Podcast appearances and mentions of David Crane

While Cost Plus Remodeling isn't for everyone, it can be an enjoyable and profitable way of doing business.  If it is done well, it can be very rewarding and reduce the uncertainty of a market. Guest David Crane joins this episode to share why cost plus remodeling has proven to be successful for his business […] The post Making Money in Cost Plus Remodeling with David Crane – [Best of PowerTips Unscripted] appeared first on PowerTips Unscripted.

Welcome to Dev Game Club, where this week we return with a bonus interview for our series on Interstate '76. We talk about shipping the game's predecessor, pulling together, and making something new. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Podcast breakdown: 1:15 Interview 1:05:22 Break 1:06:00 Outro Issues covered: introducing the guests, having fun making games, great manuals, marrying video games and Hollywood, having more video game applicable experience than you realize, having to right the ship well into development, preordering a game you ended up working on, living in the office, getting enough memory to run the games, opening up space for something new, superheroics and glue, "high polygon counts," muscle cars with guns, being ahead of the curve, sims being in the blood, engine development, come back with your tenth idea, a 28-year scoop on engine work, "I can do that," optimizing and making things up as you go along, making a game like a movie or TV show, a soundtrack that helped drive the game, a team of 12 or 13 people, the few basic bits in a vehicle sim, the players don't know what you've cut, not being arena-based, vigilantes and comic-book heroes, the tools for making the world and a scripted objective system, building from scratch, mission structure, finite state machines and AI, having an identity and character, having a bubble, sticking to your passion, working on a new car game, hearing the chemistry, TTRPGs and alternate histories, our audience maybe not being born yet when this game came out, #minecraft-realm-life.  Games, people, and influences mentioned or discussed: Activision, Mechwarrior 2, 20After1, Cinemaware, Crystal Dynamics, Project Snowblind, Tomb Raider (series), E-Line Games, Never Alone, Colabee, Very Very Spaceship, Niantic, Live Aware, Jamdat, DoggyLawn, Atari 2600, David Crane, Stephen Cartwright, Commodore '64, Pitfall: The Mayan Adventure, Adventure, River Raid, Bobby Kotick, Mediagenic, Intellivision, Pong, SimCity, Alan Gershenfeld, Howard Marks, DOOM (1993), FASA Interactive, Battletech, Egghead Software, E3/CES, Tim Morten, LucasArts, Totally Games, Larry Holland, TIE Fighter/X-Wing, Star Wars: Starfighter, id Software, Epic, Julio Jerez, Airport '77, The A-Team, Third Eye Blind, Kelly Walker Rogers, Tim Schafer, Carmageddon, Twisted Metal, Watchmen, Jordan Weisman, Microsoft, Wing Commander, Falcon, Fallout, Tim Cain, Leonard Boyarsky, X-COM, Julian Gollop, Alex Garden, Homeworld, Dan Stansfield, Castle Falkenstein, Secret Weapons of the Luftwaffe, Minecraft, mors, LostLake, Kaeon, bvron, Kirk Hamilton, Aaron Evers, Mark Garcia.  Next time: Back to Fez Notes: Julio Jerez appears to be from Dominican Republic Twitch Discord DevGameClub@gmail.com

Stand Up is a daily podcast that I book,host,edit, post and promote new episodes with brilliant guests every day. Please subscribe now for as little as 5$ and gain access to a community of over 700 awesome, curious, kind, funny, brilliant, generous souls Check out StandUpwithPete.com to learn more GET TICKETS TO PODJAM II In Vegas March 27-30 Confirmed Guests! Professor Eric Segall, Dr Aaron Carroll, Maura Quint, Tim Wise, JL Cauvin, Ophira Eisenberg, Christian Finnegan and The Ladies of The Hue will all join us! Ophira Eisenberg is a Canadian-born standup comedian, writer, and host. She hosted NPR's comedy trivia show Ask Me Another for 9-years, where she interviewed and played silly games with hundreds of celebrities including Sir Patrick Stewart, Awkwafina, Rosie Perez, Yo-Yo Ma, Bob The Drag Queen, Nick Kroll, Chelsea Handler, Jim Gaffigan, Michael C. Hall, and so many others. As a comic and a parent to a 6-year-old, Ophira is the host of the new comedy podcast Parenting Is A Joke co-produced by iHeart Radio and Pretty Good Friends Productions. The show launches on October 18th. She can be seen live, regularly headlining across the United States, Canada, and Europe delivering her unique blend of standup and storytelling to a loyal fan base of smart, irreverent comedy lovers. She has appeared at Montreal's Just for Laughs Festival, The New Yorker Festival, The New York Comedy Festival, Moontower Comedy Festival, Bumbershoot, The Nantucket Film Festival, Women in Comedy Festival and more. Her new comedy album at special Plant-Based Jokes is available on iTunes and is streaming now on YouTube. Lauded as “hilarious, high risk, and an inspiration,” Ophira filmed her comedy special Inside Joke, when she was 8½ months pregnant. The show's material revolves around how she told everyone that she was never going to have kids, and then unexpectedly found herself expecting at “an advanced maternal age.” Her other comedy albums, Bangs! and As Is She has appeared on Comedy Central, This Week at The Comedy Cellar, Kevin Hart's LOL Network, HBO's Girls, Gotham Live, The Late Late Show, The Today Show, and VH-1. The New York Times called her a skilled comedian and storyteller with “bleakly stylish” humor. She was also selected as one of New York Magazine's “Top 10 Comics that Funny People Find Funny,” and hailed by Forbes.com as one of the most engaging comics working today.  Ophira is a regular host and teller with The Moth and her stories have been featured on The Moth Radio Hour and in two of The Moth's best-selling collections, including the most recent New York Times Bestseller: How To Tell A Story: The Essential Guide to Memorable Storytelling from The Moth.  Ophira's first book, Screw Everyone: Sleeping My Way to Monogamy (Seal Press), is a comedic memoir about her experiments in the field as a single woman, traveling from futon to futon and flask-to-flask, gathering data, hoping to put it all together and build her own perfect Frankenmate. It was optioned for a feature film.  She is also sought after as a brilliant interviewer and moderator, and has interviewed dozens of celebrities, writers, and actors including Neil Gaiman at New York's Town Hall; Jane Curtain, Anne Beatts, Heather Gardner, Sudi Green, Alysia Reiner, Jeanne Tripplehorn, David Crane, Jeffrey Klerik at The Nantucket Film Festival; Eugene Levy, Catherine O'Hara, Daniel Levy and Annie Murphy at the 92nd Street Y; and Nell Scovell and Sloane Crosley at The Mark Twain House.  Originally from Calgary, Alberta, Canada, Ophira graduated with a Cultural Anthropology and Theater degree from McGill University. She now lives in Brooklyn, NY where she is a fixture at New York City's comedy clubs including the Comedy Cellar, Gotham Comedy Club, New York Comedy Club and Carolines, as well as Brooklyn's famed performance venues The Bell House, Union Hall, and Littlefield. She resides with her husband and son where she can regularly be seen drinking a ton of coffee. Pete on Blue Sky Pete on Threads Pete on Tik Tok Pete on YouTube  Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page All things Jon Carroll  Follow and Support Pete Coe Buy Ava's Art  Hire DJ Monzyk to build your website or help you with Marketing Gift a Subscription https://www.patreon.com/PeteDominick/gift    

Welcome to Dev Game Club, where this week we begin a new series on 1997's Interstate '76. We set the game a bit in its time, talk about Activision (almost as an afterthought), and then start getting into the characters and the vibe, of which there is much. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Sections played: Early mission or two Issues covered: a game time forgot, playing a sim game genre, a unique take on the sim genre plus car combat, prepping the sim elements vs the actual play, other games from that year, taking a formula and doing something different with it, modern exploitation-inspired games, exploitation cinema, grindhouse, other potential influences and inspirations, why you pick sparse environments, breakable cacti, a huge variety of games, low-cost film-making and democratization, vigilantes, a bland corporation, text adventures, a business and not a game company, seeing the impact of acquisition or mergers, character introductions, fake actors playing characters, character names, Groove Champion vs Stiletto Anyway, stylized and simplified characters, flat shading and seeing every polygon, connecting to the character in the cockpit and via the radio, naturally cinematic, stylized presence, jitteriness and physics, compounding errors, deterministic physics, preserving this game and finding ways to play it, just shipping a game, dealing with a controller vs keyboard.    Games, people, and influences mentioned or discussed: TIE Fighter (series), Starfighter, MechWarrior (series), Voltron, Diablo, Resident Evil, The Last Express, Fallout, GoldenEye, Castlevania: SotN, Age of Empires, Outlaws, Curse of Monkey Island, Dark Forces 2, Shadows of the Empire, Wing Commander: Prophecy, Final Fantasy VII, Mario Kart 64, Gran Turismo, PlayStation, Dark Forces, Final Fantasy Tactics, Wet, Kane and Lynch, Suda 51, Grasshopper Interactive, Killer 7, Death Race 2000, Russ Meyers, Death Proof, Mad Max (series), MegaMan 8, Kaeon, Cleopatra Jones, Enter the Dragon, Jim Kelly, Bruce Lee, Game of Death, Quentin Tarantino, Kill Bill, Fist of Fury, Starsky and Hutch, River Raid, Pitfall, David Crane, Atari, Call of Duty, Guitar Hero, Capcom, Blizzard, id Software, Interplay, Infocom, Zork (series), Witness, Enchanter (series), Ballyhoo, Lurking Horror, Electronic Arts, Bobby Kotick, Nintendo, BattleZone, Pac-Man, Jason Schreier, Play Nice: The Rise and Fall of Blizzard Entertainment, Hearthstone, Marvel Snap, Ultima (series), Bioware, Treyarch, Raven Software, Heretic/Hexen, Quake, Battletech/FASA Entertainment, Anachronox, Pam Grier, Chuck Norris, Dungeon Keeper, Half-Life 2, Indiana Jones and the Internal Machine, Video Game History Foundation, Star Wars: Episode I: Racer, Forza (series), Falcon (series), Dark Souls, Minecraft, LostLake86, Mors, Kirk Hamilton, Aaron Evers, Mark Garcia.   Errata: Lost Treasures of Infocom actually originally came out in 1991. We regret the error.  Next time: More I'76! Twitch Discord DevGameClub@gmail.com

Aujourd'hui, je vais vous parler de ce qui est peut-être la série la plus célèbre de tous les temps ! Le sitcom ultime, qui a duré 10 saisons, avec pas moins de 236 épisodes au compteur... Bref, vous l'avez compris, on va parler de " Friends ", bien sûr. Créée par Marta Kauffman et David Crane en 1994, la série a été diffusée pendant dix ans sur NBC aux Etats-Unis. En France, on la voyait en boucle à l'époque, que ce soit sur Canal Jimmy, sur France 2 et bien sûr sur NRJ 12 ! Et ce qui est fou, c'est qu'aujourd'hui, 20 ans pile après le tournage du dernier épisode, ça reste l'un des programmes les plus populaires sur Netflix... Mais pourquoi la série Friends est-elle si indémodable ? Réponse dans ce nouvel épisode de Briller en société ! ______ "Briller en société" est un podcast original NRJ, à retrouver sur toutes les plateformes d'écoute et sur le site et l'application NRJ.fr Texte : Daphné Breytenbach Voix et mix : Louis Daubé. "Briller en société" est un podcast NRJ imaginé par Sarah Conan. Rédaction en cheffe : Anaïs Koopman. Production : Anne-Cécile Kirry. Assistante de production : Marie Carette. ______ Et découvrez les autres podcast produits par NRJ : - Le podcast Destin, sur les incroyables histoires de vie - Le podcast Inspirés, pour découvrir les coulisses de vos chansons préférées - Le podcast Palmarès !, parce que le cinéma s'écoute aussi en podcast ______ Briller en société est un podcast original NRJ, à retrouver sur toutes les plateformes d'écoute et sur le site et l'application NRJ.fr Texte : Daphné Breytenbach Voix et mix : Louis Daubé Rédaction en chef : Sarah Conan & Anaïs Koopman Production : Anne-Cécile Kirry & Marie Carette ______ Et découvrez les autres podcast produits par NRJ : - Le podcast Destin, sur les incroyables histoires de vie - Le podcast Inspirés, pour découvrir les coulisses de vos chansons préférées - Le podcast Gossip Love, sur la vie amoureuse des stars

Join me on a jungle adventure as we explore the Atari 2600 classic, Pitfall!  Learn how the game was made, discover why David Crane achieved what many thought to be impossible, and listen in as we determine whether it's still worth your time to swing on a vine across a crocodile infested pool of water, even today. Join the discussion on Discord! Want more Classic Gaming Today?  Sign up as a patron at Patreon.com/ClassicGamingToday!

