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Oliver Johnson, the synthesizer maestro better known as Dorian Concept, graces our latest episode with tales of musical evolution from "failed jazz artist" to electronic music luminary. Renowned for his collaborations with Thundercat, MF Doom and Flying Lotus, Johnson opens up about his unorthodox journey and the creative philosophies that guide him. We journey through the making of his latest EP, "Music from a Room Full of Synths," recorded at the Swiss Museum for Electronic Music Instruments, where jazz, funk, and hip-hop merge with club sounds.Another topic that came up was on how Dorian navigates artistic identity and societal expectations, revealing how personal experiences can forge a path to authenticity. From childhood piano lessons that prioritized play over pressure, to encountering musical influences that shaped his tastes.If you like what I'm doing with Lost and Sound, please like, rate, review or subscribe to the show on your podcast app of choice – it really does help."Music for a Room Full of Synths” is out now, check it out here. Follow me on Instagram at PaulhanfordLost and Sound is sponsored by Audio-TechnicaMy BBC World Service radio documentary “The man who smuggled punk rock across the Berlin Wall” is available now on BBC Sounds. Click here to listen.My book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culturet Capital is out now on Velocity Press. Click here to find out more. Lost and Sound title music by Thomas Giddins
Oliver Johnson aka Dorian Concept will release his new album What We Do For Others on 28th October on Brainfeeder Records. It's the third studio album by the Austrian producer and synthesizer savant, famed for his singular, beautifully detailed sonic tapestries and wild, utterly joyful live keyboard jam videos. What We Do For Others is a relaxed, quietly confident and intimate record, founded on delightfully loose arrangements, feedbacked soundscapes and blessed with snatches of cryptic vocals that are presented more as additional instrumentation rather than lyrical phrases. All the elements and layers were recorded without interruptions and deliberately not edited. “I think that's why this record has something of a ‘band sound'” says Oliver. “It's me playing all kinds of different key- instruments, singing and using fx-units to create these freeform compositions.” The title came to Oliver in a dream and stuck with him. “One thing I often find interesting about my creative process is that when I believe to be making something that others could like, it tends to not really connect with people,” he says. “Whereas when I get to that special place and just work from my gut – the music tends to often speak to the outside world naturally.” Johnson says that he tried questioning his internal voice of self-judgment and temper his constant urge for improvement during the making of the album. Topics Discussed In This Episode: Dorian's earliest memories of being introduced to music through film soundtracks such as Batman Returns (1992) Sound synthesis The earliest influences on Dorian Dorian being influenced by Dj Spinna's “Heavy Beats Vol. 2” in his youth Experimenting and improvising with Micro Korgs Dorian learning how to play the piano around the age of 6 Prepared piano The importance of having teachers that can nurture one's individual creativity Connections between music and video games 8 to 16-bit music used in early console games Psychedelics Set and setting Questioning one's perspective on using time The intentionality of decisions made throughout one's life The compulsion for creating art Dorian's reasons for choosing to become a professional artist His new album “What We Do For Others” His track, Survival Instinct being the “heartpiece” of his album Drawing parallels between creating a sculpture and creating music Presenting complex points of view to a wider audience Commercialization vs. arthouse creations Breaking rules and questioning the process Paradigm shifts in one's own unique consciousness Dorian creating lo-fi music videos for himself with the use of archival footage and processed through Blender Artists Mentioned: Dimlite (Musician) Mike Slott (Musician) Tupac (Rapper) DJ Spinna (DJ) John Coletrain (Saxophonist) Edgard Varès (Composer) Aphex Twin (Musician) Little Snake (Musician) artistdecoded.com dorianconcept.com
Special Jazzdination Guest: CID RIM - Clemens Bacher talks about his international collaborations with Dorian Concept, Damon Albarn & his forthcoming performance at Glastonbury Festival today with Riz Ahmed.
Deze week weer een reguliere show met onder andere een dubbele Ellington Train Song, twee nummers van Caldera in de rubriek More Is Better en vier keer de 21e eeuw met onder andere Robert Glasper en Dorian Concept. JazzNotJazz is een programma waar uit 100 jaar Jazz-recordings een unieke mixtape wordt samengesteld met zinvolle […]
