Podcasts about Boom Festival

In this episode, the guest, Chiara Baldini, delves into the role of festivals as spaces for countercultural expression and personal transformation. Chiara discusses the dual nature of festivals as both entertainment venues and sites for deeper societal change, where participants can recharge and become more aware of ways to improve reality. She explores the historical context of countercultural festivals like Woodstock, which were pivotal in promoting revolutionary ideas and values.  Chiara reflects on the 1960s counterculture movements, their political and spiritual dimensions, and their lasting impact on contemporary festival culture. She provides insights into the evolution of these movements and their ongoing influence on modern-day festivals like Boom Festival. Additionally, Chiara touches on the historical significance of the Dionysian cults in ancient Greece and their techniques of ecstasy, which included dance, music, and psychotropic substances. She discusses how these practices were led by women and maintained certain traditions despite the patriarchal context of their times. This episode offers a rich exploration of the transformative potential of festivals, the intersection of spirituality and politics, and the ongoing relevance of ancient ecstatic practices in contemporary culture. -------- Chiara Baldini is a raver, researcher, author, and freelance curator from Florence (Italy). She investigates the evolution of the ecstatic cult in the West, particularly in Minoan Crete,  ancient Greece and Rome, contributing to anthologies, psychedelic conferences and festivals. She was the program curator of Boom Festival's cultural area Liminal Village from 2010 to 2023. In 2015 and 2016 she also set up and curated ConTent, the first cultural area in Fusion Festival, Germany. She has recently co-curated an anthology called “Psychedelic Mysteries of the Feminine” investigating the intersection between the feminine principle and altered states of consciousness. She is currently a PhD candidate at the California Institute of Integral Studies (CIIS) in the Philosophy, Cosmology and Consciousness program. She lives between Italy and Portugal and she expresses her deep love for music by often playing as DJ Clandestina.  --------- Viewing recommendations:  Chiara Baldini - Countercultural Festivals; Then & Now at Breaking Convention 2024 https://www.youtube.com/watch?v=npah4vQCrb0 Dionysus: Ritual, Rave & Revolution  https://www.youtube.com/playlist?list=PLjKkmvDmI67RidARHR0-r0sbh2Z8FbjFt Follow Chiara:  Academia: https://independent.academia.edu/chiarabaldini Instagram: @iamalwayschiara Facebook: https://www.facebook.com/chiara.baldini.9862 Soundcloud: https://soundcloud.com/clandestina-2-0 Book: https://www.innertraditions.com/books/psychedelic-mysteries-of-the-feminine Follow The Psychedelic Couch: @thepsychedelicouch 

Carolina Varela e Vitória, artistas multidisciplinares nas áreas da música, teatro e performance, apresentam "mic drop: chão sagrado (um ensaio sobre cansaço)", uma colagem áudio que procura encontrar as possibilidades de desvio à exigência excessiva de estímulos externos que se alastram e afetam a experiência interna, a partir de pedaços/fragmentos poéticos e sonoros. Recorrendo à palavra falada e a elementos musicais eletroacústicos, fazem uma "roupa velha" com "restos de ontem", um espaço sonoro que procura um novo todo através das partes. CAROLINA VARELA É criadora, cantora, compositora, sonoplasta e performer. Ingressa na Escola Superior de Música de Lisboa em 2013 em canto Jazz. Faz parte de Rosa Mimosa y Sus Mariposas desde 2016 e Vitória & The Kalashnicoles desde 2017. Já se apresentou no TNDMII, BOOM Festival, Mirada São Paulo, Culturgest, Theatre de Vidy-Lausanne, entre outros. SOFIA VITÓRIA É licenciada na ESTC e concluiu uma pós-graduação em Arte Sonora na FBAUL. É guitarrista, vocalista e compositora em Vitória & The Kalashnicoles. Trabalha como compositora, sonoplasta, atriz e criadora para espetáculos desde 2011. Criação, interpretação e captação Carolina Varela e Sofia Vitória Mistura e sound design Carolina Varela exceto beat de “2. Guia meditativo para a abundância” Luís Perdiz e Carolina Varela Gravado nas Caldas da Rainha e em Lisboa em novembro de 2024. Em memória de Ângela Gama, Vera Melo Gago e Bruno Candé, sempre. Agradecimentos Inês Vaz, Ruan Rocha, Vanessa Amaral Edição sonora e pós-produção Pedro Macedo / Framed Films Música original Dito e Feito Raw Forest Produção Teatro do Bairro Alto

Ospite della 121° puntata di Illuminismo Psichedelico è la ricercatrice, curatrice, e dj Chiara Baldini. Un saggio di Chiara Baldini, intitolato "Tramonto al Tempio. I festival psichedelici e gli antichi culti misterici" era contenuto nella raccolta "La scommessa psichedelica", che curai qualche anno fa per Quodlibet. In questa puntata ripercorriamo un po' quanto scritto in quel saggio, partendo dalla lunga esperienza di Chiara di curatrice del Liminal Village del Boom Festival, il più importante festival psytrance europeo, nonché dalle sue osservazioni su sovrapposizione e differenze tra gli antichi culti misterici di area mediterranea e la tradizione contemporanea dei festival a base di musiche altamente ritmate pensate per essere ascoltate under effect (come il nome psytrance suggerisce esplicitamente). Nella ricerca di Chiara non manca uno sguardo al femminile e al ruolo delle donne nell'ambiente della psytrance, ancora più patriarcale di quanto non si pensi. A riguardo qualche anno fa Chiara Baldini ha curato un'antologia "Psychedelic mysteries of the feminine", che si spera possa essere disponibile anche in italiano. 

Paleontologist-Futurist Michael Garfield is devoted to helping navigate our age of accelerating weirdness and helping cultivate the curiosity and play we'll need to thrive in it. As host and producer of Future Fossils Podcast, Michael refuses to be enslaved by a single perspective, creative medium, or intellectual community, walking through the walls between academia and festival culture, theory and practice — speaking and performing everywhere from Moogfest to Burning Man, SXSW to Boom Festival, the Commonwealth Bank of Australia to Long Now's Ignite Talks to The Chapel of Sacred Mirrors.Intro music “Brightside of the Sun,” by Basin and Range. Transition music: “Olympus Mons,” by Michael Garfield. Outro: “Smoke Alarm,” by Carsie Blanton. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit chrisryan.substack.com/subscribe

This week marks the beginning of Embodied Ethics in The Age of A.I., a six-week online course led by writer and teacher Joshua Schrei, host of The Emerald Podcast.  This course is, in large part, inspired by an episode he wrote last year called “So You Want To Be A Sorcerer in The Age of Mythic Powers” — exploring the mythic dimensions of tech innovation and calling for a reclamation of initiatic mystery schools in order to provide us with the requisite self-mastery to wield tools like generative language models. I'm honored to be part of the all-star crew lined up to co-facilitate this course and as part of our pre-game sync and prep, I met with Josh to talk about the forces we've unleashed and how to live responsibly in a world where tech is, in Arthur C. Clarke's words, now undoubtedly “indistinguishable from magic.” We explore the need to pace ourselves and anchor novelty production in ecologies of accountability; what it means to raise kids well amidst the A.I. revolution; and why humans cannot seem to stop invoking power and powers greater than our understanding.If you enjoy this conversation, join us — and several dozen other awesome people — from 4/18-5/16 to learn and grow together and answer the call to better ourselves in service of this great historical unfolding!(Big big thanks to former Center for Humane Technology Innovation Lead Andrew Dunn, founder of The School of Wise Innovation, for everything you've done to help inspire and organize all of this…)Right after this course I will be in Denver for the 2024 ICON Future Human Conference and would love to see you there!  Use my link to grab yourself a conference pass and spend 5/16-5/19 with me and folks like Daniel Schmachtenberger, Marianne Williamson, Ken Wilber, Jeremy Johnson, Layman Pascal, and many more…✨ Support This Show & The Family It Feeds:• Subscribe on Substack or Patreon for COPIOUS extras, including private Discord server channels and MANY secret episodes• Make one-off donations at @futurefossils on Venmo, $manfredmacx on CashApp, or @michaelgarfield on PayPal• Buy the music on Bandcamp. This episode features:Tålmodighed (from Live at The Chillout Gardens, Boom Festival 2016)Gamma Pavonis (from Pavo: Music For Mystery)The Cartographers (from Get Used To Being Everything)• Buy the books we discuss at the Future Fossils Bookshop.org page and I get a small cut from your support of indie booksellers• Browse and buy original paintings and prints or email me to commission new work✨ Mentioned & Related Links:“Modern culture is ‘ahead of the one.' Modern culture is rushing to get somewhere.”* Josh Schrei on Howl In The Wilderness Podcast Episode 120Sam Arbesman's Cabinet of WondersDetermined: A Science of Life Without Free Will by Robert SapolskyRick Rubin and Dan Carlin discuss magicMichael Garfield w/ host Kiki Sanford on This Week In Science Episode 965“Information overload is a personal and societal danger” by Rensselaer Polytechnic InstituteThe Glass Cage by Nicholas CarrFuture Fossils 172 - Tyson Yunkaporta on Indigenous Systems Thinking, Fractal Governance, Ontopunk, and Queering W.E.I.R.D. ModernityCenter for Humane TechnologyThe Age of Em by Robin Hanson“Scan Lovers” from How to Live in The Future by Michael Garfield at Boom Festival 2016Wisdom 2.0 Summit”The Techno-Optimist Manifesto” by Marc AndreessenIron John by Robert Bly“The Model Isn't The Territory, Either” by Douglas RushkoffDarwin's Pharmacy: Sex, Plants, and The Evolution of The Noosphere by Richard Doyle“Chief Philosophy Officer” by Peter Limberg“The Next Tech Backlash Will Be About Hygiene” by Jonnie Penn at TIME MagazineDouglas Rushkoff at Betaworks in 2023: “I Will Not Be Automated”Zohar Atkins (Website, Twitter)My comments on “Hallucination Is Inevitable: An Innate Limitation of Large Language Models” by Xu, et al.“For The Intuitives” (Part 1, Part 2) on The Emerald Podcast This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit michaelgarfield.substack.com/subscribe

We are delighted to host Batuhan Bintas on the Mangu.tv podcast series. With a passion for educating the upcoming generations, Batuhan has been a technology enthusiast since his first meeting with computers at age three. He is an Animator and a full-stack Extended Reality (XR) developer with a deep understanding of Artificial Intelligence technologies. Batuhan is the founder and CEO of Imaginatrix Studios; a London/Istanbul-based XR studio that designs Augmented, Mixed and Virtual Reality technologies. Batuhan is a keynote speaker and has spoken at renowned events such as Boom Festival, Ozora Festival, Breaking Convention, and Occulture. Also, a psychedelic science enthusiast and a cyberdelics creator; Batuhan's project Cyber Mushroom is designed to give a psychedelic experience through the power of Extended Reality and Artificial Intelligence. Batuhan believes that we live in a time where science fiction is becoming science fact. He elevates upcoming generations and teaches about the responsible use and innovation of technology; so we collectively write beautiful science fiction where we wish to live. Batuhan speaks about his upbringing, the influence of his Sufi grandmother and his early understanding of different dimensions. He talks about visa difficulties whilst studying abroad and how this led him to study online. This later led to his current projects, and work with the UN, bringing virtual reality to refugee children, offering insight into life outside of refugee camps. Batahan and Giancarlo discuss educating future generations about sacred sexuality, psychedelics and AI as a tool to support growth and education.

In this episode, Joe interviews Mike Margolies: community catalyst; conversation creator; Founder of Psychedelic Seminars; and Co-Founder and Co-Steward of the Global Psychedelic Society. The Global Psychedelic Society was created for all of the different psychedelic societies that have sprung up over the world to connect, share resources and information with each other, and be housed in a central hub so people can find them more easily. He talks about Frederic Laloux's book, "Reinventing Organizations," and modeling the GPS around the “Teal” concept of organization, where employees are encouraged to show up as their true, honest, and most powerful selves; where it's more about relationships than hierarchy; and more about embracing a mycelial – and psychedelic – way of thinking and interacting with each other. He breaks down how this way of thinking has progressed from the earliest ways of organizing, and discusses its three main principles of self-governance, wholeness, and evolutionary purpose. He then talks about the Boom Festival: its “Liminal Village,” its inventive Kosmicare harm reduction program, and how drugs are not as decriminalized as people think in Portugal; and Burning Man: how it all came together for him this year when he didn't even want to go, his experiences with the rain and a friend's dreams warning of floods, what he learned from the ghost of a lost friend, and how that resulted in the concept of Batman doing a striptease to Seal's “Kiss From a Rose.” Is the Joker simply a manifestation of Batman's shadow material and his desire to be a hero? Yea, this one gets weird… Click here to head to the show notes page. 

Ready to challenge the conventional boundaries of healing? Journey alongside Declan Hammond as he crafts a compelling fusion of traditions and innovations.   In this episode, Declan Hammond, the co-founder and former director of The Irish School of Homeopathy shares his extraordinary odyssey. Explore his skillful fusion of ancient and contemporary healing practices and discover his heartfelt commitment to guiding individuals through non-ordinary states of consciousness. Gain insights into his advocacy for drug harm reduction and integration, and learn about his approach to mindfully integrating the revelations from psychedelic encounters into the journey of personal growth and healing.   Episode Highlights: 03:21 - Declan's first experience with the world of homeopathy 11:08 - Homeopathy and hay fever 13:39 - The transformative power of homeopathy 18:40 - Cheating in healing 20:48 - Psychedelic treatments and mental health 26:01 - Taking remedies with the intention 29:52 - Classical vs. modern homeopathy 34:27 - Spiritual emergencies 38:23 - Children's past life memories 45:11 - Healing after brain surgery 53:25 - Trauma passed down through generations 58:50 - The metallic ball transformation 01:02:00 - Dissolving cancer through visualization 01:04:27 - Remedies as energetic reminders 01:09:57 - Energy medicine and limitless possibilities 01:14:27 - The limits of working with energy 01:15:50 - Imaginary friends and their significance 01:19:31 - Children's experiences with imagination 01:23:02 - Ayahuasca and other psychedelic remedies 01:29:13 - Ayahuasca experiences 01:30:10 - The power of homeopathic remedies 01:34:15 - Psychedelics and indigenous healing 01:39:38 - Healing potential of master plants 01:42:26 - Therapeutic use of MDMA 01:46:30 - Lost sacred relationship with substances 01:49:27 - Harm reduction at festivals   About my guest: Declan Hammond is a homeopath, transpersonal therapist and shamanic practitioner, co-founder and former director of The Irish School of Homeopathy. His life and work has been a passionate search for the most effective healing tools for himself and his patients. This journey has taken him all over the globe studying Eastern and Western approaches to healing, tantra yoga and traditional shamanic practices. Declan has developed a unique synthesis of these ancient and modern healing techniques and works with individuals and groups to empower deep personal growth and spiritual development.   His passion is working with people challenged by non-ordinary states of consciousness, who are undergoing Spiritual Emergency/Psychosis type experiences. He has a particular interest in drug harm reduction and integration work and is part of the Kosmicare Medical Team at Boom Festival. Find out more about Declan Website: https://declanhammond.com/   Support the Homeopathy Hangout Podcast by making a $5 once-off donation at www.buymeacoffee.com/hangout   Join my Homeopathy Hangout Podcast Facebook community here: https://www.facebook.com/groups/HelloHomies   Follow me on Instagram https://www.instagram.com/eugeniekrugerhomeopathy/   Here is the link to my free 30-minute Homeopathy@Home online course: https://www.youtube.com/watch?v=vqBUpxO4pZQ&t=438s   Upon completion of the course - and if you live in Australia - you can join my Facebook group for free acute advice (you'll need to answer a couple of questions about the course upon request to join): www.facebook.com/groups/eughom

Eccoci arrivati alla quarta summer edition di Stupefatti, appuntamento ormai diventato talmente intimo che ci siamo sentiti di aprirlo con il racconto delle nostre vacanze, che, come sapete, si sono svolte al Boom Festival. We are one, Stupefan, è il momento di cliccare play. Note dell'episodio:Entra in contatto con noi usando la mail stupefatticast@gmail.com o seguendo su Instagram il @stupefatti_podcast!Puoi anche iscriverti a STUPEGRAM, il nostro canale telegram, a questo link https://t.me/stupegram!

