Podcasts about Svenja

Wir starten unsere kleine Serie zu Jadara, einem von Dune inspirierten, kartenbasierten Erzählspiel, das auf Villagesong basiert. Das Spiel wurde von Harald und Michelle entwickelt und geht im August ins Crowdfunding. Zu Gast ist Svenja, die Testspielerin war.

Sportabzeichen und Schultraumata werden in den ersten 10 Minuten abgehandelt, danach erzählt Svenja aus ihrem Schulalltag. Denn in ihrer Fairen-Woche kam ein Junge und meinte, alle Menschen würden klauen, wenn sie die Gelegenheit dazu hätten. Was soll man darauf nur Antworten? Dies führte zu einer längeren Diskussion über Konsum, Ungleichheit und Kapitalismus.

Kretschmer, Svenja www.deutschlandfunk.de, Büchermarkt

Böttger, Svenja www.deutschlandfunkkultur.de, Fazit

Kretschmer, Svenja www.deutschlandfunk.de, Büchermarkt

Heute ist Svenja Höse bei mir zu Gast, sie ist Osteopathin und erzählt uns von ihrer Arbeit mit Schwangeren und Babys. Eine sehr lehrreiche Folge und hör unbedingt rein, wenn du auch schon überlegt hast Mal zum Osteopathen zu gehen.Was jetzt tun?1. Gib dem Podcast eine 5-Sterne-Bewertung und schicke die Folge einer Freundin, Verwandten oder deinem Mann/PartnerIn.2. Besuche und Svenja auf Instagram: https://www.instagram.com/kleinefamilienoase/Oder schau auf ihrer Homepage vorbei: https://zartes-glueck.de/3. Melde dich zu meinem 0€ Geburt-kann-leicht-sein Workshop an: ⁠https://www.geburt-kann-leicht-sein.com/workshop⁠4. Folge mir gerne auf Instagram unter: ⁠⁠⁠⁠https://www.instagram.com/geburt_kann_leicht_sein/⁠⁠

Svenja Jung wurde durch den ZDF-Mehrteiler „Der Palast“ einem breiten Publikum bekannt – dort spielte sie gleich beide Zwillingsschwestern, von denen eine als Profitänzerin in Ost-Berlin lebt. Es war nicht ihre einzige Tanzrolle: Schon in ihrer Jugend nahm Svenja erfolgreich an Tanzwettbewerben teil. Im Podcast sprechen wir mit ihr über den Tod, ihren neuen Film „Sterben für Anfänger“ – und über die kleinen Flunkereien, mit denen sie sich im Schauspielbusiness durchgeschlagen hat oder bis ans Great Barrier Reef gelangte. Podcasttipp „Lisas Paarschitt: Der Beziehungs-Podcast mit Lisa Ortgies“: https://www.ardaudiothek.de/sendung/lisas-paarschitt-der-beziehungs-podcast-mit-lisa-ortgies/94669398/

"Ich fühle mich ungewollt, zurückgestellt und sehr unwohl," schreibt uns Svenja, die seit 3 Jahren eine bewusste Fernbeziehung mit Theo führt. Beide verstehen, dass die Kinder ihre Eltern brauchen und ihr Umfeld. Deswegen entscheiden sie sich für diese Form des Patchwork für sich und ihre Kinder im Teenager-Alter. Allerdings hat die Sache einen Haken: Während es bei Svenja zwar eine gute, enge Beziehung mit gesunden Grenzen zum Vater der Kinder gibt, scheint Theo noch gefangen im alten System. So sehr, dass Svenja gar nicht spürt ,ob es eine Vision für sie beide gibt. Denn Theo empfindet sie als störend für das alte System. Dahinter steckt eine Angst, die Kinder zu verlieren und klar und deutlich auszusprechen, was er sich selbst wünscht. Was kann Svenja also tun oder lassen? Denn eines ist für sie klar: Sie kann die Beziehung so nicht mehr weiter leben.

In dieser Folge habe ich ein tolles Interview mit Svenja (25) die im letzten Jahr ihr eigenes Unternehmen gegründet hat! Die Firma Wesenberg mit den Wanderkarten quasi im Hosentaschen Format.https://wesen-berg.com/?gad_source=1&gad_campaignid=22412221847&gbraid=0AAAAAqt2_vuu5ZtpRBYTNouVCZPN0IGSL&gclid=CjwKCAjw24vBBhABEiwANFG7y2BHZdq2pSn7eXMx2OBIsbTR_Q6-mo-XuZaf43fXhswCXJluIEbfOhoCApAQAvD_BwE Svenja erzählt mir von der tollen Idee

Unser Vater - wie im Himmel, so auf Erden #3: Vergib uns | Svenja Gerasch

In dieser Folge habe ich May und Svenja vom Feel the Vulmoon Podcast zu Gast. Wir sprechen über weibliche Spiritualität, die Bedeutung von Sisterhood und ihre Erfahrungen mit der Zensur ihres stilisierten Vulva-Logos auf Instagram.  Du findest die beiden auf Instagram unter ⁠https://www.instagram.com/feel_the_vulmoon Ihren podcast findest du auf Spotify unter: https://open.spotify.com/show/0TD1eK9uBCq8lKFUAPertn?si=d61ee22b9db34877 Die Bücher die ich in der Folge erwähne sind: "Toxische Weiblichkeit" von Sophia Fritz und "Was wollt ihr denn noch alles" von Alexandra Zykunov Wenn du Fragen hast, kontaktiere mich gerne über IG: ⁠@wild.n.witchy⁠ Meine Bücher

Ich kann es selbst kaum fassen: Heute erscheint mein erstes Buch „Küss mich toxisch: Zwischen Leidenschaft und Wahnsinn: Was es wirklich heißt, einen Narzissten zu lieben“!Seit 2020 schreibe ich an diesem Buch. Ende 2023 habe ich mir dann Unterstützung geholt – und zwar niemand Geringeres als Bestseller-Autorin Sofie Cramer. Von da an nahm alles rasante Fahrt auf.In dieser ganz besonderen Podcast-Folge nehme ich dich mit hinter die Kulissen meines Buchprojekts.Du bekommst nicht nur exklusive erste Einblicke in "Küss mich toxisch", sondern ich lese dir auch ausgewählte Passagen vor.Gemeinsam mit Svenja spreche ich über ein Thema, das viele betrifft, aber oft nicht erkannt wird: Narzissmus und toxische Beziehungen. Wir teilen mit dir 3 kraftvolle Fragen, mit denen du reflektieren kannst, ob du dich in einer toxischen Beziehung befindest – (im Buch findest du übrigens ganze 15 Fragen).

