Podcasts about milan design week

Raz w roku, podczas Milan Design Week, Mediolan zamienia się w światową stolicę designu i intensywny tygiel idei, premier i spotkań, ale jego prawdziwa siła oraz indywidualizm ujawniają się poza festiwalowym czasem. Na co dzień stolica Lombardii nie epatuje designem, ale raczej każe go odkrywać: na półprywatnych dziedzińcach, w bramach kamienic i galeriach ukrytych za niepozornymi fasadami. Oto adresy, które warto odwiedzić w Mediolanie o każdej porze roku, by poznać tutejszy język – intelektualny, obsesyjny w detalu i głęboko zakorzeniony w historii.   Autorka: Aleksandra Krasny   Artykuł przeczytasz pod linkiem: https://www.vogue.pl/a/mediolan-dla-fanow-architekturty-i-designu-przewodnik

Hyundai quiere acabar con uno de los grandes miedos del coche eléctrico y analizamos en profundidad el nuevo Plan Auto+ con el que la marca coreana promete ayudas adelantadas, cargador gratis, recargas incluidas, seguros específicos y hasta compromiso de devolución para facilitar el salto a la movilidad eléctrica. Además repasamos cómo modelos como el Hyundai Inster están cambiando el concepto de coche eléctrico urbano asequible frente a rivales como el BYD Dolphin Surf o el Leapmotor T03 en una comparativa que deja claro hacia dónde va el mercado. También debatimos sobre el enorme paso adelante que puede vivir la conducción autónoma en Europa tras la aprobación del Tesla FSD en Países Bajos. Explicamos cómo funciona este sistema basado exclusivamente en cámaras, qué significa realmente un nivel L2+ y cómo el sector del automóvil está presionando para avanzar hacia niveles superiores de automatización y seguridad en las carreteras europeas. Nos trasladamos hasta Marruecos para vivir El Desierto de los Niños desde dentro junto a Hyundai y sus invitados, una aventura solidaria donde familias, niños y pasión por el motor recorren miles de kilómetros entre dunas llevando ayuda y creando experiencias únicas. Además el programa incluye música en directo y el lado más humano y aventurero del automóvil en uno de los proyectos solidarios más especiales ligados al mundo del motor. José Lagunar vuelve con la sección Seguridad Vial con Hyundai para hablar de las balizas V16, del posible impacto que tendría el cierre de uno de sus principales fabricantes y de la exclusiva adelantada esta semana por Andrea Aguado en OK Diario. Además celebramos que AutoFM vuelve a ser finalista en los premios periodísticos de seguridad vial Línea Directa por segundo año consecutivo y tercer año en total. En la sección de Car and Driver repasamos el nuevo registro digital de la revista y analizamos una de las comparativas más interesantes del momento entre tres eléctricos urbanos que quieren revolucionar el mercado europeo. También ponemos el foco en Ford y sus planes de futuro con siete nuevos modelos para Europa hasta 2029 y la fabricación en Valencia de un Ford Bronco adaptado al gusto europeo con versiones híbridas y eléctricas. En las curiosidades más sorprendentes de Hyundai relacionadas con música y tecnología, desde el sistema de sonido individual para cada pasajero hasta las colaboraciones de la marca con grupos como Maroon 5 o BTS para acercar la movilidad a las nuevas generaciones. Y cerramos el programa hablando del Hyundai IONIQ 5 N tras los elogios recibidos desde Porsche y descubrimos el nuevo Hyundai IONIQ 3 presentado en la Milan Design Week 2026 como uno de los futuros crossover eléctricos más prometedores del mercado. Esta semana AutoFM es Santi de la Rocha jefe de prensa de Hyundai España, Antonio de la Rocha Fernando Rivas, Antonio R. Vaquerizo, Javier Quilón, José Lagunar, Rubén Gómez Burillo y Álex Moya Escúchanos en: www.podcastmotor.es Twitter: @AutoFmRadio Instagram: autofmradio Twitch: AutoFMPodcast Youtube: @AutoFM Contacto: info@autofm.es

After attending Milan Design Week and then heading straight to High Point Market, I found myself sitting with a lot of thoughts about our industry, our clients, and what actually matters when it comes to design.This episode is a very honest reflection on the contrast between those two experiences and the bigger lesson I walked away with.I talk about: Why designing for real life matters more than designing for attention  The difference between exclusive design and approachable design  What Milan taught me about industry pressure and expectations  Why practical, livable interiors are not less sophisticated  The danger of designing for peers instead of clients  How to stay grounded in your own design perspective  Why relationships still matter in this industry  The importance of creating spaces that support the way people actually live I also share some behind-the-scenes thoughts from both Milan Design Week and High Point Market, including what surprised me most during both experiences.If you have ever questioned whether you are “doing enough” as a designer because of what you see online or in the industry, this episode is your reminder that clarity, functionality, and understanding your clients will always matter more than hype.Mentioned in This Episode Milan Design Week  Salone del Mobile  High Point Market  ASID presentations  Discovery calls and messaging for designers Text Me a Message!How I Use AI in My Interior Design BusinessIn this live session, you will set up AI to sound like you, use it in your real workflow, and walk away with tools you can apply immediately in your business.https://mcclainmethod.com/aiSupport the show

Hello, Hello and welcome back to Kasten am Mittwoch! We are back and moved in to our Amsterdam Apartment. In this episode we'll share your Milan Design Week Experience, highlights and thoughts about it! Kai also has a classic Product of the Week :) Enjoy!

Notatki i linki wymienione w tym odcinku znajdziecie na naszej stronie: designpractice.pl/095W tym odcinku rozmawiamy:→ o tym, czym są trendy→ o tym, jak wykorzystywać je w swojej pracy w branży kreatywnej→ o sprytnym łączeniu kropek w karierzeNaszą gościnią jest Maja Musznicka. Jest obserwatorką i badaczką trendów, założycielką studia trendwatchingowego TRENDIFY.lab. Od kilkunastu lat jest związana z branżą kreatywną. Spędziła pół roku w podróży dookoła świata, zbierając inspiracje i doświadczenia.Partnerem podcastu jest COFFEE PLANT – palarnia kawy specialty.Bądźmy w kontakcie:Zapisz się na nasz newsletter, żeby nie przegapić kolejnych odcinków i co 2 tygodnie otrzymać porządną dawkę wiedzy przydatną w rozwoju kariery na styku IT i designu: https://www.designpractice.pl/#newsletterInstagram: instagram.com/designpracticeplFacebook: https://facebook.com/designpracticeplYouTube: @designpracticeplW maju obchodzimy w Design Practice miesiąc typografii! Jeśli chcesz otrzymać bonusową lekcję z kursu Creative Typography „Prezentacja znaku dla klienta – od A do Ź”, zapisz się na stronie: creativetypography.pl/lekcjeTimestampy:0:00 Start2:04 Jaką książkę ostatnio przeczytałaś?3:38 Czym się zajmujesz?5:09 Czym jest trend?6:53 Jak zaczynałaś?13:29 Jak wygląda twoja praca?17:08 Z jakimi klientami pracujesz?23:24 Z jakich narzędzi korzystasz i czy wspierasz się AI?26:56 Przykład firmy, która umie w trendy30:03 Milan Design Week i myślenie32:17 Jak odnaleźć się w gąszczu różnych analiz trendów na dany rok?36:33 Jak odróżnić krótki hype od trendu?38:41 Trendy i fałszywe alarmy39:34 Najciekawsze współczesne kierunki, np. zmęczenie technologią42:49 Zmiany w branży kreatywnej i szeroka specjalizacja48:56 Trendy w kawie specialty53:40 Jak designerzy mogą wykorzystać wiedzę o trendach?57:14 Trendy w social media1:00:27 Na rozwoju jakich umiejętności chciałabyś się skupić w najbliższym czasie?1:04:30 Zakończenie

Host Dennis Scully and BOH executive editor Fred Nicolaus discuss the biggest news in the design world, including bankruptcy for Wren Kitchens, a Charles Cohen update, and the most valuable design auction in U.S. history. Later, BOH editor in chief Kaitlin Petersen joins the show to recap High Point Spring Market.   This episode is sponsored by Loloi and Chelsea HouseLINKSBusiness of Home

Some of the most exciting work on display at Milan Design Week could be found at Prototype Island, which showcased 15 Singapore-based creatives. Nic Monisse and Hassan Anderson visited the exhibition in the Brera Design District to explore why Singapore’s designers continue to innovate in new and surprising ways.See omnystudio.com/listener for privacy information.

Nic Monisse, Ed Stocker and Grace Charlton have been busy at Milan Design Week. We cover what they saw and chat to Cristián Mohaded, Yabu Pushelberg, Patricia Urquiola, Annabelle Schneider and Anne-Rachel Schiffmann.See omnystudio.com/listener for privacy information.

