VRTL Podcasts

In this conversation with Karen Palmer, a multi-disciplinary immersive filmmaker who uses art, AI, gamification, neuroscience and behavioral psychology in her work, VRTL learns about her anti-empathy approach. Palmer's RIOT, an installation that required bespoke artificial intelligence, used storylines triggered by the viewer’s response to calm, anger and/or fear. Palmer tells how fear has significant relevance to her creativity, and she reveals her unique way of grappling with it.

Recently I had the honor and pleasure of being able to speak to a wonderful and passionate person about the future of Virtual production and how the workflow of feature films as such has changed in recent years. His name is Hasraf Dulull, better known as HaZ. He’s a filmmaker who started as a visual effects supervisor on feature films on TV before making his directing and producing debut with the hit indie sci-fi feature film THE BEYOND which was a commercial success on all VOD platforms before being licensed by Netflix. This led to his 2nd feature film - 2036 ORIGIN UNKNOWN starring Katee Sackhoff which got a limited theatrical release in the US and is currently on Netflix. Enjoy this episode of our VR Days Europe - VRTL Podcast Series

Alvin Graylin is the President of HTC China. He is leading all aspects of the HTC business in the China Region and is responsible for Vive VR, phone, Viveport content platform and investments. And recently he has taken on the global responsibility for running the Software Business Unit for HTC as well. The company has launched the Vive XR Suite, a collection of software applications that enable users to work, learn, socialize and share live experiences in an immersive environment. I spoke to a very friendly and humble person who knows very well where he wants to go with HTC and the Vive ecosystem. Get yourself ready for another episode of our VR Days - VRTL Podcast series.

Carl is an e-learning expert passionate about learning via virtual reality and MOOCs. He’s programmed as one of the speakers for the virtual event of the VR Days Europe. Carl and I talk about blended learning and XR, how to build a strong story for an XR training and how this pandemic is fueling the learning and development industry in general. Please enjoy another episode of the VR Days / VRTL podcast series. Listen to Carl Boel and learn how to build powerful stories for XR training.

Last year in Amsterdam, VR Days Europe made its ambitions for growth clear and the Fifth Edition brought them one step closer to maturity. But when the pandemic arrived in the Netherlands and events started canceling, Co-Founder Benjamin De Wit and his team had to forge a new path.And they certainly did. Just like last year, they have developed an extensive program for a hybrid event. As in recent years, VR Days will take place in the Kromhouthal in Amsterdam, a portion which will be streamed with international satellite venues set up.Perhaps this year's edition will be a small step back in order to take three forward next year, putting VR Days permanently on the international map. In this chat with Benjamin about how they adapted from one year to the other, I hope you become equally excited about this year’s edition. Meet VR Days 2020 - New Horizons.

Inga Petryaevskaya is a CEO and Co-Founder of Tvori, VR animation and prototyping software. Tvori is an award-winning technology startup located in San Mateo, California and Saint Petersburg in Russia. VRTL was honored to welcome Inga as a guest on our podcast. We talked about the emergence of XR teams within large companies, the importance of spatial design as a future proof skill and how Tvori makes it possible to ideate, visualize and communicate your ideas, all within virtual reality. Enjoy!

Michel Reilhac is a narrative architect and long-time transmedia and immersive media pioneer. He's is known as a leading international expert for innovation in hybrid storytelling across participatory, interactive and immersive experiences. As the Head of Studies at the Venice Biennale College and the VR competition curator for the Venice Biennale International Film Festival, Michel is regularly invited to speak and teach at major international events, including the Cannes International Film Festival, SXSW, Tribeca Film Festival, and many more. In our podcast Michel talks about the opportunity of hybrid film festivals and the need for distribution channels to monetize on XR content.

Jeffrey is a filmmaker, engineer, and virtual reality pioneer. As the founder and CEO of Positron, he created Voyager®. Jeffrey and his team have worked with studios such as Universal, DreamWorks, Disney, Warner Bros, Adult Swim, Felix & Paul, and others to craft premium VR content for XR Cinemas using the Voyager platform. In this episode of the VRTL podcast, we talked about the impressive quality of the submissions, the go-to-market strategy of Positron and how the business model for LBE works precisely.

