Podcasts about Jay Livingston

La cigonya ve de Tailàndia. Crítica teatral de l'obra «Plaer culpable», de Lara Díez Quintanilla. Intèrprets: Francesc Ferrer i Mar Ulldemolins. Amb la col·laboració especial en off de Laura Aubert, Biel Duran, Carles Martínez, Mercè Montalà, Queco Novell i Mercè Pons. Escenografia: Enric Planas. Vestuari: Ariadna Julià. Il·luminació: Marina Collado. Caracterització: Imma Capell. Producció executiva: Hèctor Claramunt. Regidoria: Clàudia Navas. Cap tècnic del teatre: Roger Muñoz. Màrqueting i comunicació: Focus. Reportatge fotogràfic: David Ruano. Disseny gràfic: Ivan Cuadros. Enregistrament vídeos: Carla d'Arnaude i Roger March. Edició vídeos: Felipe Bravo. Amb el suport de la Generalitat de Catalunya - ICEC Institut Català de les Empreses Culturals. Producció de Nakatomi. Ajudant de direcció: Ramon Bonvehí. Direcció: Lara Díez Quintanilla. Teatre Goya, Barcelona, 12 gener 2025. Veu: Andreu Sotorra. Música: Whatever will be (Que sera, sera). Interpretació: Doris Day. Composició: Jay Livingston i Ray Evans. Àlbum: Doris Day, 1992.

Time Out es un disco de 1959 (originalmente catalogado como CS 8192) del Dave Brubeck Quartet. Es caracterizado por piezas compuestas en compases musicales inusuales en el jazz contemporáneo al disco, incluyendo vals y vals de doble tiempo, como también compases de 9/8 y de 5/4, este último en una de las obras más famosas del grupo, Take Five, la cual fue compuesta por Paul Desmond. Aunque el disco fue concebido como un experimento (supuestamente el presidente de la productora Columbia Records, Goddard Lieberson, tomaba un riesgo al lanzarlo) y recogió críticas negativas luego de su lanzamiento, se transformó en uno de los más famosos y mejor vendidos discos de jazz de la historia, y su sencillo Take Five se convirtió en un estándar del género musical. Time Out Artículo Discusión Leer Editar Ver historial Herramientas Apariencia ocultar Texto Pequeño Estándar Grande Anchura Estándar Ancho Color (beta) Automático Claro Oscuro Time Out Álbum de Dave Brubeck Quartet Publicación 1959 Género(s) West Coast jazz Duración 38:21 Discográfica Columbia Records Productor(es) Teo Macero [editar datos en Wikidata] Time Out es un disco de 1959 (originalmente catalogado como CS 8192) del Dave Brubeck Quartet. Es caracterizado por piezas compuestas en compases musicales inusuales en el jazz contemporáneo al disco, incluyendo vals y vals de doble tiempo, como también compases de 9/8 y de 5/4, este último en una de las obras más famosas del grupo, Take Five, la cual fue compuesta por Paul Desmond. Aunque el disco fue concebido como un experimento (supuestamente el presidente de la productora Columbia Records, Goddard Lieberson, tomaba un riesgo al lanzarlo) y recogió críticas negativas luego de su lanzamiento, se transformó en uno de los más famosos y mejor vendidos discos de jazz de la historia, y su sencillo Take Five se convirtió en un estándar del género musical. Producción A pesar de que la temática y el propio título de Time Out giran en torno a lo poco frecuente que son los compases en las cuales están compuestos los temas, la cuestión puede ser analizada con más detenimiento. "Blue Rondo à la Turk" comienza con un compás de 9/8 (mismo ritmo de la danza turca zeybek, equivalente a la griega zeibekiko), pero con la poco tradicional subdivisión de 2+2+2+3 (el patrón normal para el 9/8 es 3+3+3), y los solos de saxo y piano están en 4/4. "Blue Rondo à la Turk" no está basada en "Rondo alla Turca", de la Sonata para piano nº 11 de Mozart, sino en un ritmo turco que Brubeck había escuchado.1​ "Strange Meadow Lark" comienza con un solo de piano sin una métrica definida, para luego asentarse en un ritmo corriente de 4/4 cuando se incorpora el resto de los instrumentos. "Take Five" se mantiene en 5/4 de comienzo a fin, excepto en el solo de batería. "Three to Get Ready" se inicia en ritmo de vals y luego alterna entre dos ritmos, el 3/4 (propio del vals) y dos de 4/4. "Kathy's Waltz" comienza en 4/4 y más adelante cambia a un vals doble, para luego fusionar ambos ritmos. "Everybody's Jumpin'" se desarrolla principalmente en un 6/4 flexible, mientas que "Pick Up Sticks" se afirma en un claro y regular 6/4. Emeki además de contar con una excelente producción, resulta ser un ejercicio de pura espontaneidad y frescura. Un disco sincero, sin más artificio que la recreación del instante en clave de pura elegancia jazz. Un trabajo que gira en torno a la búsqueda de identidad propia. Sutil, parte de sólidas premisas y nos propone el encuentro con ese momento irrepetible a través de la improvisación. Composiciones como Whisper not del saxofonista, compositor y arreglista norteamericano Benny Golson o Blue in Green, una composición original de Bill Evans y Miles Davis que aparecería en el aclamado disco Kind of Blue de este último, dotan al trabajo de una impronta poco frecuentes. La banda transita suavemente por los dinámicos e improvisados pasajes de In love in vain, una composición original de Jerome Kern para deleitarnos con la deliciosa adaptación de Over the rainbow. Rafa Aceves escribe Marian como homenaje a su hermana, una composición que pone de manifiesto, tanto la sensibilidad como el talento compositivo de su autor. La banda recrea la figura del pianista norteamericano Herbie Hancock en Dolphin dance, obsequiándonos nuevamente con la delicadeza siempre muy presente a lo largo de este trabajo en Never let me go, del compositor Jay Livingston para finalizar con la recreación de la canción popular La Tarara, recuperada y adaptada en su momento por el poeta y dramaturgo Federico García Lorca. Emeki está escrito con ese lenguaje aún por descubrir, imprevisible y sutil. Ese lenguaje delicado y sin palabras donde subyace entre millones de probabilidades, la opción precisa. Ese instante concreto y no otro. Una nota que fugazmente nos desvela la verdadera esencia de un artista en busca de lo extraordinario, en busca de lo que es.

In this episode, composer, lyricist, and playwright Spencer Robelen discusses musical theater in the films of Alfred Hitchcock, from his early silent movies to Waltzes from Vienna to Stage Fright to The Man Who Knew Too Much (1956). We also talk about the song "Miss Up-to-Date" from his 1929 film Blackmail. You can write to scenetosong@gmail.com with a comment or question about an episode or about musical theater, or if you'd like to be a podcast guest. Follow on Instagram at @ScenetoSong and on Facebook at “Scene to Song with Shoshana Greenberg Podcast.” And be sure to sign up for the new monthly e-newsletter at scenetosong.substack.com. Contribute to the Patreon. The theme music is by Julia Meinwald. Music played in this episode: "Like a Star in the Sky" from Waltzes from Vienna "With All My Heart" from Waltzes from Vienna "The Laziest Gal in Town" by Cole Porter, sung by Marlene Dietrich in Stage Fright "Que Sera Sera" by Jay Livingston and Ray Evans, sung by Doris Day in The Man Who Knew Too Much (1956) "Miss Up-to-Date" by Billy Mayerl and Frank Eyton, sung by Cyril Ritchard in Blackmail

This is a difficult artistic puzzle to sort out: a) Why is this, Doris Day's signature song, the only cover that Sly ever recorded?; and, b), Is its delivery of “cheerful fatalism” a positive or a negative? The motto, cribbed by song writers Jay Livingston and Ray Evans for the Hitchcock film THE MAN WHO KNEW TOO MUCH, from another film THE BAREFOOT CONTESSA, has a rich history of memento mori application going back centuries, and yet, here it appears in a fresh, compelling funk version for the modern era. It's a brain teaser.For me it's all positive, albeit bittersweet. The young woman, voiced by Sly's sister Rose, asks her mother and lover to allay her apprehensions about the future, and Sly, taking the lead on the response, bursts into an ecstatic response: “Whatever will be, will be…” which turns the angsty inquiry on its head. BE HERE NOW, is the imperative. The future will take care of itself. 