In this episode, the Forecast Club comes together to unpack what really stood out at Milan Design Week 2026. Moving beyond the hype, they share honest reflections on shifting aesthetics, the rise of multi-sensory experiences, and the growing divide between design for the few and design for the many. From material-driven color stories to questions around relevance, affordability, and authenticity, this conversation offers a sharp, insider perspective on where design is heading next.The Forecast Club is a global collective of leading, award-winning trend experts,  one from each country. While each member operates independently, they collaborate periodically on exclusive projects known as “Drops.” This podcast episode features the following team members: Alina Schartner, based in Austria, is an internationally recognised colour and interior design consultant, trend forecaster, and designer. She creates purposeful strategies, concepts, and collections for major brands. Her futures-focused approach, rooted in longevity, balances relevance, emotional and functional value, profitability, and sustainability. Alongside bespoke services, Alina shares her insights through keynotes, workshops, webinars, trend reports, and expert panels. Since 2021, she has also been the brand ambassador for RAL COLOURS, promoting colour literacy worldwide. Stefan ”Trendstefan” Nilsson, based in Sweden, is one of Sweden's and Scandinavia's most influential trend experts. Constantly on foot, he visits fairs and world cities to scout the latest in design, lifestyle, sustainability, retail and hospitality. He looks for new colours, shapes and objects, but the main driver is to try to analyse new demands regardless of if they are for Gen Z or regular men on the street. These insights are shared in various magazines and at seminars all over the world. He is a regular contributor to magazines like Elle Decoration, Residence, Plaza as well as morning shows on TV and radio. Trendstefan runs his own digital platform Trendstefan.se since 2006 and the trend seminar “Stora Trenddagen” since 2011. On the side he curates exhibitions both at fairs, museums and how own mobile exhibition platform Designgalleriet. Swedish magazine Rum have listed Trendstefan as one of the most influential people in architecture and design in Sweden. Trendstefan is also the founder of The Forecast Club. Susanna Björklund, based in Finland, is a futures thinker, trend analyst, journalist and a designer. As a Senior Lecturer she teaches emerging talents at LAB Institute of Design, LAB University of Applied Sciences. Susanna is also an international speaker and moderator for panel discussions. Susanna is known for curating and producing SIGNALS, the official trend exhibition of Habitare, the interior fair of Helsinki, 2015-2022, linking visual and societal trends. Her passion is design and to look for changes in everything around us, to analyze and cluster those signals into thinking where the futures might be heading. Societal shifts, design for the planet and changes in consumer behaviour as well as in values are interesting ingredients for her work.Support the showThank you for listening! Follow us through our website or social media!https://www.thecolorauthority.com/podcasthttps://www.instagram.com/the_color_authority_/https://www.linkedin.com/company/78120219/admin/

Steve Beres and Ike Goss discuss a Range Rover presence at Milan Design Week celebrating Range Rover Bespoke through a three-chapter installation—“memory and color,” “memory and motif,” and “memory and material”—including films, illustrations, embroidery, soundscape, and a one-off Range Rover Bespoke commission called the “Pearl of Tay,” inspired by the River Tay in Scotland, along with furniture partner pieces. Joined by Jenna Fribley and Liza Beres, they shift to updates on a shop project: building a 1972 two-door Range Rover for desert racing. They postpone an all-female, all-American Dakar plan and pivot to running the NORRA Baja 1000 in late April/early May 2027, citing easier domestic logistics and a more open, party-like event with classic-vehicle classes. They cover rule-book-driven build decisions (carburetion requirements, roll-cage compliance across rule sets, wheel-size exemptions), current roll-cage fabrication progress, plans for a YouTube build series, and challenges keeping the original dash while fitting safety bars, and they ask viewers with NORRA experience to help with logistics and accommodations. They also note plans to run the Rebelle in the fall.

We check in to Milan Design Week, speak to Salomon Bausch ahead of the restaging of Pina Bausch's ‘Kontakthof’ at Sadler's Wells and cover Repossi's 10-year store anniversary featuring a collaboration with Sabine Marcelis.See omnystudio.com/listener for privacy information.

Il 1° aprile è passato, ma gli scherzi continuano a far discutere. In questo episodio, Katia e Alessio ci raccontano come una notizia nata per gioco tra Ikea e Chupa Chups stia diventando una realtà gastronomica bizzarra: il lecca-lecca al gusto di polpette svedesi!Dagli schermi dei computer "bloccati" in ufficio alle tradizioni storiche del Pesce d'Aprile, esploreremo insieme la cultura dello scherzo in Italia e scopriremo perché questo annuncio "visionario" verrà presentato proprio durante la prestigiosa Milano Design Week.

It's EV News Briefly for Tuesday 21 April 2026, everything you need to know in less than 5 minutes if you haven't got time for the full show.Patreon supporters fund this show, get the episodes ad free, as soon as they're ready and are part of the EV News Daily Community. You can be like them by clicking here: https://www.patreon.com/EVNewsDailyHYUNDAI REVEALS IONIQ 3 DETAILSHyundai unveiled its first compact electric hatchback, the IONIQ 3, at Milan Design Week, featuring an "Aero Hatch" silhouette, E-GMP platform, and battery options of 42.2 kWh (213 miles) or 61 kWh (308 miles). At 4.15 metres long with a 441-litre boot, Android-based Pleos Connect infotainment, and an expected starting price of around £25,000, it will be built in Turkey with no US launch planned.HYUNDAI REVEALS PLEOS OS FOR FUTURE EVSHyundai has unveiled Pleos OS, an Android Automotive-based software platform debuting on the Ioniq 3 before rolling out across future EVs, featuring a large map-based home screen and its own App Market rather than Google Automotive Services. The system adopts a zonal controller architecture to reduce wiring and complexity, while retaining physical controls for volume, temperature, and seat functions to address criticisms of Hyundai's ageing in-car software.EU EV SALES SURGE IN MARCHBattery EV registrations across 14 key EU and EFTA markets jumped 51% year-on-year in March 2026 to over 224,000 units, representing 22% of all new car sales. Q1 2026 saw more than 500,000 new EVs registered across the EU — up 33.5% from Q1 2025 — with Germany, France, Spain, Italy, and Poland all posting year-to-date BEV growth above 40%.U.S. USED EV SALES HIT RECORD IN MARCHAmericans purchased 42,924 used EVs in March 2026, setting a new all-time monthly record and marking a 27.7% year-on-year increase, driven by off-lease vehicles returning to dealerships and elevated petrol prices. This came as new EV sales fell nearly 25% year-on-year to around 83,000 units in the same month.AFEELA SCALES BACK AS SONY AND HONDA RETREATSony Honda Mobility is winding down its Afeela EV joint venture following the March 25 cancellation of its first two models — a sedan and a crossover SUV — with its roughly 400 employees set to return to Sony Corp. and Honda Motor Co. The retreat marks the end of a venture that had positioned Afeela as a software-defined vehicle brand blending Sony's tech expertise with Honda's manufacturing, with the Afeela 1 sedan having been due for delivery later in 2026.UK RAISES EV LUXURY TAX THRESHOLDThe UK has raised the Expensive Car Supplement threshold from £40,000 to £50,000, removing an annual £425 charge that had applied to many electric cars since April 1, 2025. Over the five-year duration of the supplement, this represents a total saving of £2,125 for affected EV buyers.FORD CUTS EXPLORER AND CAPRI PRICESFord has reduced prices on its Explorer and Capri EVs by up to £5,000, with the Explorer now starting at £35,185 and the AWD Premium variant dropping below £50,000. Both models gain a new LFP battery, upgraded motor, and increased Standard Range net capacity from 52 kWh to 58 kWh, adding 43 miles of WLTP range, while the Capri also gets a power boost to 140 kW via Volkswagen Group's new APP350 motor.GERMANY EYES 8 MILLION BEVS BY 2030Germany is targeting 8 million BEVs and 2.4 million PHEVs on its roads by 2030, forecasting annual BEV sales growth of 24% and electric vehicles taking around 70% of total new car sales by the end of the decade. The number of available BEV models is expected to rise 40% between 2026 and 2030, alongside growing adoption of bidirectional V2X charging to support grid stability.EV RANGE NOW OUTRUNS MOST DRIVERSThe SMMT reports average BEV range has reached nearly 300 miles per charge — almost double the 141 miles the average UK motorist covers weekly — meaning the typical driver could go nearly a fortnight without plugging in. Research from Close Brothers Motor Finance found 74% of UK drivers travel fewer than 150 miles weekly, suggesting real-world range anxiety is increasingly at odds with actual driving habits.DUTCH SCRAPPAGE SCHEME SHIFTS TO USED EVSThe Dutch government is launching a scrappage scheme as part of a roughly one-billion-euro package, directing 52 million euros toward buyers of used electric cars who trade in older ICE vehicles of Euro 1–4 emission class. The scrappage premium is expected to be around 3,500 euros per vehicle and is targeted at low- and middle-income buyers, though income thresholds have not yet been confirmed.NISSAN STACKS 23 SOLID-STATE CELL LAYERSNissan has successfully stacked 23 cell layers into a solid-state battery prototype that meets real-world charge and discharge targets, as it works toward launching its first solid-state battery EV by fiscal year 2028. The company is partnering with US-based LiCAP Technologies for mass production using solvent-free Activated Dry Electrode technology, while broader industry momentum builds with Factorial claiming its Solstice platform can deliver up to 450 Wh/kg and over 600 miles of range, potentially reaching production vehicles as early as 2027.

We talk with designer Franck Genser about his work for Louis Vuitton. Then: Mario Milana and Gabriella Campagna of Casa Milana on their apartment-turned-showroom. Plus: Highlights from Nic Monisse and Grace Charlton. See omnystudio.com/listener for privacy information.