Music from Monologues Records, Vive La Musique, Heavenly Records, Footjob... Turned On is supported by my Patreon followers. If you want to show your love for my podcast and what I do, you can subscribe to my Patreon for less than 50p per episode to support me and in return you can enjoy perks like guestlist benefits for my gigs, free downloads, exclusive mixes, exclusive previews of my tracks and extended versions of my club sets. If you want to support me in another way, please give this podcast a 5-star review, repost it on Mixcloud or SoundCloud or buy/stream my music. Follow me on Songkick to receive alerts when I'm playing near you Bookings: info@bengomori.com Discover more new music + exclusive premieres on SoundCloud Follow the Turned On Spotify playlist, with over 2300 tracks played on this show and in my sets. Subscribe to RecordReplay, my £10 budget second-hand vinyl mixtape series. Subscribe to Monologues, my podcast series where producers mix only their own productions. Turned On is powered by Inflyte – the world's fastest growing music promo platform. Tracklist: Black Ivory - I've Got My Eye On You [Panoramic Records] Karen Young - You Don't Know What You've Got [The Boardwalk Entertainment Co] Phonk D - Restless Legs [Footjob] Demuja - Love Is Free (Dan Shake Remix) [Universal] R.I.P. - Jump ‘98 [Satellite Records] Karl Seery - Wanna Be Down [HZRX] Soulful Behaviour - Get To Groove (Jazznotic Groove Mix - Ben Gomori Edit) [Monologues Records] Drum Club - Sound System (Cocodeepdub by Claudio Coccoluto - Ben Gomori Edit) [Monologues Records] STL - Spice [Solar Phenomena] Saint Etienne - Girl VII (Richard X Foxbase Beta Edit) [Heavenly Records] Saint Etienne - Only Love Can Break Your Heart (Richard X Foxbase Beta Edit) [Heavenly Records] Demuja - Wasting My Time (Dorian Concept Remix) [Universal] Future Classic: OPOLOPO - In The Fast Lane [Vive La Musique]
Lacuna's collage of tracks, on our latest mix, throws unexpected benders at listeners, while maintaining a certain ambience; and it offers up some seriously underrated, lesser heard gems, but interspersed with tracks from veterans like Flying Lotus, Herbie Hancock, Mr Carmack or Dorian Concept. And that's what's so remarkable about the mix – it doesn't cater to any preconceived notions or parameters for a set and emerges, instead, as a homage to experimental hip-hop and beats from the past decade. Traversing alternative hip-hop, beats and bass music, arranged in the largely fractal, unconventional manner, the mix is not exactly designed for a switch-off-your-brain sort of dancefloor experience. Instead, from the dreamy, tribal build up shaped by Kutmah, to the halfway diversion into halftime bass, we can sense Lacuna earnestly urging his listeners to pay attention to the track selections, and to learn and consume this glimpse he offers into the swirling, glitching and raging world of contemporary beatmakers. For further information and tracklist, head here: http://www.thewildcity.com/mixes/16261-wild-city-186-lacuna
And, in the blink of an eye, we're back again with a brand new, slightly sweaty (in a good way), new show. Packed with everything you need to keep your summer well and truly on the good foot.Don't forget to spread the word and come and find me on IG: https://www.instagram.com/thehideoutsessions.Love you...Ross xxP.S. GET IN TOUCH ON: HIDEOUTSESSIONS@MAC.COMhttps://twitter.com/FranksonMusicUK https://soundcloud.com/FranksonMusicUK https://www.facebook.com/FranksonMusicUKSUBSCRIBE: https://itunes.apple.com/gb/podcast/part-time-heroes-hideout-sessions/id426572104 or search "HIDEOUT SESSIONS" in iTunes.Tracklist:1. Godtet 'Alice' (La Sape) 2. William Florelle & Bahia FSG)' (Wotnot) 3. Persian Empire 'She Got Confused' (Rx:Tx)4. Beringei 'Blue Moon' (Wotnot) 5. Dorian Concept, 'Toothbrush' (Brainfeeder) 6. Greymatter 'Never Never' (Unique Uncut) 7. Tee Mango, ft. Amp Fiddler 'Feels Like Whatever' (Million Hands) 8. Quantic, ft. Denitia 'You Used To Love Me (Selva Remix)' (Tru Thoughts) 9. Todh Teri 'Kone Kone' (Get Physical Music) 10. Daphni 'Romeo' (Jiaolong) 11. Benny Bridges 'Wonder' (Pfeiffer) 12. Julius Steinhoff 'To Your Care' (Church)13. Bonobo 'Linked' (Ninja Tune) 14. Floating Points 'LesAplx' (Ninja Tune) 15. Four Tet 'Dreamer' (Text) 16. Khalab 'Dense (Batida Remix)' (On The Corner) 17. Silverlining 'Kewakagroove' (XLR8R+) 18. Alex Session 'Messy Crep' (FOMO) 19. Luke Fono 'Our Odyssey (Entek Remix)' (Simulated Truth)20. ÅDÅ 'Women Beat Their Men (Original Mix)' (Strange Love) 21. Fatherhood 'Raw Honey' (Study Records) 22. Korea Town Acid 'Want U' (Clipp.Art)23. KDA 'Drip Feed (Original Mix)' (Pias)24. Monrroe 'Everywhere I Go' (Shogun Audio)25. Known Shaz 'We're All Going Down' (Raw Tapes)