Fluent Fiction - Norwegian: Storm's Grip: Resilience on the Family Farm Find the full episode transcript, vocabulary words, and more:fluentfiction.com/no/episode/2025-05-04-22-34-02-no Story Transcript:No: Fra det øyeblikket den første regndråpen traff vinduesglasset, visste Astrid at stormen kom.En: From the moment the first raindrop hit the window glass, Astrid knew the storm was coming.No: Hun kastet et raskt blikk ut av kjøkkenvinduet, der de dype grønne bakkene og blomstrende bjørketrærne sto stille før vinden ville komme.En: She cast a quick glance out the kitchen window, where the deep green hills and blooming birch trees stood still before the wind would arrive.No: De mørke skyene samlet seg lavt i horisonten, og over gården hvilte en følelse av forestående fare.En: The dark clouds gathered low on the horizon, and over the farm, there hung a sense of impending danger.No: Astrid, med jord under neglene og bekymringsrynker i pannen, presset seg gjennom døra og ut til fjøset.En: Astrid, with soil under her nails and worry lines on her forehead, pushed her way through the door and out to the barn.No: Det var lammetid, den mest sårbare perioden for både dyrene og gården deres.En: It was lambing season, the most vulnerable period for both the animals and their farm.No: Svenja, den yngste i søskenflokken, hastet etter henne, øynene fulle av usikkerhet.En: Svenja, the youngest of the siblings, hurried after her, eyes full of uncertainty.No: "Eirik! Vi må få flyttet lammene til høyere mark. Nå!" ropte Astrid bestemt, stemmen konkurrerende med den økende vinden.En: "Eirik! We need to move the lambs to higher ground. Now!" shouted Astrid firmly, her voice competing with the increasing wind.No: Eirik så opp fra traktoren, lett smilende med den vanlige, bekymringsløse holdningen.En: Eirik looked up from the tractor, smiling slightly with his usual, carefree demeanor.No: Men han leste alvoret i Astrids øyne og nikket. "Selvfølgelig. Vet du hvor du vil ha dem?"En: But he read the seriousness in Astrid's eyes and nodded. "Of course. Do you know where you want them?"No: Gården til Astrids familie hadde vært der i generasjoner.En: Astrid's family's farm had been there for generations.No: Fedrelandssangen "Ja, vi elsker dette landet" hadde runget på denne gården hver 17. mai, en påminnelse om plikten deres til å bevare landet og deres arv.En: The national anthem "Ja, vi elsker dette landet" had resounded on this farm every May 17th, a reminder of their duty to preserve the land and their heritage.No: De kunne ikke la en storm rive det bort.En: They could not let a storm take it away.No: Svenja fulgte Astrid inn i fjøset, mens Eirik begynte arbeidet med å forsterke strukturen.En: Svenja followed Astrid into the barn, while Eirik began work to reinforce the structure.No: Lam og søyer klynget seg sammen, uvitende om hva som var på vei.En: Lambs and ewes huddled together, unaware of what was coming.No: Svenja lot fingrene gli over deres myke, hvite ull, hennes frykt roet seg litt ved nærværet av sin eldre søster.En: Svenja let her fingers glide over their soft, white wool, her fear eased a bit by her older sister's presence.No: "Vi ordner dette, Svenja," sa Astrid, mer for å forsikre seg selv enn den yngre jenta.En: "We'll manage this, Svenja," said Astrid, more to reassure herself than the younger girl.No: "Vi trenger å flytte dem raskt, før uværet virkelig bryter løs."En: "We need to move them quickly, before the storm really breaks loose."No: Med tomme sekker og tau fikk Astrid og Svenja lammene sikret.En: With empty sacks and ropes, Astrid and Svenja secured the lambs.No: De ledet dem oppover bakker mot høyere mark, mens regnet begynte å falle tyngre.En: They led them up the hills toward higher ground as the rain began to fall more heavily.No: Eirik jobbet hardt, plankene slo, og vinden raslet gjennom de løse veggene på fjøset, en kamp mot naturkreftene.En: Eirik worked hard, hammering planks, and the wind rattled through the loose walls of the barn, a battle against the forces of nature.No: Stormen slo inn om ettermiddagen, med lyn som kuttet himmelen og torden som rullet gjennom dalen.En: The storm hit in the afternoon, with lightning cutting the sky and thunder rolling through the valley.No: Men Astrid, Eirik og Svenja stod sammen, tett rundt lammene som søkte ly blant de høyere trærne.En: But Astrid, Eirik, and Svenja stood together, tightly around the lambs seeking shelter among the taller trees.No: De tre søsknene kjempet sammen, et tegn på at de kunne stole på hverandre i møte med fare.En: The three siblings fought together, a sign that they could rely on each other in the face of danger.No: Da stormen endelig stilnet, og dagslyset snek seg tilbake, var skadene på gården minimale.En: When the storm finally subsided, and daylight crept back in, the damage to the farm was minimal.No: Fjøset krevde reparasjon, men lammene var trygge.En: The barn required repairs, but the lambs were safe.No: Eirik, nå med en ny forståelse for familiens oppdrag, begynte umiddelbart å hjelpe til med å fikse det som hadde blitt skadet.En: Eirik, now with a newfound understanding for the family's mission, immediately began helping to fix what had been damaged.No: Svenja, ansiktet lysere, knyttet bånd med hvert lam som hadde overlevd.En: Svenja, her face brighter, bonded with each lamb that had survived.No: Da solen steg den 17. mai, reiste flagget igjen høyt på stangen, symboliserte mer enn nogensinne familiens motstandskraft og styrke.En: As the sun rose on May 17th, the flag rose high again on the pole, symbolizing more than ever the family's resilience and strength.No: Astrid sto sammen med sine søsken, trygg på at arven deres var i gode hender.En: Astrid stood with her siblings, confident that their heritage was in good hands.No: Og med en nyvit selvtillit til å lede familien og gården, visste hun at de ville møte enhver fremtidig utfordring samlet.En: And with newfound confidence to lead the family and the farm, she knew they would face any future challenges together. Vocabulary Words:raindrop: regndråpenhorizon: horisontenimpending: foreståendedanger: faresoil: jordforehead: pannenbarn: fjøsetlambing: lammetidvulnerable: sårbaresiblings: søskenflokkenglance: blikkglide: glireinforce: forsterkedew: duggewes: søyerunaware: uvitendesecure: sikretshelter: lytightly: tettsubside: stilnetminimal: minimalenewfound: nyfunnetresilience: motstandskraftdemolish: riveresounded: rungetrepair: reparasjonnodded: nikketcommenced: begyntedeteriorate: nedbrytesunderstanding: forståelse

Was tun, wenn Dir wieder ein „typischer“ Spruch entgegenschlägt? In dieser Folge spricht Svenja Lassen, Journalistin, Business Angel, Gründerin des Female Investors Network und Mitgründerin des Ladies Mentoring Netzwerks, über ihr Buch „Bullshit-Bingo!“. Gemeinsam schauen wir auf die Sätze, die Frauen immer wieder zu hören bekommen – und wie Du darauf reagieren kannst. Du bekommst konkrete Antworten, erfährst, wie Du Deine Schlagfertigkeit trainierst und warum Humor dabei helfen kann, Grenzen zu setzen. Außerdem sprechen wir darüber, wie Du Dich und andere im Alltag unterstützt und warum es sich lohnt, die eigene Stimme zu erheben. Teile Deine Bullshit-Sätze auf der Website: https://bullshit-bingo.eu/ Bleib mit uns in Kontakt! Training: https://finanz-heldinnen.de/training App: https://finanzheldinnen.comdirect.de Website: https://finanz-heldinnen.de/ Instagram: https://www.instagram.com/finanzheldinnen/ Finanzplaner: https://finanz-heldinnen.de/planer

Hiermit starten wir unser neues Welle20 Format:Ein Kaffee mit... Als ersten Gast begrüßen wir Svenja, Organisatorin des LNDM x Seekult.„Ein Festival in Deinen Sinnen“ unterstreicht die Idee, dass Wahrnehmung eine zutiefst persönliche Erfahrung ist, die sich in den eigenen Sinnen entfaltet und durch soziale sowie kulturelle Kontexte geprägt wird. Besucherinnen sind eingeladen, Erlebnisse individuell zu entdecken, vertraute Wahrnehmungsmuster zu hinterfragen und neue Perspektiven auf Kunst und Musik zu gewinnen. Dabei wird betont, dass nicht jeder Moment für jeden gleich bedeutungsvoll sein muss – gerade diese Vielfalt bereichert das gemeinsame Erleben.Website: https://lange-nacht-fn.deBis bald!

Heute habe ich Svenja zu Gast. Sie war Beamtin und hat mittlerweile Deutschland verlassen. Sie ist nicht wirklich ausgewandert und lebt im Moment noch als Perpetuel Traveler, praktisch als Digitaler Nomade. ABER, sie hat sich zumindest eine Base aufgebaut und erzielt ihr Einkommen aus verschiedenen Einkommensquellen. Ich wünsche dir nun viel Spaß mit dem ersten Teil und Svenjas Einblicken.

Heute habe ich Svenja zu Gast. Sie war Beamtin und hat mittlerweile Deutschland verlassen. Sie ist nicht wirklich ausgewandert und lebt im Moment noch als Perpetuel Traveler, praktisch als Digitaler Nomade. ABER, sie hat sich zumindest eine Base aufgebaut und erzielt ihr Einkommen aus verschiedenen Einkommensquellen. Ich wünsche dir nun viel Spaß mit dem zweiten Teil und Svenjas Einblicken.