Host Dennis Scully and BOH executive editor Fred Nicolaus discuss the biggest news in the design world, including the rise of AI consultants, a check-in on tariffs and inflation and how designers are capitalizing on the wellness revolution. Later, Artemest CEO Marco Credendino joins the show to talk about the brand's plans for Milan Design Week. This episode is sponsored by Loloi and Chelsea HouseLINKSArtemestBusiness of Home

Zorganizowana przez Fundację Visteria i brazylijską markę ETEL wystawa o Jorgem Zalszupinie była symbolicznym powrotem do korzeni architekta – przypomnieniem, że o architekturze zaczął marzyć właśnie w Warszawie. W dniach 20-26 kwietnia 2026 jego modernistyczna myśl projektowa wybrzmi także w Mediolanie, podczas jednego z najważniejszych świąt designu w Europie.   Autorka: Barbara Siemianowska-Aniol   Artykuł przeczytasz pod linkiem: https://www.vogue.pl/a/wystawa-warszawa-sao-paulo-mediolan-poswiecona-jorgemu-zalszupinowi-w-mediolanie

Hello, Hello and welcome back! Today´s episode is about some more book and magazine recommendations, thrift stores, one quick rhino tip and a little Milan design guide what to see and... we talked about toilets (?!) as well :) If you want to know what we talked about tune in and enjoy!

Hoe begin je een interieurmerk… zonder kapitaal?In deze aflevering van De Interieur Club Podcast spreken we met Laura Morel, oprichter van het stoelenmerk Mowelli.Wat begon als een praktisch probleem – acht stoelen nodig voor een appartement – groeide uit tot een snelgroeiend interieurmerk met een team van negen mensen en ambities in heel Europa.Laura vertelt open over haar ondernemersreis: van het bestellen van een container met 300 stoelen tijdens corona tot het bouwen van een digital-first interieurmerk met offline testpoints.We praten over ondernemerschap, groei, branding en de uitdagingen van het opschalen van een interieurmerk.Hoe Mowelli begon met één container van 300 stoelenWaarom Laura geld leende van haar moeder om te startenDe strategie achter een digital-first meubelmerkHoe je een love brand bouwt in een competitieve interieurmarktWaarom ondernemers sneller fouten moeten makenDe groei van Mowelli naar een team van negen mensenDe plannen voor uitbreiding naar EuropaOok bespreken we het Milaan Design Breakfast tijdens Milan Design Week.

Alcova Milano to jeden z tych projektów w ramach Milan Design Week, który elektryzuje na długo przed rozpoczęciem wydarzenia. Powód? Wyjątkowe miejsca, których, gdyby nie Alcova, bardzo często nie udałoby się w ogóle zobaczyć. Koncepcję wydarzenia już samą w sobie można traktować jako intensywny wykład o filozofii designu. Alcova przekonuje, że warto schodzić z utartych ścieżek i eksplorować to, co nieznane. Autorka: Barbara Siemianowska-Aniol Artykuł przeczytasz pod linkiem: https://www.vogue.pl/a/willa-pestarini-wnetrza-alcova-milano-milan-design-week-2026

Earlier in the year Andrew was invited, by Kia, to attend the Milan Design Week and their Eclipse of Perceptions exhibition. In this they showed off the Concept EV2, the PV5 electric van in passenger form and the PV5 WKNDR concept.You can hear about all three and listen to the designers involved as they tell you more about the vehicles and ideas behind them. Do note, that the interview took place at the exhibition, therefore the sound quality is different.Special thanks to Kia and their photographer for supplying the majority of the photos you see. The copywrite to the images lies with Kia and the Motoring Podcast, dependent on who took them, they cannot be reproduced without permission.

Aarushi Mittal founded Parali By Aarushi as part of her Master's programme an innovative waste-reducing idea that has captured global attention. Her project debuted at Milan Design Week and won the Isola Design Award (Sustainable Category). Today, her India-based enterprise transforms agricultural waste into exquisite textiles for luxury interiors, all while tackling CO₂ emissions from stubble burning and improving air quality.Listen now and hear the surprising origins of her idea, the urgency of India's air-quality crisis, and why design-led innovation might be part of the solution.www.parali.co@parali.coImage Credit: Aarushi Mittal

When I spoke with Scott Richler, co-founder of Gabriel Scott, I quickly realized his design journey wasn't linear but layered. With a background in architecture, jewelry and fashion Scott brings that same sense of structure and detail into furniture and lighting design. He explained how the precision of jewelry—where every small move influences the whole—mirrors his architectural training, allowing him to think critically on both macro and micro scales. Lighting was a major theme. Scott and I discussed how LED technology has completely shifted design possibilities, freeing designers from the limitations of older systems. No longer about blasting a room with light, the new approach is about using illumination strategically—whether it's enhancing a hospitality experience or subtly shaping a residential atmosphere. We also tackled the often-overused labels in design—“modern,” “traditional,” and everything in between. Scott pushed back on the idea of rigid categories, noting that Gabriel Scott's pieces live comfortably in both sleek penthouses and classic homes. The goal, he said, is timeless versatility, not chasing a label. Scott also opened up about his creative process. His team of artisans develops intricate parts that are refined enough to feel bespoke but adaptable enough to be assembled by everyday people—a kind of design language built for universal assembly. It's jewelry thinking applied to lighting and furniture. Of course, no conversation about product design is complete without addressing knockoffs. Scott acknowledged the frustration of seeing his work duplicated but emphasized the importance of strong contracts, local representation, and participating in trade shows like Milan Design Week to establish authenticity. We wrapped up talking the Triforium project in Los Angeles, reflecting on how lighting has evolved from mechanical systems in the 1970s to today's AI-driven adaptability. For Scott, it's less about chasing technology for its own sake, and more about how design—whether jewelry, furniture, or lighting—creates lasting experiences.  Designer Resources Pacific Sales Kitchen and Home. Where excellence meets expertise. Design Hardware - A stunning and vast collection of jewelry for the home! TimberTech - Real wood beauty without the upkeep LOME-AI.com, simple, inexpensive, text to video harnessing the power of AI to grow your firm, beautifully. And that is where I lost the connection with Scott. He was in Ibiza. And the WI-FI dropped, so I thought it would be fun to conclude this conversation with a brief chat with the founders of the Triforium Project. YACHT, Experimental Pop, and Reimagining the Triforium The Los Angeles-based band YACHT (Young Americans Challenging High Technology) has built its reputation on pushing the boundaries of music, technology, and performance art. Founded by Jona Bechtolt and later joined by Claire L. Evans, YACHT blends electronic pop, punk energy, and conceptual art into a body of work that often doubles as cultural critique. With albums like See Mystery Lights and Chain Tripping—the latter created with the help of AI-generated lyrics and sounds—the band has consistently explored the edges of where music meets innovation. One of their most intriguing projects is their involvement with the Triforium, a massive 1970s public art installation in downtown Los Angeles. Originally envisioned as a “polyphonoptic” sculpture, the Triforium contains 1,494 glass prisms designed to light up in sync with computer-generated music. Despite its futuristic ambitions, technical limitations of the era kept the piece from reaching its full potential, and it was largely dismissed as a failed experiment in civic art. Enter YACHT. Alongside a group of artists and technologists, the band helped spearhead efforts to restore and reinterpret the Triforium for a new generation. They worked on updating its outdated systems with modern technology,

Hilary Knight speaks with Rachel Parent, Directrice Générale HUB Montréal about building a global creative network at the intersection of culture, tech, and business – and why keeping things human is more important than ever.External references: HUB Montréal – Annual international fair and gathering for digital creativityMoment Factory – Montreal-based multimedia studio producing immersive experiences globallyLa Piscine – Montreal-based cultural and creative industries business acceleratorTeamLab – Tokyo-based art collective producing immersive art and running permanent museums in Japan and internationallyScience Museum Group – Referenced for museum innovation and variation in tech adoptionCleveland Museum of Art – Referenced for integrating tech such as AI and digital experiences into museum practiceCodaworx – A platform connecting artists and commissioners of public art, referenced as an international partnerABBA Voyage – The hologram-based immersive concert experience mentioned in the discussionThe Golden Key – Immersive AI-powered installation referenced by Rachel, co-presented at Milan Design Week and HUB MontréalAbout our guest:Rachel Parent, is Directrice Génréale of HUB Montréal, an international market event for digital creativity. She leads strategy and development for HUB's global network of cultural, technological, and creative sector participants. Previously active in the music and screen industries, Rachel brings a cross-sectoral perspective to how innovation happens in cultural ecosystems. +

Scott Kerr is joined by Filippo Arnaboldi, CEO of Frette, the 165-year-old Italian luxury brand renowned for providing linens and bedding to many of world's most prestigious hotels, iconic properties, and royal families throughout Europe. Filippo discusses how Frette became a symbol of luxury and craftsmanship in the world of home textiles, designing luxury hotel brand-specific collections, and reaching younger audiences through luxury travel and sleep wellness. He also talks about accelerating Frette's global business through early investments in e-commerce, opening immersive boutiques in the world's top luxury shopping locations, and strengthening its hospitality business. Plus: Frette's collaboration with Thom Browne at Milan Design Week.Featuring: Filippo Arnaboldi, CEO of Frette (frette.com)Host: Scott Kerr, Founder & President of Silvertone ConsultingAbout The Luxury Item podcast: It's a podcast on the business of luxury and the people and companies that are shaping the future of the luxury industry.Stay Connected: scott@silvertoneconsulting.comListen and subscribe to The Luxury Item wherever you get your podcasts. Tell a friend or a colleague!