Buon venerdì Stupefan! Quest'oggi siamo qui, ma anche altrove: uni e bini, nelle vostre orecchie e spalmati in qualche angolo di Boomland, nell'entroterra portoghese o, come direbbe Rikki "in un luogo molto meraviglioso". È questo l'episodio in cui vi raccontiamo la storia del Boom Festival, le influenze culturali e musicali che lo hanno ispirato, la filosofia, la musica e, ovviamente, le sostanze stupefacenti che lo colorano. Conosceremo insieme Kosmicare, la realtà che al Boom fornisce servizi di riduzione del danno e drug checking e indagheremo alcuni interessanti dati su consumi e strategie di assunzione raccolti nelle scorse edizioni. Non spegnete l'episodio fino alla fine perché c'è una sorpresa solo per voi! E ora via di play. Note dell'episodio:- Il sito ufficiale del Boom Festival: https://boomfestival.org/boom2023/- La storia del Boom: https://academic-accelerator.com/encyclopedia/boom-festival- Green Boom: https://shorturl.at/jGINR- Kosmicare: https://www.kosmicare.org- Kosmicare al Boom: https://boomfestival.org/boom2023/guide/kosmicare/- Testers e non testers data: https://shorturl.at/uBJMS- Dona il 5x1000 a Meglio Legale, scopri come: https://megliolegale.it/5x1000/- La playlist Spotify di Stupefatti: https://spoti.fi/3vh3D8ZEntra in contatto con noi usando la mail stupefatticast@gmail.com o seguendo su Instagram il @stupefatti_podcast!Puoi anche iscriverti a STUPEGRAM, il nostro canale telegram, a questo link https://t.me/stupegram!

De 20 a 27 de julho, o Boom Festival regressa a Idanha-a-Nova com "casas de banho sustentáveis". É uma edição com o tema "Amor Radical", que espera receber cerca de 40 mil pessoas de 179 países. See omnystudio.com/listener for privacy information.

Daniel Görtz and Michael Garfield in dialogue, hosted by Tom Amarque "Evil is the annunciation of the next level of order" Paleontologist-Futurist Michael Garfield is devoted to helping navigate our age of accelerating weirdness and helping cultivate the curiosity and play we'll need to thrive in it. As host and producer of both Future Fossils Podcast & The Santa Fe Institute's Complexity Podcast, Michael acts as interlocutor for a worldwide community of artists, scientists, and philosophers — a practice that feeds his synthetic and transdisciplinary "mind-jazz" performances in the form of essay, music, and fine art. Standard-bearer for a new generation of boundary-defying scholars, Michael refuses to be enslaved by a single perspective, creative medium, or intellectual community, walking through the walls between academia and festival culture, theory and practice — speaking and performing everywhere from Moogfest to Burning Man, SXSW to Boom Festival, the Commonwealth Bank of Australia to Long Now's Ignite Talks to The Chapel of Sacred Mirrors. Daniel Görtz is the co-author, with Emil Esper Friis, of both “Hanzi Freinacht” books The Listening Society and Nordic Ideology. Daniel's work approaches what many know as Ken Wilber's integral theory, but considers its secular and practical application to politics, cultural currents in society, within the arts and beyond. He lives in Sweden and works for Metamoderna, the publisher of metamodern books, and for Glimworks, an IT-company where he is In-House Philosopher. --- Send in a voice message: https://podcasters.spotify.com/pod/show/podcast-c709ee4/message

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Check out Michael's many writings, art projects, music projects, and podcasts here.Instagram (@michaelgarfield) | Future Fossils Podcast| Complexity Podcast | substack | Live at the Apothecary | YouTube |Paleontologist-Futurist Michael Garfield is devoted to helping navigate our age of accelerating weirdness and helping cultivate the curiosity and play we'll need to thrive in it. As host and producer of both Future Fossils Podcast & The Santa Fe Institute's Complexity Podcast, Michael acts as interlocutor for a worldwide community of artists, scientists, and philosophers — a practice that feeds his synthetic and transdisciplinary "mind-jazz" performances in the form of essay, music, and fine art. Standard-bearer for a new generation of boundary-defying scholars, Michael refuses to be enslaved by a single perspective, creative medium, or intellectual community, walking through the walls between academia and festival culture, theory and practice — speaking and performing everywhere from Moogfest to Burning Man, SXSW to Boom Festival, the Commonwealth Bank of Australia to Long Now's Ignite Talks to The Chapel of Sacred Mirrors.Follow him on Substack, Medium, and Twitter (or join his book club on Patreon) for a kaleidoscopic avalanche of explorations into human-technology co-evolution, the pre- and post-history of creativity and communication, and other soulful and subversive futurism. Subscribe to his music on Spotify and Bandcamp and follow him on Instagram for clips from works in progress.

This week I have one of the most vulnerable, personal, and profound conversations ever shared on the show — and it's one that speaks directly to the deepest and most persistent themes addressed on Future Fossils. Android Jones is one of the world's pre-eminent digital painters and an utterly singular and inimitable visionary artist. He's also a loving husband and father of three, an old friend (even if we don't talk as often as I'd like, or as perhaps we should), and someone I regard as a torch-bearer along the paths of both professional uncompromising creativity and openly psychedelic parenting. And now he leads the way in helping me and his planet-wide fanbase learn how to process grief and rise from the ashes of loss like a badass phoenix…A few weeks ago, the barn he inherited from his father — in which he kept all of his creative technology and projects — burned to the ground. Here is the intense and vulnerable two-hour conversation we had about his loss and the spiritual transformations he has undergone since. For the first time ever, Android gives a play-by-play recounting of what happened that fateful morning and how he has grown in the aftermath of losing his “dragon horde” of technology, art, and personal records.  And we explore the science and philosophy and esoteric interpretation of what it means to grow beyond the envelope of the human organism into our “extended phenotypes” of technological augmentation — and then to lose it all in a single incandescent moment, laid bare by an Act of God to face the world with sudden and intense rawness.This is a powerful, one, folks.  I'm honored to share it with you…(Big thanks to Lucid News for inspiring me to do this. You can find a very, very tightly-edited transcript of this discussion on their website.)Editor's Note: I mention a passage from William Irwin Thompson's The American Replacement in Nature in which I misquote him as speaking on “prophets and pastoralists” when in fact he wrote about “mystics and moralists.”  You can hear the correct quote in this track from my 2016 Boom Festival performance, which plays at the end of this episode:"The moralist tends to think the laws of God are more on his side than on his enemy's, so he will try through faith and religion and the exercise of ritual to get God to settle down with him and go along with his way of life. The mystic, however, is not a moralist, for motion, complexity, and an angelic-demonic ambiguity in which one's enemy is also a part of a divine manifestation in history are all part of a cosmic life on the other side of the fence. Home means a lot to moralists, but the mystic is society's alien and is not allowed to have a home smaller than the universe. Any time he tries to settle for less, to settle down and set up fences, God appears as the moving whirlwind."- William Irwin Thompson✨ Support Future Fossils:Subscribe anywhere you go for podcastsSubscribe to the podcast PLUS essays, music, and news on Substack or PatreonBuy my original paintings or commission new workBuy my music on Bandcamp (they take 15%)This conversation continues with lively and respectful interaction every single day in the members-only Future Fossils Facebook Group. Join us!I'm also ISO moderators interested in helping steward the Discord server so I can release it into the wilds as a fan-operated platform. Want to claim stake?✨ Tip Jars:@futurefossils on Venmo$manfredmacx on CashAppmichaelgarfield on PayPal✨ Mentioned & Related Links:Future Fossils Episode 111 - Android Jones on Analog/Digital, Painting the Sutras, & Being an Artist DadComplexity Episode 90 - Caleb Scharf on The Ascent of Information: Life in The Human DataomeComplexity Episode 35 - Scaling Laws & Social Networks in The Time of COVID-19 with Geoffrey West (Part 1)Ben RidgwayA Manifesto For Live Painting by Michael GarfieldDeath of a SalesmanTrezor Cryptocurrency WalletsJohn Perry BarlowTheme Music: “Olympus Mons” off the Martian Arts EP by Michael Garfield✨ A Special One-Off Sneak Peek at A New Offering for Subscribers:I recently promised members of my Patreon/Substack members-only Facebook group, where I ordinarily share on the order of ten cool external links a day, that I'd be moving my Web curation into a special newsletter supplement for paid subscribers.  Here is a public-facing glimpse at yet one more thing you can expect in return for supporting the intense love's labor that goes into the show and my other creative work:Recommended Reading:Copyright won't solve creators' Generative AI problem (Cory Doctorow)We're in a productivity crisis, according to 52 years of data. Things could get really bad. (Michael Simmons)What kind of a "metamodernist" am I, exactly? (Scout Reina Wiley)Successful AI Will Usher in a New Era of Theology (Caveat Magister)Developers Created AI to Generate Police Sketches. Experts Are Horrified (Chloe Xiang at Motherboard)Getty sues Stability AI for copying 12M photos and imitating famous watermark (Ashley Belanger at Ars Technica)How to Practice Long-Term Thinking in a Distracted World (Bina Venkataraman at Wired)How a 'time of crisis' creates a 'crisis of time' (Richard Fisher)Why Civilization Is Older Than We Thought (Samo Burja at Palladium)The Edges Cases Where Computing and Physics Intersect (Samuel Arbesman)Cosmic Connection: an anecdote about the Pioneer plaque (Roger's Bacon)Japanese Philosophies That'll Help You Spend Money Consciously (Rahul Chowdhury)Recommended Music:Vertigo Gambler — Juvenile Drama (lush folk-electronic pop co-written and mixed/mastered by fellow Santa Fean Toni Dear)David Forlano — Shiver Like Dust (iPad electronic ambient improvisations)Starling Arrow — Cradle (gorgeous all-star group of female singer-songwriters writing and recording together)fy00g — Mummy Fart! (my old friend and collaborator William Allan Ross' latest trippy glitchy bass single)Master Margherita — The Sound of Science (new dubbreak 436Hz mix by Moreno, former curator and stage manager of Boom's Chillout Gardens)Recommended Video:View From The Other Side (Drew Brophy on NDEs, shared by Charles Eisenstein)How to Watch Hundreds of Free Movies on YouTube (via OpenCulture)Cause and Constraints (Alicia Juarrero at The Complexity Lounge)Residuality Theory: Philosophy and Practice (Barry O'Reilly at The Complexity Lounge) This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit michaelgarfield.substack.com/subscribe

Today I speak with Marc Aixalà, an author and psychologist practicing in Barcelona, whose work sits at the intersection of psychotherapy, altered states and the facilitation of psychedelic integration. Having originally worked as a Telecommunications Engineer, Marc went on to become a Licensed Health Psychologist, Psychotherapist and Holotropic Breathwork facilitator, and he served as a team leader and trainer in emergency psychological assistance at Boom Festival through the Kosmicare harm reduction program. Since 2013 he has coordinated support services at the International Center for Ethnobotanical Education, Research and Service (ICEERS), and he worked on the first-ever medical trial on the use of psilocybin for treatment-resistant depression, a study chronicled in the 2018 documentary, “Magic Medicine.” During his time at ICEERS, he provided integration psychotherapy sessions for people going through challenging situations after experiencing transformative non-ordinary states of consciousness. This work led him to develop theoretical models of intervention which I'm excited to say he has shared in the publication of his new book: Psychedelic Integration: Psychotherapy for Non-Ordinary States of Consciousness. Tracing the evolution of psychedelic-assisted therapy and integration research from the 1960s to the present, this book offers different models of integration and practical therapeutic techniques, and it documents Marc's real-world observations on the deep work of healing and self-discovery. Recorded on 15th Nov 2022.

Paleontologist-Futurist Michael Garfield is devoted to helping navigate our age of accelerating weirdness and helping cultivate the curiosity and play we'll need to thrive in it. As host and producer of both Future Fossils Podcast & The Santa Fe Institute's Complexity Podcast, Michael acts as interlocutor for a worldwide community of artists, scientists, and philosophers — a practice that feeds his synthetic and transdisciplinary "mind-jazz" performances in the form of essay, music, and fine art. Standard-bearer for a new generation of boundary-defying scholars, Michael refuses to be enslaved by a single perspective, creative medium, or intellectual community, walking through the walls between academia and festival culture, theory and practice — speaking and performing everywhere from Moogfest to Burning Man, SXSW to Boom Festival, the Commonwealth Bank of Australia to Long Now's Ignite Talks to The Chapel of Sacred Mirrors.Follow him on Substack, Medium, and Twitter (or join his book club on Patreon) for a kaleidoscopic avalanche of explorations into human-technology co-evolution, the pre- and post-history of creativity and communication, and other soulful and subversive futurism. Subscribe to his music on Spotify and Bandcamp and follow him on Instagram for clips from works in progress.In this episode, Michael Garfield and Beth Weinstein discuss …▶ How the perception of organisms plays into their evolution▶ The relationship between mind, communication and the unfolding of biological form in time▶ Michael's psychedelic influence and how it has shaped his scholarly and artistic expression▶ Thinking about the brain's electrical activity as “weather”▶ Sitting in the liminal zone during psychedelic experiences, and how Michael tries to anchor the insights that come into his eyes open, waking experience▶ Studying ways that humans use certain things: “use webs”▶ How capitalism is founded in the deeper logic of biophysics, growth and the scaling of networks▶ The idea that the work of culture and knowledge production flows as an underground river through repeated waves of colonization▶ How we are under existential assault from the institutions we've created as a way of trying to shelter ourselves from the ravages of an unpredictable world▶ Civilizations and their institutions as life forms in their own right ▶ How in becoming more “porous” through psychedelic use you are interrogating the boundary of self and other and essentially issuing an invitation for the “other” to enter you ▶ “Fugitivity” as defining this time▶ How we need to preserve the wilderness at all costs, including the wilderness of the “uncategorizable self”▶ How the world is getting stranger and stranger and the surface area of our questioning now exceeds the surface area of our answering▶ Staying connected to simple things when you feel overwhelmed by the world▶ The relationship between mind and language ▶ How psychedelics give us experiences that elude or ability to communicate them and beckon us into more eloquent communicationMichael Garfield Links & Resources▶ Website: https://michaelgarfield.blogspot.com/▶ Instagram: https://www.instagram.com/michaelgarfield/▶ Substack:https://michaelgarfield.substack.com/▶ Twitter: https://twitter.com/michaelgarfield▶ Medium: https://michaelgarfield.medium.com/▶ Patreon: https://www.patreon.com/michaelgarfield▶ Spotify: https://open.spotify.com/artist/46UT138ndv6ZAeDt0eO64h▶ Bandcamp: https://michaelgarfield.bandcamp.com/