Turnerin Simone Biles spricht über sexuelle Gewalt im Turnsport, Tennisspielerin Serena Williams beschwert sich über Sexismus beim Grand Slam, Fußballerin Ada Hegerberg boykottiert die Teilnahme der Frauen WM, um gegen die schlechte Bezahlung zu protestieren. Und die Sprinterin Allyson Felix hat eine Schuhmarke gegründet, nachdem ihr Sponsor Nike Zahlungen aufgrund ihrer Schwangerschaft gekürzt hat – Geschlechtergerechtigkeit im Sport ist vielschichtig und ein riesen Thema. Es geht um patriarchale Strukturen, Sexismus, Sichtbarkeit in den Medien, Diversität und Führungspositionen, aber auch um soziale Ungleichheit und Zugang zum Sport. Zu Gast ist Dr. Fabienne Bartsch. Sie forscht zu Rassismus, Diversität, Klassismus und Inklusion am Institut für Soziologie und Genderforschung, Abteilung Diversitätsforschung, an der Spoho. Bartsch, F. & Rulofs, B. (2023). Diversität im organisierten Sport, in: M. Funder, J. Gruhlich, & N. Hossain (Hrsg.): Diversitäts- und Organisationsforschung - Handbuch für Wissenschaft und Praxis (S. 519-538). Nomos. Breuer, Christoph & Feiler, Svenja (2022): Sportvereinsmitgliedschaften in Deutschland – Typen, Bindung und gesellschaftliche Korrelate. Sportentwicklungsbericht für Deutschland 2020-2022 – Teil 3, Bundesinstitut für Sportwissenschaft (Hrsg.), Bonn. Breuer, Christoph & Feiler, Svenja (2021): Sportvereine in Deutschland: Ergebnisse aus der 8. Welle des Sportentwicklungsberichts. Sportentwicklungsbericht für Deutschland 2020-2022 – Teil 1, Bundesinstitut für Sportwissenschaft (Hrsg.), Bonn. Rulofs, Bettina (2016): „Safe Sport“ Schutz von Kindern und Jugendlichen im organisierten Sport in Deutschland. Erste Ergebnisse des Forschungsprojektes zur Analyse von Häufigkeiten, Formen, Präventions- und Interventionsmaßnahmen bei sexualisierter Gewalt. Köln: Deutsche Sporthochschule Köln. Rulofs, Bettina et al. (2022): Prävalenz und Strukturen der Prävention im organisierten Sport in Deutschland, in: M. Wazlawik et al. (Hrsg.), Sexuelle Gewalt gegen Kinder in pädagogischen Kontexten. Wiesbaden: Springer Fachmedien. Rulofs, Bettina et al. (2022): SicherImSport. Sexualisierte Grenzverletzungen, Belästigung und Gewalt im organisierten Sport. Häufigkeiten und Formen sowie der Status Quo der Prävention und Intervention. Köln & Ulm: Deutsche Sporthochschule Köln & Universitätsklinikum Ulm. Rulofs, Bettina & Ohlert, Jeannine (2018): Sexualisierte Gewalt gegen Kinder und Jugendliche im Sport; in: vorgänge Nr. 223 (3/2018), S. 93-104. Kirsten Podewils (2023): Frauensport: The next bis thing Women's Sport Trust/ONSIDE (2023): SPONSORSHIP RESEARCH: THE VALUE OF WOMEN'S SPORT Weitere Informationen: www.dshs-koeln.de/einerundemit Redaktion und Produktion: Theresa Templin & Julia Neuburg, Abteilung Presse und Kommunikation, Deutsche Sporthochschule Köln, Moderation: Jan-Hendrik Raffler

In dieser Folge erwartet dich ein ganz besonderer Einblick in unsere exklusive Mastermind "Achieve with ease" – ein geschützter Raum für Selbstständige, in dem wir monatlich zusammenkommen, um uns gegenseitig zu inspirieren, zu reflektieren und Herausforderungen gemeinsam zu meistern.In den Mastermind Calls geben wir unter anderem einen kurzen Input zu einem Fokusthema – heute geht's um Motivation in der Selbstständigkeit. Kennst du das Gefühl, wenn du am liebsten alles stehen und liegen lassen würdest? Wenn die To-Do-Liste endlos scheint und deine Energie sich im Keller versteckt?✨ In dieser Folge bekommst du:wertvolle Impulse zum Umgang mit Motivationslöchernalltagstaugliche Tipps, wie du wieder in deine Energie kommstEinblicke in unseren ehrlichen Austausch aus der MastermindWenn du beim Hören merkst: Wow, das klingt nach einem Raum, in dem ich mich wohlfühlen könnte, dann melde dich gerne direkt bei Svenja oder mir. Aktuell laden wir nur persönlich zur Mastermind ein, um eine harmonische Gruppendynamik zu gewährleisten.

Ostern in der JES | Svenja Gerasch

Kretschmer, Svenja www.deutschlandfunk.de, Büchermarkt

Wie benutzt eine blinde Person Websites? Wie entwickelt sie? Was sind übliche Stolpersteine im Web? Wie träumt eine blinde Person? Wie denkt sie über Farben, über Typografie? Wie zockt eine blinde Person eigentlich Computerspiele und welche Hilfsmittel braucht sie dafür? All das und noch viel mehr dürften wir die blinde Developerin und Gamerin Svenja fragen! Dabei ging uns eine ganze Lichterkette auf . Dazu lernen wir noch, wie man im Browser den Akkustatus ausliest, und Sarah erzählt vom Leben jenseits des Codes. Über drei Stunden mit den lieblichsten Stimmchen der Tech-Podcast-Welt. Kringelig.

Gemeindefreizeit 2025 #2: Kelch der Erlösung | Svenja Gerasch

Bienen sind hauptsächlich bekannt für die Bestäubung von Pflanzen. Aber wusstet ihr, dass die meisten Wildbienen ihre Eier im Boden ablegen? Damit sind sie nicht nur offiziell Bodenlebewesen, sondern können auch lokal die Eigenschaften des Boden verändern. Entdeckt mit Svenja in dieser Folge den verborgenen Teil des Wildbienen-Lebens!

Kretschmer, Svenja www.deutschlandfunk.de, Büchermarkt

Kretschmer, Svenja www.deutschlandfunk.de, Büchermarkt

Kretschmer, Svenja www.deutschlandfunk.de, Büchermarkt

Kretschmer, Svenja www.deutschlandfunk.de, Büchermarkt

In dieser Episode wird das Konzept des Free Shaping im Hundetraining ausführlich behandelt. Conny und Marc diskutieren mit Svenja die Vorteile dieser Methode, insbesondere für unsichere Hunde, und vergleichen die Verwendung von Klickern und Markerworten. Es wird auch auf die Grenzen des Free Shaping eingegangen und die Bedeutung von sozialen Lernmethoden wie Do as I Do und Model Rival hervorgehoben. Die Beziehung zwischen Mensch und Hund sowie die Rolle von Frustration im Training werden ebenfalls thematisiert. Links zur Folge Svenjas Instagram Kanal: https://www.instagram.com/oxydogcinFacebook Stundi Fangruppe: https://www.facebook.com/groups/1096792641171746https://www.instagram.com/s/aGlnaGxpZ2h0OjE3ODU2ODk5NjEwMzQzOTYz?story_media_id=3589620561961186751&igsh=MWpwMnNqZXIzenAzcQ==▶️ FANSHOPSHUNDESTUNDE Fan ShopHund und Herrl▶️ Social MediaHUNDESTUNDE Facebook-GruppeHUNDESTUNDE Instagram AccountConnys Instagram AccountConnys Youtube KanalMarcs Instagram Account▶️ HundeschulenConnys Online Hundeschule Spezial-Rabattcode für Stundis: "Stundi"Marcs Hundeschule in KielConnys Hundeschule in Wien▶️ SonstigesPlaylistHUNDESTUNDE Spotify Playlist▶️ KontaktFragen für die Fragestunde bitte an:E-mail: podcast@hundestunde.liveDieser Podcast wurde bearbeitet von:Denise Berger https://www.movecut.at

Präsentiert von feels.likeIn der heutigen Folge erwartet euch ein Follow-Up mit Svenja Thoes, die im letzten Jahr schwer mit dem Rad verunglückte. Ausführlich reden wir über die psychischen und physischen Folgen ihres Unfalls, aber vor allem darüber, was Svenja aus dem Unfall gelernt hat. Hierbei kommt es zu einem intensiven Austausch, da mir ja 2024 das gleiche Schicksal widerfahren ist.Außerdem richten wir einen Blick auf den in dieser Woche anstehenden Ironman Südafrika, bei dem Svenja primär finishen möchte.Viel Spaß beim Zuhören!Alex und SvenjaUnsere Partner:feels.likefeelslike.sportfeels.like | Recharging athletes. (@feelslike.sport) • Instagram-Fotos und -VideosCODE: KLARTEXT10(10% Preisvorteil)Primal HarvestPrimal HarvestPrimal Harvest | Supplements (@primalharvest_de) • Instagram-Fotos und -VideosCODE: KLARTEXTTRIATHLON(15 % Rabatt, gültig für den gesamten Einkauf auf den einmaligen Kauf als auch für die erste und zweite Abrechnung des Abos)(Bezahlte Werbepartnerschaften)Spenden zur Unterstützung des Podcasts:Wie ihr euch vorstellen könnt, steckt hinter jeder Folge eine ganze Menge Arbeit, weswegen ich mich über Spenden auf redcircle oder über Paypal zur Unterstützung meiner Arbeit wirklich freuen würde. Vielen Dank für euren Support.Paypal an: eiaswim@web.deLoggen Sie sich bei PayPal einredcircle:https://app.redcircle.com/shows/baa4ab11-3bd2-4e04-97d6-dfce70f2c37b/donationsWenn euch unsere Arbeit gefällt, dann folgt uns auf Instagram und teilt diesen Podcast über Social Media! Danke!Klartext Triathlon (@klartexttriathlon) • Instagram-Fotos und -VideosAlex Feldhaus (@alex.fldhs) • Instagram-Fotos und -VideosSebi Neef (@sebi_neef) • Instagram-Fotos und -VideosSchaut doch gerne auch einmal auf unserer Website vorbei:Klartext Triathlon | my-siteSupport this podcast at — https://redcircle.com/400-watt-ftp-triathlonpodcast/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Kretschmer, Svenja www.deutschlandfunk.de, Büchermarkt