Today is a special day—we're celebrating our 100th episode! For this milestone episode, we're diving into a theme at the heart of enablement: making the impossible, possible. In today's business landscape, only 28% of sellers expect to hit their quota. So how can you enable your teams to overcome the challenges of the current market to achieve consistent go-to-market success? Shawnna Sumaoang: Hi and welcome to the Win Win Podcast. I'm your host, Shawnna Sumaoang. Join us as we dive into changing trends in the workplace and how to navigate them successfully. In this episode, we'll hear from nine leaders who transformed challenges into business outcomes, delivering impact against their go-to-market initiatives through enablement. From earning leadership buy-in to aligning go-to-market teams and boosting productivity, these leaders enable the impossible for their businesses. We hope their stories will inspire you to push boundaries and redefine what's possible in your organization. Driving consistent revenue growth can feel impossible when silos divide sales, marketing, enablement, and revenue operations. A unified enablement approach can break down these barriers and drive measurable impact. But how do you demonstrate the value of enablement to stakeholders and secure their long-term support? In this part, we'll hear Pam Dake, senior director of GTM enablement at Menlo Security, share her success story for gaining leadership buy-in. Pam Dake: My name is Pam Dake and I work for Menlo Security, a cybersecurity company that actually has just surpassed a hundred million ARR. One of the bigger challenges that I’ve had recently has been in aligning the executive teams in order to really, truly understand how to be impactful, leveraging the go to market motion in a way that not only lands the big deal, but also allows us to have a very productive and valuable customer relationship long term. And so for me, it’s been gaining the opportunity to have that meeting with all of these critical stakeholders, have them see value. Each and every time that you meet with them, so that they feel like they’re getting something out of that meeting where it’s actually really driving the business forward in ways that they may not have seen initially. And so for me, it’s been setting up a recurring meeting with those folks who are the most senior and executive in the company to be able to drive forward what sales needs, which actually is driven primarily from what sales needs. Really, our customers are looking for from us as a company. Be tenacious about how you’re able to make a difference with aligning their internal stakeholders and really driving forward the programs that will make a difference, not only in the short term and the long term. So as you consider the strategy that you’re building. Ensure that you have your other internal stakeholders aligned and do that in ways that create value for them so that they can see the impact. One of the things that we talked about earlier was data. Leverage the data that you have on hand. Leverage tools that provide you with that really impactful data that provide you with insight into the leading indicators that will actually drive the business longer term with the lagging ones. So the bottom line is really taking an outside in approach with what you’re doing from an enablement lens. How does this impact my customers? Therefore, how am I able to build the best programs that I can that will enable My internal stakeholders, my internal teams, in order to be successful and provide value to our customers, not only in the short term with what wins they’re able to achieve, but how they’re able to grow and develop the relationships over time. SS: You need stakeholder buy-in to break down silos and align your go-to-market teams – but why is that alignment so critical? Without it, you can't coordinate, plan, and execute the initiatives needed to drive the business outcomes that matter most. And when 90% of organizations fail to execute their strategies successfully, it clearly takes more than guesswork to achieve those outcomes. So how can you define, execute, and optimize your go-to-market initiatives to deliver unprecedented impact? In this part, we'll hear stories from enablement leaders who brought key go-to-market initiatives to life through enablement. First, let's start with a common initiative that impacts teams across the go-to-market organization: product launch. Effectively bringing a new product to market can make or break your revenue targets. We'll hear from Chris Wronski, senior program manager at Keysight, on how he helped deliver a product launch that contributed to the first revenue growth in seven years despite a tough market. Chris Wronski: My name is Chris Wronski. I’m a Senior Program Manager at Keysight Technologies, and I am the architect behind our Highspot implementation. The last couple years have been very difficult in the, across the entire industry, right? Every, many companies are talking about it, us included. If you go pull our quarterly info, you can see the last seven quarters have been very difficult for us. So what I talked about earlier, the focus on new product introductions. That’s an opportunity for us to make some hay. That’s an opportunity for a, we’ve got a brand new product, we’ve got a brand new reason to go talk to customers. Even if they have no opportunities, at least go explain to them what we’ve got, right? There might be something in there. We’ve done a lot of work around building sales plays in a way that the seller can consume it and trying to crush it down. Really, um, aggressive simplicity is what I would call it. But by building that in and giving them just a little bit of info to start the discussion in a way that we knew you could start that discussion with nearly any customer, that’s enough to get the ball rolling and let them go do their sales job. We’ve done a ton of pushing training to them. I can see that in the numbers. I can see when we do our training. I can see the following week there’s a huge spike in people going to those sales plays and looking at them and using them. And so, Last quarter we, we turned the curve, right? Turned the knee of the curve and brought back at least a little bit of growth. We were positive for the first time in seven quarters. SS: Next, let's dig into an initiative that is likely on the minds of many GTM leaders with the new year around the corner: sales kickoffs and events. Starting off a year on the right foot can provide a business with momentum that carries through the rest of the year. Brooke Cole, manager of global field readiness at Workato, shares with us how her team drove an impressive boost in NPS with their first in-person SKO events. Brooke Cole: My name is Brooke Cole, and I’ve been at Workato for almost three years. A business challenge that myself and my team have overcome that we’re really proud of is probably our first in-person SKO events that we executed earlier this year. Because of COVID and just the nature of the world, we had been unable to get together in person as a collective regional team. Really, ever. We hadn’t. We had one scheduled, and then we had to cancel it, of course. Uh, so, earlier this year, our team, we ended up doing it regionally. So, in North America, in APJ, and in EMEA, our team was tasked with putting on three different SKO events within three to four weeks. And we traveled to each one of them. And the way that we overcame that really was just a sense of teamwork and camaraderie. We built trust with one another. We had really open dialogue and communication. And we really used our skill sets and our collaboration. To put on an event that got an NPS score of 85 globally. We heard the phrase, this is the best SKO we’ve ever had. And truly, to be fair, it’s the only one we’ve ever had in person. But people left jazzed, and they left inspired, and we leveraged Highspot as a part of that. Going into this next year, this is the second year where Highspot will be our landing page for our global event that we’re having, and so it’s going to be the Know Before You Go, and we did that as a trial period last year, and it worked out really well. The traffic was great when people had questions, we were able to direct them to Highspot for that, and I think we were proud overall of just the vision that we put together. And how we executed the tools and the apps that we already had at hand in order to bring everybody together in a centralized place to give them the awareness and create excitement around the events. SS: Now, we're diving into an initiative that can have a profound impact on productivity: the sales process. Research shows that just 28% of a rep's time goes to selling, and an optimized sales process can help you streamline workflows and save time. Let's hear from Jay Livingston, head of enablement at Corporate Visions, on how his team is improving the sales process and delivering time savings as a result. Jay Livingston: I’m Jay Livingston. I lead Global Sales Enablement at Corporate Visions. I remember when I got involved in enablement, one of the things that I learned is that sellers spend an inordinate amount of time each month preparing their own content. They have a lot of goals. so we in a headquarters environment have time to sit around and think about how to improve some of these processes. Salespeople don’t, right? They’re running from call to call, always trying to be ready to meet that moment. And so one of the, one of the main challenges I’ve been focused on quite honestly for more than just the last couple of years at CVI is how do we make. Content and resources and tools and assets more purpose driven more readily available, more easily findable, and