Filmed and recorded live at Boom Festival 2022 This video was created to celebrate the human experience With the utmost respect for the people lensed We hope this resounds and spreads joy. Iboga label bosses Emok and Banel invite you to relive the incredible 3 hour journey from their set on the Alchemy Circle stage at Boom Festival 2022. Tracklist: 00:00-09:00 Antix - Box Of birds (MVMB Remix) 09:00-13:47 Umloud - Deposition 13:47-20:03 Umloud - Lost 20:03-26:04 Township Rebellion - Manga Spe 26:04-30:36 DM-Theory & Synesthetic - La presa Bene 30:36-37:22 Electrypnose - Tomorrow Never Comes 37:22-43:22 MVMB - Anomaly (Umloud remix) 43:22-48:06 Antix - Hiding Place (Green Lake Project Remix) 48:06-53:22 Ben Coda - Oumuamua (Khainz remix) 53:22-57:22 Freq - Strange Attractor (Green Lake Project remix RCRDSHP NFT version) 57:22-1:04:23 Township Rebellion - Mosaik (Rinzen remix) 1:04:23-1:09:34 Township Rebellion - Moses 1:09:34-1:15:30 MVMB - Juno 1:15:30-1:21:28 Umloud - Tawny 1:21:28-1:26:46Piet Kämpfer - The Traveler (MVMB Remix) 1:26:46-1:31:27 Stephan Bodzin — Isaac (Anna Remix) 1:31:27-1:37:52 Diamandy & South Punk - Kanga (MVMB Remix) 1:37:52-1:42:18 Trilingo - Them 1:42:18-1:47:00Lampe - Blinded 1:47:00-1:52:26 Jam & Spoon - Odyssey to anyoona (Wehbba remix) 1:52:26-1:57:40 Eivo - Furona 1:57:40-2:02:37 gui boratto & hannes bieger - requiem 2:02:37-2:05:56 Lampe - 1000 words 2:05:56-2:09:15 anyma & chris avantgarde - consciousness 2:09:15-2:14:41 Oliver Schories - Devon (Oliver Huntemann Remix) 2:14:41-2:21:06 Umlud - Fahrenheit 2:21:06-2:27:00 D-nox & Stereo Underground - Dolby 2:27:00-2:31:56 Riktam & Bansi - No Way Out 2:31:56-2:37:20 MVMB - Sneaky Fox (album version) 2:37:20-2:43:00 Umloud - Dampfer 2:43:00-2:48:26 Boundless - Crazy Lab´s (MVMB remix) 2:48:26-2:55:20 Township Rebellion - Baud

Hey everybody! Episode 98 of the show is out. In this episode, I spoke with Marc Aixalà. Marc is a psychotherapist and has worked in collaboration with a very good organization called ICEERS (International Center for Ethnobotanical Education, Research and Service). ICEERS worked in collaboration with a large ayahuasca center where I worked for many years (the Temple of the Way of Light) doing research on the therapeutic benefits of ayahuasca. We share a mutual friend, Irene Perez (who I interviewed in episode 36), who was doing the research on the ground for ICEERS. Marc recently published a book called Psychedelic Integration: Psychotherapy for Non-Ordinary States of Consciousness. It was great for me to sit down and talk with Marc as he is doing really good work in this field. As this emerging field of psychedelic therapy becomes more common, voices like Marc and resources such as his book are a vital part of how this work will be integrated and accepted into society. I hope and trust you all will get a lot out of this interview and the wisdom Marc shares. As always, to support this podcast, get early access to shows, bonus material, and Q&As, check out my Patreon page below. Enjoy!“Marc B. Aixalà is a telecommunications engineer, psychologist, psychotherapist and certified Holotropic Breathwork facilitator specializing in supporting people who face challenging experiences with expanded states of consciousness. Since 2013, in collaboration with the International Center for Ethnobotanical Education, Research and Service (ICEERS), Aixalá has offered integration psychotherapy sessions for those seeking support after psychedelic experiences. At ICEERS, Aixalà also works to develop theoretical models of intervention and trains and supervises therapists.Aixalà has served as a team leader and trainer in emergency psychological assistance at Boom Festival through the Kosmicare harm reduction program. He also worked on the first-ever medical trial on the use of psilocybin for treatment-resistant depression, a study chronicled in the 2018 documentary, “Magic Medicine.” He continues to work as a therapist in clinical trials researching psychedelic substances.Aixalà is trained in the therapeutic use of Non-Ordinary States of Consciousness as well as in MDMA-assisted psychotherapy for post-traumatic stress disorder ( PTSD) by the Multidisciplinary Association for Psychedelic Studies (MAPS). Aixalà works as a psychologist in his private practice in Barcelona, Spain and offers trainings, lectures, and talks related to psychedelic psychotherapy and integration.”To learn more about or contact Marc, visit his website at: http://www.marcaixala.com/To purchase his book, visit: https://amzn.to/3CPrHnu or https://synergeticpress.com/catalog/psychedelic-integration-psychotherapy-for-non-ordinary-states-of-consciousness/If you enjoy the show, it would be a big help if you could share it with your own audiences via social media or word of mouth. And please Subscribe or Follow and if you can go on Apple Podcasts and leave a starred-rating and a short review. That would be super helpful with the algorithms and getting this show out to more people. Thank you in advance!For more information about me and my upcoming plant medicine retreats with my colleague Merav Artzi, visit my site at: https://www.NicotianaRustica.orgTo book an integration call with me, visit: https://jasongrechanik.setmore.comSupport this podcast on Patreon:https://www.patreon.com/UniverseWithinDonate directly with PayPal:https://www.paypal.me/jasongrechanikMusic courtesy of: Nuno Moreno (end song). Visit: https://m.soundcloud.com/groove_a_zen_sound and https://nahira-ziwa.bandcamp.com/ And Stefan Kasapovski's Santero Project (intro song). Visit: https://spoti.fi/3y5Rd4Hhttps://www.facebook.com/UniverseWithinPodcasthttps://www.instagram.com/UniverseWithinPodcast

Jakob war auf dem Festival seines Lebens. Aber fühlt sich die Freiheit dort wirklich wie "frei sein" an? Ist er wirklich selbstsicher? Oder lädt er sich am Ende so viel auf, dass er seine eigene Unsicherheit nicht mehr spüren muss? Jakob macht sich ganz nackt - genau wie auf dem Boom Festival in Portugal. Alle Rabattcodes und Infos zu unseren Sponsoren findet ihr hier: https://linktr.ee/bestefreundinnen #festival #podcast #bestefreundinnen #maxundjakob

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We welcome today Anoebis https://soundcloud.com/anoebis of Suntrip Records with his magic set ! visit @ www.psybient.org and for more episodes @ www.soundcloud.com/gagarinproject/sets/psybient-org-podcast ! Psybient.org Podcast -43- Anoebis - Tribute to Psybient.org The concept of the mix : "Most people know Anoebis for uptempo goa-trance music, but my love for ambient is also very big, so it was a pleasure to record something more slow and deep again!

Músico vende participação no catálogo de The Strokes; Mariah Carrey processada por 20 milhões de dólares por alegada infração ao direito autoral com All I Want for Christmas Is You; cartaz BOOM Festival.

Shygirl com novo álbum; Julian Casablancas vende catálogo; Boom Festival anuncia cartaz

Chiara Baldini è una ricercatrice indipendente. Indaga come le pratiche di alterazione della coscienza siano state utilizzate nel corso della storia europea, in particolare nell'antica Grecia e a Roma. Ha scritto "Dionysus Returns: Contemporary Tuscan Trancers and Euripides' The Bacchae" e insieme a Graham St. John "Dancing at the Crossroads of Consciousness: Techno- Mysticism, Visionary Arts and Portugal's Boom Festival”. Nel 2019 ha co-curato un'antologia chiamata "Psychedelic Mysteries of the Feminine". Dal 2010 al 2014 si è occupata dell'area culturale Liminal Village del Boom Festival; nel 2015 e nel 2016 ha contribuito a creare e gestire ConTent, la prima area culturale del Fusion Festival, in Germania. Ora è tornata al Liminal Village come coordinatrice del programma. Vive in Costa Vicentina in Portogallo dove suona spesso come DJ Clandestina.

The one where a grandfather & permaculture designer points out my "old paradigm" thinking. And where this seasoned teacher, André Soares, founder of Ecocentro Ipec in Central Brazil, talks with me about:his more than 25 years in international permaculture design and teachingunlearning "business as usual" thinkinghealthy home designthe abundance of our planet, coexisting with the inequality between people on different parts of the globebeing a grandfatherthe view that thriving living systems are true wealthhow to understand "sustainability"and shifting our old paradigms (like mine, where there was such thing as "building from scratch")André Soares is a trilingual permaculture designer/teacher and natural builder, and since 1994 has trained more than 7 thousand designers in Brazil, Portugal, Australia and the USA. Co-founder of The Permaculture Institute of Central Queensland and NAG community radio in Australia and Ecocentro Ipec in Central Brazil, a living and learning ecovillage centre that has seeded the Permaculture and Natural building movement in many regions of South America. Andre has received multiple design awards for his work with Ecovila Santa Branca and Boom Festival, a biannual gathering of 50,000 people in Portugal. Andre was the first representative of GEN in Latin America in 1998 and has been recognised since as Social Entrepreneur in three continents.Show notes: turningseason.com/episode4

SUPPORT Daniel Popper is an artist from Cape Town, South Africa known globally for his larger-than-life art that blurs the lines between interactive art, sculpture, installation, and stage and interior design. Many of his projects include collaborations with other artists and technicians to incorporate electronic music, lighting and projection mapping. He is most acclaimed for massive public art installations at places such as the Boom Festival in Portugal, Afrikaburn in the Tankwa Karoo in South Africa, the human nature exhibition at the Morton Arboretum in Chicago, and the Venala Luz sculpture in Talum, He builds both temporary and permanent pieces, including a commission for a sculpture that now stands as a defining feature for the Nelson Mandela School of Science and Technology. He is also founder of Pop Productions, a production company for concept design, innovative advertising, brand activation, and stage design. Daniel values authentic collaborations, his art having a positive impact in the world, the belief that we are more connected with nature than we often think, and growing together as both a collective and as individuals. CONTACT DANIEL POPPER Instagram: https://www.instagram.com/danielpopper/ Website: https://www.danielpopper.com/ Facebook: https://www.facebook.com/photo/?fbid=247664653399222&set=a.247664620065892 CONTACT RON CECIL Website: https://www.roncecil.com/ Instagram: https://www.instagram.com/rcecil/ Facebook: https://www.facebook.com/ron.cecil CONTACT DANIEL PENNER CLINE Instagram: https://www.instagram.com/dpennercline/ Facebook: https://www.facebook.com/profile.php?id=1498866808 --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/cutting-for-sign/message Support this podcast: https://anchor.fm/cutting-for-sign/support

Artist and philosopher Michael Garfield helps people navigate our age of accelerating weirdness and cultivate the curiosity and play we'll need to thrive in it. As host and producer of both Future Fossils Podcast & The Santa Fe Institute's Complexity Podcast, Michael acts as interlocutor for a worldwide community of artists, scientists, and philosophers — a practice fed by and and feeding back into his fifteen years of synthetic and transdisciplinary "mind-jazz" performances in the form of essay, avant-guitar, and live painting. Bearing the standard for a new generation of mystic-scholars and refusing to be enslaved by a single perspective, creative medium, or intellectual community, Michael walks through the walls between academia and festival culture, theory and practice — speaking and performing everywhere from Moogfest to Burning Man, SXSW to Boom Festival, the

We had the pleasure and absolute joy of having some of the brightest and best minds in the industry on our panel yesterday.  After the panel we had 5 hours of live performances, a few choice performances are on this recording as well. This podcast was recorded in Norcross, GA  at Miami Lounge by B Diddy The DJ.Thank you to our host T Money and Bishop CityShout out to our panelist.2wo Official10KaratGround Breaking EventsHollywood AngelJC RockKing DPTGLeauxLena ReneaTaylor FrucelShout Out To The Artist On This Recording LahliPop, Legendary 06 and Tigg (2$oild)

This is a rebroadcast you can catch the live broadcast on sonicboommusicgroup.com/heartlandradio recorded in Atlanta, GA For Highly Unique Radio powered by Sonic Boom Music Group hosted by B Diddy The DJ 

 This week's guest is one of my favorite discoveries of the last few years, and someone I'm honored and delighted to know. I can hardly express how strange and exciting it was when I reached out to Tyson Yunkaporta, author of Sand Talk and Senior Research Fellow at Deakin University, and found out he was already a fan of my podcasting…so this episode is a seriously chummy session of mutual discovery by too people perhaps already a little bit TOO familiar with one another's work. Tyson inhabits an awesome position at the intersection of Indigenous knowledge systems, complexity science, cultural criticism, multimedia art and design, and dreaming and scheming on applications for ancient wisdom in the digital and post-digital eras.If you value this show and would like to see it thrive, support Future Fossils on Patreon and/or please leave a good review on Apple Podcasts! As a patron you get extra episodes each month, invites to our book club, and new writing, art, and music.• Meet great people and have equally great conversations in the Discord Server & Facebook Group• Buy the books we talk about from the Future Fossils shop at Bookshop.org• For when you'd rather listen to music, follow me and my listening recommendations on Spotify.• Thanks to Naomi Most for helping edit most of this episode! It isn't easy work.✨ Short Reads• “Building The Ark” - Tyson at e-flux architecture on GameB• Tyson's feature for Melbourne Design Week 2021• “Transformational Festivals Are A Symptom of Dissociation” - Michael Garfield• “Australian Aboriginal techniques for memorization: Translation into a medical and allied health education setting” – David Reser et al. (Tyson is last author)• The Weirdest People in The World — Joseph Henrich• William Irwin Thompson on “The Ghost Dance of the Rednecks”• “The Information Theory of Individuality” - David Krakauer et al.• “Unchained: A Story of Love, Loss, and Blockchain” - Hannu Rajaniemi✨ Podcasts• Future Fossils Book Club Discussion Recording: Sand Talk by Tyson Yunkaporta• “What Can I Do?” on The Other Others• “Maori MAGA” on The Other Others• “Queering Dignitas” on The Other Others• FF 100: The Teafaerie on DMT, Transhumanism, and What To Do with All of God's Attention• FF 86, 87: Onyx Ashanti on Surfing Exponential Change (Part 1, Part 2)✨ Books• Sand Talk - Tyson Yunkaporta• Ten Arguments for Deleting Your Social Media Accounts Right Now - Jaron Lanier• Scale - Geoffrey West• Count to a Trillion - John C. Wright• Cat's Cradle - Kurt Vonnegut✨ Music• Intro Music: Live at The Chillout Gardens, Boom Festival 2016• New Release: House Ship On A Hill (2021)✨ Notes• “The bourgeousie is always plundering the margins for menu options.”• eating peacocks: diverse diets for biodiversity vs. for dominion• how to restore the lost topsoil of Settler culture without stepping on others to do it• culpability (and the role of intent) in the West versus in Indigenous communities• COVID trauma, climate change, and Indigenous postapocalyptic insights for Settler cultures• critiquing the Myth of Primitivism and the Myth of Progress• the destruction of the clan by marriage law and papal decree• sanguinal, geographic, and noetic polities• showing up in society not just as individuals, but as members of family groups• why Indigenous people fall for conspiracy disinformation• getting a smartphone as an adult and how it changes you — firsthand recollections• Marshall McLuhan, neotribalism, banishment, and cancel culture• fractal sovereignty & continental commonlaw• genderqueerness as ontological revolution• decolonizing language and sexuality vs. transhumanist escapism/linguistic reterritorialization• guerrilla weddings in the Age of COVID• trust, smart contracts, and the unsustainability of economies of scale• Megan Kelleher, Holochain, Jim Rutt, Ben Goertzel• liquid democracy• How do you prevent an autonomous zone from being subsumed by colonial forces?• being happy to not have final answers, to be one step in an age of transition• “Land is your smart room [except] it's reciprocal. One of you isn't ‘The User.' … Most of the affordances you're seeking through technology and sci-fi: these are pre-existing things. You find them through a relation and an interspecies communication with your bioregion.”✨ Support the countless hours of research and production that go into Future Fossils• Venmo: @futurefossils• PayPal.me/michaelgarfield• Patreon: patreon.com//michaelgarfield• BTC: 1At2LQbkQmgDugkchkP6QkDJCvJ5rv3Jm• ETH: 0xfD2BC66586FA4FBA189992E9B0037CD5cb9673EF• NFTs: Rarible | Foundation Get bonus content on PatreonSupport this show http://supporter.acast.com/futurefossils. See acast.com/privacy for privacy and opt-out information.