Jingshu Shen, nominated in Forbes 30 under 30 Asia 2018, co-founded VeeR VR with Aiden in 2016, with a mission to bring the best immersive entertainment to the world. VeeR is a leading VR entertainment platform available worldwide, across all major VR headset, web, and mobile. VeeR acquires, produces, and distributes best-in-class immersive stories and light-weight interactive experiences.In this podcast Jingshu Chen talked about how the Chinese market responds to XR content and how artists can monetize on their projects using VeeR VR.

Featuring immersive work from VR artists around the world, the Museum of Other Realities is a virtual art gallery that provides a place to connect, share, and experience new media together with others. Founded by Colin Northway and Robin Stethem in 2017, the MOR encourages visitors to step into and interact with the multidimensional artwork, transcending the limits of more traditional gallery experiences. In this episode Robin Stethem uncovers how the Museums of Other Realities works with artists on a space that will allow a broader audience to experience an incredible realm of creative potential in its native medium and how to inspire the next-gen artists.

When you go to a film festival, it is almost impossible not to bump into this man. Jimmy Cheng focuses on the acquisition and licensing of immersive/interactive XR content as Director of Content / Business Operations at Iconic Engine. Currently, he represents 140 studios, including GoPro, Atlas V, Secret Location, and supporting six telecoms for finding content. In this episode of the VRTL podcast, Jimmy talks to Pieter about the recent trends in demand for the type of XR content and how he sees the XR licensing business evolving. A sneak peek at the panel that Jimmy will be part of at Cannes XR Virtual next week.

I think it must have been about a year since René and I last met each other in real life. That must have been during Cannes XR if I remember correctly. In the meantime, a lot has happened with Kaleidoscope and the pandemic has certainly accelerated the implementation of the new business model. René Pinnell is Founder and CEO of Kaleidoscope and has a clear mission and vision where he wants to go with the platform. Just like last year, Kaleidoscope and Cannes XR are teaming up and René gives us insights on what we can expect from this collaboration. Listen to his podcast how vision with action can change the world for XR artists.

This week on our VRTL podcast we welcome Sean Rodrigo. Sean's a London-based, Virtual Reality Artist / Technologist working with innovative XR technology such as virtual reality as a core creative tool to achieve engaging, insightful and meaningful experiences.Over the last 13 years, Sean has worked in film, television and advertising with extensive experience in technical and creative campaigns. His current work ranges from installation artwork to designing prototype products in super fast timeframes – sometimes mixing technology with traditional tools such as theatre, design and animation.In this episode Pieter and Sean discuss the necessary skillset to start designing in virtual reality, the uncharted territory of spatial creation within the industry and insights on the available tools in the market.

Nina is an award-winning filmmaker and XR Creative, Producer & Consultant. She has worked in the XR space since 2015. She is one of the co-founders of the Women in VR meet up group, an XR journalist for two and half years, and has worked on creating, developing, and using immersive technologies for various companies and brands. She is currently working on bringing VR into UK prisons, executing UK immersive events, and working on her own VR film. Nina Salomons talks about her career path and her mission to make the XR community more diverse. She has a clear view on how to build a bridge to the other side of the widening skills gap, to unlock the full potential of XR.

Rosh is Managing Director at UNIT9 a global Innovation Studio. A seasoned leader, passionate about the creative application of technologies for brands, and has been involved in the agency, production and start-up worlds running successful businesses and executing innovative and award winning work for some of the worlds biggest brands. Previous to UNIT9 he ran a record label, sold a business to WPP, started an embedded creative agency at WPP and founded a start-up incubator launching a new visual holographic medium, eco-friendly street furniture and a VR motion platform to the UK. Rosh Singh responds to how he got into immersive, the hype about VR/AR and about how an A-list production agency works with customers.

Marta Ordeig is a filmmaker and entrepreneur traveling between Silicon Valley and Barcelona. In 2016 she founded Garage Stories, a content lab where she gathers creatives minds from various background to co-create and explore the possibilities that emerging technologies are bringing into the table and take an active part in shaping the future of entertainment. In this episode Pieter and Marta talk about how her idea generation methodology makes sense for XR projects and about her collaboration with prominent film festivals.

Rafael Pavon is an award-winning Creative Director and Producer at AtlasV, the production studio behind Spheres, Gloomy Eyes, Battlescar, and Vestige. Rafael started as Director and Creative Director for virtual reality in 2015 at VR studio Future Lighthouse, where he worked on 30+ VR productions from idea to delivery, creating award-winning original content from scratch, like Melita and Ray, and also working with partners like Sony, Oculus and HTC on projects like Campfire Creepers. After Future Lighthouse, Rafael Pavon joined the Disney-backed company Jaunt in London as Creative Director and worked as a freelance immersive director for projects such as the World Monuments Fund.