then more from a usability perspective, make it easier for, again, for those sales folks to be able to execute in those moments. And so I remember when we first rolled out Highspot here back a few months ago one of the things that, that a member of my team Eric is a VP on our team, would say, man, he’s I just, I don’t have time to do all the things that I need to do because I’m constantly getting emails or messages or slacks about, hey, where’s this and where’s this and where’s this, Highspot literally I no longer have to field any of those calls. As a matter of fact, when we were here in August, I had a chance, we were sitting around the table to share a story that just in the month, I think we had been maybe a month in at that point the amount of time that Eric has been able to get back in his day. To not have to field those annoying, it can be very annoying requests, right? Because how many times do we tell our sellers where things are, how to use them, right? And you almost wonder sometimes, are they listening, right? Are we not communicating it effectively? All of a sudden now we’re seeing literally no request for where is this? How do I use it, right? And so again, what I would say is it’s not bulletproof, right? There’s always going to be opportunities to improve. But one of the hallmarks of the way that I’ve tried to lead enablement organizations is to really have it boil down to two things. One, what is the seller’s, or what is your colleague’s ability to be able to execute in this moment? We can lean into the ability to help them get better. And two, what is their willingness? And willingness, oftentimes, is influenced by how easy something is to execute. And so if we can remove the willingness component, then we can just focus squarely on the ability. And so as we continue to move forward those are really the two things that, that we continue to evaluate ourselves by. Are we making it simple? And how are we helping folks coach or how are we coaching folks to get better and to be more effective and to utilize these amazing tools and opportunities that we all have SS: And now, let's talk about an initiative at the heart of enablement: training. When done right, sales training can drive the behavior change reps need to consistently hit their targets–but often, that can be easier said than done. Let's hear Anthony Doyle, director of sales enablement at Turnitin, explain how he revitalized training and ultimately improved seller engagement. Anthony Doyle: My name is Anthony Doyle, and I'm the director of sales and development at Turnitin. In terms of overcoming really difficult problems, the biggest problem is engagement—engagement from the sales teams, leaning into the enablement programs, spending time, and investing their time in their own development. I think that's what we've seen a real uptick on and success on in the past, maybe six to twelve months. We've seen a change in attitude. We're getting success now when launching new training programs. People are leaning into them, they're completing them, and they're giving us good feedback too, which is something that I probably never thought I would have said twelve months ago because we started investing a lot of time and building a lot of training, but then that wasn't really getting consumed. It was very difficult to get managers to even back us up and roll it out with our teams. Whereas now, when I've just presented to the go-to-market team on a go-to-market all-hands, strategy for the sales academy, there was just a lot of love in the room. A lot of people saying, ‘This is fantastic. We can't wait to see it in action and get our hands on it.’ So we had a lot of good feedback from that session. And that's really pleasing for me because it means that the strategy was the right strategy. I think the message for teams and enablement teams out there, if you are getting those challenges with engagement, is to keep at it, show value, and really drive those proof points. Get those wins regionally with teams who will engage, then present it in a very easy-to-consume way, and in a way that the teams can feel confident about engaging with. You will see the results, and the tide will turn. So that's something I'm proud of. SS: Next, let's explore an initiative that drives long-term impact—coaching. Effective coaching helps sellers apply newly acquired knowledge to maximize their performance. Let's hear from Andrea Holzwarth, VP of Sales Enablement and Customer Operations at Project Lead The Way, on how she supports ongoing coaching to help reps sharpen their skills. Andrea Holzwarth: We see a lot of value in coaching and training. We have our senior directors, our sales managers, really providing that one-to-one support for our reps out in the field. And we want them to be able to have those coaching conversations and the meeting intelligence helps with that. So we can see the calls. What is that? What’s going well? Maybe what are they struggling with? But I think a lot of times. I say this, that it’s easier to edit than it is to get started, and so having that AI feedback automatically in there it’s helpful, that’s a starting point. And then our senior directors, our sales managers can go in, provide more of that personalized coaching that they may see, but it gives them a starting point. One of the other benefits that I see with Meeting Intelligence is I just think about as a sales rep being in the field especially virtually now that we’re, all we do is meet virtually. It feels like we’re in the, we actually go to schools and districts too, but I would have loved it when I was a sales rep to just see, I think I know how I show up on camera or how I’m speaking to a customer, but, It is so helpful to go back and record and just see man, I said “um” a lot. So it helps with some of that coaching too. SS: And to close out, we asked our guests for advice on how they enable the impossible in their organizations. Here are a few tips from Suzanne Heller of Flight Centre Travel Group, Jennifer Shelley of QuidelOrtho Corporation, and Susan Kinser of Net Health Systems to help you take your enablement efforts to the next level. Suzanne Heller: Just go for it. Because we have the tools that make us successful. We have the tools to be able to measure what we’re trying to achieve. And it is okay at the end of the day to go back to the drawing board if it doesn’t work. But we won’t know that if we don’t try. And if we look at enablement 5, 10, 15 years ago, it wasn’t like what it is today. But because of the trial and errors that have, come up. Advice to anyone that is in an enablement role is just to go with your gut and deliver. And it is okay to go back and look at the data and pivot and optimize. You won’t know what’s successful unless you try it. I think my second piece of advice is buy-in. To your business, your brand, you tell a story, you bring immense value, and it’s really critical to create that brand awareness for yourself and for your team, to be able to let them know the purpose, and the deliverables, and the ROI that you bring to the business. So this would be my two. Jennifer Shelley: Not to get discouraged. Sometimes, we initially we will bring to the table things that sound outside of the box and Highspot tends to be on the cutting edge of technology. But technology can be frightening, and I think that you can get discouraged when people are, not as excited as you are about what you’re trying to accomplish with the technology that you have.  And just take your time, stay focused stay, consistent with your message and understand that it takes time for people to really understand the vision that you might have if they haven’t been exposed to all the great the great information that Highspot is providing them in terms of that cutting edge capabilities in the platform. Susan Kinser: Whether you have a seat at a table or not is to, try to get your voice heard so that you start having those conversations to understand the business outcomes that your team is looking to change, right? I think that the moment you’re able to ensure that you’re aligning any of your programs or any of your initiatives to those specific strategic initiatives that your company in a larger way is looking to achieve when you get that kind of information and you’re getting that feedback and you’re having more, and then they have that insight into the change that you’re making it just makes you more of that strategic partner and it gives you that space to continue to make that kind of success progress and success, I would say get a unified platform. Use Highspot and use the resources. And so I think what’s fun is in this ever growing enablement space, having your voice being heard only. makes the impossible more possible, right? As we start bringing things together and we start, having different ideas or having different needs, and we’re able to do things in these different ways, I would say my advice is to get connected to those business strategies, those business insights, and then get that unified platform and keep scaling. SS: As you heard from the enablement leaders we featured in this episode, nothing is impossible with the right team, tools, and processes in place. In looking to the year ahead, take stock of the challenges on the horizon and rather than looking at them as obstacles, channel them into opportunities to push the boundaries of what you once thought was impossible. Thank you for joining us for this special 100th episode of the Win Win Podcast. We'd love to hear how you are enabling the impossible—be sure to connect with us in the Highspot Spark Community to share your advice, and tune in next time for more insights on how you can maximize enablement success with Highspot.