Kretschmer, Svenja www.deutschlandfunk.de, Büchermarkt

Junge Menschen mit Behinderung haben ein erhöhtes Risiko, Opfer von sexuellem Missbrauch zu werden. Als ein betroffenes Mädchen nicht darüber sprechen kann, entwickelt die Lehrerin Svenja Kerkeling das „Kummerbuch

In dieser besonderen 200. Folge der Hundestunde feiern Conny und Marc ihre Reise und die bedeutenden Momente, die sie mit ihren Zuhörern geteilt haben. Sie diskutieren die Bedeutung von lernfähigen Hunden und deren Einfluss auf das Altern sowie die emotionalen Geschichten, die durch ihren Podcast im Tierschutz entstanden sind. Außerdem begrüßen sie die Gästin Svenja, die über ihre Erfahrungen mit ihrem Hund Juna spricht. Sie erzählt, wie sie zu dem Podcast kam, die Herausforderungen bei der Adoption von Juna und die Fortschritte im Training. Svenja erklärt das Konzept des Free Shaping und teilt ihre Erfolge und Misserfolge beim Training. Die Episode endet mit einem spannenden Quiz zur Hundestunde bei dem Conny und Marc ihr Wissen zum Podcast unter Beweis stellen. Partner der heutigen Folge Tractive - Mit dem Tractive GPS und Health Tracker ist dein Hund immer sicher unterwegs und mit der Traktiv App im Notfall jederzeit auffindbar.Sichere dir jetzt einen kostenlosen Tracker bei Abschluss eines Jahresabos.Die ersten 20 Mails an tractive@hundestunde.live erhalten einen Gutscheincode.▶️ FANSHOPSHUNDESTUNDE Fan ShopHund und Herrl▶️ Social MediaHUNDESTUNDE Facebook-GruppeHUNDESTUNDE Instagram AccountConnys Instagram AccountConnys Youtube KanalMarcs Instagram Account▶️ HundeschulenConnys Online Hundeschule Spezial-Rabattcode für Stundis: "Stundi"Marcs Hundeschule in KielConnys Hundeschule in Wien▶️ SonstigesPlaylistHUNDESTUNDE Spotify Playlist▶️ KontaktFragen für die Fragestunde bitte an:E-mail: podcast@hundestunde.liveDieser Podcast wurde bearbeitet von:Denise Berger https://www.movecut.at

Wie beeinflusst Alkohol Dein Leben wirklich? Er ist allgegenwärtig – bei Feiern, Abendessen, als Tagesabschluss. Doch was, wenn er mehr schadet, als Du ahnst? Wissenschaftlich bewiesen: Alkohol mindert Deine Gesundheit, belastet Beziehungen, hemmt Deine Leistung. Schlafprobleme, Druck von außen und generationsübergreifende Auswirkungen sind oft unsichtbare Begleiter. Svenja Rossig zeigt: Es geht anders. Mit Klarheit, Energie und einem neuen Lebensgefühl – ohne Verzicht auf Genuss. Sie hinterfragt Gewohnheiten, teilt ehrliche Erfahrungen und lädt Dich ein, bewusst zu entscheiden: Kontrollierst Du den Alkohol, oder er Dich? Es geht nicht um Verbote. Es geht um Dich. Dein Leben, Deine Gesundheit, Deine Wahl. Bist Du bereit, innezuhalten?  

Our guest is author and lucid dreaming expert Dr. Clare Johnson. We talk about her new book The Elixir of Sleep, a deep dive into how to make the most of your nighttime voyages. We start by talking about the different kinds of sleepers and what keeps people from getting a good night’s sleep. Clare then offers many ways to encourage sleep including the magic of sound, deep belly breaths, yoga in bed, and using the time to incubate a dream or encourage lucidity. We also talk about dream guides, the hypnagogic stage of sleep, yoga nidra, and dreams and sexuality. After the break, we take two questions from social media and one emailed dream. The first question was from Shamanth from India about the awareness behind the dream. The second question was from  Svenja about their experiences with auming  in lucid dreams. Finally, we talked about a dream from Dori about a portal in the ocean. BIO: Dr. Clare Johnson is a global lucidity teacher and a pioneer in the field. She was the first person in the world to earn a PhD in Lucid Dreaming as a creative tool. Past President of the International Association for the Study of Dreams, she has written eight books on lucid dreaming, sleep, and nightmares, including the acclaimed Complete Book of Lucid Dreaming and The Art of Lucid Dreaming. Her new January 2025 release is Elixir of Sleep. Dr. Johnson is launching a new, 30-day Power of Sleep class with live workshops. You can receive 60% off when you sign up for her newsletter at DeepLucidDreaming.com and also download a free blissful lucid dream meditation and e-book guide. She hosts the new Sleep & Deep Lucid Dreaming podcast. This show, episode number 292, was recorded during a live broadcast on January 4, 2024 at KSQD.org, community radio of Santa Cruz. Intro and outro music by Mood Science. Ambient music new every week by Rick Kleffel. Archived music can be found at Pandemiad.com. Many thanks to Rick Kleffel for also engineering the show, to Tony Russomano for the phones, and to Suki Wessling for audio editing SHARE A DREAM FOR THE SHOW or a question or enquire about being a guest on the podcast by emailing Katherine Bell at katherine@ksqd.org. Follow on FB and IG @ExperientialDreamwork #thedreamjournal. To learn more or to inquire about exploring your own dreams go to ExperientialDreamwork.com. The Dream Journal aims to: Increase awareness of and appreciation for nightly dreams. Inspire dream sharing and other kinds of dream exploration as a way of adding depth and meaningfulness to lives and relationships. Improve society by the increased empathy, emotional balance, and sense of wonder which dream exploration invites. The Dream Journal is produced at and airs on KSQD Santa Cruz, 90.7 FM. Catch it streaming LIVE at KSQD.org 10-11am Pacific Time on Saturdays. Call or text with your dreams or questions at 831-900-5773 or email at onair@ksqd.org. Podcasts are available on all major podcast platforms released the Monday following the live show. The complete KSQD Dream Journal podcast page can be found at ksqd.org/the-dream-journal/. Closed captioning is available on the YouTube version of this podcast and an automatically generated transcript is available at Apple Podcasts. Thanks for being a Dream Journal listener! Available on all major podcast platforms. Rate it, review it, subscribe, and tell your friends.

Hallo ihr ganzen treuen Seelen da draußen, die immer hier zuhören! Mal kurz ein fettes Danke an euch!! Und herzlich willkommen an alle, die hier das erste Mal dabei sind. Heute gibt es eine weitere mega Folge für euch. Sunny kennt ihr ja hoffentlich schon (an dieser Stelle übrigens ein Shoutout an sie, weil sie bei unserem neuen Team Member Werbung für uns gemacht hat) und jetzt haben wir auch ihre zweite Hälfte sozusagen an Bord. Teil von Deutschland Mannschaft des Jahres, aber jetzt auch die neue Frau an der spitze von Albas Mädchen- und Frauenbasketball. Wie das ist, quasi aus der olympischen Gold-Arena, auf die roten Teppiche der Nation und dann in den allerersten Job, der nebenbei auch noch eine Führungsposition ist, zu gehen. Den Struggles des Karriereendes, Neuanfangs, den ganzen guten Seiten, was ihre Rückennummer bedeutet und vielleicht einen der schönsten Einwürfe/Peptalks, den wir hier je hatten - all das gibts jetzt auf die Ohren. Schnallt euch an für Svenja Brunckhorst! **Schnitt und Postproduktion: Andy Aksen** https://www.aksenmedia.de/ https://www.linkedin.com/in/andyaksen/

Kretschmer, Svenja www.deutschlandfunkkultur.de, Lesart

Kretschmer, Svenja www.deutschlandfunkkultur.de, Lesart

Der Link zum Buch Hier zur ganzen Videorezension auf Youtube

Liebe Wunderbar-Together-Crowd, die heutige Folge ist nicht weniger als ein Clash von zwei Welten: Felix, der wie ein waschechter New Yorker seine Küche vor allem als Ablage für Takeaway-Food versteht – und Svenja Ostwald, deren Küche nicht weniger ist als ihr Lebensmittelpunkt. Svenja ist Health Coach, Influencerin und Kochbuchautorin. Vor allem aber ist sie leidenschaftliche Köchin – und dabei darf es gerne möglichst grün zugehen. „Vielleicht bin ich Gemüse-Influencerin“, sagt sie, obwohl sie den Begriff Influencerin ansonsten eher kritisch sieht: „Der hat so einen negativen Touch.“ Ihre wachsende Fangemeinde (auf Instagram folgen ihr knapp 230.000 Menschen) zeigt jedoch, dass ihre Rezepte und Tipps – vor allem zu den Themen Detox und Meal Prep – einen Nerv treffen.

Endlich bekommen wir mal einen Blick hinter die Kulissen einer Podcastproduktion: Die Menschen, das Drama, die Technik und noch viel viel viel viel mehrVielen Dank an Tobias, Max, hand und Svenja für das Intro!Hier findest du alle Infos und Rabatte unserer Werbepartner: linktr.ee/daspodcastufo Hosted on Acast. See acast.com/privacy for more information.