David Crane and David Sandana catch up on everything Sandana has been up to over the past year, while also discussing what they're most excited about in the coming months. https://www.tuogear.com/ use code: FF-GRB2MSUY for 25% off https://www.phelpsgamecalls.com/ use code: ridgeline10 for 10% off https://www.crazyelkcompany.com/ use code: ridgeline20 for 20% offhttps://ghostscream.com/ use code: ghost20 for 20% offhttps://www.theduckcamp.net/ Book your waterfowl hunts now tell them Ridgeline Hunting sent you.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-ridgeline-hunting-podcast--5476683/support.

Aujourd'hui, je vais vous parler de ce qui est peut-être la série la plus célèbre de tous les temps ! Le sitcom ultime, qui a duré 10 saisons, avec pas moins de 236 épisodes au compteur... Bref, vous l'avez compris, on va parler de " Friends ", bien sûr. Créée par Marta Kauffman et David Crane en 1994, la série a été diffusée pendant dix ans sur NBC aux Etats-Unis. En France, on la voyait en boucle à l'époque, que ce soit sur Canal Jimmy, sur France 2 et bien sûr sur NRJ 12 ! Et ce qui est fou, c'est qu'aujourd'hui, 20 ans pile après le tournage du dernier épisode, ça reste l'un des programmes les plus populaires sur Netflix... Mais pourquoi la série Friends est-elle si indémodable ? Réponse dans ce nouvel épisode de Briller en société ! ______ "Briller en société" est un podcast original NRJ, à retrouver sur toutes les plateformes d'écoute et sur le site et l'application NRJ.fr Texte : Daphné Breytenbach Voix et mix : Louis Daubé. "Briller en société" est un podcast NRJ imaginé par Sarah Conan. Rédaction en cheffe : Anaïs Koopman. Production : Anne-Cécile Kirry. Assistante de production : Marie Carette. ______ Et découvrez les autres podcast produits par NRJ : - Le podcast Destin, sur les incroyables histoires de vie - Le podcast Inspirés, pour découvrir les coulisses de vos chansons préférées - Le podcast Palmarès !, parce que le cinéma s'écoute aussi en podcast ______ Briller en société est un podcast original NRJ, à retrouver sur toutes les plateformes d'écoute et sur le site et l'application NRJ.fr Texte : Daphné Breytenbach Voix et mix : Louis Daubé Rédaction en chef : Sarah Conan & Anaïs Koopman Production : Anne-Cécile Kirry & Marie Carette ______ Et découvrez les autres podcast produits par NRJ : - Le podcast Destin, sur les incroyables histoires de vie - Le podcast Inspirés, pour découvrir les coulisses de vos chansons préférées - Le podcast Gossip Love, sur la vie amoureuse des stars

Tonight we are reflecting on David Crane's A Boy and HIs Blob: Trouble on Blobolonia., a 1989 puzzle-platformer developed by Imagineering and published by Absolute Entertainment in North America and published by Nintendo in Europe in 1991.  Jaleco published the game in Japan also in 1991.   Imagineering was also known for the releases of Ghostbusters 2 (no not the good one), the Simpsons games and Barbie. Tonight our visiting Deacon is Patrick Hickey Jr.Send us a textThe miNEStry founders, Archbishop Dracul and Father Avram, seek to inspire their 8-bit parishioners through methodical and ceremonial scrutiny of the library of games on the Nintendo Entertainment System.

Stand Up is a daily podcast that I book,host,edit, post and promote new episodes with brilliant guests every day. Please subscribe now for as little as 5$ and gain access to a community of over 700 awesome, curious, kind, funny, brilliant, generous souls Check out StandUpwithPete.com to learn more GET TICKETS TO PODJAM II In Vegas March 27-30 Confirmed Guests! Professor Eric Segall, Dr Aaron Carroll, Maura Quint, Tim Wise, JL Cauvin, Ophira Eisenberg, Christian Finnegan and More! 31 minutes Ezra Levin is the co-founder and co-executive director of Indivisible. Prior to founding Indivisible, Ezra served as Associate Director of Federal Policy for Prosperity Now, a national anti-poverty nonprofit. Previously, he was the Deputy Policy Director for Congressman Lloyd Doggett (D-TX), Field Director for Doggett's 2010 reelection campaign, and an AmeriCorps VISTA in the Homeless Services Division of the San Jose Housing Department.   Along with his co-founder and spouse Leah Greenberg, Ezra has been featured as one of TIME 100's Most Influential People of 2019, included on GQ's 50 Most Powerful People in Trump's Washington, and ranked #2 on the Politico 50 list of top thinkers, doers and visionaries transforming American politics. He has appeared as a commentator on and/or been interviewed by MSNBC, CNN, NPR, Pod Save America, the New York Times, the Washington Post, Politico, TIME Magazine, the New Yorker, the Nation, Slate, and Rolling Stone, among others. He is the co-author of We Are Indivisible: A Blueprint for Democracy After Trump, published by Simon & Schuster's One Signal Publishers in 2019.  He holds a Bachelor of Arts from Carleton College and a Master in Public Affairs from the Princeton School of Public and International Affairs. 1 hour 2 mins Ophira Eisenberg is a Canadian-born standup comedian, writer, and host. She hosted NPR's comedy trivia show Ask Me Another for 9-years, where she interviewed and played silly games with hundreds of celebrities including Sir Patrick Stewart, Awkwafina, Rosie Perez, Yo-Yo Ma, Bob The Drag Queen, Nick Kroll, Chelsea Handler, Jim Gaffigan, Michael C. Hall, and so many others. As a comic and a parent to a 6-year-old, Ophira is the host of the new comedy podcast Parenting Is A Joke co-produced by iHeart Radio and Pretty Good Friends Productions. The show launches on October 18th. She can be seen live, regularly headlining across the United States, Canada, and Europe delivering her unique blend of standup and storytelling to a loyal fan base of smart, irreverent comedy lovers. She has appeared at Montreal's Just for Laughs Festival, The New Yorker Festival, The New York Comedy Festival, Moontower Comedy Festival, Bumbershoot, The Nantucket Film Festival, Women in Comedy Festival and more. Her new comedy album at special Plant-Based Jokes is available on iTunes and is streaming now on YouTube. Lauded as “hilarious, high risk, and an inspiration,” Ophira filmed her comedy special Inside Joke, when she was 8½ months pregnant. The show's material revolves around how she told everyone that she was never going to have kids, and then unexpectedly found herself expecting at “an advanced maternal age.” Her other comedy albums, Bangs! and As Is She has appeared on Comedy Central, This Week at The Comedy Cellar, Kevin Hart's LOL Network, HBO's Girls, Gotham Live, The Late Late Show, The Today Show, and VH-1. The New York Times called her a skilled comedian and storyteller with “bleakly stylish” humor. She was also selected as one of New York Magazine's “Top 10 Comics that Funny People Find Funny,” and hailed by Forbes.com as one of the most engaging comics working today.  Ophira is a regular host and teller with The Moth and her stories have been featured on The Moth Radio Hour and in two of The Moth's best-selling collections, including the most recent New York Times Bestseller: How To Tell A Story: The Essential Guide to Memorable Storytelling from The Moth.  Ophira's first book, Screw Everyone: Sleeping My Way to Monogamy (Seal Press), is a comedic memoir about her experiments in the field as a single woman, traveling from futon to futon and flask-to-flask, gathering data, hoping to put it all together and build her own perfect Frankenmate. It was optioned for a feature film.  She is also sought after as a brilliant interviewer and moderator, and has interviewed dozens of celebrities, writers, and actors including Neil Gaiman at New York's Town Hall; Jane Curtain, Anne Beatts, Heather Gardner, Sudi Green, Alysia Reiner, Jeanne Tripplehorn, David Crane, Jeffrey Klerik at The Nantucket Film Festival; Eugene Levy, Catherine O'Hara, Daniel Levy and Annie Murphy at the 92nd Street Y; and Nell Scovell and Sloane Crosley at The Mark Twain House.  Originally from Calgary, Alberta, Canada, Ophira graduated with a Cultural Anthropology and Theater degree from McGill University. She now lives in Brooklyn, NY where she is a fixture at New York City's comedy clubs including the Comedy Cellar, Gotham Comedy Club, New York Comedy Club and Carolines, as well as Brooklyn's famed performance venues The Bell House, Union Hall, and Littlefield. She resides with her husband and son where she can regularly be seen drinking a ton of coffee. Pete on Blue Sky Pete on Threads Pete on Tik Tok Pete on YouTube  Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page All things Jon Carroll  Follow and Support Pete Coe Buy Ava's Art  Hire DJ Monzyk to build your website or help you with Marketing Gift a Subscription https://www.patreon.com/PeteDominick/gift

With the holiday season upon us, Gene and several other friends visited Sacramento Gamers Expo where we met some awesome game developer legends like David Crane, Garry Kitchen and Ed Annunziata. Joining Gene is Michelle (the 'voice' of Sue Kasper), AJ of VGMPorium (also on our Persona show) and last but not least Brian Stewart, one of the biggest VGM fans you'll ever find. Join us as we look back at our experience at SGE playing games, attending panels and looking back at our gaming in 2024 more generally. Tracklist 00:00 (Bedding) Wizard Theme - Warriors of the Eternal Sun (GEN, 1992) - Paul Mudra, Frank Klepacki, Dwight Okahara 06:58 (Excerpt) Azcan Wander - Warriors of the Eternal Sun - Paul Mudra, Frank Klepacki, Dwight Okahara 07:14 (Excerpt) Azcan Wander - arrangement by "Gate House" 07:58 Swamp Combat - Warriors of the Eternal Sun (GEN, 1992) - Paul Mudra, Frank Klepacki, Dwight Okahara 16:15 Penetration - RayForce / Gunlock / Layer Section / Galactic Attack (ARC, 1994) - Tamayo Kawamoto 27:36 Gymhouse - Three Dirty Dwarves (SAT, 1996) - Attila Héger, Attila Dobos 38:49 John Whitgift - Astrologaster Dirty Dwarves (iOS, Switch, 2019) - Andrea Boccadoro Emily Dickens (Soprano) Ruth Kiang (Alto) Benedict Hymas, Robin Bailey (Tenor) Jimmy Holliday, Christopher Webb (Bass) 48:52 (Excerpt) "21 Concepts" from the album The Graduate by MC Lars 50:15 Spring (Wild Horseradish Jam) - Stardew Valley (Various, 2016) - ConcernedApe aka Eric Barone Links to other things mentioned Game developers and designers Audacity Games David Crane Garry Kitchen Ed Annunziata Brian Colin (IG) VGM albums Astrologaster Stardew Valley Artists and performers at Sac Gamers Expo MC Lars The Graduate album Mega Ran Lo(u)ser Scarecrow Scandals Alice Knows Karate Got Item  Websites Game Grooves Warriors of the Eternal Sun - Azcan Warrior by “Gate House” Hildregarde Von Blingen (Youtube)

In this week's episode, host Margaret Walls talks with Matt Chambers, a researcher at the Institute for Resilient Infrastructure Systems at the University of Georgia, about managing floods with nature-based solutions. Chambers discusses the history of levee systems in the United States, the challenges that the widespread use of levees have presented, and approaches to floodplain management that help restore ecosystems while improving community resilience to flooding. He also discusses the economic analysis that informs floodplain management and the evolution of the US Army Corps of Engineers as a key decisionmaker in the management of US rivers. References and recommendations: “Nature-based solutions for leveed river corridors” by Matthew L. Chambers, Charles B. van Rees, Brian P. Bledsoe, David Crane, Susana Ferreira, Damon M. Hall, Rod W. Lammers, Craig E. Landry, Donald R. Nelson, Matt Shudtz, and Burton C. Suedel; https://www.sciencedirect.com/science/article/pii/S2213305423000504 “Engineering with Nature” podcast; https://ewn.erdc.dren.mil/podcasts/ “The Control of Nature” by John McPhee; https://us.macmillan.com/books/9780374522599/thecontrolofnature “An Indigenous Peoples' History of the United States” by Roxanne Dunbar-Ortiz; https://www.beacon.org/An-Indigenous-Peoples-History-of-the-United-States-P1164.aspx “The Gift of Good Land” by Wendell Berry; https://www.counterpointpress.com/books/the-gift-of-good-land/ “The Swamp: The Everglades, Florida, and the Politics of Paradise” by Michael Grunwald; https://www.simonandschuster.com/books/The-Swamp/Michael-Grunwald/9780743251075

In the latest episode of Sausage On A Fork, we're joined by David Crane aka Barry Timpson. David tells us how a stint of child modelling led to him becoming a child actor; why he had to leave acting and how he had no idea that while he was on Grange Hill, he was acting alongside someone who was in a film he had seen countless times!