L'ospite della tredicesima puntata di Illuminismo psichedelico è la counselor e sitter psichedelica Annarita Eva, che ha parlato con Federico di Vita della funzione del sitting psichedelico in grandi festival di musica elettronica come lo statunitense Burning Man o il portoghese Boom Festival – in particolare grazie al lavoro di associazioni come Zendo Project e Kosmicare, che lavorano da anni proprio in questo ambito. Il fenomeno crescente del coaching psichedelico è inoltre sempre più importante per le persone sane, che lo cercano per migliorare la propria esistenza. Con la MIND Foundation la stessa Annarita Eva sta lavorando alla definizione di una cornice di riferimento per il coaching psichedelico, che dovrebbe essere pronta entro un anno.

Played and recorded on 09 August 2014 @ Boom Festival Chill Out Gardens, Idanha-a-Nova, Portugal. (small snippet) Free download here // http://www.chillinberlin.com/download/114

A self-proclaimed tomboy, Filipa Lazary always aspired to be like her older brother and enjoyed activities that were normally reserved for boys. However, ballet was also a passion of hers as well as music and dancing and so while growing up she learned to integrate these masculine and feminine traits of her personality. Filipa studied at the Lisbon Conservatory from the age of 6 until 16. At 16, Filipa felt like she needed to make a choice: what am I going to do and how am I going to sustain myself? Coming from a family of engineers, Filipa decided to choose tech and then went on to study Computer Science at the Lisbon Technical Institute. Filipa started her corporate career as Product Manager at Ericsson, went on to work at Celtel International, the Vodafone of Africa, and continued her journey at T-Mobile, where she spent the final 3 years of her 12-year long corporate career. In 2006 Filipa moved to Amsterdam and was absorbed by the city’s electronic music scene. She joined a local promoter in 2008 and helped organize underground parties in the city. From there, it was a small step up to the booth. Her deejaying career picked up fast and in 2012 she was already turning it up at Boom Festival and had her first gig at Burning Man in 2014, after which she was invited to perform at Tomorrowland in 2017. While producing electronic music, Filipa realized she was more creative with other creative people around and so she came up with the idea of starting her own artist residency after moving to Ibiza in 2012. Together with her partner Mark, she set up a local artist community, called ‘Labryinthia’, and they have been co-creating and living with other artists ever since. ⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯ → Here's what you will learn: ● How to face your biggest obstacle: yourself ● How to integrate the feminine and masculine aspects of your personality ● How to follow your heart ● How to honor your ancestral female lineage ● How to build a community of like-minded people ● How to stay true to yourself in a community setting ⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯ ✔ PRE-ORDER THE NEW FEMALE LEADER BOOK: https://bit.ly/2P3vPLF ⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯ ➤ SUBSCRIBE TO OUR CHANNEL https://www.youtube.com/channel/UCIocJbUSOXkV_lCWCwAOkKw?sub_confirmation=1 ⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯ ➤ JOIN OUR MOVEMENT Website: www.newfemaleleaders.org Instagram: www.instagram.com/new.female.leaders LinkedIn: www.linkedin.com/in/newfemaleleaders

I’ve gotten a lot of requests through the Life is a Festival survey to interview large-scale installation artists. Well, today we’re going to hear from one of the biggest: Daniel Popper, the South African creator of Tulum yogis and Boom shamans. On the show we go deep into Daniel’s creative process and what it takes to build big art. We discuss instagram culture, Disney World, and building with bronze. Finally Daniel offers his advice to young artists. Daniel is a multidisciplinary installation artist from Cape Town. He has produced iconic sculptures for festivals around the world including Electric Forest in the US, Boom Festival in Portugal, Rainbow Serpent in Australia, and Afrikaburn in South Africa. His next big upcoming project is the ‘Human+Nature’ Exhibition at the Morton Arboretum in Chicago this April. Links Daniel Popper: https://www.danielpopper.com/ Daniel Popper on Instagram: https://www.instagram.com/danielpopper/?hl=en ‘Human+Nature’ Exhibition: https://secretchicago.com/human-nature-morton-arboretum/ Life is a Festival Survey: http://bitly.com/festival-survey Timestamps :10 - How Daniel starting making large-scale art :14 - Daniel’s creative process :22 - How to get started making big art :26 - Why has Daniel’s work captured people’s attention now? :35 - What medium is next for Daniel to explore :40 - Advice to young artists

Week 5: Eurovisie Boom Festival: welke boom wordt gekroond tot de mooiste boom van Europa van 2021? De inzending van Etten-leur maakt nog kans! Daarnaast duiken we in de geschiedenis van Black Lives Matter, hebben we het over accent-discriminatie en gaan we weer even langs op de Chagos-eilanden! See acast.com/privacy for privacy and opt-out information.

Played and recorded on 15 August 2008 @ Boom Festival Ambient Forest, Idanha-a-Nova, Portugal. Mad at the Pad: Master Margherita & Kashyyyk. Free download here // http://www.chillinberlin.com/download/86/

Played and recorded on 15 August 2008 @ Boom Festival Ambient Forest, Idanha-a-Nova, Portugal. Kaoss control by Master Margherita, Cosmo & Kashyyyk. Free download here // http://www.chillinberlin.com/download/84/

Malaika MaVeena Darville is an Earth goddess, shamanic high priestess, global movement facilitator and ceremonialist. She is the founder of InMyElements Dance and lives in Bali full-time, teaching people how to reconnect with their authentic selves and Mother Earth.After enrolling in Malaika's cacao facilitator training and taking her advice to dance every day, my life drastically changed. In this episode, we talk about why dancing is so healing for the body - particularly for healing trauma. Her beliefs around movement as sacred medicine have helped so many people by taking her courses and attending her retreats, helping them learn how to reconnect with their bodies through dance. Malaika shares her story around dance, healing the Earth by healing ourselves and taking care of the mother wound on both the collective and individual levels. Having her on the podcast sharing her wisdom is a great honor, and she even leads us through a short meditation at the end of the episode! She has traveled and lived with indigenous cultures and facilitated groups in Australia, New Zealand, India, Sri Lanka, Spain, Holland, Egypt, China, USA, Costa Rica, Holland, Portugal and Bali with over 30 years of experience.She has taught at the world's top events including Burning Man, Symbiosis, Festival of Bliss, Tantra Festival Thailand, Woodford Folk Festival, Bellingen Global Carnival, Peats Ridge Festival, Ibiza Tantra Festival, Bali Spirit Festival, BOOM Festival and numerous private events. Malaika’s accreditations include being a qualified ISHTA yoga teacher, Qualified Water Dance Practitioner, Hawaiian Body Worker, Permaculturist, African Dance performer and teacher, Ecstatic Dance Dj, Ceremonialist, and Creatrix of 5Elements Dance Activation™ - a shamanic dynamic meditation dance journey embodying the five cardinal elements, earth, water, fire, air, and spirit. She is a Wisdom Keeper and inspirational facilitator who has been at the forefront of the global consciousness movement. You can find more info about her Wild Woman Awakening Training and Cacao Facilitator Training on her website. Connect with Malaika on Instagram @malaika.darville and see her amazing work healing people through movement and the Earth through love! Please rate, subscribe and review! As always, share this message with anyone who needs it and connect on Instagram for more on healing, ascending and loving yourself fully. Follow along for more on Instagram at @brightsideofthemoonpod and @paigepichler.

This week is something different: author-read audio of the first four essays from my ongoing book-in-progress, How to Live in The Future.These essays are the first in my feature-length interrogation of the insufficient ways we think about the future…a poetic exploration of the fruitful interface between psychedelic mysticism, evolutionary theory, and critical futurism.For more along these lines, check out Future Fossils Episode 129 for the Boom Festival 2016 talk that started it all…You can read these pieces — rich with explanatory hyperlinks and graphics — at the links below:Part 1: The Future is A PlacePart 2: The Future is More of EverythingPart 3: The Future is Both True and FalsePart 4: The Future is Exapted/RemixedMusical interludes from my 2017 live album, Pavo: Music for Mystery, recorded live on tour across Australia.Episode cover art by Collin Elder, whose paintings feel to me like the fine art approximation of what I am trying to communicate in words. Follow him on Instagram.Support this show on Patreon for over a dozen secret episodes, the Future Fossils book club, and weekly community calls, and much more.Later essays in this series, which I’ll likely read in a fall episode:Part 6: The Future is DisgustingPart 7: The Future Acts Like YouPart 8: The Future is Indistinguishable from MagicAlthough I’d rather you shop elsewhere, you can grab the books we talk about on Future Fossils at Amazon and they’ll chip me a piece of the proceedings at no cost to you. See acast.com/privacy for privacy and opt-out information.

Flembaz are a Portuguese electronic music duo from Portugal composed of João Bandarra and Pedro Artur. Their primary focus is to release danceable electronic music with organic and progressive influences, and have been doing so since 2011. With four full-length albums, eight EPs and numerous singles released, they stand as one of the most prolific electronic music duos around the scene. The duo played music around Europe in festivals such as Boom Festival, Noisily, Samsara and Chillout Planet. They have released mostly under their label Blind Arc, but also in other respected labels of the genre such as Traum Schallplatten, Horns and Hoofs Entertainment, Techgnosis Records, Bonzai and Digital Diamonds.

JOOF Sessions 011 - BOOM Festival set from 2018 recreated. We're reliving this wonderful moment from when I played at BOOM Festival on The Alchemy stage in 2018. All sets have been played on BOOM radio and socials apart from mine that wasn't recorded due to a technical problem and since then has been the biggest request. The back story to this weeks theme: I'm having fun over these past few weeks thinking of new ideas to keep our different themes running each week and have another for you. Probably the most annoying trait from me for everyone is that I never record sets, its the biggest question that I always get asked after a gig. The music software I use to organise my music/playlists for the CDJ's (Rekordbox) saves all the set histories from the gigs that I've played, so let me replay a set that stood out for you so that you and others can relive that moment. ————————————————————————————————————————————— At these uncertain times the first thing you take care of is your family and I'm no different. Many of you are organically sending me personal messages of support wanting to send donations in return for live broadcasted sets, live Q&A's and basically lots of content to keep you entertained during these days of lockdown, so I will use this idea to keep my JOOF office family afloat. I'll add a donate button to all the content I post and all proceeds will be distributed amongst the JOOF office. You don't need to give anything at all as it's hard times for many out there, this is for the many that are asking, so don't feel pressure. The main thing, we're all in this together and I want to support you in anyway that I can to keep you entertained. You can donate here: https://www.john00fleming.com/donate/

Do you know what to do if a friend or a stranger is having a difficult psychedelic experience? Sometimes called a “bad trip,” these challenging journeys can actually be catalysts for healing and personal transformation. The key is to keep them safe and trust their inner healer. Sounds simple right? In fact, it’s a profound art, which requires specialized training and can be incredibly personally rewarding. In this episode, I speak with Zendo Project Director Sara Gael. The Zendo Project is a part of MAPS (the Multidisciplinary Association for Psychedelic Studies) that creates a safe space within festivals and similar gatherings for people having difficult psychedelic experiences. “Trip sitting,” as it is sometimes called, is a specific kind of peer support that follows four key principles: 1. Create a Safe Space 2. Sitting, Not Guiding 3. Talk Through, Not Down 4. Difficult is Not the Same as Bad On the show, we talk through each principle in detail. We also discuss the differences between trip sitting and psychedelic therapy, the state of the psychedelic renaissance, and how to create a community around compassionate care. Sara has been working with MAPS to coordinate psychedelic harm reduction since 2012. She also supports the MAPS clinical trials of MDMA-assisted psychotherapy for PTSD in Boulder, and spent two years working as a Ketamine-assisted psychotherapist at the Boulder Integrative Psychiatric Healing Center. Sara maintains a private practice as a psychotherapist specializing in trauma, integration, and non-ordinary states of consciousness. You can be a safe container for someone having a difficult psychedelic experience, you just need to learn how to make yourself empty. LINKS Sara Gael, Soul-Centered Counseling: http://www.re-membering.com/ The Zendo Project: https://zendoproject.org/ Multidisciplinary Association for Psychedelic Studies (MAPS): https://maps.org/ The Manual of Psychedelic Support: https://psychsitter.com/ Other Psychedelic Peer Support The Sanctuary at Shambhala Festival: https://shambhalamusicfestival.com/info/ Kosmicare at Boom Festival: https://www.boomfestival.org/boom2020/guide/kosmicare/ Ranger’s Green Dot Program at Burning Man: https://rangers.burningman.org/ranger-teams/ Full Circle Tea House: https://www.facebook.com/FullCircleTeaHouse/ Harmonia Sanctuary in Asheville: https://www.harmoniasanctuary.org/ Rock Medicine (White Bird Clinic): https://whitebirdclinic.org/rockmed Tatva Center in Goa: https://www.tatvacenter.com/ The Nest at Rainbow Serpent Festival: https://rainbowserpent.net/community-responsibility/the-nest/ I Did “Psychedelic First Aid” at a Festival in Costa Rica: https://medium.com/@eamonarmstrong/i-did-psychedelic-first-aid-at-a-festival-in-costa-rica-edf0d96eaeeb

Daniel Popper is a multidisciplinary artist known globally for his larger-than-life sculptures, and spectacular public art installations. From Cape Town, South Africa, Daniel has travelled the globe creating an array of sculptures , installations and stages. Daniel specialises in Interactive art, Public art , stage design, installation art, and interior design. Daniel is most acclaimed for his massive public art installations at top festivals like the Electric Forest festival in the USA, Boom Festival in Portugal, Rainbow Serpent festival in Australia, as well as Afrikaburn in the Tankwa Karoo in South Africa. Many of his projects include collaborations with other artists, technicians and artisans to incorporate electronic music, LED lighting and projection mapping as key components. Daniel creates both temporary and permanent work in public spaces. Many companies have commissioned Daniel to create unique installations to promote their brands. He has an interest in making a statement with his artworks, and creating never-seen-before innovations. Many of his projects blur the lines between art, sculpture and brand activation. In 2010, he created 14 giant Pop Puppets for MTN that captured thousands of fans at the official Fifa Fan Parks. In 2011, he produced a life-size baobab tree for Siemens which was erected at COP17 and lit up by bicycle generators. In a second project for Siemens, Daniel was commissioned to build a sculpture that would stand as a defining feature for the Nelson Mandela School of Science and Technology. He created the 14 meter high Tree of Wisdom out of galvanised steel with a granite base .The tree is a permanent installation that has become an integral part of the landscape architecture of the school. He has worked for a wide range of brands including Baby Soft, G-Star Raw, The opening ceremony for the Africa Cup of Nations as well as a high end night club in Cape Town. Daniel founded a production company “Pop Productions” which currently focuses on creative concept design, innovative advertising, brand activation, decor planning and fabrication, stage design and fabrication, interior design, spacial planning,lighting solutions and sculpture, both temporary and permanent. Connect with Daniel Popper: http://www.danielpopper.com/ https://www.instagram.com/danielpopper/?hl=en https://www.facebook.com/danielpopperartist/ Connect with Nick Holderbaum: https://www.primalosophy.com/ https://twitter.com/primalosophy https://www.youtube.com/channel/UCBn7jiHxx2jzXydzDqrJT2A If you enjoy the podcast please leave a review on iTunes. https://podcasts.apple.com/us/podcast/the-primalosophy-podcast/id1462578947 If you would like to set up a consult call with Nick Holderbaum, you can schedule with him at https://www.primalosophy.com/health-coaching