Iosefa, Tautala, Semi and Diane learnt the song Tele l'a ole Sami while growing up in Samoa. Their performance was recorded in Griffith, New South Wales. This popular Samoan song was composed in 1954 by Napoleon Tuiteleleapaga, Ray Evans and Jay Livingston.

IntroductionT-Kea and Jordan discuss the ins and outs of anxiety and its potential effects on the ability to manage day to day life.SpotlightMalik Webber died by suicide on March 17, 2020 at the age of 21. Click here to read more about Malik and metro Chicago's increase in suicide deaths during 2020.ResourceThe Anxiety and Depression Association of America (ADAA) is a non-profit organization dedicated to the prevention, treatment, and cure of anxiety, depression, OCD, PTSD, and co-occuring disorders through aligning research, practice, and education. Check out their website.Additional ResourcesListen to the Redefining Wealth Podcast by Patrice Washington.Check out this template for more information on how to use a thought record.Community Changemaker Amber Benziger, MS, LPC, CCTP, is a therapist and coach who focuses on those with anxiety and over-thinkers. She is the creator of The Anxiety Lab and The Managed Mind Podcast.Moment of Inspiration  Que sera, sera: Whatever will be, will be! Jay Livingston and Ray EvansGod, grant me the serenity to accept the things I cannot change, the courage to change the things I can, and the wisdom to know the difference. - The Serenity Prayer Connect with Us Follow us on IGFollow us on TikTokFollow us on YoutubeFollow T-Kea on IG and TikTokFollow Jordan on IGDonate Your support helps us to fulfill our mission of preventing suicide in Black community. Support the cause! Shop Get your merch and support the show!EventsBlack & Suicidal: Peer Support GroupDate: Monday, April 29, 2024Time: 5:30 PM to 7:30 PMGet your tickets now!DisclaimerInformation shared on our platforms, including details about individuals lost to suicide, is sourced from loved ones, social media, and/or news. Efforts are made for accuracy and sensitivity, but data may be incomplete. If you're a family member seeking to add or correct information, email us at info@blackpeoplediebysuicidetoo.org. We honor families' wishes and promptly address concerns. We approach this topic with care and respect. Thank you for understanding. Sending love and light!

In this episode of "TOP CMO", host Ben Kaplan sits down with Jay Livingston, the Chief Marketing Officer of Shake Shack. Livingston shares perspectives on integrating marketing with product development, his journey across different industries, and the art of storytelling in marketing. The conversation delves into Shake Shack's innovative strategies, like their approach to menu item rollouts, including the famed hot chicken sandwich and unique collaborations. Livingston's diverse background, from banking to his time at Bark, adds layers of depth to the discussion, offering a multifaceted view of marketing in the fast-casual dining sector. Tune in to explore how Shake Shack weaves marketing into the fabric of product development and how Livingston's unique approach to storytelling and authenticity drives the brand's success.

Before we get too far into 2024, let's look back at the five major business themes from the 50-plus CMO Podcasts recorded last year. To apply these lessons to our work this year, we have invited three previous CMO Podcast guests to join us for a fruitful discussion.First, Jim welcomes Julius Robinson, the Chief Sales & Marketing Officer for the US and Canada for Marriott International. Second, Samatha Maltin, Chief Marketing Officer for Sesame Workshop, the non-profit educational organization behind Sesame Street, one of the best-loved brands in the world. And the third guest is Jay Livingston, the Chief Marketing Officer at Shake Shack. Tune in for an ambitious episode–to reveal the five themes from CMOs in 2023, and to invite our guests to share their insights and advice on each theme. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Wharton's Barbara Kahn and Dr. Americus Reed speak with Jay Livingston, Chief Marketing Officer at Shake Shack, about the history of the brand, marketing in the food service industry, the expansion of Shake Shack, and more. Hosted on Acast. See acast.com/privacy for more information.

akaRadioRed welcomes four active Creatives. Szifra (Shifra) Birke is a personal and professional connector, Executive Leadership Coach, co-author, and tandem biker. Sara Ting is president and founder of World Unity Inc., a TEDx Speaker, author, Principal of Sara Ting and Associates, former freelance TV reporter and poet-in-residence. Jay Livingston, the co-author with Szifra Birke of In Tandem: Pedaling Through Midlife on a Bicycle Built for Two, is a business author, coach, dog behaviorist, and non-profit developer. Dr. Chris Whaley, who overcame polio to become a pro wrestler, is a pastor and the author of The Masked Saint, which was made into an award-winning movie. Join akaRadioRed for Read My Lips: Cycles of Creativity!

akaRadioRed welcomes four active Creatives. Szifra (Shifra) Birke is a personal and professional connector, Executive Leadership Coach, co-author, and tandem biker. Sara Ting is president and founder of World Unity Inc., a TEDx Speaker, author, Principal of Sara Ting and Associates, former freelance TV reporter and poet-in-residence. Jay Livingston, the co-author with Szifra Birke of In Tandem: Pedaling Through Midlife on a Bicycle Built for Two, is a business author, coach, dog behaviorist, and non-profit developer. Dr. Chris Whaley, who overcame polio to become a pro wrestler, is a pastor and the author of The Masked Saint, which was made into an award-winning movie. Join akaRadioRed for Read My Lips: Cycles of Creativity!

Jay Livingston is the the Chief Marketing Officer of Shake Shack. While we use the term "renaissance" man or woman too much, this week's guest truly fits the description. A graduate of Miami University in Oxford, Ohio, Jay's career has included a 20-year stint at Bank of America and two years at BARK, makers of BarkBox. He has now worked for more than four years at Shake Shack, a nearly-billion-dollar brand with locations in 19 countries. Jay also makes time for his "side hustles" - He is an active angel investor, helped start the nonprofit Unite America, and has executive produced three feature films.In this episode, Jay and Jim talk about Jay's "career meadow," moving from Bank of America to BARK to his current role as CMO at Shake Shack. They explore the importance of consistency in the restaurant industry, how his 2-year hiatus after 20 years at Bank of America helped him to refocus his career path, and his many ventures outside of business & marketing.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

akaRadioRed welcomes four active Creatives. Szifra (Shifra) Birke is a personal and professional connector, Executive Leadership Coach, co-author, and tandem biker. Sara Ting is president and founder of World Unity Inc., a TEDx Speaker, author, Principal of Sara Ting and Associates, former freelance TV reporter and poet-in-residence. Jay Livingston, the co-author with Szifra Birke of In Tandem: Pedaling Through Midlife on a Bicycle Built for Two, is a business author, coach, dog behaviorist, and non-profit developer. Dr. Chris Whaley, who overcame polio to become a pro wrestler, is a pastor and the author of The Masked Saint, which was made into an award-winning movie. Join akaRadioRed for Read My Lips: Cycles of Creativity!

akaRadioRed welcomes four active Creatives. Szifra (Shifra) Birke is a personal and professional connector, Executive Leadership Coach, co-author, and tandem biker. Sara Ting is president and founder of World Unity Inc., a TEDx Speaker, author, Principal of Sara Ting and Associates, former freelance TV reporter and poet-in-residence. Jay Livingston, the co-author with Szifra Birke of In Tandem: Pedaling Through Midlife on a Bicycle Built for Two, is a business author, coach, dog behaviorist, and non-profit developer. Dr. Chris Whaley, who overcame polio to become a pro wrestler, is a pastor and the author of The Masked Saint, which was made into an award-winning movie. Join akaRadioRed for Read My Lips: Cycles of Creativity!