Im August hatte Profi-Triathletin Svenja Thoes einen schweren Radunfall. Seitdem hat sie zwar mit starken Einschränkungen zu kämpfen, will jedoch unbedingt zurück in den Sport. Mit triathlon-Redakteur Jan Grüneberg spricht sie über die vergangenen und nächsten Monate.

Svenja Brunckhorst gewann Olympiagold in Paris und steht wahrscheinlich doch erst jetzt vor der größten Herausforderung ihres Lebens. In der ersten Folge von WE RISE presented by #TISSOT spricht sie über die Tage von Paris, den Einfluss den 3×3 auf den deutschen Basketball haben kann, ihre kommenden Aufgaben als Managerin für Mädchen- und Frauenbasketball bei […] The post WE RISE: Svenja Brunckhorst … presented by #TISSOT first appeared on Got Nexxt – Der NBA und Basketball Podcast.

An diesem Länderspiel-Montag war Moderator Niklas plötzlich ganz einsam - bis Gladbach-Reporter Jan Lustig kam und erklärte, warum Gerardo Seoane in 40 Bundesliga-Spielen bisher nur genau 40 Punkte holte. Dann stieß auch noch DAZN-Kadermitglied und Topspiel-Gewinnerin Svenja Huth dazu und bastelte die perfekte Bundesliga-Spielerin. Die definitiv improvisierteste Folge bisher - hört rein!

Host Niklas war plötzlich einsam - bis Gladbach-Reporter Jan Lustig kam und erklärte, warum Gerardo Seoane in 40 Bundesliga-Spielen bisher nur 40 Punkte holte. Dann stieß noch Topspiel-Gewinnerin Svenja Huth dazu und bastelte die perfekte Bundesliga-Spielerin.

Bonjour und Hallo - Neue Folge mit Svenja Thoes am Start. Heute bespreche ich mit Svenja was es so Neues bei Ihr zu erzählen gibt und klären endgültig die Frage, ob wir mit der Serie überhaupt weitermachen, denn Nizza ist ja schon gelaufen (Gratulation an Laura Philipp an dieser Stelle!) Die Folge solltest Du Dir anhören - überall wo es Podcasts gibt! Shownotes: Website von Svenja Thoes =>https://svenja-thoes.com/ Svenja in Instagram Wichtig: Die Serie soll weitergehen ;) Unter welchem Namen? Das könnt ihr gerne mitentscheiden ! Sendet uns Euren Serien Namen Vorschlag per DM in unseren Insta Kanälen zu oder per Mail an die info@triathlon-podcast.de! Wir freuen uns auf Eure Vorschläge. Wenn Dir die heutige Folge gefallen hat, dann teile sie mit deinen Freunden (denn sharing is caring!), bewerte, bzw. folge Triathlon Podcast überall wo es Podcasts gibt (zum Beispiel bei Spotify). Danke Dir an dieser Stelle ;) Bis zur nächsten Podcastfolge, bleib sportlich, unfallfrei und gesund! Svenja und Marco Folge direkt herunterladen

Die Champions League ist wieder da und wir sowieso! Eure Hosts Matthias Dersch und Mario Krischel sprechen über den Champions-League-Start in dieser Woche, über die Bayern, den BVB, Bayer, RB und Stuttgart. Denn nach all der Sch***e geht's jetzt auf die Reise! Außerdem stößt DAZN-Expertin und Bundesliga-Profi Svenja Huth dazu und geht folgenden Fragen auf den Grund: Was ist eigentlich in Hoffenheim los? Was macht Heidenheim trotz der Niederlage in Dortmund so gut? Und was macht Bochum gerade nicht so gut? All das und noch mehr – viel Spaß beim Hören der neuen Folge!