He currently releases music for Digital Diamonds and Techgnosis Records and together with Floating Machine he forms the duo Code Therapy. His sets have been played in the most respected clubs, parties and festivals such as Lost Theory, Boom Festival, Europa, Music Box, Eka Palace as well at Germany’s trendies WYSIWYG, R19 and Hawerkamp. https://soundcloud.com/crennwiick Download for free on The Artist Union

…in which I talk about Jurassic Park, Terminator, Pokémon, cat videos, Radiolab, Google, DARPA, Charles Stross, the Singularity, Pierre Teilhard de Chardin, Martine Rothblatt, Genesis P Orridge, neo-advaita nondual philosophy, and angels. (“Do you guys believe in angels?”) DISCUSSED:Bringing Heart Back To Futurism. Technological Acceleration As Psychedelic Yoga. It Doesn’t Have To Be Either/Or. Scan Lovers. Can We Have Identity Politics In A Posthuman Society? Control or Liberation?Recorded at Boom Festival's Liminal Village, 16 August 2016 — here’s the official Boom Festival video of the talk.Originally published on my archive of public talks at bandcamp, this lecture became the basis for the essay series with the same name, which you can read on my Medium blog.Support The Show: patreon.com/michaelgarfieldTheme Music: “God Detector” by Evan Snyder feat. Michael GarfieldQUOTES:The future is an idea that is constructed socially, just as insanity is constructed socially.Most people spend most of their time thinking about what the world we’re moving into is going to look like, and very little time thinking about what it’s going to FEEL like. Who we are going to be, once all this transformative change has settled into a newly-constituted world age?It’s very telling that so much of the conversation around artificial intelligence is this notion that there’s some kind of demon emerging through the machine for us to encounter and to reckon with. That there is something we have to confront…something that may destroy us even as it transforms us. And I think that the problem here is that this is a half-chewed sandwich. We’re right there on the precipice of recognizing that we too are implicated in this global conspiracy, that we too are participating in the evolutionary process, and it falls upon us all to heal this alienation from the natural world – especially as it appears in non-human living systems and as it appears in non-human machine intelligences. And to recognize, first of all, that we are a function, we are an action, of Earth’s geology.It’s by failing to identify our own transcendental nature – our own identity beyond the opposites of subject and object, self and other, nature and culture, the made and the born – that renders the transcendental as something against which the limited identity of the egoic self has to be defended. And so we experience what could be regarded as the emergence of a planetary Christ child – as the internet swallows us and we awaken together into this planetary identity, we experience this as the intrusion of a Borg mind or Terminator: Rise of the Machines. We are capable in our understandably anxious paranoid delusion of seeing only the demonic manifestation, because it’s so much easier to reject this kind of radical transformation than it is to embrace it and to steer it. And I’m hoping that by the end of this talk you all feel slightly more empowered to participate in this future, and to participate in the growing number of people worldwide that recognize that it falls upon us as we birth a new age, to love what we create. And to infuse it with love and creativity, and not to reject this baby, but to raise it right.The mirror was believed to have terrifying spiritual properties: that a mirror can steal your soul, or that a vampire couldn’t be seen in a mirror because it had no soul. And likewise with the camera: anything that renders the previously unconscious as the conscious, anything that shows our selves to ourselves in a new way and thus creates an object out of what was originally the subject, a new “it” out of what was “I,” is going to appear to us as the monstrous.As we become more transparent to one another, we become more accountable to one another. And the accountability is in some sense the masculine structure that we see growing as the companion to the desire to share with one another as a sort of feminine urge for intimacy.As a river runs all possible ways down a mountain, the future will have more options for how to be a human being than before. It will have more ways for us to become partial and non-inclusive of the future than ever before.We are becoming more and more compatible with the machine and it is becoming more and more compatible with us, in the same way that we domesticated corn and corn domesticated us.We have this profound opportunity to invest as much beauty and love and creativity into this new space as we possibly can. See acast.com/privacy for privacy and opt-out information.

PERFECT STRANGER INTERVIEW with Trent Bice of The TB Podcast in Melbourne for Paradigm 2019- at the Flemington Racecourse. Recorded Live right after his Perfectly Strange partylifting set to close the Bush Techno Stage, Yuli Fershtat aka "PERFECT STRANGER" chats in the green room with host of "The Techno Beat Podcast" Trent Bice.Mr Fershtat tells us:- His special connection with Australia- His production techniques and favourite collaborations- The backstory behind "Manifestation" and "Six Feet Under" with Captain Hook- His biggest influences and musical journey- His label Digital Structures- Playing at BOOM Festival! and Rainbow Serpent Festival.- Plus they talk a bit of hoops and the current state of the Golden State Warriors towards the endAlso available at https://soundcloud.com/trentonoff/More videos from Paradigm 2019 in Melbourne can be found at https://www.youtube.com/playlist?list...Subscribe and follow the TB Podcast and see feature episodes with Nanoplex (Ben Coda & DJ Ipcress), Mandragora, Handsdown & Leigh Boy, Bec Grenfell, Jacob Malmo and more with feature episodes released soon with Freedom Fighters and Dream Vibes.https://www.facebook.com/thetbpodcast/https://www.trentoff.com/the-tb-podca...https://www.instagram.com/trentlos/https://www.facebook.com/trentoffmusic/https://soundcloud.com/trentonoff/set...https://soundcloud.com/trentonoffFor More PERFECT STRANGER visit https://www.perfectlystrange.com/https://www.youtube.com/user/YuliFuhsihttps://www.soundcloud.com/perfect-st...https://www.instagram.com/_perfect_st...https://www.facebook.com/perfectlystr...https://www.instagram.com/trentlos/More episodes available at www.trentoff.com and on Youtube at "Dooftube".https://www.instagram.com/dooftubelive/ More Paradigm podcasts and interviews available at www.trentoff.com/paradigmhttps://www.facebook.com/ParadigmAUS/Video and Audio use approved by Paradigm FestivalIf you have reasonable issues with any content or would like your likeness removed please contact dooftubelive@gmail.comHost: Trent BiceAudio: Julien Le PapeVideography: Molly Harris - https://mollyruthmedia.com/?fbclid=Iw...Photos & Socials: Maya SaxenaProduced by: Trent Bice and Julien Le Pape for DooFTuBe Productions

Hello, Biscuit Listeners and welcome to freshly baked, buttery and flaky edition of The Biscuit Podcast brought to you by Charlotte is Creative. I’m your freshly sunburnt host, Andy Goh. Today is May 1st, 2019. This past weekend was a big one for the city of Charlotte. Everywhere you turned, it seemed an exciting, creative or communal event was taking place. From Tuck Fest at the White Water Center to the Queen’s Cup Steeple Chase to Vintage Charlotte’s Spring Market, there was no shortage of ways to experience the Queen City at her finest. While we couldn’t be everywhere, we did spend some time at BOOM Festival and Open Streets 704 in Plaza Midwood. Along the way, we were able to talk to some of the faces in the crowd, including artists John Hariston Jr., and Andrea Downs, Charlotte cultural queen Davita Galloway and BOOM founder and Executive Director Manoj Kesevan. Each of them had lots to say about what seemed like an ideal day in the QC. Let’s take a listen... The Biscuit Podcast is produced by Tim Miner, Matt Olin and Andy Goh. Music by Harvey Cummings.

Charlotte BOOM returns to the Plaza Midwood neighborhood of the Queen City for three days of art, performance and the unexpected. The event offers a variety of performances, including dance, spoken word, performance art, comedy, theater and music of all kinds. Manoj Kesavan, the festival’s founder and director, talks about how the event is designed to bring together creators and citizens from different communities. Learn more about the BOOM festival Pictured: Manoj Kesavan; photo by Jeff-Cravotta.

John 00 Fleming's Global Trance Grooves January 2019 Edition 190: John 00 Fleming + Astropilot Description: Global Trance Grooves January 2019 It's Global Trance Grooves day! 2018 was an a fantastic year for me playing festivals such as BOOM Festival (4-Hour set), Ozora, Creamfields, EDC along with many Open to Close and extended sets, then came the epic ending to the year Beatport making me artist of the week, then JOOF recordings label of the month and recently celebrating 20 years of JOOF recordings. While the JOOF residents focused on looking back at our 20 year history via our 20 years album, this month I'd like to carry on the celebration on by looking at what recent JOOF tracks have stayed in my DJ playlists in the form of Deep and Turbo mixes. I've also included some new unreleased material so you can see what flavours we have coming up. On the guest mix is an old faithful JOOF artist Astropilot showcasing his awesome new artist album 'Heritage tales'. Tracklist below: --Deep mix-- The Stupid Experts - Full Moon Rising [JOOF] Tim Penner - The Temptress [JOOF] John 00 Fleming - Spirit awaking [JOOF] Airwave - Tigris and Euphrates [JOOF] --New MP3-- Tim Penner - Into the rift [JOOF] --Turbo mix-- Airwave - Perth To San Diego-New Mix [JOOF] Basil O'Glue - The Mars project [JOOF] Cetera - Bacon and Chips (Roby M Rage Remix) [JOOF] Visua - The Time Has Come [JOOF Mantra] --Biggest track of the month-- The Digital Blonde - Camera [JOOF] --Guest mix-- AstroPilot (Russia)

Download Today in the show, Joe talks to Maria Carvalho and Helena Valente, founding members of Kosmicare, a drug testing, and harm reduction service at the Portugal Festival, Boom. Joe talks to Maria and Helena on their personal backgrounds, how they got into Boom, research on recreational use, what harm reduction looks like, and what populations are underserved. Drug use is decriminalized in Portugal, and the focus of risk minimization has been useful in getting the population served versus putting people in prison. 3 Key Points: Kosmicare is a harm reduction and psychedelic emergency service starting at Boom music festival in Portugal. Working to support other events in Europe. Boom is in Portugal, where drugs are decriminalized and drug testing is legal. Drug policy has directly affected the number of emergencies that Boom has had. The Portuguese drug policy has resulted in fewer overdoses, drug-related deaths, and HIV infection. Other countries like the US should consider a drug reform with the current opioid crisis. Support the show Patreon Leave us a review on iTunes Share us with your friends – favorite podcast, etc Join our Facebook group - Psychedelics Today group – Find the others and create community. Navigating Psychedelics Show Notes About Kosmicare Kosmicare is a non-profit organization that looks to transform nightlife culture through humanistic, comprehensive and evidence-based policies and interventions They work toward a world where drugs can be used with liberty and wisdom Making festivals safe in Europe About Maria Psychologist, graduated in 1999 at University of Porto She started working in the field of problematic drug use Growing up in a difficult neighborhood was her purpose for getting into studying psychology and drug use She began focusing on recreational use Her younger brother was into the Electronic Dance scene and positioning himself with using substances She was interested in studying other motivations to use drugs than just using drugs to feed a problem She heard an announcement by MAPS in 2008 recruiting volunteers to do work in psychedelic emergency at Boom It was the perfect match considering her interest in psychology and drug use in recreational environments About Helena Helena is a Psychologist who was interested in drug use She wanted to have field experience, and she volunteered in a needle exchange program She began working for a harm reduction project to work in recreational settings that needed volunteers She became interested in the potential that drug checking has in the harm reduction strategy They are working toward a ‘drop-in’ where people can show up to a permanent space for drug checking and harm reduction The Numbers Over 20,000 people showed up to Kosmicare’s information session This year for the first time, Kosmicare had an HPLC (High Performance Liquid Chromatography) to identify LSD and pills They tested over 700 drug samples in 6 days Maria says half of the Boom population gets in contact with Kosmicare They serve 1% of the Boom population for psychedelic emergency (about 350 cases out of 35,000 attendees) The episodes usually have to do with psycho-spiritual situations versus just an emergency about the drug taken Psychedelic Emergencies Boom is a transformational festival that hosts attendees from over 50 countries Boom is different from Burning Man in that Boom is in Portugal which has a much more legal framework which helps with the services that can be offered Drug policy has directly affected the number of emergencies that Boom has Joe states that there are numbers of regulatory police at Burning Man Kosmicare is included in the entire setup of Boom, which helps reduce the number of scenarios that would cause an emergency at the festival, such as providing shaded areas all over It gets up to 43 degrees Celcius (108 Fahrenheit) But there is a water element so people can refresh themselves In the largest dance areas at the festival, they included medical emergency Teepees so attendees could be helped as quickly as possible Recreational Drug Use They did a survey on recreational drug use and most of the respondents said they use drugs in a beneficial way that doesn't interrupt their lives in a bad way Similarly with Boom attendees, most of them want to use harm reduction techniques so they have positive experiences and don't develop problems with their drug use Mat Southwell “drug users are calculated risk takers” “The legal framework has a terrible influence on people's relationship with drugs” - Helena Lessons Learned Maria says they have had many groundbreaking challenges In 2016 they had someone die on them while having a psychedelic emergency It made her really question why she was doing this Her first impression was that she was doing this work to save the inexperienced user She was caught off guard by the person who died because they were an experienced user and didn't taking unadulterated substances “People may go over the top for a wide variety of reasons, it was the biggest lesson I learned working for the Psychedelic Emergency services” - Maria It's hard to determine people's ability to calculate risks If the person had collapsed in front of an urban hospital in the city, the Hospital couldn't have done anything more than what they did at Kosmicare Collaborations Kosmicare has a collaborative relationship with Zendo MAPS was hired by Boom to direct the harm reduction services They use a lot of Stan Grof techniques for transpersonal psychology They are partnered with many other organizations in Europe that are trying to deliver the same type of psychedelic emergency and harm reduction services The Risks of Drug Policy Joe points out that there are so many festivals happening without these services The Rave Act prevents companies from attending festivals because it “harbors” drug use In Portugal, the fact that drug use is decriminalized, it opened up a legal framework around harm reduction Portugal is one of the few countries where drug checking is allowed by law The Portuguese drug policy has resulted in fewer overdoses, drug-related deaths, HIV infection, tuberculosis and other things Helena says that the US should rethink their drug policy considering the opioid epidemic In Portugal, there were only 12 overdose cases with heroin and opioids Portugal before the Drug Policy In the 80’s, there was a heroin epidemic, which had an epidemic of high infection rates and HIV. This motivated the policy change It was evident that prohibition was not working Usually when it affects only poor people, no one cares, but the fentanyl crisis is affecting all sorts of populations Links Website Facebook Check out this FREE online course, "Introduction to Psychedelics" About Maria Maria Carmo Carvalho, Kosmicare Manager, Boom Festival, Portugal, is a Lecturer at the Faculty of Education and Psychology at the Catholic University of Portugal. She researches if the field of psychoactive substance use and has completed a MSc and a PhD at the University of Porto on the field of psychoactive substance use, youth and recreational environments. She is Vice-President of ICEERS and Kosmicare Boom Festival manager since 2012. About Helena Helena Valente began working with people that use drugs in 2004, focusing in nightlife settings. Helena has a vast experience in coordinating national and European projects in the drug field. At the moment she is a researcher and PhD. Candidate at the Faculty of Psychology and Educational Sciences of the Porto University and founding member of Kosmicare Association.

