Podcast appearances and mentions of Dave Angel

My following set blends timeless, soulful dancefloor anthems with fresh, innovative techno. Let classic grooves and modern beats carry you through a seamless soundscape where tradition meets forward-thinking energy. You'll hear music from Gary Beck, Remco Beekwilder, Dave Angel, Josh Wink and many others. Tracklist 01 DJ Savage - Inside Out 02 Percy X - Maintain (Steve Bicknell Mix) 03 Altinbas - Hunt 04 Antic Soul - Utapau 05 Gary Beck - Ghost 06 Stef Mendesidis - Crime and Punishment 07 Remco Beekwilder - Below The Surface 08 Niereich - 5am Rave Moment 09 Dave Clarke - Thunder 10 Dave Angel - May I Have This Dance 11 Rove Ranger - Workout (The Advent Remix) 12 Josh Wink - How's Your Evening So Far feat. Lil Louis (Vocal Mix) 13 The Miller - Sellin 14 David Moleon - Nocontrol 15 Rino Cerrone - Rilis 07 A1 (The Advent Remix) 16 The Youngsters - Spanish Harlem 17 Yan Cook - Exomoon https://www.facebook.com/lowfrequencypodcast https://www.facebook.com/itsmestevedj https://soundcloud.com/st-eve_dj

This week I am back behind the controllers with some hot Techno releases, on today's show expect to hear tacks by the likes of Dave Angel, Mark Broom , Sara Mozzillo, D- Unity, Kandling Ray and lots more hot Techno release's on a Deep, Raw, Hypnotic Tip just how we like it. ⚡️Like the Show? Click the [Repost] ↻ button so more people can hear it!

This weeks 'Alvorhythms' with Alvin C includes a new Maurice Fulton Remix of Musclecars, a DJ Regal tribute from Nick Faber, a track taken from Decius Trax Record 1 and a Crooked Man mix of Transmission Towers. Re-Edits of The Commodores and Eurythmics plus twelves from the shelves from Randy All Star's, Samooo, Nicole and Dave Angel and an unknown disco cut, Black Editions Vol.1.For more info and tracklisting, visit: https://thefaceradio.com/alvorhythms,/Tune into new broadcasts of Alvorhythms, Wednesdays from 7 AM - 8 AM EST / Midday - 1 PM GMT.//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Welcome to the final part of our Disasters: Deconstructed mini-series from Fishlake, UK! Thank you so much to Dave Angel for producing this wonderful local artifact, and sharing his creative process with us. I hope you all are inspired as much as we are!!    Follow us on Twitter, Instagram and Facebook @DisastersDecon Rate and Review on Apple Podcasts Subscribe wherever you get your podcasts!    Further information: Dave Angel's contact: d.angel@lboro.ac.uk   LinkedIn: https://www.linkedin.com/in/dave-angel-5444a6226/   Loughborough HOME CDT doctoral research project https://meaningofhome.uk/   The Meaning of Home CDT Podcast: our monthly podcast on the subject of home https://meaningofhome.uk/podcast/  

We are back with Dave Angel for the second episode of our Disasters: Deconstructed mini-series from Fishlake, UK. Thanks for joining us!    Follow us on Twitter, Instagram and Facebook @DisastersDecon Rate and Review on Apple Podcasts Subscribe wherever you get your podcasts!   

Welcome to the first episode of our Disasters: Deconstructed mini-series from Fishlake, UK. Your host for this series is Dave Angel, a musician-composer who has spent most of his life in the area. The series draws on his PhD work "‘Effing Awful!': Deep, Dirty, Dangerous Water. Developing an audio representational method to develop empathy around post-flood experiences in two South Yorkshire villages." Over to Dave for the mini-series!    Follow us on Twitter, Instagram and Facebook @DisastersDecon Rate and Review on Apple Podcasts Subscribe wherever you get your podcasts!    Further information  

Hello and welcome episode 47 of The DJ B-12 Deep Acid House Experience. I hope you are all doing well out there and I appreciate your support and listenership. This show is for the month of September 2023, and it is dedicated in memory of Ainsley Talbot, my 10-month 3-week-old kitten who passed on August 29, 2023. She had a terrible condition that left her disabled after she was about 2-3 months old. Although she was born normal with her surviving sister, Arianna and her brother, Jackson, it seems, her mother, Gracie (who was a stray cat I took in 3 weeks before they were born), contracted a virus while she was pregnant, which resulted in only Ainsley developing a condition that caused her cerebral cortex to not form properly. It started out with her motor skills diminishing and eventually led to her being only able to lay on her side and needing help doing everything. She was a true fighter, and she will always be my little hero and my best friend, but her broken little body just had enough.  She was the most beautiful, precious, and loving soul I've ever known.  As you can imagine, this was a bittersweet episode for me to do with losing her so young, which is one of the reasons it took me so long to get out, but I wanted to get a fresh mix out with new tunes that I could also dedicate to her. Although this set was worked out ahead of her passing, some of the tracks took on a special meaning because of lyrics and titles. RIP Ainsley girl. I will love you forever and always, until we meet again, my angel. Ainsley Talbot October 3, 2022 - August 29, 2023.This mix has 76 tracks and a runtime of 2 hours and 38 minutes. This set contains the best in house, breaks, progressive, melodic house and techno, techno, deep house, acid, piano house, vocal house, uplifting house and more. The full 320k mp3 can be downloaded from Soundcloud.  This episode contains tracks by the following artists and on the following labels: Sousa_, 13 Records, Thomas Compana, Drekaan, Embliss Records, Into The Ether, Immersed, Digby & Oliver, Framewerk, Zero Tolerance Recordings, Ika Sile, OSF, Sasha, Because of Art, Last Night On Earth, Dosem, My Friend, Anjunadeep, W&O Street Tracks, Trance Wax, Armada Music, Framewerk Rewerks, Kodiaks, Aubrey Fry, Death Proof Recordings, Mauricio, Big Speaker Music, Paul Rudder, Miura Records, Rhyme Time Production, Skapes, Tim Hidgem, Cleveland City, Solo, TuneCore, Sopp, Pomme Frite, Sweet LA, LW Recordings, T-Bor, Phoenix Music Inc, Nick Muir, Proton Music, Audiojack, Jem Cooke, Michael Mayer, Crosstown Rebels, Suki, Shall Not Fade, Armada Music Albums, Jachmastr, Selsi, Sounds and Frequencies Recordings, Bound to Divide, Lauren L'aimant, Colorize (Enhanced), Nadja Lind, Hernan Cattaneo, Soundexile, City Noises, Muzvio, Capital Heaven, Toriah, Stress Records, Fly Boy Records, Leena Punks, Tom Westy, Monoton, La Fusa, Henry Street Music, Tom Wax, Frank De Wulf, Phuture Wax Records, Nicky Elisabeth, Joris Voorn, Acid James, Amy Dabbs, Athlete Whippet, Aus Music, Ejeca, Toolroom, mpeg, Permanent Vacation, Jay Kay, Play This! Records, Lazer Worshippers, Wild and Taylor, Missile Records, Hehn, Torre, Anthony Pappa, Progrezo Records, Astro, Lost Palms, Florentin, Diynamic, Jaydee, Percep-tion, t e s t p r e s s, Dance Trax, DJ Jeroenski, Alex Vasi, Rubber People, Blockhead Recordings, Ace's Jam Hire, MARINA TRENCH, Hugo LX, Gerd Janson, Sweet State, Andy Bach, Anne Miller, Leftymood Records, Mark Archer, Shadow Child, Swankout, Vataff Project, Saafi Brothers, Liquid Sound Design, State of Grace, Sunscreem, Carl Cox, Bushwacka!, Chuck Roberts, Oblong Records, Sweet LA, Whore House, WeAreTwo, Re:vibe Music, Robert Babicz, Kelch, Bodhi, Hotflush Recordings, Marsh, Sun Ra, LeSonic, Ellie Shantz, Monstercat Silk, Quivver, Dave Seaman, Einmusika Recordings, Rammdomm, Urban GorillazY, Saytek, Apex Recordings, Toni Sauna, Daniel Englisch, Dave Angel, Groom Lake Universal, Hammer, DART, Maruw, WZA, Nuvolve Music.Tracklist01. Sousa_ - Around Me [13 Records]02. Thomas Compana - Keep Progress (Drekaan's 'Better to Live High' Remix) [Embliss Records]03. Into The Ether - Reminiscence (Extended Mix) [Immersed]04. Digby & Oliver - Human (Framewerk Breaks Remix) [Zero Tolerance Recordings]05. Ika Sile - Get To Know [OSF]06. Sasha & Because of Art - Fused [Last Night On Earth]07. Dosem & My Friend - Blue Marble (Extended Mix) [Anjunadeep]08. My Friend - Atomic Burger [W&O Street Tracks]09. Trance Wax - Rhythm Of The Night (Extended Mix) [Armada Music]10. Framewerk - Mooger Fooger (Framewerk Rewerk) [Framewerk Rewerks]11. Kodiaks - Growler (Aubrey Fry Remix) [Death Proof Recordings]12. Mauricio - PHAZE 1 (Extended Mix) [Big Speaker Music]13. Paul Rudder - Findin' My Way [Miura Records]14. Rhyme Time Production - You & Me (Skapes & Tim Hidgem Remix) [Cleveland City]15. Solo - Emotions [TuneCore]16. Sopp - So Good [Pomme Frite]17. Sweet LA - Reset [LW Recordings]18. T-Bor - On The Edge (Extended Mix) [Phoenix Music Inc]19. My Friend - Walk The Walk [W&O Street Tracks]20. Nick Muir - All One Word [Proton Music]21. Audiojack x Jem Cooke - Feels Good (Michael Mayer Remix) [Crosstown Rebels]22. Suki - Phonosynethesis [Shall Not Fade]23. Because of Art - Amnesia 2000 (Extended Mix) [Armada Music Albums]24. Jachmastr - Obsession (Selsi Remix) [Sounds and Frequencies Recordings]25. Bound to Divide & Lauren L'aimant - Tears (Extended Mix) [Colorize (Enhanced)]26. Nadja Lind - Limbus (Hernan Cattaneo & Soundexile Remix I) [City Noises]27. Muzvio - Vortex [Capital Heaven]28. Toriah - Motions (Extended) [Stress Records]29. My Friend - Chicken Lizard [Fly Boy Records]30. Leena Punks - OOO (Out Of Office) (Tom Westy Extended Remix) [Stress Records]31. Monoton & La Fusa - Spirit Of The Inner Circle [Henry Street Music]32. Tom Wax - Electronic Passion (Frank De Wulf Remix) [Phuture Wax Records]33. Nicky Elisabeth - Fading (Joris Voorn Extended Mix) [Anjunadeep]34. Acid James - Queen of Hearts [LW Recordings]35. Amy Dabbs & Athlete Whippet - Milkshake (Extended Mix) [Aus Music]36. Framewerk - When The Lights Are Out(Framewerk Rewerk) [Framewerk Rewerks]37. Framewerk - Into The Sun (Framewerk Edit) [Framewerk Rewerks]38. Ejeca - In & Out (Extended Mix) [Toolroom]39. mpeg - What's Real [Permanent Vacation]40. Jay Kay - Inspire [Play This! Records]41. Lazer Worshippers - Lazer Worshippers Theme (Wild and Taylor Electro Mix 1993) [Missile Records]42. Hehn - Macro [Torre]43. Dosem & My Friend - Door To Door (Extended Mix) [Anjunadeep]44. mpeg - Dizzy [Permanent Vacation]45. Anthony Pappa - Outback (Lank Lazy Dub) [Progrezo Records]46. Astro - Radiance [Lost Palms]47. Florentin - Cousin Sam [Diynamic]48. Jaydee - Sleepy Head [Percep-tion]49. t e s t p r e s s - HWFG [Dance Trax]50. DJ Jeroenski & Alex Vasi - Get Back Together (Rubber People Remix) [Blockhead Recordings]  51. My Friend - In Flux [Ace's Jam Hire]52. MARINA TRENCH - Ose feat. Hugo LX (Gerd Janson Remix) [Sweet State]53. Andy Bach - Never Felt So Right feat. Anne Miller [Leftymood Records]54. Mark Archer & Shadow Child - I Know You (Swankout Remix) [Dance Trax]55. Vataff Project - Come and Join (Saafi Brothers Remix) [Liquid Sound Design]56. Because of Art - Don't Make Me [Last Night On Earth]57. t e s t p r e s s - U (Extended Mix) [Stress Records]58. My Friend - Into The Night (Extended Mix) [Stress Records]59. Framewerk - Not Over Yet (Framewerk '23 Rewerk) [Framewerk Rewerks]60. Carl Cox & Bushwacka! - Music Is Life feat. Chuck Roberts (Deep Mix) [Oblong Records]61. Sweet LA - Closer [Whore House]62. WeAreTwo - The Rooftop (Sweet La Remix) [Re:vibe Music]63. t e s t p r e s s - Just [W&O Street Tracks]64. Robert Babicz - We Will Never Give Up [Kelch]65. Bodhi - Actuator (Extended) [Hotflush Recordings]66. Marsh - Another Planet feat. Sun Ra (LeSonic Extended Mix) [Anjunadeep]67. Marsh feat. Ellie Shantz - Make (Extended Mix) [Monstercat Silk]68. Quivver & Dave Seaman - Eyes Wide Shut [Einmusika Recordings]69. Selsi - Majestic [Capital Heaven]70. Rammdomm - Vorinclex [Urban GorillazY]71. Saytek - Acid Breakup (Live) [Apex Recordings]72. Toni Sauna & Daniel Englisch - Make Detroit Great Again (Dave Angel Remix) [Groom Lake Universal]73. Hammer & DART - Tint (Maruwa Remix) [Shall Not Fade]74. mpeg - Back To B [Permanent Vacation]75. Framewerk - Perfect Motion (Framewerk Rewerk) [Framewerk Rewerks]76. WZA - I Just Wanna Be Free [Nuvolve Music]

Hello and welcome to Thew DJ B-12 Deep Acid House Experience episode 46 for August of 2023. We have a special treat for you this time with a gust mix I did back in May for Mix Pub. This is a 60 track mix that's a little over 2 hours long and is jampacked with loads of styles ranhing from house to techno to breaks to acid to hardcore and progressive. I wanted to wait a while on releasing this one. It went over really well the night it aired. I really hope you enjoy. I'll try not to take too long releasing show number 47 probably in September.   This set contains tracks by and remixed by and on the following labels: t e s t p r e s s, Shall Not Fade, The Spirit, Logic Records, Digital Domain, Rabbit City, Simon Doty, Anjunadeep, Habbo Foxx, Zulu Records, Roland Clark, Trish O., Alexander Technique, Heldeep Records, Greco (NYC), Rowetta, Klangkuenstler, Rawsome Recordings, Marsh, Anjunadeep, Jerusalem, OM, Spooky, Deviant Records, Harry Romero, Jessica Eve, Rodriguez Jr., Crosstown Rebels, Franky Wah, Cr2 Records, Dosem, Truesoul, Vitess, Pont Neuf Records, Framewerk, Capital Heaven, O.H.M., Defective Records, Brothers Love Dub, Stress Records, Fleetwood Mac, Deep Dish, Reprise Records, Lose Endz, Overall Musicl, GSEP, Rikki Sawyer, Hall North, JourneyDeep Records, Depeshe Mode, Framewerk Rewerks, Andy Moor, Adam White,  Whiteroom, Marsh, Virtualmismo, Progressive Motion Records, Slacker, Jukebox In The Sky, The Future Sound Of London, Virgin Records, Rhythm Invention, Nick Simpson, Warp Records, Jaydee, R&S Records, Tom Mangan, Size 9, Bedrock Records, Dave Angel, Rekids, Drum Club, Underworld, Butterfly Records, Pleasurebox, Well Hung, Accidental Music, Roach Motel, 4 To The Floor Records, Gareth Cole, Ohral, Bizzare Inc., Loz J Yates, World Sound, GREETINGS, Boots & Legs, Rick Marshall, Soulful Evolution, Nox Vahn, James Grant, Lauer, Johannes Albert, Frank Music, Tom Wax, Drea Perlon, Harthouse, Phil Fuldner, Armada Subjekt, Blazers, Infinite Pleasure, Friend Within, Shall Not Fade, Corrodo, Savannah Records, Soul Brothers, Joi Cardwell, Ralphi Rosario, Nervous Records, Ken Ishii, Dave Angel, R&S Records, Saytek, Taiko, All Around The World (AATW), Sultana, Ego, 108 Grand, Way Out West, Fresh, Stereo MC's, Kadosh (IL), Stil Vor Talent, Tibasko, Azzecca, Another Rhythm, Firestar Soundsystem, Elektroshok Records, Robbie Doherty, Shall Not Fade, BC#9, DNB UNITED RECORDS, Because of Art, Antony Szmierek, Komakino, Robert Babicz, Esprit De La Jeunesse, Sunscreem, Sunscreem Music Thanks again for your support! Like, comment, share, subscribe and repost! Tracklist01. t e s t p r e s s - on my own [Shall Not Fade]02. The Spirit - The Spirit (Into My hands. I Command My Body) (12" Spiritual Mix) [Logic Records]03. Digital Domain - I Need Relief [Rabbit City]04. Simon Doty - Living Sound (Extended Mix) [Anjunadeep]05. Habbo Foxx - Love On My Mind (Extended Mix) [Zulu Records]06. Roland Clark, Trish O. - This is Techno (Alexander Technique Extended Remix) [Heldeep Records]07. Greco (NYC), Rowetta - Be (Klangkuenstler Remix) [Rawsome Recordings]08. Marsh, Simon Doty - Touch The Sky (Extended Mix) [Anjunadeep]09. Jerusalem - Jerusalem (King Solomon Dub) [OM]  10. Spooky - Belong (Flangescopic Dub) [Deviant Records]11. Jessica Eve, Harry Romero - It Hurts feat. Jessica Eve (Rodriguez Jr. Remix) [Crosstown Rebels]12. Franky Wah - Stories (Extended Mix) [Cr2 Records]13. Dosem - All Locations [Anjunadeep]14. Dosem - Unlimited Access [Truesoul]15. Vitess - Head Scan [Pont Neuf Records]16. Framewerk - Let Your Mind Go [Capital Heaven]17. O.H.M. - Oceanic [Defective Records]18. Brothers Love Dub - The Mighty Ming [Stress Records]19. Fleetwood Mac - Dreams (with Deep Dish) [Reprise Records]20. Lose Endz - North Beach [Overall Music]21. GSEP, Rikki Sawyer - Made For You (Hall North Remix) [JourneyDeep Records]22. Framewerk - Enjoy The Silence [Framewerk Rewerks]23. Andy Moor, Adam White - The Whiteroom feat. Whiteroom (Marsh Extended Mix) [Anjunadeep]24. Virtualmismo - Cosmonautica (Lunar Lander Mix) [Progressive Motion Records]25. Slacker - Musifon [Jukebox In The Sky]  26. The Future Sound Of London - Lifeforms [Virgin Records]  27. Rhythm Invention – Chronoclasm (Nick Simpson's Portable Mix) [Warp Records]28. Jaydee - Plastic Dreams [R&S Records]29. Tom Mangan - Chutney (Size 9 Remix) [Bedrock Records]30. Dave Angel - Glide [Rekids]31. Drum Club - Sound System (Underworld Mix) [Butterfly Records]32. Pleasurebox - Real Kiss (Well Hung Parliament Remix) [Accidental Music]  33. Roach Motel - The Right Time (The London Disco Dub) [4 To The Floor Records]34. Gareth Cole - Drawn To The Dark [Ohral]35. Loz J Yates - Plutonic [World Sound]36. GREETINGS - Look Within [Boots & Legs]37. Rick Marshall - Don't Wanna Be (Extended Mix) [Soulful Evolution]38. Chris Cargo - Synergy (Framewerk Remix) [If You Wait]39. Marsh, Nox Vahn - Come Together (Dosem & James Grant Extended Mix) [Anjunadeep40. Lauer, Johannes Albert - Posh-O-Rama [Frank Music]41. Pascal Nuzzo - Hold On [R&S Records]42. Tom Wax, Drea Perlon - Hangxiety [Harthouse]43. Phil Fuldner - Shift (Extended Mix) [Armada Subjekt]44. Blazers - Midnight Resource [Infinite Pleasure]45. Friend Within - Don't Hurt Me [Shall Not Fade]46. Corrodo - Trust (Pink Mix) [Savannah Records]47. Soul Brothers - Let It Go (feat. Joi Cardwell) (Ralphi Rosario Dub) [Nervous Records]48. Ken Ishii - Overlap (Dave Angel Remix) [R&S Records]49. Saytek - IYNDUB01 (Live) [R&S Records]50. Taiko - Echo Drop (Hard) [All Around The World (AATW)]51. Sultana - Te Amo (Caliente Mix) [Ego]52. 108 Grand - Tonight (Way Out West Dub) [Fresh]53. Stereo MC's, Kadosh (IL) - Think It Over [Stil Vor Talent]  54. Tibasko - Still Rushing (Azzecca Extended Remix) [Another Rhythm]55. Firestar Soundsystem - Future Break [Elektroshok Records]56. Robbie Doherty - Sick n' Tired [Shall Not Fade]57. BC#9 - I Want Your Love [DNB UNITED RECORDS]58. Because of Art, Antony Szmierek - Circle of Light (feat. Antony Szmierek) (Incandescent Mix) [Stress Records]59. Komakino - Outface (Robert Babicz Remix) [Esprit De La Jeunesse]60. Sunscreem - Pressure US (SXS Mix) [Sunscreem Music] 

