Podcasts about bpms

  Cerebral Dance Music (CDM): The Tale Teller Club's Sonic Alchemy of Healing, Movement, and MeditationIn the ever-evolving landscape of electronic music, a new genre is rising from the fusion of art, science, and healing: Cerebral Dance Music (CDM). Pioneered and explored by the Tale Teller Club, CDM is a sonic phenomenon that bridges body, mind, and spirit through a sophisticated synthesis of dance rhythms, subliminal sound energies, binaural beats, Vagus nerve balancing, Rife frequency therapies, and narrative storytelling.CDM is not just something to listen to. It's something you feel—deep in your nervous system, in your breath, in your dreams. Whether you're moving freely in a dance ritual or laying in stillness before sleep, CDM invites you into a profound dialogue with yourself and the universe.

It's time to try something different again and slow down the BPMs! Perfect for anyone coming down after a big night or just want a chilled vibe while sipping a cool drink. Love what you hear? Leave a message or, even better, a review on Apple Podcasts if you have an Apple account. You can also get in touch on Instagram at www.instagram.com/hothousehours/ 1. In The Waiting Room (Extended Beatless Mix) - Chicane [Armada Music Albums]

Another relentless assault of Hard Techno—Episode 088 pushes BPMs and boundaries. Featuring bangers from Xenia (UA), Jason Little, Chemtrailz, NON (PL), Golpe, ROÜGE, and Shogun, this mix is pure energy from start to finish. Not for the faint of heart—if you know, you know. Find me @ www.DJMIKO.net

Lock in for another high-energy session of underground heat as Up The Ladder Show 08 dives deep into a fusion of House - Tech, Latin house, and chunky dancefloor grooves. This episode brings a hypnotic blend of club-ready cuts, infectious percussion, and soulful vocal moments. From the tribal energy of Roberth in da House to the classic house spirit of Flashmob & Barbara Tucker, and the modern bounce of Loz Seka & HARRT, this mix moves across borders and BPMs with pure intent to move dancefloors. Whether you're warming up, peaking, or cooling down — there's something here for every hour of the night. Tracklist Proa Deejay - Dancefloor Alex Lauthals - Hypnotize Emma Harbs - What do they call it Maxxteen - Feel the love Elyji - Lo Que Siento Gege - Up the conga Lenny M - Pa Bajo Loz Seka, HARRT - Be Yo Roberth in da house - Afro Tech Flashmob , Yellowsix - House is a religion Golden factory gang, Massimo logli, Barbara Tucker, Flashmob - Try My Love M Rodriguez, Karol Melinger - Put your hands on Folgatto, llya Gushin - Lets do it Dompe - Fantastic two Vin Vega, Jens O - Mammals Tim Bell - Call Me Leroy Fish - You see me Hoxton Whores, Different Measure - Hot Jam

Ein interessanter Mix kommt mit dem Techno House Podcast No. 482. Klar, Techno wird über BPM definiert. Aber was ist wenn der Sound nach Techno klingt, die BPMs aber geringer sind und es nicht nach House oder Techhouse klingt. Ich sage mal Slow Techno? Sp also klingt diese Podcast Edition.… weiterlesen >>>

Ein interessanter Mix kommt mit dem Techno House Podcast No. 482. Klar, Techno wird über BPM definiert. Aber was ist wenn der Sound nach Techno klingt, die BPMs aber geringer sind und es nicht nach House oder Techhouse klingt. Ich sage mal Slow Techno? Sp also klingt diese Podcast Edition.… weiterlesen >>>

Chilean synthpop trio Chicarica (Rich Girl) give us an enticing lead in to their sophomore album Invierno en la playa, due May 30th. “Parará”  finds the Santiago-based group veering into higher BPMs while staying true to their psychedelic roots. 

Starlight Thursdays – Episode 260 This episode marks the 5-year anniversary of the mix series! To celebrate, we have something truly special: a guest mix from Carr Tell, inspired by the “Made in Montana” mixes I used to release on past anniversaries. This concept brings together tracks exclusively from Montana-based producers, curated and mixed into a single cohesive experience. I'm beyond thrilled to have Carr pick up where I left off with the project—it's a powerful full-circle moment. There's something magical about this kind of collaboration. Artists get to hear their music performed by another artist, often in ways they hadn't imagined. It can be eye-opening. And for our community, it's a chance to hear what I believe is the true sound of the Montana underground—a sound that may be subtle and nuanced, but deeply worth celebrating. For the DJ, it's no easy task. You're working with genres and styles you might not usually play, trying to piece them together like a jigsaw puzzle without the picture on the box. But that challenge can be transformational. Personally, this process gave me a deeper connection to every artist who contributed. I wanted to honor their work—I didn't want to let them down. Now, here we are: 260 mixes and 5 years in. We've hit over 52,000 streams, with listeners on every continent and in every state. What began as a way to stay connected during the pandemic has become something much more. We recently celebrated our 100th artist featured on the series. With live recordings from Montana festivals, club nights, house parties, and parades—across venues statewide—this archive includes everything from debut mixes to all-vinyl sets and original live performances. I can't express how grateful I am for the effort so many artists have put into this, and to our listeners: thank you for trusting us with your ears and making us feel heard. This has been a truly priceless experience. — BK Love Carr Tell: “One thing I've always loved about the Thursday mixes is how they give everyone a chance to be heard. Montana producers really showed up for this one. I'm never surprised—but I'm always impressed—by the talent this state holds! While this was a challenging mix, I loved every minute of it, weaving together multiple genres and BPMs into a story only Carr could Tell.” Track list Seas To The Sky - The Other Side Of Dawn Implied Lines - Ninteneaux Star Map - Lab Grade Talking Bout A Revolution - Tracy Chapman - Taboh Edit It Never Entered My Mind - Miles Davis - Tessub Edit Trippin - Ninteneaux Check Yo - Carr Tell Cellar Dweller - Hex and Hive SDB - Party Robbins Thought Shit - Quadratic Spheres Come Play with Us - Carr Tell First Hex - Hex and Hive Susie Q - CCR - Party Robbins Bootleg Unreleased - SHBASS Good Company - The Montana Boy Welcome To The Shit Show - Tessub Color Of Everything - Taboh Out Of This World - Gruv42 and Shane Dee Make Them Make Us - Shane Dee Fake I.D. - Rave Edit - DC CHI3F I.T.G.I.R.L. - Rave Edit - DC CHI3F