This week’s guest is Sophia Rokhlin, whom I met in Portugal at Boom Festival 2016, and who just finished her Master’s of Ecological Economics in Barcelona last fall. Sophia’s currently at work on a number of cool projects, including The Environmental Justice Atlas – a database of environmental conflicts happening around the world. She’s also helping Daniel Pinchbeck write a book on ayahuasca and has worked at Kosmicare, a European psychedelic harm reduction project. http://ejatlas.orghttp://twitter.com/sophiarokhlin We Discuss: • How Spanish represents time differently than English • The politics and economics of Catalonian independence from Spain • How energy accounting, geography, history, and political ecology come together in the new field of Ecological Economics: the layer of material funds and flows behind what we think of as “the economy” – how much gold, how much sand, how much palm oil… • Her time in the Amazon studying plant medicines with the Sequoia tribe • “Flex crops” (used as a food, a fuel, and a feed) for more sustainable and resilience global agriculture • How can we properly account for all the ways our ecosystems support us without dangerously oversimplifying things? • The history (and problem) of using “ecosystem services” to quantify the economic value of nature • “Man-Age-Ment” • The Battle of Global Civilization: Technocrats vs. Mystics • And what of technoshamanism? Demetabolizing our environment. • Genpo Roshi’s Big Mind Process & voice dialogue in ego transcendence • The problem of locating yourself in a global environmental conflict without a clear front line…each of us is everywhere, so where do we stand? • Connecting and making kinship and natural rapport with elements in the global economy and learning how your life intersects with the planet-wide body of ______ (paper, palm oil, latex, etc.). • How studying economics can be like diéta, getting acquainted with something • Acting as a gateway to transcendence and altered states of consciousness • Sophia’s history of encounters with ayahuasca, and what led to the realization that shamanism is not her path • Balancing Big Picture thinking and intimacy, the social and personal, traditionally masculine and feminine modes of being • Overcoming the cognitive dissonance between the revelations of psychedelic experience and ecological defense of plant medicines • The hidden costs of regulating cannabis and other plant medicines • Her soft spot for “the clandestine economies of hackers, pirates, and shamans”…don’t create economic monocultures by commodifying everything you possibly can! • How psychedelics defy commodification – and why that’s a good thing • Ontological anarchism and the silliness of trying to impose structure onto the utterly uncontrollable mysterious reality of reality • Anarchism as a process • “To complete things is to uncomplete them.” • Unity and efficiency versus the counterclockwise heyoka medicine of necessarily contrary oppositeness • Can there even BE a counterculture in a planetary culture? • Idea Sex • Tamera Healing Biotope in Portugal and their model for Love Without Fear • Relationship Anarchy needs a community container; why polyamory can be more difficult in the city • The opposite of Tinder is having elders counsel us when we find someone in our community attractive • Feminine eldership, female guidance and leadership • Life Hack 101: Treat animals as gendered he’s and she’s instead of it’s, and you get better communication results. • The Noosphere eating the Biosphere • Jamming with nature and the importance of acoustic biodiversity • The fallacy of conservation biology and the cult of wilderness • If we really want to Make America Great Again, we’re going to need some mammoths! Subscribe: Apple Podcasts / Stitcher / SpotifyJoin the Facebook Discussion GroupSupport this show and get cool stuff! See acast.com/privacy for privacy and opt-out information.

Ron and Craig talk about fourth of july moon boom festival in marietta sc and Travelers Rest July 1-3 go to www.mariettasmiles.org for more info also subscribe to our youtube channel and like and follow us on twitter and Facebook. We can also make you a promo video for your event. ronandcraigshow@gmail.com

This week we're joined by Daniel Rozenberg aka DADARA for a thoughtful discussion about Art in Virtual Realities, Information Overload, and Flow States. The creator of Exchangibition Bank, Like4Real, and the upcoming Solipmission installation at Burning Man, as well as countless concert posters and album covers, DADARA has been one of my favorite artists for a while - in no small part because of how his works combine deep, challenging investigations with light-hearted play. Click here to learn more about the Indiegogo Campaign for Solipmission We discuss his work's overarching philosophical explorations and our age of proliferating realities… • The breakdown of narrative and consensus reality in the virtual spaces of new media; • Virtual Reality as the new frontier, now that we’ve mapped the surface of the planet – and the potential problems of considering a space a “frontier” (especially if it is already inhabited); • The twin archetypes of the “Black Box” and the “Tabula Rasa” as they appear in science fiction, religion, technology, and philosophy; • The relationship between Virtual Reality and psychedelics, and the consideration of VR as a psychedelic in its own right; • What replaces narrative structure in VR storytelling, and how it relates to neuromarketing, cybernetics, and mind control; • How humankind is struggling to maintain coherence in the barrage of contradictory realities online; • How the sciences are coping with increasing specialization and the explosive proliferation of data, complicating the establishment and communication of expertise; • The relationship between VR and floatation/isolation tanks, and why floatation tanks are more necessary now than they have ever been; • Flow states and nondual awareness as a possible solution to information overload – and how we may have come to the end of the ego’s evolutionary usefulness; • Does Virtual Reality as a medium for philosophical inquiry even stand a chance in this commercial environment? Books We Mention In This Talk: (Buy any of these books through these links, and Amazon will pay me a small percentage of the sale at no extra cost to you.) • Ready Player One: A Novel by Ernst Cline • Neuromancer by William Gibson • Snow Crash by Neal Stephenson • Brave New World by Aldous Huxley • Sex, Ecology, Spirituality by Ken Wilber • The Hitchhiker’s Guide to the Galaxy by Douglas Adams • The Inevitable: Understanding the 12 Technological Forces That Will Shape Our Future by Kevin Kelly • The Deep Self: Consciousness Exploration in the Isolation Tank by John C. Lilly • Flow: The Psychology of Optimal Experience by Mihaly Csikszentmihalyi • Stealing Fire: How Silicon Valley, the Navy SEALs, and Maverick Scientists Are Revolutionizing the Way We Live and Work by Steven Kotler & Jamie Wheal Other References: • Neuralink (brain-technology interface currently in development by Elon Musk) • Inside Out (Disney movie) • WNYC’s Note To Self Podcast • Nathan Jurgenson, Social Media Theorist for Snapchat • Maria Popova’s Brainpickings.org • Android Jones & Anson Phong’s Microdose VR DADARA Quotes: “Imagination is this endless unknown territory. We think we might have discovered it, but if we look, I don’t know…” “Nowadays we think a photo shows how something really is. That that’s reality. But it’s just a surface. And that’s something that I love. Maybe stories show reality in a more realistic way.” “People twenty, twenty-five years ago thought the world would be more defined [with the Internet] because we could find all the facts. But what’s interesting now is that it’s almost impossible to find any facts that we agree on, on the Internet.” “Inside the box [of the Solipmission installation], it may be more Burning Man than the outside.” “When people go to a city, they take photos of all the touristy [stuff] – it’s like the bucket list – but if you go to a place, and maybe if you haven’t seen any building but you’ve met this amazing person or gone through an amazing experience, doesn’t that give you a better understanding of that city than just seeing everything that’s there?” “I think floatation tanks now, in this period of time, are probably more important than ever…we’ll have implants [soon] and how can you be in a floating tank when the Internet is in your brain?” “Do you actually exist when you don’t Tweet? It almost feels like people, sometimes nowadays, if they haven’t posted that they’ve been somewhere, then they feel they haven’t been somewhere. But I think often, if you post that you’ve been somewhere, I don’t know if you’ve been there. Because you somehow were distracted. You only go to places when you DON’T post about them.” Coinage of a new term: “information potato.” “Art is about focusing our attention, and entertainment is about distracting our attention.” “Zapping [TV remotes] and scrolling [social media] at the same time is probably also a kind of flow. It’s just not MY flow.” Michael Quotes: “Much as we, in the United States anyway, marched westward under this insane banner of Manifest Destiny into what we were calling the ‘frontier,’ it wasn’t actually a frontier. There were people living there already! And what was unfamiliar to us, what was unknown to us, was already this mature ecosystem. And so there’s this relationship between virtual reality and psychedelics that people like Android Jones have been exploring, that makes me wonder if, in our exploration of what it is that we can manifest into these spaces, if we aren’t somehow causing an ecological catastrophe of the imagination. You know? That there’s stuff there already, and we’re paving over it.” “We assume that life is just given, but we’re actually involved in it, in its creation.” “We’re in the machine already, and so the machine entering us is not that big of a leap.” “Maybe a floatation tank isn’t enough. Maybe we need a Faraday cage, so you can go into this room of your house where it’s actually blocking electromagnetic radiation from entering the room and you can have your own thought for the first time in your whole life.” “Maybe the problem is that we’re so preoccupied with narrative, so preoccupied with history and prediction and who we think we are…that there is a ‘real real,’ but it’s not something that can be understood through the interpretive lens of the self.” More Links: Reality Sandwich Interviews DADARA about SolipmissionAbout DADARA’s “Art as Money” Project from 2012 Hanging out with DADARA and his son at Boom Festival 2016 See acast.com/privacy for privacy and opt-out information.

Lisbon-based Shcuro is an emerging DJ, producer and label owner who got his first contact with a DJ setup at age 15, when he decided to buy his own turntables and mixer - and started producing his own beats, too. Shcuro DJ and live sets are a hypnotic blend of dark, bleepy acid techno and breakbeat, and he has showcased that in several performances in clubs and festivals around Europe, like Tresor in Berlin, Boom Festival, Festival Forte, Lisboa Dance Festival, Gare Club and Lux Frágil. In late 2008, he moved to Barcelona, where he stayed for two years and studied music production at SAE Institute. Now based in Portugal, he's focused on his work as a digital/sound designer and music producer/dj. His first record, ‘Distant Shores’, came out in 2012 on the Catalan/Peruvian label Basal and got him some media exposure for his fusion of dub, techno and cinematic textures. He was then commissioned to work on several remixes for artists such as A.M.O.R., JGYB, Rastronaut, Mind Safari, Relapso, Shadowcomplex and Violet.

This week’s episode features Dr. Rupert Till, aka Dr. Chill, who does actually hold the world’s first PhD in Electronic Music. Dr. Chill also has a habit of reconstructing ancient acoustic spaces from caves and temples, then writing electronic chill out music with 3D printed replicas of the world’s oldest instruments. In other words, he’s a badass at the intersection of academic archeology and international dance festival culture. A pretty great place to be.Dr. Chill’s Blog:https://rupertchill.wordpress.com/Dr. Chill’s set from Boom Festival 2016: https://soundcloud.com/rupert-chill/sets/boom-chillout-gardens-live-setDr. Chill on Boom Festival and living on the line between academia and festival culture: “I keep saying to people, this is work. I’m not here on holiday…I’m here disseminating the results from a 3.5 Million Pound European research project.” * Support Future Fossils Podcast on Patreon: patreon.com/michaelgarfield *We discuss the intersection of minimal electronica and the music and instruments of antiquity. Designing interactive and immersive 3D environments with accurate acoustics, and rebuilding the experience of ancient music in digital space. We also get into a tasty back and forth about the need to reclaim lost technologies of ritual and ceremony as we move deeper into the mayhem of electronic media…“Understanding what was going on in the ancient past tells us something about what is happening today. I’m interested in looking at what was similar, then to now.” - Rupert TillThe similarities between modern and ancient humans, and the sense of continuity and kinship we can feel when visiting ancient sacred sites. I mention my talk from Liminal Village, which you can listen to here:https://evolution.bandcamp.com/album/how-to-live-in-the-future-at-boom-festival-2016How the human brain case shrank as a consequence of writing, and how Google might be shrinking our brains even further…oral cultures have a much more sensitive experience of hearing:“At night, when you’re in these caves, you can’t see much. So you’re using your ears ALL THE TIME to get around the place…we’re so surrounded by so much noise nowadays, I think we miss some of that. Some of the caves I’ve been in have been the most remarkable acoustic places because they’re so silent. They’re astonishingly quiet. They were so quiet that our noise meter couldn’t measure. It was reading the lowest it could read. The noise floor of the electronics was all it was measuring. [Then later, coming out of Lascaux Cave,] you go around this corner and this SCREAMING volume of the French countryside was astonishing.” - Rupert TillThe difference between the sensory deprivation of the cave and the noise and color of topside existence.“I can understand that when people went into the dark of the caves, that when they came out, they appreciated sound and people and light so much more. That process of journeying somewhere else, to go somewhere in isolation and them come back to the world, going into the liminal space and then returning again…I think it’s a big part of what’s happening at this festival and most. That rediscovery of ritual is another thing that’s going on in this re-enchantment of the world and this rediscovery of the technologies of the past that are useful today.” - Rupert TillMichael’s story of his overnight stay in a Texas jail and rediscovering the beauty of Texas upon his release. Understanding why the police feel the need to protect this place.How the American emphasis on future-thinking has divorced us from our rites of passage. Refusing a developmental opportunity, it appears regardless, as “horrible fate.” The nature of the infamous “Saturn Return” as the moment in which we’re caught up with all of our postponed developmental crises……and how entanglement with the War on Drugs may be the only modern rite of passage available to many Americans.RJ Stewart’s book The Way of Merlin and the recurring theme in esoteric initiation of being trapped and/or put underground.How we lost our ancient rituals because of modernity’s rejection of religion…and threw the baby out with the bathwater.How art and music may have been the technologies that bonded human communities together tightly enough that it enabled us to out-compete the Neanderthals.“The modern experiment has suggested, ‘No, no, we can just be individuals, have our own just-look-after-yourself world, and it’s the way forward.’ But that’s the kind of existential crisis of the modern world, isn’t it? Always looking for the new. New doesn’t always work.” - Rupert TillIf “any sufficiently advanced technology is indistinguishable from magic,” then hasn’t modernity failed to recognize the high technology of ritual??“Ritual…evolved with us as human beings, and in many ways is a much more sophisticated technology than any modern invention. We failed to recognize it for what it was, and we threw the baby out with the bathwater by believing that ritual was merely superstitious and not the enactment of a holistic cosmovision. That it wasn’t something essential that bound us to one another and to the world around us, and we ended up throwing away something upon which we rely. And now that we’re sort of liquefying the modern world into the postmodern ‘internet of things,’ and we’re experiencing this phase transition, we have this sort of NEED to reclaim all of these ancient technologies in order to stabilize ourselves as we move forward into a much more hyperconnected and communal space that’s organized more musically than it is rationally.” - MGThe complex structure of surviving rituals in electronic music culture.The importance of gathering the stories of our elders and transmitting them through generations.Different kinds of cultures have different kinds of festivals, but every culture has festivals of SOME kind…The essay I mentioned in which I discuss how you can tell a lot about society by the way it handles festivals:“Transformational Festivals Are A Symptom of Dissociation”The book Dancing in the Streets and electronic trance festivals as a reclamation of our original tribal identity as a species.“Our brain is just structured so it will go into trances…and they’re an important part of the psychic culture that we need to be healthy human beings.” - Rupert Till“One of the things that you need to go into a trance is the cultural expectation that it will happen.” - Rupert Till“Time is not the simple thing we thought.” - Rupert TillThe difference between optimizing society for humans versus optimizing society for machines.Specific music for specific functions, specific environments.Site-specific or “vernacular” music versus music without functional purpose and the movement from tribal to modern music and the disdain that some classical musicians feel for ritual/ceremonial music.Natural language interfaces will return us to an oral culture and immersive audio experience – “Writing just feels like an incomplete form of recording now that we can 3D scan things” – so presenting sound and visuals in three dimensions…“Looking and listening SHOULD be completely merged. And that’s the exciting future, for these things to be more integrated…so you can be in virtual spaces that are moving and shifting visually and aurally.” – Rupert TillAndroid Jones & Phong’s Microdose VR, HTC Vive TiltBrush, and other ways to dance simultaneous control of music and light…where movement meets architecture and we project vibratory glyphs into the space around us… See acast.com/privacy for privacy and opt-out information.