Sammy Cahn earned the first of five consecutive Academy Award nominations in 1948, working with longtime collaborator Jule Styne for Doris Day's film debut Romance on the High Seas. Leo Robin, already an Academy Award winner, had two songs nominated that year, but the hot young songwriters Jay Livingston and Ray Evans were making a statement with a hit song for Bob Hope. Host Jeff Commings is ready to tell all the stories about these songwriters and the nominated songs they wrote on this episode of The Best Song Podcast.

Jay Livingston is not only a great CMO, but he is also an active angel investor, executive producer, and founding member of Unite America. No matter what he is doing, storytelling is always the underlying theme. In this episode, Alan and Jay discuss the importance of the CMO vibing with the CEO, why he loves working with “passion brands” that have a good origin story, and the unique benefit of overseeing product, pricing, digital experience, and marketing at Shake Shack. Jay tells us how Shake Shacks is living out its mission to “stand for something good” by being an “instinct-led and data-supported” business that partners with local leaders to maintain authenticity while scaling globally.  In this episode, you'll learn:  How Jay and Shake Shack weave purpose into everything they do What makes the CMO role at Shake Shack so unique  How Shake Shack is delivering hospitality through digital channels  Key Highlights  [01:55] The common thread that connects all of Jay's interest [04:15] Jay's mid-career sabbatical  [06:30] The criteria Jay looked for in his ideal CMO role [08:05] Shake shacks origin story [09:50] How Jay got connected to Shake Shack [11:20] How this CMO role is different than other CMO roles [15:05] How Shake Shake is maintaining its local relevance while scaling globally [16:50] The data function of the culinary side and guest preferences  [19:10] Digital efforts - where Shake Shack started and where they are today [22:40] The team behind the CMO [23:25] The career path vs. the career meadow  [25:15] Jay's investment thesis [27:25] The importance of curiosity  [31:00] Why Jay advises going wide with your interest  Resources Mentioned:  Jay Livingston  Shake Shack  Episode 96 with Jay on Marketing Today when he was CMO of Bark  Danny Meyer  Madison Square Park  Randy Garutti, CEO of Shake Shack  Brands mentioned: Yeti – Short Films, Liquid Death   Follow the podcast:  Listen in iTunes (link: http://apple.co/2dbdAhV)  Listen in Google Podcasts (link: http://bit.ly/2Rc2kVa)  Listen in Spotify (Link: http://spoti.fi/2mCUGnC)   Connect with the Guest:  https://www.linkedin.com/in/jay-livingston-ba436326/   https://twitter.com/shakeshack   https://www.instagram.com/shakeshack/   https://www.tiktok.com/@shakeshack    Connect with Marketing Today and Alan Hart:  Twitter Alan B Hart - http://twitter.com/abhart  LinkedIn Alan  - https://www.linkedin.com/in/alanhart  Twitter Marketing Today - http://twitter.com/themktgtoday  Facebook Marketing Today - https://www.facebook.com/themktgtoday/  LinkedIn Marketing Today - https://www.linkedin.com/company/marketing-today-with-alan-hart/  Support the show: https://www.patreon.com/marketingtodaySee omnystudio.com/listener for privacy information.

In a special live recording from New York's Advertising Week, the week's episode features Shake Shack CMO Jay Livingston. Livingston, who has held top marketing roles at Bank of America and BarkBox, is emulating Shake Shack's foundational, high-low strategy of elevating basic fare and democratizing fine dining on a national and global scale. It was a pattern set by founder, New York City restaurateur Danny Meyer, whose first Shake Shack was a cart in a park across from his Michelin-starred restaurant. Now, Shake Shack is well on its way to becoming a billion dollar burger brand. Seeding each restaurant in local chef and art cultures, Livingston upholds Shake Shack's emphasis on quality ingredients and premium experiences. He's also venturing toward a mass advertising test, morphing Instagram fame to TikTok and putting a virtual Shake Shack in Sims 4. In this episode you'll learn: It's tempting to stick with what works, but dabble in what's new. Great companies build marketing and product development side-by-side. Listen to what focus groups tell you, but don't let them run the company. Think before you quit, you might be leaving a good network and foundation. Shake Shack's new drive-throughs prove the adage, never say never. Brought to you by Mekanism.

durée : 00:58:09 - "Never Let Me Go" musique de Jay Livingston et paroles de Ray Evans (1956) - par : Laurent Valero - Composée par Livingston et Evans, en 1956 dans le film de Michael Curtiz "Enigme policière" ("The Scarlet Hour"). Considéré comme le dernier film noir classique, il raconte l'histoire d'une femme (Carol Ohmart) qui planifie l'assassinat de son mari (James Gregory) à l'aide de son amant (Tom Tryon) - réalisé par : Patrick Lérisset

durée : 00:58:09 - "Never Let Me Go" musique de Jay Livingston et paroles de Ray Evans (1956) - par : Laurent Valero - Composée par Livingston et Evans, en 1956 dans le film de Michael Curtiz "Enigme policière" ("The Scarlet Hour"). Considéré comme le dernier film noir classique, il raconte l'histoire d'une femme (Carol Ohmart) qui planifie l'assassinat de son mari (James Gregory) à l'aide de son amant (Tom Tryon) - réalisé par : Patrick Lérisset

WPMT's premiere of “Somebody Loves Me,” featuring the title song from George Gershwin, will be live today, just as it was on the Lux Radio Theatre, featuring songs by Gershwin, Buddy G. DeSylva, Jay Livingston, Ray Evans and more! We are pleased to kick off Women's History Month with this musical starring Betty Hutton as "Blossom Seeley" and Gene Barry as "Benny Fields.” Tune in today at 1 PM CT, on all major podcast platforms!

SE BUSCA Oyente vivo que tenga inquietud por conocer las mejores historias del Salvaje Oeste realizadas en el continente europeo. RECOMPENSA Programa elaborado con mimo en el que se abordarán en profundidad las siguientes obras: Blueberry Comanche Buddy Longway Ken Parker Durango Lucky Luke Casacas azules Gus Undertaker Marshal Bass Además repasaremos otros cómics como Jerry Spring, Duke, Bouncer, Hasta el último, Dragones de frontera, Lobo de lluvia, Manos Kelly, Amargo y muchos más. Demuestra que estás preparado y sé el más rápido en darle al Play. Colaboradores: Diego García Rouco, Tristan Cardona y Sergio Fernández Atienza. Suscríbete a nuestro podcast en... iVoox - https://bit.ly/znpivoox Spotify - https://bit.ly/znpspo Apple Podcasts - http://bit.ly/znpapple Google Podcast - http://bit.ly/znpgoogle Y búscanos en tu app de podcast favorita. Música de entrada y salida: "IkouZe ! - acoustic" de Sumashu - https://bit.ly/ZNPintro Música utilizada en el programa: "The Ecstasy of Gold - El Bueno, el Feo y el Malo-", de Ennio Morricone (https://www.youtube.com/watch?v=PYI09PMNazw) "Once Upon a Time in the West", de Ennio Morricone (https://www.youtube.com/watch?v=KSaKBCfJnIM) "Bang Bang Lucky Luke" de OST (https://www.youtube.com/watch?v=HkmNYjhqic4) "Bonanza (Original) Theme", de Jay Livingston, Ray Evans (https://www.youtube.com/watch?v=JZ7z49weIE0)

Today we continue our series of interviews in partnership with Webb School of Knoxville. Each student in the Introduction to Entrepreneurship & Design Thinking course will interview a local entrepreneur. In this episode,  Brandon Bruce interviews Jay Livingston, Chief Marketing Officer at Shake Shack.

