Podcasts about fiction books

Get ready for Summer! I have a bunch of interviews lined up for you! To start things off, we have Shimrit Hanes. She spent most of her life as a professional musician but has taken to writing now. Check out more about her (and get her books) at https://shimrithanes.com/Sign up for Becky's newsletter at https://www.beckythebookcoach.com/Sign up for the Book Finisher's Summit here : http://bit.ly/3QRfcmySign up for my writers' newsletter to learn more about the craft of writing, know when my workshops are and be the first to get exclusive information on my writing retreats. https://katcaldwell.com/writers-newsletterWant more information on my books, author swaps, short stories and what I'm reading? Sign up for my readers' newsletter. https://storylectory.katcaldwell.com/signup You can always ask me writing questions on instagram @author_katcaldwell

With Summer Holidays in full flow, Danielle Mahoney from Missy.ie, has the top recommendations for Young Adult Fiction.

In this episode, Phil and Janelle talk about The Time Trap, Quiz Game, 1996, Aaron, Teaching Talk, finals, Fiction Books, and more.

In this episode, Phil and Janelle talk about finals, Yes No Game Show, Marc Price, The Time Trap, hecklers, Fiction Books, comedy, grades, and more.

Are you feeling the desire to write a book and want more clarity on how to begin? My guest, Valerie Cantella, is here to guide you. Valerie Cantella is an author, award-winning communications strategist, and certified memoir and nonfiction book coach. She helps women make sense of the stories they've lived and find clarity around whether, why, and how to share them.  Valerie shares that this isn't about writing fast or writing perfectly. It's about moving from silence to authorship. From circling the truth to entering it. From second-guessing every word to building something real.   CONNECT WITH VALERIE: Website - www.valeriecantella.com Instagram - https://www.instagram.com/valeriejcantella/ LinkedIn - www.linkedin.com/in/valerie-cantella Substack (Dear Kate notes for women with a story to tell) - https://dearkatenotes.substack.com/ & (reflections from a recovering perfectionist) - https://valeriecantella.substack.com/   CONNECT WITH DEBI Website – https://www.debironca.com Instagram - @debironca Email – info@debironca.com Free Group Coaching - https://debi.sequoiatransitioncoaching.com/group-coaching YouTube - https://www.youtube.com/@DebiRoncaOfficial Amy Throw | Stylist & Image CoachI style women in clothes they love & build opportunities they believe in https://www.cabionline.com/?pws=styledwithsoul   Check out my online course! Your Story's Changing, Finding Purpose in Life's Transitionshttps://course.sequoiatransitioncoaching.com/8-week-program The Family Letter by Debi Ronca – International Best Sellerhttps://www.amazon.com/dp/B07SSJFXBD Free Clarity Call: https://calendly.com/debironca/free-clarity-call

Send us Fan MailIn this episode, I'm joined by Cecile Pin, the acclaimed author of Wandering Souls, to discuss her latest novel, Celestial Lights, and the deeper questions it raises about identity, ambition, and what we sacrifice when we decide who we want to become. Cecile takes us from her multicultural upbringing in Paris and New York City to her study of philosophy in London. We dig into how living between cultures can give a writer real creative range. We also get specific about craft: what it means to write in English as a second language, why rhythm matters, and how she thinks about “show, don't tell” when emotional truth demands something sharper. Cecile and I chat about moving from publishing to writing her own fiction, the vulnerability of touring a deeply personal debut, and why she started Celestial Lights, hoping for distance, only to find that the heart always shows up. From Europa research and NASA details to astronaut memoirs, mission constraints, and the novel's alternating space logs, Cecile shares how she built a believable world without turning the book into a textbook. If you love literary fiction, speculative sci-fi, and character-driven novels that stay grounded in relationships, you'll find plenty to take with you. Subscribe for more author conversations, share this with a friend who loves books, and please leave a review wherever you listen.Cecile PinCelestial Lights, Cecile PinWandering Souls, Cecile PinSupport the showThe Bookshop PodcastMandy Jackson-BeverlySocial Media Links

If you're new to my channel… hey there!My name is Nicolas Cole and I've been writing online since 2007.Since then, I've generated over a billion views on my writing, written 10+ books, and built multiple 7+ figure writing-related businesses, including two of the largest writing programs on the Internet: Ship 30 for 30 & Premium Ghostwriting Academy.I have made millions of dollars writing online, so I fundamentally reject this narrative (pun intended) "nobody makes a living as a writer."Yes, you absolutely can make a living as a writer. In fact, you can make more than just a living. You can make tons of money as a writer… IF… you're a digital writer, and embrace learning the new skills required to thrive in a digital world.Which is why I started this YouTube channel.Consider me your Digital Writing Mentor!On this channel I talk about:- Digital Writing- Ghostwriting- Writing With AI- Self-Publishing- Writing Services & Business ModelsSo if you have any questions, drop me a comment on any video and I'll answer them in a future video!Keep writing,Cole~

In this episode, Phil and Janelle talk about soft blankets, The Sheep Detectives, Yes No Gameshow, Brigsby Bear, fights, Fiction Books, Agatha Christie, and more.