Preparamos el primero de los especiales de agosto para viajar a través de una selección con lo mejor del Generador de Ideas junto a alguno de los mejores temas de 2023. La Lista: Bas Relief – Hung Round My Name [Quiet Time] Generador de Ideas: Los guionistas, con María Marcos Ramos. Stelios Vassiloudis - M3M25M4 [Bedrock] Generador de Ideas: Privacidad en redes sociales, Paloma de Barrón. Keita Sano - Sweet [Morris Audio] Suzanne Ciani & Jonathan Fitoussi - Golden Apples of the Sun [Transversales Disques] Generador de Ideas: The Last Of Us y su mensaje, con Héctor Samuel Martínez. Dave Angel - Glide [Rekids] Generador de Ideas: Las redes 6G, con Francisco Falcone. Overmono - Calon [XL Recordings Ltd] Generador de Ideas: ¿Metaverso? Con Pavel Sidorenko. Ryan James Ford - Ripping Greg (Mike Mix) [Plur] Generador de Ideas: ¿Sobrevivir en el arte contemporáneo? Con Sara Torres Sifón, directora de PAC. Martin Dupont - Love Is On My Side [Meidosem Records] Generador de Ideas: Desextinción con Miguel Pita. Chaos In The CBD – Higher Elevation [Fabric Elevation] Generador de Ideas: El manga en España con Eszter Wirth. Delone – Kitana (Piek Remix) [Riverette] Generador de Ideas: ¿Cuánto duran las películas? Con Gabri Ródenas. Doc Sleep - C&L at the Sea [Tartelet Records] Generador de Ideas: “Vivir lejos”, con José Ariza de la Cruz. Skee Mask - Bandprobe Dub [Ilian Tape] Generador de ideas: La huelga de guionistas en Hollywood, con Elena Neira.

With tracks from Genius Of Time, Kevin Yost & Peter Funk, Tonbe, Chaos In The CBD, Captain Mustache, Joey Beltram, Virginia, Mark Mackenzie, Chloé Caillet & Mikhail Beltran, Nav Katze, Danvers, Manual, Wendy Hydra, Gerd, Sylvere, Marcus Raute, Luxxury, Cajmere Feat. Dajae, Radio Slave, Altrice, Dave Angel. Contact: dj@ribeaud.ch.

Featuring tunes from Sault, DJ Shadow, Four Tet, Chris Rea, Basement Jaxx, Confidence Man, Austin Ato, Hankook, Dave Angel and many more!

This week on Melodics - we dive deep into the dark, melodic, beautiful, and powerful tracks across house & techno with your host Raskal. This week we have a studio mix from the New Studio with Host Raskal.

This year's 303 day mix

Hi all, only techno this month, enjoy these strong releases !Love.Playlist :01 Marco Faraone/Josh Wink/Confidential Recipe ,HEY DJ, Uncage; 02 Datura, Eternity (Dusty Kid Revived), Systematic Recordings; 03 Steve Parker, ALPHA WAVE (Digital Bonus), Planet Rhythm; 04 Dave Angel, Glide, Rekids;  05 Speedy & Steve, Reddo, Mote Evolver; 06 Omis (Italy), Contrasting Details, EI8HT;  07 The Advent/Flug, Midnight Storm, Existentia; 08 KaioBarssalos, Because I Feel Like This, Suara; 09 Fresko, Too Much Talk, Hayes ;10 William Arist feat Alarico/VIL, Tero, Frenzy Recordings.   minimal show on iTunes  minimal show rss feed    

Featuring tunes from Flevans, UNKLE, Jamie XX, Chris Coco, Pulp, Dave Angel, Lay-Far, Denham Audio, Coco Bryce and many more!

Mandarin has been DJ for over 20 years, co-founder and label manager of Fantastic Friends Recordings. He has shared decks with some of the biggest names in the industry like Gene Farris, Onionz, Lil'Louis, Harry Romero, Djul'z, Craig Alexander, Dave Angel, Steeve Bicknell, Terry Francis, and many more. His sets explore all the trends of underground electronic music, and he always strives to make people dance, dream, and travel. From ghetto house to melodic deep-tech, Mandarin's music styles are diverse and always surprising. You can catch Mandarin monthly on Bloop London Radio with his "A House Thing" show. Hit play and enjoy the journey! Keep an eye on Mandarin: https://soundcloud.com/mandarin-ffr https://www.facebook.com/Mandarin.music.works https://www.instagram.com/mandarin.music.works Listen to more electronic music on Intaresu https://intaresu.com

Episode 75 Black Techno Matters   Playlist Frankie Knuckles. Baby Wants To Ride. (1987 D.J. International). Vocals by Jamie Principle. South Bronx, New York. Written, produced, and instrumentation by Frankie Knuckles (Francis Nicholls). 6:43 Juan Atkins, “Bassmental” from 3MB Feat. Magic Juan Atkins (1992 Tresor). Detroit. Written, produced, and played by Juan Atkins. 9:01 Dave Angel, “Endless Motions” from 3rd Voyage (1993 R&S Records). Produced, programmed, and written by Dave Angel. 4:28 Green Velvet, “Conniption” from Velvet Tracks (1993 Relief Records). Produced, programmed, and written by Green Velvet (Curtis Alan Jones). 18:17 Robert Hood. “Spirit Levels” from Internal Empire (1994 Tresor). Detroit. Music by Robert Hood. 5:06 Hand, “I Remember When” from On a Journey. (1995 !K7 Records). Produced, written, and arranged by K. Hand (Kelli Maria Hand), Detroit. 9:15 Scan 7. “Beyond Sound” from Dark Territory (1996 Tresor). Scan 7 a collective of Detroit techno artists, led by Lou Robinson and including DJ Red Line. 6:25 Green Velvet. Flash (Original Mix) from Flash (Remixes) (2000 F-111 Records). Produced, programmed, and written by Green Velvet. 5:47 Hand, “Rain-Interlude” from “Detroit History” Part 1. (2001 Acacia). Detroit. Produced, written, and arranged by K. Hand. 1:38 Hand, “Riverfront” from “Detroit History” Part 1. (2001 Acacia). Detroit. Produced, written, and arranged by K. Hand. 5:52 Outputmessage (Bernard Farley), “REM State” from Oneiros (2004 Echelon Productions). Written, performed, and produced by Bernard Farley. 4:33 Hand. “Intuition” from Intuition EP. (2015 Acacia). Detroit. Produced, written, and arranged by K. Hand. 4:25 Jlin, “Enigma” from Black Origami (2017 Planet Mu). Produced by Jerrilynn Patton. Gary, Indiana. 3:48 Loraine James, “To the Left, to the West,” from Detail (2017 Fu Inle Records). London. 6:03 Jeff Mills, “Many Many Worlds” from The Universe Chapter 1 (2020 Axis). Produced, mixed, and edited by Jeff Mills. 4:40 Jeff Mills, The Speed of Light” from The Universe Chapter 1 (2020 Axis). Produced, mixed, and edited by Jeff Mills. 2:44 Venus Ex Machina. “Avril” from Lux. (2021 AD93). UK-based artist. Venus Ex Machina is a composer, sound designer and interdisciplinary artist based in the UK. 2:23 Venus Ex Machina. “Elephant” from Lux. (2021 AD93). UK-based artist. Venus Ex Machina is a composer, sound designer and interdisciplinary artist based in the UK. 4:20 Opening background music: Outputmessage (Bernard Farley), “Switch” from Oneiros (2004 Echelon Productions). Written, performed, and produced by Bernard Farley. Connect with Black Techno Matters and Bernard Farley. Listen to the Blackness is Revolutionary playlist on Spotify. As of this podcast, this playlist curated by Bernard Farley features more than 1,100 techno tracks by black artists. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog, Noise and Notations.

Joel West is a resident at Gorgomish Afterhours and frequently plays Vancouver's locally produced day-time events like Leave Us Lost, Sunwave, and Monstercat Compound (Groundwerk Stage). Joel recently released his single “Resistor” on Dense & Pika's Kneaded Pains label, with remixes from MSTRKRFT and The GOAT. Joel has opened for international touring talent like Layton Giordani, MSTRKRFT, D-Unity, Dave Angel, Gene Farris, Ardalan, Kevin & Dantiez Saunderson, DJ Heather, Ardalan, and others in venues such as Open Studios, MIA, Gorgomish, The Beaumont Studios, The Hifi Club, and more. Joel has played multiple times at Shambhala, Electric Love Festival, Festivus, and FozzyFest. In 2018, Joel played Melkweg in Amsterdam during ADE. Joel has released music on Kneaded Pains, Coincidence, No Match, Superfreq, Groundwerk, Kiko, Play, Air Texture, East Van Digital, Nuevadark, Cuete, and Woodwork. Joel is a co-founder of Groundwerk and the label head at Groundwerk Recordings. Joel produces house and techno and frequently plays his own music in his DJ sets. When not working with music, you can find Joel acting in TV, film, and commercials. CONNECT: The Music Matters Podcast Instagram: https://www.instagram.com/the_music_matters_podcast Patreon: https://www.patreon.com/themusicmatterspodcast Website: www.themusicmatterspodcast.com Treat us to coffee :) https://www.buymeacoffee.com/musicmatteo --- Send in a voice message: https://podcasters.spotify.com/pod/show/raveroompodcast/message

The Hay Now Podcast brings in some star power for its sixth episode as Jerry Benson from Discovery Channel's hit show Moonshiners sits down alongside Dave Angel, owner and operator of Elevated Mountain Distilling Company, and host Kyle Perrotti. Listen to Benson and Angel discuss the history of moonshine, how the television show has changed the game and the differences between making likker in a distillery versus the backwoods. 

Are you in sales or have a sales team? My special guest today is a man with wings. Dave the Sales Angel gives you wings. We met in Clubhouse and he's a seasoned business consultant and strategist for a sales team. David has mastered the art of closing more deals, handling rejections, and generating more leads, and increasing your business skills. He can put you in the right direction and get into your potential. Discover Dave Angel through his social media: Website: https://salesangel.com/ Clubhouse / Instagram: @thesalesangel ------------------------------------------- You can take advantage of our new exclusive free training; "How to get ahead, build long-lasting confidence and stay productive in four simple steps” This reveals; ​Why most people never build true long-lasting confidence and never get to live a happy, healthy life ​The exact strategy productive people use to become a master of their own time ​The tools you NEED to create YOUR BEST YEAR EVER https://coaching.mi365.me/workshop All our podcasts are available at: https://petecohen.com/podcast/ I help everyday people achieve their goals & dreams!   Helping and coaching people in my expertise. It is VERY satisfying to change people's lives so they improve and change their health, finances, relationships, confidence, and mindset.    Connect With Me! Come and join our free Pete Cohen Podcast Facebook Group: https://www.facebook.com/groups/223961357935535/ Follow me on Instagram at https://www.instagram.com/petecohen_/ About Pete Cohen: Pete Cohen is one of the world's leading life coaches and keynote speakers. Hundreds of thousands of people from all over the world have been motivated and inspired by Pete's presentations. He has professionally impacted the lives of thousands of people worldwide, including business executives, professional athletes, and everyday people.  Pete focuses on the importance of closing the gap in our lives between where we are and where we want to be, both personally and professionally.  It's then all about coaching you to remove the obstacles that are in your way and helping you install the habits of success.   Pete is the author of 19 published books, several of which have been best-sellers across the world, including Shut the Duck Up, Habit Busting, Life DIY, and Sort Your Life Out. He has also presented his own show on TV called The Coach and was the resident Life Coach on GMTV for 12 years. His new book Inspirators - Leading The Way In Leadership is available for free here - https://book.petecohen.com/ Check out my brand new 30 Day Kick Start Challenge In just 30 days, I will show you the Exact "Step By Step" Method to redesign your life like the top 1%. Feel extraordinary and take hold of life's boundless opportunities Mi365 30-Day Kick Start Your Life Let me guide, coach, and support you. Just give me 30 days and I'll give you the exact step-by-step method for getting you on your A-game and staying there for 365 days! Every day you'll have access to a new training session, introducing you to a new idea or concept. By investing the time each day, the programme will build over the 30 days to put you in a powerful place in your life.