This week our guest is Mark Lee (Somnio8), an amazing artist. One of my favorite visionary painters. We spoke in the Museum of Visionary Art at Boom Festival about free energy devices, the creative culture of Bali, and the awesome potentials of our collective future... http://somnio8.com is currently down so check out his FB page: https://www.facebook.com/somnio8/A very soft spoken dude, too, so apologies in advance for the festival background noise.* Support Future Fossils Podcast on Patreon: patreon.com/michaelgarfield *Don Harris’ inherited patent for radionics technology and the nature of the strange pocketwatch-like device that Mark was holding during our interview (which you can see a picture of [here]).A bit of not-precisely scientific exposition of radionics, scalar wave technology, the Casimir Effect, antigravity, and so on. Short detours into the Michaelson-Morley Experiment, the supposed disproof of the luminiferous ether, and more recent perspectives on a superfluid rather than solid ether as the basis for “over-unity” devices.How this field of study and this work has influenced and affected Mark’s life and artwork…the intersection of Golden Ratio technology and 3D printing will be a revolution. How studying shape and material properties and our ability to manipulate them in this time and age has inspired some awesome new toys and allows us to “cross the line between art and technology”.Mark recommends the following YouTube video: Shape Power by Dan DavidsonMark’s device reminds Michael of a time machine that he imagined for a sci-fi novel he and his friends tried to write in high school: one of those magical technologies that was never invented, just passed from older back to younger selves in a time loop…“I really want to inspire more artists to take up playing with 3D and using games engines, because it’s the ultimate tool for sharing any idea we can imagine.”This year is the year we’re starting to see legitimate gestural interfaces – 3D controllers like the HTC Vive and the importance of being able to use our hands and work in the sculptural space of VR with our whole bodies, not just a mouse and keyboard.Mark’s recent project with Sasha Stone (founder of Example Zero) on ANCIENT FUTURES, a festival in Bali that he’s helping conceive and art direct. One idea he’s using: the ticket is an hourglass with a single grain of sand in it to represent stardust and autonomy, and to invite a range of other meanings.Dan Winter, physicist, at http://goldenmean.info is another fantastic resource for new/alternate physics on scalar waves and phase-conjugate fields (and how different materials and geometries affect the human organism).Temple mathematics and the architecture of transcendence. Bioarchitecture. “If you can’t grow a seed in there…” Michael asks Mark what he thinks about the growing evidence for a lost seafaring global culture that was wiped out roughly 13,000 years ago by a cometary impact. MG: “By connecting everything to everything else, we are paradoxically (?) reviving all this ancient wisdom, indigenous knowledge, animism in the form of relating to the intelligence of our machines…and I wonder how much this is going to end up literalizing these New Age mythologies of technologically advanced ancient cultures… You certainly don’t need to believe in Atlantis to believe in the physics of this stuff.”Mark’s vision for the near future: festival culture becomes permanent. Giant 3D printers, magnesium oxide cement, over unity engines…“We can do anything if we have the energy. We can desalinate seawater, we can turn deserts into jungles…”Some more about overunity engines. Mark’s own experiments with free energy garage projects in Bali.Tom Bearden’s Motionless Electromagnetic GeneratorMichael asks: What if we aren’t READY for free energy? What if our species is too immature and those who may be murdering inventors have the world’s best interests at heart? What if these technologies have been suppressed because “they” know we’ll only blow ourselves up with it? (The Occupy Movement pits the 99% against the 1%, but don’t we want a solution that works for 100%?)Why don’t we have ethical boards for new energy and transportation technologies and how are we going to actually integrate these transformations into culture?Mark gives a very thoughtful reply…Mark suggests looking up:Ralph Ring & Otis T Carr http://projectcamelot.org/ralph_ring.htmlMark: Those are humans flying UFOs, not aliens.We go totally woo and entertain the possibility that we officially left the Moon because it was already inhabited. Mark mentions a number of ostensible secret Moon programs from other countries and even corporations. Michael’s experience of visiting Synergia Ranch and learning about how Biosphere II was an outgrowth of a secret international research program that happened across the Iron Curtain in the 1970s, mapping Mars and planning for a human mission.Then we get silly.What do you want to say to that future self that includes but also transcends you?MG: “Do you have any questions for the future?”ML: “No, not really. I’m pretty present. Excited.” See acast.com/privacy for privacy and opt-out information.

// Episode 016: Our Australian resident Sebastian Wild returns for the 16th instalment of the Global Transmission series. Having just returned from a six week stint in Europe, Sebastian was privileged enough to grace the decks on the shores of Lake Idanha-a-Nova at the bi-annual Boom Festival in Portugal as well as numerous underground spots throughout Lisbon. This episode sees him return to Melbourne to lay down a set of what he does best - heads down prog of all varieties. The mix kicks off with a selection of melty prog before picking energy levels up towards the middle of the set. As usual expect a smattering of effects from the EFX1000 and for this episode coupled with a short stint of Zabiela-esk scratching. As always, our episodes are best served loud - sit back and enjOy!! Much love, The Global Transmission & Half Wild Teams xo Check out more from Tercsab here: https://soundcloud.com/sebastianwild - - - - // Tracklist: 1. Dar & Dor - What I Wanna Say 2. Dhafer Yousser - La Prière De L'absent (Keybe Remix) 3. Maxie Devine, Veerus - Pick Up The First Apple 4. Marcelo Paladini - Insidious (Silinder Remix) 5. Brigado Crew - Grommash (Chicola Remix) 6. Dr. Avalance - Stunned Bodies (Dust Yard Remix) 7. Deepfunk, Van Did - Endless Space (Micrologue Remix) 8. Thankyou City - Three Pyramids 9. Clavis - Alcine 10. Beat Maniacs - Bogota (Anthony G Remix) 11. Lonya, Amber Long, Mariano Mellino - Still Waters Run Deep Feat. Amber Long 12. Natural_Flow, Ghost WARS - Blink Of A Night Feat. Ghost Wars 13. White Resonance, Andrei Niconoff - Anna's True Love (Lucefora Into the Deep Remix) 14. Nissim Gavriel - Hallucinating You (Simos Tagias Remix) 15. Stas Drive - Passage of Time 16. Eddy Romero - Back In London (Nicolas Masseyeff Remix) 17. Massive Moloko - Back to Myself 18. Mz Sunday Luv, George Absent, Trockensaft - I Got A Feeling (THe WHite SHadow (FR) Remix) 19. Dave Pad - Rotary Body (Wyro Remix) 20. Jeremy Olander - Bayhert 21. Jeremy Olander - Taiga (Jamie Stevens Remix) 22. Luca Doobie - Dizzy Days (Sascha Dive's Storm Remix) 23. Khen - Never Lose Your Innocence 24. Interaxxis - Natural Fear (Sahar Z & Khen Remix) 25. Just Her, Allies for Everyone - Back to the Source (Marc DePulse Remix) 26. Guy Mantzur, Khen, Kamila - Children With No Name feat. Kamila 27. Black 8 - Before the Rising Dawn (Interaxxis Mix) - - - // About Us: Global Transmission is a collaborative project between eight likeminded individuals from around the world who have come together to share their love of electronic music. In a monthly podcast, we deliver a mix of the absolute best in progressive, house and techno. With a combined 100+ years of musical experience across a diverse range of backgrounds, scenes and sounds thousands of miles apart are fused into one cohesive, auditory delight. With occasional guest mixes highlighting other outstanding local and international artists, Global Transmission strives to be a quality forum for consistently bringing the best of soulful, underground and intelligent dance music to the ears of our listeners the world over. We hope you enjoy ☺ - - - - // The Residents: Arkadiusz (Mexico) | Das Schöne Leben | https://soundcloud.com/arkadiusz-dmytrow Ian Dillon (UK) | Decoded Magazine | https://soundcloud.com/i-d-1 juSt b (Canada) | Thump | https://soundcloud.com/just-b-4 Kimball Collins (Thailand) | Mixmag Asia | https://soundcloud.com/kimballcollins Loquai (Germany) | Mistiquemusic | https://soundcloud.com/loquai Nathan Clement (USA) | Polytechnic Recordings | https://soundcloud.com/djnathanclement Sebastian Wild (Australia) | Equal Dose | https://soundcloud.com/sebastianwild Tercsab (Hungary) | https://soundcloud.com/tercsab

Iboga, Martin Vice & Alexander Descroix, bring you a very special 17th edition of the Iboga Radio Show. This time a festival fever has come over the gang in anticipation of BOOM festival 2016. Tonights playlist: 01. Desert Dwellers - Saraswati's Twerkaba (original mix) 02. Kalya Scintilla - Sufi (original mix) 03. Be Svendsen - Bones (Bwoy De Bhajans Klovborg Remix) 04. Zen Baboon - Chido Clara (original mix) 05. Whitebear - Bardo (original mix) 06. Loud, Emok & Vice - Om (original mix) 07. FREq - Code Breaker (Main mix) 08. Liquid Soul & Vini Vici - Universe Inside Me (original mix) 09. Perfect Stranger & Sphera - Dystopia (MVMB Remix) Tracklist of the exclusive Jossie Telch Promo mix: 01. Perfect Stranger & Sphera - Done That (Jossie Telch remix) 02. Jossie Telch - Nacho's Funk (original mix) 03. Jossie Telch - Secret (original mix) 04. Jossie Telch - Big Picture (original mix) 05. Perfect Stranger - Free Cloud (Jossie Telch remix) 06. Zen Lemonade - Sanctuary (Jossie Telch remix) 07. Jossie Telch - Bird's Eye View (original mix) 08. Jossie Telch - To Drive (original mix) 09. Ben Coda - Seeds of the Future (Jossie Telch remix)

Gearing up for Fleming & Lawrence's Dreamstate debut in San Francisco this weekend, Christopher Lawrence has been digging deep in the crates to find the best trance out there right now. On the home front, there's the global debut of Christopher Lawrence and Fergie & Sadrian's new single Livewire. There's also new music from Rafael Osmo, Shogan, Relativ, David Forbes, E-Clip, Pragmatix. Cosa Nostra vs Melicia, Yar Zaa, MFG, Champa and Kontrast with Track Of The Month going to AR-X & SikSet -The Truth (Nick Sentience Remix). This month marks the return of one of Rush Hour's most popular artists Hypnocoustics whose kick ass guest mix shows us who's boss. Hypnocoustics is the solo Psychedelic Trance project of London based artist Joe Studt. Originally formed in 2009 with Benjamin Wood, Joe has since solidified his reputation within the UK as one of the countries top psychedelic producers with a string of hit EP’s, two albums on Liquid Records and acclaimed live performances at some of the biggest and best dance floors on the global psy-trance scene including bookings with Boom Festival, Universo Paralello, Ozora and Noisily Festival in the UK. More info: https://www.facebook.com/Hypnocoustics/. Tracklist: Hour 1: Christopher Lawrence 1. Rafael Osmo / Antivirus / Pharmacy Plus 2. Shogan / Sunlight Shuffle / Phoenix Groove 3.Relativ / Rise Of The Garuda / Profound 4. David Forbes / Airdrop / Perfecto Fluoro 5. Christopher Lawrence vs Fergie & Sadrian / Livewire / Pharmacy Music 6. E-Clip / Macrocosm / Iono Music 7. Pragmatix / Quasar / Profound 8. Track Of The Month: AR-X & SikSet / The Truth (Nick Sentience Remix) / Sky 9. Cosa Nostra vs Melicia / El Mariachi / Tip 10. Yar Zaa / The Source / Flying Spores 11. MFG / Positive Energy (Champa Remix) / Dacru Belgium 12. Kontrast / Nano Tube / Party Label Unique Hour 2: Hypnocoustics 1. Hypnocoustics / Transformational Structures / Liquid Records 2. Hypnocoustics / Artificer / Liquid Records 3. Hypnocoustics / Cycles of Time / Liquid Records 4. Hypnocoustics vs Spun Out / Foxy / Liquid Records 5. Hypnocoustics / Fourth Quadrant / Liquid Records 6. Hypnocoustics vs Cosmosis / Pyrokinetic / Liquid Records 7. Hypnocoustics / Sunsets & Skin Grafts / Liquid Records 8. Hypnocoustics / Hylozoism / Liquid Records 9. Hypnocoustics vs Cosmosis / Dark Matter / T.I.P Records 10. Hypnocoustics / Cosmic Evolution/ Liquid Records

An exclusive mix this month from Radioactive Cake's latest abum, Merger, released on Glitchy Tonic Records and available for download on www.ektoplazm.com and others. Robert has mixed together the complete album into one long continuous psychedelicious treat.  Merger is Robert Hundt's fourth album and showcases his own remixes of some of his favourite tracks.  The whole release is undeniably quality progressive psytrance.  Enjoy!  Cover artwork by Yaroslavers.    01 - Dr Strangefunk - Theoretical Magic (Radioactive.Cake Remix) (134 BPM) 02 - Grub - MoonShiners (Radioactive.Cake Remix) (132 BPM) 03 - Dharana - Liquid Perception (Radioactive.Cake Remix) (132 BPM) 04 - Vaeya - Paradise Fall (Radioactive.Cake Remix) (134 BPM) 05 - Fagin's Reject - Dirty Protest (Radioactive.Cake Remix) (140 BPM) 06 - Kromagon - Maximal Degressive (Radioactive.Cake Remix) (137 BPM) 07 - Pick - G27 (Radioactive.Cake Remix) (135 BPM) 08 - Hypnagog - Machinery Of Nature (Radioactive.Cake Remix) (135 BPM) 09 - Minimal Criminal - Samsara City Station (Radioactive.Cake Remix) (136 BPM)   Artist's own bio:   Radioactive.Cake, Zeitgeist, Munstrous, Dark Passenger…that’s all Robert H. from Berlin Germany. Not only music producers and performer for many years, he also established the music label Glitchy.Tonic.Records in September 2009, which is now one of the leading forces in the "Alternative Psytrance Trance" - or what's often refered to as Dark Prog or Zenonesque.  Taking the first musical steps around the time of the millennium, his skills and technique and productions were constantly evolving and advancing over the years. In late 2008 he felt he finally reached the quality to go way more professional. He brought Radioactive.Cake and Zeitgeist to life, aiming for releases and gigs and of course for good feedback. Getting all three, he soon wanted another challenge or rather more ways of expressing his musical creativity and he started Munstrous and Dark Passenger. Today, Robert can look back on an extremely long list of releases and has gained quite some experience performing his stuff live. He played his projects at Festivals like Freqs Of Nature, Lost Theory Festival, Boom Festival, Solaris Festival, Cosmo Festival, Transylvania Calling, Pandemonium Festival, SpaceCamp Psyfari Festival and many others. With his 4 music music projects, Robert has released 8 albums so far, CD and digital format, and dozens of single tracks. Might check the Releases section if you're interested in what is available where and how. Number 9 and new Zeitgeist album "tasteless - pointless - Significant!" is getting released in May 2015. links:   https://soundcloud.com/radioactive-cake http://www.radioactivecake.com http://www.glitchytonicrecords.com

Join ‘She' and Andriod Jones as they explore his work, truth, value, responsibility as an artist, the human form and balance. Connect with Android Jones Portfolio Boom Festival Music by Random Rab Suzanne Toro Bare Naked Bliss