Welkom bij een nieuwe internationale aflevering van De Interieur Club Podcast! Mark Timo spreekt met Christie Wright, art director van het iconische designlabel Moooi, over hun presentatie tijdens Milan Design Week 2025. Ze vertelt openhartig over de drie verschillende locaties die Moooi dit jaar bespeelde, inclusief de store opening. Ook gaat het gesprek over het creatieve DNA van Moooi, de samenwerking met o.a. Andrés Reisinger en hun zoektocht naar zintuiglijke beleving in design. Christie deelt haar persoonlijke highlights van de designweek, verrassende trends én hoe je als merk relevant blijft. Een inspirerend kijkje achter de schermen bij een van de meest spraakmakende presentaties van Milaan!De Interieur Club is hét inspiratieplatform voor interieurprofessionals en interieurondernemers. Bij De Interieur Club hebben wij de wekelijkse interieurpodcast, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠De Interieur Business Club⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, De Interieur Club Academie met cursussen, netwerkborrels en interieurnieuws zodat jij jezelf kan ontwikkelen. Iedere week een inspirerend en informatief gesprek voor de interieurprofessional. Kijk voor meer informatie en de agenda onze website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.deinterieurclub.com⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Music from #Uppbeat:⁠⁠⁠⁠⁠⁠⁠⁠https://uppbeat.io/t/hartzmann/clear-sky

Together with design hunter Evelien Reich, we dive into the essence of Milan Design Week 2025. She shares her favorite installations, the standout colors, materials and textures of the week. Which are the key themes that defined this year's edition and how has Milan Design Week changed over the past years? Listen to our conversation on all that is Milano!Evelien Reich is the editor-in-chief of MANERA Benelux, a new English-language addition to the MANERA family, that is set to launch in September. With a decades-long career in media, she has built up extensive expertise in design and interiors. Evelien is a sought-after host at design events and is known for her sharp eye and deep understanding of interior aesthetics. She has a particular passion for the power of color in homes—how it shapes atmosphere, brings joy, and makes spaces feel alive.Support the showThank you for listening! Follow us through our website or social media!https://www.thecolorauthority.com/podcasthttps://www.instagram.com/the_color_authority_/https://www.linkedin.com/company/78120219/admin/

Date: 4/15/2025 - Designed to keep you informed without the fluff, this series delivers sharp, essential updates to help you stay ahead in fashion and business. This week Bret and Emily talk about Louis Vuitton Texas Factory, the Blue Origin Space flight and Milan Design Week.  Watch LIVE every Tuesday 12 pm CST on Clothing Coulture YouTube.

‘Future Impact 3: Design Nation’ is an exhibition produced by Design Singapore Council, which enjoyed its first outing at the most recent edition of Milan Design Week. Curated by Tony Chambers, Maria Cristina Didero and Hunn Wai, it featured both established Singaporean names and rising stars. The event – and Monocle – also brought a host of international talent through the door to discuss the future of design.See omnystudio.com/listener for privacy information.

Host Dennis Scully and BOH executive editor Fred Nicolaus discuss the biggest news in the design world, including the latest on tariffs, a housing update, and what The White Lotus and Severance say about design culture. Later, journalist Julie Lasky and designer Ghislaine Viñas share their highlights from Milan Design Week.This episode is sponsored by Jaipur Living and Chelsea HouseLINKSJulie LaskyGhislaine ViñasBusiness of Home

#312 – Autotelefon-Autorätsel: Ein überraschend großes Auto von 1930 mit 16 Zylindern, das sich im Zeithaus der Autostadt in Wolfsburg bewundern lässt? Na, das kann doch nur eins sein, ganz genau! Kurz vor dem Aufnahmetermin dieser Autotelefon-Episode ist Stefan von einem Ausflug nach WOB zurückgekehrt. Da gibt es eine Menge zu erzählen. Und Paul-Janosch? Der philosophiert über die kürzlich erfolgte Umbennung von SsangYong in KGM und berichtet von seinen Eindrücken auf der Milan Design Week. // Wer lesen kann, ist klar im Vorteil? Zumindest unsere Podcast-Hörer*innen wissen Bescheid und können sich auf https://www.autotelefon-podcast.de auch mit dem geschriebenen Wort auseinandersetzen. Wir nennen es Lektüre. Jede Woche neue Themen zum Nachlesen!

More conversations from this year’s edition of the fair. We hear from multidisciplinary maker Omer Arbel and visit the cavernous design gallery Nilufar Depot. Plus: a continents-spanning conversation with researcher Wong Eng Geng and Nifemi Marcus-Bello. See omnystudio.com/listener for privacy information.

At the “Design You Can Feel” event at Design Week in Milan, I catch up with visionary Studio INI founder Nassia Inglessis on her latest installation, Willful Wonder  At the same gallery, I sit down with Galip Fu from ASUS to discuss the inspiration for this installation – and it's tied to the Zenbook and its exclusive material called Ceraluminum·       We'll also learn all about the Husqvarna Automower iQ Series of robotic lawnmowers, when I                 interview Chris Price, Senior Robotics Engineering Manager at HusqvarnaThank you to Visa and SanDisk for your support!

This week's On the Scent podcast is a sensory feast spanning art, astrophysics, architecture, cults, rituals and embracing your darker side (while finding the light).Suzy was staggered by @marcantoinebarrois Aldebaran - a tuberose like no other that's wild, greenly sap-laden and coconutty cool, currently featured in an extraordinary art installation at Milan Design Week (on until 13th April, tickets here: Mission ALDEBARANeventbrite.frIt's particularly mercurial: on Suzy it's ultra green, then cold, metallic and silvery, creamy and addictive; on @blublazerguy it was coconutty, while on @morebrandscents the intriguing paprika pepperiness really came through, so you need to try it on your own skin!Meanwhile, Nicola's been delighted about @debenhams upping their fragrance game with niche and heritage brands, including @bastilleparfums Un Deux Trous Soleil (childhood-evoking via sunshine and play dough!), @houbigant_parfum Quelque Fleur (vintage bouquet), and @molinardparfums Molinard de Molinard (70s chic).@memo.paris takes us on two fragrant journeys: Portobello Road with its myrtle, rose and rain accord that Suzy's been editing on her skin, and Ithaque - an escape to the mythical Greek island with cedar, bergamot and blackcurrant.Another tuberose that captured Suzy's heart is @manosgerakinis Wild Tuberose - green yet buttery, slightly salty and totally addictive with bergamot, jasmine and woods.Nicola's fallen for @narcisorodriguezofficial For Her Intense with its vetiver/amber trail, juicy peach and white florals, while we were both surprised by @zadigetvoltaire ZADIG's billowing orange blossom, toasty sesame, fiery ginger and sandalwood.Suzy's also raving about @thomasdemonaco collection at @lessenteurs, featuring Sol Salgado (sun-kissed skin with salt and linden), Fuego Futuro (a shamanic journey of smoke and incense), and Raw Gold (desire with davana, suede and vanilla).Finally, both Suzy and Nicola chose @ateliernoite Flowers of Evil Candle with its mysterious datura flower, orange blossom and powdery orris - perfect for after sunset indulgence...

As Emmanuel Macron announces France’s plan to recognise Palestinian statehood at a conference in June, Georgina Godwin is joined by Leila Molana-Allen to discuss what the future holds for Gaza. Plus: The ‘coalition of the willing’ meet in Brussels, the Delphi Economic Forum, Milan Design Week and a Eurovision edition of ‘The Global Countdown’.See omnystudio.com/listener for privacy information.

It's that time again: On this special episode sponsored by Molteni&C, Dan reports from the yearly Milan Design Week that takes place during the famed Salone del Mobile furniture fair. First up, Giulia Molteni takes the temperature of the global design scene from her family's stunning new flagship in the heart of the city and shares news of the re-edition of Tobia Scarpa's 1973 Monk Chair; and Marco Maturo of Studio Klass shares his experiences as a next-generation, tech-inspired talent in design. Hosted on Acast. See acast.com/privacy for more information.

The team report from the Salone del Mobile furniture fair in Milan, with interviews from architect David Rockwell, the CEO of Italian manufacturer Artemide and the design duo behind the studio Formafantasma. See omnystudio.com/listener for privacy information.

Tous les 2 mois, LE CLUB se rassemble pour vous parler déco, design, tendances, conseils pratiques et même transition écologique.Chaque journaliste son thème et sa chronique !DANS CET EXTRAIT Marie Farman, journaliste spécialisée en design, analysera comment le monde du design inspire et suprend en investissant des lieux extraordinaires ou atypiques, loin des galeries classiques. Dans les autres épisodes :Billie Blanket, journaliste et influenceuse, nous décryptera la grande tendance du drenching pour repeindre ses murs (rassurez-vous moi non plus je ne connaissais pas !) Violaine Belle-Croix, rédactrice en chef de MARIE CLAIRE ENFANTS et citoyenne engagée via son média WITE sur Instagram, fera un petit pas de côté au monde de la déco et nous expliquera comment rendre un peu plus écolo sa vie digitale...Un mix&match comme on les aime pour une discussion dans la joie et la bonne humeur !Merci au French Design by Via de nous avoir accueillies au coeur de son expo SPEED DATING LOVE STORIES que vous pouvez découvrir jusqu'au 25 avrilEt merci à Tikamoon, fidèle partenaire de cette émission. Si ce podcast vous plait n'hésitez pas > à vous abonner pour ne pas rater les prochains épisodes> à mettre un commentaire ou 5 étoiles (sous la liste des épisodes, rubrique "Laissez un avis")> à suivre @decodeur__ sur Instagram et à partager l'épisode en Story par exemple > à découvrir plus de 150 épisodes déjà en ligne et les différents formats de l'émission> à parler de DECODEUR autour de vous, tout simplement...!Merci beaucoup