THE DEEP CONTROL presents ... Pale Penguin (Greece) PALE PENGUIN is one of the key figures in the Greek electronic scene. Based in Thessaloniki, Greece, he's been djing for almost 30 years now. On his portfolio there are appearances in big festivals (Sola Luna, Balkan Voices, Urban Rhythm, Reworks, Butterfly, Spring Festen, Summer3P, Kapani Project) alongside Slam, Felix Da Housecat, Dave Angel, Luke Slater, Dominic Eulberg, Modeselektor, Rob Luis (Tru Thoughts), Coldcut, Octave One, Eddie Piller etc, and many venues throughout Greece and Europe. He has done warm-up sets to artists like Rjd2, Thievery Corporation, Richard Dorfmeister, Nightmares On Wax, Kid Loco, DJ Mushroom (Massive Attack), Frank Popp, Bjorn Torske, Bentley's Rhythm Ace, Snowboy, Hooverphonic, Andy Smith, Meat Katie, Lee Coombs, Kevin Sauderson, Aidan Lavelle, Ursula 1000, Malente etc. For almost 12 years he was resident dj in the legendary Bar/Clubs “Elvis” and “Liebe” presenting Friday's “Breaktech” nights while he have presented special dj sets for Thessaloniki's International Fair, Thessaloniki's International Film Festival and for the bigger Balkans Hip-Hop/Funk/Breaks event “Battle of The Year”. He's got many exclusive mix sets for global net radios, a series of exclusive mix CDs for Freeze magazine and he's the main compiler of the Electronica/Balearic compilation series “Return To Paradise” for V.I.M.RECORDS. He is a dedicated radio producer with many radio shows in Thessaloniki's best underground radio stations 88,5FM & REPUBLIC FM while lately he's a regular producer on TOPIKAP RADIO. Additionally he was the main music contributor to Greek music and urban culture magazines “Freeze”, “Soundmaker” and “Crawford Magazine”.
His production activities begun with SCOPITONE CONSPIRACY and POZITRONIC RAY in early 2000s, from 2006 to 2012 he was a member of THE SCIENTIFICS (a Breaks/Tech project which have released singles and remixes for labels like V.I.M.Breaks, Erase, Basstard, Yellow Finger Communications, Warriorz Music, Relax and Groovebox), In early 2009 together with Kid Stretch he have formed the Disco-Breaks project PALE THE KID (focused mainly in Electrofunky/Disco-Breaks sound they have managed to release singles and remixes for Breakbeat Paradise, V.I.M.Breaks, Dirty Drop Records, Warriorz Music and Timewarp Music). In the beginning of 2015 he has formed the Bass/Garage project NYCTEUS and from the beginning of 2016 he's doing Hypnotic Afro-Tek/Downtempo productions together with Mr.Lookman as PALE PENGUIN & MR.LOOKMAN and KELLIE SAKKAKU. Label Manager @shango-records ARTIST SC • @pale-penguin FB • https://fb.com/palepenguin CHANNEL SC • @the_deep_control FB • https://fb.com/TheDeepControlMusic IG • https://instagr.am/TheDeepControlMusic FREE DOWNLOAD - no download gates - keep it simple and keep us in your heart :)