How can you supercharge your creativity in an age when AI is reshaping everything — including how we write, edit, and market our books? What does it look like to use AI as a genuine creative partner rather than a shortcut? And could professional speaking become an income stream that complements your writing career? With James Taylor. In the intro, Audible's new royalty model; New royalty model details [ACX; Kindlepreneur]; Public Speaking for Authors, Creatives and other Introverts; Why Indie Authors Should Ignore the Market's Mood and Focus on their Mission [Self-Publishing with ALLi]; Lichfield Cathedral; This podcast is sponsored by Kobo Writing Life, which helps authors self-publish and reach readers in global markets through the Kobo eco-system. You can also subscribe to the Kobo Writing Life podcast for interviews with successful indie authors. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn James Taylor is a nonfiction author, professional speaker, podcaster, and entrepreneur who helps people unlock their creative potential. He hosts the SuperCreativity Podcast and his latest book is SuperCreativity: Augmenting Human Creativity in the Age of Artificial Intelligence. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes How to define creativity and why it's becoming the most valuable skill in the age of AI The five stages of the creative process — and the stage most people skip Three types of creative purpose: play, self-expression, and legacy How James used multiple AI tools alongside human collaborators to write, edit, and market SuperCreativity Bulk book sales, industry-specific editions, and revenue models for nonfiction author-speakers Practical tips for authors who want to break into professional keynote speaking You can find James at JamesTaylor.me. Transcript of the interview with James Taylor Jo: James Taylor is a nonfiction author, professional speaker, podcaster, and entrepreneur who helps people unlock their creative potential. He hosts the SuperCreativity Podcast and his latest book is SuperCreativity: Augmenting Human Creativity in the Age of Artificial Intelligence. Welcome to the show, James. James: Well, thank you for having me as a guest. I'm looking forward to this conversation today. Jo: It's going to be really good. First up— Tell us a bit more about you and how you got into writing and publishing. James: Well, today I'm a professional keynote speaker, so I deliver about fifty to a hundred keynotes per year in twenty-five-plus countries. Primarily I speak on creativity, innovation, and artificial intelligence. Go back into my deepest, darkest history—I actually used to manage rock stars. That was my old job. I used to be in the music industry for many, many years. I worked with members of The Rolling Stones, and for our listeners in the UK, I managed bands like Deacon Blue. Then I went to the dark side. In 2010, I moved to California to work in Silicon Valley, to work in the world of tech. That got me involved in artificial intelligence. Right about 2017, I was speaking at an event in San Francisco and someone came up to me and said, “You realise you could probably speak for a living, you could do this for a living.” So I thought, well, how does that work? And he told me. Then I embarked on the career that I have today, which is primarily as a speaker, with writing now coming a bit more to the fore. Jo: Wow, I remember Deacon Blue. James: Yes. Jo: “Dignity.” That's crazy. Very, very cool backstory there, but we'll come back to the career side of things. Let's get into super creativity, because my listeners are certainly creatives. Most of the listeners will have a book either on the way or they might even have lots of books. So we all do want to be super creative. How do you define creativity, and why is it important to keep focusing on this even if we do identify that way? James: For me, creativity is about bringing new ideas to the mind. Innovation is about bringing new ideas to the world, but without creativity, there is no innovation. So creativity is really the engine of innovation. Whether that is designing new products, new services, or creating new works of art and new books. The reason that creativity is becoming more important is because of what we're seeing right now in terms of artificial intelligence. AI is going to replace a lot of the non-creative tasks that we currently do in our jobs. If you look at things like the World Economic Forum, there was recently a study with a thousand global business leaders, and work from companies like LinkedIn—they all highlight that creativity is going to be one of the foremost important soft skills for this new future. So creativity, strangely, will actually become more important, not less important, as we go ahead. That's the creativity side. Probably for many of the listeners here, they'll consider themselves to be creative. That is not the norm. As I mentioned, I speak in about twenty-five countries a year, and if I ask the audiences—primarily corporate audiences—to put their hands up if they consider themselves to be creative, only between ten to forty per cent of the audience will raise their hands. So part of my job is to show them why they are more creative than they think they are and why we're all born with this creative potential. Then moving into the super creativity side, it's really to show them how they can augment that creativity by collaborating more deeply with other people or machines—things like artificial intelligence. So SuperCreativity, the book that I've written and the speeches I give on it, is really about how we can augment our individual creativity by collaborating more deeply with other people or artificial intelligence. For me, that's been the thing I've been fascinated by for the past few years, and probably for many of our listeners who are now using AI in their writing, their researching, and their marketing of their books, they're probably getting into this space as well. I really wanted to dive into that—both the collaboration with other people and with machines and AI. Jo: In terms of the super creativity then, do you have any practices or ideas? Before we get into collaboration, many of us authors work alone—and of course we can come back to the AI stuff in a minute—but in terms of super creativity, are there ways that we can even supercharge what we do already? Then, of course there are people listening who might not feel creative. So give us a few tips on how we can potentially change our mindset or become even more creative. James: In the book I talk about what I call the eight Ps of super creativity, which are purpose, personality, practice, people, process, place, product, and persuasion. Persuasion is really the marketing piece at the end. Probably the one that could be most useful to many listeners today is the practice piece—the practice or the process side of things. For many of us, what that usually consists of is just having some type of daily creative practice. Different people do it in different ways. Many of your listeners will know the works of people like Julia Cameron—the morning pages style of having some type of daily practice. Other people do it in slightly different ways. The process bit is really interesting. I talk about this creative process that we all have, and I talk about these five stages of the creative process. The first stage, let's say if we're writing a book, is really that preparation stage. That is usually the stage where we are trying to absorb as much information as possible about the thing that we're going to be writing about. The topic, if it's nonfiction, or going to the places, visiting the scenes that we're going to set certain things within for the book. So that preparation stage is really about absorbing as much information as possible from the outside. It's not going to look very creative. We're just absorbing at that stage. Now the mistake that a lot of people tend to make is they immediately try to jump from that preparation stage to looking to generate ideas. But what all the studies show us is we should spend a little bit of time in what we call the incubation stage. This is where it's often very useful if we've done some research, that we put things to one side for a little while, maybe a few weeks, move on to another project, think about something completely different. Your brain will continue to work in the background. Your unconscious brain will work on that content you've been absorbing. Then what often happens as a result of that is we come to this third stage, which is that insight stage—that aha moment. That happens for various different reasons and you can seed that in slightly different ways so you're more likely to get inspiration in your day-to-day work. Then as we know—as you are a writer of many, many books—many people think, “Well, that's it. I've done it. The idea for that book or that chapter has come to me.” That is really just the first five per cent of the process. The next stage is where we look at all the different ideas we have and decide which ones we want to pursue, which ones are going to make the grade. This is what we call the evaluation stage. Once we've done that, we move to that final stage, which is the elaboration stage. If it's a startup, this is when you're building your minimum viable product. As a writer, this is where you're actually doing the work, putting those words out onto the page. It's a very iterative process, so it's not necessarily linear. You'll go back and forth. Even as you're getting input from readers and audiences in that last stage, that is then giving you the material to move back to the preparation stage and think, “Oh, I wonder if this next book in this series, maybe I go in a slightly different direction with this character.” So each of those different stages, you can do different things to increase your levels of creativity. Jo: I love all of that, but can we go back to purpose? Because you mentioned that as one of the Ps and I think this is something that a lot of us need. As we are recording this in April 2026, the world is an interesting place. There are lots of things going on that have people worried. Well, we are not talking about politics, but I think one of the things that people struggle with is, what's the point in writing this story, for example, or what's the point in trying to get my words out there when things are difficult? I feel like coming back to purpose is perhaps the thing that helps people even take it into the process as you were talking about. And then of course, just from a practical angle— Is purpose about making money or reaching people? So maybe you could talk about the purpose side of things. James: Yes. So I talk about three different purposes, and it's not that there's just one that predominates, but usually there's one that maybe predominates on different projects. The first one is creativity as play. It's what we're basically, as humans, hardwired to do—this instinctive joy that we get just for creating for its own sake. There's nothing that really sits beyond that. We just have fun. We find pleasure in creating something. That could be a musician creating a piece of music, a sculptor creating a sculpture, an entrepreneur creating a new business or product or service. There's just this sense of play. One of the things I talk about in the book is this idea of being childlike, not childish. If you look at children, you see this very instinctively. If you see a three-year-old or a five-year-old, you give them some crayons and they will just naturally create. That's part of who they are and it's pretty abstract. Then what happens is they go to school and they're taught useful conventions—”this is how you should do it.” You even see their work start to change. You start to see them move from abstract paintings to more formal structures. Then you get your peer group, then you go to college or university and the world of work, and you're taught all these useful conventions. That's fine, but as adults, it is our responsibility to become what we call post-conventional, where we see these conventions as a useful signpost but we're willing to challenge them. We're willing to have a playfulness in what we do. So the first one is just this hardwired thing—creativity as play. The second one, and this is maybe for a lot of your listeners the reason that they are writers, is self-expression. It's a way of placing something out into the world. I was actually just in France recently, and I was talking to a young visual artist, a painter from Hungary, and she had to go up and give a speech. She really hated doing it. She was having to talk about her work and she was really uncomfortable. I could see the discomfort and my heart went out for her, because that is not the way she primarily expresses herself. She expresses herself through her art form, which is painting. For many of us, we might struggle to get on a stage, but we can express ourselves in the written word. We have something we want to say, a position we want to have, and we want to express that and get that out into the world. The final one is just this idea of legacy. That is not going to be for everyone. I can tell you, for me personally, legacy is not the reason that I write and do a lot of the stuff that I do. Maybe that changes—maybe as we get a bit older, we want to leave a body of work. So those are the three main purposes that we tend to see. Then you mentioned the financial side of what we do as well. This starts to come into that self-expression, because we need to be able to get people to buy our books or download our books and read our books in order to give us the ability to write new works and create new things. The financial side is an important component of it, but it is not the only one. I think there's a great question any writer should ask themselves. One of the first questions that I asked myself as a relatively new nonfiction writer is: why am I writing this book? What is the purpose of this book? For me, primarily it is a form of self-expression, and then you have to go, “Well, that's fine, but I also need it to have some type of financial basis for it.” It doesn't need to be the main driver of my income, but I need to have some type of revenue model. I'm happy to talk about revenue models, because probably the type of revenue model that I have as a writer is going to be different from other listeners. I tend to focus more on bulk selling of books rather than individual selling of books. Jo: Yes, I definitely want to come back to revenue models and business, but a few other things first. I want to circle back to collaboration, because I've certainly co-written with some humans, and I know a lot of listeners either have co-written or collaborated with other humans—and some of it works and some of it doesn't. You have some great information on human-plus-human creativity and collaboration. So maybe you could give us some tips on how we can be more effective collaborators with other humans. James: So there's a whole section about this idea of creative pairs. Often if you look at great creative work or innovative companies, very often when you strip it all back, you'll find at the core lots and lots of creative pairings. That is usually two different but complementary personalities who are willing to develop and challenge and improve each other's ideas. We think of Jobs and Wozniak in the world of business, or Warren Buffett and Charlie Munger. For authors, often that relationship is the work with their editor. There was a documentary I saw—I think it was a New Yorker documentary that came out a while ago—talking with a writer of history books about his relationship with his editor. It was a really beautiful relationship. These were two very different personalities, but what worked was the fact that they were different. A core component of having these creative pairings is a sense of trust—or what some people today would call psychological safety—that you are willing to challenge someone's ideas, but in a space of trust. The Germans have a great phrase for it. In English it translates as “someone to steal horses with,” which I love. Hopefully our listeners have that person where you can go to them and say, “I had this idea for a book or a chapter or a character,” and that person is a “yes, and.” Like, “Yes, and have you thought about doing it this way?” or “What would happen if you did this?” They stress test your ideas. They make your ideas better. For many of us, maybe it's our husbands or wives, our partners. Some of us are lucky enough to have editors. When I started rewriting this latest book, I actually had someone like that—a human, not an AI—that I worked with, especially on taking all these random thoughts and ideas I've been expressing in keynotes and putting them into more of a book form. The format and the structures that we use for telling stories in a speech are quite different from the structure that we would use for a nonfiction book. I didn't have as much experience there, so I wanted someone who could say, “Have you thought about structuring it this way?” or “This is a great story arc you might want to think about.” So I don't know, for you, who is your creative pairing? Who is your “someone to steal horses with”? Jo: Well, it's funny. I really think since the arrival of Claude Opus 4.6, it is absolutely Claude. James: Yes, yes. Jo: All the way. I mean, so we could come onto that next in terms of how AI has changed, because I do still work with a professional editor for both fiction and nonfiction, but it is very much in the “make my finished work better” stage. It is not in the exploratory phase. I find particularly the latest reasoning models to just be fantastic at this. And my Claude is not sycophantic. The Opus 4.6—I'm sure you've been using it too—it just doesn't behave in the way that a lot of people think these AIs did. They did behave like that, and now it's changed. So let's talk about that. What are your thoughts on collaborating more effectively with AI tools, especially as they become more and more powerful? As we record this, Claude Mythos has not come out, but it's certainly rumoured to arrive. I'm pretty excited. James: So because I've been doing this AI thing for a little while, it's given me the ability to experiment with things—the early versions of what many people are using today. I'll give you an example. Even before I started writing the book, I decided to write a book proposal. Even though I could pretty much sense I wanted to independently publish this book through my own publishing company, I thought it's a good practice to put it down into a proposal form, even though I don't go to a traditional publisher or a hybrid publisher. One of the things I did within that was get a sense of who my ideal readers are. I used a very early version—this was a few years ago—of an IBM AI tool, creating what we call a psychometric map of my ideal reader. This basically tells me, over about seventy-two different factors, how this person thinks, how they feel, what their value system is, very broadly for my ideal reader. I pulled in different sources. I knew the kind of magazines and books they were reading and what their general worldview was. So I created this—going one step beyond just creating your ideal reader to really understanding their psychometrics. I do this in my keynotes too. Before I ever give a keynote or an important pitch or a presentation, I use AI to analyse the psychometrics of the audience I'm going to be speaking to. This might tell me, for example, this audience values humour a little bit more, or this audience values a bit more practicality so they want actionable next steps, or this audience is going to be a little bit authority-challenging so they're going to push back. So even in those very early stages, just starting to think about the book—who was I writing this book for, what was the purpose of the book—I was using AI to understand the psychometrics of my absolutely perfect, ideal reader. I gave her a name. It was a female reader. There was someone similar to her that I already knew. Probably for some of your listeners, they do this instinctively anyway. They maybe have a person or a few different people they think of in their head. Then from that stage, because I've been