirsito distract: distrarreto melt: sciogliereto embrace: abbracciaresweet: dolceswiftly: velocementecontagious: contagiosoconfident: fiduciosothe thunderous applause: l'applauso fragorosothe grace: la graziathe courage: il coraggioto vanish: svanireto approach: avvicinarsi

Recitals can feel unpredictable when your tiniest dancers take the stage, but they're also one of your most powerful retention tools. In this episode, Jill Tirone and Patty Rielley share practical, real-life strategies to help your youngest students feel confident, prepared, and proud. From pre-recital prep to backstage management, this conversation is packed with ideas to create a positive, memorable experience for both dancers and their families. Key Takeaways Success = Fun, Not Perfection Expect the Unexpected Your Youngest Dancers Are Your Future Familiarity Builds Confidence The Experience Is the Product Episode Timestamps [00:00 - 04:35] - Introduction and redefining recital success [04:35 - 10:47] - Preparing young dancers: familiarity, costumes, and confidence [10:47 - 18:16] - Practice strategies and recital day readiness [18:16 - 22:17] - Backstage management: safety, staffing, and engagement [22:17 - 27:01] - Leadership mindset and creating a lasting experience Links Mentioned in This Episode Join us at the Energize Conference https://energizeconference.com Submit a question for the podcast https://dancestudio411.com/ Dance Studio Owner: https://www.dancestudioowner.com/public/joinnow.cfm Rate, Review & Subscribe! If you loved this episode, be sure to subscribe and leave us a review. Your feedback helps us continue to bring valuable content to the dance community!

With recital season on the horizon, Christina is sharing a reminder that life's surprises can be better than our best Piano Teacher Plans. Preparation trumps perfection, friends. Never forget it.Check out ALL recital-related material from Beyond Measure at ChristinaWhitlock.com/recitaltalk

Concluimos la emisión de este concierto a cargo de esta soprano y este barítono celebrado el 22 de abril de 2025. En esta segunda parte, escuchamos páginas de Sorozábal, Penella, Chueca, Serrano, Soutullo y Vert y Guerrero, con la participación del tenor Enrique Ferrer y la soprano Svetla Krasteva.Escuchar audio

The soprano, Elsa Dreisig, has just released a new Erato album, 'Invocation'. Joined by the Orchestra e Coro dell'Opera Carlo Felice Genova conducted by Massimo Zanetti, it gathers together arias by Dvořák, Janáček, Puccini, Verdi, Gounod, Wagner, Rossini, Flotow, Peter Heise, and Carolina Uccelli, as well as songs by Grieg, Amy Beach and Bizet, all with a unifying theme. James Jolly talked to Elsa Dreisig in Naples, where she was in rehearsals for Puccini's La bohème in which she was singing the role of Mimì.    Today's podcast is sponsored by Kirker Holidays, creators of short breaks and tailor-made holidays for curious, discerning travellers to cultural destinations throughout Europe and beyond. For more information or to speak to one of Kirker's expert human beings, call 020 7593 2283 or visit kirkerholidays.com. 

Earthquake Recital by Quincy by 826 Valencia

Emitimos la primera parte del concierto a cargo de esta soprano y este barítono celebrado el 22 de abril de 2025 con obras de Barbieri, Vives, Carmen Climent, Soutullo y Vert, Arrieta, Serrano, Penella, Guerrero, Alonso y Moreno Torroba, con la participación del tenor Enrique Ferrer y la soprano Svetla Krasteva.Contenido disponible hasta el 2 de mayo de 2026Escuchar audio