François Fripiat has been a sound engineer for over 12 years. He worked in many different fields such as sound design, audio mix, and he's been a sound supervisor for many different animation films, feature films, documentaries, etc... Passionate about spatial sound for a decade, François Fripiat founded the company Demute, a creative sound studio dedicated to new media (XR / Video Games / Immersive experiences). Demute is focusing on tech by developing new technological tools to improve immersion through sound. Our VRTL podcast host Pieter Van Leugenhagen will dig deeper to learn the different aspects within spatial sound and how it contributes to the storytelling of a cinematic VR experience.

Bob Cooney is widely considered the world’s leading authority on the location-based virtual reality (LBVR) business. As an innovator in immersive entertainment for nearly 30 years, he is a frequent keynote speaker at VR and amusement industry conferences and is a renowned and skilled moderator. Next to being a mentor and speaker, Bob is the author of the new book “Real Money from Virtual Reality”, a guide for entrepreneurs entering the LBVR space. While Bob has a tight schedule, he managed to squeeze in a spot for our VRTL Podcasts. Our VRTL host Pieter talked with Bob Cooney about the opportunities and struggles for LBE business models and the future of this growing industry.

Dominic Eskofier co-founded the largest unofficial community for VR (reddit.com/r/oculus), started the VR Germany meetup group and is co-founder of EUVR.org – a non-profit organization pushing the European XR industry. After co-founding the VR startup realities.io at Boost VC, an accelerator in Silicon Valley, he gathered international corporate experience at Nvidia as their Head of Virtual Reality (EMEAI). Now, as Head of Eden Europe, he develops the European business for Eden, a startup from South Africa on the convergence of XR and emerging tech. Eskofier joined us for a podcast and talked about his past in VR and the very first duct-taped Oculus Rift prototype. He does not take a doom and gloom approach to XR, but believes it’s time to move up a gear for our industry.

After 4 years building mobile apps startups, frustrated by the limited options to efficiently monetize content, Sam Huber started Admix. Sam believes that immersive technologies (XR) are a change of interface, that will have an impact on humanity similar to the printing press or the screen. It is an inevitable transition. However, XR doesn't have a scalable business model yet. Admix aims to solve this problem and maximize revenue for the content creators while creating a better future for advertising.Under 2 years, Admix has grown to a team of 26, helping 150 creators monetize their VR/AR/gaming content, and have raised over $2.4M along the way.

Co-Founder and CEO at VISUALISE, the virtual reality production studio and author of Virtual Reality Marketing. Henry Stuart is one of the industry leaders in producing VR content for marketing, brands and storytelling for editorial and entertainment.A regular speaker at Virtual Reality events around the globe, Henry is a recognised thought leader on VR with articles published in Wired, the BBC, Marketing Magazine, the Financial Times, the Drum and many more of the UK and world's top press. Listen to Henry Stuart's podcast in which he describes Visualise's journey during the Gartner Hype Cycle, the challenges of hardware and the future of qualitative cameras.

Ricardo Laganaro is one of the most innovative filmmakers in Brazil, partner and Chief Storytelling Officer at ARVORE Immersive Experiences. His many-sided knowledge blends live-action, stop-motion animation, computer graphics and writing. Ricardo Laganaro entered the immersive world directing a full dome experience for Museum of Tomorrow in Rio. During 2016, he has directed 360º musical and advertising projects that sum more than 60 million views. At VR Days, we had a brief talk with Ricardo discussing the state of mind of VR in Brazil, his role in ARVORE and the story behind “The Line”.

Ricardo Laganaro is one of the most innovative filmmakers in Brazil, partner and Chief Storytelling Officer at ARVORE Immersive Experiences. His many-sided knowledge blends live-action, stop-motion animation, computer graphics and writing.Laganaro entered the immersive world directing a full-dome experience for Museum of Tomorrow in Rio. During 2016, he has directed 360º musical and advertising projects that sum more than 60 million views. In this keynote session at VR Days in Amsterdam, Ricardo Laganaro gives us insights in the creation process of his newest experience 'The Line'.