David Crane discusses why trekking poles are essential for any outdoor enthusiast. Beyond their primary function of providing stability and support, trekking poles can be incredibly versatile tools with numerous uses that you might not have considered. Whether you're navigating rough terrain or looking for extra balance, these poles are a valuable addition to your gear.https://www.tuogear.com/ use code: FF-GRB2MSUY for 25% off https://www.phelpsgamecalls.com/ use code: ridgeline10 for 10% off https://www.crazyelkcompany.com/ use code: ridgeline20 for 20% offhttps://ghostscream.com/ use code: ghost20 for 20% offhttps://www.theduckcamp.net/ Book your waterfowl hunts now tell them Ridgeline Hunting sent you.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-ridgeline-hunting-podcast--5476683/support.

David Crane sits down to compare two rifles, examining their feel, appearance, and performance. He touches on some key specifications, but for an in-depth analysis, he recommends visiting Ruger.com. The Gen I is chambered in 6.5 Creedmoor, while the Gen II features the 7MM PRC, each offering unique advantages for different shooting scenarios.https://www.tuogear.com/ use code: FF-GRB2MSUY for 25% offhttps://www.phelpsgamecalls.com/ use code: ridgeline10 for 10% off https://www.crazyelkcompany.com/ use code: ridgeline20 for 20% offhttps://ghostscream.com/ use code: ghost20 for 20% offhttps://www.theduckcamp.net/ Book your waterfowl hunts now tell them Ridgeline Hunting sent you.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-ridgeline-hunting-podcast--5476683/support.

On this really big Twinkie of an episode, we're covering some of the classic Ghostbusters games, starting with the original 1984 Ghostbusters Business Sim game by Pitfall creator David Crane, Ghostbusters II's questionably fun version of the movie, The New Ghostbusters II game that Japan and Europe got that was surprisingly good and Ghostbusters for the Sega Mega Drive/Genesis that was doing its own thing. Plus, we'll give a quick mention to The Real Ghostbusters arcade game. Hosted on Acast. See acast.com/privacy for more information.

On this really big Twinkie of an episode, we're covering some of the classic Ghostbusters games, starting with the original 1984 Ghostbusters Business Sim game by Pitfall creator David Crane, Ghostbusters II's questionably fun version of the movie, The New Ghostbusters II game that Japan and Europe got that was surprisingly good and Ghostbusters for the Sega Mega Drive/Genesis that was doing its own thing. Plus, we'll give a quick mention to The Real Ghostbusters arcade game. Hosted on Acast. See acast.com/privacy for more information.

Anders Keith is an actor on the rise who can be seen reprising his starring role as David Crane in season 2 of the Paramount+ reboot of the iconic hit sitcom "Frasier," where he stars opposite Kelsey Grammer and Jack Cutmore-Scott. The show follows Frasier (Grammer) nearly two decades after the original series ended and picks up in the next chapter of his life as he returns to Boston after the death of his father and reunites with his son Freddy (Cutmore-Scott). Anders shines as Frasier's Ivy League attending nephew, the son of fan-favorite, long married characters Niles and Daphne from the original show. His performance on "Frasier" blends physical comedy with an endearing on-screen presence that has captured the hearts of not just brand-new viewers, but fans tuning in for the nostalgia of the 1990's show. "Frasier" season 1 debuted on October 12, 2023 to wide acclaim quickly becoming the #1 original comedy premiere on Paramount+ and has since been renewed for a second season which will premiere on September 19, 2024. Check out the trailer for season 2 here: Https://www.youtube.com/watch?v=XVQQbuSCiyU Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Anders Keith is an actor on the rise who can be seen reprising his starring role as David Crane in season 2 of the Paramount+ reboot of the iconic hit sitcom "Frasier," where he stars opposite Kelsey Grammer and Jack Cutmore-Scott. The show follows Frasier (Grammer) nearly two decades after the original series ended and picks up in the next chapter of his life as he returns to Boston after the death of his father and reunites with his son Freddy (Cutmore-Scott). Anders shines as Frasier's Ivy League attending nephew, the son of fan-favorite, long married characters Niles and Daphne from the original show. His performance on "Frasier" blends physical comedy with an endearing on-screen presence that has captured the hearts of not just brand-new viewers, but fans tuning in for the nostalgia of the 1990's show. "Frasier" season 1 debuted on October 12, 2023 to wide acclaim quickly becoming the #1 original comedy premiere on Paramount+ and has since been renewed for a second season which will premiere on September 19, 2024. Check out the trailer for season 2 here: Https://www.youtube.com/watch?v=XVQQbuSCiyU  Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Side Quests is back and this episode's host is editor, writer, podcaster and fortune hunter, Giovanni Colantonio! The game he is talking about today is Pitfall! by David Crane and Activision. You can find this episode's host on twitter! You can find his writing here and his podcast here! We have a Patreon! Gain access to episode shout outs, bonus episodes, early downloads of regular episodes, an exclusive rss feed and more. Click here! You can find the show on Twitter, Bluesky, Instagram and YouTube! Please rate and review us on Apple Podcasts! Rate us on Spotify! Wanna join the Certain POV Discord? Click here!

David Crane and Mike Peterson reminisced about a scouting and hunting trip that turned out to be unexpectedly thrilling. They encountered bugling bull elk in an area they typically don't hunt during this time of year, which made the experience even more exciting.https://www.tuogear.com/ use code: FF-GRB2MSUY for 25% offhttps://www.phelpsgamecalls.com/ use code: ridgeline10 for 10% offhttps://www.crazyelkcompany.com/ use code: ridgeline20 for 20% off https://ghostscream.com/ use code: ghost20 for 20% offhttps://www.theduckcamp.net/ Book your waterfowl hunts now tell them Ridgeline Hunting sent you.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-ridgeline-hunting-podcast--5476683/support.

Thanks to the Bipartisan Infrastructure Law and the Inflation Reduction Act, the Department of Energy has been flush with cash for the past couple of years. Between the two measures, the DOE now has nearly $100 billion to put toward clean energy and grid development projects around the country through funding and loans. There's an expectation that these contributions will drive private investment—and they have been. This July, the DOE reported nearly $50 billion in funding awards already, with more than $60 billion in private investments matching federal dollars. This week, host Bill Loveless talks with David Crane about where these funds have been going and what effects they're having on clean energy applications around the country. They also discuss how the DOE is addressing nationwide energy challenges like transmission line permitting, storage, and other hurdles to decarbonization. David is the under-secretary for infrastructure at the Department of Energy. He previously served as director of DOE's Office of Clean Energy Demonstrations. He was also CEO of Climate Real Impact Solutions, as well as NRG Energy.

The Pure Elevation course at the NW Mountain Challenge features 15 challenging targets and requires significant hiking, offering an exhilarating experience for participants. David Crane and Mike Peterson share their insights on the demanding yet enjoyable nature of the course, highlighting what makes each year's shoot a memorable adventure. Their reflections underscore both the intensity and the enjoyment they derive from this unique shooting event.https://www.tuogear.com/ use code: FF-GRB2MSUY for 25% off https://www.phelpsgamecalls.com/ use code: ridgeline10 for 10% offhttps://www.crazyelkcompany.com/ use code: ridgeline20 for 20% off https://ghostscream.com/ use code: ghost20 for 20% off https://www.theduckcamp.net/ Book your waterfowl hunts now tell them Ridgeline Hunting sent you.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-ridgeline-hunting-podcast--5476683/support.

This week! Greg and Phil are still gone so CJ unearths another lost bit of audio. This time it's a 1998 interview with David Crane, the creator of Pitfall. At the time of recording, Crane was making Shockwave games for The Candystand, a LifeSavers-owned website and the first advergame portal on the web. Links of interest: David Crane Garry Kitchen The Candystand Glenn Saunders Stella At 20 Atari 50 Greg Sewart's Extra Life Page Player One Podcast Discord Greg Streams on Twitch Racing Evolution - The Rise and Fall of Ridge Racer Add us in Apple Podcasts Check out Greg's web series Generation 16 - click here. And take a trip over to Phil's YouTube Channel to see some awesome retro game vids. Follow us on twitter at twitter.com/p1podcast. Thanks for listening! Don't forget to visit our new web site at www.playeronepodcast.com. Running time: 41:24

David Crane joined 3 Man Front on Wednesday to discuss being the voice of the UAB Blazers, the most anticipated matchups on the Blazers' 2024 schedule & much more! See omnystudio.com/listener for privacy information.

Hour 1 of Wednesday's 3 Man Front LIVE from the UAB football facility included David Crane discussing his time as the voice of the Blazers, Brian Edwards on UAB's win total & an Olympics update!See omnystudio.com/listener for privacy information.

David Crane and Mike Peterson sit and talk about a scouting trip that turned into a snow filled hike.https://www.phelpsgamecalls.com/ use code: ridgeline10 for 10% offhttps://www.crazyelkcompany.com/ use code: ridgeline20 for 20% off https://ghostscream.com/ use code: ghost20 for 20% off https://www.theduckcamp.net/Book your waterfowl hunts now tell them Ridgeline Hunting sent you.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-ridgeline-hunting-podcast--5476683/support.

In this episode of the SNES Podcast Joe and Greg discuss the 'bad game' Home Improvement! Often included in lists of worst games for the system, this game designed by legendary video game developers Dan Kitchen and David Crane to play like Pitfall modified to fit the theme of this long running 90's comedy featuring Tim Allan. And it actually reviewed pretty well when it came out. So how does the game REALLY play and is it worth being on those lists? Tune in to find out! Any questions, comments, etc can be left on our FB page or e-mailed to thesnespodcast@yahoo.com and as always thanks for your support! The SNES Podcast is proud to be part of the Geekade network! Please check out their fantastic gaming and non gaming related podcasts at geekade.com. Also check out their Patreon at https://www.patreon.com/geekade  Find out more at https://the-snes-podcast.pinecast.co This podcast is powered by Pinecast.

David Crane goes over everything that has been going on the past 2 1/2 months since our last Episode. From up coming video's to Youtube, podcasts and what has been going on behind it all, also up coming giveaways.https://www.phelpsgamecalls.com/ use code: ridgeline10 for 10% offhttps://www.crazyelkcompany.com/ use code: ridgeline20 for 20% off https://ghostscream.com/ use code: ghost20 for 20% off https://www.theduckcamp.net/ Book your waterfowl hunts now tell them Ridgeline Hunting sent you.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-ridgeline-hunting-podcast--5476683/support.