Giant Robots On Tour Hosts Sami Birnbaum and Jared Turner introduce Sheng-Hung Lee, a designer, PhD researcher at MIT AgeLab, and board director at the Industrial Designers Society of America. Sheng-Hung shares his journey into design and engineering, emphasizing the importance of interpreting signals in design and the evolving role of designers from problem-solvers to culture shapers. He discusses how designers must now consider broader, systematic issues such as climate change and aging. Sheng-Hung explains that design is a teachable and essential life skill, highlighting the significance of personal experiences and failures in learning design. He elaborates on the concept of signals, explaining that they represent different perspectives and interpretations in design, which are crucial in addressing complex problems. The conversation shifts to practical design applications and Sheng-Hung's work in smart homes for aging populations. He discusses the integration of various smart systems and the importance of designing for different life stages rather than specific age groups. Jared and Sami also engage Sheng-Hung in discussing the worst and best-designed products, where Sheng-Hung mentions his initial skepticism but eventual appreciation for facial recognition technology. MIT AgeLab (https://agelab.mit.edu/) Industrial Designers Society of America (https://www.idsa.org/) Follow Sheng-Hung Lee on LinkedIn (https://www.linkedin.com/in/shenghunglee/). Visit his website: shenghunglee.com (https://www.shenghunglee.com/). Follow thoughtbot on X (https://twitter.com/thoughtbot) or LinkedIn (https://www.linkedin.com/company/150727/). Transcript:  SAMI: Hello again, and this is The Giant Robots Smashing Into Other Giant Robots podcast, the Giant Robots On Tour Series coming to you from Europe, West Asia, and Africa, where we explore the design, development, and business of great products. I'm your host, Sami Birnbaum. JARED: And I'm your other host, Jared Turner. SAMI: If you are wondering, which you might have been for a while now, where are Will or Victoria, well, make sure you find one of our previous podcasts where we introduce the Giant Robots on Tour Series, and you'll understand why you're hearing myself and Jared a little bit more frequently than before. In that podcast, we throw random icebreakers at each other, and we find out that Svenja does not like online banking. And if you haven't listened to our previous podcast with our guest, Ishani, check that out as quick as you can and find out why AI is compared to babies. Joining us today is Sheng-Hung Lee, a Designer and PhD Researcher at MIT AgeLab and Board Director at the Industrial Designers Society of America. Sheng-Hung, I'm going to level with you. I've done my research. I've done my due diligence on the guests that we have on this podcast, and I'm exhausted. SHENG-HUNG: [laughs] SAMI: I've looked through your own website, and I've read as much as I can find about you. And between education, experience, awards, scholarships, there is an incredible amount of things that you're involved in that you get up to. And it really wasn't good for my own self-esteem just to see how much you have going on. SHENG-HUNG: [laughs] SAMI: Jared, a question for you first. Bear in mind, the only thing I've ever been awarded is my own driving license. So, our guest, Sheng-Hung, how many awards do you think he has currently listed on his website? Give a guess. JARED: Oh gosh, I remember looking at the page, and I remember having to scroll. SAMI: [laughs] Yeah, you had to scroll. JARED: Let's pick 33. SAMI: 33. Do you know what? It's not even close. Okay, he's nearly double that. So, he's up at 60 awards that are currently listed. So, we're talking about a guest that you guys do not want to miss. And you want to make sure that you get into this conversation. I always like to go back to the start with my guests. So, everyone has a story. And I'm interested, Sheng-Hung, in your journey and what led you into the world of design and engineering. SHENG-HUNG: My personal definition of design is, like, decoding signals. So, everything in our lives, like, we have different types of signals. How do we interpret the signal? How do we, like, understand, or perceive different types of signals in our lives? And I feel design is more like...not just creation. It is creation, for sure, but also about curation. I feel like, for me, problem-solving or, like, problem-defining is really interesting. And especially you mentioned, like, my very early stage as a designer, the reason I submitted my work to get an award is because I want to show my problem-solving skill. And I realize nowadays, like, the problem is too complicated. It's not just about solving problems, right? I mean, I feel design is more bigger than that, especially now most of the problems are systematic and complex. Climate change, right? Like, you think about aging, and you think about all this, like, sustainable issues. I feel like designers, like, for me, starting from problem solver, as engineer, and now more I've become like a translator, curator, or even, like, a culture shaper. How do you shape the culture you want, right? Especially now, like, AI it's just, like...that really let me rethink about my role as designer, you know, because everyone can have tons of ideas, but the truth is, like, we have so many ideas, but do you know what good taste is about? Do you know what the good qualities of life's about? So, you have to have some personal experiences to really help people to understand or curate the vision in the future. SAMI: That's really interesting. I struggle to dress my kids in the morning from a design perspective, right? I don't get colors, and I don't understand necessarily how they match and how to get things working. In fact, sometimes I'll dress my kids only to find that my wife has redressed the kids. Things are that bad at home. Do you think then design is something which can be taught, or is it something, like, innate? Is it something, in your own experiences, that it's kind of part of your nature? So, you see the world differently to someone like myself or Jared sees the world. Or could that be something which we could pick up on, you know, and learn about? SHENG-HUNG: Yeah, I definitely think design can be teachable. It's skillable. And I feel like, yeah, people talk about this is, like, a hardcore skill. It's a soft skill. No, I think design is a life skill. It's a human skill. So, that includes like, for example, like, yeah, how do you choose the color? How do you choose the clothes for kids? But also about, like, how do you celebrate the quality of lives, right? How do you, like, have better, like, qualities? And I feel like, I don't know, life skill means, like, team building, creative leadership, knows people, listening to people. And, for me, that's part of design because you're decoding different signals. You understand your life. You perceive different types of noises. Or how do you resonate with other people? And that's a life skill, I think. And I also feel most of the design skills I learned is actually not from school. It's from, like, personal life failure [laughs]. SAMI: That's really interesting. I just want to jump in because I don't know if I fully understand what you mean by signals. Can you just elaborate on that a little bit more? And then, I will bring you back up on personal failures. SHENG-HUNG: Signal is like different ways of seeing things, right? So, for example, like, if I go to wait in line for a free bagel, right? You share this with your friends. What I see is it's a free bagel. But what my friends see is like, oh, probably, like, I don't need to wait in line and so many challenges. You know, I have to, like, oh, why should I get this? But I see very clearly I want a free bagel. So, these are different. It's the same thing but different message mixed up, right? And then, for me, I see design, like, it happens every day. It's a life skill. For example, like, I saw the challenges, but what if we think another perspective to rethink about what kind of challenge [inaudible 06:38] or reframe the right questions, right? And all this, like, mixed all together, it feels like it's not just about drawing beautiful sketches or rendering sexy, you know, ideas. It's all about, like, how do you frame these challenges? How do you look at this? Can you see the question from social aspect, from cultural aspect, or you just see this as a solution-driven approach? JARED: In some cases, I feel, there is an element of subjectivity to the designs, but then we also want to measure the success of a design. Do you have any tips for, like, how you go about putting numbers to what defines success for a particular design? SHENG-HUNG: This is such a great question, especially now my research focus is really on services, you know, service design, experience design. Like, how do you quantify this, right? For example, three of us we go to the restaurant, and I feel it's really, really great restaurant. And probably some people feel no, that's not really great. And then, how do we quantify this, right? And then, I feel it's sometimes, like, really by personal preferences. It's hard to measure. Maybe there will be some sort of, like, a principle direction or criteria we can follow, so, for example, service quality metrics or something, like, based on people's life experiences. I feel it's hard to measure, especially now the design challenge the question it's really complicated. Some people talk about demographic. How do you, like, [inaudible 08:09] design? Like, for example, a participant design process, right? Or, like, inclusiveness. People talk about equity, power, power dynamic. And I think it's less of a measure or quantify. It's more about do you show your respect? Can we be more inclusive in this process? Can we really engage or integrate multiple voices in this design process? And I feel like that kind of shows the flexibility, also, the real flexibility of the design, not just that, oh, we look for one single solution. Because, most of the time, we actually want to design for a solution, but, actually, I feel now the shift is from we try to build the condition to let people land on this condition and solve the problem. So, in the end, we'll be like, yeah, we landed here, and we can solve the problem together collectively. So, something I feel a little bit different, but that's a great question. It's open-ended. Yeah. JARED: Yeah. Thank you. There's a lot to think about there. I want to bring it back to failure because this is something I think about a lot in terms of teaching and learning from history versus learning from your own failure. We have, like, thousands of years of history of failure. You think we have made all the mistakes already, and, oh, it should be easy, right? All we need to do is teach all of the young generation about all of this failure, and then they'll remember not to do it. But in reality, it doesn't really work that way. I find the strength of the argument is oftentimes weak compared to failing yourself and really deeply learning that lesson. I'm curious about your thoughts on that. And then, I'm also curious to hear about some of your, let's call them, best failures. SHENG-HUNG: I personally feel like people fail. They fail forward, not backward. So, even if you fail, you move a little bit. It depends on how crazy, right, and how fast you fail. It's an iterative process. The reason I say learning from failure because from traditional Asian family, Asian students, right? Probably in the past, I would say I raised my hand. I want to learn, or I ask senior people. I want to learn. But, actually, more than that, it says, "I want to experience. I want to be part of it," right? So, you're not becoming the manager because you learn to become a...no, you're in that position, and you learn to be a manager. So, I learned that mindset when I worked at IDEO. And one of the senior design directors told me, "No, you should say, 'I want to experience.'" So, that means that you have fully immersed experiences. And one of the best examples for me is that the first two years I worked at IDEO and IDEO Asia, supporting projects in Tokyo, Shanghai, Singapore offices, and sometimes European, like, office work; the first two years, my confidence almost collapsed. I have to collect my confidence. It's so hard because I'm eager to learn so many things. I didn't beat myself. And then, after two years, I met an amazing, like, design mentor. And I started the things I'm good at as product designer, a tangible designer. I start as product-focused and thinking about whole design process. And then, I start to collect my confidence. And I realized every single project at IDEO or in my life it's a vehicle, you know. And then, you always connect the dots when you're looking backwards. And you realize, oh, this is failure. Let me know what do you mean by client management? What do you mean by, like, teamworking? Because everyone is from so diverse background. And everyone says, "I'm a designer," but they have different interpretation. And how do you communicate it, right? And how do you keep the conversation transparent and also effective, and how do you empower people? And I feel because of that connect the dots process, also, all the things I want to learn, I want to experience it really helps me to grow at the third year or second year in IDEO. And that really makes me think about, oh, wow, I didn't know. I failed completely. And that's really healthy, for me, because you become very strong. At some point, I started to realize, oh, what do you mean by...what does it mean by design consultancy business? What we can sell. Where's our capacity, our limitation? You know, other than just, oh, everything's, like, imaginative