Welcome back to The Larry Ohh Show! In episode 64, we're talking ans showing you some differetn ways to get yout drums to hit harder in FL Studio.There are a few really cool ways to do this using stock and 3rd party techniques and plugins. Stick around to the end to see all of them!Check out DF SMACK: https://drumforge.com/collections/audio-plugins/products/df-smackMust Have Producer Tools: http://yahelpme.com Larry Ohhhttps://instagram.com/larryohhJohn Phelps (Co-Host):@ItsJohnPhelps on TikTok@ItsJohnPhelps on IGhttps://itsjohnphelps.comEdited by: https://www.instagram.com/prodkeyano/...The Boiler Room Studiohttps://theBoilerRoomStudio.com

A new track by DJ Habett from the album "It felt like another fever" (2025-03-23). Tags: Electro, Ambient, Synthesizer, Horizontal, Closer, Clone, Pills, Relief CC(by). Production notes: Better morning session, urge to spread the bass, swaping BPMs. Where did that prog-rock sample go ?

Can You Feel It?It's July, 1989 and the temperature is hot! Actually, for a lot of the UK it surprisingly was, but let's leave meteorological memories aside, we're talking the dancefloor. The country, the WHOLE nation was completely right on one, matey. Well maybe not the entire nation, but there was no doubt that the BPMs were sweeping the nation much quicker than the BSB squarial was in the last summer of the eighties. As 1988 became 1989, the underground was rapidly moving overground. The house sound of Chicago and Detroit had landed on our sceptred isle and we were making it out own. Artists such as The Beatmasters, Coldcut and Mark Moore's S-Express had stamped their authority on the charts and across the country as teens were pouring over Smash Hits for the lyrics of Inner City tracks and swapping mixtapes of the latest grooves.And, NOW That's What I Call Music were THERE!Well, yes they were, but that's not the whole story. Get on the dancefloor legendary compilers K-tel and new variously compiled whippershappers from Telstar, who (for once) were ahead of the compilation curve. Albums series such as Deep Heat (in those large cassette boxes Discog fans!) were bringing the cool kids a real mix of dance, hip hop and sounds from both sides of the Atlantic. So what did our friends at EMI/Virgin do? What they always do - respond, and then some!Join author, journalist, compiler and all round dance music fanatic Joe Muggs as we revisit the explosive dancefloor culture of summer 1989 though the lens of NOW Dance 89. Rediscover some iconic tracks from Inner City, Soul II Soul and Coldcut. Remember (because you may have forgotten) the VERY 89 sound of Hip House with the likes of The Cookie Crew, Merlin and (awesome super duper) Tyree. Find out how NOW navigated a groove between the mainstream and the emerging underground through some amazing 12” mixes and laid a blueprint for the impending sound of the 90s, and indeed an unavoidable cultural shift into the next century of pop and beyond.And if that wasn't enough, find out which dance icon Joe sought out an autograph from, how the legendary producer Youth may have missed a chance to be on The Fast Show, which track brings tears to mothers eyes at Big Fish Little Fish discos and why we need the uplifting and uniting experience of house music now more than ever.People, hold on! Hosted on Acast. See acast.com/privacy for more information.

Embark on an interstellar musical odyssey, where genres and BPMs merge effortlessly across the cosmos. This set launches with electrifying big room energy, ascends through progressive house, pulses with circuit rhythms and seductive tech house, and this time, prepares for a deep dive into the hypnotic depths of melodic techno.Suit up, strap in, and enjoy the ride!

This set is a futuristic journey through the upcoming releases on my label, Wrong Theory, featuring artists such as _GODO, Heckerman, YearsAstray, Catalina, D- BUNK, Take Karaka, MarsAttacx, and myself. Lately, I've been shifting and exploring higher BPMs and tribal influences, and I wanted to include some of those tracks—slowed down—to fit the narrative of this set. It's a reflection of my vision and my evolving relationship with new-school techno. I hope you enjoy it! Tracklist via -Spotify: bit.ly/SRonSpotify -Reddit: www.reddit.com/r/Slam_Radio/ -Facebook: bit.ly/SlamRadioGroup Archive on Mixcloud: www.mixcloud.com/slam/   Subscribe to our podcast on -iTunes: apple.co/2RQ1xdh -Amazon Music: amzn.to/2RPYnX3 -Google Podcasts: bit.ly/SRGooglePodcasts -Deezer: bit.ly/SlamRadioDeezer   Keep up with SLAM: https://fanlink.tv/Slam  Keep up with Soma Records: https://linktr.ee/somarecords    For syndication or radio queries: harry@somarecords.com & conor@glowcast.co.uk Slam Radio is produced at www.glowcast.co.uk

Into the third segment of this over seven hour set. We are well-warmed up, locked in, and feeling that push to rise. Getting into some remastered 2000's prog breaks and working in the 130 BPMs. M'Out - Wiggle Andrew Bayer - Open End Resource(Leaving Laurel) Sasha & Locked Groove - Exploding Suns Four Tet - Daydream Repeat Dusky - Wildfire Shilo - OZ Accadia - Into The Dawn(Ashtrax) Pepe - D3S4F10 Avalon Emerson - A Dam Will Always Divide(Lew E) U&K - Stalker Richie Blacker - Tomb Raver Sasha & Knives Out - Hoodie Alan Hidden Face - Falling Down ishi vu - This is your Life Dusky - Grape Tourist - EST David Forbes - Sunrise(Sela&Briggs) Josh Borrows - Untitled B-Side(WHT) Deep Dish - Say Hello(Dylan Rhymes) Force Mass Motion - Hold Back(Dylan Rhymes) Pete K - For Love