This episode is about composters Frank De Vol, Jay Livingston, and Ray Evans. This episode is also available as a blog post: http://thewritelife61.com/2018/12/03/who-writes-the-songs-good-question-lots-of-people-including-frank-de-vol-jay-livingston-and-ray-evans/

This episode is about composters Frank De Vol, Jay Livingston, and Ray Evans. This episode is also available as a blog post: http://thewritelife61.com/2018/12/03/who-writes-the-songs-good-question-lots-of-people-including-frank-de-vol-jay-livingston-and-ray-evans/

Jay discusses Shake Shack’s adaptive strategy during the pandemic, participating in 420 celebrations and the overlap between QSR and cannabis.

Jay discusses Shake Shack's adaptive strategy during the pandemic, participating in 420 celebrations and the overlap between QSR and cannabis.

In 2001, Shake Shack started out as one hot dog cart in Madison Square Park, but over the last 20 years, it has become one of the most iconic fast casual restaurants in America with 300+ locations around the world. When the pandemic hit, the restaurant chain known for its burgers and shakes lost 85% of their sales within a week. This caused the brand to pivot rapidly to digital and expedite their entire digital strategy. Shake Shack not only survived the pandemic, but thrived by adding more than 2 million customers to its mobile app experience over the past year. On the latest episode of The Business of Marketing, we sat down with Shake Shake CMO Jay Livingston to discuss his fundamental role in the brand's digital strategy and his incredible career journey from his time in consumer banking as the SVP of Global Marketing at Bank of America to CMO of the pet-food delivery company, BARK. In 2019, Jay became CMO of Shake Shack. Tune in to hear about Shake Shack's mission to Stand for Something Good® and how that mission has been fundamental to the business during the Pandemic as they have had to lean heavily into their core values to ensure they were able to stay afloat, keep their staff and customers safe while still delivering a world-class experience. Brought to you by SAP

It wasn't just independent restaurants that have suffered through the pandemic, many of the big guys were hurt too. Their big advantage is that they have more money to try more things. We can benefit from the wisdom of their experiences. Today we chat with Jay Livingston, the Chief Marketing Officer of Shake Shack to discuss what's working, what isn't and what's next. For more on Shake Shack go to www.shakeshack.com ________________________________ Sign Up for Our Weekly Newsletter: https://pineapplepost.news Book time on Josh's personal calendar: https://bit.ly/3otQm8z We have a lot more content coming your way! Be sure to check out the FULL COMP media universe by visiting: Full Comp - www.restaurants.yelp.com/fullcomp The Happy Mouth Morning Show - www.restaurants.yelp.com/happy mouth Restaurant Marketing School - www.restaurants.yelp.com/marketingschool The Playbook - www.restaurants.yelp.com/influencers

Join Ella and Nadia as they gossip about the dark side of art's past, this week it's the exclusion of women from the art world. Cover art - Ella Paul Music - Mona Lisa cover based on the Ray Evans and Jay Livingston original.

Can you hear that? It’s the “Silver Bells” ringing in the distance to let you know that the WPMT premiere of “The Lemon Drop Kid,” starring Bob Hope, is now live! Broadcast December 10, 1951 on The Lux Radio Theatre with music and lyrics by Jay Livingston and Ray Evans and screenplay by Edmund Hartmann, Robert O'Brien and Frank Tashlin. Based on a story by Damon Runyon, "The Lemon Drop Kid" stars Bob Hope as "Sidney Milburn/The Lemon Drop Kid," Marilyn Maxwell as "Brainey Baxter," and William Conrad as "Moose Moran." Edited by David Robbins New episodes every Tuesday at 1pm CDT

Join Ella and Nadia as they gossip about gruesome performance art. Cover art - Ella Paul. Music - Mona Lisa cover based on the Ray Evans and Jay Livingston original, JJ Petrie.

Music, Mona Lisa cover by JJ Petrie, based on the Ray Evans and Jay Livingston original. Cover art, Ella Paul

Master publisher, copywriter and marketer JAY LIVINGSTON'S work has been featured in Monthly Copywriting Genius ... The Agora Companies' exclusive Big Black Book of billion-dollar marketing secrets (twice!) ... Great Leads by Mark Ford and Mike Palmer (two of Jay's primary mentors) ... and more. Jay has been nominated -- along with multiple of his former copy cubs -- for the coveted Ouzilly Award for Sterling Copy, the direct-response industry's most coveted copywriting prize, awarded approximately once per decade. Since 2003, Jay Livingston has worked with the biggest direct-response publishers in America ... including a 17-year stint building copywriting, marketing and publishing teams for $1.7 billion industry giant Agora. His promotions have generated more than $77 million (and counting) and helped clients to acquired hundreds of thousands of new, PAYING customers. He's spoken at marketing and financial conferences around the world, and currently lives in the great state of Maryland. Connect with Jay Website LinkedIn

On today's episode, I'm joined by Jay Livingston, the Chief Marketing Officer of Shake Shack.Today, you'll learn: Jay's journey to Shake Shack, and his guiding principles How authenticity factors into growth and hyper-growth How Shake Shack encourages guests to share their experience through the product, and builds 1:1 relationships The Shackmeister, and other kitchen innovation The ways in which Shake Shack is purpose-driven (Highlight) unique advice on how to build a better brand Be sure to stay subscribed for more content and thought leadership like this, and do please leave a rating and review on iTunes if you like what you hear.Be sure to follow our LinkedIn page to catch all of our content there: https://www.linkedin.com/showcase/authentic-influence-podcast/.Reach out to Adam Conner on LinkedIn at https://www.linkedin.com/in/adamjconner/ or via email at adam.conner@govivoom.com with suggestions for guests, content, or general interest/feedback.Find more at https://www.podcast.vivoom.co/.Enjoy!Music: "Streetview" by Jahzzar is licensed under a Attribution-ShareAlike License (CC BY-SA 4.0)

Jay discusses his decision to move on from a Fortune 500 company after 20 years, his role as the first-ever​ CMO at Shake Shack and the importance of an art and science equilibrium in marketing.

In this week's episode of the Music History Project, join Dan, Mike, and Michelle as they dive into the works of some of the most famous songwriting teams in history. Interviews include Jay Livingston and Ray Evans, Kenneth Gamble and Leon Huff, Jerry Leiber and Mike Stoller, and Alan and Marilyn Bergman.

Chinese Jamaicans have a rich and deep history in Toronto, though it has rarely been recognized or documented. Our host, Daniel Clarkson Fisher, took a seat on the other side of our table to talk about his documentary work, The Chinese Jamaican Oral History Project, in which he meticulously and thoughtfully records and preserves stories from the Chinese Jamaican community in Toronto. Find his work at CJOHP.org. Doc This! episode five is hosted by Sara Wylie and Pearson Ripley, edited by John Verhaeven, and produced by John Verhaeven and Kenny McDonald. With thanks to Ryerson Image Arts and the MFA Doc Media program. Music credit: "Que Sera Sera," performed by Doris Day, and written by Jay Livingston and Ray Evans.