Our guest in this episode is Neil Hutcheson, an Award-winning Filmmaker, Photographer, and Author.He resides in Raleigh, N.C. where he works as a producer and director of the Language and Life Project for N.C. State University, but spends a great deal of time in the Great Smokies, the location of several of his most popular projects.His most well-known works include books and films about Maggie Valley moonshine legend Popcorn Sutton, as well as books and videos on Cherokee culture and language, along with documentaries and books pertaining to Appalachian and African American vernacular, climate change, and heritage fisheries of the Outer Banks on the N.C. coast.Tune in for this fun conversation at TalkRadio.NYC or watch the Facebook Livestream by Clicking Here.SHOW NOTES:SEGMENT 1Tonight's show starts off with an introduction of what to expect from this episode. After announcements from the show's sponsors, our host Joseph McElroy introduces tonight's special guest: Neil Hutcheson. The two go through and lightly discuss Neil's well-known projects, his background, and Neil explains how he unexpectedly came to be in this industry and where his interest in language and filmmaking came from. The two swap origin stories shortly before the break.SEGMENT 2Coming back from the break, the discussion shifts into more of Neil's works, such as his documentaries. One project that they go more into depth about was a play about Louis Redman. Neil explains who Louis Redman was and what he did and how his case and the history surrounding it reflected the media at the time. He emphasizes that the media can get distorted and how no one really knows the true Louis Redman. The conversation moves on to the topic of “mountain culture.” Neil wrote about this culture in his book and explains how it has changed in recent years since he last wrote about it in the early 2000s. The two discuss what mountain culture is and dismantle the negative stereotypes and perspectives that surround it.SEGMENT 3Coming back from the break, Neil discusses how he got the local community to trust and accept him into their community. Additionally, Neil talks about how he got to get on a deeper level with Popcorn Sutton, especially since he often gave off the impression of always putting on a show. Neil explained how Popcorn Sutton could give off that impression, but he was a genuine performer and to an extent, was being himself. This leads to the conversation about how Neil was able to successfully capture who Popcorn Sutton is as a person in his movies and especially in his book. He goes on to talk about his more recent projects, many of which come from his own companies.SEGMENT 4The final segment starts off with an introduction of one of Neil's latest works, involving documenting another aspect of mountain culture: mountain music. The documentary can be found on YouTube and is called the Queen Family. Joseph and Neil talk about their favorite parts of the mountains and mountain culture in general. Neil explains why he loves nature in the mountains so much. They go further into their discussion by talking about more specific local spots at Maggie Valley and Neil tells what his itinerary would be like when visiting. The episode closes with special shoutouts where the audience can find more about Neil and his upcoming works.--------------------------------------------------------------------------TRANSCRIPT00:00:27.840 –> 00:00:32.310 Joseph McElroy: Thanks for joining us on this week's episode of gateway to the smokies.00:00:33.270 –> 00:00:41.970 Joseph McElroy: This podcast is about America's most visited National Park, the great smoky mountains national park, and the surrounding towns.00:00:42.330 –> 00:00:51.390 Joseph McElroy: these areas are filled with ancient natural beauty a deep storied history and rich mountain cultures that we explore with weekly episodes.00:00:51.840 –> 00:01:04.770 Joseph McElroy: I am Joseph Franklyn McElroy a man of the world, but also with deep roots in these mountains my family's lived in the great smoky for over 200 years my business is in travel, but my heart is in culture.00:01:05.340 –> 00:01:12.900 Joseph McElroy: today's podcast is about outlaws and outliers in the smokies, but first a little sponsorship information.00:01:13.530 –> 00:01:21.240 Joseph McElroy: I want you to imagine a place evocative motor courts of the past a modern and vibrant environment with a Chic Appalachian field.00:01:21.810 –> 00:01:28.740 Joseph McElroy: a place for adventure and for relaxation imagine a place where you can fish in a mountain here and it's a trout stream.00:01:29.010 –> 00:01:47.820 Joseph McElroy: grill the catch on fire and eat accompanied by fine lines or craft beers imagine it plays with old-time music and world cultural sounds, there is no other place like the Meadowlark Motel in Maggie Valley North Carolina your smoky mountain adventure starts with where you stay.00:01:48.840 –> 00:02:02.700 Joseph McElroy: smokies adventure.com that smokies plural adventure singular. COM has a site that features listings and information about the smoking's hiking wedding venues books trail Max resources.00:02:03.210 –> 00:02:21.150 Joseph McElroy: The emphasis on smoky adventures is outdoor recreation outdoor life events like weddings and adventures, along with providing information and lodging family and family entertainment events conventions and honeymoons and more it's the leading information portal of the smoky mountain.00:02:23.310 –> 00:02:28.740 Joseph McElroy: I want to mention some events coming up this is summertime in the smokies there are lots of events.00:02:29.790 –> 00:02:40.650 Joseph McElroy: So you can sort of search for them and find them just about anywhere I pick some that I think are great and also you know, relative to the businesses, the business I run in the mountains.00:02:42.360 –> 00:02:57.480 Joseph McElroy: And the first one is the Darren Nicholson bluegrass band camp and concert somebody that know anything about bluegrass know Darren Nicholson and he's a member of balsam range he has his own band he's a grammy award-nominated artists and.00:02:58.710 –> 00:03:08.310 Joseph McElroy: It has won many of the bluegrass towards this event is for aspiring musicians to learn and interact with some of the best artists in the business.00:03:08.700 –> 00:03:27.090 Joseph McElroy: And the venue culminate in an open to the public, all Stuart star concert on July 17 that's this Saturday this this this band camp will be repeated in future years so look forward if you're listening in the future to this podcast but for now July 17, 20100:03:29.130 –> 00:03:44.880 Joseph McElroy: Go to Meadwolarkmotel.com look under the mountain heritage smoky mountain heritage events and you'll find this event, and you can purchase tickets to come to it, you can also with lodging you get a free concert and you get half price on the band camp.00:03:45.990 –> 00:03:53.850 Joseph McElroy: They have him coming July 23 and 24th is hillbilly jam, the famous hillbilly Jam in Maggie Valley in North Carolina open the public.00:03:54.120 –> 00:04:09.270 Joseph McElroy: Both days music festival with crafts and food, food vendors moonshiners of the discovery channel car and bike show, and more so, go to the hillbilly jam.com or 82845-079795.00:04:10.560 –> 00:04:16.890 Joseph McElroy: This year is the 55th season of the shindig on the green presented by the folk heritage committee.00:04:18.090 –> 00:04:18.750 Joseph McElroy: Along with.00:04:19.800 –> 00:04:28.980 Joseph McElroy: headlining sponsor Allen's jewelry and pawn Finkelstein's loan office but it's a free event in the heart of downtown Ashville it goes over several days during the summer.00:04:30.090 –> 00:04:41.820 Joseph McElroy: And then the left to the left the days left in July or the 17th of 24th of the 31st as well as the August 14 and 20 21st and the heart.00:04:42.090 –> 00:04:57.420 Joseph McElroy: Of downtown Asheville parks what pack squares park Roger part pack square park called Roger McGuire Green that's pack square park Roger McQueen's that Roger McGuire Green I gotta learn to say that.00:04:59.400 –> 00:05:16.410 Joseph McElroy: it's got lots of music lots of vendors it's a great thing to go to has been going for 55 years I'm sure you'll find it, this is also the of the 94th annual mountain dance and folk festival as a ticketed event at the Pinsky hall auditorium at unc Asheville which is.00:05:18.450 –> 00:05:28.380 Joseph McElroy: 300 liberty lane Ashville it takes place every each of the nights Thursday through Saturday 6:30pm nightly.00:05:29.730 –> 00:05:30.150 Joseph McElroy: and00:05:31.170 –> 00:05:43.080 Joseph McElroy: I think the upcoming dates are August 5 Sixth and Seventh, so I advise you to go, that was a 94-year event, it has to be doing something else, and it showcases music dancers, and storytellers.00:05:43.650 –> 00:05:55.110 Joseph McElroy: And today, I have great and fabulous guests he is Neil Hutcheson is an award-winning filmmaker photographer, and author, who has one, among other things, three.00:05:55.770 –> 00:06:00.630 Joseph McElroy: One, among other things, three Emmy awards his work has been featured on.00:06:01.410 –> 00:06:12.180 Joseph McElroy: PBS the history channel discovery others he resides in Raleigh North Carolina where he works as a producer and director of the language and LIFE project for nc State University.00:06:12.540 –> 00:06:25.740 Joseph McElroy: But he also spent a great deal of time and the great smokies which have been the location of several of his most popular projects and famous subjects like popcorn suck Hello Neal,00:06:26.190 –> 00:06:27.840 Neal Hutcheson: hi thanks for having me.00:06:28.290 –> 00:06:32.520 Joseph McElroy: Oh I'm so glad, so you grew up in Chapel Hill right.00:06:32.910 –> 00:06:34.170 Neal Hutcheson: I did that's right yep.00:06:34.620 –> 00:06:42.360 Joseph McElroy: cool and then you went to Boone translate in Spain, and then the Raleigh where you studied at NC state is that all correct.00:06:42.510 –> 00:06:43.980 Neal Hutcheson: yeah you've got my whole rap sheet.00:06:45.450 –> 00:06:46.230 Joseph McElroy: sheet right.00:06:46.440 –> 00:06:48.480 Joseph McElroy: Well, I want to do so, I had to notice it.00:06:49.230 –> 00:06:50.520 Neal Hutcheson: Okay okay all right.00:06:51.360 –> 00:06:59.370 Joseph McElroy: So imagine you could have a pretty good conversation about basketball right yeah are you a fan of North Carolina sports.00:06:59.700 –> 00:07:06.960 Neal Hutcheson: Well, you know you can't really ignore them and growing up in Chapel hill like it was like you know it.00:07:07.590 –> 00:07:08.610 Neal Hutcheson: was like you know you.00:07:08.700 –> 00:07:13.920 Neal Hutcheson: got you your Carolina blue it's you know you don't even have a choice.00:07:14.670 –> 00:07:17.700 Joseph McElroy: You don't I mean and you would probably run a town if you didn't.00:07:19.680 –> 00:07:27.990 Joseph McElroy: It was a college town so but it's a great college and I went there a few times you know to see Duke Carolina but.00:07:29.460 –> 00:07:31.110 Joseph McElroy: I enjoyed it so.00:07:31.350 –> 00:07:34.380 Joseph McElroy: I grew up in a very strong culture part of the state of North.00:07:34.380 –> 00:07:35.010 Carolina.00:07:36.090 –> 00:07:53.220 Joseph McElroy: But you obviously you're a gifted art artist, with a passion for history and music and culture and colorful characters I understand to cut your teeth professionally by working with the NC State University linguist wall from and some other social scientist.00:07:54.420 –> 00:07:55.230 Neal Hutcheson: yeah that's it.00:07:57.960 –> 00:08:05.520 Neal Hutcheson: I'm hit the ground with working with Walt and doing language programs, I mean that's kind of what brought me to the mountains in the first place.00:08:05.850 –> 00:08:13.560 Joseph McElroy: yeah it was that is that when you did your for your sort of first real big step for a career when you did a film called mountain talk.00:08:14.190 –> 00:08:16.590 Neal Hutcheson: yeah that film was pivotal.00:08:17.640 –> 00:08:32.250 Neal Hutcheson: For sure um and I'd say you know that was the first full-length documentary that I had done and, and it really allowed me to spend a lot of time up there, where you are right now man and to meet people and just to kind of.00:08:33.420 –> 00:08:36.330 Neal Hutcheson: absorb the culture, the local culture.00:08:36.630 –> 00:08:41.580 Joseph McElroy: Is do you feel I mean, since you came through linguist do you think the sound of language is a.00:08:42.720 –> 00:08:43.890 Joseph McElroy: entree into your art.00:08:45.660 –> 00:08:54.960 Neal Hutcheson: I think um I always looked at language as an entree into the culture, you know so it's a different direction into looking at culture in it and it and it uh.00:08:55.560 –> 00:09:10.200 Neal Hutcheson: it's incredibly illuminating to look at the culture that way, instead of kind of you know, as opposed to whatever head-on, you know it's kind of a backdoor to looking at culture and the more you look at it it's incredibly fascinating.00:09:11.100 –> 00:09:15.780 Joseph McElroy: When you were young are you interested in language, are you addressing.00:09:16.020 –> 00:09:16.500 No.00:09:18.090 –> 00:09:19.440 Neal Hutcheson: totally unexpected yeah.00:09:20.880 –> 00:09:25.950 Neal Hutcheson: yeah I know, I find it interesting, but you know anything that you study becomes interesting.00:09:27.150 –> 00:09:30.030 Neal Hutcheson: The more you know about it um but.00:09:31.140 –> 00:09:39.720 Neal Hutcheson: No it's just that I happened to be at nc state, I was doing educational programs people said that what will for me to a video dude this was in the 90s.00:09:40.170 –> 00:09:50.520 Neal Hutcheson: And I stepped in his office and I said I you know if you have work, you know I can help you I'm freelancing and he said, are you any good, and I said, you know I think so so.00:09:51.300 –> 00:09:57.480 Neal Hutcheson: And so we started working and then that that has turned out to be a very fruitful collaboration and I'm still working with them.00:09:58.110 –> 00:09:59.190 Joseph McElroy: Is that how you been.00:10:00.750 –> 00:10:03.300 Joseph McElroy: With the job is a third of that relationship.00:10:03.480 –> 00:10:16.410 Neal Hutcheson: Yeah it wasn't a full-time gig you know, I was reluctant to let go of free time to do my own projects, so it wasn't a full-time gig for many years, but um I've still found time to do my own work as well on the side.00:10:17.160 –> 00:10:18.930 Joseph McElroy: What do you do at the language of my project.00:10:19.920 –> 00:10:21.300 Neal Hutcheson: Well, I produced documentaries.00:10:21.540 –> 00:10:24.270 Neal Hutcheson: but it's you know it's I'm.00:10:25.950 –> 00:10:31.980 Neal Hutcheson: Producing a documentary is do is wearing many, many hats, so I do a lot of things.00:10:32.790 –> 00:10:42.600 Neal Hutcheson: Right now, and preparing for a trip to Ghana, in August production trip and so very little of what I do is would be what people think of as production right now it's I'm not doing any editing or shooting.00:10:43.290 –> 00:10:49.140 Neal Hutcheson: Which is what I prefer to be doing, but you also have to do a lot of planning prep from you know logistical.00:10:51.330 –> 00:10:53.790 Neal Hutcheson: preparations and things like that too it's part of the job.00:10:55.530 –> 00:11:03.600 Joseph McElroy: Well, you know I'm interested I always like to know the origins of people's craft and you know I'm also an artist and it always.00:11:04.050 –> 00:11:08.460 Joseph McElroy: Had but I came at it, I had no clue I was going to be an artist, and so the.00:11:08.910 –> 00:11:15.780 Joseph McElroy: Even analyzing myself trying to figure out where where where the where is the evolution and all of a sudden, you become an artist, yeah a lot of people grow up.00:11:16.080 –> 00:11:23.400 Joseph McElroy: and consider themselves artists from the womb and other people just discovered along the way, where are you from the womb, or it is covered along the way.00:11:23.820 –> 00:11:28.650 Neal Hutcheson: Definitely along the way, and you know it'd be interesting, I don't know if you want to talk more about that, in particular, right now.00:11:29.070 –> 00:11:37.770 Neal Hutcheson: With limited time but you know to be interesting to know how you got started because for me it was kind of a lifeline that came to me unexpectedly in my college years.00:11:39.000 –> 00:11:49.800 Neal Hutcheson: I was kind of an intense young person with a lot going on, but I didn't have any means of self-expression, you know, and one way or another it's got to come out.00:11:50.400 –> 00:12:02.730 Neal Hutcheson: And I didn't have the discipline to develop skills that at writing at that time or at painting or some other craft to kind of get it out so I'm filmmaking kind of landed in my lap.00:12:04.410 –> 00:12:22.380 Joseph McElroy: Well, you know my story is actually fairly quick yeah I was arrogant a technology guy and somebody showed me some art and I looked at it and I didn't understand it, and I said, well, I can do that, and they said, well then do it and that started me on a journey of.00:12:22.740 –> 00:12:24.180 Joseph McElroy: Personal that I couldn't do it.00:12:26.070 –> 00:12:37.200 Joseph McElroy: yeah and a lot more depth and meaning and that journey led me along the way, but it was me being an arrogant ignorant cus that started my journey.00:12:39.090 –> 00:12:39.780 Neal Hutcheson: I love to hear.00:12:40.410 –> 00:12:40.830 yeah.00:12:41.910 –> 00:12:49.530 Joseph McElroy: Well we'll come back we'll jump into some of the stuff that you've done and dig deeper into your art and this way rooms.00:12:49.740 –> 00:12:50.100 Neal Hutcheson: Thank you.00:15:15.270 –> 00:15:26.340 Joseph McElroy: Oh sorry I was muted, so this is Joseph Franklyn McElroy back with the gateway to the smokies podcast and my guest Neal Hutcheson, Neal has an idea how you doing.00:15:26.970 –> 00:15:30.150 Joseph McElroy: Great Yes, that was my awkward entry.00:15:31.320 –> 00:15:33.180 Joseph McElroy: So I do that occasionally.00:15:34.980 –> 00:15:40.860 Joseph McElroy: So you know I mentioned mountain talk, but that wasn't your first documentary right.00:15:42.960 –> 00:15:46.410 Neal Hutcheson: It was probably the first one that I recognize is actually being a documentary.00:15:46.440 –> 00:15:49.920 Joseph McElroy: That was your first one that's your art okay cool.00:15:51.090 –> 00:15:51.750 Joseph McElroy: You know the.00:15:52.860 –> 00:16:01.260 Joseph McElroy: I yeah I entitled this episode outlaws and outliers because you've done some outliers and the most famous being popcorn sudden.00:16:01.680 –> 00:16:14.280 Joseph McElroy: But you've got some other you've done some documentaries and work about another you understand you had you have collaborated with a gifted writer and storyteller and play right there named Gary Carden of Cillo.00:16:15.780 –> 00:16:19.260 Joseph McElroy: And he's a colorful talented person, how did you two meet.00:16:20.430 –> 00:16:24.750 Neal Hutcheson: Well, I met him like I met so many other people when I came up here working on mountain talk.00:16:25.200 –> 00:16:34.860 Neal Hutcheson: um I spent about two years you know back and forth from Raleigh working on that particular film but I'm Gary was one of the people that I really connected with.00:16:35.340 –> 00:16:53.430 Neal Hutcheson: And of course, we've been working together, ever since um but somebody pointed him putting me in his direction, basically, they said they said he's you should talk to him, he talks about language, a little bit so that's how it started, I went and found him and I interviewed him and.00:16:55.140 –> 00:17:01.140 Neal Hutcheson: I just kept visiting him and in fact, I started working on a documentary about him in00:17:01.140 –> 00:17:03.930 Neal Hutcheson: Particular, and this is in maybe.00:17:05.460 –> 00:17:08.220 Neal Hutcheson: Alright, so I'm still hoping I'm hoping to finish it this year.00:17:09.840 –> 00:17:13.470 Joseph McElroy: Do you tell you to take your time with your subjects right.00:17:13.860 –> 00:17:17.040 Neal Hutcheson: I don't like I have any control over it sometimes they kind of work out.00:17:18.660 –> 00:17:22.530 Neal Hutcheson: process that uses me and I just think they're done when they're done, you know.00:17:23.070 –> 00:17:38.520 Joseph McElroy: So you'd Have you had him collaborate, and this is what was interesting to me the outlaw Lewis Redmond who was I guess the first king of the moonshiners, can you tell us a little bit about that project and him and it didn't he kill a man and get away with it.00:17:39.540 –> 00:17:58.800 Neal Hutcheson: yeah well, in the end, he didn't get away with that, but um yeah that's right it's a great story Lewis Redmond was, first of all, let me mention about Gary cartons also play right and the way I got onto this particular topic was Gary pardons play called the Prince of dark corners and.00:18:00.660 –> 00:18:08.970 Neal Hutcheson: And so I produced with Gary and with an actor named Milton Higgins, a really brilliant guy who, sadly, died last month, but.00:18:09.600 –> 00:18:12.510 Neal Hutcheson: So the three of us put you know did a production of that play.00:18:13.380 –> 00:18:18.810 Neal Hutcheson: that's how I got to know the story of Lewis Redmond because that's what the play was about, and then I did a follow-up documentary.00:18:19.230 –> 00:18:40.710 Neal Hutcheson: But Lewis Redmond was an outlaw active in were up where you are in southern Appalachian at the end of the 19th century, and he was active at the same time is billy the kid and Jesse James names that everybody knows, and he was actually more famous than either one of them.00:18:41.790 –> 00:18:43.740 Neal Hutcheson: Is paper articles about Lewis Redmond.00:18:44.250 –> 00:18:45.180 Neal Hutcheson: And even one of those.00:18:45.240 –> 00:18:51.180 Neal Hutcheson: Does too so that's amazing when you think about the fact that, obviously, most of your listeners have probably never heard of him.00:18:51.570 –> 00:18:55.440 Joseph McElroy: No, I didn't know until I started researching you I had never heard of them.00:18:56.460 –> 00:19:03.750 Joseph McElroy: So it's interesting, but he was quite a character, he killed the what was the Sheriff or something like that was trying to rescue.00:19:04.410 –> 00:19:06.030 Neal Hutcheson: yeah that's right.00:19:06.300 –> 00:19:07.890 Neal Hutcheson: He may have killed another man there's.00:19:08.040 –> 00:19:13.170 Neal Hutcheson: You know that that's one thing that's interesting about his story is that the historical record is very muddied.00:19:13.830 –> 00:19:15.930 Neal Hutcheson: kind of his money in a way that it's.00:19:16.110 –> 00:19:35.040 Neal Hutcheson: Interesting really reflects the kind of public media about Appalachia through a lot of America's history, which is, which is to say that in southern in mountain papers and regional papers, he was regarded as he was talked about in these very noble terms.00:19:35.430 –> 00:19:36.840 Neal Hutcheson: And in the northern papers.00:19:37.050 –> 00:19:38.550 Neal Hutcheson: He was.00:19:39.570 –> 00:19:49.110 Neal Hutcheson: talked about as a degenerate and it's outlawed and stuff like that you know and there was this very exaggerated kind of depictions of him so it's a really interesting subject.00:19:49.440 –> 00:19:54.120 Neal Hutcheson: And the truth is somewhere in the middle and nobody you know, has really sorted it all out but.00:19:54.390 –> 00:20:06.990 Joseph McElroy: Well, I mean yeah I mean you know you understand it because the moonshine was an important source of income for a lot of people, it helps save a lot of people's families at the same time, have destroyed a lot of people's families right so.00:20:07.500 –> 00:20:11.220 Joseph McElroy: Absolutely it's people used to worship the ones that could make a go of it.00:20:12.810 –> 00:20:33.390 Joseph McElroy: You know I remember growing up, you know and that which would have been the 60s, there was an early 70s, the that what people would say with it with a sort of a tongue in cheek but they would say you were more likely to get arrested for drunk driving, then you were for killing somebody.00:20:34.620 –> 00:20:36.480 Joseph McElroy: yeah yeah so.00:20:38.250 –> 00:20:48.630 Joseph McElroy: It was, it was a little bit rough and sort of some ways, but you know I read this quote from you right, I thought it was really insightful, you said you wrote you.00:20:49.260 –> 00:21:02.280 Joseph McElroy: told somebody if I forget who it was but mountain culture is surprisingly vigorous and surprisingly alive and will be until the current generation of 50 somethings dies out and it is dying out.00:21:02.760 –> 00:21:07.800 Joseph McElroy: psychologically there's a fundamental difference in the way they look at the world and treat each other.00:21:08.400 –> 00:21:19.560 Joseph McElroy: They wear masks and assume roles which is not necessarily a bad thing, but mountain people are not capable of that, I think that was like 2003 years, do you think that's still true what did you mean.00:21:20.820 –> 00:21:32.760 Neal Hutcheson: yeah I think a lot has changed since I said that, and I think what I was witnessing and what other people witnessing is the real-time change has taken place and.00:21:33.180 –> 00:21:46.110 Neal Hutcheson: um but no there's still this pockets of real mountain culture and people who come into the area can still experience that and meet people and get any you know and get to experience a little bit of that.00:21:46.650 –> 00:21:48.540 Joseph McElroy: um you know.00:21:49.380 –> 00:21:56.460 Neal Hutcheson: There is a there's a book that tends to be castigated called our southern highlanders by.00:21:56.730 –> 00:22:07.050 Neal Hutcheson: A very famous right yeah and he was right in the area like he was probably you're in Maggie Valley, right now, so he was camping you know, a couple of miles from where you're talking right now.00:22:07.410 –> 00:22:20.310 Neal Hutcheson: And when he was writing this book, so you know the people that he was writing about work if you're talking about the long term residents that are still there, they were the very people that are still there, their grandparents.00:22:20.550 –> 00:22:33.720 Neal Hutcheson: Right and um The funny thing is I got to because of my friendship with Popcorn Sutton and a few other people like I really got to see the inside of mountain culture and I'm.00:22:34.350 –> 00:22:52.260 Neal Hutcheson: Even though that book our southern Highlands is problematic and people have attacked it for good reasons, I got to see that they were very real characteristics in as people that are described perfectly in that book that was written almost 100 years ago.00:22:52.590 –> 00:22:54.930 Neal Hutcheson: mm hmm right so that shows you the strength of.00:22:55.980 –> 00:23:06.210 Neal Hutcheson: Culture and the character of the culture that, with all the changes in the last hundred years you, you still can see that same the same tendencies they're baked in.00:23:07.410 –> 00:23:07.860 Neal Hutcheson: Now.00:23:08.910 –> 00:23:14.070 Neal Hutcheson: I don't know you know what I said the quote, that you gave you know I don't know is the next generation inheriting those.00:23:15.300 –> 00:23:31.050 Joseph McElroy: University, you know this this this weekend, we had storytellers and singers over at the Meadowlark Heritage Center right and we had a 70-year-old storyteller tell a story, but he was brought there by a 20 something-year-old.00:23:32.040 –> 00:23:36.840 Joseph McElroy: Guy there who's a previous person in this podcast, Will Ritter.00:23:37.830 –> 00:23:38.580 Joseph McElroy: Yes, okay.00:23:38.910 –> 00:23:51.240 Joseph McElroy: yeah and he learned from all these old-timers you know the culture and heritage, and it was really fabulous, so there are young people out there, learning it and you know my.00:23:51.600 –> 00:24:04.020 Joseph McElroy: My family right there still people that live up in the hills and you know, are still very, very much in mountain culture, and you know it's a there's a beauty to it, I mean once you.00:24:04.530 –> 00:24:15.270 Joseph McElroy: pick you to know get through the what some people perceive is sort of the hard exterior it's a very loving culture and very funny yes yeah.00:24:16.050 –> 00:24:29.520 Neal Hutcheson: Right, you know when I was working in Cherokee which is not far from where you are a there, there was a story in there that we interviewed who suggested that I'm.00:24:30.390 –> 00:24:34.650 Neal Hutcheson: Mountain culture not only influences Cherokee culture but Cherokee called culture influence.00:24:35.190 –> 00:24:40.770 Neal Hutcheson: Mountain culture, and so what you're talking about this part of the exterior that you don't quite know.00:24:41.130 –> 00:24:49.350 Neal Hutcheson: What people are thinking you're not seeing their emotions and stuff like that, and what you get behind it it's very loving and very, very funny a lot of like.00:24:49.680 –> 00:25:01.200 Neal Hutcheson: poking fun at each other in a very smart and say like don't be fooled if you have not been to the mountains and you have the perception that you're going to be dealing with some simple yokels because they haven't necessarily been.00:25:01.710 –> 00:25:13.050 Neal Hutcheson: Like that they're going to be one step ahead of you, the whole time so like they may be making fun of you, and you never even catch it so now drop your attitude at the door, I say.00:25:15.300 –> 00:25:21.270 Joseph McElroy: Well yeah there seems to be a common thread in your work, I looked at it and you know and it's the, it is the.00:25:21.660 –> 00:25:39.570 Joseph McElroy: Preservation of various kinds of nature, culture native cultures, like the Cherokee Indian language Appalachian culture, you know African American dialects as well, as you know, mount musing moon shining so and even heritage fisheries out in the east coast so.00:25:39.840 –> 00:25:40.590 Joseph McElroy: Is that.00:25:40.650 –> 00:25:46.980 Joseph McElroy: Where your passion lies in a sort of like understanding these cultures and maybe giving a little to help preserve them.00:25:47.580 –> 00:25:59.760 Neal Hutcheson: Well, you know I would back up from preservation and say my passion really is in when I get on the scene and I find something that I'm really interested in, and I see how quickly it's changing I feel like.00:26:00.240 –> 00:26:10.770 Neal Hutcheson: You know, sometimes I feel like I am on the spot, with my experience and uh you know recording devices and I feel a duty to document things as they change.00:26:11.070 –> 00:26:11.580 Joseph McElroy: mom.00:26:12.030 –> 00:26:23.520 Neal Hutcheson: Can that lead to like preservation and specific instances, I think, so you know if people understand like fishermen like if you know.00:26:24.240 –> 00:26:29.760 Neal Hutcheson: People who are not from the community, may come down there and find them to be a very rough bunch of people they may.00:26:30.210 –> 00:26:38.220 Neal Hutcheson: have negative stereotypes about the way that they treat the resource and things like that, but then, as they get to know them that you know if they can understand their experiences a little more.00:26:38.550 –> 00:26:43.950 Neal Hutcheson: They kind of understand that it's much more nuanced than what they've been given to understand.00:26:44.370 –> 00:26:47.730 Neal Hutcheson: And though they actually will wind up being in sympathy with.00:26:47.820 –> 00:26:48.210 With.00:26:49.380 –> 00:27:06.780 Neal Hutcheson: Certain people that they might not have expected to previously because they had misconceptions about them and so can understanding people lead to I'm not doing the things that change their culture as much I, I hope, so I think so.00:27:08.160 –> 00:27:15.330 Joseph McElroy: I think, also, I think you know, yes, the world can be overwhelming at times and it can come in and try to force you to.00:27:15.690 –> 00:27:25.320 Joseph McElroy: You know, think that your culture is not important or stupid or silly and it can cause, especially younger people to say abandon it right.00:27:25.740 –> 00:27:35.250 Joseph McElroy: And I think that a lot of people can come to understand hey the culture, they grew up in was really important to who they are, and it was really beautiful and a lot of ways.00:27:35.820 –> 00:27:43.680 Joseph McElroy: Right and I, you know I started this podcast you know sort of the business intent, but you know I've also discovered that I love.00:27:44.520 –> 00:27:58.950 Joseph McElroy: You know, bringing this culture and the beauty of this culture to light, so you know I think what you're doing is fabulous in that regard so we're going to take a break and I guess we'll talk about a little bit about your famous subject.00:28:00.210 –> 00:28:00.540 Neal Hutcheson: Okay.00:28:02.880 –> 00:28:03.150 Neal Hutcheson: Good.00:30:33.480 –> 00:30:47.610 Joseph McElroy: howdy this is Joseph Franklyn McElroy back with the gateway to the smokies podcast and my guest Neal Hutcheson so know you mentioned him and Maggie valid, but I'm actually sitting in New York City I split my time between Maggie Valley.00:30:47.640 –> 00:30:58.200 Joseph McElroy: North cal okay so, but you know I when I left the mountains, you know I had to do sort of the reverse of you, I had to go outside the world and had to get people to.00:30:58.950 –> 00:31:14.700 Joseph McElroy: You know, open up to me and accept me, you know, and you know penetrate yeah whatever cultural norms that that existed in a place like new york's always sort of slightly testing you and you have to always you know to prove that you can handle it but.00:31:15.240 –> 00:31:17.070 Joseph McElroy: You know, when you came to.00:31:18.090 –> 00:31:20.130 Joseph McElroy: The mountains there's obviously.00:31:21.480 –> 00:31:30.660 Joseph McElroy: A big testing a barrier, you know dependent trading that you know, and so, how did you get your subjects to accept you and to warm up to you.00:31:31.770 –> 00:31:42.870 Neal Hutcheson: A bit well I just spent time there and I gave them um you know I always kind of knew intuitively not to.00:31:43.950 –> 00:32:02.910 Neal Hutcheson: Try to ingratiate myself or try as if, as if they wouldn't like to see through my efforts to kind of win their trust or what you know, so I just was always mindful of just being myself and just spending enough time that I had they had a chance to assess me and.00:32:04.350 –> 00:32:08.580 Neal Hutcheson: Consider, whatever it is, you know that I was after so that was basically it.00:32:09.330 –> 00:32:17.370 Joseph McElroy: Well, you know I I knew popcorn Sutton not particularly well, but I knew I knew him and he knows, he was a real kg guy.00:32:18.300 –> 00:32:21.900 Joseph McElroy: yeah he was he yeah he was smart and he's always sort of.00:32:21.960 –> 00:32:31.200 Joseph McElroy: I always felt he was putting on a little bit of her performance because it was you know I made his money, so how did, how did you break through and get to some real honest stuff from him.00:32:32.730 –> 00:32:40.500 Neal Hutcheson: Well, it did you know it took a long time in a way to get like you know, beyond the performance but I'm.00:32:42.330 –> 00:32:52.620 Neal Hutcheson: In a way, you know not that long because I would say, you may not agree with this, I don't know, but I would say like there was always a performance in the play.00:32:53.130 –> 00:33:06.630 Neal Hutcheson: When he was dealing with the public um, but it was kind of based on who he really was, and so is interestingly, it was like the performance was kind of close to who he actually was he was just giving.00:33:07.980 –> 00:33:17.310 Neal Hutcheson: You know, certain portions of the public, maybe more more more the tourist a version of a moonshiner that they would that was what they expected.00:33:17.520 –> 00:33:20.850 Neal Hutcheson: You know and but behind the scenes, he actually was that.00:33:21.270 –> 00:33:21.750 Neal Hutcheson: So.00:33:22.110 –> 00:33:30.000 Neal Hutcheson: You know, so I think he just kind of knew where to lean in and exaggerate and things like that sometimes he could lay it on a little thick.00:33:31.740 –> 00:33:37.500 Joseph McElroy: though he was better in the mountains, we have somebody that can make a deal really well we call them a horse trader.00:33:37.980 –> 00:33:45.120 Joseph McElroy: My dad's a hell of a horse trader he's from way back in the mountains finds creek and he input popcorn Sutton get along.00:33:45.570 –> 00:34:01.740 Joseph McElroy: Along really well because my dad was a contractor and you know popcorn would need some things every once in Australia with him to get some construction done an exchange for some variables of moonshine so I ended up getting a drink some popcorn moonshine over the years.00:34:03.150 –> 00:34:12.300 Joseph McElroy: So yeah so you would say, though, that he was a master promoting themselves right and making deals to get himself known against products out there.00:34:13.710 –> 00:34:24.540 Neal Hutcheson: yeah I think he was but I, you know I just I didn't want it it's true but and but you know along the way, some people have written them off and said he wasn't a real thing he was just playing a character.00:34:25.140 –> 00:34:26.250 Joseph McElroy: It was the real thing.00:34:27.390 –> 00:34:27.930 Neal Hutcheson: Right.00:34:28.140 –> 00:34:31.650 Neal Hutcheson: Jackie I just want to emphasize that yeah there's a performance all right, but.00:34:32.010 –> 00:34:32.370 Joseph McElroy: It was.00:34:33.240 –> 00:34:39.810 Joseph McElroy: To make moonshine you have to know it's almost instinctual when the turn to when.00:34:40.680 –> 00:34:47.550 Joseph McElroy: To cut it and when to stop you know when the what point in the distilling process to pull the liquor out and that's what you're going to drink.00:34:47.940 –> 00:34:59.640 Joseph McElroy: Right and the right water and things like that, if you don't do it exactly right and have so almost instinctual thing about it it'll just taste horrible but he's always tasted really good he had an art to it.00:34:59.970 –> 00:35:06.810 Neal Hutcheson: yeah that's true that's right there's the one aspect of it, which is the craftsman and that was all true, and that was there.00:35:07.290 –> 00:35:16.470 Neal Hutcheson: And, but then you know the art of performance is something I talked about a little bit in the book that I did on popcorn and I speculate that.00:35:17.190 –> 00:35:21.720 Neal Hutcheson: I don't have any you know other sources for this, but I speculate that what you were talking about.00:35:22.110 –> 00:35:31.140 Neal Hutcheson: About horse-trading and the talent for barter in the mountains, is that the talent for performance in the mountains, which is well known and incredible.00:35:31.590 –> 00:35:40.860 Neal Hutcheson: That that developed out of the little bits that you do around trading things and the and the kind of like well you know devaluing things and just that you know.00:35:41.190 –> 00:35:57.990 Neal Hutcheson: That skill that was honed over so much time and I think that when the park was founded and outsiders came in and stuff like that that I think that that led them naturally to some of them to find inner talent for performance.00:35:58.620 –> 00:36:00.630 Joseph McElroy: Well, you know I think if you look at.00:36:00.690 –> 00:36:13.590 Joseph McElroy: The traditional storytelling amount of storytelling is often an exaggeration right I caught 50 fish in the pant leg when I fell in the water or.00:36:14.400 –> 00:36:21.120 Joseph McElroy: That sort of thing is sort of the reverse of the horse-trading, which says well these trousers are no good I couldn't catch any fish.00:36:23.160 –> 00:36:27.000 Joseph McElroy: right there like obviously opposite of the same coin.00:36:28.050 –> 00:36:28.530 Joseph McElroy: yeah.00:36:28.830 –> 00:36:35.790 Joseph McElroy: yeah so um so you've done three movies on popcorn right documentaries.00:36:36.030 –> 00:36:42.270 Neal Hutcheson: yeah it's a little bit of a complicated history but yeah technically three movies, we did a cult classic.00:36:43.020 –> 00:36:51.210 Neal Hutcheson: Well, it would become a cult classic, the first thing that I made was really for the popcorn to sell out of his junk shop and something he wanted to do.00:36:51.480 –> 00:36:59.760 Neal Hutcheson: And that one's called that one's always that one's the most popular now 20 years later um it's called this is the last time round of liquor I'll ever make.00:37:00.600 –> 00:37:02.340 Neal Hutcheson: sense yeah.00:37:02.400 –> 00:37:11.850 Neal Hutcheson: we're still it's the whole thing on YouTube if anybody wants to check it out, but people are still discovering it and it's lasted longer than anything else I've done but um.00:37:12.540 –> 00:37:26.130 Neal Hutcheson: Then I did a TV version which came out at the tail end of 2008 called the last one, and that was a PBS family-friendly kind of version of that with cutaways for context and interviews and things like that it's a.00:37:26.430 –> 00:37:26.940 Neal Hutcheson: little different.00:37:27.660 –> 00:37:31.200 Neal Hutcheson: And then I did a more biographical piece called a hell of a life.00:37:32.430 –> 00:37:38.370 Neal Hutcheson: And that came out after he died in 2009 that came out in oh I forget, but maybe 2012.00:37:39.240 –> 00:37:53.010 Joseph McElroy: yeah cool well and you've also I saw you recently you've done a book recently like it's almost like a table talk book, but so more meaningful, I mean what was how did you come about doing that.00:37:53.370 –> 00:38:01.890 Neal Hutcheson: yeah well thanks for describing it that way it's it's deliberately designed to be enjoyable if you want to flip through idly or if you want to dig in so.00:38:03.150 –> 00:38:03.870 Neal Hutcheson: I.00:38:05.580 –> 00:38:14.970 Neal Hutcheson: knew that people would want to have copies because popcorn is is well known and intriguing and so I felt a duty to make it as good as I possibly could um.00:38:15.480 –> 00:38:18.600 Neal Hutcheson: You know, in a way, I feel like I was always working on that book and I just didn't know it.00:38:19.470 –> 00:38:35.910 Neal Hutcheson: While I was doing the documentaries, the real motivation was that you know nowadays popcorn is remembered as in some quarters as something akin to a folk hero and it's a very simplified version and a very kind of.00:38:37.230 –> 00:38:41.970 Neal Hutcheson: Noble you know version of who he was is a friend of mine, okay I'm not dragging down.00:38:42.450 –> 00:38:50.160 Neal Hutcheson: And I think that folk hero is interesting, and I think that that phenomenon with him turning into a folk hero is fascinating and I talked about that in the book.00:38:50.430 –> 00:38:54.840 Neal Hutcheson: But you know, the main purpose at the start of working on the book was to.00:38:55.500 –> 00:39:06.810 Neal Hutcheson: Make sure that he's remembered as I knew him as a person I knew he would want that that he did he really didn't want to be the hero he wanted to be that law and he wanted to be who he was.00:39:07.740 –> 00:39:19.590 Neal Hutcheson: And so I think that and so the book tries, and I think, to some extent, I would say if it's okay for me to say about my own book like succeeds in capturing him, you know fairly.00:39:20.700 –> 00:39:24.060 Joseph McElroy: cool what was the name of the book again what was the full title of it.00:39:24.390 –> 00:39:26.220 Neal Hutcheson: it's called the moonshiner popcorn sun.00:39:26.460 –> 00:39:30.450 Joseph McElroy: The moon cheddar popcorn Sutton and it's available on a lot of places you go to the.00:39:31.530 –> 00:39:39.570 Joseph McElroy: I think we have it up on smokies adventure.com and the Meadowlark motel and you can probably get it on Amazon right it's a great book and there's a DVD with it right.00:39:40.140 –> 00:39:56.610 Neal Hutcheson: If you get it on Amazon you're going to pay him because I held back because I want people to buy it from local places like the meadowlark and the other places that are supporting the book and that support community and culture, so I hope people will buy local first.00:39:57.690 –> 00:40:17.310 Joseph McElroy: Nice good local living economies it's we can promote that that's important you know that's why I keep the small business I have in the mountains going is to support local economies, I think it's important yeah so and you have a publishing company and a production company.00:40:17.760 –> 00:40:20.430 Neal Hutcheson: Well I've got a publishing company, now that I've published a book.00:40:22.260 –> 00:40:36.690 Neal Hutcheson: How many more books will publish we'll see it's a lot of work turns out um but yeah I've got a production company that's basically has facilitated my own projects it's more or fewer one-man-bands of still.00:40:38.340 –> 00:40:43.500 Neal Hutcheson: In recent years, I've been collaborating with other people I'm an independent project but.00:40:45.900 –> 00:40:46.140 Neal Hutcheson: yeah.00:40:46.170 –> 00:40:52.980 Neal Hutcheson: Just I just kind of invented and improvised all along the way to make whatever it was I was doing next Hampton.00:40:53.550 –> 00:40:56.340 Joseph McElroy: Why did you call it sucker punch productions.00:40:58.110 –> 00:41:01.680 Neal Hutcheson: Well there's triple entendre in that it's.00:41:03.090 –> 00:41:07.830 Neal Hutcheson: Nothing to be worried about, but mainly you know um.00:41:09.270 –> 00:41:17.820 Neal Hutcheson: I was thinking about it sounds kind of punky and brash and I was kind of I felt as the upstart like who what right do I have to just make.00:41:18.330 –> 00:41:34.380 Neal Hutcheson: Films without anybody's permission and be the kind of like octopus character, you know supine on sucker Punch and just and you know all the different jobs that I have to have in order to make a film, you know it's not just filming and editing.00:41:35.880 –> 00:41:38.400 Neal Hutcheson: It was funny to me the different arms alright.00:41:38.820 –> 00:41:39.300 city.00:41:40.500 –> 00:41:48.720 Joseph McElroy: No, I mean it's important to have something meaningful for your company, especially if you have an inside joke, I had a company called corporate performance artists.00:41:49.080 –> 00:42:00.750 Joseph McElroy: One time because somebody asked me while I was doing art and others do raising I raised some money for a startup in the.com era and they said what the hell, are you and I said I guess I'm a corporate performance artist.00:42:03.720 –> 00:42:08.040 Joseph McElroy: I named my company that I would tell people I'm performing my company.00:42:08.220 –> 00:42:18.510 Joseph McElroy: And it was an engine, it was an inside joke, but yeah it makes it, it makes it fun, it makes it something that's personal and the little secret that you can have.00:42:19.050 –> 00:42:25.050 Neal Hutcheson: Exactly what you know if you're going to do something for yourself, you should have fun and you know indulge a little bit and make it the way you want to.00:42:25.950 –> 00:42:26.640 cool.00:42:27.810 –> 00:42:35.040 Joseph McElroy: So I think you Bob are some you working on Bob Plott do introduce us right so yeah.00:42:35.970 –> 00:42:48.600 Joseph McElroy: So you see we're gonna need to take a break now, so I want to talk about a queen family that you're working on and then we're getting sent you know so much about the mountains now when I get your favorite things to go for people to go see.00:42:49.110 –> 00:42:49.620 Neal Hutcheson: sounds good.00:42:50.040 –> 00:42:50.550 All right.00:45:23.730 –> 00:45:33.000 Joseph McElroy: Howdy this is Joseph Franklyn McElroy back with the gateway to the smokies podcast with my guest Neal Hutcheson so Neil, you are working on.00:45:33.960 –> 00:45:43.200 Joseph McElroy: Something that's interesting to me, you know Maggie Valley calls itself the calling capital of the world right so we're always proud of dancing in the mountains, especially you know.00:45:44.070 –> 00:45:52.860 Joseph McElroy: square dancing and plugin so you're working on a project on the iconic queen family, one of the foremost musical advancing clans and the great smokies what you doing.00:45:54.150 –> 00:45:58.020 Neal Hutcheson: Oh well, you know that was actually a project that I did some years ago.00:45:58.380 –> 00:45:58.890 Joseph McElroy: Oh, really.00:45:59.070 –> 00:46:05.280 Neal Hutcheson: yeah it's already done and it was about music and the group that queen it, as you know, for us, you know.00:46:05.760 –> 00:46:15.690 Neal Hutcheson: yeah it's a huge huge name up there, and so there, there are great dancers, but the ones that are working with weren't really into dancing they were just in the music.00:46:15.960 –> 00:46:22.590 Neal Hutcheson: Okay, so they were in Jackson County off of Johns creek Canny fork.00:46:24.180 –> 00:46:24.960 Neal Hutcheson: You know that area.00:46:25.320 –> 00:46:27.330 Neal Hutcheson: yeah okay so.00:46:28.590 –> 00:46:37.020 Neal Hutcheson: And it was I started with Mary Jane Queen, who was the matriarch of the family and she knew balance that was hundreds of years old and so.00:46:38.430 –> 00:46:49.020 Neal Hutcheson: But I gradually got to know more of her family and they're all musical and when they get together, they would all play they're literally on the back porch and make incredible mountain music and it wasn't like it wasn't.00:46:50.160 –> 00:47:03.810 Neal Hutcheson: It was like the real thing you know it was like you just felt them expressing their love for each other by sharing that music with each other and so that's basically what I was documenting is looking at mountain culture through another window, which was, which was music.00:47:04.440 –> 00:47:08.730 Joseph McElroy: Well I'm very interested in seeing that what where do you have that documentary.00:47:09.570 –> 00:47:11.430 Neal Hutcheson: I think the whole thing is on YouTube right now.00:47:11.700 –> 00:47:12.600 Joseph McElroy: And what's it called.00:47:12.930 –> 00:47:14.070 Neal Hutcheson: it's called the Queen family.00:47:14.910 –> 00:47:15.510 Joseph McElroy: The Queen.00:47:20.040 –> 00:47:26.940 Joseph McElroy: So you bet a lot of visiting the mountains Okay, so what is your, what is your favorite natural.00:47:28.020 –> 00:47:29.340 Joseph McElroy: wonder in the mountains.00:47:30.270 –> 00:47:38.190 Neal Hutcheson: Oh that's a good question um you know I used to come up there backpacking a lot when I was a kid and I didn't know anything about the culture, but I really enjoyed the.00:47:38.790 –> 00:47:50.130 Neal Hutcheson: landscape and just interacting with the wild spaces and my favorite place was always Joyce Kilmer slick rock area, which is adjacent to Graham county.00:47:50.640 –> 00:47:53.580 Joseph McElroy: yeah what was that, what do you find special about that.00:47:54.540 –> 00:48:04.440 Neal Hutcheson: Well, I like to the trails you know for backpacking but then you know, one of the really special things about that spot is that they preserved, a small.00:48:05.310 –> 00:48:20.940 Neal Hutcheson: selection and that that was never logged right, so all the mountains most a lot of people don't even know this, that the great Appalachian wilderness was was absolutely incredible with these huge trees, there were 12 feet in diameter and those are all gone, they were all logged.00:48:21.360 –> 00:48:32.640 Neal Hutcheson: And um what we see now is what runs back right and it's beautiful but it's not the wild place that was there before and so Joyce Kilmer you could see that and.00:48:33.360 –> 00:48:39.300 Neal Hutcheson: You know the last time I went as the storm and taken out a lot of the big trees, unfortunately, it was kind of sad but it's still there.00:48:39.510 –> 00:48:46.050 Neal Hutcheson: And you can go there and park and there are short trails you can walk you don't have to go backpacking anything like that you can walk half a mile or a mile.00:48:46.320 –> 00:48:49.350 Neal Hutcheson: and get back in there cool and they create is just gorgeous.00:48:49.950 –> 00:48:54.300 Joseph McElroy: Oh yeah I haven't actually visited there, so I need to do that, that sounds really like a wonderful time.00:48:55.560 –> 00:49:05.070 Joseph McElroy: Now, your new popcorn sudden so you know a little bit about the distilleries I think you were involved with the moonshine or should they still have it right, it was inspired by your movie anyway.00:49:05.850 –> 00:49:07.050 Neal Hutcheson: I believe that it was.00:49:07.140 –> 00:49:20.310 Joseph McElroy: yeah so so you know local distillery So is there any of them doing anything any a quote-unquote moonshine it's not real moonshine if it's legal but moonshine that's pretty good compared to popcorn to brew.00:49:20.700 –> 00:49:23.340 Neal Hutcheson: Well, you know a lot of these things have sprung up fairly recently.00:49:23.670 –> 00:49:30.420 Neal Hutcheson: yeah and there's you know there's a lot of good beer, you can get in the mountains Now I will not turn down a good hipster IPA.00:49:32.430 –> 00:49:40.500 Neal Hutcheson: And you can find them whether you're in silver or there's a great place and Bryson city, but anyway and an inhaler brewing company I think they're called.00:49:40.800 –> 00:49:42.930 Joseph McElroy: I go to the gym in Waynesville yeah.00:49:43.200 –> 00:49:46.530 Neal Hutcheson: there's good beer around but it's not you know that's nothing traditional.00:49:46.740 –> 00:49:47.250 Neal Hutcheson: yeah i'm.00:49:47.730 –> 00:49:51.930 Neal Hutcheson: The only distillery that I know anything about is elevated mountain in.00:49:52.650 –> 00:50:02.400 Neal Hutcheson: In Maggie valley and I think people should go check it out, and they should see that because I'm the proprietor Dave Angel he puts on a great tour, and you get to sample the stuff.00:50:02.820 –> 00:50:12.150 Neal Hutcheson: And it's good quality and he's from there, and I think I'm not quite sure about his whole story, but I think he's he's like you in that he's been elsewhere and comes back.00:50:12.720 –> 00:50:15.600 Joseph McElroy: yeah he was actually in New York for a little while but he's a cousin he's my cousin.00:50:18.630 –> 00:50:19.110 Joseph McElroy: Down there.00:50:21.480 –> 00:50:36.450 Joseph McElroy: Let me do you go to sell a lot and that's a wonderful town, what would you say is a great itinerary one to build visit silver, starting with breakfast you know and then where you might go in the morning, then lunch in the afternoon and dinner in the evening for entertainment.00:50:37.110 –> 00:50:47.820 Neal Hutcheson: Well, silver has changed a lot, too, is it's developed but um it always had a little bit of stuff going on because it's its proximity to Western Carolina university um but.00:50:48.930 –> 00:50:53.610 Neal Hutcheson: You know, and you can spend a day in Silva and you can find good food morning.00:50:54.990 –> 00:51:05.760 Neal Hutcheson: morning, day and night but um if I was going up there and somebody was going up to explore the area, I would say, getting your current in or in motorcycle whatever drive a little bit and get around.00:51:06.240 –> 00:51:06.570 Joseph McElroy: and00:51:07.380 –> 00:51:14.280 Neal Hutcheson: I always like to in fact I just mentioned Joyce Kilmer well that's close to robin's bill and Robin so.00:51:15.030 –> 00:51:28.590 Neal Hutcheson: The last time I was there doesn't have a lot going on, but I always love going to Robin so you really feel like you're getting back into a mountain Community um and there's a place there, I think it's called lose know it's called.00:51:30.090 –> 00:51:42.540 Neal Hutcheson: Lucy lens something like lens place it's had different names of the rooms, but it's top of the hill one and robin's bill, and you won't miss it because there's not much else around and it's just a diner you're going to get breakfast there you're going to get regular.00:51:43.650 –> 00:51:48.270 Neal Hutcheson: You know diner kind of breakfast food, but what you're also going to get is you're going to be around local people.00:51:48.720 –> 00:51:59.070 Neal Hutcheson: In there and they're going to be friendly they're probably curious about what you're doing and it won't be hard to strike up a conversation, which I highly recommend and start your morning out that way.00:51:59.400 –> 00:52:07.350 Neal Hutcheson: that's fabulous right Okay, and then you can take a nice drive, if you want to go by Joyce Kilmer you take the roadster curvy and beautiful motorcyclists love them.00:52:07.650 –> 00:52:15.420 Neal Hutcheson: And you can take you can go I've never spent much time at Fontana village, but if you like, that kind of thing there's a lot of stuff out there.00:52:15.660 –> 00:52:17.070 Joseph McElroy: Historical stuff yeah.00:52:17.460 –> 00:52:26.850 Neal Hutcheson: And, and then you can see Fontana damn which is impressive a piece of work, and circle back around and come back to silver for lunch.00:52:27.330 –> 00:52:40.170 Neal Hutcheson: And you don't want to miss the coffee shop because it's just another place where real people gather it's been there forever, my friend Gary Carden who's now at six I think IQ as a kid he.00:52:40.890 –> 00:52:43.830 Neal Hutcheson: What do you call it car hopped or whatever he brought the burgers out to people in the car.00:52:44.880 –> 00:52:45.660 Joseph McElroy: coffee shop.00:52:46.380 –> 00:52:49.110 Neal Hutcheson: coffee shop, the signing, and so on, the main road gold and silver.00:52:51.030 –> 00:53:00.570 Neal Hutcheson: And they're going to have country food it's going to be hardy fair they're gonna have a special of the day they're going to cook a good meal, you probably need to take a walk afterward if you're planning to have dinner because you'd be full.00:53:00.960 –> 00:53:01.320 But.00:53:02.370 –> 00:53:09.000 Neal Hutcheson: But again it's also we're working people look people are going to go to so that's why I would give those answers.00:53:10.590 –> 00:53:19.530 Neal Hutcheson: And then, because you had me thinking about this before, so I was there was a place this place in Bryson City, so if you want to go for a really fine meal after.00:53:20.220 –> 00:53:31.710 Neal Hutcheson: All that um there's a place called the pork and bean in Bryson city and they cook they've got a great Jeff there and they and they cook a lot of like fresh healthy.00:53:34.020 –> 00:53:36.810 Neal Hutcheson: freshly sourced fair original.00:53:38.130 –> 00:53:43.410 Neal Hutcheson: an original menu oftentimes you can get mountain trout which is my favorite So if you can.00:53:43.440 –> 00:53:46.560 Joseph McElroy: Get that I would recommend getting it done well it's, the best thing to get.00:53:46.590 –> 00:53:55.230 Joseph McElroy: In the mountains yeah cool well, we have a few minutes left How do people get in touch with you or follow you and keep track of what you're doing?00:53:56.790 –> 00:54:00.750 Neal Hutcheson: Well um I'd say you know if you want to check out the work.00:54:01.050 –> 00:54:13.860 Neal Hutcheson: there's a lot of like extra clips and especially a lot with Popcorn Sutton on my YouTube channel and it's sucker punch pictures just look up that on YouTube you'll find a lot of clips and stuff like that and see what that's about um and.00:54:15.300 –> 00:54:32.700 Neal Hutcheson: If you let's see I don't know I've got a personal website Neil Hutchison.com, so you can see past projects and links to other things Oh, and also the language and languageinlife.org which is my work at nc state, which is a large part of what I've done over the last 30 years.00:54:33.420 –> 00:54:48.840 Joseph McElroy: cool well, thank you very much for being on my podcast has been very enjoyable having a conversation with you and very illuminating I really appreciate the work that you do, and you know documenting the culture of the mountains.00:54:50.010 –> 00:55:02.010 Joseph McElroy: You know I think there was a period of time that there was a unique culture is still there, but it is, it is disappearing somewhat so understanding and preserving and I think is great.00:55:03.330 –> 00:55:15.360 Joseph McElroy: I want to remind everybody this podcast is on the talkradio.NYC network with there are lots of fabulous podcasts for you to listen to me for a few commercials if you've listened to it, live.00:55:16.080 –> 00:55:25.710 Joseph McElroy: After this show is rediscovering New York on Tuesday nights from seven to eight or seven to eight.00:55:26.280 –> 00:55:35.760 Joseph McElroy: it's about visiting New York and there's a lot of inside stuff and unique culture of New York to explore as part of why I love being here when I when I'm not in the mountains.00:55:36.480 –> 00:55:43.800 Joseph McElroy: Is the uniqueness of culture in New York City and the multiple cultures that you can experience here, so this show is great to go visit you can.00:55:44.550 –> 00:55:51.510 Joseph McElroy: You can also watch this podcast on Facebook.com/gateway to the smokies podcast where.00:55:51.870 –> 00:55:57.720 Joseph McElroy: The live stream comes out with the zoom So you can see our faces, or you can go to the gatewaytothesmokies.fun.00:55:58.050 –> 00:56:09.630 Joseph McElroy: To see this podcast and other previous podcasts as well as the signing up for the newsletter be informed about events and future episodes and other things that we will do to00:56:10.050 –> 00:56:19.500 Joseph McElroy: illustrate and celebrate the culture of the smoky mountains and for things to do there and enjoy yourself that he much I'll see you next week when we have.00:56:20.430 –> 00:56:34.650 Joseph McElroy: For our show will be Wayne Ebinger, who is a well-known photographer in the smoky mountains and it has experienced a lot and we'll talk about the beauty of the smoky mountains talk to you soon.