El recorrido del verano sigue siendo especial. La temporada alta de baile bajo las estrellas tiene nuevos pepinazos que conocer, como lo nuevo de la argentina Catnapp, KiNK remezclando a Krystal Klear o Dorian Concept rescatando unas viejas cintas de su colección. La Lista I: Verner - Persuader [Axe On Wax] Krystal Klear - Euphoric Dreams (KiNK Remix) [Running Back] ALVA - L'Amour [Pont Neuf Records] Grant - Beat One Project [Grant] Karen Gwyer - Cherries On Shoulders [Don´t Be Afraid] Catnapp - Lengua [Monkeytown Records] Viktor Talking Machine - Joko (Lauer Remix) [Monaberry] Dorian Concept – Toothbrush [Brainfeeder] Simple Symmetry x Iñigo Vontier - Gilgamesh [Disco Halal] Frits Wentink - Discosizer [Royal Oak] Disco de la semana: 'Hold On' de Sebb Junior, publicado por Sub_Urban: Sebb Junior - Lover (Album Version) Sebb Junior - I Saw You Last Night (Album Version) Sebb Junior - Reims 1999 (Album Version) Sebb Junior - Yes I Have It (Album Version) Leyenda: ‘House Nation’ de House Master Boyz & The Rude Boy of House, publicado en 1986 por Dance Mania Records. Generador de Ideas (#GdI808): Lo nuevo de hoy, es historia de mañana. Con Roberto Polo. La Lista II: Delafe - La gran ola (David Van Bylen Remix) Empaldo - Galaxy [Effective Records (RU)] Robag Wruhme - Venq Tolep (Hit Club Version) [Pampa Rec] Enei - Widowed [Critical Music] Tallac - Open Highway [Oh! Records Stockholm] Reptant - The Raid [Craigie Knowes] Ada Kaleh - Chemare Cosmicã [R&S Records] Dusky - Static [Running Back] Alexi Delano - How Humans Dream [Glauben Records] Lone – Abraxas [Ancient Astronauts] Rod Modell - Riga [Tresor] 3KZ - Liquid Spirits [Suburbuan Avenue] Golden Bug - Cosmic Trigger (Marc Piñol Remix) [Multi Culti]
Après une intro de qualité supérieure, on va vous recommander des choses variés puis débattre qui qui c'est des Jedi ou de Starfleet qui c'est les meilleurs. On oublie pas bien sur le petit quizz pas piqué des hannetons (expression qu'on ira fact-checker bien sur) ainsi que les liens dont on a parlé : - Dorian Concept (https://open.spotify.com/album/1hkcIY5AZvA6U7mUPJ7ENB?si=xfZW48AvRrSuM5sQGXc-7w) - Pub FEED (https://twitter.com/Sylvqin/status/1098688029198372864) - Pub Clip Studio (https://www.youtube.com/watch?v=gw9s421IJCc - Quizity (https://fr.quizity.com/play/quiz/37930/Faits_insolites_vrai_ou_faux_divers_information)
Full show: http://kNOwBETTERHIPHOP.com Artists Played: AMiAM, Rude100, Aretha Franklin, conshus, Shinobi Stalin, Aretha Franklin, Skipp Whitman, Farao, Funky DL, Nas, Ali Shaheed Muhammad, Adrian Younge, Karolina, Loren Oden, Apollo Brown, Locksmith, A Man Called Jason, Potatohead People, Dat Guy Ike, TzariZM, Buck-N-Nice, LAUREL, Damu The Fudgemunk, Flex Mathews, Dorian Concept, Cameron Bethany, IMAKEMADBEATS, Jericho Jackson, Khrysis, Elzhi, Brief Encounter, Micall Parknsun, Mr. Thing, Dizz1, OutKast, GOODie MOb, IMAKEMADBEATS
La búsqueda del beat perfecto sigue provocando que nos encontremos con pepinazos de diversa índole. Los embrutecidos, esos que lindan con el hardcore, como lo nuevo de Bjarki, o delicadas piezas sonoras, que en el caso de Paul Frick, acarician tímpanos de manera experimental. También hay hueco para adelantos, lo nuevo de Roosevelt o Dorian Concept entre muchas otras cosas. La Lista I: Phil Gerus - Program Sabotage [True Romance] Roosevelt – Under The Sun [City Slang] HRTK - Mentions [Ghostly] Sebo K - Riddim [Ovum Recordings] Dorian Concept – E13 [Brainfeeder] Bell Towers - Ikea Hack (Dance Mix) [Public Possesion] Shan - Who Run Tings [Running Back] Paul Frick – Karamasov [Apollo Records] DJ Ronald Reagan - Android Andy's Battery Acid (KGB's Cagey Dub) [Scuffed Recordings] EJECA - Mesh [Pets/strong] Neneh Cherry - Kong [Smalltown Supersound] Aphex Twin - T69 collapse [Warp] Pye Corner Audio - The Future [Jealous God] Disco de la semana: 'Physical', de Gabe Gurnsey, publicado por Phantasy Gabe Gurnsey - Ultra Clear Sound Gabe Gurnsey - New Kind Gabe Gurnsey - I Get Gabe Gurnsey - Night Track Leyenda: 'Electrostatic', de Terence Fixmer, publicada por International Deejay Gigolo en 1999. La Lista II: Lechuga Zafiro - Corazón Negro del Río de la Plata [NAAFI] Chinaski - Totleben [Omnidisc] Inigo Kennedy - Black Light [Cocoon] Denite - The Art of Letting Go (Marc Brauner Remix) [Redlight Music] A Sagittarium - The Golden Apple [Elastic Dreams] Hugo Green - White Holes [JJT Records] Bjarki - Oli Gumm [Trip] Desos - House Party [Slow Down Recordings] Lawrence – Treasure Box [Dial] 90 Process - Knowledge Wasn't My Plan [Lobster Theremin]
Full show: http://kNOwBETTERHIPHOP.com Artists Played: Paradox Unit, Synopsis, conshus, WordChemist, Hidden Hand, Rhye, Little Dragon, Black Thought, 9th Wonder, Rapsody, LyricL, Lee Gomez, Apollo Brown, Locksmith, Fakear, Claire Laffut, Pete Rock, C.L. Smooth, Amerigo Gazaway, F.E.E.L. Fearlessly Elevating Eliminating Limitations, Jamar X, Damu The Fudgemunk, Flex Mathews, Sango, James Vincent McMorrow, Kooley High, QQ Beats, Heresy, Monie Love , Dominique Larue, Carolina Dirty, MyVerse, Ali Shaheed Muhammad, Adrian Younge, Bilal, Sadat X, El Da Sensei, Grant Parks, Nikki Jean, Lupe Fiasco, Dorian Concept, OutKast, GOODie MOb, IMAKEMADBEATS
Happy New Year and welcome to the first Inside My Head of 2018. Episode 3 features music by Fred P, Switch, Jus-Ed, Dorian Concept, A Tribe Called Quest and more.