 Pitfall! by David Crane!In this episode the gang talks about this game and other things :PAudio Version HereVideo Version Here

Welcome to Dev Game Club, where this week we start a new series on 2000's The Sims. We first set the game in its time, and then turn almost immediately to what happened with our Sims. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Sections played: A couple of hours Issues covered: spiders and ant farms, last few episodes, our interview with Michel Ancel, games from 2000, all-time sales by brand, an expansion-pack driven business model, games that don't end, a precedent, building up to simulating people, our memories, jumping in without the manual, following the tutorial, talking about Bob and Betty Newbie, a little shade on the console version, what you learn in the tutorial, getting a job, roleplaying the newbies, being visited by the Goths, an interview with John Romero, another visit from the Goths, Tim diving into level design, making messes, options for reading, promoting experimentation, people eating all over the place, Bob and Betty dividing up labor, Bob the freeloader, the people in your neighborhood, horror movie on the TV, kids running in the streets, Mrs Goth collecting her child, the bed against the wall, building versus micromanaging, finding our own fun, comedy factory, inter-system friction, Maslow's hierarchy of needs, spinning the plates, "some dude got water everywhere," discussing how the pathfinding might work, keeping it clean, our Easter Egg, the Aw Jeez files. Games, people, and influences mentioned or discussed: BioStats, Calamity Nolan, Ben from Iowa, Mark Garcia, Michel Ancel, SW: Starfighter, Final Fantasy IX, Deus Ex, THPS 2, SSX, Perfect Dark, NOLF, Baldur's Gate 2, Vagrant Story, Diablo 2, Banjo-Tooie, Spyro: Year of the Dragon, Majora's Mask, Crazy Taxi, Counter-Strike, Thief II, PlayStation, Pokémon, Tetris, Assassin's Creed, Legos, Minecraft, FIFA, Grand Theft Auto, Call of Duty, Mario, Game Boy, Little Computer People, Seaman, Tamagotchi, Amiga, Atari, David Crane, Rich Gold, Pitfall!, Famicom, Will Wright, Raid on Bungeling Bay, Maxis, EA, Final Fantasy Tactics, Donald Pleasance, SimCity, Dwarf Fortress, John Romero, Spore, Mr Rogers, The Exorcist, George Lucas, Far Cry 2, Abraham Maslow, Dave K, Final Fantasy VI, Kirk Hamilton, Aaron Evers.  Next time: More The Sims! Twitch: timlongojr, Twitter/Threads/Insta: @devgameclub Discord DevGameClub@gmail.com

David Crane, Under Secretary for Infrastructure at the U.S. Department of Energy (DOE), joined Bryce Yonker on the podcast to discuss how DOE is supporting the advancement of grid infrastructure. David discusses DOE financial and manufacturing incentives to support commercialization that is spurring progress in the industry and across the clean energy ecosystem. To help the scale up of the clean energy transition, their focus remains on three things: efficiency, electrification, and zero carbon generation sources.

Ben and Nemone put Chandler from Friends on the famous Central Perk couch to talk about his phobia of commitment, his attachment patterns and how he feels about mum AND dad putting on a black dress and trying to seduce one of your best friends. Expect doses of sarcasm, celebrity cameos and Janice's laughter peppered throughout. We want to hear about any theories we might have missed, what you've thought of the show so far and your character suggestions. Please drop the team an email (which may be part of the show): shrinkthebox@sonymusic.com NEXT CLIENTS ON THE COUCH. Find out how to view here Sydney, The Bear (season 2) Tyrion, Game of Thrones (seasons 1&2). Alex and Bradley, The Morning Show (Season 1) Tasha, Orange is the New Black (season 2) Polly, Peaky Blinders (seasons 1&2) Reginald "Bubbles" Cousins, The Wire (Season 1) CREDITS We used clips from all seasons of Friends, available on Netflix. Starring Matthew Perry as Chandler Bing David Schwimmer as Ross Geller Courtney Cox as Monica Geller Jennifer Aniston as Rachel Green Lisa Kudrow as Phoebe Buffay Matt LeBlanc as Joey Tribbiani Created by: David Crane and Marta Kauffman Written by: Ted Cohen and Andrew Reich, David Crane, Marta Kauffman, Scott Silveri, Shana Goldberg-Meehan et al. Directed by: Alan Myerson, Peter Bonerz, James Burrows, Kevin S. Bright Produced by: Bright/Kauffman/Crane Productions and Warner Bros. Television Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts. To bring your brand to life in this podcast, email podcastadsales@sonymusic.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Grab your favorite jellybeans and take a trip to Blobolonia, as we explore the NES puzzle platformer, A Boy and His Blob!  Learn how the game was made, why David Crane is particularly proud of his work on the title, and discover whether it's still worth your time to feed sweets to an anthropomorphic blob, even today!

On today's episode I had the pleasure of talking to Ophira Eisenberg about her journey to becoming a standup comic, parenting and work life balance. Ophira is a Canadian-born standup comedian, writer, and host. She hosted NPR's comedy trivia show Ask Me Another for 9-years, where she interviewed and played silly games with hundreds of celebrities including Sir Patrick Stewart, Awkwafina, Rosie Perez, Yo-Yo Ma, Bob The Drag Queen, Nick Kroll, Chelsea Handler, Jim Gaffigan, Michael C. Hall, and so many others. As a comic and a parent to a 6-year-old, Ophira is the host of the new comedy podcast Parenting Is A Joke co-produced by iHeart Radio and Pretty Good Friends Productions. The show launches on October 18th. She can be seen live, regularly headlining across the United States, Canada, and Europe delivering her unique blend of standup and storytelling to a loyal fan base of smart, irreverent comedy lovers. She has appeared at Montreal's Just for Laughs Festival, The New Yorker Festival, The New York Comedy Festival, Moontower Comedy Festival, Bumbershoot, The Nantucket Film Festival, Women in Comedy Festival and more. Her new comedy album at special Plant-Based Jokes is available on iTunes and is streaming now on YouTube. Lauded as “hilarious, high risk, and an inspiration,” Ophira filmed her comedy special Inside Joke, when she was 8½ months pregnant. The show's material revolves around how she told everyone that she was never going to have kids, and then unexpectedly found herself expecting at “an advanced maternal age.” Her other comedy albums, Bangs! and As Is She has appeared on Comedy Central, This Week at The Comedy Cellar, Kevin Hart's LOL Network, HBO's Girls, Gotham Live, The Late Late Show, The Today Show, and VH-1. The New York Times called her a skilled comedian and storyteller with “bleakly stylish” humor. She was also selected as one of New York Magazine's “Top 10 Comics that Funny People Find Funny,” and hailed by Forbes.com as one of the most engaging comics working today. Ophira is a regular host and teller with The Moth and her stories have been featured on The Moth Radio Hour and in two of The Moth's best-selling collections, including the most recent New York Times Bestseller: How To Tell A Story: The Essential Guide to Memorable Storytelling from The Moth. Ophira's first book, Screw Everyone: Sleeping My Way to Monogamy (Seal Press), is a comedic memoir about her experiments in the field as a single woman, traveling from futon to futon and flask-to-flask, gathering data, hoping to put it all together and build her own perfect Frankenmate. It was optioned for a feature film. She is also sought after as a brilliant interviewer and moderator, and has interviewed dozens of celebrities, writers, and actors including Neil Gaiman at New York's Town Hall; Jane Curtain, Anne Beatts, Heather Gardner, Sudi Green, Alysia Reiner, Jeanne Tripplehorn, David Crane, Jeffrey Klerik at The Nantucket Film Festival; Eugene Levy, Catherine O'Hara, Daniel Levy and Annie Murphy at the 92nd Street Y; and Nell Scovell and Sloane Crosley at The Mark Twain House. Originally from Calgary, Alberta, Canada, Ophira graduated with a Cultural Anthropology and Theater degree from McGill University. She now lives in Brooklyn, NY where she is a fixture at New York City's comedy clubs including the Comedy Cellar, Gotham Comedy Club, New York Comedy Club and Carolines, as well as Brooklyn's famed performance venues The Bell House, Union Hall, and Littlefield. Ophira Eisenberg https://www.ophiraeisenberg.com https://www.instagram.com/ophirae https://www.facebook.com/OphiraEisenberg https://twitter.com/OphiraE https://www.tiktok.com/@ophiranyc American gypC Podcast http://americangypc.com https://www.instagram.com/americangypcpodcast/ https://www.tiktok.com/@UCtt0HzXgvNADAOyRarKZFkQ https://www.linkedin.com/in/american-gypc-1940a2231 https://open.spotify.com/show/2stCfDEs5xOY7xMldvZjXo http://luamlee.com --- Support this podcast: https://podcasters.spotify.com/pod/show/american-gypc/support

US manufacturing is back! We were recently invited to a ceremony to celebrate the expansion of Nextracker's dedicated steel torque tube manufacturing lines at JM Steel's Leetsdale facility in Pittsburgh. This historic site, formerly Bethlehem Steel(the company that produced the landing craft for Normandy during World War II) now manufactures low-carbon steel tubes for solar trackers. Among the many dignitaries present at the event were 3 people on Nico's yet-to-be-interviewed bucket list, so he got the chance to get some genuine reaction commentary and excellent b-roll of the factory line up-and-running (see our Youtube video for that!)You'll hear from these 3 pioneering solar warriors in today's episode:Yuri Horowitz, CEO of Sol Systems, David Crane, DOE Undersecretary for Infrastructure, and Kelly Speakes-Backman, Executive VP, Public Affairs at Invenergy Each has an interesting perspective to offer on how the solar industry is reshoring manufacturing. Expect to learn:How the U.S. government plans to fast-track permitting and workforce trainingExactly how this clean green steel factory is aiming to triple its output.Ways companies like Invenergy plan to support domestic manufacturingUpdates on the DOE's commitment to awarding billions in infrastructure funds.It's beautiful to see manufacturing returning to U.S. soil. Hit play to learn why now is the time for solar companies to reshore manufacturing… And the incentives they'll earn for doing so.Learn about the 10 Uncommon Books That Influenced Leaders of the Energy Transition + GiveawayIf you want to connect with today's guest, you'll find links to his contact info in the show notes on the blog at https://mysuncast.com/suncast-episodes/.SunCast is proudly supported by Trina Solar.You can learn more about all the sponsors who help make this show free for you at www.mysuncast.com/sponsors.Remember, you can always find resources, learn more about today's guest and explore recommendations, book links, and more than 650 other founder stories and startup advice at www.mysuncast.com.Subscribe to Valence, our weekly LinkedIn Newsletter, and learn the elements of compelling storytelling: https://www.linkedin.com/newsletters/valence-content-that-connects-7145928995363049472/You can connect with me, Nico Johnson, on:Twitter - https://www.twitter.com/nicomeoLinkedIn - https://www.linkedin.com/in/nickalus

Watch Alix and Paul LIVE every day on YouTube: http://bit.ly/3vTiACF.On this week's podcast, Steve Man, Bloomberg Intelligence Global Autos and Industrials Research Analyst, discusses Tesla job cuts. Paul Gulberg, Bloomberg Intelligence Senior Equity Analyst, joins to talk Blackstone earnings. From the BloombergNEF annual energy and climate summit, Paul and Alix speak with David Crane, Under Secretary for Infrastructure at the U.S Department of Energy, Pedro Pizarro, President and CEO OF Edison International, Jeff Gustavson, President of Chevron New Energies, and Kathleen Barron, Executive Vice President and Chief Strategy Officer at Constellation Energy.The Bloomberg Intelligence radio show with Paul Sweeney and Alix Steel podcasts through Apple's iTunes, Spotify and Luminary. It broadcasts on Saturdays and Sundays at noon on Bloomberg's flagship station WBBR (1130 AM) in New York, 106.1 FM/1330 AM in Boston, 99.1 FM in Washington, 960 AM in the San Francisco area, channel 121 on SiriusXM, www.bloombergradio.com, and iPhone and Android mobile apps. Bloomberg Intelligence, the research arm of Bloomberg L.P., has more than 400 professionals who provide in-depth analysis on more than 2,000 companies and 135 industries while considering strategic, equity and credit perspectives. BI also provides interactive data from over 500 independent contributors. It is available exclusively for Bloomberg Terminal subscribers.See omnystudio.com/listener for privacy information.

Watch Alix and Paul LIVE every day on YouTube: http://bit.ly/3vTiACF.Alison Williams, Bloomberg Intelligence Senior Analyst, Global Banks and Asset Managers, discusses Bank of America and Morgan Stanley earnings. David Crane, Under Secretary for Infrastructure, at the U.S Department of Energy (DOE) discusses a recent grid modernization report launched by the DOE. Pedro Pizarro, Edison President and CEO, talks about Edison modeling for a net-zero economy by 2045. Amanda Peterson Corio, Global Head of Data Center Energy at Google, discusses the company's initiative with Microsoft and Nucor, along with a new approach to buying and selling clean energy co-developed with LevelTenEnergy. Ethan Zindler, Climate Counselor at the US Department of Treasury, talks about what the U.S Treasury is doing on climate risk.Hosts: Paul Sweeney and Alix SteelSee omnystudio.com/listener for privacy information.