Giant Robots On Tour Hosts Sami Birnbaum and Jared Turner introduce Sheng-Hung Lee, a designer, PhD researcher at MIT AgeLab, and board director at the Industrial Designers Society of America. Sheng-Hung shares his journey into design and engineering, emphasizing the importance of interpreting signals in design and the evolving role of designers from problem-solvers to culture shapers. He discusses how designers must now consider broader, systematic issues such as climate change and aging. Sheng-Hung explains that design is a teachable and essential life skill, highlighting the significance of personal experiences and failures in learning design. He elaborates on the concept of signals, explaining that they represent different perspectives and interpretations in design, which are crucial in addressing complex problems. The conversation shifts to practical design applications and Sheng-Hung's work in smart homes for aging populations. He discusses the integration of various smart systems and the importance of designing for different life stages rather than specific age groups. Jared and Sami also engage Sheng-Hung in discussing the worst and best-designed products, where Sheng-Hung mentions his initial skepticism but eventual appreciation for facial recognition technology. MIT AgeLab (https://agelab.mit.edu/) Industrial Designers Society of America (https://www.idsa.org/) Follow Sheng-Hung Lee on LinkedIn (https://www.linkedin.com/in/shenghunglee/). Visit his website: shenghunglee.com (https://www.shenghunglee.com/). Follow thoughtbot on X (https://twitter.com/thoughtbot) or LinkedIn (https://www.linkedin.com/company/150727/). Transcript:  SAMI: Hello again, and this is The Giant Robots Smashing Into Other Giant Robots podcast, the Giant Robots On Tour Series coming to you from Europe, West Asia, and Africa, where we explore the design, development, and business of great products. I'm your host, Sami Birnbaum. JARED: And I'm your other host, Jared Turner. SAMI: If you are wondering, which you might have been for a while now, where are Will or Victoria, well, make sure you find one of our previous podcasts where we introduce the Giant Robots on Tour Series, and you'll understand why you're hearing myself and Jared a little bit more frequently than before. In that podcast, we throw random icebreakers at each other, and we find out that Svenja does not like online banking. And if you haven't listened to our previous podcast with our guest, Ishani, check that out as quick as you can and find out why AI is compared to babies. Joining us today is Sheng-Hung Lee, a Designer and PhD Researcher at MIT AgeLab and Board Director at the Industrial Designers Society of America. Sheng-Hung, I'm going to level with you. I've done my research. I've done my due diligence on the guests that we have on this podcast, and I'm exhausted. SHENG-HUNG: [laughs] SAMI: I've looked through your own website, and I've read as much as I can find about you. And between education, experience, awards, scholarships, there is an incredible amount of things that you're involved in that you get up to. And it really wasn't good for my own self-esteem just to see how much you have going on. SHENG-HUNG: [laughs] SAMI: Jared, a question for you first. Bear in mind, the only thing I've ever been awarded is my own driving license. So, our guest, Sheng-Hung, how many awards do you think he has currently listed on his website? Give a guess. JARED: Oh gosh, I remember looking at the page, and I remember having to scroll. SAMI: [laughs] Yeah, you had to scroll. JARED: Let's pick 33. SAMI: 33. Do you know what? It's not even close. Okay, he's nearly double that. So, he's up at 60 awards that are currently listed. So, we're talking about a guest that you guys do not want to miss. And you want to make sure that you get into this conversation. I always like to go back to the start with my guests. So, everyone has a story. And I'm interested, Sheng-Hung, in your journey and what led you into the world of design and engineering. SHENG-HUNG: My personal definition of design is, like, decoding signals. So, everything in our lives, like, we have different types of signals. How do we interpret the signal? How do we, like, understand, or perceive different types of signals in our lives? And I feel design is more like...not just creation. It is creation, for sure, but also about curation. I feel like, for me, problem-solving or, like, problem-defining is really interesting. And especially you mentioned, like, my very early stage as a designer, the reason I submitted my work to get an award is because I want to show my problem-solving skill. And I realize nowadays, like, the problem is too complicated. It's not just about solving problems, right? I mean, I feel design is more bigger than that, especially now most of the problems are systematic and complex. Climate change, right? Like, you think about aging, and you think about all this, like, sustainable issues. I feel like designers, like, for me, starting from problem solver, as engineer, and now more I've become like a translator, curator, or even, like, a culture shaper. How do you shape the culture you want, right? Especially now, like, AI it's just, like...that really let me rethink about my role as designer, you know, because everyone can have tons of ideas, but the truth is, like, we have so many ideas, but do you know what good taste is about? Do you know what the good qualities of life's about? So, you have to have some personal experiences to really help people to understand or curate the vision in the future. SAMI: That's really interesting. I struggle to dress my kids in the morning from a design perspective, right? I don't get colors, and I don't understand necessarily how they match and how to get things working. In fact, sometimes I'll dress my kids only to find that my wife has redressed the kids. Things are that bad at home. Do you think then design is something which can be taught, or is it something, like, innate? Is it something, in your own experiences, that it's kind of part of your nature? So, you see the world differently to someone like myself or Jared sees the world. Or could that be something which we could pick up on, you know, and learn about? SHENG-HUNG: Yeah, I definitely think design can be teachable. It's skillable. And I feel like, yeah, people talk about this is, like, a hardcore skill. It's a soft skill. No, I think design is a life skill. It's a human skill. So, that includes like, for example, like, yeah, how do you choose the color? How do you choose the clothes for kids? But also about, like, how do you celebrate the quality of lives, right? How do you, like, have better, like, qualities? And I feel like, I don't know, life skill means, like, team building, creative leadership, knows people, listening to people. And, for me, that's part of design because you're decoding different signals. You understand your life. You perceive different types of noises. Or how do you resonate with other people? And that's a life skill, I think. And I also feel most of the design skills I learned is actually not from school. It's from, like, personal life failure [laughs]. SAMI: That's really interesting. I just want to jump in because I don't know if I fully understand what you mean by signals. Can you just elaborate on that a little bit more? And then, I will bring you back up on personal failures. SHENG-HUNG: Signal is like different ways of seeing things, right? So, for example, like, if I go to wait in line for a free bagel, right? You share this with your friends. What I see is it's a free bagel. But what my friends see is like, oh, probably, like, I don't need to wait in line and so many challenges. You know, I have to, like, oh, why should I get this? But I see very clearly I want a free bagel. So, these are different. It's the same thing but different message mixed up, right? And then, for me, I see design, like, it happens every day. It's a life skill. For example, like, I saw the challenges, but what if we think another perspective to rethink about what kind of challenge [inaudible 06:38] or reframe the right questions, right? And all this, like, mixed all together, it feels like it's not just about drawing beautiful sketches or rendering sexy, you know, ideas. It's all about, like, how do you frame these challenges? How do you look at this? Can you see the question from social aspect, from cultural aspect, or you just see this as a solution-driven approach? JARED: In some cases, I feel, there is an element of subjectivity to the designs, but then we also want to measure the success of a design. Do you have any tips for, like, how you go about putting numbers to what defines success for a particular design? SHENG-HUNG: This is such a great question, especially now my research focus is really on services, you know, service design, experience design. Like, how do you quantify this, right? For example, three of us we go to the restaurant, and I feel it's really, really great restaurant. And probably some people feel no, that's not really great. And then, how do we quantify this, right? And then, I feel it's sometimes, like, really by personal preferences. It's hard to measure. Maybe there will be some sort of, like, a principle direction or criteria we can follow, so, for example, service quality metrics or something, like, based on people's life experiences. I feel it's hard to measure, especially now the design challenge the question it's really complicated. Some people talk about demographic. How do you, like, [inaudible 08:09] design? Like, for example, a participant design process, right? Or, like, inclusiveness. People talk about equity, power, power dynamic. And I think it's less of a measure or quantify. It's more about do you show your respect? Can we be more inclusive in this process? Can we really engage or integrate multiple voices in this design process? And I feel like that kind of shows the flexibility, also, the real flexibility of the design, not just that, oh, we look for one single solution. Because, most of the time, we actually want to design for a solution, but, actually, I feel now the shift is from we try to build the condition to let people land on this condition and solve the problem. So, in the end, we'll be like, yeah, we landed here, and we can solve the problem together collectively. So, something I feel a little bit different, but that's a great question. It's open-ended. Yeah. JARED: Yeah. Thank you. There's a lot to think about there. I want to bring it back to failure because this is something I think about a lot in terms of teaching and learning from history versus learning from your own failure. We have, like, thousands of years of history of failure. You think we have made all the mistakes already, and, oh, it should be easy, right? All we need to do is teach all of the young generation about all of this failure, and then they'll remember not to do it. But in reality, it doesn't really work that way. I find the strength of the argument is oftentimes weak compared to failing yourself and really deeply learning that lesson. I'm curious about your thoughts on that. And then, I'm also curious to hear about some of your, let's call them, best failures. SHENG-HUNG: I personally feel like people fail. They fail forward, not backward. So, even if you fail, you move a little bit. It depends on how crazy, right, and how fast you fail. It's an iterative process. The reason I say learning from failure because from traditional Asian family, Asian students, right? Probably in the past, I would say I raised my hand. I want to learn, or I ask senior people. I want to learn. But, actually, more than that, it says, "I want to experience. I want to be part of it," right? So, you're not becoming the manager because you learn to become a...no, you're in that position, and you learn to be a manager. So, I learned that mindset when I worked at IDEO. And one of the senior design directors told me, "No, you should say, 'I want to experience.'" So, that means that you have fully immersed experiences. And one of the best examples for me is that the first two years I worked at IDEO and IDEO Asia, supporting projects in Tokyo, Shanghai, Singapore offices, and sometimes European, like, office work; the first two years, my confidence almost collapsed. I have to collect my confidence. It's so hard because I'm eager to learn so many things. I didn't beat myself. And then, after two years, I met an amazing, like, design mentor. And I started the things I'm good at as product designer, a tangible designer. I start as product-focused and thinking about whole design process. And then, I start to collect my confidence. And I realized every single project at IDEO or in my life it's a vehicle, you know. And then, you always connect the dots when you're looking backwards. And you realize, oh, this is failure. Let me know what do you mean by client management? What do you mean by, like, teamworking? Because everyone is from so diverse background. And everyone says, "I'm a designer," but they have different interpretation. And how do you communicate it, right? And how do you keep the conversation transparent and also effective, and how do you empower people? And I feel because of that connect the dots process, also, all the things I want to learn, I want to experience it really helps me to grow at the third year or second year in IDEO. And that really makes me think about, oh, wow, I didn't know. I failed completely. And that's really healthy, for me, because you become very strong. At some point, I started to realize, oh, what do you mean by...what does it mean by design consultancy business? What we can sell. Where's our capacity, our limitation? You know, other than just, oh, everything's, like, imaginative conceptual. I kind of know what happened, and I know the boundary. And I know how can I empower people and also the client. SAMI: Yeah, embracing failure is a real strength. At thoughtbot, we kind of...if we're developing products and we're, let's say, designing or coding, whether websites or applications, we have this concept of failing fast. So, the faster you can fail, the quicker you can iterate towards the right solution. And that's something which is difficult to embrace because the first time you do it, I want this to be perfect, and I want to build it in the way that it works. But, actually, you'll spend a lot of time trying to get towards that perfection, and it's much better to ship faster, fail faster, and then get towards the solution. I noticed as well that...well, I read that the one thing you've been recently working on is designed for the aging population, so more specifically, smart homes for the aging populations. Shout out to my parents if they're looking for a smart home. Sorry, mom and dad. SHENG-HUNG: [laughs] SAMI: I've always found, especially my generation, so I'm about...I'm not about; I am 32 years [chuckles] old. So yeah, there's always been, like, a big gap between kind of my generation, the way we've engaged with technology products, the way my parents' generation have been able to. And I imagine a future where my kids are running around in VR headsets, and I'm still, you know, using a basic laptop. I would love to know more about your work kind of in this area and designing for a different sector of the population. SHENG-HUNG: My master thesis and my master project is focused on redesigning, like, smart footwear for aging population, and then that's part of the smart home ecosystem. And I was actually impressed and surprised. It's like most of the sponsors or clients we talk about, like, people [inaudible 14:38] to think about just the product level, so smart like [inaudible 14:43], smart like a door, or smart like, you know, like a bed or a smart, like, alarm clock. People start to think about how can we integrate all this system together? Because, like, for example, if you bought Amazon, you know, versus Apple and all these different devices, the platform is really a problem because the products cannot communicate with each other. And we want to make sure all the products can communicate and support you, or, like, they can at least receive your data or information to give the appropriate response. So, the smart home project starts to think about from ideas to become more like platform integration. IKEA is the best example, right? Like, I think two years ago, they talk about, yeah, they launched their first app, right? Everything is, yeah, it seems like, oh, what's the big deal about this, right? No, but you think of this from the intention perspective to actually connect the whole system together because they want to make sure their internal designer, developer they really can think through their own internal system to make sure everything's connected, interconnected, not just, oh, you do a part of this. We sell this to a certain Asian, and it didn't really connect. So, I feel like when we designed it, it's really from the system perspective to talk about a smart home. And then, regarding of, like, design across [inaudible 16:04] generation, that's really important, actually, because especially now I'm focused on design for retirement. And I shifted to design for longevity. And then, the cool thing about this is, like, we think about our life in terms of age, but, actually, now we need to think about our life in terms of different life stages, different lifestyle. The book called "Stage (Not Age)", means, like, now we cannot even describe people above 100 years old or 85 years. So, we call them future hood, right? So, like, different life stages. And I feel like that really impacts, as designers, the way we design products or interfaces, right? And it has to evolve with people. When you say, for example, if we have, like, a smart, like, a robot in our home, they have to know your personal routine. And you kind of grow, right? For example, oh, I get older. I move slower, or my mobility is different, and it changes. How does that mean to our product or our smart services? And I feel like across different generations, it's really thinking about design for different people in different life stages. And that's really important, not just about financial planning or about your future education, family, community, right? Now people are probably thinking about aging in place. My parents just bought a second home. They're thinking about retirement life. And so, these are things that really impact all aspects of life. And I feel like the idea of one solution for all the era is kind of over because we have to think about not just one solution, multiple solution tailor-made for multiple different people in different life stages. MID-ROLL AD: Are you an entrepreneur or start-up founder looking to gain confidence in the way forward for your idea? At thoughtbot, we know you're tight on time and investment, which is why we've created targeted 1-hour remote workshops to help you develop a concrete plan for your product's next steps. Over four interactive sessions, we work with you on research, product design sprint, critical path, and presentation prep so that you and your team are better equipped with the skills and knowledge for success. Find out how we can help you move the needle at: tbot.io/entrepreneurs. JARED: And, Sheng-Hung, in one of your articles that I was reading about design for longevity, you sort of say that design for aging isn't just about designing for older people, but rather, I think one of your colleagues asked this question, which I really liked, which is, how can inclusive methods build elegant design solutions that work for all? And I find that a really aspirational goal. But one of the things, say, at thoughtbot, when they're building a product, so we often talk about targeting a specific niche or a specific user base because then we can really optimize for them. And so, you're designing something that's elegant, and that works for all. It doesn't sound very easy. It sounds like a good challenge. And I'm curious about how do you go about that, and do you have any examples you can you can share? SHENG-HUNG: Design for all elegantly also seamlessly. Optimize everyone's needs or, like, design process. I feel...because my topic is focused on financial planning, right? And I think about everyone's income level is different. Their investable income asset is also different. We have a different situation, right? Our family issue, the healthcare condition is also different. And I feel like that, also, if we look at this question, we should think about, okay, how do we define design for all, right? Is it universal design, or is it inclusive design? I think there are definitely some, like, basic