12:14pm Masollan by Balmorhea on - (-) 12:16pm Eclairage by Kimyan Law on Coeur Calme (-) 12:22pm Finally Moving by Pretty Lights on Taking Up Your Precious Time (Pretty Lights Music) 12:26pm Sincerely Yours, the D.A.C. by Dirty Art Club on - (-) 12:29pm It's All Around You by Tortoise on It's All Around You (Thrilljockey) 12:33pm Lorge by El Ten Eleven on El Ten Eleven (unk) 12:36pm Heirloom by Yujen on - (-) 12:40pm No Loss by The Range on - (-) 12:43pm Only Promises by Blue Sky Black Death on - (-) 12:47pm Draw (Dorian Concept Remix) by Cid Rim, Dorian Concept on - (-) 12:50pm Hayling (Max Cooper Remix) by FC Kahuna, Hayling on - (-) 12:57pm Daybreak by Electric Mantis on - (-) 12:58pm Peach & Pomegranate by Seiho on - (-) 1:01pm A Glowing Light, a Promise by Makeup and Vanity Set on - (-) 1:05pm Feel It All Around by Washed Out on - (-) 1:09pm Suite 1 by RJD2 on - (-) 1:11pm Hold Me (Instrumental) by Milosh on - (-) 1:19pm Subsun by Dr. Toast on - (-) 1:24pm Cantamilla by Tranquility Bass on - (-) 1:30pm Believe In It by michna on thousand thursday (ghostly international) 1:32pm 9 Lazy 9 by Tumbleweed on - (-) 1:35pm Slo by Giraffage on - (-) 1:37pm Tokyo Ghost Stories by Arovane on - (-) 1:42pm Oom Velt by Salt Cathedral on - (-) 1:44pm Candles by Jon Hopkins on - (-) 1:47pm Folds by Feverkin, Koresma on - (-) 1:50pm Stop Using Logic by Thrupence on - (-) 1:53pm Exhausted Machine Island by Joseph Nothing on - (-) 1:55pm Tommib by Squarepusher on - (-) 1:56pm 1804 by The Range on Potential (Domino)
Love how this one turned out- thanks to @newhighscore (Krista Sanders) for joining me in the studio and helping out as co-selector! 12:00pm White Islands by Die Verboten on DIE VERBOTEN '2007' (-) 12:08pm Basique by Little People on Mickey Mouse Operation (-) 12:11pm Mellowtune by Potatohead People on Mellowtunes EP (-) 12:15pm Viewing Growth by Botany, Limalo on Oasis of Days (-) 12:18pm Adrift - Shigeto's "Adrift A Dream" Remix by Tycho on Horizon Line (-) 12:22pm Zum Greifen Nah by Bersarin Quartett on II (-) 12:27pm Draft Culture by Dorian Concept on Joined Ends (-) 12:32pm Bohemian Forest by Pantha du Prince on Black Noise (-) 12:38pm Prelude by Thrupence on Unfinished Business (-) 12:40pm Quest by Nosaj Thing on Drift (-) 12:41pm Ghostwriter by RJD2 on Deadringer (-) 12:46pm Charles by Beanfield on Beanfield (-) 12:52pm Drains of the Red Sea by Kyson on Blackstone (-) 12:54pm Flow & Branch by Keith Kenniff on Branches (-) 12:57pm Into the Cave / Main Title by The Octopus Project on Kumiko, The Treasure Hunter OST (-) 1:03pm No Moon, Fallen Stars by 7and5 on Themes for a Grey Day (-) 1:07pm Looped by Kiasmos on Kiasmos (-) 1:14pm Gay Sons of Lesbian Mothers by Kaki King on - (-) 1:17pm Part 4 by Sixtoo on Jackals and Vipers in Envy of Man (-) 1:21pm Filmic by Above & Beyond on Group Therapy (-) 1:24pm Move by Iambic on Move (-) 1:29pm Strength by Olof Melander on The Path (-) 1:31pm Avril 14th by Aphex Twin on Drukgs (-) 1:33pm Indra's Web by Rena Jones on Indra's Web (-) 1:38pm Echoes by Rena Jones, Ilya Goldberg on Echoes (-) 1:42pm Natural Cause by Emancipator on Dusk to Dawn (-) 1:49pm Nakt by Rone on So So So - EP (-) 1:53pm Nanotrees (Out in the Woods) by Daisuke Tanabe & Kidkanevil on Kidsuke (-) 1:55pm Passage by Lowercase Noises on Passage (-)
A winding journey through an eclectic mind.
Over the last couple of years, Dutch artist Mitchel van Dinther has slowly but surely been picking up a cult following as Jameszoo. His releases on Rush Hour’s daughter label Kindred Spirits have been inventive affairs that marry jazz, electronica and hip hop aesthetics together into a fresh new style. In the club, he is a stellar DJ who already played Dekmantel Festival twice and paired up with The Gaslamp Killer. Next to that he is a performer who cooks up wholly improvised shows teaming up with the likes of Dorian Concept, Julian Sartorius, Binkbeats, and Gideon van Gelder while he also played together with The Roots frontman Questlove as part of the RBMA in New York. Jameszoo’s sound is curious and compelling and the world is keenly awaiting on his highly anticipated debut album. For a taster of what to expect, the Dutchman made a selection of recordings that inspired him in making his first LP.
Feat: Robot Koch, Delhia De Frence, Darius, Pomo, Tennyson, Cora Nova, Sam_Tucker, The Sight Below, Electric Wire Hustle, Eliphino, Dorian Concept, Bibio, Anton Zap, Get Serious, Federico Alfieri, Klient, Fono, Egoless, Clearlight, JME, Dyl, Diphasic, Owl, TC, Public Service Broadcasting and Louis La Roche.
For this episode of the Ninja Tune podcast, we talk to keyboard virtuoso Dorian Concept about his 2014 album 'Joined Ends', his journey as a musician, and 5 tracks that have influenced him and helped to shape his musical understanding, with music from John Coltrane, JSBL, Coldcut, Savath Savalas & Dimlite. Along the way we talk about his involvement in the Affine record label, collaborations with Flying Lotus and The Cinematic Orchestra and the laid-back nature of Viennese cafe culture. We close the show with a selection of new music from Maribou State, Seven Davis Jr, Young Fathers, Kamasi Washington and Lee Bannon.
For this episode of the Ninja Tune Podcast we welcome Lapalux to the Ninja Tune HQ to discuss the making of his new album - and second for Flying Lotus’ iconic Brainfeeder label - ‘Lustmore’. We hear about his collaborations with Andreya Triana and Szjerdene, as well as working with iconic video director Nick Rutter. Along the way we hear about 5 tracks that have influenced him including music from Bill Evans, Bjork, Dorine Muraille, Harold Budd and William Basinski. The show ends with new music from Roots Manuva, Dorian Concept, Jaga Jazzist, Howling and Amon Tobin! Lustmore is out 6th April 2015.