Daniel Nigro is a songwriter and producer known for his work with Chappell Roan, Olivia Rodrigo, Sky Ferreira, and many more. He's nominated for six Grammys this year, and they're all the big ones. We spoke with him from his studio in Los Angeles about Hunter Biden's pardoning, the Paltrow Martin family, the SNL New York Mag cover, Drake Down Under, digital audio interfaces, his LA real estate journey, his Erewhon order, the top 5 BPMs of all time, we trade some production tricks, his mid-2000s emo life and his top 5 emo bands, and Dan wants to know about natural wine. instagram.com/dan_nigro twitter.com/donetodeath twitter.com/themjeans howlonggone.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Embark on an interstellar musical journey, seamlessly blending genres and BPMs. The set ignites with electrifying big room beats, rises through progressive house, navigates circuit rhythms, and glides into melodic techno, culminating in a meticulously crafted trance finale. With over 8 exclusive mashups and edits tailored for this chapter, it's time to suit up, strap in, and enjoy the ride. 

Opened my hour with another new (and free) one from me, then moved through flavours of disco, funk and various other delights- hitting soulful, exotic and jazzy notes along the way. In the second hour I handed over to Kellit for a very special all vinyl set. Kellit is label curator for the fab Disco Exotic, a wicked producer of chunky tunes, a great DJ and a very lovely bloke. His mix is high on the BPMs, full of bumpy, old school sounds and is a lot of fun. Give him a follow, and check out some of his tunes too - https://soundcloud.com/kellit1 HOUR 1 TRACKLIST 1 Curtis Mayfield - Tripping Out (Even Funkier Edit) 2 Chris Grubizna - Feel the Jam 3 Conway Temple - Love Lights (12 Disco-Funk Extended Mix) 4 Rumple-Stilts-Skin - I Think I Want To Dance With You 5 Mystic Merlin - Mr. Magician 6 Studio Rio - Bill Withers - Lovely Day 7 James Brown - Stone To The Bone 8 Johnnie Taylor - Love Is Better In The AM 9 Giovanni Damico - Tropica (feat. Martina) 10 Ari Bald - That Lonely Night 11 Eddie Kendricks - Going Up in Smoke 12 Philou Louzolo - Royal Booty Funk 13 Bumper - Take Me To The Dance Floor 14 Anthony Dunn, James Baron - Female (Ron Basejam Remix) 15 Solazz - Just Think About 16 Moodena - Papi Chulo 17 Emmaculate, Lee Wilson - New Day (Club Mix)

October 20th, 2024 I enjoyed crafting this laid-back, downtempo house mix with BPMs between 110-115. This set flows through smooth, chill vibes, perfect for unwinding or setting a mellow groove. I loved experimenting with slower beats while keeping the energy just right. Hope you enjoy the ride as much as I did making it! Migration (Original Mix)/Ross Couch I Can't Get No Sleep (Choice Hip Hop Mix)/Masters At Work, India Myles grove (Original Mix/Scope  Yeah/Blue Six Risin' (Original Mix)/Will The Funkboss American Boy feat. Neja (Original Mix)/Ely Bruna Tonight feat. Meshell Ndegeocello (Original Mix)/Miguel Migs Orange Carrot (Original Mix)/Black Loops The Remedy (TwoDirty instrumental)/DIRTYTWO Give into Love (feat. Chloe Amber) (Album Edit)/Birdee, Chloe Amber What I Do (Original Mix)/Crayon Still In Love (Original Mix)/Paskal & Urban Absolutes Marvins Touch (Original Mix)/T.Markakis Alone in This Rhythm (Ben Macklin Remix)/Blank & Jones Halocline (Original Mix)/The Disclosure Project Stolen Keys/Franc Dux Changes/Franc Dux Yachting/André Aguado Blue Nights/Brendon Moeller Only Child / When 6 Loves 9/Carte Blanche Vol. 1 - The Aqu Good N Plenty (DubBeats Street Mix)/Rufus  Opal/ The Sunchasers How The Fuck Did I Get Home? - Dub Mix/Chopstick, Fritz Zander Peoples Groove/Ed Wizard & Disco Double Dee Everlasting (Original Mix)/Dr. Packer B.O (Original Mix)/Retromigration Everyday (Original Mix)/Lesny Deep Rose rouge (Atjazz Galaxy Aart Remix)/St Germain

As aired by friskyRadio during August 2024 here's a new 2 hour studio mix from me taking your ears for a ride covering new and old music across the BPMs, strap in and enjoy Ulrich Schnauss & Mark Peters - Words Can Be Dismissed Quivver - Moonlight Pools Paul Stickman - Theme 001 Gorje Hewek, Makebo & Amonita - Never Been Kabi (AR) & Ric Niels - Kimica Dino Lenny - I've Learned That (Jonathan Kaspar Remix) Tonaco - Avalon Alex George - Moth (Dousk Remix) Daniel Rateuke - Uzuri Bebetta & HRRSN - Lonely Planet Boy (Andre Lodemann Remix) Monolink - The Prey (Gui Boratto & Vintage Culture Remix) Tassilo Hagstrom - Berlin Soul Of Man - Dirty Waltzer (Denney Edit) Malikk - Android JONATAS C - Jack wAFF & Shyam P - Mesmerized Deetron - Photon Climbers & W.O.L.F. - Discoteca Exotica Gregor Tresher - Goliath Christian Smith - Here to Stay Darlyn Vlys - Surrender DJ Sirin - Battle Stereo Express - Rise Of The 2nd Sun Ginger & Boris Brejcha - Spicy Darlyn Vlys & Niv Ast - All I Need Maceo Plex, Program2 & Giovanni - Revision UNKLE - Heaven (Paul Lyman Remix) Dusky - L.I. Paul van Dyk - Another Way (Trance Wax Edit) Hans Zimmer - Time (Pen Perry Remix) Biesmans - Hawkins (Remix) Quivver - Crystals Maps - Start Something Fading Language - You Can't Just Let Me Fade Away Like This

There's obviously been an improvement in the drugs on the club-scene; BPMs are creeping back up, and there are loads of decent, proggy house tracks. It's been great fun crate-digging over the last few weeks! Enjoy.