conceptual. I kind of know what happened, and I know the boundary. And I know how can I empower people and also the client. SAMI: Yeah, embracing failure is a real strength. At thoughtbot, we kind of...if we're developing products and we're, let's say, designing or coding, whether websites or applications, we have this concept of failing fast. So, the faster you can fail, the quicker you can iterate towards the right solution. And that's something which is difficult to embrace because the first time you do it, I want this to be perfect, and I want to build it in the way that it works. But, actually, you'll spend a lot of time trying to get towards that perfection, and it's much better to ship faster, fail faster, and then get towards the solution. I noticed as well that...well, I read that the one thing you've been recently working on is designed for the aging population, so more specifically, smart homes for the aging populations. Shout out to my parents if they're looking for a smart home. Sorry, mom and dad. SHENG-HUNG: [laughs] SAMI: I've always found, especially my generation, so I'm about...I'm not about; I am 32 years [chuckles] old. So yeah, there's always been, like, a big gap between kind of my generation, the way we've engaged with technology products, the way my parents' generation have been able to. And I imagine a future where my kids are running around in VR headsets, and I'm still, you know, using a basic laptop. I would love to know more about your work kind of in this area and designing for a different sector of the population. SHENG-HUNG: My master thesis and my master project is focused on redesigning, like, smart footwear for aging population, and then that's part of the smart home ecosystem. And I was actually impressed and surprised. It's like most of the sponsors or clients we talk about, like, people [inaudible 14:38] to think about just the product level, so smart like [inaudible 14:43], smart like a door, or smart like, you know, like a bed or a smart, like, alarm clock. People start to think about how can we integrate all this system together? Because, like, for example, if you bought Amazon, you know, versus Apple and all these different devices, the platform is really a problem because the products cannot communicate with each other. And we want to make sure all the products can communicate and support you, or, like, they can at least receive your data or information to give the appropriate response. So, the smart home project starts to think about from ideas to become more like platform integration. IKEA is the best example, right? Like, I think two years ago, they talk about, yeah, they launched their first app, right? Everything is, yeah, it seems like, oh, what's the big deal about this, right? No, but you think of this from the intention perspective to actually connect the whole system together because they want to make sure their internal designer, developer they really can think through their own internal system to make sure everything's connected, interconnected, not just, oh, you do a part of this. We sell this to a certain Asian, and it didn't really connect. So, I feel like when we designed it, it's really from the system perspective to talk about a smart home. And then, regarding of, like, design across [inaudible 16:04] generation, that's really important, actually, because especially now I'm focused on design for retirement. And I shifted to design for longevity. And then, the cool thing about this is, like, we think about our life in terms of age, but, actually, now we need to think about our life in terms of different life stages, different lifestyle. The book called "Stage (Not Age)", means, like, now we cannot even describe people above 100 years old or 85 years. So, we call them future hood, right? So, like, different life stages. And I feel like that really impacts, as designers, the way we design products or interfaces, right? And it has to evolve with people. When you say, for example, if we have, like, a smart, like, a robot in our home, they have to know your personal routine. And you kind of grow, right? For example, oh, I get older. I move slower, or my mobility is different, and it changes. How does that mean to our product or our smart services? And I feel like across different generations, it's really thinking about design for different people in different life stages. And that's really important, not just about financial planning or about your future education, family, community, right? Now people are probably thinking about aging in place. My parents just bought a second home. They're thinking about retirement life. And so, these are things that really impact all aspects of life. And I feel like the idea of one solution for all the era is kind of over because we have to think about not just one solution, multiple solution tailor-made for multiple different people in different life stages. MID-ROLL AD: Are you an entrepreneur or start-up founder looking to gain confidence in the way forward for your idea? At thoughtbot, we know you're tight on time and investment, which is why we've created targeted 1-hour remote workshops to help you develop a concrete plan for your product's next steps. Over four interactive sessions, we work with you on research, product design sprint, critical path, and presentation prep so that you and your team are better equipped with the skills and knowledge for success. Find out how we can help you move the needle at: tbot.io/entrepreneurs. JARED: And, Sheng-Hung, in one of your articles that I was reading about design for longevity, you sort of say that design for aging isn't just about designing for older people, but rather, I think one of your colleagues asked this question, which I really liked, which is, how can inclusive methods build elegant design solutions that work for all? And I find that a really aspirational goal. But one of the things, say, at thoughtbot, when they're building a product, so we often talk about targeting a specific niche or a specific user base because then we can really optimize for them. And so, you're designing something that's elegant, and that works for all. It doesn't sound very easy. It sounds like a good challenge. And I'm curious about how do you go about that, and do you have any examples you can you can share? SHENG-HUNG: Design for all elegantly also seamlessly. Optimize everyone's needs or, like, design process. I feel...because my topic is focused on financial planning, right? And I think about everyone's income level is different. Their investable income asset is also different. We have a different situation, right? Our family issue, the healthcare condition is also different. And I feel like that, also, if we look at this question, we should think about, okay, how do we define design for all, right? Is it universal design, or is it inclusive design? I think there are definitely some, like, basic or fundamental, like, foundation or criteria we need to meet. Like, for example, human-centered, right? Or, like, we think about accessibility for certain technology. What's the threshold for a certain way of use the technology or product? That could be, like, a universal or, like, basic. Like I said, people's life stages are so different. And can we really make sure our product or interfaces is always dynamic, always change? Design for transformation, right? And I feel the ideas of changing is kind of scaring for most people. Because you don't want to, like, you woke up, and you realize your iPhone just update the whole interfaces, and you suddenly don't know how to use it [laughs]. It changed too dramatically. What I mean by change is like, it's a gradual integration process. And I feel that's kind of beautiful. Like, for example, the way I use my bicycle, the biking, right? They can ultimately adjust my speed, recharging, or understand my personal preferences. That could be something I think is powerful for future for providing the right solution, yeah. But also, it's a benefit of this, but also, there's downsides. Like, maybe because of that, we all live our own personal bubbles pretty well, right? Like, oh, yeah, yeah, I read a newspaper. No, you read the newspaper that I curated for you. So, somehow, the information started different [laughs]. So, there's a gap, but I don't know. It's very cool. It's very great, great question. I think there's still...I don't have the exact same answer, but I feel that could be potential for now. Yeah. JARED: Yeah, I really like that. So, it's not just a one-size-fits-all-all, but, like, it's a sort of an elegant transformation over the course of someone's life. We've discussed a few different things like design for longevity. You touched on there, as we were speaking, human-centered design. I know you've made a distinction of humanity-centered design as well, and there's also life-centered design. I wonder if you could give us and our listeners a little rapid-fire explainer of each of them. SHENG-HUNG: Like, when we talk about human-centered design, right? Like, it's, like, a buzzword. And everyone talks about HCD, and most people think, oh, if you got a post-it note, you're, like, a HCD designer. No, like, what does that mean, right [laughs]? It's very cliché. And they're like, oh, yeah, all these, like, HCD designers bring the post-it notes with Sharpies and go to facilitate tons of workshops, and they sit and know people. And I feel it's more than that, right? Human-centered is really, like, put yourself, designers, in the shoes of clients, users, customers, and participants to know their needs, their desire and address their pain point. And I think for human-centered design like Don Norman said in his latest book, it's not just about design as a discipline. It also covers, like, politics, covers, like, ethical issue, culture. It's broader. And, for me, the simplest version is, like, you design with care. You design with human temperature. We create technology with human temperature. That means that we're now for this technology to [inaudible 23:13] technology. We know why we need that technology. So, for example, if you provide the, like, the cell phone to the developing countries, you probably don't want to send, like, the latest cell phone. You want to send them, like, the adequate technology. What I mean by that is like, it's very, like, stereotype, but I'm trying to explain the idea is like, oh, Nokia could be a great option at this point, for example. You can communicate. You don't need, like, crazy, like, AR VR function. You at least can communicate. So, it's adequate. I think that kind of lens is, like, you think about the culture, the needs, economic, social status. And then, you can start to move on and upgrade the devices. And I feel like life-centered is even broader. It's like, can you design something to the lens of cats, your pets, your animals? So, it's really like, it's really...it sounds a little bit like a speculative design. But the truth is, like, we can shift our perspective to different kinds of species, cross-species, not just focus on human, because everything we design definitely starts from also for a human being. But now life-centered is like, it's longer, broader. And then, for me, it also means like, we just talk about life-centered. It's like, really think through all different stages of life, not just, like, focus on one single age or a single stage, too specific, too narrow. It's, like, broader. So, when we talk about life-centered design, LCD, we really think about a lot of different systems, framework. What's the model we can follow? You know, so we're also thinking about policy, about power dynamic, government, ethical issues. So, this, I think, like, it's broader, and it's really large. Sometimes it's pretty vague, for sure. We have to use some cases or really think about in different contexts. Context is really important, designed for different contextual knowledges and needs. SAMI: Yeah, I think that is actually a really helpful understanding. Myself I don't know anything about those concepts, so to kind of get that theoretical understanding and explanation from yourself is really helpful. In a more practical sense, I have a question, which is a very selfish question. The reason it's a selfish question is because I want to know what do you think? When you look at the world through your designer lenses, what do you think is the worst-designed product you've ever seen or come across? And I think I know the answer to this. I think there is a right answer. While you have a think, I'll share my answer. I don't know if you have this because you said you're based in Boston at the moment. And I'm showing you because we're on camera, but I will describe it to the listeners as well is what they've done with bottles now is when you open, like, a Coke bottle, for example, all other beverages are available...Coke, if you want to sponsor us [laughter], we're happy just to mention you. When you take the bottle cap off, it's now connected to the top of the bottle. So, someone has decided...now, I understand the reason behind it. They're saying that it's for recycling. So, when you throw your bottle away, make sure the cap goes with the bottle. But someone has sat there, and they've designed the bottles. So, when you take off the cap, it's still connected to the top of the bottle. And countless times, I'm either pouring into a cup or pouring into my mouth. And that cap is getting in the way. So, the liquid kind of goes into that cap, and it spills on me, or it spills on the table. This is an absolute design failure, a catastrophe in my eyes. That's my worst design that I've come across in real life. Do you have anything you can think of that you look at, and you're like, who designed this? SHENG-HUNG: This is such a great example because I did have