delivering lots and lots of keynotes—and this may be an important distinction in the way that I have decided to write books as opposed to how other people write books—my family were all jazz musicians. The difference between a rock musician or a pop musician and a jazz musician is this: a rock or pop musician will go into the studio, create this opus, this work, and then tour that for the next two years. A jazz musician, on the other hand, goes out and performs the songs and the things from the album that they're eventually going to create hundreds of times, thousands of times, to find out what works with audiences, and then they go into the studio and record the stuff that works best. So I created a book more like a jazz musician. I'd delivered keynote versions of the book hundreds of times before I ever decided to actually write the book. So it had been stress-tested with real people to a certain extent. Then, getting into it, I thought—well, what works as a keynote is not necessarily going to work as a structure for a book. So what I did was start using ChatGPT models at that point to think about the structural edit of the book. What was the structure going to be? What was great is you can basically feed it every single keynote you've given over the years, all the notes, everything you've done, and it could start to give me something to riff with and really get into thinking about how I was going to create this. I was using it a little like that creative pairing we spoke about earlier. Then once I'd done that—so I've now got an idea of a structural edit essentially—I then go back and speak to some humans about it. “What do you think about this?” “What do you think about that?” And try some things out over dinner conversations. “I'm thinking about doing this—what do you think?” Then once I did that, I just did the thing that I really didn't want to do, but I guess you absolutely have to do: sit in a seat for multiple weeks and just get that crappy first draft done. That was just me writing, from my voice, in my way of doing things. Every so often I would use an AI to research a particular thing, but I didn't want to slow down the pace too much. I was focused on getting that word count done. Once I had the first draft, I then brought the AI back in. In this case, I was still using OpenAI at this stage, to act more like an editor. To tell me what was weak about the book. At this point I was starting to give it the overall framing. What was weak, what chapters needed to be improved. I then went back, started reworking each of the chapters, and worked chapter by chapter using that AI as a sparring partner. But once again, the AI is not really writing my words for me. It's maybe saying, “This part could be said better. You might want to think about doing it this way,” or “You are missing a really powerful case study or example here,” or at the very end of each chapter, I have actionable next steps, and “You're missing some things here.” So I've gone through that entire process of writing, and now I'm essentially at the second draft. At this point, what I'm doing is using another AI tool—Claude, in this case—to have a different perspective on it. I gave it the work. I mentioned a couple of editors that I really respect and different writers I respect and said, “I'm going to create a virtual beta readers group. Give me feedback on this now.” For someone that's listening to this, and we're recording this in April 2026, here's some good news for you. There are now a bunch of tools out there that use AI swarms, as we call them. You can basically feed it your book and it will create synthetic readers—thousands and thousands of synthetic readers that read your kind of style of book—and it will then give you feedback from these synthetic readers. Essentially, I was just doing an early version of that. So I got the feedback from the synthetic readers, the AI readers, and then reworked a little bit. Some of the stuff I just decided not to do because it didn't align with what I was trying to say in the book. Then the next stage was I had a beta reader group of about thirty human beta readers—my ideal readers. I sent the book to them, they gave me feedback. I then used AI to give me an overview report of all their feedback, and then I was able to go back into reworking the book. That's still really just draft three of the book, not the final book at this stage. But just to give everyone a sense of opening up the process: you could see how the human and machine were working together. Jo: Yes, I love that. I also often say to people who are speakers first that you can, if you have recordings of your talks or if you use your slide decks to record them as MP3s and then just use that transcript as the basis of a draft. Obviously it's not the book or a chapter, but it can actually preserve your voice—your speaking voice—which I think can be really effective for speakers. I like your multi-step process there. And then of course, if you have audience avatars in AI, that can help you design your book marketing. So take this into book marketing and how you're doing that. James: So I still decided to go old school with a human editor—a book editor that someone had recommended to me. I used that human book editor just to go through the book. At that point we're talking about style, some stylistic things that we wanted to do, and they can pick up other things as well. So I've got that book, and then I'm obviously starting to use AI to understand what tags, what kind of copy do I want to have in terms of putting it onto Amazon, putting it onto IngramSpark, and all these other platforms I want to put it out into. I'm using Claude here in particular—and with Claude, you have something called Cowork. It wasn't quite fully happening at that point, but there were early versions of it and Claude Code—to almost start working with and creating a virtual marketing team. I give it the book and then they could start thinking about: what is the marketing strategy for this book? What does the campaign look like? What are the things that we need to do? That was then starting to break it down. We're now three months out or so before the book is due to get released, and I'm starting to deploy that particular campaign. So for example, I'm on a podcast right now, and we try different versions. We have a human going out and reaching out to potential shows for me to be a guest on, but I also have an agent. There's also one going out and finding and researching podcasts and reaching out to those podcast hosts to have me as a potential guest. So they're doing some of the tactical work there at the same time. One mistake I made—and I don't know if you've experienced this as well—if I was to go back, one thing I would do differently is this: I decided to record the audiobook version after the physical book was already committed and ready to go out. Jo: Mm-hmm. James: And I noticed so many small errors or things I would change after having spent two days in a studio recording the voice for the entire book—changes I would have made. This is something other people did ask me: why are you not using ElevenLabs or an AI clone of your voice to read the script? There are some things I feel quite personal about, and my voice is one of those things. As a professional keynote speaker, I decided I wanted to keep that and have it in there. So it's going to be different for everyone which things they decide to offload to AI, which things they decide to give to a human member of their team, and what they decide to keep to themselves. Jo: Yes, I mean, I human-record my nonfiction, but I have an AI voice clone with ElevenLabs for my fiction now. But obviously, for people listening, you can't put an ElevenLabs voice-cloned audiobook on Audible, and a lot of your sales will be on Audible, especially for a book like this. So I think that's also important. I agree with you on doing the audio edit. There's always things you want to change. But as you mentioned, you're self-publishing this, so you can just go in and change your files. James: Yes, and that was the other reason, and this was part of the marketing—now we're moving into the marketing and the business model behind the book. For me, the book doesn't have to be a financial driver in its own sense. The way that I sell books, and usually people like myself—professional speakers—is we bulk sell books to our clients. Let's say I'm speaking at four different events this month. Each has about a thousand people at them. Those organisers will buy, say, a thousand copies of the book. So at the end of that month, you might have sold four thousand copies—not individual copies. Anything that sells on Amazon or in other places is almost like a positioning piece. Obviously you want people to buy the book and learn things from the book, but in terms of the distribution model, it's slightly different because I'm primarily selling through bulk sales. Now, here's a little twist you can do on this, and this is a decision I made even before we released this version of the book. I speak to lots of different industries. There was a speaker and author—I've forgotten his name now, I think he was from Florida—and what he decided to do was to write a slightly different version of his main book every year, but for a different industry. So what this allows him to do is, let's say in my case, I'm doing a version of the SuperCreativity book just for legal professionals because I speak to a lot of law firms and legal groups. I've already started working on a version of the book which is a little bit more attuned to that audience. As a speaker, it allows me to go to all these law firms and legal associations and bar associations and say, “Hey, I've just written the book on creativity and artificial intelligence for the legal industry.” That makes you a very bookable proposition for a client. And then obviously you can sell books from that as well. And that's before we get into the foreign language versions. That's just a model that happens to work pretty well for my part of the industry, but obviously it's going to be very different for other types of authors. Jo: No, I think that's great. For nonfiction authors, as you say, there are different revenue models. Your income, I guess, would be what, eighty, ninety per cent speaking revenue? Or do you have other things as well? James: Yes, primarily it's the keynote speaking, and anything that comes from the back of that. Sometimes it's boardroom advisory work that I do as well. But primarily it's the speaking side. So really the book is just the simplest form to get my ideas out and the most affordable form. Jo: Mm-hmm. James: Because the other thing is, you want as many people getting your ideas as possible, and there is no better, more affordable way of getting someone's ideas out there than in the form of a book. I think it's just the most unbelievable transmitter of knowledge—a book. That's why I love to write the book as well. A lot of my friends say, “Listen, books are old hat. You don't need to do a book any more. You can do these other things, other forms, online courses.” I've done lots of online courses in the past and membership sites and all those things, but there's just something that is great about a book—to be able to summarise your ideas at a particular point in time. It's also a great transmitter of value to other people. And it is affordable. Any book, someone can download a book on Audible or wherever they want—that's just an affordable way of absorbing that content. Jo: Yes. Well, of course we are all fans of books here. I do speak—I don't tend to do keynote speaking. I do more content speaking at conferences. For people listening, keynote speaking is where you tend to get the higher revenue. So if people listening have books already—let's say they have nonfiction books or even fiction books that could be turned somehow into different topics—if people want to get booked for speaking gigs, preferably ones that pay— How would you recommend authors think about moving into speaking if that's something they want to do? James: So obviously it's much easier for nonfiction authors to do that. I mean, I'll give you an example. I was speaking at an event last week in New York for L'Oréal, the hair care and cosmetics company. They had six different speakers. One of them was a speaker on macroeconomics and geopolitics. Another was an expert on communications. Another was an expert on AI. Another was an expert on storytelling. So you have to think: does my topic have value for that type of audience—that corporate audience? An easy way of finding that is if you just go onto any of the speaker bureau websites, type in “speaker bureaus,” look for the speaker bureaus, and then type in your topic area—emotional intelligence or whatever the topic area is—and look at the other speakers. See if there is obviously a number of speakers talking on this area. Importantly, look at how busy they are and look at their fee levels as well. I did an online summit a few years ago called the International Speakers Summit, where I interviewed a hundred and fifty of the world's best professional keynote speakers. I interviewed Sally Hogshead, who's an author and a speaker, and she said to me, “James, you're going out speaking about creativity, but if you just twisted it a little bit and spoke more in terms of innovation rather than creativity, you would earn an extra five thousand dollars per keynote.” So creativity and innovation—an extra five thousand dollars. That's just a simple thing that, as you get to understand the industry, you learn. Then once you do that, it's like any business—you have to treat it like a business, obviously. What makes someone a great storyteller on stages is not the same as what makes a great storyteller on the written word. So depending on where you're at, you might need certain training and skills development. If you are listening to this from America, there are things like the National Speakers Association, the NSA. If you're living in the UK, the Professional Speakers Association. These are great ways just to develop your skill set and learn from other professional speakers. Here's the good news, I didn't know anything about professional speaking until 2017–18, and it was only from having a conversation with someone who said, “Listen, you have some original thoughts. You can get paid to speak about this on stage.” Then I spent the next year really researching and understanding and looking at how to do it and creating a minimum viable product—a speech—that was a very short period of time, a year. Most of the listeners here have gone through that process of writing a book, which takes many, many months. So you have the stamina to do this type of work. You just need to find out where you fit. I thought I was going to be a speaker in marketing. I thought that was going to be my thing. And it turns out that's not what the market wanted from me. They wanted me to talk about creativity and artificial intelligence. So you have to listen to the market, like you have to listen to your readers. Jo: Yes, I think that's really interesting. I was also a member of the PSA here, and I learned in Australia with the NSAA as it was. James: Yes. Jo: And that thing about who you speak to—I mainly speak to author conferences, who, I just want to be frank, don't pay very well, if at all. So exactly what you said there— If you want to be a highly paid speaker, you have to pick the audience who's going to pay, as well as a topic that works with them. It is a very different thing to writing a book, I think. James: It is a different model. This is what was interesting when I interviewed those hundred and fifty professional speakers—the thing that came back loud and clear is there is a model to suit everyone. Jo: Mm. James: So the model that works for me—getting paid high fees to go and travel around the world, speaking on stages to primarily corporate audiences—that is not the only model. There is another model, which is called the “sell from the stage” model, where you maybe don't get paid anything to go and speak on the stage, or very little, but what you're doing is you're selling your consulting, your online course, your books, your other products from the back of the stage. That's another model as well. I have friends who have young families and they are writers and they don't want to schlep on planes like I do. I know one speaker in particular who never leaves his own city. He is a very successful professional speaker. He happens to live in Orlando, Florida, which is one of the busiest cities for conferences. So literally, he's home with his kids every night. He gets to do all this cool stuff he wants. He never has to step on a plane if he doesn't want to. That just shows you the range. I remember I once interviewed a person whose title was a Buddhist monk, French speaker, and author. He figured out he could live very affordably by living in Thailand. So he lives in Thailand for part of the year and he's very into meditation, mindfulness, yoga, and writing. He figured out he only had to give two keynotes per year to pay for his entire lifestyle. That was it. So that gives him a lot of freedom. He does those two corporate keynotes a year and for the rest of the year he's doing his yoga, his meditation, his writing, and surfboarding, whatever he's into as well. So you can see there's a whole range of different ways you can design that life. Jo: Yes, we talk a lot about definition of success and it's great to hear those different examples. So before we finish up, I just want to come back to your journey into the writing side, into books and self-publishing. We all understand, me and the listeners, how hard it is to write a book and also to market a book, but we've got the bug. So we wonder: how much have you got the bug? Do you plan on doing more writing, more books, or do you still want to lean more heavily into speaking? James: Primarily the income for me will still come from speaking. I remember listening to Elizabeth Gilbert once when she talked about her writing. She said she always wanted to have other things, so she never had to push onto her writing that it had to be the income stream for her. If it was successful, great, that's fantastic. So I have a little bit of a similar view to that. In terms of my own writing, I've got about five different nonfiction book ideas I'm now looking at. Some of them relate to speeches that I already do. Some don't. I'm looking at different versions of the SuperCreativity book, so there'll be other versions coming out—different industries, different languages. That gives you a few years of work. The other side that I want to develop is the fiction writing side. I'm already starting to work on a fiction book at the moment—a little bit like this idea of one for them, one for me. Jo: Mm-hmm. James: So one for them is for the corporate audience, that world that I live in, and the other one is for me, for my own creativity. My hope—and I don't know, maybe we need to speak in a year's time when I've written and published it—is that by doing the fiction side, it will make me a better storyteller on stages as well for my corporate audience. It will help me understand story arcs, slightly different ways of expressing stories, building emotion, building the anti-hero characters within a book, for example. So I'm hoping that they both feed off each other. But we will see. Jo: Yes, we will. All the best with that. So where can people find you and your books and everything you do online? James: The easiest place to go is JamesTaylor.me, and you can find the book, which is called SuperCreativity, there. Or just go to wherever you buy your books—your local independent bookstore—and get a copy of SuperCreativity. The audiobook may already be out by the time you're listening to this as well. If you want to learn a little bit more, we also have a podcast called the SuperCreativity Podcast, where I interview lots of wonderful guests talking about this area of super creativity. Jo: Well, thanks so much for your time, James. That was brilliant. James: Thank you, Joanna. Thanks for having me as a guest on the show.The post SuperCreativity And KeyNote Speaking With A Non-Fiction Book With James Taylor first appeared on The Creative Penn.