or fundamental, like, foundation or criteria we need to meet. Like, for example, human-centered, right? Or, like, we think about accessibility for certain technology. What's the threshold for a certain way of use the technology or product? That could be, like, a universal or, like, basic. Like I said, people's life stages are so different. And can we really make sure our product or interfaces is always dynamic, always change? Design for transformation, right? And I feel the ideas of changing is kind of scaring for most people. Because you don't want to, like, you woke up, and you realize your iPhone just update the whole interfaces, and you suddenly don't know how to use it [laughs]. It changed too dramatically. What I mean by change is like, it's a gradual integration process. And I feel that's kind of beautiful. Like, for example, the way I use my bicycle, the biking, right? They can ultimately adjust my speed, recharging, or understand my personal preferences. That could be something I think is powerful for future for providing the right solution, yeah. But also, it's a benefit of this, but also, there's downsides. Like, maybe because of that, we all live our own personal bubbles pretty well, right? Like, oh, yeah, yeah, I read a newspaper. No, you read the newspaper that I curated for you. So, somehow, the information started different [laughs]. So, there's a gap, but I don't know. It's very cool. It's very great, great question. I think there's still...I don't have the exact same answer, but I feel that could be potential for now. Yeah. JARED: Yeah, I really like that. So, it's not just a one-size-fits-all-all, but, like, it's a sort of an elegant transformation over the course of someone's life. We've discussed a few different things like design for longevity. You touched on there, as we were speaking, human-centered design. I know you've made a distinction of humanity-centered design as well, and there's also life-centered design. I wonder if you could give us and our listeners a little rapid-fire explainer of each of them. SHENG-HUNG: Like, when we talk about human-centered design, right? Like, it's, like, a buzzword. And everyone talks about HCD, and most people think, oh, if you got a post-it note, you're, like, a HCD designer. No, like, what does that mean, right [laughs]? It's very cliché. And they're like, oh, yeah, all these, like, HCD designers bring the post-it notes with Sharpies and go to facilitate tons of workshops, and they sit and know people. And I feel it's more than that, right? Human-centered is really, like, put yourself, designers, in the shoes of clients, users, customers, and participants to know their needs, their desire and address their pain point. And I think for human-centered design like Don Norman said in his latest book, it's not just about design as a discipline. It also covers, like, politics, covers, like, ethical issue, culture. It's broader. And, for me, the simplest version is, like, you design with care. You design with human temperature. We create technology with human temperature. That means that we're now for this technology to [inaudible 23:13] technology. We know why we need that technology. So, for example, if you provide the, like, the cell phone to the developing countries, you probably don't want to send, like, the latest cell phone. You want to send them, like, the adequate technology. What I mean by that is like, it's very, like, stereotype, but I'm trying to explain the idea is like, oh, Nokia could be a great option at this point, for example. You can communicate. You don't need, like, crazy, like, AR VR function. You at least can communicate. So, it's adequate. I think that kind of lens is, like, you think about the culture, the needs, economic, social status. And then, you can start to move on and upgrade the devices. And I feel like life-centered is even broader. It's like, can you design something to the lens of cats, your pets, your animals? So, it's really like, it's really...it sounds a little bit like a speculative design. But the truth is, like, we can shift our perspective to different kinds of species, cross-species, not just focus on human, because everything we design definitely starts from also for a human being. But now life-centered is like, it's longer, broader. And then, for me, it also means like, we just talk about life-centered. It's like, really think through all different stages of life, not just, like, focus on one single age or a single stage, too specific, too narrow. It's, like, broader. So, when we talk about life-centered design, LCD, we really think about a lot of different systems, framework. What's the model we can follow? You know, so we're also thinking about policy, about power dynamic, government, ethical issues. So, this, I think, like, it's broader, and it's really large. Sometimes it's pretty vague, for sure. We have to use some cases or really think about in different contexts. Context is really important, designed for different contextual knowledges and needs. SAMI: Yeah, I think that is actually a really helpful understanding. Myself I don't know anything about those concepts, so to kind of get that theoretical understanding and explanation from yourself is really helpful. In a more practical sense, I have a question, which is a very selfish question. The reason it's a selfish question is because I want to know what do you think? When you look at the world through your designer lenses, what do you think is the worst-designed product you've ever seen or come across? And I think I know the answer to this. I think there is a right answer. While you have a think, I'll share my answer. I don't know if you have this because you said you're based in Boston at the moment. And I'm showing you because we're on camera, but I will describe it to the listeners as well is what they've done with bottles now is when you open, like, a Coke bottle, for example, all other beverages are available...Coke, if you want to sponsor us [laughter], we're happy just to mention you. When you take the bottle cap off, it's now connected to the top of the bottle. So, someone has decided...now, I understand the reason behind it. They're saying that it's for recycling. So, when you throw your bottle away, make sure the cap goes with the bottle. But someone has sat there, and they've designed the bottles. So, when you take off the cap, it's still connected to the top of the bottle. And countless times, I'm either pouring into a cup or pouring into my mouth. And that cap is getting in the way. So, the liquid kind of goes into that cap, and it spills on me, or it spills on the table. This is an absolute design failure, a catastrophe in my eyes. That's my worst design that I've come across in real life. Do you have anything you can think of that you look at, and you're like, who designed this? SHENG-HUNG: This is such a great example because I did have similar experiences when I went to Milan Design Week last year. All the plastic bottle is, like, connected. The cap connects with the bottle. And I didn't know that it's on purpose at the very beginning. I thought, how come it's, like, connected? I want to take it out because it's easier for me to drink. And I realized it's not just this one; all of them is the same [laughs]. Yeah, that's a great example. I think, for me, design for failure adapter, for example, you know, adapter, like dongle, right? Like, we have so many different...this guy HDMI cable, the cable for iPhone, and the magnet for my Apple MacBook Pro. That's painful because you try to find, like, when you go to, like, a talk or a speech or try to present something, I think, for me, the easiest way is, like, AirPlay, right, Wi-Fi or Bluetooth to connect to the projector. But in reality, you always need this HDMI cable. And this guy connects with my Mac. There's some problem. It depends on...now I always bring my adapter with me. It's just like, we have that [inaudible 28:04] like, you know, it almost, like, very frequently, if we're meeting, you have to show your screen. How can we design less physical but it's user-friendly, right? People use Mac. People use Apple, use, like, Microsoft. How do you design something like a universal adaptable to everyones, just sharing screen? This is what I need. So, I think this could be one bad design, I think, at this moment [laughs]. SAMI: Yeah, that's a great example as well, and so frustrating. And I wonder if it's, like, a money-making scheme, you know, everyone has their own chargers. And that's a way kind of they make some income as well on the side. Jared, what have you seen in the world? What's your pet peeve? What really grinds your gears? JARED: This was easy for me. It came to me straight away. Any door that has a handle that you can wrap your hand around which signifies it should be pulled that is push. It's just, I mean, what is going on there? It drives me bonkers. SHENG-HUNG: [laughs] SAMI: That is brilliant. I think it's only fair if we flip the question, right? And then, we say, what's the best thing you've seen designed, right? There must be something out there where you've gone, "Oh, that is so useful. That makes so much sense. Why haven't we done that until now?" And have you kind of...I guess this is for Sheng-Hung, like, have you got any inspiration from that sort of thing? SHENG-HUNG: I have to be honest. Like, I really feel like in the past, I'm kind of scared about, like, use your face to unlock your phone. But the more I use it, I feel like, oh my God, this is so convenient. You just look at it. I know it's a bit scary because they have all your biometric data information. I know even you protect under the regular law, but still, I feel like, yeah, it's so seamless connected. And I feel maybe the better answer is like, I feel a great design is, like, to reduce the friction between the transition of devices by devices, right? So, for me, I mean, so interface by interface. So, when I share the data on my phone, what does that mean? From phone to my computer or phone to other people, right? All the different interfaces changing. The less friction, the better. I feel seamless connected. So, you know, AirDrop, super convenient, photos, videos with people, Mac users. But what does that mean for, like, Windows users, right? And so, every platform has their own, like, spec, or criteria. And I feel if the user can feel the seamless friction between these interfaces, for me, that could be a great design solution. JARED: I love that answer. And I love that description of reducing friction. It reminds me a little bit of, I think, my favorite book on UX is by Steve Krug, which is "Don't Make Me Think." And it's just all about doing the simplest thing, reducing confusion, overcoming objections, and reducing friction. So, I really love that. I do have an answer for this one as well. It's a little bit selfish or focused on my own life. So, I have a dog. She's a Welsh Terrier called Rosie. She's just turned one. Whenever we used to go out, you've got to take water for her if it's a hot day. I always used to take a bottle, whether you could unscrew the top or not, I'm not sure, Sami, and, like, a little bowl to put that in, or you use your hands. And, invariably, she's not going to drink all of the water, so you've got waste. You throw that out. The bag gets wet, all of that. Someone has designed this really cool bottle where the top is actually the bowl. It's an all-in-one. And you press a button; the water goes into the bowl. She drinks. Whatever's left, you press the button again, turn it upright. And the water just flows back in into the rest of the bottle. It's such a simple thing. But, like you say, it just reduces that friction. Anytime a problem no longer exists, manual to automatic cars, fight me, I'm all for it. Well, that's a problem solved. That's less friction. That's beauty in the world. SAMI: Yeah, I think it's amazing. When you think about these examples, it really brings out how much of an impact design has. So, you can have the best product in the world, but if you don't get that frictionless design, or you don't get that design that's going to really bring that improvement, it's going to be difficult to make that product a success. And I think there's some, like, when I think about leaders and innovators in this kind of space, so I know you already mentioned IKEA and I think of Apple. And I don't know the answer to this, and maybe our listeners also wonder, like, how do these companies...they seem to keep getting it right. No matter what happens, they seem to set the trends, and they get their design spot-on, and they innovate in that space. How are they so successful in their design? SHENG-HUNG: I think a recent example is like, you know, like, Apple just recently launched the Vision Pro, right? The XR, the goggles. And put the demo time 30 minutes to get in-store experiences. You're booking the demo time with them, the 30 minutes. For me, I wrote an article about it. It is less about the goggle itself. It is about the whole experiences. The time you enter the store, right, and then you're waiting there, who guiding you? The Genius Bar people guiding you. You sit down. You have the prescription and your glasses that get measured, scan the QR code, and find the match [inaudible 33:35] pair of goggles that fit your [inaudible 33:37] of your face. And they put it on. They sit on the side, use the iPad to guiding you, and tell personal experiences or stories. These companies are very design-driven, vision-driven company. They really think about the whole experiences of users, right? And, for me, it's too pricey, for me, the product, obviously, right now. But I have very delightful, positive experiences because of that 30-minute demo. So, I kind of plant the seeds in my heart. Oh, if the second generation or something have discount, I would definitely want to get one for myself. Not really because...it's a great design for sure, but also, the impression I have. And I feel that really, really, like, make a difference, right? It's tiny. It's very subtle. They can, "No, we don't have, like, demo experiences." They can just purely sell the product. But I think they sell something bigger than just product. Branding user experiences, delightful experiences. And I can really feel that, and that's really powerful in the end. JARED: Do you think that that sort of level of design is limited to the companies that can afford it like the big names? Like, obviously, there is a cost dedicated to having the time and to putting the resources to that. Is it always just going to be the big players, or are there things we can do to democratize that availability for the startups, for the SMEs? SHENG-HUNG: I actually think it's about a company's culture. So, another example I would love to share is, like, when we did, like, an inspiration trip in Tokyo, and there's a very famous, like, chain bookstore called Tsutaya bookstore or Tsutaya electrics. So, to my surprise, like, yeah, it's a big bookstore, and we probably think bookstore selling books. No, they're actually selling a lifestyle. So, for example, like, if I want to buy the book around how to use a camera, right, the way they curate it, it's like, yeah, we do have the books around camera, but also, we'll put the real camera, like, near the book. So, they curate the whole experiences. You flip the book. Oh, this is so cool. Thanks, I want to try it. You probably, in the end, you got both. So, very interesting and also very human-centered, like, retail experiences. Why did I say culture? Because when I entered the store, I asked for one book I was looking for. The staff came to me, and she bring two books to me. One is the book I want, unpack. And one is the book...it's the same book, but without the plastic cover. It's brand new. And why she brought two books to me because if I want to buy this book, I not only read inside, but also, I can just get the new one with me to check out. And this is so subtle, right? Because they're not just bringing you, like, the sample. They also bring the final product with you. So, I feel that kind of culture is, like, very strong, customer-centered, think about your needs, think about your next step. So, they kind of plan ahead, and this is so strong message to me. Oh my God, this is such a great design culture, or at least a human-centered culture to think about my needs, my decision-making process. So, I feel connected with that, and I feel like, yes, they have money, but also, like, they really cultivate that culture within the...not just...they also send a message to their customers. SAMI: I feel like, Sheng-Hung, we could speak to you for hours. I mean, you are opening my world and my eyes to a different world of design. I've got one final question for you before we wrap up that I wanted to cover. I've seen from your website, like, you've personally designed products. So, out of all the products you've either designed yourself or you've been involved with, what would you say, and could you describe for us your favorite product that you've designed yourself? SHENG-HUNG: I think my favorite product is, like, I help and re-design, like, Shanghai Library Innovation Space that, for me, is OMG. Oh my God. It's crazy. Like, one single team, my side project and collaborate with the full staff, librarian, the leadership team. What is powerful is, like, library for them in Shanghai, it's a local hub to connect the community and also to teach, to learn for the younger generation how to use the space. For sure, most people use that space for, like, self-studying, you know, activity and all this stuff. But, for me, like, it's so impactful because every single change that means a lot of impact because it's a public space. And also, it's really, really powerful. Like, you think about the decision-making process. You have to think about feasibility, viability, and also desirability, all things to connect together. And it's really hard, not easy process. It took me about a year-long project. And I'm really happy because, in the end, it's really from sketches, concept, prototyping models, all the way they rebuild, modify the design, integrated. And now the new library they build on another area of Shanghai is really based on this model and framework. I'm very happy, and I also feel like, yeah, design can make a positive impact. It's not like a concept. It's real. And it's nice. It's painful, but it's really satisfying, yeah [laughs]. SAMI: That's really cool when you get to a point where you've done something, and then you see people using what you've designed and, like, enjoying that space and benefiting from all that hard work that you've put into. I have to thank you so much for joining us and giving us time today on the Giant Robots On Tour Series of the Giant Robots Smashing Into Other Giant Robots podcast. Our listeners don't know, but you've had about two hours of sleep. SHENG-HUNG: [laughs] Yeah. SAMI: So, it's probably time for you to get back into bed yourself. But that is your dedication to us. It's been an incredible episode and an incredible chat. I finally understand why Jared does not like doors. I myself, you will understand if you see me in the street and I'm tearing a bottle cap off of a bottle, you'll understand why. And we need to sort Sheng-Hung out with more adapters with just a single charger for all his devices. If people want to get a hold of you, Sheng-Hung, where's the best place they can reach out after listening to this podcast? SHENG-HUNG: Yeah, definitely, you can reach out through my personal website portfolio. Yeah, shenghunglee.com. And I'm happy to respond and discuss about design-related topic. Thanks for having me on this podcast. It's very exciting, and hope we can create all the great stuff for our society. SAMI: Pleasure. There's always a challenge I give to my listeners at the end, and it normally is just please hit that subscribe button. Jared has promised me that he will do a shoey if we can double our subscribers by the end of the series. If you don't know what a shoey is, my only advice to you is do not Google it because you do not want to know. You can find notes and a complete transcript for this episode at giantrobots.fm. If you have any questions or comments, you can email us at hosts@giantrobots.fm. This podcast is brought to you by thoughtbot and produced and edited by Mandy Moore. Thanks for listening. See ya. AD: Did you know thoughtbot has a referral program? If you introduce us to someone looking for a design or development partner, we will compensate you if they decide to work with us. More info on our website at: tbot.io/referral. Or you can email us at: referrals@thoughtbot.com with any questions.