Daniel started his career at a large Dutch corporate (ING) where he gained lots of hands-on experience with Scrum, Agile and Lean Startup techniques. He put his experience to good use mentoring start-ups at Rockstart in Amsterdam and has been involved in their smart energy accelerator program.Spring 2014 he started the Dutch community VRNL with over a thousand members currently, bringing together everyone passionate about VR in the Netherlands. A year later he organised the first European meetup at NUMA in Paris, uniting the Dutch, German, Belgian and French communities and co-founded VRDAYS Europe.In august 2015 he joined the Parisian-based startup VideoStitch as their VP Strategic Partnerships. Recently he founded VRBASE in Amsterdam with the goal of uniting several physical hotspots in Europe and to create a true VR/AR ecosystem. VRBASE is an incubator/co-working space and (experimental) content production company.

A Brussels-based spatial computing expert. Previously Leen worked for 10 years with several technology startups in Ghent, London, and Brussels. Since 2011, she has been focused on the democratisation of media across platforms and devices which led her to start LucidWeb in 2016. Today, LucidWeb is working with many broadcasters & VR/AR agencies across Europe. Recently the company also launched its white-label app-less distribution platform LucidWeb.pro. Leen is the co-founder of Women in Immersive Tech Europe.Anastasia has been creating VR experiences for the travel industry since 2017 under the brand Frugal Hedonist. She has produced projects for international clients, government bodies, luxury hospitality brands, and non-profit organizations. In 2018, she received the “Best VR Travel Experience 2018” award at VR Festival in Las Vegas for her work in Mozambique. Her latest venture, Globetrotter VR, is creating immersive travel guides that use VR to help travelers research and plan their trips. Prior to venturing into VR, Anastasia worked in Private Equity in London. She holds a European Law LLB from the University of Warwick

Kiira Benzing is a director crossing the mediums of theater, hybrid cinema and virtual reality. “Cardboard City” her first venture in Virtual Reality won the Samsung Gear Indie Milk VR contest (2016). Following this VR film her interactive installation for “Cardboard City” combining VR and AR premiered at the 54th annual New York Film Festival at Lincoln Center. Her short film “Hilda” had its World Premiere at the Tribeca Film Festival in April 2017 and was distributed to Amazon and her recent film Diptych had its world premiere at Lincoln Center’s Dance on Camera (2018). She has been selected twice for the Oculus Launch Pad Program, Google’s Jump Start, and as a JustFilms Fellow in partnership with the Made in NY Media Center by IFP. She is currently working with live actors performing in social VR with the open software platform High Fidelity and she writes for the Medium blog “Alive in Plasticland”. World-building, especially crafting storyworlds that center on social good and provide the player with a sense of agency resonate with Benzing’s core mission. She loves working in all formats – 2D, 360, volumetric capture and 3D animation. Whether VR, AR, film or game she firmly believes the story must dictate the medium. She enjoys uniting technologists and creatives to inspire and push each other.Kiira is proud to announce that her most recent project, Runnin’, is an official selection of the Sundance Film Festival 2019.

Amy Hedrick is CEO and Co-Founder of CleanboxTechnology. As a thought leader providing insights into the immersive technology, she brings solutions and innovation in smart tech hygiene. Having led multiple teams from project inception and execution through profitable completion, she has proven herself an effective leader in diverse venues over the past decade. Most recently, Amy was Manager of Content and Digital Media for the think tank division of Li and Fung, a leading global consumer goods sourcing and manufacturing company based in Hong Kong. Her expertise includes conducting bespoke research and C-level reports within technology, retail, and cross-genre applications. Amy was one of four writers for the Fung Business Intelligence Center (FBIC). Previous to that, Amy’s focus was on content creation at the intersection of entertainment and education. Amy spent her early career working with international aid organizations, managing multiple teams of 50-150 healthcare, construction, and emergency intervention professionals, and overseeing direct-aid projects. Amy has worked in fundraising in both the profit and non-profit sectors.

Benjamin de Wit is Founder and Festival Director of VR Days Europe. Since its first year in 2015, VR Days has the ambition to be Europe’s leading professional and creative XR event. With the 5th edition of VR Days coming up, Benjamin has found time and space in his hectic time schedule to discuss the future and past of VR Days and his expectations of the upcoming event. Benjamin goes deeper on the program of VR Days and recommends some must-see experiences / must-hear panel discussions at the festival.