Jennifer Chevalier's fiction novel “The Winter Witch” captures the story of two sisters fleeing a curse aboard a bride ship from Normandy to 17th-century Quebec. Along the way they meet a mysterious witch who forces them to confront the truth of their past.  Host Jacob Shymanski chats with Jennifer about the research she did to create the book's setting and characters. She also shares a Shelfie, her three favourite books with a magical theme.  This episode was produced by Andrika De Lanerolle.  Audiobook Café is broadcast on AMI-audio in Canada and publishes two new podcast episodes a week on Fridays and Saturdays at 1 p.m. ET. Follow Audiobook Café on Instagram @AMIAudiobookCafe We want your feedback!Be that comments, suggestions, hot-takes, audiobook recommendations or reviews of your own… hit us up! Our email address is: AudiobookCafe@ami.ca About AMIAMI is a media company that entertains, informs and empowers Canadians with disabilities through three broadcast services — AMI-tv and AMI-audio in English and AMI-télé in French — and streaming platform AMI+. Our vision is to establish AMI as a leader in the offering of accessible content, providing a voice for Canadians with disabilities through authentic storytelling, representation and positive portrayal. To learn more visit AMI.ca and AMItele.ca.Find more great AMI Original Content on AMI+Learn more at AMI.caConnect with Accessible Media Inc. online:X /Twitter @AccessibleMediaInstagram @AccessibleMediaInc / @AMI-audioFacebook at @AccessibleMediaIncTikTok @AccessibleMediaInc Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Are you writing a novel… or quietly hoping people will magically find it later?This week's guest, Olivia Zugay, isn't here for that fantasy.As a marketing and sales strategist for self-published fiction authors and founder of Story Flow Solutions, Olivia helps writers stop treating marketing like an afterthought and start building real reader demand before the book even exists.If you want loyal readers rather than one-time buyers, this conversation will challenge the way you think about publishing from day one.Key Takeaways:Stop waiting to be “ready.” Your audience-building window opens the moment you decide to write. Miss it, and your launch gets a lot harder.Your readers will tell you what to write… if you ask. Surveys, conversations, and feedback loops aren't extras. They're your unfair advantage.One book is a gamble. A series is a strategy. Thinking beyond a single title changes everything about sales, visibility, and momentum.Confused authors don't sell books. Understanding the publishing landscape upfront saves time, money, and a whole lot of frustration later.Social media doesn't own your audience. You do… or you should. An email list isn't optional. It's your most reliable path to consistent sales and long-term growth.If you've been treating marketing like something you'll “figure out later,” this episode might be the wake-up call you didn't know you needed. So, tune in now!Here's how to connect with Olivia:Website: storyflowsolutions.comLinkedIn: https://www.linkedin.com/in/olivia-zugay/Instagram: https://www.instagram.com/storyflowsolutions/Facebook: https://www.facebook.com/storyflowsolutionsFree Gift: The Profitable Author Roadmap*************************************************************************When Visibility Feels Hard, Podcast Guesting Changes the GameIf you know your book deserves more reach but visibility feels like a struggle, podcast guesting can open the right doors.Podcast Connections gets you in front of the audiences who need your message and your expertise.Contact them at PodcastConnections.co*************************************************************************