Ezee now party people, hope you are all well? Here is this weeks Drive Time Show recorded live from Eruption Radio UK. 2 hours of house, old skull, classics and new tracks, plus an hour of proper old skool UK Garage from the #KANGANORY hour. Tracks from Calvin Harris, Franky Wah, The Prodigy, Brooks Brothers, MJ Cole, Jess Bays, Purple Disco Machine, MK, DJ Para, Dave Angel, Tuff Jam, Smokin' Beats and soo many more. As always, please enjoy and share these podcasts. DJ KANGA's Drive Time Show is every Tuesday from 18:00 (gmt) on WWW.Eruptionradio.uk

We will be talking to Dave Angel, owner of Elevated Mountain Distillery in Maggie Valley, NC. We will be talking about the revival of the craft beverage industry in the Smoky Mountains and the history of Moonshine.Tune in for this fun conversation at TalkRadio.nyc or watch the Facebook Livestream by clicking here.Show NotesSegment 1Joseph McElroy's guest today is Dave Angel, his cousin through marriage and the owner of Elevated Mountain Distillery. The Scottish Gaeilic call it “Uisce Beatha,” which translates to “Water of Life.” When the Scottish arrived at the Smokies they didn't just bring their musical influence, they also contributed the practices of distilleries. To this day some believe that the medicine of the mountains only works with the help of moonshine. Throughout the 20th century, moonshine had its place within the local economy. Dave made his first moonshine when he was 14 years old. It was his goal to learn and pass on the tradition. Moonshine is alcohol that is not made legally. People often think of moonshine as a knock off but the only difference is the legality. Moonshine can be made from many things, including fruit. In the 1930s people used to distil grains and apples to make an Apple Brandy.Segment 2Whiskey is alcohol distilled from grain so it starts with beer, also known as mash. Whiskey boils at 174 degrees. After separating it from the water, you get the whiskey. When it comes down to making good whiskey you need to understand what the head and the heart are. The head is the toxic chemicals that are extracted. Ethanol in bad moonshine can make a person go blind. Once the head is gone you get the whiskey. This is normally a 20 hour process. As the ethanol comes out you start to get a lot of interesting flavor. That is when you get the tails, and depending on when you make certain cuts the flavor can change dramatically. A good distillery know how to make sure your whiskey has a long enough tail. Soft water with a good mineral base is also key. Dave believes that the water in the Smokie is great for moonshine, people come to Maggie Valley looking for moonshine because of it. It is part of the reason that he has his distillery where it is, the purity of the water. Maggie Valley has a long history of moonshine and David's business was welcomed with open arms.Segment 3Guests at the Elevated Mountain Distillery can enjoy their wide range of drinks, see how it's made, and even enjoy live music. Dave talks about the differences in how whiskeys are made. Tennessee whiskey is bourbon that goes through a charred mapple filter. Shotish whiskey and Irish whiskey are distilled in bourbon barrels. In his distillery they use this method and many more. According to Dave one of the most popular Distilleries in Tennessee is Ole Smoky Moonshine in Gatlin, TN. The water of the Smoky Mountains has allowed so many distilleries and wineries to produce incredible wine, beers, and whiskeys. The most visited winery in America is in Asheville, North Carolina.Segment 4The talk about Popcorn Sutton, an American Appalachian moonshiner and bootlegger who gained popularity when he appeared in the Neal Hutcheson documentary, “Mountain Talk.” People were so excited when his truck pulled up that they would rush to buy his moonshine. Moonshiners in the past cared more about making money over quality but there is a renewed interest, in part due to the popularity of shows such as “Moonshiner.”

With over 25 years in the industry Jonno Brien has played with leading clubs such as Ministry of Sound, Cream, Godskitchen, Planetlove, Trade, Clockwork Orange, Life festival, 2fm live sessions and many more. Being a Resident DJ and Promoter at the legendary Horan's Night Club in Tralee and with Fusion Club Nights Jonno has booked and supported some of the biggest international DJs including Dave Clark, UMEK, Slam, Green Velvet, Dave Angel, Ben Sims, Christian Smith, Yousef, Trevor Rockcliffe, Eddie Halliwell, Harry Romero, Alan Fitzpatrick, Marco V, Jon Rundell, Billy Nasty, Fergie, Lisa lashes Sander van doorn, Christian Smith, Lottie and so many more! In the studio working solo or with production partner Gibson, Jonno has had releases on Intec, Tronic, Mentor, Unity, Platipus, Bush, CR2 and Rising High. Jonno has done remixes for Todd Terry, Trevor Rockcliffe, Horatio, Art of Trance, Union Jack, David Tort, Kormac and The Hypnotist. His tracks have featured on many CD Compiltations including Carl Cox Space Ibiza, Christian Varela and Marco V. For this mix Jonno has dug deep and gone back to his days in Horan's nightclub in Tralee for a non-stop 2 hour, 100% vinyl Horan Classics set!

Paul and Andy were joined by comedian Simon Day as Dave Angel, Ian 'Golden Years' Abrahams, panini sticker collectors Lauren and John Moore and former Liverpool defender Steve Nicol. They also brought you part 26 of Striker and took you back to day five of their trip to Russia in 2018! See acast.com/privacy for privacy and opt-out information.

Techno Old School...un titre, un souvenir https://www.discogs.com/fr/artist/88-Dave-Angel

Techno Old School...un titre, un souvenir https://www.discogs.com/fr/artist/88-Dave-Angel

For this week's episode of Inside Haywood, our reporters discuss the impact of the stay at home ordinance, and Kyle Perrotti interviews Dave Angel, the owner of Elevated Mountain Distilling Company, which will begin making hand sanitizer.

PALE PENGUIN

Some of the techno classics from the first half of the 90's on the Copenhagen techno scene. Choice – Acid Eiffel Phuture – Rise From Your Grave Beltram – Energy Flash FUSE – F.U. Dave Angel – Bounce Back The Martian – Particle Shower Laurent Garnier – Crispy Bacon Mark NRG – Don’t Stop AWeX … Læs videre "#17: Some 90’s Techno Classics"

29.10.19 taking:turns 2100HRS (UK) with the Keeble Brothers (Bradley & Kevin) every month… “Keeble junior has found some proper little gems for you, including: Leifur James, Axel Boman, Afriqua and Lifted. Keebel senior will be looking at the new single by the Brand New Heavies take on Kendrick Lamar, some lovely dub from Saint Germain, old school jazz drum and bass from Dave Angel, Donny Hathaway take on Jealous guy, Amy Winehouse – who would of been 36! Plus total goodness and positive attitude… honestly!” Live from 9pm (UK). CONTACT THE SHOW DIRECT (EMAIL): takingturns@novalujon.com REWIND TAKING:TURNS ON RADIO NOVA LUJON The post 29.10.19 taking:turns appeared first on Radio Nova Lujon.

Dave Angel Live @ JOY, Leeds Enjoy a live recording full of classics from a living legend, Dave Angel! This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Dave Angel Live @ JOY, Leeds Enjoy a live recording full of classics from a living legend, Dave Angel! This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Techno Old School...un titre, un souvenirhttps://www.discogs.com/fr/artist/1968-Kamaflarge

Techno Old School...un titre, un souvenirhttps://www.discogs.com/fr/artist/1968-Kamaflarge

Download Here!Blacklight Sleaze feat Pleasant Gehman (Radio Slave Vocal Remix) Peace Division, Pleasant GehmanTick Tack (Original Mix) Ramon TapiaWitch Doktor (Agent Orange DJ 2018 Rework) Armand Van HeldenAbsolute State (Original Mix) Jamie Anderson, Dave AngelSecondary (Original Mix) Oscar EscapaAshes To Ashes (Original Mix) Ramon TapiaCulture (Original Mix)     AvisionRadiate (Feat. Juliet Fox) (2000 and One Remix) Arjun Vagale, Juliet FoxIn God's House (Original Mix) SuperstrobeHouse Of God (Julian Ess, Kostha Remix) Toni AlvarezToo Deep (To Bear) (Original Mix) Tiger StripesShattered Minds (Original Mix) Pig&DanPlankton (DaGeneral & Darmec Remix) Steve MulderMadness (Original Mix) Oscar EscapaAdrenalina (Original Mix) RraphBone ([ Wex 10 ] Remix) Gene Karz, Lesia KarzBlast (Original Mix) Tom HadesNoord (Original Mix) Minitech ProjectZender (Melody's Enemy Remix) Ramon TapiaOpen Your Eyes (Original Mix) Melody's EnemyEliminating The Need (Original Mix) UMEK, D-UnityBody Language (Original Mix) Layton GiordaniSelf Existence (Original Mix) Reset RobotVelleity (Original Mix) Reset RobotGreen Light (Original Mix) Sinisa TamamovicBaby (Original Mix) Tiger StripesDying Planet (Original Mix) Tiger StripesBefore My Eyes (Original Mix) Vinicius Honorio

who is ricardo ferro? Ricardo is also known as DJ Ferro since his debuts in the world of djing, bringing us back to 1988. Very loyal to the electronic culture club since then, Ferro has become a key name of the Portuguese underground music scene. Born in Lisbon in 24th April 1973, he spent his early days in the well-known region of Algarve, southern Portugal. When he turned 18 years old he moved back to Lisbon on his own, not only because the attraction of the big city life but mainly because of his strong desire of getting to know artists and people involved in the dance scene. He was eager to make a breakthrough as well as establishing his style and own sound to a bulky audience. It was only a matter of time, for those who remember, before his name started circulating around the elite and was being offered to playing in such places like: Locomia, Rocks, ZONA+, Coconuts, Plateau, Alcantara-Mar amongst others. When still working in the record shop Bimotor in charge of the imports, he formed a collective with A.paul and Wogz, two successful Techno Dj's in Portugal, which would lead to the creation of a specific Portuguese techno label - Squeeze Records. Squeeze 001 ( A.paul & Ferro) appeared to be the so much wanted breakthrough, a smash! The right music was released at the right time and obviously the interest of the public kept growing. The next step was a very much awaited and acclaimed Compilation. Outside Portugal boundaries the success was discreet but flourishing. The German distributor Neuton shipped Squeeze around Europe and DJs like Sven Vath, Chris Liebing and Hardfloor charted it. At a certain point, during the 'boom' of dance music in Portugal, X-Club acknowledged his work with a invitation to be one of the X artists, were he finally was able to set up his career. Places like Colombia and Slováquia, playing with DJs like Carl Cox, Jeff Mills, Dave Clarke, Richie Hawtin, The Advent, Mike Dearborn, DJ Rush, Derrick Carter, Dave Angel, Darren Price, Stacey Pullen, DJ Sneak, Green Velvet, Josh Wink, Damon Wild, Steve Stoll, Adam Beyer, Ben Long and many others, are common to him. Today Ricardo Ferro is the Label Manager of FAROL, the label of Media Capital and also the exclusive distributor of Warner Music in Portugal. His love for production is still alive, and he regularly delivers his new material. He also keeps his agenda full with gigs in Portugal and abroad. In less than a decade, Ricardo Ferro managed to impose his fresh sound and smooth style with a clever blend of Techno, Techouse, Hardhouse, Progressive House, House and even Electro, his recent collaboration with Mourah under the project Echosonic is an example of it. Year after year he proves to his faithful audience to be an innovative, versatile and open-minded artist. One who deserves all the respect he has been rewarded with. ricardo ferro discography Released A.Paul & Ferro "Squeeze Gently Ep" (Squeeze001) Dj Ferro "Shakuachi Ep" (Squeeze007) Dj Ferro "Blue Vibration" (WorldMusicLP001) Dj Ferro "Juicy Kisses" (upfront) Dj Ferro "Fire ep" (Naked Lunch 008) Dj Ferro "Moribayassa EP" (Naked Lunch 025) Dj Ferro "Especial" (Parallel 125 - &035;28) Remixes Mesa "Divagadora" Viper "Sanzala" (Squeeze) Humanoyd "Mr Galaxy" (Squeeze) Dj Wogz "Gloopuk" (Squeeze) As a producer Oscar Baia "Z" (Squeeze) mixed CDs by ricardo ferro Squeezed Hardheads (Squeeze Records / MCA) The G Spot (Genesis / Zona Musica) Secret Society mixed by A. Paul & Ferro (nova zona) • echosonic discography (ferro & mourah) Original echosonic "wont I" (LCR) Remixes Mourah "Os Mudos do Vale" (Nova Zona) DJ mixed CDs by echosonic LCR sample (LCR / DANCE CLUB)