This was a first time waterfowl hunt for David Crane and we are hunting snow goose. we are hunting with "The Duck Camp" what a great place to go and hunt. Miikey P and David Crane talk about the experience of the hunt and how the weekend went.https://www.phelpsgamecalls.com/ use code: ridgeline10 for 10% off https://www.crazyelkcompany.com/ use code: ridgeline20 for 20% off https://ghostscream.com/ use code: ghost20 for 20% off https://www.theduckcamp.net/ Book your waterfowl hunts now tell them Ridgeline Hunting sent you.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-ridgeline-hunting-podcast--5476683/support.

David Crane and David Sandana sit down and talk about the show and who they might have on the up coming podcast.

So no one told you creating musicals was going to be this way? (clap, clap, clap) Now you might be asking, what in the name of Smelly Cat does the TV show Friends have to do with Broadway? Well, before Marta Kauffman and David Crane created that quintessential 90s sitcom, they were musical theater writers and had their hearts set on The Great Bright Way. But, they had to pivot. What happened was…..well, we're gonna let Marta, David, and composer Michael Skloff tell you themselves in this week's episode of BROADWAY BOUND: THE MUSICALS THAT NEVER GOT TO NEW YORK which explores Arthur: The Musical, or “The One Where A Great Score Needs To Be Heard” The Broadway Bound Players: Catherine DeLuce as the Reporter Matt Koplik as David Richards Fair use is a legal doctrine that promotes freedom of expression by permitting the unlicensed use of copyright-protected works in certain circumstances. Section 107 of the Copyright Act of 1976 provides the statutory framework for determining whether something is a fair use and identifies certain types of uses—such as criticism, comment, news reporting, teaching, scholarship, and research—as examples of activities that qualify as fair use.

We hope everyone had a wonderful Christmas Holiday break and the new year is off to a good start.  We find ourselves at the beginning of 2024 and the last installment of the 3-part panel series from the 2022 show featuring David Crane, Dan Kitchen and Garry Kitchen. In this discussion we focus on modern gaming and the formation of Audacity Games! The post 116: The Audacity (Games) of it all first appeared on Brokentoken.com.

Jeremy Parish, Kevin Bunch, and Stuart Gipp swing on vines and leap across a succession of crocodile heads in order to unearth the treasure that is the history of Activision's first true masterpiece: Pitfall! for 2600. And its first few sequels, too! This is a preview of the full-length episode, available exclusively to Retronauts patrons. Head over to patreon.com/retronauts to sign up and enjoy instant access to this episode and years worth of other patron exclusives, Discord access, and weekly columns! Your support makes this show possible.