Anyone looking for riveting reads (or audiobooks) need to listen to this episode: Hosts Sarah Bowen Shea and Ellison Weist rave about an incredibly smart, cleverly crafted debut novel; a new novel by a beloved author; a quirky paperback; and the latest brilliant page-turner from a hot writer. Listen all the way through, then dash off to get these books and start reading!Yesteryear: Caro Claire BurkeMore Than Enough: Anna QuindlenThe Road to Tender Hearts: Annie HartnettLondon Falling: Patrick Radden KeefeJoin AMR at the Grand Traverse in Duluth, MN on October 3rd! Use code AMR20 for $20 off when you register at https://feisty.co/events/the-grand-traverse/Follow us on Instagram: https://www.instagram.com/themotherrunner/Momentous: Use code AMR for up to 35% off your first order at https://www.livemomentous.com/Wahoo Kickr Run: Use the code FEISTY2026 to get a free Headwind Smart Fan (value $300) with the purchase of a Wahoo KICKR RUN at https://shorturl.at/WVhdr

In this episode, Phil and Janelle talk about The Time Trap, Couch Potato Corner, The Yes No Game Sow, Fiction Books, a new board game, and more.

In this episode, Phil and Janelle talk about Super Mario Brothers, National Parks, Patreon, cruises, Eternity, Fiction Books, vacation pants, a new game, and more!

Kissed by the Gods indeed. We are joined by author Caty Rogan. She is here to chat about her series The Eternal Wars. From page one we have feminine rage, female characters that break the mold, and sacrifice. Lots of sacrifice. Did I mention male leads that are softer? Caty shares challenges and struggles that can come from writing a series. Especially with a Gods system. Turns out when you make the rules you are then bound to them.Of course we go deep. Chills are felt and revelations are illuminated. And some "never have I ever shared" moments. There will be spoilers and mention of miscarriage. This is part 1 or 2 with Caty. Tune in next week for part 2.Send us Fan MailSupport the showConnect with usInstagram: https://bit.ly/ourIGpageTikTok: https://bit.ly/ourTiktokpageIntro and Outro music, Sexy Fashion Beat from Coma-Media 

In this episode, Phil and Janelle talk about Spring Break, National Parks, crocodiles, cruises, The Time Trap, caves, sea turtles, Fiction Books, vacation pants, fish guts, and more.

On this episode, we're joined by the author of our Fiction Book of the Month for April, Jean-Noël Orengo, whose novel, intriguingly titled You Are the Führer's Unrequited Love, is an imagined portrait of the life and lies of Albert Speer, Hitler's closest confidant and chosen architect for Nazi Germany. Speer, who was found guilty of war crimes and crimes against humanity at Nuremberg, successfully transformed his public image from that of a war criminal into that of the prototypical “Good Nazi,” becoming an international celebrity and one of the most prominent historical chroniclers of the Third Reich. Now, as we approach a time when almost no living witnesses remain, Orengo's novel asks vital questions about who gets to write history and whether it can be relied upon.Hosted by Ryan Edgington. Produced by Lily Woods. 

In this episode, Phil and Janelle talk about The Time Trap, singing flowers, TV theme songs, Top 5, Steve Taylor, Veggie Tales, cruises, Fiction Books, Spring Break, Family Ties, Agatha Christie, and more!

In this episode, Phil and Janelle talk about The Big Play, Improv, Fiction Books, vacation pants, Six Flags, The Time Trap, The Goonies, the theater, family, friends, cooking eggs, time travel, and more.

In this episode, Phil and Janelle talk about Weird Al, The Time Trap, Darien Lake, Improv, Christmas Trees, Fiction Books, vacation pants, New York, Six Flags, jewels, and more.

In this episode, Phil and Janelle talk about National Parks, The Channel Islands, Audiofeed, cruises, Fiction Books, Vacation Pants, Sherlock Holmes, Agatha Christie, and more.

Feeling dismayed by U.S. politics in 2018, J.D. Boehninger (pen name) got advice from a friend who was writing self-published monster fiction for the Amazon Kindle. Many authors were making a good living writing paranormal stories, erotica, and things about Donald Trump. So Boehninger decided to combine all three. The result was "Melania: Devourer of Men," an erotic tale about the first lady who was secretly a killer vampire from Filipino folklore. The book debuted. A few friends left reviews on Amazon. And then...nothing. Eight years later, the book suddenly popped into the Internet's crosshairs after Amazon gave Melania $40 million to produce a documentary about her life - a pile of money that smells suspicious to say the least. As a small gesture of protest, a subreddit called r/Boycott UnitedStates got wind of the book, and hatched a plan: What if all Amazon searches for "Melania" lead to the satirical monster book INSTEAD of the documentary? J.D. Boehninger joins Matt to discuss the online machinations that sent his 8-year-old book to the top of the Amazon charts. Disclosure: I have verified Mr. Boehninger's identity and authorship and am anonymizing his face and voice for this interview. This show is made possible by listener support: https://www.patreon.com/influencepod Listen & subscribe wherever you get podcasts:

Send us a textOur 2025 Reading Wrap Up 2.0 is here in all of its spoiler free glory! We're giving you our one sentence star and spice rating for every book we read from July to December of last year, so get your pad and pencil out to add to your TBR… or to cross some things off… depending on how you look at it. We're bringing you over 100 book reviews and then going over our yearly bookish goal recap from 2025 and reset for 2026.First and foremost, we want to thank each and every one of you for coming along with us on this amazing podcast journey. As we go over our bookish goals of 2025, we realize that we were able to cross SO MANY off the list because of you, like interviewing dream authors, reaching 1k on YouTube, and doing four bonus series! We've already accomplished one big one of 2026: moderating author panels at RomantasyCon! We hope to meet even more of our reading and podcast goals this year so we can continue bringing you fun content, and we know we will because of our book besties.