In PART 2 of Episode 50 the gang discusses some more current news topics such as Robert Pattinson being cast as the new BATMAN. The gang analyzes John Wick: Chapter 3 -  Parabellum.  Nick pays tribute to Doris Day and Grumpy Cat. Movies Spoiled: John Wick: Chapter 3 - Parabellum (2019)  Music Used: Assault on the Tower written by Michael Kamen for Die Hard Motion Picture Soundtrack, Windy City performed by Doris Day and written by Paul Francis Webster and Sammy Fain for Calamity Jane motion picture soundtrack, Que Sera, Sera (Whatever Will Be) performed by Doris Day, written by Jay Livingston and Ray Evans for The Man Who Knew Too Much soundtrack

Hemos preparado una selección de temas relacionados con la Navidad para que escuches durante estas fiestas, como música de fondo en tus celebraciones, o para que te acompañen en estos días que ponen fin a un año más, este 2018 en el que hemos empezado juntos esta aventura de los podcast. Lo hemos dividido en tres tramos, uno en el que hemos incluido los temas escritos por autores de musicales teatrales o bandas sonoras, unos relacionados con las mismas y otros escritos específicamente para celebrar la Navidad. Encontrareis temas de compositores clásicos como Rodgers & Hammerstein, Irving Berlin, Jule Styne, Frank Loesser, Jay Livingston, Meredith Wilson o más actuales como Alan Menken, Stephen Sondheim, Andrew Lloyd Webber, Stephen Flaherthy, Hans Zimmer o Jonathan Larson, interpretados por un buen puñado de cantantes que conoceréis del teatro musical o de las listas de éxito. Los otros bloques son uno para reflexionar en tiempos de Navidad y otro más alegre y pop para afrontar el año nuevo con fuerza y alegría. Y por cierto....... ¡FELIZ NAVIDAD! 00h 00'00" Presentación 00h 00'25" Cabecera 00h01'01" Presentación bloque teatro y cine 00h 01'57" The Christmas Overture 00h 07'32" Silver Bells (Livingston & Evans) 00h 09'53" Happy Christmas, little friend (Rodgers & Hammerstein) 00h 13'38" The most wonderful birthday of all (Davis & Newell) - Stephanie Lawrence 00h 17'41" Let's pretend (Schönberg & Boublil) - Michael Crawford 00h 20'47" White Christmas (Berlin) 00h 24'56" I watch you sleeping (Batt) - Frances Ruffelle 00h 29'48" Walking in the air (Blake) - Aled Jones 00h 33'07" I remember (Sondheim) - Barbra Streisand 00h 37'55" It's beginning to look at Christmas (Wilson) - Michael Bubble 00h 41'16" The Christmas Waltz (Styne & Cahn) - Carpenters 00h 43'23" Cold enough to snow (Menken & Schwartz) - Susan Egan 00h 45'48" Baby, it's cold outside (Loesser) - Vanessa Williams & Bobby Caldwell 00h 50'21" My favourite things (Rodgers & Hammerstein) - Barbra Streisand 00h 53'23" A winter's tale (Batt & Rice) - Elaine Paige 00h 57'14" Have yourself a merry little Christmas (Martin & Blane) - Michael Buble 01h 01'01" When you wish upon a star (Harline & Washington) - Mary J. Blidge, Barbra Streisand 01h 04'37" Winter light (Menken & Schwartz) - Adam Pascal 01h 08'54" All those Christmas cliches (Flaherthy & Ahrens) - Susan Egan 01h 12'15" What are you doing New Year's Eve? (Loesser) - Rod Stewart, Ella Fitzgerald & Chris Botti 01h 15'52" Let it snow (Styne & Cahn) - Trijntje Oosterhuis 01h 18'11" As long as there's Christmas (Portman & Black) - Michaell Ball & Elaine Paige 01h 21'49" The closing of the year (Zimmer & Horn) - Wendy & Lisa 01h 25'45" Christmas dream (Lloyd Webber & Rice) - Perry Como 01h 28'30" Do you know how Christmas trees are grown? (Barry & David) - Nina 01h 31'48" Seasons of love (Larson) - Stevie Wonder & Rent Cast 01h 36'09" Thank you very much / I'll begin again (Bricusse) - Anthony Newley 01h 39'42" Presentación bloque para reflexionar 01h 41'10" 7 O'Clock News / Silent night (Gruber & Mohr) - Simon & Garfunkel 01h 43'03" Happy Christmas (War is over) (Lennon) - John & Yoko 01h 46'32" In my life (Lennon & McCartney) - Sean Connery & George Martin 01h 48'55" Save the children (MackIntosh & Newell) - Casts London & Broadway 01h 53'00" Do they know it's Christmas? (Geldof & Ure) - Band Aid 01h 56'48" Presentación bloque pop 01h 57'27" Christmas (Baby, please come home) (Spector) - Mariah Carey 01h 59'50" Driving home for Christmas (Rea) - Chris Rea 02h 03'44" Thank God it's Christmas (Taylor & May) - Queen 02h 07'55" Last Christmas (Michael) - Wham! 02h 12'18" Step into Christmas (John & Taupin) - Elton John 02h 16'27" Wonderful Christmas time (McCartney) - Paul McCartney 02h 20'11" All I want for Christmas it's you (Carey & Afanasieff) - Mariah Carey 02h 24'03" You make me feel like Christmas (Diamond) - Neil Diamond 02h 27'36" Please come home for Christmas (Brown & Redd) - Eagles 02h 30'28" Happy New Year (Andersson & Ulvaeus) - Michael Ball Y nos vemos vemos, nos leemos y nos escuchamos en 2019!.

Hemos preparado una selección de temas relacionados con la Navidad para que escuches durante estas fiestas, como música de fondo en tus celebraciones, o para que te acompañen en estos días que ponen fin a un año más, este 2018 en el que hemos empezado juntos esta aventura de los podcast. Lo hemos dividido en tres tramos, uno en el que hemos incluido los temas escritos por autores de musicales teatrales o bandas sonoras, unos relacionados con las mismas y otros escritos específicamente para celebrar la Navidad. Encontrareis temas de compositores clásicos como Rodgers & Hammerstein, Irving Berlin, Jule Styne, Frank Loesser, Jay Livingston, Meredith Wilson o más actuales como Alan Menken, Stephen Sondheim, Andrew Lloyd Webber, Stephen Flaherthy, Hans Zimmer o Jonathan Larson, interpretados por un buen puñado de cantantes que conoceréis del teatro musical o de las listas de éxito. Los otros bloques son uno para reflexionar en tiempos de Navidad y otro más alegre y pop para afrontar el año nuevo con fuerza y alegría. Y por cierto....... ¡FELIZ NAVIDAD! 00h 00'00" Presentación 00h 00'25" Cabecera 00h01'01" Presentación bloque teatro y cine 00h 01'57" The Christmas Overture 00h 07'32" Silver Bells (Livingston & Evans) 00h 09'53" Happy Christmas, little friend (Rodgers & Hammerstein) 00h 13'38" The most wonderful birthday of all (Davis & Newell) - Stephanie Lawrence 00h 17'41" Let's pretend (Schönberg & Boublil) - Michael Crawford 00h 20'47" White Christmas (Berlin) 00h 24'56" I watch you sleeping (Batt) - Frances Ruffelle 00h 29'48" Walking in the air (Blake) - Aled Jones 00h 33'07" I remember (Sondheim) - Barbra Streisand 00h 37'55" It's beginning to look at Christmas (Wilson) - Michael Bubble 00h 41'16" The Christmas Waltz (Styne & Cahn) - Carpenters 00h 43'23" Cold enough to snow (Menken & Schwartz) - Susan Egan 00h 45'48" Baby, it's cold outside (Loesser) - Vanessa Williams & Bobby Caldwell 00h 50'21" My favourite things (Rodgers & Hammerstein) - Barbra Streisand 00h 53'23" A winter's tale (Batt & Rice) - Elaine Paige 00h 57'14" Have yourself a merry little Christmas (Martin & Blane) - Michael Buble 01h 01'01" When you wish upon a star (Harline & Washington) - Mary J. Blidge, Barbra Streisand 01h 04'37" Winter light (Menken & Schwartz) - Adam Pascal 01h 08'54" All those Christmas cliches (Flaherthy & Ahrens) - Susan Egan 01h 12'15" What are you doing New Year's Eve? (Loesser) - Rod Stewart, Ella Fitzgerald & Chris Botti 01h 15'52" Let it snow (Styne & Cahn) - Trijntje Oosterhuis 01h 18'11" As long as there's Christmas (Portman & Black) - Michaell Ball & Elaine Paige 01h 21'49" The closing of the year (Zimmer & Horn) - Wendy & Lisa 01h 25'45" Christmas dream (Lloyd Webber & Rice) - Perry Como 01h 28'30" Do you know how Christmas trees are grown? (Barry & David) - Nina 01h 31'48" Seasons of love (Larson) - Stevie Wonder & Rent Cast 01h 36'09" Thank you very much / I'll begin again (Bricusse) - Anthony Newley 01h 39'42" Presentación bloque para reflexionar 01h 41'10" 7 O'Clock News / Silent night (Gruber & Mohr) - Simon & Garfunkel 01h 43'03" Happy Christmas (War is over) (Lennon) - John & Yoko 01h 46'32" In my life (Lennon & McCartney) - Sean Connery & George Martin 01h 48'55" Save the children (MackIntosh & Newell) - Casts London & Broadway 01h 53'00" Do they know it's Christmas? (Geldof & Ure) - Band Aid 01h 56'48" Presentación bloque pop 01h 57'27" Christmas (Baby, please come home) (Spector) - Mariah Carey 01h 59'50" Driving home for Christmas (Rea) - Chris Rea 02h 03'44" Thank God it's Christmas (Taylor & May) - Queen 02h 07'55" Last Christmas (Michael) - Wham! 02h 12'18" Step into Christmas (John & Taupin) - Elton John 02h 16'27" Wonderful Christmas time (McCartney) - Paul McCartney 02h 20'11" All I want for Christmas it's you (Carey & Afanasieff) - Mariah Carey 02h 24'03" You make me feel like Christmas (Diamond) - Neil Diamond 02h 27'36" Please come home for Christmas (Brown & Redd) - Eagles 02h 30'28" Happy New Year (Andersson & Ulvaeus) - Michael Ball Y nos vemos vemos, nos leemos y nos escuchamos en 2019!.