who is ricardo ferro? Ricardo is also known as DJ Ferro since his debuts in the world of djing, bringing us back to 1988. Very loyal to the electronic culture club since then, Ferro has become a key name of the Portuguese underground music scene. Born in Lisbon in 24th April 1973, he spent his early days in the well-known region of Algarve, southern Portugal. When he turned 18 years old he moved back to Lisbon on his own, not only because the attraction of the big city life but mainly because of his strong desire of getting to know artists and people involved in the dance scene. He was eager to make a breakthrough as well as establishing his style and own sound to a bulky audience. It was only a matter of time, for those who remember, before his name started circulating around the elite and was being offered to playing in such places like: Locomia, Rocks, ZONA+, Coconuts, Plateau, Alcantara-Mar amongst others. When still working in the record shop Bimotor in charge of the imports, he formed a collective with A.paul and Wogz, two successful Techno Dj's in Portugal, which would lead to the creation of a specific Portuguese techno label - Squeeze Records. Squeeze 001 ( A.paul & Ferro) appeared to be the so much wanted breakthrough, a smash! The right music was released at the right time and obviously the interest of the public kept growing. The next step was a very much awaited and acclaimed Compilation. Outside Portugal boundaries the success was discreet but flourishing. The German distributor Neuton shipped Squeeze around Europe and DJs like Sven Vath, Chris Liebing and Hardfloor charted it. At a certain point, during the 'boom' of dance music in Portugal, X-Club acknowledged his work with a invitation to be one of the X artists, were he finally was able to set up his career. Places like Colombia and Slováquia, playing with DJs like Carl Cox, Jeff Mills, Dave Clarke, Richie Hawtin, The Advent, Mike Dearborn, DJ Rush, Derrick Carter, Dave Angel, Darren Price, Stacey Pullen, DJ Sneak, Green Velvet, Josh Wink, Damon Wild, Steve Stoll, Adam Beyer, Ben Long and many others, are common to him. Today Ricardo Ferro is the Label Manager of FAROL, the label of Media Capital and also the exclusive distributor of Warner Music in Portugal. His love for production is still alive, and he regularly delivers his new material. He also keeps his agenda full with gigs in Portugal and abroad. In less than a decade, Ricardo Ferro managed to impose his fresh sound and smooth style with a clever blend of Techno, Techouse, Hardhouse, Progressive House, House and even Electro, his recent collaboration with Mourah under the project Echosonic is an example of it. Year after year he proves to his faithful audience to be an innovative, versatile and open-minded artist. One who deserves all the respect he has been rewarded with. ricardo ferro discography Released A.Paul & Ferro "Squeeze Gently Ep" (Squeeze001) Dj Ferro "Shakuachi Ep" (Squeeze007) Dj Ferro "Blue Vibration" (WorldMusicLP001) Dj Ferro "Juicy Kisses" (upfront) Dj Ferro "Fire ep" (Naked Lunch 008) Dj Ferro "Moribayassa EP" (Naked Lunch 025) Dj Ferro "Especial" (Parallel 125 - &035;28) Remixes Mesa "Divagadora" Viper "Sanzala" (Squeeze) Humanoyd "Mr Galaxy" (Squeeze) Dj Wogz "Gloopuk" (Squeeze) As a producer Oscar Baia "Z" (Squeeze) mixed CDs by ricardo ferro Squeezed Hardheads (Squeeze Records / MCA) The G Spot (Genesis / Zona Musica) Secret Society mixed by A. Paul & Ferro (nova zona) • echosonic discography (ferro & mourah) Original echosonic "wont I" (LCR) Remixes Mourah "Os Mudos do Vale" (Nova Zona) DJ mixed CDs by echosonic LCR sample (LCR / DANCE CLUB)

who is dj ferro? Dj Ferro is the artist name used by Ricardo Ferro since his debuts in the world of djing, bringing us back to 1988. Very loyal to the electronic culture club since then, Dj Ferro has become a key name of the Portuguese underground music scene. Born in Lisbon in 24th April 1973, he spent his early days in the well-known region of Algarve, southern Portugal. When he turned 18 years old he moved back to Lisbon on his own, not only because the attraction of the big city life but mainly because of his strong desire of getting to know artists and people involved in the dance scene. He was eager to make a breakthrough as well as establishing his style and own sound to a bulky audience. It was only a matter of time, for those who remember, before his name started circulating around the elite and was being offered to playing in such places like: Locomia, Rocks, ZONA+, Coconuts, Plateau, Alcantara-Mar amongst others. When still working in the record shop Bimotor in charge of the imports, he formed a collective with A.paul and Wogz, two successful Techno Dj's in Portugal, which would lead to the creation of a specific Portuguese techno label - Squeeze Records. Squeeze 001 ( A.paul & Ferro) appeared to be the so much wanted breakthrough, a smash! The right music was released at the right time and obviously the interest of the public kept growing. The next step was a very much awaited and acclaimed Compilation. Outside Portugal boundaries the success was discreet but flourishing. The German distributor Neuton shipped Squeeze around Europe and DJs like Sven Vath, Chris Liebing and Hardfloor charted it. At a certain point, during the 'boom' of dance music in Portugal, X-Club acknowledged his work with a invitation to be one of the X artists, were he finally was able to set up his career. Places like Colombia and Slováquia, playing with DJs like Carl Cox, Jeff Mills, Dave Clarke, Richie Hawtin, The Advent, Mike Dearborn, DJ Rush, Derrick Carter, Dave Angel, Darren Price, Stacey Pullen, DJ Sneak, Green Velvet, Josh Wink, Damon Wild, Steve Stoll, Adam Beyer, Ben Long and many others, are common to him. Today Ricardo Ferro is the A&R of ZONA MUSICA, a respected Portuguese label and distributor (of such labels as !K7). His love for production is still alive, and he regularly delivers his new material. He also keeps his agenda full with gigs in Portugal and abroad. In less than a decade, Dj Ferro managed to impose his fresh sound and smooth style with a clever blend of Techno, Techouse, Hardhouse, Progressive House, House and even Electro, his recent collaboration with Mourah under the project Echosonic is an example of it. Year after year he proves to his faithful audience to be an innovative, versatile and open-minded artist. One who deserves all the respect he has been rewarded with. dj ferro discography Released A.Paul & Ferro "Squeeze Gently Ep" (Squeeze001) Dj Ferro "Shakuachi Ep" (Squeeze007) Dj Ferro "Blue Vibration" (WorldMusicLP001) Dj Ferro "Juicy Kisses" (upfront) Dj Ferro "Fire ep" (Naked Lunch 008) Dj Ferro "Moribayassa EP" (Naked Lunch 025) Remixes Mesa "Divagadora" Viper "Sanzala" (Squeeze) Humanoyd "Mr Galaxy" (Squeeze) Dj Wogz "Gloopuk" (Squeeze) As a producer Oscar Baia "Z" (Squeeze) mixed CDs by dj ferro Squeezed Hardheads (Squeeze Records / MCA) The G Spot (Genesis / Zona Musica) Secret Society mixed by A. Paul & Ferro (nova zona) • echosonic discography (ferro & mourah) Original echosonic "wont I" (LCR) Remixes Mourah "Os Mudos do Vale" (Nova Zona) DJ mixed CDs by echosonic LCR sample (LCR / DANCE CLUB)

who is dj ferro? Dj Ferro is the artist name used by Ricardo Ferro since his debuts in the world of djing, bringing us back to 1988. Very loyal to the electronic culture club since then, Dj Ferro has become a key name of the Portuguese underground music scene. Born in Lisbon in 24th April 1973, he spent his early days in the well-known region of Algarve, southern Portugal. When he turned 18 years old he moved back to Lisbon on his own, not only because the attraction of the big city life but mainly because of his strong desire of getting to know artists and people involved in the dance scene. He was eager to make a breakthrough as well as establishing his style and own sound to a bulky audience. It was only a matter of time, for those who remember, before his name started circulating around the elite and was being offered to playing in such places like: Locomia, Rocks, ZONA+, Coconuts, Plateau, Alcantara-Mar amongst others. When still working in the record shop Bimotor in charge of the imports, he formed a collective with A.paul and Wogz, two successful Techno Dj's in Portugal, which would lead to the creation of a specific Portuguese techno label - Squeeze Records. Squeeze 001 ( A.paul & Ferro) appeared to be the so much wanted breakthrough, a smash! The right music was released at the right time and obviously the interest of the public kept growing. The next step was a very much awaited and acclaimed Compilation. Outside Portugal boundaries the success was discreet but flourishing. The German distributor Neuton shipped Squeeze around Europe and DJs like Sven Vath, Chris Liebing and Hardfloor charted it. At a certain point, during the 'boom' of dance music in Portugal, X-Club acknowledged his work with a invitation to be one of the X artists, were he finally was able to set up his career. Places like Colombia and Slováquia, playing with DJs like Carl Cox, Jeff Mills, Dave Clarke, Richie Hawtin, The Advent, Mike Dearborn, DJ Rush, Derrick Carter, Dave Angel, Darren Price, Stacey Pullen, DJ Sneak, Green Velvet, Josh Wink, Damon Wild, Steve Stoll, Adam Beyer, Ben Long and many others, are common to him. Today Ricardo Ferro is the A&R of ZONA MUSICA, a respected Portuguese label and distributor (of such labels as !K7). His love for production is still alive, and he regularly delivers his new material. He also keeps his agenda full with gigs in Portugal and abroad. In less than a decade, Dj Ferro managed to impose his fresh sound and smooth style with a clever blend of Techno, Techouse, Hardhouse, Progressive House, House and even Electro, his recent collaboration with Mourah under the project Echosonic is an example of it. Year after year he proves to his faithful audience to be an innovative, versatile and open-minded artist. One who deserves all the respect he has been rewarded with. dj ferro discography Released A.Paul & Ferro "Squeeze Gently Ep" (Squeeze001) Dj Ferro "Shakuachi Ep" (Squeeze007) Dj Ferro "Blue Vibration" (WorldMusicLP001) Dj Ferro "Juicy Kisses" (upfront) Dj Ferro "Fire ep" (Naked Lunch 008) Dj Ferro "Moribayassa EP" (Naked Lunch 025) Remixes Mesa "Divagadora" Viper "Sanzala" (Squeeze) Humanoyd "Mr Galaxy" (Squeeze) Dj Wogz "Gloopuk" (Squeeze) As a producer Oscar Baia "Z" (Squeeze) mixed CDs by dj ferro Squeezed Hardheads (Squeeze Records / MCA) The G Spot (Genesis / Zona Musica) Secret Society mixed by A. Paul & Ferro (nova zona) • echosonic discography (ferro & mourah) Original echosonic "wont I" (LCR) Remixes Mourah "Os Mudos do Vale" (Nova Zona) DJ mixed CDs by echosonic LCR sample (LCR / DANCE CLUB)

who is dj ferro? Dj Ferro is the artist name used by Ricardo Ferro since his debuts in the world of djing, bringing us back to 1988. Very loyal to the electronic culture club since then, Dj Ferro has become a key name of the Portuguese underground music scene. Born in Lisbon in 24th April 1973, he spent his early days in the well-known region of Algarve, southern Portugal. When he turned 18 years old he moved back to Lisbon on his own, not only because the attraction of the big city life but mainly because of his strong desire of getting to know artists and people involved in the dance scene. He was eager to make a breakthrough as well as establishing his style and own sound to a bulky audience. It was only a matter of time, for those who remember, before his name started circulating around the elite and was being offered to playing in such places like: Locomia, Rocks, ZONA+, Coconuts, Plateau, Alcantara-Mar amongst others. When still working in the record shop Bimotor in charge of the imports, he formed a collective with A.paul and Wogz, two successful Techno Dj's in Portugal, which would lead to the creation of a specific Portuguese techno label - Squeeze Records. Squeeze 001 ( A.paul & Ferro) appeared to be the so much wanted breakthrough, a smash! The right music was released at the right time and obviously the interest of the public kept growing. The next step was a very much awaited and acclaimed Compilation. Outside Portugal boundaries the success was discreet but flourishing. The German distributor Neuton shipped Squeeze around Europe and DJs like Sven Vath, Chris Liebing and Hardfloor charted it. At a certain point, during the 'boom' of dance music in Portugal, X-Club acknowledged his work with a invitation to be one of the X artists, were he finally was able to set up his career. Places like Colombia and Slováquia, playing with DJs like Carl Cox, Jeff Mills, Dave Clarke, Richie Hawtin, The Advent, Mike Dearborn, DJ Rush, Derrick Carter, Dave Angel, Darren Price, Stacey Pullen, DJ Sneak, Green Velvet, Josh Wink, Damon Wild, Steve Stoll, Adam Beyer, Ben Long and many others, are common to him. Today Ricardo Ferro is the A&R of ZONA MUSICA, a respected Portuguese label and distributor (of such labels as !K7). His love for production is still alive, and he regularly delivers his new material. He also keeps his agenda full with gigs in Portugal and abroad. In less than a decade, Dj Ferro managed to impose his fresh sound and smooth style with a clever blend of Techno, Techouse, Hardhouse, Progressive House, House and even Electro, his recent collaboration with Mourah under the project Echosonic is an example of it. Year after year he proves to his faithful audience to be an innovative, versatile and open-minded artist. One who deserves all the respect he has been rewarded with. dj ferro discography Released A.Paul & Ferro "Squeeze Gently Ep" (Squeeze001) Dj Ferro "Shakuachi Ep" (Squeeze007) Dj Ferro "Blue Vibration" (WorldMusicLP001) Dj Ferro "Juicy Kisses" (upfront) Dj Ferro "Fire ep" (Naked Lunch 008) Dj Ferro "Moribayassa EP" (Naked Lunch 025) Remixes Mesa "Divagadora" Viper "Sanzala" (Squeeze) Humanoyd "Mr Galaxy" (Squeeze) Dj Wogz "Gloopuk" (Squeeze) As a producer Oscar Baia "Z" (Squeeze) mixed CDs by dj ferro Squeezed Hardheads (Squeeze Records / MCA) The G Spot (Genesis / Zona Musica) Secret Society mixed by A. Paul & Ferro (nova zona) • echosonic discography (ferro & mourah) Original echosonic "wont I" (LCR) Remixes Mourah "Os Mudos do Vale" (Nova Zona) DJ mixed CDs by echosonic LCR sample (LCR / DANCE CLUB)

who is dj ferro? Dj Ferro is the artist name used by Ricardo Ferro since his debuts in the world of djing, bringing us back to 1988. Very loyal to the electronic culture club since then, Dj Ferro has become a key name of the Portuguese underground music scene. Born in Lisbon in 24th April 1973, he spent his early days in the well-known region of Algarve, southern Portugal. When he turned 18 years old he moved back to Lisbon on his own, not only because the attraction of the big city life but mainly because of his strong desire of getting to know artists and people involved in the dance scene. He was eager to make a breakthrough as well as establishing his style and own sound to a bulky audience. It was only a matter of time, for those who remember, before his name started circulating around the elite and was being offered to playing in such places like: Locomia, Rocks, ZONA+, Coconuts, Plateau, Alcantara-Mar amongst others. When still working in the record shop Bimotor in charge of the imports, he formed a collective with A.paul and Wogz, two successful Techno Dj's in Portugal, which would lead to the creation of a specific Portuguese techno label - Squeeze Records. Squeeze 001 ( A.paul & Ferro) appeared to be the so much wanted breakthrough, a smash! The right music was released at the right time and obviously the interest of the public kept growing. The next step was a very much awaited and acclaimed Compilation. Outside Portugal boundaries the success was discreet but flourishing. The German distributor Neuton shipped Squeeze around Europe and DJs like Sven Vath, Chris Liebing and Hardfloor charted it. At a certain point, during the 'boom' of dance music in Portugal, X-Club acknowledged his work with a invitation to be one of the X artists, were he finally was able to set up his career. Places like Colombia and Slováquia, playing with DJs like Carl Cox, Jeff Mills, Dave Clarke, Richie Hawtin, The Advent, Mike Dearborn, DJ Rush, Derrick Carter, Dave Angel, Darren Price, Stacey Pullen, DJ Sneak, Green Velvet, Josh Wink, Damon Wild, Steve Stoll, Adam Beyer, Ben Long and many others, are common to him. Today Ricardo Ferro is the A&R of ZONA MUSICA, a respected Portuguese label and distributor (of such labels as !K7). His love for production is still alive, and he regularly delivers his new material. He also keeps his agenda full with gigs in Portugal and abroad. In less than a decade, Dj Ferro managed to impose his fresh sound and smooth style with a clever blend of Techno, Techouse, Hardhouse, Progressive House, House and even Electro, his recent collaboration with Mourah under the project Echosonic is an example of it. Year after year he proves to his faithful audience to be an innovative, versatile and open-minded artist. One who deserves all the respect he has been rewarded with. dj ferro discography Released A.Paul & Ferro "Squeeze Gently Ep" (Squeeze001) Dj Ferro "Shakuachi Ep" (Squeeze007) Dj Ferro "Blue Vibration" (WorldMusicLP001) Dj Ferro "Juicy Kisses" (upfront) Dj Ferro "Fire ep" (Naked Lunch 008) Dj Ferro "Moribayassa EP" (Naked Lunch 025) Remixes Mesa "Divagadora" Viper "Sanzala" (Squeeze) Humanoyd "Mr Galaxy" (Squeeze) Dj Wogz "Gloopuk" (Squeeze) As a producer Oscar Baia "Z" (Squeeze) mixed CDs by dj ferro Squeezed Hardheads (Squeeze Records / MCA) The G Spot (Genesis / Zona Musica) Secret Society mixed by A. Paul & Ferro (nova zona) • echosonic discography (ferro & mourah) Original echosonic "wont I" (LCR) Remixes Mourah "Os Mudos do Vale" (Nova Zona) DJ mixed CDs by echosonic LCR sample (LCR / DANCE CLUB)