Welcome back to the Magician On Duty Journey Series! On this edition we welcome @hvidmand In the early hours of June 19, 2024, as the first light of dawn kissed the tranquil waters of a nearby lake, hvidmand embarked on a musical journey that transcends time and space. Utilizing the energy of the sunrise, he crafted a DJ set that blends 20 years of expertise with the raw beauty of nature. This set, recorded illegally by tapping power from a nearby restaurant, is a testament to the power of creativity and the human spirit. hvidmand's latest release is a masterful collection of meticulously selected tracks, each with a vocal element, woven together to tell a meaningful story that touches the soul. Featuring songs released before 2010, and even some dating back to 2005, every track is presented in lossless quality and mastered personally by hvidmand for an unparalleled audiophile experience. The set defies conventional structure, with BPMs ranging from 105 to 128, creating a dynamic, non-linear flow. hvidmand incorporates the 5Rhythms model, a modern interpretation of ecstatic dance developed by Gabrielle Roth in the 1970s. This approach explores the five emotional cycles, balancing positive and negative emotions to create a deeply immersive experience. hvidmand's deep understanding of how humans perceive sound frequencies, supported by electroencephalography (EEG) studies, allows him to craft a set that continuously stimulates the brain. By adding and removing frequencies, he creates a healing experience that tickles the mind and soothes the soul. I hope you will enjoy this journey as much as I did! Follow hvidmand here: https://soundcloud.com/hvidmand https://www.instagram.com/hvidmand_ https://linktr.ee/hvidmand_

The first thing you might realise during a MUSCLECARS set is the sheer musicality of the duo's selections. Vocals glimmer at the centre, unfolding into enchanting, soulful coos, while drums strike captivating rhythms and gilded synths reach towards the sky. It's a jazzy New York house sound mythologised by pioneers like Joe Claussell, Carlos Sanchez and Timmy Regisford (whose songs all make it to this RA Podcast). For years, New York natives Brandon Weems and Craig Handfield have run their Coloring Lessons party as a way to introduce a younger generation to this vital piece of dance music history. In a city that prides itself on fast walking, fast talking and, as of late, fast BPMs, their music is an invitation to ease into a more relaxing pace. This RA Podcast comes at a golden time for MUSCLECARS. In May, they released their RA-recommended debut album, Sugar Honey Iced Tea!, whose sultry (and undeniably catchy) lead single "Tonight" has gotten the stamp of approval, and a remix, from New York legend Louie Vega. And this Sunday, they hosted their annual Juneteenth block party outside the Lot Radio, where scores of Black dancers latched onto one another during sets from a multigenerational crew of Black DJs including Ron Trent, Lovie, Shawn Dub and MUSCLECARS themselves. This two-hour-plus mix takes us through the spiralling jazz of Herbie Hancock, the flashy disco of The Originals and lands us, finally, in "Water," the track that also closes out Sugar Honey Iced Tea!. @musclecarsnyc Read more at https://ra.co/podcast/941

On episode 147, we're turning up the BPMs for some head smashers. You're going to call Safelite for a new windshield after this episode.  We've got bangers from Ghostface Killah, M.O.P, Nature, Smif N Wessun, Pete Rock, Juggaknots, Ras Kass, Non Phixon, Cali Agents, Darc Mind and Vakill. At the break, we discuss freestyle rappers. That's right, we talk Harry Mack all the way to J.U.I.C.E. and why we consider them the Harlem Globetrotters of Rap. We attempt to understand Dre's distain for certain battle rappers and white rappers and Kevlar does his best Aesop Rock impersonation. We also talk about some recent movies and shows like Tires and decide Midnight Marauders is the next album to get the 360-Treatment like Paul's Boutique. And now, let's start the show. ⁠www.takeitpersonalradio.com⁠ Patreon: ⁠https://www.patreon.com/TakeItPersonal⁠ Online store: ⁠https://take-it-personal.creator-spring.com/⁠ (enter SUMMER for 25% off) 

Beatgridding your music has been a necessary evil for digital DJs who want to use features like sync, loop, beat-tied effects, accurate hotcues, and so on, for many years. However, while beatgridding 2.0 improved on beatgridding 1.0 by handling songs with slightly varying BPMs a little bit better, not much has changed over the years – until now, that is – because new software is now able to use AI to basically kill manual beatgridding entirely. People, beatgridding 3.0 is here – and we talked about it in this pod, and what it might mean for DJs.We moved on to talk about audio engineering for DJs and why it's important for DJs to have at least a basic grasp of what audio engineering is, and how they can use it in their hobby. Whether it's simply tidying up individual songs or making DJ mixes sound better, or going further and extracting audio from bigger pieces of work for use as a DJ, knowing your way around audio editors, audio repair software, and even audio routing software is a surefire way to improve what you're capable of doing… way before you get to your decks.And finally, this month we looked at motorised platters, spinning jogwheels, and asked the question: Why? They haven't gone away, which you might expect to have happened since turntables stopped appearing in DJ booths, and – lo and behold – now even turntables are on the way back. What is the enduring appeal of having something spinning on your DJ gear? We came up with some answers.As ever, this pod is supported 100% by the students of Digital DJ Tips and it was recorded in a live webinar with lots of student feedback. If you enjoy it, and you can, please do give us a five star rating on Apple Podcasts. It really does make a difference. TIMESTAMPS0:00 Intro0:15 Episode overview1:43 The death of beatgridding16:05 Audio engineering for DJs28:24 Motorised jogwheels Want to get your question answered on an episode of this podcast? Digital DJ Tips course owners get to ask questions in their student-only group. Your first step to getting involved is to buy a DJ course, so come and join our community at https://www.digitaldjtips.com.