In today's podcast, we're featuring Loren Hammonds, Senior Programmer at Tribeca Film Festival in New York City and the man in charge of feature-films and immersive. Tribeca Film Festival was founded by Robert De Niro and Jane Rosenthal in direct response to the events on 9/11 to revitalize the community. Immersive is a significant part of the festival that is growing exponentially every year. In this episode, we'll talk about the evolution beyond film at Tribeca, how Loren is following up artists and why sustenance is essential to artists.

Today’s podcast is a fifteen-minute talk with Siqi Chen, CPO of Sandbox VR. Sandbox VR has recently received 16 million dollar funding, which is the largest amount of fundraising that’s been into VR since the original Oculus company. Listen to what Siqi Chen has to say about the expansion of the company, why China has taken a big leap in terms of retail experiences in shopping malls and why narrative is becoming more and more important in the experiences they offer.

This podcast episode is with Julian Sarmiento, the Chief Creative Officer of Iconic Engine. He's had a career that is basically the technicolor fusion of art and technology. In two decades, he rose to leading the computer graphic teams on some of Hollywood's biggest blockbusters for example 'I, Robot' or the Oscar-winning 'the curious case of Benjamin Button'. He's worked with the top creative thinkers on products on films because he inhabits that rare space of both artistry and knowledge of VFX, 3D, Stereo, UI, UX, mobile, direct manipulation, IoT, computer vision, artificial intelligence, and blockchain. Those skills are at the foundation of his interactive and immersive work. In this podcast, Julian talks with us about the different roles, creativity, technology, and innovation and how these interplay with humans and what that means for XR.

In what way is the future of acting influenced by technical innovations such as VR/AR? That's the fundamental idea of the reason why the Dutch Cassandra De Klerck founded Virtual Acting, a company specialized in teaching and consulting how to act in a different environment such as immersive worlds.

Liz Rosenthal, Founder & CEO of Power to the Pixel and Programmer of immersive content for Venice International Film Festival, had a tête-à-tête with our Editor-In-Chief Justine Harcourt de Tourville. In this VRTL podcast, Liz gives us a sneak peek behind the scenes of the selection of immersive works at Venice International Film Festival and tells us why creating value around a project is highly important.

Matthieu Labeau is the International Business Developer at Starbreeze Studios which you will probably know better as the creators of PAYDAY. With studios in Stockholm, Barcelona and Paris, the gaming developer, creator, publisher and distributor, Starbreeze targets the global market. In this VRTL episode, we discuss the social aspect of multiplayer games and cinematic VR, the future of headsets and the critical link between technology and storytelling.

VR comes from all over the world–including places you don't immediately think of–like Oklahoma! In this episode, VRTL speaks with the two founders of Springboard VR, Will Stackable & Brad Scoggin, whose move into the VR space started 2.5 years ago. Brad came across virtual reality and immediately had to discuss it with his hometown pal, Will, who was already well aware of VR's impact on education, healthcare, etc. Brad and Will both soon realized that they wanted to enter the VR space, but had no idea exactly where to begin. Ultimately they decided that location-based entertainment works well in places like Oklahoma—and everywhere else! Here’s their fascinating story...

Martir Tupac is the creative soul behind Satore Studio and Satore Tech, two companies he raised as his own babies. Starting out in London, Tupac now has offices in New Mexico, New York and Paris. Martir has worked for numerous brands, celebs, and festivals (just to name a few: Coachella, Bon Jovi, and Beyoncé). In this podcast Tupac firstly goes deeper on his experience in the industry of emerging technology. Secondly, VRTL made a stop at Satore Studio to wonder why it's so important having all these creative individuals to work as a team, act as a team. Finally, we dig a little deeper into 'Cosmos Within Us', Martir's newest project he's raising money for.

Founder and Director of Sandbox Immersive Festival, Eddie Lou stepped on stage at Cannes XR bringing good news: “VR is booming in China.” How can it not? With a population of 1.3 billion, just a small fraction of users makes for a respectable market. The biggest tech companies of Japan (Ali Baba, WeChat, Tencent, Baidu) are all investing in VR ventures. Together with telecom companies the investments in XR content will only increase. Let’s listen to what Eddie Lou had to say on our VRTL Podcast.