FREEFLY presents: Depth Perception Vol. X - a collective of the latest Deep House, Indie Dance & Electronica tracks - released August 6, 2014Tracklist: 1. Tonight by OMN (0:00) 2. We Are Together by Planet of Sound (4:19) 3. NEW DORP. NEW YORK ft. Ezra Koenig by SBTRKT (10:11) 4. Hangover (Moodymann Mix) by Charlotte OC (13:07) 5. I Believe by Tigerskin, The Lazarusman (17:55) 6. Make Me Feel Good by EDX (23:23) 7. Over by TCTS (28:22) 8. Smoke Master by Martov, Trauman (33:04) 9. Life Is Like by Robosonic (37:30) 10. American Holiday by Nick Monaco (41:39) 11. No Letting Go (Jose Marquez Remix) by Oscar P, KqueSol, Shatti (47:02) 12. New Day, New Light by Lay-Far (53:04) 13. Draft Culture by Dorian Concept (59:30) 14. I Like It (B-Ju Remix) by Kill Frenzy & Sacha Robotti (1:03:44) 15. This Is Here by dabp (1:07:01) 16. Invading My Mind ft. Fiona Daniel by Pablo Nouvelle (1:12:03)
INTERVIEW + TRACKLIST > inverted-audio.com/mix/fink We caught up with Fin Greenall to discuss Fink's early beginnings, growing up in Bristol, discovering electronic music in Leeds, his own label R'COUP'D, working with Ryuichi Sakamoto, and life in Berlin. Fink's mix reflects the electronic music that he likes to listen at home, and in the clubs of Berlin, featuring music from Thom Yorke, Dorian Concept, Scuba, DNGLS, Paula Temple, Tessela and more. inverted-audio.com/artist/fink inverted-audio.com/label/rcoupd
Feat: Dusty Corners, Zola Blood, Applescal, Clap Clap, Lurka, The Das, Dorian Concept, JAONA, Dubl Dip, Pirate Jams, Mr Casual, Roman Poncet, Niels Binias, Ghostek, Graphs and Stillhead.
This monthly show is cooked with all my love and the best music I collect. It's all about soulfulness and discovering truly creative people from all around the world. Here in Eclectic Soul, we don't talk about genres – It's just music that moves our feelings. I also make my own music : https://costals.bandcamp.com --- Send in a voice message: https://anchor.fm/eclecticsoul/message
ULTRADEMON guest mix + new music from DORIAN CONCEPT, LUSINE + LURKA are featured on this week's program. WIDMAN begins with some expressive new material from DORIAN CONCEPT + absci favorites MARTYN + LUSINE, before moving into a set of bass music (gone house), mostly from the UK–a mix actually recorded live at SMART BAR... The post ultrademon – radio show [as0866] appeared first on abstract science >> future music chicago.
Grounded Sound Sept 2013 Episode 5 – Full Tracklisting Subscribe & download for free on itunes. Link at the bottom of the page : http://groundedsound.podomatic.com/ Follow on https://twitter.com/GroundedSound Featured Album : Mop Mop - Isle of Magic. The Hics – Cold Air (Tangle EP) (2013 The Hics) Tensei – Passport (Plug Research Music) (time 00.04.29) Eric Lau – Guide You (Feat. Rahel) (Kilawatt Music Ltd) (time 00.09.11) Fatima – Technology (Eglo Records) (time 00.12.00) Eska- Gatekeeper (Brownswood Recordings) (time 00.14.23) Soia – Kazimba (Record Breakin Music) (time 00.19.22) Jono McCleery – Ballade (Ninja Tunes) (time 00.23.14) Mop Mop- Kamakumba (Agogo Records) (time 00.26.17) Vijay Iyer Trio – Mystic Brew (Act Music/ Vision Gmbh/ Co. KG) (time 00.30.18) Hackney Collery Band – Inner City Life (Wah Wah 45s) (time 00.35.11) Riot Jazz Brass Band– I’ve got a Sousamaphone (First Word Records) (time 00.38.49) Youngblood Brass Band – Ain’t Nobody (Tru Thoughts) (time 00.44.02) Gregory Porter – Liquid Spirit (Blue Note) (time 00.49.05) Mop Mop- Damballah (Agogo Records) (time 00.52.40) Quantic & Alice Russell – I’d Cry (with Combo Barbaro) (Tru Thoughts) (time 00.57.07) Manteca – Afrofunky (Z Records) (Under the Influence Vol.3 compiled by James Glass) (time 01.04.02) Joey Bada$$ - B.A.R'd (Ft. Action Bronson) (Prod. Chuck Strangers) (time 01.07.46) Mac Miller - Suplexes Inside of Complexes and Duplexes (Feat Jay Electronica) (Rostrum / Universal Records) (time 01.10.24) Action Bronson – Stictly 4 my Jeeps (Atlantic / WEA Int Inc) (time 01.13.00) Paul White – Lolita (One Handed Music) (time 01.15.36) Lone – Airglow Fires (R &S Records) (time 01.17.29) Pedestrian & Jasperdrum- Kalakuta (2nd Drop Records) (time 01.22.20) Dorian Concept – Booth Thrust (?)(time 01.25.35) Thundercat - Heartbreaks + Setbacks (Brainfeeder) (time 01.27.51) Milton Nascimento - tudo que voce podia ser – aroop roy demo edit (White) (time 01.31.00) Herbie Hancock – Stars In Your Eyes (OPOLOPO_Rebounce) (White) (time 01.34.58) Kid Fonque -2Sides (AtJazz Record Company) (time 01.40.54) Werkah - Sidesteppin' (feat. Bryony Jarman-Pinto) (Brownswood Recordings) (time 01.45.42) Zaki Ibrahim, Kid Fonque & DJ Whisky – Be (AtJazz Record Company) (time 01.50.48) Francis Inferno Orchestra – Amber Express (Drumpoet Community) (time 01.55.50) Fela Kuti - Shakara (Ossie's Bump Edit) (White) (time 02.00.00) Owiny Sigoma Band - Nyiduonge Drums (Brownswood Recordings) (time 02.04.20) Moodprint - Storyboard (Full Crate Remix) (Tangram Records) (time 02.07.38) Paul Woolford – Untitled (Self Released) (time 02.14.47)
Another Archived show from back in April. This one was a special one with cuts from the likes of Dorian Concept, Omar S, Juan Atkins, Ron Trent and many more! Full tracklisting and purchase links can be found here... http://theelectricunderground.net/eltel/wordpress/?p=7047