As 2024 gathers pace, so do the releases and BPMs! Showcasing the latest releases on labels, and plenty of others too, the collaborative podcast series between the Music Blocks Media and Brutal Kuts record labels returns once again with new music from hosts Fracus & Darwin as well as the likes of Mike Reverie, Jack In Box, DJ Evo, Winterlake, In Effect, Bridgey-B and more. Hosted on Acast. See acast.com/privacy for more information.

Sara Allan, a versatile multi-media artist, explores various creative mediums, often blending visual and auditory elements to create immersive experiences and public art displays. Navigating the Jordanian art scene under her pseudonym ‘Wild Card,' Sara crafts unique ceramic ashtrays as well as curates eclectic music selections for trendy spots like Spilled Milk in Jabal Amman. Drawing from her extensive collection of obscure tracks, she tailors sets to match her audience's mood, seamlessly transitioning between various musical genres. While she steers away from a singular signature style, Sara stands out by infusing Asian influences into her sets. In this Select, Sara traverses various genres, from rap, house, dub experimental sounds and more, spanning a wide range of BPMs to create a textured hour long set. Featuring extremely obscure tracks such as Tristan Arp's “From The Seams” ACJI's “underskov'ie,” Gendema's ‘Ephimase” and Destrata's “Mutationist,” Sara's music selection is a testament to her digging and culling skills.

Hailing from Cairo, Chiati has emerged as a multi-instrumentalist performer in the Middle East. His music seamlessly blends emotive house rhythms with pop vocals, showcasing his versatility both in the studio and on stage. His seraphic vocals intertwined with harmonious melodies, honed through years of mastering various instruments such as the guitar and keys, have earned him various gigs at venues like Shorelines, XCHANGE Cairo, Glasshouse, and Nacelle's Sandbox, among others. Collaborating with artists like Juno and Naila Marie, Chiato has graced the stage alongside renowned acts such as &ME, Damian Lazarus, Henrik Schwarz, me, DJ Tennis and more. Recently, he unveiled his latest work on Noise Records' "Genesis, منش'' with his eclectic house single ‘In the Dark.' This week, Hatem presents us with a special set: a live gig by Chiati performed at Nacelle's Sandbox Festival in 2023. In this Select, Chiati performs an hour-long set guiding his listeners through his talents as a multi-instrumentalist. Starting off with a solemn debut featuring piano melodies, Chiati seamlessly transitions into different tempoed mixes, integrating various instruments and BPMs into his set. Touching upon various genres, Chiati's mix is musically complex and layered.

What some refer to broadly as "Latin club music"—from dembow to raptor house—is having a moment on dance floors around the world. Since making his mark at Manchester's legendary Swing Ting parties in the 2010s, Florentino, who is of Colombian heritage, has melded high-pressure perreo, cumbia and other styles with high BPMs and fat-bottomed bass in his DJ sets and productions. The result is an ultra-kinetic, cross-cultural sound that's influenced by UK soundsystem culture as much as the sounds of the massive, diverse scenes across Latin America. The pan-Latin influences are a big part of Florentino's sound palette, but they by no means define him. Interspersed with dancehall and soca are dubstep, pummelling techno, house, UK funky, grime and more. Over the years, his experimental side has also crystallized, whether it's through the deep, sometimes trippy, reggaeton of Sangre Nueva, his collaborative project with Kelman Duran and DJ Python, his sought-after bootlegs of deconstructed guaracha, or the releases on his Club Romantico label. Most recently, he's signed with UK giant XL Recordings, including for his latest EP, Kilometro Quinze. His dizzying range and propensity for rhythmic contortions is on full display in his RA Podcast. This is a riotous mix with big drops, bouncy basslines and crispy textures, showcasing Florentino's talent as a proper party-starter. @deejayflorentino Read more at https://ra.co/podcast/912

Have you ever stared at the podium and wondered, 'Could that be me?' In this episode, I share a bit on my road to the podium (rejection, canceled training groups, injuries) before claiming my spot on the podium, and now as a trainer and coach for other instructors!If you've felt a desire to lead group fitness classes and wonder what it takes, here's a quick episode with five signs that you might be ready right now to step into the role of instructor or coach.We cover the five signs, along with asking questions like: Are you a natural leader? Are you adaptable? Do you have a commitment to constant learning and growth? Above all, do you have an unquenchable desire to positively impact people's lives through fitness?If you answer "hell yeah" to any of these questions AND are seeing those signs I mention... Podium Prep, my intro course and training manual for aspiring instructors, could be your next step (psst: it's only $87 for my Black Friday sale!) We cover everything to help you slay an upcoming audition with confidence, knowing exactly what to say to a studio owner you want to teach for, compensation structures, a social media lesson on how to prep your profile, RPMs and BPMs, and a glossary of choreography, and more. FULL Black Friday sale hereFollow me on IGInstructor Magic R9 edition is NOW OPEN for registration! Enrol and get immediate access to all of the modules, masterclasses, content, and videos inside- along with an international community of fit pros to help you level up, FILL CLASSES, and change lives. USE CODE YESYOUCAN for $50 off!

Egyptian DJ George Gehad is a familiar face to Cairo's dancefloors, having been a resident DJ at hotspots like Shinko and the North Coast's uber popular hotspot Kiki's over the last few years. Diverse in his selections Gehad traverses BPMs and genres from disco to afro to the more commercial side of house. In his Selec 199 set Gehad showcase his African soul, blending both new and timeless tracks, such as Liboz's ‘Tchebé Tchebé', ‘Brom' by Balthazar & JackRock, as well as Louis The Child's own version of Empire of The Sun's timeless track, ‘Walking on A Dream'. www.scenenoise.com

On this episode of The Get Down Cream and Gary discuss:How to price yourself on Halloween and other big holidays.How to approach your sets with impatient crowds.BPMs are increasing and how you can incorporate "speed house," techno and other faster BPM tracks.How to properly DM, text or email a booker, manager or venue owner that will show you are a trustworthy professional DJ. Support the show