On this week's episode, I have Writer/Showrunner Max Mutchnick from Will & Grace, The Wonder Years, and many many more. Tune in as we talk about his journey as a writer and what some of his creative goals and hopes are for the future.Show NotesMax Mutchnick on IMDB: https://www.imdb.com/name/nm0616083/Max Mutchnick on Instagram: https://www.instagram.com/maxmutchnick/?hl=enMax Mutchnick on Twitter: https://twitter.com/MaxMutchnickMichael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Newsletter - https://michaeljamin.com/newsletterAutogenerated TranscriptMax Mutchnick:By the way, I think Miley Cyrus is the only sitcom actor who is able to move the needle. They push you during sweeps. Can you get a Shatner? If we could get Shatner on Big Bang. I know we'll write, that's probably not a good example because it probably worked. But for the most part, shows just get what they get. They always get what they get. It doesn't matter. These co-stars and these, none of that mattered,Michael Jamin:Right?Max Mutchnick:Is it funny? And do you like the people? Do you like the people? Do you like what? They like the world of it?Michael Jamin:You're listening to, what the Hell is Michael Jamin talking about? I'll tell you what I'm talking about. I'm talking about creativity. I'm talking about writing, and I'm talking about reinventing yourself through the arts.Hey everyone, welcome back to another episode. Today, I have a wonderful guest that no one deserves to hear. And yet, as a gift, if you're driving your car, pull over, you're going to want to hear this guy, this man and his writing partner, they are responsible for literally one of the biggest hits in the modern era. I'm talking about Will and Grace. This is the co-creator of Will and Grace Max. Much Nick, but lemme tell you what else he's done. All right. It's not just that. I'm going to run through his profile for a second and then I promise I'll let him get a word in edgewise. One word's Dennis Miller show. He was right around the Dennis Miller Show, the Wonder Years Good advice, the single Guy Dream on co-creator of Boston Common Co-creator of Good Morning, Miami Co-creator of Twins, co-creator of Four Kings. This guy's got a lot of work done. Shit, my dad says. Co-creator, partners co-Creator clipped, co-creator, and of course Will and Grace Max, welcome to the show. And let me tell you why this is so meaningful to me to have you hereMax Mutchnick:And me too, just to get an award in.Michael Jamin:Okay? I wonder if,Max Mutchnick:And by the way, those credits were in no particular order.Michael Jamin:Well, it is the IMDB order.Max Mutchnick:It's a weird order, but I'm still thrilled to be here. So I'm going to let you keep going because I like all this.Michael Jamin:Everyone loves having smoked Blunt.Max Mutchnick:It's fantastic.Michael Jamin:Let me tell you why it's so meaningful, because one of the very first jobs I had in Hollywood, I was a PA on a show called Hearts of Fire a max, and his partner writing partner David, were, I don't know if you guys were staff writers or story editors,Max Mutchnick:I think on Hearts of Fire, we were staff writers. I think we were staff writers. Yeah.Michael Jamin:So I'd get you lunch. That's basically it. But you guys were, you guys were so kind. You always let me in. I come into your office, you'd invite me into your office, which to me felt like a big deal. And you guys were both, to me, you were the epitome of what a comedy writer is supposed to be like larger than life, charismatic, funny, ball busting, but also just, I don't know, just energetic and enthusiastic and bursting with creativity and to be around you guys threeMax Mutchnick:Seconds away from tears at all times.Michael Jamin:Yeah. Oh yeah, thatMax Mutchnick:Too. But I mean, we maybe didn't show that to you, but again, I hate to interrupt you when you're saying all this nice stuff.Michael Jamin:Well, I do remember one time, David, I was sitting with you and he's like, what have you heard? I'm like, what have I heard? What do you hear? I'm like, dude, you guys are the only people who talk to me. What have I heard? Nothing.Max Mutchnick:That's so good. What have I heard? And I was listening to you, and by the way, it gives me nothing but joy to be here, and I have to do full disclosure. So I start watching you and listening to you, and this is what happens when you get to be 40 57. I said, I'm like, I know him. I have a feeling of love for him. I do not know how we know each other. It's so funny. I couldn't remember the show that we worked on. I couldn't remember the show we worked on. And then I heard you talking about Mike and Maddie. Yes. The other day. And it was, which isn't on my IMDB page.Michael Jamin:It is. I skipped over it. I didn't want to embarrassMax Mutchnick:You. Yeah, no, I'm glad that we can talk about that too. But it all started at Hearts of Fire.I mean, it's just unbelievable. And that was such an incredibly formative time, and it's so interesting to me that you had this experience of us is mean, and by and large, that's what we are. I mean, I always look back on life and I reflect on it, and I'm always happy when I look back on the things that I've done and where I've been and where I'm going and all that stuff. But today, not so much. What do you mean? Well, it's like I'm saying, when I'm in the moment of today, a lot of times I really can get wrapped up in being depressed about the business and where things are. And I am starting to say things that like old people say, and I don't want to, because I always thought I would never do that. I would never say the business isn't like it used to be. But I'mMichael Jamin:Surprised you even feel that way. You've already accomplished so much. I don't think I would ever get to your level of success. I would've stopped long before.Max Mutchnick:I mean, that's nice. And I know that there are people who are in my position who feel like they've done it. And definitely the collision of a career and social justice, which kind of took place with Will and Grace, the idea that we did this thing and that it had a reverberation on another level should be enough. But I am still a guy with ambition and drive, and I still feel like I have more to say, and I'm not spoiled in that sense. I really don't want to be done at this age. And if anything, my ego is in a better place because I can even fantasize about the idea of being in a room that I wasn't running, which is crazy because that's in the middle of my career when it's at that really hot space. It's like, oh no, I could never be in a room that I wasn't in charge of. But that's not how I feel so much. But theMichael Jamin:Hours are so long and exhausting and you're like, sure, I'll work till two in the morning every night. Well,Max Mutchnick:I couldn't. That's the one thing I would don't feel like that is something that ever needs to be the case. I'm way into having dinner with my family, and I feel like it's after 10:00 PM it's diminishing returns. I actually think after 8:00 PM it's diminishing returns because emotionally you get so your skin starts to break out. You're eating out of styrofoam, and it's just not, it's so bad for where you are. You have to just love the fucking show you're on. Can I say bad word? YouMichael Jamin:Can say, sure. You can say show.Max Mutchnick:You have to love where you are so much to be working late or own. ButMichael Jamin:How did you keep, were the hours good on Will and Grace?Max Mutchnick:Yes. Because we've run a meritocracy and we always have, and that is the best idea will out. So I don't care if it comes from a LB like Michael Jamin or if it comes from John Acquaintance, wherever the best idea and wherever the most honest idea that's organic to the characters comes, and that's the one we're going with. And I'm very, I think one of the things you master or you have to master to be a showrunner that works well and runs a tight ship is the ability to say no quickly and without a lot of ting. So I'm going to say no, and I'm going to say it quickly, and it's going to feel like it hits you hard, and maybe it does. But in order for us to run a tight ship, that's just the way that it has to go. Famously, one of the best showrunners of all time, David Crane, I guess really, it was very democratic and everybody got to talk and pitch, and he didn't cut things off fast. I mean, sometimes there's a German there and you've got to find it and tease it out and stuff like that. But for the most part, immediately, no, that's not the way that we're going. And no, that's not the way the character.Michael Jamin:And they had long hours in that show,Max Mutchnick:Very, very long hours. They famously worked really late. And I was also listening to you the other day talk about those schools of,Michael Jamin:And that's what I was going to get to.Max Mutchnick:Yeah. And you could say that you talked about, there's the Friends school. I think there's also the Diane English strain. Did you mention that one?Michael Jamin:No, I did. I only really mentioned the one that I thought I came from, I think I came from, which was Frazier. Cheers Taxi. Right.Max Mutchnick:And I call that that's the David Lloyd's, I mean,Michael Jamin:And Chris Lloyd, yeah. Okay. What would you say your lineage would be then? And do you agree with that?Max Mutchnick:Yes, I did. I agreed with everything you said. I mean, my lineage is actually, it's a must see TV sound. It's an NBC, it comes down, but that's really the friend sound. And I come from that because my first real job was on Dream on which Martin David created. And then I came in late. David and I came in late on that show, but I also come from the Diane English School because Michael Patrick King was such a giant influence in my sound,Michael Jamin:And that was good advice or whatMax Mutchnick:Good advice. But he had come from Murphy Brown. Right, of course. So if you worked at Murphy Brown, you prayed at the altar and English. I mean, but those friends people, they just spawned so much, soMichael Jamin:Much. But you don't run the show the way they did, though.Max Mutchnick:Not at all. No, not at all. Yeah. We learned as much on shows from what not to do than from what to do. The benefit of being on shows where there, it's just, and I'm not using David Crane as an example because I've never been in a room with him, but we have been in rooms where either we weren't used or there was just endless talk that went absolutely nowhere and the decisions weren't made to just, that's good. That's it. Put it up on the board. You can get there very fast and not like there is a famous school that I don't want to talk about that it's good enough. It's good enough. It's good. Enough's not what I'm talking about. I don't do, it's good enough. But there is a world of shows that's run with that ethos.Michael Jamin:See, I thought one of the first, the advice that we got when we started running shows was I think it was Steve Levitan who said, just pick away, even if it's wrong, pick away. Yes. Or you lose the room.Max Mutchnick:Yes. I mean, it's like you can fu around forever about, oh, what you want to do with your life. I don't necessarily know that this was what I was going to do, but it happened and I went for it, and I got rewarded at a certain point. I feel like if you get rewarded in something that you're doing within six months to 12 months, stay there.Michael Jamin:Were you running a show that wasn't your own, it was your first job at, or No,Max Mutchnick:I'm I'm rare. I'm rare in that regard that I was at Emerson in college, and my dear friend was a comic named Anthony Clark. And Anthony called me and said, they're making shows now in la and there's a company that's very focused on writers who have strong relationships with standup comics. And the company was Castle Rock. And Larry David was just making Seinfeld at that time. And the guy that ran the company with Rob Reiner was a wonderful man named Glenn Paddick. And he gave us our first break, but we had to go into Warren Littlefields office as these young guys and argue for why would I ever give a show on this golden network to two guys that have never done the job before? You've never run a show.Excuse me. I was on single guy. So I mean, I had worked, but I had never run a show. The first time I ran a show and I wasn't even close to running a show. I was a co-producer. And I went in there and I said to him after I got David Cohan a white shirt with a collar like, you have no idea. The Prince of a collar and a what? The difference that it makes put on a goddamn buttoned up shirt. And we go and we sit in there and I say to Mr. Littlefield, who I owe a great deal to, if you give me the keys to the car, I promise not to scratch the car. And if I scratch the car, you can take the keys away. You can bring in whoever you want. They can oversee me, but just give me, literally give me a week, give me a show, and I already know what to do and not to do, and I'll run this thing the right way.Michael Jamin:Wait, this was before you wrote the pilot? This was just to get the chance to,Max Mutchnick:We had written the pilot and they wanted to make it. Oh, okay. And then they said to our agents, or they said to Glenn Pad, Nick, these guys have no experience. You've got to go get showrunners. And I was just so anti the idea that someone was going to creatively be open, and I asked for the meeting and I begged him, and I kind of tell that story. And the whole truth of that story is a day or two before he went to our agent and said, I want someone at that table read who runs a show. I want an experienced showrunner in case at the pilot table read, they fall apart. And God bless the writing team of Roberto, Roberto Bebe and Carl Fink, even Fink, I think. And I could be getting that wrong, and I hope someone calls us out on it. But anyway, those guys were so cool. And they sat at the table read, and we got our notes, and then they walked up to us on the stage where we were shooting the show on Radford, and they were like, you got this boys, we'll see you later. And we never saw again. Really. And then we were show running.Michael Jamin:Did you bring top heavy writers to the firstMax Mutchnick:David's sister who wasn't the superstar,Michael Jamin:Right. That she's nowMax Mutchnick:WasMichael Jamin:I'm talking about your first staff I'm talking about.Max Mutchnick:Yes, I know. Yes. Really. And I don't know who the third one was. I remember there being, it was a mini room before. It was self-imposed before it was imposed on us. And it was just this very tiny group because David and I didn't know how to ate and do all that. And we figured we would do all of the heavy lifting, which was not possible. And we eventually brought in Carrie Lizer, but we started with a very, very tiny group of writers and just crawled our way through.Michael Jamin:Wow. Yes. It's cool. Should we spend the next 59 minutes talking about the single guy, or should we continue talking aboutMax Mutchnick:Your No, no. Can't talk about that show. But it was really cool to work with Ernest Borgne, and I'll just put it to you. Yes. What is the, I'm going to ask you a trivia question.Michael Jamin:JohnnyMax Mutchnick:What?Michael Jamin:Johnny was his name?Max Mutchnick:Yes. Wasn't it? Yes. I went to high school with him, so that's not, and his dad was Johnny Silverman's father was David Cohen's rabbi in real life. Oh, wow. But I mean, we lived in an industry town. That's what it was. But no, Ernest Borg nine, in addition to having a wife that was a cosmetics had of cosmetics Dynasty, Tova nine was the name of all the lotions and potions. Earnest Hemmingway, little known Borg. What?Michael Jamin:Borgnine, not Hemmingway. Not Hemmingway.Max Mutchnick:Shit, that would be so bad. Ernest Borgne had the best collection of what? Does anybody knowMichael Jamin:Doug?Max Mutchnick:No, no, no. He had a good one though.But moving on, he had the best collection of Abraham Lincoln memorabilia because on the weekends, he used to go to Beacons moving and he would sell off the dregs of whatever was left in a truck that people didn't pick up. And one time he went and he bought a painting, and it was of Abraham Lincoln, and he takes it to wherever, Sotheby's or Heritage, whatever he did. And it turns out to be one of only two portraits ever painted of Abraham Lincoln while he was in office. Wow. That started this epic collection. We've digressed into such boring stuff. And I blame you. IMichael Jamin:Blame you. I brought up,Max Mutchnick:You're running this room. You could cut me off at any point.Michael Jamin:No, I could not. But let me ask you this, though. You've created so many shows, and obviously the writers are the same. So what is it, why was Will Grace, why that one not the other ones? Why was that one that blew up?Max Mutchnick:Well, I think I have a glitch in my casting programming. I didn't know to second guess myself in the way that I did after Will and Grace. I mean, it's a great question because it is the thing that, if anything, it could be a regret in my life. It's that I haven't made great decisions at crunch time andMichael Jamin:Wait, so you think it was casting decisions, you think, but you don't get to catch.Max Mutchnick:You put it on the page, and then it's these brilliant actors that have to operate in a medium that's not respected, but possibly the hardest form of acting. And there are very, very few people that can do it as well as the ones that we know. And Jim Burrows always says it's lightning in a bottle.Michael Jamin:Yeah, it is.Max Mutchnick:So it's that, and it's less Moonves also being not great to me.Michael Jamin:Well, I mean, I was going to say, every casting decision has been approved by a million other people. It's not like you could, right?Max Mutchnick:I know. And you want to believe it at the time, and you get in there and you sell, and you do your thing. And then sometimes you don't believe in a person that's going into a cast, but Les has got a thing for that person, so they go in there. But by the way, that man gave me a lot of breaks, and he was good to me for a period in my life, but I also think he did some super fucked up things to our shows too. Partners should have stayed on the air, and he took partners off the air too quickly, and no one had done anything like that. And they should have explored a gay guy and a straight guy being best friends. That's an interesting area.Michael Jamin:What is it? But you guys mostly work in sitcom. I know you did some movie work, but is that just the form you wanted to be in? Is there any other itch you have?Max Mutchnick:No, not really. It just kept, I mean, we kept every few years when they say it's back, we want them, let's go to people that know how to make on that list. And I mean, I'm doing it again, by the way, since this strike is over, and I hope that they work.Michael Jamin:What you're taking outMax Mutchnick:Multicam Ideas couple. Yeah. Yeah. We're working on a couple of Multicam right now that I'm really excited about, but I would love to not do it anymore. I would love to not do it anymore.Michael Jamin:What do you mean you'd love to not do it? I don't understand. IMax Mutchnick:Would love to write what I think single camera comedies are, which is a beautiful, when it's done exquisitely. I think it's, if you write Fleabag, that's like the masterpiece.Michael Jamin:It was a masterpiece, but it was a play. I remember watching you go, this is a play.Max Mutchnick:Yeah, but you can't, I don't know. You can't knock it like that. It doesn't, oh,Michael Jamin:It's not a knock. I mean, it's a compliment. I mean, these long monologues, and it's just not done. ButMax Mutchnick:She still was so brilliant that she figured out, she figured something out about how to make great fuckingMichael Jamin:Episodes. Oh, listen, we're on the same page. I was a masterpiece fricking masterpiece. And what I like about it is that it does feel like a play to me. It's really, it's conversational and it's intimate and brave. It's courageous, man. Man.Max Mutchnick:I think it's the final 20 minutes of the second season. I think that it, it'd be hard pressed to find a better single camera comedy ever written. Yeah, I agree. From the moment the priest shows up at her apartment to sleep with her. And I think that goes straight to the end. I don't know. Beat for beat where I've ever seen it, where I've ever watched a better script.Michael Jamin:How do you feel when you watch something like that? What does that do to you? Because you're a professional writer with a huge, great track record. How does that make you feel?Max Mutchnick:I only have that attitude of the more, the merrier. It's only good to me if you're asking me in a coded way, am I ever jealous of somethingMichael Jamin:A little? Yeah.Max Mutchnick:I mean, yeah. Would I like to have created the bear? Sure. Yes. But I'm more proud of Chris store and impressed that I know him, and I love, and I love that that happens. I mean, I get more offended by the bad stuff. I just can't stand the bad stuff, the good stuff. I'm like, God damn, that's exciting. That got made, and somebody left that writer alone and their vision was carried through to the end.Michael Jamin:Hey, it's Michael. If you like my content, and I know you do because listening to me, I will email it to you for free. Just join my watch list. Every Friday I send out my top three videos of the week. These are for writers, actors, creative types, people like you can unsubscribe whenever you want. I'm not going to spam you, and the price is free. You got no excuse to join. Go to michael jamin.com and now back to What the hell is Michael Jamin talking aboutWill and Grace, you could tune in an episode, and you knew you were in for some big, big laughs every episode. And I don't know, you were inviting these friends into your home every week. That's what it felt like. You were inviting your friends over. And there's an art to that.Max Mutchnick:Yes. And there's an art to picking the best writers that money can buy, which is what Will and Grace always had. I mean, the star power in the writing room at Will and Grace was spectacular. And I mean, to a person, it had the best run of writers, but the only time it went off the rails is if the heart got taken out of a story. And if the heart wasn't there, then the thing didn't hold up. That's right. And so you have to lay a foundation in the first act and make sure that all that stuff is true and real at the beginning. And then you can go kind of wherever you want in the second act. Then you can get nuts and then resolve in a very real way. But if you don't actually start from a true place of, oh my God, I cannot believe you are sleeping with my brother, that hurts me so much. Why? Because you're mine. Whatever that story is, you want to just hit those notes that everybody understands.Michael Jamin:Now, when you rebooted Will and Grace, did you bring back the entire writing stuff?Max Mutchnick:We didn't bring back everybody, but brought back most everybody.Michael Jamin:And what's shocking about that you had this amazing writing staff and that they were available.Max Mutchnick:We had to be patient. We had to work a little bit of magic. And I also think, I mean, it's embarrassing for NBC, but David and I had out of pocket some fees.Michael Jamin:Oh, really? You wanted them that bad?Max Mutchnick:But it's worth it. It's worth it. It's like, oh, you, you're going to stop at 25 k an episode for this wildly talented person and for their integrity, and they need it to be 27 5. It's like, take it out of mine.Michael Jamin:Right.Max Mutchnick:And we had to give you the full truth on that. It was more with crew. With Crew that we did that.Michael Jamin:Did you want your old crew?Max Mutchnick:Yeah. I mean, there are people that you want, you want the show to sound the same and you want,Michael Jamin:What was it like bringing it back though, for you as a creator? ItMax Mutchnick:Was incredible, honestly. It was such an incredible thing. I mean, we brought it back thinking that Hillary Clinton was going to be president. And the twisted irony is that the game show host won the office, but it ended up really giving us stuff to write to, because if you're just preaching to the third that you have, it's like, what's fun about that? ButMichael Jamin:To me, I guess I'm interested in your characters are now much older. And now I wouldn't have thought when Will Grace ended? I'm not really thinking about where they're going to be years from now. I'm just done thinking about them.Max Mutchnick:I know, and it kind of did have a finality to it, but I mean, I've told the story, but the set was at Emerson. How was it? And it was done, and they were done with the installation, and it was getting moved back on a flatbed to la. And my husband and I were in London, and I was bereft about the way the election was going and sitting in the back of a cab, I said to him, if I had the show, I would have Karen training Rosario on a rock climbing wall. I would do a story about, you're going to go back to Mexico, but then you're going to climb back in after you go back. Right. And I just wanted that to see that visual of Shelly Morrison on a rock climbing wall and caring training her, and in response to him, those horrible policies. And Eric said to me, well, honey, why don't you just go do something about it and make it the set's where it is? All the actors are where they are, and they were amenable. Thank God, God bless them for doing that, because it didn't have to go that way. It wasMichael Jamin:Easy.Max Mutchnick:It was much easier than you would think to bring it all back together.Michael Jamin:Right. That's with the rebuilding. That's so interesting. When you guys are coming up with show ideas, I mean, are they just coming to you? Are you always coming up with ideas or is it like, okay, we got to come up with an idea?Max Mutchnick:No, I mean, I'm coming up with ideas all the time until someone pays me and then all of a suddenMichael Jamin:Nothing. Can't thinkMax Mutchnick:Of anything. Yeah. It's like, I don't know. I can't sleep. I mean, do you sleep? I don't turn. My brain doesn't shut off. And so I'm always kind of thinking about stuff. And by the way, we've written some of the things that I love the most that we've ever done. They've never seen the light of day. And I think that one of the little twisted crimes of our industry is the fact that agents and studios, if they have any sense that you've written something ago, that you wrote it back when they don't want to, it's like a loaf of bread or something like that, as opposed to a piece of art that it is still relevant. It still makes sense. These characters are vibrant and exist, but it feels like used goods even if it's never anywhere.Michael Jamin:And so you guys, your partner, you meet every day and you're coming up with ideas, or even when you're not,Max Mutchnick:I'm very good that way. I don't feel like I can stop and I don't want to stop. Dave is arguably a happier person, and he doesn't feel the same desire to beat himself to death. That's what it's, yeah. But we've had a dynamic for mean our daughters are very, very close, which Oh, really? A gift of life for both of us. But always, I mean, I say this in front of him and behind his back, our relationship has that lovely Jerry Lewis and Dean Martin, sort of one of us is in love with the other one, and one of us doesn't care. And Dave's just like, but he's my brother. So he's not like he's going anywhere. But it's just like, stop trying so fucking hard. I get a little sweaty when I don't need to.Michael Jamin:Well, yeah, you've had so much success. It occurred to me. I just remember one time I was over at your place once, I don't remember where you were living, but I remember you had Enya on.Max Mutchnick:It's so crazy. So wait, I'm going to make my relationship to Enya. I'm going to bring it back to writing sitcoms because Okay. My anxiety has always been a present part of who I am and what you referred to as the fun of coming into my office. Yeah, you're right. But it's driven by a kind of anxiety and on, I guess it would've been good advice for Michael Patrick King. I was having such heavy, crazy anxiety. Anxiety to the point of passing out anxiety that I had to go every time we had a break down to my car and listen to Anya on AC cd.Michael Jamin:Is it because you're worried you're going to be fired? Is that whyMax Mutchnick:I just didn't have that? There's a, that very scary moment of existing in a writing room of what your output is. Like Jeff Astrof, by the way, such an incredible writer in a room, such a good room person. But he lives by the thing. If I don't put a joke into that script today, I can't go to bed tonight. And that drives a person. And I just was in these, so you have to get, but Michael Petra king got me a little bit more comfortable with, I listen to you sometimes and I watch you construct comedy on the fly, and I am impressed with it. And I think, what the fuck? Can't I still do that? But I tap into something different. I tap into a different thing because I think life just across the board, other than rape and cancer and Israel is pretty much, everything is funny. And I feel really good about exploring the most uncomfortable truths of my life, and that's where I get the stuff from. But I wasn't there. I wasn't there, and certainly not at the beginning. And Dave Cohan comes from such a pedigree family that it was second nature to him to just construct really clever wordplay and stuff like that. And I was really panicked about that at the beginning.Michael Jamin:Interesting. Because you know that in the room of writers, if I'm going to choose a team of writers and I have eight picks, the first eight are story people, not joke people.Max Mutchnick:And that's that generic question you ask a writer when you interview them. So what do you think you're best at story or, well, really good at story, right? They're really good at story.Michael Jamin:You're good at stories.Max Mutchnick:You can tell a fucking story.Michael Jamin:None of you'reMax Mutchnick:Good. It's crazy. It's crazy how many people can't tell a story or the joke thing of you want to say to people and you don't. It's like, okay, close your eyes. Go to the table, put that joke in the actor's mouth and tell me the response that you hear. Do you actually hear people laughing at those words? Because that's how I always do it. I'm like, and then it becomes second nature. Yeah, that sounds right. They will make ew. She'll make ew funny. That will get a laugh. That will get a laugh. But it's always shocking to me like the clunkiness sometimes that's pitched and it's like, that's not going toMichael Jamin:Work. Yeah. Yeah. How funny. How funny.Max Mutchnick:And if I'm calm and you got time, it's like you can try to get it, but you want a Michael Jamin in your room to just give it to you. Done.Michael Jamin:Oh, give it to me. Done. It's so interesting. Go starting out. I was just a joke guy. And then you won't keep your job long if that's all you understand, right?Max Mutchnick:No, you have to be able to, because you go to that run through and the entire back half of that story falls apart. So you have to be a technician to say, if you do this and you do that, the back half will, as we say, it's an F 12, it will write itself. It never does that, unfortunately. But I will tell you this, speaking of that, during all of this AI and the strike, and my writer's assistant that's been with me for a very long time, and I won't say his name because he hates that he's a writer's assistant, but he's incredible. A friend gave him a Will and Grace, an AI written Will and Grace.Michael Jamin:Oh, andMax Mutchnick:I mean, this is the upsetting part.Michael Jamin:No, don't go there. Don't say any of this. What isMax Mutchnick:It? I know. I mean, but the truth is, it's like, well, if this is what came to me, if I sent a team off, if I sent a group off and I said, Karen and Jack are going to have a garage sale, bring me back that story. I want two, I mean, I'd break the scenes with them, but two scenes of the first act, two scenes in the second act, it's AB story. Bring that back to me. It wasn't like it was so far off.Michael Jamin:Wasn't so far off. So better than staff writer.Max Mutchnick:This isMichael Jamin:Scary.Max Mutchnick:Yeah, no, I know. I mean, I don't know. It's like if it was in front of me, we could even read it, but I don't have it. I don't want to give any credit to that, but I'm going to name drop. But I told that story to Norman Lear at dinner not too long ago, and he told me that someone had done it for him too on, I think it was on all of the Family. And I believe that we agreed that it wasn't an abomination.Michael Jamin:This makes me sick a little bit.Max Mutchnick:Oh, it's sickening. Yeah, completely sickening. Because it calls 246 episodes of Will and Grace. It figures out what those people sound like. I mean, look, if I delivered, I wouldn't deliver it at a table read. It would still, it would be that thing that I was talking about. There wouldn't be laughs. It didn't have, it didn't have heart construction. Yeah, but good enough. Yeah, but it could go right. That's a callback number 56 onMichael Jamin:Callback. Good enough. I posted about James Burrows yesterday about what he said. I dunno if you saw,Max Mutchnick:Oh, I did. And we should talk about that.Michael Jamin:Yeah. What's, because he basically said, and I think it was misinterpreted a little, that there are, there's only about 30 great writers to do sitcoms. And what I think he meant was 30 great showrunners or potential showrunners, not writers. ButMax Mutchnick:Yeah, I absolutely didn't agree with him. And you started to talk about it, and then always, I kind of turn you off about five minutes, but I will say this, it's like you hit on exactly what it is. The reason why we like it is because Multicam are the comfort Food of America. I mean, that is the show. You want your kid, when they come home from school, turn on an episode of friends and watch that thing, and then dinner will be ready and it goes down easy and you love it. You even can know where it's going, and it's still satisfying. But I didn't agree with Jim, and I hope that he was misquoted because I am not sure that it's over because of how much it's actually liked by Go ahead and create. Everybody loves Raymond and I dare America to not want to watch it.Michael Jamin:Well, okay, growing up, there was a show called Small Wonder. It was one of these syndicated whatever. And I would watch that. And I said to my partner recently, I was like, how come we can't get on small wonder? Where are those shows put on Small wonder? I'd rather be happy working on Small Wonder. But they don't exist.Max Mutchnick:Well, no one programs that way anymore. I still believe if someone made the commitment, I mean, they must have papered this out somewhere, but I always think, shit, if I ran a network, I would ask the higher ups. Can I please develop sitcoms from eight to 10, put them on the air, and will you give me a guarantee that I get to put them on the air for two years straight, all four of them? Because it doesn't happen like a movie. It doesn't happen. I mean, you try really hard, but it's a fluke to get anybody to get a pilot off the ground in that a scene. They don't know anybody. Right. It's the hardest thing in the world. But I believe that if Multicam, I believe that they weren't driven by star casting because star casting always fucks up a multicam. Of course, there are examples of big stars that have made shows work like Charlie and Julia even. But I mean, there's that list of names that if we weren't being recorded, I would just say it's all these fucking famous people that aren't funny. AndMichael Jamin:Wait, is it because you think they get executive producer and they give notes and they change it? They make the show what they want it to be, you mean?Max Mutchnick:Yeah. I mean, I don't give a shit about that, but that's all bad. Jim Burrows, though, won't allow that, which is a gift, though. The world is so changed that if Miley Cyrus wants to do a sitcom, by the way, I think Miley Cyrus is the only sitcom actor who is able to move the needle. They push you during sweeps. Can you get a Shatner? If we could get Shatner on Big Bang, I know we'll write, that's probably not a good example because it probably worked. But for the most part, shows just get what they get. They always get what they get. It doesn't matter. These co-stars and these, none of that matters,Michael Jamin:Right? No.Max Mutchnick:Is it funny? And do you like the people? Do you like the people? And do you like the world that they're in?Michael Jamin:That's what actually, and that is a good segue to what I wanted to talk about as well. Shit, my dad says, you guys were on the forefront. That was a Twitter popular What? ItMax Mutchnick:Was the first one.Michael Jamin:Right? The first ones. So I'm saying you were on the forefront. You were the first ones who did that. And I remembering because it was based on the Twitter feed, I remember thinking, is this what's going on now? And yes. Yes, it is.Max Mutchnick:I know. I mean, it's funny. I remember when I was a kid and all of a sudden in the music scene, there was punk rock. And I remember being a worried Jewish boy saying to my mother, ma, I think punk rock's going to ruin the world. I think punk rock's going to ruin the world. And it was like all of a sudden, Twitter, a Twitter account, a tweet for Justin Alper. Brilliant. I mean, creator Elementary with Pat Schumacher, and this was Justin's, it was his account, but at a beginning, middle to an end, when you heard it, it was just like, shit, my dad says, it's just like, well, inside that line, speaking of Hemmingway, the best story, the shortest story ever written.Michael Jamin:Yeah. What is it?Max Mutchnick:Baby Shoes for Sale, never Worn.Michael Jamin:Right? Right.Max Mutchnick:They might be out of order, but those are the words I think, and shit my dad says was like, oh my God. You know exactly what that is. That's a son with being embarrassed by a father that he loves. So it was all there. It was there. Yeah.Michael Jamin:But if, I don't know, was there ever a moment like now, sure. Oh, this guy, this person has a big Twitter feed. Yes, bring him in. Let's talk with them. Right. But was there a moment when you were doing this? Are we really basing a show on a Twitter feed? I mean, I know you saw more, but I would've been worried.Max Mutchnick:Yeah, yeah. But it was literary. I mean, I don't know. Justin was just so sharp and smart, and there were ideas immediately, so it didn't feel hacky at all. But by the way, I will say this, it was one of the handful of terrible, deadly fatal casting mistakes that I made in giving the job of the Sun to the actor that we did when the actor of the hundreds of people that we read for that part, there was only one guy who came in and he was a slam dunk, and he was the one, and he was the only one of all the 500 men that read for the part that Bill Shatner said, that's the guy. And that guy was David Rum, HoltzMichael Jamin:Rum,Max Mutchnick:David m, it was so there in the room. Yeah. I forgot it was him. He understood everything. And I brought some of my own bullshit to it, and so did everybody else. David didn't, he didn't look like we wanted it. Look, we wanted a cuter person and all kind of stuff.Michael Jamin:Pretty, it's so funny. We did a show with him years later. Crummy Sweet kid, sweet guy. Interesting.Max Mutchnick:Wow. Forgot about that. Yeah. Such a talented guy. Such talentedMichael Jamin:Guy. Yeah. Interesting.Max Mutchnick:And a brother in neurosis.Michael Jamin:Yeah. Yeah. Well, let me talk about that, because you tend to put yourself into the characters you write. And how hard is that is difficult for you? Does everyone know that it's you, IMax Mutchnick:Guess? I think so. I mean, well, I only tell the stories in first person. I mean, I don't say, I have a friend who had sex with a Chauffeur for Music Express. I tell the story about what I did and how embarrassing it was and what I did and what I did to recover from it. And I got very comfortable with that. And it's made it possible to tell a lot of stories because that's what I have.Michael Jamin:But on the flip side, are you sometimes protective of the character when someone else pitches an idea and Well, I wouldn't do that. Well, it's not you. It's,Max Mutchnick:Oh my God. No. If it feels true, and it sounds true, I completely, I mean, I'm not going to go back on what I said. If your story is fantastic and it's not nuts, I mean, I want to tell that I want tell that story. Right? I mean, those are the ones that I, the ones that really like are like, oh, Jesus Christ, that's so uncomfortable. That's so uncomfortable and so awkward. And we have to do that. We have to tell that story.Michael Jamin:Did you start on your shows that you run, do you start every morning with like, Hey, what's everybody up to? Are you trying to pull stories out of people, personal storiesMax Mutchnick:We call a host chat?Michael Jamin:Is that what you called it? Yeah,Max Mutchnick:We call a host chat, because when I first started out, I knew I had a rundown of, I think Regis. Regis and who is Frank ER's wife?Michael Jamin:Kathy Lee.Max Mutchnick:Kathy Lee. Kathy Lee. And it's called Host Chat, by the way. It might've been on,Michael Jamin:Mike Madia was called that as well. Yeah. Yeah.Max Mutchnick:I mean, that's where it comes from. It doesn't come from Regis, it comes from that. And David, and I mean, it's arguably sometimes the best part of the day.Michael Jamin:Well, yeah, it's funny. You guys set up Mike and Maddie, and then you bounced off that show probably in a matter of months. And then I took, I took the job that you vacated and I was thrilled. And with you was, I dunno. For me, it was like, oh my God, this is this giant opportunity. And you guys, this is your temporary gig.Max Mutchnick:Oh, well, it wasn't a temporary gig. It was a fall from Grace. I mean, I think we had already been working, something was going on in our career, either we were in between agents or something, but that was an absolute blight. I mean, it was terrible. That experience.Michael Jamin:And why, what was it For me,Max Mutchnick:We were WGA primetime,Michael Jamin:And that was not all ofMax Mutchnick:Sudden we're writing a strip bullshit show with two hosts that hate each other. And I mean, a great thing came out of it though, the first week of the run of those shows, David Cohan is in all of the sketches.Michael Jamin:Oh, I didn't know that.Max Mutchnick:Yeah, David, we wrote him into the sketches. He played kind of this dumb PA character, and we would do these cold opens that they could never make them work. They could never make work because Maddie couldn't act. And Mike was always frustrated. But Dave's in them, they're online, I believe, and they're pretty funny.Michael Jamin:Oh my God. HowMax Mutchnick:Funny. Yeah, it's incredible.Michael Jamin:And so I guess going forward, as I take up a lot of your time here, what do you see going forward with the industry? I don't know. What does it lookMax Mutchnick:Like to you? That's one thing I won't do. It's the more I realize how little I know kind of thing. I believe this. I believe that good shows always will out. They will always happen. And even in spite of the system. So I think that that can happen. But I don't know. I'll tell you, in six months, I can come back and we'll talk about whether the multicam that I have in the hopper right now, if they work and if they get on the schedule, because things just, it just doesn't happen anymore.Michael Jamin:People think, yeah, people, when you're in it, you're made well, your next job is never guaranteed.Max Mutchnick:I don't like that 50 something year old guy that doesn't work anymore. I don't want to be that. I don't that person and I can be okay. I guess reflecting, looking back on, I tried really hard and I kind of want to, this might be embarrassing, but I really would like to show myself that I have not disconnected from the popular culture that I can tap into the way people feel still. And I'm not just a guy making dad jokes. I mean, I'm not that guy anyway. My daughters, that's not their experience. So it is just a matter of can I get the system to work on my behalf?Michael Jamin:What do you tell young writers trying to break in then giveMax Mutchnick:Advice that there's always room for one more. I mean, I still feel that way, but I feel like you've got to be, if you get on a show, I think the goal is to parrot the showrunner.Yes. Make the sound that he's making. Don't make some other weird Crispin Glover sound. Make the sound that he's making, and then improve upon that act. It's like actors that you hire to do a guest spot on a show, and they kill it, and you hire them, and then they get on the floor and they give you something else. It's like, no, no, no. Do exactly the thing that we hired you for. So a writer, it's like, I read your spec script. I love it. I love your tone. I loved talking to you. And by the way, in that meeting, I'm thinking as much about what's it going to be like to do post chat with this person and do anything else? Because I don't know that I should say this, but I will because I don't stop myself. A lot of times when we meet writers, we read them after we met them,Michael Jamin:You read 'em afterMax Mutchnick:They have a thing. If they're in the system to the point that the studio and the network are saying, oh yeah, we love this person. We think this person is great. This person's just come out of NYU. We think you'll help this person. Right? You've got to meet this guy, or you've got to meet this woman, this human. I sit down with them and then it's like, okay, you are,Michael Jamin:I wouldn't trust anything they say, though. That's the thing. Why? What do you mean? Well, because you got to meet this writer, and they're like, but I don't think they know what I'm looking for in a writer. That's the thing.Max Mutchnick:But it's like both have equal power in the hiring. So it's like you meet them, do I like them? You can read a script and then all of a sudden you imbue all the stuff that, and they're just like, Ugh. They're a drip. And they're not cool. And they're not easy to talk to. I mean, by the way, mean if the script's brilliant, you're going to hire them. But well,Michael Jamin:Also, I imagine we're also intimidated by your success too. It's not easy to sit opposite you guys,Max Mutchnick:But we try really hard to pull that out of the room as fast as we can because it gets in the way. And like I said, it's like I won't really comment on our position in the world and that kind of stuff. I just can't even think about that. If someone's coming in to talk to us, I feel as much want them to. I'm still the same as my husband says, everybody has diarrhea. It's like, I want them to like me.Michael Jamin:You still sob to Enya?Max Mutchnick:Yes. That I don't do anymore. I do. I'm a little bit my spine's illustrator. I don't have one way of doing anything is really the moral of the whole.Michael Jamin:Wow, max, I'm so appreciative that you took the time. I don't know, just to talk because oh my God, you have so much wisdom to share. It's just so interesting to hear your journey, and I don't know.Max Mutchnick:It is a joy to talk to you, and I don't usually enjoy these things as much as I have that says everything about you, andMichael Jamin:It's atMax Mutchnick:Ease. Yeah. I mean, you're just easy and good and smart and everything. A lot. I mean, your commentary throughout the strike was just fantastic and on point. And you were putting yourself out there in a way. AndMichael Jamin:Ballsy is what IMax Mutchnick:Ballsy. Ballsy. Yes, that's right. I mean, one gets scared making things when you have, I guess you don't have that much to lose.Michael Jamin:That's pretty much it. That's pretty much it. Yeah.Max Mutchnick:So can you just tell me before we say goodbye? Yeah. What are you working on?Michael Jamin:Well, we're going to talk more. We're done talking. Okay.Max Mutchnick:Okay. So do you want to wrap it up? Do we sing or what do we do?Michael Jamin:Yeah. We hug virtually and we tell everyone to be their best creative versions of themselves.Max Mutchnick:That's exactly right.Michael Jamin:Encourage people. There's roomMax Mutchnick:For one more.Michael Jamin:I love that. There's room for one more. So if you're listening always. Yeah.Max Mutchnick:No matter what it is. And God damn, I wish I could sing the theme for, I mean, if you have your sound engineer, why don't you just have your sound engineer fade in the theme from the Mike and Maddie show written by Charles Luman.Michael Jamin:MicMax Mutchnick:Shine. It's a beautiful day in America.Michael Jamin:I'm not paying for that needle drop. I got my own music. HeMax Mutchnick:Doesn't need the money.Michael Jamin:I'll talk to him. Okay. All right. Thank you again, max. I really appreciate it, Janet. Yeah. Okay. And don't go anywhere. Alright everyone, we got another more great episodes. Wasn't that interesting talk? He's a great guy. Go watch him. Go watch Will and Grace again. It's ageless. Alright, thanks so much everyone, until next week.So now we all know what the hell Michael Jamin is talking about. If you're interested in learning more about writing, make sure you register for my free monthly webinars @michaeljamin.com /webinar. And if you found this podcast helpful or entertaining, please share it with a friend and consider leaving us a five star review on iTunes that really, really helps. For more of this, whatever the hell this is, follow Michael Jamin on social media @MichaelJaminwriter. And you can follow Phil Hudson on social media @PhilaHudson. This podcast was produced by Phil Hudson. It was edited by Dallas Crane and music was composed by Anthony Rizzo. And remember, you can have excuses or you can have a creative life, but you can't have both. See you next week.