Proxcast 01: SwitchSt(d)ance - Warm up for Nathan Fake - 31/05/12 Marco Antão, ou SwitchSt(d)ance, é um daqueles artistas que vagueiam pelos estranhos territórios do neo-trance e do techno melódico, com claras influencias do IDM, dos 80’s e do gótico. É residente do Lux Frágil, já tocou ao lado de artistas como James Holden, Actress ou Nosaj Thing, e Sexta dia 1 de Março vai acompanhar o Ricardo Tobar na primeira festa da Proxid. Razões mais do que suficientes para o entrevistar-mos e saber o que se passa na sua mente. Entrevista a SwitchSt(d)ance - Conta-nos como é um dia normal do Switch? Depende se consigo arranjar trabalho na minha área ou não. Normalmente é durante a Primavera e o Verão que surgem mais oportunidades na área da produção de eventos; durante o Inverno geralmente há menos trabalho então dedico-me a tempo inteiro à musica, tanto a ouvir o que sai de novo como a produzir musica no estúdio. - Como foi o teu passado musical? Tiveste uma banda ou algo do género ou era só skate? Nunca tive nenhuma banda, mas quando tinha 7 anos tive aulas de piano e mais tarde com 11 andei numa escola a aprender a tocar baixo. Foi aos 12 anos que comecei a andar de skate, e depois passado talvez uns 13 anos é que voltei à musica, desta vez como Dj e mais tarde a produzir música. - E de onde veio esse gosto pela musica mais hipnótica, pela brain music? É uma boa pergunta, nem eu sei bem responder, mas acho piada ao facto de uma mesma música conseguir criar diferentes emoções e estados de espírito quando a oiço. Não gosto de música só para distrair ou preencher o silêncio, prefiro música com mais conteúdo e até inesperada, sabes? Ir a pé de phones pela rua e às tantas nem saber bem para onde estou a ir, porque a música é de tal modo envolvente que sem reparar já estou vaguear tanto física como mentalmente. É engraçado quando estou com amigos numa sala de estar ou algo parecido e pedem-me para por uma musica de fundo, tudo aqui que escolho independentemente do estilo de música acaba por despertar a atenção e concentração das pessoas. - Já fazem quase 3 anos que és residente do Lux. Qual o balanço que fazes da experiência? Como comparas tocar um all night set vs um warm-up? E discoteca vs bar? É uma grande experiência. Uma casa com excelentes condições em todos os aspectos, onde já tive oportunidade de tocar a minha música para um bom público e também conhecer grandes artistas. Os all night sets no Lux não são fáceis, costumo começar à meia noite e termino entre as 6h e as 7h. Por isso mesmo, divido o meu set em várias fases: ao início começo com música calma e longa, porque por vezes demora 1hora até aparecer a primeira pessoa na pista. Quando surgem as primeiras pessoas, algumas vão logo embora porque não se sentem à vontade de serem as únicas na pista. Continuo com música para o início da noite e a tentar perceber o que é que cativa o público a manter-se na pista. A partir das 3h é quando a casa começa a ficar mais composta e talvez por volta das 4h, quando sinto que contagiei o público, é quando faço o "switch" e começo a introdução para um verdadeiro set meu até ao fim da noite. No warm up faço outro tipo de sets, normalmente tenho as costas protegidas pelo artista internacional que vai tocar e sei que vou ter um público que vai estar na pista principalmente para o ouvir. Então sinto-me um pouco mais à vontade para fazer um set que faça sentido, sem ter muito que me preocupar se vou agradar o público ou não. Ou seja, toco o que gosto e o que quero dar a conhecer às pessoas sem qualquer tipo de preconceito e preocupações. Agora entre o Bar e a Discoteca, no bar é muito mais fácil que na discoteca, pelo menos é um ambiente muito mais descontraído e não há tanta pressão. Tocar na discoteca exige muito mais de mim física e psicologicamente, fico sempre muito tenso e concentrado no meu trabalho, por vezes até me esqueço de beber o copo que pedi à 1h hora atrás. A pressão é muito maior, ao mínimo erro que possa acontecer com a música sei que vou ter centenas de pessoas a olharem ou a assobiarem. Felizmente até à data, ainda não me aconteceu nada do género. - Qual a festa onde mais gostaste de tocar? Festas onde se faz silencio na pista para ouvir e dançar a música. Gosto sempre quando sei que tenho os meus amigos todos reunidos na pista de dança. Mas aquela de que tenho a memória mais fresca, foi no mês passado com James Holden e Ivan Smagghe, porque são dois grandes mestres da música e duas grandes influencias do meu trabalho. - O que te passa pela cabeça enquanto tocas? Vontade de largar a cabine e ir para o meio da pista do Lux ouvir e ouvir as minhas músicas naquele sistema de som incrível com todas as pessoas a dançar. - Os teus sets revelam um linha musical bastante variada, mas sempre coerente; como os preparas? Obrigado! Aborrece-me quando oiço sets que parece que não evoluem ou que soa à mesma música durante 2h. Quando faço um set, gosto de tentar contar uma história. Ou seja, é como ler um livro cada musica pode ser uma página ou um capitulo, gosto de ir a diferentes sítios, gosto de fazer quebras no meio do set para deixar as pessoas respirarem e prepararem-se para a próxima viagem/capitulo. Normalmente faço uma playlist alargada com tudo o que possa fazer sentido nessa noite, depois dentro dessa playlist faço outras playlists. Umas com musicas que não posso de maneira alguma esquecer-me de tocar, outra com musica mais forte, com musica mais calma, com musica para fazer pontes, como musica para inicio, fim, etc. Depois quando começo a tocar tento arranjar um percurso para ligar as musicas todas das diferentes playlists. - Imagino que de vez em quando tenhas alguém a pedir-te para tocares Swedish House Máfia ou algo do género, de que forma lidas com esses requests? Confesso que não conhecia a música de Swedish House Máfia! Fui agora ao youtube para tentar perceber a tua pergunta. Quando fazem esse tipo de pedidos, ou até quando me pedem para tocar