Buckle up, buttercup because this week's RIPEcast takes you on a wild journey around genres and BPMs with Santa Barbara DJ and producer, Seanathan. More about Seanathan: DJ and producer Seanathan, based in Santa Barbara, CA, has been making waves within his craft through 2023. With a successful release on Fantastic Voyage's "Now That's What I Call Bootlegs Vol. 9" release, he has garnered worldwide support from the likes of Ricardo Villalobos, TSHA, Arielle Free, Justin Jay, and more. Seanathan hopes that his musical selection can uplift listeners both physically and emotionally. https://instagram.com/seanathanmusic https://soundcloud.com/seanathanmusic https://open.spotify.com/artist/2jiiXWRVzXUAwA5CwdkNjb?si=ZyaelQukQYSTCoLreB8Iag

Housepedia Podcasts #HomeIsWhereHouseIsPlaying 139 I Even Funkier London-based DJ, producer and radio host Even Funkier weaves together Disco, Funk, House, Soul, Boogie, Jazz, Hip Hop and Global delights to create something fresh, irresistibly funky and downright groovy. He plays tunes from across the decades, genres and BPMs, mixing up hidden gems with tried and tested favourites, with a focus on sweet, sweet Disco music brought right up to date for modern dancefloors. As a DJ he's taken his trademark rollercoaster genre-fluid sets to locations including Glastonbury, Westival and ADE, playing parties for Midnight Riot, Good Custard, Project Bango, Pineapple Police Horse and theBasement Discos. And as a producer he's released on over 20 labels labels including Tropical Disco, Hot Digits, Mango Sounds, The Disco Express, Midnight Riot and Spa In Disco. Info about the artist: @evenfunkier Submit your mixtape: http://housepediamusic.com Like our posts? To buy a coffee and help support Housepedia Music click: ko-fi.com/housepediamusic Listen on Apple: apple.co/3n4V8s5v

Kerrie started a label called Dark Machine Funk, a name which hints toward the kind of music she plays. And while the Irish artist might be a capital-T techno DJ, her idea of "dark" is a little different than the black-clad legions of her generation. You won't find whiplash-inducing BPMs or racy pop edits in her sets. Her idea of techno is more classicist, without veering towards the stuffy or the retro. Her DJIng and her productions bridge the divide between Euro and American styles. Hints of breakbeat or other broken patterns bring in ideas from the UK techno that she loves so much, such as the pivotal label Blueprint, where she's become a regular as of late. With her, the devil's in the details (listen to those deliciously twisted hi-hats in recent track "Transient Belief"), and that comes down to mixing records, too. Her RA Podcast is a fast but measured run-through of 90 minutes of techno by artists like Exium and Tensal and from labels such as Token and Soma. Though none of her own tunes make the tracklist, this mix perfectly captures Kerrie's style. She's someone who appreciates that the real power and force of techno comes from its groove, not just the impact of the kick drum or pure speed. @kerrie_DJ Read more at https://ra.co/podcast/896

Estamos en 1990, el muro de Berlín ya era historia, la guerra fría había acabado, Margaret Thatcher dimite, liberan a Nelson Mandela. Era una época feliz en gran parte del mundo y la música Pop fue un reflejo del hype que había en la atmosfera. El House había llegado para quedarse, lo mismo que el éxtasis. Y antes del desenfreno y locura que comenzaron a ser las raves ilegales, música con más BPMs y ritmos agresivos, hubo una época donde había muy buen rollismo en las melodías que sonaban en las discotecas. Veníamos de la explosión del House a finales de los 80s, el movimiento Madchester, el proto CHill-Out procedente de Ibiza con el Balearic Beat, el New Beat belga, el Techno de Detroit, etc. Todo eso hizo que la música Pop y la música de baile se cruzaran en los primeros años de la década y produjera auténticos hits alegres, de muy buen rollo, paz y amor y todo eso.. Como dije antes, con el trascurso de los años la música dance se volvió más rápida y agresiva, llegando a picos de 150BPMs, una locura. Pero en la segunda mitad de los 90s, a finales de década, el House volvió a cambiar, los BPMs bajaron, sonando más fresco como a principios de década. En parte fue gracias a la llegada del French House, que fue un soplo de aire fresco para la música de baile. El En este Podcast Podréis escuchar un breve resumen de aquel sonido que nos hizo bailar a todos y pensar que todo iba mejor. TRACKLIST: 01 - Black Machine - How Gee (Original Sax Mix) 02 - Black Box - Everybody Everybody (Le Freak Mix) 03 - Deee-Lite - Groove Is In The Heart (Meeting Of The Minds Mix) 04 - Lonnie Gordon - Gonna Catch You (Una Mix) 05 - Secchi Feat. Orlando Johnson - I Say Yeah (Extended) 06 - Nomad - (I Wanna Give You) Devotion 07 - Crystal Waters - Gypsy Woman (La Da Dee La Da Da) 08 - FPI Project - Rich in Paradise (Going Back to My Roots) (Original Mix) 09 - Crystal Waters - 100% Pure Love (Radio Mix) 10 - Sandy B - Make The World Go Round (Deep Dish Radio Edit) 11 - Clivillés & Cole - A Deeper Love (A Deeper Love Mix) 12 - Wamdue Project - King Of My Castle (Roy Malone Kings Mix) 13 - Madison Avenue - Don't Call Me Baby 14 - Rozalla - Everybody's Free (To Feel Good) 15 - D:Ream - Things Can Only Get Better (D:Reamix Edit) 16 - M People - Moving On Up (M People Master Edit)