In this episode, Phil and Janelle talk about Rainforest Cafe, National Parks, astronaut statues, cruises, The Movie Quote Game, Fiction Books, vacation pants, Illinois, Six Flags Great America, and more.

Today’s caller wants to know about the easiest and most helpful tools to write a non-fiction book. Unfortunately, books do not write themselves, but we’ll give him three resources that might make it easier. Side Hustle School features a new episode EVERY DAY, featuring detailed case studies of people who earn extra money without quitting their job. This year, the show includes free guided lessons and listener Q&A several days each week. Show notes: SideHustleSchool.com Email: team@sidehustleschool.com Be on the show: SideHustleSchool.com/questions Connect on Instagram: @193countries Visit Chris's main site: ChrisGuillebeau.com Read A Year of Mental Health: yearofmentalhealth.com If you're enjoying the show, please pass it along! It's free and has been published every single day since January 1, 2017. We're also very grateful for your five-star ratings—it shows that people are listening and looking forward to new episodes.

What if one of the greatest ways we learn to understand each other… is through story?In this episode, Candace reflects on a moment from Open Book with Jenna Bush Hager, where author Emily Henry shares that the heart of fiction is learning to understand people who aren't like you. That idea opens a doorway into a deeper conversation about empathy, perspective, and the quiet ways books can shape who we become.Candace shares a thought Emily shared, how fiction invites us to enter a story carrying all our assumptions about the world — and then gently challenges them. Through characters, inner worlds, and lived experiences, we're offered intimate glimpses into people's traumas, upbringings, personalities, and choices. We begin to see not just what people do, but why.Candace shares how fiction has been one of her greatest teachers — a place where empathy is practiced, perspectives are softened, and understanding is expanded. While nonfiction has its own wisdom, fiction holds a unique magic: the ability to change how we see the world by helping us truly see each other.This episode is an invitation to reflect on the stories that have shaped you — the books that became part of you, the characters who cracked your heart open, and the ways reading may have quietly changed your world.Because sometimes, the most profound growth doesn't come from being told what to think…It comes from stepping into someone else's story and letting it change you.

Edel Coffey, novelist and columnist, and Kevin Power, author and assistant professor at Trinity College Dublin, join The Last Word to discuss their picks for the best fiction of 2025.Catch the full chat by pressing the 'Play' button on this page!

The Author Events Series presents Miriam Toews | A Truce That Is Not Peace In Conversation with Katy Waldman ''Why do you write?'' the organizer of a literary event in Mexico City asks Miriam Toews. Each attempted answer from Toews-all of them unsatisfactory to the organizer-surfaces new layers of grief, guilt, and futility connected to her sister's suicide. She has been keeping up, she realizes, a decades-old internal correspondence, filling a silence she barely understands. And we, her readers, come to see that the question is as impossible to answer as deciding whether to live life as a comedy or a tragedy. Marking the first time Toews has written her own life in nonfiction, A Truce That Is Not Peace explores the uneasy pact a writer makes with memory. Wildly inventive yet masterfully controlled; slyly casual yet momentous; wrenching and joyful; hilarious and humane-this is Miriam Toews at her dazzling best, remaking her world and inventing an astonishing new literary form to contain it. Miriam Toews is the author of the bestselling novels Women Talking, Fight Night, All My Puny Sorrows, Summer of My Amazing Luck, A Boy of Good Breeding, A Complicated Kindness, The Flying Troutmans, and Irma Voth, and two works of nonfiction, A Truce That is Not Peace and Swing Low: A Life. She is winner of the Governor General's Award for Fiction, the Libris Award for Fiction Book of the Year, the Rogers Writers' Trust Fiction Prize, and the Writers' Trust Engel/Findley Award. She lives in Toronto. Katy Waldman is a staff writer at The New Yorker, for which she writes about books, culture, and more. Previously, she was a staff writer at Slate and the host of the ''Slate's Audio Book Club'' podcast. She won the National Book Critics Circle's Nona Balakian Citation for Excellence in Reviewing in 2019 and the American Society of Magazine Editors's award for journalists under thirty in 2018; her work has appeared in The New York Times, The Washington Post, New York magazine, the Paris Review, and elsewhere. She lives with her husband and dog in Washington, D.C. Because you love Author Events, please make a donation when you register for this event to ensure that this series continues to inspire Philadelphians. Books will be available for purchase at the library on event night! All tickets are non-refundable. (recorded 9/3/2025)

This post contains affiliate links, which means I may earn a small commission at no extra cost to you.If you love cozy small-town romances, holiday charm, and stories that feel like emotional comfort food, this episode is for you. Today I'm chatting with fan-favorite author RaeAnne Thayne, whose Christmas novel Snow Kiss delivers all the warmth and heart of a Hallmark movie… with even deeper emotional layers.In our conversation, RaeAnne shares the inspiration behind Snow Kiss, her plotting process, why fake dating is her new favorite trope to write, and the joy of crafting holiday stories that remind readers to choose kindness. We also talk about her extensive backlist, her women's fiction summer releases, and her 2025 novel The Lost Book of First Loves. Plus—double book recs from RaeAnne across two different interviews!

Bestselling fantasy author Katie Cross is one of the most comfortable authors I have ever read. “Miss Mabel's School for Girls” is the first book in the Network Series. In this episode, Katie shares her journey as a writer, the inspiration behind her books, and the importance of engaging with readers. She discusses her unique approach to storytelling, character development, and the magic system in her works. Katie emphasizes the significance of mindset in overcoming challenges and the value of self-publishing. The conversation also explores the balance between family life and a writing career, as well as the impact of conventions on reader engagement. She can be found at https://katiecrossbooks.com/

Bestselling fantasy author Katie Cross is one of the most comfortable authors I have ever read. “Miss Mabel's School for Girls” is the first book in the Network Series. In this episode, Katie shares her journey as a writer, the inspiration behind her books, and the importance of engaging with readers. She discusses her unique approach to storytelling, character development, and the magic system in her works. Katie emphasizes the significance of mindset in overcoming challenges and the value of self-publishing. The conversation also explores the balance between family life and a writing career, as well as the impact of conventions on reader engagement. She can be found at katiecrossbooks.com/

An edited version of this conversation is now available as part of our collaboration with The Yale Review. Read it here: https://yalereview.org/article/shakespeare-and-company-interview-miriam-toewsTrigger warning: This is a tender, funny, and hopeful conversation, that inevitably touches on the subjects of suicide and depression. Please be advised before listening.In this moving and intimate discussion, Miriam Toews joins Adam Biles at Shakespeare and Company to talk about her memoir A Truce That Is Not Peace. Beginning with the question “Why do I write?”, Toews embarks on a deeply personal exploration of creativity, doubt, family, and loss. She reflects on her Mennonite upbringing, the deaths of her father and sister, and the ways in which writing—and laughter—have helped her make sense of pain and love. With warmth, wit, and clarity, Toews examines the limits of narrative, the pull of silence, and the stubborn hope that persists in the face of despair. A meditation on grief, rebellion, and the meaning of home, this is a conversation about how to keep living, and how to keep creating, when life itself resists coherence.Buy A Truce That Is Not Peace: https://www.shakespeareandcompany.com/books/a-truce-that-is-not-peace*Miriam Toews is the author of the bestselling novels Women Talking, All My Puny Sorrows, Summer of My Amazing Luck, A Boy of Good Breeding, A Complicated Kindness, The Flying Troutmans, Irma Voth, Fight Night and one work of nonfiction, Swing Low: A Life. She is the winner of the Governor General's Award for Fiction, the Libris Award for Fiction Book of the Year, the Rogers Writers' Trust Fiction Prize and the Writers' Trust Engel/Findley Award. She lives in Toronto.Adam Biles is Literary Director at Shakespeare and Company.Listen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Hosted on Acast. See acast.com/privacy for more information.