mais groove ou house reajo de várias formas, depende do dia, ora ignoro e concentro-me no que estou a fazer, finjo que não oiço ou não compreendo, digo nunca ouvi falar ou digo que é a próxima que vai tocar - depende mesmo do meu estado de espírito. - No verão passado encerraste o Alchemy Circle do Boom, como foi a experiência de tocar ao final da tarde, ao lado de uma lagoa, em oposição a uma discoteca escura às 3 da manhã? Onde te sentes mais confortável? Sinto-me mais confortável numa discoteca porque é onde tenho mais experiência, se bem que penso que a minha música pode fazer muito sentido ao ar livre e durante o dia. Tocar no encerramento do Boom foi um grande desafio. Inicialmente tinha em mente fazer um set calmo e lento, por volta de 116 BPM's - tinha imaginado o pôr de sol, a lagoa, e muita viagem. Mas quando comecei a montar o meu material, apercebi-me que música do Dj anterior era muito rápida, muito física, estática, quase a arranhar no new rave/maximal, tive logo que alterar aquilo que tinha pensado. Tocar a 116 BPM's seria um autêntico chill out ou downtempo depois deste Dj que estava em palco. No momento arranjei outra estratégia e comecei o meu set, ao inicio foi uma sensação estranha, acho que estava a tocar música com informação a mais, houve pessoas que se assustaram; mas por outro lado sabia que a minha música fazia todo o sentido num festival como o Boom e capaz de transmitir emoções nas pessoas. Continuei com a minha linha musical e fui percebendo que estava a renovar a pista com outro público, Quando cheguei a meio do set já estava mais à vontade e tudo indica que correu bem, lembro-me que quando terminei veio muita gente falar comigo e dar-me os parabéns, dizer que nunca tinham ouvido nada parecido e a perguntar-me que estilo de música era este. Um rapaz disse-me que chorou de alegria numa certa música! Já passaram 7 meses e ainda continuo a receber emails de pessoas de países que nunca ouvi falar, como por exemplo da Nova Caledônia! O Boom foi uma experiência muito gratificante e que gostava de repeti-la. - As tuas produções também são bastante interessantes, quase uma extensão dos teus sets. O que procuras quando fazes musica? Como aprendeste a produzir? Procuro satisfazer as minhas vontades momentâneas. Há quem faça música a pensar nas vendas, nas editoras, etc. Um dia acordo e apetece-me fazer um beat e tento, no outro dia apetece-me fazer algo mais kraut faço, no outro dia talvez algo mais cosmic, no outro dia drone ou só frequências estranhas, e no outro quem sabe um mix de todas as minhas influências - vai um bocado conforme a minha disposição do próprio dia. No início aprendi bastante só de observar o meu amigo Pedro Martins a trabalhar em estúdio. Mas ainda tenho muito para aprender e ultimamente procuro ir contra as regras básicas da música clássica, criando as minhas próprias escalas atonais. Recentemente comecei a usar compassos de música diferentes, em vez do vulgar 4/4 ando a explorar compassos 5/4 ou 7/8. - Achei interessante na festa do blog Breathing Beats teres tocado um set mais virado para o hip-hop e 2-step, um pouco diferente do que normalmente te ouvimos a tocar. Foi uma excepção à regra ou de vez em quando ainda fazes sets desses? Não diria Hip Hop nem 2step, mas sim wonky ou raw beats e não é excepção à regra. No bar do Lux costumo tocar um pouco deste tipo de música, e já houve outros grandes eventos onde pude mostrar esta faceta, como na noite em que a Punch magazine convidou Nosaj Thing no Musicbox ou ainda no evento da Dc Shoes no Faktory Club. - Nos últimos meses deu-se um enorme aumento da oferta de musica de dança underground em Lisboa, com artistas internacionais a passarem por cá praticamente todos os fins de semana. Como vês a “cena” lisboeta? Lisboa está completamente parada no tempo, basta olhar para os cartazes de eventos e festivais do resto da Europa e ficar a sonhar quando é que vão haver eventos semelhantes por cá. É incrível como é que uma capital europeia como Lisboa não tem um único festival dedicado à musica electrónica, existem festivais com palcos ou tendas electrónicas, mas de electrónica só tem mesmo o nome. Quando vou por exemplo ao Sonar em Barcelona ou outros eventos em outros países volto para Portugal de barriga cheia, suficiente para nos alimentar durante 3 anos de música em Portugal. Lembro-me há 2 anos de ter ido a Fabric para ouvir Daedelus, Dimlite, Flying Lotus, J Rocc, Kode 9, Martyn, Nosaj Thing, Gaslamp Killer, Tokimonsta, Dorian Concept, tudo na mesma sala, uns a seguir aos outros e só paguei um valor equivalente a 15€. Não acredito que cá consiga haver algo parecido. Volta e meia existe alguém a investir em musica nova, que é o caso da Proxid e da Joana Almeida (Give Music a Chance) que convidou Lanny May em Outubro. Correu bem mas ainda são eventos muito casuais. 