Estamos en 1990, el muro de Berlín ya era historia, la guerra fría había acabado, Margaret Thatcher dimite, liberan a Nelson Mandela. Era una época feliz en gran parte del mundo y la música Pop fue un reflejo del hype que había en la atmosfera. El House había llegado para quedarse, lo mismo que el éxtasis. Y antes del desenfreno y locura que comenzaron a ser las raves ilegales, música con más BPMs y ritmos agresivos, hubo una época donde había muy buen rollismo en las melodías que sonaban en las discotecas. Veníamos de la explosión del House a finales de los 80s, el movimiento Madchester, el proto CHill-Out procedente de Ibiza con el Balearic Beat, el New Beat belga, el Techno de Detroit, etc. Todo eso hizo que la música Pop y la música de baile se cruzaran en los primeros años de la década y produjera auténticos hits alegres, de muy buen rollo, paz y amor y todo eso.. Como dije antes, con el trascurso de los años la música dance se volvió más rápida y agresiva, llegando a picos de 150BPMs, una locura. Pero en la segunda mitad de los 90s, a finales de década, el House volvió a cambiar, los BPMs bajaron, sonando más fresco como a principios de década. En parte fue gracias a la llegada del French House, que fue un soplo de aire fresco para la música de baile. El En este Podcast Podréis escuchar un breve resumen de aquel sonido que nos hizo bailar a todos y pensar que todo iba mejor. TRACKLIST: 01 - Black Machine - How Gee (Original Sax Mix) 02 - Black Box - Everybody Everybody (Le Freak Mix) 03 - Deee-Lite - Groove Is In The Heart (Meeting Of The Minds Mix) 04 - Lonnie Gordon - Gonna Catch You (Una Mix) 05 - Secchi Feat. Orlando Johnson - I Say Yeah (Extended) 06 - Nomad - (I Wanna Give You) Devotion 07 - Crystal Waters - Gypsy Woman (La Da Dee La Da Da) 08 - FPI Project - Rich in Paradise (Going Back to My Roots) (Original Mix) 09 - Crystal Waters - 100% Pure Love (Radio Mix) 10 - Sandy B - Make The World Go Round (Deep Dish Radio Edit) 11 - Clivillés & Cole - A Deeper Love (A Deeper Love Mix) 12 - Wamdue Project - King Of My Castle (Roy Malone Kings Mix) 13 - Madison Avenue - Don't Call Me Baby 14 - Rozalla - Everybody's Free (To Feel Good) 15 - D:Ream - Things Can Only Get Better (D:Reamix Edit) 16 - M People - Moving On Up (M People Master Edit)

In this month's episode, we dive into the vibrant sounds of Nate Katz, a self-taught producer hailing from Santa Cruz, renowned for his innovative style. We'll be exploring his latest release "I'm Happy," featuring a selection of stand-out tracks that embody the unique soundscape of this rising talent. I'll share insights from our recent conversation and highlight the key elements that make this release an auditory gem.Flip over to Side B for another journey into the deep end of the underground music scene. This installment takes us from the echoing chambers of deep house to the pulsing rhythms of deep tech, with BPMs ranging from a steady 124 to an energetic 127. These are the underappreciated treasures that deserve your attention.Check out the links mentioned in the episode below, and make sure to follow or subscribe to keep up with the most underground beats in the scene!Nate Katz Instagram: @natekatzdjBlog post on this episode: https://www.404missing.link/episodes/season-2/nate-katz-004/Full Circle MCR 2023: https://www.404missing.link/full-circle-mcr-23/Website: www.404missing.linkInstagram: 404_missinglinkFacebook: 404missinglinkTwitter: 404missing_linkTikTok: 404_missinglinkYoutube: https://www.youtube.com/@404missinglink/podcasts Hosted on Acast. See acast.com/privacy for more information.

LDLDN is DJ, producer - and most importantly - obsessed with music. A host on NTS Radio since 2012, his shows hop between jazz fusion, Detroit techno and anything else that generates a feeling. His SpaceBass parties and DJ sets at the likes of Erol Alkan's ‘To The Rhythm' at XOYO, I Love Acid at Corsica Studios, We Out Here Festival, Lovebox, Tate Modern and Secretsundaze swing easily between dancefloor steppers and more thoughtful, deeper grooves. Movement is key, genres and BPMs - not so much. Founding Natural Frequency Records has allowed LDLDN to bring all that together - releases that are musically diverse and tap into years of experience raving, collecting and dreaming about music. Tracks that aim to capture an emotion or idea in a genuine and interesting way. "My tastes cover so many different styles, tempos and vibes, it's often tricky to choose a particular direction for a mix. But after seeing some of the chaos at a recent Slothboogie party I thought I'd go straight in with some front-foot, late-night house, techno and acid selections to get you moving. A sprinkling of new and old - including stuff on my Natural Frequency label - recorded in one take to capture the energy. Really enjoyed putting this together and hope you do to"

We're back with another edition of our Summer show. Dropping those island vibes to kick off and progressing with the BPMs eurostyle! Make sure you tune in as well for a special announcement regarding our next live event. Check out our website for more shows at http://euronation.ca

That's great to hear! As an open format DJ, it's important to constantly improve your skills and keep your audience engaged. Here are three ways that may have helped you become a better open format DJ:Practice Your Beatmatching: Beatmatching is the foundation of DJing and is essential for creating a seamless mix. Take the time to practice beatmatching by ear and use software or hardware that can help you improve your skills.Stay Up-to-Date with Music Trends: As an open format DJ, you need to be aware of the latest music trends and be able to incorporate them into your sets. Follow music blogs, check out streaming platforms, and attend industry events to stay informed about new music.Read Your Audience: One of the key skills of an open format DJ is the ability to read your audience and adjust your set accordingly. Pay attention to the energy level of the crowd and experiment with different genres and BPMs to keep them engaged and dancing.By consistently practicing these three skills, you can become a better open format DJ and elevate your performances.Support this podcast at — https://redcircle.com/we-create-the-vibes-podcast/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This is Thys (Thijs de Vlieger): DJ, producer and composer from the north of the Netherlands. His DJ sets are a reflection of a two-decade-long musical course. With razor- sharp and unexpected mixing, he seamlessly blends a multitude of bass heavy genres. Creating energetic waves, not afraid to make bold leaps, but never losing sight of the groove. When producing club music De Vlieger loves to mix up BPMS and moods. His recent “Shoulder To Shoulder” EP is a clear statement of intent in that regard: a love letter to club music and the intuitive feeling of togetherness that loud music in a dark room can unlock for us. But when writing music in a more “composer” role, the range stretches even wider: Repeated collaborations with Amon Tobin, a short film for Iris Van Herpen with renowned harpist Lavinia Meijer (Biomimicry), a feature film with Salvador Breed (Mycelia; unreleased at the time of writing), three scores for contemporary dance performances, writing for full symphonic orchestra and classical ensembles, and an album composed for church organ, cello and viola, with the organ recorded by De Vlieger himself (unreleased): Thys will not be tied down to one sound or genre. As a member of widely recognised electronic music trio Noisia, Thys has toured the world for decades, has collaborated with and remixed a range of top tier artists like The Prodigy and Skrillex, and scored for AAA videogames such as DMC: Devil May Cry and Motorstorm: Apocalypse. Thys Social Links: social links: iamthys.bandcamp.com  instagram.com/thysmusic twitter.com/thysmusic Mr. Bill's Links: https://live.mrbillstunes.com/ https://discord.gg/ySjhgWQ https://mrbill.bandcamp.com/ https://www.youtube.com/user/MrBillsTunes Podcast Produced & Edited by: https://twitter.com/303FuMo  