It’s barely over six months since Iconic Engine spun off from Digital Domain and they’re awareness is already going through the roof. Iconic Engine CEO Amit Chopra explains how his forward thinking XR company combines service projects with a global streaming platform and 60+ Location Based Entertainment centers already in China. Key to the seamlessness are the people working at Iconic Engine; they’re all industry veterans. Early April the company launched their newest product the ‘Holometric 4D Cinema’ during both Cinemacon and NAB Show in Las Vegas. Iconic Engine is building a new ecosystem of immersive theatres which can break the boundaries of the traditional frame and can be globally managed and programmed. Amit explains they don’t believe in the philosophy of ‘anyone can be it’s own director by looking around’ and how they want to put the director in the driver’s seat again. Just sit back and enjoy the forward thinking ride.

Next in our Cannes XR series is Joanna Popper, Global Head of Virtual Reality for Location Based Entertainment at HP. She has experience in both Hollywood and Silicon valley as a media executive within the TV, Digital, Film and Marketing space. While traveling the world from conference to festival, Joanna has become not only a thought leader and advisor to our community but also an inspiration. Within her position at HP, and by partnering with fellow operators and content creators, Joanna is leading the strategy to grow the business and market for Location Based Entertainment. Justine and Joanna had a compelling conversation in the latest episode of our VRTL Podcast.

Longtime Sony post- and production technologist Danilo used photogrammetry and volumetric video capture to make 7 Miracles. The seven-part episodic feature runs over 70 minutes, making it the first feature-length cinematic experience from Vive Studios. Danilo discussed some of the techniques involved to produce images in 8K.

The debut of Cannes XR was certainly not the first event on immersive for conference veteran Elie Levasseur. As a Head of Programming behind Paris’ Cross Video Days for five years, he is used to scouting for the best XR work from across the globe.

Chief Creative and General Manager at Intel Studios, Diego Prilusky details the timeless magic of Grease and how it was re-imagined in newer technology from pixels to voxels. A big believer in volumetric capturing, Diego tells what it was like to work with Randal Kleiser, the original director for the film version of Grease–released over 40 years ago!

Bombay-born but Berlin-based, Gayatri Parameswaran, another selectee of the Kaleidoscope Development Showcase shared some of the harrowing behind the scenes from her documentary piece Home After War and her Kaleidoscope piece Kusunda, which immerses the viewer in the world of a dying language.

Fabio Hofnik (Brazil) & Mathieu Gayet (France) have joined forces to create XRDB, a new resource for the immersive community. An online database, XRDB is dedicated to all digital immersive content such as 360 films, VR, AR and other immersive experiences.

While Incitement is performing well and getting traction in a lot of festivals, its makers, a Dutch-French duo, is hot on the trails of new work. Their new transmersive VR series is part of the Kaleidoscope Development Showcase and will consist of five thrilling chapters of two episodes told in non-chronological order.

Chief Creative and General Manager at Intel Studios, Diego Prilusky details the timeless magic of Grease and how it was re-imagined in newer technology from pixels to voxels. A big believer in volumetric capturing, Diego tells what it was like to work with Randal Kleiser, the original director for the film version of Grease–released over 40 years ago! Global Content Technology Strategist, Ravi Velhal talked about the enormous amount of data that goes into these productions to enhance storytelling.

Red carpet events were absent in the basement of the Palais, but on Tuesday the buzz and excitement (and photographers) surrounding A.R. Rahman felt like one. On stage to talk about Le Musk, a sensory virtual reality experience. Rahman is multi-Academy and Grammy award-winning musician, composer and singer, most famous for his music in Slumdog Millionaire. He talked about his collaboration with Intel Studios and his debut as VR director.

Kicking off our Cannes XR podcast series is Kane Lee, Chief Content Officer at Baobab. This San Francisco-based studio is led by CEO Maureen Fan and Chief Creative Officer Eric Darnell (Director Madagascar). Kane talked about the newest Baobab project Bonfire and how the Studios have continued to evolve stylistically with each consecutive piece. Among other topics covered are the ways named talent in VR production is helpful.

VRTL spoke with Lucas Wilson of Supersphere, the VR and live 360 production powerhouse, about how to best deliver an exceptional audience experience. From sporting events to live concerts, Supersphere has been behind the scenes hauling flypacks, checking sound, and setting up cameras so viewers feel like they are smack in the middle of the action. They debuted capturing a musical performance in a festival setting at SXSW and recently were the partner for livestreaming in Oculus Venues, at F8. Lucas shares a couple of great stories, insight from his vast experience and a few tips on best practices with Justine in this VRTL podcast episode.