Scott Kerr speaks with Sabine Brunner, president of MCM Worldwide, the legendary German luxury lifestyle goods and fashion house founded in 1976 and known for its high-quality leather goods and instantly recognized monogram — the Cognac Visetos. Brunner, who joined MCM in 2023, discusses injecting new energy into the brand with a fresh design team, major marketing push, and buzzy campaigns starring A-list celebrities like Cindy Crawford and Cara Delevingne. She also talks about why MCM targets 'rule-breaking mavericks', how the Visetos monogram stays relevant with each collection, investing heavily in its digital capabilities and next-generation metaverse platform, debuting at Milan Design Week, and how MCM is positioning the brand in the turbulent luxury market. Plus: What will make MCM stick with consumers in a culture flooded with brands?Featuring: Sabine Brunner, President of MCM Worldwide (mcmworldwide.com)Host:Scott Kerr, Founder & President of Silvertone ConsultingAbout The Luxury Item podcast:The Luxury Item is a podcast on the business of luxury and the people and companies that are shaping the future of the luxury industry.Stay Connected: Email: scott@silvertoneconsulting.comListen and subscribe to The Luxury Item wherever you get your podcasts. Tell a friend!

Kate Constantine, une femme Gadigal de la nation Eora a été choisie pour concevoir un banc de musculation pour la Milan Design Week. Après l'exposition de Milan, son banc orné de peinture traditionnelle par points sera exposé à Paris en marge des Jeux Olympiques. C'est un exploit important pour Constantine car elle est la seule artiste des Premières Nations sélectionnée. Elle pense que son art contribue à enrichir les relations entre les aborigènes et les non aborigènes.