In this week’s episode of “Marketing Today,” Alan talks with Jay Livingston, chief marketing officer at BARK, the company that created the immensely popular BarkBox, which led to its other endeavors: BarkShop and BarkRetail.  Livingston joined BARK after a 20-year career at Bank of America, where he held senior leadership roles in every functional area of global marketing and strategy, from digital commerce, consumer/retail, and small business to commercial banking and brand management. After a two-year “hiatus,” which found him immersed in angel investing as well as traveling and restoring automobiles, he is now the CMO at BARK, the wildly successful company that caters to dogs and their owners. BARK is everything Livingston was looking for as he reentered the realm of marketing: A company that was consumer-facing; produced a physical product; not only that, the product had to bring people joy; and, last but not least, the company had to be headquartered in New York. As Livingston relates in the course of his discussion with Alan, BARK has been all of that and more. Highlights from this week’s “Marketing Today” podcast include:  From banking to barking: Livingston talks about his 20-year career at Bank of America, angel investing, and finding the right fit at BARK. (1:28) Livingston: “We’re really all about making dogs happy. So whatever we can come up with that does that we will launch quickly and give it a shot.” (3:32) BARK’s growth plan and the challenges of expansion. (6:04) The difficulties of retail for a digital-first company. (7:49) Livingston on not chasing growth: “You’ve got to stay true to who you are.” (11:36) BARK and the magic of customer engagement. (14:31) Livingston relates some of the best advice he ever received about investing in growth companies. (17:54) Two things that fuel Livingston: (1) Being in NYC, surrounded by people at the top of their games. (2) The idea of creating something and seeing it grow. Support the show.

*NEW* Business Radio Monthly Special! CMO Spotlight is by CMOs, for CMOs - and everyone else who wants to know what today’s Chief Marketing Officers are thinking and doing, including where they are investing their time, energy, and resources for the future. Hosts Catharine Hays and Jenny Rooney talk with Elizabeth Rutledge, CMO at American Express, and Jay Livingston, CMO at BARK/Bark Box, about what it's like for a new CMO's first 100 days in the role on CMO Spotlight. See acast.com/privacy for privacy and opt-out information.

What did Irish Boston look like in the 1940s, 50s, and 60s? What were the days of social dance halls all about? Host Shannon Heaton talks to Sue Lindsay, Joanie Madden, Kevin Doyle, Helen Kisiel, and Brian O’Donovan about this colorful time in Irish American history… and about immigration in an Irish key. There’s plenty of music here, too. Credits below. * * * * * * * Special thanks to Michele Sims, John Mullen, Kerstin Otten, Brian Benscoter, William Dodd, Jack McCreless, Mark Johnson for supporting this episode. And thank you to Matt Heaton for script editing and production music. Please CLICK HERE if you can kick in to support this podcast! * * * * * * * Visit IrishMusicStories.org * * * * * * * Music Heard on IMS Episode 14 all music traditional, unless otherwise indicated Tune: “Free the Heel” (reel), from RehearsalArtist: Shannon Heaton (flute), Matt Heaton (guitar) Tune: “John’s Theme,” from Production Music Made for Irish Music StoriesArtist: Matt Heaton Tune: “Hometown Lullaby,” from Production Music Made for Irish Music Stories Artist: Matt Heaton Song: “I’m Looking Over A Four Leaf Clover,” from The Big Brass Band from Brazil (1948) Artist: Art Mooney, vocals, with Mike Pignatore, banjo Composer: Mort Dixon and Harry M. Woods. Tune: “Celtic Reprise” from Production Music made for Irish Music Stories Artist: Matt & Shannon Heaton Song: “Thousands Are Sailing to America,” from Parallel Lines Artist: Andy Irvine Composer: Traditional words, music by Andy Tune: “Abbey Reel” (reel) from Kitchen Session Artist: Matt Heaton (guitar) Tune: "Buttons and Bows" Artist: Gene Autry Composer: Music by Jay Livingston, lyrics by Ray Evans. Tune: "Inisheer," from Ireland’s HarvestArtist: Joe Derrane  Tune: Siege of Ennis Artist: Johnny Powell Band Tune: Ennis Encounter (Jig) Artist: Matt & Shannon Heaton Composer: Brendan Tonra Tune: “Rambling Man” (reel)  from Production Music made for Irish Music StoriesArtist: Matt Heaton (guitar) Tune: “After Hours Theme,” from Production Music made for Irish Music Stories Artist: Matt Heaton Tune: “Kevin Keegan’s,” from Galway AfternoonArtists: Joe and Joanie Madden  Song: “‘Neath Her Shawl of Galway Grey" Artist: Connie Foley, with Mickey Carton’s Orchestra Tune: “Tom Ashe’s March, Black Haired Lass, Spike Island Lasses ” from Kitchen session Artist: Dan Gurney (accordion), Shannon Heaton (flute), Matt Heaton (guitar) Tune: “Cape Breton Breakdown” Artist: Jerry’s Hayshakers Tune: "Quinn of Armagh," from Banks of the ShannonArtist: Seamus Connolly Tune: “Cat’s Meow,” from An Irish HomecomingArtist: Cherish the Ladies Composer: Joanie Madden Tune: “Shoe the Donkey,” from Kitchen session Artist: Matt Heaton (banjo)

Jay was the first person I met at freshman orientation in Oxford. We immediately connected and have stayed friends ever since. He has always inspired me with the ability to thrive in the corporate world while having credibility in the venture space. Over the past 20 years, he was a Senior Vice President at Bank of America and also an Angel Investor. But in 2017, he was recruited to be the CMO of a booming pet toy business Bark. Not a Miami conversation goes by without Jay reminiscing about bringing Jay Leno to campus (in the early 90's) when he was leading Concert Board as a student.