If you grew up in the '60s, '70s, or '80s, you will love StarPodLog!On this fantastic episode of StarPodLog, we consider the contents of Starlog magazine from 1983 in issues 73 and 74.Rich and Max discuss the career of Michael Ironside! Subscribe to Doctor Durant's Santum on YouTube!: https://youtu.be/cCVjv1gOTIU?si=c0tmtMEQuUIfOPzpMane Man Jamie considers the video games of 1983!David Crane, Garry Kitchen, and Dan Kitchen reflect on the impact of WarGames!...the Greg Jein Heritage auction, and more on this episode of StarPodLog!Don't forget to join our StarPodLog Facebook group:https://m.facebook.com/profile.php?id=469912916856743&ref=content_filterLove Starlog magazine?Join the Facebook group:https://m.facebook.com/profile.php?id=303578380105395&ref=content_filterInto vintage toys?Go to https://mymegolike.com/Subscribe to MyMegoLike on YouTube:https://youtube.com/channel/UCUWpjD_d4j7snO5ZYe5OUugand join the Mego Like Facebook Group:https://m.facebook.com/groups/533274100662813/Subscribe to our YouTube Channel “StarPodLog and StarPodTrek”:https://www.youtube.com/channel/UCgE_kNBWqnvTPAQODKZA1UgMusic used with permission by Foot Pound Force. Find us on Twitter and Instagram: @StarPodLog Reddit: u/StarPodTrek Visit us on Blogger at https://starpodlogpodcast.blogspot.com/ or iTunes or Spotify or wherever you listen to fine podcasts! If you cannot see the audio controls, listen/download the audio file here Download (right click, save as)