BOH executive editor Fred Nicolaus and host Dennis Scully discuss the biggest news in the design industry, including the debut of a new source for designer fabric, the latest with Pirch, and a look at why luxury home sellers are slashing prices. Later, design journalist Ian Volner joins the show to recap Milan Design Week .This episode is sponsored by Loloi and Annie SelkeLINKSBusiness of Home's book clubBusiness of Home

UNSAID – The conversations we're not having | BYBORRE x Accept & ProceedListen to Borre Akkersdijk of BYBORRE and David Johnston of Accept & Proceed at Milan Design Week 2024, as they speak with Helen Job – future forecaster, brand strategist and Principal at Observatory Studio.Helen talks about why provocation is important, why great design is communal and why you have to be inside the castle to break down the walls. ---Follow us with conversations being released via Endless Vital Activity, and our Instagram. Partner: Neutra

UNSAID – The conversations we're not having | BYBORRE x Accept & ProceedListen to Borre Akkersdijk of BYBORRE and David Johnston of Accept & Proceed at Milan Design Week 2024, as they speak with Jakob Lange, Partner at BIG. Jakob, David and Borre talk about sustainability, technology and the future of architecture.---Follow us with conversations being released via Endless Vital Activity, and our Instagram. Partner: Neutra

UNSAID – The conversations we're not having | BYBORRE x Accept & ProceedListen to Borre Akkersdijk of BYBORRE and David Johnston of Accept & Proceed at Milan Design Week 2024, as they speak with design entrepreneur Yves Béhar.Yves discusses his innovative approach to business and technology through design.---Follow us with conversations being released via Endless Vital Activity, and our Instagram. Partner: Neutra

Milan Design Week is the world's biggest event dedicated to design and innovation – and WGSN's team of experts visit every year. In this episode, hear from WGSN forecasters Lisa White, Director of Strategic Forecasting and Creative Direction, Gemma Riberti, Director of Interiors, and Helen Palmer, Head of Materials, Textiles & Knit, as they dive into this year's fair which takes place as the Salone del Mobile at Rho Fiera Milano, plus Fuorisalone, comprising countless installations and events throughout the city. Our Interiors experts report live from Milan to reflect on their highlights so far which include hyper-tactility, elemental materiality, and products playing with, or inspired by water. Expect to hear about Milan Design Week regulars, such as the Rossana Orlandi Gallery, Moooi, Dimoregallery, Hermès and FormaFantasma, plus what global brands Google and Samsung showcased. The trio discuss the WGSN trends they spied including the prevalence of curtains and soft spaces, the rise of darkness, and the products, talks, or installations that brought them ‘Glimmers'.

UNSAID – The conversations we're not having | BYBORRE x Accept & ProceedListen to Borre Akkersdijk of BYBORRE and David Johnston of Accept & Proceed at Milan Design Week 2024, as they speak with Matteo Ward, CEO and co-founder of WRÅD.Matteo, Borre and David talk about the importance of challenging and questioning the role of the design industry.---Follow us with conversations being released via Endless Vital Activity, and our Instagram. Partner: Neutra

UNSAID – The conversations we're not having | BYBORRE x Accept & ProceedListen to Borre Akkersdijk of BYBORRE and David Johnston of Accept & Proceed at Milan Design Week 2024, as they speak with Pasquale Junior Natuzzi, Natuzzi's Chief Brand Officer.Pasquale, Borre and David talk about diversity, legacy, the power of experimentation, and why the revolution must be televised and amplified.---Follow us with conversations being released via Endless Vital Activity, and our Instagram. Partner: Neutra

Milan Design Week is the most exciting time of year in design. On this special episode sponsored by Kartell, Dan reports from the Salone del Mobile fair to catch up with a quintet of industry powerhouses: Lorenza Luti, Philippe Starck, Piero Lissoni, Patricia Urquiola, and Roberto Palomba. Up for discussion is everything from the first designs made using artificial intelligence, the impact of sustainable materials on design, and the perfect place in the dynamic metropolis to find some peace and quiet. Hosted on Acast. See acast.com/privacy for more information.

UNSAID – The conversations we're not having | BYBORRE x Accept & ProceedListen to Borre Akkersdijk of BYBORRE and David Johnston of Accept & Proceed at Milan Design Week 2024, as they speak with design researcher and lecturer Delfina Fantini Van Ditmar. Delfina, David and Borre talk about alternative design futures, regeneration, systemic thinking and the importance of reconceptualising humans as part of nature.  ---Follow us with conversations being released via Endless Vital Activity, and our Instagram. Partner: Neutra