DJs should know about song tempo because it is an essential element of mixing and transitioning between songs. Tempo, or the speed at which a song is played, is measured in beats per minute (BPM), and DJs need to be able to match the BPM of one song to another to create a seamless mix.Here are some reasons why DJs should know about song tempo:Beatmatching: One of the fundamental skills that a DJ needs to master is beatmatching, which involves syncing the BPM of two songs so that they play in time with each other. This creates a smooth transition between the songs and keeps the energy level consistent.Mixing: DJs use tempo as a tool to create a seamless mix between tracks. By gradually increasing or decreasing the tempo, they can blend two songs together without the audience noticing the transition.Genre and Mood: Different genres of music have different tempos, and DJs need to be aware of this to create a suitable mood for their audience. For example, a DJ playing a set of dance music will typically use faster BPMs, while a DJ playing a set of chillout music will use slower BPMs.Performance: DJs often use tempo changes to add variety and keep the audience engaged during their performance. By gradually increasing or decreasing the tempo, they can build up the energy or slow things down, depending on the vibe they want to create.In summary, knowing about song tempo is essential for DJs because it allows them to create a seamless mix, match the mood of the audience, and keep the energy level consistent throughout their performance.Support this podcast at — https://redcircle.com/we-create-the-vibes-podcast/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

"I am going to take you on a ride where I will challenge you to back down or go with me," Parrish Smith says in the interview below. "If you don't like to do this, and you see a glimpse of me, you will dislike me. But the second time it happens again, I will be there to change your mind again, just to be challenged." It's a confident, confrontational idea that goes with an unusually confrontational RA Podcast, a mix that represents a truly free spirit in the European dance scene. Smith, who also moonlights in the band Volition Immanent with fellow Dutch trailblazer Mark Knekelhuis, makes and plays hard, aggressive techno. But instead of gabber BPMs and overdriven kick drums, he directly incorporates ideas, sounds and influences from rock, punk and metal, a tricky combination that he nails like few others have been able to. (Just check his album Light, Cruel & Vain.) Case in point: this mix blends Regis, Tzusing and Playboi Carti with Sepultura, Juno Reactor and Celldweller. It's a journey to the end of aesthetics, where opposites don't attract so much as crash and melt into each other. It's a fierce hour-and-a-half but never quite overbearing or overwhelming, gracefully weaving in and out of chaos like the work of someone who knows the real impact and art of heavy music. @parrishsmith Read more at https://ra.co/podcast/874

Live Recorded Set from VirtualDJ Radio ClubZone

Dance music deepened its presence in pop culture this year, expanding into TikTok's nichest corners as well as Billboard Hot 100 charts. For the December edition of the Critics' Roundtable, staffers Chloë Cochran, Whitney Ajayi, Martha Pazienti Caidan and contributor Vanessa Maria reflect on the major milestones of 2022. Electronic music was part of global conversations on gender disparity and sexual violence, the group noted. Women's safety in clubs was a particularly concerning issue this year, they continued, highlighting incidents of needle spiking at clubs. On a more positive note, they applauded Butterz cofounder Elijah, RA's guest editor from earlier this year, whose efforts to educate on issues in the music industry led to a staff position at SOAS University of London. To hear more about these topics, as well as the popularity of higher BPMs and definitive tunes like "B.O.T.A. (Baddest Of Them All)," listen to the chat in full.

En Por Fin No Es Lunes nuestra colaboradora más musical, Alaska, ha hecho un repaso por la música de baile y la velocidad a la que van sus ritmos, los BPMs.

Episode 243: House Vs. EDM On this week's episode of the @RoadPodcast, the fellas welcome a collective of Las Vegas heavyweights @SheckyGreenLV, @EddieMacLV, @DJLema, and @Spydatekzilla to expand on a previous discussion (from Episode #237) which sparked a major debate online "House vs EDM" (1:20). They discuss the birth of Electronic/Dance Music and how EDM became a “bad word” (8:14). They speak about the “death of disco” (22:34), ghost producing in EDM (46:55) and annoying "Clock DJs" (1:06:15). Shecky explains that during times of economic hardships, people listen to music with faster BPMs (1:08:20) and Eddie Mac recounts a frustrating interaction opening for @DavidGuetta (1:12:37). The fellas discuss local DJs in Las Vegas conforming to a dated formula that venues have been following (1:41:42). Finally, Crooked shares his desire to spin longer sets (1:47:15) and recaps a recent experience with an opener (1:49:42).

Ace Cannons and MIGHTYHEALTHY join us to talk about their recent project MIGHTYCANNONS and the idea/inspiration behind it. We discuss how drums and increased BPMs set them apart from the current independent scene while also bringing a sense of nostalgia. Then, of course, we discuss their album pick for this episode - the final full-length from A Tribe Called Quest.

On her brand new EP “EL SUR,” Mexico City's Girl Ultra amps up her R&B sound through more textures and BPMs. With “Punk,” — featuring indie rockeros Little Jesus — we hear an homage to the sounds she grew up loving, alongside vestiges of her formation as a musician in disco/funk bands, and years as a house DJ.