We're kicking off our Best Books of 2025 coverage with a special episode dedicated to fiction. First, Lily King joins us to discuss Heart the Lover (Grove, September 30), one of Kirkus' Best Fiction Books of the year. Then fiction editor Laurie Muchnick dishes on the year's best novels and story collections. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Our website - www.perksofbeingabooklover.com. Instagram - @perksofbeingabookloverpod Facebook - Perks of Being a Book Lover. To send us a message go to our website and click the Contact button.   You can find JH Markert at jamesmarkert.com or on IG at @jamesmarkert74   This week we chat with JH Markert who we spoke to pre-Covid in the before times when he was writing historical fiction. Over the last couple of years, he has changed gears and returned to the genre that first made him an avid reader: horror. JH has been cranking out horror novels and finding a great deal of success with them. We catch up with James and discuss his transition to horror and what that has been like after writing five previous historical fiction novels.  His most recent release that came out in September, Spider to the Fly, is dark horror suspense that deals with a serial killer, a true crime influencer, and a family with some bizarre dynamics.    And for our book rec section, we are talking about notable nonfiction. These are nonfiction books we've read in the last year that have made us think differently about a topic or stood out for us in some way (even though these books might not have been published in the last year). We'll talk about a micro-history, a biography, a true crime, a memoir, a study of morality and politics, and a niche book about cussing.    Books Mentioned In This Episode:   1- Spider to the Fly by J.H. Markert  2- Molokai by Alan Brennert 3- A White Wind Blew by James Markert 4- Nightmare Man by J.H. Markert  5- Mr. Lullaby by J. H. Markert 6- Sleep Tight by J.H. Markert  7- Midnight at the Tuscany Hotel by James Markert  8- The River is Waiting by Wally Lamb 9- Dietrich Bonhoeffer: In the Midst of Wickedness by Janet and Geoff Benge  10-The Vanishing Place by Zöe Rankin  11- Five Star Read by a Fellow Book Lover Jasper Adams-Smith - Be Kind, My Neighbor by Yugo Limbo  12- For F*ck's Sake: Why Swearing is Shocking, Rude, and Fun by Rebecca Roache  13- The Woman Who Smashed Codes: A True Story of Love, Spies, and and the Unlikely Heroine Who Outwitted America's Enemies by Jason Fagone  14- The Bookshop: A History of the American Bookstore by Evan Friss  15- The Righteous Mind: Why Good People are Divided by Politics and Religion by Jonathan Haidt  16- Playing to Lose: How a Jehovah's Witness Became a BDSM Model by Ariel Anderssen  17- The Carpool Detectives: A True Story of Four Moms, Two Bodies, and One Mysterious Cold Case by Chuck Hogan  18- The Friend by Sigrid Nunez   Media Mentioned:   1- The Friend (2024) 2- Chief of War (Apple +, 2025) 3- The Outsider (HBO Max 2019) 4- Sinners (2025) 5- Nosferatu (2025)  

When you listen to your innermost thoughts, your best work will come out. In today's episode, I want to give you a behind-the-scenes look at what it's like to write a book proposal and get your book purchased in the traditional publishing world. I want to share a preview of where I am in the process, what is required, and some “words of warning” for things that you may encounter along the way; things I didn't anticipate and would have appreciated a heads up on!  Connect with Abagail⁠⁠⁠⁠⁠ ⁠⁠⁠⁠Instagram ⁠⁠⁠⁠All the Links!⁠⁠⁠ I want to thank my loyal listeners for being part of this space where you can show up fully and share openly. I'd like the Strategy Hour to evolve, so if it's helped you, please share it with someone else who can benefit from this community.  Episode Highlights Where I am In My Publishing Journey [0:03:00]   What You Need to Know About Writing a Non-Fiction Book Proposal [0:05:46] Writing on Demand and Finding Inspiration [0:16:38]  Letting Your Work ‘Live', Grow, and Evolve [0:26:10]  Special Thanks to Our Advertiser ⁠⁠FreshBooks⁠⁠⁠⁠⁠ Thank you for listening! Please subscribe, rate, and review The Strategy Hour Podcast on iTunes. Ratings and reviews are extremely helpful and greatly appreciated. For show notes, go to thestrategyhour.com.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Miriam Toews is the author of the bestselling novels Women Talking, All My Puny Sorrows, Summer of My Amazing Luck, A Boy of Good Breeding, A Complicated Kindness, The Flying Troutmans, Irma Voth, Fight Night and one work of non-fiction, Swing Low: A Life. She is the winner of the Governor General's Award for Fiction, the Libris Award for Fiction Book of the Year, the Rogers Writers' Trust Fiction Prize and the Writers' Trust Engel/Findley Award. On this episode of Little Atoms she talks to Neil Denny about her latest work of non-fiction A Truce That Is not Peace. Note: Contains discussion of suicide. Hosted on Acast. See acast.com/privacy for more information.

Let's Think About "Fiction Books" With Special Guest Ralph Griffith Ralph shares her thoughts on fiction books, reminding people there is always some truth behind the fiction. While learning about Ralph, we discussed his many books and the idea of becoming immortal through writing. This episode aims to make you think.   To stay in touch, please visit his website, https://www.ralphgriffith.org/, to learn more about Ralph.

"If you could write about anything you want to write about what would it be?"....Welcome to Episode #117:I am excited to introduce you to Janet's Constantino's beautiful debut fiction novel 'Becoming Mariella'. This is a deep and rich conversation about her gem of a book and writing journey. We discuss in depth Janet's Sicilian-American heritage, navigating traditional values and family expectations. There are many wonderful tangents in this conversation - we talk travel and Italy and how place can be a powerful magnet without really know why, yet something deep inside of us resonates with certain places. We go on a true journey navigating her book ‘Becoming Mariella' and our personal experiences of following our own paths and breaking free! Get ready for a beautiful conversation with two women talking about life, writing, Italy and the journey of Becoming Mariella! Visit Janet Constantino - Becoming MariellaInstagram - Janet ConstantinoFind all Shownotes at  MichelleJohnston.lifeA Writer in Italy InstagramMichelle's Books© 2025  A Writer In Italy - travel, books, art and lifeMusic Composed by Richard Johnston © 2025Support the show

How to write a historical fiction book w/Rick SkwiotThe Bootlegger's BrideHere's a murder mystery that's filled with gritty family drama, historical fiction, and a coming-of-age tale – all combined into one. Spanning Prohibition, The Great Depression, World War ll, and the Vietnam War, THE BOOTLEGGER'S BRIDE – written by veteran journalist and professor, RICK SKWIOT, offers something for every reader! A perfect summer read!Link:https://www.rickskwiot.com/Tags:Author,Best-Selling Author,Books,Fiction,Historical Fiction,Podcast,Podcasting,Phantom Electric Ghost Podcast,Podmatch,InterviewSupport PEG by checking out our Sponsors:Download and use Newsly for free now from www.newsly.me or from the link in the description, and use promo code “GHOST” and receive a 1-month free premium subscription.The best tool for getting podcast guests:https://podmatch.com/signup/phantomelectricghostSubscribe to our Instagram for exclusive content:https://www.instagram.com/expansive_sound_experiments/Subscribe to our YouTube https://youtube.com/@phantomelectricghost?si=rEyT56WQvDsAoRprRSShttps://anchor.fm/s/3b31908/podcast/rssSubstackhttps://substack.com/@phantomelectricghost?utm_source=edit-profile-page

A deep-dive with author Nat Eliason on writing his first novel Husk, transitioning from nonfiction to fiction, using AI for editing, and choosing self-publishing over traditional routes.  