Thanks to our Partners, Pico Technology, Autel, and Independent Wrench JobsWatch Full Video EpisodeMatt Fanslow reflects on overhearing a conversation between shop owners about spending more time with family, and it sparks a bigger question: if family time is so important for ownership, what does that mean for employees? This episode looks at the tension between the real financial demands of running a repair shop and the equally real need for technical specialists, advisors, and staff to be present for their families. Along the way, Matt explores PTO, unpaid time off, flex-time realities, compensation, and whether the industry needs to do a better job making employment itself more attractive and sustainable.In this episode:A lobby conversation at Vision turns into a deeper reflection on shop culture and family priorities.The old idea that providing for your family meant spending more time away from them, and how that clashes with newer expectations around presence and availability.The limited options many employees face when family events come up: miss it, burn PTO, or take unpaid time off.Why flex time works better in some industries than in automotive repair, especially for advisors and production-dependent roles.Whether shops need to rethink the “two weeks vacation” standard and build in more realistic room for family events, sickness, and life.The risk of sending employees the message that the only way to get real freedom is to become an owner themselves.A call for honest, two-sided conversations between ownership, management, and employees about what is actually possible and mutually beneficial.Key TakeawayThis is not an anti-owner rant and not an anti-employee rant either. It is really a conversation about incentives, fairness, sustainability, and the need for repair shops to find better ways to make employment workable for people who want both a career and a life outside the shop.Notable ThemesFamily time versus financial realityPTO, unpaid leave, and scheduling pressureWhy shop work resists true flex-time modelsThe economics of employment versus ownershipMutual benefit, rather than one-sided advantageThe importance of open, adult conversations in shop cultureOutro NotesMatt closes by inviting listener feedback and future Rushmore topic ideas, while also thanking sponsors Autel, Pico Technology, Independent Wrench Jobs, and the Automotive Repair Podcast Network. He also gives a shoutout to Tracy for her keynote and prior communications class work.Thanks to our Partner, Pico TechnologyAre you chasing elusive automotive problems? Pico Technology empowers you to see what's really happening. Their PicoScope oscilloscopes transform your diagnostic capabilities. Visit PicoAuto.comThanks to our Partner, AutelFrom drivability diagnostics and TPMS service to ADAS and advanced safety systems, Autel helps technicians follow OEM procedures and repair with confidence. Learn more at Autel.comThanks to our Partner, Independent Wrench JobsIndependent Wrench Jobs is a new, tech-only community to help you find better independent shops—fair dispatch, steady work, real leadership. No games.Built by Technician Find—serving the industry since 2017. Join free at IndependentWrenchJobs.comContact InformationEmail Matt: mattfanslowpodcast@gmail.comDiagnosing the Aftermarket A - Z YouTube ChannelThe Automotive Repair Podcast Network: https://automotiverepairpodcastnetwork.com/Remarkable Results Radio Podcast with Carm Capriotto: Advancing the Aftermarket by Facilitating Wisdom Through Story Telling and Open Discussion. https://remarkableresults.biz/Business by the Numbers with Hunt Demarest: Understand the Numbers of Your Business with CPA Hunt Demarest. https://huntdemarest.captivate.fm/The Auto Repair Marketing Podcast with Kim and Brian Walker: Marketing Experts Brian & Kim Walker Work with Shop Owners to Take it to the Next Level. https://autorepairmarketing.captivate.fm/The Weekly Blitz with Chris Cotton: Weekly Inspiration with Business Coach Chris Cotton from AutoFix - Auto Shop Coaching. https://chriscotton.captivate.fm/Speak Up! Effective Communication with Craig O'Neill: Develop Interpersonal and Professional Communication Skills when Speaking to Audiences of Any Size. https://craigoneill.captivate.fm/

Pieces on aging body parts by Harry Bauld, Michael Brodin, and Katherine Briccetti. Support the show

215 |Themed Recitals for Community Connection and Profit {fullvoicemusic.com} ⭐ Find links mentioned in this episode here: https://www.fullvoicemusic.com/podcast/215/ ⭐ Performer and voice teacher Elizabeth Saunders shares her journey creating themed recitals that engage audiences, inspire musical collaboration with composers, and build community through accessible, unforgettable performances.

BYU-Idaho's Department of Music is hosting a free piano recital this week.

Are you running your recital strategically… or just hoping it works out?  For many dance studios, recital is the single biggest cash infusion of the year, yet most studio owners never actually plan it that way.   In this episode of the Transform My Dance Studio Podcast, Olivia Mode-Cater sits down with DSOA Inner Circle finance coach Paige Sayegh, a studio owner of 32 years who runs a thriving 700-student studio in New Jersey. Through her work coaching studio owners around the world, Paige has reviewed hundreds of P&Ls and helped studios uncover hidden revenue opportunities they didn't even realize existed.  Together, Olivia and Paige break down how studio owners can transform recital from a stressful production into a strategic, predictable, revenue-generating part of the business. From optimizing ticket pricing and merchandise to thinking intentionally about audience spending and future enrollment opportunities, this conversation reveals how small changes can add thousands in revenue, without adding more stress.  If recital currently feels like chaos, guesswork, or simply a way to survive the summer months, this episode will challenge you to rethink how your recital can support the long-term stability and growth of your studio.  What you'll learn  Why most studios approach recital revenue the wrong way  How small pricing tweaks can add thousands to your recital profit  The hidden audiences at your recital who are ready to spend  How to calculate average revenue per student at recital  Why ticket pricing, bundles, and upsells matter more than you think  How to use recital to promote summer camps and future classes  Why recital can be your biggest retention and marketing event  The simple financial benchmarks studio owners should know  How to reverse engineer your recital revenue goals  Why studio owners should decide in advance what recital money is for  How profitable studios create generosity, stability, and freedom  The post-recital analysis every studio should do  If you're ready to stop guessing your recital numbers and start using recital as a strategic tool to strengthen your studio's finances, this episode is packed with practical ideas you can apply right away.  Join our growing community of people just like you inside our free Facebook group. Click here to join!  Watch our video episodes and subscribe on YouTube here. Follow The Dance Studio Owners Association:  Instagram: @dancestudioownersassociation | TikTok: @dsoaofficial | Facebook: @dancestudioownersassociation Follow Olivia Mode-Cater: Instagram: @olivia.modecater | TikTok: @olivia.modecater

Your piano recital theme doesn't have to be complicated — but it can be memorable.