Friends Creators, Marta Kaufman and David Crane speak on the death of Matthew Perry // Continues with Friends Creators, Marta Kaufman and David Crane speak on the death of Matthew Perry // Doordash Warns Against Not Tipping // Compton Man Sentenced to 166 Years to Life in Prison for Ambush-Style Shooting // DISNEY will purchase remaining stake in Hulu from Comcast // Press Conference regarding Van Nuys HS brawl that led to stabbing

A close encounter with a Cougar. David Crane talks about an encounter with a Cougar during deer season and what happened on that day.https://www.crazyelkcompany.com Use code Ridgeline20 for 20%off your purchase https://www.phelpsgamecalls.com For all your game calls

The time has drawn nigh - so much so that Brent goes solo on this episode so we can keep the train rolling.  We cover some short updates, discuss our upcoming visit to the Music City Multicon and then get straight to the heart of the matter - the second installment of the 3-part panel series from the 2022 show featuring David Crane, Dan Kitchen and Garry Kitchen! The post 115: The Griffith Experience first appeared on Brokentoken.com.

Season 1, Episode 15 of Friends, "The One with Two Parts", premiered on February 23, 1995. It was written by Marta Kauffman & David Crane and directed by Michael Lembeck. Phoebe feels neglected when Joey falls for her twin sister. Chandler struggles to fire an attractive co-worker. Ross attends Lamaze classes with Carol and Susan. Rachel switches identities with Monica so she can use her health insurance. Send in any questions, comments, feedback or criticisms to The Postman: 1. On Twitter @asinensky @achester99 @PPPGFriends 2. By Email curbpostman@gmail.com 3. By filling out this ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠form⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Give us a 5 Star Rating and Review⁠⁠⁠⁠⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/pretty-good-friends/support

In this episode, Lieutenant Colonel Dan Maurer, Professor in the National Security Law Department (ADN) at The Judge Advocate General's Legal Center and School (TJAGLCS), interviews David Crane about his work towards global accountability for international crimes and specifically discusses international efforts to hold the Russian Federation accountable for atrocities in Ukraine.