1 ou 2 por ano não chega. Eu próprio já me estou a organizar em função de começar a organizar os meus próprios eventos com musica e artistas que fazem falta neste cidade. Sempre que saio à noite, vêm pessoas falar comigo e tenho me apercebido de que felizmente o público português também se está a aperceber desta situação e já está um pouco saturado da fraca oferta que existe em Lisboa. Gostava que os promotores e programadores se apercebessem desta situação e acompanhassem a evolução da música e apostassem nas novas tendências. - Que artistas nacionais te chamam mais à atenção? Twofold, D-Man, Zacarocha, Pedro Martins, 18thdivision, IVVO, Ramboiage, Ludovic, Chainless, Thomm, Papercutz, Manycure, Photonz. - Vais tocar no primeiro Boiler Room português, qual a tua expectativa? Em poucas palavras: curioso, nervoso, contente, ansioso e cheio de pica. - E que esperas da festa da Proxid? Ansioso por tocar com o Ricardo Tobar? Acho que vai ser um sucesso. O Lux já teve o Ricardo como convidado, mas foi há 4 anos atrás, nessa altura ainda era completamente desconhecido do público português, e era o novo artista da Border Community, hoje em dia já é muito mais popular e conheço muita gente que está cheia de vontade em ouvi-lo de novo. Tocar com o Ricardo também vai ser bom de certeza, estou curioso por o conhecer pessoalmente. - Quais os teus planos para o futuro? Espero este ano lançar música em algumas das minhas editoras favoritas. E o resto é surpresa... - Obrigado pela entrevista, gostavas de acrescentar alguma coisa? Obrigado eu por esta entrevista e pelo convite para tocar no teu primeiro evento. Queria também agradecer a todos aqueles que me ajudam e apoiam; Lux e todo o seu staff, Inês Meira, Twofold, Hong Kong Triad, David Tutti dos Reis, Madame, Mariola Kuskowska, Faktory Club, Europa, Brownie, Boom Festival, aos meus patrocinadores Native Instruments, Dc Shoes, vinho Social, a todos os meu amigos, conhecidos e desconhecidos que frequentam e apoiam as minhas noites. Obrigado! Photo by Elisabeth Pallentin More Switchst(d)ance: http://www.switchstdance.com https://www.facebook.com/switchstance http://soundcloud.com/switchst-d-ance http://vimeo.com/switchstdance http://www.youtube.com/switchstdance More Proxid: http://www.proxid.pt/ https://www.facebook.com/Proxid.Lisboa https://soundcloud.com/proxid-1 https://vimeo.com/proxidlisboa http://www.youtube.com/ProxidLisboa subscrever via itunes: https://itunes.apple.com/pt/podcast/proxids-proxcast/id687090647
Summer is winding down here on the Howe Sound System. This week the show starts with the circus vibes of Moss of Aura. Dorian Concept brings one of the best titles with Her Tears Taste Like Pears. South London native Burial brings the dubby, cut-up ness with Ashtray Wasp, and Radiohead puts everything in its right place with some Idioteque. Squarepusher rocks it with a new one called Dark Steering and dubstep master Mala brings some fresh Cuba Electronic. DJ Phantasy takes the DNB back a ways with Hard Step Remix. VibesquaD brings the beats with their new single Heatsink and T. Raumschmere finishes off the week with some Rabaukendisko. Tracklist: Moss of Aura: Sweat Dorian Concept: Her Tears Taste Like Pears Burial: Ashtray Wasp Radiohead: Idioteque Squarepusher: Dark Steering Mala: Cuba Electronic DJ Phantasy: Hard Step Remix VibeSquaD: Heatsink T. Raumschmere: Rabaukendisko
Show #124 dives headfirst into the Free Music Archive and emerges with hand-picked gems from The Beastie Boys, Zap Mama, Mike Doughty, Gary Wilson, APB, Dorian Concept, The Superfools, and lots more. this episode is NOT WORKSAFE.
Tracklist:Francis Bebey / New Track // Born Bad RecordsKarantamba / Sama Yai // Teranga BeatThe Funkees / Slipping Into Darkness // Soundway RecordsVoice of the Seven Woods / Fire In My Hand // Twisted NerveJake Wade & The Soul Searchers / Searching For Soul pt. 1 // Ubiquity RecordingsStanton Davis’ Ghetto Mysticism / Things Cannot Stop Forever // Now-Again RecordsGregory Porter / 1960 What? // Expansion RecordsTheo Parrish / Carpitarious // Sound Signature RecordsRyat / Invisibly Ours // BrainfeederActress / The Lord’s Graffiti // Honest Jon’sThe Invisible / Surrender // Ninja TuneOdd Future / Doms // Odd Future RecordsHomecut / No Freedom Without Sacrifice (Blue Dais’s In Memory Of Remix) // First Word RecordsThe Cinematic Orchestra presents In Motion #1 / Outer Space feat. Dorian Concept & Tom Chant // Ninja TuneIllum Sphere / Agent White (kidkanevil’s Agent Black Remix) // Fat City RecordingsShangaan Shake / DJ Rashad & DJ Spinn Meet Tshetsha Boys // Honest Jon’sBecoming Real / Anthropology // Moshi MoshiDCR Music / Lingala feat. Bokatola System & Evala Litongo // WarpKwes / LGOYH // WarpThe Entrance Band / New Orleans // Southern RecordsThe Roots / The Session (Longest Posse Cut In History) // Remedy RecordingD’Angelo / Left & Right (Freddie Joachim Remix) / free download at melloworange.comSlum Village / Tainted feat. Dwele // Capitol RecordsFlying Lotus / Camel // WarpM3NSA / Fanti Love Song (Remix) feat. Terri Walker // Instrum3nsa MusicMoodymann / Pray 4 Love // free download at scionav.comShenoda / Chasing Clouds // HypercolourCurramberos de Gamero / La Preña (Osunlade’s Yoruba Soul Mix) // Soul Jazz RecordsActress / Iwaad // Honest Jon’sTom Trago / Being With You (Linkwood Remix) // Rush HourLumigraph / Chicago Wind // FirstSecond LabelTheo Parrish / Carpitarious // Sound Signature RecordsReggie Blount / Racingar // CDRTheo Parrish / Rain For Jimmy // Sound Signature RecordsEddie Gale / The Rain // Slow To SpeakSyreeta / Black Maybe // Light In The Attic Records
If you still haven’t became used to our moody offerings with every second mix, then with this mix we will pull you from your lethargy. Pecaone has mixed a 51 minute long instrumental ride of the strictest calibre, including DTonate’s „In The Stars“. Get deep into it.
Yo People, What's the Noise? Welcome to this month's episode of THE HIDEOUT SESSIONS, we've just about re-calibrated from the celebrations of getting to last month's milestone 50th episode! This month there is no let up as we bring you music from MJ Cole, Bonobo, Gil Scott Heron and Jamie XX, James Blake, The Unforscene and a double whammy from Dorian Concept. Sheeesh! And If that wasn't enough, we've got special request, re-edit of the month, and a brand new feature to unveil !! Strap in, Stay Loose... Ross & Toby x