Send us a text“Ready to fast-track your book-writing dreams with ChatGPT—without losing your authentic voice? Doing something different in today's episode, because I'll walk you step-by-step through my proven AI Book Writing Formula—perfectly tailored for coaches, therapists, and heart-centered entrepreneurs eager to attract ideal clients with a nonfiction or self-help book. To watch this in action, I suggest you head over and watch the podcast on YouTube where I'm creating an AI Book Writing Playlist. But even on audio, I'm sure it's helpful. I'll take you through the proven 9 steps to go from idea to holding the finished book in your hands. And how to do it AI assisted with ChatGPT, Claude or Gemini and other AI tools. Stay to the end to get my free prompt Author Cheat Sheet. Watch me demonstrate how easy it is to use powerful ChatGPT prompts to write your book faster, smarter, and with greater ease—while still sounding 100% like YOU. I'll show you how to become a true Prompt Ninja: creatively collaborating with AI without losing your authentic voice. What You'll Learn:✅ How to go from idea to published book with ChatGPT as your co-author✅ How to craft a magnetic title, hook, and outline✅ Why now is the BEST time to write your book✅ Real prompts you can use right away✅ The mindset shift to write with confidence and clarity

Hannah's Children: The Women Quietly Defying the Birth Dearth by: Catherine Pakaluk The Rise and Decline of Nations: Economic Growth, Stagflation, and Social Rigidities by: Mancur Olson This Kind of War: A Study in Unpreparedness by: T. R. Fehrenbach Fight: Inside the Wildest Battle for the White House by: Jonathan Allen Original Sin: President Biden's Decline, Its Cover-Up, and His Disastrous Choice to Run Again by: Jake Tapper and Alex Thompson Meditations by: Marcus Aurelius The Gap and The Gain: The High Achievers' Guide to Happiness, Confidence, and Success by: Dan Sullivan and Benjamin P. Hardy

Why should Christians spend time reading fiction books? In this episode of the Missions Podcast, Alex and Scott talk with Dr. Marvin Newell, an accomplished missiologist, author, and missionary as they explore Newell's recent foray into fiction writing with his novel Taking You Under My Skin, a historically grounded narrative set during the Vietnam War. The story not only reflects a gripping tale of survival and love but also serves to awaken readers to the needs of unreached people groups, using fiction as a powerful tool for mobilization and imagination. Dr. Newell explores the often-overlooked role of imagination in Christian discipleship and missions as well as emphasizing the importance of Bible translation and storytelling in making the gospel accessible. Key Topics: The value of fiction in mobilizing Christians for missions. Summary of Taking You Under My Skin, Newell's fiction novel set during the Vietnam War. Use of redemptive analogies to communicate the gospel cross-culturally. Fiction and Non-Fiction Book recommendations for missions-minded believers and missionaries. Download the transcript for this episode. Do you love The Missions Show? Have you been blessed by the show? Then become a Premium Subscriber! Premium Subscribers get access to: Exclusive bonus content A community Signal thread with other listeners and the hosts Invite-only webinars A free gift! Support The Missions Show and sign up to be a Premium Subscriber at missionsshow.com/premium The Missions Show is powered by ABWE. Learn more and take your next step in the Great Commission at abwe.org. Want to ask a question or suggest a topic? Email alex@missionsshow.com.

Why should Christians spend time reading fiction books? In this episode of the Missions Podcast, Alex and Scott talk with Dr. Marvin Newell, an accomplished missiologist, author, and missionary as they explore Newell's recent foray into fiction writing with his novel Taking You Under My Skin, a historically grounded narrative set during the Vietnam War. The story not only reflects a gripping tale of survival and love but also serves to awaken readers to the needs of unreached people groups, using fiction as a powerful tool for mobilization and imagination. Dr. Newell explores the often-overlooked role of imagination in Christian discipleship and missions as well as emphasizing the importance of Bible translation and storytelling in making the gospel accessible. Key Topics: The value of fiction in mobilizing Christians for missions. Summary of Taking You Under My Skin, Newell's fiction novel set during the Vietnam War. Use of redemptive analogies to communicate the gospel cross-culturally. Fiction and Non-Fiction Book recommendations for missions-minded believers and missionaries. Download the transcript for this episode. Do you love The Missions Podcast? Have you been blessed by the show? Then become a Premium Subscriber! Premium Subscribers get access to: Exclusive bonus content A community Signal thread with other listeners and the hosts Invite-only webinars A free gift! Support The Missions Podcast and sign up to be a Premium Subscriber at missionspodcast.com/premium The Missions Podcast is powered by ABWE. Learn more and take your next step in the Great Commission at abwe.org. Want to ask a question or suggest a topic? Email alex@missionspodcast.com.

Richard Harris and Cheryl Chumley discuss her "Bold and Blunt" podcast, her new fiction book, Chloe. "Chumley is an in-demand public speaker and media guest whose publication credits include The Blaze, The Washington Times, the Washington Examiner, the Heritage Foundation, and more. She has made hundreds of appearances on national and local television and radio (including Fox News, C-SPAN, CBN, and Newsmax TV), and in person at various forums and events, including the NRB Convention. Chumley has been an NRB member since 2023.

In this Jessica Guerrieri interview, we discuss her debut, Between the Devil and the Deep Blue Sea, and how 12 years of sobriety shaped this unforgettable tale.Between the Devil and the Deep Blue Sea is a raw and emotionally resonant debut that examines the insidious nature of alcohol addiction and how it distorts relationships, parenting, and one woman's self-perception. In this conversation, Jessica shares how her twelve-year sobriety journey shaped the story and why telling the truth about addiction matters.In this heartfelt and powerful conversation, Jessica and I discuss:How Jessica's sobriety journey helped her write Leah's addiction story with such emotional clarityThe mental gymnastics of addiction—and what she wants readers to understand about recoveryHow the sober community rallied around her and helped usher her novel into the worldThe truths about AA meetings that might surprise readersWhy she chose to blur the lines between literary fiction and women's fiction in her genre-bending debutBONUS BOOK LIST: This week, I'm sharing a companion book list of 19 addiction fiction reads, including new releases and backlist titles, that speak to the ripple effects of substance use across families and generations.Meet Jessica GuerrieriOriginally from the Bay Area, Jessica Guerrieri lives in Davis, California, with her husband and three young daughters. Jessica has a background teaching special education but left the field to pursue a career in writing. Her debut novel, Between the Devil and the Deep Blue Sea, won the Maurice Prize for Fiction from her alma mater, UC Davis. With over a decade of sobriety, Jessica is a fierce advocate for addiction recovery.Mentioned in this episode:Browse the 2025 MomAdvice Summer Reading Guide (with ads) or download the 39-page reading guide  ($7) to support our show. If you are a show patron, check your inbox for your copy as part of your member benefits—thank you for supporting my small business!  Join the May Book Club Chat (Beautyland)19 Addiction Fiction Books to Read NowBetween the Devil and the Deep Blue Sea by Jessica GuerrieriThe Bright Years by Sarah DamoffLara Love HardinHappy Women DinnersThe Shit No One Tells You About WritingBoth Can Be True by Jessica GuerrieriConnect With Us:Join the Book Gang PatreonConnect with Jessica on Instagram or her WebsiteConnect with Amy on Instagram, TikTok, or MomAdviceGet My Happy List NewsletterGet the Daily Kindle Deals NewsletterBuy Me a Coffee (for a one-time donation)

Today we are thrilled to speak with USA Today best-selling author Camy Tang, about her journey as a writer and her innovative marketing strategies. Listen as Camy shares her experiences with blogging, Patreon, and Kickstarter, emphasizing the importance of understanding your audience and leveraging your strengths to connect with your readers. Grab your pen and paper and take notes on this one, you guys, because she is a treasure trove of creativity! For show notes go to https://writingoffsocial.com/61

Climate Fiction, or Cli-Fi, is a growing branch of literature that deals with the effects of climate change on human society. Looking to dive in? We're hoping to help!The Light Pirate discussion: https://www.youtube.com/live/Fyfo52LwJ5k?si=APqXqDlTF6RZcAC7Alees IG https://www.instagram.com/literatelyalees/Alees YT https://www.youtube.com/@literatelyaleesBooks Mentioned + more recs https://bookshop.org/lists/climate-fiction-talk-bookish-to-me-podcastPatreon https://www.patreon.com/talkbookishpodcastInstagram https://www.instagram.com/talkbookishpodcast/Merch https://www.bonfire.com/store/talkbookishpodcast/Interested in being a guest on the podcast? https://forms.gle/KtaEnr2Z8eKi6E1x8

Ever dreamed of writing your own book but felt overwhelmed by the process? What if I told you that you could have it done in just 60 days without sacrificing quality? Today, we're sitting down with Stephanie Chandler, a leading expert in non-fiction book publishing, to break down exactly how you can make this happen.  Join The Co-op - The Membership for Online Businesses Connect with Abagail Instagram All the Links! Episode Highlights Why Small Business Owners Should Consider Writing a Book [0:01:18]  How to Write a Non-Fiction Book in 60 Days [0:04:48] What You Need to Do to Make Sure Your Book is Different [0:10:24] Knowing Where to Start When You Have Too Many Ideas [0:14:55] Finding Your Own Unique Voice [0:19:48] How to Choose the Right Tools [0:24:59] Self-publishing Versus Traditional Publishing [0:29:04] Publishing in a Changing World [0:31:47] Our Sponsor: FreshBooks get 70% off for 4 months Thank you for listening! Please subscribe, rate, and review The Strategy Hour Podcast on iTunes. Ratings and reviews are extremely helpful and greatly appreciated. For show notes, go to bossproject.com/podcast.