Proxcast 01: SwitchSt(d)ance - Warm up for Nathan Fake - 31/05/12 Marco Antão, ou SwitchSt(d)ance, é um daqueles artistas que vagueiam pelos estranhos territórios do neo-trance e do techno melódico, com claras influencias do IDM, dos 80’s e do gótico. É residente do Lux Frágil, já tocou ao lado de artistas como James Holden, Actress ou Nosaj Thing, e Sexta dia 1 de Março vai acompanhar o Ricardo Tobar na primeira festa da Proxid. Razões mais do que suficientes para o entrevistar-mos e saber o que se passa na sua mente. Entrevista a SwitchSt(d)ance - Conta-nos como é um dia normal do Switch? Depende se consigo arranjar trabalho na minha área ou não. Normalmente é durante a Primavera e o Verão que surgem mais oportunidades na área da produção de eventos; durante o Inverno geralmente há menos trabalho então dedico-me a tempo inteiro à musica, tanto a ouvir o que sai de novo como a produzir musica no estúdio. - Como foi o teu passado musical? Tiveste uma banda ou algo do género ou era só skate? Nunca tive nenhuma banda, mas quando tinha 7 anos tive aulas de piano e mais tarde com 11 andei numa escola a aprender a tocar baixo. Foi aos 12 anos que comecei a andar de skate, e depois passado talvez uns 13 anos é que voltei à musica, desta vez como Dj e mais tarde a produzir música. - E de onde veio esse gosto pela musica mais hipnótica, pela brain music? É uma boa pergunta, nem eu sei bem responder, mas acho piada ao facto de uma mesma música conseguir criar diferentes emoções e estados de espírito quando a oiço. Não gosto de música só para distrair ou preencher o silêncio, prefiro música com mais conteúdo e até inesperada, sabes? Ir a pé de phones pela rua e às tantas nem saber bem para onde estou a ir, porque a música é de tal modo envolvente que sem reparar já estou vaguear tanto física como mentalmente. É engraçado quando estou com amigos numa sala de estar ou algo parecido e pedem-me para por uma musica de fundo, tudo aqui que escolho independentemente do estilo de música acaba por despertar a atenção e concentração das pessoas. - Já fazem quase 3 anos que és residente do Lux. Qual o balanço que fazes da experiência? Como comparas tocar um all night set vs um warm-up? E discoteca vs bar? É uma grande experiência. Uma casa com excelentes condições em todos os aspectos, onde já tive oportunidade de tocar a minha música para um bom público e também conhecer grandes artistas. Os all night sets no Lux não são fáceis, costumo começar à meia noite e termino entre as 6h e as 7h. Por isso mesmo, divido o meu set em várias fases: ao início começo com música calma e longa, porque por vezes demora 1hora até aparecer a primeira pessoa na pista. Quando surgem as primeiras pessoas, algumas vão logo embora porque não se sentem à vontade de serem as únicas na pista. Continuo com música para o início da noite e a tentar perceber o que é que cativa o público a manter-se na pista. A partir das 3h é quando a casa começa a ficar mais composta e talvez por volta das 4h, quando sinto que contagiei o público, é quando faço o "switch" e começo a introdução para um verdadeiro set meu até ao fim da noite. No warm up faço outro tipo de sets, normalmente tenho as costas protegidas pelo artista internacional que vai tocar e sei que vou ter um público que vai estar na pista principalmente para o ouvir. Então sinto-me um pouco mais à vontade para fazer um set que faça sentido, sem ter muito que me preocupar se vou agradar o público ou não. Ou seja, toco o que gosto e o que quero dar a conhecer às pessoas sem qualquer tipo de preconceito e preocupações. Agora entre o Bar e a Discoteca, no bar é muito mais fácil que na discoteca, pelo menos é um ambiente muito mais descontraído e não há tanta pressão. Tocar na discoteca exige muito mais de mim física e psicologicamente, fico sempre muito tenso e concentrado no meu trabalho, por vezes até me esqueço de beber o copo que pedi à 1h hora atrás. A pressão é muito maior, ao mínimo erro que possa acontecer com a música sei que vou ter centenas de pessoas a olharem ou a assobiarem. Felizmente até à data, ainda não me aconteceu nada do género. - Qual a festa onde mais gostaste de tocar? Festas onde se faz silencio na pista para ouvir e dançar a música. Gosto sempre quando sei que tenho os meus amigos todos reunidos na pista de dança. Mas aquela de que tenho a memória mais fresca, foi no mês passado com James Holden e Ivan Smagghe, porque são dois grandes mestres da música e duas grandes influencias do meu trabalho. - O que te passa pela cabeça enquanto tocas? Vontade de largar a cabine e ir para o meio da pista do Lux ouvir e ouvir as minhas músicas naquele sistema de som incrível com todas as pessoas a dançar. - Os teus sets revelam um linha musical bastante variada, mas sempre coerente; como os preparas? Obrigado! Aborrece-me quando oiço sets que parece que não evoluem ou que soa à mesma música durante 2h. Quando faço um set, gosto de tentar contar uma história. Ou seja, é como ler um livro cada musica pode ser uma página ou um capitulo, gosto de ir a diferentes sítios, gosto de fazer quebras no meio do set para deixar as pessoas respirarem e prepararem-se para a próxima viagem/capitulo. Normalmente faço uma playlist alargada com tudo o que possa fazer sentido nessa noite, depois dentro dessa playlist faço outras playlists. Umas com musicas que não posso de maneira alguma esquecer-me de tocar, outra com musica mais forte, com musica mais calma, com musica para fazer pontes, como musica para inicio, fim, etc. Depois quando começo a tocar tento arranjar um percurso para ligar as musicas todas das diferentes playlists. - Imagino que de vez em quando tenhas alguém a pedir-te para tocares Swedish House Máfia ou algo do género, de que forma lidas com esses requests? Confesso que não conhecia a música de Swedish House Máfia! Fui agora ao youtube para tentar perceber a tua pergunta. Quando fazem esse tipo de pedidos, ou até quando me pedem para tocar mais groove ou house reajo de várias formas, depende do dia, ora ignoro e concentro-me no que estou a fazer, finjo que não oiço ou não compreendo, digo nunca ouvi falar ou digo que é a próxima que vai tocar - depende mesmo do meu estado de espírito. - No verão passado encerraste o Alchemy Circle do Boom, como foi a experiência de tocar ao final da tarde, ao lado de uma lagoa, em oposição a uma discoteca escura às 3 da manhã? Onde te sentes mais confortável? Sinto-me mais confortável numa discoteca porque é onde tenho mais experiência, se bem que penso que a minha música pode fazer muito sentido ao ar livre e durante o dia. Tocar no encerramento do Boom foi um grande desafio. Inicialmente tinha em mente fazer um set calmo e lento, por volta de 116 BPM's - tinha imaginado o pôr de sol, a lagoa, e muita viagem. Mas quando comecei a montar o meu material, apercebi-me que música do Dj anterior era muito rápida, muito física, estática, quase a arranhar no new rave/maximal, tive logo que alterar aquilo que tinha pensado. Tocar a 116 BPM's seria um autêntico chill out ou downtempo depois deste Dj que estava em palco. No momento arranjei outra estratégia e comecei o meu set, ao inicio foi uma sensação estranha, acho que estava a tocar música com informação a mais, houve pessoas que se assustaram; mas por outro lado sabia que a minha música fazia todo o sentido num festival como o Boom e capaz de transmitir emoções nas pessoas. Continuei com a minha linha musical e fui percebendo que estava a renovar a pista com outro público, Quando cheguei a meio do set já estava mais à vontade e tudo indica que correu bem, lembro-me que quando terminei veio muita gente falar comigo e dar-me os parabéns, dizer que nunca tinham ouvido nada parecido e a perguntar-me que estilo de música era este. Um rapaz disse-me que chorou de alegria numa certa música! Já passaram 7 meses e ainda continuo a receber emails de pessoas de países que nunca ouvi falar, como por exemplo da Nova Caledônia! O Boom foi uma experiência muito gratificante e que gostava de repeti-la. - As tuas produções também são bastante interessantes, quase uma extensão dos teus sets. O que procuras quando fazes musica? Como aprendeste a produzir? Procuro satisfazer as minhas vontades momentâneas. Há quem faça música a pensar nas vendas, nas editoras, etc. Um dia acordo e apetece-me fazer um beat e tento, no outro dia apetece-me fazer algo mais kraut faço, no outro dia talvez algo mais cosmic, no outro dia drone ou só frequências estranhas, e no outro quem sabe um mix de todas as minhas influências - vai um bocado conforme a minha disposição do próprio dia. No início aprendi bastante só de observar o meu amigo Pedro Martins a trabalhar em estúdio. Mas ainda tenho muito para aprender e ultimamente procuro ir contra as regras básicas da música clássica, criando as minhas próprias escalas atonais. Recentemente comecei a usar compassos de música diferentes, em vez do vulgar 4/4 ando a explorar compassos 5/4 ou 7/8. - Achei interessante na festa do blog Breathing Beats teres tocado um set mais virado para o hip-hop e 2-step, um pouco diferente do que normalmente te ouvimos a tocar. Foi uma excepção à regra ou de vez em quando ainda fazes sets desses? Não diria Hip Hop nem 2step, mas sim wonky ou raw beats e não é excepção à regra. No bar do Lux costumo tocar um pouco deste tipo de música, e já houve outros grandes eventos onde pude mostrar esta faceta, como na noite em que a Punch magazine convidou Nosaj Thing no Musicbox ou ainda no evento da Dc Shoes no Faktory Club. - Nos últimos meses deu-se um enorme aumento da oferta de musica de dança underground em Lisboa, com artistas internacionais a passarem por cá praticamente todos os fins de semana. Como vês a “cena” lisboeta? Lisboa está completamente parada no tempo, basta olhar para os cartazes de eventos e festivais do resto da Europa e ficar a sonhar quando é que vão haver eventos semelhantes por cá. É incrível como é que uma capital europeia como Lisboa não tem um único festival dedicado à musica electrónica, existem festivais com palcos ou tendas electrónicas, mas de electrónica só tem mesmo o nome. Quando vou por exemplo ao Sonar em Barcelona ou outros eventos em outros países volto para Portugal de barriga cheia, suficiente para nos alimentar durante 3 anos de música em Portugal. Lembro-me há 2 anos de ter ido a Fabric para ouvir Daedelus, Dimlite, Flying Lotus, J Rocc, Kode 9, Martyn, Nosaj Thing, Gaslamp Killer, Tokimonsta, Dorian Concept, tudo na mesma sala, uns a seguir aos outros e só paguei um valor equivalente a 15€. Não acredito que cá consiga haver algo parecido. Volta e meia existe alguém a investir em musica nova, que é o caso da Proxid e da Joana Almeida (Give Music a Chance) que convidou Lanny May em Outubro. Correu bem mas ainda são eventos muito casuais. 1 ou 2 por ano não chega. Eu próprio já me estou a organizar em função de começar a organizar os meus próprios eventos com musica e artistas que fazem falta neste cidade. Sempre que saio à noite, vêm pessoas falar comigo e tenho me apercebido de que felizmente o público português também se está a aperceber desta situação e já está um pouco saturado da fraca oferta que existe em Lisboa. Gostava que os promotores e programadores se apercebessem desta situação e acompanhassem a evolução da música e apostassem nas novas tendências. - Que artistas nacionais te chamam mais à atenção? Twofold, D-Man, Zacarocha, Pedro Martins, 18thdivision, IVVO, Ramboiage, Ludovic, Chainless, Thomm, Papercutz, Manycure, Photonz. - Vais tocar no primeiro Boiler Room português, qual a tua expectativa? Em poucas palavras: curioso, nervoso, contente, ansioso e cheio de pica. - E que esperas da festa da Proxid? Ansioso por tocar com o Ricardo Tobar? Acho que vai ser um sucesso. O Lux já teve o Ricardo como convidado, mas foi há 4 anos atrás, nessa altura ainda era completamente desconhecido do público português, e era o novo artista da Border Community, hoje em dia já é muito mais popular e conheço muita gente que está cheia de vontade em ouvi-lo de novo. Tocar com o Ricardo também vai ser bom de certeza, estou curioso por o conhecer pessoalmente. - Quais os teus planos para o futuro? Espero este ano lançar música em algumas das minhas editoras favoritas. E o resto é surpresa... - Obrigado pela entrevista, gostavas de acrescentar alguma coisa? Obrigado eu por esta entrevista e pelo convite para tocar no teu primeiro evento. Queria também agradecer a todos aqueles que me ajudam e apoiam; Lux e todo o seu staff, Inês Meira, Twofold, Hong Kong Triad, David Tutti dos Reis, Madame, Mariola Kuskowska, Faktory Club, Europa, Brownie, Boom Festival, aos meus patrocinadores Native Instruments, Dc Shoes, vinho Social, a todos os meu amigos, conhecidos e desconhecidos que frequentam e apoiam as minhas noites. Obrigado! Photo by Elisabeth Pallentin More Switchst(d)ance: http://www.switchstdance.com https://www.facebook.com/switchstance http://soundcloud.com/switchst-d-ance http://vimeo.com/switchstdance http://www.youtube.com/switchstdance More Proxid: http://www.proxid.pt/ https://www.facebook.com/Proxid.Lisboa https://soundcloud.com/proxid-1 https://vimeo.com/proxidlisboa http://www.youtube.com/ProxidLisboa subscrever via itunes: https://itunes.apple.com/pt/podcast/proxids-proxcast/id68709­0647

1_Asura_"Afterain" 2_Ajja_Percushion" 3_Sandoo_"Landing" 4_Parov Stelar_"Psychedelic Jazz" 5_Murcof & Erik Trufazz_"Good News From the Desert" 6_Cell_"Above the Clouds" 7_Aquascape & Skydan_"Voice of the Universe" 8_Zen Baboon_"Chomolungma" 9_Brian Eno & Rober Fripp_"Evening Star" 10_Pink Floyd_"Shine on Your Crazy Diamond"

1_Alice Russel_"To Know This" 2_Cinemad in Chaos_"Memory" 3_The Dinning Rooms_"La Citta Nuda" 4_Deep Dive Corp_"Rising Sun" 5_Lemon Jelly_"The Curse of Kh'zar" 6_Wax Tailor_"Am I Free" 7_Mighty Math_"Urba Jettin" 8_Minilogue_"Six Arms & One Leg" 9_Disia_"Inconstancy" 10_Downhill_"Perfect Man (Human)" 11_Mauxuam & Master Margherita"_"Viavai" 12_Eat Static_"UFO Over Trenchtown" 13_Jon Hopkins_"Vessel" (Four Tet Rmx)

Intro from "The Secret of Keels" movie 1_Tom Midlleton_"Sea of Glass" 2_Jon Hopkins_"The Low Places" 3_John Metcalfe_"Otama" (Palm Skin rmx) 4_Laurie Anderson_"Night Flight From Huston" 5_John Metcalfe_"Nothing More True" 6_Doyeq_"Eyelashes of Lanterns" 7_Jon Hopkins_"Private Universe" 8_Air_"Space Maker" 9_Yestegan Chai_"Blue Cat" 10_Lemon Jelly_"Experiment Nº6" 11_Massive Attack_"Karmacoma" 12_Toires_"Hayhatama" 13_Armenia_"Dle Yaman" 14_Gustavo Santaolalla_"Desportation Iguazu" 15_Hedningarna_"Kings Selma" 16_Savanj Rooms_"The Groove You Liked"

recorded live on DAT images by Psynema crew