who is dj ferro? Dj Ferro is the artist name used by Ricardo Ferro since his debuts in the world of djing, bringing us back to 1988. Very loyal to the electronic culture club since then, Dj Ferro has become a key name of the Portuguese underground music scene. Born in Lisbon in 24th April 1973, he spent his early days in the well-known region of Algarve, southern Portugal. When he turned 18 years old he moved back to Lisbon on his own, not only because the attraction of the big city life but mainly because of his strong desire of getting to know artists and people involved in the dance scene. He was eager to make a breakthrough as well as establishing his style and own sound to a bulky audience. It was only a matter of time, for those who remember, before his name started circulating around the elite and was being offered to playing in such places like: Locomia, Rocks, ZONA+, Coconuts, Plateau, Alcantara-Mar amongst others. When still working in the record shop Bimotor in charge of the imports, he formed a collective with A.paul and Wogz, two successful Techno Dj's in Portugal, which would lead to the creation of a specific Portuguese techno label - Squeeze Records. Squeeze 001 ( A.paul & Ferro) appeared to be the so much wanted breakthrough, a smash! The right music was released at the right time and obviously the interest of the public kept growing. The next step was a very much awaited and acclaimed Compilation. Outside Portugal boundaries the success was discreet but flourishing. The German distributor Neuton shipped Squeeze around Europe and DJs like Sven Vath, Chris Liebing and Hardfloor charted it. At a certain point, during the 'boom' of dance music in Portugal, X-Club acknowledged his work with a invitation to be one of the X artists, were he finally was able to set up his career. Places like Colombia and Slováquia, playing with DJs like Carl Cox, Jeff Mills, Dave Clarke, Richie Hawtin, The Advent, Mike Dearborn, DJ Rush, Derrick Carter, Dave Angel, Darren Price, Stacey Pullen, DJ Sneak, Green Velvet, Josh Wink, Damon Wild, Steve Stoll, Adam Beyer, Ben Long and many others, are common to him. Today Ricardo Ferro is the A&R of ZONA MUSICA, a respected Portuguese label and distributor (of such labels as !K7). His love for production is still alive, and he regularly delivers his new material. He also keeps his agenda full with gigs in Portugal and abroad. In less than a decade, Dj Ferro managed to impose his fresh sound and smooth style with a clever blend of Techno, Techouse, Hardhouse, Progressive House, House and even Electro, his recent collaboration with Mourah under the project Echosonic is an example of it. Year after year he proves to his faithful audience to be an innovative, versatile and open-minded artist. One who deserves all the respect he has been rewarded with. dj ferro discography Released A.Paul & Ferro "Squeeze Gently Ep" (Squeeze001) Dj Ferro "Shakuachi Ep" (Squeeze007) Dj Ferro "Blue Vibration" (WorldMusicLP001) Dj Ferro "Juicy Kisses" (upfront) Dj Ferro "Fire ep" (Naked Lunch 008) Dj Ferro "Moribayassa EP" (Naked Lunch 025) Remixes Mesa "Divagadora" Viper "Sanzala" (Squeeze) Humanoyd "Mr Galaxy" (Squeeze) Dj Wogz "Gloopuk" (Squeeze) As a producer Oscar Baia "Z" (Squeeze) mixed CDs by dj ferro Squeezed Hardheads (Squeeze Records / MCA) The G Spot (Genesis / Zona Musica) Secret Society mixed by A. Paul & Ferro (nova zona) • echosonic discography (ferro & mourah) Original echosonic "wont I" (LCR) Remixes Mourah "Os Mudos do Vale" (Nova Zona) DJ mixed CDs by echosonic LCR sample (LCR / DANCE CLUB)

who is dj ferro? Dj Ferro is the artist name used by Ricardo Ferro since his debuts in the world of djing, bringing us back to 1988. Very loyal to the electronic culture club since then, Dj Ferro has become a key name of the Portuguese underground music scene. Born in Lisbon in 24th April 1973, he spent his early days in the well-known region of Algarve, southern Portugal. When he turned 18 years old he moved back to Lisbon on his own, not only because the attraction of the big city life but mainly because of his strong desire of getting to know artists and people involved in the dance scene. He was eager to make a breakthrough as well as establishing his style and own sound to a bulky audience. It was only a matter of time, for those who remember, before his name started circulating around the elite and was being offered to playing in such places like: Locomia, Rocks, ZONA+, Coconuts, Plateau, Alcantara-Mar amongst others. When still working in the record shop Bimotor in charge of the imports, he formed a collective with A.paul and Wogz, two successful Techno Dj's in Portugal, which would lead to the creation of a specific Portuguese techno label - Squeeze Records. Squeeze 001 ( A.paul & Ferro) appeared to be the so much wanted breakthrough, a smash! The right music was released at the right time and obviously the interest of the public kept growing. The next step was a very much awaited and acclaimed Compilation. Outside Portugal boundaries the success was discreet but flourishing. The German distributor Neuton shipped Squeeze around Europe and DJs like Sven Vath, Chris Liebing and Hardfloor charted it. At a certain point, during the 'boom' of dance music in Portugal, X-Club acknowledged his work with a invitation to be one of the X artists, were he finally was able to set up his career. Places like Colombia and Slováquia, playing with DJs like Carl Cox, Jeff Mills, Dave Clarke, Richie Hawtin, The Advent, Mike Dearborn, DJ Rush, Derrick Carter, Dave Angel, Darren Price, Stacey Pullen, DJ Sneak, Green Velvet, Josh Wink, Damon Wild, Steve Stoll, Adam Beyer, Ben Long and many others, are common to him. Today Ricardo Ferro is the A&R of ZONA MUSICA, a respected Portuguese label and distributor (of such labels as !K7). His love for production is still alive, and he regularly delivers his new material. He also keeps his agenda full with gigs in Portugal and abroad. In less than a decade, Dj Ferro managed to impose his fresh sound and smooth style with a clever blend of Techno, Techouse, Hardhouse, Progressive House, House and even Electro, his recent collaboration with Mourah under the project Echosonic is an example of it. Year after year he proves to his faithful audience to be an innovative, versatile and open-minded artist. One who deserves all the respect he has been rewarded with. dj ferro discography Released A.Paul & Ferro "Squeeze Gently Ep" (Squeeze001) Dj Ferro "Shakuachi Ep" (Squeeze007) Dj Ferro "Blue Vibration" (WorldMusicLP001) Dj Ferro "Juicy Kisses" (upfront) Dj Ferro "Fire ep" (Naked Lunch 008) Dj Ferro "Moribayassa EP" (Naked Lunch 025) Remixes Mesa "Divagadora" Viper "Sanzala" (Squeeze) Humanoyd "Mr Galaxy" (Squeeze) Dj Wogz "Gloopuk" (Squeeze) As a producer Oscar Baia "Z" (Squeeze) mixed CDs by dj ferro Squeezed Hardheads (Squeeze Records / MCA) The G Spot (Genesis / Zona Musica) Secret Society mixed by A. Paul & Ferro (nova zona) • echosonic discography (ferro & mourah) Original echosonic "wont I" (LCR) Remixes Mourah "Os Mudos do Vale" (Nova Zona) DJ mixed CDs by echosonic LCR sample (LCR / DANCE CLUB)

who is dj ferro? Dj Ferro is the artist name used by Ricardo Ferro since his debuts in the world of djing, bringing us back to 1988. Very loyal to the electronic culture club since then, Dj Ferro has become a key name of the Portuguese underground music scene. Born in Lisbon in 24th April 1973, he spent his early days in the well-known region of Algarve, southern Portugal. When he turned 18 years old he moved back to Lisbon on his own, not only because the attraction of the big city life but mainly because of his strong desire of getting to know artists and people involved in the dance scene. He was eager to make a breakthrough as well as establishing his style and own sound to a bulky audience. It was only a matter of time, for those who remember, before his name started circulating around the elite and was being offered to playing in such places like: Locomia, Rocks, ZONA+, Coconuts, Plateau, Alcantara-Mar amongst others. When still working in the record shop Bimotor in charge of the imports, he formed a collective with A.paul and Wogz, two successful Techno Dj's in Portugal, which would lead to the creation of a specific Portuguese techno label - Squeeze Records. Squeeze 001 ( A.paul & Ferro) appeared to be the so much wanted breakthrough, a smash! The right music was released at the right time and obviously the interest of the public kept growing. The next step was a very much awaited and acclaimed Compilation. Outside Portugal boundaries the success was discreet but flourishing. The German distributor Neuton shipped Squeeze around Europe and DJs like Sven Vath, Chris Liebing and Hardfloor charted it. At a certain point, during the 'boom' of dance music in Portugal, X-Club acknowledged his work with a invitation to be one of the X artists, were he finally was able to set up his career. Places like Colombia and Slováquia, playing with DJs like Carl Cox, Jeff Mills, Dave Clarke, Richie Hawtin, The Advent, Mike Dearborn, DJ Rush, Derrick Carter, Dave Angel, Darren Price, Stacey Pullen, DJ Sneak, Green Velvet, Josh Wink, Damon Wild, Steve Stoll, Adam Beyer, Ben Long and many others, are common to him. Today Ricardo Ferro is the A&R of ZONA MUSICA, a respected Portuguese label and distributor (of such labels as !K7). His love for production is still alive, and he regularly delivers his new material. He also keeps his agenda full with gigs in Portugal and abroad. In less than a decade, Dj Ferro managed to impose his fresh sound and smooth style with a clever blend of Techno, Techouse, Hardhouse, Progressive House, House and even Electro, his recent collaboration with Mourah under the project Echosonic is an example of it. Year after year he proves to his faithful audience to be an innovative, versatile and open-minded artist. One who deserves all the respect he has been rewarded with. dj ferro discography Released A.Paul & Ferro "Squeeze Gently Ep" (Squeeze001) Dj Ferro "Shakuachi Ep" (Squeeze007) Dj Ferro "Blue Vibration" (WorldMusicLP001) Dj Ferro "Juicy Kisses" (upfront) Dj Ferro "Fire ep" (Naked Lunch 008) Dj Ferro "Moribayassa EP" (Naked Lunch 025) Remixes Mesa "Divagadora" Viper "Sanzala" (Squeeze) Humanoyd "Mr Galaxy" (Squeeze) Dj Wogz "Gloopuk" (Squeeze) As a producer Oscar Baia "Z" (Squeeze) mixed CDs by dj ferro Squeezed Hardheads (Squeeze Records / MCA) The G Spot (Genesis / Zona Musica) Secret Society mixed by A. Paul & Ferro (nova zona) • echosonic discography (ferro & mourah) Original echosonic "wont I" (LCR) Remixes Mourah "Os Mudos do Vale" (Nova Zona) DJ mixed CDs by echosonic LCR sample (LCR / DANCE CLUB)

who is dj ferro? Dj Ferro is the artist name used by Ricardo Ferro since his debuts in the world of djing, bringing us back to 1988. Very loyal to the electronic culture club since then, Dj Ferro has become a key name of the Portuguese underground music scene. Born in Lisbon in 24th April 1973, he spent his early days in the well-known region of Algarve, southern Portugal. When he turned 18 years old he moved back to Lisbon on his own, not only because the attraction of the big city life but mainly because of his strong desire of getting to know artists and people involved in the dance scene. He was eager to make a breakthrough as well as establishing his style and own sound to a bulky audience. It was only a matter of time, for those who remember, before his name started circulating around the elite and was being offered to playing in such places like: Locomia, Rocks, ZONA+, Coconuts, Plateau, Alcantara-Mar amongst others. When still working in the record shop Bimotor in charge of the imports, he formed a collective with A.paul and Wogz, two successful Techno Dj's in Portugal, which would lead to the creation of a specific Portuguese techno label - Squeeze Records. Squeeze 001 ( A.paul & Ferro) appeared to be the so much wanted breakthrough, a smash! The right music was released at the right time and obviously the interest of the public kept growing. The next step was a very much awaited and acclaimed Compilation. Outside Portugal boundaries the success was discreet but flourishing. The German distributor Neuton shipped Squeeze around Europe and DJs like Sven Vath, Chris Liebing and Hardfloor charted it. At a certain point, during the 'boom' of dance music in Portugal, X-Club acknowledged his work with a invitation to be one of the X artists, were he finally was able to set up his career. Places like Colombia and Slováquia, playing with DJs like Carl Cox, Jeff Mills, Dave Clarke, Richie Hawtin, The Advent, Mike Dearborn, DJ Rush, Derrick Carter, Dave Angel, Darren Price, Stacey Pullen, DJ Sneak, Green Velvet, Josh Wink, Damon Wild, Steve Stoll, Adam Beyer, Ben Long and many others, are common to him. Today Ricardo Ferro is the A&R of ZONA MUSICA, a respected Portuguese label and distributor (of such labels as !K7). His love for production is still alive, and he regularly delivers his new material. He also keeps his agenda full with gigs in Portugal and abroad. In less than a decade, Dj Ferro managed to impose his fresh sound and smooth style with a clever blend of Techno, Techouse, Hardhouse, Progressive House, House and even Electro, his recent collaboration with Mourah under the project Echosonic is an example of it. Year after year he proves to his faithful audience to be an innovative, versatile and open-minded artist. One who deserves all the respect he has been rewarded with. dj ferro discography Released A.Paul & Ferro "Squeeze Gently Ep" (Squeeze001) Dj Ferro "Shakuachi Ep" (Squeeze007) Dj Ferro "Blue Vibration" (WorldMusicLP001) Dj Ferro "Juicy Kisses" (upfront) Dj Ferro "Fire ep" (Naked Lunch 008) Dj Ferro "Moribayassa EP" (Naked Lunch 025) Remixes Mesa "Divagadora" Viper "Sanzala" (Squeeze) Humanoyd "Mr Galaxy" (Squeeze) Dj Wogz "Gloopuk" (Squeeze) As a producer Oscar Baia "Z" (Squeeze) mixed CDs by dj ferro Squeezed Hardheads (Squeeze Records / MCA) The G Spot (Genesis / Zona Musica) Secret Society mixed by A. Paul & Ferro (nova zona) • echosonic discography (ferro & mourah) Original echosonic "wont I" (LCR) Remixes Mourah "Os Mudos do Vale" (Nova Zona) DJ mixed CDs by echosonic LCR sample (LCR / DANCE CLUB)

who is dj ferro? Dj Ferro is the artist name used by Ricardo Ferro since his debuts in the world of djing, bringing us back to 1988. Very loyal to the electronic culture club since then, Dj Ferro has become a key name of the Portuguese underground music scene. Born in Lisbon in 24th April 1973, he spent his early days in the well-known region of Algarve, southern Portugal. When he turned 18 years old he moved back to Lisbon on his own, not only because the attraction of the big city life but mainly because of his strong desire of getting to know artists and people involved in the dance scene. He was eager to make a breakthrough as well as establishing his style and own sound to a bulky audience. It was only a matter of time, for those who remember, before his name started circulating around the elite and was being offered to playing in such places like: Locomia, Rocks, ZONA+, Coconuts, Plateau, Alcantara-Mar amongst others. When still working in the record shop Bimotor in charge of the imports, he formed a collective with A.paul and Wogz, two successful Techno Dj's in Portugal, which would lead to the creation of a specific Portuguese techno label - Squeeze Records. Squeeze 001 ( A.paul & Ferro) appeared to be the so much wanted breakthrough, a smash! The right music was released at the right time and obviously the interest of the public kept growing. The next step was a very much awaited and acclaimed Compilation. Outside Portugal boundaries the success was discreet but flourishing. The German distributor Neuton shipped Squeeze around Europe and DJs like Sven Vath, Chris Liebing and Hardfloor charted it. At a certain point, during the 'boom' of dance music in Portugal, X-Club acknowledged his work with a invitation to be one of the X artists, were he finally was able to set up his career. Places like Colombia and Slováquia, playing with DJs like Carl Cox, Jeff Mills, Dave Clarke, Richie Hawtin, The Advent, Mike Dearborn, DJ Rush, Derrick Carter, Dave Angel, Darren Price, Stacey Pullen, DJ Sneak, Green Velvet, Josh Wink, Damon Wild, Steve Stoll, Adam Beyer, Ben Long and many others, are common to him. Today Ricardo Ferro is the A&R of ZONA MUSICA, a respected Portuguese label and distributor (of such labels as !K7). His love for production is still alive, and he regularly delivers his new material. He also keeps his agenda full with gigs in Portugal and abroad. In less than a decade, Dj Ferro managed to impose his fresh sound and smooth style with a clever blend of Techno, Techouse, Hardhouse, Progressive House, House and even Electro, his recent collaboration with Mourah under the project Echosonic is an example of it. Year after year he proves to his faithful audience to be an innovative, versatile and open-minded artist. One who deserves all the respect he has been rewarded with. dj ferro discography Released A.Paul & Ferro "Squeeze Gently Ep" (Squeeze001) Dj Ferro "Shakuachi Ep" (Squeeze007) Dj Ferro "Blue Vibration" (WorldMusicLP001) Dj Ferro "Juicy Kisses" (upfront) Dj Ferro "Fire ep" (Naked Lunch 008) Dj Ferro "Moribayassa EP" (Naked Lunch 025) Remixes Mesa "Divagadora" Viper "Sanzala" (Squeeze) Humanoyd "Mr Galaxy" (Squeeze) Dj Wogz "Gloopuk" (Squeeze) As a producer Oscar Baia "Z" (Squeeze) mixed CDs by dj ferro Squeezed Hardheads (Squeeze Records / MCA) The G Spot (Genesis / Zona Musica) Secret Society mixed by A. Paul & Ferro (nova zona) • echosonic discography (ferro & mourah) Original echosonic "wont I" (LCR) Remixes Mourah "Os Mudos do Vale" (Nova Zona) DJ mixed CDs by echosonic LCR sample (LCR / DANCE CLUB)