similar experiences when I went to Milan Design Week last year. All the plastic bottle is, like, connected. The cap connects with the bottle. And I didn't know that it's on purpose at the very beginning. I thought, how come it's, like, connected? I want to take it out because it's easier for me to drink. And I realized it's not just this one; all of them is the same [laughs]. Yeah, that's a great example. I think, for me, design for failure adapter, for example, you know, adapter, like dongle, right? Like, we have so many different...this guy HDMI cable, the cable for iPhone, and the magnet for my Apple MacBook Pro. That's painful because you try to find, like, when you go to, like, a talk or a speech or try to present something, I think, for me, the easiest way is, like, AirPlay, right, Wi-Fi or Bluetooth to connect to the projector. But in reality, you always need this HDMI cable. And this guy connects with my Mac. There's some problem. It depends on...now I always bring my adapter with me. It's just like, we have that [inaudible 28:04] like, you know, it almost, like, very frequently, if we're meeting, you have to show your screen. How can we design less physical but it's user-friendly, right? People use Mac. People use Apple, use, like, Microsoft. How do you design something like a universal adaptable to everyones, just sharing screen? This is what I need. So, I think this could be one bad design, I think, at this moment [laughs]. SAMI: Yeah, that's a great example as well, and so frustrating. And I wonder if it's, like, a money-making scheme, you know, everyone has their own chargers. And that's a way kind of they make some income as well on the side. Jared, what have you seen in the world? What's your pet peeve? What really grinds your gears? JARED: This was easy for me. It came to me straight away. Any door that has a handle that you can wrap your hand around which signifies it should be pulled that is push. It's just, I mean, what is going on there? It drives me bonkers. SHENG-HUNG: [laughs] SAMI: That is brilliant. I think it's only fair if we flip the question, right? And then, we say, what's the best thing you've seen designed, right? There must be something out there where you've gone, "Oh, that is so useful. That makes so much sense. Why haven't we done that until now?" And have you kind of...I guess this is for Sheng-Hung, like, have you got any inspiration from that sort of thing? SHENG-HUNG: I have to be honest. Like, I really feel like in the past, I'm kind of scared about, like, use your face to unlock your phone. But the more I use it, I feel like, oh my God, this is so convenient. You just look at it. I know it's a bit scary because they have all your biometric data information. I know even you protect under the regular law, but still, I feel like, yeah, it's so seamless connected. And I feel maybe the better answer is like, I feel a great design is, like, to reduce the friction between the transition of devices by devices, right? So, for me, I mean, so interface by interface. So, when I share the data on my phone, what does that mean? From phone to my computer or phone to other people, right? All the different interfaces changing. The less friction, the better. I feel seamless connected. So, you know, AirDrop, super convenient, photos, videos with people, Mac users. But what does that mean for, like, Windows users, right? And so, every platform has their own, like, spec, or criteria. And I feel if the user can feel the seamless friction between these interfaces, for me, that could be a great design solution. JARED: I love that answer. And I love that description of reducing friction. It reminds me a little bit of, I think, my favorite book on UX is by Steve Krug, which is "Don't Make Me Think." And it's just all about doing the simplest thing, reducing confusion, overcoming objections, and reducing friction. So, I really love that. I do have an answer for this one as well. It's a little bit selfish or focused on my own life. So, I have a dog. She's a Welsh Terrier called Rosie. She's just turned one. Whenever we used to go out, you've got to take water for her if it's a hot day. I always used to take a bottle, whether you could unscrew the top or not, I'm not sure, Sami, and, like, a little bowl to put that in, or you use your hands. And, invariably, she's not going to drink all of the water, so you've got waste. You throw that out. The bag gets wet, all of that. Someone has designed this really cool bottle where the top is actually the bowl. It's an all-in-one. And you press a button; the water goes into the bowl. She drinks. Whatever's left, you press the button again, turn it upright. And the water just flows back in into the rest of the bottle. It's such a simple thing. But, like you say, it just reduces that friction. Anytime a problem no longer exists, manual to automatic cars, fight me, I'm all for it. Well, that's a problem solved. That's less friction. That's beauty in the world. SAMI: Yeah, I think it's amazing. When you think about these examples, it really brings out how much of an impact design has. So, you can have the best product in the world, but if you don't get that frictionless design, or you don't get that design that's going to really bring that improvement, it's going to be difficult to make that product a success. And I think there's some, like, when I think about leaders and innovators in this kind of space, so I know you already mentioned IKEA and I think of Apple. And I don't know the answer to this, and maybe our listeners also wonder, like, how do these companies...they seem to keep getting it right. No matter what happens, they seem to set the trends, and they get their design spot-on, and they innovate in that space. How are they so successful in their design? SHENG-HUNG: I think a recent example is like, you know, like, Apple just recently launched the Vision Pro, right? The XR, the goggles. And put the demo time 30 minutes to get in-store experiences. You're booking the demo time with them, the 30 minutes. For me, I wrote an article about it. It is less about the goggle itself. It is about the whole experiences. The time you enter the store, right, and then you're waiting there, who guiding you? The Genius Bar people guiding you. You sit down. You have the prescription and your glasses that get measured, scan the QR code, and find the match [inaudible 33:35] pair of goggles that fit your [inaudible 33:37] of your face. And they put it on. They sit on the side, use the iPad to guiding you, and tell personal experiences or stories. These companies are very design-driven, vision-driven company. They really think about the whole experiences of users, right? And, for me, it's too pricey, for me, the product, obviously, right now. But I have very delightful, positive experiences because of that 30-minute demo. So, I kind of plant the seeds in my heart. Oh, if the second generation or something have discount, I would definitely want to get one for myself. Not really because...it's a great design for sure, but also, the impression I have. And I feel that really, really, like, make a difference, right? It's tiny. It's very subtle. They can, "No, we don't have, like, demo experiences." They can just purely sell the product. But I think they sell something bigger than just product. Branding user experiences, delightful experiences. And I can really feel that, and that's really powerful in the end. JARED: Do you think that that sort of level of design is limited to the companies that can afford it like the big names? Like, obviously, there is a cost dedicated to having the time and to putting the resources to that. Is it always just going to be the big players, or are there things we can do to democratize that availability for the startups, for the SMEs? SHENG-HUNG: I actually think it's about a company's culture. So, another example I would love to share is, like, when we did, like, an inspiration trip in Tokyo, and there's a very famous, like, chain bookstore called Tsutaya bookstore or Tsutaya electrics. So, to my surprise, like, yeah, it's a big bookstore, and we probably think bookstore selling books. No, they're actually selling a lifestyle. So, for example, like, if I want to buy the book around how to use a camera, right, the way they curate it, it's like, yeah, we do have the books around camera, but also, we'll put the real camera, like, near the book. So, they curate the whole experiences. You flip the book. Oh, this is so cool. Thanks, I want to try it. You probably, in the end, you got both. So, very interesting and also very human-centered, like, retail experiences. Why did I say culture? Because when I entered the store, I asked for one book I was looking for. The staff came to me, and she bring two books to me. One is the book I want, unpack. And one is the book...it's the same book, but without the plastic cover. It's brand new. And why she brought two books to me because if I want to buy this book, I not only read inside, but also, I can just get the new one with me to check out. And this is so subtle, right? Because they're not just bringing you, like, the sample. They also bring the final product with you. So, I feel that kind of culture is, like, very strong, customer-centered, think about your needs, think about your next step. So, they kind of plan ahead, and this is so strong message to me. Oh my God, this is such a great design culture, or at least a human-centered culture to think about my needs, my decision-making process. So, I feel connected with that, and I feel like, yes, they have money, but also, like, they really cultivate that culture within the...not just...they also send a message to their customers. SAMI: I feel like, Sheng-Hung, we could speak to you for hours. I mean, you are opening my world and my eyes to a different world of design. I've got one final question for you before we wrap up that I wanted to cover. I've seen from your website, like, you've personally designed products. So, out of all the products you've either designed yourself or you've been involved with, what would you say, and could you describe for us your favorite product that you've designed yourself? SHENG-HUNG: I think my favorite product is, like, I help and re-design, like, Shanghai Library Innovation Space that, for me, is OMG. Oh my God. It's crazy. Like, one single team, my side project and collaborate with the full staff, librarian, the leadership team. What is powerful is, like, library for them in Shanghai, it's a local hub to connect the community and also to teach, to learn for the younger generation how to use the space. For sure, most people use that space for, like, self-studying, you know, activity and all this stuff. But, for me, like, it's so impactful because every single change that means a lot of impact because it's a public space. And also, it's really, really powerful. Like, you think about the decision-making process. You have to think about feasibility, viability, and also desirability, all things to connect together. And it's really hard, not easy process. It took me about a year-long project. And I'm really happy because, in the end, it's really from sketches, concept, prototyping models, all the way they rebuild, modify the design, integrated. And now the new library they build on another area of Shanghai is really based on this model and framework. I'm very happy, and I also feel like, yeah, design can make a positive impact. It's not like a concept. It's real. And it's nice. It's painful, but it's really satisfying, yeah [laughs]. SAMI: That's really cool when you get to a point where you've done something, and then you see people using what you've designed and, like, enjoying that space and benefiting from all that hard work that you've put into. I have to thank you so much for joining us and giving us time today on the Giant Robots On Tour Series of the Giant Robots Smashing Into Other Giant Robots podcast. Our listeners don't know, but you've had about two hours of sleep. SHENG-HUNG: [laughs] Yeah. SAMI: So, it's probably time for you to get back into bed yourself. But that is your dedication to us. It's been an incredible episode and an incredible chat. I finally understand why Jared does not like doors. I myself, you will understand if you see me in the street and I'm tearing a bottle cap off of a bottle, you'll understand why. And we need to sort Sheng-Hung out with more adapters with just a single charger for all his devices. If people want to get a hold of you, Sheng-Hung, where's the best place they can reach out after listening to this podcast? SHENG-HUNG: Yeah, definitely, you can reach out through my personal website portfolio. Yeah, shenghunglee.com. And I'm happy to respond and discuss about design-related topic. Thanks for having me on this podcast. It's very exciting, and hope we can create all the great stuff for our society. SAMI: Pleasure. There's always a challenge I give to my listeners at the end, and it normally is just please hit that subscribe button. Jared has promised me that he will do a shoey if we can double our subscribers by the end of the series. If you don't know what a shoey is, my only advice to you is do not Google it because you do not want to know. You can find notes and a complete transcript for this episode at giantrobots.fm. If you have any questions or comments, you can email us at hosts@giantrobots.fm. This podcast is brought to you by thoughtbot and produced and edited by Mandy Moore. Thanks for listening. See ya. AD: Did you know thoughtbot has a referral program? If you introduce us to someone looking for a design or development partner, we will compensate you if they decide to work with us. More info on our website at: tbot.io/referral. Or you can email us at: referrals@thoughtbot.com with any questions.